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Welcome to Cash In The Attic. | 0:00:02 | 0:00:03 | |
This is the show that searches around your home | 0:00:03 | 0:00:05 | |
to find all those long forgotten antiques and collectables, | 0:00:05 | 0:00:08 | |
which we then take and sell at auction. | 0:00:08 | 0:00:10 | |
Today, I'm going to be meeting a family who've decided to trade in their antiques | 0:00:10 | 0:00:14 | |
so they can get some 21st-century entertainment. | 0:00:14 | 0:00:17 | |
Coming up... Has our expert, Jonty, | 0:00:38 | 0:00:41 | |
found a budding new talent in the world of antiques and collectables? | 0:00:41 | 0:00:44 | |
-Have you ever thought about going into the business? -No, not really. | 0:00:44 | 0:00:48 | |
I suggest you think about it carefully, | 0:00:48 | 0:00:50 | |
because that's exactly the same price | 0:00:50 | 0:00:52 | |
that I'm going to put on these aeroplanes. | 0:00:52 | 0:00:54 | |
There are some interesting suggestions on how to improve on a masterpiece. | 0:00:54 | 0:00:57 | |
What if I get my pencil and sign? | 0:00:57 | 0:01:00 | |
Yes, it's not as easy as that. If only! | 0:01:00 | 0:01:03 | |
And at auction, which of our lots exceeds everyone's expectations? | 0:01:03 | 0:01:08 | |
We'll start at £250. | 0:01:08 | 0:01:11 | |
-260, 270, 280, 290... -Find out when the hammer falls. | 0:01:11 | 0:01:14 | |
£380. | 0:01:14 | 0:01:16 | |
Today, I've come to Stratford-upon-Avon | 0:01:17 | 0:01:19 | |
to meet Arthur Saxby and his granddaughter, Natasha. | 0:01:19 | 0:01:24 | |
Retired company director Arthur | 0:01:24 | 0:01:26 | |
is a self-confessed Cash In The Attic fanatic | 0:01:26 | 0:01:29 | |
and has always been a keen collector of antiques. | 0:01:29 | 0:01:32 | |
Married to wife Meryl for 48 years, | 0:01:32 | 0:01:34 | |
the couple have two children and one grandchild - 10-year-old Natasha, | 0:01:34 | 0:01:39 | |
who's come along to help out on today's rummage. | 0:01:39 | 0:01:42 | |
Despite retirement, now in his 70s, Arthur's still very active. | 0:01:42 | 0:01:46 | |
A keen golfer, he's also a fan of aviation. | 0:01:46 | 0:01:49 | |
He's had a pilot's license in the 1980s | 0:01:49 | 0:01:51 | |
and even had his own aircraft until recently. | 0:01:51 | 0:01:54 | |
Today, I'm being assisted by antiques expert Jonty Hearnden, | 0:01:54 | 0:01:58 | |
whose 20 years plus expertise will be a great asset in our rummage. | 0:01:58 | 0:02:03 | |
Are you pleased with him? | 0:02:03 | 0:02:05 | |
-Good morning! -Oh, hello. | 0:02:05 | 0:02:07 | |
-Who's this? -It's a boy called Bubble. -Oh, what a great name! | 0:02:07 | 0:02:11 | |
Actually, he's very adventurous. | 0:02:11 | 0:02:13 | |
I thought tortoises didn't really do very much. | 0:02:13 | 0:02:15 | |
-Shouldn't he be hibernating? -Yeah. | 0:02:15 | 0:02:18 | |
He's starting the stages of hibernating, | 0:02:18 | 0:02:21 | |
so we had to give him a bath every night and we can't feed him. | 0:02:21 | 0:02:26 | |
-So, your grandad roped you into this, did he? -Yeah! | 0:02:26 | 0:02:29 | |
And do your like your grandpa's stuff, the antiques and bits? | 0:02:29 | 0:02:33 | |
I like the aeroplanes. | 0:02:33 | 0:02:34 | |
Now obviously you've called us in, | 0:02:34 | 0:02:36 | |
and what is it you want to raise the money for? | 0:02:36 | 0:02:39 | |
I was going to buy some more antiques, | 0:02:39 | 0:02:41 | |
but the family ganged up on me and wanted to buy a 3D television. | 0:02:41 | 0:02:46 | |
Oh, us in 3D? No, I don't like the sound of that at all! | 0:02:46 | 0:02:49 | |
So what sort of money are we talking about here? | 0:02:49 | 0:02:51 | |
I'd like to raise as much as I can, | 0:02:51 | 0:02:54 | |
maybe up towards £1,000 would be nice. | 0:02:54 | 0:02:56 | |
Are you happy for Jonty to go into the house and start? | 0:02:56 | 0:02:59 | |
-Yeah, yeah, please. -Rolling up my sleeves already. -OK. | 0:02:59 | 0:03:02 | |
What sort of things have you decided to sell to raise this money? | 0:03:02 | 0:03:06 | |
There's a variety of things. I mean, stuff we've collected over the years | 0:03:06 | 0:03:09 | |
and we just thought we'll get rid of them anyway. | 0:03:09 | 0:03:12 | |
That'll be interesting. Maybe Jonty will be able to tell us | 0:03:12 | 0:03:15 | |
-more about them and where they've come from. -Yeah. | 0:03:15 | 0:03:18 | |
-What are we going to do with him? -We'll put him in here, shall we? -OK. | 0:03:18 | 0:03:21 | |
So he's coming on the rummage too? Excellent. | 0:03:21 | 0:03:23 | |
-No, he's going to go to sleep now. -Oh, is he? | 0:03:23 | 0:03:25 | |
Lucky Bubbles. There's no shut-eye for the rest of us though | 0:03:25 | 0:03:29 | |
and with £1,000 to find, let's hope Jonty's made a useful start. | 0:03:29 | 0:03:34 | |
-Jonty, there you are. -Hi, guys. -Oh, you found a Lowry! | 0:03:34 | 0:03:37 | |
Oh, yes. Oh, yes! What's the story behind this? | 0:03:37 | 0:03:41 | |
We bought it when we first moved to Stratford, | 0:03:41 | 0:03:43 | |
went down to the local art gallery and liked it, | 0:03:43 | 0:03:47 | |
so we bought one of them. | 0:03:47 | 0:03:49 | |
How long ago was it that you purchased this? | 0:03:49 | 0:03:52 | |
Oh, it must have been in the middle '70s. | 0:03:52 | 0:03:54 | |
And what sort of money did you pay, can you remember? | 0:03:54 | 0:03:57 | |
-I think it was £50. -That is a lot of money, isn't it, in the '70s? | 0:03:57 | 0:03:59 | |
Yes, yes. Well, first of all, it's a limited edition print, | 0:03:59 | 0:04:05 | |
I'm sure you're aware of that. | 0:04:05 | 0:04:07 | |
You can tell that by looking here, in the bottom left-hand corner. | 0:04:07 | 0:04:10 | |
Here we have a run of 850 prints | 0:04:10 | 0:04:13 | |
and this is the 519th version of the print. | 0:04:13 | 0:04:17 | |
A lot of his limited edition prints were signed by him, often in pencil, | 0:04:17 | 0:04:22 | |
but I can't see one, which is a little disappointing, I have to say, | 0:04:22 | 0:04:26 | |
because it would certainly now give this picture | 0:04:26 | 0:04:28 | |
-an awful lot of added value. -Oh, right. | 0:04:28 | 0:04:31 | |
What I find quite interesting is here we are in Stratford-upon-Avon, | 0:04:31 | 0:04:34 | |
but LS Lowry was born in Stratford, Lancashire. | 0:04:34 | 0:04:39 | |
All of his scenes or many of his scenes were inspired by the life that he led there, | 0:04:39 | 0:04:44 | |
all the people and the places around him in Salford and Pendlebury, | 0:04:44 | 0:04:47 | |
in the Manchester surrounding conurbation, where all of a sudden, | 0:04:47 | 0:04:52 | |
the scenes were fantastically industrial, | 0:04:52 | 0:04:56 | |
which inspired him to paint all these pictures that as you come into the room, | 0:04:56 | 0:05:02 | |
you instantly can recognise this as a Lowry. | 0:05:02 | 0:05:04 | |
And here, we can see at the back, just faintly | 0:05:04 | 0:05:08 | |
right in the background, all those industrial chimneys. | 0:05:08 | 0:05:11 | |
What about selling it? | 0:05:11 | 0:05:14 | |
Well, we didn't really think about selling it but, you know, depends, I suppose. | 0:05:14 | 0:05:18 | |
-First of all, we don't have the signature. -No. | 0:05:18 | 0:05:21 | |
The actual print itself has lost a bit of colour. | 0:05:21 | 0:05:24 | |
The definition is not quite as sharp as it probably was once upon a time. | 0:05:24 | 0:05:29 | |
So, value at auction at the moment for this print, £30-£50. | 0:05:29 | 0:05:34 | |
