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Welcome to Cash In The Attic. We have a tough task ahead. Everything must go, including the flat. | 0:00:02 | 0:00:07 | |
But will we find anything worth taking to the auction? Find out next. | 0:00:07 | 0:00:11 | |
'Coming up on Cash In The Attic, some Danish porcelain figures prove not to be to everyone's tastes.' | 0:00:30 | 0:00:37 | |
I don't like them personally, no. | 0:00:37 | 0:00:40 | |
They're a bit too... I find them a bit sinister, actually. | 0:00:40 | 0:00:43 | |
'And could our antiques expert finally have met his match?' | 0:00:43 | 0:00:47 | |
You're absolutely spot on. You've got the timber, the date. My job's done. | 0:00:47 | 0:00:51 | |
-Do you want to go home? -I think I'll get my coat. | 0:00:51 | 0:00:54 | |
'Anyone would think we're dealing with a pro.' | 0:00:54 | 0:00:57 | |
-You've got the hang of that. You gave the auctioneer a nod. -Very calm. | 0:00:57 | 0:01:01 | |
'But can we all remain unflustered during a turbulent day at auction? | 0:01:01 | 0:01:05 | |
'Find out with a final fall of the gavel.' | 0:01:05 | 0:01:07 | |
Today we are in Cambridge to meet two sisters who called our team | 0:01:09 | 0:01:14 | |
cos they want to raise some money for their grandmother. | 0:01:14 | 0:01:17 | |
'Sisters Jessica and Rachel Thompson hail from Cambridgeshire. | 0:01:18 | 0:01:22 | |
'They've been through some truly tough years, but even so, | 0:01:22 | 0:01:25 | |
'they've managed to build successful careers for themselves. | 0:01:25 | 0:01:28 | |
'Oldest sister Jessica is in publishing, a family tradition | 0:01:28 | 0:01:31 | |
'that runs through three generations, and she currently works for a bridal magazine. | 0:01:31 | 0:01:37 | |
'While younger sister Rachel followed a more theatrical route. | 0:01:37 | 0:01:40 | |
'She works at two local colleges as a special needs coordinator as well as teaching theatre studies. | 0:01:40 | 0:01:46 | |
'Away from the office, life has been anything but easy for the girls | 0:01:46 | 0:01:50 | |
'and with another of life's hurdles to overcome, they've decided to call in the Cash In The Attic team. | 0:01:50 | 0:01:56 | |
'Our expert John Cameron is here to help me on our mission. | 0:01:56 | 0:02:00 | |
'He's a valuer, an auctioneer, and perhaps today a knight in shining armour.' | 0:02:00 | 0:02:05 | |
-Ooh, this is what I like to see. People at work already. -Brilliant. | 0:02:05 | 0:02:08 | |
-Looks like they've done all the unpacking! -Where should he get started? | 0:02:08 | 0:02:12 | |
-Well, there's lots of ornaments in the living room. -Go on, John, get started. | 0:02:12 | 0:02:16 | |
-Now, own up, who called the Cash In The Attic team? -Jessica did. -Why did you call us? | 0:02:16 | 0:02:20 | |
Well, basically, Dorothy, our grandmother, has had to go into a care home. | 0:02:20 | 0:02:24 | |
This is our grandma's flat, which is on the market at the moment, | 0:02:24 | 0:02:28 | |
but until this flat sells, we need some money to pay for the care home | 0:02:28 | 0:02:32 | |
which is about £600 a week. | 0:02:32 | 0:02:34 | |
It's always very difficult when you come to a family member's house | 0:02:34 | 0:02:38 | |
because there's sentimental value to items. | 0:02:38 | 0:02:40 | |
Are we facing a wrestling match for these belongings if John likes them and you want to keep them? | 0:02:40 | 0:02:45 | |
-Or are you fairly open-minded about getting rid of stuff? -There are some things we want to keep | 0:02:45 | 0:02:50 | |
but we're fairly open-minded as to suggestions as to what to get rid of. | 0:02:50 | 0:02:56 | |
-OK, you go that way. -OK. -And Jess, we'll go that way. | 0:02:56 | 0:03:00 | |
'I can see just how fond the sisters are of their beloved grandmother | 0:03:00 | 0:03:05 | |
'and how important it is for them that Dorothy has the best possible care. | 0:03:05 | 0:03:08 | |
'Well, they've set our target at a realistic £600 | 0:03:08 | 0:03:12 | |
'but clearly the more we can raise, the better. | 0:03:12 | 0:03:15 | |
'Good to his word, John is already hard at work.' | 0:03:15 | 0:03:19 | |
There he is! Hello, mate. I've got some great news for you. | 0:03:19 | 0:03:22 | |
We've had a long chat. Everything today must go. | 0:03:22 | 0:03:25 | |
-Sounds like a sofa sale! -What have you got there? | 0:03:25 | 0:03:29 | |
Well, I've noticed quite a few ceramics around the house, | 0:03:29 | 0:03:32 | |
in particular animals, but also quite a few cows. | 0:03:32 | 0:03:36 | |
Is there any reason for the cow collection? | 0:03:36 | 0:03:38 | |
No, I don't think there's any reason for cows in particular, | 0:03:38 | 0:03:41 | |
but there's lots of animals. Dorothy's really into nature and animals. | 0:03:41 | 0:03:45 | |
I've focused in on a pair of 19th century Staffordshire figure groups. | 0:03:45 | 0:03:50 | |
-So Staffordshire, is that the breed of cow? -No, it's not, | 0:03:50 | 0:03:53 | |
but you could be forgiven for thinking so. | 0:03:53 | 0:03:55 | |
It's the type of pottery. It's very distinctive. | 0:03:55 | 0:03:58 | |
Once you've seen a few pieces of Staffordshire, you never forget it. | 0:03:58 | 0:04:01 | |
They're made of earthenware, pottery, and they're decorated with these on-glaze enamel colours | 0:04:01 | 0:04:08 | |
which can be a bit worn, but the thing you have to check with Staffordshire is the condition. | 0:04:08 | 0:04:14 | |
Because being earthenware, it's quite brittle, so it is susceptible to damage. | 0:04:14 | 0:04:19 | |
Have a look at that back leg. That's been completely restored, as well, | 0:04:19 | 0:04:23 | |
and a good way to tell that, if you suspect it may have been restored, | 0:04:23 | 0:04:27 | |
just take a normal household pin or safety pin, | 0:04:27 | 0:04:30 | |
lightly drag it over the surface of the glaze and as it comes across anything restored, it will drag. | 0:04:30 | 0:04:36 | |
That's a good way to confirm your suspicions. | 0:04:36 | 0:04:39 | |
-So, do you like them? -I like them, yeah, but I wouldn't want them in my house, so I'm happy to sell them. | 0:04:39 | 0:04:45 | |
OK, so they're off. How much for? | 0:04:45 | 0:04:48 | |
-Well, for this one and the udder one... -Ohh! | 0:04:48 | 0:04:51 | |
..I think we're looking at about £50 to £80. | 0:04:51 | 0:04:54 | |
-That's not too bad. You happy with that? -Yeah, that's great. | 0:04:54 | 0:04:57 | |
I'm still recovering from that gag. Come on. | 0:04:57 | 0:05:01 | |
'We all know his jokes are terrible, but he means well, and I have no beef with his valuation. | 0:05:01 | 0:05:08 | |
'He's got me started now. Rachel's search begins in the lounge. | 0:05:08 | 0:05:11 | |
'She decides to take a closer look at an octagonal plate | 0:05:11 | 0:05:14 | |
'that's hung on Dorothy's wall for as long as she can remember. | 0:05:14 | 0:05:17 | |
