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Welcome to Cash In The Attic. | 0:00:02 | 0:00:03 | |
Many times on this show, we've helped people downsize. | 0:00:03 | 0:00:07 | |
The family we're meeting today are not only downsizing, | 0:00:07 | 0:00:10 | |
but they're moving to a different country altogether. | 0:00:10 | 0:00:12 | |
Let's see if we can help them make some money. | 0:00:12 | 0:00:15 | |
Coming up on Cash In The Attic... | 0:00:34 | 0:00:36 | |
we learn the secret of success in our host's ten-year marriage. | 0:00:36 | 0:00:40 | |
Hard work. | 0:00:40 | 0:00:42 | |
ALL LAUGH | 0:00:42 | 0:00:45 | |
And our expert, John, values a Chinese vase, | 0:00:45 | 0:00:48 | |
just in the nick of time. | 0:00:48 | 0:00:50 | |
I am surprised. Something I was going to put in the bin. | 0:00:50 | 0:00:54 | |
When it comes to the auction, we struggle to make an impact. | 0:00:54 | 0:00:58 | |
Come on! | 0:00:58 | 0:01:00 | |
What am I to do? | 0:01:01 | 0:01:03 | |
Find out if we finally impress the saleroom when the hammer falls. | 0:01:03 | 0:01:07 | |
Today, I've come to Surrey to meet a couple | 0:01:07 | 0:01:09 | |
who've called in the Cash In The Attic team | 0:01:09 | 0:01:11 | |
to help them raise the funds they need | 0:01:11 | 0:01:14 | |
to move permanently to somewhere with warmer climes. | 0:01:14 | 0:01:17 | |
Bernard Skan has lived in this house almost 20 years. | 0:01:17 | 0:01:21 | |
But he's decided to sell up and move on. | 0:01:21 | 0:01:23 | |
He's been married to Daisy for ten years. | 0:01:23 | 0:01:26 | |
In 2004, they bought a holiday villa in her native Jamaica. | 0:01:26 | 0:01:30 | |
Now it's time for that to become their permanent home. | 0:01:30 | 0:01:33 | |
How wonderful. | 0:01:33 | 0:01:35 | |
Many of the belongings Bernard wants us to look at were inherited from members of his family, | 0:01:35 | 0:01:41 | |
who had fascinating careers at Kew Gardens, in London, early in the 20th century. | 0:01:41 | 0:01:45 | |
So our expert, John Cameron, is fascinated by the prospect | 0:01:45 | 0:01:49 | |
of having such historical mementos in his hands. | 0:01:49 | 0:01:53 | |
-Ah, good morning. -Good morning. -Hello, Bernard. Nice to meet you. Hi, Daisy. | 0:01:53 | 0:01:59 | |
-Now, is the place you've got in Jamaica? -Yes. | 0:01:59 | 0:02:02 | |
This is the extension we're building on to it. | 0:02:02 | 0:02:07 | |
-What's it like, Daisy? -Seven bedrooms and six bathrooms. | 0:02:07 | 0:02:11 | |
-Seven bathrooms and six bathrooms? -Mm-hm. -My word! | 0:02:11 | 0:02:14 | |
So what made you decide to buy something out there? | 0:02:14 | 0:02:19 | |
We went on holiday there in 2004. | 0:02:19 | 0:02:21 | |
Somebody showed us this place, half built, and I fell in love with it. | 0:02:21 | 0:02:26 | |
I can't wait to live there permanently. | 0:02:26 | 0:02:28 | |
I understand why you'd want to leave the UK, given the weather we have here. | 0:02:28 | 0:02:32 | |
Yes, absolutely. | 0:02:32 | 0:02:34 | |
Sit in the sunshine and just feel sorry for everybody left in England. | 0:02:34 | 0:02:38 | |
If you've bought the property already, why have you called in Cash In The Attic? | 0:02:38 | 0:02:42 | |
We want to build a Jacuzzi on the front of the house, | 0:02:42 | 0:02:47 | |
right in the centre there, so it means we can sit down, drink our wine and enjoy ourselves. | 0:02:47 | 0:02:54 | |
So how much is the Jacuzzi going to cost? | 0:02:54 | 0:02:57 | |
I think £3,000 in all. | 0:02:57 | 0:02:59 | |
How much would you like? | 0:02:59 | 0:03:01 | |
If we can raise £500, that would be really useful. | 0:03:01 | 0:03:04 | |
What a fantastic thing to be working on. It must be exciting. | 0:03:04 | 0:03:07 | |
If we're going to get the money together, we'd better find John | 0:03:07 | 0:03:10 | |
and see if he's found anything for us to sell yet. | 0:03:10 | 0:03:13 | |
-Yes, that's a good idea. -Come on, follow me. | 0:03:13 | 0:03:16 | |
The weather in Britain is pretty unpredictable, as we all know, | 0:03:16 | 0:03:19 | |
so the thought of leaving these shores in search of constant sunshine must be tempting. | 0:03:19 | 0:03:23 | |
The current house is the focus of our attention today. | 0:03:23 | 0:03:27 | |
And John's already giving some of their items the once-over. | 0:03:27 | 0:03:30 | |
-Hi, guys. -We've lost Daisy. | 0:03:32 | 0:03:34 | |
She's in the kitchen making one of her special chicken recipes. | 0:03:34 | 0:03:37 | |
I wondered what that lovely smell was. | 0:03:37 | 0:03:39 | |
You've found something more traditional. | 0:03:39 | 0:03:42 | |
I've been busy rummaging. I've found a nice bookcase of books. | 0:03:42 | 0:03:46 | |
Not least this set here. | 0:03:46 | 0:03:47 | |
We've 16 volumes of a series known as Pictures. | 0:03:47 | 0:03:52 | |
Each one is an historical and biographical background book | 0:03:52 | 0:03:56 | |
on various countries and they're Victorian. | 0:03:56 | 0:03:59 | |
What's the story behind them? Where did they come from? | 0:03:59 | 0:04:02 | |
I believe they're from my father's side of the family. His books. | 0:04:02 | 0:04:06 | |
I can't be 100% sure, but I believe that to be the case. | 0:04:06 | 0:04:09 | |
The interesting thing is when you look inside. | 0:04:09 | 0:04:11 | |
These were published in the 1890s by the Religious Tracts Society. | 0:04:11 | 0:04:15 | |
A society Evangelical, set up in 1790 to produce sermons and short pamphlets, | 0:04:15 | 0:04:22 | |
all about making one see the error of one's ways and shepherding us back to Christ. | 0:04:22 | 0:04:27 | |
In the middle of the 19th century, they moved into educational books and certainly children's books. | 0:04:27 | 0:04:33 | |
As we can see here these are about geography, science, history. | 0:04:33 | 0:04:37 | |
They are a wonderful series. Each one profusely illustrated. | 0:04:37 | 0:04:43 | |
We have engravings, we have hand drawings reproduced, pull-out maps. | 0:04:43 | 0:04:48 | |
Each one focusing in on the country's history, | 0:04:48 | 0:04:51 | |
on some of the topographical things, art works. All sorts of things. | 0:04:51 | 0:04:56 | |
They're a wonderful education for Victorian children. | 0:04:56 | 0:04:59 | |
Bernard, have you read any of these? | 0:04:59 | 0:05:01 | |
I used to read them a lot when I was young before the days of television and computers. | 0:05:01 | 0:05:06 | |
What sort of value are we talking about for auction? | 0:05:06 | 0:05:08 | |
Not huge amounts considering what you've got. Everything you need is on the Internet. | 0:05:08 | 0:05:12 | |