How do you feel about selling it for that sort of valuation? | 0:05:34 | 0:05:38 | |
Well, I wish it was original! | 0:05:38 | 0:05:40 | |
At that price, I don't know - we might have to consider. | 0:05:40 | 0:05:45 | |
What if I get my pencil and sign...? | 0:05:45 | 0:05:47 | |
Yes, it's not as easy as that. If only! | 0:05:47 | 0:05:51 | |
So, we'll have to wait and see if Arthur decides to give up the Lowry | 0:05:51 | 0:05:55 | |
to go towards another style of visual entertainment | 0:05:55 | 0:05:57 | |
in the form of that 3D television. | 0:05:57 | 0:06:00 | |
Fortunately, there are plenty more treasures round this house | 0:06:00 | 0:06:04 | |
and it's not long before Arthur offers up a pair of Japanese Satsuma vases. | 0:06:04 | 0:06:09 | |
They're early 20th century and he bought them many years ago | 0:06:09 | 0:06:11 | |
from an antiques store for £90. | 0:06:11 | 0:06:14 | |
Jonty estimates them at £40-£60, to tempt the buyers. | 0:06:14 | 0:06:18 | |
While Arthur's been in the kitchen, | 0:06:18 | 0:06:20 | |
Natasha's been rummaging around in the dining room. | 0:06:20 | 0:06:24 | |
What are you looking at there, Natasha? | 0:06:24 | 0:06:26 | |
Well, these are some old planes | 0:06:26 | 0:06:29 | |
that my grandad bought at auctions over the years. | 0:06:29 | 0:06:33 | |
He's been collecting them for as long as I can remember | 0:06:33 | 0:06:36 | |
and they've been in that drawer. | 0:06:36 | 0:06:38 | |
-OK, so he's a bit of an aeroplane enthusiast, is he? -Yeah. | 0:06:38 | 0:06:41 | |
Now, let's have a look at them, because a lot of these look as if | 0:06:41 | 0:06:45 | |
they are made by a company called Dinky. | 0:06:45 | 0:06:47 | |
-Have you heard of Dinky Toys before? -No, no. | 0:06:47 | 0:06:50 | |
That's not surprising, because Dinky stopped producing toys in the 1980s. | 0:06:50 | 0:06:54 | |
They first started before the Second World War, in the 1930s. | 0:06:54 | 0:06:59 | |
Can you see, it says on the underside there, "Dinky Toys" and this is the "Comet." | 0:06:59 | 0:07:03 | |
If we have a look at this one, | 0:07:03 | 0:07:05 | |
which is later than the Second World War, | 0:07:05 | 0:07:08 | |
this one here is the "Lightning," so based on the Lightning aeroplane. | 0:07:08 | 0:07:12 | |
Look at that for a fighter. | 0:07:12 | 0:07:15 | |
If I look at this box, this looks very interesting indeed. | 0:07:15 | 0:07:19 | |
Oh, yes! We've got this lovely plane on the inside there. | 0:07:19 | 0:07:22 | |
-This is the King's aeroplane. Can you see that one? -Yes. | 0:07:22 | 0:07:25 | |
This was actually made before the Second World War. | 0:07:25 | 0:07:28 | |
This was made in 1938, all the way through to 1941. | 0:07:28 | 0:07:32 | |
That is a very special little plane, that one, | 0:07:32 | 0:07:35 | |
and it's in its original box. | 0:07:35 | 0:07:37 | |
Collectors like that, so that's very good news. | 0:07:37 | 0:07:40 | |
These are die-cast toys by Dinky, very collectable | 0:07:40 | 0:07:44 | |
-Can you see that some of these aeroplanes are in pretty poor condition? -Yeah. | 0:07:44 | 0:07:48 | |
Have a look at that one. | 0:07:48 | 0:07:50 | |
-That almost looks like a Dalmatian aeroplane, doesn't it? -Yeah. | 0:07:50 | 0:07:53 | |
Can we sell this little collection now, do you think? | 0:07:53 | 0:07:56 | |
I'm sure that would be fine to sell them, yeah. | 0:07:56 | 0:07:58 | |
If you were to put your antiques valuation hat on for a moment, | 0:07:58 | 0:08:02 | |
what sort of price would you put on this collection? | 0:08:02 | 0:08:05 | |
-I'm not sure. There's quite a lot, so probably about £70. -About £70? | 0:08:05 | 0:08:10 | |
-Yeah. -Really? You think £70? OK. | 0:08:10 | 0:08:13 | |
-Have you ever thought about going into the business? -No, not really. | 0:08:13 | 0:08:16 | |
Well I suggest you should think about it carefully, because that's exactly the same price | 0:08:16 | 0:08:20 | |
that I'm going to put on these aeroplanes. | 0:08:20 | 0:08:22 | |
I'm going to put £70-£100 on these. | 0:08:22 | 0:08:24 | |
And a budding career ahead of you, quite possibly. | 0:08:24 | 0:08:27 | |
-Yeah. -How wonderful! Great, excellent. | 0:08:27 | 0:08:30 | |
Well, we'll leave those there | 0:08:30 | 0:08:32 | |
and let's go and find some more bits and pieces. | 0:08:32 | 0:08:34 | |
Well, with Natasha making such accurate estimates, | 0:08:36 | 0:08:40 | |
I think you may be surplus to requirements, Jonty! | 0:08:40 | 0:08:42 | |
As we continue our search, | 0:08:42 | 0:08:44 | |
I discover this sizeable piece in the hallway. | 0:08:44 | 0:08:46 | |
It's a 19th-century brass chestnut roaster | 0:08:46 | 0:08:49 | |
that Arthur says he bought years ago. | 0:08:49 | 0:08:52 | |
With a £40-£60 evaluation, | 0:08:52 | 0:08:53 | |
even if you had no plans to roast chestnuts, | 0:08:53 | 0:08:56 | |
this would still make a very fetching decoration. | 0:08:56 | 0:08:59 | |
While we leave Jonty to carry on the good work, | 0:09:00 | 0:09:03 | |
I'm going to find out a little bit more | 0:09:03 | 0:09:05 | |
about our host's very impressive hobby. | 0:09:05 | 0:09:08 | |
So, Natasha, you must be one of the few people | 0:09:09 | 0:09:12 | |
-who've got a grandad who can fly a plane. -Yeah. | 0:09:12 | 0:09:14 | |
So, how did you go about learning to fly? | 0:09:14 | 0:09:17 | |
I think I've always wanted to fly, ever since a boy. | 0:09:17 | 0:09:19 | |
I've always been interested in aeroplanes. | 0:09:19 | 0:09:22 | |
I used to make models and all that. | 0:09:22 | 0:09:25 | |
In the early days, I couldn't afford it | 0:09:25 | 0:09:27 | |
but eventually, I thought, if I'm going to do it, I've got to do it | 0:09:27 | 0:09:30 | |
and it was about the mid-'80s, I think. | 0:09:30 | 0:09:34 | |
What was it like, that very first flight, | 0:09:34 | 0:09:37 | |
when you took off on your own? | 0:09:37 | 0:09:39 | |
You're OK until the instructor jumps out and he says, | 0:09:39 | 0:09:42 | |
"OK, off you go." | 0:09:42 | 0:09:44 | |
So you call up the control tower and give them all the instructions, | 0:09:44 | 0:09:49 | |
taxi round and suddenly, just as the aeroplane leaves the ground | 0:09:49 | 0:09:54 | |
you think, "Oh, my God, I've got to get this thing down again!" | 0:09:54 | 0:09:57 | |
I probably made the best landing I've ever made in my life. | 0:09:57 | 0:10:01 | |
I have to say, I'm slightly perturbed. | 0:10:01 | 0:10:04 | |
What is the broken propeller about, then? | 0:10:04 | 0:10:07 | |
A friend and I were flying | 0:10:07 | 0:10:08 | |
and there was lots and lots of heavy showers around. | 0:10:08 | 0:10:11 | |
When you're in the air and you can see these showers - | 0:10:11 | 0:10:13 | |
they're like columns of water coming down. | 0:10:13 | 0:10:15 | |
So you can fly around, no problem. | 0:10:15 | 0:10:17 | |
Got back to the airfields and the runway was flooded and fortunately, they had a grass strip as well. | 0:10:17 | 0:10:22 | |
I thought, "I'm not going through all those puddles, I'll land on the grass." | 0:10:22 | 0:10:26 | |
Rain lashed down, I couldn't see. | 0:10:26 | 0:10:28 | |
I thought, "Too late, I'm going to have to go down." | 0:10:28 | 0:10:32 | |
So I got it down, but the grass was wet and I couldn't stop the aeroplane. | 0:10:32 | 0:10:35 | |
I let it run to the end and we hit a soft bit. | 0:10:35 | 0:10:39 | |
Just as we'd almost stopped, | 0:10:39 | 0:10:42 | |
