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Welcome to Cash in the Attic, the show that helps you turn those unwanted antiques | 0:00:02 | 0:00:05 | |
and collectables into something a lot more useful. | 0:00:05 | 0:00:08 | |
Today, I'm meeting a lady who wants to clear one space and fill another. | 0:00:08 | 0:00:12 | |
Coming up on Cash in the Attic. | 0:00:33 | 0:00:34 | |
I dream up a scenario we'd all like to see. | 0:00:34 | 0:00:37 | |
What about if there were two vicars in the auction, outbidding one another. | 0:00:37 | 0:00:40 | |
Absolutely desperate for that on Foot In The Wall. | 0:00:40 | 0:00:43 | |
I rescue the lady of the house from our expert Paul | 0:00:43 | 0:00:46 | |
and his rotten old jokes. | 0:00:46 | 0:00:48 | |
Well, it's not all plain sailing at auction, as you know. | 0:00:48 | 0:00:50 | |
Come on, I'm taking you away from this man. Come on, let's go. | 0:00:50 | 0:00:53 | |
Lest we ever forget I was once a choirboy. | 0:00:53 | 0:00:56 | |
So next up is a self-portrait of me in the old days. | 0:00:56 | 0:01:01 | |
I'm saying it before you guys do. | 0:01:01 | 0:01:03 | |
Get in quick before the final hammer falls. | 0:01:03 | 0:01:07 | |
We're near Reading, with someone who's hoping that her collecting | 0:01:07 | 0:01:10 | |
will help her with a fresh start. | 0:01:10 | 0:01:12 | |
Eileen Whitehead grew up in Suffolk, and managed restaurants and hotels | 0:01:12 | 0:01:17 | |
before joining the care industry. | 0:01:17 | 0:01:19 | |
Where she met her good friend Barbara, or Babs. | 0:01:19 | 0:01:23 | |
Eileen is a mother and grandmother. | 0:01:23 | 0:01:25 | |
For seven years she's been married to Mike, who has two children of his own, | 0:01:25 | 0:01:28 | |
making for some big family get-togethers. | 0:01:28 | 0:01:32 | |
Eileen loves to collect, especially wooden objects, | 0:01:32 | 0:01:35 | |
and I've heard that her new home will be a log cabin, | 0:01:35 | 0:01:37 | |
so there's quite a theme going on here. | 0:01:37 | 0:01:39 | |
Before she moves, she want us to help her declutter | 0:01:39 | 0:01:43 | |
and raise cash for some hi-tech gadgets. | 0:01:43 | 0:01:46 | |
For guidance, we'll all look to our expert Paul Hayes, | 0:01:46 | 0:01:49 | |
who has almost 30 years experience in antiques. | 0:01:49 | 0:01:52 | |
Aha! Look at you two. | 0:01:59 | 0:02:01 | |
The perfect ladies, flower-arranging. | 0:02:01 | 0:02:03 | |
Is this what you do in your spare time then? | 0:02:03 | 0:02:05 | |
-Are you Eileen? -I am. -Nice to meet you. -You too. | 0:02:05 | 0:02:07 | |
-You must be Babs. -I'm Babs. | 0:02:07 | 0:02:09 | |
Good to see you. | 0:02:09 | 0:02:10 | |
So how come you two know each other? | 0:02:10 | 0:02:12 | |
Mainly through our jobs, when we started, about 19, 20 years ago. | 0:02:12 | 0:02:15 | |
We used to meet each other, then after work go for a drink. You know, sort of seal our friendship. | 0:02:15 | 0:02:19 | |
That often seals a friendship. It can ruin some as well, | 0:02:19 | 0:02:22 | |
but there we go. Let's not get into that. | 0:02:22 | 0:02:25 | |
Why have you called us in here? | 0:02:25 | 0:02:26 | |
My husband's asked me to declutter a little bit, | 0:02:26 | 0:02:29 | |
because I collect quite a few things, and also, in a couple of years, | 0:02:29 | 0:02:32 | |
we're going to move into a log cabin which we've had built, | 0:02:32 | 0:02:35 | |
and a lot of the stuff we just can't take with us. | 0:02:35 | 0:02:37 | |
So this money's going towards the log cabin. | 0:02:37 | 0:02:39 | |
Well, for the log cabin there's a 3D TV that I'd would like. | 0:02:39 | 0:02:42 | |
Wow! She's a bit modern, isn't she. | 0:02:42 | 0:02:44 | |
-Isn't she just! -Gosh! | 0:02:44 | 0:02:45 | |
How much are you hoping to raise? | 0:02:45 | 0:02:47 | |
About £1,000. | 0:02:47 | 0:02:49 | |
Has she got a load of stuff then? | 0:02:49 | 0:02:50 | |
Oh, definitely. | 0:02:50 | 0:02:52 | |
-You didn't have think about that. Straight in there. -No, I didn't. | 0:02:52 | 0:02:55 | |
She's always had the odd bits, collectables, haven't you. | 0:02:55 | 0:02:58 | |
Oh, yes. | 0:02:58 | 0:03:01 | |
Oh, yes, got loads of stuff. | 0:03:01 | 0:03:02 | |
We're very lucky because we've got expert Paul Hayes here. | 0:03:02 | 0:03:05 | |
He's arrived with me, he's already having a good look around. | 0:03:05 | 0:03:08 | |
-So you concentrate downstairs. -OK. | 0:03:08 | 0:03:10 | |
And you follow me. Come on, Eileen. | 0:03:10 | 0:03:12 | |
-You've heard that before, haven't you. -I have. | 0:03:12 | 0:03:14 | |
Well, it seems only fair to start as we mean to go on. | 0:03:14 | 0:03:17 | |
We've got our work cut out today, so what's our first pick of the pops? | 0:03:17 | 0:03:21 | |
There's our resident expert. | 0:03:22 | 0:03:24 | |
-Hello, how are you? -Very well thank you. | 0:03:24 | 0:03:26 | |
-Nice to see you. -And you. | 0:03:26 | 0:03:27 | |
What have you found? | 0:03:27 | 0:03:28 | |
Well, I must admit I'm all at sea here, actually. | 0:03:28 | 0:03:31 | |
-See what I did there? -He's only been in the house a quarter of an hour. | 0:03:31 | 0:03:34 | |
I found a really nice watercolour. A nice marine subject. | 0:03:34 | 0:03:37 | |
Do you know where this came from? | 0:03:37 | 0:03:38 | |
I actually found it in an attic of an old hotel. | 0:03:38 | 0:03:41 | |
I asked everybody if they wanted it, they said "no", so I said "thanks". | 0:03:41 | 0:03:44 | |
Right. It's amazing what you find in attics. | 0:03:44 | 0:03:46 | |
Do we know where that is? | 0:03:46 | 0:03:48 | |
I always thought it was Cornwall or somewhere. | 0:03:48 | 0:03:50 | |
-Is it a respected painter? -This looks like an Earp. | 0:03:50 | 0:03:53 | |
Can you see that? E-A-R-P. | 0:03:53 | 0:03:55 | |
Now Henry Earp was a prolific painter, but they were a family of painters, | 0:03:55 | 0:03:58 | |
and they painted down the Devon and Cornwall coast. | 0:03:58 | 0:04:01 | |
-It's recognisable by this mountain that juts out into the sea. -Well done. | 0:04:01 | 0:04:05 | |
But they also have that in Kent as well. I've seen that in Broadstairs. | 0:04:05 | 0:04:09 | |
And the family painted the North East as well. | 0:04:09 | 0:04:11 | |
But very much a prolific painter. | 0:04:11 | 0:04:14 | |
The idea was if you visited these seaside towns, | 0:04:14 | 0:04:16 | |
or you were interested in boats, like yourself, | 0:04:16 | 0:04:19 | |
you could buy these wonderful marine watercolours. | 0:04:19 | 0:04:22 | |
And the only reason I knew it was an Earp, | 0:04:22 | 0:04:23 | |
it's very recognisable by the light blue skyline. | 0:04:23 | 0:04:26 | |
Is it original? | 0:04:26 | 0:04:28 | |
This is an original watercolour. | 0:04:28 | 0:04:29 | |
They're very enjoyable items to have. This for me sums up the mid-19th century. | 0:04:29 | 0:04:33 | |
You have a marinescape here which are always popular, | 0:04:33 | 0:04:35 | |
but we have a transitional ship here. | 0:04:35 | 0:04:37 | |
Can you see that? | 0:04:37 | 0:04:39 | |
That's half-steam, half-sail, so that dates it maybe 1850, | 0:04:39 | 0:04:43 | |
just at the time when they were transferring over to steam engines. | 0:04:43 | 0:04:46 | |
So, go on then, how much is it worth? | 0:04:46 | 0:04:49 | |
His work can range from £100-£300, that sort of price range, | 0:04:49 | 0:04:54 | |
so I think for an auction estimate, | 0:04:54 | 0:04:55 | |
if I said £100-£150, to give it a chance. | 0:04:55 | 0:04:57 | |
I'm sure if someone picks up on the artist, | 0:04:57 | 0:05:00 | |
there's a good chance of getting a good price for it. | 0:05:00 | 0:05:02 | |
Good. | 0:05:02 | 0:05:03 | |
But it's not all plain sailing at auction, as you know. | 0:05:03 | 0:05:06 | |
