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Hello and welcome to Cash In The Attic on a glorious day. | 0:00:02 | 0:00:04 | |
How would you like a bit of sun and sea every day? | 0:00:04 | 0:00:07 | |
We're about to meet a family planning to do just that. | 0:00:07 | 0:00:10 | |
Get ready to get very jealous. | 0:00:10 | 0:00:13 | |
'Coming up on Cash In The Attic, | 0:00:34 | 0:00:36 | |
'a Victorian chaise longue proves too comfy for our expert to resist.' | 0:00:36 | 0:00:40 | |
Hey, Jonty, this is no time for resting. | 0:00:40 | 0:00:43 | |
You caught me! | 0:00:43 | 0:00:44 | |
And we find out who the creative member of the household is. | 0:00:44 | 0:00:47 | |
-She's the artistic person. -You just paint the walls, right? | 0:00:47 | 0:00:51 | |
-I don't even do that! -Oh, no! Terrible! | 0:00:51 | 0:00:54 | |
But will the bidders appreciate our eclectic finds? | 0:00:54 | 0:00:57 | |
-They have a bargain. -Oh, dear. I have a hanky at the ready. | 0:00:57 | 0:01:01 | |
-Do you need it? -Oh, I might. | 0:01:01 | 0:01:03 | |
Be there for the final crack of the gavel. | 0:01:04 | 0:01:07 | |
Today I'm in beautiful Berkshire to meet a husband and wife | 0:01:08 | 0:01:11 | |
who have a dream - a dream of basking in the sun all year round | 0:01:11 | 0:01:15 | |
on their very own boat. Can we make that dream come true? | 0:01:15 | 0:01:18 | |
I hope so! | 0:01:18 | 0:01:20 | |
Steve and Sue Humby first met on a blind date, | 0:01:21 | 0:01:24 | |
and Steve's decision to catch a screening of Ben Hur | 0:01:24 | 0:01:27 | |
clearly paid off, as they've now been married for 38 years. | 0:01:27 | 0:01:31 | |
Steve and Sue have both enjoyed successful careers in IT. | 0:01:31 | 0:01:35 | |
They've lived in this spacious family home for nearly 30 years, | 0:01:35 | 0:01:38 | |
and we're hoping it's packed with tasty valuables. | 0:01:38 | 0:01:41 | |
It was here that they brought up their two children, | 0:01:41 | 0:01:44 | |
David and Sarah Jane. Now they've flown the nest, | 0:01:44 | 0:01:47 | |
and with retirement on the horizon, | 0:01:47 | 0:01:49 | |
the couple are putting thought into the next phase of their lives. | 0:01:49 | 0:01:53 | |
High up on the agenda is their passion for sun and sea. | 0:01:53 | 0:01:56 | |
Well, captaining our voyage of discovery today is Jonty Hearnden. | 0:01:58 | 0:02:02 | |
'He's been a popular figure on the antiques circuit for nearly 30 years | 0:02:02 | 0:02:06 | |
'and we're hoping his valuations will be nothing less than scorching, | 0:02:06 | 0:02:10 | |
'so whilst he makes a start, I'll go meet our sun-worshippers.' | 0:02:10 | 0:02:15 | |
Hello. Nice to see you. Cup of tea? | 0:02:17 | 0:02:19 | |
-It's a bit early for a tea break. -It is indeed. | 0:02:19 | 0:02:22 | |
-Sue and Steve, right? -That's right, yeah. | 0:02:22 | 0:02:24 | |
-Who called Cash In The Attic? -I did. | 0:02:24 | 0:02:27 | |
We're downsizing, so we need to sell all of our possessions. | 0:02:27 | 0:02:30 | |
Is it a big move? What are your plans? | 0:02:30 | 0:02:32 | |
We plan to move out to live in Cyprus next year. | 0:02:32 | 0:02:35 | |
Oh, it sounds lovely. I have had a quick look round. | 0:02:35 | 0:02:39 | |
There seem to be a lot of little collectables here. | 0:02:39 | 0:02:42 | |
-What are we going to find? -Lots. | 0:02:42 | 0:02:44 | |
-Really? -Lots of collectables. | 0:02:44 | 0:02:46 | |
-Really? Are you a bit of a hoarder? -I am indeed. | 0:02:46 | 0:02:48 | |
-Can you vouch for that, Steve? -I can. She definitely is a hoarder. | 0:02:48 | 0:02:52 | |
She collects anything and everything. | 0:02:52 | 0:02:54 | |
Well, that is good in a way, but are you able to let go of things? | 0:02:54 | 0:02:58 | |
-I have to let go of everything. -Good! | 0:02:58 | 0:03:01 | |
This is my cup of tea. What do we want to raise money for today? | 0:03:01 | 0:03:04 | |
When we go to Cyprus, we're going to have a boat, | 0:03:04 | 0:03:07 | |
and we need to do some training. We need a training day. | 0:03:07 | 0:03:10 | |
-And how much do you need? -I think it's going to cost £500 to £600. | 0:03:10 | 0:03:14 | |
£500 to £600! My goodness, you'd better have lots of collectables. | 0:03:14 | 0:03:17 | |
-Well, let's go and see. -We'll go and find out. | 0:03:17 | 0:03:20 | |
-Jonty has already started. Shall we go and find him? -Yes. | 0:03:20 | 0:03:23 | |
-Come on, then. -OK. | 0:03:23 | 0:03:25 | |
'This all sounds very promising - a house full of goodies, | 0:03:25 | 0:03:28 | |
'and everything has to go. This will be music to Jonty's ears, | 0:03:28 | 0:03:32 | |
'and I'm pleased to see he's already hard at work. | 0:03:32 | 0:03:35 | |
'He never lets me down!' | 0:03:35 | 0:03:37 | |
Look what I've found! | 0:03:37 | 0:03:39 | |
-Yeah. -Wowzers! -Massive great big tapestry. | 0:03:39 | 0:03:42 | |
-Who's responsible for this, Sue? -I made it myself. | 0:03:42 | 0:03:45 | |
-Did you? -Yes. There's actually three - one over there, | 0:03:45 | 0:03:48 | |
-and there is another one up there. -Another one on top there. OK. | 0:03:48 | 0:03:52 | |
-How long ago did you make this? -Oh, goodness! | 0:03:52 | 0:03:55 | |
Over the last 20 years or so, I suppose, | 0:03:55 | 0:03:57 | |
with gaps in between. | 0:03:57 | 0:04:00 | |
So this is a bit of a passion of yours? | 0:04:00 | 0:04:02 | |
It has been in the past. I don't get the time to do it now, | 0:04:02 | 0:04:06 | |
but in the past I used to. When the children were younger | 0:04:06 | 0:04:09 | |
and I had to stay in in the evenings, then the tapestries came out. | 0:04:09 | 0:04:14 | |
Well, tapestry work like this is sold on the open market | 0:04:14 | 0:04:19 | |
in kit form, so designed to make it your own personal work of art, | 0:04:19 | 0:04:24 | |
and because people can fully appreciate | 0:04:24 | 0:04:27 | |
just how long tapestry work takes to make | 0:04:27 | 0:04:29 | |
doesn't necessarily translate that into good financial sense | 0:04:29 | 0:04:34 | |
-as far as your investment of time is concerned. -Yeah. | 0:04:34 | 0:04:38 | |
So we're not going to get a vast fortune for our three pictures, | 0:04:38 | 0:04:41 | |
but they're beautifully framed, very cleverly framed. | 0:04:41 | 0:04:44 | |
-Did you choose this frame? -Yes, I did. Yeah. | 0:04:44 | 0:04:47 | |
They really look quite spectacular, but don't hold your breath. | 0:04:47 | 0:04:50 | |
We're not going to get too much for them at all. | 0:04:50 | 0:04:53 | |
I suppose we're looking at - what, £50 to £80? | 0:04:53 | 0:04:56 | |
-I think that's fine. -You sure about that? | 0:04:56 | 0:04:58 | |
-That's fine. -Steve, did you know you had an artist in the house? | 0:04:58 | 0:05:02 | |
-She is actually very artistic. -You just paint the walls, right? | 0:05:02 | 0:05:05 | |
-I don't even do that! -Oh, no! Terrible! | 0:05:05 | 0:05:08 | |
-That's not a bad start, Jonty. -Good. -Let's see what else there is. | 0:05:08 | 0:05:13 | |
Well, what about that? I had no idea we were in the company | 0:05:13 | 0:05:16 | |
of such a talented lady. With our first confirmed lot for auction, | 0:05:16 | 0:05:20 | |
we split up to commence a thorough search of this fine property. | 0:05:20 | 0:05:24 | |
