Browse content similar to Gray. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Welcome to Cash In The Attic. | 0:00:02 | 0:00:04 | |
We like nothing better than finding those antiques and collectables | 0:00:04 | 0:00:07 | |
that you've tucked away collecting dust in drawers, attics, cupboards, | 0:00:07 | 0:00:12 | |
and then turning them into cash. | 0:00:12 | 0:00:14 | |
That's what I'm hoping to do today here in Wales, in a house that is stuffed full of...stuff! | 0:00:14 | 0:00:22 | |
'On Cash In The Attic, one of our finds proves a first for Paul.' | 0:00:44 | 0:00:49 | |
I've only ever actually seen this in a textbook. | 0:00:49 | 0:00:53 | |
'There's a lovely surprise for the lady of the house.' | 0:00:53 | 0:00:56 | |
-LAUGHTER -Did you know that? -Not an idea! | 0:00:56 | 0:00:59 | |
That's another "wow!" | 0:00:59 | 0:01:02 | |
'And at auction, a rare discovery results in an exciting revelation.' | 0:01:02 | 0:01:06 | |
£650...! | 0:01:06 | 0:01:09 | |
-You didn't expect that, did you? -It's amazing. | 0:01:09 | 0:01:12 | |
'Find out what it is when the hammer falls.' | 0:01:12 | 0:01:15 | |
I'm in Chepstow, where I'm about to meet a mum who'd like extra cash | 0:01:15 | 0:01:20 | |
because she's got a very special treat planned for her daughters. | 0:01:20 | 0:01:25 | |
'Since retiring from the nursing profession two years ago, | 0:01:25 | 0:01:28 | |
'Frances Gray has spent her time following another lifelong passion, | 0:01:28 | 0:01:33 | |
'singing in her local Choral Society. | 0:01:33 | 0:01:36 | |
'In 2000, her two grown-up daughters Sarah and Elena left home. | 0:01:36 | 0:01:41 | |
'So Frances downsized from an enormous property in Crick | 0:01:41 | 0:01:46 | |
'to a townhouse here in Chepstow, where she lives with her two cats. | 0:01:46 | 0:01:51 | |
'Frances now thinks that it's time to declutter her home | 0:01:51 | 0:01:56 | |
'of some of the things she's acquired over the years. | 0:01:56 | 0:01:59 | |
'With me on today's rummage is our expert Paul Hayes.' | 0:01:59 | 0:02:03 | |
-You're going to get a warm glow when you see what's inside. -Can't wait! | 0:02:03 | 0:02:08 | |
'Helping Frances is her best friend and Choral Society partner, Cynthia.' | 0:02:08 | 0:02:13 | |
-Hi! -Hello. -I see you've already started work! -How lovely to see you. | 0:02:13 | 0:02:18 | |
-Frances and Cynthia, meet Paul Hayes. -Hello, nice to meet you both. | 0:02:18 | 0:02:23 | |
-So, good stuff that we're already looking at. -It looks promising. | 0:02:23 | 0:02:28 | |
-Would you mind if I make a start? -Be lovely. I hope you find something worthwhile! | 0:02:28 | 0:02:34 | |
He can't resist! Frances, why have you called in Cash In The Attic? | 0:02:34 | 0:02:37 | |
I was hoping to get enough money to take my daughters to a spa hotel | 0:02:37 | 0:02:43 | |
for a pampering day. | 0:02:43 | 0:02:45 | |
That sounds absolutely fantastic! | 0:02:45 | 0:02:47 | |
Cynthia's going to help you today. How do you know each other? | 0:02:47 | 0:02:51 | |
We know each other through the Choral Society, | 0:02:51 | 0:02:55 | |
and other times as well, so we've become great friends. | 0:02:55 | 0:02:58 | |
You're singers! | 0:02:58 | 0:03:00 | |
We met about ten years ago and we've been singing together ever since. | 0:03:00 | 0:03:05 | |
We might get you to sing later on! | 0:03:05 | 0:03:08 | |
In the meantime, how much do you think you might like to raise? | 0:03:08 | 0:03:12 | |
Probably approaching £2,000. | 0:03:12 | 0:03:16 | |
-Wow! A really special day out at the spa, then. -Oh! | 0:03:16 | 0:03:19 | |
While he's looking around, what sort of things is he going to be finding? | 0:03:19 | 0:03:24 | |
Mostly, things I've inherited from my parents, grandparents. | 0:03:24 | 0:03:29 | |
They've come down through the family. | 0:03:29 | 0:03:31 | |
We ought to find Paul, see how he's doing. | 0:03:31 | 0:03:34 | |
Today, we could make music as well as money! | 0:03:34 | 0:03:38 | |
-Wonderful! -Let's go! | 0:03:38 | 0:03:41 | |
'£2,000 is certainly a high figure, but glancing around Frances's home | 0:03:41 | 0:03:45 | |
'I see a whole range of things that will fare well at auction.' | 0:03:45 | 0:03:49 | |
Paul, you found the family silver! | 0:03:49 | 0:03:52 | |
Yes I have. I've made a fantastic start. Look at that silver tray. | 0:03:52 | 0:03:56 | |
-What a quality item that is! -A bit of weight in it. Where is this from? | 0:03:56 | 0:04:01 | |
It was my maternal grandparents'. | 0:04:01 | 0:04:04 | |
It was presented to them on their silver wedding anniversary | 0:04:04 | 0:04:09 | |
by the Polysulphin Co Ltd, where my grandfather worked. | 0:04:09 | 0:04:14 | |
What a wonderful thing to get. | 0:04:14 | 0:04:16 | |
-Imagine that happening now! -They thought a lot of him. | 0:04:16 | 0:04:20 | |
Or a lot of the marriage. That is a very good quality tray. | 0:04:20 | 0:04:24 | |
-Did your grandmother use it? -My grandmother was very proud of it. | 0:04:24 | 0:04:29 | |
She used to serve tea to all her friends and relatives. | 0:04:29 | 0:04:35 | |
How about you? | 0:04:35 | 0:04:37 | |
I think the days of presenting one's friends | 0:04:37 | 0:04:41 | |
with tea on a silver tray are sadly gone! | 0:04:41 | 0:04:47 | |
-It's tea in a mug now and be grateful for it. -What a shame! | 0:04:47 | 0:04:51 | |
-It clearly has great value, Paul. -It is solid silver and very heavy. | 0:04:51 | 0:04:55 | |
Whoever was awarded this, it's a good quality tray. | 0:04:55 | 0:04:59 | |
Normally, these are silver plated. | 0:04:59 | 0:05:01 | |
If you'd had the matching teapot, sugar basin, the cream jug, | 0:05:01 | 0:05:05 | |
it would have been a fortune. | 0:05:05 | 0:05:07 | |
You've got to be careful with the hallmark. | 0:05:07 | 0:05:10 | |
You've got the crown for Sheffield. | 0:05:10 | 0:05:12 | |
The lion passant, meaning it's up to standard in the UK, to sell it. | 0:05:12 | 0:05:17 | |
Then you've got a date letter, S, | 0:05:17 | 0:05:19 | |
which I think is about 1935, just before this tray was presented. | 0:05:19 | 0:05:23 | |