Come on, I'm taking you away from this man. Come on, let's go. | 0:05:06 | 0:05:09 | |
£100-£150 is a chunky start, so we'll forgive Paul - for now. | 0:05:09 | 0:05:14 | |
Babs is upstairs in the master bedroom, | 0:05:14 | 0:05:16 | |
where she selected this locket on a chain. | 0:05:16 | 0:05:19 | |
The locket is set with moss agate and poppy jasper plaques, | 0:05:19 | 0:05:24 | |
but the belcher chain is Victorian gold. | 0:05:24 | 0:05:27 | |
Paul values the item at £100-£150, | 0:05:27 | 0:05:30 | |
before picking up an Italian lady he's been admiring in the lounge. | 0:05:30 | 0:05:34 | |
Eileen. Where have these figures come from? | 0:05:37 | 0:05:40 | |
These came from a shop we nicknamed the House of Horrors. | 0:05:40 | 0:05:43 | |
Right. | 0:05:43 | 0:05:44 | |
It was outside a restaurant of mine. | 0:05:44 | 0:05:47 | |
They sold awful things, like blue ducks with gold beaks. | 0:05:47 | 0:05:51 | |
The girl came in one day and said "I don't have a job any more, he's going to close it." | 0:05:51 | 0:05:55 | |
I said "Oh dear, what's he going to do with everything?" | 0:05:55 | 0:05:58 | |
She said I'm going to get what I can for it." | 0:05:58 | 0:05:59 | |
I said "OK, I'll give you a pound for that" and she said "Fine." | 0:05:59 | 0:06:03 | |
I said "This one, I'll give you 99p" and I got it for 1.99. | 0:06:03 | 0:06:07 | |
-So that was a complete bargain. 1.99 for the pair. -1.99 for the pair. | 0:06:07 | 0:06:12 | |
You know, you hit the nail on the head there when you said restaurant. | 0:06:12 | 0:06:16 | |
This is exactly the sort of thing you'd find in a restaurant or a hotel. | 0:06:16 | 0:06:20 | |
Anywhere that has a large area. | 0:06:20 | 0:06:22 | |
And the idea was really they'd just fill a space. | 0:06:22 | 0:06:25 | |
But they're Italian, and they're copied from the original Meissen, which is German porcelain. | 0:06:25 | 0:06:30 | |
These figures would have been identical to ones made 1750s, 1800s, that sort of time. | 0:06:30 | 0:06:35 | |
But you can tell by the casting these are very modern. | 0:06:35 | 0:06:37 | |
On the originals you see every eyelash, every fingernail, that sort of thing. | 0:06:37 | 0:06:41 | |
These are very norm, as they call them in the trade. | 0:06:41 | 0:06:43 | |
So I'd say maybe 1950s or even later. Capodimonte Italian pottery. | 0:06:43 | 0:06:48 | |
I noticed this one has been a little bit damaged. | 0:06:48 | 0:06:51 | |
She's been broken twice actually. I think she broke an arm or something, | 0:06:51 | 0:06:54 | |
-but I had her restored and she got nudged again. -OK. | 0:06:54 | 0:06:57 | |
Well, these are only ever really bought for decorative value, | 0:06:57 | 0:07:01 | |
and I can see a nice pair of vases, | 0:07:01 | 0:07:03 | |
somebody that just wants them to fill a wall, really, or fill a gap. | 0:07:03 | 0:07:06 | |
I think you could be approaching £30 to £50. | 0:07:06 | 0:07:09 | |
-So I made a profit. -You made a massive profit. | 0:07:09 | 0:07:11 | |
If you did that every day you'd be laughing. | 0:07:11 | 0:07:13 | |
-Good profit! -See they don't get damaged any more - | 0:07:13 | 0:07:16 | |
-leave them somewhere safe, and let's keep looking. -OK. | 0:07:16 | 0:07:20 | |
The Capodimonte-style figurines could make a very nice profit for Eileen. | 0:07:21 | 0:07:26 | |
But we'll need something more substantial | 0:07:26 | 0:07:28 | |
if we're to make the £1,000 target. | 0:07:28 | 0:07:30 | |
While Paul cracks on with the search, | 0:07:30 | 0:07:33 | |
I want to hear more about these two friends, and their work together. | 0:07:33 | 0:07:36 | |
Well, we both belonged to an agency, and we were taught care | 0:07:36 | 0:07:39 | |
and you have quite a lot of training to do in it, and things. | 0:07:39 | 0:07:43 | |
Babs primarily stayed in the office environment, and I went | 0:07:43 | 0:07:46 | |
out into the field, to deal with clients and staff out in the field. | 0:07:46 | 0:07:50 | |
-Is it a fulfilling job? -Oh, yes, it is very fulfilling. | 0:07:50 | 0:07:54 | |
You sometimes see people right through to the end of their lives, | 0:07:54 | 0:07:58 | |
and you try and give them some sort of comfort. | 0:07:58 | 0:08:00 | |
Other people, you see them get better and sort of progress. So yes, it is. | 0:08:00 | 0:08:04 | |
-How about you, Babs? Do you like your job? -I do. | 0:08:04 | 0:08:07 | |
It's just the sense of achievement that you've done what is necessary. | 0:08:07 | 0:08:11 | |
We work with Social Services as well, so it's quite intense. | 0:08:11 | 0:08:14 | |
Well, it's obvious that you enjoy working together - | 0:08:14 | 0:08:17 | |
I presume you play together as well? | 0:08:17 | 0:08:20 | |
Oh, Babs and I like to play! | 0:08:20 | 0:08:22 | |
Some serious playing, then. What sort of things do you get up to? | 0:08:22 | 0:08:26 | |
We have a little drink now and then, and we like to go out. | 0:08:26 | 0:08:28 | |
And we've been on a couple of holidays together, little tiny ones. | 0:08:28 | 0:08:32 | |
So where have you been on holiday so far? | 0:08:32 | 0:08:34 | |
We went to Bruges with my mother, step-daughter and myself | 0:08:34 | 0:08:37 | |
and then we went to Sweden when my husband was over there, didn't we? | 0:08:37 | 0:08:41 | |
-That was good. -We have, we go here and there. | 0:08:41 | 0:08:45 | |
We have a get-together with four of us. | 0:08:45 | 0:08:47 | |
-Sit here, have a laugh and a drink. -A couple of others join us. | 0:08:47 | 0:08:50 | |
I couldn't cope with four of you! | 0:08:50 | 0:08:51 | |
Two of you is bad enough! All this is going to change when you move. | 0:08:51 | 0:08:54 | |
Only to a degree because where we're going to, it's not that far away. | 0:08:54 | 0:08:58 | |
It's only about an hour and-a-half to two hours. | 0:08:58 | 0:09:01 | |
There's plenty of room for Babs and Ken, her husband, to come and stay | 0:09:01 | 0:09:05 | |
and then we'll come down here anyway so it's just a road, isn't it? | 0:09:05 | 0:09:09 | |
How about you, Babs? Are you willing to drive an hour and-a-half? | 0:09:09 | 0:09:12 | |
-Don't worry, I'll be going. -Are you going to miss her? | 0:09:12 | 0:09:15 | |
Yes, I will miss her. Yes. | 0:09:15 | 0:09:17 | |
But we'll see each other quite a lot and it will be quality time. | 0:09:17 | 0:09:21 | |
She can come and stay with me and I can come up here. | 0:09:21 | 0:09:23 | |
Did you not consider putting the log cabin here? | 0:09:23 | 0:09:26 | |
LAUGHTER | 0:09:26 | 0:09:28 | |
Well, listen, you want £1,000 to put towards that log cabin | 0:09:28 | 0:09:31 | |
and hopefully a 3D TV. | 0:09:31 | 0:09:33 | |
So I think we should get on with it. | 0:09:33 | 0:09:35 | |
Also, Paul's probably wondering where we are so come on. Let's go. | 0:09:35 | 0:09:39 | |
Eileen inherited her father's passion for boats and looking around | 0:09:39 | 0:09:43 | |
her collectables, there's often a maritime theme. | 0:09:43 | 0:09:46 | |
Paul's just found a good example of that. | 0:09:46 | 0:09:48 | |
20th-century wooden sailing ships, trawlers and accompanying figures. | 0:09:48 | 0:09:54 | |
He prices the assortment at £100-£200 | 0:09:54 | 0:09:56 | |
before joining Babs up in the spare room. | 0:09:56 | 0:10:00 | |
I tell you something, there's lots of dolls, teddy bears and things. | 0:10:02 | 0:10:05 | |
-She likes her dolls. -She does. -What do you think of this? | 0:10:05 | 0:10:09 | |
Let's have a closer look. | 0:10:09 | 0:10:12 | |
Is that something she made, or had made for her? | 0:10:12 | 0:10:16 | |
It was a friend of hers had a large one and had a miniature made for her because she liked it so much. | 0:10:16 | 0:10:22 | |
It's a miniature chaise longue, that translates as a long chair. | 0:10:22 | 0:10:25 | |
