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Welcome to the show that looks around your house, | 0:00:02 | 0:00:04 | |
finds the hidden treasures, gets them valued | 0:00:04 | 0:00:07 | |
then sells them for you at auction. | 0:00:07 | 0:00:09 | |
You know what it's like if you've lived a in a big property | 0:00:09 | 0:00:12 | |
and it's time to downsize. Leaving the property is one thing, | 0:00:12 | 0:00:15 | |
but what on earth do you take with you, and what do you sell? | 0:00:15 | 0:00:18 | |
That's the dilemma facing the lady we'll be meeting later | 0:00:18 | 0:00:21 | |
on Cash In The Attic. | 0:00:21 | 0:00:23 | |
On today's Cash In The Attic, we meet a very knowledgeable lady. | 0:00:44 | 0:00:49 | |
-I think they call that a binnacle. -There we go. | 0:00:49 | 0:00:52 | |
A binnacle! You know some interesting words, don't we? | 0:00:52 | 0:00:55 | |
And this lady's not for turning, in spite of Paul's best efforts. | 0:00:57 | 0:01:01 | |
-Are you sure it won't go into the bungalow when you move? -It won't. | 0:01:02 | 0:01:05 | |
-You don't want it at all? -No. -It wasn't a family heirloom? | 0:01:05 | 0:01:08 | |
-No. -No sentiment there at all? -Nothing. | 0:01:08 | 0:01:11 | |
When it comes to sale day, the auctioneer is certainly on our side. | 0:01:12 | 0:01:17 | |
Best thing in the room. The best lot of the sale. Fantastic thing. | 0:01:17 | 0:01:20 | |
Find out just what is so fantastic when the hammer falls. | 0:01:20 | 0:01:25 | |
Selling! | 0:01:25 | 0:01:27 | |
Today I've come to Cleethorpes, | 0:01:27 | 0:01:29 | |
where I'm going to be meeting Janet Evans and her sister. | 0:01:29 | 0:01:32 | |
They've decided to have a clear-out to raise some money | 0:01:32 | 0:01:34 | |
so they can have a day trip to the capital city, London. | 0:01:34 | 0:01:37 | |
She owns and runs this attractive ladies' boutique in Cleethorpes. | 0:01:39 | 0:01:44 | |
Her younger sister Julie works here part-time too. | 0:01:44 | 0:01:47 | |
The sisters have always lived in this area of Humberside, | 0:01:47 | 0:01:50 | |
which is close to Grimsby, and both their husbands work in the fishing industry. | 0:01:50 | 0:01:56 | |
Janet has lived in this Edwardian semi-detached house | 0:01:56 | 0:01:59 | |
with her husband Ray for the past 23 years, | 0:01:59 | 0:02:02 | |
but they're downsizing to a bungalow, | 0:02:02 | 0:02:05 | |
and have asked for our help with some decluttering. | 0:02:05 | 0:02:08 | |
-Look at this place! -Now, this is what I call a hall. | 0:02:08 | 0:02:12 | |
-Wow! -Shoes off. -Right. OK, fair enough. | 0:02:12 | 0:02:15 | |
Sweeping staircase, and lots of really nice antiques as well. | 0:02:15 | 0:02:19 | |
-You'll be at home, won't you? -I'll be really at home here. | 0:02:19 | 0:02:22 | |
-If you want to go off that way, I'll go and meet the ladies. -OK. | 0:02:22 | 0:02:25 | |
Good morning, ladies! | 0:02:28 | 0:02:30 | |
-Hello. So, it must be your house, Janet. -Yes, it is. | 0:02:30 | 0:02:33 | |
It's absolutely stunning. I love the entrance hall. | 0:02:33 | 0:02:37 | |
Very impressive! But it wasn't you who called in Cash In The Attic. | 0:02:37 | 0:02:41 | |
-That was you, wasn't it, Julie? -It is, yes. | 0:02:41 | 0:02:44 | |
-I'm to blame for that. -So, what made you think that we should come? | 0:02:44 | 0:02:48 | |
She's moving. She's supposed to be downsizing. | 0:02:48 | 0:02:50 | |
-Right. -I said, "You're going to have to get rid of some of this rubbish." | 0:02:50 | 0:02:55 | |
If we do manage to sell some of the things you want to get rid of, | 0:02:55 | 0:02:58 | |
and make some money, what would you like to do with it? | 0:02:58 | 0:03:01 | |
I would like to take my family and Julie's family to London | 0:03:01 | 0:03:05 | |
to see a show for the weekend. | 0:03:05 | 0:03:07 | |
How many people in total do you want to take to London? | 0:03:07 | 0:03:10 | |
-Eight. -Eight people. Right. OK. | 0:03:10 | 0:03:13 | |
Eight people going to London for a show. That's quite a lot of money. | 0:03:13 | 0:03:16 | |
-What sort of figure have you got in mind? -£1,000, if poss. | 0:03:16 | 0:03:20 | |
I'm pretty sure Paul will have found something by now | 0:03:20 | 0:03:23 | |
-if this room is anything to go by, so shall we go and meet him? -Yeah! | 0:03:23 | 0:03:26 | |
He's our man from Morecambe, you know. | 0:03:26 | 0:03:29 | |
I can see why she needs our help. In the two rooms I've seen so far, | 0:03:30 | 0:03:34 | |
this place is filled to the brim with ornaments and collectables, | 0:03:34 | 0:03:38 | |
and there are ten more rooms to explore. | 0:03:38 | 0:03:41 | |
Paul Hayes's love of antiques started when he was just a teenager, | 0:03:41 | 0:03:46 | |
and it became his career from a young age. | 0:03:46 | 0:03:49 | |
The nautical theme in this house is very obvious, | 0:03:49 | 0:03:51 | |
but the first thing to excite his interest is this painting. | 0:03:51 | 0:03:55 | |
-Ah, hello! -There you are, Paul. You've found a few things, then? | 0:03:56 | 0:04:00 | |
-Look at this! It's amazing. -I must say, it's a fantastic house. | 0:04:00 | 0:04:04 | |
You have lots of paintings of ships and marine life. | 0:04:04 | 0:04:07 | |
Is that something you've been interested in? | 0:04:07 | 0:04:09 | |
My husband used to go to sea. He used to be a trawler skipper, | 0:04:09 | 0:04:13 | |
and he used to fish in Iceland and Norway and places like that. | 0:04:13 | 0:04:17 | |
Were these something he's bought, these paintings? | 0:04:17 | 0:04:20 | |
No. I bought these years ago, when I worked in a pub, | 0:04:20 | 0:04:24 | |
and this young artist, John Trickett, used to come in | 0:04:24 | 0:04:28 | |
and bring his paintings in on a lunchtime. | 0:04:28 | 0:04:30 | |
He'd probably done one in a morning, and brought one in on a lunchtime, | 0:04:30 | 0:04:35 | |
and said, "Who wants to buy this? 20 quid." | 0:04:35 | 0:04:37 | |
You've heard of John Trickett? He's quite a well known artist nowadays. | 0:04:37 | 0:04:41 | |
-I know he is now. -Right. Great. This isn't the Cod Wars, the North Sea. | 0:04:41 | 0:04:46 | |
This represents Trafalgar, the battle between France and England. | 0:04:46 | 0:04:50 | |
It's very well captured. It's a very popular subject. | 0:04:50 | 0:04:53 | |
But he's more famous now. He's moved on from marine scenes. | 0:04:53 | 0:04:56 | |
-Does he not do animals? -Animals. -Labradors. | 0:04:56 | 0:04:59 | |
He's the finest Labrador painter in British... | 0:04:59 | 0:05:01 | |
-Is that what he's known for? -Yes. -So these are his early works. | 0:05:01 | 0:05:05 | |
-Exactly. This is his Blue Period. -THEY LAUGH | 0:05:05 | 0:05:08 | |
And you've got another one. This is more a modern scene. | 0:05:08 | 0:05:12 | |
That's more like the Norfolk Broads, or maybe a coastal scene. | 0:05:12 | 0:05:16 | |
But this one here is the main one. It's an oil painting. | 0:05:16 | 0:05:19 | |
It's very recent, contemporary, but very pleasing. | 0:05:19 | 0:05:22 | |
In fact, if I said sort of 80 to 120 to give them a chance, | 0:05:22 | 0:05:26 | |
-how does that sound? -Yeah. Good. | 0:05:26 | 0:05:28 | |
It's not a bad return for 20 quid, is it, really? | 0:05:28 | 0:05:31 | |
-THEY LAUGH -It's fantastic, eh? | 0:05:31 | 0:05:33 | |