'It dates from the 18th century and is a Chinese export in a style popularly known as Famille rose. | 0:05:17 | 0:05:24 | |
'John thinks any porcelain collectors would be happy to pay | 0:05:24 | 0:05:28 | |
'at least £20 to £40 for it at auction. | 0:05:28 | 0:05:31 | |
'It looks like Rachel's on a roll.' | 0:05:31 | 0:05:33 | |
John, what do you think of this? | 0:05:34 | 0:05:37 | |
Ah, this looks an interesting item, Rachel. | 0:05:37 | 0:05:40 | |
-What do you know about it? -Not very much. | 0:05:40 | 0:05:42 | |
-I was wondering if that was silver. -Yes, it is silver. | 0:05:42 | 0:05:46 | |
It has got a complete set of hallmarks there. | 0:05:46 | 0:05:48 | |
The lion passant tells us it is 925 standard. | 0:05:48 | 0:05:52 | |
And the date letter for 1883 alongside Queen Victoria's head on the side. | 0:05:52 | 0:05:58 | |
-Do you know what it is? -Erm, it's obviously to hold some kind of drink. | 0:05:58 | 0:06:02 | |
-But I don't know what. -Have a guess. -Maybe alcoholic? | 0:06:02 | 0:06:05 | |
Well, you wouldn't be far wrong. It is for alcohol. | 0:06:05 | 0:06:09 | |
It's a claret jug, a Victorian claret jug, | 0:06:09 | 0:06:11 | |
and they used jugs like this so that they could decant wine. | 0:06:11 | 0:06:14 | |
You don't have to do that today. With modern filtration, wine's always poured nice and clear, | 0:06:14 | 0:06:19 | |
so claret jugs have almost become redundant, albeit they are collected by lovers of fine wine antiques. | 0:06:19 | 0:06:25 | |
And that is a nice item. It's Victorian, it's silver-mounted, | 0:06:25 | 0:06:30 | |
-but have you ever noticed that decoration round the body? -No, not closely, no. | 0:06:30 | 0:06:34 | |
Have a look at it now. It's a wonderful continuous scene | 0:06:34 | 0:06:38 | |
right around the body there with a chap on horseback jumping a fence, | 0:06:38 | 0:06:41 | |
dogs running through the forest and this wonderful foliage. | 0:06:41 | 0:06:45 | |
Just the attention to detail is mind-boggling and it's all been done by hand. | 0:06:45 | 0:06:50 | |
Now, what you often see are items of glass that have been later engraved to increase their value. | 0:06:50 | 0:06:57 | |
-But if you have a look inside through there where the handle is mounted to the back... -Yeah. | 0:06:57 | 0:07:02 | |
..the detail of the tree and the foliage of the leaves carries on behind that handle | 0:07:02 | 0:07:06 | |
so that was engraved before this silver mount went on, | 0:07:06 | 0:07:10 | |
-so that's absolutely right for the period. What do you think it might be worth? -Erm, maybe around £50? | 0:07:10 | 0:07:16 | |
-Well, try £150 as a minimum price. -Really? | 0:07:16 | 0:07:20 | |
-I think this should make at least £150, £250. -OK. | 0:07:20 | 0:07:25 | |
There is a lot of demand for good quality, wine-related antiques. | 0:07:25 | 0:07:28 | |
-So are we selling it? -Yeah, definitely! -Brilliant! | 0:07:28 | 0:07:31 | |
'But will we be toasting the success of the claret jug on auction day?' | 0:07:31 | 0:07:35 | |
-Start me £400 for it. £400. 20. -Straight in at £400. | 0:07:35 | 0:07:40 | |
-440. 460. -'Wow! Find out how much Dorothy's pride and joy makes later.' | 0:07:40 | 0:07:46 | |
-I can't believe that. -480. | 0:07:46 | 0:07:48 | |
'Our hard work continues, though, and I'm busy searching the living room. | 0:07:50 | 0:07:53 | |
'Sadly, I don't think this porcelain cat will be of much interest to the bidders, so I'll keep looking. | 0:07:53 | 0:08:00 | |
'Fortunately, Jessica's had a little more luck.' | 0:08:00 | 0:08:03 | |
Hey, John, what do you think of this? | 0:08:05 | 0:08:07 | |
That looks interesting, Jessica! | 0:08:08 | 0:08:11 | |
-What's the story behind this? -Well, I found it when we were clearing out Dorothy's kitchen | 0:08:11 | 0:08:16 | |
-and Rachel put it in the charity pile. -What made you stop her? | 0:08:16 | 0:08:20 | |
It caught my eye cos it's silver and I like silver things and it looks Art Deco. | 0:08:20 | 0:08:25 | |
That's a interesting observation. What makes you say it's Art Deco? | 0:08:25 | 0:08:29 | |
Just cos of the style of it. The triangular handle and this shape here. | 0:08:29 | 0:08:34 | |
Well, if I were to say that this was probably designed | 0:08:34 | 0:08:37 | |
-a good 50 years before that, we're talking 19th century, the Victoria period... -Really? | 0:08:37 | 0:08:42 | |
-..would that surprise you? -Yes. -It looks very modern, even today. | 0:08:42 | 0:08:46 | |
It's an interesting piece, certainly from an academic point of view | 0:08:46 | 0:08:49 | |
because, to me, this looks like the designs of Christopher Dresser, | 0:08:49 | 0:08:53 | |
a very important designer who actually started out and trained as a botanist. | 0:08:53 | 0:08:58 | |
His first passion was plants. He didn't really get the job he set out for, | 0:08:58 | 0:09:03 | |
so switched his knowledge to decorative arts. | 0:09:03 | 0:09:07 | |
He was heavily influenced by Japan and a lot of Peruvian decorative arts | 0:09:07 | 0:09:11 | |
and he went on to produce everything from wallpapers to textiles, furniture, glass, | 0:09:11 | 0:09:17 | |
metal ware and in particular silver-plated items which was a way of producing silver objects | 0:09:17 | 0:09:23 | |
for the working classes or the rising middle classes. | 0:09:23 | 0:09:27 | |
-At auction, this should make about £40 to £60. -Wow, that's really good. | 0:09:27 | 0:09:32 | |
You can be the one to tell your sister that this humble little toast rack | 0:09:32 | 0:09:36 | |
may well in the end earn us a bit of a crust. | 0:09:36 | 0:09:38 | |
'Oh, what is wrong with John today? He's not paid by the joke, you know? | 0:09:38 | 0:09:43 | |
'Still, £40 is another very useful contribution. It takes us closer to that £600 mark | 0:09:43 | 0:09:48 | |
'that we're looking to raise for the continued care of grandmother Dorothy.' | 0:09:48 | 0:09:53 | |
This is my favourite time of the day. Out of the house, come down to the village green and catch up. | 0:09:53 | 0:09:58 | |
But by the sounds of it, both of you really need a break. | 0:09:58 | 0:10:02 | |
-You've had a tough time, haven't you? -Yeah, it's been a hard few years. | 0:10:02 | 0:10:07 | |
Our dad got cancer and died in 2007 | 0:10:07 | 0:10:10 | |
so during his illness, we were trying to move Dorothy | 0:10:10 | 0:10:15 | |
up to Cambridge so it was easier for us to look after her. | 0:10:15 | 0:10:19 | |
After he died, we moved her to Histon, | 0:10:19 | 0:10:21 | |
but the last couple of years, she's really deteriorated | 0:10:21 | 0:10:24 | |
and has been diagnosed with dementia and is now in a care home, | 0:10:24 | 0:10:29 | |
which is much better for her. | 0:10:29 | 0:10:33 | |
And we don't have a very big extended family. | 0:10:33 | 0:10:35 | |
Our dad didn't have any siblings | 0:10:35 | 0:10:37 | |