Has it been bought for a window display or something about? | 0:10:25 | 0:10:30 | |
No. I think she just liked it and wanted one. | 0:10:30 | 0:10:32 | |
This has a multitude of uses. I've seen these in jeweller's windows, | 0:10:32 | 0:10:37 | |
covered in velvet with some nice gold items. | 0:10:37 | 0:10:40 | |
It's a very visual prop | 0:10:40 | 0:10:42 | |
but of course you can use it for your teddy bear or doll as well. | 0:10:42 | 0:10:45 | |
So this was made for her. Was it deliberately for that teddy bear? Or just for display? | 0:10:45 | 0:10:51 | |
I think it was for display, she just keeps the teddy bear on there now. | 0:10:51 | 0:10:54 | |
-How long ago was that, do you think? -Quite a few years ago. | 0:10:54 | 0:10:57 | |
I can't remember exactly but she's had it a very long time. | 0:10:57 | 0:11:00 | |
-So it's 20th century? -At least. | 0:11:00 | 0:11:02 | |
But it would be part of a salon suite. You'd have a chaise longue, | 0:11:02 | 0:11:08 | |
a stool, two side chairs, a settee, | 0:11:08 | 0:11:10 | |
and this would all be in your parlour, your best room in a Victorian house. | 0:11:10 | 0:11:14 | |
If I said around £50 mark, 40-60, how does that sound? | 0:11:14 | 0:11:19 | |
-It sounds good. -I think it's the only chaise longue | 0:11:19 | 0:11:23 | |
I've managed to carry on my own. | 0:11:23 | 0:11:24 | |
We'll soon discover if the only chaise longue you can carry | 0:11:24 | 0:11:28 | |
single-handed will tempt these bidders at the auction. | 0:11:28 | 0:11:32 | |
Being modelled there by Amy on our right. Lot 44. | 0:11:32 | 0:11:35 | |
At 55, 60, 70. | 0:11:35 | 0:11:38 | |
Shame to unseat the teddy, but it could do very well. | 0:11:40 | 0:11:43 | |
It looks as if Eileen's Berkshire home | 0:11:45 | 0:11:47 | |
has many more collectibles still to show up. | 0:11:47 | 0:11:49 | |
We're only a third of the way to our target | 0:11:49 | 0:11:52 | |
so perhaps we need to get more aggressive with our hunt. | 0:11:52 | 0:11:55 | |
Scary, aren't I? | 0:11:57 | 0:11:59 | |
The next item is closer to home, | 0:11:59 | 0:12:01 | |
an oil on-board portrait of a sweet little chorister. | 0:12:01 | 0:12:04 | |
I know what you're thinking, but this was painted in the 1950s | 0:12:04 | 0:12:07 | |
and I'm not sweet. Paul reckons it may be worth between 60 and £80. | 0:12:07 | 0:12:14 | |
Heading out to the Conservatory he goes on to find more evidence | 0:12:14 | 0:12:17 | |
of Eileen's collecting streak. | 0:12:17 | 0:12:19 | |
Or should I say competitive streak? | 0:12:19 | 0:12:22 | |
-Hi, Paul, I see you found my games then. -These are great. | 0:12:24 | 0:12:28 | |
-Who collected all these? -Me. -You've got quite a collection of lovely toys. Are you a chess fan? | 0:12:28 | 0:12:33 | |
-No. -You don't play at all? -I don't play, my father used to play. | 0:12:33 | 0:12:36 | |
I just got little figurines and the little men. | 0:12:36 | 0:12:41 | |
Where would you have got these from? | 0:12:41 | 0:12:44 | |
Car boot sales, charity shops, sometimes antique places. | 0:12:44 | 0:12:47 | |
-So these you bought for ornamentation? -Yes. | 0:12:47 | 0:12:52 | |
These are a nice set, you've got four similar sets of chess pieces. | 0:12:52 | 0:12:57 | |
These represent ivory, ebony, sandalwood and boxwood. | 0:12:57 | 0:13:01 | |
These are like a plastic resin. You can see the seam up the side. | 0:13:01 | 0:13:06 | |
They're decorative value only, not like a precious material. | 0:13:06 | 0:13:09 | |
Chess is one of the oldest games, it goes back to ancient India. | 0:13:09 | 0:13:13 | |
They used to represent their armies using elephants and so on. | 0:13:13 | 0:13:17 | |
-Have any of these got the boards with them? -I have some of them. | 0:13:17 | 0:13:23 | |
That's important when you come to sell. We also have some skittles here. They are great. | 0:13:23 | 0:13:27 | |
-Do you ever play with these? -I have. | 0:13:27 | 0:13:30 | |
These ones I used to play with the children when they were young. | 0:13:30 | 0:13:34 | |
They are great fun. | 0:13:34 | 0:13:36 | |
They are the only games you can play that don't involve batteries | 0:13:36 | 0:13:40 | |
and computers these days. | 0:13:40 | 0:13:42 | |
It is nice to see that. You have quite a collection here. | 0:13:42 | 0:13:45 | |
I love the skittles, these chess sets. | 0:13:45 | 0:13:48 | |
If we say £20 a set for those. It's quite a lot of money. | 0:13:48 | 0:13:53 | |
-I could easily see 100-250 on this shelf. -That doesn't sound too bad. | 0:13:53 | 0:14:00 | |
-I think we could do quite well actually. -Oh, good. | 0:14:00 | 0:14:04 | |
Great! Let's hope those pack a whopper. Let's keep looking. | 0:14:04 | 0:14:10 | |
The skittles and chess pieces could play out very nicely in the auction. | 0:14:10 | 0:14:14 | |
100 to £150 would be a real boost. | 0:14:14 | 0:14:19 | |
Eileen has what you might call "eclectic" tastes | 0:14:19 | 0:14:21 | |
and here's another example of just that. | 0:14:21 | 0:14:23 | |
An antique glass perfume bottle. | 0:14:23 | 0:14:26 | |
It has a silver collar which is a plus but there is slight damage which affects the price. | 0:14:26 | 0:14:33 | |
Paul values it at 20 to £30. | 0:14:33 | 0:14:36 | |
-So I you a hoarder, or collector? -Definitely a collector. | 0:14:36 | 0:14:40 | |
Since when have you been collecting? | 0:14:40 | 0:14:42 | |
-About 30 years. Really? -Did you start with one particular object? | 0:14:42 | 0:14:46 | |
No, I just like unusual bits and pieces. | 0:14:46 | 0:14:49 | |
I put them in the loft, in the shed, everywhere. | 0:14:49 | 0:14:52 | |
But, I change them around a bit. I don't like getting to bored. | 0:14:52 | 0:14:56 | |
Lots of books and ships. | 0:14:56 | 0:14:59 | |
Because my father liked the sea, the river, he was always sailing, | 0:14:59 | 0:15:03 | |
always had a boat of some sort. | 0:15:03 | 0:15:06 | |
I grew up with them and just came to like them. | 0:15:06 | 0:15:10 | |
-It seems family is very important to you. -They are. | 0:15:10 | 0:15:13 | |
-What about this new property? A log cabin. It sounds unusual. -It is. | 0:15:13 | 0:15:18 | |
My husband lived in one for a year and liked it so much | 0:15:18 | 0:15:22 | |
that he convinced me that I would like to, which I do. | 0:15:22 | 0:15:25 | |
It has a little country club next door to it so we belong to that. | 0:15:25 | 0:15:28 | |
So, I agreed to go up there. | 0:15:28 | 0:15:31 | |
The problem came when I have all these things in this house that I've got to get rid of. | 0:15:31 | 0:15:34 | |
-Are you nervous, or excited? -Excited, not nervous at all. | 0:15:34 | 0:15:39 | |
Have you explored the new area? | 0:15:39 | 0:15:42 | |
I know the area quite well because I come from Suffolk. | 0:15:42 | 0:15:45 | |
I used to work in Cambridge and I know the Fens, Norfolk, | 0:15:45 | 0:15:48 | |
my husband got to know it and he likes it. | 0:15:48 | 0:15:49 | |
-It's very flat. -It's very flat. They grow a lot of vegetables. | 0:15:49 | 0:15:53 | |
What about this TV? Where did that come from? 3D, as well! | 0:15:53 | 0:15:57 | |
The television we have, to me, is quite an old television. | 0:15:57 | 0:16:01 | |
And I see all these flat-screen ones, and my husband says, "No, that TV works perfectly fine." | 0:16:01 | 0:16:05 | |
So when we move, | 0:16:05 | 0:16:07 | |
we've got to have a flat-screen one. I want this 3D one. | 0:16:07 | 0:16:11 | |
You'll have to put 3D glasses on, aren't you? | 0:16:11 | 0:16:13 | |
-I don't mind. -It will ruin your hair. -I don't care. -I love watching films! | 0:16:13 | 0:16:18 | |
-What sort of films? -Crime films and documentaries, things like that. | 0:16:18 | 0:16:24 | |
If you need that flat-screen TV we need to raise at least £1,000. | 0:16:24 | 0:16:29 | |
