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Welcome to Cash In The Attic, the show that searches your home looking for hidden treasure | 0:00:02 | 0:00:06 | |
and then we take it to auction to raise money for something you want to spend it on. | 0:00:06 | 0:00:10 | |
Today, we meet a couple who have decided they're going to get rid of all their stuff | 0:00:10 | 0:00:15 | |
and raise the money so they can buy some more stuff. | 0:00:15 | 0:00:18 | |
So it's going to be pretty interesting. | 0:00:18 | 0:00:20 | |
'Coming up on Cash in the Attic. | 0:00:40 | 0:00:41 | |
'The lady of the house is a very persuasive woman.' | 0:00:41 | 0:00:45 | |
-How did she convince you to take part? -She didn't. I just did it! LAUGHTER | 0:00:45 | 0:00:50 | |
'And her husband's unique childhood method of labelling his trains | 0:00:50 | 0:00:54 | |
'might have harmed their value.' | 0:00:54 | 0:00:56 | |
-You vandal! -I decided to scratch along the side, I don't know why. | 0:00:56 | 0:01:00 | |
-Because you were a boy. -Yes. -Hm. | 0:01:00 | 0:01:03 | |
'At auction, why's our expert Jonty eating humble pie?' | 0:01:03 | 0:01:07 | |
I missed it. I hold up my hand. | 0:01:07 | 0:01:10 | |
'All will be revealed when the hammer falls.' | 0:01:10 | 0:01:13 | |
Today, I've come to Essex to meet Peter and Sherry Bridges | 0:01:14 | 0:01:18 | |
and their friend Linda. | 0:01:18 | 0:01:20 | |
'Two years ago, Sherry was diagnosed with Parkinson's disease. | 0:01:21 | 0:01:25 | |
'To help ease the symptoms, she regularly practises the Chinese martial art tai chi. | 0:01:25 | 0:01:31 | |
'She's married to Peter and they have one son, Nick, aged 25. | 0:01:31 | 0:01:36 | |
'The couple live in this large four-bedroom detached house, complete with swimming pool. | 0:01:36 | 0:01:41 | |
'Just as well it's a chilly day, otherwise we'd probably | 0:01:41 | 0:01:45 | |
'be sat beside it rather than looking for valuable items inside. | 0:01:45 | 0:01:49 | |
'On hand to help with the search today is their good friend Linda, and with me is Jonty Hearnden, | 0:01:49 | 0:01:55 | |
'who has 30 years' experience in the antiques trade. | 0:01:55 | 0:01:58 | |
'While he makes a start, I can smell something brewing in the kitchen.' | 0:01:58 | 0:02:03 | |
Coffee. Ah! That's all it takes. Black coffee and I'm away. | 0:02:03 | 0:02:09 | |
-So you've called in Cash In The Attic. -Yes. | 0:02:09 | 0:02:12 | |
-Jonty is your expert today. I've let him loose having a rummage, if that's OK. -Fine. | 0:02:12 | 0:02:16 | |
What do you want us to find? | 0:02:16 | 0:02:20 | |
We've got lots of things to get rid of. We want to downsize. | 0:02:20 | 0:02:23 | |
This house is far too big, and also, now we're retired, is expensive, | 0:02:23 | 0:02:27 | |
so it's not practical. | 0:02:27 | 0:02:29 | |
We want a cosy little place to have fun in. | 0:02:29 | 0:02:33 | |
-How did she convince you to take part? -She didn't, I just did it! LAUGHTER | 0:02:33 | 0:02:38 | |
Took the words right out of my mouth. In other words, "You are attending and that's it." | 0:02:38 | 0:02:43 | |
-It's going to be fun. -I know, I'm enjoying it at the moment. | 0:02:43 | 0:02:46 | |
-There you go. -Even more if there's more money. | 0:02:46 | 0:02:48 | |
Talking of money, how much are you looking to raise? | 0:02:48 | 0:02:51 | |
500 in an ideal world, for me, would be lovely. | 0:02:51 | 0:02:55 | |
Then we could go to antiques shops and auction rooms | 0:02:55 | 0:02:57 | |
and choose our own stuff when we finally get our cottage. | 0:02:57 | 0:03:01 | |
Any more, I would like to donate to Parkinson's. | 0:03:01 | 0:03:03 | |
Right. Is that part of the reason why you want to downsize? | 0:03:03 | 0:03:07 | |
It's definitely part of the reason. This is too much work. I want something cosy, | 0:03:07 | 0:03:11 | |
comfortable, easy to manage. | 0:03:11 | 0:03:13 | |
OK, we need to make £500 and a bit more, | 0:03:13 | 0:03:16 | |
so Parkinson's can get some of that money. | 0:03:16 | 0:03:18 | |
Linda, you're a friend. Is this taking friendship a step too far? | 0:03:18 | 0:03:23 | |
-That's what I said! -LAUGHTER | 0:03:23 | 0:03:26 | |
£500, let's get cracking and see what we can find. You two follow me. | 0:03:26 | 0:03:30 | |
If you can track down Jonty, that would be great. Through the door and down here. | 0:03:30 | 0:03:34 | |
'They bought their house five years ago with Peter's elderly parents, | 0:03:34 | 0:03:39 | |
'so they could look after them in old age. | 0:03:39 | 0:03:42 | |
'They've both since died, but the place is still full of their possessions, | 0:03:42 | 0:03:46 | |
'many of which have been in the family for generations.' | 0:03:46 | 0:03:49 | |
There you are, Jonty. I wondered where you got to. | 0:03:49 | 0:03:53 | |
-I've seen the light already. -Ah! -LAUGHTER | 0:03:53 | 0:03:56 | |
-In fact, I've seen three lights. -I love the base on that. | 0:03:56 | 0:03:59 | |
-Fantastic. -Isn't that wonderful? So substantial. | 0:03:59 | 0:04:02 | |
-Are these things Peter's parents left? -Peter's mum's. She bought them from her nephew, | 0:04:02 | 0:04:07 | |
who is in the antiques business. | 0:04:07 | 0:04:09 | |
Did she buy them together, or did they pop up at different times? | 0:04:09 | 0:04:13 | |
They probably popped up at different times, that one and the darker one behind, | 0:04:13 | 0:04:17 | |
but the other one here is mine. That's a present from her. | 0:04:17 | 0:04:22 | |
By definition, these lights will have been created, or invented, | 0:04:22 | 0:04:27 | |
in the middle of the 19th century, | 0:04:27 | 0:04:29 | |
because kerosene was discovered in the mid-19th century. | 0:04:29 | 0:04:32 | |
-Before that, it would have been whale oil, etc, etc. -Oh! | 0:04:32 | 0:04:37 | |
Of course, they went out of fashion when internal lighting by gas or electricity became commonplace. | 0:04:37 | 0:04:43 | |
-Are we selling all three? -Yes. -OK. | 0:04:43 | 0:04:47 | |
We'll have to put the three in together, | 0:04:47 | 0:04:49 | |
and I would put an estimate between £50 and £75. | 0:04:49 | 0:04:54 | |
I think that's relatively conservative, | 0:04:54 | 0:04:57 | |
but they will all sell very well. | 0:04:57 | 0:04:58 | |
-Are you happy? -Yes, I'm very happy with that. | 0:04:58 | 0:05:01 | |
-OK. -It all adds up. -Absolutely. Quite. | 0:05:01 | 0:05:04 | |
-Let's see what else we can find. -Good. -Come on. | 0:05:04 | 0:05:06 | |
'Jonty seems confident the bidders will like those three. | 0:05:09 | 0:05:14 | |
'Hopefully it's a sign that Sherry's mother-in-law's taste will continue to appeal. | 0:05:14 | 0:05:18 | |
'In their morning room, Peter has spotted a large fruit bowl, complete with stand. | 0:05:18 | 0:05:25 | |
'It used to belong to a great aunt and was passed on to his mum. | 0:05:25 | 0:05:29 | |
'Sherry has been using it to put plants in. | 0:05:29 | 0:05:31 | |
'It seems to have survived the experience as it's in good condition. | 0:05:31 | 0:05:35 | |
