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Hello and welcome to the show that helps you raise money by rooting out | 0:00:02 | 0:00:05 | |
the valuables in your home and selling them at auction. | 0:00:05 | 0:00:08 | |
Today, I'm on my way to meet a lady who wants to turn her treasured possessions | 0:00:08 | 0:00:12 | |
into a Transatlantic trip. | 0:00:12 | 0:00:14 | |
Coming up on Cash In The Attic, our expert uses his charm on our well travelled host. | 0:00:33 | 0:00:40 | |
-I've been admiring your small drawers. -Oh, really? -Steady on! | 0:00:40 | 0:00:45 | |
There's some good news about an exotic heirloom. | 0:00:45 | 0:00:48 | |
-Wow! That's brilliant! -Yes. -Fantastic. | 0:00:48 | 0:00:54 | |
And at the auction, there's a surprise in store for one unsuspecting item. | 0:00:54 | 0:00:58 | |
-Block his ears. -He didn't hear that! | 0:00:59 | 0:01:03 | |
Be there when the hammer falls. | 0:01:03 | 0:01:06 | |
I'm in South London to meet a lady who's called us in | 0:01:07 | 0:01:11 | |
to help her meet her faraway friend in style. | 0:01:11 | 0:01:15 | |
Diana Scott has enjoyed a particularly interesting life. | 0:01:15 | 0:01:19 | |
Brought up in India on her father's coffee plantation, | 0:01:19 | 0:01:22 | |
she returned to the UK in the 1950s | 0:01:22 | 0:01:25 | |
and went on to have a successful career in the civil service. | 0:01:25 | 0:01:29 | |
She met her husband in the early 1960s | 0:01:29 | 0:01:32 | |
and they went on to enjoy 40 years of happy marriage. | 0:01:32 | 0:01:36 | |
Her husband passed away ten years ago, | 0:01:36 | 0:01:39 | |
but Diana still travels widely and loves to play a few hands of bridge with her friend Joan, | 0:01:39 | 0:01:44 | |
who'll be helping on today's rummage, so while our expert Jonty starts the hunt for collectibles, | 0:01:44 | 0:01:49 | |
I'll go to meet our intriguing host. | 0:01:49 | 0:01:52 | |
-Ah, ladies. Look at you two, thick as thieves! -How are you how are you? | 0:01:56 | 0:02:01 | |
-Nice to see you. You're Diana, yes? -Hello. -And who have we got here? -This is Joan. -Hi, Joan. | 0:02:01 | 0:02:08 | |
-You've been dragged along. -Not exactly dragged. | 0:02:08 | 0:02:11 | |
Go on then, Diana. Why have you called us in here? | 0:02:11 | 0:02:15 | |
I want to flog a few things, so I can get to New York to see a friend of mine, | 0:02:15 | 0:02:20 | |
-an ex-office colleague who's not well. -Have you been before? -Yes, several times. I love New York. | 0:02:20 | 0:02:25 | |
-Do you? -Absolutely. How did you two meet? | 0:02:25 | 0:02:28 | |
-Was it anywhere as glamorous as New York? -No Balham! | 0:02:28 | 0:02:33 | |
-Close! -Close. -How much are you hoping to raise? -800 upwards. | 0:02:33 | 0:02:38 | |
-I want to go on the QM2. -Oh, wow! So two grand would be better. Lovely. | 0:02:38 | 0:02:44 | |
-Three, if you like. I could have a private cabin. -You could take this lovely lady with you. -Of course. | 0:02:44 | 0:02:49 | |
Yes, and if one shares a cabin, it is cheaper. | 0:02:49 | 0:02:53 | |
Single cabins are extremely expensive. They're more than double. | 0:02:53 | 0:02:58 | |
You're talking yourself onto the trip already! | 0:02:58 | 0:03:00 | |
The good news is that I come as a duo as well. | 0:03:00 | 0:03:04 | |
Not as formidable, us two, though. I've got Jonty Hearnden with me. | 0:03:04 | 0:03:07 | |
An expert. He's already started. The plan is you go upstairs and carry on and we'll meet Jonty. | 0:03:07 | 0:03:14 | |
-Lovely. -OK. | 0:03:14 | 0:03:16 | |
'Given Diana's travel experiences, I'm hoping we'll find some pieces of international interest, | 0:03:16 | 0:03:21 | |
'as we search through her comfortable and orderly home. | 0:03:21 | 0:03:25 | |
'Talking of comfortable and orderly, Jonty Hearnden has spent years appraising collectibles, | 0:03:25 | 0:03:31 | |
'so if anyone can spot a prized piece, he's the man that can.' | 0:03:31 | 0:03:35 | |
-What did I tell you, look, we have an expert. -Hello. -Hello. | 0:03:35 | 0:03:40 | |
-How are you doing? Nice to see you. I've been admiring your small drawers. -Oh, really? -Steady on! | 0:03:40 | 0:03:45 | |
He's a smooth talker! | 0:03:45 | 0:03:47 | |
What have we got here? | 0:03:47 | 0:03:48 | |
This particular chest of drawers is actually almost 200 years old, which is quite amazing. | 0:03:48 | 0:03:54 | |
-What's the history? -It belonged to my grandparents | 0:03:54 | 0:03:58 | |
and has been handed down through the family. | 0:03:58 | 0:04:01 | |
-Did you know how old this was? -No, I didn't. | 0:04:01 | 0:04:03 | |
I had no idea it was that old, no. I'm very pleased to hear that. | 0:04:03 | 0:04:07 | |
It's so nice to see a smaller piece, | 0:04:07 | 0:04:09 | |
but they're made and constructed in exactly the same way | 0:04:09 | 0:04:13 | |
as you would do a regular bedroom chest of drawers. | 0:04:13 | 0:04:16 | |
But this bow front was very popular in the early part of the 19th century. | 0:04:16 | 0:04:20 | |
And the timber, of course, used is mahogany, | 0:04:20 | 0:04:25 | |
which was very popular in the 19th century, all the way through | 0:04:25 | 0:04:28 | |
the 19th century, mahogany was more often than not the timber of choice. | 0:04:28 | 0:04:32 | |
Is it in good nick? | 0:04:32 | 0:04:35 | |
There are a few chips | 0:04:35 | 0:04:37 | |
and breaks where you would tend to see them, so it's really round the side of the drawers | 0:04:37 | 0:04:42 | |
and often the handles as well, but having said that, it's pretty good condition. | 0:04:42 | 0:04:46 | |
The way you can date it clearly is not so much | 0:04:46 | 0:04:50 | |
the shape of the furniture, but just look at the handles. | 0:04:50 | 0:04:54 | |
-I see. -These ebony handles here, these are Regency handles. -Oh. | 0:04:54 | 0:04:58 | |
So early 19th century. | 0:04:58 | 0:04:59 | |
So circa 1815 to 1830, this piece of furniture would have been made. | 0:04:59 | 0:05:06 | |
The question is, we need to get this lady to New York, what's it worth? | 0:05:06 | 0:05:11 | |
The value of this particular piece will be between 150 and maybe £250 at auction. | 0:05:11 | 0:05:18 | |
-Oh, good. -You're not smiling. You are now! | 0:05:18 | 0:05:22 | |
-Are you happy with that? -Oh, yes. That's good. -Absolutely. | 0:05:22 | 0:05:27 | |
-It's CHEST a start! -Yes. -Sorry. I'm here all day. | 0:05:27 | 0:05:31 | |
'Nothing wrong with a well placed pun. | 0:05:31 | 0:05:34 | |
'As our rummage really gets under way, Joan finds this piece, | 0:05:34 | 0:05:37 | |
'in the form of a Victorian mourning brooch, which belonged to Diana's grandmother. | 0:05:37 | 0:05:42 | |
'Queen Victoria wore a mourning brooch after the death of her husband, Prince Albert, | 0:05:42 | 0:05:47 | |
'which led to them becoming very fashionable. | 0:05:47 | 0:05:50 | |
'Some brooches even contained locks of the deceased person's hair. | 0:05:50 | 0:05:55 | |
'This brooch is made of jet, which is essentially fossilised wood, | 0:05:55 | 0:05:59 | |