We also need the money so you can get a few more collectibles to put in to your log cabin! | 0:16:29 | 0:16:33 | |
Let's go. Wonder where Babs is? | 0:16:33 | 0:16:35 | |
Babs is actually is at the foot of the stairs where she's found some continental porcelain figures. | 0:16:35 | 0:16:39 | |
The bust of a little lady has no identifying markings, | 0:16:39 | 0:16:43 | |
but there's an anchor symbol from the Chelsea Porcelain Factory on the figurines. | 0:16:43 | 0:16:47 | |
There is damage to the boy, so taking that into account | 0:16:47 | 0:16:50 | |
the estimate is a surprisingly optimistic 80 to £120. | 0:16:50 | 0:16:55 | |
Now for some holy icons but with a real sentimental value. | 0:16:55 | 0:17:01 | |
This is quite unusual. What have we got here? | 0:17:01 | 0:17:03 | |
These are two Stations Of The Cross, there are 14 Stations Of The Cross. | 0:17:03 | 0:17:07 | |
They are in my family, members of mine who were a count and countess. | 0:17:07 | 0:17:11 | |
When the count died, his wife commissioned 14 of these to go in his chapel in Ireland | 0:17:11 | 0:17:18 | |
and the chapel was burnt and these are the two remaining ones which are from my father's bedroom. | 0:17:18 | 0:17:22 | |
-Amazing detail. -It is quite fascinating. | 0:17:22 | 0:17:26 | |
So this is Christ on the cross and this...coming down off the cross? | 0:17:26 | 0:17:30 | |
Going down, or going up, I'm not sure which way they go round. | 0:17:30 | 0:17:33 | |
I know a man who will. Paul? Come and have a look at this. | 0:17:33 | 0:17:37 | |
-They are nice. Look at that. -Amazing, isn't it? | 0:17:37 | 0:17:40 | |
-How many have you got? -Two. -They are very ecclesiastical. | 0:17:40 | 0:17:45 | |
They have obviously been in a church at some point. | 0:17:45 | 0:17:48 | |
-I take it, these are the Stations Of The Cross? -It is, yes. | 0:17:48 | 0:17:50 | |
There should be 14 in the series. | 0:17:50 | 0:17:53 | |
They start with Christ in the Garden of Gethsemane, | 0:17:53 | 0:17:56 | |
then they finish with him being entombed. | 0:17:56 | 0:17:59 | |
-Most of these tend to be French, or Italian? -They are Italian. -OK. They are either one of the two. | 0:17:59 | 0:18:04 | |
What would happen, is that the original would be perhaps made from bronze in this case, | 0:18:04 | 0:18:08 | |
very high in detail, | 0:18:08 | 0:18:10 | |
and they would take a cast from that bronze | 0:18:10 | 0:18:13 | |
and artist then would hand-finish them | 0:18:13 | 0:18:16 | |
-which is why every one is signed there. Can you see that? -Oh, yeah. | 0:18:16 | 0:18:19 | |
-I didn't notice that, did you? -No. -"J Rosillen". -What you reckon it's worth? | 0:18:19 | 0:18:25 | |
Without knowing the artist, I would say at least 100 to 150. | 0:18:25 | 0:18:28 | |
If the artist turned out be good, they could be worth quite a lot of money. | 0:18:28 | 0:18:32 | |
Are you willing to sell it? | 0:18:32 | 0:18:33 | |
No, they belong to my father and I'm quite fond of them. | 0:18:33 | 0:18:37 | |
What if there were two vicars in the auction outbidding one another? | 0:18:37 | 0:18:40 | |
-I am desperate for that on my wall! -They'd probably put them in. | 0:18:40 | 0:18:43 | |
-We haven't got a wing or a prayer for you to sell them? -No, No. -Fair enough, they're staying. | 0:18:43 | 0:18:49 | |
Interesting though. Very nice. Let's carry on, let me put that down. We'll carry on with the rubbish. | 0:18:49 | 0:18:54 | |
Go on then, follow the man. | 0:18:54 | 0:18:57 | |
I did toy with selling them but I really like them. | 0:18:58 | 0:19:01 | |
They came from my father and they are very sentimental to me, | 0:19:01 | 0:19:05 | |
so I'll probably hang on to them for a lot of years. | 0:19:05 | 0:19:08 | |
Since those plaques aren't going into the auction | 0:19:08 | 0:19:11 | |
we really do need to get a move on. | 0:19:11 | 0:19:13 | |
More on the maritime theme now | 0:19:13 | 0:19:15 | |
as Paul finds these reproduction brass instruments. | 0:19:15 | 0:19:18 | |
Made in the Far East, they remain quite popular. | 0:19:18 | 0:19:22 | |
Paul values this collection at 100 to £200. | 0:19:22 | 0:19:25 | |
We are rapidly approaching the end of our rummage here today. | 0:19:25 | 0:19:28 | |
We are leaving no stone unturned for that juicy final object to put in the auction. | 0:19:28 | 0:19:32 | |
And typical - I think Paul's just found it. | 0:19:32 | 0:19:37 | |
Now then, Eileen. Look at that. That's the beauty, isn't it? | 0:19:37 | 0:19:42 | |
You can tell straight away that that's a gold item. | 0:19:42 | 0:19:45 | |
Is that something you've bought for yourself, or had given to you? | 0:19:45 | 0:19:48 | |
-A friend bought it for me, actually. -Special occasion? -It was Christmas. | 0:19:48 | 0:19:54 | |
It's lovely quality. Would it be fair to say maybe 20-years-old? | 0:19:54 | 0:19:59 | |
Yes. It was about the '80s, yes. | 0:19:59 | 0:20:03 | |
Is it something you still wear today? | 0:20:03 | 0:20:05 | |
-No, I don't, actually. I very rarely wear it. -Right. | 0:20:05 | 0:20:07 | |
-I forgot it was in there. -Do you know if... | 0:20:07 | 0:20:10 | |
I'm assuming it's all legal, I can see a little hallmark here. | 0:20:10 | 0:20:13 | |
Let's have a look. | 0:20:13 | 0:20:14 | |
Yeah, 375. This is 9-carat. | 0:20:14 | 0:20:17 | |
But they can't make this from pure gold. | 0:20:17 | 0:20:20 | |
If this was 24-carat gold, it would collapse and bend in your fingers, | 0:20:20 | 0:20:24 | |
so they have to mix it with other metals, | 0:20:24 | 0:20:26 | |
and that gives us our 9-carat, our 14-carat, our 18-carat. | 0:20:26 | 0:20:29 | |
-In this country we tend to use 9-carat. -Oh, good. | 0:20:29 | 0:20:32 | |
Gold's recently done tremendously well. Because of the banking crisis | 0:20:32 | 0:20:36 | |
and the world economic climate, | 0:20:36 | 0:20:38 | |
people are looking to put their money into something tangible | 0:20:38 | 0:20:42 | |
and gold has always been a great investment, | 0:20:42 | 0:20:44 | |
it's always had a resale value of at least what you paid for it. | 0:20:44 | 0:20:48 | |
But at the moment, it's at an all-time high, so an item like this | 0:20:48 | 0:20:51 | |
-that's very heavy automatically has a bullion value. -Really? | 0:20:51 | 0:20:55 | |
-Ah, guys. -Look at you. You look like the cat that got the cream. | 0:20:55 | 0:20:59 | |
I think I found a showstopper. | 0:20:59 | 0:21:01 | |
I think this will make a massive difference to our target. At auction, if I said... | 0:21:01 | 0:21:05 | |
Between £700 and £1,000 for that, how does that sound? | 0:21:05 | 0:21:08 | |
Very good, thank you. | 0:21:08 | 0:21:09 | |
-Whoa! That's amazing. -There you are, TV. | 0:21:09 | 0:21:12 | |
-That's your TV. -And a few more collectables? -Yes, that's true. | 0:21:12 | 0:21:16 | |
And where was that, in a drawer? | 0:21:16 | 0:21:18 | |
Uh, yes it was, actually. | 0:21:18 | 0:21:20 | |
That's amazing. You wanted £1,000 | 0:21:20 | 0:21:22 | |
so you've probably guessed, we're looking at a bit more than £1,000. | 0:21:22 | 0:21:25 | |
Taking Paul's lowest estimate, | 0:21:25 | 0:21:27 | |
We're looking at something in the region of... | 0:21:27 | 0:21:30 | |
£1,530. | 0:21:30 | 0:21:31 | |
-That's brilliant, isn't it? -Oh, my God. -That'd be good, wouldn't it? | 0:21:31 | 0:21:35 | |
-What can I spend the other 530 on? -Me. | 0:21:35 | 0:21:37 | |
Get in line, Babs. | 0:21:37 | 0:21:39 | |
-It's been great seeing you guys. -And you. -Nice spending time with you. | 0:21:39 | 0:21:43 | |
-See you in the auction. -OK. | 0:21:43 | 0:21:45 | |
Now, that figure included the Stations Of The Cross | 0:21:45 | 0:21:48 | |
and of course, Eileen doesn't want to sell them, | 0:21:48 | 0:21:51 | |
