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Welcome to Cash in the Attic, | 0:00:02 | 0:00:03 | |
the show where we help people who've got a special project in mind, | 0:00:03 | 0:00:06 | |
but need some funds to complete it. | 0:00:06 | 0:00:08 | |
That means looking through their homes for antiques and collectables | 0:00:08 | 0:00:11 | |
which hopefully we can sell at auction. | 0:00:11 | 0:00:14 | |
It can be difficult to know what to part with and what to keep, | 0:00:14 | 0:00:17 | |
especially if you've got a few inherited items, | 0:00:17 | 0:00:19 | |
and that's the dilemma posed for today's family. | 0:00:19 | 0:00:23 | |
Coming up on Cash In The Attic... | 0:00:42 | 0:00:44 | |
A solitaire diamond ring | 0:00:44 | 0:00:46 | |
provokes a startling proposal from our expert Jonty. | 0:00:46 | 0:00:49 | |
-There you go. -Ah! Will you marry me? | 0:00:49 | 0:00:51 | |
I'm already married. Couldn't possibly. | 0:00:51 | 0:00:54 | |
Good advice is freely given, | 0:00:54 | 0:00:56 | |
but it's up to others whether they take it or not. | 0:00:56 | 0:00:59 | |
-So, have I persuaded you to keep this or not? -No. | 0:00:59 | 0:01:01 | |
HE LAUGHS | 0:01:01 | 0:01:03 | |
And at auction, are Jonty and I getting our hopes up? | 0:01:03 | 0:01:06 | |
-We'll probably all go out for a really nice dinner, won't we? -Yeah. | 0:01:06 | 0:01:09 | |
-That sounds nice. -We'll come too! | 0:01:09 | 0:01:12 | |
We weren't invited, Jonty. | 0:01:12 | 0:01:14 | |
Save your enthusiasm, Jonty, for when the final hammer falls. | 0:01:14 | 0:01:18 | |
Today, I've come to Suffolk to meet Jane Smith, | 0:01:19 | 0:01:22 | |
who's hoping to get some money together to help her son's band. | 0:01:22 | 0:01:26 | |
Jane was born and has lived in Suffolk for most of her life. | 0:01:26 | 0:01:30 | |
She's handled admin for many firms, | 0:01:30 | 0:01:32 | |
including the building company owned by Trevor, | 0:01:32 | 0:01:35 | |
her husband of 21 years. | 0:01:35 | 0:01:38 | |
He already had three boys of his own when they first met. | 0:01:38 | 0:01:41 | |
Their later boys, | 0:01:41 | 0:01:42 | |
Josh, the drummer, who's still at school, | 0:01:42 | 0:01:44 | |
and Will, a university student, | 0:01:44 | 0:01:47 | |
can't be here today, | 0:01:47 | 0:01:48 | |
but Will's girlfriend Scarlett has been drafted in to help. | 0:01:48 | 0:01:52 | |
Youngest son Josh keeps his drum kit in there. | 0:01:52 | 0:01:55 | |
It looks pretty complete. I wonder what he needs to add? | 0:01:55 | 0:01:57 | |
This is a big house. It's been added to over the years. | 0:01:57 | 0:02:04 | |
Trevor has even installed a garage and workshop for his boys' toys. | 0:02:04 | 0:02:07 | |
We'll be grateful today for the expert advice | 0:02:07 | 0:02:10 | |
of a man who has over 30 years' | 0:02:10 | 0:02:12 | |
experience with antiques - Jonty Hearnden. | 0:02:12 | 0:02:15 | |
While he makes a start, I'll meet our host in the kitchen dining area. | 0:02:15 | 0:02:19 | |
Morning! | 0:02:19 | 0:02:20 | |
-Hello! -Hi. | 0:02:20 | 0:02:23 | |
-Who are these? -This is Harry, this is Jasper. | 0:02:23 | 0:02:25 | |
-They're beautiful, aren't they? How old are they? -11. | 0:02:25 | 0:02:28 | |
11. Crikey. They're lovely dogs. | 0:02:28 | 0:02:30 | |
They look very obedient. | 0:02:30 | 0:02:32 | |
-Or is that cos you've just fed them? -No, they are good boys, | 0:02:32 | 0:02:34 | |
-but they're a bit old and grumpy now. -I know someone like that! | 0:02:34 | 0:02:37 | |
Jonty's with me today, just so you know. | 0:02:37 | 0:02:40 | |
He's going to be your expert. | 0:02:40 | 0:02:42 | |
So, Jane, you've called in Cash In The Attic. | 0:02:42 | 0:02:44 | |
-What do you want to raise the money for? -I want to raise money for Josh's - | 0:02:44 | 0:02:47 | |
my 16-year-old son - for a PA system to go with his drums. | 0:02:47 | 0:02:52 | |
-Is this something he wants to pursue as a career? -Yeah. -It is. Right, OK. | 0:02:52 | 0:02:56 | |
So, how much money are we talking about, then, for a PA system? | 0:02:56 | 0:03:00 | |
Well, I think probably 500 or £600 at the lower end of the market. | 0:03:00 | 0:03:05 | |
You can obviously go up to thousands of pounds. | 0:03:05 | 0:03:07 | |
What do you think about this PA idea? | 0:03:07 | 0:03:10 | |
It's a really good idea. Josh is really good | 0:03:10 | 0:03:12 | |
and it'd be a really nice thing for him to have. | 0:03:12 | 0:03:15 | |
Yes. Judging by this, I'm not convinced he really needs it! | 0:03:16 | 0:03:21 | |
But £600 will provide quite a few extra decibels | 0:03:21 | 0:03:24 | |
alongside Josh's drum kit. | 0:03:24 | 0:03:26 | |
I'm certain, however, that any moment now, | 0:03:26 | 0:03:29 | |
we'll be finding out from Jonty that he's already spotted | 0:03:29 | 0:03:32 | |
something valuable that's worth a good roll on those drums. | 0:03:32 | 0:03:35 | |
-Oh, Jonty. In the garage. Might have known! -Look what I've found. | 0:03:35 | 0:03:39 | |
How about this? What do you think? Something for the auction sale? | 0:03:39 | 0:03:43 | |
My husband said it should go straight in the skip. He doesn't like it. | 0:03:43 | 0:03:46 | |
It's lived out here now for about ten years. | 0:03:46 | 0:03:49 | |
-Where did it come from? -A house we were working in. | 0:03:49 | 0:03:52 | |
I bought it as a bit of a job lot with a few other bits and pieces, | 0:03:52 | 0:03:56 | |
and paid 70 quid for. | 0:03:56 | 0:03:57 | |
If we look at the style of this particular piece of furniture, | 0:03:57 | 0:04:01 | |
I would ordinarily call something like this a Davenport, | 0:04:01 | 0:04:04 | |
but those were very petite, small writing tables. | 0:04:04 | 0:04:07 | |
This is a little bit more substantial, | 0:04:07 | 0:04:10 | |
so I'd probably call this something like a clerk's desk. | 0:04:10 | 0:04:13 | |
But it's incredibly ornate, which will give us | 0:04:13 | 0:04:16 | |
some indication of its age, because this is late 19th century. | 0:04:16 | 0:04:20 | |
But not necessarily made in the UK. | 0:04:20 | 0:04:23 | |
You can tell that by looking at the lock. | 0:04:23 | 0:04:25 | |
We have a door here with a bank of drawers behind it, | 0:04:25 | 0:04:28 | |
and the lock there is definitely French. | 0:04:28 | 0:04:31 | |
So this piece of furniture was made in probably 1880 or 1890 | 0:04:31 | 0:04:34 | |
in France, and is inspired by a much earlier design. | 0:04:34 | 0:04:39 | |
So it almost feels like it's a medieval piece of furniture. | 0:04:39 | 0:04:42 | |
-I didn't realise it was that old. -Yeah, that's where it's come from. | 0:04:42 | 0:04:46 | |
The material is oak, and it's all been stained | 0:04:46 | 0:04:48 | |
to look as if it's really very ancient as well. | 0:04:48 | 0:04:51 | |
-So, have I persuaded you to keep this or not? -No. | 0:04:51 | 0:04:54 | |
HE LAUGHS | 0:04:54 | 0:04:55 | |
Righty-oh. So, off to auction it goes. | 0:04:55 | 0:04:59 | |
It does need a bit of restoration. | 0:04:59 | 0:05:01 | |
If you look here, the moulding on this side here | 0:05:01 | 0:05:04 | |
has completely disappeared. | 0:05:04 | 0:05:06 | |
-There is some in one of the drawers somewhere. -Oh, we've got that? | 0:05:06 | 0:05:10 | |
That's good. That would cost quite a bit to carve out. | 0:05:10 | 0:05:13 | |
So, value at auction at the moment, in this state, | 0:05:13 | 0:05:16 | |
I think we're looking at between 100 and £150. | 0:05:16 | 0:05:19 | |
-I'm impressed. -So you should be, Jane. | 0:05:19 | 0:05:22 | |
Thank heavens your hubby didn't throw it on the skip! | 0:05:22 | 0:05:25 | |
