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This is the show that sifts through your antiques, | 0:00:02 | 0:00:04 | |
finds the best of them and then sells them at auction. | 0:00:04 | 0:00:07 | |
We're going to meet sisters who've been going through a sad process, | 0:00:07 | 0:00:12 | |
but have decided it's time to look to the future. | 0:00:12 | 0:00:15 | |
'Coming up on Cash In The Attic, | 0:00:38 | 0:00:40 | |
'I think this lady is being way too modest about the size of her ring.' | 0:00:40 | 0:00:44 | |
The stones, I think, are a bit too big. | 0:00:44 | 0:00:46 | |
Darling, you and I need to have a chat. | 0:00:46 | 0:00:49 | |
There's no such thing as too big a precious stone. | 0:00:49 | 0:00:53 | |
'And our expert Jonty has always had a knack | 0:00:53 | 0:00:55 | |
'for finding other people's best-loved antiques.' | 0:00:55 | 0:00:58 | |
Oh. You've found that. | 0:00:58 | 0:01:01 | |
Found that! | 0:01:01 | 0:01:02 | |
-Yes. I'd put it on the tip, myself. -Oh, really? | 0:01:02 | 0:01:06 | |
'And when it gets to auction, | 0:01:06 | 0:01:08 | |
'does the moth-eaten bird resemble anyone we know?' | 0:01:08 | 0:01:11 | |
You'd look the same if you'd been stuffed and stuck in a cupboard. | 0:01:11 | 0:01:14 | |
'It's all fun and game birds when the final hammer falls.' | 0:01:14 | 0:01:18 | |
I'm here in Leighton Buzzard to meet a family | 0:01:18 | 0:01:21 | |
who are hoping today will be a bit of a memorial. | 0:01:21 | 0:01:24 | |
'Dog-lover Karen Curry lives in this spacious converted cottage in Leighton Buzzard | 0:01:24 | 0:01:29 | |
'with her husband Keith. Karen teaches part-time at a local college | 0:01:29 | 0:01:33 | |
'and her sister Leslie also works in education. | 0:01:33 | 0:01:37 | |
'The girls have one brother, Colin, who lives in Germany. | 0:01:37 | 0:01:41 | |
'Their beloved dad Alan had a terrific career in civil engineering | 0:01:41 | 0:01:45 | |
'which took him all over the world. | 0:01:45 | 0:01:47 | |
'On his travels, he picked out lots of interesting pieces | 0:01:47 | 0:01:50 | |
'for their mum, Doreen, who was a keen collector. | 0:01:50 | 0:01:52 | |
'Sadly, their dad died in 2000 | 0:01:52 | 0:01:54 | |
'and more recently, their mum also passed away. | 0:01:54 | 0:01:59 | |
'The siblings think the time has come to see if their inherited items | 0:01:59 | 0:02:03 | |
'can be auctioned off to help with another family project. | 0:02:03 | 0:02:07 | |
'Our antiques expert is Jonty Hearnden. | 0:02:07 | 0:02:09 | |
'I'm sure his years of experience will stand us in great stead.' | 0:02:09 | 0:02:14 | |
-Oh, hello. -Hello. -Hello. -Hiya. How are you doing? | 0:02:14 | 0:02:17 | |
-I think I heard some real ones earlier on. -Yes. | 0:02:17 | 0:02:20 | |
-We've got three of them. -Really? -Really. -Yes. | 0:02:20 | 0:02:24 | |
So, Karen, it's your house. Leslie, do you live nearby? | 0:02:24 | 0:02:28 | |
I live the other side of London, near Canterbury. | 0:02:28 | 0:02:30 | |
But I come up quite a few times to see Karen | 0:02:30 | 0:02:32 | |
and we take the dogs for a walk. | 0:02:32 | 0:02:35 | |
So, how much money do we need today? | 0:02:35 | 0:02:37 | |
About £600. There's three of us. | 0:02:37 | 0:02:40 | |
My sister, Leslie, Colin, my brother, and myself. | 0:02:40 | 0:02:43 | |
It would be nice to have a nice round figure each. | 0:02:43 | 0:02:45 | |
-You want an even number. -Yes. | 0:02:45 | 0:02:47 | |
-Is it OK if I get started? -Please do. | 0:02:47 | 0:02:49 | |
-Go for it. -So, what's made you decide to do this now? | 0:02:49 | 0:02:53 | |
My mum died just under two years ago | 0:02:53 | 0:02:57 | |
and there's a lot of her stuff we found from the house | 0:02:57 | 0:03:00 | |
and we just thought, well, there's three of us in the family, | 0:03:00 | 0:03:03 | |
it would be nice to get some money out of it, | 0:03:03 | 0:03:06 | |
share it amongst ourselves. | 0:03:06 | 0:03:08 | |
What do you want to spend your money on? | 0:03:08 | 0:03:10 | |
I've just bought a very old, tumbly-down house. | 0:03:10 | 0:03:13 | |
So £200 would help anywhere in the house, so that would be great. | 0:03:13 | 0:03:17 | |
What do you want to spend it on? | 0:03:17 | 0:03:19 | |
Similar to Leslie. We've been here a bit longer, | 0:03:19 | 0:03:22 | |
but there's still lots of things we need to do. | 0:03:22 | 0:03:24 | |
We're just getting to the end and we need some carpet for our landing. | 0:03:24 | 0:03:28 | |
-I know it's a bit boring. -That's riveting, isn't it(?) | 0:03:28 | 0:03:32 | |
So we need to raise £600, so you get £200 each to spend. | 0:03:32 | 0:03:37 | |
-Well, let's hope so. -Come on, let's go. | 0:03:37 | 0:03:39 | |
'Karen's pretty home is dotted with unusual and quirky decor. | 0:03:39 | 0:03:44 | |
'Not to mention the heirlooms she's inherited from her mum and dad. | 0:03:44 | 0:03:47 | |
'So I'm sure we're in for plenty of variety in our rummage today. | 0:03:47 | 0:03:51 | |
'It looks like Jonty's already found something that takes his fancy.' | 0:03:51 | 0:03:55 | |
Ah, Jonty. | 0:03:55 | 0:03:58 | |
We know we've got some Troika somewhere for you to value, | 0:03:58 | 0:04:00 | |
-but it looks like you've found the Lladro first. -Yes. Are they yours? | 0:04:00 | 0:04:04 | |
They were Mum and Dad's. | 0:04:04 | 0:04:07 | |
They used to travel around Europe and Mum liked the Lladro. | 0:04:07 | 0:04:11 | |
They brought something back every time they went away. | 0:04:11 | 0:04:13 | |
-And do you like them? -They're sweet, but they're not my sort of style. | 0:04:13 | 0:04:18 | |
We keep them up there so the dogs don't get up at them | 0:04:18 | 0:04:21 | |
and take them around the garden. | 0:04:21 | 0:04:23 | |
If they do have any breaks or chips, that completely devalues them. | 0:04:23 | 0:04:27 | |
-So you've done the right thing. -They're safe and sound up here. | 0:04:27 | 0:04:30 | |
They're all made of porcelain, glazed porcelain, | 0:04:30 | 0:04:34 | |
and I suppose if I pick up this young maiden here, | 0:04:34 | 0:04:37 | |
if you look at the colour, the design, | 0:04:37 | 0:04:40 | |
the concept of this figurine, it sums up Lladro. | 0:04:40 | 0:04:42 | |
More often than not, there are young figures and they're elongated. | 0:04:42 | 0:04:47 | |
And also the glazing. | 0:04:47 | 0:04:49 | |
If you look at this grey-blue glaze often used | 0:04:49 | 0:04:53 | |
and if you look on the underside, here is the stamp, that blue Lladro back stamp. | 0:04:53 | 0:04:57 | |
And in terms of their value? | 0:04:57 | 0:04:59 | |
I would put around the £50 mark for the three. | 0:04:59 | 0:05:03 | |
All right. OK. | 0:05:03 | 0:05:05 | |
Slightly bigger figures fetch a little bit more money | 0:05:05 | 0:05:08 | |
and there are rare figures, as well. | 0:05:08 | 0:05:10 | |
We went to Tenerife recently and we saw some huge big ones | 0:05:10 | 0:05:14 | |