'It's made by the popular Japanese company Noritake, | 0:05:35 | 0:05:39 | |
and gets a £20-£40 estimate for the saleroom. | 0:05:39 | 0:05:41 | |
-How are you doing? -I've found these. -Is it cocktail time? | 0:05:44 | 0:05:48 | |
-Looks like it! -Cheers. There's nothing in there! -No. | 0:05:48 | 0:05:52 | |
JONTY LAUGHS | 0:05:52 | 0:05:53 | |
I think these were Peter's great-grandparents', | 0:05:53 | 0:05:57 | |
but I don't know what they're for. | 0:05:57 | 0:05:59 | |
When you say great-grandparents, we're talking late 19th century? | 0:05:59 | 0:06:03 | |
-A bit earlier, I would think. -Really? OK. | 0:06:03 | 0:06:06 | |
Let's have a look at these. Looking at the style. | 0:06:06 | 0:06:10 | |
Have a look at those very closely. | 0:06:10 | 0:06:12 | |
Look at those clean lines. | 0:06:12 | 0:06:15 | |
-These would have been made between the two world wars, so 1920, 1930. -Oh, really? | 0:06:15 | 0:06:21 | |
So they're not 19th century. | 0:06:21 | 0:06:23 | |
Look at those lines. Those clean lines are art deco. | 0:06:23 | 0:06:29 | |
They threw away those busy designs of the 19th century. | 0:06:29 | 0:06:32 | |
So they look very, very clean and very, very stylish. | 0:06:32 | 0:06:36 | |
It inspired a generation, from architects to clothing | 0:06:36 | 0:06:40 | |
and, of course, to interiors. | 0:06:40 | 0:06:43 | |
-They don't really look like drinking vessels? -No. | 0:06:43 | 0:06:46 | |
I'm just not sure what on earth they are. | 0:06:46 | 0:06:48 | |
One thing I can tell you is they're not 19th century. | 0:06:48 | 0:06:51 | |
The material they've used here is not silver. They're silver-looking, | 0:06:51 | 0:06:57 | |
but these are silver plate. So they're a white metal. | 0:06:57 | 0:07:01 | |
I think they're wonderfully fun. They're fantastically stylish. | 0:07:01 | 0:07:05 | |
I don't think were talking much value. We're looking at £20-£40. | 0:07:05 | 0:07:09 | |
Simply because I don't think they're identifiable. | 0:07:10 | 0:07:13 | |
'But when they get to the saleroom | 0:07:13 | 0:07:16 | |
'will there be any art deco fans there?' | 0:07:16 | 0:07:19 | |
£20. Do you want 22 in the doorway? | 0:07:19 | 0:07:21 | |
-40 I'm bid now. -THEY GASP | 0:07:21 | 0:07:24 | |
42, do you want? 42. | 0:07:24 | 0:07:25 | |
£60. | 0:07:25 | 0:07:27 | |
'We'll have to wait a little longer to find out how high that bidding goes. | 0:07:29 | 0:07:34 | |
'As the search continues, going by Jonty's lowest estimates so far, | 0:07:36 | 0:07:41 | |
'we stand to make just £90 when we take the things we've found to the saleroom. | 0:07:41 | 0:07:45 | |
'So we have a long way to go to reach that £500 target. | 0:07:45 | 0:07:49 | |
'In the dining room, Peter has come across an old carriage clock, | 0:07:50 | 0:07:54 | |
'which is still in good working order. | 0:07:54 | 0:07:56 | |
'It has the number 1754 on the back, | 0:07:56 | 0:07:59 | |
'but this isn't the date, as the first was made in Paris in 1810. | 0:07:59 | 0:08:04 | |
'This one belonged to Peter's maternal grandmother | 0:08:04 | 0:08:07 | |
'and is over 100 years old. | 0:08:07 | 0:08:09 | |
'It's made by Matthew Norman, | 0:08:09 | 0:08:10 | |
'a respected Swiss manufacturer of luxury mechanical carriage clocks. | 0:08:10 | 0:08:15 | |
'The estimate for auction is £100-£150. | 0:08:15 | 0:08:18 | |
'And I have spotted a pocket watch in the bedroom that also still works. | 0:08:21 | 0:08:25 | |
'It was given to Peter's father when he was in the Irish Guards during World War II. | 0:08:25 | 0:08:30 | |
'The case is stainless steel and comes complete with the original box. | 0:08:30 | 0:08:34 | |
'This could appeal to both horologists are militaria collectors | 0:08:34 | 0:08:38 | |
'and gets an estimate of £30-£40.' | 0:08:38 | 0:08:40 | |
-I've found a pair of vases. -Oh, yes! Yes, Granny's, obviously, I think. | 0:08:40 | 0:08:46 | |
They've been in the family for years, in her house in Romford. | 0:08:46 | 0:08:51 | |
Do you know what part of the world they are from? | 0:08:51 | 0:08:53 | |
I don't, to be honest, because Gran never went anywhere abroad, | 0:08:53 | 0:08:57 | |
but she had two brothers who were in the forces. | 0:08:57 | 0:09:00 | |
I can only assume they were brought back for their mother, maybe. | 0:09:00 | 0:09:05 | |
That's very interesting. | 0:09:05 | 0:09:06 | |
But these vases, I would suspect, have never travelled out of the UK. | 0:09:06 | 0:09:10 | |
-Oh, right. -Because they're British. -Right. | 0:09:10 | 0:09:13 | |
But they're inspired by oriental designs. | 0:09:13 | 0:09:16 | |
If you look at the shape, this sort of moon-flask shape, is very oriental. | 0:09:16 | 0:09:22 | |
If you look at the decoration on the front, | 0:09:22 | 0:09:25 | |
-and on the back, as well, it's inspired by oriental designs. -It makes you think of that. | 0:09:25 | 0:09:31 | |
If you look closely, we've got the butterfly and the flower here | 0:09:31 | 0:09:35 | |
and also the sort of grass seed and the flower head. They're very British. | 0:09:35 | 0:09:40 | |
-Oh, right. -So... -That's a surprise. I wouldn't have thought that. | 0:09:40 | 0:09:45 | |
These glazed ceramic vases, clay, as you can see, slightly chipped on this one, sadly. | 0:09:45 | 0:09:52 | |
-They were very fashionable, I suppose, from 1860 onwards to 1890. Big fashion. -Quite old, then. | 0:09:52 | 0:10:01 | |
This was a movement called the aesthetic movement, | 0:10:01 | 0:10:04 | |
and they were inspired by the oriental clean line and look. | 0:10:04 | 0:10:07 | |
-I assume this is perfect? -I think it is. | 0:10:07 | 0:10:11 | |
That one looks in pretty good condition. Very attractive. | 0:10:11 | 0:10:14 | |
-I think you're looking still around the £50 mark. -Right, OK. | 0:10:14 | 0:10:17 | |
-Let's be bullish, 50 to 70. -Lovely. | 0:10:17 | 0:10:21 | |
What a shame that's chipped. | 0:10:21 | 0:10:22 | |
-It Is. It's a great pity because I would have put a lot more on them. I think they're lovely. -Oh! | 0:10:22 | 0:10:27 | |
'Sherry wants to start afresh with the furnishings | 0:10:27 | 0:10:30 | |
'when they downsize to their new home. | 0:10:30 | 0:10:33 | |
'They hope to find an old cottage full of character, something they've always wanted | 0:10:33 | 0:10:37 | |
'in the 41 years they've been married.' | 0:10:37 | 0:10:39 | |
So how did you two meet? | 0:10:39 | 0:10:41 | |
-At school, would you believe, in the early '50s. -Right. | 0:10:42 | 0:10:45 | |
Was it love at first sight? | 0:10:45 | 0:10:47 | |
Not really, no. I didn't like Peter when I first met him. | 0:10:47 | 0:10:50 | |
He chased me more than I chased him. | 0:10:50 | 0:10:53 | |
We had two or three break-ups and the final one, | 0:10:53 | 0:10:58 | |
I'd gone my own way and I was getting an education by this stage. | 0:10:58 | 0:11:02 | |
Then, out of the blue, a letter arrived at home and that was from her ladyship | 0:11:02 | 0:11:07 | |
saying "Why don't we give it another go?" | 0:11:07 | 0:11:09 | |