How exciting! It's nice to actually do a picture for once | 0:05:33 | 0:05:36 | |
-where you can really identify the artist, isn't it? -Exactly, yeah. | 0:05:36 | 0:05:40 | |
-What a great story to tell, as well. -Well, we'd better get on, | 0:05:40 | 0:05:43 | |
-because there are loads of rooms to go through. -OK. -Follow me! | 0:05:43 | 0:05:47 | |
That's not a bad start to our rummage here today, | 0:05:47 | 0:05:50 | |
and I'm itching to begin my search. | 0:05:50 | 0:05:52 | |
Julie's had time to have a good look around Janet's kitchen, | 0:05:52 | 0:05:55 | |
and wonders if the brass ship's clock | 0:05:55 | 0:05:58 | |
might be worth putting up for auction. | 0:05:58 | 0:06:01 | |
Janet has always liked brass and copper, | 0:06:01 | 0:06:03 | |
and her attraction to nautical items must reflect her husband's trawling career. | 0:06:03 | 0:06:07 | |
This clock is quite modern, though, and is battery operated, | 0:06:07 | 0:06:11 | |
but Paul still hopes it might fetch £50 to £60 at auction. | 0:06:11 | 0:06:15 | |
In the bedroom, Janet makes a practical decision | 0:06:17 | 0:06:20 | |
about some attractive Edwardian items. | 0:06:20 | 0:06:24 | |
Paul, I brought these from upstairs. I've had them about 40 years. | 0:06:24 | 0:06:28 | |
-OK. -But I don't want to be spending the rest of my life cleaning silver. | 0:06:28 | 0:06:32 | |
Oh, wow! These are beautiful. Have these come down the family? | 0:06:32 | 0:06:36 | |
-My husband bought me them from a jeweller's in Cleethorpes. -Right. | 0:06:36 | 0:06:40 | |
These are beautiful. Solid silver, and dead on the turn of the century. | 0:06:40 | 0:06:44 | |
This is my favourite style. It's called Art Nouveau. | 0:06:44 | 0:06:47 | |
You've got these wonderful organic forms, | 0:06:47 | 0:06:50 | |
stylised plants and tendrils, and the muse there in the middle. | 0:06:50 | 0:06:54 | |
She's playing a harp, or an instrument of some sort, | 0:06:54 | 0:06:56 | |
and it's a wonderful style. Developed on the continent, | 0:06:56 | 0:07:00 | |
but became very popular here. But I can see already, this one, | 0:07:00 | 0:07:03 | |
little bit of over-polishing. You see a little hole there? | 0:07:03 | 0:07:06 | |
But absolutely fantastic. So, you've got a mirror, | 0:07:06 | 0:07:10 | |
a hairbrush, and you've got two clothes brushes, | 0:07:10 | 0:07:12 | |
so this would have been a lady's dressing-table set. | 0:07:12 | 0:07:15 | |
-Have you noticed the hallmark? -Er, yes, I have. | 0:07:15 | 0:07:18 | |
That's the lion passant. That tells me it's solid silver. | 0:07:18 | 0:07:21 | |
The anchor means it was assayed in the Birmingham area. | 0:07:21 | 0:07:25 | |
You've got a date letter here, | 0:07:25 | 0:07:27 | |
and this one is an F, 1905. That's exactly when these were made. | 0:07:27 | 0:07:31 | |
-So, can you bear to part with them? -Yes, absolutely. | 0:07:31 | 0:07:35 | |
-You don't use them any more? -No. -So you've got two collectors | 0:07:35 | 0:07:38 | |
who will go for these - anybody interested in Art Nouveau, or anybody interested in silver. | 0:07:38 | 0:07:43 | |
So if I said £80 to £120... | 0:07:43 | 0:07:46 | |
-Brilliant. -That sounds all right to you? | 0:07:46 | 0:07:49 | |
-Lovely. -So they can definitely go? -Yes. | 0:07:49 | 0:07:52 | |
Fantastic. So, let's put those down there. | 0:07:52 | 0:07:54 | |
-Let's keep looking. -Fine. | 0:07:54 | 0:07:57 | |
Janet is definitely being very no-nonsense in her approach today, | 0:07:58 | 0:08:03 | |
and seems happy to be getting rid of stuff. This is a large house | 0:08:03 | 0:08:06 | |
she's downsizing from, and there really is too much | 0:08:06 | 0:08:09 | |
to fit into a bungalow. | 0:08:09 | 0:08:12 | |
'I wonder if she would be happy to part with more paintings. | 0:08:12 | 0:08:15 | |
'I spot two watercolours by an HS Yeung, | 0:08:15 | 0:08:19 | |
'which Janet bought after seeing them in the window | 0:08:19 | 0:08:21 | |
'of her local Chinese restaurant. The owner of the restaurant | 0:08:21 | 0:08:25 | |
'was the artist himself. | 0:08:25 | 0:08:27 | |
'Paul gives the two paintings a £50 to £80 estimate.' | 0:08:27 | 0:08:30 | |
Julie knows how important it is for her sister | 0:08:32 | 0:08:35 | |
to clear some stuff, and she wastes no time | 0:08:35 | 0:08:37 | |
in taking some Victoriana from Janet's bedroom | 0:08:37 | 0:08:40 | |
for evaluation. | 0:08:40 | 0:08:42 | |
Ah! Now, then... Ooh, look at these! | 0:08:44 | 0:08:46 | |
Whoa, these are great! So, where have these been hiding, then? | 0:08:46 | 0:08:50 | |
I've just spotted them upstairs. | 0:08:50 | 0:08:52 | |
These are wonderful. I can tell instantly who made these. | 0:08:52 | 0:08:55 | |
It's a firm called Royal Doulton, more famous for the figurines | 0:08:55 | 0:08:59 | |
or for character jugs and Toby jugs. But the way they're made, | 0:08:59 | 0:09:03 | |
this is stoneware, and this is almost like icing the cake. | 0:09:03 | 0:09:06 | |
It's used as a slip, and the slip gives the decoration, all in relief. | 0:09:06 | 0:09:10 | |
The artist would paint around the edges, | 0:09:10 | 0:09:12 | |
so each one is individual. Then the rose in the centre. | 0:09:12 | 0:09:15 | |
It's quite Oriental, almost a pomegranate. | 0:09:15 | 0:09:18 | |
-Yeah. Love them. -You can get the name of the potter. | 0:09:18 | 0:09:21 | |
You've got Royal Doulton mark there, and we got the initials LB, | 0:09:21 | 0:09:24 | |
which will be an artist. There's the Barlow family, the Butler family, | 0:09:24 | 0:09:29 | |
sometime around about 1880. But very stylish single-flower vases. | 0:09:29 | 0:09:32 | |
What you've got to look for is the damage. | 0:09:32 | 0:09:35 | |
-Can you see there? -I can. | 0:09:35 | 0:09:37 | |
Do you think Janet's done that, or has she bought them that way? | 0:09:37 | 0:09:41 | |
She might have done. Or she might've hit her husband over the head with it. | 0:09:41 | 0:09:45 | |
-THEY LAUGH -Well, there we are. | 0:09:45 | 0:09:47 | |
Stranger things have happened. Usually if they fall off the shelf, | 0:09:47 | 0:09:51 | |
they're in trouble, aren't they? They're a pair of Victorian vases, | 0:09:51 | 0:09:54 | |
Doulton Lambeth, good design. Even in that condition, | 0:09:54 | 0:09:57 | |
if I said 100, maybe 150... | 0:09:57 | 0:10:00 | |
-Sounds great. -I think perfect, you'd be looking at 300 on those. | 0:10:00 | 0:10:03 | |
-Pity. -You think she's all right with that? | 0:10:03 | 0:10:06 | |
She'll be pleased with that, I'm sure. | 0:10:06 | 0:10:08 | |
A fine estimate, but will those cracks make or break Janet's chances | 0:10:08 | 0:10:12 | |
at auction? | 0:10:12 | 0:10:14 | |
And we have got five bids on commission. | 0:10:14 | 0:10:16 | |
I start at £65. | 0:10:16 | 0:10:18 | |
Find out how much they make a little later. | 0:10:18 | 0:10:22 | |
All that excitement is still to come. | 0:10:24 | 0:10:26 | |
But as our search of Janet's house continues, | 0:10:26 | 0:10:29 | |
Paul has turned his attention to her extensive collection | 0:10:29 | 0:10:32 | |
of Wedgwood calendar plates. She started collecting these | 0:10:32 | 0:10:36 | |
when they were commissioned in 1971, | 0:10:36 | 0:10:38 | |
and she hasn't missed a single year. | 0:10:38 | 0:10:41 | |