and you get quite garish colours. | 0:05:14 | 0:05:16 | |
They've moved on. When your parents were buying, | 0:05:16 | 0:05:18 | |
this was the style, this was the fashion of the time. | 0:05:18 | 0:05:22 | |
'Lladro originated in Valencia | 0:05:22 | 0:05:23 | |
'and has only been making porcelain since the 1950s. | 0:05:23 | 0:05:26 | |
'Over the years, their distinctive style has developed a real following | 0:05:26 | 0:05:31 | |
'and there's every reason to think these more modern figurines will do well at auction. | 0:05:31 | 0:05:36 | |
'Meanwhile, Leslie has spotted this bone china coffee set | 0:05:37 | 0:05:41 | |
'by a well-known porcelain designer, Susie Cooper. | 0:05:41 | 0:05:45 | |
'The design is Glen Mist and it dates from the early '70s. | 0:05:45 | 0:05:48 | |
'An anniversary present to Leslie's mum and dad, | 0:05:48 | 0:05:51 | |
'Jonty sets his estimate at £40-£60. | 0:05:51 | 0:05:53 | |
'We're picking up the pace in our hunt today | 0:05:54 | 0:05:58 | |
'and Karen's quirky tastes are very much in evidence. | 0:05:58 | 0:06:01 | |
'Trust Jonty to pick out this rather unusual curio.' | 0:06:01 | 0:06:04 | |
Oh. You've found that. | 0:06:06 | 0:06:07 | |
THEY LAUGH | 0:06:07 | 0:06:09 | |
-Found that. -Yes. -So, tell me the story. | 0:06:09 | 0:06:12 | |
How long has this been in your house? | 0:06:12 | 0:06:14 | |
It hasn't been in the house long. We try and keep it in the garage. | 0:06:14 | 0:06:18 | |
Because my husband and I bought it, | 0:06:18 | 0:06:20 | |
well, I think my husband bought it, about 20-25 years ago. | 0:06:20 | 0:06:26 | |
And I think we were just setting up home | 0:06:26 | 0:06:28 | |
and we went into this junk shop in Luton. | 0:06:28 | 0:06:31 | |
Keith probably saw it and thought, "Ooo, we'll have that!" | 0:06:31 | 0:06:34 | |
-So we have one taxidermied pheasant. -Yes. -OK. | 0:06:34 | 0:06:39 | |
So does it come out of the house, go back in the house? | 0:06:39 | 0:06:43 | |
Um,...there are certain things in the house I don't like and my husband likes | 0:06:43 | 0:06:47 | |
and we have this arrangement whereby | 0:06:47 | 0:06:49 | |
I'll try and manoeuvre things out into the garage without him noticing. | 0:06:49 | 0:06:53 | |
So we have this constant battle where I'm trying to get rid of things | 0:06:53 | 0:06:56 | |
and he's thinking, "What have you done with my...?" | 0:06:56 | 0:06:59 | |
-It's in the garage. -Yes. | 0:06:59 | 0:07:01 | |
The heyday for taxidermy was the 19th century, the Victorian era, | 0:07:01 | 0:07:05 | |
and through into the Edwardian era. | 0:07:05 | 0:07:07 | |
They were regarded as trophies. | 0:07:07 | 0:07:09 | |
You'd go to some people's houses and they would be everywhere. | 0:07:09 | 0:07:13 | |
Today, it's different. But there still is a market | 0:07:13 | 0:07:16 | |
for these sort of things in the right place, in the right setting. | 0:07:16 | 0:07:20 | |
There are also laws as to what you can trade with and what you can't. | 0:07:20 | 0:07:24 | |
But a pheasant like this, of this sort of age, | 0:07:24 | 0:07:26 | |
it's not a problem to put it into the auction. | 0:07:26 | 0:07:28 | |
But our moth-eaten pheasant, which is not that pleasant, | 0:07:28 | 0:07:32 | |
I have to say, what, £30-£50. | 0:07:32 | 0:07:36 | |
-More than I would've thought. I'd put it on the tip! -Really? | 0:07:36 | 0:07:39 | |
'When it comes to auctions, it takes all sorts to make a sale. | 0:07:39 | 0:07:43 | |
'Will Karen and Keith's unpleasant pheasant take off at auction?' | 0:07:43 | 0:07:47 | |
£80. £50. £20. Any bid? | 0:07:47 | 0:07:51 | |
'Looks like we're all stuffed. We'll have to wait and see.' | 0:07:51 | 0:07:54 | |
'We're having a great time on our rummage in Leighton Buzzard. | 0:07:56 | 0:08:00 | |
'My first find of the day proves to be a mixed selection of brassware | 0:08:00 | 0:08:03 | |
'that belonged to mum Doreen. Most of these items are modern pieces, | 0:08:03 | 0:08:08 | |
'so Jonty gives the whole collection a cautious estimate of £20-£40. | 0:08:08 | 0:08:12 | |
'So many of the items today were collected by Leslie and Karen's mum. | 0:08:12 | 0:08:17 | |
'And I'm keen to find out more about her.' | 0:08:17 | 0:08:20 | |
What would your mum would make of what we're doing today? | 0:08:20 | 0:08:23 | |
She'd love it! She wouldn't want to be on the television. No way. | 0:08:23 | 0:08:27 | |
I think she'd like it in retrospect and interested | 0:08:27 | 0:08:31 | |
to find out what all these little knick-knacks | 0:08:31 | 0:08:34 | |
that she had around the house were worth. | 0:08:34 | 0:08:36 | |
-What sort of things did your mum buy? -She liked pretty things. | 0:08:36 | 0:08:40 | |
And she did like... | 0:08:40 | 0:08:42 | |
Some of them cost quite a lot of money. | 0:08:42 | 0:08:44 | |
She loved, like, the Lladros. She started collecting those | 0:08:44 | 0:08:49 | |
and when they got more expensive, she went down to the Naos. | 0:08:49 | 0:08:53 | |
Mum used to go around charity shops | 0:08:53 | 0:08:56 | |
and picking up little knick-knacks and things. | 0:08:56 | 0:08:59 | |
I don't think she'd be worried about money. | 0:08:59 | 0:09:01 | |
As long as she had what she needed to buy one, she was happy. | 0:09:01 | 0:09:04 | |
In fact, she loved buying things for other people | 0:09:04 | 0:09:07 | |
rather than buying them for herself. | 0:09:07 | 0:09:09 | |
So she'd always, wherever she went to see something, she'd take something. | 0:09:09 | 0:09:13 | |
Whether it would be a chicken or... Not a real chicken! | 0:09:13 | 0:09:16 | |
THEY LAUGH | 0:09:16 | 0:09:18 | |
But something, just like a gift. | 0:09:18 | 0:09:20 | |
And she knitted mobile phone covers. | 0:09:20 | 0:09:23 | |
-Oh, yes. -So she moved with the times, then. | 0:09:23 | 0:09:26 | |
I gave her a mobile phone for Christmas | 0:09:26 | 0:09:28 | |
and she knitted it a little cover, | 0:09:28 | 0:09:30 | |
put it in a drawer and never turned it on. | 0:09:30 | 0:09:33 | |
I don't know if Jonty can knit, but he can certainly value antiques. | 0:09:33 | 0:09:37 | |
-Shall we see if he's found anything else to sell? -Yes. -Let's do it. | 0:09:37 | 0:09:41 | |
'True to form, while we've been busy chatting, Jonty's made another promising find. | 0:09:43 | 0:09:47 | |
'This pair of beside cabinets used to belong to Karen's grandmother. | 0:09:47 | 0:09:51 | |
'They're oak and date from the 1920s. Jonty reckons | 0:09:51 | 0:09:53 | |
'they could get snapped up at a very reasonable £50-£75. | 0:09:53 | 0:09:58 | |
'Leslie's uncovered another group of Spanish porcelain figurines. | 0:09:59 | 0:10:04 | |
'Part of the Lladro company, 'these distinctive Nao pieces | 0:10:04 | 0:10:07 | |
'were bought by mum Doreen and dad Alan | 0:10:07 | 0:10:10 | |
'on their travels abroad in the 1970 and 1980s. | 0:10:10 | 0:10:12 | |