They are wonderful and they're quite a long set. | 0:05:12 | 0:05:15 | |
You see the odd ones turning up at auction. Not huge sums. | 0:05:15 | 0:05:19 | |
I'd put £60-£80 on them. | 0:05:19 | 0:05:22 | |
Bernard, are you happy with that? | 0:05:22 | 0:05:24 | |
That's good, because it's more than I thought they were worth. | 0:05:24 | 0:05:27 | |
Old books are never worth as much as you think they should be. | 0:05:27 | 0:05:30 | |
Thankfully that's not always the case. | 0:05:30 | 0:05:33 | |
It depends on whether there's a market for them, | 0:05:33 | 0:05:36 | |
also the author and the edition. | 0:05:36 | 0:05:38 | |
First editions are often highly collectable. | 0:05:38 | 0:05:41 | |
Let's hope there are fans of Religious Tracts Society there on sale day. | 0:05:41 | 0:05:46 | |
I think our search will go quicker if Daisy gave us a hand, | 0:05:46 | 0:05:50 | |
but there's a lovely smell from the kitchen. | 0:05:50 | 0:05:52 | |
John spots what looks like an African carving on the wall, | 0:05:52 | 0:05:56 | |
but says there's little value in such items at auction. | 0:05:56 | 0:05:59 | |
Bernard looks like he might be on to something in the bedroom. | 0:05:59 | 0:06:02 | |
I know a safe bet when I see it, a set of Beswick animals. | 0:06:02 | 0:06:05 | |
This is an attractive family of sheep | 0:06:05 | 0:06:07 | |
and their own collie comes with it to round them all up. | 0:06:07 | 0:06:10 | |
They belonged to Bernard's aunt, but he doesn't like them. | 0:06:10 | 0:06:13 | |
He's happy for them to go and they should make £40-£60. | 0:06:13 | 0:06:17 | |
-So, these were your grandfather's medals? -Yes. My mother's father. | 0:06:20 | 0:06:24 | |
Do you know much about him? What regiment he was in? | 0:06:24 | 0:06:28 | |
He was in the 12th Lancers. He was a private and kept that rank all the time. | 0:06:28 | 0:06:35 | |
Let's look at the medals, starting here with the Queen's South Africa medal. | 0:06:35 | 0:06:39 | |
There were two types. | 0:06:39 | 0:06:41 | |
Because as you know the very bloody Boer War lasted from 1899 to 1902, | 0:06:41 | 0:06:45 | |
by which time Queen Victoria had died and was succeeded by Edward VII, | 0:06:45 | 0:06:49 | |
so you get the King's South Africa medal. | 0:06:49 | 0:06:52 | |
They've five bars. The first is South Africa bar for 1902. | 0:06:52 | 0:06:58 | |
That shows he was out there for the duration of the war. | 0:06:58 | 0:07:01 | |
Underneath that is the 1901 South Africa bar. | 0:07:01 | 0:07:04 | |
Then we have Transvaal, the Orange Free State and Cape Colony. | 0:07:04 | 0:07:08 | |
So, Transvaal and Orange Free State. They were the main republics against which the British were fighting. | 0:07:08 | 0:07:15 | |
So that's a nice medal. | 0:07:15 | 0:07:16 | |
Now the First World War group, we've got the Silver war medal | 0:07:16 | 0:07:21 | |
and the Victory medal and this one here, the Star. | 0:07:21 | 0:07:26 | |
You do see these, the interesting thing about this particular one, | 0:07:26 | 0:07:29 | |
in the centre there it says 1914. | 0:07:29 | 0:07:31 | |
That would suggest your grandfather was out there with the original British expeditionary force, | 0:07:31 | 0:07:37 | |
they were the pre-war career soldiers who went out there | 0:07:37 | 0:07:40 | |
before Kitchener's volunteers went out, or the guys enlisted. | 0:07:40 | 0:07:44 | |
This is often referred to as the Mons Star, in reference to the retreat from Mons. | 0:07:44 | 0:07:51 | |
That's a nice medal to have as part of that group. | 0:07:51 | 0:07:55 | |
That's an interesting set there. Plus you've the Queen Victoria Commemorative medal there. | 0:07:55 | 0:08:00 | |
It's wonderful, because they're named, a collector can trace these and find out more about that person. | 0:08:00 | 0:08:08 | |
-Do you remember your grandfather? -Yes, I remember him very well. | 0:08:08 | 0:08:12 | |
I used to look at these medals in that box, when I was five, just at the end of the war. | 0:08:12 | 0:08:19 | |
This is a lovely set, with the cap badges, | 0:08:19 | 0:08:22 | |
I've have no hesitation of putting around £200-£300 on those as an estimate. | 0:08:22 | 0:08:26 | |
-That's very good. Very surprising. -Are you happy with that? -Yes. | 0:08:26 | 0:08:32 | |
I think we'll leave these here. | 0:08:32 | 0:08:34 | |
-You and I need to see if we can find other items. -Yes, indeed. Come on. | 0:08:34 | 0:08:39 | |
That's a great price for the medals. | 0:08:39 | 0:08:42 | |
Going by John's lowest estimate, we stand to make £300 on everything we've found so far. | 0:08:42 | 0:08:48 | |
So we're over halfway towards our target already. | 0:08:48 | 0:08:51 | |
At last Daisy takes a break from her cooking to give us a hand. | 0:08:52 | 0:08:57 | |
And Bernard is back looking at books. | 0:08:58 | 0:09:01 | |
He wonders about this Victorian edition of the Arabian Nights from 1886. | 0:09:01 | 0:09:05 | |
His father bought it in an antiquarian bookshop in the 1950s | 0:09:05 | 0:09:10 | |
and he remembers reading it as a child and enjoying the story. | 0:09:10 | 0:09:14 | |
John gives it an estimate of £30-£40. | 0:09:14 | 0:09:18 | |
Our expert keeps up the search for collectables, | 0:09:18 | 0:09:21 | |
but I'm keen to know more about their large villa in Daisy's homeland and why it needs a hot tub. | 0:09:21 | 0:09:28 | |
Now, I know, Daisy, you're originally from Jamaica. | 0:09:29 | 0:09:31 | |
-When did you come to this country? -I came to England 20...24 years ago. | 0:09:31 | 0:09:37 | |
My friend next door said to me because I wanted to travel. | 0:09:37 | 0:09:40 | |
I was going to go to America. | 0:09:40 | 0:09:43 | |
He said, "England is not bad, you know. Your sister's in England. | 0:09:43 | 0:09:46 | |
"Why not go to England?" That's why I ended up in England. | 0:09:46 | 0:09:50 | |
So what made you decide to get this place in Jamaica? | 0:09:50 | 0:09:53 | |
When we went there the first time we saw this villa half built | 0:09:53 | 0:09:58 | |
on the hill and decided to buy it. | 0:09:58 | 0:10:03 | |
I can't see any point in having a beautiful house in Jamaica, | 0:10:03 | 0:10:06 | |
where it's warm and sunny, and living in England. | 0:10:06 | 0:10:09 | |
Now this is a big move, obviously. | 0:10:09 | 0:10:11 | |
Tell me what you think your days will be like once you've settled over there. | 0:10:11 | 0:10:15 | |
Presumably a lot different to over here. | 0:10:15 | 0:10:17 | |
When you have a house that size, there's a lot of work to do to keep it up and running. | 0:10:17 | 0:10:22 | |