so our day of searching brings us a total that's much closer to £1,430. | 0:21:51 | 0:21:56 | |
Still good. Among the fascinating items headed for the sale room | 0:21:56 | 0:22:00 | |
are her 19th-century watercolour of a steamship on the coast | 0:22:00 | 0:22:04 | |
painted by Henry Earp. | 0:22:04 | 0:22:05 | |
It could make around £100-£150. | 0:22:05 | 0:22:08 | |
There's a delightful mini chaise longue | 0:22:10 | 0:22:12 | |
which used to be the home of Eileen's teddy bears, | 0:22:12 | 0:22:16 | |
a neat little piece of furniture. It could go for between £40 and £60. | 0:22:16 | 0:22:20 | |
And there's the collection of wooden games. | 0:22:20 | 0:22:22 | |
The fabulous estimate for these - £100-£150. | 0:22:22 | 0:22:26 | |
I think some of them may sell, | 0:22:27 | 0:22:29 | |
some of them might not reach the price that we want them to, | 0:22:29 | 0:22:32 | |
but they're only worth what somebody's going to pay for them. | 0:22:32 | 0:22:36 | |
That's my attitude towards things, | 0:22:36 | 0:22:38 | |
so I'm quite relaxed about it. | 0:22:38 | 0:22:40 | |
Still to come on Cash in the Attic, | 0:22:40 | 0:22:42 | |
we must play down the facts when we've got a bargain to sell. | 0:22:42 | 0:22:46 | |
Porcelain figures up next. Remind us about these. | 0:22:46 | 0:22:49 | |
Oh, these are the ones I bought for £1.99 out of a funny shop. | 0:22:49 | 0:22:53 | |
Keep your voice down! | 0:22:53 | 0:22:55 | |
She didn't really. | 0:22:55 | 0:22:57 | |
We try to remain philosophical when things don't go our way. | 0:22:57 | 0:23:01 | |
-That's a bit disappointing. -Oh, well. There we go. | 0:23:01 | 0:23:04 | |
I'm liking your attitude. "Ah, there we go. Who cares?" | 0:23:04 | 0:23:07 | |
And we care, obviously. | 0:23:07 | 0:23:08 | |
Find out just how much when the final hammer falls. | 0:23:08 | 0:23:11 | |
Well, it's just been over a week | 0:23:16 | 0:23:18 | |
since we rummaged our way around Eileen's house | 0:23:18 | 0:23:20 | |
and uncovered some wonderful items that we've brought here | 0:23:20 | 0:23:24 | |
to Sworders auctions in Stansted. | 0:23:24 | 0:23:26 | |
She's hoping to raise something like £1,000 | 0:23:26 | 0:23:28 | |
for a snazzy new television set to put in her brand-new log cabin. | 0:23:28 | 0:23:32 | |
Wouldn't it be nice if she hit her target? | 0:23:32 | 0:23:35 | |
Don't all shout at once. | 0:23:35 | 0:23:36 | |
I always think it must be odd | 0:23:36 | 0:23:38 | |
for people to see their belongings spread about the sale room. | 0:23:38 | 0:23:41 | |
Eileen and Babs are taking a final look as the sale gets under way. | 0:23:41 | 0:23:45 | |
-Hey, morning, ladies. -All right? -Hiya. | 0:23:47 | 0:23:49 | |
Saying a final goodbye to your toys? | 0:23:49 | 0:23:51 | |
Are you going to be sad to see this go? | 0:23:51 | 0:23:53 | |
Some of it, yes. This one, someone actually made that for me. | 0:23:53 | 0:23:57 | |
A patient I was looking after, he carved it all out and made it. | 0:23:57 | 0:24:00 | |
-So, yeah. -You've got a lot of stuff here today. | 0:24:00 | 0:24:03 | |
-Yeah, I know. -A lot of collectables. -I can't take it back. | 0:24:03 | 0:24:06 | |
Well, that's what you're hoping. | 0:24:06 | 0:24:08 | |
-Have you got high hopes for this? -We've three really good collections. | 0:24:08 | 0:24:12 | |
You've got toys and games, got all your nautical instruments, | 0:24:12 | 0:24:15 | |
your compasses and so on, then all those boats and trawlers and things, | 0:24:15 | 0:24:18 | |
so yeah, it's a real collectors' day today. | 0:24:18 | 0:24:21 | |
Have you got a reserve on anything? | 0:24:21 | 0:24:23 | |
-No. -It's all got to go? | 0:24:23 | 0:24:24 | |
-It's all got to go. -OK, I think it's filling up here, | 0:24:24 | 0:24:27 | |
-so we should get into a good position. -OK. -Good luck. Follow me. | 0:24:27 | 0:24:31 | |
Itching to get started, we take our places for Eileen's first lot. | 0:24:32 | 0:24:37 | |
It's the mini chaise longue, | 0:24:37 | 0:24:38 | |
made when she was 25 by her furniture dealer friend. | 0:24:38 | 0:24:42 | |
We're hoping for £40-£60. | 0:24:42 | 0:24:44 | |
-You two found this? -That's right, me and Babs found it upstairs. -We did. | 0:24:47 | 0:24:51 | |
Make a fantastic jeweller's display | 0:24:51 | 0:24:53 | |
or perhaps a haberdasher. What did you use it for? | 0:24:53 | 0:24:55 | |
Sitting my teddies on, actually. | 0:24:55 | 0:24:58 | |
What do the teddies sit on now, then? | 0:24:58 | 0:25:00 | |
Being modelled there by Amy on our right, Lot 44. | 0:25:00 | 0:25:05 | |
50, I'm bid. | 0:25:05 | 0:25:06 | |
50 already! | 0:25:06 | 0:25:08 | |
A miniature chaise, at 50. | 0:25:08 | 0:25:10 | |
Can I say five anywhere? | 0:25:10 | 0:25:13 | |
At 55. 60-5, 70-5. 80. | 0:25:13 | 0:25:17 | |
Selling, at £80,... | 0:25:17 | 0:25:19 | |
-That's great. -Brilliant. | 0:25:21 | 0:25:22 | |
-Look at that. -That's amazing. | 0:25:22 | 0:25:24 | |
A good first result, | 0:25:24 | 0:25:26 | |
and at £80, I'm happy to tell the teddies | 0:25:26 | 0:25:28 | |
to...go sit elsewhere. Steady. | 0:25:28 | 0:25:31 | |
Onwards now, and the locket with semi-precious stones is next. | 0:25:31 | 0:25:34 | |
Although I suspect the gold belcher chain | 0:25:34 | 0:25:37 | |
will be the real attraction for the bidders. | 0:25:37 | 0:25:39 | |
-Tell us about this. -That was left to me by somebody. | 0:25:39 | 0:25:42 | |
It's something I've had for a long time and I don't wear any more | 0:25:42 | 0:25:45 | |
because it's not in fashion any more, so I'm happy to let it go. | 0:25:45 | 0:25:49 | |
A belcher chain, Aled, is a long Victorian chain. | 0:25:49 | 0:25:51 | |
That's where the word comes from. | 0:25:51 | 0:25:54 | |
The locket has some Cairngorm stones, which is very Victorian, | 0:25:54 | 0:25:57 | |
so quite a nice item. | 0:25:57 | 0:25:58 | |
I put this in at £100-£150. | 0:25:58 | 0:26:00 | |
Let's see how we get on. | 0:26:00 | 0:26:02 | |
-I tell you what, it would look lovely on Babs. -There you go! | 0:26:02 | 0:26:05 | |
20, I'm bid. | 0:26:05 | 0:26:06 | |
At £20, 25, | 0:26:06 | 0:26:08 | |
30-5, 40-5, | 0:26:08 | 0:26:12 | |
50. Selling then, at £50... | 0:26:12 | 0:26:15 | |
55, fresh bid, altogether. | 0:26:15 | 0:26:17 | |
Selling at £55... | 0:26:17 | 0:26:21 | |
Oh. 60. | 0:26:21 | 0:26:22 | |
60, new bidder, there we go. | 0:26:22 | 0:26:24 | |
At 60, don't be put off by him. At £60, 65? | 0:26:24 | 0:26:27 | |
-No, he's going to sulk instead. -(MOUTHS) -Come on! | 0:26:27 | 0:26:30 | |
At £60... | 0:26:30 | 0:26:32 | |
-There we go, that's gone. -60 quid. | 0:26:32 | 0:26:34 | |
-Bargain. -Yeah, someone did get a bargain. | 0:26:34 | 0:26:37 | |
-They did get a bargain there. -We had a few bidders. You can't help it. | 0:26:37 | 0:26:40 | |
-They start slowly! -They do, don't they? | 0:26:40 | 0:26:42 | |
Certainly do, came in at the last minute. | 0:26:42 | 0:26:44 | |
Better late than never, I say. | 0:26:44 | 0:26:46 | |
But £60 is rather below our estimate. | 0:26:46 | 0:26:49 | |
Let's hope we do better with our third lot. | 0:26:49 | 0:26:52 | |
We've got three porcelain items now, three small traditional figurines. | 0:26:52 | 0:26:57 | |
Two have a gold anchor mark, which is a Chelsea mark, | 0:26:57 | 0:26:59 | |
they're actually copies of that particular factory. | 0:26:59 | 0:27:02 | |
The one I liked is the little bust of the lady. | 0:27:02 | 0:27:05 | |
-Did they come in together? -I can't remember where I got them. | 0:27:05 | 0:27:08 | |
I just know I've had them for a while | 0:27:08 | 0:27:10 | |
and as you say, I like the little bust too. | 0:27:10 | 0:27:13 | |
I thought that was real top quality, | 0:27:13 | 0:27:15 | |
-but I noticed a bit of damage... -On one, the little boy, yeah. | 0:27:15 | 0:27:18 | |