Spurred on by this early success, | 0:05:25 | 0:05:27 | |
we get stuck into our treasure hunt. | 0:05:27 | 0:05:29 | |
These 17 rooms offer so many nooks and crannies worth searching. | 0:05:29 | 0:05:33 | |
Jane suddenly recalls some silver pieces | 0:05:33 | 0:05:37 | |
in a chest of drawers in the hall. | 0:05:37 | 0:05:40 | |
The cigarette case belonged to George Elliott, her great-uncle, | 0:05:40 | 0:05:43 | |
who'd been a prisoner of war in the 1940s. | 0:05:43 | 0:05:46 | |
The chunky necklace comes from nearby Bury St Edmunds, | 0:05:46 | 0:05:48 | |
and together with the bracelet, Jonty values them at £40-80. | 0:05:48 | 0:05:52 | |
They aren't the only family heirlooms | 0:05:52 | 0:05:54 | |
-in this house, as Scarlett has discovered. -Look at that. | 0:05:54 | 0:05:58 | |
-It's massive, isn't it? -Yeah. | 0:05:58 | 0:06:00 | |
So, what's this doing in this house? Any idea? | 0:06:00 | 0:06:04 | |
This is a butter churn that was passed down from Jane's great-auntie | 0:06:04 | 0:06:08 | |
and then inherited to Jane's mum | 0:06:08 | 0:06:10 | |
-and then given down to Jane. -OK. | 0:06:10 | 0:06:13 | |
Well, it's not a butter churn. It should say it's a water filter | 0:06:13 | 0:06:16 | |
on the front. Let's have a look. | 0:06:16 | 0:06:18 | |
So let's see exactly what it says on here. | 0:06:18 | 0:06:20 | |
Silicated Carbon Filter Company, Ltd. | 0:06:20 | 0:06:23 | |
Not exactly does it say "water filter", | 0:06:23 | 0:06:25 | |
but that's really what we're looking at. | 0:06:25 | 0:06:28 | |
This massive great big Victorian water filter. | 0:06:28 | 0:06:31 | |
So, in here, it wasn't milk that you put in here to turn into butter. | 0:06:31 | 0:06:35 | |
In here, you would have poured ordinary water. | 0:06:35 | 0:06:39 | |
If you think about it, in London or any other major city 100 years ago, | 0:06:39 | 0:06:44 | |
-the water wasn't as pure as it is coming out of our taps today. -Yeah. | 0:06:44 | 0:06:48 | |
You see the hole at the bottom there? There would have been a tap. | 0:06:48 | 0:06:52 | |
We're missing a base. There's no way you could have a tap on the floor. | 0:06:52 | 0:06:55 | |
-Also, can you see those rings on the inside? -Yeah. | 0:06:55 | 0:06:57 | |
That means that this would have been hand-thrown | 0:06:57 | 0:07:01 | |
on a massive great big potter's wheel. | 0:07:01 | 0:07:05 | |
So that's all hand-done, | 0:07:05 | 0:07:07 | |
and all of this is applied at a later date. | 0:07:07 | 0:07:10 | |
-Now, this...feel the coldness of that. -Yeah. | 0:07:10 | 0:07:14 | |
The material that's used is known as salt glaze, | 0:07:14 | 0:07:17 | |
which is fired at a very high temperature. | 0:07:17 | 0:07:20 | |
An object like this, there's not a lot you can use it for, | 0:07:20 | 0:07:23 | |
so it is valued purely for its decorative reasons only. | 0:07:23 | 0:07:26 | |
-So, at auction we're looking at £40-60. -Yeah, that's brilliant. | 0:07:28 | 0:07:31 | |
-Really good. -Yeah? | 0:07:31 | 0:07:32 | |
Yeah, she'll be really happy with that. | 0:07:32 | 0:07:35 | |
You'll have to tell her it's not a butter churn now! Come on. | 0:07:35 | 0:07:38 | |
Let's hope we can filter the timewasters from the serious bidders | 0:07:39 | 0:07:42 | |
when the Victorian stoneware goes to auction. | 0:07:42 | 0:07:46 | |
In the hallway, I'm intrigued by a beautiful Art Deco lamp, | 0:07:46 | 0:07:49 | |
with a striking female fencer poised at the ready. | 0:07:49 | 0:07:53 | |
But she seems to have lost her foil. No matter - | 0:07:53 | 0:07:56 | |
Jonty feels this could still do well at auction, | 0:07:56 | 0:07:59 | |
and suggests an estimate of £50-80. | 0:07:59 | 0:08:01 | |
Now, this is a wonderful place. How long have you been here? | 0:08:03 | 0:08:06 | |
-About 21 years. -So, was it like this when you bought it? | 0:08:06 | 0:08:11 | |
No, it's grown somewhat since we've been here. | 0:08:11 | 0:08:13 | |
We've extended two or three times. | 0:08:13 | 0:08:17 | |
So how did you and Trevor meet? | 0:08:17 | 0:08:19 | |
-It was all down to a broken water pump. -Sounds romantic(!) | 0:08:19 | 0:08:23 | |
-Carry on. -It does, doesn't it(?) | 0:08:23 | 0:08:26 | |
I was working in a Daihatsu franchise years ago, and his water pump broke. | 0:08:26 | 0:08:32 | |
So he broke down, and he had to spend | 0:08:32 | 0:08:34 | |
two or three hours in the garage where I worked, | 0:08:34 | 0:08:37 | |
in the reception area, | 0:08:37 | 0:08:39 | |
so we got chatting, | 0:08:39 | 0:08:42 | |
and one of my friends said, "I think Mr Smith is going to ask you out." | 0:08:42 | 0:08:45 | |
So I kept hiding away then, cos I was just too embarrassed. | 0:08:45 | 0:08:49 | |
When he finally called, I said, "Yes, we'd like to go for lunch." | 0:08:49 | 0:08:52 | |
-August 1, 1989. -Really? -Yeah. | 0:08:52 | 0:08:54 | |
So what was he doing when you met him? | 0:08:54 | 0:08:57 | |
He'd just started his own building business. | 0:08:57 | 0:08:59 | |
He trained as a carpenter, and I think he'd been | 0:08:59 | 0:09:01 | |
on his own for about a year and a half to two years | 0:09:01 | 0:09:04 | |
before I met up with him. | 0:09:04 | 0:09:06 | |
-And is that something you're involved in? -Yes. | 0:09:06 | 0:09:09 | |
I do all the administration and Trevor goes out | 0:09:09 | 0:09:11 | |
and meets people and gets the jobs. | 0:09:11 | 0:09:13 | |
So, how do you find that? Because not everyone can work with their... | 0:09:13 | 0:09:17 | |
Do you know what? As long as we're not in the office together, it works. | 0:09:17 | 0:09:21 | |
-What happens if you are in the office together? -One of us leaves! | 0:09:21 | 0:09:24 | |
LORNE LAUGHS | 0:09:24 | 0:09:25 | |
But that's how it goes. | 0:09:25 | 0:09:27 | |
Whichever way works for you is a good way. | 0:09:27 | 0:09:29 | |
Tell me a little bit about Josh's music thing. When did you realise | 0:09:29 | 0:09:33 | |
he had quite a talent for the drums? | 0:09:33 | 0:09:35 | |
Well, he was only about six when we bought him his first drum kit, | 0:09:35 | 0:09:40 | |
which is a common thing for a six-year-old boy to want, isn't it? | 0:09:40 | 0:09:45 | |
He was eight or nine when he started having proper lessons, | 0:09:45 | 0:09:48 | |
and he still has them now. | 0:09:48 | 0:09:49 | |
Not only has he learnt a lot over the years, | 0:09:51 | 0:09:53 | |
he's also definitely got a natural talent for them. | 0:09:53 | 0:09:57 | |
It's quite dedicated, isn't it? | 0:09:57 | 0:09:59 | |
Cos most little boys go through a stage of wanting a drum kit, | 0:09:59 | 0:10:02 | |
-but it's just one of the phases, isn't it? -Yeah. | 0:10:02 | 0:10:04 | |
This isn't a phase. | 0:10:04 | 0:10:06 | |
So when did you become aware that he needed to have this PA system? | 0:10:06 | 0:10:11 | |
It was when he was practising for one of his gradings, | 0:10:11 | 0:10:14 | |
and I was listening to him practise, | 0:10:14 | 0:10:16 | |
and I could see that he couldn't really hear the music | 0:10:16 | 0:10:19 | |
above his drums, and that's when he said, | 0:10:19 | 0:10:21 | |
-"Really, I need a decent PA system." -I don't want to get his hopes up | 0:10:21 | 0:10:25 | |
and then let him down, so shall we see whether | 0:10:25 | 0:10:27 | |
-Jonty's found some more stuff to go in the pot? -Yeah. | 0:10:27 | 0:10:30 | |
Talk of the devil - here he is, in one of the bedrooms. | 0:10:32 | 0:10:35 | |
He's located a large collection of costume jewellery | 0:10:35 | 0:10:38 | |
which originally belonged to Jane's great-grandmother. | 0:10:38 | 0:10:41 | |
