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This show searches through your home, finds your hidden treasures | 0:00:02 | 0:00:05 | |
and helps you sell them at auction. | 0:00:05 | 0:00:07 | |
I'm meeting a family who've come home to roost | 0:00:07 | 0:00:09 | |
after spending most of their life travelling around the world. | 0:00:09 | 0:00:13 | |
I wonder what they've picked up on their travels. | 0:00:13 | 0:00:16 | |
'Coming up on Cash In The Attic - The value of a Victorian Davenport | 0:00:36 | 0:00:40 | |
'is just not what it used to be.' | 0:00:40 | 0:00:42 | |
It would be a very cheap desk. | 0:00:42 | 0:00:44 | |
It would be. I might buy it for that. | 0:00:44 | 0:00:46 | |
THEY LAUGH | 0:00:46 | 0:00:47 | |
'And our expert David demonstrates what you do with a stirrup cup.' | 0:00:47 | 0:00:52 | |
One for the road, I suppose. | 0:00:52 | 0:00:54 | |
A quick shot, off I'd go on my horsey over the Highlands. | 0:00:54 | 0:00:57 | |
'When it comes to the auction, | 0:00:57 | 0:00:59 | |
'we anticipate lots of interest for some silver.' | 0:00:59 | 0:01:03 | |
That's a come-and-get-me estimate. | 0:01:03 | 0:01:05 | |
-Is it really? -Oh, yes. -All right. | 0:01:05 | 0:01:07 | |
'Be there for a fun auction when the hammer falls.' | 0:01:07 | 0:01:12 | |
Well, today I'm in Berkshire to help one family | 0:01:13 | 0:01:16 | |
hunt out their collectables as they settle into their new home. | 0:01:16 | 0:01:19 | |
They don't have room for everything, | 0:01:19 | 0:01:21 | |
so quite a lot of it has got to go, making some money in the process. | 0:01:21 | 0:01:26 | |
'Fred Millen grew up in Ohio | 0:01:26 | 0:01:27 | |
'and joined the US Air Force when he left school. | 0:01:27 | 0:01:30 | |
'In 1976, he was stationed in the UK, where he met Maureen. | 0:01:30 | 0:01:34 | |
'His work for the military took him and Maureen all over the world. | 0:01:34 | 0:01:39 | |
'But for the last decade, they've spent most of it in Hawaii. | 0:01:39 | 0:01:42 | |
'This well-travelled couple, however, want to settle down | 0:01:42 | 0:01:45 | |
'and need a little help working out what might be worth selling | 0:01:45 | 0:01:49 | |
'from all the paraphernalia they've collected | 0:01:49 | 0:01:52 | |
'from the four corners of the globe. | 0:01:52 | 0:01:55 | |
'The garden of their new home here in Berkshire | 0:01:55 | 0:01:58 | |
'is going to take over as their main interest, | 0:01:58 | 0:02:02 | |
'so Fred's itchy feet could soon be replaced by his green fingers. | 0:02:02 | 0:02:06 | |
'Niece Nicole is on hand to help her uncle with the rummage | 0:02:06 | 0:02:09 | |
'and I'm joined by David Harper, who's been interested in antiques since he was a young lad. | 0:02:09 | 0:02:13 | |
'He's keen to search for anything that might do well at auction | 0:02:13 | 0:02:17 | |
'while I go and meet our hosts.' | 0:02:17 | 0:02:19 | |
-Good morning. -Good morning. -So you must be Nicole. -I am, yes. | 0:02:19 | 0:02:22 | |
-And you must be Uncle Fred. -That's me. | 0:02:22 | 0:02:24 | |
-Not my uncle, obviously, your uncle. -That's right, yes. | 0:02:24 | 0:02:27 | |
So, how did you get involved in Cash In The Attic? | 0:02:27 | 0:02:30 | |
When my uncle and auntie moved back from Hawaii, | 0:02:30 | 0:02:33 | |
they had lots and lots of antiques | 0:02:33 | 0:02:36 | |
that they've collected over the years. | 0:02:36 | 0:02:38 | |
And it doesn't fit or suit their new house. | 0:02:38 | 0:02:42 | |
-So I applied for them to go on there. -It's all her fault. | 0:02:42 | 0:02:45 | |
-Ah! OK. How long have you been here? -Earlier this year, we moved back. | 0:02:45 | 0:02:49 | |
I just retired from working and we made our way back here from Hawaii. | 0:02:49 | 0:02:54 | |
-So, what made you move from Hawaii? -This is where all our family live. | 0:02:54 | 0:02:58 | |
Everybody lives within about two miles from here. | 0:02:58 | 0:03:01 | |
If we have a rummage and find plenty of stuff to take to auction, | 0:03:01 | 0:03:04 | |
have you anything in mind that you'd like to spend the money on? | 0:03:04 | 0:03:08 | |
Yes. We wanted to landscape the garden, if we can. | 0:03:08 | 0:03:11 | |
We've lived in so many houses, a lot of them rented, | 0:03:11 | 0:03:14 | |
we have done gardens, planted things, | 0:03:14 | 0:03:16 | |
but now we're settled, we want to do it the way we want to do it. | 0:03:16 | 0:03:19 | |
What sort of money would you like to kick-start that? | 0:03:19 | 0:03:22 | |
£800, we're looking at. | 0:03:22 | 0:03:23 | |
If we get something in that region, it will make a big difference. | 0:03:23 | 0:03:27 | |
We've had a few estimates and it's not cheap to do. | 0:03:27 | 0:03:30 | |
It is expensive, isn't it? | 0:03:30 | 0:03:31 | |
-Let's hope you've got some nice items. Have they? -Yeah. Lots. | 0:03:31 | 0:03:35 | |
They have? Right, OK. You can go upstairs, start hunting. | 0:03:35 | 0:03:38 | |
-Let's go and meet David. -OK. | 0:03:38 | 0:03:40 | |
'Fred's wife Maureen used to work for Wedgwood | 0:03:41 | 0:03:44 | |
'and developed a keen eye for collectibles. | 0:03:44 | 0:03:46 | |
'I'm sure that will not have gone unnoticed by our expert.' | 0:03:46 | 0:03:51 | |
-Ah, there you are, David. -Ah, yes. | 0:03:51 | 0:03:53 | |
I'm absolutely revelling in these things. | 0:03:53 | 0:03:56 | |
All by the same manufacturer, Wedgwood Lustreware. | 0:03:56 | 0:03:59 | |
-Where did these come from, then? -These came from all over. | 0:03:59 | 0:04:02 | |
The one David has, I bought in an auction in Clare, over in Suffolk. | 0:04:02 | 0:04:05 | |
-They have good auctions there. -The other ones have come from various places, | 0:04:05 | 0:04:09 | |
but some of them, just various auctions everywhere we've been. | 0:04:09 | 0:04:13 | |
There's some really pretty pieces in all this stuff here. | 0:04:13 | 0:04:16 | |
I absolutely adore these things. How long did it take to put this collection together? | 0:04:16 | 0:04:22 | |
This has been probably over 20 years. | 0:04:22 | 0:04:25 | |
So made by Wedgwood. | 0:04:25 | 0:04:27 | |
And of course, Wedgwood known very much for Lustreware. | 0:04:27 | 0:04:30 | |
That iridescence, that metallic, that almost mother-of-pearl finish, | 0:04:30 | 0:04:34 | |
which is absolutely just gorgeous. | 0:04:34 | 0:04:36 | |
Lustreware itself has been around for much longer than Wedgwood. | 0:04:36 | 0:04:40 | |
It goes way back to the Romans and even the Egyptians. | 0:04:40 | 0:04:43 | |
-They were using it on glass. -I didn't know that. | 0:04:43 | 0:04:46 | |
The invention's not 200-years-old, it's probably 2,000-years-old. | 0:04:46 | 0:04:50 | |
All got nice backstamps. Some say England, so that's after 1891. | 0:04:50 | 0:04:54 | |
And then we've got Made in England, which is after about WWI. | 0:04:54 | 0:04:57 | |
So very late-19th, early-20th century. | 0:04:57 | 0:05:00 | |
OK. That's what I thought, somewhere in that region, they would be. | 0:05:00 | 0:05:04 | |
Now, valuation - I think it would be good to put them together as a lot. | 0:05:04 | 0:05:08 | |
You might attract collectors or particularly dealers. | 0:05:08 | 0:05:11 | |
I don't know what you think, Lorne, | 0:05:11 | 0:05:13 | |
but I think a sensible £100-200 for the six. | 0:05:13 | 0:05:16 | |
They might make more. I don't know how that makes you feel. | 0:05:16 | 0:05:19 | |
I think we might have to think about that. | 0:05:19 | 0:05:21 | |