'The estimate for the group is £50-£80. | 0:10:12 | 0:10:16 | |
'And it looks like Leslie's eye for ceramics has done her proud | 0:10:18 | 0:10:21 | |
'with a piece of Cornish pottery | 0:10:21 | 0:10:23 | |
'she bought for her mum in the early '80s.' | 0:10:23 | 0:10:25 | |
This is interesting. Troika is very much like Marmite. | 0:10:28 | 0:10:31 | |
You either love it or you hate it. | 0:10:31 | 0:10:33 | |
-Can I have a look? -Yes. -This is very typical Troika work, | 0:10:33 | 0:10:37 | |
which has this sort of rough, textured feel to it. | 0:10:37 | 0:10:42 | |
Because these sorts of vases | 0:10:42 | 0:10:44 | |
or these pots would have been made in a mould. | 0:10:44 | 0:10:47 | |
Sometimes they applied decoration. | 0:10:47 | 0:10:49 | |
Possibly this little bit of decoration is applied. | 0:10:49 | 0:10:52 | |
But you see that rough texture? Very typical Troika. | 0:10:52 | 0:10:56 | |
So we should have marks on the underside. It says Troika. | 0:10:56 | 0:10:59 | |
And have you ever noticed that it's got the actual decorator's mark? | 0:10:59 | 0:11:03 | |
-Yes. -Flicked onto the bottom. | 0:11:03 | 0:11:05 | |
I think it's quite interesting. It was all made in the West Country. | 0:11:05 | 0:11:09 | |
I think you can really see that in these pieces, | 0:11:09 | 0:11:11 | |
in the colour and the texture. | 0:11:11 | 0:11:12 | |
I hadn't really thought about that, actually. | 0:11:12 | 0:11:15 | |
-So, can we sell this now? -Oh, definitely. | 0:11:15 | 0:11:18 | |
-Hang on. There's a proviso. -Oh, yes. | 0:11:18 | 0:11:21 | |
-Because...Mum thought it was probably worth around £90. -Really? | 0:11:21 | 0:11:26 | |
-She saw it on the television, so it must be true. -It must be true. | 0:11:26 | 0:11:31 | |
-It must be true. -It must not be true, as well, sadly. | 0:11:31 | 0:11:34 | |
I would estimate this to go into the auction sale for £40-£60. | 0:11:34 | 0:11:40 | |
-That would be my estimate for it. -I realised the price had gone down. | 0:11:40 | 0:11:44 | |
-I'd love it if it made £90 at the auction. -So would I! | 0:11:44 | 0:11:47 | |
Also, your mum would be, like, "Yes!" | 0:11:47 | 0:11:51 | |
'I really hope we can all do Doreen proud when we get to the sale room. | 0:11:51 | 0:11:56 | |
'But we're already halfway through our rummage | 0:11:56 | 0:12:00 | |
'and our total stands at just £280. | 0:12:00 | 0:12:02 | |
'So we still need to make up quite a bit of ground | 0:12:02 | 0:12:04 | |
'if we're going to reach that £600 target. | 0:12:04 | 0:12:07 | |
'But Jonty has already got his eye on another unusual item | 0:12:07 | 0:12:11 | |
'that could help the cause.' | 0:12:11 | 0:12:12 | |
-Hi, Jonty. -Hi. -What have you got? | 0:12:12 | 0:12:14 | |
Well, I've got a well-travelled picture. | 0:12:14 | 0:12:17 | |
-Yeah. -Where is this from? | 0:12:17 | 0:12:19 | |
My dad did a lot of travelling in India, Sri Lanka, | 0:12:19 | 0:12:23 | |
and he made a lot of friends and they kept giving him gifts. | 0:12:23 | 0:12:26 | |
So I think it's a gift from a friend he made in India. | 0:12:26 | 0:12:33 | |
So it would have been a picture that would have come back from India | 0:12:33 | 0:12:36 | |
-and framed thereafter. -I think so, yes. | 0:12:36 | 0:12:40 | |
-Because it's like fabric, isn't it? -Absolutely. | 0:12:40 | 0:12:44 | |
It's a picture on some form of fabric. | 0:12:44 | 0:12:46 | |
Because traditionally, Indian pictures were on silk. | 0:12:46 | 0:12:50 | |
And we in Britain have some of the finest examples in museums. | 0:12:50 | 0:12:54 | |
And if you've ever seen them, they are so exquisite. | 0:12:54 | 0:12:58 | |
So this is a picture, | 0:12:59 | 0:13:01 | |
a modern-day picture based on the themes of those Moguls. | 0:13:01 | 0:13:04 | |
-Oh, right. -So it's not an antique that we're looking at here, | 0:13:04 | 0:13:09 | |
but it is an original picture. | 0:13:09 | 0:13:11 | |
-Including the frame around the outside. -Yeah. Yeah. | 0:13:11 | 0:13:16 | |
All of that will be hand-done with gold paint, as well. | 0:13:16 | 0:13:19 | |
There's a lot going on. We've got an Indian deity in a garden scene. | 0:13:19 | 0:13:23 | |
And if you look more closely at the detail, | 0:13:23 | 0:13:26 | |
we've got all these classic Indian referencing. | 0:13:26 | 0:13:29 | |
The peacock in the garden and the sacred cow. | 0:13:29 | 0:13:32 | |
I love the tree in the background. It actually looks as if it's growing out of her head. | 0:13:32 | 0:13:37 | |
It's a bit Carmen Miranda-ish. | 0:13:37 | 0:13:39 | |
We'll put it in the auction, | 0:13:39 | 0:13:41 | |
but being contemporary, we can't get a vast price. | 0:13:41 | 0:13:43 | |
But it is a hand-painted picture | 0:13:43 | 0:13:45 | |
and so it would be £30-£50 at auction. | 0:13:45 | 0:13:49 | |
Yeah, yeah. No, go for it. | 0:13:49 | 0:13:51 | |
-Happy to let it go? -Yeah. -Great. Excellent. | 0:13:51 | 0:13:53 | |
'This converted cottage is certainly full of surprises. | 0:13:53 | 0:13:57 | |
'I'm itching to find out more about Karen's lovely house | 0:13:57 | 0:14:00 | |
'and its lively residents.' | 0:14:00 | 0:14:03 | |
How long have you lived here? | 0:14:03 | 0:14:05 | |
We moved in about '99. So about ten years now. | 0:14:05 | 0:14:09 | |
It looks like this was probably one of the original cottages. | 0:14:09 | 0:14:13 | |
I think it was called Kitts Cottage, and part of the house is just that. | 0:14:13 | 0:14:17 | |
So it's about 200 years old. | 0:14:17 | 0:14:19 | |
But then the rest has been added on bit by bit | 0:14:19 | 0:14:22 | |
by people before we moved in. | 0:14:22 | 0:14:24 | |
So tell me a little bit about the dogs. | 0:14:24 | 0:14:26 | |
Have you always had boxers? | 0:14:26 | 0:14:28 | |
Well, we had a boxer when we were little. Juno. | 0:14:28 | 0:14:30 | |
When we were about three or four. | 0:14:30 | 0:14:33 | |
When Keith and I came here, | 0:14:33 | 0:14:35 | |
we said it's the right place, we've got to get a dog. | 0:14:35 | 0:14:38 | |
It must be a great environment to have the dogs. | 0:14:38 | 0:14:42 | |
Normally, I take them in the car to the woods and they just run wild. | 0:14:42 | 0:14:48 | |
You and Leslie obviously get on very well. | 0:14:48 | 0:14:51 | |
As sisters, you have your moments, don't you? But she's always there. | 0:14:51 | 0:14:55 | |
When Mum died, she said a really interesting thing. | 0:14:55 | 0:14:58 | |
She said, "It's going to be very hard | 0:14:58 | 0:15:02 | |
"when going through all the stuff with Mum passing away. Let's not fall out over it." | 0:15:02 | 0:15:06 | |
I think so many times families can, because your emotions are running quite high. | 0:15:06 | 0:15:11 | |
-That sounds like really good advice to me. -So, it was really nice. | 0:15:11 | 0:15:15 | |
But now she's actually moved to Kent and she's got her own property, | 0:15:15 | 0:15:19 | |
