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Hello and welcome to Cash In The Attic, | 0:00:02 | 0:00:03 | |
the show that helps you value those antiques | 0:00:03 | 0:00:05 | |
so that you can hopefully sell them at auction. | 0:00:05 | 0:00:07 | |
Today, we're hoping to unearth some treasures | 0:00:07 | 0:00:09 | |
so that we can raise some funds to celebrate a milestone birthday. | 0:00:09 | 0:00:13 | |
'Coming up on Cash In The Attic, | 0:00:34 | 0:00:35 | |
'at last, an excuse to name that village...' | 0:00:35 | 0:00:38 | |
-I can't tell you that. Do you really want to know? -I see. | 0:00:38 | 0:00:40 | |
It says Llanfairpwll- gwyngyllgogerychwyrndrobwyll- llantysiliogogogoch. | 0:00:40 | 0:00:44 | |
-I thank you. -I'm impressed. -Wonderful. | 0:00:44 | 0:00:46 | |
'..and expert Jonty is excited by some vintage boys toys.' | 0:00:46 | 0:00:51 | |
But this is worth its weight in gold. | 0:00:51 | 0:00:54 | |
'At auction, I can't quite make up my mind about our missing experts.' | 0:00:54 | 0:00:59 | |
-Jonty's very negative. -The seat WAS broken. | 0:00:59 | 0:01:02 | |
Oh, he's very truthful. | 0:01:02 | 0:01:04 | |
'It's one not to miss when the hammer falls.' | 0:01:04 | 0:01:08 | |
I'm on my way to meet Pat Mynott in Dulwich in London. | 0:01:08 | 0:01:11 | |
Apparently, her house is crammed to the rafters | 0:01:11 | 0:01:14 | |
with antiques and collectables. It's going to be a busy one. | 0:01:14 | 0:01:17 | |
'Pat is a very sociable woman | 0:01:17 | 0:01:21 | |
'and is joined today by one of her good friends, another Pat. | 0:01:21 | 0:01:24 | |
'This could get confusing. | 0:01:24 | 0:01:25 | |
'As well as having the same name, they're both 70 this year. | 0:01:25 | 0:01:28 | |
'This is a clue as to why we've been brought in. | 0:01:28 | 0:01:32 | |
'She married Dick Mynott in 1966. They had four children. | 0:01:32 | 0:01:35 | |
'Sadly, Dick died in 2008. | 0:01:35 | 0:01:38 | |
'He was an avid collector and Pat still has most of his possessions | 0:01:38 | 0:01:41 | |
'around the house. | 0:01:41 | 0:01:43 | |
'Our expert Jonty Hearnden has arrived before me. | 0:01:45 | 0:01:48 | |
'He has been studying antiques for three decades, | 0:01:48 | 0:01:51 | |
'so his knowledge here is going to be invaluable.' | 0:01:51 | 0:01:54 | |
Hey, good to see you. Hard at work already. | 0:01:56 | 0:01:59 | |
-How are you, Pat? Nice to see you. -Hi. -Hello. -Who have we got here? | 0:01:59 | 0:02:02 | |
-Pat Blackler. -So, stereo Pats. | 0:02:02 | 0:02:04 | |
Sometimes, Pat the elder and Pat the younger. | 0:02:04 | 0:02:06 | |
Steady on. That's how it's going to be, is it? | 0:02:06 | 0:02:09 | |
So, go on, then. Why have you called us in? | 0:02:09 | 0:02:11 | |
We want to celebrate our birthdays. | 0:02:11 | 0:02:14 | |
Pat's just had her 70th birthday and I'm about to have my birthday. | 0:02:14 | 0:02:18 | |
There's a group of ten of us and we usually celebrate together | 0:02:18 | 0:02:22 | |
and we want to do it in style this time, | 0:02:22 | 0:02:24 | |
so, we want to celebrate our 70th birthday and have a real beano. | 0:02:24 | 0:02:27 | |
So, how much will that roughly be? | 0:02:27 | 0:02:30 | |
Up to £500 should do it, I think. | 0:02:30 | 0:02:32 | |
-Better get to work. -It's a big house. | 0:02:32 | 0:02:34 | |
-£500? Why do you need £500? -We want to have a good beano. | 0:02:34 | 0:02:39 | |
-What's a beano? -Beano is a bash. A party. A do. | 0:02:39 | 0:02:44 | |
So, you want 500 quid for a good knees-up, really. | 0:02:44 | 0:02:47 | |
A knees-up, yeah. | 0:02:47 | 0:02:48 | |
Everywhere you look in this house, so far, anyway, | 0:02:48 | 0:02:51 | |
all I see is books, ornaments. What are we likely to find? | 0:02:51 | 0:02:54 | |
Well, my husband collected everything from bus tickets to... | 0:02:54 | 0:02:58 | |
Even, you know, grid rubbings in a road. | 0:02:58 | 0:03:01 | |
-So, we should be all right, then? -We should be OK. | 0:03:01 | 0:03:04 | |
Do you think we'll get the £500? | 0:03:04 | 0:03:06 | |
Well, we'll still have a beano even if we don't. | 0:03:06 | 0:03:09 | |
'This party-loving lady is the daughter of an army officer | 0:03:09 | 0:03:12 | |
'and her family moved around a lot when she was younger | 0:03:12 | 0:03:15 | |
'before they finally settled in South London. | 0:03:15 | 0:03:18 | |
'In fact, she's lived in this house since she was nine.' | 0:03:18 | 0:03:24 | |
-Jonty, you must be in your element. -Look at this. I found something. | 0:03:24 | 0:03:27 | |
-OK, hold on. -I'll put it there. | 0:03:27 | 0:03:29 | |
-I'll put those there. -There we go. -What have you found? | 0:03:29 | 0:03:32 | |
-A little smoker's cabinet, by the looks of it. -What's the story, Pat? | 0:03:32 | 0:03:36 | |
I'm not sure of the story behind this. | 0:03:36 | 0:03:38 | |
I think it could possibly have come from my husband's grandparents. | 0:03:38 | 0:03:41 | |
Or it couldn't have been... I don't know, really. | 0:03:41 | 0:03:45 | |
So, he had so much stuff, | 0:03:45 | 0:03:47 | |
there are still items that you don't recognise? | 0:03:47 | 0:03:49 | |
You're absolutely right. I don't recognise an awful lot of the stuff. | 0:03:49 | 0:03:53 | |
I'm just discovering again with you. | 0:03:53 | 0:03:55 | |
So, what's a smoker's cabinet? Go on, then. | 0:03:55 | 0:03:58 | |
So, this is from the Victorian era | 0:03:58 | 0:04:00 | |
and in the Victorian times, smoking became incredibly popular, | 0:04:00 | 0:04:04 | |
so, in the grander houses, they created rooms like the smoking room | 0:04:04 | 0:04:08 | |
and of course, with that, you had all the paraphernalia to go with it. | 0:04:08 | 0:04:11 | |
So, the smoking jacket, you had the smoking chair | 0:04:11 | 0:04:14 | |
and as a consequence, of course, | 0:04:14 | 0:04:15 | |
you needed possibly a smoker's cabinet, as well. | 0:04:15 | 0:04:18 | |
So, this is what we're looking at here. Let me open up the doors. | 0:04:18 | 0:04:21 | |
These lovely bevelled glass doors. | 0:04:21 | 0:04:24 | |
On the inside, we've got the room for the pipes and there should be, | 0:04:24 | 0:04:28 | |
and there is, a little tobacco jar there. | 0:04:28 | 0:04:31 | |
A cabinet should always have a ceramic jar | 0:04:31 | 0:04:34 | |
to keep the tobacco dry. | 0:04:34 | 0:04:36 | |
Heavy lid. Often that can be completely sealed | 0:04:36 | 0:04:39 | |
so it stops the moisture getting in your tobacco. | 0:04:39 | 0:04:41 | |
You can mix your tobaccos. | 0:04:41 | 0:04:43 | |
Of course, inside these drawers are all the rooms for the tobacco itself. | 0:04:43 | 0:04:48 | |
Probably your matches etc, etc. And look, it's just crammed. | 0:04:48 | 0:04:51 | |
There's all sorts of goodies in here. Wow, wonderful. | 0:04:51 | 0:04:55 | |
How much are we looking at if we put it to auction? | 0:04:55 | 0:04:58 | |
-I think we're looking at £50-£80. -Wow. | 0:04:58 | 0:05:00 | |
I think that's quite a conservative estimate. | 0:05:00 | 0:05:02 | |
Simply because it's in such good condition. | 0:05:02 | 0:05:05 | |
It's absolutely in mint condition, which I love to see. | 0:05:05 | 0:05:09 | |