Steve heads for the lounge and pulls out three clocks, | 0:05:24 | 0:05:27 | |
which are worth trying their luck in the saleroom. | 0:05:27 | 0:05:30 | |
He bought these at an auction back in the 1980s. | 0:05:30 | 0:05:32 | |
There's a carved German striking mantel clock, | 0:05:32 | 0:05:35 | |
and two smaller walnut examples, all in working order. | 0:05:35 | 0:05:38 | |
Jonty thinks they could add another £50 to £80 to the kitty. | 0:05:38 | 0:05:44 | |
-Jonty, is this any good? -What have we got there? | 0:05:45 | 0:05:48 | |
It's a 50-pence piece. | 0:05:48 | 0:05:50 | |
Wow, so it is! But it's, um... It looks rather odd. | 0:05:50 | 0:05:54 | |
-What's happened here? -It's a strange 50-pence piece. | 0:05:54 | 0:05:56 | |
-It's been mis-struck, I think. -Yes, it has. | 0:05:56 | 0:05:59 | |
We've got one and a half Queen's heads. Where is this from? | 0:05:59 | 0:06:02 | |
My father-in-law found it in his change a few years ago now, | 0:06:02 | 0:06:05 | |
-and gave it to Steve. -I have to say, | 0:06:05 | 0:06:07 | |
I've never seen a 50-pence piece like this. | 0:06:07 | 0:06:10 | |
By definition, people at the Mint | 0:06:10 | 0:06:12 | |
make sure that when coins are struck, | 0:06:12 | 0:06:15 | |
that they go out in mint condition. That's where the phrase comes from. | 0:06:15 | 0:06:21 | |
But to have this in general circulation is very unusual. | 0:06:21 | 0:06:24 | |
They were first introduced... It was 1969. | 0:06:24 | 0:06:27 | |
-Do you remember what it replaced? -Ten shillings. | 0:06:27 | 0:06:30 | |
Well done! I remember that, which is rather sad. | 0:06:30 | 0:06:33 | |
We mustn't confess that to anybody else. | 0:06:33 | 0:06:35 | |
Yes, and it came out two years prior to decimalisation, | 0:06:35 | 0:06:39 | |
so everyone could get used to it, because it was a unique shape. | 0:06:39 | 0:06:43 | |
Yes. And do you remember, people got confused with the ten-pence coin? | 0:06:43 | 0:06:47 | |
-Yes. -They were roughly the same size. | 0:06:47 | 0:06:50 | |
Now, there are 21 different versions of the coin, | 0:06:50 | 0:06:54 | |
and it was issued first to replace that ten-shilling note, | 0:06:54 | 0:07:00 | |
but two years prior to decimalisation, | 0:07:00 | 0:07:02 | |
so everyone could get used to the new coin. So what's it worth? | 0:07:02 | 0:07:05 | |
Well, nobody really quite knows. It's a unique item. | 0:07:05 | 0:07:08 | |
Put it on the open market, but I can guarantee you | 0:07:08 | 0:07:11 | |
it's going to be worth more than 50 pence. | 0:07:11 | 0:07:13 | |
-We're probably looking at £15, £30, that sort of area. -OK. That's fine. | 0:07:13 | 0:07:18 | |
A promising valuation indeed, but will Jonty's guarantee of inflation | 0:07:18 | 0:07:22 | |
-be realised at auction? -We've gone quiet already. | 0:07:22 | 0:07:25 | |
Ten. 11. 11. 12? 13? | 0:07:25 | 0:07:28 | |
We'll soon discover the current market value for a mis-struck coin. | 0:07:28 | 0:07:32 | |
As our rummage continues, Sue heads up to the master bedroom. | 0:07:33 | 0:07:37 | |
Her bedside drawer reveals a silver snuffbox | 0:07:37 | 0:07:40 | |
that was once given to her by a close friend. | 0:07:40 | 0:07:42 | |
The hallmarks show it was made in 1836 | 0:07:42 | 0:07:45 | |
by Joseph Willmore, a highly regarded silversmith | 0:07:45 | 0:07:49 | |
renowned for his fine snuffboxes. | 0:07:49 | 0:07:52 | |
Jonty thinks this is a pretty example, | 0:07:52 | 0:07:54 | |
and should have no problem in raising at least £30 to £50 at auction. | 0:07:54 | 0:08:00 | |
-Jonty, what do you think of this? -Aha! | 0:08:02 | 0:08:05 | |
-Little locomotive we've got here. -This is a train set. | 0:08:05 | 0:08:08 | |
This is a set my father bought me. I was 30 years old, | 0:08:08 | 0:08:12 | |
and I joked with him one day that I'd had a deprived childhood, | 0:08:12 | 0:08:16 | |
because he'd bought me lots of things, but never a train set. | 0:08:16 | 0:08:19 | |
And he actually bought me this for Christmas as a joke. | 0:08:19 | 0:08:22 | |
But it did come in useful, because a year later my son was born, | 0:08:22 | 0:08:26 | |
-so we did play with it together. -Put it to good use after that. | 0:08:26 | 0:08:29 | |
-Yeah, it was quite good. -What a lovely story! | 0:08:29 | 0:08:32 | |
-So, can we sell this now? -Er, yes. We can sell it, I think. | 0:08:32 | 0:08:36 | |
I'd be prepared to sell it now. | 0:08:36 | 0:08:38 | |
Now, was the set new when you were given it? | 0:08:38 | 0:08:42 | |
It was new, yes. It was all boxed then. | 0:08:42 | 0:08:44 | |
Unfortunately we haven't got the box now. | 0:08:44 | 0:08:47 | |
Well, the value is usually in the engine itself, the locomotive, | 0:08:47 | 0:08:51 | |
and it looks in very good condition, which is good news. | 0:08:51 | 0:08:54 | |
And here we see that this is Mainline, | 0:08:54 | 0:08:57 | |
which is a Palitoy range that was launched in 1976, | 0:08:57 | 0:09:02 | |
-so it's post the 1976 period. -OK. | 0:09:02 | 0:09:05 | |
Does that make sense? Does that tie in? | 0:09:05 | 0:09:08 | |
Yes. This would've been about 1980, 1981, when I got it, | 0:09:08 | 0:09:11 | |
so it would've been spot-on. | 0:09:11 | 0:09:13 | |
-So, what else have we got there? -A few bits and pieces. | 0:09:13 | 0:09:15 | |
There's a little bit of track. There's some buildings here. | 0:09:15 | 0:09:18 | |
That's the tender which goes with the engine. | 0:09:18 | 0:09:21 | |
That's very nice too. It's not a bad Christmas gift, | 0:09:21 | 0:09:24 | |
because now, at auction, we're looking between £50 and £80. | 0:09:24 | 0:09:27 | |
Oh, really? That's pretty good. Yeah. | 0:09:27 | 0:09:30 | |
-Good. -Pop that back in the box, and we'll go and find some more. | 0:09:30 | 0:09:34 | |
Oh, was that a tear I saw in Steve's eye | 0:09:34 | 0:09:37 | |
whilst Jonty was appraising his train set? Maybe it was just dust. | 0:09:37 | 0:09:41 | |
Either way, it's another good addition to our total, | 0:09:41 | 0:09:44 | |
as we've so far unearthed collectables | 0:09:44 | 0:09:46 | |
with a potential value of £195. | 0:09:46 | 0:09:49 | |
As Jonty continues to search this sprawling property, | 0:09:49 | 0:09:53 | |
I'd like to find out more about our couple's plans | 0:09:53 | 0:09:55 | |
for a new life in the sun. | 0:09:55 | 0:09:58 | |
This is nice! Bit of a break from all that rummaging. | 0:09:59 | 0:10:02 | |
I want to take you back. Tell me how you two met. | 0:10:02 | 0:10:04 | |
-How did he woo you? -Well, it was a blind date, actually, | 0:10:04 | 0:10:07 | |
arranged by some good friends of ours | 0:10:07 | 0:10:10 | |
who happened to be together at that time, | 0:10:10 | 0:10:13 | |
and decided that they should introduce us, | 0:10:13 | 0:10:17 | |
and we never looked back. | 0:10:17 | 0:10:19 | |
-A blind date, Steve? -A blind date. | 0:10:19 | 0:10:22 | |
-Very young. Still in short trousers. -THEY LAUGH | 0:10:22 | 0:10:26 | |
-Love at first sight. -That's amazing, isn't it? | 0:10:27 | 0:10:30 | |
It's not often that happens, love at first sight. | 0:10:30 | 0:10:32 | |
-And then came the children. -Yes. David is 28. | 0:10:32 | 0:10:35 | |
Got his independent life now. He's off, left home. | 0:10:35 | 0:10:39 | |