I know Maureen's attached to some of those | 0:05:21 | 0:05:23 | |
and I know, obviously, antiques have gone up and down. | 0:05:23 | 0:05:27 | |
They were not inexpensive to buy at the time | 0:05:27 | 0:05:29 | |
so we're going to have to think about that. | 0:05:29 | 0:05:31 | |
I think we need to find something we definitely can sell so follow me. | 0:05:31 | 0:05:35 | |
I'm taking this one with me. | 0:05:35 | 0:05:36 | |
Nicole is taking a close look at some of her Aunt Maureen's knick-knacks, | 0:05:36 | 0:05:40 | |
but Fred spots something that we have all walked straight past. | 0:05:40 | 0:05:44 | |
A three-tiered, circular dumb waiter. | 0:05:44 | 0:05:47 | |
It's made of mahogany and is in a Georgian style. | 0:05:47 | 0:05:50 | |
Fred remembers that he and Maureen bought it in Suffolk about 10 years ago. | 0:05:50 | 0:05:55 | |
It gets an estimate of £75-100. | 0:05:55 | 0:05:58 | |
Nicole is taking her job very seriously, | 0:05:58 | 0:06:01 | |
making sure no ornament is overlooked. | 0:06:01 | 0:06:04 | |
Let's have a look. Let's have a sit down. | 0:06:04 | 0:06:07 | |
These are quite interesting, aren't they? | 0:06:07 | 0:06:10 | |
Good things for a dressing table. | 0:06:10 | 0:06:13 | |
Good for putting pins and stuff in, aren't they? | 0:06:13 | 0:06:15 | |
But they didn't start life like that. | 0:06:15 | 0:06:19 | |
They actually started life downstairs. | 0:06:19 | 0:06:21 | |
What they should have had was a little glass liner | 0:06:21 | 0:06:24 | |
and they'd be used for salt, because you wouldn't put salt | 0:06:24 | 0:06:27 | |
directly into silver because it literally eats away at the silver. | 0:06:27 | 0:06:30 | |
Need to be so careful! How old do you think they are? | 0:06:30 | 0:06:33 | |
-I've got no idea. Maybe about 50-years-old? -Double and more. | 0:06:33 | 0:06:38 | |
-Right, OK. -Let's just double-check here. | 0:06:38 | 0:06:42 | |
We've got, that's quite unusual, an Exeter hallmark there. | 0:06:42 | 0:06:46 | |
Exeter is actually... | 0:06:46 | 0:06:49 | |
that's really quite rare because they stopped assaying in 1883 | 0:06:49 | 0:06:53 | |
so we know they are at least 1883 or earlier, so we just move on. | 0:06:53 | 0:06:59 | |
The letter C so that is 1879. | 0:06:59 | 0:07:03 | |
-Four years before Exeter stopped marking silver. -OK. | 0:07:03 | 0:07:09 | |
As little silver salts go, they're actually quite rare | 0:07:09 | 0:07:12 | |
and to have a pair is really nice too. | 0:07:12 | 0:07:14 | |
-Have a look at the decoration. It's really Victorian, isn't it? -Mm-hmm. | 0:07:14 | 0:07:18 | |
Really bonny things - where did they come from? | 0:07:18 | 0:07:22 | |
I think my aunt and uncle bought a lot of their collectibles | 0:07:22 | 0:07:25 | |
and antiques when they were living in the States. | 0:07:25 | 0:07:28 | |
-Possibly in South Carolina. -South Carolina? -Yeah. | 0:07:28 | 0:07:32 | |
-So Exeter salts in South Carolina. -Yeah. | 0:07:32 | 0:07:34 | |
It's amazing how they've now come back. Come back home. | 0:07:34 | 0:07:38 | |
Do you think they'd be worth more if they had the glass inserts still? | 0:07:38 | 0:07:42 | |
Yes, but it's not the end of the world because you can buy them | 0:07:42 | 0:07:46 | |
online, second-hand or new. | 0:07:46 | 0:07:48 | |
What do you think they're worth, David? | 0:07:48 | 0:07:50 | |
I knew that one was coming. | 0:07:50 | 0:07:53 | |
-I would have thought for the pair 40-60. -All right, OK. | 0:07:53 | 0:07:58 | |
-Think we'll be allowed to put them in? -Yeah. | 0:07:58 | 0:08:00 | |
-Are you going to make that decision? -Yes. | 0:08:00 | 0:08:02 | |
You're not going to get into trouble or anything? Are you sure? | 0:08:02 | 0:08:06 | |
OK, let's put them in the bag and move on. Come on. I'll follow you. | 0:08:06 | 0:08:10 | |
They really do have some quality pieces around the house, | 0:08:10 | 0:08:13 | |
and in the garage too it seems. | 0:08:13 | 0:08:15 | |
David's found five pieces of green Wedgwood known as Jasperware. | 0:08:15 | 0:08:19 | |
It's famous for its pastel colours and cameo detail. | 0:08:19 | 0:08:23 | |
This porcelain came about as a result of experiments by Josiah Wedgwood | 0:08:23 | 0:08:26 | |
when he was looking for a different type of ceramic material. | 0:08:26 | 0:08:30 | |
Maureen bought them new in the '70s | 0:08:32 | 0:08:35 | |
and today their estimate is £30-50. | 0:08:35 | 0:08:37 | |
When those lovely pieces go up for sale, | 0:08:37 | 0:08:41 | |
will the bidders like what's on offer? | 0:08:41 | 0:08:43 | |
I'm bid all over the place. 20, 22, £22 there. | 0:08:43 | 0:08:46 | |
I can't believe it, 25, 28, 30, 2. | 0:08:46 | 0:08:50 | |
I wonder how much they'll make. | 0:08:50 | 0:08:53 | |
As the search here in Berkshire continues, | 0:08:53 | 0:08:55 | |
going by David's lowest estimates so far, | 0:08:55 | 0:08:59 | |
we stand to make £245 when we take the things we found to the saleroom. | 0:08:59 | 0:09:04 | |
We have every room in Fred's house covered, trying to find | 0:09:04 | 0:09:07 | |
something that he and Maureen are happy to part with. | 0:09:07 | 0:09:10 | |
Fred thinks his wife isn't too attached to these wooden wine bottle coasters. | 0:09:10 | 0:09:14 | |
They're also known as treen coasters, being made of wood. | 0:09:14 | 0:09:18 | |
Their value is greater if they're sold as a pair. | 0:09:18 | 0:09:20 | |
Rosewood and mahogany are the most sought after. | 0:09:20 | 0:09:23 | |
These two are mahogany and are from the 1980s. | 0:09:23 | 0:09:27 | |
They get an estimate of £15-20. | 0:09:27 | 0:09:30 | |
While the others are busy trying to find something else to sell, | 0:09:30 | 0:09:34 | |
I just had to ask you. | 0:09:34 | 0:09:35 | |
I'm not convinced, why did you move back here from Hawaii? | 0:09:35 | 0:09:38 | |
It must be paradise out there. | 0:09:38 | 0:09:40 | |
Well, it is. It certainly was. I had a great job, | 0:09:40 | 0:09:43 | |
I used to go to work on the beach every day as well. | 0:09:43 | 0:09:45 | |
After all the years of travelling around and Maureen following me | 0:09:45 | 0:09:49 | |
everywhere I went with the Air Force and the Civil Service, | 0:09:49 | 0:09:52 | |
finally she said, "No, that's enough. We're done, we are coming back here." | 0:09:52 | 0:09:56 | |
How did you meet Maureen? | 0:09:56 | 0:09:57 | |
I was actually on active duty with the Air Force here | 0:09:57 | 0:10:01 | |
and I was stationed at RAF Greenham Common. | 0:10:01 | 0:10:04 | |
I'm sure a lot of people have heard of Greenham Common but this | 0:10:04 | 0:10:07 | |
was before they'd heard of Greenham Common. It was a quiet place | 0:10:07 | 0:10:10 | |
and we met in a hairdresser's just round the corner. | 0:10:10 | 0:10:13 | |
Very often, it is quite hard when you've had a life | 0:10:13 | 0:10:16 | |
moving around the world and so many changes, to actually put down roots. | 0:10:16 | 0:10:21 | |
Are you finding that at all? | 0:10:21 | 0:10:23 | |
It can. The test will come in a couple of years | 0:10:23 | 0:10:26 | |
because the longest we were ever stationed anywhere | 0:10:26 | 0:10:30 | |
was six years, but that was unusual. | 0:10:30 | 0:10:33 | |
Right. | 0:10:33 | 0:10:34 | |
Most of the time it was two years or 18 months or three years, | 0:10:34 | 0:10:37 | |
like that, so the test will come in a couple of years | 0:10:37 | 0:10:40 | |
when we get itchy feet, perhaps. We'll see what happens then. | 0:10:40 | 0:10:43 | |