Made of good old English oak. Perfect. That should sell very well. | 0:05:09 | 0:05:14 | |
Apparently, Dick was a smoker, | 0:05:14 | 0:05:16 | |
but never used this cabinet to store his tobacco. | 0:05:16 | 0:05:19 | |
Pat number two has found some boxes that need a thorough sort through | 0:05:19 | 0:05:24 | |
and I'm looking for any recognisable names on these ceramics. | 0:05:24 | 0:05:27 | |
Pat number one has spotted a piece of Edwardian furniture | 0:05:27 | 0:05:31 | |
that can go to auction. | 0:05:31 | 0:05:32 | |
She thinks it came from Dick's side of the family. | 0:05:32 | 0:05:35 | |
It looks like a whatnot to me, but Jonty says it's a cake stand | 0:05:35 | 0:05:38 | |
and it's made of mahogany. | 0:05:38 | 0:05:40 | |
It has a slight split in the wood so the estimate for auction is £20-£30. | 0:05:40 | 0:05:45 | |
-How are you getting on? -These are Dick's old toys from the war. | 0:05:48 | 0:05:51 | |
Amazing. Open a cupboard here, you never know what you'll find. | 0:05:51 | 0:05:54 | |
No, no, no, look at that. | 0:05:54 | 0:05:57 | |
They're amazing. You've got animals, cows, horses, the lot. | 0:05:57 | 0:06:00 | |
I tell you what, Jonty's going to love this. | 0:06:00 | 0:06:02 | |
Let me see if he's around. Jonty? Are you around? | 0:06:02 | 0:06:06 | |
-Look at this. -What you got? | 0:06:06 | 0:06:08 | |
-Toys! -Hey! -Toys, look at that. -They look really old, too. | 0:06:08 | 0:06:13 | |
That's really good news for us. | 0:06:13 | 0:06:15 | |
And they look... Let me have a look at this. | 0:06:15 | 0:06:17 | |
-A bit beaten up, this one. Dinky. -One wheel missing. -Yes, sad. | 0:06:17 | 0:06:23 | |
But they've got some real age to them. | 0:06:23 | 0:06:25 | |
What have we got here? This is really quite interesting. | 0:06:25 | 0:06:28 | |
So, this one here is a tin station. | 0:06:28 | 0:06:31 | |
But... | 0:06:31 | 0:06:32 | |
..looking at this box here now, | 0:06:34 | 0:06:36 | |
just take a look at this for a moment - the filling station. | 0:06:36 | 0:06:39 | |
-There we go. -That's great. -Isn't that fab? | 0:06:39 | 0:06:41 | |
That's in good condition, isn't it? | 0:06:41 | 0:06:43 | |
-It's perfect condition. This is a very rare item. -Really? | 0:06:43 | 0:06:47 | |
You can just see it's made of pressed tin like that. Can you see? | 0:06:47 | 0:06:50 | |
Shaped tin. Painted and it's all transferred, | 0:06:50 | 0:06:52 | |
but this is worth its weight in gold. It's absolutely fabulous. | 0:06:52 | 0:06:57 | |
What about all the rest? | 0:06:57 | 0:06:58 | |
Farmyard animals, fences, cars. Would you put it all together? | 0:06:58 | 0:07:02 | |
It all needs to go together and looking at all the other collections, | 0:07:02 | 0:07:06 | |
they're in pretty ropey condition, but they're all really old. | 0:07:06 | 0:07:10 | |
Between you and me and the gatepost, I know a dealer | 0:07:10 | 0:07:13 | |
that has sold an identical station for, wait for it, | 0:07:13 | 0:07:16 | |
-£300. -Wow. Just for that? -Just for this little petrol station. | 0:07:16 | 0:07:23 | |
You're going to have a serious beano! | 0:07:23 | 0:07:25 | |
Remember, we are selling at auction. A general auction sale, as well, | 0:07:25 | 0:07:29 | |
so there's a massive difference between retail price | 0:07:29 | 0:07:32 | |
and top dollar price from a specialist dealer | 0:07:32 | 0:07:35 | |
all the way through to this. | 0:07:35 | 0:07:36 | |
So, if we were conservative with our estimate, | 0:07:36 | 0:07:39 | |
we should see this rise because it's the right thing to do. | 0:07:39 | 0:07:42 | |
The whole thing, how much? | 0:07:42 | 0:07:44 | |
I would put £100-£150 on the collection | 0:07:44 | 0:07:46 | |
and then, let's see where we go. | 0:07:46 | 0:07:49 | |
And when those vintage toys get to the saleroom, | 0:07:49 | 0:07:52 | |
will the bidders love them as much as we do? | 0:07:52 | 0:07:56 | |
We start of with a healthy £80. 85, 90, 95, 100. | 0:07:56 | 0:08:01 | |
That looks like it's going to be an exciting sale, doesn't it? | 0:08:01 | 0:08:05 | |
As the search in South London continues, | 0:08:07 | 0:08:09 | |
we're all still wading through the masses of collections in Pat's home. | 0:08:09 | 0:08:14 | |
Jonty decides to search the spare room and notices some more toys. | 0:08:14 | 0:08:18 | |
This time, it's trains, including a boxed model of Stephenson's Rocket, | 0:08:18 | 0:08:22 | |
a boxed steamliner and a box of Hornby Silver Jubilee freight. | 0:08:22 | 0:08:27 | |
There's also track - loads and loads of it. | 0:08:27 | 0:08:31 | |
This large collection gets an estimate of £200-£400. | 0:08:31 | 0:08:33 | |
I tell you what, Pat, I don't know where to start. | 0:08:33 | 0:08:36 | |
This is like an Aladdin's Cave of treasures. Are you the hoarder? | 0:08:36 | 0:08:40 | |
I am definitely not the hoarder. | 0:08:40 | 0:08:42 | |
I'm the nagger. My husband was the hoarder. | 0:08:42 | 0:08:45 | |
And his mother was a hoarder | 0:08:45 | 0:08:47 | |
and his grandmother was a hoarder and this is the result, I think. | 0:08:47 | 0:08:51 | |
But there are books on all kinds of subjects here. | 0:08:51 | 0:08:54 | |
Yeah. When the kids had homework, | 0:08:54 | 0:08:56 | |
they'd go and say to their dad... Cos he was a teacher, | 0:08:56 | 0:08:59 | |
they'd say, "I don't know that" and before they knew where they were, | 0:08:59 | 0:09:02 | |
they all had half a dozen books in front of them on any subject. | 0:09:02 | 0:09:05 | |
Doesn't surprise me. | 0:09:05 | 0:09:06 | |
Are they all here or scattered around the house, as well? | 0:09:06 | 0:09:09 | |
No, a lot of them have gone. | 0:09:09 | 0:09:11 | |
There was so much rubbish in here, my daughter-in-law said, | 0:09:11 | 0:09:14 | |
"Ooh, I didn't know you had a green carpet!" | 0:09:14 | 0:09:17 | |
-You've done well. You can see lots of carpet now. -I know. | 0:09:17 | 0:09:20 | |
What sort of character was your husband? | 0:09:20 | 0:09:22 | |
He was a lovely man. Everybody said so. | 0:09:22 | 0:09:24 | |
He was a big man and the neighbours used to call him The Gentle Giant. | 0:09:24 | 0:09:28 | |
Well, I didn't realise at the time because we just lived, you know, | 0:09:28 | 0:09:31 | |
and enjoyed life but I think he probably was fairly eccentric. | 0:09:31 | 0:09:37 | |
-Right. -He read history at Balliol. | 0:09:37 | 0:09:39 | |
But he taught maths because there were lots of history teachers | 0:09:39 | 0:09:43 | |
and he just thought he was a teacher, | 0:09:43 | 0:09:45 | |
he can teach anything, you know. | 0:09:45 | 0:09:47 | |
So, history was his love, but maths is what he taught. | 0:09:47 | 0:09:50 | |
He was also into trains, wasn't he? | 0:09:50 | 0:09:52 | |
He loved trains like he loved china and trains he loved at some points, | 0:09:52 | 0:09:56 | |
postcards at other points, model soldiers at other points. | 0:09:56 | 0:10:00 | |
There must be so many memories for you. | 0:10:00 | 0:10:02 | |
-Is it going to be tough seeing some of this go? -No. | 0:10:02 | 0:10:05 | |
Because most of the stuff that I love isn't going. | 0:10:05 | 0:10:10 | |
I will not miss the china and I certainly won't miss trains. | 0:10:10 | 0:10:14 | |
