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Welcome to the show that finds those hidden antiques and collectables around your home, | 0:00:02 | 0:00:06 | |
and then we take them to auction to sell. | 0:00:06 | 0:00:08 | |
Now, the dilemma facing many families today | 0:00:08 | 0:00:11 | |
is that a lot of these items are inherited. | 0:00:11 | 0:00:13 | |
But the new generation, they're really not interested. | 0:00:13 | 0:00:16 | |
They don't want them, they'd rather see them sold | 0:00:16 | 0:00:19 | |
and the money spent on something else. | 0:00:19 | 0:00:21 | |
And that's exactly what our family want to do today. | 0:00:21 | 0:00:24 | |
Coming up today on Cash In The Attic, | 0:00:44 | 0:00:47 | |
an engagement ring with a stunning set of diamonds. | 0:00:47 | 0:00:50 | |
Look at the size of those stones! They're rocks, not stones! | 0:00:50 | 0:00:55 | |
Could this dainty dish bring out Jonty's feminine side? | 0:00:55 | 0:01:01 | |
-Is that sweet enough? -Yeah! -I think that really is sweet, don't you? | 0:01:01 | 0:01:05 | |
And at the auction, we must try to keep our wits about us. | 0:01:05 | 0:01:09 | |
-He missed one, I think. -No, that was the buyer. -Oh, it was? | 0:01:09 | 0:01:13 | |
So stay alert until the final hammer falls. | 0:01:13 | 0:01:18 | |
Today I've come to London | 0:01:18 | 0:01:19 | |
to meet Gwen Godfrey and her two daughters. | 0:01:19 | 0:01:21 | |
They're all looking forward to a day at the spa. | 0:01:21 | 0:01:25 | |
Gwen's lived with her family | 0:01:25 | 0:01:28 | |
in this elegant town house for 30 years. | 0:01:28 | 0:01:30 | |
An Oxford-educated solicitor who specialises in business law, | 0:01:30 | 0:01:34 | |
she grew up at a small village in South Wales. | 0:01:34 | 0:01:37 | |
She met her husband Cliff at the law firm many years ago, | 0:01:37 | 0:01:40 | |
but they've only been married for the last three. | 0:01:40 | 0:01:42 | |
She has three stepchildren | 0:01:42 | 0:01:44 | |
and two daughters from a previous marriage. | 0:01:44 | 0:01:46 | |
Emma and Sara will be helping their mum | 0:01:46 | 0:01:49 | |
sort through the family heirlooms here today as we raise funds | 0:01:49 | 0:01:52 | |
for charity and their annual girls' day out. | 0:01:52 | 0:01:55 | |
Of course, we need an antiques expert to help. | 0:01:55 | 0:01:58 | |
But never mind, Jonty Hearnden will have to do. | 0:01:58 | 0:02:00 | |
He can't wait to make a start in the lounge. | 0:02:00 | 0:02:04 | |
-Ah, good morning! -Morning! | 0:02:04 | 0:02:07 | |
I always arrive at the right time, | 0:02:07 | 0:02:09 | |
which is obviously time for tea, by the looks of it. | 0:02:09 | 0:02:12 | |
Why have you decided to have a clear-out at this particular moment? | 0:02:12 | 0:02:16 | |
Well, my parents died, and we had to clear their house, | 0:02:16 | 0:02:19 | |
so we ended up finding lots of very interesting things. | 0:02:19 | 0:02:21 | |
But our house is now | 0:02:21 | 0:02:23 | |
full of a lot of things we can't realistically keep, | 0:02:23 | 0:02:26 | |
so I thought it would be good to see if there were some things to sell. | 0:02:26 | 0:02:29 | |
Right, OK. I've left Jonty upstairs. He's already having a look around. | 0:02:29 | 0:02:34 | |
If there's anything you don't want to sell, just say. We're not here to clear the house! | 0:02:34 | 0:02:39 | |
-So, what do you think of this idea? -I thought she was slightly mad! | 0:02:39 | 0:02:42 | |
But I was also quite excited, | 0:02:42 | 0:02:44 | |
because we've got rather a lot of stuff in our house. | 0:02:44 | 0:02:46 | |
Yeah, definitely. It definitely needs clearing out. | 0:02:46 | 0:02:49 | |
So you'd like to clear a bit of a space. | 0:02:49 | 0:02:51 | |
Now, have you any idea in your mind, Gwen, | 0:02:51 | 0:02:54 | |
what money you want to raise and what to spend that on? | 0:02:54 | 0:02:56 | |
-Well, it would be good to get about £1,000. -Right. | 0:02:56 | 0:02:59 | |
And I'd like to give some money to a charity for MS, | 0:02:59 | 0:03:03 | |
because my father had MS. | 0:03:03 | 0:03:05 | |
And my mother had postnatal depression, | 0:03:05 | 0:03:07 | |
and I'd like to give something to a charity | 0:03:07 | 0:03:09 | |
to look into helping people with depression. | 0:03:09 | 0:03:12 | |
That's all wonderful, but are you keeping anything for yourself? | 0:03:12 | 0:03:17 | |
Every year, we go off for a spa day, | 0:03:17 | 0:03:20 | |
Emma, Sara, my stepdaughter Charlotte and I, | 0:03:20 | 0:03:24 | |
so we'd like to put money towards a spa day. | 0:03:24 | 0:03:26 | |
Normally it's Mum paying the balance, | 0:03:26 | 0:03:28 | |
so I can't see this year being any different, | 0:03:28 | 0:03:31 | |
unless you find us something really valuable, | 0:03:31 | 0:03:33 | |
-which would be jolly good. -That's where Jonty comes in! | 0:03:33 | 0:03:36 | |
-So shall we go and find him? Come on! -Yeah, OK. | 0:03:36 | 0:03:39 | |
Jonty doesn't mess around. | 0:03:39 | 0:03:41 | |
He's already on the scent of a good auction possibility. | 0:03:41 | 0:03:44 | |
Ah, there you are, Jonty. | 0:03:44 | 0:03:46 | |
-Oh, hi! -I thought you were taking the place apart for a moment then. | 0:03:46 | 0:03:50 | |
How about this? Isn't he lovely? Where was this from? | 0:03:50 | 0:03:54 | |
It's from my great-uncle's farm in South Wales. | 0:03:54 | 0:03:58 | |
And he used to do a bit of hunting | 0:03:58 | 0:04:00 | |
with something called the Gelligaer hunt. | 0:04:00 | 0:04:03 | |
But I think that would have been in the '20s and '30s, | 0:04:03 | 0:04:07 | |
and I think that might be older, because there might be a date | 0:04:07 | 0:04:09 | |
-somewhere at the bottom. -Yes, there is. | 0:04:09 | 0:04:12 | |
Yeah, the artist's initials are down at the bottom there. | 0:04:12 | 0:04:15 | |
Can you see it, right the way down there? | 0:04:15 | 0:04:17 | |
-Uh-huh. -It's SJC, '99. | 0:04:17 | 0:04:21 | |
-Yeah. -So that's 1899, of course. | 0:04:21 | 0:04:24 | |
What I find so intriguing about this | 0:04:24 | 0:04:25 | |
is it's a rather odd shape for a picture, | 0:04:25 | 0:04:28 | |
because paintings don't really come | 0:04:28 | 0:04:31 | |
in this rather sort of elongated rectangular form. | 0:04:31 | 0:04:34 | |
But I would have a hunch that this might be somebody's favourite hound. | 0:04:34 | 0:04:39 | |
-Oh, right, yeah. -So what about selling it now? -Well, we could do. | 0:04:39 | 0:04:43 | |
I've got other paintings which my great-grandmother painted herself, | 0:04:43 | 0:04:47 | |
so I wouldn't part with them, | 0:04:47 | 0:04:49 | |
-but this has no particular sentimental value. -OK. | 0:04:49 | 0:04:52 | |
At the moment, it's quite interesting, | 0:04:52 | 0:04:54 | |
because a lot of Victorian art's not so popular, | 0:04:54 | 0:04:56 | |
but anything with dogs and animals seems to do quite well. | 0:04:56 | 0:04:59 | |
Yes, yes, there's a lot of Victorian paintings | 0:04:59 | 0:05:01 | |
that have really sort of fallen foul of the market. | 0:05:01 | 0:05:05 | |
A bit chocolate-boxy, anything like that, | 0:05:05 | 0:05:08 | |
the market is really very weak at the moment. | 0:05:08 | 0:05:10 | |
But if you've got an attentive hound | 0:05:10 | 0:05:12 | |
staring at you, saying, "Please buy me"... | 0:05:12 | 0:05:15 | |