It seems to me that you both share this enjoyment of buying antiques. | 0:10:43 | 0:10:47 | |
Was that a specific hobby that you took up or that you just | 0:10:47 | 0:10:51 | |
both like similar things? | 0:10:51 | 0:10:52 | |
Maureen worked for Wedgwood, in a Wedgwood Room, they called | 0:10:52 | 0:10:56 | |
it at the time, so that's where she got her passion for Wedgwood. | 0:10:56 | 0:10:59 | |
You'll find most of the stuff we did collect was Wedgwood. | 0:10:59 | 0:11:03 | |
We went to antique fairs everywhere we were, | 0:11:03 | 0:11:05 | |
antique malls if they were there, shops or anything. Any place we went. | 0:11:05 | 0:11:09 | |
Do you think the garden will now replace the antiques as a hobby for you both? | 0:11:09 | 0:11:13 | |
Yes, probably. | 0:11:13 | 0:11:16 | |
Maureen always liked gardening and she knows more about it than I do. | 0:11:16 | 0:11:19 | |
I just get out there and do what I'm told to do, | 0:11:19 | 0:11:22 | |
when she says dig here or plant this and that. | 0:11:22 | 0:11:25 | |
Let's go and see whether they found anything else, shall we? | 0:11:25 | 0:11:28 | |
It's a shame Maureen's feeling camera-shy today. | 0:11:28 | 0:11:32 | |
I'd love to have found out more about her experiences | 0:11:32 | 0:11:35 | |
working for Wedgwood, but our search must go on. | 0:11:35 | 0:11:37 | |
Nicole likes the look of these Royal Worcester candle snuffers, | 0:11:37 | 0:11:41 | |
which Maureen bought from an antiques fair in the States. | 0:11:41 | 0:11:44 | |
Royal Worcester first began manufacturing candle snuffers | 0:11:44 | 0:11:47 | |
in the 1850s, but these four are from the 1970s. | 0:11:47 | 0:11:51 | |
They include Mrs Caudle, a character from Punch magazine, and an owl. | 0:11:51 | 0:11:56 | |
We expected them to fetch £50-100 on the day. | 0:11:56 | 0:11:59 | |
David, can you come and have a look at this? | 0:12:00 | 0:12:03 | |
I do like a bit of upholstery, Fred. You tell me all about it. | 0:12:03 | 0:12:07 | |
Well, this we bought as a Victorian nursing chair | 0:12:07 | 0:12:12 | |
some years ago in Downham Market. | 0:12:12 | 0:12:14 | |
That's what I think it is and that's what we were told it was when we did buy it. | 0:12:14 | 0:12:18 | |
You're doing my job for me. Now I need to leave! | 0:12:18 | 0:12:22 | |
-You carry on, that's all I know about it. -Now what about the wood? | 0:12:22 | 0:12:26 | |
What kind of wood you think it is? | 0:12:26 | 0:12:29 | |
I think mahogany but I thought it also could be walnut. | 0:12:29 | 0:12:32 | |
It is mahogany but you're absolutely right. | 0:12:32 | 0:12:35 | |
It could well have been walnut | 0:12:35 | 0:12:36 | |
because the Victorians loved using walnut too. | 0:12:36 | 0:12:39 | |
Date-wise, Victorian - absolutely bang on. | 0:12:39 | 0:12:41 | |
Later on in the Victorian period - 1880, 1890. | 0:12:41 | 0:12:45 | |
But, you know, when Victoria died, the Victorian style didn't just end. | 0:12:45 | 0:12:48 | |
It continued but that's the period she was on the throne. | 0:12:48 | 0:12:52 | |
Nice carved, spoon-shaped back. Let's have a look. | 0:12:52 | 0:12:56 | |
Nice and tight on the joints because the joints are expensive to repair. | 0:12:56 | 0:13:00 | |
If one joint is gone, you think it might be quite easy to fix | 0:13:00 | 0:13:04 | |
but very often you've got to open all of the others. | 0:13:04 | 0:13:07 | |
-I can imagine then. -It's like opening a can of worms when you try and fix these things. | 0:13:07 | 0:13:11 | |
The coil springs are wonderful. | 0:13:11 | 0:13:15 | |
Introduced into upholstery in about 1830, | 0:13:15 | 0:13:17 | |
individually hand-tied into hessian and stuffed with straw, horsehair. | 0:13:17 | 0:13:22 | |
I saw the horsehair when we had the seat cover off. | 0:13:22 | 0:13:25 | |
It was in the webbing in there too. | 0:13:25 | 0:13:27 | |
It was quite interesting to see that | 0:13:27 | 0:13:29 | |
so I knew it had to be reasonably old. | 0:13:29 | 0:13:31 | |
What I would like you to do if you send it to auction, | 0:13:31 | 0:13:34 | |
is invest a little money in some gimp or braid. | 0:13:34 | 0:13:36 | |
-Just hide those staples. -OK. -I think valuation today | 0:13:36 | 0:13:42 | |
with the gimp, 40-60. | 0:13:42 | 0:13:45 | |
-OK. All right. -Happy? -Happy with that. -Let's move on. -OK. | 0:13:45 | 0:13:49 | |
It can be a good idea to do an easy repair for auction | 0:13:49 | 0:13:52 | |
but it's best not to spend too much money on costly restorations | 0:13:52 | 0:13:56 | |
as you are unlikely to get your money back. | 0:13:56 | 0:13:59 | |
Anything fiddly, leave it to the buyer | 0:13:59 | 0:14:01 | |
and accept it will be sold as a restorer's lot. | 0:14:01 | 0:14:03 | |
Oh, Fred. What is this doing in the garage? That is ridiculous. | 0:14:05 | 0:14:10 | |
That is a lovely thing! | 0:14:10 | 0:14:12 | |
-We just haven't found room for it yet in the house. -Let's drag it out. | 0:14:12 | 0:14:15 | |
Let's have a look. | 0:14:15 | 0:14:18 | |
-Now, Fred, do you know what it's called? -It's a cushion top Davenport. | 0:14:18 | 0:14:22 | |
Well done. This guy is an expert, he really is! | 0:14:22 | 0:14:25 | |
-Do you know why it's called a Davenport? -I don't, no. | 0:14:25 | 0:14:27 | |
OK, because in the later 18th century, | 0:14:27 | 0:14:30 | |
there was a company called Gillows of Lancaster, | 0:14:30 | 0:14:32 | |
very well known cabinet-makers. They designed the desk | 0:14:32 | 0:14:35 | |
and the first person to order it was a Captain Davenport. | 0:14:35 | 0:14:38 | |
When the order was going through the workshop, | 0:14:38 | 0:14:41 | |
it was always referred to as the Davenport order. Then the next person comes along, | 0:14:41 | 0:14:45 | |
has a look at this new-fangled design | 0:14:45 | 0:14:47 | |
and they just would simply refer to it as Captain Davenport's desk. | 0:14:47 | 0:14:50 | |
The name just stuck, simply then referred to as a Davenport desk. | 0:14:50 | 0:14:56 | |
Interesting story. | 0:14:56 | 0:14:57 | |
The Davenport, for me, is an amazing piece of kit. | 0:14:57 | 0:15:00 | |
There's so much going on here. | 0:15:00 | 0:15:01 | |
We've got this little lift up cushion top, as you said. | 0:15:01 | 0:15:04 | |
We've got an area there, Nicole, for letters and inkwells and maybe cards. | 0:15:04 | 0:15:09 | |
If you just push your finger there, lift that out. | 0:15:09 | 0:15:14 | |
A secret compartment for love-letters. | 0:15:14 | 0:15:17 | |
She's almost getting interested. | 0:15:19 | 0:15:21 | |
It was just such a functional piece of kit. | 0:15:21 | 0:15:24 | |
It did everything you needed to do. | 0:15:24 | 0:15:26 | |
On top of that, it's the kind of thing that can be transported around | 0:15:26 | 0:15:29 | |
because it's small enough and it can sit in the middle of the room | 0:15:29 | 0:15:33 | |
because it's finished at the back as pretty as it is at the front. For me, | 0:15:33 | 0:15:36 | |
it's one of the nicest pieces of furniture you can buy. | 0:15:36 | 0:15:39 | |
-As for value, I'm not going to ask you what you paid for it. -I wouldn't. | 0:15:39 | 0:15:43 | |
All I can tell you is what it's worth today. | 0:15:43 | 0:15:46 | |
Bearing in mind, really selling at the bottom of the trough, | 0:15:46 | 0:15:49 | |
because they've never been as cheap as they are today ever, | 0:15:49 | 0:15:54 | |
I think £200-400. | 0:15:54 | 0:15:56 | |
-It is certainly less than we paid, obviously. -It will be. | 0:15:56 | 0:16:00 | |