Are you happy for it to go? | 0:05:23 | 0:05:26 | |
I ought to feel a bit sentimental about it, but I really don't. | 0:05:26 | 0:05:30 | |
They'd be wishing me well, I'm sure. | 0:05:30 | 0:05:33 | |
I see you doing this with it, Paul. You're clearly weighing it! | 0:05:33 | 0:05:37 | |
-The weight is important at the moment. -It is at the moment. | 0:05:37 | 0:05:41 | |
Silver and gold seem to be the material that people want to invest in. | 0:05:41 | 0:05:46 | |
So that tray now, you're looking at least £500, maybe up to £800. | 0:05:46 | 0:05:53 | |
Wow! Wow! | 0:05:53 | 0:05:55 | |
-What a cracker, isn't it? -That is an absolute... -Did you know that? | 0:05:55 | 0:06:00 | |
Not an idea! | 0:06:00 | 0:06:03 | |
-Fantastic, isn't it? Yeah, £500, to give it a good estimate. -Terrific! | 0:06:03 | 0:06:08 | |
'Let's hope we can keep those "wows" coming, Paul. | 0:06:08 | 0:06:12 | |
'We'd better push on with our search. | 0:06:12 | 0:06:15 | |
'These coins that I find in one of the bedrooms might help. | 0:06:15 | 0:06:20 | |
'It's a set of specimen coins from the 1930s | 0:06:20 | 0:06:23 | |
'and a coin celebrating King George V's silver jubilee. | 0:06:23 | 0:06:28 | |
'Together, Paul thinks we could get...' | 0:06:28 | 0:06:32 | |
-Look at that! -Look what I found. | 0:06:32 | 0:06:34 | |
I know it's an old one. It belonged to Frances's maternal grandfather. | 0:06:34 | 0:06:40 | |
I think it was made for him. | 0:06:40 | 0:06:42 | |
I've sat in it and I'd love to know more about it. It's beautiful. | 0:06:42 | 0:06:47 | |
You're looking probably 1900, 1910. | 0:06:47 | 0:06:50 | |
This is a type of X chair, | 0:06:50 | 0:06:52 | |
an X-frame chair, for the way that the legs go. | 0:06:52 | 0:06:56 | |
In Ancient Egypt, pharaohs used to sit on chairs very similar to this. | 0:06:56 | 0:07:01 | |
-Oh, yes. They're often pictured on those. -It's a type of throne chair. | 0:07:01 | 0:07:05 | |
The late 19th century, early 1900s, there was a great revival in these styles. | 0:07:05 | 0:07:10 | |
Part of the Arts & Crafts movement. | 0:07:10 | 0:07:13 | |
Single chairs don't sell well, but these are meant to be on their own. | 0:07:13 | 0:07:18 | |
It's showing nice patina, isn't it? The arms have been worn away. | 0:07:18 | 0:07:23 | |
The darker wood at the bottom, showing a good bit of age. | 0:07:23 | 0:07:27 | |
-And this is leather. -That's right. | 0:07:27 | 0:07:29 | |
You tend to find that these chairs incorporate one or two styles. | 0:07:29 | 0:07:33 | |
You've got the acanthus leaf from ancient Rome. | 0:07:33 | 0:07:36 | |
You've got the X shape from Egypt. | 0:07:36 | 0:07:39 | |
Lots of styles. | 0:07:39 | 0:07:41 | |
Of course the leather was a medieval British material. | 0:07:41 | 0:07:45 | |
It has this roundel at the front. Is that part of the pattern? | 0:07:45 | 0:07:51 | |
That's called a boss. That's a fake one. | 0:07:51 | 0:07:54 | |
-Some of the chairs would fold up. -Oh, I see. | 0:07:54 | 0:07:57 | |
That would act like a pivot. | 0:07:57 | 0:07:59 | |
But that one just adds a bit of character to the front. | 0:07:59 | 0:08:04 | |
All these carvings have got a lovely patina on here as well. | 0:08:04 | 0:08:08 | |
-Do you think Frances is sentimental about it? -I think she loves it. | 0:08:08 | 0:08:11 | |
But I think the time has come for her to choose other things | 0:08:11 | 0:08:15 | |
-and to have less dusting to do! -LAUGHS | 0:08:15 | 0:08:19 | |
-But it is lovely. -Yeah, it's great. It's got a lovely look to it. | 0:08:19 | 0:08:23 | |
On a good day, this should bring easily over £100. | 0:08:23 | 0:08:26 | |
-Oh, good! -If I said 80 to 120? | 0:08:26 | 0:08:28 | |
Wonderful. That would be lovely. | 0:08:28 | 0:08:31 | |
It sounds good to me. That'll add to the total. | 0:08:31 | 0:08:35 | |
'Well, tempting as that chair looks, there's no time to sit around. | 0:08:35 | 0:08:38 | |
'Frances offers up these two crystal decanters for auction. | 0:08:38 | 0:08:44 | |
'They were given to her by her grandparents.' | 0:08:44 | 0:08:47 | |
Frances, you've been living in Chepstow for about ten years. | 0:08:50 | 0:08:54 | |
What made you choose here? | 0:08:54 | 0:08:56 | |
I only lived four miles away and it just seemed obvious | 0:08:56 | 0:09:00 | |
to come to Chepstow, but I wanted a smaller house. | 0:09:00 | 0:09:04 | |
-What was the other house like? -Five bedrooms, a granny annexe, two acres of land, two ponies and a donkey. | 0:09:04 | 0:09:10 | |
They had to go once the girls had gone on to academia. | 0:09:10 | 0:09:15 | |
When you came into Chepstow, you joined the choir. | 0:09:15 | 0:09:19 | |
-Is that because you'd sung all your life? -Yes, I've always sung. | 0:09:19 | 0:09:25 | |
But not always in an orderly...sort of fashion! | 0:09:25 | 0:09:29 | |
-Cynthia, you must have been delighted. -Another alto, which was lovely! | 0:09:29 | 0:09:34 | |
We needed some new blood and Frances was most welcome. | 0:09:34 | 0:09:38 | |
She has such a lovely voice. She also fits in nicely. | 0:09:38 | 0:09:41 | |
Because she's fairly short, she goes at the front. | 0:09:41 | 0:09:45 | |
-ANGELA LAUGHS -The right voice and the right size! | 0:09:45 | 0:09:49 | |
Yes, it was an ideal opportunity. | 0:09:49 | 0:09:51 | |
-Frances, have you told your daughters what you're raising money for? -I have. | 0:09:51 | 0:09:57 | |
They are delighted. They couldn't believe it. | 0:09:57 | 0:10:00 | |
They were convinced it was going to be stair carpet! | 0:10:00 | 0:10:04 | |
So what did they say? | 0:10:04 | 0:10:06 | |
-"Wow!" -We want to put the "wow" factor into the auction. | 0:10:06 | 0:10:10 | |
Shall we see what Paul is doing and find out what we're going to take? | 0:10:10 | 0:10:15 | |
-See if he's going to manage the "wow"! -I'm sure he is. | 0:10:15 | 0:10:19 | |
'I knew we could rely on Paul. He's spotted something else of interest.' | 0:10:19 | 0:10:24 | |
-This is where he is! -Aren't these beautiful? -What lovely paintings! | 0:10:24 | 0:10:29 | |
Are these pictures that you've inherited? | 0:10:29 | 0:10:31 | |