But she's happy to call it a day now, | 0:10:41 | 0:10:43 | |
and Paul gives them an estimate of £100 to £150 for the lot. | 0:10:43 | 0:10:47 | |
Well, so far we've potentially raised £460 | 0:10:49 | 0:10:53 | |
towards Janet's goal of £1,000 | 0:10:53 | 0:10:55 | |
to treat all the Evanses to a special London trip. | 0:10:55 | 0:10:58 | |
You seem a very close-knit family, and you two sisters particularly. | 0:11:00 | 0:11:04 | |
Yes. Well, we work together, and when I first got married - | 0:11:04 | 0:11:08 | |
Julie would be ten, I would be 20 - | 0:11:08 | 0:11:11 | |
and Julie had to come and live with me, | 0:11:11 | 0:11:13 | |
because I daren't sleep on my own. | 0:11:13 | 0:11:16 | |
-That must have been quite an adventure for a ten year old! -Yeah, | 0:11:16 | 0:11:19 | |
but I daren't be late in, because she was a bully | 0:11:19 | 0:11:22 | |
and she used to hit me on the head. And her wedding rings were heavy, | 0:11:22 | 0:11:25 | |
-and it used to hurt! -THEY LAUGH | 0:11:25 | 0:11:28 | |
-That were right as rain. -We worked well together. | 0:11:28 | 0:11:31 | |
Makes it more fun, though, don't it? | 0:11:31 | 0:11:33 | |
Tell me a little bit about Cleethorpes. | 0:11:33 | 0:11:35 | |
It's got such a strong fishing connection, | 0:11:35 | 0:11:38 | |
and your family has always been involved in it. | 0:11:38 | 0:11:41 | |
-Is that right? -Yes, it has, | 0:11:41 | 0:11:43 | |
Ray's family more than mine. My father went to sea | 0:11:43 | 0:11:46 | |
and sailed with Ray, but Ray's dad and Ray's granddads | 0:11:46 | 0:11:51 | |
and uncles and brother, they've all gone to sea, | 0:11:51 | 0:11:55 | |
up until fishing finished. He come from a real big fishing family, Ray. | 0:11:55 | 0:12:00 | |
And what about your husband? | 0:12:00 | 0:12:02 | |
Well, not as much as my sister's, | 0:12:02 | 0:12:05 | |
but my husband is what you call a fish merchant. | 0:12:05 | 0:12:08 | |
He sells fish from Grimsby docks. | 0:12:08 | 0:12:12 | |
-Now, originally your grandmother wasn't from Cleethorpes. -No. | 0:12:12 | 0:12:15 | |
-Tell me a bit about her. -She was from County Durham, | 0:12:15 | 0:12:18 | |
a place called Houghton-le-Spring, | 0:12:18 | 0:12:22 | |
and she came from a real big family, | 0:12:22 | 0:12:25 | |
and the girls were all dancers. And they came here, | 0:12:25 | 0:12:29 | |
and my grandmother was expecting my mother, | 0:12:29 | 0:12:31 | |
and danced right up till the day before she had her, | 0:12:31 | 0:12:34 | |
and had my mother. Three days later she left my mother | 0:12:34 | 0:12:39 | |
-and went to Mexico for three years. -That was such radical thing to do at the time! | 0:12:39 | 0:12:43 | |
People think going to Mexico is nothing new now, don't they, | 0:12:43 | 0:12:46 | |
-but that was a big trip. -Oh, yes. -Three years! | 0:12:46 | 0:12:48 | |
85 years ago that would have been a big thing. | 0:12:48 | 0:12:51 | |
It was all sort of done not legally, really, in them days. | 0:12:51 | 0:12:55 | |
It would've taken them weeks to get to Mexico. | 0:12:55 | 0:12:58 | |
So a lot of history and memories in this house... | 0:12:58 | 0:13:01 | |
-Oh, yes. -..that need to be sorted out. | 0:13:01 | 0:13:04 | |
Shall we go and see if Paul's found anything we can have a look at? | 0:13:04 | 0:13:07 | |
-Yes. -Come on, then. | 0:13:07 | 0:13:09 | |
'Janet's certainly got her work cut out | 0:13:09 | 0:13:11 | |
'sorting through 44 years of collecting, | 0:13:11 | 0:13:14 | |
'but our presence here seems to have motivated her, | 0:13:14 | 0:13:17 | |
'and she's determined to do it. In her computer room, | 0:13:17 | 0:13:20 | |
'she comes across some Navy plaques that were given to her father-in-law | 0:13:20 | 0:13:24 | |
'during the Cod Wars. This series of disputes between Britain and Iceland | 0:13:24 | 0:13:28 | |
'over fishing rights in the North Atlantic in the 1950s and 1970s | 0:13:28 | 0:13:32 | |
'caused tensions to run high, and Ray's dad acted as a liaison | 0:13:32 | 0:13:36 | |
'for the British. He was awarded a plaque | 0:13:36 | 0:13:39 | |
'for each of the ships he worked on. | 0:13:39 | 0:13:41 | |
'Paul gives them a value of £20 to £40, | 0:13:41 | 0:13:44 | |
'and we're not quite done with the nautical theme yet.' | 0:13:44 | 0:13:47 | |
We've got another picture here. It's lovely. | 0:13:49 | 0:13:51 | |
Is there any family connection with that? | 0:13:51 | 0:13:54 | |
-The one in the front was Ray's dad's. -So they had their own trawlers? | 0:13:54 | 0:13:58 | |
-They didn't own them. They were skippers of them. -Right! | 0:13:58 | 0:14:02 | |
And there's something else I saw, which is this. | 0:14:02 | 0:14:04 | |
I don't know much about that. We've had that in the family years, | 0:14:04 | 0:14:08 | |
and it's been in the cupboard. Wherever we've lived, | 0:14:08 | 0:14:11 | |
-we've dumped it in a cupboard. -I think it's lovely. | 0:14:11 | 0:14:14 | |
We should get Paul to have a look at this. Paul? | 0:14:14 | 0:14:17 | |
-It says rain is expected. -Thank you very much. -There we are. | 0:14:17 | 0:14:21 | |
Ah, this is amazing, isn't it? A bit of nautical history here. | 0:14:21 | 0:14:25 | |
This is a marine barometer. The basic idea | 0:14:25 | 0:14:28 | |
is that you have a mercury tube, which is in a vacuum | 0:14:28 | 0:14:30 | |
in this tube here, and any slight changes in atmospheric pressure | 0:14:30 | 0:14:34 | |
registers on the mercury quite well. And using this little wheel here, | 0:14:34 | 0:14:38 | |
you would set it. You see it going up and down? | 0:14:38 | 0:14:41 | |
So if it was raining you'd set it to there, | 0:14:41 | 0:14:44 | |
and then you can tell which direction the weather's going in. | 0:14:44 | 0:14:47 | |
These are wonderful items. What I love about them | 0:14:47 | 0:14:50 | |
is that they would be screwed into the side of the ship. | 0:14:50 | 0:14:53 | |
Any bad weather... Look at that. | 0:14:53 | 0:14:56 | |
-Oh, yeah! -It stays level. Isn't that fantastic? | 0:14:56 | 0:14:58 | |
-I think they call that a binnacle. -There we go. -A binnacle? | 0:14:58 | 0:15:02 | |
-Oh, you know some interesting words! -Well, naval history there. | 0:15:02 | 0:15:05 | |
Nautical stuff here. Fantastic. | 0:15:05 | 0:15:08 | |
-Janet's quite happy for it to be sold. -Yes. | 0:15:08 | 0:15:10 | |
Right. Well, these do tend to really be in demand. | 0:15:10 | 0:15:13 | |
You've got the nautical history, the history of barometers. | 0:15:13 | 0:15:16 | |
This one's from Lisbon, it says, so it's obviously from Portugal, | 0:15:16 | 0:15:20 | |
that sort of region. But what a fantastic thing to have. | 0:15:20 | 0:15:23 | |
Very rare indeed, these. This needs a bit of a polish. | 0:15:23 | 0:15:26 | |
Does it, though? Should it be polished before going to auction, | 0:15:26 | 0:15:29 | |
or should it go in like that, where it's clearly fresh to auction? | 0:15:29 | 0:15:33 | |
Well, it's entirely up to you, | 0:15:33 | 0:15:36 | |
and people do like to see things as they are, untouched, | 0:15:36 | 0:15:39 | |
-so you're probably right. -So, what sort of value, then? | 0:15:39 | 0:15:43 | |
In this present state, you're looking at something that was made | 0:15:43 | 0:15:46 | |