What I would do, I'd fix it, absolutely rock-solid at £200, | 0:16:00 | 0:16:04 | |
no auctioneer's discretion. | 0:16:04 | 0:16:05 | |
If that doesn't sell for £200, the world is mad | 0:16:05 | 0:16:09 | |
and you should take it home. | 0:16:09 | 0:16:12 | |
-I have got to tell you, it would be a very cheap desk. -It would be. | 0:16:12 | 0:16:16 | |
I might buy it for that much! | 0:16:16 | 0:16:18 | |
Well, that would be defeating the object | 0:16:18 | 0:16:20 | |
but I can understand Fred's hesitation there. | 0:16:20 | 0:16:22 | |
Mind you, he is trying to make £800 to landscape his garden | 0:16:22 | 0:16:26 | |
and we're only about two-thirds of the way there. | 0:16:26 | 0:16:30 | |
We have more work to do if we're to help him | 0:16:30 | 0:16:32 | |
make those dreams a reality. | 0:16:32 | 0:16:34 | |
David can't fail to notice this large glazed porcelain jardiniere. | 0:16:34 | 0:16:39 | |
He recognises its Chinese origins | 0:16:39 | 0:16:41 | |
and the magnolia flowers which symbolise feminine beauty. | 0:16:41 | 0:16:46 | |
This 20th-century piece comes complete with a stand | 0:16:46 | 0:16:50 | |
and could bring in £50-75 for us. | 0:16:50 | 0:16:54 | |
It seems to me, through the day, you two have got such a good rapport. | 0:16:54 | 0:16:58 | |
Why do you think that is, Nicole? | 0:16:58 | 0:16:59 | |
My mum is close to my auntie, obviously, it's her sister. | 0:16:59 | 0:17:02 | |
We've always visited and spent holidays together, in Germany, | 0:17:02 | 0:17:06 | |
different places in the States and, obviously, | 0:17:06 | 0:17:09 | |
Hawaii, which was my favourite. | 0:17:09 | 0:17:11 | |
My aunt likes shopping so we do what so that together. | 0:17:11 | 0:17:14 | |
That must be fun then. | 0:17:14 | 0:17:15 | |
Fun for them but it's fun for me as well | 0:17:15 | 0:17:17 | |
because there is always a bar there so we say, | 0:17:17 | 0:17:20 | |
"However long you will be is how drunk we'll be when you get back." | 0:17:20 | 0:17:24 | |
So, how did you feel | 0:17:26 | 0:17:27 | |
when they said they were actually coming over here then? | 0:17:27 | 0:17:30 | |
We were all happy that they're obviously here | 0:17:30 | 0:17:32 | |
and we get to see them a lot more. | 0:17:32 | 0:17:35 | |
We'll miss all our holidays to exotic places. | 0:17:35 | 0:17:37 | |
But I don't know if they'll definitely stay here. | 0:17:37 | 0:17:40 | |
I think my auntie might get fed up with the English weather. | 0:17:40 | 0:17:44 | |
-Do you think? -I don't know. I think the longer Maureen stays, | 0:17:44 | 0:17:47 | |
the more she will settle but we've always | 0:17:47 | 0:17:49 | |
talked about going off in the winter time. | 0:17:49 | 0:17:52 | |
We spent this winter in Florida, was its coldest winter ever. | 0:17:52 | 0:17:55 | |
Couldn't even swim in the pool, it was so cold. | 0:17:55 | 0:17:57 | |
-Of course, Nicole was there. -Did you go over there? -Yeah. | 0:17:57 | 0:18:00 | |
-That was a bit of a disappointment weather-wise, then. -It was. | 0:18:00 | 0:18:04 | |
They were wearing scarves and hats, it was freezing. | 0:18:04 | 0:18:06 | |
So are you going to be helping out with the transformation of the garden? | 0:18:06 | 0:18:10 | |
I might come and watch them do it. | 0:18:10 | 0:18:12 | |
I think she'll just be here in a supervisory role. | 0:18:12 | 0:18:15 | |
I don't think she'll pick a shovel up. | 0:18:15 | 0:18:17 | |
I don't have green fingers, no. | 0:18:17 | 0:18:19 | |
So, you still happy that you called Cash in the Attic in? | 0:18:19 | 0:18:22 | |
-It's been really good. It's been a fun day. -It has been good. -I'm glad we've been able to help | 0:18:22 | 0:18:27 | |
and you had something else to do together. | 0:18:27 | 0:18:29 | |
I know that David was hoping to find a few more bits | 0:18:29 | 0:18:31 | |
-so shall we go and see whether he has? -Let's do that. | 0:18:31 | 0:18:34 | |
Fred and Maureen's globe-trotting lifestyle | 0:18:34 | 0:18:38 | |
and their interest in antiques means they've picked up | 0:18:38 | 0:18:41 | |
all sorts of unusual things from every place they visited. | 0:18:41 | 0:18:44 | |
-Fred, this is a quirky collection of stirrup cups here. -It is. | 0:18:44 | 0:18:49 | |
They come from everywhere. | 0:18:49 | 0:18:52 | |
Those ones there are similar but this is the odd one out here. | 0:18:52 | 0:18:55 | |
I think this is the odd one out but this is the best one for me. | 0:18:55 | 0:19:00 | |
I suppose a fox's head for a stirrup cup is the kind of thing that | 0:19:00 | 0:19:04 | |
you'd expect to see in a stirrup cup. | 0:19:04 | 0:19:06 | |
-Not so much a bear's head. -That's right. I thought it was unusual | 0:19:06 | 0:19:09 | |
when we saw it but that's one of the reasons we did buy it. | 0:19:09 | 0:19:12 | |
Very unusual. Do you know where the term comes from? | 0:19:12 | 0:19:16 | |
I always thought it was fox-hunting or horses or something to do with that. | 0:19:16 | 0:19:20 | |
It's basically having a drink in the stirrup on your horse. Let's say we lived | 0:19:20 | 0:19:24 | |
in the Highlands and I came to your house | 0:19:24 | 0:19:26 | |
and as I was leaving, | 0:19:26 | 0:19:27 | |
I'd jump on my horse, feet in the stirrups, and you'd say, | 0:19:27 | 0:19:30 | |
"Before you go, have a quick dram just to help you on the road." | 0:19:30 | 0:19:34 | |
One for the road, I suppose. | 0:19:34 | 0:19:36 | |
-A quick shot, off I'd go on my horsey over the Highlands. -Right. | 0:19:36 | 0:19:40 | |
Similarly for fox-hunting. I suppose a bit of Dutch courage as well. | 0:19:40 | 0:19:44 | |
Of course, these weren't made to be used, I don't think. | 0:19:44 | 0:19:48 | |
They're made for ornaments, aren't they? | 0:19:48 | 0:19:51 | |
-He is lovely, isn't he? -Yes, he is. -A good Staffordshire thing. | 0:19:51 | 0:19:55 | |
This is the only one with a factory mark | 0:19:55 | 0:19:57 | |
and that's just silver-plated but still, it's a good quality thing. | 0:19:57 | 0:20:01 | |
-Value, £80-100. -Really? -For the lot. -For the lot. | 0:20:02 | 0:20:05 | |
-That sounds good. -I would have thought so. | 0:20:05 | 0:20:08 | |
-That would be great. -Happy with that? -Yes, I am. | 0:20:08 | 0:20:11 | |
-I'll put him on the windowsill for now. -OK. | 0:20:11 | 0:20:13 | |
Careful, David. Don't chip it! | 0:20:13 | 0:20:16 | |
I love this Art Nouveau vesta case which would have been used | 0:20:16 | 0:20:19 | |
for carrying matches from the 1860s right up to the 1940s. | 0:20:19 | 0:20:24 | |
Obviously, before lighters took over. | 0:20:24 | 0:20:26 | |
There's also an Edwardian silver card case which is hallmarked in Chester. | 0:20:26 | 0:20:30 | |
Together they get an estimate of 20 to £40. | 0:20:30 | 0:20:33 | |
-David, what you think of these here? -My gosh! | 0:20:35 | 0:20:37 | |
-Fred, you are a bit of a Lladro lover, are you not? -That's Maureen. | 0:20:37 | 0:20:40 | |
This is Maureen's here. She's the one that collected all of these. | 0:20:40 | 0:20:44 | |
I've got to say, you couldn't fail to like her, could you? | 0:20:44 | 0:20:47 | |
She is absolutely just gorgeous. | 0:20:47 | 0:20:50 | |
Lladro, it's not very old but it is highly collected | 0:20:50 | 0:20:53 | |
and a real success story, isn't it? | 0:20:53 | 0:20:55 | |
-It is, yes. -What do you know about the company? | 0:20:55 | 0:20:59 | |
I do know they're a Spanish company. We bought some | 0:20:59 | 0:21:01 | |