the aeroplane nicely just turned over and stuck its propeller in. | 0:10:42 | 0:10:46 | |
That's a reminder of one of the times I walked away. | 0:10:46 | 0:10:50 | |
Would you like to take Natasha out on the plane? | 0:10:50 | 0:10:53 | |
I'd love to. We'll definitely go and have a fly around, yeah? | 0:10:53 | 0:10:56 | |
Is there anywhere in particular you'd like him to take you? | 0:10:56 | 0:11:00 | |
Not in particular, no. | 0:11:00 | 0:11:01 | |
I'd just like to go up and try flying in an aeroplane. | 0:11:01 | 0:11:05 | |
Let's hope you get the chance to do that and that when you go up, | 0:11:05 | 0:11:09 | |
you don't end up with a propeller looking like that! | 0:11:09 | 0:11:13 | |
Well, it's time we were getting back to our search for items | 0:11:13 | 0:11:15 | |
around Arthur's home that we can take to auction | 0:11:15 | 0:11:19 | |
to raise £1,000 for that state-of-the-art 3D television. | 0:11:19 | 0:11:23 | |
Natasha spotted these pieces of silver in grandad's bedroom that Arthur accumulated over the years. | 0:11:23 | 0:11:28 | |
Jonty gives the collection a sterling £80-£120 estimate. | 0:11:28 | 0:11:33 | |
And Jonty's discovered some more treasure | 0:11:33 | 0:11:35 | |
that may prove to be very promising. | 0:11:35 | 0:11:38 | |
-All sorts of goodies here. -Where did you dig those out from? | 0:11:38 | 0:11:41 | |
From the trunk just down on the floor there. | 0:11:41 | 0:11:43 | |
Oh, crikey. I'd forgotten they were there. | 0:11:43 | 0:11:46 | |
Is this family items, or stuff you've purposely collected? | 0:11:46 | 0:11:49 | |
It started off by people who'd been in the services. | 0:11:49 | 0:11:54 | |
I used to ask whether they had a badge, if they'd give me one, | 0:11:54 | 0:11:57 | |
and gradually, it sort of built up. | 0:11:57 | 0:11:59 | |
Some of them I bought, some of them, from friends and things. | 0:11:59 | 0:12:03 | |
-Quite a number of them are pre-1914. -How exciting. | 0:12:03 | 0:12:07 | |
I love these, I think they're beautiful. | 0:12:07 | 0:12:09 | |
The detail's quite exquisite. | 0:12:09 | 0:12:11 | |
When you look at that acorn and the oak leaves, it's fantastic. | 0:12:11 | 0:12:15 | |
-Did you frame this up yourself? -Yeah, I did that. | 0:12:15 | 0:12:17 | |
-Right, that looks really nice like that. -These are great. | 0:12:17 | 0:12:20 | |
Tell me about the King's Own, for instance, where was that from? | 0:12:20 | 0:12:23 | |
Well, I think that was from a guy who served in the King's Own, | 0:12:23 | 0:12:26 | |
that I, many years ago I think, trapped at my old golf club at Oxford. | 0:12:26 | 0:12:30 | |
That's a regiment that started in 1680 | 0:12:30 | 0:12:33 | |
and the reason why they have the English lion | 0:12:33 | 0:12:37 | |
is because when William III came to Britain for the first time, | 0:12:37 | 0:12:41 | |
he landed in Torbay of all places. | 0:12:41 | 0:12:44 | |
They were the first regiment to properly recognise him. | 0:12:44 | 0:12:48 | |
So from that moment on, they were allowed to use the English lion. | 0:12:48 | 0:12:53 | |
I notice we've got two iron crosses as well. | 0:12:53 | 0:12:56 | |
Well, I didn't win them! | 0:12:56 | 0:12:58 | |
They came from one of Meryl's uncles and when he died, | 0:12:58 | 0:13:03 | |
we were rummaging through the drawers and we found a couple of these. | 0:13:03 | 0:13:07 | |
I don't know where they came from. | 0:13:07 | 0:13:09 | |
And of course we know they were used in both world wars, | 0:13:09 | 0:13:11 | |
in the First World War and the Second World War. | 0:13:11 | 0:13:14 | |
You obviously started off getting some together | 0:13:14 | 0:13:17 | |
and framing them like this but haven't quite finished. | 0:13:17 | 0:13:19 | |
Is this something you're thinking of selling now, | 0:13:19 | 0:13:22 | |
or do you want to complete the framing of these items? | 0:13:22 | 0:13:24 | |
Well, I have planned to get them all mounted like that. | 0:13:24 | 0:13:28 | |
Certainly, the pre-1914 ones | 0:13:28 | 0:13:31 | |
but I think now, they just take up space | 0:13:31 | 0:13:34 | |
so perhaps we could, if they've brought a reasonable price? | 0:13:34 | 0:13:37 | |
So Jonty, how are we going to sell this then - | 0:13:37 | 0:13:40 | |
all as one lot, or separate it out? | 0:13:40 | 0:13:42 | |
Probably the badges will be sold separately to the medals. | 0:13:42 | 0:13:46 | |
We're probably looking at two lots here in the auction sale. | 0:13:46 | 0:13:49 | |
-We're looking at very easily £100, probably quite easily £200. -Really? | 0:13:49 | 0:13:56 | |
Oh, well, then they'd definitely be worth selling, I think. | 0:13:56 | 0:13:59 | |
These are very exciting because collecting anything to do with | 0:13:59 | 0:14:02 | |
militaria interest at the moment seems to be a mushrooming business. | 0:14:02 | 0:14:07 | |
This certainly sounds like a promising find. | 0:14:07 | 0:14:10 | |
Let's hope it excites the bidders when it goes under the hammer. | 0:14:10 | 0:14:14 | |
Will Arthur's militarily collection | 0:14:14 | 0:14:16 | |
prove a victory for all of us at auction? | 0:14:16 | 0:14:18 | |
All will be revealed... | 0:14:18 | 0:14:20 | |
And sold. | 0:14:20 | 0:14:22 | |
Natasha's come up trumps again in our rummage | 0:14:22 | 0:14:25 | |
as she's just discovered this very fetching timepiece. | 0:14:25 | 0:14:29 | |
It's a 1950s Omega wristwatch and it's in good working order. | 0:14:29 | 0:14:33 | |
Arthur brought it back while he was doing his national service in Singapore in 1957 | 0:14:33 | 0:14:38 | |
and Jonty reckons it should fetch £40-£60 at auction. | 0:14:38 | 0:14:43 | |
Just have a look at this, would you? | 0:14:43 | 0:14:45 | |
I don't know whether it's worth anything | 0:14:45 | 0:14:47 | |
or whether it could be useful, what do you think? | 0:14:47 | 0:14:49 | |
What I find quite interesting is here we have a wash stand | 0:14:49 | 0:14:52 | |
which is a bedroom piece of furniture. | 0:14:52 | 0:14:54 | |
You've got it in a sitting room space and it still looks very comfortable, really very nice. | 0:14:54 | 0:14:58 | |
This is Georgian, a Georgian corner mahogany wash stand. | 0:14:58 | 0:15:02 | |
Very simple style, these square legs, | 0:15:02 | 0:15:05 | |
but they splay nice and delicately down at the foot. | 0:15:05 | 0:15:08 | |
You get that with Georgian chests of drawers of the same period, the foot just tends to splay out. | 0:15:08 | 0:15:13 | |
This is very much George III, | 0:15:13 | 0:15:16 | |
this is more 18th-century than early 19th-century. | 0:15:16 | 0:15:19 | |
Underneath here should be, if you put your hand right underneath, | 0:15:19 | 0:15:22 | |
can you feel that there's a hole there? | 0:15:22 | 0:15:25 | |
That's where the basin would have sat, | 0:15:25 | 0:15:28 | |
so this top is a false top. This has been placed there at a later date. | 0:15:28 | 0:15:32 | |
If you look further on down, you have another ring. | 0:15:32 | 0:15:35 | |
That ring there was designed right at the bottom for the jug. | 0:15:35 | 0:15:38 | |
-Oh, right. -So, how long have you had it? | 0:15:38 | 0:15:40 | |
A lot of years, actually. | 0:15:40 | 0:15:43 | |
We bought its when we first moved to Stratford from an antiques shop. | 0:15:43 | 0:15:49 | |
Yes. Are you thinking of selling it now? | 0:15:49 | 0:15:53 | |
Well, I suppose we could do. | 0:15:53 | 0:15:55 | |
It's just cluttering up the corner, isn't it? | 0:15:55 | 0:15:58 | |