1900, 1920, that sort of time... Value-wise, very much in demand. | 0:15:46 | 0:15:50 | |
And if I said at least £150, £200, how does that sound? | 0:15:50 | 0:15:55 | |
-Good. -Are you happy with that? -Yes. Yes, I am. | 0:15:55 | 0:15:58 | |
We've got nowhere to put it. | 0:15:58 | 0:16:01 | |
Well, that says "stormy" on there, but we're doing all right so far. | 0:16:01 | 0:16:04 | |
Let's see what else we can find. | 0:16:04 | 0:16:06 | |
That barometer has added a great amount to our total, | 0:16:06 | 0:16:10 | |
but I think we're a fair way off from our target yet, | 0:16:10 | 0:16:13 | |
so the search of Janet's house continues. | 0:16:13 | 0:16:16 | |
In the lounge, Julie spots this electroplated spirit kettle | 0:16:16 | 0:16:20 | |
that belonged to Ray's grandmother. | 0:16:20 | 0:16:22 | |
A spirit kettle sits on a stand with a burner underneath, | 0:16:22 | 0:16:25 | |
using alcohol as fuel. Being small enough to be placed anywhere, | 0:16:25 | 0:16:30 | |
they became a popular Victorian and Edwardian accessory, | 0:16:30 | 0:16:34 | |
as a servant's help was not required to refresh the hot water. | 0:16:34 | 0:16:37 | |
Paul reckons it should fetch £25 to £40 at auction. | 0:16:39 | 0:16:43 | |
Janet certainly has some fascinating items in her home, | 0:16:44 | 0:16:48 | |
and each one seems to have a story. | 0:16:48 | 0:16:51 | |
I'd like you to have a look at this clock | 0:16:51 | 0:16:53 | |
-and see if you think it would be worth going to auction. -Ah! | 0:16:53 | 0:16:56 | |
My husband Ray and I bought this clock at auction about 30 years ago. | 0:16:56 | 0:17:00 | |
Right. Well, we call these a grandfather clock - | 0:17:00 | 0:17:04 | |
that's any clock that's over five foot - | 0:17:04 | 0:17:06 | |
but the correct term is a longcase clock. | 0:17:06 | 0:17:09 | |
-Do you remember how much you paid for it? -About £100. | 0:17:09 | 0:17:11 | |
What did you find attractive about it? | 0:17:11 | 0:17:14 | |
-I think the painting on it. -Right. These sort of scenes here. | 0:17:14 | 0:17:17 | |
Right. These are called spandrels, | 0:17:17 | 0:17:20 | |
and sometimes with these you'll get the four seasons, | 0:17:20 | 0:17:23 | |
or different sorts of country views. | 0:17:23 | 0:17:25 | |
This one's quite nice. It's Neoclassical. | 0:17:25 | 0:17:28 | |
-Do you know how to tell a good grandfather clock from a cheaper one? -No. | 0:17:28 | 0:17:32 | |
It's the running time. If I open the door here, | 0:17:32 | 0:17:34 | |
this should tell... Ah, this is a good one. | 0:17:34 | 0:17:37 | |
You've got two weights there. That's what drives the movement. | 0:17:37 | 0:17:40 | |
If you have one weight, that means it only runs for 30 hours. | 0:17:40 | 0:17:44 | |
You have to wind it every day. When you have two weights, | 0:17:44 | 0:17:47 | |
that will run for eight days, so you only have to wind it once a week, | 0:17:47 | 0:17:51 | |
which is far more saleable. Are you sure it's not something | 0:17:51 | 0:17:54 | |
-that will go into the bungalow when you move? -No. | 0:17:54 | 0:17:57 | |
-You don't want it at all? -No. -It wasn't a family heirloom? | 0:17:57 | 0:18:00 | |
-No. -No sentiment there at all? -Nothing. | 0:18:00 | 0:18:03 | |
So what you've got really is a mid-19th-century mahogany | 0:18:03 | 0:18:07 | |
longcase clock. It runs for eight days, | 0:18:07 | 0:18:09 | |
which is very good. It's got a lovely painted dial. | 0:18:09 | 0:18:12 | |
There's no cracks or chips on that, | 0:18:12 | 0:18:14 | |
and the case looks pretty much original, | 0:18:14 | 0:18:17 | |
so it's got everything going for it. | 0:18:17 | 0:18:19 | |
-I think we could be approaching the £1,000 mark here. -Oh! | 0:18:19 | 0:18:22 | |
And if I said sort of £600 to £800 to give it a chance, | 0:18:22 | 0:18:26 | |
-that sounds all right to you? -It does. | 0:18:26 | 0:18:29 | |
-Is it the right time to sell it? -Yep. | 0:18:29 | 0:18:31 | |
-THEY LAUGH It is. -Clock that. | 0:18:31 | 0:18:33 | |
Let's keep looking. | 0:18:33 | 0:18:35 | |
What a fantastic valuation, and nearly our target figure in one hit! | 0:18:38 | 0:18:42 | |
But you never know what will happen at auction, | 0:18:42 | 0:18:45 | |
so we need to find a few more items just in case. | 0:18:45 | 0:18:48 | |
Janet's house keeps on giving. | 0:18:48 | 0:18:50 | |
There's a constant supply of fascinating things. | 0:18:50 | 0:18:53 | |
The next one to head off to the sale is this silver tea service and tray. | 0:18:53 | 0:18:57 | |
They belonged to Janet's mother-in-law, | 0:18:57 | 0:18:59 | |
who used to go to lots of junk fairs. | 0:18:59 | 0:19:02 | |
This is hardly junk, though, as Paul values the lot | 0:19:02 | 0:19:05 | |
at between £200 to £300. Incredible! | 0:19:05 | 0:19:08 | |
We're almost done here today, | 0:19:09 | 0:19:11 | |
but just as we are taking a last sweep of the lounge, | 0:19:11 | 0:19:14 | |
Janet shows me something else she's been collecting for many years. | 0:19:14 | 0:19:19 | |
That one's got a little baby on its head. | 0:19:21 | 0:19:23 | |
-How many of these have you got? -I haven't counted. | 0:19:23 | 0:19:26 | |
When did you start collecting them? | 0:19:26 | 0:19:28 | |
I started collecting them about...um, er...35 years ago. | 0:19:28 | 0:19:34 | |
So on average, what would you say that you paid per figurine? | 0:19:34 | 0:19:38 | |
Probably £15, £20. | 0:19:38 | 0:19:40 | |
-So, this is all going, then? -Yes. -OK. Paul? | 0:19:40 | 0:19:44 | |
-Uh-huh? -Look. We've found an amazing collection on the fireplace. | 0:19:44 | 0:19:47 | |
I've heard many things about these figures. | 0:19:47 | 0:19:50 | |
They're called fairings, where the myth is | 0:19:50 | 0:19:52 | |
that they came from the Victorian fairs, | 0:19:52 | 0:19:55 | |
and also that they were done to go on the top of pianos. | 0:19:55 | 0:19:58 | |
Well, there's two things, yeah. You get a piano baby. | 0:19:58 | 0:20:01 | |
If you had a grand piano or a baby grand, they would sit on top, | 0:20:01 | 0:20:05 | |
but the commoner word is the fairing. You're right. | 0:20:05 | 0:20:08 | |
The word comes from all these wonderful porcelain factories | 0:20:08 | 0:20:12 | |
in Germany and in France, and what would happen, | 0:20:12 | 0:20:14 | |
you would have people that would make these in their lunch hour | 0:20:14 | 0:20:18 | |
and sell them at the fairs, so it was a bit of extra money for them. | 0:20:18 | 0:20:21 | |
But we're left with a legacy, so this one says, | 0:20:21 | 0:20:24 | |
-"Let us do business together"... -HE LAUGHS | 0:20:24 | 0:20:26 | |
..which is quite sweet, but really they're a remnant | 0:20:26 | 0:20:29 | |
of the doll-making industry. All the firms made these porcelain dolls | 0:20:29 | 0:20:33 | |
which were extremely popular in 1880, 1900. | 0:20:33 | 0:20:35 | |
-Can you give a rough valuation? -Yeah. Did I hear £10 or £15? | 0:20:35 | 0:20:39 | |
I think that is about the going rate. | 0:20:39 | 0:20:42 | |
Some of the bigger ones, maybe £30, £40. | 0:20:42 | 0:20:44 | |
I mean, if I said 250 upwards, really, for this little lot, | 0:20:44 | 0:20:48 | |
-how does that sound? -Good. -That's not bad, is it? | 0:20:48 | 0:20:51 | |
That would add in nicely to our total, | 0:20:51 | 0:20:54 | |