Jonty puts an estimate of £50-70 on this little box of treasure. | 0:10:41 | 0:10:46 | |
Costume jewellery's all very well, | 0:10:48 | 0:10:51 | |
but I like to go one bit further. | 0:10:51 | 0:10:52 | |
And hey, I think I've just found some real bling. | 0:10:52 | 0:10:55 | |
Jonty, Scarlett, are you there? | 0:10:55 | 0:10:58 | |
Oh, look at that! | 0:10:58 | 0:11:01 | |
Do you know any of the history of this at all, Scarlett? | 0:11:01 | 0:11:04 | |
-I think it all belongs to Jane. -Have you ever seen her wearing gold? | 0:11:04 | 0:11:07 | |
Not really. | 0:11:07 | 0:11:08 | |
She's more into the silver, I think. | 0:11:08 | 0:11:10 | |
Can I have a look at this one first of all? | 0:11:10 | 0:11:13 | |
What we're looking for is hallmarks, because, of course, | 0:11:13 | 0:11:16 | |
you can have gold metal, but the big difference is | 0:11:16 | 0:11:18 | |
it has to be hallmarked. What you need is a little glass | 0:11:18 | 0:11:21 | |
like this, because hallmarks are very difficult to find sometimes. | 0:11:21 | 0:11:25 | |
Now, what can I see? | 0:11:25 | 0:11:28 | |
It says 375. Can you see that? | 0:11:29 | 0:11:32 | |
You hold that up to your eye there. | 0:11:32 | 0:11:34 | |
-Can you see 375? -Yeah. -Yeah? | 0:11:34 | 0:11:37 | |
That means that this bracelet here is nine-carat gold. Hurrah! | 0:11:37 | 0:11:41 | |
Cos that's fabulous. | 0:11:41 | 0:11:42 | |
OK. That's wonderful there. | 0:11:42 | 0:11:44 | |
Let's have a look at this one here. | 0:11:44 | 0:11:47 | |
Now, this is really faint. Very tiny marks. | 0:11:48 | 0:11:51 | |
They're actually worn, as well. But that is nine-carat gold. | 0:11:51 | 0:11:55 | |
In fact, most of it looks like it's nine-carat, | 0:11:55 | 0:11:58 | |
cos when you get to 18 or 22, it gets | 0:11:58 | 0:12:00 | |
a lot of a warmer honey colour, whereas this is all quite yellow, | 0:12:00 | 0:12:03 | |
-isn't it? -Yeah. -So this all looks like | 0:12:03 | 0:12:06 | |
-it's more or less the same colour, doesn't it? -Absolutely. | 0:12:06 | 0:12:09 | |
Can you see all of that is the same colour there? | 0:12:09 | 0:12:11 | |
Could we put all that into auction? | 0:12:11 | 0:12:13 | |
Yeah, I think you'd do well at auction with all of this. | 0:12:13 | 0:12:16 | |
We've got bracelets, | 0:12:16 | 0:12:17 | |
-we've got another bracelet there. -It's a good mixture of things. -Yeah. | 0:12:17 | 0:12:21 | |
One earring! Now, gold like this | 0:12:21 | 0:12:24 | |
is more often than not sold by its weight. | 0:12:24 | 0:12:27 | |
Right now, gold is selling incredibly well, | 0:12:27 | 0:12:31 | |
so I suspect in front of us, we've easily got | 0:12:31 | 0:12:33 | |
between £200 and £300 worth of gold. | 0:12:33 | 0:12:35 | |
-Yeah, that's brilliant. -It's the perfect time | 0:12:35 | 0:12:38 | |
to put this on the market, so well-spotted, Lorne, | 0:12:38 | 0:12:40 | |
-that's wonderful news. -Good. | 0:12:40 | 0:12:42 | |
We're confident this nine-carat jewellery | 0:12:42 | 0:12:44 | |
will be worth its weight in gold in the auction room. | 0:12:44 | 0:12:47 | |
220, 230, 240, | 0:12:47 | 0:12:49 | |
250, 260, | 0:12:49 | 0:12:51 | |
270, 280, 290, | 0:12:51 | 0:12:54 | |
300, 320... | 0:12:54 | 0:12:55 | |
But crikey! Just how far can it possibly go? | 0:12:55 | 0:12:58 | |
400... | 0:12:58 | 0:12:59 | |
We've all that excitement still to come. | 0:12:59 | 0:13:02 | |
But we're continuing in Suffolk today to scour this rambling house | 0:13:02 | 0:13:06 | |
for more knick-knacks to add to the fund for the PA system. | 0:13:06 | 0:13:09 | |
Drummer boy Josh is lucky his big brother's girlfriend Scarlett | 0:13:09 | 0:13:13 | |
is here to help, and with Jonty's advice, | 0:13:13 | 0:13:15 | |
she might have cottoned on to another object | 0:13:15 | 0:13:18 | |
which could further boost our good fortune. | 0:13:18 | 0:13:21 | |
This dilapidated Victorian nursing chair in Jane's dressing room | 0:13:21 | 0:13:25 | |
has seen better days, certainly. But with a little TLC, | 0:13:25 | 0:13:30 | |
it could be reupholstered and restored to its former glory. | 0:13:30 | 0:13:33 | |
Estimate - £30-50. | 0:13:33 | 0:13:35 | |
Downstairs in the dining room, | 0:13:35 | 0:13:37 | |
Jonty has found some faded artwork. | 0:13:37 | 0:13:39 | |
Hi, Jonty. | 0:13:40 | 0:13:41 | |
-I see you're having a look at my old picture. -I know! | 0:13:41 | 0:13:45 | |
How long have you had this? | 0:13:45 | 0:13:47 | |
I've had it since my grandma died, | 0:13:47 | 0:13:49 | |
which was over 30 years ago now, and it's been travelling with me | 0:13:49 | 0:13:53 | |
-wherever I went, house-wise. -Let's have a look | 0:13:53 | 0:13:55 | |
at the picture itself. Do you notice here that | 0:13:55 | 0:13:58 | |
-all the tones are really quite tobacco-ey? -Mm-hm. | 0:13:58 | 0:14:01 | |
Well, once upon a time, this watercolour | 0:14:01 | 0:14:03 | |
would probably have been in a technicolour, so the river | 0:14:03 | 0:14:06 | |
would have been blue, the sky would have had definition. | 0:14:06 | 0:14:09 | |
But what has happened is that everything has just faded, | 0:14:09 | 0:14:13 | |
so you've got this sepia tone that runs all the way through it. | 0:14:13 | 0:14:16 | |
But the picture itself is really quite old. | 0:14:16 | 0:14:18 | |
I would suggest that this picture is probably over 200 years old. | 0:14:18 | 0:14:22 | |
-Wow, really? -Yeah. | 0:14:22 | 0:14:24 | |
-That's amazing. -So this is a Georgian watercolour. | 0:14:24 | 0:14:27 | |
And if you have a look at the scene itself, | 0:14:27 | 0:14:29 | |
we have this lovely stone bridge. | 0:14:29 | 0:14:33 | |
And look at the size of the hills at the top there. | 0:14:33 | 0:14:36 | |
Something tells me this could well be | 0:14:36 | 0:14:38 | |
either from the north of England or could even be Scottish. | 0:14:38 | 0:14:41 | |
-That's really interesting. -That's the scene we're looking at there. | 0:14:41 | 0:14:44 | |
If you look at the style of the tree and the way | 0:14:44 | 0:14:46 | |
the picture has been executed, that's how I can tell | 0:14:46 | 0:14:49 | |
that it's probably 18th rather than 19th century. | 0:14:49 | 0:14:51 | |
It's a style of painting, essentially. | 0:14:51 | 0:14:54 | |
And I've been chucking it around the house for the last 30 years! | 0:14:54 | 0:14:57 | |
Well, it's a lovely picture, but I think it's of faded grandeur. | 0:14:57 | 0:15:01 | |
The other interesting fact about the whole picture here is, | 0:15:01 | 0:15:05 | |
the frame itself is only about 100 years old. | 0:15:05 | 0:15:08 | |
So at some point in its life, it's been put into this frame, | 0:15:08 | 0:15:11 | |
and if you look at the frame, it's been chipped and damaged as well. | 0:15:11 | 0:15:16 | |
It was actually like that when I found it. | 0:15:16 | 0:15:18 | |
-Absolutely, I'm sure. -So it's not me that's damaged it! | 0:15:18 | 0:15:22 | |
Well, it's still worth putting into the auction sale. | 0:15:22 | 0:15:24 | |
-We're looking at £30-£50. Are you happy with that? -Yeah, I am. | 0:15:24 | 0:15:28 | |
I think it's lovely. | 0:15:28 | 0:15:29 | |
I still think it's charming. | 0:15:29 | 0:15:31 | |
It is charming, but it's not right for here any more, I don't think. | 0:15:31 | 0:15:35 | |
-Right. So one for the sale room? -Yes, definitely. -Good! | 0:15:35 | 0:15:38 | |
-One ticked off the list. -Yeah. | 0:15:38 | 0:15:41 | |
I'm all for a bit of faded grandeur, | 0:15:41 | 0:15:44 | |
and that £30-50 is a welcome boost to our list of auction items. | 0:15:44 | 0:15:49 | |