And Sarah Jane is 24, and she's at university | 0:10:39 | 0:10:42 | |
-for the second time. -How do they feel about your next step in life? | 0:10:42 | 0:10:46 | |
They're quite happy with it. They're at an independent stage, | 0:10:46 | 0:10:50 | |
so they're quite happy with us moving on as well. | 0:10:50 | 0:10:53 | |
Sarah Jane's more concerned about what's going to happen to her stuff. | 0:10:53 | 0:10:57 | |
-And David wants to know what stuff he can have of ours. -Oh, really? | 0:10:57 | 0:11:00 | |
-Did you tell them we were coming in? -Yes. | 0:11:00 | 0:11:03 | |
I bet they were marking a few things "not to be taken by Jonty". | 0:11:03 | 0:11:07 | |
Yes. THEY LAUGH | 0:11:07 | 0:11:09 | |
It's a big move, moving abroad. How are you feeling about it? | 0:11:09 | 0:11:13 | |
In one way it's sort of final about things, | 0:11:13 | 0:11:15 | |
and on the other hand it's really a fresh start, | 0:11:15 | 0:11:18 | |
and it's quite invigorating, really. | 0:11:18 | 0:11:21 | |
It's quite cleansing to get rid of your stuff and start again. | 0:11:21 | 0:11:25 | |
Your wife seems to be coping well with the move. How about you? | 0:11:25 | 0:11:28 | |
She is coping well. She's actually coping better than me, | 0:11:28 | 0:11:31 | |
-most of the time, actually. -You've got a tear in your eye | 0:11:31 | 0:11:34 | |
-over some of your stuff, have you? -Well, you know, | 0:11:34 | 0:11:37 | |
perhaps the train set or something. But no, I'm fine. | 0:11:37 | 0:11:41 | |
She's much more organised, much more ready to go, aren't you? | 0:11:41 | 0:11:45 | |
-Yeah. Yeah. -You're obviously both ready for the move. | 0:11:45 | 0:11:48 | |
-Are you ready for more rummaging? -That's a good idea. | 0:11:48 | 0:11:51 | |
Come on, then. Follow me. | 0:11:51 | 0:11:53 | |
'Well, while we've been enjoying the British sunshine, | 0:11:53 | 0:11:56 | |
'Jonty's been keeping up the sterling work inside, | 0:11:56 | 0:11:59 | |
'and has come across a first-class find - | 0:11:59 | 0:12:02 | |
'yes, a stamp album. This was Sue's, and is one of three | 0:12:02 | 0:12:06 | |
'that she collated whilst at school in the 1960s. | 0:12:06 | 0:12:09 | |
'Jonty thinks they could fetch upwards of £20 to £40 at auction.' | 0:12:09 | 0:12:14 | |
Aha! Look at this, Chris. | 0:12:14 | 0:12:16 | |
-Hard at work. -Tell me about this collection, Sue. | 0:12:16 | 0:12:19 | |
It started off when an aunt gave me several pieces of crested china, | 0:12:19 | 0:12:24 | |
-including this little house here. -Was he your first one? | 0:12:24 | 0:12:27 | |
That was one of the first ones, yes, | 0:12:27 | 0:12:29 | |
and I think I was quite young when she gave it to me. | 0:12:29 | 0:12:33 | |
And then started looking out for it in junk shops and antique fairs, | 0:12:33 | 0:12:38 | |
-and collecting. -What's the highest price you've ever paid for a piece? | 0:12:38 | 0:12:43 | |
I guess some of the Gossware was more expensive | 0:12:43 | 0:12:48 | |
-than just the plain crested ware. -We're confusing Chris here | 0:12:48 | 0:12:52 | |
-about Goss. -OK. -Yes, WH Goss. Have you heard of Goss? | 0:12:52 | 0:12:55 | |
No. I got the crested bit. But Goss, no. I haven't heard. | 0:12:55 | 0:12:59 | |
Well, WH Goss was the leader in producing wares like this, | 0:12:59 | 0:13:03 | |
and it was very, very popular as tourist items in the 19th century. | 0:13:03 | 0:13:08 | |
Is this the entire collection? It's difficult to tell with you, Sue. | 0:13:08 | 0:13:12 | |
-It is, yes. -They're everywhere around here. | 0:13:12 | 0:13:14 | |
Are you sure... Obviously it took you a long time to get it together. | 0:13:14 | 0:13:18 | |
-Are you sure you want to let it go? -Everything must go. | 0:13:18 | 0:13:21 | |
-You've heard it, Jonty. -This is definitely worth putting to auction. | 0:13:21 | 0:13:26 | |
People do sell it by the collection, just like you, | 0:13:26 | 0:13:29 | |
and we're looking at sort of £40 to £60. | 0:13:29 | 0:13:32 | |
-That sounds quite good. -And think how much time you'll save on dusting. | 0:13:32 | 0:13:37 | |
Indeed. Even better! | 0:13:37 | 0:13:39 | |
Come on. Let's see what else we can find. | 0:13:39 | 0:13:41 | |
'Well, that's another shelf cleared, as we help prepare Steve and Sue | 0:13:41 | 0:13:45 | |
'for their up-and-coming move to Cyprus.' | 0:13:45 | 0:13:47 | |
Not content with seeing the back of the ornaments, | 0:13:47 | 0:13:50 | |
Steve decides to add the family dinner service to the auction check-list. | 0:13:50 | 0:13:54 | |
It's an early example of Burleigh Ware pottery, | 0:13:54 | 0:13:57 | |
manufactured in the first half of the 20th century | 0:13:57 | 0:13:59 | |
by Burgess and Leigh, who are today best known | 0:13:59 | 0:14:02 | |
for their brightly coloured novelty jugs. | 0:14:02 | 0:14:05 | |
Steve and Sue inherited this service when they bought the house, | 0:14:05 | 0:14:08 | |
and Jonty thinks it could fetch as much as £80 to £120. | 0:14:08 | 0:14:12 | |
Hey, Jonty, this is no time for resting! | 0:14:16 | 0:14:18 | |
-HE LAUGHS -You caught me! -Yes. -Very comfy. | 0:14:18 | 0:14:21 | |
This can go for sale. | 0:14:21 | 0:14:23 | |
-Yes? -Quite happy to sell this. -Shall we take a closer look? | 0:14:23 | 0:14:26 | |
-Yes, please do. -OK. Now... | 0:14:26 | 0:14:28 | |
We are looking at... It is a chaise longue. | 0:14:28 | 0:14:30 | |
-Have you had it re-covered? -Yes. I actually recovered it myself. | 0:14:30 | 0:14:34 | |
-Did you? -Yes. | 0:14:34 | 0:14:35 | |
Upholstery work, it's very difficult to do it well. | 0:14:35 | 0:14:38 | |
Yes. I went to classes to learn how to do it. | 0:14:38 | 0:14:41 | |
I know a lot of people that have gone to classes, | 0:14:41 | 0:14:44 | |
but not necessarily end up with a finished product. | 0:14:44 | 0:14:47 | |
-Do you know how old it is? -I think it's Victorian. | 0:14:47 | 0:14:51 | |
You're absolutely right. It is, but it's late 19th century, | 0:14:51 | 0:14:55 | |
and you can tell that by looking at the carving on the frame. | 0:14:55 | 0:14:58 | |
-Yes. -The Victorians became more and more busy | 0:14:58 | 0:15:01 | |
with their design, so wherever you look, | 0:15:01 | 0:15:04 | |
there's carving, there's moulding, shaping going on | 0:15:04 | 0:15:07 | |
in the frame itself, so that means that it's late 19th century. | 0:15:07 | 0:15:11 | |
-OK. -The castors are all original, which is very nice to see, | 0:15:11 | 0:15:14 | |
and it matters, when you've got a piece of furniture like this, | 0:15:14 | 0:15:18 | |
that the actual springing on the underside is in good order. | 0:15:18 | 0:15:21 | |
-At auction, we're looking at between £150 and £250. -Really? | 0:15:21 | 0:15:26 | |
-That sort of level now. You happy about that? -Yes. | 0:15:26 | 0:15:29 | |
-That's fine. -And I can tell everyone in the auction it's very comfy. | 0:15:29 | 0:15:32 | |
-Good, yes. -Shall we carry on? | 0:15:32 | 0:15:35 | |
Back to work, Jonty. No time for slouching yet! | 0:15:35 | 0:15:38 | |
'While our expert has been reclining upstairs, | 0:15:38 | 0:15:41 | |
'I've headed out to the garage, which appears to be an overflow | 0:15:41 | 0:15:44 | |
'for all of Steve and Sue's possessions. | 0:15:44 | 0:15:47 | |