because you wanted £1,000 so the eight of you could go to London, | 0:20:54 | 0:20:57 | |
which is a lot to spend when you get there, I must say. | 0:20:57 | 0:21:00 | |
It's good that the value of everything that is going to auction | 0:21:00 | 0:21:04 | |
comes to £1,705! | 0:21:04 | 0:21:08 | |
-Good. -So, are you pleased with that? -Brilliant. | 0:21:08 | 0:21:11 | |
Good, Jan, that, isn't it? Great. | 0:21:11 | 0:21:14 | |
The next time you'll see them, they'll be at the auction house, | 0:21:14 | 0:21:17 | |
-and we'll see you there. -Yes. -Smashing. Lovely! | 0:21:17 | 0:21:20 | |
I reckon with that result, we're in for a fabulous day | 0:21:20 | 0:21:24 | |
at the auction. We've uncovered a wonderful variety of pieces | 0:21:24 | 0:21:27 | |
from Janet's house, including... | 0:21:27 | 0:21:30 | |
the early 20th-century marine barometer, | 0:21:30 | 0:21:33 | |
which has been in the family for years. | 0:21:33 | 0:21:35 | |
That should raise £150 to £200 at auction. | 0:21:35 | 0:21:39 | |
Then there's the Wedgwood calendar plates Janet has been collecting | 0:21:39 | 0:21:43 | |
since 1971, | 0:21:43 | 0:21:45 | |
which received an estimate of between £100 to £150. | 0:21:45 | 0:21:49 | |
And the Victorian mahogany longcase clock, | 0:21:49 | 0:21:52 | |
which stands a good chance of making the target in one hit | 0:21:52 | 0:21:55 | |
if it beats Paul's upper estimate of £800. | 0:21:55 | 0:21:58 | |
Still to come on Cash In The Attic, | 0:22:01 | 0:22:04 | |
Janet gets some good advice from sister Julie | 0:22:04 | 0:22:06 | |
after a disappointing sale. | 0:22:06 | 0:22:09 | |
Just think how much you'll save on silver polish. Think positive, Jan. | 0:22:09 | 0:22:13 | |
And there's intrigue | 0:22:13 | 0:22:15 | |
after the grandfather clock goes before the bidders. | 0:22:15 | 0:22:18 | |
They've had a telephone bid. I wonder who that was? | 0:22:18 | 0:22:20 | |
It's not your husband wanting it back, is it? | 0:22:20 | 0:22:23 | |
Can we solve the mystery? Find out later. | 0:22:23 | 0:22:26 | |
It's been a few weeks since we visited Janet and Julie | 0:22:31 | 0:22:34 | |
at their house in Cleethorpes, and we found some very nice items, | 0:22:34 | 0:22:37 | |
including that ship's barometer and the John Trickett paintings. | 0:22:37 | 0:22:41 | |
Everything's been packed off to Bamford's auctioneers in Matlock, | 0:22:41 | 0:22:45 | |
and we're hoping to raise the £1,000 that Janet's looking for. | 0:22:45 | 0:22:49 | |
I can't actually make the auction today, | 0:22:49 | 0:22:51 | |
but Paul Hayes is there, so let's see what happens | 0:22:51 | 0:22:54 | |
when the final hammer falls. | 0:22:54 | 0:22:55 | |
Bamford's has auction houses in Derby and Matlock, | 0:22:57 | 0:23:00 | |
and are popular with both dealers and individuals | 0:23:00 | 0:23:03 | |
looking for a bargain. The auctioneer today is Steven Iredale, | 0:23:03 | 0:23:07 | |
and Paul is keen to know his opinion on some of Janet's things. | 0:23:07 | 0:23:11 | |
Now, Steven, I see you've found the barometer. | 0:23:12 | 0:23:15 | |
-Yeah. I like it. -I haven't seen one for ages. | 0:23:15 | 0:23:17 | |
-How rare are these? -They're not common. | 0:23:17 | 0:23:19 | |
We've had a few of them over the years. | 0:23:19 | 0:23:21 | |
It's quite a well known make, Desterro of Lisbon, | 0:23:21 | 0:23:24 | |
good Portuguese maker. Lots of these things made in Portugal, actually. | 0:23:24 | 0:23:28 | |
They've got a long nautical history. Mid 19th-century lacquered brass. | 0:23:28 | 0:23:32 | |
There's something gone on with the dial somehow. | 0:23:32 | 0:23:34 | |
It's bubbling up. Whether somebody's tried to re-silver it | 0:23:34 | 0:23:38 | |
or whether it's decomposing a bit, I'm not sure. | 0:23:38 | 0:23:41 | |
I think if we get the right person with the enthusiasm for it, | 0:23:41 | 0:23:44 | |
-I think it'll do quite well. -So you can forecast great things. | 0:23:44 | 0:23:48 | |
-THEY LAUGH -I know you're a very busy man. | 0:23:48 | 0:23:50 | |
-I've got to go and meet the family. -Aye-aye! | 0:23:50 | 0:23:52 | |
THEY LAUGH | 0:23:52 | 0:23:54 | |
Janet's antiques have been on display here | 0:23:54 | 0:23:57 | |
for a few days, so that potential bidders can view them. | 0:23:57 | 0:24:00 | |
There must be a bit of a gap in your house, | 0:24:00 | 0:24:03 | |
because we took quite a lot of stuff. | 0:24:03 | 0:24:05 | |
-There's nothing left in the hall. -It's all decluttered? | 0:24:05 | 0:24:08 | |
-Yes, absolutely. -I think you've got some fantastic items, | 0:24:08 | 0:24:11 | |
but they're going to start any minute now, | 0:24:11 | 0:24:13 | |
-so we need to take our places. I'll follow you. -Thank you. | 0:24:13 | 0:24:17 | |
Janet seems fairly relaxed about the auction, | 0:24:18 | 0:24:21 | |
but Paul, on the other hand, is looking a little nervous today. | 0:24:21 | 0:24:25 | |
No doubt he's hoping his estimates will prove correct, | 0:24:25 | 0:24:27 | |
or, better still, be beaten. Let's seen what happens | 0:24:27 | 0:24:30 | |
with the first one, which has just come up - | 0:24:30 | 0:24:32 | |
the collection of naval plaques. | 0:24:32 | 0:24:35 | |
These have the names Tartar and Juno. Were they boats of yours? | 0:24:35 | 0:24:40 | |
They belonged to my father-in-law | 0:24:40 | 0:24:42 | |
when he was the liaison officer in the Cod War, | 0:24:42 | 0:24:46 | |
and he was on the frigates, and every frigate he was on, they made him one of them. | 0:24:46 | 0:24:50 | |
And £30, please. £30. | 0:24:50 | 0:24:52 | |
A few of them. £30. 20, then, let's start them. | 0:24:52 | 0:24:55 | |
-£20. -Oh, come on! -15, then. Let's get on. 15. | 0:24:55 | 0:24:58 | |
Three places. 15. 18. | 0:24:58 | 0:25:01 | |
20. Two. | 0:25:01 | 0:25:03 | |
At £20 bid, second row. Two do I see? | 0:25:03 | 0:25:05 | |
At £20, and two now. | 0:25:05 | 0:25:07 | |
At £20, and two do I see? At £20, then. All done. | 0:25:07 | 0:25:11 | |
And selling, second row, at £20. | 0:25:11 | 0:25:14 | |
-All right with you? That was what we wanted. -Absolutely. | 0:25:14 | 0:25:17 | |
Paul breathes a sigh of relief as those plaques reach his low estimate | 0:25:17 | 0:25:22 | |
and we're off to a good start. | 0:25:22 | 0:25:24 | |
Let's hope the bidders like Janet's next nautical lot, | 0:25:24 | 0:25:27 | |
the two signed John Trickett oil paintings. | 0:25:27 | 0:25:30 | |
I start at £60, and five do I see? | 0:25:30 | 0:25:32 | |
At £60, and five now. At £60, and five do I see? | 0:25:32 | 0:25:36 | |
At £60 and five now. Five. 70. | 0:25:36 | 0:25:40 | |
Five. Go on, it's worth it! | 0:25:40 | 0:25:43 | |
At £70 and five now. At £70, and five do I see? | 0:25:43 | 0:25:47 | |
That is so cheap. At £70 and five now. | 0:25:47 | 0:25:50 | |
At 70... Five. New place. | 0:25:50 | 0:25:53 | |
80. Five. At £80 here and five now. | 0:25:53 | 0:25:57 | |
At £80, and five do I see? | 0:25:57 | 0:25:59 | |
At £80. All done, then. | 0:25:59 | 0:26:01 | |
Quite sure? And selling at £80. | 0:26:01 | 0:26:04 | |
There you go. That's bang on, isn't it? | 0:26:04 | 0:26:06 | |
-Good. -How much were these when you bought them? | 0:26:06 | 0:26:09 | |
-Probably about 20 each. -There you are. After all this time... | 0:26:09 | 0:26:12 | |