Well, I think it looks great in your corner here. | 0:15:58 | 0:16:02 | |
Price at auction at the moment is £70-£100. | 0:16:02 | 0:16:05 | |
Oh, we paid more than that at the time, I remember. | 0:16:05 | 0:16:10 | |
It's very interesting, | 0:16:10 | 0:16:12 | |
because not so long ago these were very expensive items. | 0:16:12 | 0:16:15 | |
I remember I would have sold items like this for a lot more | 0:16:15 | 0:16:18 | |
but prices of these sorts of pieces of furniture have really fallen, | 0:16:18 | 0:16:22 | |
so they have to be priced at the right sort of level. | 0:16:22 | 0:16:25 | |
Lovely little piece. Come on, then. | 0:16:25 | 0:16:27 | |
We're well into our rummage here at Arthur's home | 0:16:27 | 0:16:29 | |
and by Jonty's estimate, | 0:16:29 | 0:16:33 | |
so far we've raised £440 towards that £1,000 target, | 0:16:33 | 0:16:37 | |
and that's excluding Arthur's Lowry, | 0:16:37 | 0:16:39 | |
which he may not be taking to auction. | 0:16:39 | 0:16:41 | |
Out kitty's given a very timely boost | 0:16:43 | 0:16:45 | |
when our expert discovers this late 19th-century carriage clock. | 0:16:45 | 0:16:48 | |
Arthur picked it up at a charity auction for £37 | 0:16:48 | 0:16:52 | |
and Jonty's valued it at £100-£150. What a result! | 0:16:52 | 0:16:56 | |
I know you're very into antiques. | 0:16:56 | 0:16:58 | |
When were you first aware that you had an interest in that area? | 0:16:58 | 0:17:02 | |
Probably because I am an antique, actually! | 0:17:02 | 0:17:06 | |
I don't know. | 0:17:06 | 0:17:07 | |
Being brought up the way I was, we always had antiques at home | 0:17:07 | 0:17:11 | |
and those sort of things were handcrafted. | 0:17:11 | 0:17:15 | |
None of this modern machinery. | 0:17:15 | 0:17:18 | |
There was a lot of work and effort went into them | 0:17:18 | 0:17:20 | |
and they were really made beautifully. | 0:17:20 | 0:17:22 | |
Some of the antique furniture which fetches nothing nowadays, | 0:17:22 | 0:17:26 | |
the workmanship in it is wonderful. | 0:17:26 | 0:17:30 | |
So what does your wife think of the antiques? | 0:17:30 | 0:17:32 | |
Oh, she likes antiques, she does, yeah. We go to auctions together. | 0:17:32 | 0:17:37 | |
Not as much as we used to, but we still enjoy going. | 0:17:37 | 0:17:41 | |
Are you looking forward to the auction we'll be going to? | 0:17:41 | 0:17:45 | |
Oh, absolutely! | 0:17:45 | 0:17:46 | |
Particularly if they make the top end of Jonty's estimates, we'll be delighted. | 0:17:46 | 0:17:52 | |
Arthur's love of antiques clearly is apparent | 0:17:52 | 0:17:55 | |
and Jonty soon finds a 19th-century Davenport tureen with plate. | 0:17:55 | 0:18:00 | |
Arthur bought it several years ago at a farm auction | 0:18:00 | 0:18:02 | |
for somewhere between £20-£50. | 0:18:02 | 0:18:04 | |
The lid's missing but Jonty thinks in today's market, | 0:18:04 | 0:18:08 | |
it could make £50-£80. | 0:18:08 | 0:18:10 | |
Jonty! | 0:18:12 | 0:18:14 | |
What a handsome wall clock. How long have you had it? | 0:18:15 | 0:18:18 | |
We've had it for quite a while. It's travelled around with us. | 0:18:18 | 0:18:22 | |
It's a well-travelled clock - been all around the country, actually. | 0:18:22 | 0:18:25 | |
So this is not the only wall it's hung on? | 0:18:25 | 0:18:27 | |
No, no, it's hung on many walls in Scotland and Oxford and Stratford. | 0:18:27 | 0:18:33 | |
Well generically, these clocks are known as Viennese wall clocks, | 0:18:33 | 0:18:36 | |
Vienna wall clocks, and of course they're made there as well, | 0:18:36 | 0:18:39 | |
so it is a well-travelled clock. | 0:18:39 | 0:18:42 | |
They are all of this very particular style. | 0:18:42 | 0:18:46 | |
You have the large pendulum and of course, the exposed weight, | 0:18:46 | 0:18:49 | |
which reduces as the clock is unwound. | 0:18:49 | 0:18:52 | |
Then you have the glass not only to the front, | 0:18:52 | 0:18:55 | |
but to the sides and the case here is walnut. | 0:18:55 | 0:18:58 | |
It's been with us a long time, but I don't know when it originated. | 0:18:58 | 0:19:02 | |
Date-wise, these clocks tend to be late 19th century, so 1880, 1890. | 0:19:02 | 0:19:07 | |
They did go through into the 20th century, | 0:19:07 | 0:19:10 | |
but the First World War put an end to all of that. | 0:19:10 | 0:19:12 | |
-So, does it work? -It does indeed, yes. | 0:19:12 | 0:19:15 | |
What about selling it? | 0:19:15 | 0:19:16 | |
It's been in the family a long time and it longs to my wife really, | 0:19:16 | 0:19:20 | |
so I suppose I've got to ask her permission. | 0:19:20 | 0:19:23 | |
We were thinking of selling it, so, yeah. | 0:19:23 | 0:19:26 | |
Well, I noticed that there's a really large crack down the side of the cabinet here. | 0:19:26 | 0:19:30 | |
-I don't know if you ever noticed that? -No. | 0:19:30 | 0:19:32 | |
And also, because I'm being a bit picky here, | 0:19:32 | 0:19:34 | |
I noticed that there's damage to the weight. What happened there? | 0:19:34 | 0:19:38 | |
It fell off at one time, I think, and it's all bent at this end here. | 0:19:38 | 0:19:42 | |
We had to have it repaired. | 0:19:42 | 0:19:44 | |
I also notice we've got a finial in the base of the cabinet. | 0:19:44 | 0:19:48 | |
-Yeah, a finial down here. -So, we're missing a finial. | 0:19:48 | 0:19:51 | |
So if a clock like this was in tip-top condition, | 0:19:51 | 0:19:55 | |
auction estimate would be £200-£300, | 0:19:55 | 0:19:57 | |
but because we've got that bit of damage there, | 0:19:57 | 0:20:00 | |
that's got to be taken into consideration, so £150-£200. | 0:20:00 | 0:20:04 | |
-As much as that? -Are you happy about that? -Yes, I am indeed. | 0:20:04 | 0:20:08 | |
-I didn't think it was worth that. -Well, talk to the boss. | 0:20:08 | 0:20:10 | |
Definitely. I think at that price, she'll probably agree. | 0:20:10 | 0:20:15 | |
We're nearing the end of our day so we better have one last look around to see what else we can discover. | 0:20:15 | 0:20:19 | |
Wow, Natasha, what have you got there? | 0:20:19 | 0:20:21 | |
-Shall we go and find Jonty and see what he has to say? -Yeah. | 0:20:21 | 0:20:25 | |
Come on, then. You can show him. | 0:20:25 | 0:20:27 | |
Oh, I say, look at that! A proper lady's dress ring. | 0:20:29 | 0:20:32 | |
Let me get my glass out. | 0:20:32 | 0:20:36 | |
So Natasha, where did this come from. Do you know? | 0:20:36 | 0:20:39 | |
Well, it belongs to my grandma, | 0:20:39 | 0:20:41 | |
but she got it from one of her older aunties. | 0:20:41 | 0:20:45 | |
Right, OK. And have you ever seen grandma wear it? | 0:20:45 | 0:20:47 | |
No, she hasn't worn it for a long time. | 0:20:47 | 0:20:50 | |
-Which I think is probably why it can be sold. -OK. | 0:20:50 | 0:20:53 | |
That's very interesting - the hallmarks are very, very clear, | 0:20:53 | 0:20:56 | |
which means that this ring probably hasn't been worn very much at all. | 0:20:56 | 0:21:00 | |
But the good news, the ring itself is 18 carat gold. | 0:21:00 | 0:21:03 | |
That's good, 18 carat. That's what we like to hear. | 0:21:03 | 0:21:06 | |
And do you see the blue stone in the middle there, | 0:21:06 | 0:21:09 | |
that oval-shaped lozenge-shaped stone? | 0:21:09 | 0:21:11 | |
That's a blue sapphire | 0:21:11 | 0:21:14 | |
and surrounding it are 10 tiny inset diamonds. | 0:21:14 | 0:21:17 | |
So, a lady's dress ring of the highest calibre. | 0:21:17 | 0:21:22 | |
-Is it something you think you might wear when you get older? -No, not really. -No? | 0:21:22 | 0:21:26 | |