of these when we were on holiday over there at various times. | 0:21:01 | 0:21:05 | |
That's really all I know about it. | 0:21:05 | 0:21:08 | |
Not necessarily a very old company. Formed in about 1953. | 0:21:08 | 0:21:11 | |
It was 1956 that they started making these lovely figurines | 0:21:11 | 0:21:15 | |
and they've been making them ever since | 0:21:15 | 0:21:17 | |
-and incredibly successfully too. -Obviously! -Yes. | 0:21:17 | 0:21:21 | |
Well, you were the man that's bought the whole lot! | 0:21:21 | 0:21:24 | |
-I don't think so. -If these were | 0:21:24 | 0:21:27 | |
the late '50s, early '60s, we'd be talking a different ball game, | 0:21:27 | 0:21:30 | |
but you did buy them new. | 0:21:30 | 0:21:31 | |
I doubt very much, in fact I guarantee, | 0:21:31 | 0:21:34 | |
-you're not going to get your money back. -Probably not. | 0:21:34 | 0:21:36 | |
I would understand that, just a matter of timing. | 0:21:36 | 0:21:39 | |
Raise some money and make some room. OK. | 0:21:39 | 0:21:41 | |
-Shall we call the others in? -Sure, yeah. -Nicole, Lorne. | 0:21:41 | 0:21:45 | |
Where have you two been? | 0:21:47 | 0:21:49 | |
Funny you should say that, I saw this collection earlier | 0:21:49 | 0:21:52 | |
but it looked like it was much prized and much cherished. | 0:21:52 | 0:21:55 | |
-Is that going up for sale? -I think most of them are. | 0:21:55 | 0:21:58 | |
I know Maureen's got some favourites in there | 0:21:58 | 0:22:00 | |
but she's going to send some for the auction. All right. | 0:22:00 | 0:22:03 | |
-Have we got a valuation? -I'm thinking there's 15 in there. | 0:22:03 | 0:22:06 | |
They're very expensive to buy new, very good quality. | 0:22:06 | 0:22:09 | |
I think if we said a broad range, for the lot, | 0:22:09 | 0:22:13 | |
-300 to 500. -That doesn't sound too bad. | 0:22:13 | 0:22:17 | |
-It's a lot of money, isn't it? -It is, yes. -What do you think of that? | 0:22:17 | 0:22:20 | |
Sounds good to me. | 0:22:20 | 0:22:21 | |
Earlier this morning you said you wanted around £800, | 0:22:21 | 0:22:24 | |
didn't you? Do you think we've come near that figure? | 0:22:24 | 0:22:27 | |
Sounds like it. Might get close with just these. | 0:22:27 | 0:22:30 | |
-It will be interesting to see. -Well, the total value | 0:22:30 | 0:22:33 | |
of the items going to auction comes to £1,000. | 0:22:33 | 0:22:36 | |
-Oh, really, OK. -Excellent. | 0:22:36 | 0:22:38 | |
The next time we'll see you and all the lovely things, of course, | 0:22:38 | 0:22:42 | |
-will be at the auction house. -OK, see you there. | 0:22:42 | 0:22:44 | |
We certainly have lots of good quality items | 0:22:44 | 0:22:47 | |
including the Victorian Davenport writing desk | 0:22:47 | 0:22:50 | |
which was bought almost 20 years ago. | 0:22:50 | 0:22:52 | |
It has an estimate of £200-£400. | 0:22:52 | 0:22:55 | |
And there's the two silver salt pots with the unusual Exeter hallmark dated 1879. | 0:22:55 | 0:23:01 | |
We're hoping they'll bring in £40 to £60. | 0:23:01 | 0:23:04 | |
And will Fred and Maureen agree | 0:23:04 | 0:23:06 | |
to let their six Wedgwood Lustreware bowls they collected over the years | 0:23:06 | 0:23:10 | |
go for £100-£200? | 0:23:10 | 0:23:12 | |
Still to come on Cash in the Attic - | 0:23:15 | 0:23:18 | |
these bidders are clearly getting on our expert's nerves. | 0:23:18 | 0:23:21 | |
There's no excuses. If you're going to bid, just stick your hand in the air! | 0:23:21 | 0:23:25 | |
And what's this? I hope all the items have made it safely. | 0:23:25 | 0:23:29 | |
It says "AF" - "As found". What happened to it? | 0:23:29 | 0:23:32 | |
-My fault. I dropped one of them. -Oh, no! | 0:23:32 | 0:23:35 | |
The auction promises to be a smasher! | 0:23:35 | 0:23:38 | |
It's been a few weeks since we met | 0:23:39 | 0:23:41 | |
Fred and Nicole at Fred's new house in Berkshire. | 0:23:41 | 0:23:44 | |
You'll remember that we were looking to raise £800 | 0:23:44 | 0:23:47 | |
so they can turn their garden into a little oasis. | 0:23:47 | 0:23:50 | |
They brought their items here to Chiswick Auction House | 0:23:50 | 0:23:53 | |
in West London, so let's just hope that the bidders are going | 0:23:53 | 0:23:56 | |
to make sure that the grass is greener on our side of the fence. | 0:23:56 | 0:23:59 | |
David and I have a quick look around first to eye up the competition. | 0:24:00 | 0:24:04 | |
I can't help noticing there's no sign | 0:24:04 | 0:24:06 | |
of the much-loved Wedgwood Lustreware. | 0:24:06 | 0:24:08 | |
I wonder if Fred and Maureen have decided not to sell it. | 0:24:08 | 0:24:12 | |
-Good morning, how are you? -How are you? -Hello, you two. | 0:24:12 | 0:24:15 | |
-You've brought the Lustreware. -We only brought three though. | 0:24:15 | 0:24:18 | |
-You couldn't bear to part with them. -Not all of them, no. | 0:24:18 | 0:24:21 | |
Like I said, we brought the round ones. | 0:24:21 | 0:24:23 | |
How do you think that will do, just the round ones? | 0:24:23 | 0:24:26 | |
I think the octagonal ones are probably more unusual, the bigger ones. | 0:24:26 | 0:24:30 | |
You probably kept the best ones at home | 0:24:30 | 0:24:32 | |
but I can understand you not really wanting to part with them. | 0:24:32 | 0:24:36 | |
I'm hoping this is a little unusual | 0:24:36 | 0:24:38 | |
because of the decoration inside, not the standard dragon. | 0:24:38 | 0:24:41 | |
Because it's a bit different, I thought that might help. | 0:24:41 | 0:24:44 | |
They're going into the pot so we've got quite a lot to sell today. | 0:24:44 | 0:24:47 | |
-That's right. -How do you feel about the auction? | 0:24:47 | 0:24:50 | |
We've been to auctions before so we know what it's about anyway. | 0:24:50 | 0:24:54 | |
We'll be interested to see the money they fetch. | 0:24:54 | 0:24:56 | |
How do you feel about the auction today, Nicole? | 0:24:56 | 0:24:59 | |
I'm excited to see what things are going to sell for. | 0:24:59 | 0:25:02 | |
-Well, shall we go and see? -OK. -Come on then. -Let's go. | 0:25:02 | 0:25:06 | |
The first of Fred's collection to come up is the pair of 1980s | 0:25:08 | 0:25:11 | |
wooden wine bottle coasters which have an estimate of £15-20. | 0:25:11 | 0:25:15 | |
-It says "AF" - "As Found". What happened to it? -My fault. | 0:25:15 | 0:25:20 | |
-I dropped one of them. -Oh no! -It hit the floor and it shattered. | 0:25:20 | 0:25:24 | |
-Was it lost for good? -We put it back together and we'll see how it goes. | 0:25:24 | 0:25:28 | |
OK, We've got 15 to £20 on that, David. | 0:25:28 | 0:25:31 | |
-Should be cheap enough. -Let's see what it makes. | 0:25:31 | 0:25:33 | |
Start me £10 for the two. | 0:25:33 | 0:25:35 | |
Surely for £10 for the bottle coasters. | 0:25:35 | 0:25:37 | |
I'm bid £10 to my far right, anybody else? At £10, all done? £12. | 0:25:37 | 0:25:43 | |
14, 16, 18. £18 then to my far right. 18, anybody else? £18. | 0:25:43 | 0:25:50 | |
-18. -It's bang in the middle. -Absolutely. -Well done, mate. | 0:25:50 | 0:25:54 | |
Good stuff. | 0:25:54 | 0:25:56 | |
Especially considering the condition of the one Fred dropped. | 0:25:57 | 0:26:02 | |
The Victorian mahogany nursing chair is coming up now. | 0:26:02 | 0:26:05 | |
Did Fred manage to hide those staples? | 0:26:05 | 0:26:09 | |
We didn't get to put a gimp round it. We had to bring it up the next day. | 0:26:09 | 0:26:13 | |
They're so cheap these Victorian chairs right now. | 0:26:13 | 0:26:16 | |