We'll have to hope for the best, then, won't we? | 0:05:15 | 0:05:17 | |
I think there will be markets for him. | 0:05:17 | 0:05:19 | |
Value-wise, simply because of the shape of the actual picture, | 0:05:19 | 0:05:25 | |
I'm going to be a little bit conservative. | 0:05:25 | 0:05:27 | |
If it had been a squarer picture, maybe better executed... | 0:05:27 | 0:05:30 | |
There's a lot of darkness going on here. | 0:05:30 | 0:05:34 | |
If the hound had been sitting outside somewhere, | 0:05:34 | 0:05:36 | |
possibly a lot more money, | 0:05:36 | 0:05:38 | |
but I would say anything between £100 and £200 at auction. | 0:05:38 | 0:05:42 | |
-That's not bad. -Should we leave it back on the wall for now, | 0:05:42 | 0:05:45 | |
just so we know where it is and that it's safe? | 0:05:45 | 0:05:47 | |
Yes, I'll put that back up there. | 0:05:47 | 0:05:49 | |
-OK, let's go and see what else we can find. -Right. | 0:05:49 | 0:05:51 | |
'A good start to our fund, | 0:05:51 | 0:05:53 | |
'but I guess we'll never know who owned that foxhound | 0:05:53 | 0:05:56 | |
'or who SJC may be or was. | 0:05:56 | 0:05:59 | |
'Sara's been sorting through her belongings | 0:05:59 | 0:06:02 | |
'and discovers this powder compact of her grandmother's. | 0:06:02 | 0:06:05 | |
'It's sterling silver, | 0:06:05 | 0:06:06 | |
'which means it's an alloy with a small amount of copper. | 0:06:06 | 0:06:10 | |
'The Taj Mahal design is odd, because as far as Sara knows, | 0:06:10 | 0:06:13 | |
'her grandmother never went to India. | 0:06:13 | 0:06:16 | |
'Nonetheless, it could add another £20-£40 to our fund. | 0:06:16 | 0:06:19 | |
'It's not the only silver heirloom tucked away around here.' | 0:06:19 | 0:06:23 | |
Ah, I'm just admiring some of these | 0:06:23 | 0:06:25 | |
really gorgeous little trinkety bits we've got. | 0:06:25 | 0:06:28 | |
-And a lot of them are silver, as well. -Yeah. | 0:06:28 | 0:06:30 | |
But I've had a close examination of them, | 0:06:30 | 0:06:32 | |
but they're not British at all. | 0:06:32 | 0:06:35 | |
No, they're actually Chinese export silver, I believe. | 0:06:35 | 0:06:38 | |
My mum and I used to live in Singapore, | 0:06:38 | 0:06:41 | |
and she bought them back with her. | 0:06:41 | 0:06:44 | |
OK. Well, let's have a look at the design of this little vase here, | 0:06:44 | 0:06:48 | |
this tiny vase. | 0:06:48 | 0:06:50 | |
There should be markings on the underside, but there aren't any. | 0:06:50 | 0:06:53 | |
So if I get my glass out and let's have a look, | 0:06:53 | 0:06:56 | |
see if I can see anything... There's a mark on the base here. | 0:06:56 | 0:06:59 | |
But it's quite indistinguishable, | 0:07:00 | 0:07:02 | |
so I can't tell whether that's Chinese. | 0:07:02 | 0:07:05 | |
So the only way that one can really tell | 0:07:05 | 0:07:08 | |
is just by looking at the decoration on the outside. | 0:07:08 | 0:07:10 | |
All of this will be hand-chased, | 0:07:10 | 0:07:12 | |
and it's very similar to designs | 0:07:12 | 0:07:14 | |
on the outside of Chinese ceramics, for instance, and paintings. | 0:07:14 | 0:07:18 | |
I think that's really very, very charming. | 0:07:18 | 0:07:20 | |
That's one of the pieces that she was willing to sell, actually. | 0:07:20 | 0:07:23 | |
-She's interested in selling that? -Yeah. | 0:07:23 | 0:07:25 | |
Well, a little vase like that might well have come in pairs, as well. | 0:07:25 | 0:07:29 | |
It's rather odd just to have one item like that. | 0:07:29 | 0:07:31 | |
So if you had a pair of those on your mantel shelf, | 0:07:31 | 0:07:35 | |
a little vase there with just have a few posies of flowers, | 0:07:35 | 0:07:38 | |
it was very fashionable but solid silver | 0:07:38 | 0:07:40 | |
and made probably between the wars, so 1920, 1930. | 0:07:40 | 0:07:45 | |
-I think that's lovely, that. -Great. | 0:07:45 | 0:07:47 | |
Is there anything else up here? | 0:07:47 | 0:07:49 | |
Yeah, I think my mum's thinking about selling | 0:07:49 | 0:07:51 | |
the bowl on the right-hand side. | 0:07:51 | 0:07:53 | |
-This basket here? -Yeah. -OK. Well, let's have a look at that. | 0:07:53 | 0:07:58 | |
Now, look how delicate that is. Isn't that lovely? | 0:07:58 | 0:08:01 | |
This is a little sweet dish, | 0:08:01 | 0:08:02 | |
to be placed on a table maybe after a dinner, for instance. | 0:08:02 | 0:08:06 | |
And if you look at the pierced decoration in it, | 0:08:06 | 0:08:08 | |
and if I rotate that somewhat, | 0:08:08 | 0:08:10 | |
-can you see that those are bamboo leaves? -Yeah. | 0:08:10 | 0:08:13 | |
Coming from - or living in - that part of the world, | 0:08:13 | 0:08:16 | |
you're familiar with the bamboo leaf. | 0:08:16 | 0:08:18 | |
And then you've got these Chinese emblems | 0:08:18 | 0:08:22 | |
running round all the side of the basket, as well. | 0:08:22 | 0:08:25 | |
Now, Chinese silver, I'm convinced, | 0:08:25 | 0:08:28 | |
will probably increase in price drastically over the next few years | 0:08:28 | 0:08:33 | |
-simply because of the growth of the Chinese economy. -That's true. | 0:08:33 | 0:08:36 | |
And anything that's quality, like this, | 0:08:36 | 0:08:38 | |
will be actually purchased ultimately by the Chinese | 0:08:38 | 0:08:41 | |
and taken back to that part of the world. | 0:08:41 | 0:08:44 | |
But a conservative estimate for these items | 0:08:44 | 0:08:46 | |
would be £40-£60 for this and £60-£80 for this. | 0:08:46 | 0:08:51 | |
-Just in our hands here, it's £100- £150. -OK! -OK? Is that all right? | 0:08:51 | 0:08:57 | |
-Is that sweet enough? -Yeah! -I think that really is sweet, don't you? | 0:08:57 | 0:09:00 | |
Lovely! Great. | 0:09:00 | 0:09:02 | |
Let's hold on to these and leave the rest there, | 0:09:02 | 0:09:04 | |
-and we'll carry on. -Brilliant, OK. | 0:09:04 | 0:09:07 | |
Chinese export silver items were all the rage in Victorian England, | 0:09:08 | 0:09:12 | |
but Gwen bought these examples in Singapore, | 0:09:12 | 0:09:15 | |
where she lived for two years. | 0:09:15 | 0:09:16 | |
She had a dealer friend | 0:09:16 | 0:09:18 | |
who imported antiques from England to the expatriate community there. | 0:09:18 | 0:09:23 | |
This was when we were in Singapore. | 0:09:23 | 0:09:25 | |
Actually, Sara wasn't born then, but Emma lived out there with me, | 0:09:25 | 0:09:29 | |
and this is some friends of ours there and Emma by the swimming pool. | 0:09:29 | 0:09:33 | |
So, what made you go to Singapore? | 0:09:33 | 0:09:35 | |
Well, I'm a solicitor and I went out to work there for two years. | 0:09:35 | 0:09:39 | |
-A really interesting place to be. -So the whole family went over? -Yeah. | 0:09:39 | 0:09:43 | |
So how old were you at the time? Can you remember it? | 0:09:43 | 0:09:45 | |
How old was I? Two? | 0:09:45 | 0:09:47 | |
-Yeah. -Two till four. And then some of my best friends stayed out there, | 0:09:47 | 0:09:50 | |
so I used to go back and visit them occasionally, | 0:09:50 | 0:09:53 | |
summer holidays and stuff. So yeah, it was really fun. | 0:09:53 | 0:09:57 | |
Do you think you might settle there or are you a home bird? | 0:09:57 | 0:10:00 | |
I think I'm a bit of a home bird. I like London. | 0:10:00 | 0:10:02 | |
I'm enjoying that, so I think I'll stay for the long term. | 0:10:02 | 0:10:07 | |
So, you're obviously all quite close, aren't you? | 0:10:07 | 0:10:10 | |
