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Welcome to Cash In The Attic. This is the show that has a good look through your home, | 0:00:02 | 0:00:06 | |
finds all the antiques and collectables you no longer want and takes them to auction. | 0:00:06 | 0:00:10 | |
Today, we're going to meet a couple who are to become grandparents - again! | 0:00:10 | 0:00:14 | |
Coming up on Cash in The Attic - a charming reminder of domestic bliss from the past century. | 0:00:34 | 0:00:40 | |
If that's anything to go by, no wonder he went back on tour. | 0:00:40 | 0:00:43 | |
He's sitting there being nagged by his wife and barked at by the dog. | 0:00:43 | 0:00:47 | |
Have we been inspired to make do and mend? | 0:00:47 | 0:00:50 | |
Whatever happened to pass-me-downs? | 0:00:50 | 0:00:52 | |
I'm sure Jonty must have an old buggy somewhere, | 0:00:52 | 0:00:54 | |
one of those Silver Cross prams we can hand down. | 0:00:54 | 0:00:57 | |
When we get to auction, will the thrill prove too much? | 0:00:57 | 0:01:01 | |
I could barely write it down I was so excited! | 0:01:01 | 0:01:04 | |
That's £20 over our estimate. | 0:01:04 | 0:01:06 | |
Find out when the final hammer falls. | 0:01:06 | 0:01:09 | |
Today I've come to Bedfordshire to meet a divine couple | 0:01:09 | 0:01:12 | |
who've called in the Cash In The Attic team | 0:01:12 | 0:01:15 | |
to help them raise the money for their fifth grandchild. | 0:01:15 | 0:01:18 | |
Linda Devine is a policeman's daughter | 0:01:18 | 0:01:21 | |
and she has been married to a policeman since 1967. | 0:01:21 | 0:01:24 | |
John's now retired from the force and works as a security consultant | 0:01:24 | 0:01:28 | |
while Linda spends three days a week as a school registrar. | 0:01:28 | 0:01:32 | |
They've had plenty of opportunities for travel and collecting souvenirs | 0:01:32 | 0:01:36 | |
as both their children and four grandchildren live abroad. | 0:01:36 | 0:01:39 | |
It's 14 years since they moved into this four-bedroom home in Bedfordshire | 0:01:39 | 0:01:45 | |
and, apparently, the house is full of mementos. | 0:01:45 | 0:01:48 | |
They say if you want to know the time, ask a policeman, | 0:01:48 | 0:01:51 | |
but if you want to know about antiques you should ask Jonty Hearnden. | 0:01:51 | 0:01:54 | |
Hi, Jonty, how are you? | 0:01:54 | 0:01:56 | |
'Our expert's had a lifetime in the business | 0:01:56 | 0:01:59 | |
'so he should know what's what. | 0:01:59 | 0:02:00 | |
'We've heard Linda's into her collectables, so I wonder what's in store for us today?' | 0:02:00 | 0:02:05 | |
-Ah, good morning. -Good morning. | 0:02:05 | 0:02:07 | |
-Nice to see you. -Thank you. -How you doing? -Very well, thank you. | 0:02:07 | 0:02:12 | |
I'm a bit concerned by the absolute perfect nature of your house. | 0:02:12 | 0:02:15 | |
-Is there going to be enough stuff for us to rummage? -I hope so, yes. | 0:02:15 | 0:02:19 | |
I do like to keep everything tidy. | 0:02:19 | 0:02:21 | |
-OK. -So they might be hidden away in cupboards? -They might well be. | 0:02:21 | 0:02:25 | |
-How much are you looking to raise? -About £250-£300. | 0:02:25 | 0:02:29 | |
-That's not too bad then. -I think we can manage that, hopefully. | 0:02:29 | 0:02:32 | |
-Do you want to get cracking? -I shall start looking. Is that all right? | 0:02:32 | 0:02:35 | |
Yes, by all means. | 0:02:35 | 0:02:37 | |
£250-£300. What do you want to spend that money on? | 0:02:37 | 0:02:42 | |
It's for my daughter who lives in Tenerife, | 0:02:42 | 0:02:45 | |
who is going to have a baby next month. | 0:02:45 | 0:02:48 | |
-We want to buy some clothes and equipment for her. -Right, OK. | 0:02:48 | 0:02:51 | |
-So, this is grandchild number three, is that right, for her? -For her. | 0:02:51 | 0:02:55 | |
And you've got a son who lives in a far-flung country. | 0:02:55 | 0:02:58 | |
I have indeed, in Kazakhstan. He has two boys. | 0:02:58 | 0:03:02 | |
I will have five grandchildren in total. | 0:03:02 | 0:03:04 | |
-Do you get to see them very often? -Yeah, we see them quite often. | 0:03:04 | 0:03:07 | |
We go to Tenerife three or fours times a year. | 0:03:07 | 0:03:10 | |
My son and children come across about the same number of times. | 0:03:10 | 0:03:13 | |
That's nice, isn't it? | 0:03:13 | 0:03:15 | |
You said you had lots of stuff hidden away. | 0:03:15 | 0:03:17 | |
Where's that come from? Is that inherited items? | 0:03:17 | 0:03:20 | |
Some of it, very small amount is, the rest of it I bought myself. | 0:03:20 | 0:03:23 | |
-Did you go through a collecting phase? -I did. I had a... | 0:03:23 | 0:03:27 | |
Oh, right. You're nodding away there. | 0:03:27 | 0:03:30 | |
-I take it you did and you didn't! -I didn't! -Right, OK. | 0:03:30 | 0:03:33 | |
I love going to car-boot sales, I love going to antique fairs | 0:03:33 | 0:03:36 | |
and I just accumulated it over the years | 0:03:36 | 0:03:39 | |
but there's a time to get rid of stuff, so. | 0:03:39 | 0:03:41 | |
Right, so we need to raise the £250 at least, | 0:03:41 | 0:03:44 | |
hopefully a little bit more. | 0:03:44 | 0:03:45 | |
-Shall we see if Jonty's found anything in the back of your cupboards? -Yes. -Come on then. | 0:03:45 | 0:03:50 | |
It hasn't taken him long to turn up something | 0:03:54 | 0:03:56 | |
that should kick-start our search. | 0:03:56 | 0:03:58 | |
Ah, Jonty, we've been looking for you. You've found the kitchen. | 0:04:00 | 0:04:03 | |
Oh, yes. Look at this. | 0:04:03 | 0:04:05 | |
-It's a mountain full of blue and white we've got here. -It is. | 0:04:05 | 0:04:09 | |
What I'm looking at here is a little mould. | 0:04:09 | 0:04:11 | |
Because we've got a fish at the bottom here, | 0:04:11 | 0:04:13 | |
this is not a jelly mould, this is probably a pate mould. | 0:04:13 | 0:04:16 | |
There's a set of three of them here so some of them | 0:04:16 | 0:04:19 | |
could easily be for jelly as well. | 0:04:19 | 0:04:22 | |
It's quite unusual to see a little set like that. | 0:04:22 | 0:04:25 | |
I also noticed that, Lorne, if you look at the top here, | 0:04:25 | 0:04:29 | |
we've got these three very large, substantial jugs | 0:04:29 | 0:04:32 | |
and tankard at the back. | 0:04:32 | 0:04:34 | |
Can you see there's the same pattern that appears all the way through your cabinet, practically. | 0:04:34 | 0:04:38 | |
It's pure coincidence. I didn't buy them for that reason. | 0:04:38 | 0:04:42 | |
I liked them and bought them but all at different times. | 0:04:42 | 0:04:45 | |
Because all of these items here are transfer printed. | 0:04:45 | 0:04:48 | |
-Do you understand how transfer printing works? -Not really, no. | 0:04:48 | 0:04:52 | |
It literally is, rather than something being hand-painted on, | 0:04:52 | 0:04:56 | |
it is transfer, like you used to do as kids. | 0:04:56 | 0:04:58 | |
-Oh, yes. -We used to get the transfer done in a very similar way. | 0:04:58 | 0:05:02 | |
It's fired in a kiln at a high temperature. | 0:05:02 | 0:05:04 | |
But you can see how it works. If I just put this mould down. | 0:05:04 | 0:05:08 | |
Have a look at this little line across there. | 0:05:08 | 0:05:12 | |
That's literally the two transfers being sandwiched together. | 0:05:12 | 0:05:16 | |
That's the reason why we've got the line down there. It does happen. | 0:05:16 | 0:05:19 | |
You can often see that. | 0:05:19 | 0:05:21 | |
It shouldn't necessarily be there but, more often than not, it does appear. | 0:05:21 | 0:05:25 | |
Up in the potteries in Stoke-on-Trent, | 0:05:25 | 0:05:28 | |
years ago when they used to make the blue and white, | 0:05:28 | 0:05:30 | |
they got paid piecework, so they got paid per piece they made. | 0:05:30 | 0:05:35 | |
