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Hello and welcome to Cash In The Attic. | 0:00:02 | 0:00:03 | |
This is the show that searches through your home for the antiques you no longer want | 0:00:03 | 0:00:07 | |
and then we sell them, so you can buy something you do want. | 0:00:07 | 0:00:10 | |
Today I'm going to be meeting a man | 0:00:10 | 0:00:13 | |
who wants to take his family on a lovely trip. | 0:00:13 | 0:00:16 | |
On today's Cash In The Attic, | 0:00:35 | 0:00:37 | |
our Elvis-loving host discovers he can run but he can't hide. | 0:00:37 | 0:00:42 | |
-I think we've found a closet Elvis Presley fan, haven't we? -Yes. | 0:00:42 | 0:00:46 | |
-Is this all yours? -That's right. | 0:00:46 | 0:00:49 | |
And what on earth is our expert, Jonty, talking about here. | 0:00:49 | 0:00:53 | |
So, dare I say it, you've got a clean bottom. | 0:00:53 | 0:00:56 | |
And when it comes to auction, it's going to be a tense one. | 0:00:57 | 0:01:01 | |
Look at the relief. It's relief on Lorne's face. | 0:01:01 | 0:01:05 | |
It's relief, I can tell you. | 0:01:05 | 0:01:06 | |
There's lots of fun to be had. | 0:01:06 | 0:01:08 | |
Be there when the final hammer falls. | 0:01:08 | 0:01:12 | |
Today I've come to Croydon to meet a man who's a real entertainer, | 0:01:12 | 0:01:15 | |
but he's decided he wants to take his family out | 0:01:15 | 0:01:17 | |
for a day they'll all remember. | 0:01:17 | 0:01:19 | |
Vivian Hanson moved to the UK from India in the late 1980s. | 0:01:20 | 0:01:24 | |
I've heard he had quite a glamorous life out there | 0:01:24 | 0:01:27 | |
and we'll hear more about that later. | 0:01:27 | 0:01:29 | |
Since he's moved here, though, he's had quite a few jobs | 0:01:29 | 0:01:31 | |
and ended up running his own shop, but he's ready to retire soon. | 0:01:31 | 0:01:36 | |
He has three grown-up children and two grandchildren | 0:01:36 | 0:01:40 | |
and family is the reason we've been called in. | 0:01:40 | 0:01:43 | |
Vivian is quite a hoarder but thankfully, | 0:01:43 | 0:01:45 | |
we have antiques expert Jonty Hearnden | 0:01:45 | 0:01:48 | |
and his years of valuation experience will be vital today. | 0:01:48 | 0:01:51 | |
-Good morning, Vivian. -Hi, Lorne. Pleased to meet you. | 0:01:52 | 0:01:56 | |
-How are you doing? -Fine, thank you. | 0:01:56 | 0:01:58 | |
We've come to do a rummage but my goodness, | 0:01:58 | 0:02:01 | |
it's jam-packed everywhere, isn't it? | 0:02:01 | 0:02:03 | |
Yes, it is. | 0:02:03 | 0:02:04 | |
Vivian, you have shelf after shelf of collectables. | 0:02:04 | 0:02:07 | |
Yes, I know that. 20 years of collection. | 0:02:07 | 0:02:10 | |
-How much are you looking to make today? -Approximately £300. | 0:02:10 | 0:02:14 | |
What do you want to spend that money on? | 0:02:14 | 0:02:17 | |
I'd like to treat my family to a nice trip to London, | 0:02:17 | 0:02:19 | |
-one of the famous places we can see. -How lovely. | 0:02:19 | 0:02:21 | |
-That will be a great day out, won't it? -That's it. | 0:02:21 | 0:02:24 | |
-OK, can we get started? -Yes. -I'll catch you later. | 0:02:24 | 0:02:27 | |
All right, OK, you've got a lot to do. | 0:02:27 | 0:02:30 | |
All the stuff you've collected over the years, where is it from? | 0:02:30 | 0:02:33 | |
Most of the places are the boot sales. | 0:02:33 | 0:02:35 | |
When the weather isn't too good, I go to the charity shops regular. | 0:02:35 | 0:02:40 | |
-I get a lot of stuff from there too. -Has it got out of control? | 0:02:40 | 0:02:43 | |
It has got out of control because as you can see, | 0:02:43 | 0:02:45 | |
I've got no more space left. | 0:02:45 | 0:02:47 | |
You're dusting 24 hours a day, I can imagine. | 0:02:47 | 0:02:50 | |
That's what I have to do, it takes time to clean them up. | 0:02:50 | 0:02:53 | |
We're certainly going to have a lot to look at, I think. | 0:02:53 | 0:02:55 | |
Shall we see if Jonty's found anything for us yet? | 0:02:55 | 0:02:57 | |
Yes, sure, thank you. | 0:02:57 | 0:02:59 | |
Vivian's flat may be crammed to the rafters | 0:03:00 | 0:03:02 | |
with all sorts of things he's picked up over the years, | 0:03:02 | 0:03:05 | |
but not everything will be suitable for selling at auction. | 0:03:05 | 0:03:08 | |
Jonty's really got his work cut out trying to sift through it all. | 0:03:08 | 0:03:13 | |
Jonty, what have you found there? | 0:03:13 | 0:03:15 | |
Not content with just one medal, | 0:03:15 | 0:03:18 | |
I've got four medals exactly the same. | 0:03:18 | 0:03:22 | |
-Where were these from, Vivian? -Boot sales. | 0:03:22 | 0:03:24 | |
You picked them up from boot sales? Nothing to do with the family at all? | 0:03:24 | 0:03:27 | |
No, not at all. | 0:03:27 | 0:03:28 | |
What made you decide to buy these? Did you buy them all in one lot? | 0:03:28 | 0:03:32 | |
-I did. -You bought them as a collection? -Yes. | 0:03:32 | 0:03:34 | |
Oh, really? I just assumed you bought them individually, but four. | 0:03:34 | 0:03:38 | |
These medals would've been issued to individuals | 0:03:38 | 0:03:40 | |
to commemorate the First World War. | 0:03:40 | 0:03:43 | |
They were actually produced in 1920. | 0:03:43 | 0:03:45 | |
The name of the recipient is just on the side here. Can you see that? | 0:03:45 | 0:03:49 | |
-This surname is Hawk. -I can see that but I wasn't aware of it. | 0:03:49 | 0:03:53 | |
These were all issued to four different people | 0:03:53 | 0:03:56 | |
who served during the First World War. | 0:03:56 | 0:03:59 | |
These are known as the British War medal | 0:03:59 | 0:04:02 | |
and there was a lot that were produced, | 0:04:02 | 0:04:04 | |
over six million were produced. | 0:04:04 | 0:04:06 | |
A lot of people were obviously active during the First World War. | 0:04:06 | 0:04:10 | |
They were reduced produced more often than not in groups of three. | 0:04:10 | 0:04:14 | |
If you survived and went through the First World War, | 0:04:14 | 0:04:17 | |
you would have a star medal. | 0:04:17 | 0:04:19 | |
One of these, the British War medal and also a Victory medal. | 0:04:19 | 0:04:23 | |
They were so common that they were given nicknames, | 0:04:23 | 0:04:27 | |
Pip, Squeak and Wilfred. | 0:04:27 | 0:04:29 | |
They in turn were made characters for the Daily Mirror. | 0:04:29 | 0:04:32 | |
They were cartoon characters in the Daily Mirror. | 0:04:32 | 0:04:35 | |
That's why they were synonymous with these medals. | 0:04:35 | 0:04:38 | |
They were very, very of the moment of the time. | 0:04:38 | 0:04:41 | |
-Can you remember what you paid for them? -They were £10 each. | 0:04:41 | 0:04:45 | |
40 for four. | 0:04:45 | 0:04:46 | |
£40, OK. How does that compare to today's value? | 0:04:46 | 0:04:50 | |
I think that's the value I would put on them myself at auction. | 0:04:50 | 0:04:53 | |
I'm a little bit concerned about the damage, | 0:04:53 | 0:04:56 | |
the fact that we don't have the ribbon. | 0:04:56 | 0:04:58 | |
You see the damage on the top there. | 0:04:58 | 0:04:59 | |
Why is this so bright and the others so faded? | 0:04:59 | 0:05:02 | |
The way they've been looked after. They're almost 90 years old. | 0:05:02 | 0:05:07 | |
-I think I'd be a little bit worn after 90 years. -Definitely. | 0:05:07 | 0:05:11 | |
-At auction, I would put £30-£50 on them. -All right. | 0:05:11 | 0:05:16 | |
I wouldn't be surprised if they do a little bit more. | 0:05:16 | 0:05:19 | |
Worn down after years and years, I know that feeling. | 0:05:19 | 0:05:22 | |