'and is very collectible. | 0:05:59 | 0:06:01 | |
'Jonty estimates a hammer price of £30 to £50. | 0:06:01 | 0:06:05 | |
'And it looks like Joan is really on form today.' | 0:06:05 | 0:06:10 | |
-Jonty, look what I've found. -What have we got here? | 0:06:10 | 0:06:14 | |
-I think they're tea caddies. -Are these for sale, do you think? | 0:06:14 | 0:06:18 | |
-I think they could be. -OK. | 0:06:18 | 0:06:22 | |
What we're looking at is a Chinese tea caddy. | 0:06:22 | 0:06:25 | |
Looking at the decoration, this has all been turned on the lathe | 0:06:25 | 0:06:29 | |
and also hand carved. | 0:06:29 | 0:06:31 | |
If you look at the top, this white metal top, this is not silver. | 0:06:31 | 0:06:35 | |
It gives us some kind of indication of age. | 0:06:35 | 0:06:38 | |
Can you see how clean and fresh that looks? | 0:06:38 | 0:06:41 | |
This tea caddy was probably made any time after the Second World War. | 0:06:41 | 0:06:48 | |
-It's not particularly old. What have we got here? -This is a metal one. | 0:06:48 | 0:06:53 | |
Yeah, OK. Again, if I turn that upside down, | 0:06:53 | 0:06:58 | |
can you see that's rather fresh looking? | 0:06:58 | 0:07:00 | |
It's not that old. Where would Diana have got these from? | 0:07:00 | 0:07:04 | |
Hong Kong, I expect. | 0:07:04 | 0:07:07 | |
Britain and China have this very long history with tea. | 0:07:07 | 0:07:12 | |
Tea comes from China, but in order for us to acquire tea | 0:07:12 | 0:07:16 | |
in the early 18th century, we supplied them with opium. | 0:07:16 | 0:07:19 | |
There's this history, this combination of China, | 0:07:19 | 0:07:23 | |
the Orient, tea, and to have Chinese caddies as opposed to English made caddies | 0:07:23 | 0:07:29 | |
sometimes is a little bit special. | 0:07:29 | 0:07:32 | |
Value wise, we're not going to get a very high figure for them, | 0:07:32 | 0:07:35 | |
but put the two in together and we'd get roughly £40 to £60 for them. | 0:07:35 | 0:07:39 | |
Do you think that's going to be OK for Diana? | 0:07:39 | 0:07:42 | |
I think actually that every little helps. She'll be delighted. | 0:07:42 | 0:07:46 | |
Pop those down on the table for safe keeping and off we go. | 0:07:46 | 0:07:50 | |
£40 won't get Diana out of the Solent, let alone halfway across the Atlantic, | 0:07:50 | 0:07:55 | |
but it's still early. | 0:07:55 | 0:07:57 | |
There does seem to be a decent range of pieces on offer. | 0:07:57 | 0:08:00 | |
I spot this elaborate silver plated jardiniere, | 0:08:00 | 0:08:04 | |
which Diana brought back from India, plus this Indian copper tray | 0:08:04 | 0:08:08 | |
she picked up at auction in the early 1960s. | 0:08:08 | 0:08:12 | |
In many parts of India, this sort of silverware was often given | 0:08:12 | 0:08:16 | |
to the bride as part of her dowry, or used in religious ceremonies. | 0:08:16 | 0:08:20 | |
It's a decent lot | 0:08:20 | 0:08:21 | |
and Jonty's hoping for a very attractive £60 to £80 at auction. | 0:08:21 | 0:08:26 | |
Whilst our expert carries on the good work, I've noticed an intriguing image. | 0:08:26 | 0:08:30 | |
This is a fantastic photograph. | 0:08:30 | 0:08:33 | |
My husband used to be an animal photographer. | 0:08:33 | 0:08:36 | |
-Wildlife, he did, mainly. -Why did he enjoy animals so much? | 0:08:36 | 0:08:40 | |
He was very good with animals. He really should have been a vet. | 0:08:40 | 0:08:44 | |
So what's the story behind this little fella? | 0:08:44 | 0:08:47 | |
This one was found in the middle of a road down by the roundabout. | 0:08:47 | 0:08:51 | |
-This squirrel? -Yes, when he was a baby. He fell out of the tree. | 0:08:51 | 0:08:54 | |
He leapt out of the car, picked it up and brought it home. | 0:08:54 | 0:08:58 | |
Of course, it was just about that big, four inches. | 0:08:58 | 0:09:01 | |
He fed him every two hours with a little pipette of warm milk. | 0:09:01 | 0:09:05 | |
And we kept him and he used to sit in my dressing gown pocket | 0:09:05 | 0:09:09 | |
and travel all round the house with me. | 0:09:09 | 0:09:11 | |
-Really? In the dressing gown pocket? -Really! So he was hand reared. | 0:09:11 | 0:09:16 | |
He stayed with us for three years. Oh, he was great fun! | 0:09:16 | 0:09:22 | |
And then, one day, there was another squirrel out the back there. | 0:09:22 | 0:09:27 | |
It had no hair on its tail, a dog had got to it. It looked more like a rat. | 0:09:27 | 0:09:32 | |
We called him Rat Tail. And he took him off nightclubbing, obviously. | 0:09:32 | 0:09:36 | |
He used to spend nights away from home. | 0:09:36 | 0:09:40 | |
And one day, he disappeared altogether. Couldn't find him. | 0:09:40 | 0:09:44 | |
-The weeks went by and Malcolm was really devastated. -I bet. | 0:09:44 | 0:09:50 | |
I was sitting here and there was a little tap on the back window | 0:09:50 | 0:09:53 | |
and I looked out and there was Peanuts. | 0:09:53 | 0:09:57 | |
I said, "Peanuts!" He kept going towards the back door. | 0:09:57 | 0:10:00 | |
I went to let him in. I shouted up to Malcolm, "Peanuts is back!" | 0:10:00 | 0:10:05 | |
I went out. | 0:10:05 | 0:10:08 | |
Sitting on the table in the garden was another little baby squirrel. | 0:10:08 | 0:10:12 | |
-He'd brought his little son or daughter to show us. -Wow! | 0:10:12 | 0:10:16 | |
-By the time Malcolm got downstairs, he'd disappeared again. -Oh, no! | 0:10:16 | 0:10:21 | |
Took his offspring and disappeared. Wasn't that lovely, that he should bring his offspring to see us? | 0:10:21 | 0:10:27 | |
-What a fantastic story! And you've got this to remember him by. -Yes. | 0:10:27 | 0:10:32 | |
-He was adorable. -What do you think your husband would make of you coming on Cash In The Attic? | 0:10:32 | 0:10:37 | |
-I don't know. He always said my back view was the best! -Nonsense. | 0:10:37 | 0:10:41 | |
-He always did. -He was better with animals. | 0:10:41 | 0:10:44 | |
He wasn't telling the truth. | 0:10:44 | 0:10:47 | |
I think we should carry on with this rummage and get you to New York. | 0:10:47 | 0:10:50 | |
-Yes. -We should squirrel yourself, eh? -Oh, yes! Right. -Let's go. | 0:10:50 | 0:10:55 | |
'It's been lovely talking to Diana and I think she's a very determined lady. | 0:10:55 | 0:10:59 | |
'It's not long before she spots this ornately carved oak chair. | 0:10:59 | 0:11:02 | |
'It belonged to her grandparents and has been in the family for over a century. | 0:11:02 | 0:11:07 | |
'Oak has been a desirable material for furniture making for many hundreds of years | 0:11:07 | 0:11:13 | |
'because it's so hard wearing and has a very attractive grain. | 0:11:13 | 0:11:16 | |
'This 19th century example should make us | 0:11:16 | 0:11:19 | |
'a comfortable £60 to £80 at auction. | 0:11:19 | 0:11:22 | |
'We seem to be turning up some fascinating pieces. | 0:11:22 | 0:11:25 | |
'Hardly surprising, when you consider our host is such an interesting lady.' | 0:11:25 | 0:11:30 | |
-What have you got in your hands there? -It's an inkwell. | 0:11:30 | 0:11:35 | |