You're all doing different things now. | 0:10:10 | 0:10:12 | |
Tell me a little bit about your career. | 0:10:12 | 0:10:14 | |
I work in communications | 0:10:14 | 0:10:16 | |
and I'm basically a senior media officer at a charity called Mellon. | 0:10:16 | 0:10:21 | |
They do emergency relief in countries like Pakistan | 0:10:21 | 0:10:26 | |
at the minute. It's quite fast-paced. | 0:10:26 | 0:10:28 | |
-It's good fun. -And what about you, my dear? What are you up to? | 0:10:28 | 0:10:32 | |
I'm still a student. I'm studying medicine in Oxford. | 0:10:32 | 0:10:35 | |
-Is it quite hard work? -Yeah, it's a lot of working and not getting paid! | 0:10:35 | 0:10:39 | |
But it's good fun. | 0:10:39 | 0:10:41 | |
I have a lot of friends there... and still having the student life. | 0:10:41 | 0:10:46 | |
-What do you think you might want to do long-term? -I don't know yet! | 0:10:46 | 0:10:50 | |
-I've got a few years to decide. -You must be very proud of them. -Yes. | 0:10:50 | 0:10:53 | |
Yeah, they're great. And I also have three stepchildren, | 0:10:53 | 0:10:58 | |
so quite a big family. | 0:10:58 | 0:10:59 | |
And do you all have family events together? Do you get on well or...? | 0:10:59 | 0:11:03 | |
Yeah, we're all kind of similar ages. | 0:11:03 | 0:11:07 | |
SARA: We went on holiday in the summer. | 0:11:07 | 0:11:09 | |
Charlotte will be coming on the spa day with us, | 0:11:09 | 0:11:11 | |
assuming we raise enough money. | 0:11:11 | 0:11:13 | |
You should have insisted she was here! | 0:11:13 | 0:11:15 | |
"You want the spa day? You do the rummage!" Absolutely! | 0:11:15 | 0:11:18 | |
Talking of which, should we go and see | 0:11:18 | 0:11:20 | |
-whether Jonty's found anything else for us? -Yeah. -Great! | 0:11:20 | 0:11:23 | |
'He's been quite busy and found a stamp collection. | 0:11:23 | 0:11:26 | |
'Gwen's father inherited his first album in 1940 | 0:11:26 | 0:11:31 | |
'from a man who began collecting as a boy in the 1890s. | 0:11:31 | 0:11:35 | |
'Gwen's parents added to them over the years - | 0:11:35 | 0:11:38 | |
'for example, these Royal Mail sets from the mid 1980s. | 0:11:38 | 0:11:41 | |
'Jonty prices them all together at £40-£60. | 0:11:41 | 0:11:46 | |
'In the dining room, I've found this elegant young lady | 0:11:46 | 0:11:49 | |
'accompanied by a gallant young man.' | 0:11:49 | 0:11:51 | |
-Wow! -I didn't know whether it was something you did want to sell, | 0:11:51 | 0:11:55 | |
but they're a nice pair. | 0:11:55 | 0:11:56 | |
They're lovely, aren't they? | 0:11:56 | 0:11:58 | |
They were my great-grandparents' wedding present, supposedly. | 0:11:58 | 0:12:01 | |
-Right, OK! -The family story is | 0:12:01 | 0:12:04 | |
they were actually from Paris, | 0:12:04 | 0:12:06 | |
and I think that would have been around about the 1880s. | 0:12:06 | 0:12:10 | |
-Well, they're in good condition. -Well, I think they were cherished. | 0:12:10 | 0:12:15 | |
-So there's no chips, damage on the restoration? -No. | 0:12:15 | 0:12:18 | |
I can't see any at all. Now, have we got any markings on there? | 0:12:18 | 0:12:22 | |
Looking on the underside here, there's no particular factory marks. | 0:12:22 | 0:12:25 | |
But looking at the style and the fact that they're made of bisque, | 0:12:25 | 0:12:29 | |
which means they've only been fired once in the kiln, | 0:12:29 | 0:12:34 | |
and the way they are dressed, | 0:12:34 | 0:12:36 | |
-the style of them, yes, they will be from France. -Oh, right! | 0:12:36 | 0:12:39 | |
So they might well have been purchased in Paris | 0:12:39 | 0:12:41 | |
but not necessarily made there. | 0:12:41 | 0:12:43 | |
But this was very, very typical | 0:12:43 | 0:12:46 | |
of the end of the 19th century to the beginning of the 20th. | 0:12:46 | 0:12:48 | |
If you look at the way they're dressed, | 0:12:48 | 0:12:51 | |
they're not dressed in contemporary late 19th-century dress, | 0:12:51 | 0:12:55 | |
they are going back in time, | 0:12:55 | 0:12:58 | |
maybe another 100 years, 150 years, maybe 200 years. | 0:12:58 | 0:13:00 | |
There was a romantic notion, often, of times gone by. | 0:13:00 | 0:13:05 | |
So, when do you think they got married? | 0:13:05 | 0:13:08 | |
Well, I would think it was about the 1880s, 1890s, in South Wales, | 0:13:08 | 0:13:12 | |
in the little town called Pontypool. | 0:13:12 | 0:13:15 | |
Wow. Can you imagine receiving those on your wedding day? | 0:13:15 | 0:13:18 | |
-It would have been a very special present. -All the way from Paris! | 0:13:18 | 0:13:21 | |
Yeah. And they were apparently always on the mantelpiece. | 0:13:21 | 0:13:24 | |
That was their sort of family treasures. | 0:13:24 | 0:13:27 | |
And can you see the way they're glancing at one another? | 0:13:27 | 0:13:30 | |
In fact, Lorne, you've got them round the right way. | 0:13:30 | 0:13:33 | |
Somehow there's a left and a right or a right and a left to them, | 0:13:33 | 0:13:36 | |
so they complement one another sitting on a mantel shelf. | 0:13:36 | 0:13:39 | |
-What do the girls make of them? -Well, my daughters don't like them. | 0:13:39 | 0:13:43 | |
They're a bit too fussy and they don't really fit in with our house. | 0:13:43 | 0:13:47 | |
So it would be good for someone to have them | 0:13:47 | 0:13:49 | |
who'd really appreciate them. | 0:13:49 | 0:13:51 | |
There's a lot going for these figures. | 0:13:51 | 0:13:53 | |
Not only are they in very good order, | 0:13:53 | 0:13:57 | |
but also the size - they're substantial, | 0:13:57 | 0:14:00 | |
much bigger than we normally see. | 0:14:00 | 0:14:03 | |
But prices for these sorts of figures have waned. | 0:14:03 | 0:14:05 | |
They're just a little bit OTT for the market at the moment. | 0:14:05 | 0:14:10 | |
So valuation, at auction, we're looking, on a bad day, | 0:14:10 | 0:14:13 | |
£100. | 0:14:13 | 0:14:15 | |
But on a good day, it may well be in excess of £200. | 0:14:15 | 0:14:18 | |
Oh, right! That's not too bad. | 0:14:18 | 0:14:20 | |
I'm happy to see the back of those statues! | 0:14:21 | 0:14:23 | |
Let's hope they get bought. We haven't got rid of them yet! | 0:14:23 | 0:14:28 | |
You're right to be cautious, girls, as we'll discover on auction day, | 0:14:28 | 0:14:32 | |
when those Parisians go under the hammer. | 0:14:32 | 0:14:34 | |
£100 for the pair. £100. £50. Start me at £50. £50. 55 there. 55 there. | 0:14:34 | 0:14:39 | |
Do you want 60? 5. 70. 5. | 0:14:39 | 0:14:43 | |
Ooh, dear, looks like it's going to be a struggle. | 0:14:43 | 0:14:46 | |
Our treasure hunt rolls on in London, | 0:14:46 | 0:14:50 | |
and Emma has found a silver hip flask of her grandfather's. | 0:14:50 | 0:14:54 | |
He bought it 30 years ago in an antiques shop | 0:14:54 | 0:14:56 | |
so he could enjoy a warming tot of whisky when at the rugby. | 0:14:56 | 0:15:00 | |
The hallmark suggests it was made in 1926, | 0:15:00 | 0:15:02 | |
and it's engraved with the initials of the original owner. | 0:15:02 | 0:15:05 | |
Jonty values it at £40-£60. | 0:15:05 | 0:15:08 | |
Sara's gone back to her studies, so I hope Jonty's got a very good reason for interrupting her. | 0:15:09 | 0:15:15 | |
-Ah, Sara, there you are. -Hi. | 0:15:15 | 0:15:17 | |
I thought you might be working hard there at your desk. | 0:15:17 | 0:15:20 | |