Let's hope the medals do make Jonty's estimate. | 0:05:22 | 0:05:25 | |
Vivian's fired up with enthusiasm | 0:05:25 | 0:05:26 | |
to search for more of his collections | 0:05:26 | 0:05:28 | |
and comes across some coins. | 0:05:28 | 0:05:30 | |
There's an American silver dollar, a £5 coin, | 0:05:30 | 0:05:33 | |
plus some 20th-century commemorative coins, including a Churchill crown. | 0:05:33 | 0:05:38 | |
That's five shillings in old money or 25p to you and me. | 0:05:38 | 0:05:42 | |
There's a word for people who collect coins - numismatist. | 0:05:42 | 0:05:44 | |
But Vivian collects a lot more than that. He collects everything. | 0:05:44 | 0:05:48 | |
This lot gets a £40-£60 estimate. | 0:05:48 | 0:05:51 | |
One of his many purchasers has caught our expert's eye. | 0:05:51 | 0:05:54 | |
-Isn't she rather exotic, to say the very least? -That's right. | 0:05:54 | 0:05:58 | |
It attracted me to her beauty and how well it's done. She's a beaut. | 0:05:58 | 0:06:03 | |
She's not just an exotic dancer | 0:06:03 | 0:06:05 | |
because she's holding two light fittings, for want of a better word. | 0:06:05 | 0:06:10 | |
Did you ever have the globes to go on the top? | 0:06:10 | 0:06:13 | |
No, I got it as it is. | 0:06:13 | 0:06:15 | |
The style is Art Nouveau. | 0:06:15 | 0:06:16 | |
A dancer like this would have originally been made in France, | 0:06:16 | 0:06:21 | |
about 100 years ago. | 0:06:21 | 0:06:23 | |
They would have more often than not been made of zinc | 0:06:23 | 0:06:26 | |
but the good quality ones would have been made of bronze. | 0:06:26 | 0:06:30 | |
Ivory was used for the facial features and for the hands and feet. | 0:06:30 | 0:06:35 | |
But she's a copy. | 0:06:35 | 0:06:36 | |
About 30 years ago, Art Nouveau designs and styles | 0:06:36 | 0:06:40 | |
came right back into fashion and good quality Art Nouveau | 0:06:40 | 0:06:45 | |
good design has just gone up and up in price. | 0:06:45 | 0:06:49 | |
That's good news. | 0:06:49 | 0:06:50 | |
It's good news if you have an original, | 0:06:50 | 0:06:52 | |
but not necessarily a copy. | 0:06:52 | 0:06:54 | |
She's a copy of an Art Nouveau figure. | 0:06:54 | 0:06:56 | |
You're looking at the detail | 0:06:56 | 0:06:58 | |
and I always like to go to the hands, particularly, | 0:06:58 | 0:07:01 | |
where they've just been chipped away. | 0:07:01 | 0:07:04 | |
That should be really quite white. | 0:07:04 | 0:07:07 | |
Zinc, we should be looking for that zinc colour. | 0:07:07 | 0:07:10 | |
In fact she's resin, which means that she's relatively modern. | 0:07:10 | 0:07:17 | |
She'd have been made in the last 30 years. | 0:07:17 | 0:07:19 | |
But, having said that, | 0:07:19 | 0:07:22 | |
there's always going to be somebody out there in the marketplace | 0:07:22 | 0:07:25 | |
that looks at a figure like this and says, that's perfect for me. | 0:07:25 | 0:07:29 | |
A bit of work needs to be done. | 0:07:29 | 0:07:30 | |
One has to think about the globes as well. | 0:07:30 | 0:07:33 | |
She's still decorative enough to put on the market and to sell. | 0:07:33 | 0:07:37 | |
-Pricewise, we're looking at £40-£60. -That's very good. | 0:07:39 | 0:07:42 | |
-What did you pay for her? Do you remember? -Yes, £15. | 0:07:42 | 0:07:46 | |
Hey, if we can get any more than that for you, that's fantastic. | 0:07:46 | 0:07:51 | |
If we can get the figures that I'm talking about, | 0:07:51 | 0:07:53 | |
how exciting will that be at auction? | 0:07:53 | 0:07:56 | |
And when that pretty lady gets to the saleroom, | 0:07:56 | 0:07:58 | |
will she shine for the bidders? | 0:07:58 | 0:08:00 | |
£10 for the figure, the resin figure. £10. | 0:08:00 | 0:08:03 | |
Any interest for a £10 note? For the resin figure. | 0:08:03 | 0:08:06 | |
-Anybody want it for £10? -This could be tough. | 0:08:06 | 0:08:09 | |
As the search here in Croydon continues, | 0:08:10 | 0:08:13 | |
Jonty makes a glittering discovery in the kitchen. | 0:08:13 | 0:08:17 | |
It's a coffee set with a motif on each piece. | 0:08:17 | 0:08:21 | |
It was made in the former Czechoslovakia | 0:08:21 | 0:08:23 | |
and is for six people. | 0:08:23 | 0:08:25 | |
It's in very good condition and once again, | 0:08:25 | 0:08:27 | |
it's one of Vivian's eye-catching second-hand purchases. | 0:08:27 | 0:08:30 | |
It gets a £10-£20 estimate from our expert. | 0:08:30 | 0:08:34 | |
It certainly has plenty to keep him occupied today. | 0:08:34 | 0:08:37 | |
Obviously, you've made your life over here, Vivian, | 0:08:38 | 0:08:41 | |
but I understand you had a glamorous career in show business in India. | 0:08:41 | 0:08:46 | |
Tell me about that. | 0:08:46 | 0:08:47 | |
I started in show business in '62 and I was very fortunate | 0:08:47 | 0:08:52 | |
-to join a band from the UK that was called Ashley Kozak Quartet. -Right. | 0:08:52 | 0:08:57 | |
-What was your role in the band? -I was a singer there. | 0:08:57 | 0:09:01 | |
I used to do all the songs for the whole season there | 0:09:01 | 0:09:04 | |
and as you have to be versatile in singing, | 0:09:04 | 0:09:08 | |
I used to sing from jazz to pop to rock 'n' roll. | 0:09:08 | 0:09:11 | |
Then what did you go on to do? | 0:09:11 | 0:09:13 | |
I set up my own band called Soul Sensations | 0:09:13 | 0:09:16 | |
and I started from there right up to '88. | 0:09:16 | 0:09:19 | |
-Why did you used to play? -I got a big break with Ashley Kozak | 0:09:19 | 0:09:22 | |
in Trinkers which is a top place in Calcutta. | 0:09:22 | 0:09:26 | |
That's the area for entertainment. | 0:09:28 | 0:09:30 | |
I started my contacts promoting shows for charity as well as stage shows, | 0:09:30 | 0:09:36 | |
as well as contests for students promoting local talent there. | 0:09:36 | 0:09:40 | |
I did very well. | 0:09:40 | 0:09:41 | |
I was one of the top persons in Calcutta at the time | 0:09:41 | 0:09:44 | |
supplying artists to the whole of India. | 0:09:44 | 0:09:47 | |
So did you meet many famous people in your time? | 0:09:47 | 0:09:49 | |
Yes, I met a lot of good famous people. | 0:09:49 | 0:09:52 | |
One was Duke Ellington's band who came over to my restaurant | 0:09:52 | 0:09:56 | |
where I was playing. | 0:09:56 | 0:09:57 | |
I got their autographs and everything and photos with them. | 0:09:57 | 0:10:00 | |
Of course I met Dave Brubeck, another jazz band and last but not least, | 0:10:00 | 0:10:04 | |
Sir Cliff Richard, who I met at the Good Samaritan show in the '70s. | 0:10:04 | 0:10:08 | |
-Did you get his autograph? -Yes, I got it on his own LP made in India. | 0:10:08 | 0:10:12 | |
Fantastic. | 0:10:12 | 0:10:14 | |
I'll tell you what, if we're lucky, we might get Jonty not to sign it. | 0:10:14 | 0:10:17 | |
I'll tell you what, though, he can't sing. Come on, let's go. | 0:10:17 | 0:10:21 | |
Sorry, Jonty, obviously your signature is priceless. | 0:10:21 | 0:10:24 | |
While we've been busy chatting, he's been making another promising find. | 0:10:24 | 0:10:28 | |
This pair of candlesticks are very eye-catching. | 0:10:28 | 0:10:31 | |
They're Art Deco, produced by Tuscan China in the 1930s. | 0:10:31 | 0:10:35 | |
This Staffordshire company was founded in 1878, | 0:10:35 | 0:10:38 | |
by the Plant family and were taken over by Wedgwood in the 1967. | 0:10:38 | 0:10:42 | |
They were bought from a car boot sale yet again | 0:10:42 | 0:10:45 | |
and there's a small chip in one of them | 0:10:45 | 0:10:48 | |