'Amongst the boxes I find a travelling wind-up gramophone. | 0:15:47 | 0:15:51 | |
'Sue bought this at auction to play her parents' old 78 records, | 0:15:51 | 0:15:55 | |
'which are boxed up in here as well. | 0:15:55 | 0:15:57 | |
'Jonty assures me there's still a limited market for such items, | 0:15:57 | 0:16:01 | |
'so they can be taken to auction and try their luck | 0:16:01 | 0:16:04 | |
'with an estimate of £15 to £30.' | 0:16:04 | 0:16:06 | |
We're making great progress towards that £500-to-£600 target, | 0:16:07 | 0:16:11 | |
and I know Steve and Sue will make great use of it | 0:16:11 | 0:16:13 | |
to fund their future adventures on the high seas. | 0:16:13 | 0:16:16 | |
I just want to find out from both of you a bit more about Cyprus. | 0:16:18 | 0:16:21 | |
I know you like this warm weather, | 0:16:21 | 0:16:24 | |
but what's this boating malarkey that you're interested in? | 0:16:24 | 0:16:27 | |
-Has it always been a passion? -Yes. It's always been a passion with me, | 0:16:27 | 0:16:31 | |
-and to a certain extent with Sue. -THEY LAUGH | 0:16:31 | 0:16:34 | |
The idea that we can use a boat the whole year round | 0:16:34 | 0:16:37 | |
is what we want to do, out in the ocean. | 0:16:37 | 0:16:39 | |
-So, is it a sailing boat? -No. We're talking about a powerboat. | 0:16:39 | 0:16:42 | |
We're talking about something around 34 feet, | 0:16:42 | 0:16:45 | |
-with twin engines on it. -So it's a big, fast boat. | 0:16:45 | 0:16:48 | |
-Is that your cup of tea, Sue? -I don't mind the speed, | 0:16:48 | 0:16:51 | |
but I like to pootle around a bit more than Steve does. | 0:16:51 | 0:16:54 | |
-THEY LAUGH -You have been warned, haven't you? | 0:16:54 | 0:16:57 | |
I have. | 0:16:57 | 0:16:59 | |
And someone tells me you like jumping off the side | 0:16:59 | 0:17:02 | |
-and doing a bit of diving. -Yeah, we both dive. | 0:17:02 | 0:17:04 | |
We're both currently advanced divers, | 0:17:04 | 0:17:07 | |
and we're going to take some more qualifications, | 0:17:07 | 0:17:11 | |
-and hopefully become Divemasters. -You're going to be water babies. | 0:17:11 | 0:17:15 | |
-What do you like about diving? -Oh, it's just wonderful. | 0:17:15 | 0:17:18 | |
All the wonderful colours of the fish, | 0:17:18 | 0:17:22 | |
and the life under the water's amazing. | 0:17:22 | 0:17:25 | |
So you're trying to raise money for boating lessons. | 0:17:25 | 0:17:27 | |
-What exactly will you learn? -Well, I've never had a boat this big | 0:17:27 | 0:17:31 | |
with two engines before, and I need to learn how to use that, | 0:17:31 | 0:17:34 | |
and also we've got a lot of equipment on board, | 0:17:34 | 0:17:37 | |
and we need to learn how to use the radar and the navigation equipment. | 0:17:37 | 0:17:41 | |
So he's doing this course, navigating. Are you any good? | 0:17:41 | 0:17:45 | |
Well, I've actually got more qualifications than Steve has. | 0:17:45 | 0:17:48 | |
-But I'm better at it. -Oh, I see! I see. | 0:17:48 | 0:17:51 | |
We'd better get on, before this turns into an argument. | 0:17:51 | 0:17:55 | |
-Let's get back to rummaging over there. -OK. -OK. | 0:17:55 | 0:17:58 | |
'Oh, dear! I think I may have touched a raw nerve there.' | 0:17:58 | 0:18:01 | |
Jonty has shown much less trouble finding his bearings today. | 0:18:01 | 0:18:04 | |
Whilst circumnavigating the house, he's taken rather a shine | 0:18:04 | 0:18:08 | |
to this fine piece of Victorian furniture. | 0:18:08 | 0:18:11 | |
Steve and Sue bought this mahogany Duchess dressing table | 0:18:11 | 0:18:14 | |
nearly 30 years ago, whilst holidaying on the Isle of Wight. | 0:18:14 | 0:18:17 | |
They brought it back in their caravan, | 0:18:17 | 0:18:20 | |
and Jonty thinks it could be of great appeal to bidders at auction, | 0:18:20 | 0:18:24 | |
and it heads off to the saleroom with an estimate of £80 to £120. | 0:18:24 | 0:18:28 | |
It's another great valuation, | 0:18:28 | 0:18:30 | |
but could Sue be holding back the best item until last? | 0:18:30 | 0:18:34 | |
Jonty, what about the clock? It's got to go. Can't come with us. | 0:18:35 | 0:18:38 | |
-That's not going with you? One for the auction sale? -Could be. | 0:18:38 | 0:18:42 | |
Now, before you take a clock like this down, | 0:18:42 | 0:18:45 | |
-or move it at all, you've got to take the pendulum out. -OK. | 0:18:45 | 0:18:48 | |
If you don't, there's a risk of damaging the mechanism. | 0:18:48 | 0:18:51 | |
So let's open up the hatch here... | 0:18:51 | 0:18:54 | |
There we go. And there's the pendulum just sitting there. | 0:18:54 | 0:18:57 | |
Here he is, unhooked. And there's your pendulum. | 0:18:57 | 0:19:00 | |
-OK, yes. -Who usually winds the clock? | 0:19:00 | 0:19:03 | |
-Steve winds the clock. -OK. Let me just take it down. | 0:19:03 | 0:19:06 | |
And here he is. Now, I have one in my kitchen as well, | 0:19:08 | 0:19:12 | |
and I wind him up every week, and it's my pride and joy, | 0:19:12 | 0:19:15 | |
-something I like to do. -Yes, and Steve. -Really? | 0:19:15 | 0:19:17 | |
-Yes. -I know, it's quite strange. They become familiar friends. | 0:19:17 | 0:19:21 | |
-So, how long have you had him? -We must have had it nearly 30 years, | 0:19:21 | 0:19:25 | |
because we bought it when we lived in London, | 0:19:25 | 0:19:27 | |
and it came here with us. | 0:19:27 | 0:19:29 | |
Clocks like this were very fashionable in the 19th century, | 0:19:29 | 0:19:32 | |
and you do see a lot of them around, because they work so well | 0:19:32 | 0:19:36 | |
in a kitchen like this. But a lot of them were made | 0:19:36 | 0:19:39 | |
for the commercial market, so they were clocks that were housed | 0:19:39 | 0:19:42 | |
in clerks' offices, in larger buildings, | 0:19:42 | 0:19:45 | |
so that people could always see the time, | 0:19:45 | 0:19:47 | |
because a lot of people couldn't afford their own timepiece. | 0:19:47 | 0:19:51 | |
-Oh, yes. OK. -So you'll be sad to see this one go. | 0:19:51 | 0:19:54 | |
We will. I will miss the sound of the tick. | 0:19:54 | 0:19:56 | |
I must admit I will miss that. But it has to go, | 0:19:56 | 0:19:59 | |
-because it can't come to Cyprus. -That's fair enough. | 0:19:59 | 0:20:02 | |
-We'll put this one into the auction. -Hey, hey, hey, hey! | 0:20:02 | 0:20:05 | |
If we're talking money, Steve and I want to be involved here. | 0:20:05 | 0:20:09 | |
-You certainly can be. -What a lovely clock! -It's great. | 0:20:09 | 0:20:11 | |
-So, come on, then. -At auction, we're looking at between £100 and £150. | 0:20:11 | 0:20:16 | |
-Oh, wow! That's good. -Yes? | 0:20:16 | 0:20:19 | |
-Excuse me for this, but it's "time"... -Oh! | 0:20:19 | 0:20:21 | |
..to tally up, cos that's it. We've finished our day of rummaging. | 0:20:21 | 0:20:25 | |
And I know you wanted to raise around £500 to £600 | 0:20:25 | 0:20:28 | |
-for those lessons. -Yes. | 0:20:28 | 0:20:30 | |
Which you'll need for that boat. | 0:20:30 | 0:20:33 | |
We reckon today, conservatively, | 0:20:33 | 0:20:36 | |
that we could raise £680. | 0:20:36 | 0:20:38 | |
-Wow! -That'll be brilliant. -That's not too bad. | 0:20:38 | 0:20:42 | |
And that is conservatively, isn't it, Jonty? | 0:20:42 | 0:20:44 | |
-Let's hope we make lots more than that. -That's good. | 0:20:44 | 0:20:47 | |