Items like this where the transfers weren't quite right, they used to call Friday pieces | 0:05:35 | 0:05:39 | |
because everybody was desperate to get away on the Friday. | 0:05:39 | 0:05:42 | |
-That's probably a Friday piece. -But still a very attractive Friday piece. | 0:05:42 | 0:05:47 | |
My hunch is, this particular design is not very old. | 0:05:47 | 0:05:51 | |
I would suggest it is post the Second World War. | 0:05:51 | 0:05:53 | |
If Jonty's suggesting we sell all that type of blue and white in one lot... | 0:05:53 | 0:05:58 | |
What we need to do, Lorne, what I've done is | 0:05:58 | 0:06:01 | |
plucked out these three up here, because they're fabulous, | 0:06:01 | 0:06:04 | |
our moulds and this piece. | 0:06:04 | 0:06:07 | |
I quite like this item here. | 0:06:07 | 0:06:09 | |
Put those together and we've got a complete set. | 0:06:09 | 0:06:12 | |
And we're looking, sort of really, at between £50-£100. | 0:06:12 | 0:06:16 | |
Lovely. That sounds good to me. | 0:06:16 | 0:06:18 | |
OK, if we say £50, that's the £50 of the £250 done. | 0:06:18 | 0:06:22 | |
-That would be brilliant. -We just need a few more of those. | 0:06:22 | 0:06:25 | |
Thank you. | 0:06:25 | 0:06:26 | |
Most of it is marked Victorian Ironstone | 0:06:26 | 0:06:29 | |
and the classic blue and white design is still incredibly popular | 0:06:29 | 0:06:33 | |
so I'm sure our selection will have its admirers at auction. | 0:06:33 | 0:06:36 | |
In the conservatory, John's investigating a plant stand. | 0:06:36 | 0:06:40 | |
Linda bought it a few years ago for about £8. | 0:06:40 | 0:06:43 | |
Quite a bargain as it turns out | 0:06:43 | 0:06:46 | |
because Jonty values it at £10-£20 for auction. | 0:06:46 | 0:06:49 | |
We carry on searching for collectables | 0:06:49 | 0:06:52 | |
and pretty soon I discover a set of framed cartoon prints | 0:06:52 | 0:06:55 | |
which might be worthy of Jonty's expert appraisal. | 0:06:55 | 0:06:59 | |
There you are. Look what I found up in the bedroom | 0:06:59 | 0:07:01 | |
in one of the cupboards. | 0:07:01 | 0:07:03 | |
I didn't know whether this might help us at all? | 0:07:03 | 0:07:06 | |
We've got four prints there, have we? | 0:07:06 | 0:07:08 | |
-Have they been up in the cupboard a long time? -They have indeed. | 0:07:08 | 0:07:11 | |
-A long, long time. -They're quite old too. | 0:07:11 | 0:07:14 | |
Where were these from? | 0:07:14 | 0:07:15 | |
The two in the black frames I bought at an antiques fair | 0:07:15 | 0:07:19 | |
but the other two I had framed by a friend of mine quite a long time ago. | 0:07:19 | 0:07:23 | |
I think your friend did a good job of framing these. | 0:07:23 | 0:07:26 | |
These caricatures sum up their time. | 0:07:26 | 0:07:29 | |
This is early 19th century, Georgian England. | 0:07:29 | 0:07:32 | |
Particularly, I love this one with the cartoon characters here. | 0:07:32 | 0:07:35 | |
It looks like we've got the same cartoon character in all four. | 0:07:35 | 0:07:38 | |
Doctor Syntax, absolutely. | 0:07:38 | 0:07:41 | |
Doctor Syntax was a fictitious character | 0:07:41 | 0:07:46 | |
and he was a white wigged clergyman. | 0:07:46 | 0:07:48 | |
Here we can see him in the horse and cart. | 0:07:48 | 0:07:52 | |
He's in all four of these. | 0:07:52 | 0:07:55 | |
What was the whole raison d'etre of this character? | 0:07:55 | 0:07:57 | |
At this time they were lampooning politicians. | 0:07:57 | 0:08:00 | |
He was visualised by Thomas Rowlandson, | 0:08:00 | 0:08:04 | |
who was one of England's famous caricaturists | 0:08:04 | 0:08:06 | |
of the early 19th century. We've got his name down here in this corner. | 0:08:06 | 0:08:10 | |
A lot of hours would have gone into every single one of these. | 0:08:10 | 0:08:13 | |
These are reproductions. | 0:08:13 | 0:08:15 | |
If that's anything to go by, no wonder he went back on tour. | 0:08:15 | 0:08:18 | |
He's sitting there being nagged by his wife and barked at by the dog! | 0:08:18 | 0:08:23 | |
I think these have faded quite a lot. | 0:08:23 | 0:08:25 | |
Wherever they've been, they've been in the light. | 0:08:25 | 0:08:28 | |
The Georgian colours here, | 0:08:28 | 0:08:30 | |
this house, for example, the rectory he's about to move into, | 0:08:30 | 0:08:33 | |
I think would have been a stronger pink. | 0:08:33 | 0:08:35 | |
The problem that we've got | 0:08:35 | 0:08:37 | |
is that we've got quite a lot of fading, as we've discussed. | 0:08:37 | 0:08:42 | |
So, I can only put £20-£40 on them. | 0:08:42 | 0:08:45 | |
-OK. -You seem quite disappointed with that. | 0:08:45 | 0:08:48 | |
I would be very disappointed to let them go for that, for the £20, I think. | 0:08:48 | 0:08:52 | |
What we can do is put a reserve on them. | 0:08:52 | 0:08:54 | |
We can discuss that with the auctioneer. | 0:08:54 | 0:08:56 | |
As long as we put the reserve on them so they're protected | 0:08:56 | 0:08:59 | |
and you understand if they don't make that figure they'll come back home. | 0:08:59 | 0:09:02 | |
Hopefully that'll keep everybody happy. The worst thing is to let them go for less than you want. | 0:09:02 | 0:09:07 | |
I think £20 for the four would be not good. | 0:09:07 | 0:09:09 | |
OK, let's find what else we can find, shall we? Come on then. | 0:09:09 | 0:09:14 | |
Our estimate for these prints remains a modest £20-£40 | 0:09:14 | 0:09:18 | |
but Linda thinks we need a reserve of £50. | 0:09:18 | 0:09:22 | |
Thinking of more items to sell, she remembers this 35-piece tea set | 0:09:22 | 0:09:28 | |
which lives in a charming display cabinet. | 0:09:28 | 0:09:30 | |
The set is by Royal Albert, once part of Royal Doulton, | 0:09:31 | 0:09:34 | |
and is in the Old Country Roses pattern, which is incredibly popular. | 0:09:34 | 0:09:40 | |
All being well, it should make us £40 to £60 at auction. | 0:09:40 | 0:09:43 | |
A cup of tea would be welcome right now | 0:09:43 | 0:09:45 | |
but first, I have questions to put to our divine hosts. | 0:09:45 | 0:09:48 | |
So how did the two of you meet? | 0:09:48 | 0:09:51 | |
Well we met at a cricket match which my father was playing in. | 0:09:51 | 0:09:55 | |
He was a policeman and it was at Hendon. | 0:09:55 | 0:09:58 | |
John was a cadet at the college at the time | 0:09:58 | 0:10:01 | |
and they were short of a player so he volunteered to join the team. | 0:10:01 | 0:10:06 | |
That's when I first met him. So that's how it all started. | 0:10:06 | 0:10:09 | |
So there was a strong police connection? | 0:10:09 | 0:10:11 | |
-You really met that way, really. -Absolutely, yeah. Yeah. | 0:10:11 | 0:10:14 | |
1962 was when I was in the Police Cadets. | 0:10:14 | 0:10:19 | |
Then in 1967 we got married. | 0:10:19 | 0:10:21 | |
Tell me a little bit about sport because you're quite a sporting family, aren't you? | 0:10:21 | 0:10:26 | |
Yes. I mean, I love my football. I'm very much into the Arsenal, | 0:10:26 | 0:10:29 | |
whereas John is more into the golf and the cricket. | 0:10:29 | 0:10:32 | |
So between us we have a very big sporting, you know, delight, really. | 0:10:32 | 0:10:37 | |
What is it about the football you enjoy so much? | 0:10:37 | 0:10:40 | |
Erm, you sort of have a team that you support from childhood. | 0:10:41 | 0:10:45 | |
My father was an Arsenal fanatic and I suppose it was bred in me | 0:10:45 | 0:10:49 | |
and I look at them as sort of part of the family. | 0:10:49 | 0:10:51 | |
You haven't gone down the football route, have you? | 0:10:51 | 0:10:54 | |
Well, my father played cricket all his life and cricket was our love. | 0:10:54 | 0:10:57 | |
My mother really loved cricket and of course, we began to love it as well. | 0:10:57 | 0:11:01 | |