They used to hang in my parents' hallway. | 0:10:31 | 0:10:36 | |
I believe, in grandparents' hallway as well. | 0:10:36 | 0:10:39 | |
-Right. -They're too big, really, for this house. | 0:10:39 | 0:10:42 | |
Do you have any idea of what they depict? | 0:10:42 | 0:10:45 | |
Someone told me that it was supposed to be the Welsh Highlands, | 0:10:45 | 0:10:49 | |
-North Wales somewhere. -Oh. -What do you make of them, Paul? | 0:10:49 | 0:10:53 | |
I actually suspect they'd be Scottish. | 0:10:53 | 0:10:56 | |
Leader, that would be Charles Leader. | 0:10:56 | 0:10:59 | |
He was a very famous artist working in the late 19th century. | 0:10:59 | 0:11:02 | |
-He was doing Scottish scenes. -I thought they were Scottish! | 0:11:02 | 0:11:07 | |
I can't remember who told me that they were Welsh. | 0:11:07 | 0:11:11 | |
They look like Highland cattle. They've got thumping great horns. | 0:11:11 | 0:11:15 | |
-There is Highland cattle. -Let's say they're Scottish, then! | 0:11:15 | 0:11:19 | |
There's a couple of reasons, really, why they are. | 0:11:19 | 0:11:23 | |
You've got the Scottish cattle, but Queen Victoria | 0:11:23 | 0:11:26 | |
set her base in Balmoral so anything Scottish was the height of fashion. | 0:11:26 | 0:11:30 | |
Lots of artists would go up and capture these wonderful scenes. | 0:11:30 | 0:11:36 | |
They can range from being pretty awful to being fantastic. | 0:11:36 | 0:11:40 | |
These are very well painted indeed. | 0:11:40 | 0:11:43 | |
What I love about his work is the use of perspective. | 0:11:43 | 0:11:47 | |
You can melt into the distance. | 0:11:47 | 0:11:49 | |
That's really clever, how the artist has put this lighter background | 0:11:49 | 0:11:53 | |
to give the appearance of distance. | 0:11:53 | 0:11:55 | |
That is a real talent. You don't get that with an average artist. | 0:11:55 | 0:12:00 | |
These frames don't look right. | 0:12:00 | 0:12:02 | |
The period Charles Leader was painting, the late 19th century, | 0:12:02 | 0:12:07 | |
would have been highly elaborate, the Victorians are very fussy. | 0:12:07 | 0:12:11 | |
I think they're a bit later than the paintings. | 0:12:11 | 0:12:14 | |
The frames are about 1900. | 0:12:14 | 0:12:16 | |
-The paintings anywhere from 1860 to 1900. -Is he collectable? | 0:12:16 | 0:12:21 | |
His paintings regularly bring between £400 and £700 each. | 0:12:21 | 0:12:26 | |
You've got a lovely pair here. | 0:12:26 | 0:12:28 | |
I'd love to put these in between 800 and 1,000. | 0:12:28 | 0:12:32 | |
-How does that sound? -Fantastic! | 0:12:32 | 0:12:35 | |
-All right? -I meant to "wow" again! | 0:12:35 | 0:12:38 | |
'Let's see how close to the mark Paul's estimate turns out to be.' | 0:12:38 | 0:12:42 | |
Who'll put me in at £800 for these? £600? | 0:12:42 | 0:12:45 | |
'And we won't have to wait long to find out. | 0:12:45 | 0:12:49 | |
'Frances's home has a large collection of books and sheet music | 0:12:50 | 0:12:54 | |
'that highlights her passion for song. | 0:12:54 | 0:12:56 | |
'Apparently, her daughters Sarah and Elena are musical, too. | 0:12:56 | 0:13:00 | |
'Cynthia discovered this musical cabinet that the family used to keep sheet music in. | 0:13:00 | 0:13:06 | |
'Frances thinks that it's time to let this go. | 0:13:06 | 0:13:10 | |
'Paul's either dismantling the furniture, | 0:13:12 | 0:13:16 | |
'or he's spotted something that we might take to auction.' | 0:13:16 | 0:13:20 | |
-Place your bets now, Frances. -You've found the games table! | 0:13:21 | 0:13:25 | |
This is fantastic, isn't it? | 0:13:25 | 0:13:29 | |
Red number three. I've lost all my money! | 0:13:29 | 0:13:32 | |
I lost a fortune. | 0:13:32 | 0:13:34 | |
This was a complete surprise. It looks like an ordinary table. | 0:13:34 | 0:13:38 | |
Where has this come from? | 0:13:38 | 0:13:41 | |
It's been in my family as long as I can remember. | 0:13:41 | 0:13:44 | |
I don't know where my parents got it from. Probably grandparents. | 0:13:44 | 0:13:48 | |
-I don't know which side of the family. -Did you ever use it? | 0:13:48 | 0:13:52 | |
-Never been used! -Really? -I don't think my parents used it. | 0:13:52 | 0:13:56 | |
They had another card table. | 0:13:56 | 0:13:58 | |
So they didn't use this. I've got a card table so I don't use it as a card table. | 0:13:58 | 0:14:04 | |
If I'd had sons instead of daughters, | 0:14:04 | 0:14:08 | |
we might have used it. | 0:14:08 | 0:14:10 | |
There's a game for everybody. It's a compendium. | 0:14:10 | 0:14:13 | |
There's two checkerboards - one for draughts, one for chess. | 0:14:13 | 0:14:18 | |
Inside, we've got the card table and the roulette betting board. | 0:14:18 | 0:14:22 | |
What great fun! | 0:14:22 | 0:14:24 | |
And not a bad looking piece of furniture, either. | 0:14:24 | 0:14:29 | |
It looks fairly recent. This was maybe 1900, 1920, that sort of time. | 0:14:29 | 0:14:34 | |
The golden age, really, for the card table was the 18th century. | 0:14:34 | 0:14:38 | |
If you lived in a very large house, | 0:14:38 | 0:14:41 | |
you'd have half a dozen games tables. | 0:14:41 | 0:14:45 | |
You'd all gather round on a weekend and play your cards. | 0:14:45 | 0:14:49 | |
But as time progressed, | 0:14:49 | 0:14:51 | |
the casino became more available, things like roulette appeared. | 0:14:51 | 0:14:56 | |
They've all got something in. | 0:14:56 | 0:14:59 | |
-It's a ready-made starter kit for somebody interested in games. -Yes. | 0:14:59 | 0:15:03 | |
If you look at the front, | 0:15:03 | 0:15:06 | |
it's made from oak, but the way it's done | 0:15:06 | 0:15:09 | |
is quarter veneering. | 0:15:09 | 0:15:11 | |
The same piece of veneer is transferred and put either side, | 0:15:11 | 0:15:15 | |
so you get this wonderful diamond or herringbone effect. | 0:15:15 | 0:15:19 | |
That's typically 1900, 1920. That helps to age it. | 0:15:19 | 0:15:23 | |
How do you feel about parting with it? | 0:15:23 | 0:15:26 | |
It might as well go to somebody who's going to make use of it. | 0:15:26 | 0:15:31 | |
These are good fun items for people to enjoy without gambling large amounts of money. | 0:15:31 | 0:15:37 | |