I ummed and aahed as long as it took to open the envelope and fold it again. | 0:11:09 | 0:11:13 | |
I rushed to her place and said "We'll go out." There we are. | 0:11:13 | 0:11:16 | |
41 years later we're still here. | 0:11:16 | 0:11:19 | |
You were diagnosed with Parkinson's. Tell me about that. | 0:11:19 | 0:11:23 | |
I think the tremor was the first thing, | 0:11:23 | 0:11:26 | |
that usually is the thing that triggers it for you to go to the doctor. | 0:11:26 | 0:11:29 | |
When I did, it all came about. That's two years ago. | 0:11:29 | 0:11:34 | |
I'm on tablets, which are brilliant, and it's early stages | 0:11:34 | 0:11:38 | |
and it's holding it at bay, but it would nice to get settled because it's progressive. | 0:11:38 | 0:11:42 | |
You don't know how progressive, how quickly. | 0:11:42 | 0:11:45 | |
Where does the tai chi come into this? | 0:11:45 | 0:11:48 | |
Tai chi has kept me sane and saved my life, really, | 0:11:48 | 0:11:53 | |
because I had to give up work and give up driving | 0:11:53 | 0:11:56 | |
and there was no way I could just be at home all the time, because I'd go mad. | 0:11:56 | 0:12:00 | |
I was recommended by somebody to try tai chi, | 0:12:00 | 0:12:03 | |
and it's been the best thing I've ever done. | 0:12:03 | 0:12:05 | |
Fabulous, because it's good for you, but mentally it's good for you, as well. | 0:12:05 | 0:12:09 | |
It's been quite hard on you, Peter. | 0:12:09 | 0:12:12 | |
It hits you like a brick. | 0:12:12 | 0:12:14 | |
My first concerns were was she capable here on her own and the straight answer is yes. | 0:12:14 | 0:12:19 | |
But, if there is an accident, there's a problem, | 0:12:19 | 0:12:23 | |
so it was the catalyst that made me wake up and say, "Time to retire." | 0:12:23 | 0:12:28 | |
It makes you rethink totally what's important and what matters. | 0:12:28 | 0:12:32 | |
It's having the time with friends. Our friends have been fabulous. | 0:12:32 | 0:12:35 | |
Without our friends, we wouldn't have got through these last two years, | 0:12:35 | 0:12:38 | |
and that shows you what's important. | 0:12:38 | 0:12:40 | |
And we've had a great life and we're still having a great life. | 0:12:40 | 0:12:44 | |
'What a great relationship they have. Obviously built on very solid ground. | 0:12:44 | 0:12:49 | |
'And something I find in the garage confirms to me that Peter is a big kid at heart.' | 0:12:49 | 0:12:54 | |
Jonty, Peter, are you there? | 0:12:55 | 0:12:57 | |
-Yes, hello. -Ah! | 0:12:57 | 0:12:59 | |
I'm guessing, Peter, this is yours because, look. | 0:12:59 | 0:13:03 | |
-In pencil it says "Peter." -It does. | 0:13:03 | 0:13:08 | |
-Has your handwriting improved? I hope so! -Progressively. | 0:13:08 | 0:13:12 | |
You've looked after this, because it's got the key to wind it up, | 0:13:12 | 0:13:16 | |
it's got the instructions and the original tissue paper. | 0:13:16 | 0:13:19 | |
-Those were the days we had to look after things properly. -Absolutely. | 0:13:19 | 0:13:22 | |
It looks like it's in pretty good condition. | 0:13:22 | 0:13:25 | |
But there is one thing here, Peter. | 0:13:25 | 0:13:27 | |
We've got a streak down the side here. What happened there? | 0:13:27 | 0:13:30 | |
-I'm afraid that was me. -You vandal! | 0:13:30 | 0:13:33 | |
Because I decided to scratch along the side. I don't know why. | 0:13:33 | 0:13:36 | |
-A boy's thing. -Because you're a boy! Hm. | 0:13:36 | 0:13:38 | |
-What sort of date are we talking about? -Early '50s, probably. | 0:13:38 | 0:13:44 | |
'54, '55. Just around starting school. | 0:13:44 | 0:13:46 | |
It might have been first Christmas present after I started school. | 0:13:46 | 0:13:49 | |
-What else did you have with this? -I had some other trucks. | 0:13:49 | 0:13:52 | |
-There were cattle trucks. There's one there with a cable drum on it. -Can we have a look? | 0:13:52 | 0:13:58 | |
There was another six, but where they've gone, I really don't know. | 0:13:58 | 0:14:03 | |
-That's lovely. -That's in very good condition. | 0:14:03 | 0:14:05 | |
-I think that's quite unusual, isn't it Jonty? -It is. | 0:14:05 | 0:14:09 | |
It's really very nice to see it in such great condition. | 0:14:09 | 0:14:12 | |
This is a wire cable on the back of this flatbed truck, | 0:14:12 | 0:14:16 | |
which is absolutely superb. | 0:14:16 | 0:14:18 | |
-This is the clockwork version. This reverses, this locomotive. -It does. | 0:14:18 | 0:14:23 | |
It just needs winding up. There are forward and reverse gears | 0:14:23 | 0:14:27 | |
that are working on it. There's a speed controller. | 0:14:27 | 0:14:30 | |
-Um... And there you go. -We need to put the two in together, | 0:14:30 | 0:14:35 | |
because the same buyers will be buying these two items. | 0:14:35 | 0:14:39 | |
So, collectively, in our hands, we're looking at £40-£60. | 0:14:39 | 0:14:43 | |
That's amazing, when you think. | 0:14:43 | 0:14:44 | |
I wouldn't know what my dad paid for that, but it was shillings. | 0:14:44 | 0:14:48 | |
-Excellent. Let's pack these away and see what else we can find. -Full steam ahead! | 0:14:48 | 0:14:52 | |
PETER LAUGHS | 0:14:52 | 0:14:53 | |
'No, don't encourage him, Peter! Sherry is certainly firing on all cylinders in the lounge | 0:14:54 | 0:14:59 | |
'in her attempt to find something. | 0:14:59 | 0:15:01 | |
'In the breakfast room, Linda has come across some nice pieces. | 0:15:01 | 0:15:06 | |
'There are three Japanese enamelled plates decorated with pheasants | 0:15:06 | 0:15:10 | |
'and also a small collection of green Wedgwood, known as jasperware, | 0:15:10 | 0:15:14 | |
which is famous for being unglazed and having cameo detail. | 0:15:14 | 0:15:17 | |
'They belonged to Peter's mum and they think she bought these for herself as a treat. | 0:15:17 | 0:15:22 | |
'The estimate for this lot, £20-£30. | 0:15:22 | 0:15:24 | |
'And Sherry's searches have unearthed this pair of figurines | 0:15:24 | 0:15:29 | |
'that she says have been in the family for over 100 years. | 0:15:29 | 0:15:33 | |
'It's an elderly couple, each holding a bowl of fruit. | 0:15:33 | 0:15:36 | |
'They were made in the late 19th century on the Continent and are bisque china, | 0:15:36 | 0:15:40 | |
'which is porcelain that has not been glazed, but left in its natural matte state. | 0:15:40 | 0:15:44 | |
'This technique was used for figurines and dolls' heads, | 0:15:44 | 0:15:47 | |
'as it closely resembled the texture of human skin. | 0:15:47 | 0:15:51 | |
'They belonged to Peter's grandmother, | 0:15:51 | 0:15:54 | |
'and the estimate is £30-£50.' | 0:15:54 | 0:15:56 | |
-A-ha, Peter, do you play? -Hello, Jonty. Unfortunately, I don't. | 0:15:56 | 0:16:00 | |
JONTY LAUGHS | 0:16:00 | 0:16:01 | |
-Whose are these, then? -They were my father's. | 0:16:01 | 0:16:04 | |
Obviously, from the war he became a policeman | 0:16:04 | 0:16:06 | |
and immediately he was seconded in, he started playing | 0:16:06 | 0:16:10 | |
and played well throughout Essex, Suffolk. | 0:16:10 | 0:16:13 | |
Over the years - he went on to his mid-70s - and when we moved here | 0:16:13 | 0:16:17 | |