I played cricket for the Metropolitan Police. | 0:11:01 | 0:11:04 | |
I then played cricket for Stanwell, Middlesex, and took up golf. | 0:11:04 | 0:11:08 | |
So Linda goes off to the Arsenal to watch the football and I go off to play golf. | 0:11:08 | 0:11:12 | |
And then obviously you went on to have the two children. | 0:11:12 | 0:11:15 | |
When did you realise they had a bit of a travelling bug? | 0:11:15 | 0:11:19 | |
Well, we've always encouraged it, really. | 0:11:19 | 0:11:22 | |
When they were children we actually bought a place in Tenerife | 0:11:22 | 0:11:25 | |
and my daughter in particular really loved it and always said she was | 0:11:25 | 0:11:29 | |
going to live there one day and we said, "No, you won't," | 0:11:29 | 0:11:32 | |
but she eventually did | 0:11:32 | 0:11:34 | |
and she left when she was 18 and she's still there. | 0:11:34 | 0:11:37 | |
My son has always loved travelling, he always did, | 0:11:37 | 0:11:40 | |
and his love of languages, he went abroad to work and that was it. | 0:11:40 | 0:11:44 | |
How many languages are spoken in this family? | 0:11:44 | 0:11:46 | |
I would say Andrew speaks, he certainly speaks French, German | 0:11:46 | 0:11:50 | |
and Dutch, although Russian would be his best. | 0:11:50 | 0:11:52 | |
My daughter speaks Spanish, of course. | 0:11:52 | 0:11:54 | |
The two boys speak Spanish because they went to Spanish schools. | 0:11:54 | 0:11:57 | |
Andrew's children speak English, Kazakh and Russian. | 0:11:57 | 0:12:02 | |
Jonty just speaks one language, which is posh. Shall we see whether he's got anything else to sell? | 0:12:02 | 0:12:06 | |
OK. Thank you. | 0:12:06 | 0:12:09 | |
Posh or not, you can't beat Jonty's eye for quality silverware. | 0:12:09 | 0:12:12 | |
And in his search upstairs, | 0:12:12 | 0:12:14 | |
he's found a great-looking haul of treasure. | 0:12:14 | 0:12:16 | |
-Linda, are you there? -Yes. -Look what I've found. | 0:12:16 | 0:12:21 | |
Oh, right. OK, yes. | 0:12:21 | 0:12:23 | |
Now there is time to make tea. I've got the teapot. | 0:12:23 | 0:12:26 | |
-It's a box, but they're not silver, they're silver-plated. -OK, right. | 0:12:26 | 0:12:30 | |
-So everything in here is plated? -It is. -Not genuine silver? | 0:12:30 | 0:12:35 | |
-Not genuine silver. -Are you sure about that? | 0:12:35 | 0:12:37 | |
-I think I'm more or less 100%, yes. -OK. | 0:12:37 | 0:12:40 | |
-Well, it makes a difference in price, really. -Of course it does. | 0:12:40 | 0:12:43 | |
We've got all sorts of things, a pair of candelabra, but this is a nice teapot. | 0:12:43 | 0:12:47 | |
-Where's it from? -There's a sugar bowl as well. That came from my grandmother. -This one here? | 0:12:47 | 0:12:51 | |
Again, used to sit on the sideboard, but the rest of it I bought myself. | 0:12:51 | 0:12:55 | |
-Are you willing to sell all of the collection? -Yes. | 0:12:55 | 0:12:58 | |
I don't use it any more. It's too much to clean. | 0:12:58 | 0:13:01 | |
Do you understand the concept of silver plate? | 0:13:01 | 0:13:04 | |
-Do you know how it's put together? -Is it put on copper? | 0:13:04 | 0:13:06 | |
Yes, that's right. | 0:13:06 | 0:13:08 | |
It's electroplated so it's actually just a very fine layer, | 0:13:08 | 0:13:12 | |
usually on copper, of silver. | 0:13:12 | 0:13:15 | |
That's what happens when you clean or rub too vigorously. | 0:13:15 | 0:13:19 | |
Literally, the silver layer will wear off. | 0:13:19 | 0:13:22 | |
Let me just get this out and look at this. | 0:13:22 | 0:13:25 | |
-Can you see how the copper is coming through? -Yes. | 0:13:25 | 0:13:29 | |
-That's why I knew it had copper under it all. -Right. | 0:13:29 | 0:13:31 | |
So that's a very good way of telling whether something is plated. | 0:13:31 | 0:13:36 | |
-Ultimately, one is looking for hallmarks. -OK. | 0:13:36 | 0:13:38 | |
Not so long ago, I would have put very little value on a whole box like this. | 0:13:38 | 0:13:42 | |
There wasn't any real market for it. It all just seems to be coming back. | 0:13:42 | 0:13:46 | |
-Oh, good. -There's a bit of revival on all of this, now. | 0:13:46 | 0:13:49 | |
One might be pleasantly surprised just how much we're going to get for all of this. | 0:13:49 | 0:13:53 | |
-I would put £80 to £120 on this little collection. -Really? | 0:13:53 | 0:13:57 | |
And who knows where it's going to go? | 0:13:57 | 0:13:58 | |
We won't have to wait long to find out. | 0:13:58 | 0:14:01 | |
The candelabra, serving trays, condiments and teapots | 0:14:01 | 0:14:04 | |
go together as a job lot. | 0:14:04 | 0:14:07 | |
I wonder if the bidders will dig deep for the silver plate. | 0:14:07 | 0:14:10 | |
£80, anywhere? £80. | 0:14:10 | 0:14:13 | |
It's probably going to come down low before it gets going. | 0:14:13 | 0:14:17 | |
Looks like this could be exciting. | 0:14:17 | 0:14:20 | |
Our treasure hunt in Bedfordshire rolls on | 0:14:20 | 0:14:23 | |
as Jonty continues his sweep of the bedrooms, | 0:14:23 | 0:14:27 | |
he finds some more 19th-century framed prints. | 0:14:27 | 0:14:29 | |
They're by the artist Leslie Matthew Ward | 0:14:29 | 0:14:32 | |
who was known by his signature, Spy. | 0:14:32 | 0:14:35 | |
And he was famous for sending up the gentry of the time. | 0:14:35 | 0:14:38 | |
The smaller picture is by George Studdy, creator of Bonzo the cartoon dog. | 0:14:38 | 0:14:44 | |
Linda paid about £8 for each print, | 0:14:44 | 0:14:46 | |
but Jonty values the five together at £20 to £30. | 0:14:46 | 0:14:50 | |
'I'm downstairs and I soon come across | 0:14:50 | 0:14:52 | |
'this generous pocket watch, an heirloom which Linda inherited from her uncle. | 0:14:52 | 0:14:58 | |
'The hallmark reveals it was made in Chester in 1899, | 0:14:58 | 0:15:01 | |
'and it's worth a further £20 to £30.' | 0:15:01 | 0:15:04 | |
-Linda? -Yes. -Tell me about this kettle on a stand, here. | 0:15:06 | 0:15:10 | |
It was my grandmother's. I remember it as a child. | 0:15:10 | 0:15:14 | |
It was always on her sideboard. I was never allowed to touch it. | 0:15:14 | 0:15:18 | |
It was passed to my father, obviously, | 0:15:18 | 0:15:20 | |
when my grandmother died, and he gave it to me. | 0:15:20 | 0:15:23 | |
-Was your grandmother German, by any chance? -No. | 0:15:23 | 0:15:26 | |
-Any relations from Germany at all? -Not as far as I'm aware, no. | 0:15:26 | 0:15:29 | |
-the reason I ask the question is because this kettle is German. -Is it? | 0:15:29 | 0:15:34 | |
On the underside, apart from it being black, | 0:15:34 | 0:15:37 | |
because it's been used, there's a little mark here that says GBN. | 0:15:37 | 0:15:42 | |
Geruda Bing Nuremberg. Geruda Bing were known for making toys. | 0:15:42 | 0:15:49 | |
-Right. -But they did make kettles on stands like this. -I've no idea. | 0:15:49 | 0:15:54 | |
I've never heard of any German connection. | 0:15:54 | 0:15:57 | |
-It's interesting, how it's made its way here. -That's right. | 0:15:57 | 0:16:00 | |
If you look at the style, it's really quite simple, isn't it? | 0:16:00 | 0:16:05 | |
You've got a simple handle, there, and also the top here, again, is very stylised. | 0:16:05 | 0:16:10 | |
That's because it's more influenced by the Art Nouveau style | 0:16:10 | 0:16:14 | |
which is very flowing, rather than fussy. | 0:16:14 | 0:16:17 | |
Because this was made about 100 years ago. | 0:16:17 | 0:16:21 | |
-We have a bit of a problem going on here, haven't we? -We do. -You can tell me what the problem is. | 0:16:21 | 0:16:26 | |
Well it's obviously the bracket or hinge has come off, here. | 0:16:26 | 0:16:30 | |
So we have the damage but if you turn it round on the other side, | 0:16:30 | 0:16:33 | |