-It's fun, that's the idea. -Yes. | 0:15:37 | 0:15:39 | |
It's a nice light colour, which fits in with the modern look. | 0:15:39 | 0:15:43 | |
It's not too dark. Needs a bit of work on the legs. | 0:15:43 | 0:15:47 | |
-What's happened there? -I know. I think the bits are in the... | 0:15:47 | 0:15:52 | |
-That would help tremendously. It looks like they've been cut off. -No. | 0:15:52 | 0:15:57 | |
My mother had someone who helped her in the house and she was a bit heavy handed with the hoover. | 0:15:57 | 0:16:03 | |
-Did she use a sledgehammer? -LAUGHS | 0:16:03 | 0:16:06 | |
-"Oooh!" -She must have done! | 0:16:06 | 0:16:08 | |
Joking apart, it's a lovely table. | 0:16:08 | 0:16:11 | |
In great condition, you could be towards the 500 mark here. | 0:16:11 | 0:16:15 | |
The legs need a bit of restoration, | 0:16:15 | 0:16:18 | |
a bit of tender loving care to be brought back to life... | 0:16:18 | 0:16:23 | |
-..Is that a safe bet? -Yes! Sounds wonderful. | 0:16:26 | 0:16:29 | |
'We're over halfway through our rummage and going by Paul's lower estimates, | 0:16:29 | 0:16:35 | |
'so far, we could raise as much as £1,850. | 0:16:35 | 0:16:39 | |
'Cynthia notices this decorative paperweight. | 0:16:39 | 0:16:43 | |
'It belonged to Frances's grandmother...' | 0:16:43 | 0:16:45 | |
Frances, so many things you've inherited from grandparents. | 0:16:48 | 0:16:52 | |
You were particularly close to one set of grandparents? | 0:16:52 | 0:16:57 | |
My father's parents, yes, paternal grandparents. | 0:16:57 | 0:17:01 | |
When the war came - and I was born in 1938 - | 0:17:01 | 0:17:06 | |
the two elder ones had already gone to my maternal grandparents. | 0:17:06 | 0:17:11 | |
It got to the stage of, "What shall we do with Frances?" | 0:17:11 | 0:17:15 | |
Then I was evacuated to the other grandparents in Clevedon. | 0:17:15 | 0:17:21 | |
You went on to train as a nurse. You became, not just a nurse. | 0:17:21 | 0:17:25 | |
You were a midwife and a district nurse and then went into the navy. | 0:17:25 | 0:17:29 | |
-What made you make that career choice? -My brother-in-law said, "Apply to the navy. | 0:17:29 | 0:17:35 | |
"And when you go, don't forget to wear a hat!" | 0:17:35 | 0:17:39 | |
You used to wear those wonderful big nursing caps the naval nurses wore. | 0:17:39 | 0:17:44 | |
Came out here, didn't they? | 0:17:44 | 0:17:47 | |
It was not the done thing to go unhatted. | 0:17:47 | 0:17:50 | |
But I got in and then I met and married a surgeon lieutenant. | 0:17:50 | 0:17:57 | |
-Neither of your daughters have followed you into nursing. -No. | 0:17:57 | 0:18:01 | |
I think, really, when the time came, | 0:18:01 | 0:18:05 | |
my option to go into nursing was because my father was a doctor | 0:18:05 | 0:18:10 | |
and I felt I would like to become a nurse. | 0:18:10 | 0:18:14 | |
Do they not want any of the things you're taking to auction? | 0:18:14 | 0:18:17 | |
Both of them said, "No. | 0:18:17 | 0:18:19 | |
"If it can help make you happier | 0:18:19 | 0:18:22 | |
"and more comfortable in the house you live in, so be it." | 0:18:22 | 0:18:28 | |
-They may not want the items, but they want to go to the spa. -Indeed, they do! They can't wait. | 0:18:28 | 0:18:35 | |
-We ought to go and find Paul and see how he's doing. -Wonderful. -After you. | 0:18:35 | 0:18:40 | |
'Whilst we've been chatting, Paul has been all around the house | 0:18:40 | 0:18:44 | |
'looking for other items to sell. | 0:18:44 | 0:18:46 | |
'Amongst his discoveries, this set of Chester silver apostle spoons | 0:18:46 | 0:18:50 | |
'Frances bought some years ago. | 0:18:50 | 0:18:52 | |
'The spoons date to 1896 and come with sugar tongs. | 0:18:52 | 0:18:56 | |
'Complete with their original box, Paul thinks...' | 0:18:56 | 0:19:00 | |
-Paul, what about this? -Ah! Now, let's have a look! | 0:19:03 | 0:19:07 | |
-Look at that, a map of Somersetshire. -Isn't that a beauty? | 0:19:07 | 0:19:13 | |
I know a little about it. | 0:19:13 | 0:19:15 | |
-OK. -It was bought by Frances's parents. | 0:19:15 | 0:19:19 | |
Her mother and father met at university in Bristol. | 0:19:19 | 0:19:23 | |
Father was born in Clevedon, mother in Bristol. | 0:19:23 | 0:19:26 | |
When they moved to Oxfordshire, they took this as a souvenir. | 0:19:26 | 0:19:30 | |
Part of the charm with these maps | 0:19:30 | 0:19:32 | |
is seeing which village was around in the 18th century or earlier. | 0:19:32 | 0:19:38 | |
You can see your town, if it existed at all! | 0:19:38 | 0:19:41 | |
-Some of those names on there are amazing. -That's right. | 0:19:41 | 0:19:45 | |
You've got one of Britain's best known cartographers, John Cary. | 0:19:45 | 0:19:51 | |
The Cary family were world-renowned for making wonderful maps. | 0:19:51 | 0:19:55 | |
They also made globes that you find in libraries, | 0:19:55 | 0:19:58 | |
terrestrial and celestial globes. | 0:19:58 | 0:20:00 | |
What was unique about the Cary is that they were extremely accurate | 0:20:00 | 0:20:05 | |
-and that they didn't incorporate religious effigies. -Right. | 0:20:05 | 0:20:11 | |
Before the Carys came along, you'd have huge illustrations, | 0:20:11 | 0:20:15 | |
gods and everything round it. | 0:20:15 | 0:20:17 | |
-This is very plain, very simple, very precise. -Fashionable. | 0:20:17 | 0:20:22 | |
It became the standard of its day. Quite simple, isn't it? | 0:20:22 | 0:20:26 | |
Yes, in some ways, but detailed. So many things on there. | 0:20:26 | 0:20:30 | |
And they're all hand-coloured, which is nice. | 0:20:30 | 0:20:33 | |
This would have been a book from the late 19th century. | 0:20:33 | 0:20:37 | |
-It would have had the whole British Isles. -Oh, they've taken pages out. | 0:20:37 | 0:20:42 | |
-Would Frances be all right letting that go? -She probably would. | 0:20:42 | 0:20:46 | |
It's one thing that you may need to check with her, but I'm pretty sure she would let that go. | 0:20:46 | 0:20:52 | |
OK. It won't take up a lot of room. I think it's quite nice. | 0:20:52 | 0:20:56 | |
If I said £40 to £70, | 0:20:56 | 0:20:59 | |