Well, Steve and Sue did say that anything could go, | 0:20:47 | 0:20:51 | |
and we've had a great day selecting the cream of the crop. | 0:20:51 | 0:20:54 | |
Their upcoming powerboat lessons will be funded by the sale of... | 0:20:54 | 0:20:58 | |
that mis-struck 50-pence piece. It's anything but mint condition, | 0:20:58 | 0:21:02 | |
and, for precisely that reason, we hope it'll attract interest | 0:21:02 | 0:21:06 | |
above and beyond its £15 to £30 estimate. | 0:21:06 | 0:21:09 | |
Also we've got that delightful silver snuffbox. | 0:21:09 | 0:21:12 | |
It's made by a renowned 19th-century silversmith, | 0:21:12 | 0:21:15 | |
and if the collectors are out in force, | 0:21:15 | 0:21:17 | |
it could soar past its £30 to £50 estimate. | 0:21:17 | 0:21:20 | |
And there's Steve's Mainline train set. | 0:21:22 | 0:21:24 | |
He'd waited years to get one, but now he's selling it | 0:21:24 | 0:21:27 | |
to fund his latest hobby. Let's hope it steams through its estimate, | 0:21:27 | 0:21:32 | |
or else Steve and Sue's powerboat dreams could be left all at sea. | 0:21:32 | 0:21:36 | |
Still to come on Cash In The Attic, | 0:21:39 | 0:21:41 | |
some results surprise even our expert... | 0:21:41 | 0:21:44 | |
I forgot the "one" on the front of the estimate. | 0:21:44 | 0:21:47 | |
..while other sales prove harder to bear. | 0:21:47 | 0:21:50 | |
Huge disappointment. You can cry on my shoulder later. | 0:21:50 | 0:21:53 | |
So, will our couple raise enough for those boating lessons? | 0:21:53 | 0:21:56 | |
Find out when the hammer falls. | 0:21:56 | 0:21:59 | |
Several weeks later, Steve and Sue have brought all their items | 0:22:04 | 0:22:08 | |
to sell at Chiswick Auctions in West London. | 0:22:08 | 0:22:11 | |
They're looking to raise in the region of £500 to £600 | 0:22:11 | 0:22:14 | |
for those powerboat lessons. Sadly I can't join them, | 0:22:14 | 0:22:18 | |
but Jonty's just the man to guide them through the sale. | 0:22:18 | 0:22:21 | |
-Hello, chaps. How are you doing? -Hi, Jonty. | 0:22:24 | 0:22:27 | |
-Great to see you. You well? -Very good. | 0:22:27 | 0:22:29 | |
I want to know what it's like to see all your stuff in an auction room, | 0:22:29 | 0:22:33 | |
because these items have been in your house for some time. | 0:22:33 | 0:22:36 | |
-Am I correct? -Yes, and it's really been interesting. | 0:22:36 | 0:22:40 | |
We've been round all the rooms trying to find out where they are, | 0:22:40 | 0:22:43 | |
-and they've set them out really well. It's really good. -Oh, good. | 0:22:43 | 0:22:47 | |
-How are you feeling, Sue? -A bit apprehensive, | 0:22:47 | 0:22:49 | |
-but I'm sure it'll be fine. -I'm sure it will be. | 0:22:49 | 0:22:52 | |
-Ready for the journey? -Ready. -OK. If you want to steer that way, | 0:22:52 | 0:22:55 | |
ready for the auction... | 0:22:55 | 0:22:57 | |
So, a few pre-auction nerves, which is quite understandable, | 0:22:57 | 0:23:00 | |
but I wonder how much that has to do with the bidders' likely reception | 0:23:00 | 0:23:05 | |
of our first lot. It's the three tapestries, | 0:23:05 | 0:23:07 | |
which were, of course, made by Sue. | 0:23:07 | 0:23:09 | |
Now, the estimate was £50 to £80, and I was thinking at the time | 0:23:11 | 0:23:14 | |
whether you might be disappointed by that, | 0:23:14 | 0:23:16 | |
because if you really break it down, | 0:23:16 | 0:23:19 | |
it might be half a "P" an hour that you had spent, | 0:23:19 | 0:23:22 | |
-if you had been paid to do this. -THEY LAUGH | 0:23:22 | 0:23:25 | |
-Am I right? -Slave labour! | 0:23:25 | 0:23:28 | |
It's a good job you did it as a leisure, | 0:23:28 | 0:23:30 | |
-rather than something you were paid for. -It is indeed. | 0:23:30 | 0:23:33 | |
Anyway, here they come up for sale. | 0:23:33 | 0:23:35 | |
Start me, um, £50. | 0:23:35 | 0:23:37 | |
£30. | 0:23:37 | 0:23:39 | |
£30. £20. £20 for the lot. £20. | 0:23:39 | 0:23:42 | |
Oh, dear. I'm bid £20. £20, at £20. | 0:23:42 | 0:23:45 | |
I'm bid £20. £20. | 0:23:45 | 0:23:48 | |
That's it so far. £20. | 0:23:48 | 0:23:50 | |
-Maiden bid. -At £20. Are you all done? | 0:23:50 | 0:23:52 | |
At £20 and going. £20 and gone. | 0:23:52 | 0:23:55 | |
Oh, dear. That's less than half a "P". | 0:23:55 | 0:23:58 | |
-A farthing an hour. -A farthing an hour. Oh, dear! | 0:23:58 | 0:24:00 | |
-Not so good, that one. -Well, what can I say, Sue? | 0:24:00 | 0:24:03 | |
The bidders failed to spot the craftsmanship | 0:24:03 | 0:24:06 | |
that went into making those tapestries. A steal at just £20. | 0:24:06 | 0:24:09 | |
It's certainly not the perfect start to our sale, but on the plus side, | 0:24:09 | 0:24:13 | |
we've kicked off the fund for the boating lessons. | 0:24:13 | 0:24:16 | |
I found the wind-up gramophone and records in Steve and Sue's garage. | 0:24:16 | 0:24:20 | |
They picked it up at an auction themselves, | 0:24:20 | 0:24:23 | |
and I'm hoping this result will be music to our hears. | 0:24:23 | 0:24:26 | |
-So, you ever played it when you got it home? -I did play it, yes. | 0:24:28 | 0:24:32 | |
Not very often. It's the sort of thing you get out on occasion. | 0:24:32 | 0:24:36 | |
Now, it says "travelling record player". | 0:24:36 | 0:24:38 | |
-You're not thinking about taking that with you? -I don't think so. | 0:24:38 | 0:24:41 | |
-THEY LAUGH -No second thoughts? -No. | 0:24:41 | 0:24:44 | |
-OK. £15 to £30. -OK. | 0:24:44 | 0:24:46 | |
Cheaper estimate. £20 for it. £20 for it. £10 for it. | 0:24:46 | 0:24:51 | |
-Come on, come on! -£10 for it. Must be a bid for £10 for it. | 0:24:51 | 0:24:55 | |
-£10. -Give it away. | 0:24:55 | 0:24:57 | |
Is that it at £10? Must be worth more than this. £10. | 0:24:57 | 0:25:00 | |
For the records and record player, give me £12. At £10. | 0:25:00 | 0:25:03 | |
Keep working, Tom. Keep working. | 0:25:03 | 0:25:05 | |
-Nobody else wanting it? £10. -That's a bargain. | 0:25:05 | 0:25:08 | |
-£10. -Oh, dear. You said that through gritted teeth. I noticed that. | 0:25:08 | 0:25:12 | |
-I saw that. -I didn't expect that to go well. | 0:25:12 | 0:25:15 | |
No, you didn't. No. | 0:25:15 | 0:25:17 | |
Ouch! That's our second lot in a row to sell some way short | 0:25:17 | 0:25:22 | |
of Jonty's lower estimate. With just £30 banked so far, | 0:25:22 | 0:25:25 | |
we might have to rethink the boating lessons. | 0:25:25 | 0:25:28 | |
At this rate, a day's hire of a rowing boat | 0:25:28 | 0:25:30 | |
might be more achievable. Well, it's early days. | 0:25:30 | 0:25:34 | |
Up next, an item that'll make the bidders sit up and take note. | 0:25:34 | 0:25:37 | |
It's the incredibly rare mis-struck coin. | 0:25:37 | 0:25:41 | |
So, it's money making money this time. | 0:25:41 | 0:25:43 | |
-Are you sad to see this go at all? -Not really. | 0:25:43 | 0:25:45 | |
It's been in a box in a drawer for a long time now, | 0:25:45 | 0:25:49 | |
-so I don't think we'll miss it. -I'm intrigued to see what this one makes. | 0:25:49 | 0:25:53 | |
What's it worth? Other than 50 pence. | 0:25:53 | 0:25:55 | |
-LAUGHTER 50p. -50p. | 0:25:55 | 0:25:58 | |
Well, it's a start! £10? | 0:25:58 | 0:26:00 | |
I'm bid at ten. There we go. Ooh, gone quiet already. | 0:26:02 | 0:26:05 | |
Ten. 11. 12. 13. | 0:26:05 | 0:26:08 | |