-Isn't that beautiful? -It is rather lovely. -Whose was this? | 0:11:35 | 0:11:39 | |
It came from a great uncle of mine, Henry Capali, on my father's side. | 0:11:39 | 0:11:44 | |
Yes, it's come down through the family. I think it's rather lovely. | 0:11:44 | 0:11:49 | |
We've got an inscription just here on the lid. | 0:11:49 | 0:11:53 | |
It says "HC with love from MKM". | 0:11:53 | 0:11:56 | |
HC will definitely be Henry Capali, yes. | 0:11:56 | 0:11:59 | |
Looking at the decoration on the outside of this inkwell, | 0:11:59 | 0:12:04 | |
it looks silver, but the decoration is not English. Where is it from? | 0:12:04 | 0:12:07 | |
I think it must have come from India. | 0:12:07 | 0:12:10 | |
-Henry Capali was a coffee planter out in India. -If it is Indian, it won't have an hallmarks. | 0:12:10 | 0:12:16 | |
If you look round the rim, there is no hallmarks on there at all. | 0:12:16 | 0:12:19 | |
That makes sense. I think that's really beautiful. | 0:12:19 | 0:12:23 | |
-And it also looks like it's in very good condition. -Yes. | 0:12:23 | 0:12:26 | |
-Have you used it, yourself? -No, I haven't. I think my mother did. | 0:12:26 | 0:12:30 | |
And my father. But I haven't used it as an inkwell. | 0:12:30 | 0:12:34 | |
What I find interesting about inkwells, they have been fashionable for a long period of time. | 0:12:34 | 0:12:39 | |
But by the 1880s, the invention of the fountain pen came in, | 0:12:39 | 0:12:44 | |
so you didn't need an inkwell. | 0:12:44 | 0:12:46 | |
You'll find good quality inkwells will probably be | 0:12:46 | 0:12:50 | |
more 19th century, rather than into the Edwardian 20th century period. | 0:12:50 | 0:12:55 | |
I think this is charming and there's a lot of people | 0:12:55 | 0:12:58 | |
who would love to still have this on their desk. | 0:12:58 | 0:13:00 | |
-They're more decorative than anything else. Is this an object you might think of selling? -Yes. | 0:13:00 | 0:13:05 | |
-I think I'll have to part with it. -I think it weighs against it that it's not British, | 0:13:05 | 0:13:11 | |
because those hallmarks give it absolute clarity that it's silver. | 0:13:11 | 0:13:15 | |
In an auction catalogue, you can't call it silver. | 0:13:15 | 0:13:18 | |
It would be called white metal. But everyone will know it's silver. | 0:13:18 | 0:13:22 | |
It's good enough quality. | 0:13:22 | 0:13:24 | |
-At auction, that's £60 to £80 of anybody's money. -Ooh, good! | 0:13:24 | 0:13:28 | |
-Happy about that? -Yes. I'm pleased with that. | 0:13:28 | 0:13:31 | |
-I'll look after that very carefully. Let's carry on. -Right. | 0:13:31 | 0:13:35 | |
We've seen a lot of £60 to £80 estimates from Jonty today. | 0:13:37 | 0:13:41 | |
But if Diana's going to make it to New York, let's hope | 0:13:41 | 0:13:44 | |
the inkwell brings in a good deal more than that on auction day. | 0:13:44 | 0:13:49 | |
£50. £30, bid at £30. | 0:13:49 | 0:13:51 | |
32, £30. | 0:13:51 | 0:13:54 | |
32, 35, 35, 38. | 0:13:54 | 0:13:55 | |
Looks like the bids are flowing, but will it reach that estimate? | 0:13:55 | 0:14:00 | |
As our rummage continues, there's plenty of evidence of an Indian theme. | 0:14:00 | 0:14:05 | |
Not least this magnificent beast. I don't mean Jonty. | 0:14:05 | 0:14:09 | |
-One elephant for you, sir. -Let's have a look. He's rather handsome. | 0:14:11 | 0:14:15 | |
-He is. -Gosh! There's lovely movement to him. | 0:14:15 | 0:14:18 | |
You see a lot of elephants around, carved elephants, that have | 0:14:19 | 0:14:23 | |
come from Asia on the high street and the quality is just not there. | 0:14:23 | 0:14:27 | |
-If I could compare the two, there would be a marked difference. -Lots of lovely detail. | 0:14:27 | 0:14:32 | |
That's what you're looking for, be it something carved out of a solid piece of timber, | 0:14:32 | 0:14:36 | |
or a sculptural piece of work, maybe a bronze. | 0:14:36 | 0:14:40 | |
It's the detail. Have a look at the top and the detail on the back. | 0:14:40 | 0:14:44 | |
And on the front, and even the floor that it's standing on here. All hand carved. | 0:14:44 | 0:14:49 | |
-What about the fact that it's tuskless? -That can be replaced. | 0:14:49 | 0:14:53 | |
You could even have some fresh timber there, bleached timber. | 0:14:53 | 0:15:00 | |
A restorer could easily put that back in. | 0:15:00 | 0:15:02 | |
-Presumably, he's an Indian elephant. -Yes. Came from Ceylon. | 0:15:02 | 0:15:07 | |
Yes. The Indian elephant are a subspecies to the Asian elephant. | 0:15:07 | 0:15:13 | |
Different to the ones you would see in Thailand. | 0:15:13 | 0:15:17 | |
They're taller and thinner. But they all have smaller ears than the African elephant. | 0:15:17 | 0:15:21 | |
But the detail is all there. Look at that. It's so tactile. | 0:15:21 | 0:15:27 | |
-We'll put it in the auction sale. -Diana is willing to part with it, but for the right price. | 0:15:27 | 0:15:32 | |
-So what's it worth? -I would value him between £50 and £80. -Aha. | 0:15:32 | 0:15:36 | |
-Are you happy with that? -Yes. That would be nice. | 0:15:36 | 0:15:39 | |
-Time to say goodbye to the item. -Ah! Ciao bella! | 0:15:39 | 0:15:44 | |
Yes, ciao indeed! | 0:15:45 | 0:15:47 | |
Not quite the hefty price we'd really like, but a useful amount towards our £800 target. | 0:15:47 | 0:15:52 | |
Let's hope it makes its upper estimate and beyond. | 0:15:52 | 0:15:55 | |
I know Jonty takes great pride in his appearance, so it's fitting | 0:15:55 | 0:15:59 | |
he finds this silver dressing table set, including mirror, | 0:15:59 | 0:16:03 | |
brushes, comb and matching compact, all the things he uses daily! | 0:16:03 | 0:16:07 | |
It belonged to Diana's mother and has a Birmingham hallmark, which dates it to 1929. | 0:16:07 | 0:16:11 | |
These were popular at a time when grooming | 0:16:11 | 0:16:14 | |
and dressing was a much more elaborate process than it is today. | 0:16:14 | 0:16:18 | |
There's plenty of avid collectors of sets like these, and even though it's not in the best condition, | 0:16:18 | 0:16:24 | |
Jonty still gives it an attractive estimate of £100 to £150. | 0:16:24 | 0:16:29 | |
This is an oasis of calm in the centre of London. | 0:16:29 | 0:16:33 | |
All you can hear is birdsong. It's lovely. | 0:16:33 | 0:16:36 | |
You've led a pretty eventful life. | 0:16:36 | 0:16:38 | |
I suppose I started travelling when I two and a half. | 0:16:38 | 0:16:42 | |
That's when I went out to India. We were backwards and forwards. | 0:16:42 | 0:16:47 | |
I just love travelling, | 0:16:47 | 0:16:48 | |
I love meeting people and I loved languages at school. | 0:16:48 | 0:16:52 | |
-That was my forte. -What was life like in India? -Oh, I loved it. | 0:16:52 | 0:16:56 | |
You didn't have to think for a second. | 0:16:56 | 0:16:58 | |
-What was so special about it? -Oh, well... The climate. | 0:16:58 | 0:17:03 | |
We lived on an estate, so there was plenty of space and I had all these pet animals. | 0:17:03 | 0:17:08 | |