-how does that sound? -That sounds good. | 0:20:59 | 0:21:03 | |
Might get us on the map as well! | 0:21:03 | 0:21:05 | |
-THEY LAUGH -It might do. -Let's keep looking. | 0:21:05 | 0:21:08 | |
'Paul, your determination to deliver a pun for every occasion is... | 0:21:08 | 0:21:13 | |
'almost impressive. | 0:21:13 | 0:21:15 | |
'Some nooks and crannies are easier to get into than others. | 0:21:15 | 0:21:20 | |
'Paul has discovered more silver. | 0:21:20 | 0:21:23 | |
'Not quite as grand as the tray, | 0:21:23 | 0:21:25 | |
'but this silver-plated teapot, jug and sugar bowl should add... | 0:21:25 | 0:21:29 | |
'They belonged to Frances's mother, | 0:21:32 | 0:21:35 | |
'who added a silver-plated pot for holding the hot water.' | 0:21:35 | 0:21:41 | |
-Paul, what do you think of...? -These are Royal Doulton figurines. | 0:21:41 | 0:21:46 | |
-Where are these from? -Inherited from my maternal grandmother. -Right. | 0:21:46 | 0:21:51 | |
Doulton figures are highly collected. | 0:21:51 | 0:21:54 | |
It depends on the characters. | 0:21:54 | 0:21:56 | |
The funny thing is, the ones that didn't sell in huge numbers, | 0:21:56 | 0:22:00 | |
ones that weren't popular, tend to be ones that collectors go for now. | 0:22:00 | 0:22:05 | |
I did notice that this one here has been broken at some point. | 0:22:05 | 0:22:09 | |
That makes a big difference for collectors. | 0:22:09 | 0:22:12 | |
That one, pretty run-of-the-mill. This one is quite special. | 0:22:12 | 0:22:16 | |
This is fabulous. Look at the colours. Where did he come from? | 0:22:16 | 0:22:21 | |
Again, same place. He was inherited from my grandmother. | 0:22:21 | 0:22:25 | |
-I don't think he's got anything wrong with him. -No, he's perfect. | 0:22:25 | 0:22:30 | |
-Do you know the character? -Underneath he says One Of The Forty. | 0:22:30 | 0:22:34 | |
I would put him as one of the 40 thieves from Alibaba. | 0:22:34 | 0:22:38 | |
From 1001 Arabian Nights. | 0:22:38 | 0:22:40 | |
This is such a rare thing that Royal Doulton did. | 0:22:40 | 0:22:45 | |
One of the major designers for Royal Doulton was Harry Tittensor. | 0:22:45 | 0:22:50 | |
He did these wonderful glazes. | 0:22:50 | 0:22:52 | |
Oriental pottery and porcelain often had this mottled effect, | 0:22:52 | 0:22:57 | |
caused by hundreds of years of natural build-up of oils | 0:22:57 | 0:23:01 | |
and the way the ceramic goes. | 0:23:01 | 0:23:03 | |
They tried to recreate it and called it a Chang glaze. | 0:23:03 | 0:23:08 | |
This glaze is one of the rarest things that Royal Doulton did. | 0:23:08 | 0:23:13 | |
Not many have survived. I've only ever seen this in a textbook. | 0:23:13 | 0:23:17 | |
-Have you any idea how much these are worth? -Not at all. | 0:23:17 | 0:23:21 | |
Right, I think I might surprise you. Angela! Cynthia! | 0:23:21 | 0:23:24 | |
I've found some Doulton figures. | 0:23:24 | 0:23:26 | |
We see quite a lot of those, don't we? | 0:23:26 | 0:23:29 | |
You've never seen one like this. | 0:23:29 | 0:23:32 | |
-We're going from purple up to... It looks like a sunset! -Glorious! | 0:23:32 | 0:23:37 | |
That's very rare indeed. You've cracked it. | 0:23:37 | 0:23:41 | |
You've got a fantastic thing here. Falstaff is a little bit damaged. | 0:23:41 | 0:23:45 | |
-He would bring around the £50 mark. -Tell us the good news about this. | 0:23:45 | 0:23:51 | |
This one is such a rare item. It really is. | 0:23:51 | 0:23:54 | |
It's an absolute cracker. | 0:23:54 | 0:23:56 | |
You could be looking...£300, £400 for this one on its own. | 0:23:56 | 0:24:01 | |
-LAUGHTER -That's nice. | 0:24:01 | 0:24:03 | |
I've never seen one sold. | 0:24:03 | 0:24:05 | |
I've only seen these illustrated in catalogues and Doulton price guides. | 0:24:05 | 0:24:10 | |
-That's super! -Oh, my goodness! | 0:24:10 | 0:24:12 | |
-Oh, my goodness! -Fantastic. If I said at least £400 for these two, | 0:24:12 | 0:24:17 | |
we're plain sailing. | 0:24:17 | 0:24:19 | |
-It's a "wow"! -A definite "wow"! -All I can say nowadays is "wow"! | 0:24:19 | 0:24:24 | |
We might get another "wow" in a moment. | 0:24:24 | 0:24:27 | |
-You want to raise £2,000. -Yes. | 0:24:27 | 0:24:30 | |
Well, we should be able to raise, taking Paul's lowest estimate on everything, | 0:24:30 | 0:24:36 | |
£2,410! | 0:24:36 | 0:24:38 | |
Oh, my golly! | 0:24:38 | 0:24:40 | |
Wow! | 0:24:40 | 0:24:42 | |
-You can have two days at the spa! -And a holiday! -There you go! | 0:24:42 | 0:24:47 | |
'That's a truly impressive total we've made at Frances's home. | 0:24:50 | 0:24:54 | |
'I think we're in with a good chance of booking that luxury spa. | 0:24:54 | 0:24:58 | |
'Amongst today's finds, the solid silver tray with a weighty estimate. | 0:24:58 | 0:25:05 | |
'Those two oils by British artist Charles Leader | 0:25:05 | 0:25:09 | |
'depict some magnificent Scottish Highlands scenes. | 0:25:09 | 0:25:15 | |
'And, of course, we've got those lovely Royal Doulton figurines. | 0:25:15 | 0:25:19 | |
'There's Falstaff and one of the 40 thieves from Alibaba. | 0:25:19 | 0:25:24 | |
'Let's hope that the bidders are as enthusiastic as Paul. | 0:25:24 | 0:25:29 | |
'Still to come, will the bidders go for all of our stunning lots?' | 0:25:33 | 0:25:37 | |
Any more? It sells at £15... | 0:25:37 | 0:25:40 | |
-There you go. -It's not your fault. | 0:25:40 | 0:25:43 | |
'And which of Frances's items exceeds everyone expectations?' | 0:25:43 | 0:25:48 | |
£300... | 0:25:48 | 0:25:50 | |
Wow! | 0:25:50 | 0:25:51 | |
-Fantastic! -It's lunch on me, then! | 0:25:51 | 0:25:54 | |
'Be there for the final drop of the gavel.' | 0:25:56 | 0:25:59 | |
It's been a week or two since we were with the Gray family in Chepstow. | 0:26:03 | 0:26:08 | |
They had some lovely items, so I can't wait to see what today's bidders are going to make of them. | 0:26:08 | 0:26:14 | |
We brought everything here to the Welsh town of Carmarthen, | 0:26:14 | 0:26:18 | |
to the Peter Francis auction room. | 0:26:18 | 0:26:20 | |
Let's hope there are some serious bidders around today. | 0:26:20 | 0:26:24 | |