Fantastic. | 0:26:12 | 0:26:14 | |
The auctioneer really helped that sale reach the peak | 0:26:14 | 0:26:17 | |
with his enthusiastic auctioneering. | 0:26:17 | 0:26:19 | |
The next lot belonged to the grandmother of Janet's husband Ray. | 0:26:19 | 0:26:24 | |
It's the electroplated spirit kettle. | 0:26:24 | 0:26:26 | |
This is what they used to keep hot water in. | 0:26:26 | 0:26:29 | |
If you're having afternoon tea, keep hot water in there. | 0:26:29 | 0:26:32 | |
-All right. That's £25 to £40. -Mm! | 0:26:32 | 0:26:35 | |
Starts me at £18, and 20 do I see? At £18. 20. | 0:26:35 | 0:26:39 | |
Two. Five. Eight. 30... No, at £28. | 0:26:39 | 0:26:43 | |
30 now. At £28, and 30 do I see? | 0:26:43 | 0:26:46 | |
At £28. 30, now, someone. | 0:26:46 | 0:26:48 | |
At £28. And 30 now? | 0:26:48 | 0:26:50 | |
All done, then? You quite sure? At 28. | 0:26:50 | 0:26:54 | |
£28. | 0:26:54 | 0:26:56 | |
Just over Paul's lower estimate. They're doing pretty well so far. | 0:26:56 | 0:27:00 | |
Now we're back to a marine item yet again. | 0:27:00 | 0:27:03 | |
It's the battery-operated brass ship's clock, | 0:27:03 | 0:27:06 | |
in the catalogue for £50 to £60. | 0:27:06 | 0:27:09 | |
£50? 40, then. | 0:27:10 | 0:27:13 | |
42. 45. | 0:27:13 | 0:27:15 | |
43, if it helps you. | 0:27:15 | 0:27:17 | |
43. 44. | 0:27:17 | 0:27:19 | |
He's trying, isn't he? | 0:27:19 | 0:27:21 | |
Don't stop. At 45 bid. Six do I see? | 0:27:21 | 0:27:23 | |
At £45. And six now. | 0:27:23 | 0:27:26 | |
At £45. Six do I see? | 0:27:26 | 0:27:28 | |
You sure? All done, then. | 0:27:28 | 0:27:30 | |
At £45 and selling. | 0:27:30 | 0:27:33 | |
Just £5 under Paul's lower estimate. | 0:27:33 | 0:27:36 | |
The bidders seem to like Janet's collection so far. | 0:27:36 | 0:27:39 | |
What will they make of the silver dressing set | 0:27:39 | 0:27:42 | |
that Ray bought for Janet many years ago? | 0:27:42 | 0:27:44 | |
It's up for £80 to £120. | 0:27:44 | 0:27:47 | |
-When's the last time you used this? -I've never used it. -Never at all? | 0:27:48 | 0:27:52 | |
Just cleaned it. HE LAUGHS | 0:27:52 | 0:27:54 | |
Well, it's very well polished. Do you use something like this? | 0:27:54 | 0:27:58 | |
-Never. -Never? -Never. | 0:27:58 | 0:28:00 | |
I don't think I've got anything silver. | 0:28:00 | 0:28:02 | |
-So you won't miss it at all? -No, no. | 0:28:02 | 0:28:05 | |
I have got nine bids, and they're all almost identical. | 0:28:05 | 0:28:09 | |
-And £50 is bid. -£50. We're in. | 0:28:09 | 0:28:12 | |
At £50, and five now. At £50, and five do I see? | 0:28:12 | 0:28:16 | |
At £50, then, on commission. | 0:28:16 | 0:28:19 | |
Oh, he's going to let 'em go. | 0:28:19 | 0:28:21 | |
All done, then? Five has them. | 0:28:21 | 0:28:24 | |
At 55 against commission, and I think we're selling. | 0:28:24 | 0:28:26 | |
At £55. 60 now. At £55. | 0:28:26 | 0:28:29 | |
60 do I see? | 0:28:29 | 0:28:31 | |
All done at 55? Number three. | 0:28:31 | 0:28:34 | |
A flurry of interest shown in the silver dressing-table set, | 0:28:34 | 0:28:37 | |
but none of the bidders wanted to pay more than £55. | 0:28:37 | 0:28:41 | |
Maybe Janet had over-polished them a bit. | 0:28:41 | 0:28:44 | |
The next lot is the two watercolours that Janet bought | 0:28:44 | 0:28:47 | |
from her local Chinese restaurateur. | 0:28:47 | 0:28:51 | |
He's very popular, you know, in our area. | 0:28:51 | 0:28:54 | |
-He's done paintings for the Queen. -Has he really? -He has. | 0:28:54 | 0:28:57 | |
So, does he have a gallery or something? | 0:28:57 | 0:29:00 | |
Yes. He has a restaurant, | 0:29:00 | 0:29:02 | |
and he used to have his paintings in the window of the restaurant. | 0:29:02 | 0:29:06 | |
-Did you buy those paintings from there? -Yes. | 0:29:06 | 0:29:08 | |
Well, we're looking sort of £50 to £80, OK? | 0:29:08 | 0:29:11 | |
£60 for them. 60. £50, then. | 0:29:11 | 0:29:14 | |
£50? 40, then. | 0:29:14 | 0:29:17 | |
£40. 40. | 0:29:17 | 0:29:19 | |
-Ooh, dear. -30, then, let's start them. | 0:29:19 | 0:29:22 | |
£30 bid. At £30, and five now. | 0:29:22 | 0:29:25 | |
At £30, and five do I see? | 0:29:25 | 0:29:27 | |
At £30, and five. 40. | 0:29:27 | 0:29:30 | |
And five. At £40 to the left, and five now. | 0:29:30 | 0:29:33 | |
At £40, and five. Two if it helps you. | 0:29:33 | 0:29:36 | |
All done, then. At £40. | 0:29:36 | 0:29:39 | |
There you go. Is that all right with you? | 0:29:39 | 0:29:42 | |
Can you remember how much you paid for them? | 0:29:42 | 0:29:44 | |
-More than £40. -Were they? -THEY LAUGH | 0:29:44 | 0:29:47 | |
-But it was a good meal out. -THEY LAUGH | 0:29:47 | 0:29:49 | |
Oh, £10 under the lower estimate. | 0:29:49 | 0:29:52 | |
But Janet doesn't seem too disappointed. | 0:29:52 | 0:29:54 | |
We've reached our halfway point now. Remind me how much we want to raise. | 0:29:54 | 0:29:58 | |
-I'd like to raise £1,000. -About £1,000. -Yeah. | 0:29:58 | 0:30:02 | |
Halfway through, and all the items that we've sold up to now, | 0:30:02 | 0:30:06 | |
we've actually made £268. | 0:30:06 | 0:30:09 | |
-Well, that's me and you. -We can go. | 0:30:09 | 0:30:12 | |
-THEY LAUGH -Before you get carried away, | 0:30:12 | 0:30:15 | |
don't forget that you have your grandfather clock, | 0:30:15 | 0:30:17 | |
lovely barometer and other bits to come, right? | 0:30:17 | 0:30:20 | |
But let's have a little break before we come back for the second half. | 0:30:20 | 0:30:24 | |
If you'd like to try your hand at auction, | 0:30:25 | 0:30:28 | |
bear in mind that there are charges to be paid, including commission. | 0:30:28 | 0:30:32 | |
The fees may vary from one saleroom to another, | 0:30:32 | 0:30:34 | |
so it's always worth enquiring in advance. | 0:30:34 | 0:30:37 | |
Well, we know that Janet's star item is coming up later - | 0:30:37 | 0:30:40 | |
that wonderful Victorian mahogany longcase clock. | 0:30:40 | 0:30:43 | |
Paul has spotted several other clocks in the sale, | 0:30:43 | 0:30:46 | |
and wants to share his experience on what to look for when buying one. | 0:30:46 | 0:30:50 | |
I wanted to show you some great examples of the type of clock | 0:30:51 | 0:30:55 | |
you can buy when you come to auction. | 0:30:55 | 0:30:57 | |
Auction houses seem to be full of these sort of items. | 0:30:57 | 0:31:00 | |
They're a bit out of fashion, but I think they're fantastic. | 0:31:00 | 0:31:03 | |
These work on a spring mechanism, so you wind the spring. | 0:31:03 | 0:31:06 | |
The spring releases the power by the pendulum, | 0:31:06 | 0:31:09 | |
and that's what gives it its time. This one was made in Austria | 0:31:09 | 0:31:12 | |
round about 1880, 1900. It's solid mahogany. | 0:31:12 | 0:31:16 | |
It's very regal. It has these fantastic, imposing columns | 0:31:16 | 0:31:19 | |
and these finials on the top. These are often eagles | 0:31:19 | 0:31:22 | |
or sometimes horses, and they get lost, | 0:31:22 | 0:31:24 | |
so it's nice to find this all complete. So, value-wise, | 0:31:24 | 0:31:27 | |
maybe £50 to £80. This one is a much better clock, in my opinion. | 0:31:27 | 0:31:31 | |
This one is American. It's solid walnut. | 0:31:31 | 0:31:34 | |
It's been beautifully inlaid. Can you see all this inlay | 0:31:34 | 0:31:37 | |