he was in his 90s and they disappeared up into the loft. | 0:16:17 | 0:16:21 | |
-And they were dug out a few months ago. -OK. | 0:16:21 | 0:16:25 | |
Where they'd come from, what he paid for them, I don't know. | 0:16:25 | 0:16:28 | |
They're made of lignum vitae, which is a dense, tropical timber. | 0:16:28 | 0:16:32 | |
Just feel the weight of that. Isn't that amazing? | 0:16:32 | 0:16:35 | |
-No good playing near a pond, would it? -JONTY LAUGHS | 0:16:35 | 0:16:38 | |
Sink like a stone, wouldn't it? | 0:16:38 | 0:16:40 | |
But bowls like this, very desirable, very collectable. | 0:16:40 | 0:16:45 | |
All of a sudden, they're not just an instrument that is used for a game, | 0:16:45 | 0:16:49 | |
they are literally now bought, like this, as decorative objects. | 0:16:49 | 0:16:53 | |
I can understand it. In a nice, old cottage it would look very nice. | 0:16:53 | 0:16:57 | |
-Absolutely. -Oh, right. -Bowls have literally gone back millennia. | 0:16:57 | 0:17:03 | |
They discovered that the ancient Egyptians used to use round stones | 0:17:03 | 0:17:09 | |
to throw at some form of skittle. | 0:17:09 | 0:17:11 | |
If you think about it throughout Europe, the French have boules, | 0:17:11 | 0:17:14 | |
almost every culture has some form of bowls. | 0:17:14 | 0:17:18 | |
But they're worth putting in the auction sale. | 0:17:18 | 0:17:21 | |
We're looking at £20-£30. | 0:17:21 | 0:17:23 | |
They should sell for more than that, but if I can put that estimate on them, | 0:17:23 | 0:17:26 | |
then watch the hands go up in the room. | 0:17:26 | 0:17:28 | |
'The name of this evergreen tree means "wood of life" in South and Central America, | 0:17:30 | 0:17:34 | |
'where it is found, because it was believed to contain medication to cure almost every ailment. | 0:17:34 | 0:17:41 | |
'I wonder if it would help cure Jonty's puns!' | 0:17:41 | 0:17:44 | |
How long have you two been friends? | 0:17:44 | 0:17:47 | |
We met at school when we were about seven, because I didn't start till junior school, | 0:17:47 | 0:17:52 | |
and we've been friends ever since. | 0:17:52 | 0:17:55 | |
How have you managed to stay in touch over the years? | 0:17:55 | 0:17:58 | |
Well, we've just... You know, it's just really social, more than anything, | 0:17:58 | 0:18:02 | |
because we're not close in living. | 0:18:02 | 0:18:05 | |
-We see each other a lot - barbecues, weddings. -Phone regularly. | 0:18:05 | 0:18:09 | |
-How important have your friends been to you? -Very important. | 0:18:09 | 0:18:12 | |
We're lucky that we've got a lot of long-standing friends, | 0:18:12 | 0:18:15 | |
and without help and support in all sorts of ways, | 0:18:15 | 0:18:18 | |
I don't think we'd have got through half of what we've done. | 0:18:18 | 0:18:21 | |
Linda, what do you think about this idea of moving from here? | 0:18:21 | 0:18:25 | |
Definitely. They bought this house for the right reasons, | 0:18:25 | 0:18:27 | |
to look after Pete's mum and dad, and, quite soon afterwards, | 0:18:27 | 0:18:33 | |
Pete's dad died and Pete's mum went into a home. | 0:18:33 | 0:18:36 | |
It's a big thing for Sherry and Peter to look after now. | 0:18:36 | 0:18:40 | |
-Yes, like Jonty! -LAUGHTER | 0:18:40 | 0:18:43 | |
-Shall we go and check on him? -Poor Jonty! | 0:18:43 | 0:18:45 | |
'We're hoping to help in a small way by working out | 0:18:47 | 0:18:50 | |
'which of the many possessions they have around the house might do well at auction. | 0:18:50 | 0:18:55 | |
'Jonty's attention has been drawn to a painting in the lounge. | 0:18:55 | 0:18:58 | |
'It's an oil on canvas in a gilt frame. | 0:18:58 | 0:19:01 | |
'Sherry spotted it in a restaurant | 0:19:01 | 0:19:03 | |
when they celebrated her 30th birthday and really liked it. | 0:19:03 | 0:19:06 | |
'So Peter wasted no time and bought it for her there and then. | 0:19:06 | 0:19:11 | |
'As the artist is an unknown amateur, the estimate is £20-£30.' | 0:19:11 | 0:19:16 | |
Guys, I noticed this really handsome clock as I came in earlier. | 0:19:18 | 0:19:23 | |
Is it for sale, or is it a recent acquisition? | 0:19:23 | 0:19:26 | |
The history was that my grandfather's father owned it originally and he sold it. | 0:19:26 | 0:19:32 | |
Which is back in Somerset. | 0:19:32 | 0:19:34 | |
My grandfather found it, actually, in a shop one morning. | 0:19:34 | 0:19:37 | |
Went in to make a purchase of it and carried it all the way back. | 0:19:37 | 0:19:41 | |
It was up two hills, which was known as Three Mile Hill, | 0:19:41 | 0:19:44 | |
across 18 acres, which was the fields, and down Three Mile Hill. | 0:19:44 | 0:19:49 | |
-He was gone a whole day... -Wow. -..to get it. | 0:19:49 | 0:19:52 | |
It's been in the family ever since. | 0:19:52 | 0:19:54 | |
-Do you know where it was made? -Haven't got a clue. | 0:19:54 | 0:19:58 | |
-It's from Vienna. This is a Viennese wall clock. -Oh! | 0:19:58 | 0:20:01 | |
-It's Austrian. -I didn't know that. | 0:20:01 | 0:20:03 | |
This particular style of clock, the way you see the pendulum here | 0:20:03 | 0:20:08 | |
and also the weights and also this style of casing. | 0:20:08 | 0:20:12 | |
-This very rectangular form. -Yeah. | 0:20:12 | 0:20:14 | |
And at the top, the enamel dial, | 0:20:14 | 0:20:18 | |
so it's always kind of off-centre. | 0:20:18 | 0:20:21 | |
The pendulum is a large part of the display of the clock. | 0:20:21 | 0:20:25 | |
But I think a clock in this condition, | 0:20:25 | 0:20:29 | |
-which is relatively good condition, will be £200 to £300. -Oh, right. | 0:20:29 | 0:20:34 | |
-That's lovely. -That's fine. -That's amazing. | 0:20:34 | 0:20:37 | |
No wonder my grandfather walked 14 miles! | 0:20:37 | 0:20:41 | |
-And up six hills and down six hills. But fair play. -A well-travelled clock. | 0:20:41 | 0:20:46 | |
-Absolutely. -Shall we tell Lorne the good news? Where are the girls? | 0:20:46 | 0:20:50 | |
-Where are you? There you are. -Hello. | 0:20:50 | 0:20:53 | |
-Hello. -Hi. | 0:20:53 | 0:20:54 | |
We've been finding other bits and pieces, | 0:20:54 | 0:20:57 | |
but I don't think there's anything suitable for auction. | 0:20:57 | 0:21:00 | |
I have a clock here for you for £200 to £300 at auction. | 0:21:00 | 0:21:04 | |
That's good. That should help us rather nicely. | 0:21:04 | 0:21:06 | |
I hope so. | 0:21:06 | 0:21:08 | |
You wanted to raise £500, didn't you? | 0:21:08 | 0:21:11 | |
For you to spend on furniture and bits and pieces. | 0:21:11 | 0:21:13 | |
And if we raise any extra, that would go to the Parkinson's charity. | 0:21:13 | 0:21:18 | |
Well, the value of everything that's going to auction | 0:21:18 | 0:21:23 | |
-comes to £600. -No! | 0:21:23 | 0:21:26 | |
-Well, well. -Oh, wow! | 0:21:26 | 0:21:27 | |
-So there's at least £100 for the charity, which is what you wanted. -They may have a bit more. | 0:21:27 | 0:21:32 | |
-Let's hope so. -Are you pleased with that figure? I take it you are. | 0:21:32 | 0:21:35 | |
-Thank you so much. -That's wonderful. | 0:21:35 | 0:21:38 | |