Looking round other people's homes is part of the fun | 0:15:49 | 0:15:51 | |
on Cash In The Attic, and this place certainly has plenty to discover. | 0:15:51 | 0:15:56 | |
Wow, look at this. Crikey. | 0:15:56 | 0:15:59 | |
-Is this the garage, then? -Yes. | 0:15:59 | 0:16:02 | |
So they've got all the courtyard, two garages and this workshop thing? | 0:16:02 | 0:16:05 | |
-Boys and their toys, you know? -Good grief. So, whose is this? | 0:16:05 | 0:16:10 | |
-That's Will's racing Mini. -Does he race it very often? | 0:16:10 | 0:16:14 | |
He races it quite a lot, but he had a bit of a crash in his last race, | 0:16:14 | 0:16:18 | |
so that hasn't really been on the road. | 0:16:18 | 0:16:21 | |
So, are you a racing widow, then, | 0:16:21 | 0:16:23 | |
when he comes home and decides to go for this? | 0:16:23 | 0:16:26 | |
No, I usually go with him and support him, | 0:16:26 | 0:16:28 | |
so it's quite nice to go and see him. | 0:16:28 | 0:16:30 | |
What hobbies do you have, then, to compete with this? | 0:16:30 | 0:16:33 | |
I do quite a lot of sport, | 0:16:33 | 0:16:34 | |
and I did a Duke of Edinburgh expedition recently, | 0:16:34 | 0:16:37 | |
but none of mine really match up to how extravagant | 0:16:37 | 0:16:40 | |
or expensive Will's are, really. | 0:16:40 | 0:16:43 | |
So he's into racing. Your other half's more into the restoring, | 0:16:43 | 0:16:46 | |
-is that right? -He loves restoring old cars. | 0:16:46 | 0:16:48 | |
He started in the last four or five years. | 0:16:50 | 0:16:53 | |
The first one he did was a beach buggy. | 0:16:53 | 0:16:55 | |
I can't remember how old it was. | 0:16:55 | 0:16:57 | |
I think it was a '72 beach buggy which he bought | 0:16:57 | 0:17:00 | |
for just a few hundred pounds, and he did it up so it was immaculate. | 0:17:00 | 0:17:03 | |
It probably broke his heart a little, but I said, | 0:17:03 | 0:17:06 | |
"We have to get rid of something," and it went to auction this year. | 0:17:06 | 0:17:09 | |
He doesn't make money out it, he just enjoys doing it. | 0:17:09 | 0:17:13 | |
He must have a bit of an eye for it, then? | 0:17:13 | 0:17:15 | |
He's just taught himself, really, with that particular vehicle. | 0:17:15 | 0:17:19 | |
Now he's got a new baby which he's lovingly restoring, | 0:17:19 | 0:17:22 | |
-which I don't think'll ever go, because he loves it. -Which is this? | 0:17:22 | 0:17:25 | |
-The TR6. -Right, OK. So, is the idea | 0:17:25 | 0:17:28 | |
from his point of view that he'll buy these, | 0:17:28 | 0:17:30 | |
restore them and sell them on, I mean in theory? | 0:17:30 | 0:17:33 | |
No, in theory he'd like to keep everything! | 0:17:33 | 0:17:35 | |
So, is it always a bit of a surprise | 0:17:35 | 0:17:37 | |
when he comes home from work with the odd car here and there? | 0:17:37 | 0:17:40 | |
It has been known, yes. Usually with a bunch of flowers | 0:17:40 | 0:17:43 | |
-in his hands as well. -Right, I'm with you! | 0:17:43 | 0:17:46 | |
I imagine racing or even restoring cars must be expensive. | 0:17:46 | 0:17:49 | |
The racing car can be quite expensive, | 0:17:49 | 0:17:51 | |
the meetings can be quite expensive. The restoration, | 0:17:51 | 0:17:54 | |
he does all the work himself, | 0:17:54 | 0:17:57 | |
so it doesn't cost huge amounts. | 0:17:57 | 0:17:59 | |
I'm assuming you'll never be able to leave this property, | 0:17:59 | 0:18:02 | |
-are you? -It'd be difficult. | 0:18:02 | 0:18:04 | |
They'll never get anywhere with all this space | 0:18:04 | 0:18:06 | |
-and a garage like this, are they? -It would be tricky, I think. | 0:18:06 | 0:18:10 | |
And what about you? Do you have any hobbies? | 0:18:10 | 0:18:12 | |
Until recently I kept a horse, but unfortunately, | 0:18:12 | 0:18:16 | |
I sold him in spring, | 0:18:16 | 0:18:18 | |
because I became a little bit frightened of him. | 0:18:18 | 0:18:22 | |
To do with age, I think. | 0:18:22 | 0:18:23 | |
OK, well, it's fantastic out here, but I think we should | 0:18:23 | 0:18:26 | |
get back in the house, cos if Jonty sees this, | 0:18:26 | 0:18:29 | |
we may never get him back into the house, all right? | 0:18:29 | 0:18:32 | |
No need to worry about Jonty. | 0:18:34 | 0:18:35 | |
He's spent the time working hard, looking for | 0:18:35 | 0:18:38 | |
more keepsakes for our auction. | 0:18:38 | 0:18:40 | |
This is his newest discovery - a late 19th century | 0:18:40 | 0:18:42 | |
American wall clock. | 0:18:42 | 0:18:45 | |
The town of Thomaston, Connecticut, was named after Seth Thomas, | 0:18:45 | 0:18:48 | |
who established his clock-making company in that area. | 0:18:48 | 0:18:51 | |
This late 19th century example of his company's craft is | 0:18:51 | 0:18:54 | |
not so rare, and is looking a bit shabby around the edges, | 0:18:54 | 0:18:57 | |
so Jonty marks it down at £40-60. | 0:18:57 | 0:19:00 | |
Next, Jane is upstairs in the second bedroom, | 0:19:00 | 0:19:04 | |
where she's got another item for Jonty to inspect, | 0:19:04 | 0:19:07 | |
which is also in need of some attention. | 0:19:07 | 0:19:09 | |
Jonty, I'd like you to look at this chair. | 0:19:09 | 0:19:11 | |
-This one here? -Yeah. -OK. | 0:19:11 | 0:19:13 | |
So, where's this from? | 0:19:13 | 0:19:15 | |
Do you remember | 0:19:15 | 0:19:17 | |
when we were talking about the little writing desk, | 0:19:17 | 0:19:20 | |
I said that we bought some other items with it for the £70? | 0:19:20 | 0:19:23 | |
-Oh, yeah. -This was one of them. | 0:19:23 | 0:19:25 | |
OK, right. | 0:19:25 | 0:19:26 | |
-So, do you know the age of this one? -No, haven't got a clue. | 0:19:26 | 0:19:29 | |
This is an Edwardian chair. | 0:19:29 | 0:19:31 | |
You can tell by the style of the legs, | 0:19:31 | 0:19:33 | |
and this barrel-back was | 0:19:33 | 0:19:36 | |
very popular on small, low occasional chairs like this | 0:19:36 | 0:19:39 | |
about 100 years ago. | 0:19:39 | 0:19:42 | |
The frame is walnut, and walnut is a much lighter colour than mahogany, | 0:19:42 | 0:19:45 | |
-so for me it's a more nutty-brown colour. -Mm-hm. | 0:19:45 | 0:19:48 | |
Mahogany has a red colour that runs through it as well, so darker reds. | 0:19:48 | 0:19:52 | |
And this chair here would be part of a whole suite of furniture. | 0:19:52 | 0:19:57 | |
-You'd have a chaise longue. -Oh, OK. | 0:19:57 | 0:19:58 | |
You might have even had a settee, and maybe another chair | 0:19:58 | 0:20:02 | |
slightly bigger than this, like a ladies' and gents' chair as well. | 0:20:02 | 0:20:05 | |
This was the time when everything would be bought in suites. | 0:20:05 | 0:20:09 | |
You could buy a whole bedroom suite | 0:20:09 | 0:20:11 | |
as well as sitting furniture suites as well. | 0:20:11 | 0:20:14 | |
I'd like to have seen that in its original form, that'd be lovely. | 0:20:14 | 0:20:17 | |
-Yes, how spectacular would that have been? -Yeah. | 0:20:17 | 0:20:20 | |
Originally, chairs like this would have been covered in very fine silk, | 0:20:20 | 0:20:23 | |
which is naturally worn, and what has happened, | 0:20:23 | 0:20:27 | |
-throughout its life, it's been re-covered maybe several times. -OK. | 0:20:27 | 0:20:31 | |
I did actually think, knowing nothing about these things, | 0:20:31 | 0:20:34 | |
that because that looked so old to me, I thought that was original. | 0:20:34 | 0:20:37 | |
OK, yeah. It has that sort of antique feel to it. | 0:20:37 | 0:20:41 | |
I suppose that's the reason this fabric was chosen. | 0:20:41 | 0:20:44 | |
But of course, today you can cover a chair like this | 0:20:44 | 0:20:47 | |
in any fabric that you wish and it will revitalise it. | 0:20:47 | 0:20:51 | |