'Oh, go on, Pat, admit it. | 0:10:14 | 0:10:16 | |
'I bet secretly you've got them | 0:10:16 | 0:10:18 | |
'running around the track every night. | 0:10:18 | 0:10:20 | |
'In the lounge, the other Pat has spotted a circular table. | 0:10:20 | 0:10:23 | |
'It's Edwardian and made of mahogany | 0:10:23 | 0:10:25 | |
'and looks in very, very good condition. | 0:10:25 | 0:10:28 | |
'No nasty stains on this surface. | 0:10:28 | 0:10:30 | |
'There's a little drawer in the decorative band around the top. | 0:10:30 | 0:10:34 | |
'Jonty tells me this is a frieze drawer. | 0:10:34 | 0:10:36 | |
'Again, it comes from Dick's side of the family | 0:10:36 | 0:10:38 | |
'and should make £40-£60 at auction. | 0:10:38 | 0:10:42 | |
'Well, going by our expert's lowest estimate so far, | 0:10:42 | 0:10:45 | |
'we stand to make £410 when we take the things to the saleroom. | 0:10:45 | 0:10:49 | |
'So, we've almost reached Pat's target already. | 0:10:49 | 0:10:52 | |
'I'll keep that to myself for now.' | 0:10:52 | 0:10:54 | |
Pat. Another collection. | 0:10:56 | 0:11:00 | |
This time, it's postcards and everything we've got here | 0:11:00 | 0:11:04 | |
is just albums and catalogued, boxed collections of old postcards. | 0:11:04 | 0:11:11 | |
So, whose were all of these? | 0:11:11 | 0:11:14 | |
Well, it's like all the other collections in this house. | 0:11:14 | 0:11:17 | |
It probably started off with my husband's grandmother | 0:11:17 | 0:11:21 | |
and then, his mother and then, in fact, my husband himself. | 0:11:21 | 0:11:25 | |
If you're collecting something, friends give you things. | 0:11:25 | 0:11:28 | |
I think that's where they've come from, really. Places like that. | 0:11:28 | 0:11:31 | |
So, Pat, what are we looking at there for instance? | 0:11:31 | 0:11:34 | |
This is an album of postcards from Paris. So, what's this one? | 0:11:34 | 0:11:38 | |
Erm, it seems to be a little... | 0:11:38 | 0:11:41 | |
Oh, it's got an interior! Look at the views of Paris. | 0:11:41 | 0:11:45 | |
The Eiffel Tower and all the other buildings. Look at that. | 0:11:45 | 0:11:50 | |
Fantastic. I've never seen anything quite like that. | 0:11:50 | 0:11:52 | |
That's really got some age to it, too. | 0:11:52 | 0:11:55 | |
Now, I've been flicking through just this box alone | 0:11:55 | 0:11:59 | |
and this box is worth selling by itself. | 0:11:59 | 0:12:02 | |
All of the postcards in this box are of steam locomotives | 0:12:02 | 0:12:06 | |
and some of steam boats. | 0:12:06 | 0:12:09 | |
Not only will these be of interest to postcard collectors, | 0:12:09 | 0:12:12 | |
but they are going to be of interest to people who love locomotives, | 0:12:12 | 0:12:16 | |
steam locomotives and all those steam boats, as well. | 0:12:16 | 0:12:19 | |
And this whole collection here is all to do with the First World War. | 0:12:19 | 0:12:23 | |
-Yeah. -Again, it's been properly... I mean, look at the detail here. | 0:12:23 | 0:12:28 | |
I love those, yeah. This has been cut out a bit. | 0:12:28 | 0:12:31 | |
Look at the workmanship that's gone into that. | 0:12:31 | 0:12:34 | |
The hours that have gone into that one card alone. | 0:12:34 | 0:12:36 | |
Really, absolutely staggering. | 0:12:36 | 0:12:39 | |
They just evoke so much of the time, they are time capsules. | 0:12:39 | 0:12:43 | |
Every single one is a time capsule, aren't they? | 0:12:43 | 0:12:46 | |
So, a lot of these cards are very desirable | 0:12:46 | 0:12:49 | |
and I think we're looking at this collection between £100 and £150. | 0:12:49 | 0:12:54 | |
-Wow. -You look a bit staggered. | 0:12:54 | 0:12:56 | |
I am staggered. Every time you say something, I'm staggered. | 0:12:56 | 0:13:00 | |
It's a shame Pat's nine grandchildren aren't interested | 0:13:00 | 0:13:03 | |
in their grandfather's collections, | 0:13:03 | 0:13:05 | |
but it means there's more money to go towards her 70th birthday bash | 0:13:05 | 0:13:09 | |
which she plans to have with her large circle of friends. | 0:13:09 | 0:13:13 | |
-This is the partying gang, is it? -Yeah, that's the gang, yeah. | 0:13:13 | 0:13:17 | |
Everybody that I've worked with has had one of my embroideries, | 0:13:17 | 0:13:22 | |
you know, for some occasion or other. | 0:13:22 | 0:13:24 | |
Pat had it when she was 70 and Maureen when she was 60 | 0:13:24 | 0:13:27 | |
and the only one who hasn't had one is Annette. That's Annette there. | 0:13:27 | 0:13:32 | |
Right. And how long have you been doing this? | 0:13:32 | 0:13:34 | |
Well, I've been doing that since... | 0:13:34 | 0:13:36 | |
That must have been over 20 years, I've been doing that. | 0:13:36 | 0:13:40 | |
Which lead you very nicely into an art degree? | 0:13:40 | 0:13:42 | |
I always wanted to do art, | 0:13:42 | 0:13:43 | |
so I went to this drawing class. | 0:13:43 | 0:13:46 | |
I went along. It was just Southwark College - | 0:13:46 | 0:13:48 | |
a little college up the road and I'm chatting to the group | 0:13:48 | 0:13:51 | |
who've obviously gone there for the art class. | 0:13:51 | 0:13:54 | |
The teacher comes up and says, "Can you help me with these easels?" | 0:13:54 | 0:13:57 | |
So, I helped her and the man that I'd been chatting to | 0:13:57 | 0:14:00 | |
was in a dressing gown | 0:14:00 | 0:14:02 | |
and so, he stripped off, so there I was in a life class. | 0:14:02 | 0:14:06 | |
I thought I'd gone to draw a bowl of fruit or something like that, | 0:14:06 | 0:14:11 | |
but I took to it like a duck to water. I was a nurse so, you know... | 0:14:11 | 0:14:15 | |
-Nothing surprises you. -Nothing surprises me, really. | 0:14:15 | 0:14:18 | |
No, and I really enjoyed it, so I carried on with that class | 0:14:18 | 0:14:22 | |
and then I thought, "Where do I go from here?" | 0:14:22 | 0:14:24 | |
They said, "Why not do an art degree?" | 0:14:24 | 0:14:26 | |
Pat, what do you make of her talent? | 0:14:26 | 0:14:28 | |
I'm in awe. Absolute awe cos I can't sew, I can't knit, I can't draw. | 0:14:28 | 0:14:34 | |
And I can't stand on my head! | 0:14:34 | 0:14:36 | |
You can stand on your head? | 0:14:36 | 0:14:38 | |
Well, I do yoga, don't I? So, you know. | 0:14:38 | 0:14:41 | |
I don't just do it at parties and things. | 0:14:41 | 0:14:43 | |
But I just think it's wonderful | 0:14:43 | 0:14:46 | |
and I feel part of it, really, in a funny sort of way, don't I? | 0:14:46 | 0:14:51 | |
-You know, I share her joy with it, really. -Aw, how nice. -Honestly. | 0:14:51 | 0:14:55 | |
Well, I think we need to raise some serious money for a serious party, | 0:14:55 | 0:14:59 | |
-so we should get on with it. Are you game? Come on, let's go. -Let's go. | 0:14:59 | 0:15:04 | |
What a talented woman Pat is. | 0:15:04 | 0:15:05 | |
She's certainly packed a lot into her 69 years. | 0:15:05 | 0:15:10 | |
Jonty's come across more of Dick's hoardings. | 0:15:10 | 0:15:14 | |
This time, it's playing cards from the early 20th century. | 0:15:14 | 0:15:17 | |
There's also a few board games in there, too. | 0:15:17 | 0:15:20 | |
Apparently, Dick used to love playing games. | 0:15:20 | 0:15:22 | |
I'm surprised he had the time, | 0:15:22 | 0:15:24 | |