Spotted deer, a lamb, ponies. My father had a beautiful Arab stallion. | 0:17:08 | 0:17:14 | |
Beautiful. | 0:17:14 | 0:17:16 | |
I had to go to boarding school | 0:17:16 | 0:17:18 | |
because there were no schools near the estate. | 0:17:18 | 0:17:21 | |
I was a bit of a tomboy. | 0:17:21 | 0:17:23 | |
So I'd be caught sliding down a marquee or climbing a tree. | 0:17:23 | 0:17:28 | |
If I got out twice in a term, I was very lucky. | 0:17:28 | 0:17:31 | |
I didn't care for that so much, but otherwise life was good. | 0:17:31 | 0:17:35 | |
So, cruising to New York. Why cruising? | 0:17:35 | 0:17:38 | |
-Have you been on a cruise before? -No. Never. -A first for you. Fantastic! | 0:17:38 | 0:17:42 | |
-That's why I'm so keen to do it. -You're really looking forward to it. -Really, yes. And seeing my friend. | 0:17:42 | 0:17:48 | |
-Are you going to go for a long time? -No, I like to get back to old Paddy. | 0:17:48 | 0:17:52 | |
You've got to come back for Paddy the dog. You can't stay for too long. After New York, where's next? | 0:17:52 | 0:17:58 | |
After New York? I had an offer to go to Mongolia, but it's not on my hit-list. | 0:17:58 | 0:18:03 | |
If you want to get to New York, we should carry on with this rummage and find some treasure somewhere. | 0:18:03 | 0:18:08 | |
Usually under the bed or in the cupboard! Let's go. | 0:18:08 | 0:18:11 | |
'It's great to see Diana's passion for travel and new experiences is still very much in evidence. | 0:18:11 | 0:18:17 | |
'Joan is keeping busy and soon spots this pair of Buddhas, | 0:18:17 | 0:18:21 | |
'brought back from China by Diana's uncle in the mid 1920s. | 0:18:21 | 0:18:26 | |
'Made of ivory, figurines like these would have been made | 0:18:26 | 0:18:29 | |
'for the tourist or export market and appear to be representations | 0:18:29 | 0:18:33 | |
'of the fat or laughing Buddha, rather than the more formal pieces. | 0:18:33 | 0:18:38 | |
'International trade treaties mean that only ivory | 0:18:38 | 0:18:40 | |
'worked before 1947 is legal for sale at auction. | 0:18:40 | 0:18:46 | |
'Happily, this pair can make the journey to the sale room at £50 to £60. | 0:18:46 | 0:18:50 | |
'Our rummage continues and it looks like the ladies may well have it covered.' | 0:18:50 | 0:18:55 | |
-Yes, lovely. -Have you found anything for me? -What do you think of this? | 0:18:55 | 0:18:59 | |
That's very beautiful. We're looking at a shawl. | 0:18:59 | 0:19:03 | |
-Whose shawl is this, or was this? -It came down from my grandmother. | 0:19:03 | 0:19:08 | |
It was a christening shawl, my mother was christened in it. | 0:19:08 | 0:19:11 | |
-I believe I was christened in it. -It seems to be in very good condition. | 0:19:11 | 0:19:15 | |
But looking at the style of these flower heads, | 0:19:15 | 0:19:19 | |
this looks like it's probably a good 100-years-old. | 0:19:19 | 0:19:23 | |
-Oh, yes! Must be. -Isn't it beautiful? What do you think, Joan? | 0:19:23 | 0:19:27 | |
It's beautiful, the work that's gone into it. It's fabulous! | 0:19:27 | 0:19:31 | |
-Is this usually packed away? -Yes, packed away in a drawer. | 0:19:31 | 0:19:35 | |
What about selling it? | 0:19:35 | 0:19:37 | |
Obviously, this is a large part of your family history here. | 0:19:37 | 0:19:41 | |
I've got no-one to pass on to, so I think someone else might like to enjoy it. | 0:19:41 | 0:19:47 | |
-And maybe another christening will take place in it. -Who knows? | 0:19:47 | 0:19:51 | |
The great thing about this shawl, this lovely cream colour, you could wear this at almost any occasion. | 0:19:51 | 0:19:57 | |
It's a very commercial piece. | 0:19:57 | 0:19:59 | |
And the detail here is really lovely, | 0:19:59 | 0:20:03 | |
and a lot of people will greatly appreciate that. | 0:20:03 | 0:20:06 | |
No holes, anyway. | 0:20:06 | 0:20:07 | |
Well, that's what I find so incredible, | 0:20:07 | 0:20:11 | |
because items like this are so susceptible to moth damage, | 0:20:11 | 0:20:15 | |
-you know, insect infestation. -Yes. | 0:20:15 | 0:20:17 | |
So, because you've kept it in such good condition, | 0:20:17 | 0:20:20 | |
this single item is going to be worth between £50 and £80. | 0:20:20 | 0:20:23 | |
Oh, that would be nice. Yes, good. | 0:20:23 | 0:20:25 | |
I think that's a really lovely quality, | 0:20:25 | 0:20:28 | |
definitely worth putting in the auction, so, well done. | 0:20:28 | 0:20:30 | |
Right, let's go and find some more stuff, come on. | 0:20:30 | 0:20:33 | |
Diana is definitely focused on that trip to New York, | 0:20:35 | 0:20:38 | |
the question is, will we make enough to get her there? | 0:20:38 | 0:20:41 | |
With our rummage winding down, Jonty spies another oriental piece, | 0:20:41 | 0:20:45 | |
in the shape of this glazed Chinese jardiniere. | 0:20:45 | 0:20:47 | |
It hasn't come that far though, | 0:20:47 | 0:20:49 | |
because Diana picked this one up at £20 at a London restaurant in the 1950s. | 0:20:49 | 0:20:54 | |
In Chinese tradition, the elaborate dragon decoration represents abundance, | 0:20:54 | 0:20:59 | |
prosperity and good luck, | 0:20:59 | 0:21:01 | |
let's hope we can count on some of that | 0:21:01 | 0:21:03 | |
when it goes to the auction at an estimate of £50 to £80. | 0:21:03 | 0:21:06 | |
Jonty, what do you think of this necklace, what do you think of that? | 0:21:10 | 0:21:14 | |
I say, look at that. | 0:21:14 | 0:21:16 | |
Does this have a story? | 0:21:16 | 0:21:18 | |
Yes, it was given to my mother by the Maharaja of Mysore at his Durbar, | 0:21:18 | 0:21:23 | |
and all the ladies who were invited got a special present, | 0:21:23 | 0:21:25 | |
and she had that, I think it's rather lovely. | 0:21:25 | 0:21:27 | |
-So, do you remember any grand events yourself? -Well, I remember that. | 0:21:27 | 0:21:32 | |
So, you remember being at this very event? | 0:21:32 | 0:21:35 | |
Oh, yes, I did, it was absolutely splendid, | 0:21:35 | 0:21:38 | |
all the elephants were trooped on, followed by the horses and the dogs, | 0:21:38 | 0:21:43 | |
2,000 dogs, imagine, in packs of four coming on with all the things. | 0:21:43 | 0:21:47 | |
It was absolutely marvellous, then the fireworks were set off, | 0:21:47 | 0:21:51 | |
and the fountains in the Mysore Palace gardens all came up, | 0:21:51 | 0:21:55 | |
all different colours, and it was absolutely a night of magic. | 0:21:55 | 0:21:59 | |
What I would have paid to have been standing there, observing the whole thing. | 0:21:59 | 0:22:02 | |
Yeah, it was great. | 0:22:02 | 0:22:03 | |
Because all one sees is those rather faded black and white images | 0:22:03 | 0:22:07 | |
of those very grand events. | 0:22:07 | 0:22:09 | |
-It was a privilege just to have been there. -Oh, absolutely. | 0:22:09 | 0:22:12 | |
Yes, what's so exciting about this necklace as well | 0:22:12 | 0:22:15 | |
is that we've got a real sense of weight here. | 0:22:15 | 0:22:18 | |
We have these lovely, stylised peacocks | 0:22:18 | 0:22:21 | |
-with their plume of feathers. -Yes. | 0:22:21 | 0:22:23 | |