but they should get snapped up for a very reasonable £20-£30. | 0:10:48 | 0:10:50 | |
Every space in Vivian's flat is overrun with ornaments | 0:10:50 | 0:10:53 | |
and Jonty decides to tackle one section at a time. | 0:10:53 | 0:10:56 | |
Let's have a look at this shelf, for instance. | 0:10:56 | 0:10:59 | |
First of all, my eye goes to this little vase here. | 0:10:59 | 0:11:01 | |
Tell me about this. | 0:11:01 | 0:11:02 | |
Well, I thought it was very attractive, for one. | 0:11:02 | 0:11:06 | |
I said, this looks like something that is good and I just bought it. | 0:11:07 | 0:11:12 | |
It's in the style of Moorcroft, William Moorcroft. | 0:11:12 | 0:11:16 | |
The decoration was done in exactly the same way as it would | 0:11:16 | 0:11:21 | |
from the Moorcroft factory. | 0:11:21 | 0:11:23 | |
If you run your hand across the outside of the vase here, | 0:11:23 | 0:11:26 | |
that's raised slip. | 0:11:26 | 0:11:28 | |
That's literally wet clay piped on like you'd decorate a cake. | 0:11:28 | 0:11:31 | |
That's how you make that decoration here. | 0:11:31 | 0:11:34 | |
It doesn't come from a mould, it's hand applied | 0:11:34 | 0:11:36 | |
and the colour, the decoration is very, very similar. | 0:11:36 | 0:11:40 | |
The mark isn't Moorcroft on the underside. | 0:11:40 | 0:11:42 | |
There's a black crown under there and Moorcroft signed his wares | 0:11:42 | 0:11:47 | |
and also had a distinctive Moorcroft signature on the underside. | 0:11:47 | 0:11:51 | |
The other thing that's also of a style are these lovely | 0:11:51 | 0:11:55 | |
little rabbits here, rather fun rabbits. | 0:11:55 | 0:11:58 | |
-Did you buy these as a collection or individually? -No, collection. | 0:11:58 | 0:12:02 | |
It was all in the boot sales, it was a set of five of them. | 0:12:02 | 0:12:05 | |
I said, yes, I'll take this and I bought them. | 0:12:05 | 0:12:09 | |
These are in the style of Pendelfin rabbits. | 0:12:09 | 0:12:12 | |
Pendelfin rabbits were produced from the '50s onwards. | 0:12:12 | 0:12:17 | |
Big industry and some of the rabbits are really quite rare | 0:12:17 | 0:12:21 | |
and therefore valuable. | 0:12:21 | 0:12:23 | |
They're not. These are again made by somebody else. | 0:12:23 | 0:12:25 | |
They've a contemporary label on the underside. | 0:12:25 | 0:12:28 | |
What I find interesting here, | 0:12:28 | 0:12:30 | |
and it happens all the time when you look at collections, | 0:12:30 | 0:12:33 | |
is that there are fashion leaders | 0:12:33 | 0:12:36 | |
and there are those that copy and follow. | 0:12:36 | 0:12:38 | |
So, I've had a good look at the shelf here, for instance, | 0:12:38 | 0:12:42 | |
and there not one item in there that has a collector's name on it. | 0:12:42 | 0:12:48 | |
A lot of items have no real auction value at all, | 0:12:48 | 0:12:52 | |
but they might have a value at a car boot sale | 0:12:52 | 0:12:54 | |
and have a value on the internet. | 0:12:54 | 0:12:58 | |
But, when it comes to auctions, dealers are going to be buying | 0:12:58 | 0:13:01 | |
and there's an auction premium to pay as well. | 0:13:01 | 0:13:04 | |
Things need to be sold in collections, | 0:13:04 | 0:13:06 | |
not necessarily in one item. | 0:13:06 | 0:13:07 | |
-This whole shelf here is about £30 or £40 at auction. -All right. | 0:13:07 | 0:13:13 | |
How do you feel about that? | 0:13:13 | 0:13:14 | |
-I don't mind. -Are you happy about that? | 0:13:14 | 0:13:16 | |
Because there's not a lot of money for your collecting. | 0:13:16 | 0:13:19 | |
You never know, it might go up from what we're expecting. | 0:13:19 | 0:13:22 | |
You never know. | 0:13:22 | 0:13:23 | |
Vivian is ever the optimist | 0:13:25 | 0:13:27 | |
and going by Jonty's lowest estimate to now, | 0:13:27 | 0:13:29 | |
we stand to make £170 at auction, so there's no let up just yet. | 0:13:29 | 0:13:35 | |
Some more porcelain grabs my attention | 0:13:35 | 0:13:37 | |
but this time they do have recognisable marks. | 0:13:37 | 0:13:39 | |
They're made by Wade and they're small animals known as whimsies. | 0:13:39 | 0:13:44 | |
These two look like Disney characters | 0:13:44 | 0:13:46 | |
but are actually from the 1950s British cartoon series, | 0:13:46 | 0:13:49 | |
Bengo and his Puppy Friends. | 0:13:49 | 0:13:52 | |
The Dalmatian is called Simon and the poodle is Fifi. | 0:13:52 | 0:13:55 | |
They're quite collectable and should make £30-£40 at auction. | 0:13:55 | 0:14:00 | |
-What are you holding there, Vivian? -A collection of cards. | 0:14:00 | 0:14:04 | |
I bought them all at one time. | 0:14:06 | 0:14:08 | |
These are what look to be cigarette cards. | 0:14:08 | 0:14:10 | |
This is interesting because these aren't necessarily cigarette cards. | 0:14:10 | 0:14:15 | |
These are collecting cards from tea companies. | 0:14:15 | 0:14:19 | |
They're picture cards, not necessarily cigarette cards. | 0:14:19 | 0:14:22 | |
If you look on the inside, there is exactly the same shape and form. | 0:14:22 | 0:14:26 | |
Cigarette cards started in the late 19th century | 0:14:26 | 0:14:29 | |
but really took off at the beginning of the 20th century. | 0:14:29 | 0:14:33 | |
A lot of these cards appeared on the market. | 0:14:33 | 0:14:36 | |
Originally, cards were designed to be stiffeners in cigarette packets. | 0:14:36 | 0:14:41 | |
Then somebody cottoned on to the idea that they could actually | 0:14:41 | 0:14:45 | |
put advertising on these cards and then, beyond that, | 0:14:45 | 0:14:49 | |
it's not so much advertising | 0:14:49 | 0:14:51 | |
but it became a collecting concept as well. | 0:14:51 | 0:14:53 | |
Then that carried on all the way through to the start | 0:14:53 | 0:14:58 | |
of the Second World War. | 0:14:58 | 0:14:59 | |
After that, the popularity waned somewhat, | 0:14:59 | 0:15:03 | |
but tea companies decided they were going to join the bandwagon as well. | 0:15:03 | 0:15:08 | |
This is really what we're looking at here. | 0:15:08 | 0:15:11 | |
All of this is post-Second World War. | 0:15:11 | 0:15:13 | |
Have a look at this one, play better soccer. | 0:15:13 | 0:15:16 | |
Remember haircuts like this? | 0:15:16 | 0:15:17 | |
Yes, I do. Mine was a bit fuzzy, of course. | 0:15:17 | 0:15:22 | |
Of course, they're worth selling | 0:15:22 | 0:15:26 | |
but we're not going to get top dollar, | 0:15:26 | 0:15:28 | |
because the cigarette cards that make the money are the rare ones, | 0:15:28 | 0:15:32 | |
the rare issue ones | 0:15:32 | 0:15:33 | |
and complete sets from the beginning of the 20th century | 0:15:33 | 0:15:37 | |
through to the start of the Second World War. | 0:15:37 | 0:15:40 | |
-What sort of price did you pay for them? -£10. | 0:15:40 | 0:15:43 | |
Brilliant, let's double your money. £20-£30. | 0:15:43 | 0:15:45 | |
-That sort of price at auction. -That's fair enough. | 0:15:45 | 0:15:47 | |
-Yes? -Yes, thank you. -Here's a bit of bedtime reading for you. | 0:15:47 | 0:15:51 | |
Butterflies of the world. | 0:15:51 | 0:15:52 | |
There you go, before we put it into auction, | 0:15:52 | 0:15:55 | |
I want you to name all the butterflies in that book. | 0:15:55 | 0:15:57 | |
I'm only joking. Let's go and find some more stuff. | 0:15:57 | 0:16:01 | |
Jonty, you're a laugh a minute. | 0:16:03 | 0:16:05 | |
Our host is obviously a compulsive buyer, | 0:16:05 | 0:16:08 | |
but there are much worse things to spend your money on | 0:16:08 | 0:16:10 | |