and he actually did everything, really, for Dorothy over the years | 0:10:37 | 0:10:43 | |
cos her husband died when she was quite young, as well, | 0:10:43 | 0:10:46 | |
so we've sort of inherited the responsibilities from him. | 0:10:46 | 0:10:50 | |
-So this is just one of them. -Just one of them. | 0:10:50 | 0:10:53 | |
You say it so calmly and so coolly, but people in their 20s, that's a lot of responsibility. | 0:10:53 | 0:10:59 | |
Yeah, it does feel like that sometimes | 0:10:59 | 0:11:04 | |
when you can't do the same things that your friends might be doing. | 0:11:04 | 0:11:08 | |
But that's life, really. | 0:11:08 | 0:11:11 | |
-It's obviously been very difficult. Are you a close family? -Yeah, we've got a younger brother, as well. | 0:11:11 | 0:11:16 | |
He's 19. And, yeah, we're very close with him. | 0:11:16 | 0:11:21 | |
He's the typical teenage boy so he needs quite a lot of looking after | 0:11:21 | 0:11:26 | |
and keeping in place. | 0:11:26 | 0:11:29 | |
So, come on, be honest, who's the bossy one? This one on the left? | 0:11:29 | 0:11:32 | |
Well, I have to say, I think you two are absolutely incredible | 0:11:32 | 0:11:36 | |
and I really want to raise that £600, so we'd better get back to the house. | 0:11:36 | 0:11:40 | |
'I think you'll agree, two quite remarkable sisters. | 0:11:42 | 0:11:46 | |
'I feel humbled by the strength they've shown over some truly tough years. | 0:11:46 | 0:11:50 | |
'Well, back at the house, John has kept up the good work. | 0:11:50 | 0:11:53 | |
'He's taken a shine to an item Dorothy is very fond of herself. | 0:11:53 | 0:11:58 | |
'She spent many happy hours playing her favourite game of bridge on this fine Edwardian card table. | 0:11:58 | 0:12:03 | |
'Sadly, items like these aren't that popular these days, | 0:12:03 | 0:12:07 | |
'but John still thinks this example could fetch £80 to £120 on sale day. | 0:12:07 | 0:12:13 | |
'We soon find more evidence of Dorothy's fondness for furniture.' | 0:12:13 | 0:12:19 | |
So this is one of my favourite pieces of my grandmother's. | 0:12:20 | 0:12:23 | |
-It's beautiful, isn't it? -Yeah, I think it's mahogany. -It is. | 0:12:23 | 0:12:27 | |
My gran probably bought it because of the gardening scenes down here. | 0:12:27 | 0:12:32 | |
She was a really keen gardener and into flower arranging and things like that. | 0:12:32 | 0:12:37 | |
-So what do you think? -Well, I think it's a handsome piece of furniture. | 0:12:37 | 0:12:41 | |
Do you have any idea how old this might be, Jessica? | 0:12:41 | 0:12:44 | |
I think it's probably Edwardian. | 0:12:44 | 0:12:47 | |
You're absolutely spot on. You've got the timber, the date, my job's done. | 0:12:47 | 0:12:52 | |
-Shall we go home? -I think I'll get my coat! | 0:12:52 | 0:12:54 | |
You're right, it does date to the Edwardian period and it's very typical of their break away | 0:12:54 | 0:12:59 | |
from the rather heavy, ornately carved furniture of the Victorian period. | 0:12:59 | 0:13:03 | |
And unlike the period furniture of that time, this has been painted. | 0:13:03 | 0:13:08 | |
It's faux marquetry. So the whole piece has been given the treatment and it's been used as a canvas. | 0:13:08 | 0:13:14 | |
And when you take a close look, as you've said, | 0:13:14 | 0:13:17 | |
you've got these beautiful draped swags there with those suspended trophies, | 0:13:17 | 0:13:21 | |
which I think are fantastic. They're artworks in their own right. | 0:13:21 | 0:13:25 | |
That one's got cans there, we've got arrows, as well as the gardening tools. | 0:13:25 | 0:13:29 | |
And even on the top, you've got this beautiful framework around this vase | 0:13:29 | 0:13:33 | |
of these interwoven foliage strands with these beautiful strands of pearls. | 0:13:33 | 0:13:39 | |
-But just look at the detail. Fantastic. -And it's in quite good condition. | 0:13:39 | 0:13:43 | |
Overall, it's a lovely form. My only criticism is just on that little corner there where your arm is, | 0:13:43 | 0:13:48 | |
somebody at some point has cut that so it fits and that does happen. | 0:13:48 | 0:13:53 | |
It's quite sad. Not too bad here. I've seen a lot worse. | 0:13:53 | 0:13:56 | |
By and large, the colour is good, the decoration is wonderful, | 0:13:56 | 0:14:00 | |
I love the form of those concave sides. | 0:14:00 | 0:14:02 | |
-I think that's a rather attractive piece of furniture. I'd definitely give that house room. -How much? | 0:14:02 | 0:14:08 | |
At auction today, I wouldn't hesitate with an estimate | 0:14:08 | 0:14:11 | |
-of £300 to £500. -That's a great result. You happy with that? | 0:14:11 | 0:14:15 | |
-Yeah, really happy with that. -Well done, Granny, eh? She had a good eye for some furniture. | 0:14:15 | 0:14:20 | |
'Now that is a terrific valuation. | 0:14:20 | 0:14:23 | |
'Let's just hope the bidders appreciate the cabinet as highly as we all do. | 0:14:23 | 0:14:27 | |
'As we carry on searching Dorothy's home, | 0:14:28 | 0:14:31 | |
'Jessica decides to add this beech side cabinet to the auction. | 0:14:31 | 0:14:36 | |
'This is Edwardian, as well, and it's where Dorothy keeps her playing cards. | 0:14:36 | 0:14:41 | |
'Sadly, it's not up to the standard of the hand-painted cabinet | 0:14:41 | 0:14:44 | |
'so John thinks £40 to £60 is a realistic figure to expect.' | 0:14:44 | 0:14:49 | |
John. | 0:14:52 | 0:14:54 | |
Hi, Rachel. What have you got there? | 0:14:55 | 0:14:57 | |
Well, I believe they're from Denmark. They've just been in my grandmother's cabinet for years. | 0:14:57 | 0:15:02 | |
She's had them as long as we can remember. I think they're called The Four Aches. | 0:15:02 | 0:15:06 | |
The Four Aches. We can see why, can't we? We've got headache, | 0:15:06 | 0:15:10 | |
ear ache, belly ache and toothache. | 0:15:10 | 0:15:12 | |
Or the easiest way to get yourselves out of double maths. Take your pick. | 0:15:12 | 0:15:17 | |
You said they're from Denmark and I think the clue is on the bottom when you turn it upside down. | 0:15:17 | 0:15:22 | |
Made in Denmark. But it also has another mark there | 0:15:22 | 0:15:26 | |
which is the mark of Bing and Grondahl, these three towers, | 0:15:26 | 0:15:29 | |
which comes from the Danish coat of arms. | 0:15:29 | 0:15:31 | |
Now the factory of Bing and Grondahl was set up in the 1850s in Denmark | 0:15:31 | 0:15:36 | |
by a chap by the name of Frederik Vilhelm Grondahl | 0:15:36 | 0:15:39 | |
and two merchant brothers, Jacob and Meyer Bing, who were actually book dealers. | 0:15:39 | 0:15:43 | |
Grondahl was the figure maker, he worked for the Royal Copenhagen Factory, | 0:15:43 | 0:15:47 | |
but set up in competition, making all sorts of dinnerwares and porcelain figures like this. | 0:15:47 | 0:15:52 | |
Eventually they were merged with Royal Copenhagen, so they're now one and the same. | 0:15:52 | 0:15:57 | |