we start talking about home improvements and stuff. | 0:15:19 | 0:15:22 | |
It's all getting a bit mature. | 0:15:22 | 0:15:24 | |
I'm very in mind that Leslie wants some money to help with the cottage. | 0:15:24 | 0:15:28 | |
And we've this scintillating carpet that we need to get for the hall. | 0:15:28 | 0:15:32 | |
So, shall we see whether Jonty or Leslie has found something else? | 0:15:32 | 0:15:36 | |
-Yeah, let's got for it. -Come on then. | 0:15:36 | 0:15:38 | |
'It's nice to think that our auction proceeds | 0:15:38 | 0:15:41 | |
'will be used to help with those niggling practical expenses. | 0:15:41 | 0:15:45 | |
'And I've a feeling every little will help. | 0:15:45 | 0:15:48 | |
'What will Jonty make of Leslie's latest find?' | 0:15:48 | 0:15:50 | |
-That's a collection of candlesticks. What have we got, five in all? -Yeah. | 0:15:52 | 0:15:56 | |
-Who's are these? -I presume they're from my grandmothers. | 0:15:56 | 0:15:59 | |
I don't think my family, my mum and dad, would have bought these. | 0:15:59 | 0:16:03 | |
I've certainly seen them on display. But I don't know where they came from. | 0:16:03 | 0:16:07 | |
We've got a large pair. Let's have a closer look. | 0:16:07 | 0:16:09 | |
Obviously to have real value they need to be silver. | 0:16:09 | 0:16:14 | |
But not necessarily. It doesn't matter too much, | 0:16:14 | 0:16:17 | |
because if you have an elegant pair of candlesticks... | 0:16:17 | 0:16:20 | |
Let's have a look at these, for instance. These look great. | 0:16:20 | 0:16:23 | |
So, you can tell that they are electroplated. | 0:16:23 | 0:16:26 | |
Can you see here? It's not the hallmarks we are looking for. | 0:16:26 | 0:16:30 | |
This is copper. This is the very thin layer of silver over copper. | 0:16:30 | 0:16:36 | |
-It literally has worn away. -Somebody's used them, then? | 0:16:36 | 0:16:39 | |
-Yes. -Or polished them? -Yes, that's what happens. | 0:16:39 | 0:16:42 | |
If you vigorously polish, you can see that is probably what happened. | 0:16:42 | 0:16:47 | |
That will be my granny. | 0:16:47 | 0:16:50 | |
So, this pair of candlesticks, they are Georgian in style. | 0:16:50 | 0:16:55 | |
-I like Georgian. -Yes, you can see that by the urn at the top there. | 0:16:55 | 0:16:58 | |
That's a classical reference. | 0:16:58 | 0:17:01 | |
Can you see that looks almost like a garden urn, as well? | 0:17:01 | 0:17:06 | |
That was popularised in the 18th century. | 0:17:06 | 0:17:09 | |
If you look at the base, the fluted base at the bottom. | 0:17:09 | 0:17:12 | |
-I think that is pretty. -Yes, it's got a real elegance to it. | 0:17:12 | 0:17:15 | |
-I'm starting to like this now. -Good. They really are very elegant. | 0:17:15 | 0:17:19 | |
If you compare them with this one here, can you see the difference? | 0:17:19 | 0:17:24 | |
Somehow, for my money, this is aesthetically pleasing. | 0:17:24 | 0:17:27 | |
It's a bit blousy, isn't it? This one's really pretty and elegant. | 0:17:27 | 0:17:31 | |
If we were to sell all of this collection here, we're looking at £50-£80 at auction. | 0:17:31 | 0:17:36 | |
Great. Super. | 0:17:36 | 0:17:38 | |
'That's a timely boost to the family fund. | 0:17:38 | 0:17:41 | |
'And, not to be outdone, Karen picks out this little pair of vases | 0:17:41 | 0:17:45 | |
'that Leslie bought for their mum. | 0:17:45 | 0:17:48 | |
'This fine Irish china, made by Belleek and still made today, | 0:17:48 | 0:17:52 | |
'is highly desirable. | 0:17:52 | 0:17:53 | |
'These examples date from the 1960s and Jonty gives them | 0:17:53 | 0:17:56 | |
'a confident estimate of £30-£50. | 0:17:56 | 0:17:59 | |
'Our expert also thinks these brass and enamel pots | 0:18:01 | 0:18:05 | |
'could help swell the coffers a little more. | 0:18:05 | 0:18:07 | |
'More of Doreen's modern collectables, | 0:18:07 | 0:18:09 | |
'but an estimate of £20-£30 should help them along at auction. | 0:18:09 | 0:18:12 | |
'The day is wearing on. | 0:18:12 | 0:18:15 | |
'And, although we have made some fascinating finds, | 0:18:15 | 0:18:18 | |
'I'm starting to worry we might not reach that elusive £600 target. | 0:18:18 | 0:18:22 | |
'Maybe Karen's latest find will get Jonty's mind back on the job.' | 0:18:22 | 0:18:25 | |
Hey, what are you doing? | 0:18:27 | 0:18:28 | |
I've got some jewellery here that I wouldn't mind you having a look at. | 0:18:28 | 0:18:33 | |
-I'd be quite interested. -Let's have a look. What shall we look at first? | 0:18:33 | 0:18:38 | |
-What is in here, for instance? That looks interesting. -OK? -Gosh. | 0:18:38 | 0:18:42 | |
A bracelet. Well, more than a bracelet. Where is this from? | 0:18:42 | 0:18:48 | |
Well, I don't really know. I know Mum wore it a lot. | 0:18:48 | 0:18:50 | |
I think it was probably a present from my dad. | 0:18:50 | 0:18:53 | |
She had it from about the '70s, I think. | 0:18:53 | 0:18:55 | |
So these are chunks of mother of pearl. It looks like silver. | 0:18:55 | 0:19:00 | |
-But it is certainly not British. -No. | 0:19:00 | 0:19:03 | |
I think it's probably something that Dad brought back from his travels. | 0:19:03 | 0:19:07 | |
It could be Indian, but I don't think so. | 0:19:07 | 0:19:10 | |
-But he did South America as well as America. -OK. That gives it away. | 0:19:10 | 0:19:14 | |
-It says "Alpaca" on the back, here. -I've never looked at that, actually. | 0:19:14 | 0:19:18 | |
It says "Mexico" as well. That's where it came from. | 0:19:18 | 0:19:21 | |
-This would be Mexican silver. -All right, OK. -Which is great. | 0:19:21 | 0:19:24 | |
It's interesting, the style, it really has that '70s feel to it. | 0:19:24 | 0:19:29 | |
It's probably gone out of fashion and back into fashion. | 0:19:29 | 0:19:33 | |
So we can definitely put this on to the market. I'll pop that back in the box. What about the rings? | 0:19:33 | 0:19:38 | |
-What's in here? Aha, look at that. -It's got seven sapphires. | 0:19:38 | 0:19:45 | |
My dad, when he was in Sri Lanka, he bought the stones, | 0:19:45 | 0:19:50 | |
-picked them out and made it up into an eternity ring for Mum. -OK. | 0:19:50 | 0:19:55 | |
I don't know, it's one of those things that reminded me of them two. | 0:19:55 | 0:20:00 | |
It's one that my dad had made for her and that she wore. | 0:20:00 | 0:20:04 | |
-So it's got some memories. But I don't wear it. -So we can sell this ring now? -Yes. | 0:20:04 | 0:20:10 | |
OK, that's really good. What else have we got here? All sorts of gems and goodies in here. | 0:20:10 | 0:20:15 | |
Ah-ha. This looks like a bit of costume jewellery this time. | 0:20:18 | 0:20:22 | |
We've got a stylised necklace and bracelet. | 0:20:22 | 0:20:26 | |
And a pair of matching earrings. Now, this looks so white that it's probably not silver. | 0:20:26 | 0:20:31 | |
No, I never thought it was, actually. It's too clean. | 0:20:31 | 0:20:33 | |