Look what I've found in this box. Have you ever seen this? | 0:15:20 | 0:15:22 | |
-Yeah, I have. My mum's shown it to me before. -Yeah? | 0:15:22 | 0:15:26 | |
So you know it's a little pen on the inside there. So whose pen was this? | 0:15:26 | 0:15:31 | |
It was my great-grandfather's pen. He bought it when he visited my grandma | 0:15:31 | 0:15:35 | |
when she was working in London. | 0:15:35 | 0:15:36 | |
What did your great-grandfather do as his profession? | 0:15:36 | 0:15:39 | |
-He was a schoolmaster, so he must have used it in school. -Oh, right. | 0:15:39 | 0:15:43 | |
-Writing all those bad reports? -Yeah! | 0:15:43 | 0:15:45 | |
I wonder how many children have had their livelihoods | 0:15:45 | 0:15:48 | |
-condemned or promoted by this pen! -Yeah. | 0:15:48 | 0:15:50 | |
It's absolutely wonderful, because... | 0:15:50 | 0:15:53 | |
not only do we have a pen in very good condition... | 0:15:53 | 0:15:56 | |
If I could give you that for a second, cos it's actually | 0:15:56 | 0:15:59 | |
the paper inside which I find very interesting. | 0:15:59 | 0:16:01 | |
Because there's an original receipt. Look at that. | 0:16:01 | 0:16:05 | |
With the cost of two shillings and threepence | 0:16:05 | 0:16:08 | |
and the purchase date was 1938 and the new owner was Mr W Lewis. | 0:16:08 | 0:16:13 | |
Yeah, that was my great-grandfather's name. | 0:16:13 | 0:16:15 | |
OK, and the other items we've got in here are the original instructions as well. | 0:16:15 | 0:16:21 | |
But having a look at the bottom of the box, what I find so interesting | 0:16:21 | 0:16:25 | |
is that Parker Pens invented Quink ink, | 0:16:25 | 0:16:28 | |
which is the quick-drying ink in 1931, and look... | 0:16:28 | 0:16:32 | |
they're promoting it at the bottom. | 0:16:32 | 0:16:34 | |
-Let's have a quick look at the pen. -OK. -Can you unscrew the top? | 0:16:34 | 0:16:37 | |
And see what's what. There we go, | 0:16:37 | 0:16:39 | |
that's a regular gold nib there, and the pen itself, | 0:16:39 | 0:16:43 | |
-there's nothing remarkable about the pen. -OK. | 0:16:43 | 0:16:45 | |
But what I find remarkable is the fact it's all together. | 0:16:45 | 0:16:48 | |
Because if you think about it, as soon as a pen like that | 0:16:48 | 0:16:51 | |
was purchased, more often than not, everything else in my hand | 0:16:51 | 0:16:55 | |
could've been discarded very quickly. | 0:16:55 | 0:16:56 | |
So value-wise, we're not talking about a vast sum of money. | 0:16:56 | 0:17:01 | |
-Maybe £20. On a good day, £40. -OK. | 0:17:01 | 0:17:04 | |
-But that's a lot more than two shillings. -It is indeed. | 0:17:04 | 0:17:07 | |
I'll leave you, but don't study for too long, | 0:17:07 | 0:17:09 | |
-cos we have work to do. -I'll come back. | 0:17:09 | 0:17:11 | |
-That's brilliant, OK. -Thank you. | 0:17:11 | 0:17:13 | |
'Let's hope that schoolmaster's pen scores an A+ at the auction. | 0:17:13 | 0:17:16 | |
'Another heirloom now as I find this beautiful Welsh corgi in Emma's room. | 0:17:16 | 0:17:21 | |
'It's hand-painted, | 0:17:21 | 0:17:23 | |
'issued by Royal Doulton in the mid 20th century and worth £15-£20. | 0:17:23 | 0:17:26 | |
'It belongs to an extraordinary man who bred corgis in later life - | 0:17:26 | 0:17:31 | |
'Gwen's great uncle, Ivor. | 0:17:31 | 0:17:33 | |
'He started out as a Welsh farm boy who once ran away to war.' | 0:17:33 | 0:17:37 | |
-Ah, that's him. -Yeah. -Ah, right. -And there's another one of him. | 0:17:40 | 0:17:45 | |
-He's in uniform here. Have you any idea how old he would've been there? -About 17, I think. | 0:17:45 | 0:17:51 | |
-Which is frightening, really. -It is, isn't it? | 0:17:51 | 0:17:53 | |
Do you know what happened to him, then? | 0:17:53 | 0:17:56 | |
Well, I went to the museum of his regiment in Caernarfon - | 0:17:56 | 0:17:59 | |
the Royal Welch Fusiliers - and they found out for me | 0:17:59 | 0:18:02 | |
a bit about his war record. | 0:18:02 | 0:18:04 | |
And he'd initially been sent to Gallipoli, | 0:18:04 | 0:18:08 | |
survived that and then been sent to the Somme | 0:18:08 | 0:18:12 | |
and he was shot and captured and then sent to a prisoner of war camp. | 0:18:12 | 0:18:15 | |
-Somewhere here, there's probably... -Wow! | 0:18:15 | 0:18:19 | |
That says Limburg and that's the prisoner of war camp he was in. | 0:18:19 | 0:18:23 | |
This is incredible, isn't it? | 0:18:23 | 0:18:26 | |
And then this is his proper dog tag. Um... | 0:18:26 | 0:18:29 | |
-It's amazing you've got all this. -I know. -Did you inherit it together like this? -Yes, from my father. | 0:18:29 | 0:18:34 | |
In fact, I knew - as I called him - Uncle Ivor very well when I was a kid, | 0:18:34 | 0:18:38 | |
because he died when he was 77. | 0:18:38 | 0:18:41 | |
But he never would talk about it. | 0:18:41 | 0:18:43 | |
The only thing he did say was that he would never drink rum, | 0:18:43 | 0:18:47 | |
because they gave the lads rum | 0:18:47 | 0:18:49 | |
before they went over the top in the trenches. | 0:18:49 | 0:18:52 | |
-Right, right. -Very frightening, really. | 0:18:52 | 0:18:54 | |
Anyway, when he got back to the village after all this adventure, | 0:18:54 | 0:18:57 | |
the local chapel collected and gave him this watch, | 0:18:57 | 0:19:00 | |
and it's got, in the back, a sort of inscription about the fact | 0:19:00 | 0:19:04 | |
that it was presented to Ivor Davies on his return from Germany in 1918. | 0:19:04 | 0:19:11 | |
I should imagine, for a small community, it would've been extraordinary | 0:19:11 | 0:19:15 | |
-to have anybody coming back. -Yeah. -Wouldn't it? -Yes. I think most of them were killed. | 0:19:15 | 0:19:19 | |
There's a huge war memorial there with all the names on it. | 0:19:19 | 0:19:23 | |
And his family were obviously writing to him in the camp. | 0:19:23 | 0:19:27 | |
So they're all... They've got German stamps on them. | 0:19:27 | 0:19:31 | |
-As a mother, you can't imagine that, can you? -No. | 0:19:31 | 0:19:34 | |
-How traumatic it must've been. -Yeah. | 0:19:34 | 0:19:36 | |
-They wouldn't have known where he was for a long time. -No. | 0:19:36 | 0:19:39 | |
He was just reported missing. | 0:19:39 | 0:19:40 | |
I think the letters are really fascinating as well, | 0:19:40 | 0:19:43 | |
because obviously you've got almost two extremes. | 0:19:43 | 0:19:46 | |
He's in a prison camp, and their letters are obviously showing that | 0:19:46 | 0:19:49 | |
they're trying hard to continue as normal at home. | 0:19:49 | 0:19:52 | |
Some things don't change. It says here, "You should've heard Harry shouting at the children, | 0:19:52 | 0:19:56 | |
"they were driving him crazy." | 0:19:56 | 0:19:58 | |
So, some things go through generations, don't they? | 0:19:58 | 0:20:01 | |
So, it wasn't actually him who kept all this. It was your... | 0:20:01 | 0:20:05 | |
I think they were, sort of, put away in the farmhouse, and he never got married or had children, | 0:20:05 | 0:20:11 | |
and when he died, he left the farm to my father. | 0:20:11 | 0:20:14 | |
And I didn't know anything about them and found them | 0:20:14 | 0:20:17 | |
until he'd died, actually. | 0:20:17 | 0:20:18 | |
And then I just discovered it all. So, quite extraordinary, really. | 0:20:18 | 0:20:22 | |
'What a privilege to see such priceless documents, and it's kind | 0:20:22 | 0:20:26 | |