-The next time we see you and your lovely things will be at auction. -Lovely. | 0:21:38 | 0:21:41 | |
We'll see you there, guys. | 0:21:41 | 0:21:43 | |
'We got there in the end, and I am keen to see how Sherry and Peter's possessions do, | 0:21:44 | 0:21:50 | |
'including the late-18th-century carriage clock | 0:21:50 | 0:21:54 | |
'that belonged to Peter's grandmother. It's still working well | 0:21:54 | 0:21:57 | |
'and should tempt the bidders with its estimate of £100-£150. | 0:21:57 | 0:22:02 | |
'And those art deco goblets or vases, | 0:22:02 | 0:22:04 | |
'which came from Peter's side of the family. | 0:22:04 | 0:22:06 | |
'They have slight damage, but should raise £20-£40 at auction. | 0:22:06 | 0:22:12 | |
'The Victorian walnut Viennese wall clock | 0:22:12 | 0:22:15 | |
'that Peter's grandfather carried for miles on his back. | 0:22:15 | 0:22:18 | |
'Fingers crossed it'll make at least £200 on the day. | 0:22:18 | 0:22:22 | |
'Still to come on Cash In The Attic, | 0:22:22 | 0:22:25 | |
'we have differing opinions about those goblets.' | 0:22:25 | 0:22:28 | |
-I told you they were nice. -They're horrible. | 0:22:28 | 0:22:30 | |
No, they're very nice. | 0:22:30 | 0:22:32 | |
'And I don't hold back with my thoughts about the bisque figurines.' | 0:22:32 | 0:22:36 | |
If there was anything so out of fashion at the moment, it's probably these things. | 0:22:36 | 0:22:40 | |
'Stay with us and watch the hammer finally fall.' | 0:22:40 | 0:22:44 | |
It's been a few weeks since we visited Sherry at her home in Essex. | 0:22:48 | 0:22:51 | |
She had a lot of inherited items, so we selected the best | 0:22:51 | 0:22:55 | |
and brought them here to Chiswick Auction Rooms in West London. | 0:22:55 | 0:22:58 | |
Remember, she wants to raise £500, | 0:22:58 | 0:23:01 | |
so let's hope the bidders today are feeling generous. | 0:23:01 | 0:23:05 | |
'Sherry and Peter's possessions have been here for a few days now | 0:23:05 | 0:23:09 | |
'to give them a chance to be viewed by potential buyers. | 0:23:09 | 0:23:12 | |
'The only thing that's not made it is Peter, | 0:23:12 | 0:23:15 | |
'who's looking after their elderly dog.' | 0:23:15 | 0:23:17 | |
-Good morning, ladies. -Hello. -Hello. -How are you? | 0:23:17 | 0:23:20 | |
-They look good in here. -Lovely. Nice and clean. | 0:23:20 | 0:23:23 | |
-So husband's at home? -Husband is at home looking after Sade. -Right. | 0:23:23 | 0:23:27 | |
-But did he send the train along? -He did send the train along. | 0:23:27 | 0:23:30 | |
And he is genuinely at home. He's not sulking about letting it go? | 0:23:30 | 0:23:34 | |
-He was at home just now. I phoned him! -All right, then. | 0:23:34 | 0:23:37 | |
-Are you looking forward to today? -Very much so. Very excited. | 0:23:37 | 0:23:41 | |
Very excited. Slightly apprehensive that we won't get anywhere, but... | 0:23:41 | 0:23:45 | |
-That doesn't happen, does it, Jonty?! -Oh, no. -Never? | 0:23:45 | 0:23:49 | |
-Are auctions a new experience for you? -Very new. Never before. Certainly won't be the last. | 0:23:49 | 0:23:54 | |
-Really? -No, I love it. Absolutely love it. -It hasn't even started! | 0:23:54 | 0:23:59 | |
-The whole atmosphere is wonderful. -What about reserves? -No. | 0:23:59 | 0:24:03 | |
No, no reserves. Happy to let it go, thank you. | 0:24:03 | 0:24:05 | |
All right. Let's see if you're still as keen on auctions after the event. Come on, then! | 0:24:05 | 0:24:09 | |
LAUGHTER | 0:24:09 | 0:24:11 | |
'The first of Sherry's lots to come up is the pair of silver goblets or vases | 0:24:11 | 0:24:17 | |
'decorated in an art deco pattern. The estimate is £20-£40.' | 0:24:17 | 0:24:21 | |
I think they're stunning. | 0:24:21 | 0:24:22 | |
I would love them. I think they're beautiful | 0:24:22 | 0:24:25 | |
and I think they fit very nicely in any home today, which you can't say about | 0:24:25 | 0:24:29 | |
all furniture that comes up at auction. | 0:24:29 | 0:24:33 | |
-So what do you think? -I don't like them at all. I think they're quite, um... | 0:24:33 | 0:24:38 | |
-Not very nice to look at. Not my cup of tea. -OK. | 0:24:38 | 0:24:42 | |
That's what makes the world go round. If we liked the same thing, | 0:24:42 | 0:24:45 | |
it would be a bit boring. | 0:24:45 | 0:24:46 | |
On the screen. What are they worth? £10 for these, please. Decorative lot. I'm bid 10. | 0:24:46 | 0:24:50 | |
20 I'm bid. OK, £20. Do you want 22 in the doorway? 22. | 0:24:50 | 0:24:55 | |
-40 I'm bid. -THEY GASP | 0:24:55 | 0:24:58 | |
42, do you want? | 0:24:58 | 0:24:59 | |
42. £60. Do you want 65 in the doorway? 65. | 0:24:59 | 0:25:05 | |
£80 I'm bid. | 0:25:05 | 0:25:06 | |
85. | 0:25:06 | 0:25:08 | |
90. Five. | 0:25:08 | 0:25:10 | |
100. | 0:25:10 | 0:25:12 | |
110. | 0:25:12 | 0:25:13 | |
120. | 0:25:13 | 0:25:14 | |
-130. -I told you they were nice! -They're horrible. -No, they're not, they're very nice. | 0:25:14 | 0:25:19 | |
170. 180. | 0:25:19 | 0:25:22 | |
-190. -Good grief. | 0:25:22 | 0:25:23 | |
I like them a lot more now! | 0:25:23 | 0:25:25 | |
220. 230. | 0:25:25 | 0:25:27 | |
-240. 250. -We're on. | 0:25:27 | 0:25:29 | |
-240. -What?! | 0:25:29 | 0:25:32 | |
No, 260 nearer to me. | 0:25:32 | 0:25:34 | |
Are you all done at 270? Where's he gone? | 0:25:34 | 0:25:37 | |
270 in the doorway. At 270. | 0:25:37 | 0:25:39 | |
-At 270. -You're joking. | 0:25:39 | 0:25:41 | |
At £270, in the doorway at 270. Are you all done? | 0:25:41 | 0:25:44 | |
-270. 323. -£270! | 0:25:44 | 0:25:47 | |
I think they might have been silver! | 0:25:48 | 0:25:51 | |
They're absolutely stunning, aren't they? | 0:25:51 | 0:25:55 | |
Really beautiful, and there's a pair of them. | 0:25:55 | 0:25:58 | |
-I'm so... -One thing is certain is that they are silver. I missed it. | 0:25:58 | 0:26:04 | |
I hold up my hands, but they're obviously silver, so well done, you. | 0:26:04 | 0:26:08 | |
-And what were you going to do with them? -Put them in the bin. | 0:26:08 | 0:26:12 | |
'That's just incredible. It goes to show | 0:26:12 | 0:26:16 | |
'that even our experts can be misguided on rare occasions. | 0:26:16 | 0:26:19 | |
'We don't have much time to recover from that amazing first sale. | 0:26:19 | 0:26:23 | |
'The large Noritake fruit bowl with stand quickly follows for £20-£40.' | 0:26:23 | 0:26:27 | |
-What have you been using this for? -A plant pot. | 0:26:28 | 0:26:32 | |
-A plant pot. -As you do. -As you do. -OK, so where's the plant gone now? | 0:26:32 | 0:26:36 | |
-It died. -Oh, dear! -THEY LAUGH | 0:26:36 | 0:26:39 | |
What's it worth? £10 for this, please. £10, surely? | 0:26:39 | 0:26:44 | |
Nobody. £10 I'm bid. Thank you. £12 there. £14. | 0:26:44 | 0:26:47 | |
£14. Anybody else? | 0:26:47 | 0:26:51 | |
At 14. 319. | 0:26:51 | 0:26:53 | |
£14. | 0:26:53 | 0:26:54 | |
-That's disappointing. -If you'd known it was going at £14, would you have kept it? | 0:26:54 | 0:26:59 | |
-No, I don't think so. -It's done its job, has it? Well, the plant's died! | 0:26:59 | 0:27:03 | |