They will increase in value so it's still a bargain at £40-60. | 0:26:16 | 0:26:20 | |
-Start me for 20. I'm bid. 22. 25. -Come on. | 0:26:20 | 0:26:24 | |
£25, all I'm bid. 25. 28. | 0:26:24 | 0:26:25 | |
30. £30. | 0:26:25 | 0:26:28 | |
Not quite enough at £30. 32, I'll take. | 0:26:28 | 0:26:31 | |
32. Thank you. 35. 38. | 0:26:31 | 0:26:34 | |
-£38, here. -Come on. | 0:26:34 | 0:26:35 | |
£38. Anybody else? £38. 38. | 0:26:35 | 0:26:38 | |
-209. -£38. | 0:26:38 | 0:26:41 | |
Calm down, David. That's not a bad result, | 0:26:41 | 0:26:43 | |
considering it still needs a little more work doing to it. | 0:26:43 | 0:26:47 | |
How will the Jasperware do, that green Wedgwood Fred's wife, Maureen, collected? | 0:26:47 | 0:26:52 | |
-Bit of a mixed collection, this one. -This is a dealer lot. | 0:26:54 | 0:26:56 | |
There's lots of dealers here. They'd buy that and then split it and sell it individually. | 0:26:56 | 0:27:01 | |
So there's stacks of them in here. Let's hope they scrap over it. | 0:27:01 | 0:27:06 | |
What's it worth? Start me £20 the lot. We know it's worth £20. | 0:27:06 | 0:27:09 | |
-I'm bid all over the place. -Thank goodness. -20. 22. £22, there. | 0:27:09 | 0:27:12 | |
I can't believe it. 25. 28. 30. | 0:27:12 | 0:27:16 | |
32. 35. 38. | 0:27:16 | 0:27:18 | |
40. 45. 50. | 0:27:18 | 0:27:21 | |
-55. -This is more like it. -£55, there. 60, fresh bidding. 65. | 0:27:21 | 0:27:27 | |
70. 75. 80. 85. | 0:27:27 | 0:27:30 | |
£85, further away. Still at 85 with my original bidder. | 0:27:30 | 0:27:33 | |
-This is more like it. -And it goes? 85. | 0:27:33 | 0:27:36 | |
Yes! Isn't that fantastic? | 0:27:36 | 0:27:38 | |
She was too late, she bidded right at the last moment, that old granny. | 0:27:38 | 0:27:41 | |
Well, you've got to act very quickly. That's it. | 0:27:41 | 0:27:44 | |
No excuses, if you're going to bid, stick your hand in the air. | 0:27:44 | 0:27:47 | |
-That's still a very good result. I'm delighted. -Not a bad result. | 0:27:47 | 0:27:50 | |
Not a bad result? It was nearly three times David's lower estimate. | 0:27:50 | 0:27:54 | |
What are we going to have to do to impress Fred, I wonder? | 0:27:54 | 0:27:58 | |
Now it's time for all those late 20th-century stirrup cups, | 0:27:58 | 0:28:01 | |
which Maureen collected over the years. | 0:28:01 | 0:28:03 | |
One's in the shape of a bear's head | 0:28:03 | 0:28:06 | |
and the other four are modelled as foxes. | 0:28:06 | 0:28:09 | |
I have to say, hunting memorabilia remains very popular, | 0:28:09 | 0:28:11 | |
regardless of the arguments for or against the actual sport, | 0:28:11 | 0:28:15 | |
it's part of social history, whether we like it or not. | 0:28:15 | 0:28:18 | |
-What's the estimate on this, David? -80-100. | 0:28:18 | 0:28:21 | |
They're certainly worth £30. Start me at 20, though. 20 I'm bid. Thank you, Chris. 22. 25. | 0:28:21 | 0:28:26 | |
28. 30. | 0:28:26 | 0:28:28 | |
£30 and the end of that table. So cheap I can't believe it. | 0:28:28 | 0:28:31 | |
£30. Nobody else? At £30. Thank you, 32. | 0:28:31 | 0:28:35 | |
35. 38. | 0:28:35 | 0:28:37 | |
I'm almost having a heart attack, here! | 0:28:37 | 0:28:40 | |
-I love it when it rolls on. -Anybody else? At £40. | 0:28:40 | 0:28:43 | |
-Are you all done at £40? -No, no, no, no! -£40. | 0:28:43 | 0:28:45 | |
That's not good. | 0:28:46 | 0:28:48 | |
They only made £40. How do you feel about that? | 0:28:48 | 0:28:52 | |
I think that's another disappointing lot. | 0:28:52 | 0:28:54 | |
They were certainly worth more than that. | 0:28:54 | 0:28:56 | |
-Because we actually had five. -That's right. | 0:28:56 | 0:28:59 | |
-Less than a tenner each. -I know! | 0:28:59 | 0:29:01 | |
Oh, dear. | 0:29:01 | 0:29:02 | |
I don't think Fred is impressed by how things are going so far. | 0:29:02 | 0:29:06 | |
Will the sale of his next lot, the silver vesta case | 0:29:06 | 0:29:09 | |
and the silver card case, help to cheer him up? | 0:29:09 | 0:29:13 | |
One in particular, very Art Nouveau. It's a lovely piece. | 0:29:13 | 0:29:16 | |
-A really bold, bold design. -You're so right. | 0:29:16 | 0:29:19 | |
You've got the silver content but that is absolutely screaming Art Nouveau | 0:29:19 | 0:29:22 | |
and Art Nouveau has always been popular and I think always will be. | 0:29:22 | 0:29:26 | |
It is gorgeous. | 0:29:26 | 0:29:28 | |
Let's hope it's going to be very popular today. | 0:29:28 | 0:29:31 | |
Absolutely. We do want at least £20-£40, apparently. | 0:29:31 | 0:29:34 | |
-Oh, I think it'll make that. -Good. -And more. | 0:29:34 | 0:29:37 | |
-It's a "come and get me" estimate, that one. -Is it really? -Oh, yes. | 0:29:37 | 0:29:40 | |
Right. Let's see who comes and gets, then. | 0:29:40 | 0:29:44 | |
And I've got a bit of interest in these. I'm already bid £20 for them. | 0:29:44 | 0:29:48 | |
22. Everywhere. 25. 28. | 0:29:48 | 0:29:50 | |
-30. 32. -Here we are. | 0:29:50 | 0:29:51 | |
-That's it. -35. 38. | 0:29:51 | 0:29:53 | |
-40. 45. -Music to my ears. -50. 55. | 0:29:53 | 0:29:57 | |
£55, there. CHIMING | 0:29:57 | 0:29:59 | |
-Talk of music! -60, there. | 0:29:59 | 0:30:02 | |
-60, then, in the stands. 65 upstairs. -Lovely. | 0:30:02 | 0:30:05 | |
70. £70. Down below, at 70. Selling, then, at £70. | 0:30:05 | 0:30:09 | |
This is lovely, isn't it? | 0:30:09 | 0:30:11 | |
-£70. That's a result, isn't it? -That's good. That's a result. | 0:30:12 | 0:30:15 | |
-Are you pleased with that? -Yes, I am pleased with that. | 0:30:15 | 0:30:18 | |
-What do you think of that? -Very good. Double. -Double what you wanted, wasn't it? | 0:30:18 | 0:30:23 | |
At last, Fred is happy with a sale. | 0:30:23 | 0:30:26 | |
And who wouldn't be, at nearly double the top estimate? | 0:30:26 | 0:30:29 | |
Some more silver quickly follows with a pair of Exeter salts. | 0:30:29 | 0:30:34 | |
-1879. Quite a lot of age, there. £40-£60. -I think so. | 0:30:34 | 0:30:39 | |
-Bear in mind also that if I remember, they were an Exeter hallmark. -Yes. | 0:30:39 | 0:30:44 | |
But no mention of it in the catalogue because of course, | 0:30:44 | 0:30:47 | |
Exeter a very rare hallmark. | 0:30:47 | 0:30:49 | |
They stopped hallmarking soon after these were made. | 0:30:49 | 0:30:52 | |
We do know at this auction there are a lot of silver dealers that come, | 0:30:52 | 0:30:55 | |
the first thing they are looking for is unusual hallmarks, | 0:30:55 | 0:30:59 | |
apart from the weight of the silver. | 0:30:59 | 0:31:01 | |
So I'm pretty sure that if it's not in the catalogue, | 0:31:01 | 0:31:04 | |
the ones that are interested will spot that. | 0:31:04 | 0:31:06 | |
-Let's hope it works that way. -Let's see. | 0:31:06 | 0:31:09 | |
The little salts. £20 to start me. | 0:31:09 | 0:31:11 | |
I'm bid 20. 22. 25. | 0:31:11 | 0:31:13 | |
-Come on. -28. 30. | 0:31:13 | 0:31:15 | |
-Come on. -32. | 0:31:15 | 0:31:17 | |
£32 for the salts. 32. Not quite enough at the £32. | 0:31:17 | 0:31:20 | |
-35, I need. -We put a reserve on these. | 0:31:20 | 0:31:23 | |
35, thank you, Chris. | 0:31:23 | 0:31:25 | |
At £35 at the end of that table. 35. Anybody else? | 0:31:25 | 0:31:29 | |
-They're a bargain. -Come on. -Do you want a 38? 38. | 0:31:29 | 0:31:33 | |
With the lady at 38. Anybody else at £38? | 0:31:33 | 0:31:37 | |
-Come on! -They are going, then, £38. | 0:31:37 | 0:31:39 | |
Thank you. | 0:31:39 | 0:31:40 | |
Almost there. We wanted 40-60 and you just scraped 38. | 0:31:40 | 0:31:44 | |