But they made some charming figures and I think these are quite fun. I like them. Do you like them? | 0:15:57 | 0:16:02 | |
I don't like them personally, no. | 0:16:02 | 0:16:05 | |
They're a bit too... I find them a bit sinister, actually. | 0:16:05 | 0:16:08 | |
But I can see why my grandmother would quite like them. They're quite quirky and unusual. | 0:16:08 | 0:16:13 | |
I think they're collectable. I think they're a bit of fun. | 0:16:13 | 0:16:16 | |
-We're looking at something like £50 to £100. Happy with that? -Yeah. | 0:16:16 | 0:16:20 | |
-Well, we're not doing too badly, but we're not quite there yet, so shall we see what else we can find? -Yeah. | 0:16:20 | 0:16:26 | |
'I have to agree with Rachel, they're not my cup of tea, either, | 0:16:26 | 0:16:29 | |
'but hopefully they'll achieve John's estimate on sale day so he won't end up with ear ache. | 0:16:29 | 0:16:35 | |
'I've headed upstairs now after a good look around and I think I may have just come up trumps. | 0:16:35 | 0:16:39 | |
'This collection of silver includes napkin rings, spoons and pots. | 0:16:39 | 0:16:44 | |
'All were wedding gifts to Dorothy. Our expert is so impressed, | 0:16:44 | 0:16:47 | |
'he values them at a very pleasing £60 to £100.' | 0:16:47 | 0:16:52 | |
-So do you have an interest in antiques? -Yeah, I've always liked antiques, | 0:16:53 | 0:16:59 | |
especially 1950s kitsch things | 0:16:59 | 0:17:02 | |
and I spend some of my lunchtimes looking round antique shops in Cambridge. | 0:17:02 | 0:17:07 | |
I'm a bit concerned now, because it sounds as if sister is going to spend all that money getting more. | 0:17:07 | 0:17:12 | |
Tell me about that little family behind you. We had a conversation in the park | 0:17:12 | 0:17:16 | |
about things that have happened to you in the past. | 0:17:16 | 0:17:19 | |
-Are you looking forward to the future now? -Well, I think in about six months, | 0:17:19 | 0:17:24 | |
I might go travelling or something like that. | 0:17:24 | 0:17:26 | |
After we've sold this house and everything's settled with this, I might try and go away for a bit. | 0:17:26 | 0:17:32 | |
What about you, Rachel? Do you fancy travelling? What are your plans? | 0:17:32 | 0:17:36 | |
Yeah, I'm planning to do a bit of travelling, as well. | 0:17:36 | 0:17:39 | |
I'd really like to go to Russia and Mongolia. | 0:17:39 | 0:17:42 | |
And looking at that photograph behind you, there's the brother, as well. | 0:17:42 | 0:17:46 | |
Do you know what plans he has for the future? | 0:17:46 | 0:17:48 | |
Well, at the moment, Jonathan's in Thailand on his gap year. | 0:17:48 | 0:17:52 | |
He's been there for a couple of months now and is due to come back quite soon | 0:17:52 | 0:17:57 | |
-and then he's off to university in September. -Right. | 0:17:57 | 0:18:00 | |
And eventually he wants to be a policeman. | 0:18:00 | 0:18:03 | |
A policeman. So he'll be looking after you at long last, right? | 0:18:03 | 0:18:06 | |
-Yeah. -That's the plan, anyway. Do you think it'll happen? | 0:18:06 | 0:18:10 | |
-I hope so. -HE LAUGHS | 0:18:10 | 0:18:12 | |
I really do wish you the very best of luck in the future. I know you're so strong, you've done so much | 0:18:12 | 0:18:17 | |
and I really believe everything will work out, but we've got to have one last push. Come on. | 0:18:17 | 0:18:21 | |
'Whilst we've been busy, John's taken a closer look at four of Dorothy's old chairs. | 0:18:22 | 0:18:27 | |
'They're all different styles and ages but the quality is good and John thinks they could add | 0:18:27 | 0:18:32 | |
'another £50 to £80 to our ever-growing kitty.' | 0:18:32 | 0:18:36 | |
We've just been looking in the spare bedroom and we found this. | 0:18:39 | 0:18:42 | |
It's one of Dorothy's paintings that she's had for as long as we can both remember | 0:18:42 | 0:18:47 | |
-but we don't really know much about it. -Is your grandmother a fan of the arts? | 0:18:47 | 0:18:51 | |
Yeah, she was really into art. She's always had lots of paintings around her | 0:18:51 | 0:18:56 | |
and she did art courses and things like that, so yeah, she's a real art lover. | 0:18:56 | 0:19:01 | |
-A little bird tells me you're interested in art, as well. -Yeah, I studied it at university. | 0:19:01 | 0:19:06 | |
I don't know anything about this artist, though, although I do really like the painting. | 0:19:06 | 0:19:12 | |
-Over to you, JC. -Well, I am a bit of a fan of still life. | 0:19:12 | 0:19:15 | |
I think people often find them a bit bland. | 0:19:15 | 0:19:19 | |
But a very accomplished painting and the artist is well-known, too. | 0:19:19 | 0:19:23 | |
Maurice Decamps is a French artist, born in around about the 1890s in Paris | 0:19:23 | 0:19:29 | |
and studied under Pierre Montezin and exhibited at the Paris Salon | 0:19:29 | 0:19:33 | |
and experienced some degree of success in his own lifetime, winning several awards. | 0:19:33 | 0:19:38 | |
But still lifes do tell us a story if you look a little closer. | 0:19:38 | 0:19:42 | |
And if you look past the actual bloom of the flowers, | 0:19:42 | 0:19:45 | |
there's a lot of symbolism in still life painting and they often represent the cycle of life. | 0:19:45 | 0:19:50 | |
Up here, we've got young buds where the flowers haven't quite come out yet | 0:19:50 | 0:19:54 | |
and then we can see the flowers in full bloom | 0:19:54 | 0:19:56 | |
and down at the bottom, we can see some of the leaves have dropped off and we've got a dead flower. | 0:19:56 | 0:20:01 | |
I'm not even thinking about what stage I'm at in this. Are you sure you want to let this go? | 0:20:01 | 0:20:07 | |
Well, we do both really like it, but as with some of the other things, | 0:20:07 | 0:20:11 | |
there's not necessarily a place for them where we live, so we're happy to let it go. | 0:20:11 | 0:20:16 | |
-It's on its way. John, how much do you think we could get? -It's very typical of Decamps' work. | 0:20:16 | 0:20:21 | |
It's what people tend to expect from him. | 0:20:21 | 0:20:24 | |
I've seen the market up and down a bit, but it has settled down in recent years. | 0:20:24 | 0:20:28 | |
But for a picture like this, I'd expect to make around £300 to £500. | 0:20:28 | 0:20:32 | |
-How do you feel about that? -That'd be great. -Yeah. -Really good. | 0:20:32 | 0:20:36 | |
Well, that's it from us. It's been a brilliant day. | 0:20:36 | 0:20:38 | |
Looking around, the place is looking decluttered, | 0:20:38 | 0:20:41 | |
and I think we've done really well. I know you wanted £600 | 0:20:41 | 0:20:45 | |
cos that's exactly how much it costs per week to look after your grandmother. | 0:20:45 | 0:20:49 | |
Well, I think we've done really well, because conservatively, | 0:20:49 | 0:20:53 | |
I think we could make around £1,140. | 0:20:53 | 0:20:57 | |
-BOTH: Wow! -That's really good! -That's fantastic! That would really help. | 0:20:57 | 0:21:01 | |