How important is the Jacuzzi? I think it's more important to you? | 0:10:22 | 0:10:25 | |
Yes, I can't swim and I don't like the swimming pool, | 0:10:25 | 0:10:28 | |
so I would rather sit in the Jacuzzi with a glass of wine. | 0:10:28 | 0:10:31 | |
Presumably that Jacuzzi will make the most of the views as well. | 0:10:31 | 0:10:35 | |
Yes, it looks out over the beach. | 0:10:35 | 0:10:39 | |
-200 foot above it and 400 yards back from it. -Wonderful. | 0:10:39 | 0:10:44 | |
Tell me a little bit about your relationship and how you stayed together. | 0:10:44 | 0:10:48 | |
-You've been together ten years now. -I think we work very well together. | 0:10:48 | 0:10:52 | |
We have common interests in cooking and travelling. | 0:10:52 | 0:10:55 | |
Well, Bernard is a very kind person. He's very kind. | 0:10:55 | 0:10:59 | |
-Was it love at first sight, Daisy? -No. | 0:10:59 | 0:11:03 | |
So, did he grow on you? | 0:11:03 | 0:11:04 | |
Yeah, I should think so. | 0:11:04 | 0:11:06 | |
And what about you, Bernard - was it love at first sight for you? | 0:11:06 | 0:11:11 | |
I fancied Daisy. I have to say yes. | 0:11:11 | 0:11:14 | |
-What do you say is the key to your relationship? -Hard work. | 0:11:14 | 0:11:19 | |
THEY LAUGH | 0:11:19 | 0:11:21 | |
It's quite hard to know what to say after that! | 0:11:24 | 0:11:27 | |
Let's hope things work out well for them when they move to the Caribbean. | 0:11:27 | 0:11:31 | |
For now, though, we must get back to our rummage. | 0:11:31 | 0:11:34 | |
Bernard must think there are more treasures to be found amongst his books. | 0:11:34 | 0:11:39 | |
Then he finds six leather-bound volumes of The Spectator from the middle of the 18th century. | 0:11:39 | 0:11:45 | |
Left to him by his granddad, they're normally in a set of eight. | 0:11:45 | 0:11:48 | |
Unfortunately this collection isn't complete | 0:11:48 | 0:11:50 | |
and a few front covers are missing too. | 0:11:50 | 0:11:53 | |
With an estimate of £80-£120, we think they're a pretty good find. | 0:11:53 | 0:11:57 | |
John, look what I've found. | 0:12:00 | 0:12:02 | |
That looks more interesting than the little dog. | 0:12:02 | 0:12:05 | |
-Where is this from? -Bernard's aunt. -He inherited it. -Yeah. | 0:12:05 | 0:12:10 | |
-Where do you think it's from? -I don't know. | 0:12:10 | 0:12:14 | |
I use it for spare change. | 0:12:14 | 0:12:17 | |
-You can get some spare change. -That's what we use it for. | 0:12:17 | 0:12:21 | |
I'm glad to see you've taken the spare change out. | 0:12:21 | 0:12:25 | |
-It's quite heavy without it. -That's right. -Do you like it? -No, I don't. | 0:12:25 | 0:12:31 | |
-I hate it. -So, you're going to be on my side for taking this to auction. | 0:12:31 | 0:12:35 | |
-Just give it away. -I don't think we need to give it away. | 0:12:35 | 0:12:38 | |
-It's quite an interesting piece. -Is it? | 0:12:38 | 0:12:40 | |
It's made of porcelain and it's Chinese. | 0:12:40 | 0:12:43 | |
I think this dates to the late 19th century, late Ching dynasty. | 0:12:43 | 0:12:46 | |
The style of decoration, the painting on there is very much | 0:12:46 | 0:12:51 | |
favouring the green colours, a style of Chinese painting known as famille verte. | 0:12:51 | 0:12:56 | |
Which is the green family. Lots of colours, greens, red, greys, aubergines and yellows here. | 0:12:56 | 0:13:02 | |
Predominantly it is green. | 0:13:02 | 0:13:06 | |
We have a bit of a chip up here on the rim and a crack there. | 0:13:06 | 0:13:10 | |
But I still think at auction, I would expect that to make something like £150. | 0:13:10 | 0:13:14 | |
You're joking! Something I was going to put in the dustbin. | 0:13:14 | 0:13:19 | |
-I am hoping £150-£250. That's what I'm thinking. -Wow, goodness me. | 0:13:19 | 0:13:24 | |
-Are you surprised? -I am surprised. | 0:13:24 | 0:13:26 | |
Something I was going to put in the bin. | 0:13:26 | 0:13:29 | |
When it gets to auction we're all taken aback by the response. | 0:13:29 | 0:13:33 | |
£130. Take £140. | 0:13:33 | 0:13:35 | |
£140 there. £150. | 0:13:35 | 0:13:37 | |
-Goodness me! -On the telephone, as well! | 0:13:37 | 0:13:39 | |
Where will the bidding war end? | 0:13:39 | 0:13:41 | |
Not the dustbin, that's for sure! | 0:13:41 | 0:13:43 | |
This is what we need - two buyers who want one of our pieces. | 0:13:43 | 0:13:48 | |
Yes! | 0:13:48 | 0:13:50 | |
In future, Daisy will have to look more carefully at the heirlooms Bernard has inherited, I think. | 0:13:50 | 0:13:55 | |
His books are piled up all over the house, | 0:13:55 | 0:13:57 | |
but John is looking past them at this Globe Wernicke book case. | 0:13:57 | 0:14:01 | |
It is made of oak, with a glass-panelled front. | 0:14:01 | 0:14:04 | |
Bernard's father bought it in the 1950s for just £5. | 0:14:04 | 0:14:08 | |
It comes apart in four sections and dates from around 1900. | 0:14:08 | 0:14:12 | |
These are genuinely good sellers at auction | 0:14:12 | 0:14:14 | |
and we hope this will bring in £80-£120 on sale day. | 0:14:14 | 0:14:19 | |
Now something draws me to the kitchen | 0:14:20 | 0:14:22 | |
and this cuckoo clock is of little value. | 0:14:22 | 0:14:26 | |
I think it must be the smell of Daisy's cooking. | 0:14:26 | 0:14:28 | |
There's another timepiece nearby that requires a closer inspection. | 0:14:28 | 0:14:32 | |
I bought this from an antique shop, probably about 20 years ago. | 0:14:34 | 0:14:39 | |
I don't know anything about the history before that. | 0:14:39 | 0:14:42 | |
Do you know what it's called? | 0:14:42 | 0:14:45 | |
Yes, it's made by Zaan Clocks and because of the globe on | 0:14:45 | 0:14:47 | |
the top I believe it's called a "rich man's clock." | 0:14:47 | 0:14:50 | |
I have referred to them referred to as a rich man's clocks. | 0:14:50 | 0:14:54 | |
I guess that was because when these first appeared | 0:14:54 | 0:14:56 | |
it was only the seriously wealthy that could afford them. | 0:14:56 | 0:14:59 | |
They actually take the form of a lantern clock, which refers | 0:14:59 | 0:15:04 | |
to this shape here, where there are four brass sides, silver chaptering. | 0:15:04 | 0:15:09 | |
You have this pierced raised gallery at the top here, | 0:15:09 | 0:15:12 | |
which covers up a bell. | 0:15:12 | 0:15:14 | |
Twin chain movement. You can see one driving the actual goings of the clock - the time. | 0:15:14 | 0:15:19 | |
The other for the power of the bell. | 0:15:19 | 0:15:22 | |
We can see the chains hanging down here like that. | 0:15:22 | 0:15:25 | |
-Is it in working order? -Yes, it works perfectly. | 0:15:25 | 0:15:27 | |
-How often do you have to wind it? -Every day, | 0:15:27 | 0:15:29 | |