cos it must've taken quite a while sorting through his collections. | 0:15:24 | 0:15:28 | |
They're all so well organised. | 0:15:28 | 0:15:30 | |
This lot get an estimate of £40-£60. | 0:15:30 | 0:15:34 | |
-Jonty? -Hello. | 0:15:34 | 0:15:36 | |
-What do you think to this? -Your deckchair? -There we go. | 0:15:36 | 0:15:40 | |
Got your sandwiches? | 0:15:40 | 0:15:41 | |
You need to be outside in the sun with a drink in your hand, don't you? | 0:15:41 | 0:15:44 | |
Now, what are we looking at here? | 0:15:44 | 0:15:47 | |
Yes, well, the shape is Victorian and you can tell that, | 0:15:47 | 0:15:51 | |
not so much by this top part, but how that turn stretches round the front. | 0:15:51 | 0:15:55 | |
That's a very 19th-century turn. | 0:15:55 | 0:15:57 | |
And it's really a folding chair, as you know, | 0:15:57 | 0:16:01 | |
but, really, a forerunner to those steamer chairs | 0:16:01 | 0:16:04 | |
that you saw in the 1920s and '30s | 0:16:04 | 0:16:06 | |
and they've now redesigned them to be outside. | 0:16:06 | 0:16:09 | |
So, it's a classic design - a classic British design. | 0:16:09 | 0:16:12 | |
Now, we're looking at this lovely cane back here. | 0:16:12 | 0:16:16 | |
-There's a bit of a problem. And have you noticed it, too? -I'm afraid so. | 0:16:16 | 0:16:20 | |
-It's that wear in the seat there. -Yeah. | 0:16:20 | 0:16:23 | |
And of course, that's where a lot of the weight goes on | 0:16:23 | 0:16:26 | |
to the seat, rather than the back. | 0:16:26 | 0:16:28 | |
Is that repairable? | 0:16:28 | 0:16:30 | |
It's repairable, but very costly, | 0:16:30 | 0:16:32 | |
because the only way that you can repair that | 0:16:32 | 0:16:34 | |
is to do every single hole by hand | 0:16:34 | 0:16:36 | |
and all of these holes here are by hand, interwoven. | 0:16:36 | 0:16:41 | |
It's very, very labour-intensive, so very costly to do. | 0:16:41 | 0:16:44 | |
It's doable, but we have to price the chair accordingly, | 0:16:44 | 0:16:47 | |
-cos I'm assuming this is for sale, is it? -Yes. | 0:16:47 | 0:16:50 | |
If it had been in good condition, then £100, easily. | 0:16:50 | 0:16:54 | |
But because we've got the damage, £40-£60. | 0:16:54 | 0:16:56 | |
But it's still worth putting for sale. Well found. | 0:16:56 | 0:16:59 | |
-Right, shall I carry it out for you? Ladies first. -Thank you so much. | 0:16:59 | 0:17:03 | |
I'm surprised Pat hasn't fixed that with her creative talent. | 0:17:03 | 0:17:07 | |
In the lounge, I notice a collection of copper and brass. | 0:17:07 | 0:17:12 | |
This kettle is from the 19th century and so is the oil lamp. | 0:17:12 | 0:17:16 | |
As you might have guessed, they belonged to, yes, Dick. | 0:17:16 | 0:17:19 | |
The estimate for the lot is £20-£40. | 0:17:19 | 0:17:23 | |
Jonty, I think I may have got another one of those, | 0:17:25 | 0:17:28 | |
whatever it is. | 0:17:28 | 0:17:30 | |
-Very similar boxes, aren't they? -Yes. -Let's have a look at that one. | 0:17:30 | 0:17:34 | |
Yes, there we go, this is a writing slope, as well. | 0:17:34 | 0:17:37 | |
What is a writing slope? | 0:17:37 | 0:17:40 | |
A little, portable folding desk, essentially. | 0:17:40 | 0:17:43 | |
I see, yes. | 0:17:43 | 0:17:45 | |
And they were really very well made indeed, | 0:17:45 | 0:17:47 | |
so, just have a look at these in detail. | 0:17:47 | 0:17:49 | |
If I just pull this lip here, underneath this flap | 0:17:49 | 0:17:52 | |
is storage for envelopes and stationery. | 0:17:52 | 0:17:55 | |
You then have that lovely writing slope, | 0:17:55 | 0:17:58 | |
so, at the top here, this is where you keep your pens and ink. | 0:17:58 | 0:18:02 | |
And here is an original inkwell, which is lovely to see. | 0:18:02 | 0:18:06 | |
Fantastic, isn't it? | 0:18:06 | 0:18:08 | |
Here on the top, you would have your quills and your pens. | 0:18:08 | 0:18:11 | |
And usually, if you were to press one side, like so, | 0:18:11 | 0:18:16 | |
you've got storage over there, as well. | 0:18:16 | 0:18:18 | |
So, that's almost like a rocking mechanism. | 0:18:18 | 0:18:21 | |
That's very similar. Possibly stamped, here, as well, | 0:18:21 | 0:18:24 | |
so you've got this very efficient storing cabinet, as well. | 0:18:24 | 0:18:30 | |
This is of similar design and here, we've got the pens at the top. | 0:18:30 | 0:18:33 | |
We've got room for... Look at this! A travelling inkwell. | 0:18:33 | 0:18:38 | |
-Look at that, the little cover. -So, if you went away for the weekend... | 0:18:38 | 0:18:44 | |
Yes, how about that? Isn't that lovely? But this is interesting. | 0:18:44 | 0:18:47 | |
I want you to compare the difference in quality. | 0:18:47 | 0:18:50 | |
Can you see one is a lot fresher than the other? | 0:18:50 | 0:18:52 | |
And you've got this embossed edge to it, as well. Moroccan leather. | 0:18:52 | 0:18:55 | |
And this would be more expensive, would it, when they were purchased? | 0:18:55 | 0:18:59 | |
Quite possibly, yes. So, if you see the interior... | 0:18:59 | 0:19:02 | |
If I fold them both away. | 0:19:02 | 0:19:04 | |
Look at the outside of this one, you've got these brass corners. | 0:19:04 | 0:19:07 | |
That protects the cabinet. So that's mahogany. | 0:19:07 | 0:19:10 | |
And I'll close this one up here, as well. That's a walnut, OK? | 0:19:10 | 0:19:16 | |
So, when it comes to price, this is the star item | 0:19:16 | 0:19:19 | |
and this is the item that has to go with it. | 0:19:19 | 0:19:22 | |
This doesn't even merit putting into a sale by itself | 0:19:22 | 0:19:24 | |
cos the condition is not good enough. But, if we put the two together, | 0:19:24 | 0:19:29 | |
-we're looking at £60-£80. -Jolly good. That's excellent. | 0:19:29 | 0:19:32 | |
-Good. -Excellent. | 0:19:32 | 0:19:34 | |
We've been kept very busy here at Pat's house | 0:19:34 | 0:19:37 | |
and the day is not quite over yet. | 0:19:37 | 0:19:39 | |
In the spare room, Pat number two notices another collection. | 0:19:39 | 0:19:42 | |
This time, it's cigarette cards, many from the 1930s. | 0:19:42 | 0:19:47 | |
Plus, some tea cards from the '70s and '80s. | 0:19:47 | 0:19:50 | |
Pat and Dick bought most of these at junk shops. | 0:19:50 | 0:19:52 | |
It's a comprehensive set | 0:19:52 | 0:19:54 | |
and many are mounted in their original albums. | 0:19:54 | 0:19:56 | |
The estimate is £30-£60. | 0:19:56 | 0:19:59 | |
A-ha, Pat, look what I found. A little Welsh hat for Aled. | 0:19:59 | 0:20:02 | |
What do you think? | 0:20:02 | 0:20:05 | |
A Welsh hat? With that long name on it. | 0:20:05 | 0:20:08 | |
-Perhaps Aled would be able to say it. -Yes, I'll let him search. | 0:20:08 | 0:20:12 | |
Now, tell me, because I'm looking here - | 0:20:12 | 0:20:15 | |
I've got two boxes here and above you, | 0:20:15 | 0:20:19 | |
there's a huge, great, big display cabinet full of crested ware. | 0:20:19 | 0:20:24 | |
Before we go any further, | 0:20:24 | 0:20:25 | |
is this a collection you're interested in selling? | 0:20:25 | 0:20:28 | |
This is a collection I'm very interested in selling. | 0:20:28 | 0:20:31 | |
Because, as you can see, a lot of it hasn't been unwrapped | 0:20:31 | 0:20:35 | |
since the '80s. | 0:20:35 | 0:20:37 | |
You can tell by the newspaper. | 0:20:37 | 0:20:39 | |