If it was silver it would have tarnished. | 0:20:33 | 0:20:37 | |
Yes, that's a good way of working out whether something is silver. | 0:20:37 | 0:20:41 | |
If it is silver, it has value. If it's a white metal, not a lot. | 0:20:41 | 0:20:46 | |
But, as it's a complete set, we've got the bracelet, the necklace | 0:20:46 | 0:20:50 | |
and the matching earrings, too. | 0:20:50 | 0:20:52 | |
We've got a nice collection of jewellery here. | 0:20:52 | 0:20:54 | |
It's so good, we must tell the girls as well. | 0:20:54 | 0:20:56 | |
-It's a nice tidy sum we've got here. -Ooh, lovely. -Ah, there you are. | 0:20:56 | 0:21:00 | |
-As if by magic! -Did I hear the word jewellery? | 0:21:00 | 0:21:02 | |
My favourite thing. Apart from Shih Tzu puppies, obviously. | 0:21:02 | 0:21:05 | |
But we won't go into that. So, what sort of value are we talking about here? | 0:21:05 | 0:21:09 | |
-Value at auction, £200-£250. -Not bad. -Fabulous. -That's nice. | 0:21:09 | 0:21:12 | |
Ladies, neither of you want to keep any of these pieces? | 0:21:12 | 0:21:15 | |
It's not stuff we would wear, I don't think. Is it? | 0:21:15 | 0:21:19 | |
The stones, I think, are a bit too big. | 0:21:19 | 0:21:21 | |
Darling, you and I need to have a chat. | 0:21:21 | 0:21:24 | |
There's no such thing as too big a precious stone. | 0:21:24 | 0:21:27 | |
-You wanted £600, didn't you? -£200 each. | 0:21:27 | 0:21:31 | |
I'm pleased to tell you that the value of everything going to auction comes to... | 0:21:31 | 0:21:36 | |
-£610. -LAUGHTER | 0:21:36 | 0:21:39 | |
-Pretty good going, isn't it? -The extra tenner, I'll let you siblings fight that out yourselves. | 0:21:39 | 0:21:44 | |
And we'll have a couple of glasses of wine to celebrate. | 0:21:44 | 0:21:46 | |
One nice bottle of wine you can share between you. | 0:21:46 | 0:21:50 | |
-Cheers to my brother. -Yes. | 0:21:50 | 0:21:52 | |
'Well we got there in the end. | 0:21:52 | 0:21:54 | |
'And I'm really keen to see how well all the sisters heirlooms do, | 0:21:54 | 0:21:58 | |
'including that Troika cubed vase, which Leslie bought for her mum in the early '80s. | 0:21:58 | 0:22:04 | |
'It's a striking piece and should tempt the bidders | 0:22:04 | 0:22:07 | |
'with its estimate of £40-£60. | 0:22:07 | 0:22:09 | |
'Then there's those three Lladro pieces, which Karen and Leslie's parents bought in the 1970s. | 0:22:09 | 0:22:14 | |
'They're collectable and should raise £50-£80. And that collection of jewellery. | 0:22:14 | 0:22:18 | |
'Most of it was bought by their dad, Alan, when he was working abroad. | 0:22:18 | 0:22:21 | |
'As it's foreign gold and silver and does not bear British hallmarks, | 0:22:21 | 0:22:25 | |
'it can't be sold in this country as gold or silver. | 0:22:25 | 0:22:28 | |
'But we're hoping for £250 on sale day. | 0:22:28 | 0:22:32 | |
'Still to come on Cash In The Attic, Leslie makes a confession about the Belleek vases.' | 0:22:34 | 0:22:39 | |
-It's more than I paid for them. -Is it? -It's more. -That's OK then. | 0:22:39 | 0:22:44 | |
I'm cheap. | 0:22:44 | 0:22:45 | |
'And the auctioneer tries his hardest with the Lladro figurines.' | 0:22:47 | 0:22:51 | |
You can't mean no! You know you don't really mean that. | 0:22:51 | 0:22:55 | |
'Stay with us until the final hammer falls.' | 0:22:55 | 0:22:57 | |
Now, we had a lovely time at Karen's beautiful Bedfordshire cottage. | 0:23:03 | 0:23:08 | |
Together with her sister Leslie, | 0:23:08 | 0:23:10 | |
we found plenty of items they've both been left by their mother. | 0:23:10 | 0:23:14 | |
Now, those we brought here to Sworders Auction House in Stansted Mountfitchet, | 0:23:14 | 0:23:18 | |
where we're just hoping that all the bidders here today, | 0:23:18 | 0:23:21 | |
and, believe me, there's a lot of them, are feeling very generous. | 0:23:21 | 0:23:24 | |
'Now, the sisters are hoping to raise around £600 to split between them and their brother, Colin. | 0:23:24 | 0:23:30 | |
'Everything arrived here with plenty of time to attract interest. | 0:23:30 | 0:23:33 | |
'But, as we catch up with them, Jonty is itching to solve a small mystery.' | 0:23:33 | 0:23:38 | |
Now, I've been looking through the catalogue. No sapphire ring. What's the story? | 0:23:39 | 0:23:44 | |
-Karen. -You're wearing it! -And why not, I say. | 0:23:44 | 0:23:49 | |
Yeah, it had a lot of sentimental value. I thought, no, I'd like to keep it. | 0:23:49 | 0:23:53 | |
Right, what's that done for our target, then? | 0:23:53 | 0:23:56 | |
-It's all change. -A couple of lots short. I've noticed in the catalogue they have merged | 0:23:56 | 0:24:00 | |
all of our metalware and kept it at roughly the same estimate. | 0:24:00 | 0:24:06 | |
The long and short of it is, Lorne, we're up against it. | 0:24:06 | 0:24:09 | |
-So, if we don't make the money, what's going to happen? -Well, the thing is, | 0:24:09 | 0:24:13 | |
because I've kept the ring, I decided to forego my part of the proceeds. | 0:24:13 | 0:24:18 | |
-Oh, OK. -And give the rest of the money to Leslie and Colin. -Oh, right, OK. -It means I don't lose out. | 0:24:18 | 0:24:24 | |
And I may just use a little bit of money just towards a charity. Because my Auntie Irene died recently. | 0:24:24 | 0:24:30 | |
She was looked well after at this hospital and Walton, in Liverpool. | 0:24:30 | 0:24:33 | |
I'd like to give it to their neurosurgeon fund. | 0:24:33 | 0:24:36 | |
Right, let's see if the bidders are going to be generous enough | 0:24:36 | 0:24:39 | |
to help us reach it without some of our lots. | 0:24:39 | 0:24:42 | |
-Come on, let's go this way. -OK. -Cheers. | 0:24:42 | 0:24:45 | |
The sisters have also decided not to sell the bedside cabinets. | 0:24:45 | 0:24:50 | |
With so many pieces missing or merged, | 0:24:50 | 0:24:52 | |
our fingers won't just be crossed, they'll be plaited. | 0:24:52 | 0:24:55 | |
First of the heirlooms to come up is the collection of costume jewellery, | 0:24:55 | 0:25:00 | |
minus, of course, the Sri Lankan gold sapphire Ring. | 0:25:00 | 0:25:03 | |
Of course, because the ring is now being worn, | 0:25:03 | 0:25:05 | |
the estimate, I guess, has come down from the £200-£250 | 0:25:05 | 0:25:09 | |
that Jonty put onto it, to £100-£150 in the auction catalogue. | 0:25:09 | 0:25:13 | |
-Do you agree with that, Jonty? -Yes, thereabouts with that figure. | 0:25:13 | 0:25:16 | |
Hopefully that is quite a conservative estimate. | 0:25:16 | 0:25:19 | |
I'm feeling hopeful that we should be over the 150 mark, really. | 0:25:19 | 0:25:22 | |
-40 I'm bid. At £40. -Come on, we want more than £40. | 0:25:22 | 0:25:27 | |
At 45. I will sell at 45. | 0:25:27 | 0:25:29 | |
50? Five, 60. Five, 70. Five, 80. Five, 90. | 0:25:31 | 0:25:39 | |
Five, 100. 110, 120. £120. | 0:25:39 | 0:25:45 | |
More! | 0:25:47 | 0:25:48 | |
I will sell at £120. | 0:25:48 | 0:25:51 | |