So we see here, we've got a light blue sapphire stone there. | 0:21:26 | 0:21:30 | |
Can you see how pale that is? Sapphires come in different shades. | 0:21:30 | 0:21:34 | |
They also come in different colours as well - | 0:21:34 | 0:21:37 | |
you can have pinks, you can have orange sapphires. | 0:21:37 | 0:21:39 | |
A lot of sapphires that are produced or come from the mines | 0:21:39 | 0:21:42 | |
aren't as clear as they really should be. | 0:21:42 | 0:21:44 | |
Those sapphires have more often than not been put through a kiln | 0:21:44 | 0:21:49 | |
to a temperature of 3,000 degrees to improve their colour. | 0:21:49 | 0:21:53 | |
So Jonty, when it comes to sapphire stones, | 0:21:53 | 0:21:56 | |
is it better to have the deeper blue or a lighter blue? | 0:21:56 | 0:21:59 | |
The better the colour is the more intensity of colour, really. | 0:21:59 | 0:22:03 | |
But I have to say, I quite like the subtlety of that as well. | 0:22:03 | 0:22:05 | |
So value, we're looking at a ring on the open market | 0:22:05 | 0:22:09 | |
should be £200-£300. | 0:22:09 | 0:22:11 | |
-So it's quite a good valuation, isn't it? -I think it's really good. | 0:22:11 | 0:22:14 | |
-I didn't expect that for it, really. -Well spotted! | 0:22:14 | 0:22:18 | |
Shall we get your grandpa in and tell him how much we've made overall? | 0:22:18 | 0:22:21 | |
-Arthur, are you there? -I am. -Come through. | 0:22:21 | 0:22:24 | |
What have you found now? | 0:22:24 | 0:22:25 | |
Well, Natasha's found a very nice ring with a very nice price. | 0:22:25 | 0:22:28 | |
-Isn't that lovely? -£200-£300, no less. | 0:22:28 | 0:22:31 | |
-Really? -Yes, yeah. And if the ladies of the house don't mind it going to auction? | 0:22:31 | 0:22:35 | |
I couldn't really see you wearing it. | 0:22:35 | 0:22:37 | |
You wanted £1,000 towards the 3D television, didn't you? | 0:22:37 | 0:22:40 | |
-Do you think we've got anything near that amount? -Not quite. | 0:22:40 | 0:22:44 | |
Well, you're quite near. We've actually raised a value of £940. | 0:22:44 | 0:22:50 | |
Very good, yeah! I'm surprised at that. | 0:22:50 | 0:22:54 | |
Without the Lowry. | 0:22:54 | 0:22:55 | |
If you decide to take the Lowry, it'll top it up a little bit more. | 0:22:55 | 0:22:59 | |
And remember, that's my lowest estimates as well, | 0:22:59 | 0:23:02 | |
so we could be talking a lot more than that, hopefully. | 0:23:02 | 0:23:05 | |
Well, I'll hold you to that, Jonty! | 0:23:05 | 0:23:09 | |
So, we're not far off Arthur's original target | 0:23:09 | 0:23:12 | |
and if the right bidders are there on the day, | 0:23:12 | 0:23:16 | |
there's every chance we may make the £1,000. | 0:23:16 | 0:23:18 | |
Amongst today's finds, | 0:23:18 | 0:23:19 | |
there's a very regal-looking 19th-century carriage clock. | 0:23:19 | 0:23:22 | |
Jonty thinks that could fetch £100-£150. | 0:23:22 | 0:23:27 | |
With a value of £70-£100, | 0:23:27 | 0:23:28 | |
there's Arthur's collection of Dinky and Matchbox aeroplanes. | 0:23:28 | 0:23:32 | |
Collected over the years, | 0:23:32 | 0:23:34 | |
they represent a lifelong love of all things aviation. | 0:23:34 | 0:23:37 | |
And let's not forget the collection of military cap badges and medals, | 0:23:37 | 0:23:41 | |
including two German iron crosses. | 0:23:41 | 0:23:43 | |
This assortment could make £100-£200. | 0:23:43 | 0:23:46 | |
Still to come... | 0:23:49 | 0:23:51 | |
Find out which of our lots receives a tepid response of the auction. | 0:23:51 | 0:23:55 | |
Do you wish you'd kept it now | 0:23:55 | 0:23:56 | |
for the chestnut club at the golf course? | 0:23:56 | 0:23:58 | |
Probably would have been better. | 0:23:58 | 0:24:00 | |
And one bidding war proves the sky's the limit. | 0:24:00 | 0:24:03 | |
Are we all done? And sold. | 0:24:03 | 0:24:06 | |
That's a lot of money for those, isn't it? | 0:24:06 | 0:24:08 | |
-They really took off! -Really did. | 0:24:08 | 0:24:10 | |
Be there for the final drop of the gavel. | 0:24:10 | 0:24:13 | |
It's been a few weeks since we visited | 0:24:18 | 0:24:20 | |
Arthur and his granddaughter Natasha at his home in Stratford-upon-Avon. | 0:24:20 | 0:24:24 | |
We found plenty of antiques and collectables that we've brought here | 0:24:24 | 0:24:27 | |
to Cuttlestones Auction Room. | 0:24:27 | 0:24:29 | |
Remember, Arthur would like to raise £1,000 towards a 3D television. | 0:24:29 | 0:24:34 | |
Let's just hope that today, | 0:24:34 | 0:24:36 | |
his antiques bring the auction house to a different dimension. | 0:24:36 | 0:24:39 | |
Cuttlestones Auction Rooms have a variety of antiques and collectables on offer here to day. | 0:24:41 | 0:24:45 | |
Let's hope Arthur's lots are in good company and pique the bidders' interest. | 0:24:45 | 0:24:52 | |
-Morning, Arthur. -Oh, hello. -Nice to see you. | 0:24:52 | 0:24:57 | |
-And are you looking forward to today? -Yeah, it'll be nice, yeah. | 0:24:57 | 0:25:00 | |
-And is there anything you haven't brought? -Yeah, the Lowry. | 0:25:00 | 0:25:04 | |
-Jonty was a bit miserable on the estimate. -So it's all my fault. | 0:25:04 | 0:25:09 | |
It's all your fault. | 0:25:09 | 0:25:11 | |
To be fair to Jonty, | 0:25:11 | 0:25:12 | |
he was just trying to be realistic with his estimate. | 0:25:12 | 0:25:15 | |
With the Lowry out of the picture, | 0:25:15 | 0:25:17 | |
we're £30 further away from our target, | 0:25:17 | 0:25:19 | |
but Arthur's got some great collections with him, | 0:25:19 | 0:25:21 | |
so fingers crossed we'll still make that total. | 0:25:21 | 0:25:25 | |
First up is this very decorative looking | 0:25:25 | 0:25:27 | |
19th-century brass chestnut roaster. | 0:25:27 | 0:25:29 | |
Now this is very nice, actually. | 0:25:32 | 0:25:34 | |
It had a bit of age to it | 0:25:34 | 0:25:35 | |
and it had all the right things going for it | 0:25:35 | 0:25:38 | |
and at one time, of course, 10-15 years ago, | 0:25:38 | 0:25:41 | |
everyone wanted one of these for their walls, didn't they? | 0:25:41 | 0:25:44 | |
We could use it at the moment, because every Monday, | 0:25:44 | 0:25:46 | |
we roast chestnuts on the fire at the golf club, which is very nice. | 0:25:46 | 0:25:49 | |
-We call it the chestnut club. -Oh, that sounds fantastic. | 0:25:49 | 0:25:52 | |
Chestnut club - there's something really nice about that, isn't there? | 0:25:52 | 0:25:55 | |
Let's see what we can get. | 0:25:55 | 0:25:56 | |
£20 start, at £20. £20. | 0:25:56 | 0:25:59 | |
At 22, 25, 28. 28, I have to my left. | 0:25:59 | 0:26:02 | |
At 28, out on my right at 28. Are we 30 now? At £28, do we sell? | 0:26:02 | 0:26:06 | |
Do we sell? All done at £28... | 0:26:06 | 0:26:09 | |
Do you wish you'd kept it now | 0:26:09 | 0:26:11 | |
for the chestnut club at the golf course? | 0:26:11 | 0:26:12 | |
Probably would have been better. | 0:26:12 | 0:26:15 | |
I'm afraid someone else will have to roast those chestnuts now, Arthur. | 0:26:15 | 0:26:18 | |
I think one lucky bidder got themselves a real bargain there. | 0:26:18 | 0:26:22 | |
Let's hope we reach greater heights in the bidding | 0:26:22 | 0:26:25 | |
with this collection of Dinky and Matchbox model aeroplanes, | 0:26:25 | 0:26:28 | |
some of which date back to the 1940s. | 0:26:28 | 0:26:30 | |
I think our next lot's down to you, isn't it? You found these. | 0:26:32 | 0:26:36 | |
Have you ever played with the toy aeroplanes? | 0:26:36 | 0:26:38 | |
There's quite a lot of different ones, | 0:26:38 | 0:26:39 | |