which is why it's not working now. | 0:15:29 | 0:15:31 | |
This is the clock which gave birth to the grandfather clock - | 0:15:31 | 0:15:35 | |
the pendulum and the weights hanging. A case formed around these pieces hanging down here | 0:15:35 | 0:15:39 | |
and that's where we get the free-standing long-case clock. | 0:15:39 | 0:15:43 | |
It was a case that hid all this kind of messy-looking chain work here. | 0:15:43 | 0:15:46 | |
You can see the Dutch influences on it, certainly. | 0:15:46 | 0:15:49 | |
These twists here at the side that's very Dutch. | 0:15:49 | 0:15:53 | |
On an English lantern clock you'd see classical columns on there. | 0:15:53 | 0:15:56 | |
I think it's a mid-20th century piece. | 0:15:56 | 0:15:59 | |
Interesting this motto up here. Do you know what it translates to? | 0:15:59 | 0:16:02 | |
-No idea. -To each their own. | 0:16:02 | 0:16:05 | |
I'm not sure how you connect that to clock-making. | 0:16:05 | 0:16:08 | |
That's what it is. It's decorative. Not huge sums of money. | 0:16:08 | 0:16:12 | |
-Somewhere between £50-£80. Something like that for it. -Yes, that's great. | 0:16:12 | 0:16:16 | |
-That's far more than I paid for it. -Jolly good. All this talk of time. | 0:16:16 | 0:16:20 | |
It's time we got on with rummaging. Come on, then. | 0:16:20 | 0:16:23 | |
So many of the charming items we've seen in this home have been | 0:16:23 | 0:16:27 | |
passed down through Bernard's family. | 0:16:27 | 0:16:30 | |
I am hoping he'll tell me more about his predecessors who had a good eye for collecting. | 0:16:30 | 0:16:35 | |
Bernard, tell me, have you always lived in Surrey? | 0:16:35 | 0:16:39 | |
No, I came to Surrey in 1964. | 0:16:39 | 0:16:42 | |
Tell me about your childhood and where you grew up. | 0:16:42 | 0:16:45 | |
I was born in Twickenham, in 1942. | 0:16:45 | 0:16:49 | |
We lived there until I was five. | 0:16:49 | 0:16:53 | |
Then we moved to Suffolk. | 0:16:53 | 0:16:55 | |
My father bought a farm. | 0:16:55 | 0:16:57 | |
We stayed there until I was 15 in 1957 and we moved to Isleworth. | 0:16:57 | 0:17:03 | |
It must have been quite a change from rural Suffolk coming back to the city. | 0:17:03 | 0:17:06 | |
It wasn't really because I went to work in Kew Gardens. | 0:17:06 | 0:17:09 | |
There was a family history associated with Kew. | 0:17:09 | 0:17:14 | |
My grandfather started there in 1889. | 0:17:14 | 0:17:16 | |
He became a botanist and eventually became a librarian at Kew | 0:17:16 | 0:17:20 | |
and was there until his death in 1939. | 0:17:20 | 0:17:24 | |
You were following in the family tradition? | 0:17:24 | 0:17:27 | |
My aunt, Mabel, she went to Kew in 1916 and worked all her life, | 0:17:27 | 0:17:30 | |
up until 1982 on the Index Kewensis. | 0:17:30 | 0:17:33 | |
I understand, is there some plant or something named after someone? | 0:17:33 | 0:17:38 | |
There's my grandfather has an oak tree named after him called Quercus skania. | 0:17:38 | 0:17:42 | |
-Right. And have you seen that? -I used to look for it. | 0:17:42 | 0:17:46 | |
I know roughly where it is in Kew, but because some of the labels | 0:17:46 | 0:17:52 | |
which used to be lead, were pinched off the trees, it was difficult to identify. | 0:17:52 | 0:17:56 | |
It would be nice if you could find that tree before you go to Jamaica, wouldn't it? | 0:17:56 | 0:18:00 | |
Yes, I think I will make the effort to find it. | 0:18:00 | 0:18:04 | |
When do you plan to permanently move to Jamaica? | 0:18:04 | 0:18:08 | |
Well, I've... I want to be there, I'll not be here when I'm 70. | 0:18:08 | 0:18:12 | |
So I've got a maximum of two years. | 0:18:12 | 0:18:14 | |
Right. | 0:18:14 | 0:18:15 | |
But Daisy won't go to Jamaica | 0:18:15 | 0:18:18 | |
until the house is completely finished and we can move in. | 0:18:18 | 0:18:22 | |
It will take some adjustment. | 0:18:22 | 0:18:25 | |
You have a big place here. But that's a palace. | 0:18:25 | 0:18:28 | |
Seven bedrooms, six bathrooms, Jacuzzis. | 0:18:28 | 0:18:31 | |
I don't think there's any culture shock at all. The reason I love Jamaica, | 0:18:31 | 0:18:35 | |
it is just like Suffolk was when I was brought up on the farm. | 0:18:35 | 0:18:38 | |
And the people there are very friendly. | 0:18:38 | 0:18:40 | |
I know more people in Jamaica now than I know in England. | 0:18:40 | 0:18:44 | |
Well, he's determined to make the move to the Caribbean. | 0:18:44 | 0:18:47 | |
So there's no let-up in our hunt for items to sell. | 0:18:47 | 0:18:51 | |
John has found a souvenir from Tanzania that Bernard's uncle bought | 0:18:51 | 0:18:54 | |
in the 1930s, but this is something our host would like to keep. | 0:18:54 | 0:19:00 | |
Daisy has spotted these two brass ornaments in the bedroom. | 0:19:00 | 0:19:03 | |
They are free to be sold. | 0:19:03 | 0:19:05 | |
Our expert says they are examples of trench art work and are quite collectable. | 0:19:05 | 0:19:10 | |
During the first and second world wars, many soldiers would make things | 0:19:10 | 0:19:14 | |
from the materials they found around them, including discarded shells like these. | 0:19:14 | 0:19:20 | |
The estimate for this lot, £30-£50. | 0:19:20 | 0:19:23 | |
Hi Bernard, what have you got there? | 0:19:25 | 0:19:28 | |
These are a couple of Japanese Christmas cards which I came across. | 0:19:28 | 0:19:34 | |
I found these in a file of papers. | 0:19:34 | 0:19:36 | |
They belonged to my grandfather and aunt who worked at Kew. | 0:19:36 | 0:19:41 | |
They were tucked in an obituary notice of one of the directors | 0:19:41 | 0:19:44 | |
of Kew Gardens and that had been sent to my grandfather. | 0:19:44 | 0:19:48 | |
-What do you make of them, John? -I think they're fascinating. | 0:19:48 | 0:19:52 | |
A Christmas card from Japan. What a novelty! | 0:19:52 | 0:19:55 | |
How much work has gone into this is obviously evident. | 0:19:55 | 0:19:58 | |
It is beautiful marquetry there, in different species of timber. | 0:19:58 | 0:20:01 | |
We have a winding road and in the background Mount Fuji. | 0:20:01 | 0:20:04 | |
When you open it up I think the interesting part is on the inside. | 0:20:04 | 0:20:09 | |
This is a little miniature wood block print on rice paper. | 0:20:09 | 0:20:12 | |
Now that road there is the Tokaido Road. | 0:20:12 | 0:20:16 | |
One of the famous five roads emanating from Edo, modern day Tokyo. | 0:20:16 | 0:20:22 | |
This is the Tokaido Road which stretched all the way to Kyoto. | 0:20:22 | 0:20:27 | |
Along that road there were 53 stations, | 0:20:27 | 0:20:30 | |