I'm sure it will. And that is conservatively, isn't it, John? | 0:21:01 | 0:21:05 | |
-I think we could do a bit better than that. -It's been said I'm a bit mean with my estimates | 0:21:05 | 0:21:09 | |
-so hopefully we can do a bit more than that, it'll be great. -Brilliant. Thanks so much. -Thanks. | 0:21:09 | 0:21:14 | |
It's absolutely our pleasure. | 0:21:14 | 0:21:16 | |
'Well, I'm delighted we've had such a fruitful day in Cambridgeshire. | 0:21:16 | 0:21:20 | |
'Hopefully our good fortune will continue at auction and we'll raise even more cash | 0:21:20 | 0:21:24 | |
'so these girls can make life a little happier for Dorothy. | 0:21:24 | 0:21:28 | |
'Heading off to the saleroom, we have the stunning Victorian | 0:21:29 | 0:21:32 | |
'silver-mounted claret jug. It's in perfect condition | 0:21:32 | 0:21:35 | |
'and John thinks worth every penny of its £150 to £250 estimate. | 0:21:35 | 0:21:41 | |
'The original still life by the renowned artist Maurice Decamps. | 0:21:41 | 0:21:45 | |
'Dorothy loved it, but will the auction goers? We're hoping so, | 0:21:45 | 0:21:48 | |
'as it could bring in £300 to £500. | 0:21:48 | 0:21:52 | |
'And Dorothy's beautiful Edwardian cabinet | 0:21:52 | 0:21:54 | |
'with hand-painted decoration. We really want the bidders | 0:21:54 | 0:21:58 | |
'to dig deep and get their hands on this fine piece of furniture | 0:21:58 | 0:22:01 | |
'so we can exceed its £300 estimate.' | 0:22:01 | 0:22:04 | |
'Still to come on Cash In The Attic, the bidders go wild for some of our lots.' | 0:22:06 | 0:22:11 | |
-Happy with that? -I can't believe it. | 0:22:11 | 0:22:13 | |
-Are you shocked? -Yeah. -That's awesome. | 0:22:13 | 0:22:15 | |
-Look at your face. -How come it's worth so much? | 0:22:15 | 0:22:19 | |
'But it's not just the collectables that stand out in the saleroom.' | 0:22:19 | 0:22:22 | |
-I don't think there's enough room for these two smiles in here. -THEY LAUGH | 0:22:22 | 0:22:27 | |
'But will we still be smiling at the last crack of the gavel?' | 0:22:27 | 0:22:31 | |
We had a great day with Jessica and Rachel at their grandmother's house. | 0:22:38 | 0:22:42 | |
They are two remarkable young women who've been through so much | 0:22:42 | 0:22:45 | |
and we hope that we can raise as much as we can. | 0:22:45 | 0:22:48 | |
£600 is the target, so fingers crossed, let's hope for a bit of luck as the final hammer falls. | 0:22:48 | 0:22:53 | |
'Well, we've brought all of the items we selected | 0:22:54 | 0:22:57 | |
'to Chiswick Auctions in West London. | 0:22:57 | 0:23:01 | |
'When we left them a few weeks ago, John was full of confidence | 0:23:01 | 0:23:04 | |
'about our chances of achieving their target, so is he still feeling as optimistic?' | 0:23:04 | 0:23:09 | |
-Hello, John. -Hi, Chris. -I see you're with our star item here. | 0:23:10 | 0:23:15 | |
It is a wonderful thing and it doesn't look any less impressive here. | 0:23:15 | 0:23:19 | |
It's a great piece. Excellent colour. Fantastic decoration. | 0:23:19 | 0:23:22 | |
And the form, nice petite, lovely shape to it. | 0:23:22 | 0:23:25 | |
-I really like this piece. I'm hoping it'll do well. -Let's hope so. Let's go and find Jessica and Rachel. | 0:23:25 | 0:23:31 | |
'Now, since we last met Jessica and Rachel, | 0:23:32 | 0:23:35 | |
'we've heard some very sad news about Dorothy. She's passed away. | 0:23:35 | 0:23:39 | |
'The sisters are determined that we should go ahead to raise as much as possible | 0:23:39 | 0:23:44 | |
'as a tribute to their beloved gran.' | 0:23:44 | 0:23:46 | |
Hello, Jessica. And I was going to say Rachel, but this isn't Rachel. Where is she? | 0:23:48 | 0:23:52 | |
Rachel's got a school play today that she organised, so she couldn't make it. | 0:23:52 | 0:23:56 | |
-And this is? -Pippa. -Pippa, welcome to the gang. We're very nice, aren't we? | 0:23:56 | 0:24:00 | |
-Well, we don't bite. -I've been warned. | 0:24:00 | 0:24:02 | |
I'm sorry to hear about the sad news that's happened. So we want to lift your spirits a little bit | 0:24:02 | 0:24:07 | |
by having a good day, and we've got the jug here. | 0:24:07 | 0:24:10 | |
My favourite item. The more I look at it, the more I admire the work that's gone into it | 0:24:10 | 0:24:14 | |
and the more I think I may have under done my estimate, | 0:24:14 | 0:24:17 | |
-but I don't mind being wrong if it's in your favour. -Have you been to an auction before? -No. | 0:24:17 | 0:24:22 | |
-Are you looking forward to it? You're looking very nervous. -Er, no, I'm fine. | 0:24:22 | 0:24:26 | |
THEY LAUGH | 0:24:26 | 0:24:28 | |
-I'm fine. That doesn't sound fine. -Not very convincing. | 0:24:28 | 0:24:31 | |
-Are you going to be a bit stronger for her? -I'll do my best. -Excellent. | 0:24:31 | 0:24:35 | |
The auction's about to start so follow us. | 0:24:35 | 0:24:37 | |
'The saleroom has filled out nicely for this auction | 0:24:39 | 0:24:42 | |
'so let's hope everyone's come with money to spend. | 0:24:42 | 0:24:45 | |
'However, there is one item they won't be bidding on | 0:24:45 | 0:24:47 | |
'and that's the Christopher Dresser style toast rack. | 0:24:47 | 0:24:50 | |
'It hasn't made it to auction. | 0:24:50 | 0:24:53 | |
'I know John was rather taken by it and losing it means our potential total auction income | 0:24:53 | 0:24:58 | |
'drops down to around £1,100. | 0:24:58 | 0:25:01 | |
'That's still a great figure to aim for as a means of commemorating Dorothy's life. | 0:25:01 | 0:25:06 | |
'So now to our first lot, that octagonal plate Rachel found.' | 0:25:06 | 0:25:10 | |
I've got down 18th century here. | 0:25:13 | 0:25:16 | |
-Have you got high hopes for this? -Well, secretly, I've got high hopes for it. | 0:25:16 | 0:25:20 | |
I've only put £20 to £40 on it as an estimate, which doesn't sound a lot. | 0:25:20 | 0:25:24 | |
The market for oriental porcelain is quite good at the moment, | 0:25:24 | 0:25:27 | |
but they are picky about what they want to buy back. They're looking for imperial stuff | 0:25:27 | 0:25:31 | |
and not so much general export. But I like this plate. Good bit of history. Let's see how it does. | 0:25:31 | 0:25:37 | |
Is that worth a small bid of £20 to start me? £20 for it. | 0:25:37 | 0:25:42 | |
18th century plate. £20 for it. I'm bid £20. | 0:25:42 | 0:25:45 | |
-Yes! We're in. -22. 25. | 0:25:45 | 0:25:48 | |
25. 28. 30. 32. | 0:25:48 | 0:25:51 | |
No, £30. £30. I'm bid £30, take two. | 0:25:51 | 0:25:54 | |
Are we done? Everybody out at £30, then? Your bid, £30. | 0:25:54 | 0:25:57 | |
-£30. -That's all right. -Happy with that? -Yeah. | 0:25:57 | 0:26:01 | |
'Well, John did say £20 to £40 and it sells for bang in the middle. | 0:26:01 | 0:26:06 | |
'It's a positive start to our sale | 0:26:06 | 0:26:08 | |
'and we have our first contribution to Dorothy's memorial fund.' | 0:26:08 | 0:26:12 | |