So I put these in at £80-£100. | 0:27:18 | 0:27:20 | |
Some nice traditional antique items. | 0:27:20 | 0:27:23 | |
At £50, can I say five now? | 0:27:23 | 0:27:25 | |
55, 60-5. | 0:27:25 | 0:27:27 | |
One more, sir? | 0:27:27 | 0:27:29 | |
At £65. | 0:27:29 | 0:27:31 | |
70 anywhere? | 0:27:31 | 0:27:33 | |
It's with me at £65... | 0:27:33 | 0:27:35 | |
No sale. | 0:27:36 | 0:27:38 | |
-Why didn't that sell? -The auctioneer is trying to get near to our £80. | 0:27:38 | 0:27:42 | |
He hasn't quite got there, so he decided to pull them. | 0:27:42 | 0:27:44 | |
I think he thinks they're worth more than to sell them today. | 0:27:44 | 0:27:48 | |
But there's nothing to stop you selling them at a later date. | 0:27:48 | 0:27:51 | |
Not at all. You can leave these for a couple of weeks, | 0:27:51 | 0:27:54 | |
-give them another airing, and they should sell fine then. -Right. | 0:27:54 | 0:27:57 | |
Eileen seems a bit underwhelmed. | 0:27:57 | 0:28:00 | |
She must have been hoping to get shot of them. | 0:28:00 | 0:28:02 | |
Oh well. Next we have that glass perfume bottle with a silver collar. | 0:28:02 | 0:28:06 | |
The hallmarks date it to 1911, | 0:28:06 | 0:28:08 | |
and we're hoping for around £20-£30. | 0:28:08 | 0:28:10 | |
So, what we're after here is the sweet smell of success, aren't we? | 0:28:13 | 0:28:16 | |
It's the scent bottle. | 0:28:16 | 0:28:17 | |
-Is this yours? -Yes, it is. | 0:28:17 | 0:28:19 | |
-Something you haven't collected? -No. -Wow. | 0:28:19 | 0:28:22 | |
Is there a lot of interest in this sort of thing? | 0:28:22 | 0:28:24 | |
The combination of glass and silver is always good. | 0:28:24 | 0:28:27 | |
They make nice presents for people, something for the dressing table, | 0:28:27 | 0:28:31 | |
a very attractive looking item. This one's a bit damaged, | 0:28:31 | 0:28:34 | |
but for £20, £30, | 0:28:34 | 0:28:35 | |
it's a bargain, really, I think. | 0:28:35 | 0:28:37 | |
I start the bidding at £10 only. | 0:28:37 | 0:28:39 | |
-Take 12 anywhere? -We want about 20 for this. -Yeah. | 0:28:39 | 0:28:42 | |
Scent bottle with a silver collar. | 0:28:42 | 0:28:44 | |
12, 15, 18, | 0:28:44 | 0:28:46 | |
20. £20. 22 anywhere? | 0:28:46 | 0:28:49 | |
22 in the room. | 0:28:49 | 0:28:51 | |
25 now? Gentleman's bid at 22. | 0:28:51 | 0:28:55 | |
At 22... | 0:28:55 | 0:28:56 | |
-That's gone. 22, that was all right, that was on estimate. -Not bad. | 0:28:58 | 0:29:02 | |
Still stinks a bit. | 0:29:02 | 0:29:04 | |
Although that could be Paul's new aftershave. | 0:29:04 | 0:29:07 | |
We hoped for a more, but it's a further addition | 0:29:07 | 0:29:09 | |
to fund Eileen's dream TV set. | 0:29:09 | 0:29:11 | |
Now, our fifth item really has great potential to alter our fortunes. | 0:29:11 | 0:29:16 | |
Your link chain, remind us about this. | 0:29:18 | 0:29:21 | |
My friend gave it to me many years ago. | 0:29:21 | 0:29:23 | |
and it's something I don't wear any more, | 0:29:23 | 0:29:25 | |
I forgot I had it until it came out, so I don't mind that going. | 0:29:25 | 0:29:29 | |
And if the friend's watching the programme? | 0:29:29 | 0:29:32 | |
-Probably thinking, "I paid more than that!" -Gold's doing really well | 0:29:33 | 0:29:37 | |
at the moment. It's a difficult item to value and weigh. | 0:29:37 | 0:29:40 | |
The auctioneers weighed it, and he's put it in at £500-600. | 0:29:40 | 0:29:43 | |
I estimated it between £700-£1000, but that's the going rate of it. | 0:29:43 | 0:29:47 | |
-Yes. -That's no problem. -Let's hope we get there. | 0:29:47 | 0:29:49 | |
And I start the bidding at £200. | 0:29:49 | 0:29:52 | |
At 200, 220. | 0:29:52 | 0:29:54 | |
240 anywhere? | 0:29:54 | 0:29:55 | |
At £220. | 0:29:56 | 0:29:59 | |
240. | 0:29:59 | 0:30:00 | |
260. 280. | 0:30:00 | 0:30:02 | |
300. 320. | 0:30:02 | 0:30:05 | |
340. 360. | 0:30:05 | 0:30:08 | |
380. 400. | 0:30:08 | 0:30:11 | |
420. 440. | 0:30:11 | 0:30:13 | |
460. 480. | 0:30:13 | 0:30:15 | |
500. I'll take 20 anywhere? | 0:30:15 | 0:30:18 | |
-Come on. -Or I will sell at £500. | 0:30:18 | 0:30:21 | |
At 500. | 0:30:21 | 0:30:22 | |
-500 quid. -Is that all right? | 0:30:24 | 0:30:26 | |
Not quite as much as I wanted. | 0:30:26 | 0:30:29 | |
-Not quite. -It's gone. | 0:30:29 | 0:30:30 | |
We were looking from between 700 and 1,000 so it is a bit less | 0:30:30 | 0:30:33 | |
than what we were expecting but... | 0:30:33 | 0:30:35 | |
£700 was our expert's opinion | 0:30:35 | 0:30:38 | |
but considering the unpredictable nature of general sales, | 0:30:38 | 0:30:42 | |
you have to forgive the occasional blip. That's Paul. | 0:30:42 | 0:30:45 | |
But at the midpoint of our sale, I've got a good feeling we're in good shape, team. | 0:30:45 | 0:30:50 | |
It's been up and down a little bit. | 0:30:50 | 0:30:52 | |
It certainly has. | 0:30:52 | 0:30:53 | |
My heart is going hell for leather. I can tell you - all's not lost. | 0:30:53 | 0:30:57 | |
You wanted £1,000 for that flash television. | 0:30:57 | 0:31:00 | |
662 you've got so far. | 0:31:00 | 0:31:02 | |
-Not bad. -Not bad. | 0:31:02 | 0:31:04 | |
That's not bad at all actually. | 0:31:04 | 0:31:06 | |
It might not get you 3D, it might get you 2D. Start collecting again. | 0:31:06 | 0:31:09 | |
I think we should go for a cup of tea and cake and come back. | 0:31:09 | 0:31:12 | |
Follow me. | 0:31:12 | 0:31:14 | |
A spot of refreshments, | 0:31:14 | 0:31:16 | |
then it's time to see what other items of interest Paul has noticed | 0:31:16 | 0:31:19 | |
around the saleroom but all I can see is Eileen's model boat collection | 0:31:19 | 0:31:24 | |
arranged on that old desk. | 0:31:24 | 0:31:25 | |
-Paul. -Hey! -You look all at sea. What's the matter? | 0:31:25 | 0:31:28 | |
I told you, I do the jokes! | 0:31:28 | 0:31:30 | |
I try so hard, I really do! | 0:31:30 | 0:31:31 | |
These are Eileen's but that's not why I brought you here. | 0:31:31 | 0:31:34 | |
This desk is what I wanted to show you. | 0:31:34 | 0:31:36 | |
It looks at first glance to be an ordinary knee-hole desk | 0:31:36 | 0:31:39 | |
from the late 19th-century, blonde oak, | 0:31:39 | 0:31:42 | |
but this is almost identical on the other side as well. | 0:31:42 | 0:31:45 | |
Really? | 0:31:45 | 0:31:47 | |
If you go round, there's two cupboards and a drawer in the middle. Can you see? | 0:31:47 | 0:31:52 | |
-That's amazing. -Most desks are designed to go against the wall. | 0:31:52 | 0:31:55 | |
This goes in the middle of an office and it's called a partners desk | 0:31:55 | 0:31:59 | |
so you'd sit here on one side of the desk, | 0:31:59 | 0:32:01 | |
somebody else would sit on the other side of the desk. | 0:32:01 | 0:32:04 | |
-Brilliant. -Ingenuity. | 0:32:04 | 0:32:05 | |
Recycling at an early age. | 0:32:05 | 0:32:06 | |
It's a big item. How much? | 0:32:06 | 0:32:08 | |
It's in the catalogue at between £300 and £500. | 0:32:08 | 0:32:11 | |
It needs a bit of restoration | 0:32:11 | 0:32:13 | |
but this is big enough for all your paraphernalia, | 0:32:13 | 0:32:15 | |
you could run a business from this desk. | 0:32:15 | 0:32:17 | |
-I think it'll do well today. -Great tip. -Shall we carry on? -Yes. | 0:32:17 | 0:32:21 | |
I tell you what, Paul knows a good thing when he sees one, | 0:32:21 | 0:32:25 | |
as that partners desk later sells for £300. | 0:32:25 | 0:32:28 | |
If we've inspired you to think about selling some of your own items | 0:32:28 | 0:32:31 | |
it's worth bearing in mind that auction houses charge various fees, | 0:32:31 | 0:32:35 | |
such as commission. | 0:32:35 | 0:32:37 | |
Your local saleroom will advise you on these extra costs. | 0:32:37 | 0:32:41 | |
There's plenty still to come in Eileen's sale | 0:32:41 | 0:32:44 | |