-How do you feel about that? -That's another disappointing lot. | 0:31:44 | 0:31:47 | |
I hate to keep using that word but it certainly is, really, | 0:31:47 | 0:31:50 | |
because that is a nice weight of silver. | 0:31:50 | 0:31:54 | |
I think we are not far-off scrap value, quite honestly. | 0:31:54 | 0:31:57 | |
That's the reality of selling at a general auction, I suppose, | 0:31:57 | 0:32:01 | |
and it brings us to the halfway point. | 0:32:01 | 0:32:04 | |
OK, now. We have a break before the other lots come up, | 0:32:04 | 0:32:06 | |
including the Davenport and the Lustreware. | 0:32:06 | 0:32:08 | |
-How do you think we've done so far? -Not very well. | 0:32:08 | 0:32:11 | |
OK, you're right. We've only made £289. | 0:32:11 | 0:32:14 | |
So I think we will have to sow a few more seeds | 0:32:14 | 0:32:17 | |
-before we we'll be reaping any rewards, don't you? -Yes, we do. | 0:32:17 | 0:32:20 | |
But I have a lot of optimism for this afternoon because we have got, you know, | 0:32:20 | 0:32:24 | |
our stronger, more highly valued items this afternoon. | 0:32:24 | 0:32:27 | |
I'm sure we'll make the money but you've seen something you want to look at? | 0:32:27 | 0:32:31 | |
-I've always seen something I want to look at. -Come on, then. | 0:32:31 | 0:32:33 | |
If you're interested in buying or selling at auction, | 0:32:33 | 0:32:36 | |
do bear in mind that charges such as commission and VAT will be added to your bill. | 0:32:36 | 0:32:41 | |
So it's always worth checking with the sale room first. | 0:32:41 | 0:32:44 | |
An auction's not only good for getting rid of stuff like Fred's doing, | 0:32:44 | 0:32:48 | |
it's also a great place to buy things on the cheap | 0:32:48 | 0:32:51 | |
and David reckons he's found something special | 0:32:51 | 0:32:54 | |
that would be ideal for anyone on a tight budget. | 0:32:54 | 0:32:59 | |
I know these aren't exactly your cup of tea, are they? | 0:32:59 | 0:33:03 | |
-Well, I mean, I like the originals. -This is going to be my point. | 0:33:03 | 0:33:07 | |
These sometimes have the unfortunate tag | 0:33:07 | 0:33:10 | |
of being called mug's eyefuls. | 0:33:10 | 0:33:14 | |
If you're a mug, you think they're early 19th-century | 0:33:14 | 0:33:16 | |
Venetian mirrors worth an absolute fortune | 0:33:16 | 0:33:19 | |
and you've just about yourself a bargain in an auction | 0:33:19 | 0:33:22 | |
because if you went into a really good shop and found a proper period, Venetian mirror, | 0:33:22 | 0:33:26 | |
you are talking thousands of pounds. | 0:33:26 | 0:33:28 | |
Get the look without spending the money. | 0:33:28 | 0:33:31 | |
Exactly. They've got the look. They're an interior designer's dream. | 0:33:31 | 0:33:35 | |
They look the business from a few feet away | 0:33:35 | 0:33:37 | |
but as you get closer, it all seems to get a bit wrong. | 0:33:37 | 0:33:41 | |
The quality is not so good. But they're now on a painted brick wall. | 0:33:41 | 0:33:45 | |
Put that in an apartment or a house and it would light up the room. | 0:33:45 | 0:33:49 | |
A bit of elbow grease, clean up the bevelled glass and it would look great. | 0:33:49 | 0:33:54 | |
A Venetian inspired mirror with an estimate of 80-180. | 0:33:54 | 0:33:57 | |
I think that's a bargain. | 0:33:57 | 0:33:59 | |
A bargain indeed. | 0:33:59 | 0:34:01 | |
Let's hope the remainder of Fred's items aren't bargains | 0:34:01 | 0:34:04 | |
and sell for top money. | 0:34:04 | 0:34:06 | |
We want them to make the best possible price to help him achieve his garden dreams. | 0:34:06 | 0:34:10 | |
We meet up in time just to see Fred's Wedgwood Lustreware bowls go under the hammer. | 0:34:10 | 0:34:16 | |
He's only brought three of the six along | 0:34:16 | 0:34:19 | |
as he and Maureen are quite attached to them. | 0:34:19 | 0:34:23 | |
-So what is the estimate for these? -60-80, for the bunch. | 0:34:23 | 0:34:27 | |
Again, I think it's another dealer lot, | 0:34:27 | 0:34:29 | |
I would imagine, probably not a private collector peace. | 0:34:29 | 0:34:32 | |
Dealers will be looking to buy these items. | 0:34:32 | 0:34:34 | |
£60-80, I wouldn't mind being able to buy one of those for £20. | 0:34:34 | 0:34:38 | |
Let's see what they're going for, then. | 0:34:38 | 0:34:40 | |
A bit of interest in that. I'm bid £50, straight off. 55. 60. | 0:34:40 | 0:34:45 | |
Still with me at £60. 65. | 0:34:45 | 0:34:48 | |
70. 75. In the room, against the commissions. | 0:34:48 | 0:34:51 | |
-80, there. 85. 90. -Still going. Going up. | 0:34:51 | 0:34:55 | |
-95. 100. 110. -Here we go. -Yes, yes, yes. -120. | 0:34:55 | 0:34:58 | |
-120 it is, there. -I love auctions when they do this. | 0:34:58 | 0:35:01 | |
-Anybody else? 120. -You can do better than that. -120 is bid. 120. | 0:35:01 | 0:35:06 | |
-£120! -Much better. -That's a good result, isn't it? -It is. | 0:35:06 | 0:35:09 | |
When you were handling those, did you imagine they'd go for that money? | 0:35:09 | 0:35:13 | |
-No, I didn't. -A much better result than we've been doing so far. | 0:35:13 | 0:35:16 | |
-Especially because you've kept the ones you like. -Yes, that's true, too. | 0:35:16 | 0:35:20 | |
I'm so pleased they've sold well. | 0:35:20 | 0:35:22 | |
I think Fred would've been massively disappointed had they gone for any less. | 0:35:22 | 0:35:27 | |
And he wants at least £75 for the mahogany three-tier dumb waiter. | 0:35:27 | 0:35:30 | |
Otherwise it'll be going back with him, as he's put a reserve on it. | 0:35:30 | 0:35:35 | |
A little bit of interest in it. I'm straight in at £70. | 0:35:35 | 0:35:38 | |
-OK, £5 under what you want. -Come on. | 0:35:38 | 0:35:41 | |
-75. 80. 85. -Right, that's it. | 0:35:41 | 0:35:44 | |
90. 95. 100. | 0:35:44 | 0:35:46 | |
-110. £110, there. -Oh, yes. -At 110 in the room at £110. | 0:35:46 | 0:35:51 | |
-The dumb waiter with you, madam, at £110. Anybody else? 110. -Come on! | 0:35:51 | 0:35:55 | |
Fantastic and it's a sign furniture is doing well here today. | 0:35:55 | 0:36:01 | |
So what will that mean for the Victorian mahogany Davenport, | 0:36:01 | 0:36:04 | |
which Fred is rather reluctant to let go. | 0:36:04 | 0:36:06 | |
I've put a fixed reserve on this one of 200 | 0:36:06 | 0:36:09 | |
because of what you said at the house, I thought, "It's got to be worth every penny of that." | 0:36:09 | 0:36:14 | |
I absolutely agree. If it doesn't make £200, | 0:36:14 | 0:36:16 | |
it doesn't deserve to be sold. | 0:36:16 | 0:36:18 | |
You might be carrying it home. Come on. Let's see what it gets. | 0:36:18 | 0:36:22 | |
Again, I've got a bit of interest. I'm straight in at £100. | 0:36:22 | 0:36:25 | |
-That's not a very good start. -120. 130. 140. 150. -Here we go. | 0:36:25 | 0:36:29 | |
160. 170. 180. | 0:36:29 | 0:36:33 | |
-£180. -Oh, it's stuck at 180. | 0:36:33 | 0:36:35 | |
190, I'm bid now. 200. | 0:36:35 | 0:36:37 | |
210. 210. | 0:36:37 | 0:36:39 | |
-Come on. -220, here. | 0:36:39 | 0:36:42 | |
230. | 0:36:43 | 0:36:44 | |
Do you want 240? 240. 250. | 0:36:46 | 0:36:49 | |
Please! | 0:36:49 | 0:36:50 | |
260. | 0:36:50 | 0:36:52 | |
250. To my left, then, at 250. Are you done? | 0:36:52 | 0:36:55 | |
250. There at 250. | 0:36:55 | 0:36:57 | |
-It goes for 250, then. -£250. | 0:36:57 | 0:36:59 | |
£250. | 0:36:59 | 0:37:00 | |
Well, it's over your fixed reserve, but are you happy with that figure? | 0:37:00 | 0:37:04 | |