Thank you, Peter. What number? | 0:25:51 | 0:25:53 | |
-Are you happy with that? -A little bit. | 0:25:53 | 0:25:58 | |
Well, when they stopped, I was thinking, "No!" | 0:25:58 | 0:26:01 | |
At 40, yes. | 0:26:03 | 0:26:04 | |
'Considering most of that lot was costume jewellery, not a bad price.' | 0:26:06 | 0:26:10 | |
'Next up is the cube vase. It's by the Cornish pottery company Troika, | 0:26:13 | 0:26:18 | |
'with an abstract design by Jane Fitzgerald. | 0:26:18 | 0:26:20 | |
'Leslie bought this for her mum in the early '80s.' | 0:26:20 | 0:26:24 | |
We put quite a nice estimate on it. I understand you've got a reserve on it, is that correct? | 0:26:24 | 0:26:28 | |
-Yes, £50. -And what are you going to do with it if it doesn't sell? | 0:26:28 | 0:26:32 | |
Keep it for a little while and then put it on again for another sale. | 0:26:32 | 0:26:36 | |
-Do you think £50 is reasonable, Jonty? -It's absolutely acceptable. | 0:26:36 | 0:26:41 | |
-We should still get it away at £50 reserve. -OK, excellent. | 0:26:41 | 0:26:44 | |
20 I'm bid, which is cheap. At 22, five, eight, 30. | 0:26:46 | 0:26:51 | |
Two, five, eight, 40. | 0:26:51 | 0:26:54 | |
Two, 45, 48, 50, five. | 0:26:54 | 0:26:59 | |
-Here we are. -At 55. 60 anywhere? £55. | 0:26:59 | 0:27:05 | |
-Bargain. -£55. -Bargain. -Well, it's not. | 0:27:08 | 0:27:10 | |
Because they're not going to be paying £55, don't forget. | 0:27:10 | 0:27:14 | |
They're going to be paying a lot more than that. And then they've got to sell it on. | 0:27:14 | 0:27:19 | |
-£55 in the pot, literally. -We haven't got a pot now. -No, never mind. | 0:27:19 | 0:27:25 | |
£55 without the pot. | 0:27:25 | 0:27:26 | |
'A very good result for the vase. | 0:27:28 | 0:27:31 | |
'And it's added a healthy amount to the kitty. | 0:27:31 | 0:27:33 | |
'More pottery follows, a pair of Belleek vases, | 0:27:33 | 0:27:36 | |
'which Leslie bought for her mum many years ago.' | 0:27:36 | 0:27:39 | |
Where did you buy them? | 0:27:39 | 0:27:41 | |
In a gift shop in Belfast when I was living there. | 0:27:41 | 0:27:44 | |
Which makes sense, because Belleek is an Irish pottery. | 0:27:44 | 0:27:47 | |
-Do you like them? -I think they're quite elegant. | 0:27:47 | 0:27:50 | |
But I don't really have knick-knacks and things in my house. | 0:27:50 | 0:27:55 | |
-OK, what do you want for these, Jonty? -Lower end estimate is £30. | 0:27:55 | 0:27:59 | |
-So, £30-£50 is the ballpark. -OK. All right. | 0:27:59 | 0:28:03 | |
It's good that we've got a pair, people do like to buy things in pairs. Let's see how we do. | 0:28:03 | 0:28:07 | |
30, 20. Which is cheap, surely? 10 is all I'm bid. | 0:28:07 | 0:28:12 | |
At £10. Belleek. | 0:28:12 | 0:28:14 | |
12, 15, 18, 20, two, five, eight. By the counter, the bid. | 0:28:14 | 0:28:21 | |
Someone under there. | 0:28:21 | 0:28:23 | |
At £28. I will sell them at 28. 30, anybody? | 0:28:23 | 0:28:29 | |
Sold at 28. | 0:28:29 | 0:28:31 | |
768. | 0:28:31 | 0:28:34 | |
-£28. -That's more than I paid for them. -Is it? There we go. | 0:28:34 | 0:28:38 | |
-That's OK then. -I'm cheap. | 0:28:38 | 0:28:41 | |
'That's a canny investment, | 0:28:44 | 0:28:46 | |
'as Leslie bought the pair for under a tenner. | 0:28:46 | 0:28:49 | |
'It's the turn of the Lladro figurines, which their parents bought in the 1970s.' | 0:28:49 | 0:28:53 | |
This little piggy literally went to market - or auction - because now we've got the Lladro figure | 0:28:56 | 0:29:00 | |
of the girl holding the pig, along with two other Lladro figures. | 0:29:00 | 0:29:04 | |
Now, what made you decide to sell these? | 0:29:04 | 0:29:06 | |
Well, they're not really my cup of tea. | 0:29:06 | 0:29:09 | |
They're quite dainty, quite fragile | 0:29:09 | 0:29:11 | |
and they don't really fit in with the rest of our house. | 0:29:11 | 0:29:14 | |
They wouldn't fit with your decor, would they, Karen? | 0:29:14 | 0:29:17 | |
Well, let's hope they fit with someone's decor. | 0:29:17 | 0:29:20 | |
What do you want for them, Jonty? | 0:29:20 | 0:29:22 | |
£50-£80 is what we are looking for. | 0:29:22 | 0:29:25 | |
-They cost a lot more in the shops. -Gosh, yeah. | 0:29:25 | 0:29:27 | |
£50 for the Lladro. | 0:29:27 | 0:29:29 | |
20? Three Lladro figures. 10 is all I'm bid for the three. | 0:29:29 | 0:29:33 | |
12, 15, 18, 20. | 0:29:33 | 0:29:37 | |
22. Surely? Three figures. | 0:29:38 | 0:29:42 | |
25, 28. 30, 32. | 0:29:42 | 0:29:45 | |
You can't mean no, really. You know you don't really mean that. | 0:29:47 | 0:29:50 | |
At 32, 35. You do mean it? | 0:29:50 | 0:29:54 | |
Oh, dear. Oh! 35. 38. | 0:29:54 | 0:29:58 | |
You girls, no staying power. At 38. If I may say so. | 0:29:59 | 0:30:03 | |
At 38. £40. | 0:30:03 | 0:30:05 | |
40. | 0:30:06 | 0:30:08 | |
-He's doing a good job though. -42, madam. | 0:30:08 | 0:30:10 | |
No. Selling then at 40. | 0:30:10 | 0:30:14 | |
It's going to be sold for £40. | 0:30:14 | 0:30:17 | |
-£40. -It is a shame, isn't it? | 0:30:17 | 0:30:20 | |
It takes a long time to collect those things and they're just gone. | 0:30:20 | 0:30:24 | |
But it is a sign of the times. | 0:30:24 | 0:30:26 | |
As you say, you don't have knick-knacks around, | 0:30:26 | 0:30:29 | |
lots of people are going for a much cleaner-cut look. | 0:30:29 | 0:30:32 | |
With statement pieces rather than putting together collections | 0:30:32 | 0:30:35 | |
of porcelain and it just reflects the fashion, I'm afraid. | 0:30:35 | 0:30:39 | |
But at least they've gone while they're still in good condition | 0:30:39 | 0:30:42 | |
rather than getting broken over the years | 0:30:42 | 0:30:45 | |
and about to come up is another lot of figurines. | 0:30:45 | 0:30:48 | |
There are five of them made by Nao, which is part of the Lladro company. | 0:30:48 | 0:30:52 | |
-I'm guessing these have also come from your mum. -Yes. | 0:30:52 | 0:30:56 | |
Did your mum end up buying them or were they always gifts? | 0:30:56 | 0:31:00 | |
I think they partly bought them when they went away on holiday, | 0:31:00 | 0:31:04 | |
or people would buy them as gifts so it's a combination. | 0:31:04 | 0:31:06 | |
What do you want for these, Jonty? | 0:31:06 | 0:31:08 | |
-£50-£80 for the whole collection. -OK. All right. | 0:31:08 | 0:31:11 | |
Five figures, £50. 20. | 0:31:11 | 0:31:14 | |
Surely. 20 I'm bid. | 0:31:14 | 0:31:17 | |
20 for two. | 0:31:17 | 0:31:19 | |
Bit hot! | 0:31:21 | 0:31:22 | |
28. 30. Two. Five. Eight. | 0:31:23 | 0:31:27 | |
-40. Two. -It's going up at least. | 0:31:27 | 0:31:30 | |
It is contagious, isn't it? | 0:31:30 | 0:31:33 | |
Stand away from her! | 0:31:33 | 0:31:35 | |
LAUGHTER | 0:31:35 | 0:31:37 | |
At 45. 45. Well done. | 0:31:37 | 0:31:40 | |
You see, it runs in the family. At 45. 48 now. | 0:31:40 | 0:31:44 | |
It is always the one more that does it. At £45. | 0:31:44 | 0:31:48 | |