modern day inns or stage coach houses - | 0:20:30 | 0:20:35 | |
for refreshments or staying over. | 0:20:35 | 0:20:37 | |
Now every year the Shogun required that the local lords that ruled | 0:20:37 | 0:20:42 | |
the provinces had to come in a big procession to Edo to pay homage | 0:20:42 | 0:20:49 | |
and would stop at the various stations. | 0:20:49 | 0:20:50 | |
The picture is by a very famous artist, called Hiroshi. | 0:20:50 | 0:20:54 | |
One of the most famous Japanese wood block printers of the old style. | 0:20:54 | 0:20:59 | |
That is fantastic. | 0:20:59 | 0:21:00 | |
Those prints alone, the larger versions can sell for £200-£300 | 0:21:00 | 0:21:05 | |
the original 19th century versions. Here we have one I've never seen before, in miniature, | 0:21:05 | 0:21:09 | |
tipped into this fantastically unusual Christmas card. | 0:21:09 | 0:21:13 | |
What sort of value do you think they might have? | 0:21:13 | 0:21:16 | |
It would have to be a guesstimate. | 0:21:16 | 0:21:18 | |
-I would say £40-£60, something like that. -Are you happy with that value? | 0:21:18 | 0:21:22 | |
-Absolutely. Yes. -That's going off to auction. Let's see what else we can find. | 0:21:22 | 0:21:26 | |
Bernard does have some fascinating heirlooms around his house | 0:21:26 | 0:21:30 | |
from fascinating relatives. This oak writing cabinet and the glass-fronted | 0:21:30 | 0:21:37 | |
tobacco cabinet were both presented to his maternal grandfather in 1909. | 0:21:37 | 0:21:42 | |
The writing cabinet still has its original calendar. | 0:21:42 | 0:21:46 | |
Bernard is happy to let them go up for auction with a guide price of £100-£150. | 0:21:46 | 0:21:53 | |
John, I found this MBE which was awarded to my aunt... | 0:21:53 | 0:21:56 | |
What have you found there? | 0:21:56 | 0:21:58 | |
This was given to my aunt for her services on the Index Kewensis. | 0:21:58 | 0:22:02 | |
-What was that index exactly? -It's a list of all known plant names. | 0:22:02 | 0:22:07 | |
It actually describes the structure of the plant. | 0:22:07 | 0:22:12 | |
She worked in Kew from 1916 up to 1982. | 0:22:12 | 0:22:15 | |
She was awarded the MBE for her services. | 0:22:15 | 0:22:20 | |
-Is that the certificate with it? -Yes. -That's amazing, isn't it? | 0:22:20 | 0:22:24 | |
-I think that is the closest you will come to an MBE. -I wouldn't mind an MBE. | 0:22:24 | 0:22:28 | |
It is the closest I want to come to this type, because it's a woman's type. | 0:22:28 | 0:22:32 | |
I understand these are very important to the individuals | 0:22:32 | 0:22:36 | |
who get awarded them, but is there much of a secondary market for them? | 0:22:36 | 0:22:39 | |
People do collect these. These are an important group of British orders. | 0:22:39 | 0:22:44 | |
Since its inception in 1917 by George V, | 0:22:44 | 0:22:47 | |
it was deemed there was a gap in the British order system, | 0:22:47 | 0:22:50 | |
they introduced the most excellent order of the British Empire in five types, | 0:22:50 | 0:22:54 | |
starting the highest being the GBE and down to the lowest the MBE. | 0:22:54 | 0:23:00 | |
The Member of the British Empire. | 0:23:00 | 0:23:02 | |
This one here, we said is a woman's example. | 0:23:02 | 0:23:05 | |
We know that because of the way the ribbon is tied in this bow. | 0:23:05 | 0:23:08 | |
Also we know there are two types of the five orders. | 0:23:08 | 0:23:12 | |
One being military, one being civil. So the ribbon here with the two grey borders tells us it is a civil type. | 0:23:12 | 0:23:18 | |
So, there we are. It a woman's type civil MBE. | 0:23:18 | 0:23:22 | |
-How do you feel about selling this? -It has no sentimental value. | 0:23:22 | 0:23:26 | |
If it goes towards our Jacuzzi, then great! | 0:23:26 | 0:23:31 | |
What sort of value do you think it might have then? | 0:23:31 | 0:23:33 | |
Something like this, with the paperwork, | 0:23:33 | 0:23:36 | |
£60-£80 minimum I would have thought. | 0:23:36 | 0:23:38 | |
That will help considerably. | 0:23:38 | 0:23:41 | |
You wanted to raise £500 towards the Jacuzzi, | 0:23:41 | 0:23:44 | |
which I think is quite important for you, Daisy. | 0:23:44 | 0:23:47 | |
The value of everything going to auction comes to £920. | 0:23:47 | 0:23:50 | |
-That's good. -Fantastic. | 0:23:50 | 0:23:53 | |
So, it's nearly a third of the actual target for the Jacuzzi if we can get that. | 0:23:53 | 0:23:57 | |
Really good. | 0:23:57 | 0:23:59 | |
The next time we'll see you is at the auction house. | 0:23:59 | 0:24:03 | |
I look forward to it. | 0:24:03 | 0:24:04 | |
That's quite a collection of items from Bernard and Daisy's home heading off to the sale room. | 0:24:04 | 0:24:11 | |
How about the late 19th century Japanese wood-veneered greeting cards? | 0:24:11 | 0:24:16 | |
Also the letter from his paternal grandfather. | 0:24:16 | 0:24:19 | |
John's opinion was £40-£60 for the lot. | 0:24:19 | 0:24:23 | |
Also from the late 19th century, the large Chinese vase that Daisy | 0:24:23 | 0:24:27 | |
was going to throw in the bin. | 0:24:27 | 0:24:29 | |
It may be slightly damaged, | 0:24:29 | 0:24:31 | |
but we hope it will fetch £150-£250 on the day. | 0:24:31 | 0:24:35 | |
And last, but by no means least, the medals which relate to | 0:24:35 | 0:24:39 | |
Bernard's grandfather's time in the Boer war and the First World War. | 0:24:39 | 0:24:44 | |
These are very collectable and should make £200-£300. | 0:24:44 | 0:24:49 | |
Still to come on Cash in the Attic - | 0:24:49 | 0:24:52 | |
it looks like we're destined for a bumpy ride at auction. | 0:24:52 | 0:24:54 | |
I was looking for more. | 0:24:54 | 0:24:57 | |
Daisy, you're always looking for a bit more. | 0:24:57 | 0:25:00 | |
But Daisy cheers up when the bookcase goes. | 0:25:00 | 0:25:04 | |
You're very happy because you have some space in the house. | 0:25:04 | 0:25:06 | |
Bernard's not disappointed either | 0:25:06 | 0:25:08 | |
when his least favourite ceramics don't make their estimate. | 0:25:08 | 0:25:11 | |
£2, who's worried about that? | 0:25:11 | 0:25:14 | |
Quite, especially when you don't like Beswick. | 0:25:14 | 0:25:16 | |
Follow ups and downs until the final hammer falls. | 0:25:16 | 0:25:20 | |
It's been a few weeks since we met Daisy and Bernard | 0:25:25 | 0:25:28 | |
and Bernard had some interesting items, | 0:25:28 | 0:25:31 | |
including that wonderful MBE awarded to his aunt. | 0:25:31 | 0:25:35 | |
We brought them here to Chiswick auction rooms in West London. | 0:25:35 | 0:25:38 | |
They are looking to raise £500 towards | 0:25:38 | 0:25:40 | |
the Jacuzzi at their fantastic place out in Jamaica. | 0:25:40 | 0:25:44 | |