Compared for this market, yes. I know what I paid for it so I know... | 0:37:04 | 0:37:07 | |
-Don't think about what you've paid for it. -We've all been there. | 0:37:07 | 0:37:10 | |
Fred's last three lots have done really well, | 0:37:10 | 0:37:14 | |
all clearing the £100 mark. | 0:37:14 | 0:37:15 | |
He only needs just over £30 to reach his target, | 0:37:15 | 0:37:19 | |
but I'm keeping that to myself for now. | 0:37:19 | 0:37:21 | |
The four 1970s Royal Worcester candle-snuffers soon follow. | 0:37:21 | 0:37:25 | |
Will this high-quality name attract bids at around £50 to £100? | 0:37:25 | 0:37:30 | |
-I'm bid straight off £40. -Excellent. There you go. | 0:37:30 | 0:37:33 | |
£40. 45. 50. | 0:37:33 | 0:37:35 | |
£50. I can't believe it's still a cheap lot at £50... | 0:37:35 | 0:37:39 | |
55, standing, thank you. 60... | 0:37:39 | 0:37:43 | |
..5. 70. £70, there, at 70, anybody else? | 0:37:43 | 0:37:47 | |
-That's £70 for the gentleman. -Yes! -At 70, 75? Thank you. 80? | 0:37:47 | 0:37:52 | |
75 with the lady, there, at 75. At £75 in the blue, then, at £75. 75. | 0:37:52 | 0:37:57 | |
-Bang on the middle. -£75. Are you happy with that? | 0:37:57 | 0:37:59 | |
Yes, it's OK. It's OK, yeah, not too bad. | 0:37:59 | 0:38:02 | |
I should imagine again | 0:38:02 | 0:38:03 | |
it's less than you probably paid for them at the time, but... | 0:38:03 | 0:38:06 | |
-It's less than I paid for everything. -But you've enjoyed them. | 0:38:06 | 0:38:09 | |
-Yes. -That's right, we certainly have. | 0:38:09 | 0:38:11 | |
We've had them for a while, collected them everywhere, | 0:38:11 | 0:38:14 | |
-so, yes, we've had a good time. -So not so bad? -No, not so bad. | 0:38:14 | 0:38:17 | |
Right in the middle of the estimate and Fred is clearly starting | 0:38:17 | 0:38:20 | |
to think differently about his sales now. | 0:38:20 | 0:38:24 | |
Will the large 20th-century Chinese jardiniere on a stand | 0:38:24 | 0:38:27 | |
do as well, with an estimate of £50 to £75. | 0:38:27 | 0:38:31 | |
It's always resided in the corner with a glass top on it | 0:38:31 | 0:38:34 | |
because of the decoration side, so that you could see, | 0:38:34 | 0:38:37 | |
but we've run out of corners so it's time for it to go. | 0:38:37 | 0:38:39 | |
Estimated at £50 to £75, but it's a great thing, it covers all spectrums, | 0:38:39 | 0:38:43 | |
it'll fit in a modern, contemporary home for you | 0:38:43 | 0:38:45 | |
and a traditional home for someone else. | 0:38:45 | 0:38:48 | |
For an interior decorator, it would be a great buy. | 0:38:48 | 0:38:51 | |
All right, OK. | 0:38:51 | 0:38:52 | |
Thank you, I'm bid 20. | 0:38:52 | 0:38:54 | |
I'm going to take 22. 25. 28. 30 in the room. | 0:38:54 | 0:38:58 | |
-Was that a commission bid? -It does have a commission bid, yeah. | 0:38:58 | 0:39:02 | |
I'm going to sell it at £30. | 0:39:02 | 0:39:03 | |
But commission is out, no, no, no, don't sell it at £30. | 0:39:03 | 0:39:06 | |
At £30 it's going to go. At £30. | 0:39:06 | 0:39:10 | |
-Ooh. -Not so good, not so good. -Not so good on that one. | 0:39:10 | 0:39:13 | |
-I take it you didn't put a reserve on that one either? -No, I didn't. | 0:39:13 | 0:39:17 | |
-That's fine. -Yeah? -It was ready to go, so I guess that's fine. | 0:39:17 | 0:39:20 | |
Well, I'm very pleased that Fred's being realistic about that sale, | 0:39:20 | 0:39:24 | |
although it was slightly disappointing. | 0:39:24 | 0:39:27 | |
OK, well let's hope we can do better with our last lot, which is... | 0:39:27 | 0:39:31 | |
the collection of Lladros. | 0:39:31 | 0:39:32 | |
-Some very nice pieces here. -This is the big one, isn't it? | 0:39:32 | 0:39:35 | |
It's got £300 to £500 on these. | 0:39:35 | 0:39:37 | |
This could make all the difference to our target figures, so... | 0:39:37 | 0:39:41 | |
-Yes it can, yeah. -Any reserve on this one? | 0:39:41 | 0:39:43 | |
Yes, I put a fixed £300 reserve. | 0:39:43 | 0:39:45 | |
-They should make it, Lorne, they really should. -Yeah, I agree totally. | 0:39:45 | 0:39:48 | |
They're in good condition cos they've been in your cabinet | 0:39:48 | 0:39:51 | |
and they're in their original boxes. You can't get better than that, | 0:39:51 | 0:39:55 | |
so let's see what happens. Fingers crossed. | 0:39:55 | 0:39:57 | |
Lot 120A are the Lladro figures. | 0:39:57 | 0:39:59 | |
-Ooh, now you must be nervous, now. -Yes. Yes. | 0:39:59 | 0:40:02 | |
Jolly good lot, this, 120A. | 0:40:02 | 0:40:06 | |
Must be worth... Start me... £200 to start me, | 0:40:06 | 0:40:08 | |
I'm straight in at £200 there. 210. 220. 230. | 0:40:08 | 0:40:12 | |
240. 250. 260. 270. | 0:40:12 | 0:40:15 | |
-280. 280 there. -Ooh... | 0:40:15 | 0:40:18 | |
At 280 there, it still seems cheap, 280. 290. | 0:40:18 | 0:40:22 | |
-300. -That's the reserve. | 0:40:22 | 0:40:24 | |
-320. 340. 360. 380. -Good. | 0:40:24 | 0:40:28 | |
-380 to the lady there. -Don't forget, you've got eight figurines there. | 0:40:28 | 0:40:32 | |
£380 is the bid, 380. 217. | 0:40:32 | 0:40:35 | |
Ooh... | 0:40:35 | 0:40:37 | |
£380, now that's not bad for eight Lladro figurines. | 0:40:37 | 0:40:40 | |
Yeah, somebody got a good bargain, there. | 0:40:40 | 0:40:42 | |
They did, but you've got £380 which is about bang on middle, | 0:40:42 | 0:40:45 | |
-so I think that's OK. It's a result, isn't it? -Yes. | 0:40:45 | 0:40:48 | |
Oh, come on, David, give us a smile. | 0:40:49 | 0:40:52 | |
You know, I think I might have some good news, now. | 0:40:52 | 0:40:55 | |
Well, that's our lots done. So, how did you find the auction? | 0:40:55 | 0:41:00 | |
It was quite fun. It was good when people started bidding. | 0:41:00 | 0:41:02 | |
Fred, what about you? I know, you know, | 0:41:02 | 0:41:04 | |
we had a couple of disappointments. | 0:41:04 | 0:41:06 | |
We did, although I think it went well. I'm pleased with the results. | 0:41:06 | 0:41:10 | |
Well, overall, we've actually made £1,254. | 0:41:10 | 0:41:13 | |
-Well done. -Wonderful. | 0:41:13 | 0:41:15 | |
So, there's a bit of extra money in there, for some shrubs or something. | 0:41:15 | 0:41:18 | |
-For me. -Yes, absolutely, I should think so! | 0:41:18 | 0:41:21 | |
-We're really, really pleased for you, so good luck. -Brilliant. | 0:41:21 | 0:41:24 | |
Thank you very much. Thank you. | 0:41:24 | 0:41:26 | |
With that fantastic auction result, Fred and Maureen waste no time | 0:41:30 | 0:41:34 | |
and within days their garden make-over is in full swing. | 0:41:34 | 0:41:38 | |
so, is Fred happy with the result? | 0:41:38 | 0:41:40 | |
Well, the patio is now completed | 0:41:40 | 0:41:42 | |
so we're very happy that the patio is finished | 0:41:42 | 0:41:45 | |
and we're able to sit out here and enjoy it. | 0:41:45 | 0:41:47 | |
There's a lot more room out here now, it looks really good, | 0:41:47 | 0:41:51 | |
so, everybody's commented on how much they really like the patio | 0:41:51 | 0:41:54 | |
and the appearance of it. | 0:41:54 | 0:41:56 | |
Maureen may be camera-shy but I dare say she's no slacker | 0:41:56 | 0:42:00 | |
when it comes to planning the next stage of the landscaping project. | 0:42:00 | 0:42:03 | |
There's more works planned. | 0:42:03 | 0:42:05 | |
This was, kind of, the first phase, to finish up the patio | 0:42:05 | 0:42:08 | |
and the fencing around it | 0:42:08 | 0:42:10 | |
and there's certainly more work in mind, I know. So... | 0:42:10 | 0:42:13 | |
But that is going to be for me to do, this stuff. | 0:42:13 | 0:42:16 |