you can see few more dents and another support missing, there. | 0:16:33 | 0:16:36 | |
Bit of a problem because when it comes to metal, it's quite difficult to repair. | 0:16:36 | 0:16:41 | |
A Bing kettle like this in good condition is possibly £100, | 0:16:41 | 0:16:44 | |
but not in this condition. | 0:16:44 | 0:16:47 | |
-It's more like £20 to £40. -Is it? Right, OK. -Sorry to disappoint you. | 0:16:47 | 0:16:51 | |
-No, no. that's fine. -Are you happy? -I've got to, I don't need it, so yes. | 0:16:51 | 0:16:56 | |
-That's fine. -So if we're not allowed to use this, I can't have a cup of tea, can I? | 0:16:56 | 0:17:00 | |
Not really. There's one downstairs. You can have one downstairs. | 0:17:00 | 0:17:03 | |
-Shall we go downstairs, then? I'll put that back on the stand, there. -OK. -Right. | 0:17:03 | 0:17:07 | |
-There's no time for tea. We've got more work to do. -OK. | 0:17:07 | 0:17:11 | |
I wonder how that kettle got to be in Linda's family. | 0:17:11 | 0:17:13 | |
It's a shame it wasn't in better condition but it makes a useful contribution to the fund. | 0:17:13 | 0:17:18 | |
We may be searching for items to sell but there's always time | 0:17:18 | 0:17:21 | |
to consider heirlooms which must stay within the family. | 0:17:21 | 0:17:24 | |
-So this is all related to your dad, is it? -It is, yes. | 0:17:24 | 0:17:27 | |
He was in Bomber Command during the war, Second World War. | 0:17:27 | 0:17:31 | |
Obviously, his medals. | 0:17:31 | 0:17:34 | |
When he was in the police force he was in traffic | 0:17:35 | 0:17:38 | |
and he actually met Prince Philip, as you can see. | 0:17:38 | 0:17:41 | |
Log book and information about the squadron that he was with. | 0:17:41 | 0:17:45 | |
Very proud of him. | 0:17:45 | 0:17:47 | |
-Your interest in WWII, has that come directly from your dad? -To a degree. I love history. | 0:17:47 | 0:17:51 | |
I love the Russian revolution, I like the First World War | 0:17:51 | 0:17:55 | |
and the Second World War but because he was in the Second World War | 0:17:55 | 0:17:59 | |
and heavily involved in it, I suppose it did. | 0:17:59 | 0:18:01 | |
Tell me a little bit about what he did in the war? | 0:18:01 | 0:18:04 | |
He was in Wellingtons. He flew Wellington bombers. | 0:18:04 | 0:18:07 | |
He was an aircraft gunner and also a navigator. He did the whole war. | 0:18:07 | 0:18:11 | |
He signed up in 1939 at 19 years of age and came out in 1946. | 0:18:11 | 0:18:17 | |
But he never spoke about it, ever. A lot of people didn't. | 0:18:17 | 0:18:20 | |
It wasn't until really he was more or less at the end of his life | 0:18:20 | 0:18:25 | |
that I actually found out exactly what he did. | 0:18:25 | 0:18:28 | |
-But he had that picture painted which I've got upstairs. -I've seen that. | 0:18:28 | 0:18:32 | |
Which was the actual plane that he flew. | 0:18:32 | 0:18:35 | |
-I take it none of this is going up for sale? -Definitely not. | 0:18:35 | 0:18:38 | |
This is going to stay in the family. | 0:18:38 | 0:18:40 | |
We'll keep all of this out of Jonty's hands so they don't get sold. | 0:18:40 | 0:18:43 | |
-Shall we see whether he's found anything that can sell? -OK. | 0:18:43 | 0:18:47 | |
'It was a privilege to hear Linda share her father's story. | 0:18:47 | 0:18:50 | |
'It's hard to imagine what he must have gone through during the war.' | 0:18:50 | 0:18:54 | |
Back to our treasure hunt and Jonty takes a look at the 1930s walnut display cabinet | 0:18:54 | 0:18:58 | |
now it's been cleared of the Royal Albert tea set. | 0:18:58 | 0:19:02 | |
They're not as popular as they were but it's still a neat example | 0:19:02 | 0:19:05 | |
and could fetch £20 to £40. | 0:19:05 | 0:19:09 | |
Hurry up, Jonty. | 0:19:09 | 0:19:11 | |
We need you to give us your thoughts about another cabinet. | 0:19:11 | 0:19:13 | |
There you are, John. What are you looking at? | 0:19:13 | 0:19:16 | |
-I'm looking at a cabinet we bought in Ampthill. -When did you buy it? | 0:19:16 | 0:19:19 | |
-Probably about ten years or more. -OK. And why did you buy it? | 0:19:19 | 0:19:23 | |
I think mainly to store video tapes, which are a bit obsolete now. | 0:19:23 | 0:19:26 | |
I don't think it was made for that purpose. | 0:19:26 | 0:19:29 | |
I wouldn't think so! When you bought it, did you know how old it was? | 0:19:29 | 0:19:34 | |
-Not at all. -You bought it just because you liked it? | 0:19:34 | 0:19:38 | |
We liked it and it suited a purpose at the time. | 0:19:38 | 0:19:40 | |
-How much did you pay for it? -£30 to £40. It wouldn't have been more. -OK. | 0:19:40 | 0:19:45 | |
If you look at the style, it has a Victorian feel. | 0:19:45 | 0:19:48 | |
Pieces of furniture like this would've been made initially as bedside tables. | 0:19:48 | 0:19:52 | |
You've got the door down below. | 0:19:52 | 0:19:54 | |
-Is it just the one door we have here? -Just the one. -Oh, it opens up. | 0:19:54 | 0:19:58 | |
Concertinas somewhat. OK. And then we've got the octagonal top, also. | 0:19:58 | 0:20:03 | |
Originally bedside tables would've had some pot stored down beside. | 0:20:03 | 0:20:09 | |
-Yes. Just in case you got caught short. -Short in the night. | 0:20:09 | 0:20:13 | |
So this piece of furniture here is a 20th-century interpretation | 0:20:13 | 0:20:17 | |
of a 19th-century bedside table. | 0:20:17 | 0:20:20 | |
And I suppose the big giveaway, possibly, | 0:20:20 | 0:20:22 | |
and I haven't obviously done this, is to open up the door here | 0:20:22 | 0:20:26 | |
and see this piece of timber here? | 0:20:26 | 0:20:29 | |
Again, this is not how a 19th-century piece of furniture would have been constructed. | 0:20:29 | 0:20:35 | |
And the timber itself is probably a timber that's stained to look like | 0:20:35 | 0:20:39 | |
-a tropical hardwood and it probably is a cheaper timber as well. -Yes. | 0:20:39 | 0:20:43 | |
Hopefully we'll get your money back. It'll be there or thereabouts. | 0:20:43 | 0:20:46 | |
-£30 to £50 at auction. Are you happy about that? -Happy to do that, yes. | 0:20:46 | 0:20:50 | |
You're going to have to find another space to house those video tapes. | 0:20:50 | 0:20:54 | |
-The loft? -Great. -HE LAUGHS | 0:20:54 | 0:20:56 | |
I'd have thrown them in the bin to be honest | 0:20:56 | 0:20:59 | |
but the cabinet could still have its uses. | 0:20:59 | 0:21:02 | |
Jonty's estimate means more good news for John and Linda's expectant daughter in Tenerife. | 0:21:02 | 0:21:07 | |
We're making good progress but we're not ready to call it a day just yet. | 0:21:07 | 0:21:11 | |
John's a big cricket fan and this tankard commemorated 100 years of the Ashes in 1982. | 0:21:11 | 0:21:17 | |
The Churchill character jug is by Royal Doulton, made in 1991, | 0:21:17 | 0:21:22 | |
and modelled by Stanley James Taylor. | 0:21:22 | 0:21:24 | |
Grouped together with more jugs of various designs, | 0:21:24 | 0:21:28 | |
the whole collection could make £20 to £30. | 0:21:28 | 0:21:31 | |
We're almost out of time but not before Linda shows us one last souvenir. | 0:21:31 | 0:21:36 | |
Oh, wow! | 0:21:36 | 0:21:38 | |
Where on earth did you get these? | 0:21:38 | 0:21:40 | |
We bought those in St Petersburg in 1990, 1991, | 0:21:40 | 0:21:44 | |
when my son was at university, from a very old gentleman, | 0:21:44 | 0:21:47 | |
a very old man in one of the main streets. | 0:21:47 | 0:21:50 | |
I don't know what they are, but we just liked the look of them and paid very little money for them. | 0:21:50 | 0:21:55 | |
It's quite an odd time for you to be there, though. Not many tourists around. | 0:21:55 | 0:21:59 | |
There weren't any at all. | 0:21:59 | 0:22:01 | |