'of Gwen to let me have an insight into the family history. | 0:20:26 | 0:20:30 | |
'It's great they're keeping it in the family, but it means | 0:20:30 | 0:20:33 | |
'we need to find other things that can be sold. | 0:20:33 | 0:20:35 | |
'The next item which Sara's found in her mum's room | 0:20:35 | 0:20:39 | |
'is a Victorian lady's fob watch, made of nine-carat gold. | 0:20:39 | 0:20:42 | |
'It's French but was actually bought by Gwen's great-grandmother | 0:20:42 | 0:20:46 | |
'in Pontypool. It could raise £200-£300 at auction. | 0:20:46 | 0:20:50 | |
'Downstairs, Gwen has remembered this Japanese tea service | 0:20:50 | 0:20:54 | |
'which has saucers big enough to put your cake on. | 0:20:54 | 0:20:56 | |
'It's highly decorative and is known as eggshell porcelain | 0:20:56 | 0:20:59 | |
'for its delicate see-through quality. | 0:20:59 | 0:21:01 | |
'A few pieces are missing, | 0:21:01 | 0:21:03 | |
'so the valuation is a more modest £20-£40, but next up, | 0:21:03 | 0:21:06 | |
'Sara's found something beautiful | 0:21:06 | 0:21:08 | |
'tucked away in her mum's room.' | 0:21:08 | 0:21:11 | |
-What have you got there? -Found a ring. -Ooh, hello! | 0:21:13 | 0:21:16 | |
Pop that down for now. Let's have a look at this. | 0:21:19 | 0:21:21 | |
Goodness! That's very bling. | 0:21:21 | 0:21:24 | |
They're very big diamonds. Whose is it? | 0:21:24 | 0:21:27 | |
-I think it was my grandmother's ring. -Right. OK. | 0:21:27 | 0:21:30 | |
-So are either of you two in line to get this? -I don't think so. | 0:21:30 | 0:21:33 | |
-No? -My mum offered it to us, but I think | 0:21:33 | 0:21:36 | |
we foolishly said it was too much. | 0:21:36 | 0:21:40 | |
Yes, that was rather foolish, wasn't it? | 0:21:40 | 0:21:43 | |
But no, that looks to me... You should always check | 0:21:43 | 0:21:46 | |
a diamond for four things, which are known as the four Cs - | 0:21:46 | 0:21:51 | |
cut, clarity, | 0:21:51 | 0:21:53 | |
colour, because diamonds come in all different colours, | 0:21:53 | 0:21:57 | |
and carat. Carat is the measurement of a diamond. | 0:21:57 | 0:22:01 | |
On a scale of 1 to 10, this is the sort of ring | 0:22:01 | 0:22:04 | |
you should be impressed about if you get presented with at some point. | 0:22:04 | 0:22:09 | |
Let's see whether we can sell it. Jonty? Gwen, are you there? | 0:22:09 | 0:22:12 | |
Hello! Come in! Now... | 0:22:12 | 0:22:15 | |
I don't know what you've been teaching your daughters. Really! | 0:22:15 | 0:22:19 | |
They tell me this is too big and too blingy. | 0:22:19 | 0:22:22 | |
-I agree with them, actually. -Why say that? What's so bling? | 0:22:22 | 0:22:25 | |
I just couldn't imagine it on my hand, it's massive. | 0:22:25 | 0:22:28 | |
Get used to the idea! That's what I say. | 0:22:28 | 0:22:31 | |
Now, I understand this was your mother's, | 0:22:31 | 0:22:33 | |
so how do you feel about selling it? | 0:22:33 | 0:22:36 | |
Well, I think we could do. | 0:22:36 | 0:22:39 | |
My father bought it to replace her original engagement ring, | 0:22:39 | 0:22:42 | |
and the original engagement ring was a similar style | 0:22:42 | 0:22:45 | |
but very tiny diamonds, because before they got married, | 0:22:45 | 0:22:48 | |
they didn't have much money. | 0:22:48 | 0:22:50 | |
I still have the original ring and I remember her wearing the original ring | 0:22:50 | 0:22:54 | |
and I don't remember her wearing that one very often. | 0:22:54 | 0:22:57 | |
So I don't have the sentimental attachment to it | 0:22:57 | 0:23:00 | |
and I think it would be good to use it for something else. | 0:23:00 | 0:23:04 | |
It is lovely. Jonty? I haven't looked through a glass, | 0:23:04 | 0:23:07 | |
but the diamonds look pretty good. | 0:23:07 | 0:23:09 | |
Look at the size of those stones! They're rocks, not stones! | 0:23:09 | 0:23:12 | |
Wow! | 0:23:12 | 0:23:13 | |
I would suggest that those are well in excess of a carat... | 0:23:13 | 0:23:17 | |
each... | 0:23:17 | 0:23:20 | |
and what's so attractive about this ring is that it's so simple, | 0:23:20 | 0:23:24 | |
it's the sort of ring that could easily be sold on, as is. | 0:23:24 | 0:23:27 | |
Of course, a jeweller could | 0:23:27 | 0:23:29 | |
make up their mind if buying these, to use the stones independently. | 0:23:29 | 0:23:33 | |
-Yeah. -I see there are not many inclusions in there, at all. | 0:23:33 | 0:23:37 | |
I think that's pretty good. They are very, very good stones. | 0:23:37 | 0:23:41 | |
Let's get it properly assessed. | 0:23:41 | 0:23:43 | |
But my guestimation, right now, is that we're looking | 0:23:43 | 0:23:46 | |
in excess of £1,000 here. | 0:23:46 | 0:23:48 | |
Really? Gosh, I had no idea! | 0:23:48 | 0:23:52 | |
-Are you going to change your mind now, girls? -Backtrack, backtrack! -Absolutely! | 0:23:52 | 0:23:56 | |
So, I expect you'd like to know how we're standing, | 0:23:56 | 0:24:00 | |
in terms of the value of things going to auction? | 0:24:00 | 0:24:03 | |
-Right. -Well, the grand total of everything going to auction | 0:24:03 | 0:24:06 | |
comes to... | 0:24:06 | 0:24:08 | |
£1,655. | 0:24:08 | 0:24:11 | |
Gosh, that's amazing! That's great. | 0:24:11 | 0:24:13 | |
-And that's the lower end estimate, as well. -Really? Is it? | 0:24:13 | 0:24:16 | |
-That's really great. -So, are you pleased with that? | 0:24:16 | 0:24:20 | |
I'm a bit relieved I won't have to pay for those treatments, will I? | 0:24:20 | 0:24:23 | |
A spectacular result, which means that a special day at the spa | 0:24:23 | 0:24:27 | |
could soon be within Gwen's reach. | 0:24:27 | 0:24:29 | |
Let's hope she really cleans up at the auction. | 0:24:29 | 0:24:32 | |
We'll be selling the dainty Chinese silverware | 0:24:32 | 0:24:35 | |
which Gwen bought in Singapore. It might now fetch | 0:24:35 | 0:24:38 | |
£100-£150 on sale in London. | 0:24:38 | 0:24:41 | |
Then there's the black leather-bound Parker pen, | 0:24:41 | 0:24:45 | |
with all its original paperwork, | 0:24:45 | 0:24:47 | |
as bought by Gwen's grandfather for two bob in 1938. | 0:24:47 | 0:24:50 | |
The estimate today is £20-£40. | 0:24:50 | 0:24:53 | |
And finally, that painting of a foxhound from 1899. | 0:24:53 | 0:24:59 | |
Will it get a sniff from the bidders at around £100-£200? | 0:24:59 | 0:25:02 | |
We'll have to see. | 0:25:02 | 0:25:04 | |
'Still to come on Cash In The Attic... | 0:25:08 | 0:25:11 | |
'Emma might regret selling her grandmother's ring...' | 0:25:11 | 0:25:14 | |
-I had that on my hand at one point. -I know you did. | 0:25:14 | 0:25:16 | |
And I said, "Do you want to keep it?" You said, "No." | 0:25:16 | 0:25:20 | |
'And we all do our best to keep up with the auctioneer...' | 0:25:20 | 0:25:24 | |
HE SPEAKS RAPIDLY | 0:25:24 | 0:25:28 | |
I can't understand a word he's saying, can you? | 0:25:28 | 0:25:31 | |
'Pay attention to the final crack of the gavel.' | 0:25:31 | 0:25:34 | |
Well, we had a lovely time at Gwen's beautiful home | 0:25:37 | 0:25:41 | |
and, not surprisingly, we found some delicious items to bring here | 0:25:41 | 0:25:44 | |
to Chiswick auction house in West London. | 0:25:44 | 0:25:47 | |
Of course, she's hoping to raise enough money | 0:25:47 | 0:25:49 | |
so she and the girls can enjoy a fantastic spa day, | 0:25:49 | 0:25:52 | |