LAUGHTER | 0:27:03 | 0:27:05 | |
'Considering that was Noritake, | 0:27:05 | 0:27:07 | |
'a highly-regarded manufacturer, I'm surprised it didn't do better, | 0:27:07 | 0:27:12 | |
'but it's good to see Sherry is staying positive. | 0:27:12 | 0:27:14 | |
'The four bowling woods are next to come up. | 0:27:14 | 0:27:17 | |
'They belonged to Peter's father, who was captain of the team | 0:27:17 | 0:27:20 | |
'when he was in the police force in the 1960s. | 0:27:20 | 0:27:22 | |
'£20-£30 is what we'd like for them.' | 0:27:22 | 0:27:25 | |
Sometimes you see these in magazines, | 0:27:25 | 0:27:27 | |
all in a great, big glass bowl, or something. | 0:27:27 | 0:27:31 | |
I was talking to Peter about just that. | 0:27:31 | 0:27:33 | |
They're actually sold as decorative objects, not necessarily for their original use. | 0:27:33 | 0:27:39 | |
Because they're lovely, spherical objects carved out of solid timber. Lovely things. | 0:27:39 | 0:27:44 | |
There we go, £10, please. 10 I'm bid. | 0:27:44 | 0:27:46 | |
At £10. 12. | 0:27:46 | 0:27:48 | |
14. 16. 18. 20. | 0:27:48 | 0:27:51 | |
22. 24. 26. | 0:27:51 | 0:27:54 | |
28. 30. | 0:27:54 | 0:27:56 | |
Two. £32 standing. At 32. Anybody else? 34. | 0:27:56 | 0:28:01 | |
36. | 0:28:01 | 0:28:03 | |
Is that a yes? 38. | 0:28:03 | 0:28:05 | |
40. | 0:28:05 | 0:28:07 | |
Next increment is five. 45. 50. | 0:28:07 | 0:28:10 | |
No? £50 standing with the gentleman at 50. Anybody else at £50? | 0:28:10 | 0:28:15 | |
£50. 291. | 0:28:15 | 0:28:17 | |
I'm really pleased about that. | 0:28:17 | 0:28:19 | |
I did price them to sell, but, at £50, that's a great result. | 0:28:19 | 0:28:23 | |
'They were certainly a hit here. | 0:28:23 | 0:28:26 | |
'I wonder if the winning bidder is a bowler? | 0:28:26 | 0:28:28 | |
'Now it's time for the three Japanese enamelled plates, | 0:28:28 | 0:28:31 | |
'plus the six pieces of green Wedgwood jasperware. | 0:28:31 | 0:28:34 | |
'We're hoping they'll make £20-£30.' | 0:28:34 | 0:28:38 | |
-Where was the collection from? -The collection was Peter's mum's. | 0:28:38 | 0:28:42 | |
I would've thought she collected them herself. I think I may have bought some for her. | 0:28:42 | 0:28:48 | |
-But you forget. -Yeah, sure. -She probably had some as presents and bought some. | 0:28:48 | 0:28:52 | |
The plates, I don't know. I should think they're handed down. | 0:28:52 | 0:28:55 | |
A little bit of interest in the lot. I'm straight in at £25. With me at 25. | 0:28:55 | 0:28:59 | |
That's good. Straight in. | 0:28:59 | 0:29:01 | |
£25. 28. 30 with me. £30 still with me. | 0:29:01 | 0:29:05 | |
-That's good. -£30 for the jasper. | 0:29:05 | 0:29:07 | |
I'm going to... 32. 35. | 0:29:07 | 0:29:10 | |
38 in the doorway. | 0:29:11 | 0:29:13 | |
Against commissions at £38. | 0:29:13 | 0:29:14 | |
It goes 38. 220. | 0:29:14 | 0:29:17 | |
-Great. -£38. That's a bit more than I thought we might get. | 0:29:17 | 0:29:21 | |
I'm really pleased about that. Really pleased. | 0:29:21 | 0:29:23 | |
'Maybe they're going to another collector. | 0:29:23 | 0:29:26 | |
'Certainly a good result for us. | 0:29:26 | 0:29:28 | |
'Now it's the sale of those glass oil lamps. | 0:29:28 | 0:29:32 | |
'Two of them were Peter's mother's and one was Sherry's. | 0:29:32 | 0:29:35 | |
'The estimates for the three is £50-£75.' | 0:29:35 | 0:29:38 | |
I must admit, if you don't mind me saying, | 0:29:38 | 0:29:40 | |
I think being in the auction room enhances it. | 0:29:40 | 0:29:43 | |
Seeing them together, on that beautiful desk almost puts them in situ, | 0:29:43 | 0:29:49 | |
-if you know what I mean. -Yes. | 0:29:49 | 0:29:50 | |
-So we want how much for these? -I put £50-£75 on them. | 0:29:50 | 0:29:54 | |
If you break that down, that's not a lot per lamp. | 0:29:54 | 0:29:57 | |
And our lamps are in pretty good condition, | 0:29:57 | 0:30:00 | |
so I'm hopeful, again, we might do very well. | 0:30:00 | 0:30:02 | |
And a bit of interest in it. I've got a bid of £50. 55 I'll take. | 0:30:02 | 0:30:07 | |
55. 60. Five. 70. Five. 80. | 0:30:07 | 0:30:10 | |
Five. 90. Five. 100. | 0:30:10 | 0:30:12 | |
Oh, no! | 0:30:12 | 0:30:14 | |
-110. -Good grief! | 0:30:14 | 0:30:16 | |
£100, are you all done? | 0:30:16 | 0:30:18 | |
110 against commission. | 0:30:18 | 0:30:20 | |
110 in the doorway. £110 it is. 110. | 0:30:20 | 0:30:24 | |
-182. -£110! | 0:30:24 | 0:30:26 | |
-Would you have bid that much for them? -No! | 0:30:26 | 0:30:29 | |
I tell you what. I think we should take you two to auction everywhere we go. | 0:30:29 | 0:30:33 | |
You've obviously got that lucky touch. | 0:30:33 | 0:30:35 | |
Fabulous. I can't believe this. It's wonderful. | 0:30:35 | 0:30:40 | |
'The bidders really like Sherry's stuff. | 0:30:40 | 0:30:43 | |
'Her mother-in-law obviously had an eye for quality. | 0:30:43 | 0:30:45 | |
'Now it's the turn of the oil painting | 0:30:45 | 0:30:47 | |
'Peter bought Sherry for her 30th birthday. | 0:30:47 | 0:30:51 | |
'It's in a gilt frame, but the artist is unknown. | 0:30:51 | 0:30:54 | |
'Will it fetch the £20-£30 we're hoping for?' | 0:30:54 | 0:30:57 | |
£10 for it. Surely £10? £5 for it. | 0:30:58 | 0:31:01 | |
£5 I'm bid. Thank you. | 0:31:01 | 0:31:03 | |
Anybody want to bid £6? Seven. Eight. | 0:31:03 | 0:31:06 | |
Nine. Ten. | 0:31:06 | 0:31:08 | |
12. 14. | 0:31:08 | 0:31:11 | |
£14 it is, then. At 14. Anybody else? | 0:31:11 | 0:31:14 | |
At £14. It goes, then. £14. | 0:31:14 | 0:31:18 | |
'Well, at least it's sold and it's brought us to the halfway stage. | 0:31:19 | 0:31:22 | |
'I'm keen to see how we're doing so far.' Well, let's be honest. | 0:31:22 | 0:31:27 | |
I think I can safely say that was the most dramatic start. What about you, Jonty? | 0:31:27 | 0:31:31 | |
-I was flabbergasted in a wonderful way. -Thank you. | 0:31:31 | 0:31:35 | |
You know you've made quite a lot of money, | 0:31:36 | 0:31:39 | |
bearing in mind you want to make the £500. | 0:31:39 | 0:31:41 | |
I wish I could say we've done it already, but we haven't quite. | 0:31:41 | 0:31:44 | |
We've banked £496. | 0:31:44 | 0:31:47 | |
-Oh, my! -So we're £4 short of your target at the moment. | 0:31:47 | 0:31:52 | |
OK? Already. | 0:31:52 | 0:31:54 | |
And we've got other lots coming up this afternoon. | 0:31:54 | 0:31:57 | |
We've got the brass carriage clock, the Minton moon flasks and the walnut regulator. | 0:31:57 | 0:32:01 | |
So I think we need to look at houses with a bit more land. | 0:32:01 | 0:32:05 | |
Come on. | 0:32:05 | 0:32:08 | |
'If you've been inspired by Sherry's progress here and would like to have a go at selling at auction, | 0:32:08 | 0:32:13 | |
'bear in mind commission and VAT will be added to your bill. | 0:32:13 | 0:32:17 | |
'This charge varies from one saleroom to another, so it's always worth enquiring in advance. | 0:32:17 | 0:32:23 | |
'Sometimes we say that restoring a damaged piece before taking it to auction is worthwhile, | 0:32:23 | 0:32:28 | |