but I've never really played with them. | 0:26:39 | 0:26:41 | |
Were you surprised that Jonty put them at £70-£100? | 0:26:41 | 0:26:45 | |
Yeah, definitely. I didn't think they were worth that. | 0:26:45 | 0:26:48 | |
And what about you Arthur, were you pleased with that estimate? | 0:26:48 | 0:26:52 | |
Yeah, not too bad. I thought they might have gone | 0:26:52 | 0:26:54 | |
for a little bit more than that, particularly with the boxed one. | 0:26:54 | 0:26:57 | |
-Hopefully they might sell for a little more. -Hopefully, yeah, yeah. | 0:26:57 | 0:27:01 | |
Starting in at £50, tempt you all at £50 on the aeroplanes. | 0:27:01 | 0:27:05 | |
At five, 60. Five, 70. Five. My commission's out at £75. | 0:27:05 | 0:27:10 | |
In the room at £75. 80, five, 90, and five. | 0:27:10 | 0:27:15 | |
At the standing bid. Are you out, seated, at 95? | 0:27:15 | 0:27:17 | |
I'm going to sell at 95. Are we all done? | 0:27:17 | 0:27:20 | |
And sold on my left at £95. | 0:27:20 | 0:27:23 | |
-95, are you pleased with that? -Yeah. | 0:27:23 | 0:27:25 | |
That's a lot of money for those, isn't it? | 0:27:25 | 0:27:27 | |
-They really took off! -Really did. | 0:27:27 | 0:27:30 | |
Yes, well they certainly took off better than that joke, Jonty! | 0:27:30 | 0:27:34 | |
Now, this Davenport tureen and plate was found in Arthur's dining room | 0:27:34 | 0:27:37 | |
but it was missing the lid. | 0:27:37 | 0:27:39 | |
Will that prove detrimental to the chances of getting a bid? | 0:27:39 | 0:27:42 | |
This lot is a really large tureen and plate, | 0:27:42 | 0:27:46 | |
but we're missing the lid, aren't we? | 0:27:46 | 0:27:47 | |
-We are indeed. -What happened to that? -Never had it. -Really? | 0:27:47 | 0:27:50 | |
We bought it as it was in a farm sale I think, many, many years ago. | 0:27:50 | 0:27:56 | |
My wife puts flowers in it. | 0:27:56 | 0:27:58 | |
-So we're selling a tureen/vase. -Absolutely. | 0:27:58 | 0:28:02 | |
I think it's really decorative. I put £50-£80 on it, | 0:28:02 | 0:28:05 | |
but will it sell without the lid? | 0:28:05 | 0:28:08 | |
At £20 I only have at 20. Are we too quick? | 0:28:08 | 0:28:11 | |
At £20, at £20, it's all quiet on the Western front. | 0:28:11 | 0:28:15 | |
At £20, are we done? £20... | 0:28:15 | 0:28:17 | |
No, I'm afraid we can't just go on 20. | 0:28:17 | 0:28:19 | |
-Unsold. The vase is coming back with you. -All right. | 0:28:19 | 0:28:23 | |
-How you feel about that, me dear? -It's not very good really. | 0:28:23 | 0:28:27 | |
Would you rather it sold for say £10 | 0:28:27 | 0:28:29 | |
or would you rather be taking it home? | 0:28:29 | 0:28:31 | |
Probably taking it home would be better, | 0:28:31 | 0:28:33 | |
cos it's worth more than £10, I think. | 0:28:33 | 0:28:36 | |
I suppose unless you're serving up cold soup, | 0:28:36 | 0:28:39 | |
a lidless tureen wouldn't have much practical use on the dining table. | 0:28:39 | 0:28:43 | |
But at least Arthur's wife, Meryl, | 0:28:43 | 0:28:45 | |
will still be able to put flowers in it. | 0:28:45 | 0:28:47 | |
Next up is the collection of silver | 0:28:47 | 0:28:49 | |
that Natasha found in Grandad's bedroom, | 0:28:49 | 0:28:51 | |
but it looks like it's grown since her rummage! | 0:28:51 | 0:28:55 | |
So tell me about the salver, because it's not part of the valuation that I put on in the house. | 0:28:55 | 0:29:00 | |
It was not on the list. | 0:29:00 | 0:29:02 | |
-So you slipped it in, did you? -I slipped it in. -Very good. | 0:29:02 | 0:29:06 | |
So is this something you've inherited, Arthur? | 0:29:06 | 0:29:08 | |
-Well, the salver I won at golf many years ago. -Well done, you! | 0:29:08 | 0:29:12 | |
The society became defunct, so it was left with me. | 0:29:12 | 0:29:17 | |
Golfing memorabilia's very popular though, isn't it, Jonty? | 0:29:17 | 0:29:20 | |
Yes, but more to the point, it's solid silver, so that's really good. | 0:29:20 | 0:29:23 | |
It won't be sold for the golf, it'll be sold for its scrap value, really. | 0:29:23 | 0:29:27 | |
The salver itself weighs over half a kilogram | 0:29:27 | 0:29:29 | |
and I think the rest of it, the whole lot is over a kilogram. | 0:29:29 | 0:29:33 | |
I will start at £250 - lot 246C | 0:29:33 | 0:29:37 | |
at 250 bid. At 260, 270, 280, 290, 300. | 0:29:37 | 0:29:41 | |
310, 320, 330... | 0:29:41 | 0:29:43 | |
340, 350. | 0:29:44 | 0:29:46 | |
With me at £350. | 0:29:46 | 0:29:48 | |
360, 370, 380. I'm out at 380. | 0:29:48 | 0:29:52 | |
At £380, I'm selling and no mistake. | 0:29:52 | 0:29:55 | |
At 380, it's away. A nice sell at £380. | 0:29:55 | 0:29:57 | |
-Hooray! -Is that a bit more in line | 0:29:57 | 0:29:59 | |
with what you were expecting on the scrap value? | 0:29:59 | 0:30:03 | |
What do you think? It's a lot of money, isn't it? | 0:30:03 | 0:30:05 | |
It's a lot of money. I didn't expect it to make that much money, really. | 0:30:05 | 0:30:08 | |
-It's a lovely surprise then, isn't it? -Yeah. | 0:30:08 | 0:30:11 | |
Well, Arthur, at £260 over the top estimate, | 0:30:11 | 0:30:15 | |
it looks like adding that tray to the collection was a great move. | 0:30:15 | 0:30:19 | |
So the next lot is the collection of military badges. | 0:30:19 | 0:30:22 | |
You've got the two German crosses in there, as well, some other medals. | 0:30:22 | 0:30:26 | |
So tell me how this was all put together. | 0:30:26 | 0:30:29 | |
A long period of time, came from all over the place. | 0:30:29 | 0:30:32 | |
Some bits donated from people who've been in the services, | 0:30:32 | 0:30:35 | |
the two German crosses, I think, came from an old uncle. | 0:30:35 | 0:30:39 | |
When he died, I found them in a box somewhere. | 0:30:39 | 0:30:42 | |
For these sorts of badges, the estimate is £100-£200, | 0:30:42 | 0:30:45 | |
-but I hope we're nearer the £200. -I hope so. | 0:30:45 | 0:30:48 | |
That would be great. | 0:30:48 | 0:30:50 | |
£70. At 70 bid. £70. 75, | 0:30:50 | 0:30:52 | |
80, 5, 90, | 0:30:52 | 0:30:54 | |
5, 100, 110, | 0:30:54 | 0:30:57 | |
120. With me, at 120, | 0:30:57 | 0:31:00 | |
130. I'm out, 130 in the room. | 0:31:00 | 0:31:02 | |
At £130. Are we done? Commissions are gone. | 0:31:02 | 0:31:05 | |
Selling at 130. | 0:31:05 | 0:31:07 | |
£130. | 0:31:07 | 0:31:10 | |
-You OK with that? -That's OK. -Yeah? -Yeah. | 0:31:10 | 0:31:13 | |
And what about you? What do you think of that? | 0:31:13 | 0:31:15 | |
-I think that's OK, yeah. -I wanted more. | 0:31:15 | 0:31:18 | |
Well, I'd have liked a bit more. Yeah, yeah. | 0:31:18 | 0:31:20 | |
At least we made our estimate, guys. | 0:31:20 | 0:31:23 | |
As we're now halfway through our auction, | 0:31:23 | 0:31:26 | |
maybe we should tot up much we've made so far. | 0:31:26 | 0:31:29 | |
We've got a break, thank goodness, before our next lot. | 0:31:29 | 0:31:32 | |
We may be able to sneak in a toasted cheese sandwich or something. | 0:31:32 | 0:31:36 | |
You wanted £1,000 for this 3D television, didn't you? | 0:31:36 | 0:31:39 | |
OK, so far we've banked | 0:31:39 | 0:31:42 | |
£633. | 0:31:42 | 0:31:43 | |
-That's good, isn't it? -Yeah, very good. -Well done. | 0:31:43 | 0:31:47 | |
-Well over that halfway total. Good, isn't it? -Very good. -It's a lot of money, isn't it? | 0:31:47 | 0:31:50 | |
Well, come on, we'll come back a bit later. | 0:31:50 | 0:31:54 | |
If you'd like to try your hand selling at auction, | 0:31:54 | 0:31:57 | |