We also have all of this enamel work, | 0:22:23 | 0:22:25 | |
the drop on here, on the front, it's absolutely beautiful. | 0:22:25 | 0:22:29 | |
So, would you consider selling this now? | 0:22:29 | 0:22:32 | |
Yes, I would, it just sits in a box now. | 0:22:32 | 0:22:35 | |
How much do you think it would be worth? | 0:22:35 | 0:22:37 | |
Well, let's consider value for a moment. | 0:22:37 | 0:22:39 | |
-Can we gatecrash this party, please? -You can, have a look at this. | 0:22:39 | 0:22:42 | |
You know he's got something up his sleeve when he's presenting something like that. | 0:22:42 | 0:22:45 | |
So, go on, Jonty, how much? | 0:22:45 | 0:22:47 | |
We have a bit of an issue | 0:22:47 | 0:22:49 | |
because we can't tell of the quality of the gold. | 0:22:49 | 0:22:51 | |
We also have the added issue of the fact | 0:22:51 | 0:22:54 | |
that we have the enamel here as well, so, that's extra weight. | 0:22:54 | 0:22:57 | |
So, this is a bit of a guesstimate at the moment, | 0:22:57 | 0:23:00 | |
but I'm hoping that in my hand here we are looking at between £300-500. | 0:23:00 | 0:23:07 | |
-Wow! -Well, that's brilliant. -Oh, it is. -Yes, yes. | 0:23:07 | 0:23:10 | |
Fantastic, so, Diana, | 0:23:10 | 0:23:12 | |
how much were you hoping to raise for this cruise to New York? | 0:23:12 | 0:23:16 | |
Oh, 800...more. | 0:23:16 | 0:23:18 | |
I can tell you, if we take Jonty's lowest estimate on all your items, | 0:23:18 | 0:23:21 | |
we're looking at making something in the region of £1,000. | 0:23:21 | 0:23:25 | |
-Ooh! -That's good, isn't it? -Lovely. -That would be great. -We can all go. | 0:23:25 | 0:23:28 | |
Wehay, yeah, why not? I fancy a weekend in New York, be lovely. | 0:23:28 | 0:23:32 | |
Girls, it's been absolutely fantastic, | 0:23:32 | 0:23:33 | |
really enjoyed meeting you, and we'll see you in the auction. | 0:23:33 | 0:23:36 | |
-It's been really nice to meet you both. -Yes. -Really, a great thrill. | 0:23:36 | 0:23:40 | |
So, Jonty's not sure as to the quality of this necklace, | 0:23:40 | 0:23:44 | |
but he's sticking his neck out, | 0:23:44 | 0:23:46 | |
and giving it a very optimistic valuation. | 0:23:46 | 0:23:49 | |
In any case, it's a beautiful item to end our fascinating day. | 0:23:49 | 0:23:52 | |
And there's been no shortage of pieces which should | 0:23:52 | 0:23:54 | |
create some interest in the sale room. That mahogany chest of drawers | 0:23:54 | 0:23:57 | |
has been passed down through Diana's family, | 0:23:57 | 0:24:01 | |
and is almost 200-years-old. | 0:24:01 | 0:24:03 | |
At £150-£250, let's hope it will furnish our travelling fund. | 0:24:03 | 0:24:07 | |
At £60-£80, we're hoping that inkwell | 0:24:07 | 0:24:10 | |
which belonged to Diana's father | 0:24:10 | 0:24:13 | |
will sell with quite a flourish. | 0:24:13 | 0:24:15 | |
And that silver, 1920s dressing table set should prove a real beauty | 0:24:15 | 0:24:21 | |
when it goes under the hammer at £100-£150. | 0:24:21 | 0:24:25 | |
Still to come on Cash In the Attic, is it a disastrous day for Diana? | 0:24:27 | 0:24:33 | |
£38. | 0:24:33 | 0:24:35 | |
Hasn't paid for the taxi fare yet, has it? | 0:24:35 | 0:24:37 | |
Or will she be sailing in to the sunset? | 0:24:37 | 0:24:40 | |
We made it. | 0:24:40 | 0:24:41 | |
It's got you closer to New York, that's why we're here. | 0:24:41 | 0:24:45 | |
Find out when the final hammer falls. | 0:24:45 | 0:24:47 | |
Well, it hasn't been that long since we spent a lovely day | 0:24:52 | 0:24:55 | |
with Diana and Joan rummaging in their house in South London. | 0:24:55 | 0:24:58 | |
Now, Diana would, ideally, love to cruise her way to New York, wouldn't we all? | 0:24:58 | 0:25:03 | |
She's brought her stuff to Chiswick auctions, | 0:25:03 | 0:25:05 | |
let's hope the bidders get on board. | 0:25:05 | 0:25:07 | |
Well, this is always a busy saleroom attracting a variety of bidders, | 0:25:08 | 0:25:11 | |
there's plenty of interest in today's lots, | 0:25:11 | 0:25:14 | |
so I have high hopes for Diana's pieces when they go under the hammer. | 0:25:14 | 0:25:17 | |
Sadly, Jonty's not able to make it today, | 0:25:17 | 0:25:20 | |
so, the ladies will have to put up with me. | 0:25:20 | 0:25:22 | |
Hopefully, I can bring a little of Jonty's effortless gravitas and style. | 0:25:22 | 0:25:27 | |
Yeah, who am I kidding? | 0:25:27 | 0:25:28 | |
First things first though, | 0:25:28 | 0:25:30 | |
and Diana's decided she can't bear to part with that Chinese jardiniere, | 0:25:30 | 0:25:34 | |
decorated with dragons, we found it in the rummage. | 0:25:34 | 0:25:38 | |
So, we're one down on the lots already. | 0:25:38 | 0:25:40 | |
Then there's that lovely Indian necklace, | 0:25:40 | 0:25:42 | |
given to Diana's mum by a maharajah, no less. | 0:25:42 | 0:25:45 | |
Which seems to be causing auctioneer, Tom Keane, | 0:25:45 | 0:25:47 | |
a touch of concern. | 0:25:47 | 0:25:49 | |
You're looking very stern, why did you want to see me about this? | 0:25:50 | 0:25:53 | |
-Aled, we've got a problem. -I don't like it when you say that. | 0:25:53 | 0:25:57 | |
Oh, well, listen, do me a favour, smell that, will you? | 0:25:57 | 0:26:00 | |
-Smell it? -Smell it. | 0:26:00 | 0:26:02 | |
And tell me what you smell. | 0:26:02 | 0:26:03 | |
Why do you want me to smell... OK, I'll smell it. | 0:26:03 | 0:26:05 | |
I'll do what you want. | 0:26:05 | 0:26:07 | |
-What can you smell? -Metal. | 0:26:07 | 0:26:09 | |
-Alloy? -Yeah, alloy. | 0:26:09 | 0:26:11 | |
Gold doesn't smell. | 0:26:11 | 0:26:12 | |
-That does. -Yeah. | 0:26:12 | 0:26:14 | |
There's no smell at all off gold, | 0:26:14 | 0:26:16 | |
so if you ever smell an alloy, sort of, sniff, like you're doing now, it's wrong. | 0:26:16 | 0:26:20 | |
So, it's not gold, it's a mixture of brass and tin, | 0:26:20 | 0:26:24 | |
and it's junk jewellery, £40 or £60. | 0:26:24 | 0:26:28 | |
Uh, easy mistake to make? | 0:26:28 | 0:26:29 | |
Easy enough, but not many dealers know, | 0:26:30 | 0:26:33 | |
trust your nose because the smell gives it all. | 0:26:33 | 0:26:36 | |
Gold doesn't smell, end of. | 0:26:36 | 0:26:38 | |
So, I suppose I've got to go and tell the ladies the bad news? | 0:26:38 | 0:26:41 | |
You can give the bad news, not me. | 0:26:41 | 0:26:43 | |
-Thanks so much. -Good luck. | 0:26:43 | 0:26:45 | |
Yes, typical of Jonty not to be here when I need him, | 0:26:45 | 0:26:48 | |
let's hope Diana and Joan aren't too upset with the news. | 0:26:48 | 0:26:51 | |
It's an easy mistake to make, apparently, | 0:26:51 | 0:26:53 | |
but I've just learnt a fantastic lesson from the auctioneer here, | 0:26:53 | 0:26:57 | |
and he said that gold doesn't actually smell of anything. | 0:26:57 | 0:26:59 | |
Except perfume if you've got it on your arm. | 0:27:01 | 0:27:04 | |
But we're looking at probably £40 to £60. | 0:27:04 | 0:27:07 | |
-Oh. -But I'm still confident that we will get you on your cruise, OK? | 0:27:07 | 0:27:11 | |
-Are you? -Yes, I am. -Oh, oh! | 0:27:11 | 0:27:13 | |