Thank you. 45. | 0:31:48 | 0:31:50 | |
770. | 0:31:50 | 0:31:52 | |
'It's deemed to be not quite as collectable as Lladro. | 0:31:52 | 0:31:56 | |
'But not too disappointing a result really. | 0:31:58 | 0:32:01 | |
'Now it's time for the two lots that the auction house has put together as one. | 0:32:01 | 0:32:06 | |
'It contains brassware and brass and enamel pots. | 0:32:06 | 0:32:08 | |
'Some of this is from their father's time in India and some belonged to their grandmother | 0:32:08 | 0:32:12 | |
'but most of it was collected by their mum.' | 0:32:12 | 0:32:16 | |
So there's a whole mismatch of goodies in here | 0:32:16 | 0:32:18 | |
so let's see what happens. | 0:32:18 | 0:32:21 | |
The auctioneers have still kept to the same kind of estimate, | 0:32:21 | 0:32:24 | |
which is £20-£30 as well. | 0:32:24 | 0:32:27 | |
£40. 20. | 0:32:27 | 0:32:28 | |
10 is all I'm bid. | 0:32:28 | 0:32:30 | |
At £10. Oh, no! | 0:32:30 | 0:32:33 | |
Or I will sail to the maiden bid. 12. 15. | 0:32:33 | 0:32:36 | |
18, 20. Selling. | 0:32:36 | 0:32:40 | |
So much stuff. | 0:32:40 | 0:32:43 | |
-At £20. -A bargain again. -Somebody's going to have two polish it. | 0:32:43 | 0:32:45 | |
-Yes! -£20. | 0:32:45 | 0:32:48 | |
A big mixed selection but not much money for it, I'm afraid. | 0:32:48 | 0:32:52 | |
We've got a bit of a break until the rest of our lots come up, | 0:32:52 | 0:32:55 | |
and we were aiming originally for £600 | 0:32:55 | 0:32:58 | |
before we chopped and changed a few lots. | 0:32:58 | 0:33:01 | |
The good news is, so far we've banked £308, | 0:33:01 | 0:33:04 | |
so that's quite good. | 0:33:04 | 0:33:06 | |
We're halfway there. It's not bad, is it. | 0:33:06 | 0:33:09 | |
No. It does add up, doesn't it. | 0:33:09 | 0:33:12 | |
-It does. -That might be a toilet for Leslie's bathroom! | 0:33:12 | 0:33:15 | |
LAUGHTER | 0:33:15 | 0:33:16 | |
Talking of which, shall we take a loo break! | 0:33:16 | 0:33:19 | |
'If you'd like to have a go at selling at auction yourself, | 0:33:21 | 0:33:24 | |
'do bear in mind that fees such as commission will be added to your bill. | 0:33:24 | 0:33:28 | |
'This varies from one sale-room to another so it's always worth enquiring in advance. | 0:33:28 | 0:33:32 | |
'The last time I saw Jonty, he said he was going to check out a throne | 0:33:32 | 0:33:36 | |
'and I thought that was his polite way of saying | 0:33:36 | 0:33:38 | |
'he was going to powder his nose.' | 0:33:38 | 0:33:41 | |
Jonty. Thank you very much. This looks very comfortable, I must say. | 0:33:42 | 0:33:46 | |
Take a seat, my darling. | 0:33:46 | 0:33:48 | |
-Don't mind if I do. -In fact, I'll take a seat. | 0:33:48 | 0:33:51 | |
Are they nice and comfy? | 0:33:51 | 0:33:52 | |
I wouldn't want to slob out in front of the TV in them | 0:33:52 | 0:33:55 | |
but if you wanted to hold court, they're quite good. | 0:33:55 | 0:33:58 | |
-I have a pair like this in front of my TV. -Do you? | 0:33:58 | 0:34:01 | |
And my wife brings me my slippers and pipe! | 0:34:01 | 0:34:03 | |
What do you think about a pair of chairs like this? | 0:34:03 | 0:34:06 | |
-I actually think they're ghastly. -Do you? -Yeah. | 0:34:06 | 0:34:10 | |
They're not everybody's cup of tea, | 0:34:10 | 0:34:12 | |
but in the right place, in the right setting, | 0:34:12 | 0:34:14 | |
can you imagine just how dramatic they would be? | 0:34:14 | 0:34:17 | |
Because that's what they were originally made for. | 0:34:17 | 0:34:20 | |
Victorian. High Victorian. | 0:34:20 | 0:34:22 | |
So these are chairs really to impress. | 0:34:22 | 0:34:27 | |
-Apart from... -The upholstery. -Yeah. | 0:34:27 | 0:34:29 | |
I was going to mention the upholstery | 0:34:29 | 0:34:31 | |
because if you are thinking of either buying or selling chairs, | 0:34:31 | 0:34:35 | |
that the upholstery itself is in very poor condition, | 0:34:35 | 0:34:38 | |
then don't necessarily worry about that. | 0:34:38 | 0:34:42 | |
The value of the chairs are in the frame, not necessarily the upholstery | 0:34:42 | 0:34:45 | |
because you can change the upholstery. | 0:34:45 | 0:34:48 | |
What you must consider is the quality of the innards of your upholstery, | 0:34:48 | 0:34:53 | |
the quality of your springing, | 0:34:53 | 0:34:55 | |
because to get these seats redone is quite an expense. | 0:34:55 | 0:34:58 | |
Right. So what sort of valuation are we talking about? | 0:34:58 | 0:35:02 | |
At auction, a pair of chairs like this, | 0:35:02 | 0:35:04 | |
and incidentally these have just come in, | 0:35:04 | 0:35:06 | |
they're not part of our auction sale today, | 0:35:06 | 0:35:09 | |
value between £1,000 and £1,500. | 0:35:09 | 0:35:11 | |
It'll be interesting to see what these make, won't it. Come on! | 0:35:11 | 0:35:15 | |
'I'll certainly be checking the stuffing of any chairs | 0:35:15 | 0:35:19 | |
'I like the look of in future. | 0:35:19 | 0:35:21 | |
'We meet up with the sisters again in time to see the coffee set come up. | 0:35:21 | 0:35:26 | |
'It's made by Wedgwood but the designer is just as famous, | 0:35:26 | 0:35:28 | |
'if not more so - it's Susie Cooper.' | 0:35:28 | 0:35:31 | |
I should explain that Wedgwood bought the Susie Cooper name | 0:35:31 | 0:35:35 | |
and is one of the sets that were made under licence if you like, | 0:35:35 | 0:35:38 | |
so true collectors are looking for the early Susie Cooper wares, | 0:35:38 | 0:35:41 | |
that very Art Deco hand-painted design, | 0:35:41 | 0:35:44 | |
but nevertheless, it's still very popular, isn't it? | 0:35:44 | 0:35:46 | |
Absolutely. | 0:35:46 | 0:35:48 | |
People love the combination of Wedgwood and Susie Cooper - a great name - | 0:35:48 | 0:35:52 | |
and therefore it still creates a market | 0:35:52 | 0:35:54 | |
for our collection here, so yes, £40-£60 hopefully for this lot. | 0:35:54 | 0:36:00 | |
-20 I'm bid. -We want a bit more than that. | 0:36:00 | 0:36:03 | |
28. | 0:36:03 | 0:36:04 | |
30. Two. Five. | 0:36:04 | 0:36:07 | |
38 in the room. 40 anywhere? | 0:36:07 | 0:36:09 | |
Susie Cooper. | 0:36:09 | 0:36:11 | |
At £38 only. 40. | 0:36:11 | 0:36:14 | |
-42. 45. -That's better. -One more. | 0:36:14 | 0:36:17 | |
You know you don't mean no to me. | 0:36:17 | 0:36:20 | |
48? | 0:36:20 | 0:36:21 | |
Selling then at £45. | 0:36:21 | 0:36:24 | |
£45. It's the middle estimate, a bit on the low side, | 0:36:24 | 0:36:28 | |
-but again, it reflects taste at the moment. -Yeah. -Yeah. | 0:36:28 | 0:36:32 | |
'What's great for Karen and Leslie is they have such a variety of items | 0:36:32 | 0:36:36 | |
'so we're not relying on china alone to make our money. | 0:36:36 | 0:36:41 | |
'The five silver-plated candlesticks are next to go before the bidders. | 0:36:41 | 0:36:44 | |
'They all belonged to the sisters' grandmother. | 0:36:44 | 0:36:47 | |
'Jonty particularly likes the tall Georgian-style ones.' | 0:36:47 | 0:36:51 | |