do remember that fees, such as commission, do apply, | 0:31:57 | 0:32:01 | |
so it's best to check in advance. While we take a quick breather, | 0:32:01 | 0:32:03 | |
I can see Jonty's spotted something a bit similar to Arthur's satsuma vases. | 0:32:03 | 0:32:08 | |
-Jonty, they're lovely, those, aren't they? -Just extraordinary. | 0:32:08 | 0:32:12 | |
Have a look at the neck of this vase. Very typical, | 0:32:12 | 0:32:15 | |
a Japanese vase made around the same sort of time as Arthur's, | 0:32:15 | 0:32:18 | |
but, of course, they're not made of ceramic, | 0:32:18 | 0:32:21 | |
these are enamel vases. So they're constructed | 0:32:21 | 0:32:24 | |
on a copper base and then you have this intricate wiring | 0:32:24 | 0:32:27 | |
which separates the enamelling. | 0:32:27 | 0:32:30 | |
As a consequence, there's so much detail, | 0:32:30 | 0:32:32 | |
so much work that has gone into them. | 0:32:32 | 0:32:34 | |
But have a look at this one, just for something that's incredibly Japanese. | 0:32:34 | 0:32:38 | |
Here we have a raven in the tree but we've got the cherry blossom. | 0:32:38 | 0:32:42 | |
Just amazing, isn't it? | 0:32:42 | 0:32:43 | |
What sort of estimate are they expected to make? | 0:32:43 | 0:32:46 | |
Sadly, all four vases are damaged. | 0:32:46 | 0:32:48 | |
As a consequence, all four of them £100-£200. | 0:32:48 | 0:32:51 | |
-Doesn't seem a lot of money, does it? -A vase like this, | 0:32:51 | 0:32:54 | |
in good condition, same price, £100-£200. | 0:32:54 | 0:32:58 | |
It just polarises where the market's gone. | 0:32:58 | 0:33:00 | |
It'll be interesting to see what they make. | 0:33:00 | 0:33:03 | |
-Meanwhile, we've got work to do. Shall we go? -Yes, back to work! | 0:33:03 | 0:33:05 | |
Astonishingly, it seems that the damage | 0:33:05 | 0:33:08 | |
must have put the bidders off, as the oriental vases | 0:33:08 | 0:33:11 | |
only ended up selling for £22. | 0:33:11 | 0:33:14 | |
It's time to rejoin the auction, | 0:33:16 | 0:33:18 | |
as Arthur's next lot is about to go under the hammer. | 0:33:18 | 0:33:21 | |
Guys, it's the carriage clock. Where was this from, Arthur? | 0:33:21 | 0:33:25 | |
-It came from a charity auction. -Did it? -Yeah. | 0:33:25 | 0:33:29 | |
A friend of ours does a lot for the local hospice. | 0:33:29 | 0:33:33 | |
She has an auction every year. | 0:33:33 | 0:33:36 | |
-We paid £37 for it. -What do you want for this then, Jonty? | 0:33:36 | 0:33:39 | |
I put £100 on it. £100-£150. | 0:33:39 | 0:33:42 | |
-This may be a very good buy, then, mightn't it? -Could well be. | 0:33:42 | 0:33:46 | |
Various interest and we'll start on the clock at £50. Any bid of 50? | 0:33:46 | 0:33:51 | |
5, 60? 5? | 0:33:51 | 0:33:53 | |
Have you got 70? 75. | 0:33:53 | 0:33:55 | |
I'm bid 75 on my right. | 0:33:55 | 0:33:58 | |
At 75, do we sell? £75. I'm selling, | 0:33:58 | 0:34:01 | |
I think it's in line, all done at £75. | 0:34:01 | 0:34:04 | |
What had you hoped to get for that, then? | 0:34:04 | 0:34:06 | |
I would have thought 100, or just over. | 0:34:06 | 0:34:09 | |
OK, what do you think about that? | 0:34:09 | 0:34:12 | |
It's a bit disappointing, really. | 0:34:12 | 0:34:14 | |
I suppose it's a bit disappointing, but we've got quite a bit in the bank so far. | 0:34:14 | 0:34:19 | |
So, fingers crossed, we might make the rest of it up. | 0:34:19 | 0:34:21 | |
Considering Arthur bought this clock for £37, | 0:34:21 | 0:34:24 | |
you have to admit it's a pretty good profit. | 0:34:24 | 0:34:28 | |
Arthur, we've got a pair of satsuma vases now. Where did they come from? | 0:34:28 | 0:34:31 | |
I bought them many, many years ago in an antique shop somewhere. | 0:34:31 | 0:34:34 | |
Did you buy them because you just liked them | 0:34:34 | 0:34:38 | |
-or did you have a space for them? -My wife liked them, | 0:34:38 | 0:34:40 | |
but that didn't last very long. They've been stuck away | 0:34:40 | 0:34:43 | |
in a cupboard for ages! | 0:34:43 | 0:34:46 | |
I put £40-£60 on them. | 0:34:46 | 0:34:48 | |
I'd be happy with that. | 0:34:48 | 0:34:50 | |
Again interest on them, starting at £20. | 0:34:50 | 0:34:52 | |
22, 25, 28, 30, 32, | 0:34:52 | 0:34:55 | |
I'm out. | 0:34:55 | 0:34:57 | |
I've got 32 seated, 32, | 0:34:57 | 0:34:58 | |
at 32, 5, fresh money, 38 seated, | 0:34:58 | 0:35:00 | |
38, 40, | 0:35:00 | 0:35:03 | |
I have 40 standing, at £40, | 0:35:03 | 0:35:06 | |
at £40, standing bid, I'm selling. Are we all done at £40? | 0:35:06 | 0:35:09 | |
-That was good. -That was good. -All right, yeah. | 0:35:09 | 0:35:13 | |
-Are you pleased with that? -Yes. -You look quite surprised. | 0:35:13 | 0:35:16 | |
-Did you think they mightn't sell for that sort of money? -No, I didn't. | 0:35:16 | 0:35:20 | |
Do you remember what you paid for them, all those years ago? | 0:35:20 | 0:35:23 | |
-More than that! -Of course! -About 90 quid. -Was it really? | 0:35:23 | 0:35:26 | |
-They were very popular some time ago. -Yeah, yeah. | 0:35:26 | 0:35:30 | |
We didn't quite make what Arthur originally paid for them, | 0:35:30 | 0:35:34 | |
but at least we made Jonty's estimate, and if we keep | 0:35:34 | 0:35:37 | |
doing that, we should have a chance of making the £1,000 target. | 0:35:37 | 0:35:41 | |
The next lot is the Vienna wall clock. | 0:35:41 | 0:35:44 | |
It's interesting that you were taking stuff down from the walls, | 0:35:44 | 0:35:47 | |
because the chestnut roaster was on the wall as well. | 0:35:47 | 0:35:50 | |
You just had a general wall clear out. | 0:35:50 | 0:35:51 | |
We've got a very empty lot of walls now! | 0:35:51 | 0:35:54 | |
What's the background to this piece? | 0:35:54 | 0:35:57 | |
The background is it belonged to my wife's parents, actually. | 0:35:57 | 0:36:00 | |
They'd had it many, many years and then it came to us | 0:36:00 | 0:36:03 | |
and we've had it a long time, also. | 0:36:03 | 0:36:04 | |
We want to get rid of it now | 0:36:04 | 0:36:06 | |
and perhaps a grandfather clock would look better on that wall. | 0:36:06 | 0:36:11 | |
I've put £150-£200 on them, but there's a bit of damage | 0:36:11 | 0:36:15 | |
on the clock, so I hope the room glosses over that, somewhat. | 0:36:15 | 0:36:19 | |
With interest on this, allow me to start at £90. | 0:36:19 | 0:36:23 | |
Lot 291C at 90. | 0:36:23 | 0:36:24 | |
90 I'm bid on the wall clock, at £90. | 0:36:24 | 0:36:27 | |
5, 100, 110, 120, | 0:36:27 | 0:36:29 | |
130, I'm out at £130. | 0:36:29 | 0:36:31 | |
At 130, £130, do I sell? | 0:36:31 | 0:36:33 | |
Are we all done? In line at £130. | 0:36:33 | 0:36:37 | |
£130. It did have a bit of damage. | 0:36:37 | 0:36:41 | |
How do you feel about the price? | 0:36:41 | 0:36:43 | |
Well, yeah, I'm happy enough, | 0:36:43 | 0:36:45 | |
but I thought it might have got a little more than that. | 0:36:45 | 0:36:49 | |
I'm disappointed, but I have to say that I've noticed, | 0:36:49 | 0:36:52 | |
in recent times, Viennese wall clocks seem to be decreasing | 0:36:52 | 0:36:55 | |
in price, rather than increasing. | 0:36:55 | 0:36:57 | |
So that's probably where the market is right now. Interesting. | 0:36:57 | 0:37:00 | |
Even though the market for this | 0:37:00 | 0:37:03 | |
type of wall clock isn't at its peak, £130 is a further push | 0:37:03 | 0:37:06 | |
towards our total, going towards that 3D television. | 0:37:06 | 0:37:10 | |
Our next lot is the 1950s men's wristwatch, | 0:37:10 | 0:37:13 | |
which I'm assuming is yours. | 0:37:13 | 0:37:15 | |