14. 15. 16. 17. | 0:26:08 | 0:26:10 | |
18. 19. 20. | 0:26:10 | 0:26:13 | |
22. 24. At £22. Bid at £22. | 0:26:13 | 0:26:17 | |
24. 26. 26. 28? | 0:26:17 | 0:26:20 | |
30. 32. 35. 38. | 0:26:20 | 0:26:23 | |
-Wow, listen to this! -40. | 0:26:23 | 0:26:25 | |
42? At 40. Bid at £40. | 0:26:25 | 0:26:27 | |
Check your change! Have a look in your pockets now. | 0:26:27 | 0:26:31 | |
At £40. Are we done? A 50-pence piece at £40. Very good. 171. | 0:26:31 | 0:26:35 | |
-Oh, that's good. -Brilliant! | 0:26:35 | 0:26:37 | |
I'm just going to check my pockets. Just bear with me a sec. | 0:26:37 | 0:26:41 | |
I think you'll find mothballs in there, Jonty. | 0:26:41 | 0:26:44 | |
What a great result for that coin, though! | 0:26:44 | 0:26:46 | |
Over the top estimate, and 80 times its intended value. | 0:26:46 | 0:26:50 | |
Quite remarkable! That sale has made up for earlier disappointments. | 0:26:50 | 0:26:54 | |
Let's see if we can keep the momentum going | 0:26:54 | 0:26:56 | |
with the sale of our next lot. It's Sue's childhood stamp albums. | 0:26:56 | 0:27:01 | |
-So, when did you start? -Probably the early '60s... | 0:27:02 | 0:27:05 | |
-OK. -..until about '69, I suppose, so about ten years. | 0:27:05 | 0:27:09 | |
OK. So that was when you got interested in boys? | 0:27:09 | 0:27:12 | |
Probably, yeah. THEY LAUGH | 0:27:12 | 0:27:15 | |
-Stamps not so interesting. -Not so interesting. | 0:27:15 | 0:27:18 | |
OK. Well, I put £20 to £40 on it. Here they go. | 0:27:20 | 0:27:22 | |
And start at £20, then. I'm bid £20. At 22? | 0:27:22 | 0:27:25 | |
£20. Take 22. 22. | 0:27:25 | 0:27:28 | |
22. 25. | 0:27:28 | 0:27:30 | |
28. 30. 32. 32. | 0:27:30 | 0:27:33 | |
-35. -That's good! -It is good. | 0:27:33 | 0:27:35 | |
42. 45. 48. | 0:27:35 | 0:27:38 | |
-At £45. The original bidder, at £45. -Very good. | 0:27:38 | 0:27:41 | |
Going at 45, and gone. At £45, then... | 0:27:41 | 0:27:44 | |
-Well done! -Wow, great! -What do you reckon, Captain? | 0:27:44 | 0:27:47 | |
I think that was good. I like that. | 0:27:47 | 0:27:51 | |
How about that? All those hours of collecting have finally paid off, | 0:27:51 | 0:27:54 | |
and it's our second lot to exceed Jonty's top estimate. | 0:27:54 | 0:27:58 | |
But remember, it wasn't just stamps that Sue had amassed over the years. | 0:27:58 | 0:28:03 | |
It's your great collection of crested ware now, | 0:28:03 | 0:28:06 | |
put together over a long period of time. | 0:28:06 | 0:28:09 | |
Is there any tinge of sadness that this is going now? | 0:28:09 | 0:28:12 | |
No. I've had my enjoyment from it, | 0:28:12 | 0:28:14 | |
and it's time to pass it on to somebody else to enjoy now. | 0:28:14 | 0:28:18 | |
I really admire your pragmatic approach to all of this. | 0:28:18 | 0:28:21 | |
You really are approaching it the right way. | 0:28:21 | 0:28:23 | |
-I've come to terms with it. -It's letting go now, isn't it? | 0:28:23 | 0:28:26 | |
-It certainly is. -OK. Well, I've put £40 to £60 on it. | 0:28:26 | 0:28:29 | |
-OK. -I'm possibly thinking that might be a bit hot | 0:28:29 | 0:28:33 | |
-on my estimate, but let's hope we can get up to that point. -OK. | 0:28:33 | 0:28:37 | |
That's worth £40, that lot. The crested china. £30. | 0:28:37 | 0:28:41 | |
-Come on, come on. -£10. | 0:28:41 | 0:28:43 | |
Ten. I'm bid at ten. Give me 12. At £10. | 0:28:44 | 0:28:47 | |
There's always a shark, a floating shark. | 0:28:47 | 0:28:50 | |
At £10. 12. 15. | 0:28:50 | 0:28:53 | |
13? 13. 14? | 0:28:55 | 0:28:59 | |
14. 15? Got there in the end. 15. 16. | 0:28:59 | 0:29:02 | |
16. 17. Thank you. At £16. | 0:29:02 | 0:29:05 | |
Oh, dear. | 0:29:05 | 0:29:07 | |
At 16 and going. All done, the crested china. £16. | 0:29:07 | 0:29:10 | |
-Never mind. -Huge disappointment. You can cry on my shoulder later. | 0:29:10 | 0:29:14 | |
THEY LAUGH | 0:29:14 | 0:29:16 | |
I don't think the auctioneer could have tried any harder for us. | 0:29:16 | 0:29:20 | |
It was like getting blood out of a stone, | 0:29:20 | 0:29:22 | |
and I think he did exceptionally well to get the bidding up to £16. | 0:29:22 | 0:29:26 | |
Well, we've determined that there's a lack of crested-ware fans | 0:29:26 | 0:29:30 | |
in the room, but how many silver collectors are there out there? | 0:29:30 | 0:29:33 | |
Plenty, we hope, because next it's the snuffbox, | 0:29:33 | 0:29:36 | |
made by the renowned silversmith Joseph Willmore. | 0:29:36 | 0:29:39 | |
This could be interesting. | 0:29:39 | 0:29:42 | |
Now, this lot is actually a little favourite of mine. | 0:29:42 | 0:29:46 | |
-The date is actually in the 1830s. -Yes. | 0:29:46 | 0:29:49 | |
-It's quite old. -Yeah. -Where is this from? | 0:29:49 | 0:29:51 | |
A friend gave it to me. Knew I was interested in collecting things, | 0:29:51 | 0:29:55 | |
-and didn't want it, so gifted it to me. -How lovely! | 0:29:55 | 0:29:59 | |
-Well, I put £30 on it. -OK. | 0:29:59 | 0:30:01 | |
I'm hoping we're going to be nearer the 50 than the 30. | 0:30:01 | 0:30:04 | |
-Let's hope so. -Let's hope we're lucky this time. | 0:30:04 | 0:30:08 | |
What shall it be? £30 for it? I'm bid at 30. A Mexican wave! | 0:30:08 | 0:30:11 | |
-Look at them! -Start me at £100 for it. | 0:30:11 | 0:30:14 | |
That's more like it. I'm bid £100. Anyone 110? 110. | 0:30:14 | 0:30:18 | |
120. 120, anyone? 130. | 0:30:18 | 0:30:21 | |
130, 140. 150. 160. | 0:30:21 | 0:30:24 | |
-Wow! -I'm bid 150. At 160. | 0:30:24 | 0:30:27 | |
That's brilliant! | 0:30:27 | 0:30:29 | |
160 bid. At 170? At 160. At 160. All done? | 0:30:29 | 0:30:32 | |
Your last chance. At 160 and going... | 0:30:32 | 0:30:34 | |
-£160! -Wow! | 0:30:34 | 0:30:36 | |
-That's good. -I forgot the "one" on the front of the estimate. | 0:30:36 | 0:30:39 | |
-SHE LAUGHS -Course you did, Jonty. | 0:30:39 | 0:30:41 | |
Hindsight is a wonderful thing. But we'll let you off, | 0:30:41 | 0:30:45 | |
as that is a stunning result. The silver collectors saw the quality | 0:30:45 | 0:30:49 | |
of a very special snuffbox. Well, it's been a turbulent first half. | 0:30:49 | 0:30:53 | |
Some items fell well short of their estimate, | 0:30:53 | 0:30:55 | |
while others exceeded all expectations. | 0:30:55 | 0:30:58 | |
Jonty's bursting to tell Steve and Sue how much they've raised so far | 0:30:58 | 0:31:02 | |
towards those boating lessons. | 0:31:02 | 0:31:05 | |
Well, it's half time, folks. How we feeling? | 0:31:06 | 0:31:08 | |
-OK. -Yeah. | 0:31:08 | 0:31:10 | |
-We've had some really good sales... -And some not so good. | 0:31:10 | 0:31:13 | |
-We're staying optimistic. -Some things have done well, | 0:31:13 | 0:31:16 | |
some things not so well. Remember, you needed £500 to £600. | 0:31:16 | 0:31:21 | |
You'd be happy with that sort of figure. | 0:31:21 | 0:31:23 | |
Well, we're halfway, and at the moment we're on £291. | 0:31:23 | 0:31:27 | |
-Oh! So halfway in the figure, too. -So it's steady as she goes. | 0:31:27 | 0:31:31 | |
-That's not too bad, is it? -That's good. | 0:31:31 | 0:31:33 | |
Let's have a little break, then we'll sell some more lots. | 0:31:33 | 0:31:36 | |
-OK. -Thanks. | 0:31:36 | 0:31:38 | |
If, like Steve and Sue, you're keen to raise money | 0:31:38 | 0:31:41 | |