I think they're great - very saleable and commercial. | 0:36:51 | 0:36:54 | |
We've got quite a bit of wear on a few of the sticks. | 0:36:54 | 0:36:56 | |
If they had been in really good condition, they would've walked out of the door | 0:36:56 | 0:37:00 | |
but still, very commercial £50-£80. They really should sell. | 0:37:00 | 0:37:04 | |
£30. 20. Ten, I'm bid. | 0:37:04 | 0:37:06 | |
12, 15, 18. 20. | 0:37:06 | 0:37:08 | |
Two, five, eight. | 0:37:08 | 0:37:12 | |
Your turn, sir. 30, 32. | 0:37:12 | 0:37:15 | |
Five, eight. 40. | 0:37:15 | 0:37:17 | |
Two, five. Close to me then at 45. | 0:37:17 | 0:37:21 | |
More, more, more! | 0:37:21 | 0:37:23 | |
Is that a bid? Selling at £45... | 0:37:23 | 0:37:26 | |
Oh, no. | 0:37:26 | 0:37:28 | |
What a disappointment. Someone's got a bargain there, sadly. | 0:37:31 | 0:37:35 | |
Seeing as we'd never seen them before in our life... | 0:37:35 | 0:37:39 | |
I'm attached to them now! | 0:37:39 | 0:37:41 | |
Now you've been reunited with them! | 0:37:41 | 0:37:44 | |
I think it's all my fault. | 0:37:44 | 0:37:46 | |
I pumped them up so grandly. And all we've got is £45. | 0:37:46 | 0:37:50 | |
-Sorry about that. -It's better than a poke in the eye. | 0:37:50 | 0:37:52 | |
'It is but it's the fifth one today to come in under estimate. | 0:37:52 | 0:37:57 | |
'Not what we were hoping for at all. | 0:37:57 | 0:37:59 | |
'And we have just two lots left so everything now rests on these | 0:37:59 | 0:38:05 | |
'doing well for us if we're going to reach our £600 target. | 0:38:05 | 0:38:08 | |
'First up, it's the stuffed game bird that Leslie and her husband bought.' | 0:38:08 | 0:38:13 | |
He's rather sad looking. | 0:38:13 | 0:38:16 | |
You'd probably look the same if you'd been stuffed and stuck in a cupboard. | 0:38:16 | 0:38:20 | |
-He's a bit moth-eaten. -Slightly. | 0:38:20 | 0:38:22 | |
I put £30-£50 on him. | 0:38:22 | 0:38:24 | |
I'm not quite sure what people in this room think of it. | 0:38:24 | 0:38:27 | |
Although we are in the country. It's country, sport, land. | 0:38:27 | 0:38:30 | |
So you never know. | 0:38:30 | 0:38:32 | |
I was expecting it just to go to the dump so even if we get a fiver, | 0:38:32 | 0:38:35 | |
I'll be happy. | 0:38:35 | 0:38:38 | |
80. 50. 20. Any bid? | 0:38:40 | 0:38:44 | |
Ten I'm bid. He says meanly. | 0:38:45 | 0:38:48 | |
It always starts at ten. | 0:38:48 | 0:38:50 | |
12. 15. 18. | 0:38:50 | 0:38:53 | |
20. I'm selling the pheasant for £20 only. | 0:38:54 | 0:38:59 | |
Been better off eating it rather than stuffing it. | 0:38:59 | 0:39:03 | |
Selling then at £20. | 0:39:03 | 0:39:06 | |
-It's gone. -A little less than we wanted. | 0:39:07 | 0:39:10 | |
That was more than you thought! | 0:39:10 | 0:39:12 | |
More than you'd get at the dump. | 0:39:12 | 0:39:15 | |
LAUGHTER | 0:39:15 | 0:39:16 | |
'They may have been popular in Victorian in times | 0:39:16 | 0:39:18 | |
'but they don't seem so popular here today | 0:39:18 | 0:39:21 | |
'and it brings us to our final lot of the day, | 0:39:21 | 0:39:24 | |
'the fabric picture, which Karen and Leslie's father | 0:39:24 | 0:39:27 | |
'brought back from India for Doreen in the 1970s.' | 0:39:27 | 0:39:31 | |
It's very nice actually. | 0:39:32 | 0:39:34 | |
You do see them but they're usually quite a bit smaller than this. | 0:39:34 | 0:39:37 | |
This is quite a nice statement piece. | 0:39:37 | 0:39:39 | |
The more I look at it, it's quite pleasant, quite contemporary. | 0:39:39 | 0:39:43 | |
I think it would fit in nicely... | 0:39:43 | 0:39:44 | |
-Easy to live with. -Indeed. | 0:39:44 | 0:39:47 | |
So what estimate on this, Jonty? | 0:39:47 | 0:39:48 | |
It's been reframed here in the UK but some time ago, | 0:39:48 | 0:39:52 | |
so some people might consider that to need to be done again | 0:39:52 | 0:39:57 | |
but it still looks very pleasant in its frame. | 0:39:57 | 0:39:59 | |
£30-£50 is the price I've put on it. Let's see what the room decides. | 0:39:59 | 0:40:05 | |
Amy's displaying it, lot 100, £50. | 0:40:05 | 0:40:07 | |
Yes, she is. | 0:40:07 | 0:40:09 | |
30. 20. Oh, no! | 0:40:09 | 0:40:10 | |
We're going backwards. £10. | 0:40:10 | 0:40:13 | |
Ten I'm bid. At ten. 12. | 0:40:13 | 0:40:16 | |
15. 18. | 0:40:16 | 0:40:19 | |
Come on! | 0:40:19 | 0:40:20 | |
At £18. 20 anywhere? | 0:40:20 | 0:40:22 | |
20. | 0:40:22 | 0:40:23 | |
At £18 only. 20? At 18. | 0:40:23 | 0:40:27 | |
Oh, dear. £18! | 0:40:28 | 0:40:29 | |
How disappointing. | 0:40:29 | 0:40:30 | |
-That is a real disappointment I think, don't you? -Yeah. | 0:40:30 | 0:40:34 | |
I would've bid for it. | 0:40:34 | 0:40:36 | |
We're already down a few lots | 0:40:37 | 0:40:39 | |
so we did need every penny that we had available. | 0:40:39 | 0:40:43 | |
We did chop and change the lots around quite a lot | 0:40:43 | 0:40:46 | |
and you wanted £600 originally. | 0:40:46 | 0:40:48 | |
I don't think you've done too bad because the value and the total | 0:40:48 | 0:40:52 | |
you'll be taking home today comes to... | 0:40:52 | 0:40:54 | |
..£436. | 0:40:56 | 0:40:58 | |
Well.. That's the ring, isn't it? | 0:41:00 | 0:41:03 | |
If you take in account the ring, so... | 0:41:03 | 0:41:05 | |
But we've still got 200 quid each. | 0:41:05 | 0:41:08 | |
I think there may be a little bit of sibling rivalry going on now! | 0:41:08 | 0:41:12 | |
A few weeks ago Karen and Leslie said they wanted to raise money | 0:41:16 | 0:41:21 | |
to split between them and their brother, Colin. | 0:41:21 | 0:41:24 | |
Karen has foregone all her share of the money but Leslie will use hers | 0:41:24 | 0:41:28 | |
to help with renovation costs on her new house. | 0:41:28 | 0:41:32 | |
Karen's come to visit her today to see how the plans are developing. | 0:41:32 | 0:41:36 | |
It's quite a lot of work to do so any little bit of money that we've made | 0:41:36 | 0:41:40 | |
is going to help to go a long way to getting all the things down. | 0:41:40 | 0:41:44 | |
Leslie will probably get me out in the garden. | 0:41:44 | 0:41:47 | |
We were discussing the garden earlier. | 0:41:47 | 0:41:49 | |
The garden goes out quite a long way and quite a bit needs flattening | 0:41:49 | 0:41:53 | |
so I think we're going to be busy. | 0:41:53 | 0:41:55 | |
The whole family can come down. That'd be lovely. | 0:41:57 | 0:42:00 | |
Can't wait(!) | 0:42:00 | 0:42:01 | |
LAUGHTER | 0:42:01 | 0:42:02 | |
The fact about raising cash doesn't relate to me any more! | 0:42:02 | 0:42:06 | |
I've really enjoyed the experience, though. It's been great. | 0:42:08 | 0:42:12 | |
We spent quite a bit of time together and that's been fun | 0:42:12 | 0:42:16 | |
and we've sort of sent some of mum's things away to good homes, I think. | 0:42:16 | 0:42:21 | |
-Yeah. -So we managed to do that and it's like a tribute to her. | 0:42:21 | 0:42:25 |