'Frances has got quite a variety of items with her today. | 0:26:24 | 0:26:28 | |
'We're especially excited to see how much that silver tray will fetch.' | 0:26:28 | 0:26:31 | |
-Frances, lovely to see you again. Who have you got with you? -Elena. | 0:26:31 | 0:26:36 | |
My daughter who wasn't well on the day. | 0:26:36 | 0:26:38 | |
You've been hearing about your ancestors? | 0:26:38 | 0:26:42 | |
I have. My great-grandparents, I believe. You've been telling me about the history behind it. | 0:26:42 | 0:26:48 | |
-You didn't know much about them before? -Not at all, so a real learning curve! | 0:26:48 | 0:26:54 | |
This, we know we're going to sell. | 0:26:54 | 0:26:56 | |
-Silver is fetching such a high price, Paul. -There's two values. | 0:26:56 | 0:27:01 | |
The value for its silver content, which is very high. All metals are. | 0:27:01 | 0:27:06 | |
Then you've got the value as a nice intrinsic tray. You've got no problem with that at all. | 0:27:06 | 0:27:12 | |
-You've got a fixed reserve on the paintings. -£1,000 on them. | 0:27:12 | 0:27:17 | |
-And 400 on the Arab. -I've had a chat to the auctioneer. | 0:27:17 | 0:27:21 | |
He's advertised it on three different websites. | 0:27:21 | 0:27:25 | |
You've got a good chance of a good price. We put £400 reserve on it. | 0:27:25 | 0:27:29 | |
Look out for the guy with the magic carpet. | 0:27:29 | 0:27:32 | |
'It sounds like the auctioneer's using some pretty hefty sound gear. | 0:27:32 | 0:27:37 | |
'We'll have to concentrate to hear ourselves. | 0:27:37 | 0:27:41 | |
'First up is that pair of fetching decanters that Frances got from her grandmother.' | 0:27:41 | 0:27:46 | |
People don't put booze in them any more. | 0:27:46 | 0:27:50 | |
I did have booze in them but we drank it! | 0:27:50 | 0:27:53 | |
There they go at 30. 35 is with me. At 35. | 0:27:55 | 0:27:58 | |
40 at the very back. 45. | 0:27:58 | 0:28:01 | |
-AUCTIONEER LOUDLY ON SPEAKER: -Standing at the back at £50. | 0:28:01 | 0:28:05 | |
They go in the room at 50. Is there no more? Going at £50... | 0:28:05 | 0:28:09 | |
-That's disappointing. -Mm. Very. | 0:28:09 | 0:28:12 | |
That's the way that things go now. | 0:28:12 | 0:28:15 | |
-We've seen beautiful crystal decanters go for even less. -Yes. | 0:28:15 | 0:28:20 | |
'Crystal decanters weren't in fashion with our bidders. | 0:28:20 | 0:28:23 | |
'Maybe we should have left some spirit inside them! | 0:28:23 | 0:28:27 | |
'However, we have all got high hopes for our next lot. | 0:28:27 | 0:28:31 | |
'The auctioneer split these into separate lots | 0:28:31 | 0:28:34 | |
'to maximise their potential.' | 0:28:34 | 0:28:36 | |
Our rarity coming up, | 0:28:36 | 0:28:38 | |
this wonderful Royal Doulton "china figure of an Arab, One Of The Forty". | 0:28:38 | 0:28:44 | |
One of the 40 thieves! He is rather special. He was rather special in your house. | 0:28:44 | 0:28:49 | |
I didn't realise how special he was until Paul came and valued him. | 0:28:49 | 0:28:55 | |
Ordinary Doulton figures have been selling for £10 or £20. | 0:28:55 | 0:28:59 | |
A couple of rarities for £140, so there are Doulton buyers here. | 0:28:59 | 0:29:03 | |
With a bit of luck, someone will pick up on this. | 0:29:03 | 0:29:07 | |
I can start the bidding at 300. 350 with me. | 0:29:07 | 0:29:10 | |
350! There you go. | 0:29:10 | 0:29:12 | |
400. 450. 500. | 0:29:12 | 0:29:15 | |
550. 600. | 0:29:15 | 0:29:18 | |
And 50. 650. | 0:29:18 | 0:29:20 | |
On the book at £650. Selling with me at 650. Any more? | 0:29:20 | 0:29:24 | |
At £650... | 0:29:24 | 0:29:27 | |
LAUGHING: Fantastic! | 0:29:27 | 0:29:30 | |
-How's that? -650? | 0:29:30 | 0:29:33 | |
-You didn't expect that, did you? -Amazing! | 0:29:33 | 0:29:36 | |
'I don't think any of us saw that coming. | 0:29:38 | 0:29:42 | |
'I bet Frances wishes she could lay her hands on the other 39 thieves! | 0:29:42 | 0:29:46 | |
'Not quite as rare is the Falstaff figure, | 0:29:46 | 0:29:49 | |
'who only manages to make £40, but Frances is happy with the result.' | 0:29:49 | 0:29:53 | |
That's a good "wow"! | 0:29:53 | 0:29:55 | |
'Now, we're not quite sure as to the make of this fetching paperweight, | 0:29:57 | 0:30:03 | |
'but Paul reckons it's an item of good quality.' | 0:30:03 | 0:30:06 | |
Lots of the glass-makers would put hidden symbols in the cane work. | 0:30:06 | 0:30:11 | |
-Right. -You'd get little a horse or little animal. | 0:30:11 | 0:30:14 | |
I can't see anything in it at all. | 0:30:14 | 0:30:17 | |
We can say possibly Baccarat but we can't say for definite. | 0:30:17 | 0:30:21 | |
Two bidders here with me. At 100. 110 I'm bid. | 0:30:21 | 0:30:24 | |
Before we even start! | 0:30:24 | 0:30:27 | |
At 110. 120. 130. | 0:30:27 | 0:30:30 | |
£130 on the book. 130. At £130... | 0:30:30 | 0:30:36 | |
-Wow! -Wow! -Crikey! | 0:30:36 | 0:30:38 | |
-LAUGHTER -Brilliant. | 0:30:38 | 0:30:40 | |
-Grandfather would have been proud of that, wouldn't he? -He would. | 0:30:40 | 0:30:44 | |
'The absence of a maker's name didn't put our buyers off at all! | 0:30:44 | 0:30:50 | |
'That was well over Paul's lower estimate. Tea's up!' | 0:30:50 | 0:30:54 | |
My mother used to use it a lot and when she put it away, | 0:30:54 | 0:30:59 | |
she used to put a sugar lump inside the teapot to keep it sweet. | 0:30:59 | 0:31:05 | |
They also put it in there to stop the thing corroding inside. | 0:31:05 | 0:31:10 | |
-What the sugar cube does is absorb all the moisture. -There you go. | 0:31:10 | 0:31:16 | |
A nice set, but only restaurants and hotels tend to use these nowadays. | 0:31:16 | 0:31:21 | |
£30 away on that? 30, surely? 20 to go, then? At ten only. | 0:31:21 | 0:31:26 | |
15. At 15. 20 may I say? 20 on the back row. | 0:31:26 | 0:31:29 | |
At £20. Selling it in the room. Is there no more? | 0:31:29 | 0:31:33 | |
-Going at £20... -BANGS GAVEL | 0:31:33 | 0:31:36 | |
-It's not everyone's cup of tea! -ANGELA LAUGHS | 0:31:36 | 0:31:40 | |
'Our silver plated wares may not have proved successful, | 0:31:40 | 0:31:45 | |
'but this tray is solid silver, weighing more than 40 ounces.' | 0:31:45 | 0:31:50 | |