by buying or selling at auction, please keep in mind | 0:31:41 | 0:31:44 | |
that there are charges to pay, including commission. | 0:31:44 | 0:31:47 | |
These vary depending on the saleroom, | 0:31:47 | 0:31:49 | |
so it's always worth checking in advance to avoid any unexpected surprises. | 0:31:49 | 0:31:53 | |
One of our expert's great passions is antique furniture. | 0:31:53 | 0:31:57 | |
There are always plenty of examples on offer at any auction. | 0:31:57 | 0:32:00 | |
There's nothing Jonty likes more | 0:32:00 | 0:32:02 | |
than when a piece is influenced by the architecture of the period. | 0:32:02 | 0:32:07 | |
Now, there were many different styles going on in the 19th century. | 0:32:07 | 0:32:11 | |
One of the particular styles, one of the fashionable styles, | 0:32:11 | 0:32:14 | |
was a Gothic revival. | 0:32:14 | 0:32:17 | |
Now, have a look at this cabinet, | 0:32:17 | 0:32:20 | |
because if anybody wants to explain what Gothic revival is, | 0:32:20 | 0:32:23 | |
well, this is it. Just take a look at these doors, for instance. | 0:32:23 | 0:32:26 | |
Here we have almost like two Gothic arches, | 0:32:26 | 0:32:30 | |
and supported by these pillar supports on the side. | 0:32:30 | 0:32:34 | |
Now, have a look at this. This door looks like the inside of a church, | 0:32:34 | 0:32:39 | |
which is what Gothic revival is all about. | 0:32:39 | 0:32:42 | |
Great examples have to be the Houses of Parliament, | 0:32:42 | 0:32:45 | |
or Tower Bridge in London. But it's missing a few pieces. | 0:32:45 | 0:32:49 | |
It's missing a few feet. But more importantly, take a look at the top. | 0:32:49 | 0:32:53 | |
Here we would have probably had some massive, grand superstructure, | 0:32:53 | 0:32:58 | |
and you can tell that because we have relatively large holes | 0:32:58 | 0:33:03 | |
appearing on the back, and this is where the superstructure would sit, | 0:33:03 | 0:33:07 | |
so essentially we're looking at a very good quality part cabinet. | 0:33:07 | 0:33:11 | |
It's got a healthy estimate of £500 to £700, | 0:33:11 | 0:33:14 | |
but will the buyers buy this today? | 0:33:14 | 0:33:16 | |
It's going to be very interesting to see. | 0:33:16 | 0:33:19 | |
They say that Victorian furniture is no longer in fashion, | 0:33:19 | 0:33:23 | |
but Jonty is clearly a fan, and believes that this is a good time | 0:33:23 | 0:33:26 | |
to pick up top-quality examples at reasonable prices. | 0:33:26 | 0:33:30 | |
Well, this one makes £450, somewhat lower than the estimate, | 0:33:30 | 0:33:34 | |
which rather proves his point. | 0:33:34 | 0:33:36 | |
It's time now for the second half of our sale, | 0:33:36 | 0:33:39 | |
and Steve's turn to part with some of his collectables. | 0:33:39 | 0:33:42 | |
Chris and I lost count | 0:33:42 | 0:33:44 | |
about how many clocks you've got in your house. | 0:33:44 | 0:33:47 | |
It's a little collection of only three of them here. | 0:33:47 | 0:33:50 | |
-Where are they all from? -All different sort of places. | 0:33:50 | 0:33:53 | |
When Sue drags me round these antiques fairs, | 0:33:53 | 0:33:56 | |
I go off and buy the occasional clock. | 0:33:56 | 0:33:58 | |
-You sneak off, do you? -Sneak off to buy. | 0:33:58 | 0:34:01 | |
-He does. -And does he sneak one in? -Yeah. | 0:34:01 | 0:34:04 | |
All of a sudden, "Where's that from?" | 0:34:04 | 0:34:07 | |
-SHE LAUGHS -OK. Right. Well, no more. | 0:34:07 | 0:34:10 | |
Time for selling, yes? £50 to £80 for these three. | 0:34:10 | 0:34:14 | |
-Here they come. -Where shall we start? £50? | 0:34:14 | 0:34:16 | |
£40? | 0:34:16 | 0:34:18 | |
-Come on. -Bid at £40. 42. | 0:34:18 | 0:34:20 | |
45. 48. 50. | 0:34:20 | 0:34:23 | |
55. 60. | 0:34:23 | 0:34:24 | |
Five. 70. | 0:34:24 | 0:34:26 | |
Five. 80. 75. 80. | 0:34:26 | 0:34:29 | |
At £75, £75. 80 there. 85. | 0:34:29 | 0:34:33 | |
90. Five. 100. And five. | 0:34:33 | 0:34:36 | |
I'm bid £100. Someone wanted five down there? | 0:34:36 | 0:34:39 | |
-It's good. -The bid's standing at £100. | 0:34:39 | 0:34:41 | |
-All done for £100. -Oh, that's good. | 0:34:41 | 0:34:44 | |
-Yeah, that was good. -We can send him off | 0:34:44 | 0:34:47 | |
around another antiques market without worrying about him now. | 0:34:47 | 0:34:51 | |
Good job, Steve. Not just a pretty face, hey? | 0:34:51 | 0:34:54 | |
Over estimate, and another healthy contribution | 0:34:54 | 0:34:57 | |
towards that nautical training. | 0:34:57 | 0:34:59 | |
We've another of Steve's collectables up next, | 0:34:59 | 0:35:01 | |
but I have the feeling this one is going to tug at the old heartstrings. | 0:35:01 | 0:35:05 | |
It's the Mainline train set, part of the Palitoy range from 1976. | 0:35:05 | 0:35:09 | |
It was bought for Steve by his dad to mark a very special birthday. | 0:35:09 | 0:35:14 | |
Steve, I don't want you to get too emotional on me. | 0:35:15 | 0:35:18 | |
It's your train set that we're now selling. | 0:35:18 | 0:35:20 | |
-Yes. It's got to go, unfortunately. -At the tender age of... -30. | 0:35:20 | 0:35:24 | |
THEY LAUGH | 0:35:24 | 0:35:25 | |
-It's a great story. -I know. | 0:35:25 | 0:35:28 | |
OK. £50 to £80. You ready to see this one go? | 0:35:28 | 0:35:32 | |
-I'm ready. -£50. Start me for it. | 0:35:32 | 0:35:34 | |
£30 for it. Bid at £30. Give me 32. At 32. 35. | 0:35:35 | 0:35:39 | |
38. 40. | 0:35:39 | 0:35:41 | |
42, 45. 45, 48. 50. | 0:35:41 | 0:35:45 | |
-55. 60. -Wow! | 0:35:45 | 0:35:47 | |
Bid at £60. £60. | 0:35:47 | 0:35:49 | |
All done for 60? Your last chance of getting it. | 0:35:49 | 0:35:53 | |
-That's fine. £60. -That's good. | 0:35:53 | 0:35:55 | |
-In the middle-ish of the estimate. -That's pretty good. -That's good. | 0:35:55 | 0:35:59 | |
I agree, Jonty. Not bad at all, and that's good money | 0:35:59 | 0:36:02 | |
towards his next big toy, that powerboat. | 0:36:02 | 0:36:05 | |
Boys and their toys, hey? Well, from toys to china, | 0:36:05 | 0:36:08 | |
and I know Sue will be sad to see this lot sell. | 0:36:08 | 0:36:11 | |
It's the collection of early 20th-century Burleigh Ware | 0:36:11 | 0:36:15 | |
that came with their house. Estimate £80 to £120. | 0:36:15 | 0:36:19 | |
Now, correct me if I'm wrong, | 0:36:19 | 0:36:22 | |
-but I have a hunch that you quite covet this next lot. -Yes, I do. | 0:36:22 | 0:36:26 | |
I love it. This is what really started me on my collecting binges... | 0:36:26 | 0:36:30 | |
-Yes. -..over the years. | 0:36:30 | 0:36:32 | |
Was it 27 years you've been in the house? | 0:36:32 | 0:36:34 | |
That's right. It hasn't been used very much. Only at Christmas. | 0:36:34 | 0:36:38 | |
-So it's your poshest set going. -It is, yeah. | 0:36:38 | 0:36:41 | |
All right. OK. I've put £80 to £120 on it. | 0:36:41 | 0:36:44 | |
-OK. -Let's see what happens, yeah? | 0:36:44 | 0:36:47 | |
-£50. -Oh, 50. Come on. | 0:36:47 | 0:36:50 | |
Where's all the hands? £40. Bid at £40. At £40. Take 42. | 0:36:50 | 0:36:54 | |
At £40. At £40. Give me 42. 42. 45. | 0:36:54 | 0:36:57 | |
Gosh, that's cheap, isn't it? | 0:36:57 | 0:37:00 | |
55. 60. Five. 70. | 0:37:00 | 0:37:02 | |
-It's going up. It's going up. -Five. 90. | 0:37:02 | 0:37:05 | |
Bid at 85. You want 90? £85. | 0:37:05 | 0:37:07 | |