and if it's giving him pleasure over the years, | 0:16:10 | 0:16:13 | |
it must have done some good. | 0:16:13 | 0:16:16 | |
Vivian wonders if one of the many pictures he's collected | 0:16:16 | 0:16:18 | |
might do well at auction. | 0:16:18 | 0:16:21 | |
It's a framed, coloured print of two children in Victorian dress. | 0:16:21 | 0:16:24 | |
Jonty thinks if it's put with another street scene | 0:16:24 | 0:16:27 | |
from another similar era, they may appear with a price tag of £30-£40. | 0:16:27 | 0:16:31 | |
One thing I can't help wondering about, Vivian, | 0:16:33 | 0:16:35 | |
is why he'd come to the UK | 0:16:35 | 0:16:36 | |
when he was leading such an exciting life in his homeland. | 0:16:36 | 0:16:40 | |
I was in show business for 35 years and I was doing very well for myself. | 0:16:40 | 0:16:47 | |
When I found the years changing then in India, | 0:16:47 | 0:16:50 | |
I decided to migrate to the UK, which I did in 88. | 0:16:50 | 0:16:55 | |
What made you decide to come over here then? | 0:16:55 | 0:16:58 | |
Actually, for my children's sake | 0:16:58 | 0:17:00 | |
because I wanted them to do well for themselves | 0:17:00 | 0:17:03 | |
and I knew abroad would be the best for them. | 0:17:03 | 0:17:05 | |
-How old were the children? -They were in their 20s. | 0:17:05 | 0:17:09 | |
-They were in their 20s already, were they? -Yes. | 0:17:09 | 0:17:12 | |
What made them decide to come too? | 0:17:12 | 0:17:14 | |
It's not their decision, it was mine, because I know if I give them | 0:17:14 | 0:17:17 | |
a break in the UK, they'll do very well in the UK and they did. | 0:17:17 | 0:17:20 | |
What did they do? | 0:17:20 | 0:17:22 | |
One of my daughters works for the Council | 0:17:22 | 0:17:24 | |
and one of my sons is working for Cleanaways, | 0:17:24 | 0:17:27 | |
which is a good job and my daughter is working as a secretary. | 0:17:27 | 0:17:30 | |
What about you? What work did you find when you came over? | 0:17:30 | 0:17:33 | |
Obviously you'd been working in showbiz in India. | 0:17:33 | 0:17:36 | |
It was a drastic change for me | 0:17:36 | 0:17:38 | |
because I went to hospital as a wash up in the kitchens. | 0:17:38 | 0:17:42 | |
I took that as a job and took it seriously | 0:17:42 | 0:17:45 | |
and I did it for quite some time. | 0:17:45 | 0:17:47 | |
Eventually, I started my business in a shop. | 0:17:47 | 0:17:49 | |
What sort of things did you sell? | 0:17:49 | 0:17:51 | |
Bric-a-brac plus second-hand goods, or hi-fi stuff, | 0:17:51 | 0:17:55 | |
all up to date stuff like videos and cameras and all of that. | 0:17:56 | 0:18:02 | |
Have you decided it's time to retire, have you? | 0:18:02 | 0:18:04 | |
Yes, this is my last, I have decided to retire. | 0:18:04 | 0:18:07 | |
Have you any idea what you want to do in your retirement? | 0:18:07 | 0:18:10 | |
I'm going to be with my children, grandchildren. | 0:18:10 | 0:18:13 | |
I want to relax for a change now. | 0:18:13 | 0:18:15 | |
I've done my bit. | 0:18:15 | 0:18:17 | |
Vivian's family is very important to him, | 0:18:17 | 0:18:19 | |
so we need to get back to work and help him reach his target | 0:18:19 | 0:18:23 | |
to pay for that special day out. | 0:18:23 | 0:18:26 | |
Aha! | 0:18:26 | 0:18:27 | |
Vivian, Jonty, I think we've found a closet Elvis Presley fan, | 0:18:27 | 0:18:31 | |
haven't we, Vivian? | 0:18:31 | 0:18:33 | |
-Yes. -Is this all yours? -That's right. | 0:18:33 | 0:18:35 | |
Have you actually been to Graceland? | 0:18:35 | 0:18:37 | |
-No, I have never been to Graceland. -There's a Graceland souvenir. | 0:18:37 | 0:18:41 | |
-I got it all from here. -Did you? At different times? | 0:18:41 | 0:18:44 | |
No, different times, different places, different boot sales. | 0:18:44 | 0:18:47 | |
-I take it you have The King on your wall? -Yes, I do. | 0:18:47 | 0:18:52 | |
What sort of things have we got here? We've got the picture here. | 0:18:52 | 0:18:56 | |
-What are these? -They're fake notes that are done... | 0:18:56 | 0:19:01 | |
Sometimes you get the with Only Fools and Horses on them. | 0:19:01 | 0:19:04 | |
Have you seen those ones with Del Boy? | 0:19:04 | 0:19:07 | |
We've got Elvis Presley on notes. | 0:19:07 | 0:19:09 | |
I quite like those badges there. | 0:19:09 | 0:19:12 | |
-Where are those from? -All different. -Let's have a look at those. | 0:19:12 | 0:19:17 | |
-All these badges, you collected all these badges over the years. -Yes. | 0:19:18 | 0:19:23 | |
There are big collectors for badges like this. | 0:19:23 | 0:19:26 | |
Here we've got 1977 in the middle. | 0:19:26 | 0:19:27 | |
He died in the August 77 which is now quite some time ago. | 0:19:27 | 0:19:31 | |
Yes, time flies, it's surprising how long ago it was. | 0:19:31 | 0:19:34 | |
-Do you want to sell this collection? -Yes, I would like to. | 0:19:34 | 0:19:39 | |
We've got so much memorabilia here. What's in here? Can I look? | 0:19:39 | 0:19:42 | |
Yes, sure. | 0:19:42 | 0:19:44 | |
-It's a plate. -A commemorative plate. | 0:19:44 | 0:19:48 | |
Jailhouse Rock. There we go. | 0:19:48 | 0:19:51 | |
Look at that. There we go. Very good. See the similarity? | 0:19:51 | 0:19:56 | |
-Yes, I do. -I think that's worth selling as well. | 0:19:56 | 0:20:00 | |
Put that in the collection. | 0:20:00 | 0:20:02 | |
Put the lid back on there, that is very good news. | 0:20:02 | 0:20:05 | |
You've got all sorts of bits and pieces. | 0:20:05 | 0:20:07 | |
And when it comes to auction, the items that seem to do incredibly well | 0:20:07 | 0:20:12 | |
are the items that Elvis was associated with himself. | 0:20:12 | 0:20:15 | |
So items that he owned or items that had a connection with him. | 0:20:15 | 0:20:21 | |
To think that he is the one individual | 0:20:21 | 0:20:22 | |
that sold more records than anybody else. | 0:20:22 | 0:20:25 | |
There is believed to have been sold a billion Elvis records | 0:20:25 | 0:20:29 | |
-around the world, which is quite extraordinary. -Amazing, yes. | 0:20:29 | 0:20:32 | |
So we can sell this as a collection | 0:20:32 | 0:20:34 | |
and I think we're looking at £30 to £50. | 0:20:34 | 0:20:37 | |
-That's good. -Are you happy about that? -I'm happy about that. | 0:20:37 | 0:20:40 | |
Jonty is certainly kept busy here, going through the masses of stuff | 0:20:41 | 0:20:45 | |
that Vivian has collected over the years. | 0:20:45 | 0:20:47 | |
My next find of the day proves to be a mixed selection of images | 0:20:47 | 0:20:51 | |
of 20th Century A-list celebrities. | 0:20:51 | 0:20:53 | |
An iconic photo of Marilyn Monroe standing on a subway grate | 0:20:53 | 0:20:56 | |
from the 1955 film 'The Seven Year Itch'. | 0:20:56 | 0:20:59 | |
And there's also a classic photo of Audrey Hepburn | 0:20:59 | 0:21:03 | |
as Holly Golightly from the 1961 film Breakfast At Tiffany's. | 0:21:03 | 0:21:07 | |
And a large cardboard cut-out of Michael Jackson from his 1987 world tour. | 0:21:07 | 0:21:12 | |
Put together, they should make £40 to £60 at auction. | 0:21:12 | 0:21:15 | |
Vivian, I've got a pair of these and they are in very good condition. | 0:21:18 | 0:21:24 | |
I'm trying to work out whether they're vases or ashtrays. | 0:21:24 | 0:21:28 | |
What do you think they are? You obviously bought them. | 0:21:28 | 0:21:31 | |
I bought them, but I don't know what they're used for. | 0:21:31 | 0:21:34 | |
I only looked at the beauty of it and it attracted me and I bought them. | 0:21:34 | 0:21:37 | |