People were selling everything, | 0:22:01 | 0:22:02 | |
from toilet rolls to tinned soups. | 0:22:02 | 0:22:06 | |
Everything to get roubles. | 0:22:06 | 0:22:08 | |
And there was a guy there that just had those in front of him. | 0:22:08 | 0:22:10 | |
-I asked if we could have a look, and we did. -Yes. | 0:22:10 | 0:22:14 | |
And we just paid 20 roubles, maybe. | 0:22:14 | 0:22:18 | |
How much is that in pounds? | 0:22:18 | 0:22:20 | |
About £4, I think. | 0:22:20 | 0:22:22 | |
But to him, that was probably a lot of money. | 0:22:22 | 0:22:25 | |
I suppose we're looking at a set of six commemorative coins, | 0:22:25 | 0:22:29 | |
But they're not necessarily metal. | 0:22:29 | 0:22:30 | |
If you pick one of those up, have a feel of that. | 0:22:30 | 0:22:33 | |
They're cold, yes. | 0:22:33 | 0:22:35 | |
But they are not heavy enough to be a metal. | 0:22:35 | 0:22:37 | |
So, I believe these to be more of a resin, rather than a metal. | 0:22:37 | 0:22:40 | |
Right, OK. | 0:22:40 | 0:22:42 | |
But they're very nicely carved... | 0:22:42 | 0:22:44 | |
-Well, these would be made from a mould. -Mm. | 0:22:44 | 0:22:48 | |
There would be one person creating the art imagery. | 0:22:48 | 0:22:53 | |
And then the rest would be from a mould. | 0:22:53 | 0:22:55 | |
-OK. -If you look closely, here, | 0:22:55 | 0:22:57 | |
we have Lenin on the top, here, | 0:22:57 | 0:22:59 | |
overseeing these other characters. | 0:22:59 | 0:23:01 | |
Starting, probably, from the Russian revolution to the modern spaceman. | 0:23:01 | 0:23:07 | |
-So, this is a celebration of Communism. -Yes. | 0:23:07 | 0:23:10 | |
-How's your Russian? -Not good. -Because on the reverse, there's all this Russian writing. | 0:23:10 | 0:23:15 | |
I think they're worth putting in the auction sale, | 0:23:15 | 0:23:17 | |
and I think the value would be around the £30 mark. | 0:23:17 | 0:23:20 | |
So £30-£50. | 0:23:20 | 0:23:22 | |
-OK. -Shall we tell the others? -Please, yes. | 0:23:22 | 0:23:24 | |
-Lorne, John. Are you there? -Yes, we are, actually, yeah. -A-ha! | 0:23:24 | 0:23:28 | |
Do you remember these? | 0:23:28 | 0:23:30 | |
I do remember them, but... | 0:23:30 | 0:23:32 | |
Have a look at these, Lorne. Did you but these together? | 0:23:32 | 0:23:35 | |
Yes, I'm sure we must have done, | 0:23:35 | 0:23:37 | |
because we were in St Petersburg together. | 0:23:37 | 0:23:39 | |
I have no recollection except buying from an old man in the street. | 0:23:39 | 0:23:42 | |
Let's hope your good karma comes back to you at the auction. | 0:23:42 | 0:23:45 | |
-May well do. -What did you value them at, Jonty? | 0:23:45 | 0:23:47 | |
I think they're worth around the £30, | 0:23:47 | 0:23:50 | |
so I would say £30-£50 at auction. | 0:23:50 | 0:23:51 | |
Right. Yes, that's fine. | 0:23:51 | 0:23:54 | |
That's fine. | 0:23:54 | 0:23:55 | |
Now, you wanted £250, didn't you, | 0:23:55 | 0:23:57 | |
towards some stuff for the new grandchild, over in Tenerife? | 0:23:57 | 0:24:00 | |
We did. | 0:24:00 | 0:24:01 | |
I know you're a bit disappointed with the valuation of the etchings. | 0:24:01 | 0:24:04 | |
I'll leave these to one side for the moment. | 0:24:04 | 0:24:07 | |
The value of everything going to auction comes to £340. | 0:24:07 | 0:24:11 | |
But, if you get the £50 you want for those pictures, | 0:24:11 | 0:24:13 | |
-that'll take it to £390. -Lovely. That's great. | 0:24:13 | 0:24:17 | |
That'd be good, wouldn't it? | 0:24:17 | 0:24:18 | |
You might be able to buy a whole buggy for that. | 0:24:18 | 0:24:21 | |
A motorised one! | 0:24:21 | 0:24:22 | |
THEY LAUGH | 0:24:22 | 0:24:23 | |
Gosh! Isn't the stuff expensive nowadays? | 0:24:23 | 0:24:26 | |
Especially in Tenerife. | 0:24:26 | 0:24:28 | |
-Whatever happened to pass-me-downs? -I don't know. | 0:24:28 | 0:24:30 | |
I'm sure Jonty must have an old buggy somewhere, | 0:24:30 | 0:24:32 | |
one of those Silver Cross prams we can hand down. | 0:24:32 | 0:24:35 | |
-Absolutely, yeah. I remember those. -A sedan chair.. | 0:24:35 | 0:24:37 | |
-OK. Are you looking forward to the auction? -I am, yes. | 0:24:37 | 0:24:41 | |
-OK. -See you there. -Next time we see you, we'll be there. | 0:24:41 | 0:24:44 | |
-OK. Thank you. -Thank you very much. | 0:24:44 | 0:24:46 | |
Little by little, we made our target, | 0:24:46 | 0:24:49 | |
with just a bit to spare. | 0:24:49 | 0:24:51 | |
It'll be interesting to see how we get on at auction. | 0:24:51 | 0:24:54 | |
These prints of the fictitious 19th-century vicar | 0:24:54 | 0:24:57 | |
Dr Syntax might have raised a laugh. | 0:24:57 | 0:25:01 | |
Let's hope they can meet Linda's £50 reserve. | 0:25:01 | 0:25:04 | |
Will we find a buyer for those blue and white jugs and jelly moulds? | 0:25:04 | 0:25:07 | |
They could decorate our fund with another £50-£100. | 0:25:07 | 0:25:11 | |
And the assorted silver plate could also prove popular, | 0:25:11 | 0:25:14 | |
and make between £80 and £120. | 0:25:14 | 0:25:17 | |
Still to come on Cash In The Attic. | 0:25:17 | 0:25:20 | |
How will we cope when the bidding hots up? | 0:25:20 | 0:25:24 | |
-Then suddenly... -..the price goes up. | 0:25:24 | 0:25:26 | |
If it was me, I'd be sitting with steam coming out of my ears. | 0:25:26 | 0:25:30 | |
And when we do make a sale, will we all share Jonty's enthusiasm? | 0:25:30 | 0:25:34 | |
It's walking. It's walking. | 0:25:34 | 0:25:36 | |
It's stumbling, rather than walking, at £30. | 0:25:36 | 0:25:39 | |
Here comes the final hammer. | 0:25:39 | 0:25:42 | |
It's been a while since we met Linda and John | 0:25:46 | 0:25:48 | |
at their beautiful Bedfordshire cottage. | 0:25:48 | 0:25:50 | |
They're looking to raise money to help their daughter | 0:25:50 | 0:25:53 | |
prepare for the birth of their daughter's child, | 0:25:53 | 0:25:55 | |
their new grandchild. | 0:25:55 | 0:25:57 | |
We found plenty of items we've brought here | 0:25:57 | 0:25:59 | |
to Sworders Auction House in Stansted Mountfitchet. | 0:25:59 | 0:26:02 | |
All we need to do today, of course, | 0:26:02 | 0:26:04 | |
is hope that the bidders are willing to dig deep into their pockets. | 0:26:04 | 0:26:07 | |
Sworders holds a general sale every week here at Stansted Mountfitchet, | 0:26:07 | 0:26:11 | |
and the Devines' heirlooms should fit in perfectly | 0:26:11 | 0:26:14 | |
with the various items on sale today. | 0:26:14 | 0:26:16 | |
But as they check out the competition, | 0:26:16 | 0:26:19 | |
I hope our couple don't get sidetracked. | 0:26:19 | 0:26:21 | |
Good morning! | 0:26:21 | 0:26:23 | |
Hi, guys. How are you? | 0:26:23 | 0:26:24 | |
When I last saw you, | 0:26:24 | 0:26:25 | |
it was before you were going to make your trip with the family. | 0:26:25 | 0:26:29 | |
And you were expecting another grandchild. What's the latest? | 0:26:29 | 0:26:33 | |
We've got a lovely little grandson called Leo. | 0:26:33 | 0:26:35 | |
-How wonderful! -And he's gorgeous. -How lovely! | 0:26:35 | 0:26:37 | |
So you managed to see him, as well? | 0:26:37 | 0:26:39 | |
We saw him, had a cuddle, and then left for the airport. | 0:26:39 | 0:26:41 | |
How lovely! | 0:26:41 | 0:26:44 | |
So, are we too late to make this money for him? | 0:26:44 | 0:26:47 | |
No, no. We'd love to buy something special for him, so yes. | 0:26:47 | 0:26:50 | |
-All right. Shall we go and make some money? -Come on, guys. | 0:26:50 | 0:26:53 | |
We couldn't have wished for a better start to our auction. | 0:26:53 | 0:26:56 | |
And that's before anything has even gone on sale. | 0:26:56 | 0:26:59 | |
I'm keeping my fingers crossed that Linda and John's pieces do well for little Leo, | 0:26:59 | 0:27:03 | |