And the rest is just sat here waiting to be dusted | 0:20:39 | 0:20:42 | |
and I'm just not interested in that, | 0:20:42 | 0:20:44 | |
so I'd be very pleased to sell this collection. | 0:20:44 | 0:20:47 | |
Do you know the story of crested ware? | 0:20:47 | 0:20:49 | |
Not much of an idea, but I gather that they were seaside souvenirs | 0:20:49 | 0:20:53 | |
that people used to bring home from the seaside. | 0:20:53 | 0:20:56 | |
You're absolutely right. It was for the tourist trade. | 0:20:56 | 0:20:59 | |
The market exploded in the late 19th century | 0:20:59 | 0:21:03 | |
through into the beginning of the 20th century. | 0:21:03 | 0:21:05 | |
And that's the reason why we have different shapes, different sizes, | 0:21:05 | 0:21:09 | |
from not only the seaside, but from different parts, as well. | 0:21:09 | 0:21:12 | |
So, for instance, if I were to pluck this little can here, | 0:21:12 | 0:21:18 | |
because can you see, impressed, it says, "Motor spirit"? | 0:21:18 | 0:21:22 | |
And on the front, it's got the crest of High Wycombe. | 0:21:22 | 0:21:24 | |
For my money, High Wycombe is as far from the sea | 0:21:24 | 0:21:27 | |
as any other city or town in the UK. | 0:21:27 | 0:21:30 | |
There's probably a reason why, all of a sudden, | 0:21:30 | 0:21:33 | |
there was a market for this kind of ware, | 0:21:33 | 0:21:35 | |
because in 1871, there became, | 0:21:35 | 0:21:40 | |
for the first time in the UK, paid holidays. | 0:21:40 | 0:21:41 | |
Bank holidays were introduced which means that the working classes | 0:21:41 | 0:21:46 | |
could actually be paid for leisure time. | 0:21:46 | 0:21:49 | |
Before that, there was no paid leisure time. | 0:21:49 | 0:21:52 | |
And so, if you went to the seaside with a few shillings in your pocket, | 0:21:52 | 0:21:56 | |
a few pennies in your pocket, you needed to come back with a souvenir. | 0:21:56 | 0:22:00 | |
When I was first in the business, | 0:22:00 | 0:22:02 | |
this crested ware was very saleable, the market was really very buoyant. | 0:22:02 | 0:22:07 | |
What's happened in recent times is the market's increased, | 0:22:07 | 0:22:10 | |
but it's also come down the other side. | 0:22:10 | 0:22:12 | |
-But this collection here is still worth between £200-£300. -Not bad. | 0:22:12 | 0:22:18 | |
-Are you pleased? -Very pleased. -Wonderful! | 0:22:18 | 0:22:22 | |
-Shall we tell the other two? -Let's. | 0:22:22 | 0:22:23 | |
Mr Jones? Pat? Are you there? | 0:22:23 | 0:22:26 | |
Yes, we are, big smiles on your faces. What's going on? | 0:22:26 | 0:22:29 | |
Before we go any further, I've got a little present for you. | 0:22:29 | 0:22:33 | |
Oh, lovely, I like a present. What have you got? | 0:22:33 | 0:22:35 | |
We can't read the top of that. Could you tell us what it says. | 0:22:35 | 0:22:39 | |
It's a Snowdon hat and it says round the edge... I can't tell you that. | 0:22:39 | 0:22:42 | |
-Do you really want to know? -Oh, I see. -It's very rude. | 0:22:42 | 0:22:47 | |
It says Llanfairpwll- gwyngyllgogerychwyrndrobwyll- llantysiliogogogoch. | 0:22:47 | 0:22:51 | |
-I think you. -Impressed. -Wonderful! | 0:22:51 | 0:22:52 | |
That's the reason they got me on the show. | 0:22:52 | 0:22:55 | |
Isn't that lovely? Absolutely lovely. We talking a lot of money? | 0:22:55 | 0:22:59 | |
Well, all this collection that you see behind us here - £200-£300. | 0:22:59 | 0:23:03 | |
-Right, gosh. -Not bad, eh? | 0:23:03 | 0:23:05 | |
You were after £500 for a good old night out. | 0:23:05 | 0:23:09 | |
Do you want to know how much money you've hopefully made today? | 0:23:09 | 0:23:13 | |
Taking Jonty's lowest estimate on everything, OK, | 0:23:13 | 0:23:16 | |
we're hoping to make in the region of... | 0:23:16 | 0:23:20 | |
-Go on. -Do you really want to know? -No. | 0:23:20 | 0:23:22 | |
-£900. -No! -Yes. -Yeah. | 0:23:22 | 0:23:26 | |
Cor, that's some beano! | 0:23:26 | 0:23:28 | |
That's what they call in the industry a serious beano, I think! | 0:23:28 | 0:23:32 | |
What an amazing rummage we've had here at Pat's. | 0:23:33 | 0:23:36 | |
I can't wait to see how all her things do at auction, | 0:23:36 | 0:23:39 | |
including the late 19th-century oak smoker's cabinet | 0:23:39 | 0:23:43 | |
which Jonty said was in mint condition. | 0:23:43 | 0:23:46 | |
Pat thinks it may have belonged to Dick's grandparents. | 0:23:46 | 0:23:49 | |
It should sell for £50-£80. | 0:23:49 | 0:23:51 | |
There's all the different train sets, many still boxed, | 0:23:51 | 0:23:55 | |
plus lots of Hornby track, too. | 0:23:55 | 0:23:57 | |
These are very collectable and their estimate is £200-£400. | 0:23:57 | 0:24:02 | |
And my favourite those vintage toy cars, | 0:24:02 | 0:24:05 | |
farm animals and petrol station. | 0:24:05 | 0:24:07 | |
Jonty has a hunch these could go through the roof | 0:24:07 | 0:24:10 | |
and surpass his £100-£150 estimate. | 0:24:10 | 0:24:14 | |
Still to come on Cash In The Attic, we soon get an idea | 0:24:14 | 0:24:18 | |
of the sort of 70th birthday party that Pat has in mind. | 0:24:18 | 0:24:22 | |
We'll have pop and crisps. You know, Tizer. | 0:24:22 | 0:24:25 | |
I'm pleased you said that cos I thought you'd say Naked Twister. | 0:24:25 | 0:24:28 | |
'I'd be there, then. | 0:24:28 | 0:24:29 | |
'Pat tells us why the collection of brass is definitely one thing | 0:24:29 | 0:24:32 | |
'she'll not be sad to see the back of.' | 0:24:32 | 0:24:35 | |
I've spent many unhappy hours polishing it. | 0:24:35 | 0:24:38 | |
That's why you're asking £20-£40. | 0:24:38 | 0:24:40 | |
-I'd pay money for them to take it. -Don't say that! | 0:24:40 | 0:24:43 | |
Stand by for some excitement when the hammer finally falls. | 0:24:43 | 0:24:48 | |
Well, it's been a few weeks | 0:24:53 | 0:24:55 | |
since we rummaged our way around Pat's house in West Dulwich | 0:24:55 | 0:24:58 | |
and found box upon box of hidden treasures and forgotten antiques. | 0:24:58 | 0:25:02 | |
And they've been brought here, to Chiswick Auction House in London. | 0:25:02 | 0:25:06 | |
Pat wants to raise £500. Let's hope we do better than that. | 0:25:06 | 0:25:10 | |
She wants to have a rip-roaring time with her friends for her birthday. | 0:25:10 | 0:25:14 | |
It's a joint 70th birthday party for her and her friend Pat | 0:25:14 | 0:25:18 | |
and if our expert's valuations are accurate, | 0:25:18 | 0:25:21 | |
she should raise £900 for it here today. | 0:25:21 | 0:25:24 | |
-Good morning, stereo Pats. How are you? You've made it. -We've made it. | 0:25:24 | 0:25:29 | |
-Looking forward to this? -We are. -Don't be too alarmed, | 0:25:29 | 0:25:33 | |
but I have some news. Jonty's not here, I'm afraid, | 0:25:33 | 0:25:36 | |
but you're in safe hands. Don't be too disappointed. | 0:25:36 | 0:25:39 | |
-You looked like you were going to strike me! -I wouldn't do that. | 0:25:39 | 0:25:42 | |
Are you going to be sad to see any of this go? | 0:25:42 | 0:25:44 | |
No, absolutely not sad to see it go. It hasn't even left a hole behind, | 0:25:44 | 0:25:49 | |
cos I thought the room was going to look emptier at home, but no. | 0:25:49 | 0:25:52 | |