I would like to call them vases. It sounds grander. | 0:21:37 | 0:21:41 | |
It sounds more saleable, I think, more than anything else. | 0:21:41 | 0:21:44 | |
They're lovely. I'm a big fan of this sort of glassware. I suppose it's 60s or 70s. | 0:21:44 | 0:21:48 | |
Very, very popular, and has gone out of fashion and now back into fashion. | 0:21:48 | 0:21:53 | |
-How long have you had this pair? -About 15 years. | 0:21:53 | 0:21:56 | |
-OK. So how much did you pay for them? -15 each. -£15 each? -Yes. | 0:21:56 | 0:22:01 | |
I think they're really very special. | 0:22:01 | 0:22:03 | |
-Do you know where they're from? -Not a clue. | 0:22:03 | 0:22:06 | |
They're Italian. They're from the island of Murano, which is just off Venice. | 0:22:06 | 0:22:10 | |
They've been making glassware there for literally centuries. | 0:22:10 | 0:22:13 | |
Very high quality. | 0:22:13 | 0:22:15 | |
When it comes to glass, you really need to put your hand over | 0:22:15 | 0:22:20 | |
to see if there's any chips or breaks. | 0:22:20 | 0:22:23 | |
And particularly, if you look at the bottom here, | 0:22:23 | 0:22:26 | |
often a base like this can be scratched. | 0:22:26 | 0:22:28 | |
You really need to hold it to the right angle of the light | 0:22:28 | 0:22:32 | |
just to see the quality or the condition of the underside. | 0:22:32 | 0:22:35 | |
It makes a difference to collectors. It makes a difference to the value. | 0:22:35 | 0:22:39 | |
That's very clean. Very, very clean indeed. | 0:22:39 | 0:22:42 | |
So dare I say it, you've got a clean bottom! | 0:22:42 | 0:22:45 | |
So these vases, I like a great deal. | 0:22:46 | 0:22:49 | |
But also in this cabinet here, which is stacked with glass, | 0:22:49 | 0:22:53 | |
there is a collection of paperweights. | 0:22:53 | 0:22:55 | |
-When did you first start collecting these? -15 years back. | 0:22:55 | 0:22:59 | |
Right. The heyday of making paperweights | 0:22:59 | 0:23:02 | |
really was in the 19th Century. | 0:23:02 | 0:23:04 | |
But it's a big market today. There's a lot of collectors out there. | 0:23:04 | 0:23:08 | |
Your paperweights are all post Second World War. | 0:23:08 | 0:23:10 | |
There's no early paperweights there. | 0:23:10 | 0:23:13 | |
Every single paperweight you've got here is completely different and I like that. | 0:23:13 | 0:23:17 | |
So what I would suggest we do, because it's all glass, | 0:23:17 | 0:23:21 | |
we sell the vases together with the collection of paperweights | 0:23:21 | 0:23:24 | |
and there's a good 10 or so of them. | 0:23:24 | 0:23:27 | |
Put it all together and we're looking at, what? £80 to £120. | 0:23:27 | 0:23:31 | |
-That's not bad. -It's very good indeed. -I agree. -Are you happy? | 0:23:31 | 0:23:35 | |
-Yes, I am. -Very good news. | 0:23:35 | 0:23:37 | |
-I like that. -We've got a pair, actually. -Do you want to make it three? | 0:23:37 | 0:23:40 | |
-I bought one exactly the same at a boot sale last weekend. -Have you? | 0:23:40 | 0:23:44 | |
We could make it a triplet, if you like?! | 0:23:44 | 0:23:46 | |
-So what's the overall valuation for the glass? -The total is £80 to £120. | 0:23:48 | 0:23:52 | |
-That's not bad, is it? -Not at all. -OK. | 0:23:52 | 0:23:54 | |
At the start of the day, | 0:23:54 | 0:23:56 | |
can you remember how much you wanted to make? | 0:23:56 | 0:23:58 | |
Yes. About £300. | 0:23:58 | 0:24:00 | |
I think you can start making a few extra plans | 0:24:00 | 0:24:03 | |
because the value of everything going to auction comes to £400. | 0:24:03 | 0:24:08 | |
-Wow! That's good. -It is. -That's very good. | 0:24:08 | 0:24:11 | |
What's so funny is that it comes to £400 | 0:24:11 | 0:24:13 | |
but I don't think it's going to make one iota of difference to your house | 0:24:13 | 0:24:17 | |
because we've only just scratched the surface of what's here, haven't we? | 0:24:17 | 0:24:21 | |
That's right! | 0:24:21 | 0:24:22 | |
Depending on how things go at auction, | 0:24:22 | 0:24:25 | |
perhaps Vivian will consider parting with some more collectables. | 0:24:25 | 0:24:29 | |
But for the time being, | 0:24:29 | 0:24:30 | |
we're selling that reproduction art nouveau lamp. | 0:24:30 | 0:24:33 | |
It's made of resin and its estimate of £40 to £60 might prove tempting to the bidders. | 0:24:33 | 0:24:37 | |
And what about those four First World War medals | 0:24:39 | 0:24:42 | |
that Vivian picked up at one of the many car boot sales he visited? | 0:24:42 | 0:24:45 | |
They're all British and should raise together £30 to £50. | 0:24:45 | 0:24:49 | |
And there's the pair of Murano glass vases that Jonty took a shine to. | 0:24:50 | 0:24:55 | |
Together with the ten glass paperweights, | 0:24:55 | 0:24:57 | |
they've got an estimate of £80 to £120. | 0:24:57 | 0:24:59 | |
Still to come on Cash In The Attic... | 0:25:01 | 0:25:04 | |
Am I a genius when it comes to displaying damaged goods? | 0:25:04 | 0:25:08 | |
There's one little chip on one of them... | 0:25:08 | 0:25:11 | |
You just turn it round to face the wall so no-one can see it! | 0:25:11 | 0:25:14 | |
I hadn't thought of that! | 0:25:14 | 0:25:15 | |
And wait for it. Jonty's had a stroke of genius too. | 0:25:15 | 0:25:19 | |
What we need to do is prize all of these guys' hands out of their pockets! | 0:25:20 | 0:25:25 | |
It could be a rocky road so be there when the final hammer falls. | 0:25:25 | 0:25:29 | |
It's been a week since we were at Vivian's flat, | 0:25:34 | 0:25:36 | |
looking through his bargain boot sale buys | 0:25:36 | 0:25:39 | |
and we've brought the best of them here to Chiswick Auction House | 0:25:39 | 0:25:42 | |
in west London, where we're hoping that today | 0:25:42 | 0:25:45 | |
we'll make £300 so he can enjoy a fabulous day out with the family. | 0:25:45 | 0:25:49 | |
-Vivian, good morning. -Good morning. -Hi, how are you doing? -Fine thanks. | 0:25:52 | 0:25:56 | |
-I recognise those. -These look fantastic, don't they? | 0:25:56 | 0:25:58 | |
I'm looking at them and they really look beautiful right now. | 0:25:58 | 0:26:03 | |
-You're not having second thoughts about selling them? -No. -Phew! | 0:26:03 | 0:26:08 | |
I know you're a boot sale man. Have you been to an auction before? | 0:26:08 | 0:26:12 | |
-Never. This is my first time. -Is it really? -Yes. | 0:26:12 | 0:26:14 | |
Let's hope we can make it a pleasurable one. | 0:26:14 | 0:26:17 | |
-Put that down and let's go and make you some money. -Let's go. | 0:26:17 | 0:26:20 | |
Well, Vivian's first item to receive the auction treatment is the collection of tea cards. | 0:26:21 | 0:26:26 | |
Similar to cigarette cards but not quite as collectable. | 0:26:26 | 0:26:29 | |
These are relatively modern, from the 1970s and 1980s, | 0:26:29 | 0:26:32 | |
and he bought them as a job lot for £10 from a car boot sale. | 0:26:32 | 0:26:37 | |
It'll be interesting to see what the room decides | 0:26:37 | 0:26:39 | |
because they're not exactly the oldest cards I've seen. | 0:26:39 | 0:26:43 | |
I hope that we can get the sort of money that you invested in and more. | 0:26:43 | 0:26:47 | |
The booklet. £10 for the lot, please. £10 for the tea cards. Surely, for £10. | 0:26:47 | 0:26:50 | |
Any interest at £10? | 0:26:50 | 0:26:52 | |
Nobody want them for £10? For all the tea cards. £8 then? | 0:26:52 | 0:26:57 | |
Nobody want them? Pass the lot. | 0:26:57 | 0:26:59 | |