with satinwood, with a swan and floral decoration? | 0:31:37 | 0:31:40 | |
It has been restored. This has a replacement dial. | 0:31:40 | 0:31:43 | |
It looks very fresh, fully working order. Value-wise, | 0:31:43 | 0:31:45 | |
£100 to £150, and to be honest, both absolute bargains. | 0:31:45 | 0:31:49 | |
Well, the more expensive American wall clock was a snip at £100. | 0:31:51 | 0:31:55 | |
The Viennese one, though, reached its upper estimate of £80. | 0:31:55 | 0:31:59 | |
Janet has six lots left, all with three-figure values - | 0:31:59 | 0:32:03 | |
the silver tea service and tray, the porcelain figures, | 0:32:03 | 0:32:06 | |
and the marine barometer. But next up on the podium | 0:32:06 | 0:32:10 | |
is the pair of damaged Victorian Doulton vases. | 0:32:10 | 0:32:13 | |
-Were these a family heirloom, Janet? -No. I bought them years ago. | 0:32:13 | 0:32:17 | |
-You just liked them? -I just liked them. -OK. | 0:32:17 | 0:32:19 | |
I did notice that they were slightly damaged. | 0:32:19 | 0:32:22 | |
-What happened? -They were damaged when I bought them. | 0:32:22 | 0:32:24 | |
Exactly like that? OK. So, looking £100, maybe £150. | 0:32:24 | 0:32:28 | |
Circa 1905, a really grand pair of vases there, | 0:32:28 | 0:32:32 | |
on display on the sideboard. | 0:32:32 | 0:32:34 | |
And we have got five bids on commission. | 0:32:34 | 0:32:36 | |
I start at £65. 70 do I see in the room? | 0:32:36 | 0:32:40 | |
At £65. And 70 now. 70. | 0:32:40 | 0:32:43 | |
Five. 80. At £75. 80 now. | 0:32:43 | 0:32:46 | |
At £75. 80 do I see? | 0:32:46 | 0:32:48 | |
At 75. 80. 80. Five. 90. | 0:32:48 | 0:32:52 | |
-Oh, it's going up a bit. -Five. 100. -Ooh! | 0:32:52 | 0:32:54 | |
Five. 110. At £105. 110 do I see? | 0:32:54 | 0:32:58 | |
At £105. 110 now. | 0:32:58 | 0:33:00 | |
At £105. All done? | 0:33:00 | 0:33:03 | |
At £105... | 0:33:03 | 0:33:05 | |
-How's that? -Yeah! -That's great, isn't it? | 0:33:05 | 0:33:08 | |
They were very decorative, but one was damaged. | 0:33:08 | 0:33:10 | |
-They was very heavy. -THEY LAUGH | 0:33:10 | 0:33:13 | |
That's great, 105. That's £5 over what we least expected. | 0:33:14 | 0:33:18 | |
-So, right. Happy with that? -Yeah. | 0:33:18 | 0:33:20 | |
Something else that doesn't have to go back. | 0:33:20 | 0:33:23 | |
Janet is a woman of few words, but she looks really delighted | 0:33:23 | 0:33:27 | |
with that sale. Her next lot is a real modern collectable. | 0:33:27 | 0:33:30 | |
It's the series of Wedgwood calendar plates. | 0:33:30 | 0:33:33 | |
One was issued every year, and Janet was in from the start. | 0:33:33 | 0:33:37 | |
-When was the first year you started collecting these? -1971. | 0:33:38 | 0:33:41 | |
-And every year since? -Till now. | 0:33:41 | 0:33:43 | |
Right. That's quite a big part of your life. | 0:33:43 | 0:33:46 | |
-Are they quite sentimental to you? -Where I'm going, | 0:33:46 | 0:33:48 | |
I won't have the walls to put them on, and nobody else wants them. | 0:33:48 | 0:33:52 | |
-Have you missed them? -I have. I've got about 15 nails stuck out. | 0:33:52 | 0:33:56 | |
THEY LAUGH | 0:33:56 | 0:33:59 | |
What are we bid for those? £120? | 0:33:59 | 0:34:02 | |
There is a massive heap of them. 120. £100, then. | 0:34:02 | 0:34:06 | |
These things cost a fortune new. £100 for them. | 0:34:06 | 0:34:08 | |
Oh, no! | 0:34:08 | 0:34:10 | |
-Oh, no! -£80, then. | 0:34:10 | 0:34:13 | |
It's not a lot each, it really isn't. £80. | 0:34:13 | 0:34:16 | |
£80. Absolute heap, isn't there? £70. | 0:34:16 | 0:34:19 | |
-£60. Let's start, then. £60. -Oh! | 0:34:21 | 0:34:24 | |
No? Little bit too much, I think, then. Sorry. | 0:34:24 | 0:34:29 | |
No. He's withdrawn them, and I think he's done you a favour. | 0:34:29 | 0:34:32 | |
-Just for all those years. -They can go back on the nails. | 0:34:32 | 0:34:35 | |
We'll have Sunday dinner on 'em next time. | 0:34:35 | 0:34:37 | |
We're about that many for dinner. | 0:34:37 | 0:34:40 | |
It's a good job you didn't put those nails back in the wall. You can hang them back up again. | 0:34:40 | 0:34:45 | |
Despite the auctioneer's best efforts, | 0:34:45 | 0:34:47 | |
no-one wanted Janet's plates, so they'll be packed up again | 0:34:47 | 0:34:50 | |
and moved into the bungalow. We've been lucky with our nautical items, | 0:34:50 | 0:34:54 | |
so let's bring out our next example. | 0:34:54 | 0:34:56 | |
It comes complete with its own binnacle, | 0:34:56 | 0:34:59 | |
the original bracket that kept it level in all weathers. | 0:34:59 | 0:35:02 | |
I think it's one of my favourite items today. | 0:35:05 | 0:35:08 | |
It's been such a long time since I've seen one of these. | 0:35:08 | 0:35:11 | |
It's that marine barometer. Do you know which boat it came off? | 0:35:11 | 0:35:14 | |
No. We've had it years, but in the cupboard underneath the stairs. | 0:35:14 | 0:35:19 | |
Well, it was made in Lisbon by RN Desterro. | 0:35:19 | 0:35:22 | |
It's not a gentleman I've heard of, but the auctioneer's researched him | 0:35:22 | 0:35:26 | |
and found he's very well known, so we're looking for 150 plus. | 0:35:26 | 0:35:29 | |
And we have got seven bids on commission. | 0:35:29 | 0:35:31 | |
-It starts with me at £160. -£160, straight in! | 0:35:31 | 0:35:35 | |
-THEY LAUGH -£160, | 0:35:35 | 0:35:37 | |
a rare thing. At £160. 170 do I see? | 0:35:37 | 0:35:40 | |
At £160. 170 now? | 0:35:40 | 0:35:43 | |
Good at they come. At £160. 170 do I see? | 0:35:43 | 0:35:47 | |
170. 180. | 0:35:47 | 0:35:49 | |
190. At £180. | 0:35:49 | 0:35:52 | |
190 now. At £180, then. All done? | 0:35:52 | 0:35:55 | |
Quite sure? At £180. | 0:35:55 | 0:35:58 | |
There you go! Is that all right with you? | 0:35:59 | 0:36:01 | |
That's fantastic, isn't it? There was lots of interest. | 0:36:01 | 0:36:04 | |
He had six commission bids all around the same sort of price. | 0:36:04 | 0:36:07 | |
Have they found those commission bids, or... | 0:36:07 | 0:36:10 | |
Somebody's came to view that yesterday, | 0:36:10 | 0:36:12 | |
and left a bid on it. So six people wanted that, | 0:36:12 | 0:36:15 | |
and £180 bought it. It's great, isn't it? | 0:36:15 | 0:36:18 | |
Fantastic! I wonder if the winning bidder will put it on a boat? | 0:36:18 | 0:36:22 | |
Anything would be better than keeping it in a cupboard, | 0:36:22 | 0:36:26 | |
as Janet had done. Next to come up is the silver tea service and tray | 0:36:26 | 0:36:30 | |
that Janet's mother-in-law bought at a junk fair. | 0:36:30 | 0:36:33 | |
Its value here is £200 to £300. | 0:36:33 | 0:36:36 | |
You're looking about 1920s. Does that fit in? | 0:36:36 | 0:36:38 | |
-Yeah. Beautiful. Is it your job to polish it? -Yes. | 0:36:38 | 0:36:41 | |
-THEY LAUGH -All right. You got a teapot, | 0:36:41 | 0:36:44 | |
the sugar and cream, and you've got the tray that matches. | 0:36:44 | 0:36:47 | |
-Would you use it? -If it had been at my house, it would've been brown. | 0:36:47 | 0:36:51 | |
-HE LAUGHS -I'd have thought it was brass. | 0:36:51 | 0:36:53 | |
And it starts with me at £150. 160 do I see? | 0:36:53 | 0:36:56 | |
At £150 on commission. 160 now. | 0:36:56 | 0:37:00 | |
At £150. A really pretty set. | 0:37:00 | 0:37:03 | |
At £150, then. All done? 160 takes it. | 0:37:03 | 0:37:06 | |