Let's hope today, when our items go under the hammer, | 0:25:44 | 0:25:47 | |
the bidders are ready to take the plunge. | 0:25:47 | 0:25:50 | |
The catalogue for this general sale is available on the web too. | 0:25:50 | 0:25:55 | |
With many of Daisy and Bernard's pieces appealing to the specialist market, | 0:25:55 | 0:25:59 | |
fingers crossed they've been spotted by some eagle-eyed buyers. | 0:25:59 | 0:26:04 | |
Good morning, Daisy, Bernard, how are you? | 0:26:04 | 0:26:07 | |
Oh, you have the photographs to go with the medals. | 0:26:07 | 0:26:11 | |
This is a photo of my grandfather, wearing this medal. | 0:26:11 | 0:26:15 | |
As you can see, if you look closely only showing three of the five bars, which dates it then to 1900. | 0:26:15 | 0:26:23 | |
-Right, so you've done your homework on that then? -Yes. I've been looking this up. | 0:26:23 | 0:26:29 | |
-In terms of all the items, have we got everything here today? -Yes. | 0:26:29 | 0:26:32 | |
We have. You probably hear that the auction has already started. | 0:26:32 | 0:26:36 | |
-Shall we go and sell some items? -Yes. | 0:26:36 | 0:26:41 | |
Unfortunately our expert, John, can't be with us today, | 0:26:41 | 0:26:44 | |
but his careful estimates should stand us in good stead. | 0:26:44 | 0:26:46 | |
We take our places as our first lot comes up. | 0:26:46 | 0:26:50 | |
The two late 19th century Japanese greeting cards with fine wood veneer, | 0:26:50 | 0:26:54 | |
really nice things. | 0:26:54 | 0:26:58 | |
They are very unusual. | 0:26:58 | 0:27:00 | |
Yes, these were found amongst my grandfather's possessions. | 0:27:00 | 0:27:04 | |
He was librarian at Kew Gardens | 0:27:04 | 0:27:08 | |
between 1879-1939. | 0:27:08 | 0:27:11 | |
-They show the different types of wood, didn't they? -Yes. Different types of wood veneer. | 0:27:11 | 0:27:18 | |
For this lot, start me at £40. £40 start me. £30. | 0:27:18 | 0:27:23 | |
-No bids at £30. -Ooh, dear! -£30. I'm not going lower. | 0:27:23 | 0:27:28 | |
-I'll pass it then. -Ooh, dear, they're not sold. Disappointed? | 0:27:28 | 0:27:33 | |
Not really because I think they were too much of a specialist item | 0:27:33 | 0:27:36 | |
to sell at an auction like this. | 0:27:36 | 0:27:39 | |
Hopefully Bernard will be able to sell the cards | 0:27:39 | 0:27:42 | |
and letter another day and get the price they deserve. | 0:27:42 | 0:27:46 | |
Next up, a Victorian illustrated volume of the Arabian Nights | 0:27:46 | 0:27:50 | |
and we're looking to make £30-£40 here. | 0:27:50 | 0:27:55 | |
This used to belong to my grandfather. He gave it to my father. | 0:27:55 | 0:27:58 | |
Before that it belonged to a John Stephen, | 0:27:58 | 0:28:02 | |
who was a writer on Victorian art and architecture. | 0:28:02 | 0:28:08 | |
Right. OK, that's interesting. | 0:28:08 | 0:28:10 | |
Let's hope we can make the money for it. | 0:28:10 | 0:28:12 | |
Start me £20. £20 start me. | 0:28:12 | 0:28:16 | |
-£20 I'm bid. -Nobody wants it. | 0:28:16 | 0:28:19 | |
Still cheap at £20. I'm going to sell it. Is that all right? | 0:28:19 | 0:28:22 | |
£20. All done. | 0:28:22 | 0:28:24 | |
£20 for that. It's a bit less than I thought we might make. | 0:28:24 | 0:28:28 | |
Are you happy with that? | 0:28:28 | 0:28:30 | |
Perfectly happy. | 0:28:30 | 0:28:32 | |
Thankfully Bernard is easily pleased. | 0:28:32 | 0:28:35 | |
If it had been a first edition, it would have been a different story. | 0:28:35 | 0:28:39 | |
Next, the turn of the two brass examples of trench art work. | 0:28:39 | 0:28:41 | |
A tobacco box and a bell. | 0:28:41 | 0:28:44 | |
These were made by craftsmen amongst the enlisted troops. | 0:28:44 | 0:28:47 | |
They sought an outlet for their activity amid the horrors of the trenches. | 0:28:47 | 0:28:52 | |
These fascinating pieces were made from discarded shell cases. | 0:28:52 | 0:28:58 | |
These were, I believe, one from the First World War. | 0:28:58 | 0:29:03 | |
And the second one I think is a bit later. | 0:29:03 | 0:29:07 | |
They were my grandfather's, on my mother's side. | 0:29:07 | 0:29:13 | |
Start me £20, somebody please. At £20. | 0:29:13 | 0:29:17 | |
I'm bid take two now. £22. £25. | 0:29:17 | 0:29:19 | |
£22 in the middle. £25. £22. | 0:29:19 | 0:29:25 | |
Can't squeeze you for any more. | 0:29:25 | 0:29:27 | |
All done. I'll sell it for £22. Last chance. | 0:29:27 | 0:29:30 | |
£22. Are you happy with that? | 0:29:30 | 0:29:34 | |
I was hoping for a bit more. | 0:29:34 | 0:29:37 | |
-Daisy, you're always looking for a bit more! -I know. | 0:29:37 | 0:29:41 | |
And who can blame her. | 0:29:41 | 0:29:43 | |
At least they sold and there's more money in the kitty. | 0:29:43 | 0:29:47 | |
Now our next lot have proved quite popular in auctions to be | 0:29:47 | 0:29:51 | |
honest with you, it's the Beswick. We have the sheep and the sheepdog, which is a nice little set. | 0:29:51 | 0:29:56 | |
-Do you like it Daisy? -Yes, I do like it. -And do you like them? | 0:29:56 | 0:29:59 | |
No, not particularly. I don't like Beswick china. | 0:29:59 | 0:30:02 | |
-Why have you got them, then? -They were my aunt's. | 0:30:02 | 0:30:05 | |
Gosh, everything ended up at your house, didn't it? | 0:30:05 | 0:30:09 | |
Start me £40, somebody. £30. | 0:30:09 | 0:30:12 | |
£30. £30. I'm bid. £32. £35. | 0:30:12 | 0:30:20 | |
At £32 only. £35, £38. £40. | 0:30:20 | 0:30:25 | |
At £38 I'm bid. Seated. £38 you like now. | 0:30:25 | 0:30:29 | |
All done last chance. £38 I'm going to sell it. | 0:30:29 | 0:30:33 | |
£38. So £2 under the bottom estimate. Are you happy with that? | 0:30:33 | 0:30:38 | |
Well, £2, who's worried about that? | 0:30:38 | 0:30:41 | |
Especially when you don't like Beswick. | 0:30:41 | 0:30:44 | |
They are happy to be £38 nearer that hot tub in Jamaica. | 0:30:44 | 0:30:51 | |
I can't wait to get closer still as we move on to the Dutch wall clock. | 0:30:51 | 0:30:54 | |
It is mid-20th century, but in an antique style. | 0:30:54 | 0:30:58 | |
Bernard bought it 20 years ago and now it's up for £50-£80. | 0:30:58 | 0:31:02 | |
-What is the story behind this? -Well, I bought that from an antique shop. | 0:31:02 | 0:31:06 | |
I always thought it was turn of the century piece until John advised me it was '50s. | 0:31:06 | 0:31:10 | |
-Were you disappointed to find out it was an 1950s version. -Not really. | 0:31:10 | 0:31:15 | |
I thought it was older. It doesn't matter. | 0:31:15 | 0:31:17 | |
£30 for the Dutch-style clock. | 0:31:17 | 0:31:21 | |
No bids at £30. I can't go lower. £30. | 0:31:21 | 0:31:24 | |