I'm so sorry. They didn't get a bid so you'll be taking those home. | 0:26:59 | 0:27:03 | |
-I'm surprised. -Is that all right? -Yes, no problem. | 0:27:03 | 0:27:06 | |
Better to take them home than sell them for something ridiculously small amount. | 0:27:06 | 0:27:10 | |
-You haven't lost anything, remember. -No. | 0:27:10 | 0:27:12 | |
Vivian certainly hasn't lost his very relaxed outlook | 0:27:12 | 0:27:16 | |
as he took that no sale very well. | 0:27:16 | 0:27:19 | |
Now to his gold lustre coffee set for six people. | 0:27:19 | 0:27:22 | |
It was made in the former Czechoslovakia | 0:27:22 | 0:27:24 | |
and looks in very good condition. | 0:27:24 | 0:27:25 | |
-Is this a boot sale buy? -Yes, it is. -What did you pay for this one? | 0:27:25 | 0:27:30 | |
-Again, £20. -We've only got £10 to £20 on here. | 0:27:30 | 0:27:34 | |
You've got to price things attractively enough | 0:27:34 | 0:27:37 | |
for dealers to buy. | 0:27:37 | 0:27:38 | |
Dealers buy items but then they have to pay | 0:27:38 | 0:27:41 | |
a buyers' premium on top of that. | 0:27:41 | 0:27:43 | |
With many auction rooms now, it's roughly 20%. | 0:27:43 | 0:27:45 | |
So if you pay £10 for instance, it's £12 they're paying. | 0:27:46 | 0:27:50 | |
There it is on the screen for you. Is it worth £10 for this, please? | 0:27:50 | 0:27:54 | |
For the tea set. Any interest at £10? | 0:27:54 | 0:27:56 | |
Come on. We can't even get £10 for it. | 0:27:56 | 0:27:57 | |
Ten I'm bid here. At £10. Is that it? At £10 it goes. Thank you. | 0:27:57 | 0:28:02 | |
-Oh, it sold for £10. -No problem. | 0:28:03 | 0:28:05 | |
-A little less than you paid for it. Is that all right? -That's all right. | 0:28:05 | 0:28:08 | |
Well, the coffee set did reach Jonty's lower estimate, | 0:28:08 | 0:28:11 | |
so, I don't think we can complain about the result. | 0:28:11 | 0:28:15 | |
Next up is the prints of those three iconic celebrities of the 20th century. | 0:28:15 | 0:28:19 | |
Marilyn Monroe, | 0:28:19 | 0:28:22 | |
Audrey Hepburn and Michael Jackson. | 0:28:22 | 0:28:24 | |
The estimate for the lot is £40-£60. So let's see how they do. | 0:28:24 | 0:28:30 | |
£10 for the lot to go. I'm bid 10. 12 I'll take from somebody else. | 0:28:30 | 0:28:33 | |
-At £10 here. -Come on, come on. Let's go up. | 0:28:33 | 0:28:36 | |
It'll be sold for £10. £12. | 0:28:36 | 0:28:39 | |
14, 16, 18. | 0:28:39 | 0:28:42 | |
£18 to my original bidder. At £18. | 0:28:42 | 0:28:43 | |
Michael Jackson. £20 there, madam. | 0:28:43 | 0:28:47 | |
22, 25, 28, | 0:28:47 | 0:28:50 | |
-30, 32. -Oh! | 0:28:52 | 0:28:54 | |
No? £32 it's nearer to me at £32. My original bidder. | 0:28:54 | 0:28:58 | |
At £32. 160. | 0:28:58 | 0:29:00 | |
32, a little bit less. | 0:29:00 | 0:29:02 | |
But out of interest, where did you get that cutout of Michael Jackson? | 0:29:02 | 0:29:06 | |
-A car boot sale again. -You got that from a boot sale? -Yes. -Really? | 0:29:06 | 0:29:09 | |
-Was at a thriller when you found it? -Yes! -Oh! | 0:29:09 | 0:29:12 | |
Words fail me, Jonty, but that wasn't a bad result at all. | 0:29:12 | 0:29:15 | |
Now, from the King Of Pop to the King Of Rock And Roll. | 0:29:15 | 0:29:19 | |
It's Vivian's Elvis memorabilia, | 0:29:19 | 0:29:21 | |
including a photo, some fake notes, a banner, | 0:29:21 | 0:29:24 | |
some badges and a plate, all bought from different car boot sales. | 0:29:24 | 0:29:27 | |
You've got so much of this which I know you've acquired over time. | 0:29:30 | 0:29:34 | |
Are you going to carry on collecting Elvis Presley memorabilia? | 0:29:34 | 0:29:37 | |
-Well, if it comes my way, yes, I will. -Yes. | 0:29:37 | 0:29:39 | |
-OK, I have to say, the King always sells, doesn't he? -Absolutely. | 0:29:39 | 0:29:42 | |
And I think we've got some really collectable items there. | 0:29:42 | 0:29:45 | |
It's a nice collection but unless someone has really taken the time to look through it thoroughly, | 0:29:45 | 0:29:50 | |
they might see one or two of the more commonplace things | 0:29:50 | 0:29:52 | |
but, that's the excitement of auction. | 0:29:52 | 0:29:54 | |
If you've a little delve around, it's amazing what you find. | 0:29:54 | 0:29:57 | |
-We just want to make sure that Elvis leaves the building, don't we? -Yes. | 0:29:57 | 0:30:01 | |
What's it worth? Elvis memorabilia. Start me at £10 for the lot. £10 surely for the Elvis stuff. | 0:30:01 | 0:30:05 | |
10 I'm bid. Thank you at £10. And 12 somebody else. | 0:30:05 | 0:30:08 | |
-At £10 in the middle of the room. Straight ahead of me at £10. -Oh no! | 0:30:08 | 0:30:14 | |
£10. I can sell it for £10. For £10 it's going to go. £10. | 0:30:14 | 0:30:17 | |
-Oh no! -Oh no! That is a huge disappointment. | 0:30:17 | 0:30:19 | |
That's absolutely disappointing. | 0:30:19 | 0:30:22 | |
-I can't believe that. -That was a big... | 0:30:22 | 0:30:25 | |
-For £10, that's nothing for what it is. -No, that's a real bargain. | 0:30:25 | 0:30:28 | |
-You're disappointed. -Yes, I am. -Let me give you a hug. | 0:30:28 | 0:30:32 | |
I'm not sure if that's going to make him feel better or worse! | 0:30:32 | 0:30:36 | |
If only there had been two buyers fighting over the Elvis lot, | 0:30:36 | 0:30:39 | |
it might have brought us a result worthy of the King. | 0:30:39 | 0:30:42 | |
Will Vivian's two Victorian style prints have any more luck | 0:30:42 | 0:30:47 | |
with their estimate of £30-£40. | 0:30:47 | 0:30:49 | |
What are these worth? £10 for the prints, please. | 0:30:49 | 0:30:52 | |
For the framed prints, anybody? Any interest at £10? | 0:30:52 | 0:30:55 | |
Nobody want them for a £10 note. I can't sell them for £10. | 0:30:55 | 0:30:58 | |
Pass the lot I'm afraid. No interest for 10. | 0:30:58 | 0:31:01 | |
-Unsold. -Unsold. Now, the reason he hasn't sold that | 0:31:01 | 0:31:04 | |
is because he thought £10 was too little for them | 0:31:04 | 0:31:06 | |
so you'll be taking those home, is that OK? | 0:31:06 | 0:31:09 | |
-That's all right. -Yes? -Yes, yes. -OK. All right. | 0:31:09 | 0:31:11 | |
Oh dear, another disappointment for Vivian, | 0:31:11 | 0:31:14 | |
but he can always try and sell them on another day. | 0:31:14 | 0:31:18 | |
Now, our next lot is just a completely huge collection, | 0:31:18 | 0:31:21 | |
one of your many collections, of ceramics. | 0:31:21 | 0:31:24 | |
-Is that the lot that are on display on the shelves? -Yes. -Right. -There's a whole sea of them. | 0:31:24 | 0:31:28 | |
Well, let's see if we can hopefully boost our figures up with this one. | 0:31:28 | 0:31:32 | |
For all the mixed rabbits and Bunnykins and all sorts of things. | 0:31:32 | 0:31:35 | |
-£10 for it, please. Any interest at £10, surely? -Oh, no! | 0:31:35 | 0:31:39 | |
Nobody want it for £10? No interest for a £10 note. £8? | 0:31:39 | 0:31:43 | |
Nobody want it? Sorry, pass the lot. | 0:31:43 | 0:31:46 | |
-There's nobody buying a thing at the moment. -I know! | 0:31:46 | 0:31:49 | |
That means you've got to take that all back home! | 0:31:49 | 0:31:51 | |
Oh, poor Vivian! He really isn't having a very good day here. | 0:31:51 | 0:31:56 | |
The only consolation is that he still has half his lots | 0:31:56 | 0:31:58 | |
left to sell. | 0:31:58 | 0:32:00 | |
But, before that I ought to tell him how he's done up to now. | 0:32:00 | 0:32:04 | |
-I am disappointed, but it can't be helped. -I'm so sorry. | 0:32:04 | 0:32:07 | |
So am I disappointed because so far, we've only made... | 0:32:07 | 0:32:10 | |