-You've got a lot of stuff, that's why. -I've got a lot of stuff. | 0:25:52 | 0:25:55 | |
You're hoping to raise £900. | 0:25:55 | 0:25:58 | |
Yeah, I can't bear the idea of spending that much on food | 0:25:58 | 0:26:01 | |
and so, we rang round the ten friends | 0:26:01 | 0:26:04 | |
and we've decided that we'd like to spend the first £500 | 0:26:04 | 0:26:08 | |
-on the Pakistani Flood Relief Fund. -Wonderful! | 0:26:08 | 0:26:11 | |
And the rest of the money goes on a good old party? | 0:26:11 | 0:26:14 | |
-What was it called again? -A beano. -And what's a beano, remind me? | 0:26:14 | 0:26:18 | |
-A raucous jollification! -A raucous jollification! | 0:26:18 | 0:26:21 | |
I like the sound of that. | 0:26:21 | 0:26:23 | |
'Well, we must cross our fingers that today's raucous jollification | 0:26:23 | 0:26:28 | |
'results in copious quantities of glittering coinage. | 0:26:28 | 0:26:31 | |
'Seriously, it's generous of Pat and her friends | 0:26:31 | 0:26:33 | |
'to think of those in need, while planning their own happy day. | 0:26:33 | 0:26:37 | |
'The first of Pat's lots to come up | 0:26:37 | 0:26:39 | |
'is the mahogany Edwardian three-tier cake stand.' | 0:26:39 | 0:26:44 | |
I'm envisaging the fact that your husband decided | 0:26:44 | 0:26:47 | |
that he was going to collect cake stands, | 0:26:47 | 0:26:49 | |
got to one and then thought, "I really don't have room for it". | 0:26:49 | 0:26:52 | |
What's it worth? Start me. £10 the lot, for the cake stand. | 0:26:52 | 0:26:55 | |
Ten, I'm bid. 12, there. 14, 16, 18, | 0:26:55 | 0:26:59 | |
20, 22. £22. The number raised at £22. Anybody else? | 0:26:59 | 0:27:04 | |
25, 28, 30, 32, 35, | 0:27:04 | 0:27:09 | |
38, 40. | 0:27:09 | 0:27:11 | |
£40 to the lady there, at 40. Anybody else? | 0:27:11 | 0:27:14 | |
I'm going to sell it for 40. 299. | 0:27:14 | 0:27:17 | |
I think it's what you call in the business a good start. | 0:27:17 | 0:27:20 | |
And it's a sign that the bidders recognise the quality | 0:27:20 | 0:27:23 | |
of the stuff Pat's brought here. | 0:27:23 | 0:27:25 | |
Well, what will they make of her Victorian cane folding chair | 0:27:25 | 0:27:28 | |
with an estimate of £40-£60? | 0:27:28 | 0:27:31 | |
I can't tell you where that came from | 0:27:31 | 0:27:33 | |
any more than I can tell you where anything else came from. | 0:27:33 | 0:27:37 | |
I think it grew! | 0:27:37 | 0:27:38 | |
It's a beautiful chair, though. | 0:27:38 | 0:27:40 | |
It is nice chair. It's a good-looking chair, isn't it? | 0:27:40 | 0:27:42 | |
You found this, if I remember rightly. | 0:27:42 | 0:27:45 | |
Jonty said, "The seat's broken". | 0:27:45 | 0:27:47 | |
-Jonty's very negative. -The seat WAS broken. | 0:27:47 | 0:27:50 | |
Oh. He's very truthful! | 0:27:50 | 0:27:53 | |
£10 for the lot then, to go. 10, I'm bid, there. Thank you. | 0:27:53 | 0:27:57 | |
At £10, it's not very good so far. At £12. | 0:27:57 | 0:28:01 | |
14, 16, no? | 0:28:01 | 0:28:04 | |
£16, it is, then, at £16. | 0:28:04 | 0:28:07 | |
Not quite enough. £16? Are you all done, then, at £16? | 0:28:07 | 0:28:12 | |
So, £16, he decided not to sell it. | 0:28:12 | 0:28:14 | |
-Aw, that's a pity. -So, it's coming home with you. | 0:28:14 | 0:28:18 | |
I really don't want to take it. | 0:28:18 | 0:28:21 | |
Oh, dear. I think Pat would've been happy for it to go for any price. | 0:28:21 | 0:28:25 | |
Let's hope we have more luck | 0:28:25 | 0:28:27 | |
with the cigarette and tea card collection, | 0:28:27 | 0:28:29 | |
which is up next for £30-£60. | 0:28:29 | 0:28:32 | |
Is it right that you found these all over the house? | 0:28:32 | 0:28:36 | |
All different corners of the house. Tried to collect them all together. | 0:28:36 | 0:28:39 | |
-I'm amazed you can find your clothes in the morning. -Yes, good point! | 0:28:39 | 0:28:44 | |
I'm glad to say that I've got one, two, three, four commissioned bids | 0:28:44 | 0:28:50 | |
and I can start the bidding straight away at £70. | 0:28:50 | 0:28:54 | |
That's already £10 over the highest estimate. | 0:28:54 | 0:28:58 | |
80, 85, 90, 95. | 0:28:58 | 0:29:02 | |
£95 it is now, 100. | 0:29:02 | 0:29:04 | |
Oh, my goodness me! Who would have thought it? | 0:29:04 | 0:29:07 | |
120, there. At 120. Are you all done on £120? | 0:29:07 | 0:29:11 | |
I'm going to sell at 120 for all those cigarette cards, 120. | 0:29:11 | 0:29:14 | |
That makes up for the steamer chair. | 0:29:14 | 0:29:17 | |
You've got to let the steamer chair go. Let it go. | 0:29:17 | 0:29:21 | |
That's brilliant, isn't it? | 0:29:21 | 0:29:23 | |
-It's a good feeling, isn't it? -No, I wanted the steamer chair to go. | 0:29:23 | 0:29:27 | |
You hold her! | 0:29:27 | 0:29:30 | |
I don't know, there's no pleasing some people! | 0:29:30 | 0:29:33 | |
Coming up next is the late 19th-century oak smoker's cabinet, | 0:29:33 | 0:29:36 | |
which may have come from Dick's grandparents. | 0:29:36 | 0:29:40 | |
I love this. You had the pipes inside, didn't you? | 0:29:40 | 0:29:43 | |
Pipes and the original tobacco jar, yes. | 0:29:43 | 0:29:49 | |
I was amazed to find out how old it was. That did surprise me. | 0:29:49 | 0:29:52 | |
Are you going to miss it? | 0:29:52 | 0:29:53 | |
No, I'm not going to miss it because I just don't use it. | 0:29:53 | 0:29:56 | |
£50-£80. Solid. Jonty's got hope for it. | 0:29:56 | 0:29:59 | |
-Yeah, Jonty had hope for the steamer chair, too! -Yeah, fair point. | 0:29:59 | 0:30:04 | |
Interest in this, I'm glad to say. Straight in at £55. | 0:30:04 | 0:30:07 | |
At 55 and 60, I'll take. 55, 60, 65. Still with me on the book at 65. | 0:30:07 | 0:30:12 | |
You all done at £65? 70, the lady at the back there, at 70. Are you done? | 0:30:12 | 0:30:17 | |
75, fresh bidding. 80? 85? | 0:30:17 | 0:30:22 | |
£85, then. Nearer to me at 85. You all done? 85, it is. | 0:30:22 | 0:30:26 | |
-That's brilliant! -What did he say? What did he say? -£85. | 0:30:26 | 0:30:31 | |
£50-£80, Jonty said, so we're £5 above his highest estimate. | 0:30:31 | 0:30:36 | |
Well, Jonty did say it was in mint condition, | 0:30:36 | 0:30:39 | |
so I'm not surprised it did sell well. | 0:30:39 | 0:30:41 | |
How will her circular Edwardian mahogany occasional table do here? | 0:30:41 | 0:30:46 | |
It's in very good condition, too, because Pat never used it. | 0:30:46 | 0:30:50 | |
-You found this, didn't you? -I did, I love it. It's a lovely table. | 0:30:50 | 0:30:53 | |
I found the drawer underneath it. | 0:30:53 | 0:30:56 | |
Cutlery, I should imagine, Pat. Not that you put any in it, did you? | 0:30:56 | 0:31:00 | |
She never used it, so she wouldn't know. | 0:31:00 | 0:31:02 | |
I think probably that's what it was for. | 0:31:02 | 0:31:06 | |
I love that table for afternoon tea or something. | 0:31:06 | 0:31:08 | |
Do you not do afternoon tea? | 0:31:08 | 0:31:10 | |
-No, not very often, no. -Don't do tea, cakes, coffee. | 0:31:10 | 0:31:14 | |
What DO you do? There's a song in there. | 0:31:14 | 0:31:16 | |
I do the cleaning and the hoovering | 0:31:16 | 0:31:18 | |
and I kind of garden, but apart from that, I'm quite busy. | 0:31:18 | 0:31:21 | |
Jonty says £40-£60. Time to find out how we'll get on. | 0:31:21 | 0:31:25 | |