At £85. 85 and going. | 0:37:07 | 0:37:10 | |
-85. -Yeah, that's not too bad. | 0:37:10 | 0:37:13 | |
The bidding took a while to warm up, but with several interested parties | 0:37:13 | 0:37:16 | |
in the room, it just crept over the lower estimate. | 0:37:16 | 0:37:19 | |
I think Sue would've been disappointed with anything less. | 0:37:19 | 0:37:24 | |
It's another very useful addition to our ever-growing fund. | 0:37:24 | 0:37:27 | |
Jonty was quite the fan of our next lot. | 0:37:27 | 0:37:30 | |
It's the oak wall clock, made in the late 19th century | 0:37:30 | 0:37:33 | |
by the renowned Sussex firm, Stephenson's. | 0:37:33 | 0:37:38 | |
So, it's time to sell your kitchen clock now. | 0:37:38 | 0:37:40 | |
-Is there a bit of a hole left on the wall? -Indeed there is. | 0:37:40 | 0:37:43 | |
Very quiet in our kitchen now. THEY LAUGH | 0:37:43 | 0:37:47 | |
-Again, how long have you had that? -We've had that nearly 30 years. | 0:37:47 | 0:37:51 | |
-Really? -Is that from London? | 0:37:51 | 0:37:53 | |
-Yeah. -Are you going to miss it? -We are going to miss it, I think. | 0:37:53 | 0:37:57 | |
OK. Well, I put £100 to £150. I hope we do really well. | 0:37:57 | 0:38:01 | |
Let's hope so. | 0:38:01 | 0:38:03 | |
£100 for it. | 0:38:03 | 0:38:04 | |
£50 for it. | 0:38:04 | 0:38:06 | |
£50. I'm bid at £50. At £50. At 55. | 0:38:07 | 0:38:10 | |
Do you want 60? Five. 70. Five. 80. | 0:38:10 | 0:38:13 | |
At 75. £75. In front of me at £75. | 0:38:13 | 0:38:16 | |
75 to 80. At £75. | 0:38:16 | 0:38:18 | |
-Come on, come on. -That's it, at £75, I'm afraid. | 0:38:18 | 0:38:22 | |
-It's gone. Oh, dear! -Never mind. | 0:38:22 | 0:38:25 | |
Ouch! That wasn't the result we were expecting. | 0:38:25 | 0:38:27 | |
After the success we enjoyed with the mantel clocks, | 0:38:27 | 0:38:30 | |
I thought we'd reach the lower estimate at the very least. | 0:38:30 | 0:38:34 | |
I hope the bidders haven't run out of cash. | 0:38:34 | 0:38:36 | |
We still have two highly valued items left to sell, | 0:38:36 | 0:38:39 | |
starting with the chaise longue. | 0:38:39 | 0:38:42 | |
A lot of TLC's gone into this by you. | 0:38:42 | 0:38:45 | |
Yes. I did re-upholster it at one stage. | 0:38:45 | 0:38:47 | |
You never thought about doing that, Steve? | 0:38:47 | 0:38:50 | |
I don't think I've got the skill or the patience. | 0:38:50 | 0:38:53 | |
I've got £150 to £200 on it. OK. Let's see. Away we go. | 0:38:53 | 0:38:57 | |
Start with £100 for it. | 0:38:57 | 0:39:00 | |
-£80 for it. -Room's gone silent. | 0:39:01 | 0:39:04 | |
Bid £80. £80. £85. £80. | 0:39:04 | 0:39:07 | |
-At £80. £80, 85. -Come on! -Who wants it? | 0:39:07 | 0:39:10 | |
-For a chaise, at £80. -It's got to go. -It's got to go. | 0:39:10 | 0:39:13 | |
-Want me to sell it or not? -Yeah. -They're going to Greece, you see. | 0:39:13 | 0:39:17 | |
£80. No choice. They're moving out of the country. £80. | 0:39:17 | 0:39:20 | |
They have a bargain. They have a bargain. | 0:39:20 | 0:39:23 | |
Oh, dear. I have a hanky at the ready. Do you need it? | 0:39:23 | 0:39:26 | |
-Oh, I might. -Ahh! | 0:39:26 | 0:39:28 | |
Well, the chaise had to go before the couple's big move, | 0:39:28 | 0:39:32 | |
but what a disappointing result, | 0:39:32 | 0:39:34 | |
especially after all the hard work Sue put into the re-covering. | 0:39:34 | 0:39:38 | |
We've just got one lot left today, and, worryingly, | 0:39:38 | 0:39:40 | |
it's more antique furniture. | 0:39:40 | 0:39:42 | |
It's that beautiful Victorian Duchess dressing table. | 0:39:42 | 0:39:46 | |
-So, where was it from? -I bought it on the Isle of Wight, actually. | 0:39:46 | 0:39:50 | |
We were on a caravanning holiday, | 0:39:50 | 0:39:52 | |
and it came back with us in the caravan. | 0:39:52 | 0:39:56 | |
-I believe Steve bought one of the clocks at the same time. -Really? | 0:39:56 | 0:39:59 | |
Anyway, I put £80 to £120 on it, | 0:39:59 | 0:40:02 | |
and Victorian furniture is a little bit difficult to sell at the moment, | 0:40:02 | 0:40:06 | |
but because it's so complete, I hope we're going to get there. | 0:40:06 | 0:40:09 | |
£100 for it. £80 for it. | 0:40:09 | 0:40:13 | |
Bid £80. 85. Do you want 90? 95? | 0:40:13 | 0:40:16 | |
100. 110. 120. | 0:40:16 | 0:40:18 | |
-130. 140. 150. -Come on. | 0:40:18 | 0:40:21 | |
-160. -Come on. More. | 0:40:21 | 0:40:24 | |
160 for it. 150. Are we done? Going for 150. | 0:40:24 | 0:40:26 | |
For the Duchess at 150. | 0:40:26 | 0:40:28 | |
-Yes! That's good. -Very good. | 0:40:28 | 0:40:30 | |
Well, how about that? Despite concerns over a lack of furniture buyers in the room, | 0:40:30 | 0:40:35 | |
the quality of the Victorian dresser shone through, | 0:40:35 | 0:40:38 | |
and it exceeds Jonty's top estimate. Well, it's been quite a sale, | 0:40:38 | 0:40:43 | |
but have we managed to raise that £500 to £600 target | 0:40:43 | 0:40:45 | |
for Steve and Sue's boating lessons? I think it's time for Jonty to reveal all. | 0:40:45 | 0:40:51 | |
-Remember, we wanted £500 to £600. -Yeah. | 0:40:52 | 0:40:55 | |
-What do you think, Steve? -I think we got there, | 0:40:55 | 0:40:58 | |
and I think, overall, fairly satisfied. | 0:40:58 | 0:41:02 | |
Well, I'm very happy to report you have made £841 here today! | 0:41:02 | 0:41:05 | |
-Wow! That's really good! -That is good. Fantastic. | 0:41:05 | 0:41:09 | |
-How about that? -That's really good. -So that means | 0:41:09 | 0:41:11 | |
you can even buy a little can of petrol to go with your boat. | 0:41:11 | 0:41:16 | |
A rather choppy sail, but Steve and Sue have headed down | 0:41:20 | 0:41:25 | |
to the calm waters of their local marina in Kent, | 0:41:25 | 0:41:28 | |
the temporary mooring of their new pride and joy, | 0:41:28 | 0:41:31 | |
before the big move to the Med. It's the perfect location | 0:41:31 | 0:41:35 | |
for the couple of get to grips with their new toy, | 0:41:35 | 0:41:38 | |
and where they plan to have handling and navigation lessons. | 0:41:38 | 0:41:42 | |
I think, as far as navigating round Cyprus goes, | 0:41:42 | 0:41:45 | |
I'm hoping that by spending one season here, | 0:41:45 | 0:41:49 | |
we'll get very competent and confident. | 0:41:49 | 0:41:52 | |
We won't be nervous at all. At the moment, we certainly would be. | 0:41:52 | 0:41:55 | |
-We would, yeah. -The crew especially. | 0:41:55 | 0:41:58 | |
THEY LAUGH | 0:41:58 | 0:42:00 | |
ENGINE ROARS | 0:42:00 | 0:42:03 | |
'The Mediterranean beckons, and we're really looking forward to that, | 0:42:03 | 0:42:07 | |
'and look forward to next summer.' | 0:42:07 | 0:42:09 | |
We wish Steve and Sue the very best of luck for their new life | 0:42:09 | 0:42:12 | |
in the sun. But, Steve, watch out for that ferry! | 0:42:12 | 0:42:16 | |
HORN BLARING | 0:42:16 | 0:42:18 | |
If you want to raise some money, and think you have hidden treasures | 0:42:22 | 0:42:26 | |
in your home, why don't you apply to be on the show? | 0:42:26 | 0:42:28 | |
All the details are online at... | 0:42:28 | 0:42:30 | |
Good luck, and I'll see you next time on Cash In The Attic. | 0:42:32 | 0:42:35 | |
Subtitles by Red Bee Media Ltd | 0:42:35 | 0:42:39 | |
E-mail [email protected] | 0:42:39 | 0:42:43 | |
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