£52. | 0:32:10 | 0:32:12 | |
-Well, something's better than nothing. -Well, yes, I suppose. | 0:32:12 | 0:32:15 | |
We've got a long way to go this afternoon. | 0:32:15 | 0:32:17 | |
But we have got a break before then. Come on, I'll get you a stiff drink. | 0:32:17 | 0:32:20 | |
Now, if you're interested in buying or selling at auction, | 0:32:22 | 0:32:24 | |
do bear in mind that fees such as VAT and commission will be added to your bill. | 0:32:24 | 0:32:30 | |
This charge varies from one saleroom to another, | 0:32:30 | 0:32:33 | |
so, it's always worth enquiring in advance. | 0:32:33 | 0:32:35 | |
Auctions are great places to visit if you're just starting out in your first home. | 0:32:35 | 0:32:40 | |
Not only can you look for the right type of furniture to suit the period, | 0:32:40 | 0:32:44 | |
you can always buy soft furnishings too. | 0:32:44 | 0:32:47 | |
Ah, Jonty, what are you doing? | 0:32:47 | 0:32:49 | |
-Are you making a wedding dress or something? That's beautiful fabric! -Do you think it might fit me? | 0:32:49 | 0:32:53 | |
Well, there's enough there to make it, isn't there? | 0:32:53 | 0:32:56 | |
Well, it's not a wedding dress. | 0:32:56 | 0:32:58 | |
What we've got here's actually three very large pairs, | 0:32:58 | 0:33:01 | |
very stylish and simple pairs of curtains. | 0:33:01 | 0:33:04 | |
It's amazing what you find in auction rooms. | 0:33:04 | 0:33:07 | |
This is a general sale so, of course, | 0:33:07 | 0:33:09 | |
within an auction room, sometimes you get good-quality curtains. | 0:33:09 | 0:33:12 | |
They're silk chiffon and the design on the outside here | 0:33:12 | 0:33:16 | |
is a sort of stylish mother of pearl-esque design, | 0:33:16 | 0:33:19 | |
-which does make them very weighty. -I was going to say. | 0:33:19 | 0:33:22 | |
This material alone has got to be £25-£30 just for a yard of material. | 0:33:22 | 0:33:25 | |
-Do you reckon so? -Yes, for that sort of beadwork, definitely. | 0:33:25 | 0:33:29 | |
I just think these are great because people are now looking for neutral, | 0:33:29 | 0:33:32 | |
so these would adorn any space and as a consequence I think these are a real bargain | 0:33:32 | 0:33:38 | |
because in the catalogue it's £80-£100. | 0:33:38 | 0:33:40 | |
-You couldn't buy all the material for that. -It's just a real, genuine bargain. | 0:33:40 | 0:33:44 | |
If you saw these in somebody's house, they would look absolutely stunning. | 0:33:44 | 0:33:48 | |
It'll be very interesting to see what they sell for. | 0:33:48 | 0:33:50 | |
Yes, but in the meantime, shall we sell some of our own things? Come on. | 0:33:50 | 0:33:54 | |
Well, it wasn't just me and Jonty who were taken with those curtains, | 0:33:56 | 0:34:00 | |
as they ended up selling for £290. | 0:34:00 | 0:34:03 | |
Let's hope that means the bidders are feeling a bit more generous now | 0:34:03 | 0:34:06 | |
as Vivian's next lot is about to come up. | 0:34:06 | 0:34:09 | |
It's the four World War I British war medals. | 0:34:09 | 0:34:12 | |
These ones have the nickname Squeak. | 0:34:12 | 0:34:14 | |
So we really want bidders who already have Pip and Wilfred | 0:34:14 | 0:34:16 | |
to be here, looking to complete the collection. | 0:34:16 | 0:34:20 | |
They've got to be worth £10-£15 a pop. | 0:34:20 | 0:34:23 | |
No, not this afternoon in this auction, by the looks of it! | 0:34:23 | 0:34:26 | |
Yes! What we need to do is prize all of these guys' hands out of their pockets. | 0:34:26 | 0:34:30 | |
Start me £20 for the lot, please? | 0:34:30 | 0:34:34 | |
20 I'm bid, standing. £20, there. | 0:34:34 | 0:34:37 | |
22, 25, 28, 30. £30 standing, then. | 0:34:37 | 0:34:40 | |
-Still at 30. £32 anybody else? -Come on, let's go! | 0:34:40 | 0:34:44 | |
New bidding, £32 there. | 0:34:44 | 0:34:47 | |
-35, 38, 40. -Yes! | 0:34:47 | 0:34:49 | |
-42, 45, 48, 50. -Phew! | 0:34:49 | 0:34:52 | |
-Sigh of relief! -60. | 0:34:52 | 0:34:55 | |
£60 I'm bid standing there., At 60. At £60 for those medals, they go for 60. 466. | 0:34:55 | 0:35:01 | |
-That's good, that's good. -We're over £100, I can't believe it! Oh, phew! | 0:35:01 | 0:35:04 | |
-That's good. -Great. -Yes, look at the relief. | 0:35:04 | 0:35:09 | |
-It's not the relief... it's the relief on Lorne's face! -Relief on my face, I can tell you! | 0:35:09 | 0:35:13 | |
That's a great result and hopefully it's a sign that the second half | 0:35:13 | 0:35:17 | |
of the auction is going to make up for the first. | 0:35:17 | 0:35:20 | |
A mixed collection of coins is about to go before the bidders. | 0:35:20 | 0:35:24 | |
It includes some 20th-century commemorative crowns, | 0:35:24 | 0:35:27 | |
a £5 coin and an American dollar. | 0:35:27 | 0:35:29 | |
-You put £40-£60 on this, Jonty. -Well, it's the silver dollar in there. | 0:35:29 | 0:35:33 | |
It's literally worth its weight in silver. | 0:35:33 | 0:35:36 | |
-Right. -Which is great to have. -That's £40-£60? | 0:35:36 | 0:35:38 | |
Yes, the crowns themselves don't fetch a large amount of money. | 0:35:38 | 0:35:42 | |
Where did you get them all from? Don't tell me, don't tell me! | 0:35:42 | 0:35:46 | |
Boot sale! | 0:35:46 | 0:35:48 | |
And, what's the lot worth? £20 for the lot of coins. I'm bid 20 there. | 0:35:48 | 0:35:51 | |
-Excellent. -22 I'll take. A maiden bid of £20 here. | 0:35:51 | 0:35:55 | |
-22, 25, 28. -Come on, let's go! | 0:35:55 | 0:35:57 | |
-30. £30. -They're really splashing out now! | 0:35:57 | 0:36:01 | |
30, I'll take 32 from somebody else. At £30. Are you all done? | 0:36:01 | 0:36:05 | |
At £30, I'm going to sell it then for 30. | 0:36:05 | 0:36:08 | |
-£30. -£30! -Oh! | 0:36:08 | 0:36:11 | |
Oh, well, does that mean it's just the silver coin that was worth... | 0:36:11 | 0:36:14 | |
No, that means that one dealer dropped out and that was it. | 0:36:14 | 0:36:18 | |
But at least they sold. | 0:36:18 | 0:36:21 | |
It's put another £30 in the kitty towards Vivian's family day out. | 0:36:21 | 0:36:25 | |
His next offering is a couple of Wade Whimsies. | 0:36:25 | 0:36:28 | |
They're characters from a 1950s British cartoon series, Bengo And His Puppy Friends. | 0:36:28 | 0:36:32 | |
We're hoping there'll be some collectors here who like them. | 0:36:32 | 0:36:36 | |
410A, what are they worth? | 0:36:36 | 0:36:38 | |
£10 for these. Little collectable figures for £10. | 0:36:38 | 0:36:41 | |
Anybody want them for £10? The little porcelain... | 0:36:41 | 0:36:44 | |
£5 each they are. Anybody want them for £10? | 0:36:44 | 0:36:47 | |
Nobody want them for £10? I'm going to pass the lot, I'm afraid. | 0:36:47 | 0:36:50 | |
-No interest at £10. Sorry. -Couldn't even get £10 for them. That's ridiculous. | 0:36:50 | 0:36:55 | |
You could take those back to a boot sale and get more than £10. | 0:36:55 | 0:36:58 | |
-Definitely! -Oh, dear! | 0:36:58 | 0:37:00 | |
It's so frustrating. I have often seen Wade Whimsies do really well | 0:37:00 | 0:37:04 | |
at auction, but collectors just aren't out in force here today. | 0:37:04 | 0:37:07 | |
So far we've made £142 and that means Vivian's last three lots | 0:37:07 | 0:37:14 | |
need to make around £52 each if we're going to hit his £300 target. | 0:37:14 | 0:37:18 | |
First up it's those candlesticks. | 0:37:18 | 0:37:21 | |
They're Art Deco in design, made in the 1930s by British | 0:37:21 | 0:37:24 | |
fine bone china company, Tuscan. | 0:37:24 | 0:37:27 | |