It will completely transform the chair | 0:20:51 | 0:20:53 | |
into something that's relatively modern. | 0:20:53 | 0:20:56 | |
But at auction at the moment, this chair is worth between £30-50. | 0:20:56 | 0:21:01 | |
Is that too cheap for you? | 0:21:01 | 0:21:02 | |
-How do you feel about that? -I'm not sure, because you've given me | 0:21:02 | 0:21:06 | |
the idea now of revamping it to actually fit in somewhere. | 0:21:06 | 0:21:10 | |
Well, that cost could actually be £200-300. | 0:21:11 | 0:21:15 | |
And then what would it be worth at the end of that? | 0:21:15 | 0:21:18 | |
Well, it's not worth your while spending £300 on the chair | 0:21:18 | 0:21:24 | |
-and then putting it back into auction. -No. | 0:21:24 | 0:21:27 | |
You may not necessarily get that back. | 0:21:27 | 0:21:29 | |
The reupholstering could be an expensive job, | 0:21:29 | 0:21:31 | |
so the value has to reflect its current state. | 0:21:31 | 0:21:35 | |
Scarlett has found another hoard of treasure | 0:21:35 | 0:21:38 | |
in the dining room - a set of Aynsley china. | 0:21:38 | 0:21:40 | |
John Aynsley founded his pottery company in Staffordshire in 1775, | 0:21:40 | 0:21:45 | |
and the brand survives today as part of the Belleek Pottery Group. | 0:21:45 | 0:21:50 | |
The Aynsley name was trademarked in 1928, | 0:21:50 | 0:21:52 | |
and this collection is from around that period. | 0:21:52 | 0:21:55 | |
Jonty prices this set at £20-30, which is not bad, | 0:21:55 | 0:21:59 | |
considering it was rescued from an old house renovation. | 0:21:59 | 0:22:02 | |
Now, for our final item, I found something very special. | 0:22:02 | 0:22:06 | |
So where's this from? | 0:22:06 | 0:22:08 | |
I've had it for years and years - about 30-odd years. | 0:22:08 | 0:22:11 | |
It belonged to either my grandmother or my great-grandmother. | 0:22:11 | 0:22:14 | |
I'm not sure which, cos I never saw it | 0:22:14 | 0:22:16 | |
-until after they both died. -Oh, it was left to you, was it? | 0:22:16 | 0:22:19 | |
-Yeah. -Have you ever worn it? | 0:22:19 | 0:22:21 | |
I used to wear it at one time. I haven't worn it for years now. | 0:22:21 | 0:22:24 | |
Obviously, with two boys, not likely to hand it on to them, really? | 0:22:24 | 0:22:27 | |
-No. -I think we need to get Jonty to give his valuation on this. | 0:22:27 | 0:22:31 | |
Jonty? Scarlett? Are you there? | 0:22:31 | 0:22:33 | |
-Oh, hi, Scarlett. -Hello. -Hello. | 0:22:33 | 0:22:36 | |
There you go. | 0:22:36 | 0:22:37 | |
-Ah! Will you marry me? -I'm already married, couldn't possibly. | 0:22:37 | 0:22:40 | |
THEY LAUGH | 0:22:40 | 0:22:42 | |
Wow, what a lovely solitaire diamond ring we've got. | 0:22:42 | 0:22:44 | |
Look at the size of that stone! | 0:22:44 | 0:22:46 | |
Lovely. | 0:22:46 | 0:22:48 | |
-Have you ever had this looked at by any jewellers, at all? -No. | 0:22:48 | 0:22:51 | |
OK, well, let's have a jolly good look at this. | 0:22:51 | 0:22:55 | |
Now, on first inspection, there are few inclusions. | 0:22:55 | 0:23:00 | |
So it's not the most perfect of diamonds that I've ever seen, | 0:23:02 | 0:23:06 | |
but what's so impressive is actually the size. | 0:23:06 | 0:23:09 | |
We're looking well in excess of a carat there, which is wonderful. | 0:23:09 | 0:23:12 | |
Do you know how old it is? | 0:23:12 | 0:23:14 | |
Well, date-wise, one could have told the age of this ring | 0:23:14 | 0:23:17 | |
by looking at the hallmarks, but they've worn, | 0:23:17 | 0:23:21 | |
so you've just got to look at the style of the setting itself. | 0:23:21 | 0:23:24 | |
So I would suggest quite possibly, | 0:23:24 | 0:23:26 | |
we're looking between the wars, 1920s, 1930s. | 0:23:26 | 0:23:28 | |
Does that make sense to you? | 0:23:28 | 0:23:31 | |
Yes, in the sense that it probably would have | 0:23:31 | 0:23:34 | |
belonged to my grandmother, | 0:23:34 | 0:23:36 | |
rather than my great-grandmother. | 0:23:36 | 0:23:38 | |
A big plus to this ring is the simplicity of its setting, as well. | 0:23:38 | 0:23:42 | |
It really is very charming. | 0:23:42 | 0:23:44 | |
So, as we all know, diamonds are a girl's best friend. | 0:23:44 | 0:23:47 | |
They're also auctioneers' and jewellers' best friends, | 0:23:47 | 0:23:50 | |
because they're so easy to trade with. | 0:23:50 | 0:23:52 | |
So, as far as value is concerned, | 0:23:52 | 0:23:54 | |
it's going to be between 500 and £700. | 0:23:54 | 0:23:58 | |
-Really? -For that ring, yeah. -How do you feel about possibly | 0:23:58 | 0:24:01 | |
selling it? Or is it something you want to keep for the family? | 0:24:01 | 0:24:04 | |
-I think I'd have to think about it. -That's fair enough. | 0:24:04 | 0:24:06 | |
That's not a problem. Let's exclude that for the moment, | 0:24:06 | 0:24:10 | |
because you wanted £600, | 0:24:10 | 0:24:13 | |
didn't you, towards the whole PA system for the drums? | 0:24:13 | 0:24:16 | |
Well, the value of everything that's definitely going to auction | 0:24:16 | 0:24:19 | |
comes to £630. | 0:24:19 | 0:24:23 | |
-Oh, that's good. -Wow, yeah. -Very impressive. | 0:24:23 | 0:24:25 | |
But obviously, if you did then decide to let the ring go, | 0:24:25 | 0:24:29 | |
that'd be another £500-700 on top. | 0:24:29 | 0:24:32 | |
-Yeah. -So, next time we'll see you ladies will be at the auction. | 0:24:32 | 0:24:36 | |
-Yep. -Absolutely. -Look forward to it. | 0:24:36 | 0:24:38 | |
It's been a very rewarding day here in Suffolk | 0:24:39 | 0:24:41 | |
with Jane and Scarlett, and even without | 0:24:41 | 0:24:44 | |
grandma's beautiful solitaire diamond ring, | 0:24:44 | 0:24:46 | |
we've done extremely well. | 0:24:46 | 0:24:48 | |
There's all that gold jewellery, | 0:24:51 | 0:24:54 | |
and what with the price of gold rising all the time at auction, | 0:24:54 | 0:24:57 | |
we're expecting it to beat the £200-300 estimate. | 0:24:57 | 0:25:01 | |
Then there's the 19th-century French oak desk, originally picked up | 0:25:01 | 0:25:06 | |
among a few other items for £70, | 0:25:06 | 0:25:09 | |
and left gathering dust in the garage for years. | 0:25:09 | 0:25:12 | |
Can it really attract £100-150? | 0:25:12 | 0:25:16 | |
And will this rare piece of Art Deco manage to fight her way | 0:25:16 | 0:25:19 | |
around the sale room at £50-80? | 0:25:19 | 0:25:23 | |
Stick around and we'll see. | 0:25:23 | 0:25:25 | |
Still to come at the auction - | 0:25:25 | 0:25:27 | |
just what is that Victorian stoneware? | 0:25:27 | 0:25:31 | |
Well, let's see what the plantholder-stroke- | 0:25:31 | 0:25:33 | |
water filter-stroke-butter churn makes, shall we? | 0:25:33 | 0:25:36 | |
But, we're certainly in harmony over the sale of the Art Deco lady lamp. | 0:25:36 | 0:25:41 | |
You were saying, "You know, I do quite like her now..." | 0:25:41 | 0:25:44 | |
BOTH: Do you like her even more? | 0:25:44 | 0:25:46 | |
THEY LAUGH | 0:25:46 | 0:25:47 | |
All together now for the final bang of the gavel. | 0:25:47 | 0:25:51 | |
Well, Jane had a lovely property, but unfortunately, | 0:25:55 | 0:25:59 | |
a lot of her antiques and collectables | 0:25:59 | 0:26:01 | |
no longer fit into the home, so we've brought them here | 0:26:01 | 0:26:04 | |
to Sworders auction house in Stansted Mountfitchet. | 0:26:04 | 0:26:07 | |
Remember, she's looking to raise around £600 | 0:26:07 | 0:26:10 | |
so she can get a PA system for her son's drum kit. | 0:26:10 | 0:26:14 | |
Let's just hope that today there are plenty of bidders in the room | 0:26:14 | 0:26:17 | |
ready to flash the cash. | 0:26:17 | 0:26:19 | |