and it's our old friends, the Capodimonte porcelain figures, up next. | 0:32:44 | 0:32:48 | |
Remind us about these. | 0:32:48 | 0:32:50 | |
These are the ones I bought for £1.99 at a funny shop. | 0:32:50 | 0:32:54 | |
Keep your voice down! She didn't really! | 0:32:54 | 0:32:57 | |
She bought them for a lot of money! | 0:32:57 | 0:33:00 | |
They look fantastic, they did a good job of displaying them. | 0:33:00 | 0:33:03 | |
But one of them is damaged. | 0:33:03 | 0:33:04 | |
30 to 50, I think. | 0:33:04 | 0:33:06 | |
Let's see how we get on. | 0:33:06 | 0:33:08 | |
£50. 20. | 0:33:08 | 0:33:11 | |
-20 I'm bid. -20, we're in. Here we go. | 0:33:11 | 0:33:14 | |
At £20. | 0:33:14 | 0:33:15 | |
No sale. I blame you, Amy. | 0:33:18 | 0:33:20 | |
So nobody liked those at all. | 0:33:20 | 0:33:22 | |
I liked them. | 0:33:22 | 0:33:23 | |
They're going home with you. | 0:33:23 | 0:33:24 | |
Back on the shelf! | 0:33:24 | 0:33:26 | |
You don't look too sad about it. | 0:33:26 | 0:33:28 | |
I expect they'll brighten up her log cabin no end. | 0:33:28 | 0:33:31 | |
Eileen can barely disguise her delight | 0:33:31 | 0:33:34 | |
at those cheerful figurines coming back home. | 0:33:34 | 0:33:36 | |
Next we have a framed picture from landscape artist Henry Earp, | 0:33:36 | 0:33:40 | |
born in Westminster in 1831 to a great family of painters. | 0:33:40 | 0:33:45 | |
I must admit, out of all your items, this is probably my favourite lot. | 0:33:45 | 0:33:49 | |
It's that lovely 19th-century watercolour, | 0:33:49 | 0:33:52 | |
with the paddle steamer and the beautiful blue landscape, | 0:33:52 | 0:33:55 | |
by Henry Earp, a great artist. | 0:33:55 | 0:33:58 | |
I am looking for around the £100 mark. | 0:33:58 | 0:34:00 | |
Remind me where this came from? | 0:34:00 | 0:34:02 | |
I found it when I was clearing out the hotel. | 0:34:02 | 0:34:05 | |
-And you've had good use of it? -Yes, I have. I like it. | 0:34:05 | 0:34:07 | |
She likes it so much she's giving it away. Hopefully not giving it. | 0:34:07 | 0:34:11 | |
It's full steam ahead for this one. | 0:34:11 | 0:34:13 | |
At £40. Five anywhere? | 0:34:13 | 0:34:15 | |
At 40. | 0:34:15 | 0:34:17 | |
Five? 50. Good watercolour. Five. | 0:34:17 | 0:34:19 | |
60. Five anywhere? | 0:34:19 | 0:34:21 | |
At £60. I will say five. | 0:34:21 | 0:34:23 | |
At £60 only? | 0:34:23 | 0:34:26 | |
-No. -No sale. | 0:34:26 | 0:34:28 | |
He hasn't let it go, so that's good. He hasn't sold that. | 0:34:28 | 0:34:31 | |
-Is that good? -Yeah. | 0:34:31 | 0:34:32 | |
Yeah, because we didn't get near the £100 we wanted for it, he's withdrawn it. | 0:34:32 | 0:34:37 | |
What a shame. I thought that was one of your better lots. | 0:34:37 | 0:34:40 | |
-40 quid under your lowest estimate. -Exactly, yeah. | 0:34:40 | 0:34:42 | |
That's sometimes what happens. | 0:34:42 | 0:34:44 | |
If the auctioneer can't get near what our estimate is. | 0:34:44 | 0:34:48 | |
Sorry about that. | 0:34:48 | 0:34:49 | |
That's a bit disappointing. | 0:34:49 | 0:34:51 | |
Oh, well. There we go. | 0:34:51 | 0:34:52 | |
I'm liking your attitude. | 0:34:52 | 0:34:54 | |
I think those crashing waves sum up the atmosphere | 0:34:54 | 0:34:56 | |
better than Eileen's easy come easy go attitude | 0:34:56 | 0:35:00 | |
as yet another of our items disappoints. | 0:35:00 | 0:35:02 | |
For a more positive outcome perhaps we need some divine intervention! | 0:35:02 | 0:35:08 | |
Next up is a self-portrait of me in the old days. | 0:35:08 | 0:35:13 | |
I'm saying it before you do. | 0:35:13 | 0:35:15 | |
What's the story behind the little chorister? | 0:35:15 | 0:35:17 | |
Somebody gave it to me and I quite liked it so I put it on the wall. | 0:35:17 | 0:35:21 | |
My stepson hates it. | 0:35:21 | 0:35:22 | |
So you're getting rid? OK! | 0:35:22 | 0:35:24 | |
It's quite unusual in a way. | 0:35:24 | 0:35:26 | |
But it's a very pleasing subject. | 0:35:26 | 0:35:28 | |
Children are always good in paintings | 0:35:28 | 0:35:30 | |
and I think for that reason, it's very pleasing | 0:35:30 | 0:35:33 | |
someone would like to put it on the wall. | 0:35:33 | 0:35:35 | |
It's not an antique painting as such. | 0:35:35 | 0:35:37 | |
It is probably 1950s but a nice oil painting, an original work of art. | 0:35:37 | 0:35:41 | |
Seeing as he has been singing hymns all his life, | 0:35:41 | 0:35:44 | |
let's hope the big fella gives us some help. | 0:35:44 | 0:35:46 | |
20 I'm bid. At £20. Two anywhere? | 0:35:46 | 0:35:49 | |
22. 25. | 0:35:49 | 0:35:51 | |
28. Selling at £28. | 0:35:51 | 0:35:55 | |
He's going to let it go. | 0:35:55 | 0:35:57 | |
Gone. | 0:35:57 | 0:35:59 | |
You've been overpaid then. | 0:35:59 | 0:36:01 | |
Just to remind you, I'm not a chorister any more! | 0:36:01 | 0:36:04 | |
LAUGHTER | 0:36:04 | 0:36:05 | |
But we are singing from the same song sheet. | 0:36:05 | 0:36:07 | |
Of course we are. We always do. | 0:36:07 | 0:36:09 | |
It's a cheap one at the moment unfortunately(!) | 0:36:09 | 0:36:12 | |
That's it. The painting's gone and I'm done with all the chorister jokes - promise. | 0:36:12 | 0:36:17 | |
Time for some heavy metal, I think. | 0:36:17 | 0:36:19 | |
Nautical themed collections abound in Eileen's home | 0:36:19 | 0:36:23 | |
and here we have just a sample. | 0:36:23 | 0:36:25 | |
It's a collection of brass instruments - compasses, sextons, telescopes. | 0:36:25 | 0:36:29 | |
They're quite modern. Where did they come from? | 0:36:29 | 0:36:31 | |
They're just things I collected over time. | 0:36:31 | 0:36:34 | |
One I had made for me, the compass, my husband had made | 0:36:34 | 0:36:37 | |
cos he was at a factory in Thailand, I think. | 0:36:37 | 0:36:39 | |
-Wow. -So that's a nice one. | 0:36:39 | 0:36:40 | |
If in doubt, she says, "It's just something I collected." | 0:36:40 | 0:36:44 | |
LAUGHTER | 0:36:44 | 0:36:45 | |
-I like collecting! -Why not? | 0:36:45 | 0:36:48 | |
There are more people like you, Eileen, don't listen to him. | 0:36:48 | 0:36:51 | |
Don't listen to me - ever! | 0:36:51 | 0:36:53 | |
What do you think of these items, Babs? | 0:36:53 | 0:36:55 | |
I leave it all to Eileen. | 0:36:55 | 0:36:57 | |
We're looking for about £100 for a whole DIY sailing kit. | 0:36:57 | 0:37:01 | |
There's nothing left in the county, she's collected everything! | 0:37:01 | 0:37:04 | |
50, I'm bid. At £50. | 0:37:04 | 0:37:07 | |
Five anywhere? At 55. | 0:37:07 | 0:37:09 | |
60. Five. 70. Five. | 0:37:09 | 0:37:12 | |
80 anywhere? At 75. | 0:37:12 | 0:37:15 | |
No sale. | 0:37:16 | 0:37:17 | |
That's a disaster for our total, and a very tough crowd to please. | 0:37:17 | 0:37:22 | |
All those brass instruments can go back in their boxes for the time being. | 0:37:22 | 0:37:27 | |
Maybe the ships, trawlers and other wooden maritime models will prove a better catch. | 0:37:27 | 0:37:31 | |
Hey, I'm trying to be positive! | 0:37:31 | 0:37:33 | |
They're something I like to collect but I also collect | 0:37:33 | 0:37:36 | |
the boxes as well because I like the sea and the boats and things. | 0:37:36 | 0:37:39 | |
-It comes together. -Exactly. | 0:37:39 | 0:37:41 | |
This is the sort of thing that people look for. | 0:37:41 | 0:37:43 | |
A collection of themed items, this is a nautical theme, | 0:37:43 | 0:37:46 | |
and it's the first thing you see as you come into the auction house. | 0:37:46 | 0:37:50 | |
Will you be sad to see these go? | 0:37:50 | 0:37:52 | |
I will in a way but I cannot take them where I'm going, | 0:37:52 | 0:37:55 | |
so I won't have room for them. | 0:37:55 | 0:37:58 | |
100 to 200 quid. A lot of money. | 0:37:58 | 0:38:00 | |
It is. It works out maybe a tenner a lot, | 0:38:00 | 0:38:02 | |