-A little bit of interest here, I'm bid £40. -That's good. -45, 50. | 0:31:25 | 0:31:30 | |
£50. That little occasional table at £50. | 0:31:30 | 0:31:32 | |
Five, I'll take from somebody else. At £50, then, it is. £50, it goes. | 0:31:32 | 0:31:37 | |
-50 quid. Bang in the middle. Can't say fairer than that. -No. | 0:31:37 | 0:31:41 | |
-Occasionally, it goes like that. -Oh, no! | 0:31:41 | 0:31:45 | |
I'm pleased my so-called humour isn't wasted on these two ladies. | 0:31:45 | 0:31:49 | |
Next, it's Dick's collection of die-cast toy cars, | 0:31:49 | 0:31:53 | |
farm animals, plus that Dinky petrol station | 0:31:53 | 0:31:56 | |
which Jonty said was worth its weight in gold. | 0:31:56 | 0:31:58 | |
Let's see if he's right. | 0:31:58 | 0:31:59 | |
Now, listen, it's a big ask, this. £100-£150. | 0:31:59 | 0:32:04 | |
-That is a big ask. -All we need is two toy collectors in the room | 0:32:04 | 0:32:09 | |
and it could go sky-high. | 0:32:09 | 0:32:10 | |
A couple of bids, so we'll start off with a healthy £80. | 0:32:10 | 0:32:14 | |
85, 90, 95, 100, 110, 120 there, 130, | 0:32:14 | 0:32:20 | |
140, 150, 160, 170, | 0:32:20 | 0:32:24 | |
180, 190, 200, 210, 220... | 0:32:24 | 0:32:28 | |
-What did I tell you? -Shut up! -240, 250... -Tell him to carry on. | 0:32:28 | 0:32:34 | |
280, 290... | 0:32:34 | 0:32:35 | |
SHE SINGS | 0:32:35 | 0:32:38 | |
..340, 360, 380, | 0:32:38 | 0:32:41 | |
400, 420, 440, 460, 480, | 0:32:41 | 0:32:46 | |
500, 550, 600, 650, 700, 750, | 0:32:46 | 0:32:52 | |
800, 850, 900, 950. £1,000. | 0:32:52 | 0:32:57 | |
1,100? £1,100, there. | 0:32:57 | 0:33:00 | |
-At £1,100. -Blooming heck! | 0:33:00 | 0:33:02 | |
£1,100 for those toys. | 0:33:02 | 0:33:04 | |
1,100, then. Thank you. | 0:33:04 | 0:33:07 | |
Bring on the beano, I would say. | 0:33:07 | 0:33:10 | |
-That's amazing, isn't it? -That really is. That's good. | 0:33:10 | 0:33:13 | |
Two people in the room really wanted it. | 0:33:13 | 0:33:15 | |
That guy wasn't giving up, was he? | 0:33:15 | 0:33:17 | |
No, no. Oh, Pat! | 0:33:17 | 0:33:20 | |
I know! | 0:33:20 | 0:33:21 | |
Jonty's prediction about the fine tin garage was spot-on. | 0:33:21 | 0:33:25 | |
It was certainly the hidden gem in this collection. | 0:33:25 | 0:33:28 | |
It brought our total so far to £1,395. | 0:33:28 | 0:33:31 | |
But I'll keep the good news to myself, just for now. | 0:33:31 | 0:33:36 | |
If you've been inspired by Pat's progress | 0:33:36 | 0:33:38 | |
and want to try selling at auction yourself, | 0:33:38 | 0:33:40 | |
bear in mind that fees such as commission | 0:33:40 | 0:33:42 | |
will be added to your bill. | 0:33:42 | 0:33:44 | |
This charge varies from one saleroom to another, | 0:33:44 | 0:33:48 | |
so it's worth enquiring in advance. | 0:33:48 | 0:33:50 | |
Our sale continues and next to come up | 0:33:50 | 0:33:52 | |
are our two late 19th-century writing slopes, | 0:33:52 | 0:33:55 | |
with an estimate of £60-£80. | 0:33:55 | 0:33:58 | |
It seems a lot for just two little wooden boxes. | 0:33:58 | 0:34:01 | |
And I'm not going to bother asking you if you'd miss them. | 0:34:01 | 0:34:04 | |
-I won't miss them. -You didn't even know they were there. | 0:34:04 | 0:34:07 | |
Start me £30? £30 for the writing slope. | 0:34:07 | 0:34:09 | |
£20 for the writing slope, surely? | 0:34:09 | 0:34:11 | |
20, I'm bid, here. 22, | 0:34:11 | 0:34:14 | |
25, 28, 30, 32, | 0:34:14 | 0:34:18 | |
-35... -What was this? -At 35. -Sold? No. | 0:34:18 | 0:34:23 | |
40, 42, 45, 48, 50, 55. | 0:34:23 | 0:34:29 | |
£55 here, at 55. At £55, 55. | 0:34:29 | 0:34:35 | |
-Not bad. -What did he say? | 0:34:35 | 0:34:37 | |
£60-£80. So, £5 under the lowest estimate. | 0:34:37 | 0:34:41 | |
I don't think we had anything to complain about there, really. | 0:34:41 | 0:34:45 | |
Next up, for £40-£60, is Dick's collection | 0:34:45 | 0:34:48 | |
of Victorian, and later, board games and cards. | 0:34:48 | 0:34:51 | |
A huge collection. It could only come from your house. | 0:34:51 | 0:34:55 | |
I'd found some of the board games | 0:34:55 | 0:34:57 | |
earlier and thought they were attractive, | 0:34:57 | 0:34:59 | |
but I hadn't found the card games. | 0:34:59 | 0:35:01 | |
And some of the other games, I found those since. | 0:35:01 | 0:35:04 | |
And one of the card games | 0:35:04 | 0:35:05 | |
I recognised that we played with when the kids were little, | 0:35:05 | 0:35:08 | |
so I've taken that out. | 0:35:08 | 0:35:09 | |
I'm getting a bit worried now. When you have this birthday party, | 0:35:09 | 0:35:13 | |
what are you going to play if you haven't got any board games? | 0:35:13 | 0:35:16 | |
Oh, we'll play charades. | 0:35:16 | 0:35:17 | |
-And we'll have pop and crisps, you know. -Thank goodness. | 0:35:17 | 0:35:21 | |
I'm pleased you said that. I had visions of you saying Naked Twister. | 0:35:21 | 0:35:25 | |
-Naked Twister? -Let's see how we get on. -Is that cards? -No, it's not! | 0:35:25 | 0:35:28 | |
Straight in here at a £50 bid with me, on the books. | 0:35:28 | 0:35:31 | |
Straight in the middle. | 0:35:31 | 0:35:32 | |
55, I'll take, from somebody else for the board games. £50. 55. 60. | 0:35:32 | 0:35:36 | |
65, 70. | 0:35:36 | 0:35:38 | |
Still with me at £70. | 0:35:38 | 0:35:39 | |
Doesn't seem a lot of money, at 70, but I can sell, if you're all done. | 0:35:39 | 0:35:43 | |
At £70, then. £70, they go. £70. | 0:35:43 | 0:35:47 | |
-Ooh. -The auctioneer was quite surprised by that. | 0:35:47 | 0:35:50 | |
I think he thought they would go for quite a bit more, | 0:35:50 | 0:35:52 | |
-but we said 40-60 and they went for 70. -Middle of the road again. | 0:35:52 | 0:35:56 | |
No, no, it wasn't. It was more. She's not very good at maths. | 0:35:56 | 0:35:59 | |
I'm not, either, to be honest, but we don't mind in the least | 0:35:59 | 0:36:02 | |
because it's all going so well. | 0:36:02 | 0:36:04 | |
Next up, it's another large collection. | 0:36:04 | 0:36:07 | |
Dick's early 20th-century postcards. | 0:36:07 | 0:36:09 | |
Most of the postcards, when I found those, my husband | 0:36:09 | 0:36:13 | |
had actually catalogued. He had catalogued | 0:36:13 | 0:36:15 | |
the First World War ones, which I looked at this morning, | 0:36:15 | 0:36:18 | |
and he's catalogued the others under place names and things like that. | 0:36:18 | 0:36:22 | |
-But there's others scattered that I don't know about. -Amazing. | 0:36:22 | 0:36:26 | |
What are we hoping for? 100-150, so it's a big ask, isn't it? | 0:36:26 | 0:36:30 | |
It is, but I've been so surprised today, | 0:36:30 | 0:36:32 | |
nothing surprises me any more! | 0:36:32 | 0:36:34 | |
-What do we know?! -Exactly! -All will be revealed. | 0:36:34 | 0:36:37 | |
-We know nothing. -Yeah, we know nothing! | 0:36:37 | 0:36:40 | |
A really terrific lot, this, | 0:36:40 | 0:36:42 | |
and I've got a terrific amount of interest. | 0:36:42 | 0:36:44 | |
"Terrific amount of interest". | 0:36:44 | 0:36:46 | |
And I'm straight in at £100. 110, I'll take. | 0:36:46 | 0:36:49 | |
With me, at £100. 110, 120. | 0:36:49 | 0:36:51 | |
130, there. 140, 150, 160, | 0:36:51 | 0:36:56 | |