so let's just hope everyone here today is feeling | 0:25:52 | 0:25:54 | |
a little indulgent when our items go under the hammer. | 0:25:54 | 0:25:58 | |
'Gwen's already here with eldest daughter, Emma. | 0:25:58 | 0:26:01 | |
'Unfortunately, Sara's gone back to uni and can't make it. | 0:26:01 | 0:26:04 | |
'It's encouraging to see the bidders | 0:26:04 | 0:26:06 | |
'paying close attention to the lots. | 0:26:06 | 0:26:08 | |
'Hopefully, that will bode well for success today.' | 0:26:08 | 0:26:12 | |
-Is everything here, though? -Yeah. | 0:26:12 | 0:26:15 | |
We checked it through. Looks good. Lots of people. | 0:26:15 | 0:26:18 | |
What about the reserves? | 0:26:18 | 0:26:20 | |
I think we put a reserve on two pieces - | 0:26:20 | 0:26:23 | |
the Victorian pocket watch and the diamond ring. | 0:26:23 | 0:26:27 | |
-Surprise, surprise! -You haven't put a reserve on the doggy? | 0:26:27 | 0:26:30 | |
-No. Sadly not. -The little doggy in the window can go? -Yes! | 0:26:30 | 0:26:34 | |
-You looking forward to today? -Yeah, it should be fun. | 0:26:34 | 0:26:37 | |
My first auction. I hope you guys can teach me some tips. | 0:26:37 | 0:26:41 | |
Right, let's see if we can make some money, shall we? Come on, then. | 0:26:41 | 0:26:46 | |
'It's time for the auction to get under way. | 0:26:46 | 0:26:49 | |
'As we take our places, the first of Gwen's lots goes under the hammer. | 0:26:49 | 0:26:52 | |
'It's the black, leather-clad Parker pen, | 0:26:52 | 0:26:55 | |
'which her grandfather bought in 1938 on a visit to London. | 0:26:55 | 0:26:59 | |
'The receipt for two-and-threepence is still in the box. | 0:26:59 | 0:27:02 | |
'I wonder how it'll fare today.' | 0:27:02 | 0:27:03 | |
And you have no use for it? | 0:27:07 | 0:27:09 | |
-No, I'm more of a biro girl. -Jonty, what do we want for this? | 0:27:09 | 0:27:13 | |
I put £20-£40 on it. It's just a great thing. | 0:27:13 | 0:27:17 | |
I put a wide estimate, because without the box, 20 quid, | 0:27:17 | 0:27:21 | |
but with the box and all the instructions, it's in such | 0:27:21 | 0:27:25 | |
perfect condition, I hope we do a little bit more than that. | 0:27:25 | 0:27:28 | |
£40 for it. £20 for it. Bid at £20, £20. 22... | 0:27:28 | 0:27:31 | |
22 and £20. 22, there. | 0:27:31 | 0:27:34 | |
22, 25, 25? 28. | 0:27:34 | 0:27:38 | |
-Thank you. 30? 32. -That's good. -32 over there. | 0:27:38 | 0:27:42 | |
30 to the bidder. At £30 and going, all done. | 0:27:42 | 0:27:45 | |
£30, all done. | 0:27:45 | 0:27:47 | |
-That's fine! -Can't understand a word he's saying, can you? | 0:27:47 | 0:27:51 | |
It sounds as if the auctioneer's in a hurry. | 0:27:51 | 0:27:54 | |
£30 sit very nicely in the middle of our estimate | 0:27:54 | 0:27:57 | |
and brings us a reasonable start. | 0:27:57 | 0:27:59 | |
Our second item today is the little Welsh corgi, | 0:27:59 | 0:28:03 | |
issued by Dalton between 1941 and 1968. | 0:28:03 | 0:28:06 | |
At five inches tall, he's the largest of the three sizes produced. | 0:28:06 | 0:28:09 | |
His name's Spring Robin, and his estimated value is £15-£20. | 0:28:09 | 0:28:14 | |
£20 for it. £10 for it. Dalton collectors... | 0:28:16 | 0:28:20 | |
£10 for it. Thank you. | 0:28:20 | 0:28:22 | |
Give me 12? At £10. Bid here so far at 10. Give me 12. | 0:28:22 | 0:28:25 | |
Bid at 12, 14? 16? | 0:28:25 | 0:28:30 | |
£14. Are you bidding, or waving? | 0:28:31 | 0:28:33 | |
The bidder at £14, £14, selling, all done at £14. | 0:28:33 | 0:28:37 | |
£14. I tell you what, it'd cost you a lot more | 0:28:37 | 0:28:41 | |
than that to buy a pedigree. | 0:28:41 | 0:28:44 | |
Great Uncle Ivor used to have pedigree corgis | 0:28:44 | 0:28:46 | |
on his farm near Abergavenny. | 0:28:46 | 0:28:49 | |
This one is bone china and is off to a new home for a modest £14. | 0:28:49 | 0:28:53 | |
Next up, a collection that was started in the late | 0:28:53 | 0:28:56 | |
19th century by a family friend, including stamps from countries | 0:28:56 | 0:29:00 | |
which no longer exist. Added to over the years by Gwen's parents, | 0:29:00 | 0:29:04 | |
the estimated value today is £40-£60. | 0:29:04 | 0:29:07 | |
£30 for it? Bid at £30. | 0:29:10 | 0:29:12 | |
32, 35, 35, 38, 40, | 0:29:12 | 0:29:16 | |
42, 45, 48, 50, | 0:29:16 | 0:29:19 | |
5, bid at £50. You want 5? At £50, take 5 for it? | 0:29:19 | 0:29:25 | |
At £50, selling, all done. £50. | 0:29:25 | 0:29:27 | |
£50 - that's pretty good, isn't it? | 0:29:27 | 0:29:30 | |
Smack in the middle of the estimate and another £50 for the spa fund. | 0:29:30 | 0:29:35 | |
Now, take a dash of greyhound, a bit of fox terrier, | 0:29:35 | 0:29:39 | |
a hint of bulldog, and you end up with the English foxhound. | 0:29:39 | 0:29:42 | |
This portrait is signed by the little-known artist SJC | 0:29:43 | 0:29:47 | |
and is an affectionate portrait of a much-loved pet. | 0:29:47 | 0:29:50 | |
We're looking for £100-£200. | 0:29:50 | 0:29:53 | |
Now, I have to say, I really do like this. | 0:29:56 | 0:29:58 | |
I know it's not by a very famous artist or anything like that, | 0:29:58 | 0:30:01 | |
but this dog in the tack room I think is charming. | 0:30:01 | 0:30:04 | |
-So have you missed that spot on the wall? -A little bit. -Yeah? | 0:30:04 | 0:30:08 | |
I'm hoping it will find a lovely owner and a good home. | 0:30:08 | 0:30:11 | |
It'll be cheap to run, I can tell you that much. No vet fees! | 0:30:11 | 0:30:14 | |
Because it's an odd shape, it might be an odd figure | 0:30:14 | 0:30:17 | |
that we come up with, because he's not conventional, | 0:30:17 | 0:30:20 | |
but it's going to be exciting to see what happens. | 0:30:20 | 0:30:22 | |
We'll say £100 for it. | 0:30:22 | 0:30:24 | |
£100 for it. £50 for it. | 0:30:24 | 0:30:26 | |
£50 and 2, 55 and 60, 5, 70, 5, 80, 5. | 0:30:26 | 0:30:31 | |
That's good that this is coming back up. | 0:30:31 | 0:30:34 | |
Valued at £85. £80 the bid, take 5. 85, all done. 5. 90. | 0:30:34 | 0:30:39 | |
-Ooh! -Late bidder. | 0:30:39 | 0:30:41 | |
100. By the table at 95. Are you in or out, please? | 0:30:41 | 0:30:45 | |
At £95, we are going. All done at 95 and gone. At £95, then. | 0:30:45 | 0:30:50 | |
-Just £5 under the bottom estimate. -Not bad. | 0:30:50 | 0:30:52 | |
-Are you pleased with that? -Yes. -Good. | 0:30:52 | 0:30:54 | |
-I'm a bit disappointed, I have to say. -Me too. | 0:30:54 | 0:30:57 | |
-The dealers weren't prepared to go above the £100. -No. | 0:30:57 | 0:31:00 | |
But I suppose a foxhound is not everybody's taste, is it? | 0:31:00 | 0:31:03 | |
And I'm sure it's gone to a good home somewhere, even though | 0:31:03 | 0:31:07 | |
not for quite so much as we hoped. | 0:31:07 | 0:31:10 | |
Well said, Gwen. We're glad of the £95. | 0:31:10 | 0:31:13 | |
Next it's the sterling silver powder compact with the Taj Mahal design, | 0:31:13 | 0:31:18 | |
still in its presentation box. | 0:31:18 | 0:31:20 | |
Will it find any eager bidders here today? | 0:31:20 | 0:31:24 | |
There are compact collectors, regardless of whether people still use them for compacts. | 0:31:24 | 0:31:28 | |
People do like these. | 0:31:28 | 0:31:29 | |
So, Jonty, what do we want for this? | 0:31:29 | 0:31:32 | |
I put £20-£40 on this one | 0:31:32 | 0:31:33 | |
and I've seen whole boxes of compacts sell for £20-£40. | 0:31:33 | 0:31:37 | |