I love the fact that Diana's got such a keen sense of humour, | 0:27:13 | 0:27:16 | |
but I know she really does want to make that trip to New York. | 0:27:16 | 0:27:19 | |
Fingers crossed, our other items will more than | 0:27:19 | 0:27:22 | |
compensate for the news about the necklace. | 0:27:22 | 0:27:24 | |
As the auction gets underway, our first lot is a rather sombre piece, | 0:27:24 | 0:27:28 | |
that Victorian mourning brooch, if you remember, | 0:27:28 | 0:27:30 | |
crafted from jet and made fashionable by Queen Victoria. | 0:27:30 | 0:27:34 | |
OK, first up then is the Victorian brooch, | 0:27:36 | 0:27:38 | |
tell us the story about this again. | 0:27:38 | 0:27:40 | |
It was my great grandmother's, it's just been handed down. | 0:27:40 | 0:27:43 | |
We're hoping for £30-£50, | 0:27:43 | 0:27:45 | |
that will get you an inch closer to New York. | 0:27:45 | 0:27:48 | |
We'll be all right, keep smiling. Let's see how we get on, here it comes. | 0:27:48 | 0:27:52 | |
£30 for it? | 0:27:52 | 0:27:53 | |
£30 for it? £20 for it? | 0:27:53 | 0:27:56 | |
A bit at £22, 25, 28? | 0:27:56 | 0:27:59 | |
28, 30, 32, 35, 38? | 0:27:59 | 0:28:02 | |
£35, see you at £35, are we done? | 0:28:02 | 0:28:04 | |
At £35, cheap at £35, selling, all done? | 0:28:04 | 0:28:07 | |
35, your bid at 35. | 0:28:07 | 0:28:08 | |
Hey, that's good, Jonty said £30-£50, | 0:28:08 | 0:28:12 | |
and we're £5 over his lowest estimate. | 0:28:12 | 0:28:14 | |
-Wow. -We're up and running. | 0:28:14 | 0:28:16 | |
Well, I think that's a pretty good start to the auction, | 0:28:18 | 0:28:21 | |
and hopefully a good omen for the rest of our day here. | 0:28:21 | 0:28:24 | |
Next up are those mid 20th century Chinese tea caddies, | 0:28:24 | 0:28:27 | |
which still contain some old tea leaves. | 0:28:27 | 0:28:29 | |
There's definitely a market for pieces like these, | 0:28:29 | 0:28:32 | |
but are the right collectors in the room today? | 0:28:32 | 0:28:35 | |
You found this, didn't you? | 0:28:35 | 0:28:36 | |
-I did. -A good find. | 0:28:36 | 0:28:37 | |
Um, tell us about it. | 0:28:37 | 0:28:39 | |
They were given to me by my boss, | 0:28:39 | 0:28:41 | |
I did a reception for him at his house, | 0:28:41 | 0:28:43 | |
he was pleased at the way it went, so that's my little caddie. | 0:28:43 | 0:28:46 | |
You're so pleased with them that we're giving them away. | 0:28:46 | 0:28:49 | |
Well, hopefully not giving them away, we're hoping for £40 to £60. | 0:28:49 | 0:28:52 | |
Let's hope. | 0:28:52 | 0:28:54 | |
For the two, £40, should make more, £40? | 0:28:54 | 0:28:57 | |
£20? | 0:28:57 | 0:28:58 | |
Bid at £20, 22? Bid at 20, I need 22, at 25? | 0:28:58 | 0:29:03 | |
25, 28, 30? | 0:29:03 | 0:29:04 | |
30, 32, 35, | 0:29:04 | 0:29:07 | |
let's see, 35, 38, 40? | 0:29:07 | 0:29:09 | |
42? | 0:29:09 | 0:29:11 | |
We're bid at £40. | 0:29:11 | 0:29:14 | |
Bottom of the estimate bid, at £40, at £40, £40, selling, all done? | 0:29:14 | 0:29:17 | |
£40, again, our lowest estimate, but not bad. | 0:29:17 | 0:29:20 | |
I'm glad you're smiling. | 0:29:20 | 0:29:24 | |
I'll be weeping in a minute. | 0:29:24 | 0:29:26 | |
Well, those caddies did, at least, manage their bottom estimate, | 0:29:26 | 0:29:29 | |
which has got to be a good thing. | 0:29:29 | 0:29:32 | |
I wonder if our next lot will leave us feeling a little more serene? | 0:29:32 | 0:29:35 | |
Those two ivory, seated buddhas | 0:29:35 | 0:29:37 | |
were bought by Diana's uncle in the mid-1920s. | 0:29:37 | 0:29:39 | |
We're hoping at least one bidder | 0:29:39 | 0:29:42 | |
will contemplate our estimate of £50-£60. | 0:29:42 | 0:29:45 | |
For the two, £50. | 0:29:47 | 0:29:50 | |
£30? | 0:29:50 | 0:29:51 | |
I'll work it down, £30, £20? | 0:29:51 | 0:29:52 | |
A bid at £20, at 22 there, | 0:29:52 | 0:29:54 | |
25? 25, 28? 28. | 0:29:54 | 0:29:57 | |
30? 32? 35? 35. | 0:29:57 | 0:30:00 | |
38? 40? 42? | 0:30:00 | 0:30:03 | |
42, 45? 48? 50? | 0:30:03 | 0:30:07 | |
Says no, a £48 bid there, 48, I'll take 50, 48, | 0:30:07 | 0:30:10 | |
all selling and done, 48 and going. Definitely out? Gone, £48. | 0:30:10 | 0:30:13 | |
£48, that's two pounds below Jonty's lowest estimate, | 0:30:13 | 0:30:18 | |
but still, still good. | 0:30:18 | 0:30:20 | |
Marvellous. | 0:30:20 | 0:30:22 | |
I love you, you've always got a smile on your face. | 0:30:22 | 0:30:25 | |
Yeah, she might be smiling, | 0:30:25 | 0:30:27 | |
but Diana's definitely underwhelmed by that result. | 0:30:27 | 0:30:31 | |
I'm hoping that the intricate Victorian shawl warms things up for us a little. | 0:30:31 | 0:30:35 | |
Next is the shawl, this was your grandmother's christening shawl, wasn't it? | 0:30:35 | 0:30:38 | |
Yes, my grandmother, great grandmother, actually. | 0:30:38 | 0:30:40 | |
My grandmother had four kids so they all had it. | 0:30:40 | 0:30:43 | |
Are you going to be sad to see it go? | 0:30:43 | 0:30:45 | |
Not really, it's only lying in a drawer. | 0:30:45 | 0:30:48 | |
-£50 to £80. -I hope it gets it. -Yeah. | 0:30:48 | 0:30:51 | |
Otherwise you might take it home with you. | 0:30:51 | 0:30:53 | |
£50 for it? £30 for it? It's worth that. | 0:30:53 | 0:30:56 | |
-I'm bid at £30, £30 for the antique shawl. -Come on, £30, please. | 0:30:56 | 0:31:00 | |
32, 35, 38, 40? | 0:31:00 | 0:31:03 | |
See you at 38, take 40, 38, is that it? | 0:31:03 | 0:31:05 | |
At £38, seems cheap at £38, | 0:31:05 | 0:31:07 | |
I'm going to sell it at £38 and going. All done at £38? Finished. | 0:31:07 | 0:31:12 | |
£38, how do you feel about that? Oh, you're gritting your teeth, oh, no. | 0:31:12 | 0:31:18 | |
Are you sad about that? | 0:31:18 | 0:31:19 | |
-It hasn't paid for the taxi fare yet, has it? -No, it hasn't. | 0:31:19 | 0:31:22 | |
It was fantastic, the work on it, um, | 0:31:22 | 0:31:25 | |
-you didn't put a reserve on it so it's gone to somebody for £38. -We didn't. | 0:31:25 | 0:31:29 | |
They've got a bargain, to be honest. | 0:31:29 | 0:31:30 | |
I think it's a pity that such a beautiful item should be sold for so little. | 0:31:30 | 0:31:35 | |
It's always worth putting a reserve price on your best items, | 0:31:35 | 0:31:39 | |
enabling you to remove them from the sale | 0:31:39 | 0:31:41 | |
if they don't reach the price you want. | 0:31:41 | 0:31:43 | |
Now, Diana's carved, teak elephant, minus his tusks, | 0:31:43 | 0:31:47 | |
is a lovely reminder of her time spent in India as a child. | 0:31:47 | 0:31:51 | |
So, the elephant up next, the tuskless elephant, | 0:31:53 | 0:31:56 | |
it's got the sort of look on its face saying, please, don't sell me. | 0:31:56 | 0:32:00 | |
Don't say that, you'll make me feel so sad. | 0:32:00 | 0:32:02 | |
-It's lovely, isn't it? -It is a beautiful elephant. | 0:32:02 | 0:32:04 | |
I found it, I remember, on that shelf, and it weighs a tonne. | 0:32:04 | 0:32:07 | |
-I know. -Just like the elephant itself. | 0:32:07 | 0:32:09 | |
-Will you be sad to see it go? -Really, yes, but, times must. | 0:32:09 | 0:32:13 | |