-It's an important piece of your family history, Elena. -Yeah. | 0:31:52 | 0:31:56 | |
It was given to my great-grandfather by the company that he worked for, | 0:31:56 | 0:32:00 | |
so strong family history there. | 0:32:00 | 0:32:03 | |
42 ounces, so we know it's going to make between £500 and £800. | 0:32:03 | 0:32:08 | |
A couple of years ago, this would have brought £300, £350. | 0:32:08 | 0:32:13 | |
500 to put me in? 300. 320 I've got. 350. 380. 400. | 0:32:13 | 0:32:18 | |
-400. -420. 450. 480. 500. | 0:32:18 | 0:32:23 | |
£500 sitting on the back row. 520 standing. All in the room. 550. | 0:32:23 | 0:32:27 | |
580. 580 now, the gentleman's bid. Against you, madam, at 580. | 0:32:27 | 0:32:33 | |
Selling to the gentleman at 580. Here it goes. £580... | 0:32:33 | 0:32:37 | |
-Wow! -Wow! -Terrific, yes? | 0:32:37 | 0:32:40 | |
FRANCES LAUGHS | 0:32:40 | 0:32:42 | |
'That proves that with the current price of silver being strong, | 0:32:42 | 0:32:46 | |
'it was a good time for Frances to sell.' | 0:32:46 | 0:32:49 | |
-These little apostle teaspoons were very popular at one time. -Yeah. | 0:32:49 | 0:32:55 | |
People tend to give items like this for a silver wedding anniversary, for 25 years. | 0:32:55 | 0:33:01 | |
When you've got something boxed, mint condition, it's nice to give. | 0:33:01 | 0:33:05 | |
At 20 only. At 20 only bid. 25. At 25 on the back row. | 0:33:05 | 0:33:09 | |
30 is it? 30 standing. 35 in the second row. | 0:33:09 | 0:33:13 | |
At 35. 40 still there in the middle. | 0:33:13 | 0:33:15 | |
-45 fresh blood on the left. At 50 in the centre aisle... -Going up. | 0:33:15 | 0:33:19 | |
..60. 65. | 0:33:19 | 0:33:22 | |
70. 75. | 0:33:22 | 0:33:24 | |
80. At £80 in the centre aisle. All done...? | 0:33:24 | 0:33:27 | |
-That really is a fantastic price. -..At £80...! | 0:33:27 | 0:33:31 | |
-That was a surprising price. -Yeah. Very, very good. -That was excellent. | 0:33:31 | 0:33:37 | |
'Another good result for Frances's silver. | 0:33:37 | 0:33:40 | |
'Now that we're halfway through our auction, it might be worth totting up how we're doing.' | 0:33:40 | 0:33:47 | |
-2,000, that's your target for your very special day out. -Yes. | 0:33:47 | 0:33:50 | |
We're only at the halfway stage and so far, you've made... | 0:33:50 | 0:33:56 | |
-£1,550. -Wow! | 0:33:56 | 0:33:58 | |
PAUL CHUCKLES | 0:33:58 | 0:34:01 | |
That's incredible. | 0:34:01 | 0:34:03 | |
'Things are looking good for Frances's target for £2,000. | 0:34:03 | 0:34:07 | |
'She wants to treat herself and her daughters to a spa pampering session. | 0:34:07 | 0:34:13 | |
'If you've got items you think might sell at auction, remember that fees such as commission will be added. | 0:34:13 | 0:34:19 | |
'It is best to check with your auction house. | 0:34:19 | 0:34:23 | |
'Frances's next lot is that coin collection that I found.' | 0:34:23 | 0:34:27 | |
There are lots of coins and medals here and they've been doing well. | 0:34:27 | 0:34:32 | |
There are coin dealers and collectors here. | 0:34:32 | 0:34:35 | |
The set you've got is a proof set which celebrated the coronation | 0:34:35 | 0:34:40 | |
of George VI in 1937. | 0:34:40 | 0:34:42 | |
-Let's see how we get on. -£50 away? | 0:34:42 | 0:34:45 | |
50 I'm bid straightaway on the right. 60. | 0:34:45 | 0:34:48 | |
-70. 80. 90. 100. -Hands everywhere! | 0:34:48 | 0:34:51 | |
Ten. 20. 130. 140. | 0:34:51 | 0:34:56 | |
-150. -Wow! -160. 170. 180. | 0:34:56 | 0:34:59 | |
190. 200. 220. | 0:34:59 | 0:35:02 | |
-Wow! -Against you, madam. 240. 260. | 0:35:02 | 0:35:06 | |
280, fresh blood in two places. | 0:35:06 | 0:35:08 | |
300, I've taken. | 0:35:08 | 0:35:10 | |
300 with you, holding the catalogue. Fresh blood at the last minute. | 0:35:10 | 0:35:14 | |
Selling at £300... | 0:35:14 | 0:35:17 | |
-Wow! -Fantastic! | 0:35:17 | 0:35:19 | |
It's lunch on me, then! LAUGHTER | 0:35:19 | 0:35:23 | |
'Another spectacular result. | 0:35:23 | 0:35:25 | |
'Coin collecting is big business and Paul was right about today's crowd, | 0:35:25 | 0:35:29 | |
'in that it might include collectors. | 0:35:29 | 0:35:33 | |
'Next, a map that Frances is pretty sure belonged to her mother. | 0:35:33 | 0:35:37 | |
'Published by the English cartographer John Cary, | 0:35:37 | 0:35:41 | |
'it dates back to the early 19th century.' | 0:35:41 | 0:35:44 | |
I like this. It's a nice small map. | 0:35:44 | 0:35:47 | |
Normally, the maps are massive size. | 0:35:47 | 0:35:49 | |
Very old, interesting item. Do you know who lived in Somerset? | 0:35:49 | 0:35:54 | |
Both my parents were born in Somerset, in Clevedon. | 0:35:54 | 0:35:58 | |
This was a particular favourite of my father's. | 0:35:58 | 0:36:02 | |
What's that worth? £30, away? 30 for that, surely? | 0:36:02 | 0:36:06 | |
Ten to get on, then. A little map of Somerset. Ten for the map. | 0:36:06 | 0:36:10 | |
Five, as bad as that! Eight on the right. | 0:36:10 | 0:36:13 | |
Ten. 12 for you, sir? 12. | 0:36:13 | 0:36:15 | |
15? 15. 18? At 15, the lady's bid on the back row. | 0:36:15 | 0:36:19 | |
-18 may I say? Any more? It sells at £15... -Sorry. | 0:36:19 | 0:36:24 | |
-There you go. -It's not your fault! | 0:36:24 | 0:36:27 | |
-It's all those people from Somerset! -Who aren't here! -Yes! | 0:36:27 | 0:36:32 | |
'We were a bit out with that result, but at least the £15 | 0:36:32 | 0:36:36 | |
'takes us closer to our £2,000 target. | 0:36:36 | 0:36:40 | |
'These two Charles Leader oils were estimated by Paul at £800 to £1,000. | 0:36:40 | 0:36:44 | |
'Frances has decided to put a fixed reserve of £1,000 on the pair.' | 0:36:44 | 0:36:49 | |
Paul, explain the difference between a fixed reserve | 0:36:49 | 0:36:53 | |
and a reserve at the auctioneer's discretion. | 0:36:53 | 0:36:56 | |
Both come up from time to time in the programme. | 0:36:56 | 0:36:59 | |
A discretionary reserve means that the auctioneer uses his discretion. | 0:36:59 | 0:37:03 | |
Say you had £1,000 and it reaches 800, 850, | 0:37:03 | 0:37:07 | |
he thinks that's a reasonable price and something you'd be happy with, | 0:37:07 | 0:37:11 | |