Now, our next lot is not going to make a king's ransom for us. | 0:26:13 | 0:26:16 | |
It's a little Edwardian side cabinet. I think it's nice. | 0:26:16 | 0:26:19 | |
-Remember this piece at all? -Yeah, it's always been in Dorothy's dining room. | 0:26:19 | 0:26:24 | |
She kept her playing cards and place mats, that kind of thing in it. | 0:26:24 | 0:26:28 | |
-What about you? Do you like antique furniture? -I do, very much. Haven't got the budget for most pieces, | 0:26:28 | 0:26:33 | |
-but maybe I'll pick something up later. -It's a good time to be buying. | 0:26:33 | 0:26:36 | |
I don't like to be hearing that. We're selling, not buying. | 0:26:36 | 0:26:40 | |
£50 for it. £30 for it. | 0:26:42 | 0:26:45 | |
-Oh, come on. -£10 for it. | 0:26:45 | 0:26:48 | |
Bid at 10. Bid me 12. At 10. Give me 12. | 0:26:48 | 0:26:51 | |
At 12. 15. 15. 18. | 0:26:51 | 0:26:54 | |
At £15. Is that it? At £15. | 0:26:54 | 0:26:57 | |
Going to sell at £15, I'm afraid. Are you all done? Gone at £15. | 0:26:57 | 0:27:03 | |
-Wow. Some way under our bottom estimate there. -£15. | 0:27:03 | 0:27:07 | |
'Hm. Someone's picked up a real bargain there. | 0:27:07 | 0:27:10 | |
'I do hope it's not an indication that furniture buyers aren't in | 0:27:10 | 0:27:14 | |
'as we have the much larger hand-painted cabinet coming up later. | 0:27:14 | 0:27:18 | |
'We'll find out, but all in good time, | 0:27:18 | 0:27:20 | |
'because next it's our first lot of porcelain.' | 0:27:20 | 0:27:23 | |
Never did I think I'd say this in a sentence, | 0:27:23 | 0:27:26 | |
but we've got a couple of damaged cows up next. Did you like these? | 0:27:26 | 0:27:29 | |
Not especially, no, but Dorothy was really into nature and animals | 0:27:29 | 0:27:33 | |
so I think that's why she liked things like this. | 0:27:33 | 0:27:35 | |
-Victorian Staffordshire, John. -Staffordshire pottery has seen better days at auction. | 0:27:35 | 0:27:40 | |
Certainly demand's dropped in recent years and these had been repaired, | 0:27:40 | 0:27:44 | |
but they are a pair and cows are always popular, | 0:27:44 | 0:27:47 | |
so I think we've got a good chance with them. | 0:27:47 | 0:27:49 | |
£30? 30 bid. 32. 35. | 0:27:49 | 0:27:54 | |
At £32. Anyone 35? At £32. | 0:27:54 | 0:27:58 | |
-Come on. -£32. That's the money so far. Bit disappointing. | 0:27:58 | 0:28:01 | |
At £32. 32. 35. At 32. 35. 38. | 0:28:01 | 0:28:05 | |
At 35. At £35. That's a bid. | 0:28:05 | 0:28:08 | |
At the door at £35. At 35 and gone. 154, £35. | 0:28:08 | 0:28:13 | |
-Another poor result. -What happened, John? | 0:28:13 | 0:28:16 | |
Well, damaged. I had high hopes for them. | 0:28:16 | 0:28:20 | |
I thought they'd do a bit better than that. But just goes to show. | 0:28:20 | 0:28:23 | |
-Ten years ago, they'd have made £150. -Really? -Yeah. Really. | 0:28:23 | 0:28:28 | |
'Well, thanks for that uplifting fact, John. | 0:28:28 | 0:28:31 | |
'Sadly, £35 is all that today's bidders are willing to pay. | 0:28:31 | 0:28:35 | |
'Another disappointing result. Once again, it goes to show that condition is everything. | 0:28:35 | 0:28:40 | |
'Now, I do hope the chairs in our next lot have withstood the test of time a little more gracefully.' | 0:28:40 | 0:28:46 | |
Pippa, a bit of furniture for you here. 19th century dining armchairs. | 0:28:46 | 0:28:53 | |
Yeah, a little selection here. All odd chairs. Sets don't turn up at auctions these days. | 0:28:53 | 0:28:59 | |
But they look nice scattered around the house, and not a lot of money, £50 to £80. | 0:28:59 | 0:29:03 | |
£40. Take 42. At £40. 42. 45. 48. | 0:29:03 | 0:29:06 | |
-Yes! -50. 55. 55. 60 there. | 0:29:06 | 0:29:10 | |
65. Bid of £60 on the four chairs. | 0:29:10 | 0:29:13 | |
At £60. Take 65. 65. | 0:29:13 | 0:29:15 | |
-70. 75. -Yes! | 0:29:15 | 0:29:18 | |
75 there. I've got 80 there now if you like. | 0:29:18 | 0:29:22 | |
80. 85. 90. | 0:29:22 | 0:29:24 | |
5. 100. 110. | 0:29:24 | 0:29:26 | |
120. 130. 120. 130. At 120. | 0:29:26 | 0:29:30 | |
All done at 120? Last time, going at 120, your bid. | 0:29:30 | 0:29:34 | |
-Excellent. -That's really good. | 0:29:34 | 0:29:36 | |
'Oh, what a terrific result | 0:29:36 | 0:29:38 | |
'and we're all pleased the chairs soar past their highest estimate. | 0:29:38 | 0:29:42 | |
'It was great to see Jessica's face light up there. Let's hope we have many more moments like this. | 0:29:42 | 0:29:49 | |
'There's no smiling going on with the characters in our next lot. | 0:29:50 | 0:29:54 | |
'It's the four porcelain pains. Rachel thought these were sinister | 0:29:54 | 0:29:58 | |
'but John was a fan. Let's hope he's not the only one who is.' | 0:29:58 | 0:30:03 | |
OK, we've got the white porcelain figures. | 0:30:03 | 0:30:06 | |
-Little babies. Do you like these? -I quite like them, yeah, | 0:30:06 | 0:30:09 | |
but I don't think they're to everybody's taste. | 0:30:09 | 0:30:12 | |
-Bing and Grondahl, is that right? -Yeah, Bing and Grondahl. | 0:30:12 | 0:30:15 | |
Good Danish firm. And I quite like these figures, they're quite charming. | 0:30:15 | 0:30:19 | |
Each one emblematic of different pains. | 0:30:19 | 0:30:21 | |
We've got headache, ear ache, toothache and belly ache. | 0:30:21 | 0:30:24 | |
Who'll start me at £50 | 0:30:24 | 0:30:27 | |
Start me £30. A bid at £30. 32. 35. 38. 40. 42. | 0:30:27 | 0:30:31 | |
45. 48. 50. 5. 2 if it helps you. | 0:30:31 | 0:30:34 | |
-Come on. -£50. Selling at £50 and going. All done? Are you waving or bidding? | 0:30:34 | 0:30:40 | |
Bid at £50. Selling, all done? £50. | 0:30:40 | 0:30:42 | |
£50, bottom estimate. We'd like to have got the top estimate but we got them away. | 0:30:42 | 0:30:46 | |
Yeah, £50, not bad at all for the babies, eh? | 0:30:46 | 0:30:50 | |
'Well done, John. Right on your bottom estimate. | 0:30:50 | 0:30:53 | |
'Good to see some healthy interest in another one of our lots. | 0:30:53 | 0:30:56 | |
'Let's hope it's a theme that continues, | 0:30:56 | 0:30:59 | |
'cos the first half of our sale has been somewhat hit and miss.' | 0:30:59 | 0:31:03 | |
-Well, John, it's been a bit of an up and down ride, hasn't it? -It has been swings and roundabouts. | 0:31:05 | 0:31:10 | |
-I think we're best to look at the overall picture later on and see how we fare then. -Covering your back. | 0:31:10 | 0:31:15 | |
I'm hedging it. But we have got some chunky items in terms of estimates to come. | 0:31:15 | 0:31:20 | |
So we've got the picture, the side cabinet and the claret jug. | 0:31:20 | 0:31:25 | |
So I think we can make up for lost ground. | 0:31:25 | 0:31:27 | |
There's a good reason John's saying that, cos we are a little bit behind. | 0:31:27 | 0:31:32 | |
Cos I know you wanted to raise £600. | 0:31:32 | 0:31:34 | |
Well, at the halfway stage, we're at £250. | 0:31:34 | 0:31:38 | |
-Oh, OK, that's quite good. -It isn't too bad. How do you feel about that? | 0:31:38 | 0:31:42 | |