-And also, New York beckons. -Yes. | 0:32:13 | 0:32:15 | |
Right, let's see how we get on. | 0:32:15 | 0:32:17 | |
Start me, £50 for it. | 0:32:17 | 0:32:19 | |
Start me, £30 for it? Not a hand moving, £20 for it? | 0:32:19 | 0:32:22 | |
Oh, no. | 0:32:22 | 0:32:24 | |
£20, £20, start me at £20 for it? A £10 note for it? | 0:32:24 | 0:32:26 | |
Oh! | 0:32:26 | 0:32:28 | |
Look at that, five hands go up now, bid at ten there, 15? 15, 18, 20? | 0:32:28 | 0:32:32 | |
At 18, have I got 20 in front of me? | 0:32:32 | 0:32:33 | |
20, thank you. 22? | 0:32:33 | 0:32:35 | |
Room full of people, we've got £20, | 0:32:35 | 0:32:38 | |
I'll take 22, at £20, you've got it. | 0:32:38 | 0:32:40 | |
Block his ears. | 0:32:40 | 0:32:41 | |
Shush, you didn't hear that. | 0:32:43 | 0:32:46 | |
Poor Jumbo, sadly, we did hear that very disappointing result | 0:32:46 | 0:32:50 | |
for such an impressive piece of craftsmanship. | 0:32:50 | 0:32:53 | |
Well, will our next lot do any better? | 0:32:53 | 0:32:55 | |
It's the ornate, Indian, silver jardiniere and Persian tray, | 0:32:55 | 0:32:59 | |
another memento from Diana's many travels. | 0:32:59 | 0:33:02 | |
You don't mind giving it up? | 0:33:03 | 0:33:05 | |
I do mind, but, you know, I'm on my way out, so... | 0:33:05 | 0:33:08 | |
Don't say that, you just said you were full of positive energy, | 0:33:08 | 0:33:11 | |
now you're talking about 'on the way out'. | 0:33:11 | 0:33:12 | |
Well, let's hope that the jardiniere and the tray are on the way out. | 0:33:12 | 0:33:16 | |
Hope so, I really do. | 0:33:16 | 0:33:19 | |
No flagging now, ladies, come on, positive energy. | 0:33:19 | 0:33:22 | |
Start me £50, please, bid at £50, | 0:33:22 | 0:33:24 | |
55, say 55? 55, | 0:33:24 | 0:33:26 | |
60, 5, 70, 5, 80? | 0:33:26 | 0:33:31 | |
5, 90? 5? | 0:33:31 | 0:33:33 | |
100, 110, 120, 130, 140? | 0:33:33 | 0:33:37 | |
130, bid at one 130 in the door, at 130, are we done? | 0:33:37 | 0:33:42 | |
Who else wants it? At 130 going to go, all done at 130 and gone. | 0:33:42 | 0:33:46 | |
Good riddance! | 0:33:46 | 0:33:48 | |
It's got you closer to New York, that's why we're here. | 0:33:48 | 0:33:51 | |
At last, a result we can really be pleased with, | 0:33:51 | 0:33:55 | |
that's a decent £50 over Jonty's upper estimate, phew! | 0:33:55 | 0:33:58 | |
Well, the first half has certainly given us food for thought, | 0:33:58 | 0:34:02 | |
with many items unable to reach their lower estimates. | 0:34:02 | 0:34:05 | |
But as we hit the halfway stage of the auction, | 0:34:05 | 0:34:08 | |
where do we stand with our target? | 0:34:08 | 0:34:10 | |
OK, ladies, half time and all is not lost, don't look like that. | 0:34:10 | 0:34:15 | |
I can tell you, at the moment, we've raised £311. | 0:34:15 | 0:34:18 | |
Oh, yes, just about get on the M4 then. | 0:34:18 | 0:34:21 | |
We're just outside Southampton at the moment. | 0:34:21 | 0:34:24 | |
-Yes. -I'd say all to play for, wouldn't you? | 0:34:24 | 0:34:27 | |
I think we need to have a little break. | 0:34:27 | 0:34:30 | |
I think so, a stiff gin. | 0:34:30 | 0:34:32 | |
Maybe a stiff gin, I think I'll come and join you, | 0:34:32 | 0:34:35 | |
and we'll come back in about 15 minutes or so. | 0:34:35 | 0:34:37 | |
-All right. -OK, lead the way, Joan. | 0:34:37 | 0:34:40 | |
Well, we're certainly keeping our fingers crossed our fortunes improve in the second half. | 0:34:40 | 0:34:44 | |
If you'd like to have a go at selling some of your items at auction, | 0:34:44 | 0:34:49 | |
do bear in mind that various fees do apply, including commission. | 0:34:49 | 0:34:52 | |
Charges tend to vary from one saleroom to another, | 0:34:52 | 0:34:55 | |
so it's always worth checking in advance. | 0:34:55 | 0:34:57 | |
So, as we reconvene for the sale, it's still all to play for, | 0:34:57 | 0:35:00 | |
with this 19th century silver carved inkwell, | 0:35:00 | 0:35:03 | |
which Diana inherited from her father. | 0:35:03 | 0:35:07 | |
So, ladies, let's hope that the writers are in the room now, | 0:35:07 | 0:35:10 | |
because it's the inkwell up next. | 0:35:10 | 0:35:12 | |
-Did you ever use this? -Once, when there was ink. | 0:35:12 | 0:35:16 | |
Really? Who did you write to, do you remember? | 0:35:16 | 0:35:19 | |
It wasn't a love letter, please, don't tell me that. | 0:35:19 | 0:35:22 | |
No, it was to Winston Churchill, I admired him very much, | 0:35:22 | 0:35:25 | |
he didn't reply, but... | 0:35:25 | 0:35:26 | |
£50? £30? | 0:35:28 | 0:35:31 | |
I'm bid at £30, 32? Take 32, at 30. | 0:35:31 | 0:35:34 | |
Thank you, 35, 38, 40? | 0:35:34 | 0:35:36 | |
40, 42, 45, 48, | 0:35:36 | 0:35:39 | |
50, 52, 55, 58? | 0:35:39 | 0:35:42 | |
60? I'm bid at £58 and I'll take 60, you're saying no, | 0:35:42 | 0:35:46 | |
at £58, all done and going, all done at £58 then. £58. | 0:35:46 | 0:35:49 | |
-At least you're making some money. -Mmm. | 0:35:49 | 0:35:51 | |
-You wanted to de-clutter, and you've done that. -Yes, yes. | 0:35:51 | 0:35:54 | |
-And you're still making money. -Mmm, how much have I made so far? | 0:35:54 | 0:35:58 | |
I'll let you know later, that's jumping the gun. | 0:35:58 | 0:36:01 | |
That's another of our pieces to come in under its lowest estimate, but only just. | 0:36:01 | 0:36:06 | |
Let's stay positive though, | 0:36:06 | 0:36:07 | |
because we still have some decent lots to go under the hammer. | 0:36:07 | 0:36:11 | |
Jonty didn't have to comb the house too much for our next item, | 0:36:11 | 0:36:14 | |
this Birmingham made silver dressing table set was used by Diana's mother | 0:36:14 | 0:36:18 | |
in the late 1920s, but will its quality be reflected in the price? | 0:36:18 | 0:36:22 | |
£100. | 0:36:24 | 0:36:25 | |
£50? | 0:36:27 | 0:36:28 | |
I'm bid at £50, £50, take 55, 55, there, 60 there, 65? | 0:36:28 | 0:36:32 | |
70? 5? 80? 5? 90? 5? | 0:36:32 | 0:36:37 | |
100? And ten? 120? | 0:36:37 | 0:36:40 | |
£110, bid at £110, 120, 130? | 0:36:40 | 0:36:45 | |
New bid at 120, 120, take 130, are we done this time? | 0:36:45 | 0:36:47 | |
All done at 120? Gone. | 0:36:47 | 0:36:51 | |
-£120, that's more like it, isn't it? -That is more like it. | 0:36:51 | 0:36:54 | |
-Bang in the middle, Jonty said 100-150. -Oh, good. -Good. | 0:36:54 | 0:36:57 | |
The boy done good. | 0:36:57 | 0:36:58 | |
He certainly did, that's really a really healthy result, | 0:36:58 | 0:37:01 | |
could things finally be picking up for us? | 0:37:01 | 0:37:04 | |
Will this cautious crowd be as enthusiastic for our next lot, | 0:37:04 | 0:37:07 | |
the finely carved, high backed, Victorian chair. | 0:37:07 | 0:37:10 | |
It's been in Diana's family for over a century. | 0:37:10 | 0:37:12 | |
You could have sat in that instead of this. | 0:37:15 | 0:37:17 | |
-I know, it's beautifully cared. -Absolutely stunning. | 0:37:17 | 0:37:19 | |
-It's solid, it takes my weight. -Shush. | 0:37:19 | 0:37:22 | |
£50 for it. | 0:37:22 | 0:37:23 | |
£50 for a good chair? £30 for it? | 0:37:23 | 0:37:25 | |