This Essex auction house holds general weekly sales | 0:26:20 | 0:26:23 | |
every Wednesday. Before we hook up with | 0:26:23 | 0:26:25 | |
Jane and Scarlett, Jonty and I browse | 0:26:25 | 0:26:27 | |
among the early bidders in the sale room. | 0:26:27 | 0:26:30 | |
I wonder what they'll make of Jane's eclectic mix of items, | 0:26:30 | 0:26:33 | |
some of which are very attractive. | 0:26:33 | 0:26:35 | |
I think one thing that might be a bit of a dark horse | 0:26:35 | 0:26:38 | |
here today is your lamp. | 0:26:38 | 0:26:40 | |
-Do you think so? -Yes, I do. | 0:26:40 | 0:26:41 | |
I really like that, and it's proper Art Deco, | 0:26:41 | 0:26:44 | |
which is quite hard to come by now, isn't it? | 0:26:44 | 0:26:46 | |
Yeah, it's a nice quality thing. | 0:26:46 | 0:26:48 | |
We've got some really interesting items come up for sale. | 0:26:48 | 0:26:51 | |
-What about the ring? -I didn't bring it. | 0:26:51 | 0:26:53 | |
-You didn't? -No. -OK. | 0:26:53 | 0:26:55 | |
I got all sentimental about it and decided I didn't | 0:26:55 | 0:26:59 | |
-want to sell it after all. -That's fair enough. | 0:26:59 | 0:27:01 | |
It's better that you decide to keep something than | 0:27:01 | 0:27:03 | |
have second thoughts after it's sold. | 0:27:03 | 0:27:05 | |
..Or worry about selling it, yeah. | 0:27:05 | 0:27:07 | |
-Shall we get in position to start? -Yeah. -Follow Jonty. -This way. | 0:27:07 | 0:27:10 | |
Jane and Scarlett have also decided to leave one of the chairs at home. | 0:27:10 | 0:27:16 | |
Jane wants to apply Jonty's advice regarding reupholstering | 0:27:16 | 0:27:19 | |
to the little Victorian nursing chair which Scarlett found. | 0:27:19 | 0:27:22 | |
This means our potential auction takings are down by around £30, | 0:27:22 | 0:27:26 | |
but hopefully that won't jeopardise our chances too much. | 0:27:26 | 0:27:29 | |
The auctioneer is already at work, | 0:27:29 | 0:27:31 | |
and our first lot on the list is the late '20s | 0:27:31 | 0:27:34 | |
to early '30s Aynsley crockery, which we hope will make £20-30. | 0:27:34 | 0:27:39 | |
-So, have you ever used this? -No, never. | 0:27:39 | 0:27:41 | |
OK. Where did it come from? | 0:27:41 | 0:27:43 | |
My son found it in an old house that we were renovating | 0:27:43 | 0:27:46 | |
and carted it home and washed it up, | 0:27:46 | 0:27:48 | |
-and it's lived in a cupboard ever since. -At least he did that! | 0:27:48 | 0:27:51 | |
-Yeah. -Hats off to him, for a boy. -Absolutely! | 0:27:51 | 0:27:54 | |
-He's after the money for it, though! -Ah, the £20-30. -Yeah. | 0:27:54 | 0:27:57 | |
-Let's see what it makes. -£10. | 0:27:57 | 0:27:59 | |
10, 12, | 0:28:01 | 0:28:02 | |
15, 18, 20. | 0:28:02 | 0:28:04 | |
Looking good, Lorne. | 0:28:04 | 0:28:06 | |
£22 in the hat. Take five. Anyone else now? | 0:28:06 | 0:28:09 | |
Selling at £22. | 0:28:09 | 0:28:10 | |
All finished at 22. | 0:28:10 | 0:28:12 | |
-£22, that's all right, isn't it? -Yeah. -Yeah. | 0:28:13 | 0:28:16 | |
-Have you got to hand over the cash when you get home? -Probably! | 0:28:16 | 0:28:19 | |
THEY LAUGH | 0:28:19 | 0:28:20 | |
-We'll just keep quiet about it, shall we? -All right. | 0:28:20 | 0:28:22 | |
Good luck with that plan, Jane! Anyway, at £22, | 0:28:22 | 0:28:25 | |
just above our lowest estimate, | 0:28:25 | 0:28:26 | |
the Aynsley crockery has found another new home. | 0:28:26 | 0:28:30 | |
Next up, it's that French oak writing desk. | 0:28:30 | 0:28:33 | |
Back in the garage at Jane's home, | 0:28:33 | 0:28:37 | |
our expert reckoned it was worth £100-150. | 0:28:37 | 0:28:40 | |
But he's just spotted a slight modification. | 0:28:40 | 0:28:43 | |
Some repairs have been made since we last saw it. | 0:28:43 | 0:28:46 | |
Will they get Jonty's seal of approval? | 0:28:46 | 0:28:49 | |
Am I right in thinking that a few extra bits have been stuck on? | 0:28:49 | 0:28:53 | |
Yeah, my husband decided after about 15 years to actually repair it, | 0:28:53 | 0:28:56 | |
because it was coming to auction. | 0:28:56 | 0:28:58 | |
Cos some loose bits of moulding | 0:28:58 | 0:29:00 | |
were on top, weren't they? | 0:29:00 | 0:29:01 | |
-Yeah. He's made a good job of it. -Excellent. | 0:29:01 | 0:29:03 | |
-It's a shame he didn't do it previously! -Exactly. | 0:29:03 | 0:29:06 | |
We're going to start right away at £100. | 0:29:06 | 0:29:08 | |
£100 is bid. I see 110 in the room now. | 0:29:08 | 0:29:12 | |
120. | 0:29:12 | 0:29:13 | |
130. | 0:29:13 | 0:29:14 | |
It's here with me at £130. | 0:29:14 | 0:29:16 | |
140 anywhere? | 0:29:16 | 0:29:17 | |
140. 150. | 0:29:17 | 0:29:19 | |
160, sir. | 0:29:19 | 0:29:22 | |
160, I have it there. | 0:29:23 | 0:29:25 | |
160. Gentleman's bid in the room at £160. | 0:29:25 | 0:29:28 | |
We're selling at 160. | 0:29:28 | 0:29:31 | |
-Now, did you ever think it was worth £160? -No. | 0:29:31 | 0:29:35 | |
-Did Trevor ever think it was worth £160? -Definitely no! | 0:29:35 | 0:29:38 | |
-Did you think it was worth £160? -No. | 0:29:38 | 0:29:40 | |
-You must be pleased with that, then. -BOTH: Yeah. | 0:29:40 | 0:29:42 | |
Jane's husband Trevor once served an apprenticeship in carpentry, | 0:29:42 | 0:29:46 | |
so his skilful repair on the desk clearly added some real extra value. | 0:29:46 | 0:29:50 | |
Up next is the lamp with the unusual figure of a female fencer. | 0:29:50 | 0:29:55 | |
Original Art Deco pieces like this are highly sought after. | 0:29:55 | 0:29:59 | |
Now, this, I must admit, is my favourite, | 0:29:59 | 0:30:01 | |
cos I love the Art Deco style, and this is an original Art Deco piece. | 0:30:01 | 0:30:05 | |
It's missing a sword, but nevertheless, | 0:30:05 | 0:30:08 | |
these are increasingly hard to find. | 0:30:08 | 0:30:10 | |
But you couldn't really find a space for it anywhere in the house? | 0:30:10 | 0:30:13 | |
Not really, no. | 0:30:13 | 0:30:14 | |
It moved around and around and never looked right anywhere, really. | 0:30:14 | 0:30:17 | |
-Do you like it, Scarlett? -Yeah, it's nice. | 0:30:17 | 0:30:19 | |
It's really different. | 0:30:19 | 0:30:21 | |
Good-looking lot there. Let's start with £60 bid. | 0:30:21 | 0:30:24 | |
I have £60, I'll take five. | 0:30:24 | 0:30:26 | |
Where now? 65, | 0:30:26 | 0:30:28 | |
70, 75, | 0:30:28 | 0:30:29 | |
80. 85, 90. 95, | 0:30:29 | 0:30:32 | |
-100. -Ooh! -105, 110. | 0:30:32 | 0:30:34 | |
120, 130. | 0:30:34 | 0:30:36 | |
140, 150. | 0:30:36 | 0:30:38 | |
160, 170. | 0:30:38 | 0:30:39 | |
170 here. | 0:30:39 | 0:30:40 | |
Do I see 180 anywhere? | 0:30:40 | 0:30:43 | |
-Wahey! -Do I see 180? | 0:30:43 | 0:30:45 | |
180 takes it away from me. | 0:30:45 | 0:30:46 | |
-I am excited now. -£180, all done. | 0:30:46 | 0:30:50 | |
£180! | 0:30:50 | 0:30:52 | |
-That's amazing. -That's £100 more than our top estimate. -Yeah. | 0:30:52 | 0:30:55 | |
When we spoke earlier, of course, | 0:30:55 | 0:30:57 | |
you were saying, "Well, I do quite like her now..." | 0:30:57 | 0:31:00 | |
BOTH: Do you like her even more? | 0:31:00 | 0:31:02 | |
THEY LAUGH | 0:31:02 | 0:31:03 | |
Snap! | 0:31:03 | 0:31:04 | |
In a strange kind of way, I almost wish I hadn't sold it, | 0:31:04 | 0:31:09 | |
because obviously people are really interested in it. | 0:31:09 | 0:31:12 | |
It makes you like it more then, doesn't it? | 0:31:12 | 0:31:14 | |
Great minds think alike, Jane. | 0:31:14 | 0:31:16 | |
Yes, this lady was positively radiant in the sale. | 0:31:16 | 0:31:19 | |
She's off to grace a new residence, | 0:31:19 | 0:31:22 | |
and we're very grateful for the £180 she's left behind. | 0:31:22 | 0:31:26 | |