-I thought it was less than that. -Yeah, it's better than I thought. | 0:31:42 | 0:31:45 | |
£250 and some big, big items to come. | 0:31:45 | 0:31:48 | |
'So the girls are pleasantly surprised with our half-time takings | 0:31:48 | 0:31:53 | |
'and I'm pleased to hear John's still confident about our overall chances of success. | 0:31:53 | 0:31:57 | |
'I'd say there's plenty to look forward to. | 0:31:57 | 0:31:59 | |
'If you're thinking of heading to auction, | 0:31:59 | 0:32:02 | |
'remember, fees like commission will be added to your bill | 0:32:02 | 0:32:05 | |
'so it's always best to check the details with your local auction house to avoid unwelcome surprises. | 0:32:05 | 0:32:11 | |
'Now where's John got to?' | 0:32:11 | 0:32:14 | |
-You hum it, I'll play it. -Sadly, Chris, I never got round to my lessons, | 0:32:14 | 0:32:18 | |
but I've been asked to look out for a piano by a friend | 0:32:18 | 0:32:20 | |
and I think buying a piano at auction is by far the best way to do it. | 0:32:20 | 0:32:24 | |
This looks really lovely. I can imagine someone playing this with candles in there. How old is this? | 0:32:24 | 0:32:30 | |
This would date to the 19th century, Victorian, when the upright piano was developed | 0:32:30 | 0:32:35 | |
in the second half of the 19th century. A bit dark and ornate for most people today but I love it. | 0:32:35 | 0:32:40 | |
It's just a very reputable, the German firm of Seiler & Co. | 0:32:40 | 0:32:43 | |
-How much would this go for? -Well, the estimate on this is £100 to £200. | 0:32:43 | 0:32:48 | |
I think that's optimistic. A lot of auction houses won't even accept them for sale these days | 0:32:48 | 0:32:53 | |
because it costs as much to move them as you'll get for it, so it becomes non-profitable. | 0:32:53 | 0:32:59 | |
If you wanted a piano, go down to your local auction house, | 0:32:59 | 0:33:02 | |
if they haven't got anything coming up, ask them to notify you when they've got one coming in | 0:33:02 | 0:33:07 | |
in a house clearance. It may just tempt them to bring it in if they know they've got a potential buyer. | 0:33:07 | 0:33:12 | |
'A good tip there if you're in the market for a piano. | 0:33:12 | 0:33:15 | |
'John said he thought the £100 to £200 estimate was optimistic | 0:33:15 | 0:33:20 | |
'but its Victorian charm seems to have rubbed off on the bidders because it sells. | 0:33:20 | 0:33:25 | |
'Bang on its lower estimate. We say, "Good luck getting it home!" | 0:33:25 | 0:33:28 | |
'Time for our second set of items and something far easier for the bidders to take home | 0:33:28 | 0:33:34 | |
'than an old Joanna. It's the collection of silverware that I found in a shoe box.' | 0:33:34 | 0:33:39 | |
We've got a nice lot here and you have sifted through this, Jess. | 0:33:39 | 0:33:43 | |
You and your sister have kept back a few bits that had sentimental value. | 0:33:43 | 0:33:47 | |
Yeah, I think we kept a couple of berry spoons which were really ornate and beautiful | 0:33:47 | 0:33:52 | |
and maybe a fish slice. | 0:33:52 | 0:33:54 | |
Well, it's a nice little selection. I've got £60 to £100 on it. | 0:33:54 | 0:33:57 | |
-It should do that, if not a little bit more. -Let's hope so. | 0:33:57 | 0:34:01 | |
Start me... Silver. Start me at £50 for it. Bid of £50. | 0:34:01 | 0:34:06 | |
-£50 straight in. -Yes. | 0:34:06 | 0:34:08 | |
5. 70. | 0:34:08 | 0:34:10 | |
5. 80. 5 90. | 0:34:10 | 0:34:14 | |
5. 100. Seated by the plant. | 0:34:14 | 0:34:17 | |
100. 110. 120. At 110. Take 120. | 0:34:17 | 0:34:21 | |
£110. £110. | 0:34:21 | 0:34:23 | |
Against you at £110. All done at 110? | 0:34:23 | 0:34:28 | |
-Whoa! -That was quite good! Happy with that. | 0:34:28 | 0:34:31 | |
'I think we're more than happy. That's £10 over John's top estimate. Who found those? Oh, yes, it was me! | 0:34:31 | 0:34:38 | |
'We couldn't have failed to spot our next item in Dorothy's flat. | 0:34:38 | 0:34:41 | |
'It's her beloved card table. Now, considering how often she used it, | 0:34:41 | 0:34:45 | |
'the condition is remarkable.' | 0:34:45 | 0:34:48 | |
-Are you a card player yourself? -Not especially. | 0:34:48 | 0:34:51 | |
But Dorothy was always into cards. She was a big bridge player. | 0:34:51 | 0:34:54 | |
I can just imagine your grandma playing a game of cards on there. Have you got high hopes for this? | 0:34:54 | 0:34:59 | |
Well, it's not huge money, £80 to £120, which is about right for an Edwardian table like this. | 0:34:59 | 0:35:05 | |
£100 for it. £100 for it. £50 for it. I'm bid at £50. | 0:35:05 | 0:35:09 | |
55. £50, take 5. At £50. 5. | 0:35:09 | 0:35:12 | |
60. 5. 70. 5. | 0:35:12 | 0:35:14 | |
80? | 0:35:14 | 0:35:16 | |
80 there. 85. 90. 5. | 0:35:16 | 0:35:20 | |
-100. -Ooh. -At £95. At £95, take 100. | 0:35:20 | 0:35:24 | |
Are we done at £95? It's going at £95. | 0:35:24 | 0:35:27 | |
-£95, not too bad. -Really good. -Look at your little face! | 0:35:27 | 0:35:31 | |
I don't think there's enough room for these two smiles in here. They're getting wider and wider. | 0:35:31 | 0:35:36 | |
'They certainly are and it's great to see the card table | 0:35:36 | 0:35:39 | |
'trumped its lower estimate and with two good sales in a row, let's see if we can make it three of a kind. | 0:35:39 | 0:35:46 | |
'It's time for that stunning Edwardian cabinet to flourish.' | 0:35:46 | 0:35:50 | |
Up next is something when we were having a close look this morning, | 0:35:50 | 0:35:53 | |
that beautiful mahogany cabinet with a gardening theme to it. | 0:35:53 | 0:35:57 | |
Dorothy was really into gardening and it's got some beautiful trophies | 0:35:57 | 0:36:01 | |
-on the side. -It is beautiful. John, I hate going to auction with furniture cos it's so unpredictable. | 0:36:01 | 0:36:09 | |
The difficulties in the furniture market have been well documented of late | 0:36:09 | 0:36:13 | |
but it is a very nice piece, very elegant, very stylish. | 0:36:13 | 0:36:16 | |
I do like this. We're looking for upwards of £300. We've got a good chance. | 0:36:16 | 0:36:20 | |
Who'll start me at £200 for it? £200 for it? | 0:36:20 | 0:36:23 | |
Bid £200. At £200. Take 210. At £200. 210. 220. | 0:36:23 | 0:36:28 | |
220. 230. 240. 250. 260. 270. | 0:36:28 | 0:36:32 | |
280. At 270. 280. | 0:36:32 | 0:36:35 | |
280 there. 290. 300. 310. | 0:36:35 | 0:36:38 | |
-Yes! -At £300. At 310. | 0:36:38 | 0:36:41 | |
310, back in. 320. 330. | 0:36:41 | 0:36:45 | |
340. 350. 360. 370. | 0:36:45 | 0:36:48 | |
360 bid. At 360. 370. | 0:36:48 | 0:36:51 | |
-380. -Come on. -One more. 380. 390. | 0:36:51 | 0:36:56 | |
One more for you, too? 380. | 0:36:56 | 0:36:58 | |
At 380 and selling at 380 and gone. | 0:36:58 | 0:37:01 | |
-That's good! -Happy? -That's really good. -Not to bad at all, eh? | 0:37:01 | 0:37:05 | |
'Well, my worries were unfounded. | 0:37:05 | 0:37:07 | |