So this is special. | 0:31:37 | 0:31:38 | |
And sterling silver. Must be £20. £20 for it? | 0:31:38 | 0:31:42 | |
Bid at £20. 21, 22, 25. | 0:31:42 | 0:31:45 | |
28, 30, 32. | 0:31:45 | 0:31:47 | |
At 30, £30, 32. 35. | 0:31:47 | 0:31:50 | |
I'll come back to you. 35. 38. | 0:31:50 | 0:31:53 | |
They're fighting for it. | 0:31:53 | 0:31:55 | |
-It's good, isn't it? -It's a bidding war. -50. | 0:31:55 | 0:31:58 | |
£48. Anyone 50? 50. 52 now. 52. 55. | 0:31:58 | 0:32:03 | |
58, 60. At £58. I see it at £58. Selling for 58. | 0:32:03 | 0:32:08 | |
£58, are we done? Last chance. All done. | 0:32:08 | 0:32:11 | |
-£58. -That's good. -Brilliant. -It is, isn't it? | 0:32:11 | 0:32:15 | |
And the classic thing that always makes the price move upwards, three people bidding. | 0:32:15 | 0:32:20 | |
An excellent result there, thanks to a small bidding war. | 0:32:20 | 0:32:24 | |
So how are we doing now at the midway point in our auction? | 0:32:24 | 0:32:27 | |
We're halfway through your lots. Still got quite a few to come, | 0:32:28 | 0:32:31 | |
-including the lady's fob watch. -Yeah. | 0:32:31 | 0:32:34 | |
-Well, so far, we've banked £247. -That's great. | 0:32:34 | 0:32:37 | |
That's a nice number of hot stone massages. | 0:32:37 | 0:32:40 | |
Just reminded myself I must book myself in for one. | 0:32:40 | 0:32:43 | |
We've got a bit of a break until your next lot, | 0:32:43 | 0:32:45 | |
-so do you want to follow me? -Yeah. -Will do. | 0:32:45 | 0:32:49 | |
As we take a short break, a word of advice | 0:32:49 | 0:32:52 | |
if you've been inspired to try buying or selling your items in this way. | 0:32:52 | 0:32:55 | |
It's worth noting auction houses charge fees such as commission, | 0:32:55 | 0:32:59 | |
but your local sale room will advise you on these extra costs. | 0:32:59 | 0:33:03 | |
As ever, Jonty is looking over the lots on display in search | 0:33:03 | 0:33:07 | |
of good deals to share with us. | 0:33:07 | 0:33:08 | |
He's never given up hope of finding a missing old master, bless him! | 0:33:08 | 0:33:13 | |
Now, that's what I call a bottle of champagne, Jonty! | 0:33:13 | 0:33:16 | |
And thank you so much. It was so generous of you to get this for me. | 0:33:16 | 0:33:19 | |
-I think it works out about 12 bottles in all, doesn't it? -Yes. | 0:33:19 | 0:33:22 | |
There's 12 bottles in there, and it really has to be one of the biggest bottles of champagne | 0:33:22 | 0:33:26 | |
I've ever seen. It's got a name. It's a Salmanazar, | 0:33:26 | 0:33:30 | |
named after an Assyrian leader from 1250 BC, but a great name as well. | 0:33:30 | 0:33:35 | |
Of course, absolutely. | 0:33:35 | 0:33:37 | |
It's a vineyard that you really can go back all the way to the beginning of the 18th century. | 0:33:37 | 0:33:42 | |
-Still family-owned. -And is it signed there? -Yes. Igor Judge. | 0:33:42 | 0:33:47 | |
Great name, because he is the Lord Chief Justice. | 0:33:47 | 0:33:50 | |
Was this a presentation piece? | 0:33:50 | 0:33:52 | |
It...well, not necessarily a presentation. | 0:33:52 | 0:33:55 | |
-These are sold...these are sold on the open market. -Right. | 0:33:55 | 0:33:58 | |
I have no idea what the open market price is, but in the catalogue, | 0:33:58 | 0:34:01 | |
it's £200-£300, | 0:34:01 | 0:34:03 | |
which I think is reasonable, | 0:34:03 | 0:34:04 | |
because, as you pointed out, there are 12 bottles in there as well. | 0:34:04 | 0:34:08 | |
Of course the problem is, | 0:34:08 | 0:34:09 | |
once you have opened it, you have got to drink it all. | 0:34:09 | 0:34:12 | |
-Is that a problem? -No! | 0:34:12 | 0:34:14 | |
THEY LAUGH | 0:34:14 | 0:34:17 | |
Sadly, I am still as sober as the judge who signed it, | 0:34:17 | 0:34:19 | |
because that rare bottle sold in auction for £400. | 0:34:19 | 0:34:24 | |
We've still plenty to come on Gwen's sale. | 0:34:25 | 0:34:29 | |
For instance, her father's silver hip flask dating from 1926. | 0:34:29 | 0:34:34 | |
Now, our next lot is the silver hip flask. | 0:34:36 | 0:34:38 | |
It's engraved with initials on the front. | 0:34:38 | 0:34:40 | |
-Whose initials are they? -No-one we knew. | 0:34:40 | 0:34:43 | |
My father bought it in an antique shop to take with him | 0:34:43 | 0:34:45 | |
to the rugby matches, so, er... | 0:34:45 | 0:34:48 | |
So I won't bother asking whether it was filled or not. | 0:34:48 | 0:34:51 | |
Obviously, it must have been! Jonty, how much for this? | 0:34:51 | 0:34:54 | |
£40-£60. It's a very reasonable estimate that I've put on it, | 0:34:54 | 0:34:58 | |
so it should do much better than that. | 0:34:58 | 0:35:00 | |
Number 238. What's it worth? £40 for it? | 0:35:00 | 0:35:03 | |
-Bid at £40. 42. -Straight in at £40. | 0:35:04 | 0:35:07 | |
45, 48, 50. 50, 55. 60. 5. | 0:35:07 | 0:35:11 | |
-Ooh, that's good. -5. | 0:35:11 | 0:35:13 | |
65. New bidder. 70. 5. 80. | 0:35:13 | 0:35:18 | |
At £75 here. 80 over there. | 0:35:19 | 0:35:20 | |
-80 again new bidder. 85. -Wow. | 0:35:20 | 0:35:23 | |
At £80. At £85. 80, all done? For £80 and going. You've got it. | 0:35:23 | 0:35:27 | |
£80 and gone. | 0:35:27 | 0:35:29 | |
-That's not bad, is it? -Yeah. -£80? | 0:35:29 | 0:35:31 | |
Double my bottom end estimate. | 0:35:31 | 0:35:33 | |
-Brilliant. -That's good. Really good. | 0:35:33 | 0:35:35 | |
My taste isn't really for brandy or whisky from a hip flask, | 0:35:35 | 0:35:38 | |
so it seemed appropriate to sell it. | 0:35:38 | 0:35:41 | |
And we were really pleased, because it did much better than we expected. | 0:35:41 | 0:35:44 | |
£80 brings us a nice warm glow, as it probably did for Gwen's father | 0:35:44 | 0:35:49 | |
at the rugby all those years ago. | 0:35:49 | 0:35:51 | |
Next up, it's that export silverware | 0:35:51 | 0:35:53 | |
which Gwen brought back from Singapore. | 0:35:53 | 0:35:56 | |
We're hoping for £100-£150. | 0:35:56 | 0:35:58 | |
Now, of course, as we all know, | 0:35:58 | 0:36:00 | |
recently, Chinese ceramics have been doing rather well. | 0:36:00 | 0:36:04 | |
So can we expect millions for this, Jonty? | 0:36:04 | 0:36:07 | |
-Yeah, hundreds of millions, I think. -Oh, that would be nice, wouldn't it? -That would be very nice. | 0:36:07 | 0:36:11 | |
It's going to be so fascinating to see what's going to happen | 0:36:11 | 0:36:16 | |
with Chinese silver. | 0:36:16 | 0:36:17 | |
-It's made there and brought here, wasn't it? -That's right. | 0:36:17 | 0:36:20 | |
Exported to this country | 0:36:20 | 0:36:21 | |
and now will it find its way back to the Far East? | 0:36:21 | 0:36:24 | |
Interesting. | 0:36:24 | 0:36:25 | |
Number 237A. £100. I'm bid £100. £100. That's the way to do it. £100. | 0:36:26 | 0:36:30 | |
We want 110. Bid at £100. | 0:36:30 | 0:36:31 | |
-Has he got £100? -Is that the lot? £100. 110. -Oh, no. | 0:36:31 | 0:36:36 | |
-110. -120. 130. | 0:36:36 | 0:36:39 | |
140, 150. We'll do it 140, 150, 140. We are all out and going. | 0:36:39 | 0:36:44 | |
All done at 140. | 0:36:44 | 0:36:46 | |
-£140. -That's not bad. -That's good. | 0:36:46 | 0:36:49 | |
These silver mementos are so well travelled | 0:36:50 | 0:36:53 | |
I wonder where they'll go now. | 0:36:53 | 0:36:55 | |
Moving along, and we've the Japanese eggshell porcelain tea set, | 0:36:55 | 0:36:58 | |
which Jonty valued at £20-£40. | 0:36:58 | 0:37:01 | |
£20 for it? | 0:37:01 | 0:37:03 | |