Now then, that hoard of gold jewellery | 0:31:26 | 0:31:28 | |
we found in the dining room is up next before the auctioneer. | 0:31:28 | 0:31:32 | |
Estimated at £200-300, this really could be | 0:31:32 | 0:31:35 | |
the highlight of the sale, | 0:31:35 | 0:31:36 | |
considering the current sky-high price for gold. | 0:31:36 | 0:31:39 | |
Let's start at £130. | 0:31:40 | 0:31:42 | |
130, 140, 150. | 0:31:42 | 0:31:43 | |
160, 170. | 0:31:43 | 0:31:45 | |
180, 190. | 0:31:45 | 0:31:47 | |
200. In the room at £200. | 0:31:47 | 0:31:49 | |
Do I see £210 anywhere else now? 210. 220. | 0:31:49 | 0:31:52 | |
230. 240. | 0:31:52 | 0:31:53 | |
250. 260. | 0:31:53 | 0:31:55 | |
-Great. -270. | 0:31:55 | 0:31:56 | |
280, 290, 300. | 0:31:56 | 0:31:59 | |
320. 340. | 0:31:59 | 0:32:01 | |
360. 380. | 0:32:01 | 0:32:02 | |
-400. -Goodness! -420. | 0:32:02 | 0:32:04 | |
440. | 0:32:04 | 0:32:06 | |
460. 480. 500. | 0:32:08 | 0:32:10 | |
LORNE GASPS | 0:32:10 | 0:32:12 | |
520. 540, sir? | 0:32:12 | 0:32:14 | |
530. 540. | 0:32:14 | 0:32:15 | |
-£540. -I'm really amazed. | 0:32:15 | 0:32:18 | |
£540. | 0:32:18 | 0:32:19 | |
Selling at £540, all done. | 0:32:19 | 0:32:24 | |
-That's extraordinary. -£540! -I was actually holding my breath. | 0:32:24 | 0:32:27 | |
Well, you're breathing now. £540! | 0:32:27 | 0:32:29 | |
That is quite extraordinary. | 0:32:29 | 0:32:31 | |
It's made my heart go! | 0:32:31 | 0:32:32 | |
When the gold kept going up, | 0:32:32 | 0:32:35 | |
I literally was holding my breath. | 0:32:35 | 0:32:37 | |
That was quite amazing. Didn't expect it at all. | 0:32:37 | 0:32:40 | |
Wasn't that a treat? I love it when we get a run like that. | 0:32:40 | 0:32:43 | |
Very exciting. £540 is a massive boost to our total. | 0:32:43 | 0:32:47 | |
Next up is the silver collection, | 0:32:47 | 0:32:49 | |
which Jane found and which Jonty priced at £40-80. | 0:32:49 | 0:32:53 | |
We've done the gold... silver time now. | 0:32:53 | 0:32:57 | |
And silver is also rising in price rapidly. | 0:32:57 | 0:33:00 | |
It's going up by the day, practically. | 0:33:00 | 0:33:02 | |
-Could be good timing, then. -It's the perfect time to sell. I put £40-80. | 0:33:02 | 0:33:07 | |
-Let's see where the market is today. -Yeah. | 0:33:07 | 0:33:10 | |
There we are. We'll start with £25. | 0:33:10 | 0:33:12 | |
25, 30, | 0:33:12 | 0:33:14 | |
35, 40, | 0:33:14 | 0:33:15 | |
45, 50. | 0:33:15 | 0:33:16 | |
£50 is bid in the room. Commissions lost at £50. | 0:33:16 | 0:33:19 | |
55, anyone else now? | 0:33:19 | 0:33:21 | |
Gentleman's bid at £50 and selling. No more than £50? Holding at 50. | 0:33:21 | 0:33:25 | |
-Well, I think £50 is pretty good for that lot. Do you? -Yeah. | 0:33:25 | 0:33:29 | |
I'm a bit disappointed after the gold. | 0:33:29 | 0:33:31 | |
-But that was gold and this is silver. -I know, I know. | 0:33:31 | 0:33:35 | |
Well, perhaps that's a bit of a come-down | 0:33:35 | 0:33:37 | |
after the gilt-edged result earlier. | 0:33:37 | 0:33:40 | |
But £50 is above our lowest estimate, | 0:33:40 | 0:33:42 | |
so Jane shouldn't feel too bad. I wonder how much | 0:33:42 | 0:33:45 | |
we've made so far? | 0:33:45 | 0:33:47 | |
So far, you've raised £952. | 0:33:47 | 0:33:52 | |
-Wow! -Seriously. -That's brilliant. | 0:33:52 | 0:33:54 | |
That is a good result, isn't it? And we're only halfway through! | 0:33:54 | 0:33:58 | |
So we've got time to take a bit of a break. Come follow me. | 0:33:58 | 0:34:02 | |
With our original target now safely assured, | 0:34:02 | 0:34:05 | |
it's just a case of seeing how well | 0:34:05 | 0:34:08 | |
those auction items we have left can perform. | 0:34:08 | 0:34:11 | |
Before that, Jonty's on the hunt again for treasures, | 0:34:11 | 0:34:14 | |
and finds this stunning Gothic-inspired chair. | 0:34:14 | 0:34:18 | |
Now, that's what I call a beautiful chair, Jonty. | 0:34:18 | 0:34:22 | |
Very handsome, isn't it? | 0:34:22 | 0:34:23 | |
This is a mid-19th century Gothic revival low chair. | 0:34:23 | 0:34:27 | |
It's an oak frame. | 0:34:27 | 0:34:29 | |
the reason I was really having a close look at it is because, | 0:34:29 | 0:34:32 | |
do you remember the bureau in our sale? | 0:34:32 | 0:34:34 | |
It's never been cleaned | 0:34:34 | 0:34:37 | |
and it's never really been repolished at all, | 0:34:37 | 0:34:39 | |
which some people like, because when you repolish oak, | 0:34:39 | 0:34:43 | |
particularly, sometimes it almost looks over-clean. | 0:34:43 | 0:34:47 | |
And I suppose if I have any criticism of this chair, | 0:34:47 | 0:34:50 | |
it's the fact that it has been repolished. | 0:34:50 | 0:34:53 | |
If you look closely down the side here, | 0:34:53 | 0:34:55 | |
all the timberwork here has been redone. | 0:34:55 | 0:34:58 | |
I just wonder what you think of it, cos it's all down to personal taste. | 0:34:58 | 0:35:01 | |
I'd be worrying more about getting it reupholstered, | 0:35:01 | 0:35:04 | |
-to be honest with you! -Yes. | 0:35:04 | 0:35:06 | |
-I know that's so expensive, to have these things reupholstered. -Yeah. | 0:35:06 | 0:35:10 | |
To do that properly, you could be looking at £3-400 | 0:35:10 | 0:35:13 | |
for this chair without any problem. | 0:35:13 | 0:35:14 | |
And how much do you expect it to go in this state? | 0:35:14 | 0:35:18 | |
Well, in this state, | 0:35:18 | 0:35:19 | |
this chair is still worth, I suppose, £400-600. | 0:35:19 | 0:35:24 | |
You see, in my mind, I'm thinking that's nearly £1,000 | 0:35:24 | 0:35:27 | |
-for one chair by the time we've finished. -It'd be worth it. | 0:35:27 | 0:35:30 | |
This is a really good quality chair. | 0:35:30 | 0:35:32 | |
I'm not disputing it's worth £1,000, | 0:35:32 | 0:35:34 | |
it's just that I haven't got £1,000! Come on. | 0:35:34 | 0:35:37 | |
Clearly, reupholstery is a serious consideration, | 0:35:38 | 0:35:41 | |
but for the right piece. | 0:35:41 | 0:35:43 | |
If you've been inspired to try and sell | 0:35:43 | 0:35:45 | |
some of your belongings this way, it's worth bearing in mind that auction houses | 0:35:45 | 0:35:49 | |
charge various fees, including commission and VAT. | 0:35:49 | 0:35:53 | |
Your local sale room will advise you on these extra costs. | 0:35:53 | 0:35:56 | |
Plenty still to come in our sale - for instance, | 0:35:56 | 0:35:59 | |
that haul of fabulous costume jewellery | 0:35:59 | 0:36:01 | |
which belonged to Jane's great-grandma. | 0:36:01 | 0:36:03 | |
Despite the auctioneer's best attempt | 0:36:03 | 0:36:05 | |
to drum up business, there's just one bidder. | 0:36:05 | 0:36:08 | |
Five in the room takes it. 55. | 0:36:10 | 0:36:13 | |
60, anyone else? 5. | 0:36:13 | 0:36:16 | |
It's often down to who's there in the room on the day, but at least | 0:36:17 | 0:36:21 | |
the costume jewellery just pipped its lower estimate of £55. | 0:36:21 | 0:36:24 | |
A dealer will no doubt find new homes for those beads, | 0:36:24 | 0:36:28 | |
bangles, fake pearls and paste stones. | 0:36:28 | 0:36:30 | |
The following lot is one of the most bizarre pieces on sale here today. | 0:36:30 | 0:36:35 | |
I saw this piece earlier. You can't really miss it. | 0:36:35 | 0:36:37 | |
It's a stoneware water filter. | 0:36:37 | 0:36:39 | |
-Yeah, the one I always called a butter churn. -Yes. -Why? | 0:36:39 | 0:36:42 | |
-I don't know. -What did you use it for? | 0:36:42 | 0:36:45 | |
It belonged to my great-aunt. | 0:36:45 | 0:36:46 | |
She would turn the top upside down and put a plant on it. | 0:36:46 | 0:36:49 | |
-OK. -Oh, good idea. | 0:36:49 | 0:36:52 | |