No interest in the room. £30 I'm bid. £35. Take five now. | 0:31:24 | 0:31:28 | |
All done, £30. £30 selling. | 0:31:28 | 0:31:34 | |
Now the clock has sold for just £30. | 0:31:34 | 0:31:36 | |
That is a lot less than you were hoping for. Are you happy with that? | 0:31:36 | 0:31:41 | |
Well, I was expecting a little more, but... | 0:31:41 | 0:31:44 | |
That's life. | 0:31:44 | 0:31:45 | |
Bernard may be looking on the brighter side of life, | 0:31:45 | 0:31:50 | |
but I don't think Daisy's too impressed. | 0:31:50 | 0:31:52 | |
At this rate they won't be enjoying a Jacuzzi in Jamaica, but a tin bath in Torquay. | 0:31:52 | 0:31:57 | |
The next lot has been in Bernard's family for three generations. | 0:31:57 | 0:32:01 | |
It's the set of 16 Victorian cloth-bound picture books | 0:32:01 | 0:32:04 | |
published by the Religious Tracts Society. | 0:32:04 | 0:32:07 | |
They are bound to go down a storm. | 0:32:07 | 0:32:10 | |
They've been with me most of my life and I always found them fascinating. | 0:32:10 | 0:32:14 | |
They belonged to my grandfather at one time, I believe. | 0:32:14 | 0:32:17 | |
-Let's see if they can make the money for you. -Fingers crossed. | 0:32:17 | 0:32:21 | |
Start me £50. £40 if you like. | 0:32:21 | 0:32:25 | |
Come on! | 0:32:25 | 0:32:26 | |
No interest at £40. | 0:32:26 | 0:32:29 | |
What am I to do? No interest. Not sold, I'm afraid. | 0:32:29 | 0:32:33 | |
Oh, my goodness, they're not sold. I don't know what to say about that. | 0:32:33 | 0:32:38 | |
-Could not get beyond £40. -That surprises me. | 0:32:38 | 0:32:41 | |
You've had a few no sales. | 0:32:41 | 0:32:43 | |
So far we've only raised £110, which is a bit of a disappointment. | 0:32:43 | 0:32:49 | |
We can buy the taps. | 0:32:49 | 0:32:51 | |
I'm sure we can get you taps and bath salts too! | 0:32:51 | 0:32:55 | |
If you have a special project in mind and you'd like to raise money at auction, | 0:32:55 | 0:32:59 | |
bear in mind there are commission charges to be paid. | 0:32:59 | 0:33:03 | |
As they vary from one sales room to another, it is always worth checking in advance. | 0:33:03 | 0:33:08 | |
Our sale continues with the MBE, | 0:33:08 | 0:33:10 | |
which was awarded to Bernard's aunt, Mabel Irene Skan in 1962 for her | 0:33:10 | 0:33:16 | |
long service at Kew Gardens as the research officer. | 0:33:16 | 0:33:20 | |
We are hoping it will sell for £60-£80. | 0:33:20 | 0:33:23 | |
I am surprised Bernard is willing to part with something so personal. | 0:33:23 | 0:33:28 | |
Now, quite a significant thing to get in your life. | 0:33:28 | 0:33:31 | |
Just remind me of the history of this. | 0:33:31 | 0:33:33 | |
It was given to my aunt for services on | 0:33:33 | 0:33:35 | |
the Index Kewensis at the Royal Botanical Gardens in Kew. | 0:33:35 | 0:33:39 | |
She was there from 1916 | 0:33:39 | 0:33:42 | |
right up until she died in 1982. | 0:33:42 | 0:33:49 | |
Of course it comes with a certificate, | 0:33:49 | 0:33:51 | |
signed by Her Majesty and the Duke. | 0:33:51 | 0:33:54 | |
So, that also will help, no doubt. | 0:33:54 | 0:33:57 | |
The MBE, £50, start me. £40. | 0:33:57 | 0:34:00 | |
I will record your bids £40. £40 I'm bid. £40. £45. | 0:34:00 | 0:34:06 | |
-£50 and five. £60 and five. -Here we go. -Take five now. At £60. | 0:34:06 | 0:34:12 | |
We're there and selling, all done, last chance, £60 gone. | 0:34:12 | 0:34:16 | |
£60, bang on the bottom of John's estimate there. It is sold. | 0:34:16 | 0:34:22 | |
-That's good. -These items are totally unique to the person, | 0:34:22 | 0:34:26 | |
-unless you've got a connection to the person they don't necessarily mean anything, do they? -Yes. | 0:34:26 | 0:34:31 | |
Maybe the winning bidder has a link with Kew Gardens, | 0:34:31 | 0:34:35 | |
or it is someone who collects everything to do with royal presentations. | 0:34:35 | 0:34:39 | |
A piece of furniture is coming up now, it's the Globe Wernicke bookcase - | 0:34:39 | 0:34:44 | |
it's glass fronted and made of oak. | 0:34:44 | 0:34:47 | |
Bernard's father bought it for £5 in Suffolk in the 1950s. | 0:34:47 | 0:34:50 | |
John's estimate is £80-£120. Let's see how it sells here. | 0:34:50 | 0:34:56 | |
Commission bid stands at £60. | 0:34:56 | 0:35:00 | |
I'll take £5 in the room. £60, take £5 now. | 0:35:00 | 0:35:03 | |
Commission £70. | 0:35:03 | 0:35:05 | |
At £65, I'm going to sell it. £65. | 0:35:05 | 0:35:08 | |
£65. Are you happy with that? | 0:35:08 | 0:35:11 | |
It's a little under the bottom estimate. Yes? | 0:35:11 | 0:35:14 | |
You are very happy because you've got space. You've got space in the house. | 0:35:14 | 0:35:17 | |
They do need to get rid of everything if they are selling up and moving to Jamaica. | 0:35:17 | 0:35:22 | |
Next we have six leather-bound volumes of the Spectator | 0:35:22 | 0:35:26 | |
from the 18th century. | 0:35:26 | 0:35:27 | |
These too belonged to Bernard's grandfather. | 0:35:27 | 0:35:31 | |
They are very difficult to read because of all the effs are esses, and all the esses are effs. | 0:35:31 | 0:35:37 | |
They are very interesting to read if you can struggle through them. | 0:35:37 | 0:35:40 | |
John has put £80-£120 on these which seems quite a lot. | 0:35:40 | 0:35:44 | |
-It is good for something cluttering the shelf again. -Absolutely. Let's see if we can get that. | 0:35:44 | 0:35:49 | |
What are they worth? £80 start me. | 0:35:49 | 0:35:53 | |
Start me at £60. No bids at £60. | 0:35:53 | 0:35:56 | |
I shan't go lower. I'll pass them. £60 for The Spectator. | 0:35:56 | 0:36:01 | |
No-one likes them? Not sold. | 0:36:01 | 0:36:03 | |
Not sold. Another load of books not sold. | 0:36:03 | 0:36:07 | |
We are not having a good day here today, I tell you. | 0:36:07 | 0:36:10 | |
I've never seen anything like this. I'm really sorry about this. | 0:36:10 | 0:36:14 | |
I am surprised about those. | 0:36:14 | 0:36:17 | |
Oh, dear, it really isn't their day here. | 0:36:17 | 0:36:21 | |
It goes to show you how unpredictable a general sale can be. | 0:36:21 | 0:36:24 | |
Will the next lot fare any better? | 0:36:24 | 0:36:26 | |
It is two small pieces of furniture, a glazed oak tobacco cabinet | 0:36:26 | 0:36:30 | |
and an Edwardian oak writing box with an estimate of £100-£150. | 0:36:30 | 0:36:36 | |
This is a connection to the medals, isn't it? | 0:36:36 | 0:36:39 | |
Yes, the writing case | 0:36:39 | 0:36:41 | |
and the smoking cabinet were both prizes given to my grandfather | 0:36:41 | 0:36:46 | |
in 1909 - one for the 100-yard race and the other, a 120-yard race. | 0:36:46 | 0:36:53 | |