especially as the auctioneer has advised our couple | 0:27:03 | 0:27:06 | |
to merge a number of their lots together, | 0:27:06 | 0:27:08 | |
in an effort to maximise interest and potential takings. | 0:27:08 | 0:27:11 | |
First to go under the hammer is the silver pocket watch, | 0:27:11 | 0:27:14 | |
dated 1899 and hallmarked in Chester. | 0:27:14 | 0:27:19 | |
Where was this from? | 0:27:19 | 0:27:20 | |
It came from my aunt. It was her husband's, and she gave it to me. | 0:27:20 | 0:27:24 | |
It's a family thing, really. | 0:27:24 | 0:27:27 | |
What do you want for this, Jonty? | 0:27:27 | 0:27:28 | |
£20-£30. There's a bit of damage there, as well. | 0:27:28 | 0:27:32 | |
So don't get too excited. | 0:27:32 | 0:27:34 | |
-But £20-£30 should be fine to get it away. -Let's see. | 0:27:34 | 0:27:38 | |
£20 to start me. I'm bid £20. Any interest at £22? | 0:27:38 | 0:27:41 | |
Opening bid of £20, then, for the pocket watch. Any further interest? | 0:27:41 | 0:27:44 | |
£22 there. £25. | 0:27:44 | 0:27:47 | |
£25, £28. | 0:27:47 | 0:27:49 | |
£28, £30. | 0:27:49 | 0:27:50 | |
£32. £32, sir. | 0:27:50 | 0:27:52 | |
£32, £35, £38. | 0:27:52 | 0:27:53 | |
No. £35. Still in the centre at £35. | 0:27:53 | 0:27:56 | |
(Yes). | 0:27:56 | 0:27:57 | |
Any further interest? | 0:27:57 | 0:27:58 | |
I'll sell for £35. | 0:27:58 | 0:28:00 | |
I always think it must be so frustrating | 0:28:00 | 0:28:03 | |
for the buyer who thinks they're going to get it for 20 quid. | 0:28:03 | 0:28:06 | |
-Then suddenly... -...the price goes up. | 0:28:06 | 0:28:08 | |
THEY LAUGH | 0:28:08 | 0:28:10 | |
If it was me, I'd be sitting there with steam coming out of my ears. | 0:28:10 | 0:28:13 | |
But the good thing is that means it's more money for you. | 0:28:13 | 0:28:15 | |
He's got steam coming out his ears, but we're all smiling. | 0:28:15 | 0:28:18 | |
And so we should be. | 0:28:18 | 0:28:21 | |
£5 over our top estimate is an encouraging start. | 0:28:21 | 0:28:23 | |
Let's see if our next lot, the Royal Albert china tea set, | 0:28:23 | 0:28:26 | |
can also draw in the bidders. | 0:28:26 | 0:28:28 | |
The service is the company's most popular design, | 0:28:28 | 0:28:32 | |
and was a classic item on wedding lists in years gone by. | 0:28:32 | 0:28:35 | |
It's also in great condition. | 0:28:35 | 0:28:37 | |
It's the Royal Albert Country Roses, which I think | 0:28:38 | 0:28:40 | |
has probably got to be the most manufactured design known to mankind | 0:28:40 | 0:28:45 | |
in this country. | 0:28:45 | 0:28:46 | |
-But it is very desirable. -It is. | 0:28:46 | 0:28:48 | |
When I've seen it all out in the auction room, | 0:28:48 | 0:28:50 | |
on the table it's displayed on, | 0:28:50 | 0:28:52 | |
there is so much of this set. | 0:28:52 | 0:28:55 | |
I put £40-£60 on it. | 0:28:55 | 0:28:58 | |
I think that's quite conservative. | 0:28:58 | 0:28:59 | |
I wouldn't be surprised if it makes a lot more, | 0:28:59 | 0:29:02 | |
as there's so much of it. | 0:29:02 | 0:29:03 | |
So, who's going to buy it, Jonty? Is there someone in the auction room, | 0:29:03 | 0:29:06 | |
or will it be a phone bid, or what? | 0:29:06 | 0:29:08 | |
I don't think necessarily it will find a home in the UK. | 0:29:08 | 0:29:12 | |
It could be in any corner of the globe. | 0:29:12 | 0:29:15 | |
On the Continent, in America, | 0:29:15 | 0:29:17 | |
but not necessarily the buyers in the UK. | 0:29:17 | 0:29:19 | |
-Right. -Not necessarily so. | 0:29:19 | 0:29:22 | |
£50, anywhere? | 0:29:22 | 0:29:24 | |
That's got to be worth £50, surely. | 0:29:24 | 0:29:26 | |
Yes! | 0:29:26 | 0:29:28 | |
-£55, £60. £65. -Come on! | 0:29:28 | 0:29:31 | |
£60. | 0:29:31 | 0:29:32 | |
Any bids at £65? | 0:29:32 | 0:29:34 | |
I'll sell for £60. | 0:29:34 | 0:29:37 | |
Any further interest? £60. | 0:29:37 | 0:29:39 | |
£60. Bang on the top estimate. | 0:29:39 | 0:29:41 | |
Good. | 0:29:41 | 0:29:44 | |
That's a very satisfying boost | 0:29:44 | 0:29:46 | |
to the fund for little Leo and the family. | 0:29:46 | 0:29:48 | |
Now it's time for our first merged lot of the day. | 0:29:48 | 0:29:52 | |
The auctioneer has decided it's best to put together | 0:29:52 | 0:29:54 | |
that collection of silver plate | 0:29:54 | 0:29:55 | |
with a battered German spirit kettle. | 0:29:55 | 0:29:58 | |
Interestingly enough, when we came to your house, | 0:30:01 | 0:30:03 | |
we found various bits and pieces. | 0:30:03 | 0:30:05 | |
We lotted them up and put them into the auction house, as expected. | 0:30:05 | 0:30:09 | |
They seem to have taken matters into their own hands. | 0:30:09 | 0:30:11 | |
They've combined some of these things. | 0:30:11 | 0:30:13 | |
So the next lot are a huge quantity of electroplated items. | 0:30:13 | 0:30:17 | |
Yes, because in that is our lovely spirit kettle that we looked at. | 0:30:17 | 0:30:21 | |
Remember the Bing piece? | 0:30:21 | 0:30:23 | |
But because it's so badly damaged, | 0:30:23 | 0:30:25 | |
I would imagine that they'd probably put it, as Lorne suggested, | 0:30:25 | 0:30:29 | |
in with our other items as well. | 0:30:29 | 0:30:31 | |
I think what we have to bear in mind | 0:30:31 | 0:30:33 | |
is an auction house always knows its own local market | 0:30:33 | 0:30:35 | |
and the type of dealers, and what they'll be looking for. | 0:30:35 | 0:30:38 | |
They probably assume that whoever wants one of it will want the rest. | 0:30:38 | 0:30:42 | |
The new estimate for this is £100 to £160. | 0:30:42 | 0:30:45 | |
So that's what we're aiming to net. | 0:30:45 | 0:30:48 | |
A mixed lot, there. £80, anywhere? £80? £50. | 0:30:48 | 0:30:52 | |
It's probably going to come down low, before it gets going. | 0:30:52 | 0:30:55 | |
£40 to start me, anywhere? Anyone tempted? | 0:30:55 | 0:30:57 | |
It might not get picked at all. | 0:30:57 | 0:30:59 | |
..£40? £30, to start me? | 0:30:59 | 0:31:02 | |
No? I'm afraid we'll have to pass on that. | 0:31:02 | 0:31:06 | |
-LINDA: That's a shame. -Right. Now, that IS a disappointment. | 0:31:06 | 0:31:08 | |
It is a disappointment. | 0:31:08 | 0:31:10 | |
She took it right down, to start at £40. | 0:31:10 | 0:31:12 | |
Obviously, you can't start below that. It gets ridiculous. | 0:31:12 | 0:31:15 | |
But unfortunately, there didn't seem to be any interest at all. | 0:31:15 | 0:31:18 | |
-Oh, dear. -That's life. | 0:31:18 | 0:31:20 | |
I don't know whether you want to leave it here, | 0:31:20 | 0:31:21 | |
to go into another auction? | 0:31:21 | 0:31:23 | |
Probably let it go into another auction. | 0:31:23 | 0:31:25 | |
-Can we do that? -Of course you can. We'll sort all that out. | 0:31:25 | 0:31:27 | |
Oh, dear. Clearly no-one was on the lookout | 0:31:27 | 0:31:30 | |
for a bulk buy of EPNS and brass. | 0:31:30 | 0:31:32 | |
I can't help wondering how our other merged lots will do later on. | 0:31:32 | 0:31:36 | |
Next up is another large lot. | 0:31:36 | 0:31:39 | |
At least these are going on sale as we intended. | 0:31:39 | 0:31:41 | |
Jonty's given this group of blue and white jugs and jelly moulds | 0:31:41 | 0:31:44 | |
a confident £50 to £100 estimate. | 0:31:44 | 0:31:47 | |
This is quite interesting, because there was loads of stuff here. | 0:31:47 | 0:31:50 | |
The classic stuff that, in the '80s, | 0:31:50 | 0:31:52 | |
-everybody wanted to display on a dresser. -Yes. | 0:31:52 | 0:31:54 | |
Did you purposefully put together this collection? | 0:31:54 | 0:31:57 | |
I did. Most of it, anyway. | 0:31:57 | 0:31:59 | |
Some of it came from my family. | 0:31:59 | 0:32:01 | |
But the rest of it I bought myself. | 0:32:01 | 0:32:03 | |
-Don't you miss it? -Not at all. | 0:32:03 | 0:32:04 | |