'but only if the job is done well.' | 0:32:28 | 0:32:30 | |
That is a beautifully coloured piece of furniture. | 0:32:31 | 0:32:34 | |
-Not as in painted, but the hue is fantastic. -Really nice colour. | 0:32:34 | 0:32:38 | |
-Good enough to eat. -Yes. That's why people love walnut furniture. | 0:32:38 | 0:32:41 | |
Pieces of furniture like this are a minefield. | 0:32:41 | 0:32:45 | |
In the catalogue it reads as a mid-18th-century piece of furniture. | 0:32:45 | 0:32:48 | |
Now, essentially, what you're looking at from a design perspective, | 0:32:48 | 0:32:53 | |
it is mid-18th century. | 0:32:53 | 0:32:55 | |
Walnut was the flavour of the time. | 0:32:55 | 0:32:58 | |
The beautiful veneers of walnut, | 0:32:58 | 0:33:01 | |
and, at that time, everything was hand-cut, | 0:33:01 | 0:33:03 | |
which means they were thicker than machine-cut veneers. | 0:33:03 | 0:33:07 | |
So that's what I am looking for. | 0:33:07 | 0:33:10 | |
I've just opened the door here and can you see the veneer? | 0:33:10 | 0:33:14 | |
-Cor, that is thin! -That's thin. For my money, that's too thin. | 0:33:14 | 0:33:18 | |
-Right. -OK? | 0:33:18 | 0:33:20 | |
What happened, certainly in the latter part of the 19th century | 0:33:20 | 0:33:24 | |
and early part of the last century, the 20th century, | 0:33:24 | 0:33:28 | |
there was a big revival for this kind of furniture. | 0:33:28 | 0:33:31 | |
What a lot of people did was actually restore old pieces of 18th-century furniture. | 0:33:31 | 0:33:38 | |
That's what I think has happened here. | 0:33:38 | 0:33:41 | |
What sort of difference does that make to people buying? | 0:33:41 | 0:33:44 | |
It makes a huge difference as far as price is concerned. | 0:33:44 | 0:33:47 | |
In the catalogue, it reads between £2-3,000, which is still fine. | 0:33:47 | 0:33:50 | |
If this was absolutely spot on, | 0:33:50 | 0:33:54 | |
then you're looking at £10-£20,000, depending on the colour, depending on a lot of things. | 0:33:54 | 0:34:01 | |
-But it's still a beautiful piece of furniture. -It is. | 0:34:01 | 0:34:03 | |
But I can't get all my shoes in there! | 0:34:03 | 0:34:05 | |
'That cabinet didn't do too badly, reaching £100 over its top estimate. | 0:34:07 | 0:34:12 | |
'So, an example of how it's still possible | 0:34:12 | 0:34:14 | |
'to pick up beautiful furniture at auction for good value prices. | 0:34:14 | 0:34:18 | |
'The pair of 19th-century continental bisque figurines | 0:34:18 | 0:34:22 | |
that belonged to Peter's grandmother are next to come up.' | 0:34:22 | 0:34:26 | |
I have to say - and I can say this because I know we're friends - | 0:34:26 | 0:34:29 | |
if there was ever anything so out of fashion at the moment, it's probably these things. | 0:34:29 | 0:34:34 | |
And I really don't know why. | 0:34:34 | 0:34:36 | |
It's a very good question. | 0:34:36 | 0:34:38 | |
It's not that they're not decorative, good condition, | 0:34:38 | 0:34:41 | |
but you're right, they're just not flavour of the month. | 0:34:41 | 0:34:44 | |
What are they worth? £10 the lot, please. | 0:34:44 | 0:34:46 | |
£10 for the two bisque figures, surely. Nobody wants them for £10? | 0:34:46 | 0:34:50 | |
Two bisque figures for a tenner. Nobody wants them for £10? I'm bid 10. Jolly good. | 0:34:51 | 0:34:56 | |
£10, thank you very much. | 0:34:56 | 0:34:58 | |
'So, bingo, we've passed Sherry's target. | 0:34:58 | 0:35:01 | |
'That's her spending money sorted. | 0:35:01 | 0:35:03 | |
'Whatever she makes now will make surely make a welcome donation | 0:35:03 | 0:35:06 | |
'towards her Parkinson's disease charity. | 0:35:06 | 0:35:09 | |
'What a shame Peter's not here, | 0:35:09 | 0:35:11 | |
because it's now time for his Hornby train and carriage. | 0:35:11 | 0:35:15 | |
'They're up for £40-£60.' | 0:35:15 | 0:35:17 | |
The key to this is they're in their boxes and very well looked after. | 0:35:17 | 0:35:21 | |
Unfortunately, Jonty, as we know well, do children do that today? | 0:35:21 | 0:35:25 | |
ALL: No. | 0:35:25 | 0:35:27 | |
264A. | 0:35:27 | 0:35:29 | |
I really hope this does well for Peter. I really do. | 0:35:29 | 0:35:31 | |
I can sell it for 25, and 28 I'll take. 28 everywhere. | 0:35:31 | 0:35:34 | |
30 further back. 32. | 0:35:34 | 0:35:36 | |
One of the carriages is quite unusual. | 0:35:36 | 0:35:39 | |
It'll be interesting to see if anyone's picked up on that. | 0:35:39 | 0:35:42 | |
50? | 0:35:42 | 0:35:43 | |
£50 further away. Anybody else at £50? | 0:35:43 | 0:35:48 | |
55, you're bidding? 55. 60. | 0:35:48 | 0:35:51 | |
Far left at £60. At £60 it goes. | 0:35:52 | 0:35:54 | |
£60! | 0:35:54 | 0:35:55 | |
-That's amazing! -I think the original price is on there somewhere. | 0:35:55 | 0:35:59 | |
It's not £60. | 0:35:59 | 0:36:01 | |
Something and six! It was always something and six. | 0:36:01 | 0:36:04 | |
-Do you think you he'll be happy? -I think he'll be thrilled. -Yeah? Good. -Thank you. | 0:36:04 | 0:36:09 | |
-He'll be chuffed. Just like a train. -THEY LAUGH | 0:36:09 | 0:36:12 | |
'Yes, we'll let that one pass, Jonty, | 0:36:12 | 0:36:14 | |
'as it was quite a good effort.' | 0:36:14 | 0:36:17 | |
'We're so delighted with how the day is going.' | 0:36:17 | 0:36:19 | |
The next lot is the Swiss-made, chrome, military-issue fob watch with a black face. | 0:36:19 | 0:36:25 | |
-This is quite interesting, isn't it, Jonty? -Yes, it's really early 20th century. | 0:36:25 | 0:36:30 | |
So did it see active service in the First World War? Not quite sure. | 0:36:30 | 0:36:34 | |
It could well have done, | 0:36:34 | 0:36:35 | |
but Peter feels his father was awarded it for some sort of service of his own. | 0:36:35 | 0:36:39 | |
Although it may have been passed down from his father. | 0:36:39 | 0:36:42 | |
£10 the lot, please. £10 I'm bid in the distance. | 0:36:42 | 0:36:45 | |
Are you bidding 12? 12. | 0:36:45 | 0:36:47 | |
No? 14. 16. | 0:36:47 | 0:36:49 | |
18. 20. | 0:36:49 | 0:36:52 | |
22. | 0:36:52 | 0:36:53 | |
No? 22 further away it is. | 0:36:53 | 0:36:54 | |
At 22. 25 up there. | 0:36:54 | 0:36:57 | |
-Fresh bidder. -SHERRY GASPS | 0:36:57 | 0:36:59 | |
28. | 0:36:59 | 0:37:01 | |
28 down below. | 0:37:01 | 0:37:03 | |
28. Are you all done? 28. | 0:37:03 | 0:37:04 | |
30 upstairs. | 0:37:04 | 0:37:06 | |
32. | 0:37:06 | 0:37:08 | |
At 32. It's going to go. | 0:37:08 | 0:37:09 | |
-32. -Disappointed about that. -Yes, that's a bit disappointing. | 0:37:09 | 0:37:13 | |
I'm quite happy. I mean, I've got a cause and every bit helps. So I'm not disappointed at all. | 0:37:13 | 0:37:19 | |
I'm having a wonderful time, thank you. LAUGHTER | 0:37:19 | 0:37:23 | |
'Sherry obviously knows she's made her target, | 0:37:23 | 0:37:25 | |
'but she's just as keen to make as much money as possible | 0:37:25 | 0:37:28 | |
'for her charity, and another timepiece goes before the bidders.' | 0:37:28 | 0:37:32 | |
'It's the 19-century Swiss brass carriage clock, which, yes, | 0:37:32 | 0:37:36 | |
'belonged to Peter's grandmother.' | 0:37:36 | 0:37:38 | |