-Oh, God. -Bid at £30, £30, give me £32? | 0:37:25 | 0:37:28 | |
At £30, another bid at 32, 35, 38, 40. | 0:37:29 | 0:37:33 | |
42? 45? No? | 0:37:33 | 0:37:36 | |
Your bid at £42, take 45? Selling at 42, are we done? | 0:37:36 | 0:37:40 | |
Last chance, 42 for the chair, and gone, £42. | 0:37:40 | 0:37:42 | |
-A bit disappointing that, wasn't it? -Yes, it was. | 0:37:42 | 0:37:44 | |
Worry not, darling, it's not as bad as a bad marriage. | 0:37:44 | 0:37:48 | |
You'll get over it. | 0:37:48 | 0:37:49 | |
Yeah, there we go, it's not as bad as a bad marriage. | 0:37:49 | 0:37:52 | |
I suppose that's one way of looking at it, Joan, | 0:37:52 | 0:37:55 | |
but we will need to make over £300 to meet that £800 target. | 0:37:55 | 0:38:00 | |
There are just two items left to sell. | 0:38:00 | 0:38:02 | |
This lovely, early Victorian, bow fronted, | 0:38:02 | 0:38:04 | |
miniature chest of drawers, belonged to Diana's grandparents, | 0:38:04 | 0:38:08 | |
and is a fine piece of mahogany craftsmanship. | 0:38:08 | 0:38:11 | |
Beautiful piece of furniture. | 0:38:12 | 0:38:14 | |
Beautiful isn't it, yes? | 0:38:14 | 0:38:16 | |
If I remember rightly, Jonty said it was in good condition. | 0:38:16 | 0:38:18 | |
Yes, it's in very good condition, yes. | 0:38:18 | 0:38:20 | |
We're hoping £150-£250, and if we don't get it, | 0:38:20 | 0:38:24 | |
you could well be going to Newark, not New York. | 0:38:24 | 0:38:27 | |
Let's hope not. | 0:38:27 | 0:38:29 | |
I've got two on the telephone waiting to bid, | 0:38:29 | 0:38:31 | |
and people in the room as well, start me at £150, here it goes. | 0:38:31 | 0:38:34 | |
At 150, the bid's there at 150, 160, 170, 180, 190? | 0:38:34 | 0:38:38 | |
200, and 20, | 0:38:38 | 0:38:40 | |
240, 260, 280, 300? | 0:38:40 | 0:38:45 | |
320? 320, 340, | 0:38:45 | 0:38:47 | |
360, 380, 400? | 0:38:47 | 0:38:50 | |
420, 440? | 0:38:50 | 0:38:52 | |
460? 480, 500? | 0:38:52 | 0:38:56 | |
520, 540? | 0:38:56 | 0:38:58 | |
560? Now at 540, bid at 540, madam, do you want to bid now? | 0:38:58 | 0:39:03 | |
Bid is at 540, yours if you want it. | 0:39:03 | 0:39:05 | |
Going to go once at 540, twice, and third time at 540, it's sold. | 0:39:05 | 0:39:09 | |
-Yes! -£540. | 0:39:09 | 0:39:12 | |
We were after £150 to £250 and you got £540 for it. | 0:39:12 | 0:39:18 | |
-Lovely. -What did I tell you? | 0:39:18 | 0:39:20 | |
Your positive energy has gone into the room. | 0:39:20 | 0:39:23 | |
We're on the way, Di, we're on the way. | 0:39:23 | 0:39:25 | |
Thanks to that telephone bidder, Diana's got herself | 0:39:25 | 0:39:28 | |
a fantastic sale. I think we really are back in the running, | 0:39:28 | 0:39:32 | |
or should that be cruising, for that trip to New York. | 0:39:32 | 0:39:35 | |
This auction has been quite the rollercoaster ride, | 0:39:35 | 0:39:37 | |
and our final lot seemed almost destined to stall before we'd even begun. | 0:39:37 | 0:39:41 | |
We now know it's not gold, | 0:39:41 | 0:39:42 | |
but I wonder if that ornate, Indian necklace, | 0:39:42 | 0:39:45 | |
which was a gift to Diana's mum from an Indian maharajah, | 0:39:45 | 0:39:48 | |
will enchant the bidders. Let's find out, shall we? | 0:39:48 | 0:39:51 | |
We're saying £40 to £60, who knows, | 0:39:52 | 0:39:55 | |
wouldn't it be great if it went for £300 to £500? | 0:39:55 | 0:39:57 | |
It would be a miracle. | 0:39:57 | 0:39:59 | |
Start me, £40 for it? | 0:39:59 | 0:40:02 | |
£40 for it, nice necklace? £30 for it? | 0:40:02 | 0:40:05 | |
Bid at £30, 32, 35? | 0:40:05 | 0:40:08 | |
35, 38? | 0:40:08 | 0:40:09 | |
38, 40? 42, | 0:40:09 | 0:40:11 | |
45, 48? | 0:40:11 | 0:40:13 | |
48, 50, 55. | 0:40:13 | 0:40:15 | |
60, 5, 70, 5, 80, 5, | 0:40:15 | 0:40:19 | |
90? 5, 100? 110? | 0:40:19 | 0:40:22 | |
120? 130? | 0:40:22 | 0:40:26 | |
120, bid at 120, the bid at 120, take 130, at 120, are we done? | 0:40:26 | 0:40:30 | |
Last chance, it's going to go at 120, the bid's there at 120. | 0:40:30 | 0:40:33 | |
-That's great news. -Great news, yes. | 0:40:33 | 0:40:35 | |
-Wow. -What's Jonty's address? | 0:40:35 | 0:40:38 | |
He's homeless at the moment I think. | 0:40:38 | 0:40:41 | |
I'm not surprised. | 0:40:41 | 0:40:42 | |
Well, I think Jonty's forgiven, | 0:40:44 | 0:40:46 | |
that's a much better result than we could have imagined, | 0:40:46 | 0:40:49 | |
and another very attractive amount to go into the cruising kitty. | 0:40:49 | 0:40:53 | |
After all's said and done, though, | 0:40:53 | 0:40:54 | |
just how much have Diana's varied selection of pieces managed to make? | 0:40:54 | 0:40:59 | |
Well, glamorous ladies, I can tell you that your work here is done. | 0:41:00 | 0:41:03 | |
We've had a few ups and downs, haven't we, it's fair to say. | 0:41:03 | 0:41:06 | |
You're hoping for £800 to take you on that cruise to New York. | 0:41:06 | 0:41:12 | |
You've actually raised £1191. | 0:41:12 | 0:41:17 | |
-Yay! -Wow, yippee! | 0:41:17 | 0:41:19 | |
One trip to New York. | 0:41:19 | 0:41:20 | |
And I must say, it's been lovely meeting you, | 0:41:20 | 0:41:22 | |
and it's been lovely meeting you as well. | 0:41:22 | 0:41:24 | |
-And very nice meeting you. -It's been a pleasure. -Absolutely. | 0:41:24 | 0:41:27 | |
I've had lots and lots of fun, | 0:41:27 | 0:41:28 | |
and you have a fantastic time in New York. | 0:41:28 | 0:41:31 | |
-Thank you very much. -Send me a postcard. | 0:41:31 | 0:41:32 | |
-We will. -Definitely. -OK. | 0:41:32 | 0:41:34 | |
Diana's voyage is a year away, | 0:41:40 | 0:41:41 | |
but she's so excited about her auction earnings, | 0:41:41 | 0:41:44 | |
that she couldn't resist popping down to Southampton with friend Joan, | 0:41:44 | 0:41:48 | |
to sample a taste of what's in store on the majestic Queen Mary II. | 0:41:48 | 0:41:51 | |
It's absolutely massive, I think, you know, | 0:41:51 | 0:41:53 | |
it's going to take me a week at least to find my way round to different places. | 0:41:53 | 0:41:57 | |
But it's gorgeous. | 0:41:57 | 0:41:59 | |
She's just the largest floating hotel that one can imagine. | 0:41:59 | 0:42:05 | |
But has their fact-finding mission been a success? | 0:42:05 | 0:42:10 | |
Absolutely, I can't wait, | 0:42:10 | 0:42:11 | |
so, next year, I just hope to be on here again, | 0:42:11 | 0:42:15 | |
we're looking forward to it very much indeed. | 0:42:15 | 0:42:17 | |
Well, I'm ecstatic that Diana's antique items have done so well for her, | 0:42:21 | 0:42:25 | |
and we wish her all the best on the high seas, I'm rather jealous. | 0:42:25 | 0:42:29 | |
If you want to raise money for something special, | 0:42:29 | 0:42:31 | |
and you think you've got the antiques scattered around your home, | 0:42:31 | 0:42:34 | |
then why not apply to be on our show? | 0:42:34 | 0:42:35 | |
Just fill out the form on our website. Good luck to you. | 0:42:35 | 0:42:39 | |
We'll see you next time on Cash In the Attic. | 0:42:39 | 0:42:41 | |
Subtitles by Red Bee Media Ltd | 0:42:48 | 0:42:51 |