£10 for it? Thank you. I'm bid £10. 12? £10. | 0:37:04 | 0:37:09 | |
So far I'm bid £10. Give me 12? At £10. | 0:37:09 | 0:37:12 | |
All done at £10? Who else wants it at £10? 11 for it? | 0:37:12 | 0:37:15 | |
At £10 and going. | 0:37:15 | 0:37:16 | |
It's gone, a tenner. | 0:37:17 | 0:37:19 | |
It might be our worst one, I reckon. | 0:37:19 | 0:37:21 | |
Well, the set was incomplete, so it's to be expected. | 0:37:21 | 0:37:24 | |
Surely these dressy Parisians can do a little better? | 0:37:24 | 0:37:28 | |
They're late 19th-century | 0:37:28 | 0:37:30 | |
bisque porcelain figurines - wedding presents, which used | 0:37:30 | 0:37:33 | |
to sit on the mantelpiece in Gwen's great-grandparents' house. | 0:37:33 | 0:37:36 | |
Now, our next lot, | 0:37:36 | 0:37:38 | |
I really like, although slightly old-fashioned, I have to say. | 0:37:38 | 0:37:41 | |
-Grimacing already. -They're a bit chintzy. -It's very interesting. | 0:37:41 | 0:37:45 | |
Everyone's picked up on them being not so fashionable right now. | 0:37:45 | 0:37:48 | |
Times have changed, times have moved on. | 0:37:48 | 0:37:50 | |
Having said that, they're in perfect condition. | 0:37:50 | 0:37:53 | |
They're a good size, so they are still worth the money. | 0:37:53 | 0:37:56 | |
I put £100-£200 on them. | 0:37:56 | 0:37:58 | |
What's it worth for the pair? £100? | 0:37:58 | 0:38:00 | |
£100 for the pair? £100? | 0:38:00 | 0:38:02 | |
£50? | 0:38:02 | 0:38:03 | |
-Jonty... -Nobody wants them. -..you've seriously undervalued us! | 0:38:03 | 0:38:08 | |
60, 5, 70, 5, 70. Bid at £70. | 0:38:08 | 0:38:12 | |
Are we done? At £70. That's the bid, are you out? | 0:38:12 | 0:38:15 | |
At £70, you out? Saying all done. For £70, sir, you got them. | 0:38:15 | 0:38:20 | |
-£70. -He missed one, I think. -No, that was the buyer. | 0:38:20 | 0:38:23 | |
-Oh, it was. -Yes. | 0:38:23 | 0:38:25 | |
Stay with it, Emma! | 0:38:25 | 0:38:27 | |
£70 was a bit lower than we wanted, | 0:38:27 | 0:38:30 | |
but Gwen is happy to see them go. | 0:38:30 | 0:38:33 | |
Gwen's great-grandmother was a well-to-do shopkeeper in Pontypool, South Wales, | 0:38:33 | 0:38:38 | |
where she purchased this nine-carat gold French fob watch. | 0:38:38 | 0:38:40 | |
We're hoping it could be £200-£300. | 0:38:40 | 0:38:43 | |
I know you're quite fond of this watch, aren't you? | 0:38:45 | 0:38:48 | |
Why is this piece so special to you? | 0:38:48 | 0:38:51 | |
It was my great-grandmother's, and I think it's actually quite pretty, | 0:38:51 | 0:38:54 | |
although I've never worn it myself. But I think it looks lovely | 0:38:54 | 0:38:58 | |
in its little case with the key. | 0:38:58 | 0:39:00 | |
Just a nice little piece. | 0:39:00 | 0:39:03 | |
What are we doing about this in terms of price, Jonty? | 0:39:03 | 0:39:05 | |
We've got our reserve of £200, and it is worth the £200. | 0:39:05 | 0:39:10 | |
I think you're correct to leave that figure on it. If we don't get there, | 0:39:10 | 0:39:15 | |
-you take it back. You haven't lost anything. -No. | 0:39:15 | 0:39:18 | |
The fob watch, £200 for it. | 0:39:18 | 0:39:20 | |
£150, going for 150. | 0:39:22 | 0:39:24 | |
150 for it, I'll pass it up. Nobody at 150? | 0:39:25 | 0:39:28 | |
Ooh, dearie me. Carry on. | 0:39:28 | 0:39:30 | |
-Right. -How about that, no bids? | 0:39:30 | 0:39:32 | |
-It's not meant to be. -Maybe I'll get a chain and wear it now instead. | 0:39:32 | 0:39:36 | |
-That'll be nice. -Yes. | 0:39:36 | 0:39:38 | |
It's also nice if it does stay in the family, given that long connection with it. | 0:39:38 | 0:39:42 | |
So, the watch gets a new lease of life, | 0:39:44 | 0:39:46 | |
but how does that affect our grand total, I wonder? | 0:39:46 | 0:39:49 | |
There's just one more item to go, | 0:39:49 | 0:39:51 | |
so let's keep our fingers crossed that it attracts top bidding. | 0:39:51 | 0:39:55 | |
The next lot is this lovely ring, | 0:39:56 | 0:39:58 | |
which, I have to say, you weren't very impressed with, were you? | 0:39:58 | 0:40:01 | |
I wasn't until you explained how amazing it was, | 0:40:01 | 0:40:03 | |
and then I suddenly thought, "Gosh! Maybe we should keep it!" | 0:40:03 | 0:40:07 | |
Well, I've had a check with the auctioneer, | 0:40:07 | 0:40:10 | |
and he's rather confident that we should be fine with the estimate. | 0:40:10 | 0:40:15 | |
Telephone bid as well, commission interest | 0:40:15 | 0:40:18 | |
and a few people waiting in the room, I'm sure. £1,000 for it. | 0:40:18 | 0:40:21 | |
Bid £1,000 for it. You're looking at £1,000. | 0:40:21 | 0:40:24 | |
£1,000 in the chair. | 0:40:24 | 0:40:26 | |
1,100, 1,200. | 0:40:26 | 0:40:29 | |
1,300. | 0:40:29 | 0:40:30 | |
1,400. | 0:40:30 | 0:40:31 | |
1,500. | 0:40:31 | 0:40:33 | |
1,600. 1,700. | 0:40:33 | 0:40:35 | |
-This makes me want to keep it more. -Shall I get it out? | 0:40:35 | 0:40:39 | |
1,800. | 0:40:39 | 0:40:42 | |
1,900. 2,000. | 0:40:42 | 0:40:44 | |
£1,900. 2,000 there. 2,100. | 0:40:45 | 0:40:47 | |
Told you I had expensive taste! Cor! | 0:40:47 | 0:40:49 | |
At £2,000. | 0:40:49 | 0:40:51 | |
-That's unbelievable. -Done? At £2,000 all out. | 0:40:52 | 0:40:56 | |
Anybody else wants to come back in at £2,000? Your bid, sir, at £2,000. | 0:40:56 | 0:41:00 | |
-Yes! -£2,000! | 0:41:00 | 0:41:03 | |
That's really amazing, that's impressive. | 0:41:03 | 0:41:05 | |
That is just such good news, isn't it? | 0:41:05 | 0:41:08 | |
-I had that on my hand at one point! -I know you did | 0:41:08 | 0:41:11 | |
and I said, did you want to keep it? And you said no! | 0:41:11 | 0:41:15 | |
Wasn't that exciting? We've done very well today, so let's add it up | 0:41:15 | 0:41:19 | |
and reveal the final result. | 0:41:19 | 0:41:21 | |
There we go, that brings your grand total | 0:41:23 | 0:41:27 | |
to £2,547. | 0:41:27 | 0:41:31 | |
-That's amazing. -Brilliant. That's going to be one day out, isn't it? | 0:41:31 | 0:41:35 | |
-It's going to charity as well. -Well, that's really generous of you. | 0:41:35 | 0:41:39 | |
-But you're still getting your spa day out. -We still need a massage. -Brilliant. -You've got to do that. | 0:41:39 | 0:41:43 | |
I'm so pleased you said that, | 0:41:43 | 0:41:45 | |
because I was going to suggest you took Lorne and I out as well! | 0:41:45 | 0:41:48 | |
Gwen and Sara have come to Fawsley Hall in Northamptonshire for their luxury spa break. | 0:41:52 | 0:41:57 | |
Emma and her stepsister Charlotte will join them | 0:41:57 | 0:42:01 | |
for more indulgence tomorrow. | 0:42:01 | 0:42:03 | |
I'm pleased that we did so well at the auction - the main reason | 0:42:03 | 0:42:06 | |
for doing it was to raise money for charity. | 0:42:06 | 0:42:09 | |
We were able to give quite a bit of money to four charities - | 0:42:09 | 0:42:13 | |
Mind, Multiple Sclerosis, Merlin and The Octavia Foundation. | 0:42:13 | 0:42:19 | |
And we had enough money over to enjoy ourselves as well. | 0:42:19 | 0:42:22 | |
It's nice to get a weekend away, just to relax and have some nice pampering. | 0:42:26 | 0:42:31 | |
Looks like these ladies will be getting all the treats they deserve. | 0:42:31 | 0:42:36 | |
We've had pedicures, and I had a facial, and Sara had a manicure, | 0:42:36 | 0:42:40 | |
so we're very elegant and relaxed now. | 0:42:40 | 0:42:43 |