At 160. 170 do I see? | 0:37:06 | 0:37:09 | |
-At £160. 170 now. -Ooh! | 0:37:09 | 0:37:11 | |
All done, then? Against commissions and selling. | 0:37:11 | 0:37:15 | |
All done at 160? | 0:37:15 | 0:37:17 | |
There you go. That's not so bad, is it? | 0:37:18 | 0:37:20 | |
A little bit less than we were thinking. Is that all right? | 0:37:20 | 0:37:23 | |
Think how much you'll save on silver polish. Think positive, Jan. | 0:37:23 | 0:37:27 | |
Janet and Julie are very easy to please. | 0:37:27 | 0:37:31 | |
£40 below Paul's lower estimate doesn't seem to bother them. | 0:37:31 | 0:37:34 | |
Those Mama and Papa figurines are up next. | 0:37:34 | 0:37:36 | |
They're also known as fairings, because people used to buy them | 0:37:36 | 0:37:40 | |
or win them at funfairs. The estimate of £250 to £300 | 0:37:40 | 0:37:44 | |
reflects just how many there are - over 20 in total. | 0:37:44 | 0:37:49 | |
-Your mantelpiece must look empty without all those. -It does. | 0:37:49 | 0:37:53 | |
-Can you dust around it easy now? -Easy. -OK. | 0:37:53 | 0:37:55 | |
These are great, actually. Very collectable items, | 0:37:55 | 0:37:59 | |
but one or two of them are slightly damaged. What happened there? | 0:37:59 | 0:38:02 | |
Been in the wars. Kids and stuff like that. | 0:38:02 | 0:38:05 | |
-Kids and footballs? -Yeah. | 0:38:05 | 0:38:08 | |
There we are. A sample being shown, but there are heaps of them. | 0:38:08 | 0:38:12 | |
All the popular figures. And £250, please. | 0:38:12 | 0:38:16 | |
250. 200, then. | 0:38:16 | 0:38:18 | |
-Come on. -200. | 0:38:18 | 0:38:20 | |
£200. | 0:38:20 | 0:38:22 | |
£180, let's start them. £180. | 0:38:22 | 0:38:25 | |
-180. -No! | 0:38:25 | 0:38:27 | |
These might be going back. | 0:38:27 | 0:38:30 | |
We're below estimate with 180. Who'll bid me way below estimate? | 0:38:30 | 0:38:34 | |
-Didn't make enough. -Oh, what a shame! | 0:38:34 | 0:38:36 | |
-Has he withdrawn them? -Yes! | 0:38:36 | 0:38:38 | |
-THEY LAUGH -That is a shame, isn't it? | 0:38:38 | 0:38:41 | |
-It's a shame. -They couldn't get an interest. | 0:38:41 | 0:38:43 | |
Rather than let them go for a lot less than what we expected... | 0:38:43 | 0:38:47 | |
That's the first time today Janet's looked upset, | 0:38:47 | 0:38:50 | |
but I'm not sure whether it's because she hasn't made the money | 0:38:50 | 0:38:53 | |
or because she'll have to dust them all again. | 0:38:53 | 0:38:56 | |
It looks like they've saved the best till last. | 0:38:56 | 0:38:58 | |
It's time for that Victorian mahogany longcase clock | 0:38:58 | 0:39:02 | |
that Janet bought at auction 40 years ago. | 0:39:02 | 0:39:04 | |
It's up for £600 to £800, with a reserve of £500. | 0:39:04 | 0:39:09 | |
OK. Now, it's the moment of truth now. | 0:39:11 | 0:39:13 | |
It's that fantastic grandfather clock. | 0:39:13 | 0:39:15 | |
You don't really want to take this one back, do you? | 0:39:15 | 0:39:18 | |
-No. -You're not going to get it on the roof rack. | 0:39:18 | 0:39:21 | |
It ain't coming in the back seat with me. | 0:39:21 | 0:39:23 | |
Best thing in the room, the best lot of the sale. | 0:39:23 | 0:39:25 | |
Fantastic thing. 19th-century oak-and-mahogany longcase clock | 0:39:25 | 0:39:29 | |
by C King of Leicester. About 1840. A very handsome clock. | 0:39:29 | 0:39:33 | |
We'll start it where it starts on commission with me, | 0:39:33 | 0:39:36 | |
at £420, and I'll take bids in the room first. | 0:39:36 | 0:39:40 | |
At 420. 450 do I see in the room? | 0:39:40 | 0:39:42 | |
At 450. 480. 500. | 0:39:42 | 0:39:45 | |
-And 20. 550. -Ooh, hey! | 0:39:45 | 0:39:48 | |
-550. -THEY LAUGH | 0:39:48 | 0:39:51 | |
-Whoo-hoo! -600. | 0:39:51 | 0:39:53 | |
600. 620. | 0:39:53 | 0:39:56 | |
At £600 against the telephone. 20 do I see? | 0:39:57 | 0:40:00 | |
At £600. And 20, 620, new place. | 0:40:00 | 0:40:03 | |
-620. -Ooh! | 0:40:03 | 0:40:05 | |
620 now. At 620. 30 I'll take. | 0:40:05 | 0:40:09 | |
And selling, centre of the room. All done? | 0:40:09 | 0:40:11 | |
Quite sure? At 620... | 0:40:11 | 0:40:14 | |
Oh, that's good. | 0:40:14 | 0:40:16 | |
That's fantastic, don't you think? | 0:40:16 | 0:40:19 | |
Well, you were right to put your reserve on, | 0:40:19 | 0:40:22 | |
but we didn't need it in the end. And a telephone bidder! | 0:40:22 | 0:40:25 | |
I wonder who that was. It's not your husband wanting it back, is it? | 0:40:25 | 0:40:29 | |
-It's not Ray in the car, is it? -THEY LAUGH | 0:40:29 | 0:40:32 | |
I've no doubt that excellent final sale | 0:40:32 | 0:40:34 | |
has made all the difference to Janet's target. | 0:40:34 | 0:40:37 | |
Over to Paul to tell them the good news. | 0:40:37 | 0:40:39 | |
OK. Well, it's been a bit of a roller coaster, | 0:40:39 | 0:40:42 | |
or choppy sea, I think we can say today. | 0:40:42 | 0:40:44 | |
How have you found this? Have you enjoyed it? | 0:40:44 | 0:40:47 | |
-Good. I've enjoyed it. -You wanted £1,000 | 0:40:47 | 0:40:49 | |
for this theatre trip for both of you. | 0:40:49 | 0:40:51 | |
Well, we actually made here today | 0:40:51 | 0:40:53 | |
£1,333! | 0:40:53 | 0:40:56 | |
-Ooh! -That's good, Jan! -How great is that? | 0:40:56 | 0:40:59 | |
Brilliant. And you've got all your bisque figures back. | 0:40:59 | 0:41:03 | |
-That's good, yeah. -That's fantastic, isn't it? | 0:41:03 | 0:41:05 | |
-Are you pleased with that? -Yeah, lovely. | 0:41:05 | 0:41:08 | |
In the end, only half of Janet's party could make the trip to London, | 0:41:13 | 0:41:17 | |
but that means there's more cash to splash on her two children | 0:41:17 | 0:41:20 | |
Samantha and Simon, and, of course, sister Julie. | 0:41:20 | 0:41:24 | |
If you'd like to follow me to your private dining area... | 0:41:24 | 0:41:28 | |
Ladies, gentlemen, welcome to the Royal Room of the Adelphi Theatre. | 0:41:30 | 0:41:34 | |
-Thank you. -Come and have some champagne. | 0:41:34 | 0:41:36 | |
Ooh! | 0:41:36 | 0:41:38 | |
Thank you. | 0:41:38 | 0:41:40 | |
-Cheers! -Bottoms up. -Here's to a good evening. | 0:41:40 | 0:41:43 | |
They're being treated to a special package, | 0:41:43 | 0:41:46 | |
which includes a three-course meal before a West End show. | 0:41:46 | 0:41:50 | |
Oh, that looks beautiful! | 0:41:51 | 0:41:54 | |
So, has the treat lived up to their expectations? | 0:41:54 | 0:41:58 | |
It was brilliant. We've had a wonderful night from start to finish. | 0:41:58 | 0:42:01 | |
We've had lovely food, lovely hospitality, | 0:42:01 | 0:42:04 | |
beautiful dining room, lovely show... | 0:42:04 | 0:42:07 | |
Money can't buy it! Brilliant! | 0:42:07 | 0:42:09 | |
Fabulous! | 0:42:09 | 0:42:11 | |
SHE LAUGHS | 0:42:11 | 0:42:13 | |
Thanks to the auction, Janet had a fantastic night out in London. | 0:42:17 | 0:42:21 | |
If you've got an idea in mind that you need to raise a bit of cash for | 0:42:21 | 0:42:25 | |
by selling your antiques and collectables at auction, | 0:42:25 | 0:42:28 | |
why not apply to come on the show? You'll find more details | 0:42:28 | 0:42:31 | |
and an application form at our website, which is... | 0:42:31 | 0:42:34 | |
And I'll see you again next time. | 0:42:35 | 0:42:38 | |
Subtitles by Red Bee Media Ltd | 0:42:38 | 0:42:42 | |
E-mail [email protected] | 0:42:42 | 0:42:46 | |
. | 0:42:46 | 0:42:46 |