Start me £100. Start me £70 and see where it goes. | 0:36:53 | 0:36:57 | |
Ooh, somebody bid! | 0:36:57 | 0:36:59 | |
I can't tempt you. No interest at £70. No further interest. £70 then. | 0:36:59 | 0:37:06 | |
Not sold, I'm afraid. | 0:37:06 | 0:37:07 | |
He couldn't even get £70 on that lot. | 0:37:07 | 0:37:11 | |
So they are not sold, I'm afraid. | 0:37:11 | 0:37:14 | |
The only consolation is when things haven't sold it is usually | 0:37:14 | 0:37:19 | |
because they haven't reached what is their real value, but you've still got them. | 0:37:19 | 0:37:23 | |
On another day they will sell. | 0:37:23 | 0:37:25 | |
I think that's so far better than underselling stuff. | 0:37:25 | 0:37:29 | |
That really is very disappointing and we're almost at the end of the sale here. | 0:37:29 | 0:37:33 | |
We have just two lots left so everything now rests on those doing well. | 0:37:33 | 0:37:38 | |
Fingers crossed then for the 19th-century Chinese vase. | 0:37:40 | 0:37:43 | |
It's in an 18th-century style, showing enamelled figures at sea. | 0:37:43 | 0:37:47 | |
It does have a chip at the top. Will that affect its chances here? | 0:37:47 | 0:37:52 | |
The estimate is £150-£250. | 0:37:52 | 0:37:56 | |
Where on earth did you get hold of that? | 0:37:56 | 0:37:59 | |
It was from one of my aunts. I inherited it when she died. | 0:37:59 | 0:38:03 | |
She left you £150-£200 in theory. That's what John's put on it. | 0:38:03 | 0:38:08 | |
We hope. | 0:38:08 | 0:38:10 | |
On the telephone, thank you. | 0:38:10 | 0:38:13 | |
On the telephone, I can't believe it. | 0:38:13 | 0:38:15 | |
I have one bid starting at £120. £130 in the doorway. | 0:38:15 | 0:38:22 | |
£130 in the doorway. £140. £130. £140 there. | 0:38:22 | 0:38:27 | |
My goodness! | 0:38:27 | 0:38:30 | |
£170. £180. | 0:38:30 | 0:38:33 | |
£190. | 0:38:33 | 0:38:34 | |
-Make up for last time. -You're not kidding. | 0:38:34 | 0:38:36 | |
£210. £220. £230. £240. | 0:38:36 | 0:38:41 | |
That is what we need two buyers who want one of our pieces. Yes! | 0:38:41 | 0:38:47 | |
£270. £280. £290. | 0:38:47 | 0:38:51 | |
-£300. -Goodness! | 0:38:51 | 0:38:54 | |
£320. £300 on the telephone. £300. I'll take £20 now. | 0:38:54 | 0:39:00 | |
£300. Nice round figure. I'll sell at £300. All out, last chance, £300. | 0:39:00 | 0:39:04 | |
-That is amazing. -We've sold something! We've actually done it. | 0:39:04 | 0:39:10 | |
At last, a really good sale. In fact it's doubled John's lower estimate. | 0:39:10 | 0:39:15 | |
How fantastic is that? | 0:39:15 | 0:39:16 | |
Now it's on to our final lot, | 0:39:16 | 0:39:18 | |
a collection of medals which were awarded to Bernard's grandfather. | 0:39:18 | 0:39:21 | |
Now, one of them is of great interest, | 0:39:21 | 0:39:24 | |
the highly decorative example from the Boer War in South Africa, | 0:39:24 | 0:39:28 | |
at the end of the 19th century. | 0:39:28 | 0:39:31 | |
You put those photographs together with them. | 0:39:31 | 0:39:33 | |
We have a lot of history going on there. | 0:39:33 | 0:39:36 | |
So, John has estimated them at £200-£300. | 0:39:36 | 0:39:40 | |
So, not a lot of money when you think what these men gave to win | 0:39:40 | 0:39:45 | |
these medals in the first place, is it, you know. | 0:39:45 | 0:39:49 | |
Nevertheless, it is money | 0:39:49 | 0:39:51 | |
and hopefully it will help towards your future as well, won't it? Let's see what we can get. | 0:39:51 | 0:39:56 | |
Start me £200. £150. Start me. £150, I'm bid. | 0:39:56 | 0:40:00 | |
£160. £160. It's cheap, £150. | 0:40:00 | 0:40:05 | |
All done at £150. £170. £180. | 0:40:05 | 0:40:11 | |
£180 now. £170. £170. Last chance. | 0:40:11 | 0:40:16 | |
Now, the auctioneer has sold those for £170 which is a bit less | 0:40:16 | 0:40:20 | |
than we wanted at £200-£300. How do you feel about that? | 0:40:20 | 0:40:24 | |
I would have liked to have got a bit more. But I'm not that disappointed. | 0:40:24 | 0:40:31 | |
Bernard has such a positive attitude. | 0:40:31 | 0:40:33 | |
A lot of people wouldn't be feeling so relaxed at the end of a sale like this. | 0:40:33 | 0:40:37 | |
I think we have some good news for him now. | 0:40:37 | 0:40:41 | |
It's the end of the auction, as far as we're concerned. | 0:40:41 | 0:40:44 | |
You wanted £500. We have had a lot of no sales, haven't we? I'm afraid. | 0:40:44 | 0:40:49 | |
I do apologise for that. We still managed to bank £705. | 0:40:49 | 0:40:54 | |
-That is very, very good. -Are you pleased with that? | 0:40:54 | 0:40:58 | |
I am really pleased. | 0:40:58 | 0:40:59 | |
-We made sure the items that didn't sell are all portable. -Very good! | 0:40:59 | 0:41:03 | |
Is that going to be enough for the Jacuzzi, do you think? | 0:41:03 | 0:41:08 | |
It'll do a bit more. It depends how big we're going to make it! | 0:41:08 | 0:41:12 | |
So, with the extension to their Jamaican villa almost finished, | 0:41:16 | 0:41:22 | |
Daisy and Bernard come to a shop that sells hot tubs, searching for inspiration. | 0:41:22 | 0:41:27 | |
The hot tubs we've seen today are absolutely brilliant. | 0:41:28 | 0:41:33 | |
I didn't know there was that much to know about them. | 0:41:33 | 0:41:38 | |
I like everything. It's really nice. | 0:41:38 | 0:41:40 | |
She liked the place to put the wine glass, I think. | 0:41:40 | 0:41:43 | |
So, how about a test drive, Bernard? | 0:41:43 | 0:41:47 | |
I think Daisy's idea of coming on Cash in the Attic... | 0:41:47 | 0:41:50 | |
At first I thought it was daft, but the experience we've had - it's been really enjoyable. | 0:41:50 | 0:41:56 | |
I can't wait until the day comes that we can actually get one | 0:41:56 | 0:42:00 | |
and get it installed and enjoy our first glass of wine in it, | 0:42:00 | 0:42:03 | |
watching the sunset. | 0:42:03 | 0:42:05 | |
Well, there were plenty of disappointments for Bernard at the auction. | 0:42:09 | 0:42:12 | |
Quite a lot of his items didn't sell. | 0:42:12 | 0:42:14 | |
Despite that, they made more than their target figure. | 0:42:14 | 0:42:17 | |
I'm sure that Jacuzzi in Jamaica is looking rather tempting. | 0:42:17 | 0:42:21 | |
If you have a project in mind you would like to raise money for, | 0:42:21 | 0:42:24 | |
by selling your antiques and collectables at auction, | 0:42:24 | 0:42:27 | |
then why not apply to come on Cash in the Attic? | 0:42:27 | 0:42:30 | |
More details and an application form are on our website. | 0:42:30 | 0:42:33 | |
I'll see you next time! | 0:42:35 | 0:42:36 | |
Subtitles by Red Bee Media Ltd | 0:42:58 | 0:43:00 | |
E-mail [email protected] | 0:43:00 | 0:43:02 |