he uses his discretion, lets it go. | 0:37:11 | 0:37:14 | |
A fixed reserve means it has to fetch exactly what you want for it. | 0:37:14 | 0:37:18 | |
In your case, if it went for £999, he won't sell it. But let's see. | 0:37:18 | 0:37:23 | |
Who'll put me in at £800 for these? £800 for these? | 0:37:23 | 0:37:27 | |
-600 to put me in, then? -Doesn't look like it, does it? -600? | 0:37:27 | 0:37:31 | |
-No. -We'll leave those to another day, ladies and gentlemen. | 0:37:31 | 0:37:34 | |
It would have been terrible to have let them go for 600 or even less. | 0:37:34 | 0:37:39 | |
-You were right to put your reserve on it. -Yes. -Absolutely. | 0:37:39 | 0:37:43 | |
'At least they'll get to enjoy those canvases for a while longer. | 0:37:43 | 0:37:48 | |
'Frances has also put a reserve of £100 on the games table, | 0:37:48 | 0:37:52 | |
'but we're looking for more, | 0:37:52 | 0:37:55 | |
'so let's hope these bidders are up for a gamble.' | 0:37:55 | 0:37:59 | |
This is one of my favourite items, a great useable piece of furniture. | 0:37:59 | 0:38:03 | |
That fantastic games table. It's got chequers. | 0:38:03 | 0:38:06 | |
It's got draughts. It's got roulette. | 0:38:06 | 0:38:09 | |
Is this something that you've ever played with? | 0:38:09 | 0:38:13 | |
I haven't, but I really like it. | 0:38:13 | 0:38:15 | |
It's something I'm going to be really sad to see go, actually. | 0:38:15 | 0:38:19 | |
150 for the games table? Surely? | 0:38:19 | 0:38:22 | |
100 to put me in, the games table. 100? 50 to start me? There it is. | 0:38:22 | 0:38:27 | |
-50 I'm bid. -No. -60 down here on the front. | 0:38:27 | 0:38:30 | |
70 at the very back. 80. 90? | 0:38:30 | 0:38:33 | |
80 standing at the front here. Against you at the back. £80 only. | 0:38:33 | 0:38:37 | |
90 he says. At 90. £100? | 0:38:37 | 0:38:41 | |
£90, standing at the back. I'm selling it, make no mistake. | 0:38:41 | 0:38:44 | |
Going at the back. £90... | 0:38:44 | 0:38:48 | |
He has let that go for 90. He's used his discretion on the reserve. | 0:38:48 | 0:38:53 | |
'That is a shame that this lovely piece of recreational furniture | 0:38:53 | 0:38:56 | |
'failed to impress. | 0:38:56 | 0:38:59 | |
'Our last three lots haven't been successful, so if we are to make Frances's target of £2,000, | 0:38:59 | 0:39:04 | |
'we really do need a good price on her music cabinet.' | 0:39:04 | 0:39:09 | |
-You had your music in there, Elena? -I did. I played the piano and cello. | 0:39:09 | 0:39:13 | |
-All my books were in there. -Why are you getting rid of it, then? | 0:39:13 | 0:39:17 | |
I play the cello now, but the piano's gone. | 0:39:17 | 0:39:21 | |
I keep the music in a pile in my house now! The music cabinet's been left behind. | 0:39:21 | 0:39:26 | |
50 for that? There it is, surely, at 30? 35 down here. | 0:39:26 | 0:39:30 | |
40 I've got on the book. 45. 50. 55 now... | 0:39:30 | 0:39:34 | |
Yes. | 0:39:34 | 0:39:35 | |
..Any more? Against you all here at £55...! | 0:39:35 | 0:39:39 | |
-There we are. 55. That's all right, isn't it, really? -Yes. | 0:39:39 | 0:39:43 | |
'That result was one we definitely needed. | 0:39:43 | 0:39:46 | |
'It's now down to our final lot, | 0:39:46 | 0:39:48 | |
'and one that's apparently been in the family for years, | 0:39:48 | 0:39:52 | |
'the leather priest's chair.' | 0:39:52 | 0:39:54 | |
-Whose chair was this? -It was my grandfather's. | 0:39:54 | 0:39:58 | |
-Do you remember him sitting in it? -Yes. | 0:39:58 | 0:40:01 | |
And then when it came to my parents, | 0:40:01 | 0:40:04 | |
it used to sit in the corner and nobody sat on it except at Christmas | 0:40:04 | 0:40:08 | |
when there were too many people in the house! | 0:40:08 | 0:40:11 | |
50 to go? 30 only. 40 the lady down here. At 40. | 0:40:11 | 0:40:15 | |
50 on the front. 60. 70. | 0:40:15 | 0:40:19 | |
90, fresh blood in two places. 100... | 0:40:19 | 0:40:22 | |
Two places! | 0:40:22 | 0:40:24 | |
..Against you both. 110... | 0:40:24 | 0:40:26 | |
Oh, wow! | 0:40:26 | 0:40:28 | |
..120, still there. 120. Is there any more? £120... | 0:40:28 | 0:40:35 | |
-Wow! -There you go! It's like a roller coaster, isn't it? | 0:40:35 | 0:40:39 | |
'That's a great finish to our day here with Frances and Elena. | 0:40:39 | 0:40:43 | |
'Has that last sale taken us to our target?' | 0:40:43 | 0:40:47 | |
-You wanted to raise £2,000. A huge chunk of that depended on those paintings. -Yes. | 0:40:47 | 0:40:52 | |
Even without the paintings... When you do sell them, that will be a lovely extra bonus. | 0:40:52 | 0:40:58 | |
Remind us what you want to spend the money on. | 0:40:58 | 0:41:01 | |
Myself and Elena and her sister, | 0:41:01 | 0:41:04 | |
we're going to have a full day's massage and sauna and swim | 0:41:04 | 0:41:11 | |
and lovely lunch as well. | 0:41:11 | 0:41:14 | |
-You looking forward to that, Elena? -Yes. A nice relaxing day. | 0:41:14 | 0:41:19 | |
You'll still be able to have a pretty super day, the three of you. | 0:41:19 | 0:41:25 | |
Because you've managed to raise... | 0:41:25 | 0:41:27 | |
£2,140. | 0:41:27 | 0:41:31 | |
That's incredible! Fantastic! We can have a massage every hour! | 0:41:31 | 0:41:36 | |
-Congratulations! -Lovely. That's fantastic. | 0:41:36 | 0:41:39 | |
'Eldest daughter Sarah can't make the spa break now, | 0:41:43 | 0:41:47 | |
'so the girls' pampering session is on hold. | 0:41:47 | 0:41:50 | |
'Until then, Elena and Frances have decided to treat themselves to a mini day out at a spa.' | 0:41:50 | 0:41:56 | |
We've booked in for a facial and an Indian head massage. | 0:41:56 | 0:42:00 | |
'Today, I had a facial, which was most relaxing.' | 0:42:01 | 0:42:05 | |
How are you going, Elena? | 0:42:05 | 0:42:07 | |
I'm nearly asleep. It's lovely. | 0:42:07 | 0:42:10 | |
Never had a head massage at all. Feel nice and chilled-out now. | 0:42:10 | 0:42:16 | |
Taking part in Cash In The Attic has been an immense joy. | 0:42:17 | 0:42:22 | |
I thoroughly enjoyed it. | 0:42:22 | 0:42:25 | |
Turning it into money has been fantastic. | 0:42:25 | 0:42:29 |