so I think it's quite reasonable actually. Let's see how we get on. | 0:38:02 | 0:38:05 | |
-Where shall I start the bidding, Amy? -£50. -£50, the lady says. | 0:38:05 | 0:38:09 | |
She did wonders with the chaise longue. | 0:38:09 | 0:38:12 | |
-We'll start the bidding at £50 for all those items. Add £50. -Come on. | 0:38:12 | 0:38:16 | |
55. 60. Five. 70. | 0:38:16 | 0:38:18 | |
It's with me at £70, | 0:38:18 | 0:38:21 | |
five to bid at 70. | 0:38:21 | 0:38:24 | |
No sale. | 0:38:24 | 0:38:25 | |
I don't understand. There was somebody in the room willing to pay £70 and it didn't sell. | 0:38:25 | 0:38:29 | |
What he's done is used his discretion | 0:38:29 | 0:38:31 | |
and because the estimate was £100-£200, | 0:38:31 | 0:38:33 | |
£70 he didn't accept as an offer, but he'll withdraw it. | 0:38:33 | 0:38:36 | |
He may have made a note of the gentleman | 0:38:36 | 0:38:38 | |
who actually offered the £70 and you may be able | 0:38:38 | 0:38:40 | |
to discuss it afterwards if you want to get rid of it. | 0:38:40 | 0:38:43 | |
Do you want to get rid of them for 70? | 0:38:43 | 0:38:44 | |
Yes, I don't mind, actually. No, I don't mind at all. | 0:38:44 | 0:38:47 | |
OK, but, yeah, he's just trying to look after you. | 0:38:47 | 0:38:49 | |
Yeah, that's good of him. | 0:38:49 | 0:38:51 | |
Eileen would rather the auctioneer had let them go, | 0:38:51 | 0:38:54 | |
but hopefully she'll fix up a private deal later. | 0:38:54 | 0:38:57 | |
But I fear our total has definitely suffered, | 0:38:57 | 0:39:00 | |
and, sadly, we only have one more item to go. | 0:39:00 | 0:39:02 | |
It's the assortment of modern games | 0:39:02 | 0:39:04 | |
we saw on display in Eileen's conservatory. | 0:39:04 | 0:39:08 | |
They're valued at £100-£150. | 0:39:08 | 0:39:10 | |
The boats didn't go for what we hoped. | 0:39:10 | 0:39:12 | |
What do you reckon about the modern games and toys, | 0:39:12 | 0:39:14 | |
the skittles and everything? I loved them. | 0:39:14 | 0:39:16 | |
Yeah, these are very traditional items and they're good quality. | 0:39:16 | 0:39:20 | |
Toys and games are always popular. You've got chess, | 0:39:20 | 0:39:22 | |
you've got the skittle sets, you know, you got a lot of variety, | 0:39:22 | 0:39:26 | |
a complete shelf in your house, if I remember rightly. | 0:39:26 | 0:39:29 | |
So, we're looking for around the 100 mark for these. | 0:39:29 | 0:39:31 | |
-Where do these come from? -All over the place. | 0:39:31 | 0:39:33 | |
I've kept them for a long time. | 0:39:33 | 0:39:35 | |
I started with the big ones, I've gone down to the small ones | 0:39:35 | 0:39:38 | |
which I've collected all over the world, actually. | 0:39:38 | 0:39:40 | |
These skittles, are they something you've collected | 0:39:40 | 0:39:43 | |
-all through your life? -Yes. -Interesting that. Amazing. | 0:39:43 | 0:39:47 | |
All right, well, let's hope for around the £100 mark | 0:39:47 | 0:39:50 | |
for this lot, all right? | 0:39:50 | 0:39:51 | |
50 I'm bid. Out £50. Five anywhere? | 0:39:51 | 0:39:54 | |
55. 60. Five. 70. Five. 80, now. | 0:39:54 | 0:39:59 | |
At £75... | 0:39:59 | 0:40:02 | |
No sale. | 0:40:02 | 0:40:03 | |
-No sale. -No sale again? What's that...? | 0:40:03 | 0:40:06 | |
Have you put reserves on all of these? | 0:40:06 | 0:40:08 | |
-No, I haven't done anything. -OK. -I haven't done anything. -OK. | 0:40:08 | 0:40:12 | |
Oh, dear. The auctioneer has once again used his discretion | 0:40:12 | 0:40:16 | |
to reject the low bids, rather too readily, I fear. | 0:40:16 | 0:40:18 | |
Looks like Eileen's grand total is going to be, uh... | 0:40:18 | 0:40:21 | |
Not quite that grand. | 0:40:21 | 0:40:23 | |
Well, that was hard work, wasn't it? | 0:40:23 | 0:40:25 | |
The second half of that sale, I must say, but all is not lost, | 0:40:25 | 0:40:28 | |
because I can tell you that... | 0:40:28 | 0:40:30 | |
You know the watercolour we thought we hadn't sold? | 0:40:30 | 0:40:32 | |
-Well, somebody's willing to pay £80 for it. -Oh, that's OK. | 0:40:32 | 0:40:35 | |
-You're happy to sell? -That's OK, yes. | 0:40:35 | 0:40:37 | |
OK. Your grand total, then, is... | 0:40:37 | 0:40:39 | |
Are you ready for this? You're going to be so excited! | 0:40:39 | 0:40:42 | |
-It's £770. -Ooh. | 0:40:42 | 0:40:44 | |
Well, it's getting there, isn't it? | 0:40:44 | 0:40:46 | |
-It is getting there. -It's getting there. | 0:40:46 | 0:40:48 | |
It's been a strange day, actually. It's very quiet. | 0:40:48 | 0:40:50 | |
But don't lose heart. Those items that haven't sold, | 0:40:50 | 0:40:53 | |
you can have a word with the auctioneer, | 0:40:53 | 0:40:55 | |
he'll leave them for another day and I'm sure they'll sell fine. | 0:40:55 | 0:40:58 | |
770 quid is, well, more than you had before you walked into the room. | 0:40:58 | 0:41:01 | |
That's true, that is very true. Halfway towards my television. | 0:41:01 | 0:41:04 | |
Exactly, and it's been lovely meeting you | 0:41:04 | 0:41:06 | |
and I hope you're going to be happy in your log cabin. | 0:41:06 | 0:41:09 | |
-I will be. -All the best to you. | 0:41:09 | 0:41:10 | |
Well, it wasn't quite the final result she wanted | 0:41:10 | 0:41:13 | |
but today has had a lasting effect on Eileen and she's making plans. | 0:41:13 | 0:41:17 | |
I haven't raised quite enough money for the TV I wanted, | 0:41:17 | 0:41:20 | |
which was a 3D plasma screen, to go in my new log cabin. | 0:41:20 | 0:41:23 | |
But I shall just keep plodding on and I've got some other things | 0:41:23 | 0:41:27 | |
that will go up for auction, now I've got the auction bug | 0:41:27 | 0:41:29 | |
and I shall put them up and raise the rest of it. | 0:41:29 | 0:41:32 | |
Eileen and Babs are soon out sampling | 0:41:36 | 0:41:39 | |
the latest 3D technology destined for the new log cabin. | 0:41:39 | 0:41:42 | |
Because the auction went well, when we got quite a bit of money, | 0:41:42 | 0:41:45 | |
and I've also got some to put with it | 0:41:45 | 0:41:46 | |
we went having a look for a 3D television. And we found one. | 0:41:46 | 0:41:50 | |
And it was really, really good. So I was very pleased about that. | 0:41:50 | 0:41:53 | |
So I've got my eye on exactly what I want. | 0:41:53 | 0:41:55 | |
And when I get the TV, I'm actually going to put it in the lounge | 0:41:55 | 0:41:59 | |
and then I will probably have a smaller one in the kitchen as well. | 0:41:59 | 0:42:03 | |
there's quite a lot of work to be done on the cabin in Cambridgeshire. | 0:42:03 | 0:42:06 | |
They've just put the footings down on the first floor. | 0:42:06 | 0:42:09 | |
My husband's not very good at DIY, so it's called PSE, Pay Somebody Else. | 0:42:09 | 0:42:13 | |
When Eileen does go, I'm going to find it very hard. | 0:42:13 | 0:42:16 | |
We see each other every week without fail for a glass of wine, | 0:42:16 | 0:42:20 | |
you know, a good laugh. But we'll also enjoy it when we go and stay. | 0:42:20 | 0:42:23 | |
When she does come, at least we'll get good quality time | 0:42:23 | 0:42:26 | |
and we'll be able to go and explore new places together, | 0:42:26 | 0:42:29 | |
which I'm looking forward to. | 0:42:29 | 0:42:30 | |
I'm very glad I raised some cash towards the TV | 0:42:30 | 0:42:33 | |
and my husband's even more pleased | 0:42:33 | 0:42:36 | |
that I got rid of some stuff out the house as well. | 0:42:36 | 0:42:38 | |
Now, if you want to raise money for something nice | 0:42:42 | 0:42:44 | |
and you've got the antiques and collectables | 0:42:44 | 0:42:46 | |
scattered around your home, then why not apply to be on our show? | 0:42:46 | 0:42:50 | |
All the details you need are at... | 0:42:50 | 0:42:52 | |
Good luck! We'll see you next time on Cash In The Attic. | 0:42:52 | 0:42:55 | |
Subtitles by Red Bee Media Ltd | 0:42:59 | 0:43:02 |