-Would that be right? -It was indeed. | 0:37:15 | 0:37:18 | |
I bought it when I was doing my National Service in Singapore. | 0:37:18 | 0:37:21 | |
So I've had it a long time. | 0:37:21 | 0:37:23 | |
-Jonty, what do you want for this? -Because it is an Amigo watch, | 0:37:23 | 0:37:26 | |
I've put £40-£60 on it, | 0:37:26 | 0:37:27 | |
because without that, I wouldn't advise you | 0:37:27 | 0:37:29 | |
to put that in an auction sale. | 0:37:29 | 0:37:31 | |
It wouldn't have any value at all. But £40-£60 is what it's worth. | 0:37:31 | 0:37:35 | |
We'll start in at £20. The wristwatch at £20. | 0:37:35 | 0:37:38 | |
At £20. 2, thank you. 24? And 6, | 0:37:38 | 0:37:42 | |
8, 30. | 0:37:42 | 0:37:43 | |
I've £30 on my right, at £30. | 0:37:43 | 0:37:47 | |
You're out in the centre again? Do we sell at £30? Selling at 30. | 0:37:47 | 0:37:50 | |
That's been with you a long time, hasn't it? | 0:37:50 | 0:37:54 | |
It's done National Service and everything. | 0:37:54 | 0:37:56 | |
-Absolutely. -How do you feel about that price? | 0:37:56 | 0:37:58 | |
They're with me through muck and bullets. | 0:37:58 | 0:38:01 | |
Are you happy, though? | 0:38:01 | 0:38:04 | |
I don't use it now, so it might as well go. | 0:38:04 | 0:38:07 | |
It's a shame we couldn't have got a bit more for Arthur's watch. | 0:38:07 | 0:38:10 | |
He was rather fond of it. | 0:38:10 | 0:38:12 | |
But let's hope his lovely Georgian washstand | 0:38:12 | 0:38:14 | |
cleans up when the bidding starts. | 0:38:14 | 0:38:16 | |
More than 200 years old, it's still in very good condition. | 0:38:16 | 0:38:20 | |
I must say, I really do like this piece, | 0:38:23 | 0:38:25 | |
because it's such a lovely Georgian mahogany corner stand. | 0:38:25 | 0:38:29 | |
It looked really nice in that room. | 0:38:29 | 0:38:31 | |
It's really interesting you comment on how lovely | 0:38:31 | 0:38:34 | |
it looked in your house and it did. | 0:38:34 | 0:38:36 | |
But when I come to value furniture like that | 0:38:36 | 0:38:38 | |
I value it in rooms like this, in rows of furniture like this, | 0:38:38 | 0:38:43 | |
and it can sometimes look really quite unglamorous | 0:38:43 | 0:38:45 | |
and I wonder if the dealers have spotted it. | 0:38:45 | 0:38:47 | |
On commission at 50, £50. | 0:38:47 | 0:38:50 | |
-5 if you like, 5, 60... -You want more than that, don't you really? | 0:38:50 | 0:38:53 | |
It's with me at 70. Out at the back with £70. 5 now. | 0:38:53 | 0:38:57 | |
On commission, to be sold at 70, all done and going out at £70. | 0:38:57 | 0:39:01 | |
£70. | 0:39:01 | 0:39:03 | |
I'm disappointed with that because I love Georgian furniture, | 0:39:03 | 0:39:06 | |
but, I mean, how do you feel about it, Natasha? | 0:39:06 | 0:39:10 | |
-I think it could have got more, really. -Yeah? | 0:39:10 | 0:39:13 | |
I agree with you, Natasha, | 0:39:13 | 0:39:14 | |
but sometimes these sales come down to who's there on the day. | 0:39:14 | 0:39:19 | |
Our final lot is this very elegant-looking ring that belongs to | 0:39:19 | 0:39:22 | |
Arthur's wife, Meryl. | 0:39:22 | 0:39:24 | |
We found this, didn't we, Natasha? | 0:39:24 | 0:39:26 | |
As I recall, I did say to you, "Do you want to keep it?" | 0:39:26 | 0:39:29 | |
and you said, "No, not really!" | 0:39:29 | 0:39:31 | |
-No! -No! I hope you're not going to come to regret that. | 0:39:31 | 0:39:35 | |
What's the background to this particular ring? | 0:39:35 | 0:39:37 | |
It really came from one of my wife's aunts, I think. | 0:39:37 | 0:39:41 | |
-She doesn't wear it at all. -No? | 0:39:41 | 0:39:44 | |
And Natasha doesn't want it either. | 0:39:44 | 0:39:47 | |
It doesn't fit me. | 0:39:47 | 0:39:49 | |
I think this is a lovely ring. | 0:39:49 | 0:39:52 | |
£200-£300 is the price I've put on it. | 0:39:52 | 0:39:55 | |
If that's a little steep for the room, I'm not quite sure. | 0:39:55 | 0:39:57 | |
We'll just have to see. | 0:39:57 | 0:39:58 | |
We've interest at £100 to start. | 0:39:58 | 0:40:01 | |
OK. | 0:40:01 | 0:40:03 | |
At 100, 100, at 110, if you wish. Bid's on commission. | 0:40:03 | 0:40:05 | |
100 bid, at 100, 110 if you like, 100, | 0:40:05 | 0:40:09 | |
stays with us on commission, I feel, at £100. | 0:40:09 | 0:40:12 | |
No, I'm afraid at 100. Sorry. | 0:40:12 | 0:40:15 | |
I think, how the auctioneer was working, | 0:40:15 | 0:40:17 | |
he started at that price, | 0:40:17 | 0:40:19 | |
there was no offer in the room. | 0:40:19 | 0:40:21 | |
-Right. -So it's unsold. -OK. | 0:40:21 | 0:40:24 | |
-So we can't add that into our total. -No. | 0:40:24 | 0:40:27 | |
But, who knows, maybe it's saved for another day? | 0:40:27 | 0:40:32 | |
Or when you get a bit older? | 0:40:32 | 0:40:34 | |
Yes, this piece of jewellery is staying in the family for | 0:40:34 | 0:40:38 | |
the moment, but without a sale, how will that affect our final total? | 0:40:38 | 0:40:42 | |
Right, obviously, we wanted £1,000, didn't you, | 0:40:42 | 0:40:45 | |
towards this 3D television, | 0:40:45 | 0:40:47 | |
which sounds very exciting, I must admit. | 0:40:47 | 0:40:50 | |
-Do you think we've made that amount? -I don't think so, no. | 0:40:50 | 0:40:53 | |
The second half wasn't as good. | 0:40:53 | 0:40:54 | |
I think we made just under what we wanted to. | 0:40:54 | 0:40:59 | |
You're nearest, Natasha, because we've actually banked £978. | 0:40:59 | 0:41:03 | |
Crikey! That's good! That's very good. | 0:41:03 | 0:41:07 | |
I must admit I think your silver helped, | 0:41:07 | 0:41:09 | |
because that was a big amount, wasn't it? | 0:41:09 | 0:41:11 | |
We had a couple of disappointments, but overall, | 0:41:11 | 0:41:13 | |
-looks like you're going to be watching everything in 3D! -Yeah. | 0:41:13 | 0:41:17 | |
We were just £22 short of Arthur's target, so I think it's fair | 0:41:21 | 0:41:25 | |
to say that Natasha's in with a chance of getting a 3D television. | 0:41:25 | 0:41:29 | |
It's time for some research. | 0:41:29 | 0:41:31 | |
Thanks to Cash In The Attic, I think we've got a little bit of money | 0:41:31 | 0:41:34 | |
there that we can put towards a 3D television, haven't we? | 0:41:34 | 0:41:37 | |
Yes, it's helped, tremendously. | 0:41:37 | 0:41:40 | |
And it sounds like Natasha's already planning the social engagements. | 0:41:40 | 0:41:44 | |
I think my friends would like to come round to see | 0:41:44 | 0:41:46 | |
a movie on 3-D television. | 0:41:46 | 0:41:48 | |
They've never seen anything like that before, so, it would be good. | 0:41:48 | 0:41:53 | |
It'd look pretty good on the wall of your bedroom, wouldn't it? | 0:41:53 | 0:41:55 | |
It's a bit big. | 0:41:55 | 0:41:57 | |
There's a lot of 3D films coming out now, | 0:41:57 | 0:42:00 | |
they're beginning to get hold of it. | 0:42:00 | 0:42:02 | |
And not just films, but also sport in 3D, | 0:42:02 | 0:42:04 | |
so I can't wait, really, to watch some of those. | 0:42:04 | 0:42:07 | |
It'll be great. | 0:42:07 | 0:42:08 | |
Arthur and Natasha will certainly enjoy that 3-D television. | 0:42:12 | 0:42:16 | |
If you've got a project in mind that you'd like to raise | 0:42:16 | 0:42:19 | |
money for by selling your antiques and collectables at auction, | 0:42:19 | 0:42:22 | |
then why not get in touch with Cash In The Attic? | 0:42:22 | 0:42:24 | |
You'll find more details at our website... | 0:42:24 | 0:42:27 | |
I'll see you again next time. | 0:42:29 | 0:42:30 | |
Subtitles by Red Bee Media Ltd | 0:42:53 | 0:42:56 |