-170... -Deep breath, girls, here we go again. -..190, 200. | 0:36:56 | 0:37:00 | |
£200, in the doorway, then, at 200. | 0:37:00 | 0:37:02 | |
210, 220, | 0:37:02 | 0:37:04 | |
230. | 0:37:04 | 0:37:06 | |
230, on the phone. At 230. | 0:37:06 | 0:37:08 | |
Anybody else? At £230... At £230, all done? | 0:37:08 | 0:37:12 | |
For 230, I'm going to sell it. | 0:37:12 | 0:37:15 | |
-230. -Yes! | 0:37:15 | 0:37:17 | |
You can lift your chin back up now! | 0:37:20 | 0:37:22 | |
Incredible - and testament to Pat's husband's good judgment | 0:37:22 | 0:37:26 | |
in collecting things of real quality. | 0:37:26 | 0:37:28 | |
One of his small collections is next. Some copper and brassware, | 0:37:28 | 0:37:32 | |
including a 19th-century kettle and oil lamp. | 0:37:32 | 0:37:35 | |
Aled, don't ask me if I want to get rid of this brass. | 0:37:36 | 0:37:39 | |
It's the one thing I really want to see go. | 0:37:39 | 0:37:41 | |
I've spent many unhappy hours polishing it. | 0:37:41 | 0:37:43 | |
-That's why you're asking £20-£40? -I'd pay money for them to take it. | 0:37:43 | 0:37:47 | |
Don't say that! | 0:37:47 | 0:37:49 | |
So, it's goodbye to the copper brass oil lamp and kettles, etc. | 0:37:49 | 0:37:54 | |
-Exactly. -"I don't want to polish them no longer." | 0:37:54 | 0:37:56 | |
Bit of interest, I've got a £20 left bid with me. | 0:37:56 | 0:37:59 | |
This might not sell. They might be coming home with you. | 0:37:59 | 0:38:02 | |
No, definitely not. | 0:38:02 | 0:38:03 | |
I'd be totally gutted. | 0:38:03 | 0:38:05 | |
£28, in the room. At £28, you all done? 30 here, on the sofa. | 0:38:05 | 0:38:09 | |
£30. On the sofa here, at 30. | 0:38:09 | 0:38:12 | |
GAVEL BANGS | 0:38:12 | 0:38:13 | |
-Bang in the middle. -Was that really in the middle? | 0:38:13 | 0:38:16 | |
-Put your hand out and wave goodbye to the brass. -I'm so pleased. | 0:38:16 | 0:38:19 | |
No more cleaning brass - and 30 quid. | 0:38:19 | 0:38:22 | |
It's a win-win situation and we're all happy. | 0:38:22 | 0:38:26 | |
Now, it's the turn of Dick's large collection | 0:38:26 | 0:38:29 | |
of boxed train sets and track, | 0:38:29 | 0:38:31 | |
with an estimate of £200-400. | 0:38:31 | 0:38:34 | |
I'm glad to see these go, because they've just been sitting in boxes | 0:38:34 | 0:38:37 | |
and I like to think things are actually being used. | 0:38:37 | 0:38:40 | |
The auction house have decided to split the collection into three lots | 0:38:40 | 0:38:44 | |
and up first is some boxed rolling stock. | 0:38:44 | 0:38:48 | |
I'm straight in at £120. | 0:38:48 | 0:38:50 | |
-Wow. -That's only for part of it, too. -Yep, 100-200 we're looking for. | 0:38:50 | 0:38:55 | |
150, 160, 170, 180. | 0:38:55 | 0:38:58 | |
190, 200. £200. 210. | 0:38:58 | 0:39:03 | |
210, there. Do you want 220? | 0:39:03 | 0:39:05 | |
-220. -Here we go. -230. -That's only for part of it. | 0:39:05 | 0:39:08 | |
-That's only for one of them. -260. | 0:39:08 | 0:39:10 | |
260, there. 260, there. | 0:39:10 | 0:39:12 | |
Seated, at 260. Against the book, then, at 260. Anybody else? | 0:39:12 | 0:39:17 | |
At £260, it is, then. 260... | 0:39:17 | 0:39:20 | |
GAVEL BANGS | 0:39:20 | 0:39:21 | |
I'm looking forward to the other two now, are you? | 0:39:21 | 0:39:23 | |
No! Don't think I can bear it. | 0:39:23 | 0:39:26 | |
The second lot is some model railway accessories. | 0:39:26 | 0:39:29 | |
I'm going to sell it, make no mistake. £40, thank you. | 0:39:29 | 0:39:33 | |
-Not bad. -Went slightly off the rails. | 0:39:33 | 0:39:35 | |
And last, but not least, some more boxed train sets. | 0:39:35 | 0:39:39 | |
At £200, I'm going to sell them. | 0:39:39 | 0:39:41 | |
GAVEL BANGS | 0:39:41 | 0:39:43 | |
-What's the total? -The whole train set's gone for 500 quid. | 0:39:43 | 0:39:47 | |
I think it's just all too overwhelming | 0:39:49 | 0:39:51 | |
for Pat to really take in! | 0:39:51 | 0:39:54 | |
And there's no time to pause and reflect, as we still have | 0:39:54 | 0:39:57 | |
the crested china to go. It's another massive collection | 0:39:57 | 0:40:01 | |
and the estimate for the lot is £200-£300. | 0:40:01 | 0:40:05 | |
The china is something that I did actually buy. | 0:40:05 | 0:40:09 | |
Not all of it, but some of it. | 0:40:09 | 0:40:10 | |
I'm envious, because someone's getting that hat with | 0:40:10 | 0:40:13 | |
Llanfairpwll- gwyngyllgogerychwyrndrobwyll- llantysiliogogogoch | 0:40:13 | 0:40:16 | |
-written on it. -That wasn't what you said at the time! | 0:40:16 | 0:40:19 | |
Terrific lot, what's it worth? Start me, £150, for the lot. | 0:40:19 | 0:40:22 | |
150, I'm bid, here. Is that it, at £150, for the Goss? | 0:40:24 | 0:40:28 | |
At 150, I can't believe it. | 0:40:28 | 0:40:31 | |
At £150, you all done? £150, I'm selling... | 0:40:31 | 0:40:34 | |
Interesting. The auctioneer was surprised, as well, wasn't he? | 0:40:35 | 0:40:37 | |
-He expected more. -He did. | 0:40:37 | 0:40:39 | |
You know what? Sometimes the bidders just ain't in the room. | 0:40:39 | 0:40:42 | |
-We saw them going out! -Exactly! | 0:40:42 | 0:40:45 | |
Oh, what a shame that didn't make a little more, but I don't think | 0:40:45 | 0:40:48 | |
Pat is at all disappointed. | 0:40:48 | 0:40:51 | |
We all know she's made way over her £500 that she wanted for her party, | 0:40:51 | 0:40:55 | |
so I can't wait to tell her the final total. | 0:40:55 | 0:40:58 | |
You've actually raised, for charity and for your huge, huge beano, | 0:40:58 | 0:41:04 | |
-£2,430. -Oh, no. Aled, honestly, I really am surprised. | 0:41:04 | 0:41:11 | |
-£2,430. -Oh, crikey! | 0:41:11 | 0:41:16 | |
I think we need a group hug. | 0:41:16 | 0:41:18 | |
We do. Oh, that's so lovely. I can't tell you. | 0:41:18 | 0:41:22 | |
Oh... Oh, dear me. | 0:41:22 | 0:41:23 | |
With that incredible amount, | 0:41:28 | 0:41:30 | |
Pat was able to make her generous charity donation. | 0:41:30 | 0:41:33 | |
The rest, she is going to spend on doing jobs around the house. | 0:41:33 | 0:41:36 | |
That's after she's paid for her special beano | 0:41:36 | 0:41:39 | |
with all her close friends. | 0:41:39 | 0:41:40 | |
These lovely people are the ten people that I used to work with. | 0:41:40 | 0:41:45 | |
I retired ten years ago | 0:41:45 | 0:41:46 | |
and we probably worked together for ten years before that, | 0:41:46 | 0:41:49 | |
so we all worked in a particular clinic. | 0:41:49 | 0:41:51 | |
They're all nurses of different kinds. | 0:41:51 | 0:41:54 | |
They've been a big support, when my husband died, | 0:41:54 | 0:41:56 | |
when things have happened in all the different families. | 0:41:56 | 0:41:59 | |
It's just been a really big support group. | 0:41:59 | 0:42:03 | |
The team came over to the house and it was just a fun day. | 0:42:03 | 0:42:06 | |
We enjoy it, really, and I've never been to an auction, | 0:42:06 | 0:42:09 | |
so going to an auction was a new experience - and very enjoyable. | 0:42:09 | 0:42:13 | |
And we were feeling quite elated afterwards | 0:42:13 | 0:42:16 | |
and had a very enjoyable evening afterwards, as well! | 0:42:16 | 0:42:19 | |
Right, girls, cheers! | 0:42:19 | 0:42:21 | |
ALL: Cheers! | 0:42:21 | 0:42:23 |