This must be very old. I know it's 1745, | 0:37:38 | 0:37:40 | |
so it must have come through the ranks of the Bridges family. | 0:37:40 | 0:37:44 | |
-The Bridges dynasty! -I didn't realise it was that early. -No, it's not. | 0:37:44 | 0:37:47 | |
Carriage clocks were always made in the 19th century. | 0:37:47 | 0:37:50 | |
Oh, it had an age on the back. | 0:37:50 | 0:37:54 | |
That's probably a serial number. A lot of people get confused by that. | 0:37:54 | 0:37:57 | |
So if you've got something that says 1900 and something, | 0:37:57 | 0:38:00 | |
or 1800, or even 1700, they assume it's a date. | 0:38:00 | 0:38:03 | |
It's more often or not a serial number. | 0:38:03 | 0:38:05 | |
The brass clock. £50 for it, surely? The brass clock. | 0:38:05 | 0:38:09 | |
Nobody want it for 50? £40. £40, anybody? | 0:38:09 | 0:38:12 | |
No interest at £40. I'm going to pass at 40. £40 I'm bid upstairs. | 0:38:12 | 0:38:16 | |
I'm going to sell it for £40. Are you all finished at 40? | 0:38:16 | 0:38:20 | |
At £40 it is. £40 on the first bid. £40 sold. 216. | 0:38:20 | 0:38:24 | |
-That's a disappointment. -It is. -That's a bargain. | 0:38:24 | 0:38:29 | |
Hm. | 0:38:29 | 0:38:30 | |
-We don't want people getting bargains at our expense, do we? -No, we don't! | 0:38:30 | 0:38:34 | |
'What a shame it didn't fetch more, | 0:38:34 | 0:38:37 | |
'as it was still in good working order. | 0:38:37 | 0:38:39 | |
'The sale of the two enamelled vases is coming up now, | 0:38:39 | 0:38:42 | |
'with an estimate of £50-£70.' | 0:38:42 | 0:38:46 | |
-What's the background to this? Is this Peter's family? -Peter's family again, I'm afraid. | 0:38:46 | 0:38:51 | |
-I think Gran was a hoarder. -I remember my grandmother keeping everything. | 0:38:51 | 0:38:55 | |
You didn't throw things away, you simply put them to another use, | 0:38:55 | 0:38:58 | |
or you kept them for when they might be needed. | 0:38:58 | 0:39:01 | |
-So that generation was the original recyclers. -They were. | 0:39:01 | 0:39:04 | |
I put 50 to 70 on them. | 0:39:04 | 0:39:06 | |
But it's such a great pity we've got little chip on one of the flasks, | 0:39:06 | 0:39:10 | |
because without that, they'd be worth considerably more. | 0:39:10 | 0:39:13 | |
I'm glad to say I've got interest. I'm straight in at £40. | 0:39:13 | 0:39:17 | |
-£40. -They are pretty. | 0:39:17 | 0:39:19 | |
50. 5. £55 I'm bid. | 0:39:19 | 0:39:22 | |
55. 60, if you like. | 0:39:22 | 0:39:23 | |
At £55 they are. Are you all done? | 0:39:23 | 0:39:27 | |
£55 they go. | 0:39:27 | 0:39:28 | |
55. | 0:39:28 | 0:39:30 | |
Are you upset about that, Jonty? | 0:39:30 | 0:39:32 | |
I think they're lovely things. The aesthetic movement design on them. A pair. | 0:39:32 | 0:39:37 | |
But with the chip, it put everybody off in the room, sadly. | 0:39:37 | 0:39:40 | |
-But we got them there. We got them sold. Wonderful. -Yes, thanks. | 0:39:40 | 0:39:44 | |
It's brilliant. | 0:39:44 | 0:39:45 | |
'It was within estimate, and Sherry is certainly not disappointed.' | 0:39:45 | 0:39:49 | |
Right, you know what's coming up next, because it's just behind us. | 0:39:49 | 0:39:54 | |
-It looks great up there on the wall, doesn't it? -It does. | 0:39:54 | 0:39:57 | |
-Has it left a bit of a space in the hallway? -It has left a big gap. | 0:39:57 | 0:40:00 | |
Peter's had to paint it! LAUGHTER | 0:40:00 | 0:40:03 | |
-It's a very nice example. We've got £2-300. -It really is a good example. | 0:40:04 | 0:40:10 | |
The more I look at it, the quality is all there to be seen, | 0:40:10 | 0:40:13 | |
so I'm hoping we'll get that away. | 0:40:13 | 0:40:15 | |
And there we go, start me at £100 for the wall clock. | 0:40:15 | 0:40:19 | |
£100 for the wall clock, surely? | 0:40:20 | 0:40:22 | |
£60 to start me. I'm bid 60. 65. | 0:40:22 | 0:40:25 | |
65. 70. | 0:40:25 | 0:40:27 | |
5. 80. | 0:40:27 | 0:40:29 | |
-Come on. -90. | 0:40:29 | 0:40:31 | |
5. 100. | 0:40:31 | 0:40:33 | |
110. | 0:40:33 | 0:40:35 | |
-120. -Yes, go on. -130. 140. | 0:40:35 | 0:40:38 | |
150. | 0:40:38 | 0:40:39 | |
150. In the room at 150, in the middle. At £150. | 0:40:39 | 0:40:42 | |
160. Fresh bidding. | 0:40:42 | 0:40:44 | |
160. There at 160. | 0:40:44 | 0:40:47 | |
At £160 in the beige jacket. | 0:40:47 | 0:40:51 | |
-160. I'm going to sell at 160. 235. -160. | 0:40:51 | 0:40:54 | |
-It's a little less. -It's OK. It's OK. -Are you happy with that? | 0:40:54 | 0:40:58 | |
-It's OK. -Wave goodbye. | 0:40:58 | 0:41:00 | |
Peter's glad it's not going home, otherwise there was no point in painting the wall! | 0:41:00 | 0:41:04 | |
-Gosh, what a day we've had. We've had highs and a few lows. -It's been fabulous. -Gosh. | 0:41:04 | 0:41:08 | |
Really exciting. | 0:41:08 | 0:41:10 | |
You know you've done quite well, considering you wanted £500. But, actually, you've banked... | 0:41:10 | 0:41:16 | |
-£853. -SHERRY GASPS | 0:41:16 | 0:41:18 | |
Really? | 0:41:21 | 0:41:23 | |
-Yes, really. -I can't believe that. -My goodness! | 0:41:23 | 0:41:25 | |
-Thank you. -You're welcome. | 0:41:25 | 0:41:27 | |
-Thank you. -Well done, my darling. -Thank you. | 0:41:27 | 0:41:29 | |
-Well done. -Thank you. -They're all your items. -I can't believe it. | 0:41:29 | 0:41:34 | |
-Are you going to come back to auctions? -Definitely. | 0:41:34 | 0:41:37 | |
I can't wait to get the cottage now, so I can go and have a look. Wonderful. | 0:41:37 | 0:41:42 | |
'A few weeks after the auction, | 0:41:46 | 0:41:48 | |
'Peter and Sherry visit an estate agent to find out | 0:41:48 | 0:41:52 | |
'if there were any characterful cottages on their books.' | 0:41:52 | 0:41:55 | |
-Trying to find cottages. -A ten-mile radius. Closer, even, still. | 0:41:55 | 0:42:00 | |
-Let's look and see what we've got. -I'm looking for a wood burner, | 0:42:00 | 0:42:05 | |
-um, a small garden. -Exposed beams. Older the better. | 0:42:05 | 0:42:09 | |
'They're taking a look around a possible new home to see what kind of furniture they'll need to buy.' | 0:42:11 | 0:42:16 | |
-Oh, wow. -Oh, yes. | 0:42:16 | 0:42:18 | |
Yes, this is lovely. | 0:42:18 | 0:42:19 | |
-Just couldn't be better. -Yes, very cosy, this. Oh, look, Peter, | 0:42:21 | 0:42:24 | |
exactly what I want. | 0:42:24 | 0:42:26 | |
'And Sherry's obviously caught the auction bug.' | 0:42:26 | 0:42:29 | |
I'm looking forward to going for my new furniture. I can't wait to go to another auction and antiques places. | 0:42:29 | 0:42:34 | |
It's so exciting and I loved every minute of it. | 0:42:34 | 0:42:38 | |
What a great result for Sherry. | 0:42:42 | 0:42:44 | |
It goes to show how thrilling auctions can be. | 0:42:44 | 0:42:47 | |
If you've got antiques and collectables you'd like to sell via auction, | 0:42:47 | 0:42:50 | |
why not apply to come on Cash In The Attic? | 0:42:50 | 0:42:53 | |
You'll find more details at our website. | 0:42:53 | 0:42:57 | |
And I'll see you again next time. | 0:42:57 | 0:42:59 | |
Subtitles by Red Bee Media Ltd | 0:43:23 | 0:43:26 |