-Really? -Not at all. | 0:32:04 | 0:32:06 | |
I'd like to get rid of everything, really. | 0:32:06 | 0:32:08 | |
Now, Jonty, what do we want for this? | 0:32:08 | 0:32:09 | |
It's interesting you say you're now keen to get rid of it. | 0:32:09 | 0:32:13 | |
It seems to be the fashion at the moment to sell these sorts of items, | 0:32:13 | 0:32:16 | |
so it's going to be interesting to see what happens in the room. | 0:32:16 | 0:32:19 | |
I put £50-£100. | 0:32:19 | 0:32:22 | |
But let's just wait and see, eh? | 0:32:22 | 0:32:23 | |
Because this auction house is based in mid-north Essex, | 0:32:23 | 0:32:27 | |
where there's lots of country cottages, | 0:32:27 | 0:32:30 | |
-there might be somebody. -Yes. | 0:32:30 | 0:32:31 | |
It's better than taking it to a London auction house. | 0:32:31 | 0:32:33 | |
You've more chance, I think. | 0:32:33 | 0:32:35 | |
But, having said that, we'll just have to see. | 0:32:35 | 0:32:37 | |
It's straight in at £40, with me. | 0:32:37 | 0:32:39 | |
£42 in the room? | 0:32:39 | 0:32:41 | |
£40, with commission, for all the china there. Any further interest? | 0:32:41 | 0:32:45 | |
I'll sell to the opening bid, then, with commission, at £40. | 0:32:45 | 0:32:48 | |
Any bids in the room? £40. | 0:32:48 | 0:32:50 | |
Right. This is someone who left a commission bid. | 0:32:50 | 0:32:53 | |
It's £40. She's sold the whole collection for that. Is that OK? | 0:32:53 | 0:32:56 | |
Well, yes. I got rid of it, so that's the main thing. | 0:32:56 | 0:32:59 | |
It would have been nice to make a little more than £40, | 0:32:59 | 0:33:03 | |
but with the reaction in the room, | 0:33:03 | 0:33:04 | |
we should perhaps be grateful for that commission bid, | 0:33:04 | 0:33:07 | |
especially as we're already halfway through our auction today. | 0:33:07 | 0:33:11 | |
You wanted to make at least £250. Hopefully a little bit more. | 0:33:11 | 0:33:14 | |
We've sold half of our lots so far, and we've banked £135. | 0:33:14 | 0:33:18 | |
Oh, well, that's not so bad. | 0:33:18 | 0:33:20 | |
Don't forget you have a couple of no-sales there, | 0:33:20 | 0:33:23 | |
so at some point those things will sell. | 0:33:23 | 0:33:25 | |
And you've still got some very nice lots to sell this afternoon. | 0:33:25 | 0:33:28 | |
Yes. We've got a few good items to look forward to. All right? | 0:33:28 | 0:33:31 | |
-Time for a little bit of a break? -Yes, thank you. -Follow me! -OK. | 0:33:31 | 0:33:36 | |
Let's hope the break signals a change in our fortunes. | 0:33:36 | 0:33:38 | |
If you'd like to try buying or selling some of your items this way, | 0:33:38 | 0:33:41 | |
it's worth bearing in mind that auction houses charge various fees. | 0:33:41 | 0:33:45 | |
including commission and VAT. | 0:33:45 | 0:33:48 | |
Your local saleroom will advise you on those extra costs. | 0:33:48 | 0:33:52 | |
We have experienced a couple of no-sales, | 0:33:52 | 0:33:54 | |
but it's a common occurrence at auction. | 0:33:54 | 0:33:57 | |
Even the most imposing items can suffer. | 0:33:57 | 0:33:59 | |
Jonty's intrigued by a pair of impressive Chinese pitchers | 0:33:59 | 0:34:02 | |
that didn't find a buyer at a previous sale. | 0:34:02 | 0:34:06 | |
This is what I call a very substantial pair, Jonty. | 0:34:06 | 0:34:09 | |
They're amazing, aren't they? | 0:34:09 | 0:34:11 | |
Incredible. I suppose they have to be a good three and a half feet | 0:34:11 | 0:34:14 | |
in height? | 0:34:14 | 0:34:16 | |
They're typically Chinese, absolutely covered with detail. | 0:34:16 | 0:34:19 | |
Presumably, everything on here means something. | 0:34:19 | 0:34:23 | |
You're absolutely right. Full of symbolism. | 0:34:23 | 0:34:25 | |
We have our stylised applied dragon, and our Dogs of Fo, | 0:34:25 | 0:34:29 | |
and lions on the side. Very typically Chinese. | 0:34:29 | 0:34:32 | |
In fact, the style of this vase, they're actually from Canton. | 0:34:32 | 0:34:35 | |
Quite near Hong Kong, in fact. | 0:34:35 | 0:34:37 | |
But for centuries, Canton exported vase of this particular style. | 0:34:37 | 0:34:42 | |
So, what sort of age have these got? | 0:34:42 | 0:34:45 | |
They look like they're mid-19th century, | 0:34:45 | 0:34:48 | |
but the closer I've looked and studied these, | 0:34:48 | 0:34:51 | |
they don't have very much age to them at all. | 0:34:51 | 0:34:54 | |
I believe these vases have been produced in relatively recent times. | 0:34:54 | 0:34:58 | |
In the last 30 years, in fact. | 0:34:58 | 0:35:02 | |
It's difficult for us here in the West | 0:35:02 | 0:35:03 | |
to spot a genuine Chinese antique | 0:35:03 | 0:35:06 | |
from something literally made yesterday. | 0:35:06 | 0:35:08 | |
Absolutely. And the way to tell is to have a look at the detail. | 0:35:08 | 0:35:13 | |
Let's take these two panels on the front, here. | 0:35:13 | 0:35:16 | |
Take a closer look. And if you were to compare those | 0:35:16 | 0:35:19 | |
to a vase from the 19th century, | 0:35:19 | 0:35:22 | |
the quality of the painting itself | 0:35:22 | 0:35:24 | |
would be so much better | 0:35:24 | 0:35:26 | |
on a 19th-century vase. | 0:35:26 | 0:35:28 | |
So, do they have a value? | 0:35:28 | 0:35:29 | |
They have a vast value. £4,000 to £5,000. | 0:35:29 | 0:35:31 | |
Oh, that's a lot of money, isn't it? | 0:35:31 | 0:35:33 | |
I think we need to go into importing and exporting. | 0:35:33 | 0:35:36 | |
Sadly for us, | 0:35:36 | 0:35:38 | |
there's nothing approaching the monetary value of those vases | 0:35:38 | 0:35:41 | |
amongst our remaining lots. | 0:35:41 | 0:35:42 | |
But there's still plenty to look forward to, | 0:35:42 | 0:35:45 | |
including those Dr Syntax prints, | 0:35:45 | 0:35:46 | |
with their evocative scenes of Georgian England. | 0:35:46 | 0:35:49 | |
They've been grouped together with Victorian spy pictures, | 0:35:49 | 0:35:52 | |
for £40-£70. | 0:35:52 | 0:35:54 | |
But first, another collection of merged items. | 0:35:54 | 0:35:56 | |
The auction house recommended | 0:35:56 | 0:35:58 | |
putting the Royal Doulton Winston Churchill character jug | 0:35:58 | 0:36:02 | |
together with the Russian medallions. | 0:36:02 | 0:36:04 | |
Knowing the local market as well as they do, | 0:36:04 | 0:36:06 | |
they recommended a revised estimate of £20-£30. | 0:36:06 | 0:36:11 | |
The only similarity is the fact that they're probably ceramic... | 0:36:11 | 0:36:14 | |
-All right. -..rather than resin. | 0:36:14 | 0:36:17 | |
That's the only connection. | 0:36:17 | 0:36:19 | |
Therefore, what the auction room are telling us | 0:36:19 | 0:36:22 | |
is that they don't covet those medallions you bought in Russia. | 0:36:22 | 0:36:26 | |
So they really don't have very much value at all. | 0:36:26 | 0:36:28 | |
They're of social interest, but not of financial interest. | 0:36:28 | 0:36:32 | |
£40, for all that lot, anywhere? | 0:36:32 | 0:36:34 | |
£40? £30? | 0:36:34 | 0:36:35 | |
Doulton character jug included. £30? | 0:36:35 | 0:36:38 | |
Oh, come on! | 0:36:38 | 0:36:40 | |
£20, I'm bid. £22, there. | 0:36:40 | 0:36:41 | |
£25. £28. £30. | 0:36:41 | 0:36:44 | |
Seated on my right at £28. £30, there. | 0:36:44 | 0:36:46 | |
£32? £30, there. Was that £32 in the centre somewhere? | 0:36:46 | 0:36:50 | |
Amazing. | 0:36:50 | 0:36:51 | |
£38, dead centre. £38. Any bids at £40? | 0:36:51 | 0:36:55 | |
So, for £38, any more bids? £38. | 0:36:55 | 0:36:58 | |
-£38. -£38, so what's your view on that? | 0:36:58 | 0:37:01 | |
Erm, well, I know what I paid for the jugs, so... | 0:37:01 | 0:37:05 | |
Which was? | 0:37:05 | 0:37:06 | |
I paid £40 for that, a long time ago. | 0:37:06 | 0:37:08 | |
Oh, dear. | 0:37:08 | 0:37:10 | |