Let's see what the plantholder- stroke-water filter- | 0:36:52 | 0:36:54 | |
stroke-butter churn makes, shall we? | 0:36:54 | 0:36:57 | |
£20, a water filter. | 0:36:57 | 0:36:58 | |
It's an end one. 20, 22. | 0:37:00 | 0:37:02 | |
25. 28. | 0:37:02 | 0:37:03 | |
30. Do I see two? It's tempting. | 0:37:03 | 0:37:07 | |
Lady's bid at £30. | 0:37:07 | 0:37:08 | |
Do I see two anywhere else, now? | 0:37:08 | 0:37:10 | |
£30. Lady's bid selling at £30, all done and finished at £30. | 0:37:10 | 0:37:15 | |
£30. Might have got more if it had been a butter churn, you never know. | 0:37:15 | 0:37:18 | |
THEY LAUGH | 0:37:18 | 0:37:19 | |
For £30 towards their kitty, | 0:37:19 | 0:37:22 | |
I'm sure Jane won't mind how the new owners use it. | 0:37:22 | 0:37:25 | |
The Victorian stoneware now becomes a talking point | 0:37:25 | 0:37:28 | |
in someone else's home. | 0:37:28 | 0:37:29 | |
How much time is left? Perhaps we should consult the next lot, | 0:37:29 | 0:37:32 | |
the late 19th-century Seth Thomas wall clock which Jonty found. | 0:37:32 | 0:37:37 | |
It's in poor condition, so will that affect our sale? | 0:37:37 | 0:37:40 | |
-Now, to be polite, it looks rather tired. -Mmm. | 0:37:40 | 0:37:43 | |
Where was it from? | 0:37:43 | 0:37:44 | |
A friend of ours bought it from a car-boot sale and took it home, | 0:37:44 | 0:37:48 | |
and his wife absolutely detested it, so he gave it to us. | 0:37:48 | 0:37:51 | |
I've put £40-60 on it. | 0:37:51 | 0:37:53 | |
-Please don't be disappointed if we don't get that. -I won't. | 0:37:53 | 0:37:57 | |
Start at £20 for it. | 0:37:57 | 0:37:59 | |
A Seth Thomas American wall clock for £20. Who wants that at £20? | 0:37:59 | 0:38:04 | |
Any interest at £20? | 0:38:04 | 0:38:05 | |
10? £10 for it? | 0:38:05 | 0:38:08 | |
-Ohhh. -Any interest at all? | 0:38:08 | 0:38:10 | |
No? | 0:38:10 | 0:38:12 | |
I think we'll just leave that. No bid. | 0:38:12 | 0:38:15 | |
-Are you disappointed with that? -No, not really. | 0:38:15 | 0:38:17 | |
The wall clock can now go back to my friend, | 0:38:17 | 0:38:20 | |
because his wife didn't like it, I'm not sure I do, | 0:38:20 | 0:38:25 | |
and nobody else obviously did. | 0:38:25 | 0:38:27 | |
Easy come, easy go. | 0:38:27 | 0:38:29 | |
It's not the finest example of the clockmaker's art. | 0:38:29 | 0:38:32 | |
And we're doing very well anyway, | 0:38:32 | 0:38:34 | |
so let's not dwell on where it might wind up next. | 0:38:34 | 0:38:36 | |
Moving swiftly on, we've reached the framed Georgian watercolour | 0:38:36 | 0:38:39 | |
of a bridge in a rural setting. It's faded over time, | 0:38:39 | 0:38:43 | |
but at £30-50, it could possibly be to someone's taste. | 0:38:43 | 0:38:47 | |
So where did you get this from? | 0:38:47 | 0:38:49 | |
-That was my grandmother's. -Oh, OK. | 0:38:49 | 0:38:52 | |
So you don't mind parting with it? | 0:38:52 | 0:38:54 | |
No, because again, it doesn't look right in my house. | 0:38:54 | 0:38:58 | |
It's moved around every 30 years | 0:38:58 | 0:39:00 | |
and never really found a right place for it. | 0:39:00 | 0:39:02 | |
And we're going to start at £20. | 0:39:02 | 0:39:04 | |
£20 is bid. Do I see five anywhere in the room? | 0:39:04 | 0:39:07 | |
No? I'll take five. Where now? | 0:39:07 | 0:39:09 | |
25. 30. | 0:39:09 | 0:39:10 | |
35, 40. | 0:39:10 | 0:39:12 | |
45, 50. | 0:39:12 | 0:39:14 | |
£50 is bid here with me and we're selling at £50. | 0:39:14 | 0:39:17 | |
All done and finished at £50. | 0:39:17 | 0:39:19 | |
-£50. -That's not bad, is it? -Happy with that? -Yeah, definitely. -Good. | 0:39:19 | 0:39:23 | |
Nicely matching our top estimate, | 0:39:23 | 0:39:26 | |
the rural scene goes off to pastures new. | 0:39:26 | 0:39:29 | |
Finally, the last item of our sale today. | 0:39:29 | 0:39:32 | |
It's the Edwardian walnut-framed tub chair | 0:39:32 | 0:39:35 | |
that Jane discussed with Jonty, who priced it at £30-50. | 0:39:35 | 0:39:39 | |
We'll start straight away at £20. | 0:39:39 | 0:39:40 | |
£20 is bid. Do I see two? | 0:39:40 | 0:39:42 | |
22, 25. 28. | 0:39:42 | 0:39:44 | |
£28 is bid, a gentleman's bid received. | 0:39:44 | 0:39:46 | |
30. 32. | 0:39:46 | 0:39:48 | |
35. 38. | 0:39:48 | 0:39:49 | |
40. 42. | 0:39:49 | 0:39:51 | |
45. 48. | 0:39:51 | 0:39:52 | |
Rounded up, madam. Gentleman's bid at £48. | 0:39:52 | 0:39:55 | |
Do I see 50 anywhere? | 0:39:55 | 0:39:57 | |
At £48, gentleman's bid. | 0:39:57 | 0:39:59 | |
We're selling at £48, all done. | 0:39:59 | 0:40:02 | |
-£48. Is that OK? -That's OK, isn't it? -Yeah. -Yes. We got that sold. | 0:40:02 | 0:40:07 | |
Well, we have indeed. | 0:40:07 | 0:40:08 | |
It's now someone else's job to oversee | 0:40:08 | 0:40:11 | |
any refurbishment it may require, | 0:40:11 | 0:40:14 | |
while Jane takes care of the other Victorian chair at home. | 0:40:14 | 0:40:17 | |
That's it for the auction for us today. | 0:40:17 | 0:40:19 | |
All that remains is to tot up the figures | 0:40:19 | 0:40:21 | |
and reveal our grand total. | 0:40:21 | 0:40:23 | |
Right. Did you enjoy the auction? | 0:40:23 | 0:40:25 | |
-I did, yeah. -Yeah, it was really good. | 0:40:25 | 0:40:27 | |
And what were the best surprises for you? | 0:40:27 | 0:40:29 | |
Probably the gold, as it got so much money and interest on it. | 0:40:29 | 0:40:33 | |
That was really good. | 0:40:33 | 0:40:35 | |
-You wanted to raise £600, didn't you, for the PA system? -Yeah. | 0:40:35 | 0:40:39 | |
Well, you know that we more or less made your target figure | 0:40:39 | 0:40:42 | |
just with the gold. | 0:40:42 | 0:40:43 | |
You might be pleased to know that the grand total comes to £1,135. | 0:40:43 | 0:40:48 | |
-Wow. -That's brilliant. -Congratulations. -That's really good. | 0:40:48 | 0:40:51 | |
Yeah, that's impressive. | 0:40:51 | 0:40:52 | |
-You pleased with that? -Very pleased. | 0:40:52 | 0:40:55 | |
-What will you spend the extra money on? -Oh, I don't know. | 0:40:55 | 0:40:57 | |
You've more or less doubled your figure. | 0:40:57 | 0:40:59 | |
We'll probably all go out for a really nice dinner. | 0:40:59 | 0:41:02 | |
-Oh, that sounds nice. -We'll come too! -We weren't invited, Jonty. | 0:41:02 | 0:41:05 | |
THEY LAUGH | 0:41:05 | 0:41:07 | |
It's a few weeks later, | 0:41:11 | 0:41:12 | |
and Jane has brought her youngest son Josh | 0:41:12 | 0:41:14 | |
to Cambridge to look for a new PA system. | 0:41:14 | 0:41:17 | |
But, faced with a shop full of new drum kits, | 0:41:17 | 0:41:20 | |
he simply can't resist. | 0:41:20 | 0:41:23 | |
I love that Josh is such a good drummer. He's brilliant. | 0:41:23 | 0:41:25 | |
He's stuck with his drumming from about age six. | 0:41:25 | 0:41:28 | |
I've been drumming for ten years now. I enjoy it. | 0:41:28 | 0:41:31 | |
Just cos I felt I picked it up so well. | 0:41:31 | 0:41:33 | |
I have to say, he does practise practically every day. | 0:41:34 | 0:41:37 | |
After that spectacular result at the auction, | 0:41:37 | 0:41:41 | |
Josh is now able to consider a far wider selection of equipment. | 0:41:41 | 0:41:44 | |
£500 is usually a good ballpark figure to work around. | 0:41:44 | 0:41:47 | |
Obviously you've got to consider | 0:41:47 | 0:41:49 | |
if there's anything else like speaker stands. | 0:41:49 | 0:41:51 | |
So, these interfaces here, you can mix each line in, I suppose. | 0:41:51 | 0:41:56 | |
Well, let's just hope that Josh goes on to have a huge musical career. | 0:41:56 | 0:42:01 | |
I do hope that fame and success will follow, but who's to tell? | 0:42:01 | 0:42:05 | |
Just keep practising. Practice makes perfect. | 0:42:05 | 0:42:08 |