'The quality of the cabinet clearly shone through | 0:37:07 | 0:37:10 | |
'and what a great price, thoroughly deserved for a fine piece of furniture. | 0:37:10 | 0:37:14 | |
'Now, I wonder how many art lovers we have in the saleroom, | 0:37:14 | 0:37:17 | |
'cos it's time for our still life by the Parisian artist Maurice Decamps.' | 0:37:17 | 0:37:23 | |
-Did you like this, Jess? -Yeah, I do like it. | 0:37:23 | 0:37:26 | |
It was one of Dorothy's favourites. She had it up in the living room as long as I can remember. | 0:37:26 | 0:37:31 | |
Dorothy's done so well so far today. What about this one? | 0:37:31 | 0:37:34 | |
I've pitched my estimate in the middle of where you would find sale results for the artist. | 0:37:34 | 0:37:39 | |
Maurice Decamps, very successful in his own lifetime | 0:37:39 | 0:37:42 | |
and still life painting does have a dedicated following. | 0:37:42 | 0:37:46 | |
If we've got the right buyer today, it will sell within the estimate. I just hope somebody's here for it. | 0:37:46 | 0:37:52 | |
Is that worth £200, start me for it? Start me at £200 for it? | 0:37:52 | 0:37:55 | |
£200 or I'll pass it. Thank you. At £200. Take 210. At £200. | 0:37:56 | 0:38:01 | |
Give me 210. 210. 220. 230. 240. | 0:38:01 | 0:38:04 | |
230 bid. At 230. | 0:38:04 | 0:38:07 | |
That's a bid at 230. At 230. | 0:38:07 | 0:38:09 | |
-Selling at 230. Are we done? -No? -230. I'm selling at 230. | 0:38:09 | 0:38:12 | |
-Are we done? All done at 230. -Brilliant! | 0:38:12 | 0:38:15 | |
-Yeah. -You got the hang of that. Gave the old auctioneer a nod. -Very calm, Jessica. | 0:38:15 | 0:38:20 | |
'Yes, Jessica's acting like an old hand at this auction malarkey. | 0:38:20 | 0:38:25 | |
'The still life may not have achieved its estimate | 0:38:25 | 0:38:27 | |
'but the sisters both said it isn't to their tastes. | 0:38:27 | 0:38:30 | |
'Its sale gives us another healthy contribution to Dorothy's memorial tribute. | 0:38:30 | 0:38:35 | |
'Now we have just one lot left to sell in today's auction, | 0:38:35 | 0:38:38 | |
'and we've saved the very best until last. | 0:38:38 | 0:38:41 | |
'John thinks so. Let's hope the room agrees.' | 0:38:41 | 0:38:44 | |
Up next we think this potentially could be the star of the show | 0:38:44 | 0:38:47 | |
as far as we're concerned. Pippa, you've had a good look at this. | 0:38:47 | 0:38:50 | |
I like this. It's really nice and detailed. I think they could've given it a polish. | 0:38:50 | 0:38:55 | |
-Didn't you polish it? -No. -If I'd been there in the first place... | 0:38:55 | 0:38:59 | |
No polish, but we are hoping for big things from this, aren't we? | 0:38:59 | 0:39:03 | |
Well, I hope it'll certainly top my top estimate of £250. | 0:39:03 | 0:39:07 | |
It's a lovely thing. Lots of serious collectors of wine-related antiques will covet this in their collection. | 0:39:07 | 0:39:15 | |
That decoration around the body would look wonderful with a good claret in there. | 0:39:15 | 0:39:19 | |
-But, alas, we won't ever get to see that. -No. I can only dream. | 0:39:19 | 0:39:23 | |
Start me at £400 for it. A bid at £400. I'll take 20. | 0:39:23 | 0:39:26 | |
Straight in at £400. | 0:39:26 | 0:39:29 | |
460. 480. 500. | 0:39:29 | 0:39:32 | |
520. 540. | 0:39:32 | 0:39:34 | |
-560. -I can't believe that. -580. 600. 620. 640. | 0:39:34 | 0:39:38 | |
660. 680. 700. | 0:39:38 | 0:39:41 | |
At 680. I want 7 now. At £680. Who else wants it? | 0:39:41 | 0:39:44 | |
-At 680. -I can't believe it. -Give me 7 for it. 700. 720. | 0:39:44 | 0:39:48 | |
720. 740. | 0:39:48 | 0:39:50 | |
At 720 bid. Are you saying no? At 720, that's your bid. | 0:39:50 | 0:39:55 | |
-740. -How can it be worth that much? | 0:39:55 | 0:39:58 | |
760. 780. 800. | 0:39:58 | 0:40:01 | |
800. 820. The bid's here for £800. | 0:40:01 | 0:40:05 | |
Are we done? All done for £800? Are you out? Are you sure this time? | 0:40:05 | 0:40:10 | |
Wow! Happy with that? | 0:40:10 | 0:40:13 | |
-I can't believe it. -Are you shocked? -Yeah. -That's awesome. | 0:40:13 | 0:40:16 | |
-Look at your little face. -How come it's worth so much? | 0:40:16 | 0:40:19 | |
Hunting-related antiques are popular, wine-related antiques are popular, you have the combination. | 0:40:19 | 0:40:25 | |
Wow! What an incredible result! | 0:40:25 | 0:40:27 | |
'I can't think of a better way to finish off | 0:40:27 | 0:40:29 | |
'what must have been a poignant sale for Jessica.' | 0:40:29 | 0:40:33 | |
-How do you think you've got on? -Well, I know that we've done quite well because of the jug. | 0:40:34 | 0:40:41 | |
Otherwise, I haven't been counting. | 0:40:41 | 0:40:44 | |
-I did say look at the overall picture. -Look at him, looking so smug. | 0:40:44 | 0:40:49 | |
So just remind me, how much did you want to raise today? | 0:40:49 | 0:40:53 | |
-£600. -£600. | 0:40:53 | 0:40:55 | |
Well, you've not only got over £600, you've absolutely smashed it. | 0:40:55 | 0:41:01 | |
-From today we've raised £1,865. -No way! | 0:41:01 | 0:41:07 | |
-Oh, my gosh! -And if anyone deserves a great result, it's your and your sister. | 0:41:07 | 0:41:12 | |
-So well done. -Thank you. | 0:41:12 | 0:41:15 | |
'Well, some terrific results there for collectables which belonged to a lady who will be sorely missed. | 0:41:19 | 0:41:26 | |
'Dorothy Thompson passed away at the age of 90. | 0:41:26 | 0:41:29 | |
'She'd led a very busy life serving with the women's ambulance team during the Second World War | 0:41:29 | 0:41:34 | |
'before marrying a successful publisher. The couple went on to travel the world | 0:41:34 | 0:41:38 | |
'and Dorothy's memory will be treasured by the three grandchildren she leaves behind.' | 0:41:38 | 0:41:43 | |
Yeah, she was really into travelling. | 0:41:44 | 0:41:46 | |
She went on lots of holidays, lucky enough to go on lots of holidays | 0:41:46 | 0:41:51 | |
and to quite exotic places, as well, for that time. | 0:41:51 | 0:41:55 | |
-So I think she went to Africa. -And America. -And America. | 0:41:55 | 0:41:59 | |
-Erm... -So, yeah, she was quite an independent woman. | 0:41:59 | 0:42:04 | |
She was quite interested in lots of different things and was lucky enough to have the opportunity | 0:42:04 | 0:42:09 | |
to pursue those interests in her lifetime. | 0:42:09 | 0:42:12 | |
What a great result for Jessica and Rachel at a very difficult time for their family. | 0:42:18 | 0:42:22 | |
All our good wishes and our thoughts are with them. | 0:42:22 | 0:42:26 | |
If you want to raise some money for something special and you think you might have some hidden treasures | 0:42:26 | 0:42:31 | |
why not apply to be on the show? All the details are online at: | 0:42:31 | 0:42:36 | |
Good luck and I'll see you next time on Cash In The Attic. | 0:42:36 | 0:42:39 | |
Subtitles by Red Bee Media Ltd | 0:42:40 | 0:42:44 | |
E-mail [email protected] | 0:42:44 | 0:42:48 |