Well, often when you put things in, | 0:37:10 | 0:37:12 | |
you're not hoping to get your money back, you want it cleared. | 0:37:12 | 0:37:14 | |
-Happy with that? -Yes. | 0:37:14 | 0:37:16 | |
At £8 above estimate, | 0:37:16 | 0:37:17 | |
I guess we'll have to accept | 0:37:17 | 0:37:19 | |
the wisdom of the auctioneers on this one. | 0:37:19 | 0:37:22 | |
I'm fascinated to see how John and Linda's mixed set of prints | 0:37:22 | 0:37:25 | |
will do in front of our Essex bidders. | 0:37:25 | 0:37:27 | |
Remember those Dr Syntax prints we all looked at? | 0:37:27 | 0:37:30 | |
Rather bizarre character that he was. | 0:37:30 | 0:37:34 | |
They have been combined also with the Spy prints. | 0:37:34 | 0:37:37 | |
It all makes sense that they've all been put together. | 0:37:37 | 0:37:39 | |
£40-£70 is what we're looking for. | 0:37:39 | 0:37:42 | |
Hopefully. | 0:37:42 | 0:37:43 | |
£40, anywhere? | 0:37:43 | 0:37:44 | |
£40? £30? | 0:37:44 | 0:37:47 | |
The Spy prints, there. £30. | 0:37:47 | 0:37:48 | |
£32? The lady right at the back there. | 0:37:48 | 0:37:51 | |
£30, the opening bid. £32? | 0:37:51 | 0:37:54 | |
I'll sell for £30, then, the opening bid. Any further interest? | 0:37:54 | 0:37:58 | |
£30. | 0:37:58 | 0:38:00 | |
-Oh. -£30. Considering the age of those Dr Syntax, | 0:38:00 | 0:38:03 | |
that's quite amazing. | 0:38:03 | 0:38:05 | |
But I think it really indicates fashionable trends at the moment. | 0:38:05 | 0:38:08 | |
And unfortunately, until that sort of appears in vogue... | 0:38:08 | 0:38:12 | |
Yes, I think that's the case. | 0:38:12 | 0:38:13 | |
And I suppose it's better than having to take them home. | 0:38:13 | 0:38:16 | |
That's the spirit, John. | 0:38:16 | 0:38:18 | |
And it's also another £30 towards the fund for little Leo. | 0:38:18 | 0:38:21 | |
Let's hope the 1930s walnut display cabinet | 0:38:21 | 0:38:24 | |
will swell the coffers even further. | 0:38:24 | 0:38:26 | |
Surely worth £20-£40 of anybody's money. | 0:38:26 | 0:38:29 | |
Going back 10 to 15 years, people were fighting over these, | 0:38:29 | 0:38:32 | |
big time. | 0:38:32 | 0:38:34 | |
I'm not sure that's the case now, but where was this one from? | 0:38:34 | 0:38:36 | |
I bought it, quite a while ago, from a fair. | 0:38:36 | 0:38:40 | |
I can't remember what I paid for it, | 0:38:40 | 0:38:42 | |
but at the time, I bought it to display my china, | 0:38:42 | 0:38:45 | |
which I'm now getting rid of, so it has to go. | 0:38:45 | 0:38:47 | |
Obviously no problems selling this. | 0:38:47 | 0:38:49 | |
Jonty, how do we stand on price with these case now? | 0:38:49 | 0:38:51 | |
There's always a market for everything. | 0:38:51 | 0:38:53 | |
The value for your display cabinet now is £20-£40. | 0:38:53 | 0:38:57 | |
So it should walk out at that sort of figure. | 0:38:57 | 0:39:01 | |
If we sell a walnut display cabinet for £20-£30 | 0:39:01 | 0:39:03 | |
that can physically walk out the room, | 0:39:03 | 0:39:05 | |
I think we might have undersold it! | 0:39:05 | 0:39:07 | |
-SHE LAUGHS -That's for sure. | 0:39:07 | 0:39:09 | |
£40, anywhere? £40? | 0:39:09 | 0:39:10 | |
Please! | 0:39:10 | 0:39:12 | |
-£30, I'm bid. -Ooh, £30. | 0:39:12 | 0:39:14 | |
- Opening bid of £30. - Come on, come on! | 0:39:14 | 0:39:17 | |
-I'll sell for your bid of £30. -It's walking. | 0:39:17 | 0:39:20 | |
It's walking. It's walking. Can you see it walking? | 0:39:20 | 0:39:23 | |
Stumbling, rather than walking, at £30! | 0:39:23 | 0:39:25 | |
-That's good. -Oh, dear! | 0:39:25 | 0:39:26 | |
I hope it doesn't say anything on the way out! | 0:39:26 | 0:39:29 | |
Another £30 for the good cause. | 0:39:29 | 0:39:32 | |
So, for our final lot of the day. | 0:39:32 | 0:39:34 | |
Or, to be exact, our last two lots that are merged into one. | 0:39:34 | 0:39:38 | |
It's the reproduction oak cupboard and the 1920s plant stand. | 0:39:38 | 0:39:42 | |
The auctioneers' new estimate for them is £40-£60. | 0:39:42 | 0:39:45 | |
I'm not sure what's going on with the auction, | 0:39:47 | 0:39:49 | |
cos a lot of your lots have been combined. | 0:39:49 | 0:39:51 | |
Our next one has, "A reproduction oak pot cupboard, | 0:39:51 | 0:39:53 | |
"together with a 1920s plant stand." | 0:39:53 | 0:39:55 | |
I'm not sure the buyer of one is necessarily going to want the other. | 0:39:55 | 0:39:58 | |
So what is the reasoning behind this? | 0:39:58 | 0:40:01 | |
They're both pieces of furniture. | 0:40:01 | 0:40:03 | |
Again, it's probably the plant stand that has so little value, | 0:40:03 | 0:40:06 | |
that they've put the two together. | 0:40:06 | 0:40:08 | |
Because the cabinet we looked at at the top of the stairs, | 0:40:08 | 0:40:11 | |
certainly does have some use. | 0:40:11 | 0:40:13 | |
A lot of function there. | 0:40:13 | 0:40:14 | |
Plant stands, just not so fashionable at the moment. | 0:40:14 | 0:40:17 | |
So the auctioneers decided again to put the two together. | 0:40:17 | 0:40:20 | |
-£40, I'm bid. -Ooh, hello! | 0:40:20 | 0:40:23 | |
£40. £42. £45. | 0:40:23 | 0:40:24 | |
Goodness. | 0:40:24 | 0:40:26 | |
£50. £55. | 0:40:26 | 0:40:28 | |
£60, there? | 0:40:28 | 0:40:29 | |
Quite good. | 0:40:29 | 0:40:31 | |
The latest bid, still with you at £60. | 0:40:31 | 0:40:33 | |
£65? | 0:40:33 | 0:40:35 | |
£60, then. | 0:40:35 | 0:40:37 | |
£60. | 0:40:37 | 0:40:38 | |
I could barely write it down, I was so excited. | 0:40:38 | 0:40:41 | |
That's £20 over our estimate. Good grief! | 0:40:41 | 0:40:43 | |
And they combined the lots. | 0:40:43 | 0:40:45 | |
I think that's fantastic. | 0:40:45 | 0:40:47 | |
I feel quite flushed after that, do you? | 0:40:47 | 0:40:49 | |
Yes, very much. That's great. | 0:40:49 | 0:40:50 | |
And another strong result. | 0:40:50 | 0:40:52 | |
It seems the auction house | 0:40:52 | 0:40:54 | |
has perfectly judged their local bidders. | 0:40:54 | 0:40:56 | |
Thanks to all those combined lots, today's sale has flown by. | 0:40:56 | 0:40:59 | |
And it's time to reveal the grand total. | 0:40:59 | 0:41:01 | |
In fact, we have now banked £293. | 0:41:03 | 0:41:07 | |
-Are you serious? -Absolutely! -I didn't realise it was that much. -That's great! | 0:41:07 | 0:41:10 | |
-That's good. -That's really good. | 0:41:10 | 0:41:12 | |
You still have some items you can either take home | 0:41:12 | 0:41:15 | |
or leave in for next time. | 0:41:15 | 0:41:16 | |
-Well done, guys. -Thank you very much. | 0:41:16 | 0:41:18 | |
With those proceeds burning a hole in her pocket, | 0:41:22 | 0:41:24 | |
Linda wastes no time looking out for some baby essentials | 0:41:24 | 0:41:28 | |
for her new grandson. | 0:41:28 | 0:41:30 | |
The money I wanted to raise was for my new grandson, | 0:41:30 | 0:41:34 | |
who was born in Tenerife. | 0:41:34 | 0:41:36 | |
Fortunately we were there, so we were able to see him. | 0:41:36 | 0:41:39 | |
He was just born, and warm and cuddly. | 0:41:39 | 0:41:42 | |
Everything was great. The money that I've raised at yesterday's auction | 0:41:42 | 0:41:47 | |
will be for him. | 0:41:47 | 0:41:48 | |
I'd like to buy something that will be good for him for the future, | 0:41:48 | 0:41:51 | |
such as the rocker with the hi tech music. | 0:41:51 | 0:41:55 | |
I do like the pushchair as well, so hopefully, I'll come back, we'll purchase that | 0:41:55 | 0:42:00 | |
and then we'll be off to Tenerife. I've had a lot of the items that I got rid of a long time | 0:42:00 | 0:42:06 | |
and they're no use to me, | 0:42:06 | 0:42:08 | |
but the money will be very useful for my daughter and Leo. | 0:42:08 | 0:42:11 | |
So, it was a good choice. I'm really pleased I went for it. | 0:42:11 | 0:42:14 |