How it worked with the Tuscan plantware was | 0:37:27 | 0:37:29 | |
you could buy individual items to build up a dressing table set | 0:37:29 | 0:37:31 | |
so you could get the little dishes on legs with the lid, you know? | 0:37:31 | 0:37:36 | |
I think they're quite nice, those candlesticks, | 0:37:36 | 0:37:38 | |
cos they'd sit in any home, wouldn't they, even today? | 0:37:38 | 0:37:41 | |
The quality is all there, as well. That's very nice indeed. | 0:37:41 | 0:37:44 | |
The problem with our candlesticks, | 0:37:44 | 0:37:46 | |
there's one little chip on one of them, which... | 0:37:46 | 0:37:48 | |
You just turn it round, Jonty, to face the wall, so no-one can see! | 0:37:48 | 0:37:51 | |
I hadn't thought of that before! | 0:37:51 | 0:37:53 | |
And you'll be pleased to know I've got a left bid | 0:37:53 | 0:37:56 | |
of £16 for the candlesticks. I'll take 18 in the room. | 0:37:56 | 0:38:00 | |
We've got a commission bid for £16! That's fantastic. | 0:38:00 | 0:38:04 | |
For the pair of candlesticks, the little dwarf candlesticks. | 0:38:04 | 0:38:06 | |
£20 with me then. On the book at 20. | 0:38:06 | 0:38:09 | |
-22 in the room. Against commission at 22. -One more time! | 0:38:09 | 0:38:13 | |
25 from somebody else? At £22. | 0:38:13 | 0:38:15 | |
Isn't it wonderful how small successes can be so exhilarating! | 0:38:17 | 0:38:22 | |
Despite the slight damage, the bidders obviously recognise the quality of the Tuscan brand. | 0:38:22 | 0:38:26 | |
Vivian's penultimate lot is the Art Nouveau style lamp. | 0:38:26 | 0:38:30 | |
It's made of resin and Jonty thinks it was made within the last 30 years. | 0:38:30 | 0:38:35 | |
-What did you pay for her? -Er, paid 15. -£15. | 0:38:35 | 0:38:39 | |
-She's got a bit of damage, hasn't she? -She certainly has. | 0:38:39 | 0:38:42 | |
And also the whole point of our Art Nouveau lady is that she is | 0:38:42 | 0:38:47 | |
holding two electrical fittings, so we're missing these as well. | 0:38:47 | 0:38:50 | |
-Oh, OK. -But it's the fact that she's so stylish and also she has | 0:38:50 | 0:38:54 | |
a substantial size to her as well that I think she is saleable. | 0:38:54 | 0:38:58 | |
I say, I THINK she's saleable, in this room I'm not so sure. | 0:38:58 | 0:39:02 | |
You want £40-£60 for her, which would be a good return on your £15, | 0:39:02 | 0:39:07 | |
-if we make it. -Keep my fingers crossed! -Absolutely. | 0:39:07 | 0:39:10 | |
Is it worth £10 for the figure? The resin figure for £10? | 0:39:10 | 0:39:15 | |
Any interest for a £10 note? A resin figure, anybody want it for £10? | 0:39:15 | 0:39:18 | |
Oh dear, nobody wants it for £10, I'm afraid. | 0:39:18 | 0:39:21 | |
I'm going to pass the lot with no interest. Nobody want it for £10? | 0:39:21 | 0:39:24 | |
-Sorry. -OK, she had two broken arms and no light fittings. | 0:39:24 | 0:39:28 | |
We couldn't get £10 for her, I'm afraid. | 0:39:28 | 0:39:31 | |
With a bit of TLC, though, that lamp could really look quite stunning, | 0:39:31 | 0:39:36 | |
but none of the bidders were interested in a restoration project, it seems. | 0:39:36 | 0:39:40 | |
And so to Vivian's final lot of the day. | 0:39:40 | 0:39:43 | |
A mixed collection of glassware including ten different paperweights, | 0:39:43 | 0:39:46 | |
all mid-late 20th century, | 0:39:46 | 0:39:48 | |
and the pair of vases made by Murano in the 1960s. | 0:39:48 | 0:39:53 | |
On the whole collection I have put £80-£120. | 0:39:53 | 0:39:57 | |
When it comes to auctions, they're not going to be sold for nothing. | 0:39:57 | 0:40:01 | |
If the auctioneer gets near to the £80 then they might sell, | 0:40:01 | 0:40:06 | |
but they're not going to sell for nothing. So, don't worry. | 0:40:06 | 0:40:09 | |
We don't want you taking this lot home is what we're trying to say. | 0:40:09 | 0:40:12 | |
We want to make some money. Come on! | 0:40:12 | 0:40:14 | |
What's the lot worth? Start me, £30 for the lot, please, for the glass. | 0:40:14 | 0:40:17 | |
£30 to go, surely. Any interest at 30? I'm bid. | 0:40:17 | 0:40:21 | |
-35, 40. -That's good. | 0:40:21 | 0:40:22 | |
£40 I'm bid. 45, 50, | 0:40:22 | 0:40:25 | |
55, 60, 65. | 0:40:25 | 0:40:27 | |
£65 here in the blue jumper. | 0:40:27 | 0:40:30 | |
70 anywhere? £65 then it is. | 0:40:30 | 0:40:33 | |
65. I'm going to sell it at 65. 192. | 0:40:33 | 0:40:37 | |
-65. -65, are you happy with that? -Yes, I'm happy. | 0:40:37 | 0:40:40 | |
Yes, I suspect you didn't pay anything like that for them. | 0:40:40 | 0:40:43 | |
They were all separately bought so I can't remember how much I paid. | 0:40:43 | 0:40:46 | |
From? All together now! A boot sale! | 0:40:46 | 0:40:50 | |
They didn't quite make the estimate but they weren't too far off | 0:40:50 | 0:40:53 | |
and he won't have to take them back with him. | 0:40:53 | 0:40:56 | |
I expected more to come out of it | 0:40:56 | 0:40:58 | |
because there were quite a lot of items there in the paperweights | 0:40:58 | 0:41:02 | |
and the Murano vases, so... At least I got something better than the rest. | 0:41:02 | 0:41:07 | |
You're taking a lot of stuff back home, I'm afraid, Vivian. | 0:41:07 | 0:41:09 | |
-Looks like that. -It's been a disappointing day. -Absolutely. | 0:41:09 | 0:41:12 | |
But, can you remember how much you wanted for your day out | 0:41:12 | 0:41:16 | |
-with the children? -Yes, £300. -All right. | 0:41:16 | 0:41:18 | |
Well, I think that, considering how much stuff hasn't sold, | 0:41:18 | 0:41:22 | |
we've not done too badly because we've made £229. | 0:41:22 | 0:41:26 | |
-Wow, that's good. -It is, isn't it? I didn't expect that much. | 0:41:26 | 0:41:29 | |
-Well, there we go, it's not so bad, is it? -That's not bad. Yes, I feel better now. | 0:41:29 | 0:41:33 | |
Vivian has wasted no time in putting his auction proceeds to good use. | 0:41:37 | 0:41:42 | |
He's brought his family together for a day of sightseeing in London and a swanky meal. | 0:41:42 | 0:41:47 | |
-Yes, thank you very much. -Are you enjoying it, Jessica? Are you enjoying it? | 0:41:49 | 0:41:53 | |
Look where the hand's going. | 0:41:53 | 0:41:55 | |
After a fine banquet, | 0:41:55 | 0:41:58 | |
they head off to take in some of the best sites our capital has to offer. | 0:41:58 | 0:42:02 | |
Well, we went out to Buckingham Palace from outside | 0:42:02 | 0:42:05 | |
with my two daughters, my son-in-law and my two grandchildren. | 0:42:05 | 0:42:08 | |
Cheese! | 0:42:08 | 0:42:11 | |
Look at that one there, the guard's walking. | 0:42:12 | 0:42:15 | |
Left, right! | 0:42:15 | 0:42:16 | |
After Buckingham Palace we came around and we saw Big Ben, | 0:42:16 | 0:42:19 | |
down the riverside here. | 0:42:19 | 0:42:23 | |
Smile! | 0:42:23 | 0:42:26 | |
My favourite part of the day was coming out with my family and enjoying ourselves. | 0:42:26 | 0:42:30 | |
One more time, smile! | 0:42:30 | 0:42:32 | |
We didn't quite make the money we were looking for | 0:42:36 | 0:42:38 | |
but nevertheless, Vivian had a great day out with the kids. | 0:42:38 | 0:42:41 | |
Now, if you've got some antiques and collectables | 0:42:41 | 0:42:44 | |
that you'd like to sell at auction, why not get hold of the programme? | 0:42:44 | 0:42:47 | |
You'll find more details at our website. | 0:42:47 | 0:42:51 | |
I'll see you again next time on Cash In The Attic. | 0:42:51 | 0:42:53 | |
Subtitles by Red Bee Media Ltd | 0:43:15 | 0:43:19 |