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Hello and welcome to Cash In The Attic. | 0:00:01 | 0:00:04 | |
We just love rummaging through your homes, | 0:00:04 | 0:00:06 | |
finding those things that have been gathering dust for years | 0:00:06 | 0:00:08 | |
and then turning them into cash for you. | 0:00:08 | 0:00:10 | |
Today, we're helping a lady who's turning out her parents' old home | 0:00:10 | 0:00:14 | |
and, who knows, maybe we'll find a few hidden treasures. | 0:00:14 | 0:00:17 | |
Coming up on Cash In The Attic - are we about to break the law? | 0:00:36 | 0:00:41 | |
Look, on the back it says, "buying or selling this bottle is illegal." | 0:00:41 | 0:00:45 | |
It's happy hour for our expert. | 0:00:45 | 0:00:48 | |
Paul? | 0:00:48 | 0:00:49 | |
Sun's over the yardarm - do you fancy a cocktail? | 0:00:49 | 0:00:52 | |
Do you know, I thought you'd never ask. | 0:00:52 | 0:00:54 | |
And at auction, | 0:00:54 | 0:00:55 | |
some of Dad's collectibles spark off some surprising bids. | 0:00:55 | 0:00:59 | |
Your dad would have never guessed that, would he? | 0:00:59 | 0:01:01 | |
He would not have, he would not have. | 0:01:01 | 0:01:04 | |
He would have been absolutely tickled pink. | 0:01:04 | 0:01:07 | |
Find out more when the hammer falls. | 0:01:07 | 0:01:11 | |
Today, I'm in Mid-Glamorgan on my way to meet a woman | 0:01:11 | 0:01:15 | |
who's a member of a very close-knit family. | 0:01:15 | 0:01:17 | |
She's hoping to raise money for a charity that is very special to all of them. | 0:01:17 | 0:01:23 | |
Julie Graham and her husband Barry were married on her 21st birthday. | 0:01:23 | 0:01:28 | |
Julie was always close to her parents, Gordon and Yvonne, | 0:01:28 | 0:01:32 | |
but sadly since 2009, both of them have passed away. | 0:01:32 | 0:01:37 | |
Julie has gradually started clearing their home of 40 years here in Wales. | 0:01:37 | 0:01:41 | |
There's not enough room in Julie's house for her parents' belongings | 0:01:41 | 0:01:44 | |
but she doesn't want to just throw them out. | 0:01:44 | 0:01:48 | |
So, as both her parents were fans of Cash In The Attic, | 0:01:48 | 0:01:51 | |
she thought it would be a good idea to call us in. | 0:01:51 | 0:01:54 | |
With family being so important to her, | 0:01:54 | 0:01:56 | |
who better to have as her partner in today's rummage than her cousin, Lynn, | 0:01:56 | 0:02:01 | |
who Julie says is the closest person she has to a sister. | 0:02:01 | 0:02:03 | |
'I'm joined by my rummage partner, Paul Hayes, | 0:02:03 | 0:02:06 | |
'whose expertise will prove invaluable in our hunt for treasure.' | 0:02:06 | 0:02:10 | |
I think we are going to get a real welcome in this house. | 0:02:10 | 0:02:12 | |
Come on then, after you. Sounds great. | 0:02:12 | 0:02:14 | |
-Hi, you two. -Hello. -Hey, having a trip down memory lane. | 0:02:14 | 0:02:19 | |
This is all the family at whose wedding? | 0:02:19 | 0:02:23 | |
-It's my auntie June which is Lynn's mum and dad. -So you're cousins? -Yes. | 0:02:23 | 0:02:27 | |
-Julie and Lynn. -That's right. | 0:02:27 | 0:02:30 | |
-Paul, hello, how are you? -Pleased to meet you. | 0:02:30 | 0:02:33 | |
-Nice to meet you two as well. -Now, this is not your house, is it? | 0:02:33 | 0:02:36 | |
No, this is my parents' property which we need to try and empty. | 0:02:36 | 0:02:40 | |
Mum and dad passed away in the last year, both of them, | 0:02:40 | 0:02:44 | |
so it's on the market for sale now. | 0:02:44 | 0:02:47 | |
-Everything has to go. -Absolutely. | 0:02:47 | 0:02:49 | |
So it sounds as if you've got an entire house to play with today, Paul. | 0:02:49 | 0:02:53 | |
It sounds promising. Do you mind if I make a start, is that all right? | 0:02:53 | 0:02:57 | |
-Feel free. -While he's getting on with that, cousins, both of you. | 0:02:57 | 0:03:01 | |
Why have you called in Cash In The Attic? | 0:03:01 | 0:03:03 | |
There is such a lot of stuff in here, we just don't know where to start. | 0:03:03 | 0:03:08 | |
Maybe somebody enjoying what's in here is much as mum and dad did. | 0:03:08 | 0:03:11 | |
How much do you think you might like to raise from today then? | 0:03:11 | 0:03:15 | |
We'd like to get about £300. That would be a nice figure. | 0:03:15 | 0:03:18 | |
What are you going to spend it on, Julie? | 0:03:18 | 0:03:21 | |
I'd like to give a percentage to the British Heart Foundation, | 0:03:21 | 0:03:24 | |
obviously, because it was heart disease that eventually took | 0:03:24 | 0:03:28 | |
both mum and dad and it's quite bad in the family, | 0:03:28 | 0:03:31 | |
so I'd just like to give something back there, maybe. | 0:03:31 | 0:03:34 | |
Anything left over, | 0:03:34 | 0:03:36 | |
obviously the upkeep of this place with the gas and the electrics. | 0:03:36 | 0:03:39 | |
I think that's something the parents would surely be very proud that you're doing, actually. | 0:03:39 | 0:03:43 | |
Now, how about Lynn, you going off and seeing what you can find | 0:03:43 | 0:03:47 | |
and Julie, why don't you and I go and see what Paul is up to? | 0:03:47 | 0:03:49 | |
OK, sounds good to me. | 0:03:49 | 0:03:52 | |
And as we get started on our rummage, | 0:03:52 | 0:03:54 | |
it looks like it hasn't taken Paul long to find the empties. | 0:03:54 | 0:03:58 | |
Blimey, Paul, must have been some party you had last night. | 0:03:58 | 0:04:02 | |
A bit of a sore head this morning, I think. | 0:04:02 | 0:04:04 | |
Where have all of these come from? | 0:04:04 | 0:04:07 | |
From all the local tips, Angela, | 0:04:07 | 0:04:08 | |
because this is the sort of job my father did with haulage. | 0:04:08 | 0:04:11 | |
-He was a lorry driver, wasn't he? -He was. | 0:04:11 | 0:04:13 | |
He used to get fed up sitting and waiting to be loaded | 0:04:13 | 0:04:16 | |
so off he'd go and he'd have a bit of a dig in anything that was around. | 0:04:16 | 0:04:20 | |
Unfortunately for my mum and myself, this was the result. | 0:04:20 | 0:04:24 | |
They just kept growing and growing and growing. | 0:04:24 | 0:04:27 | |
We've got Williams & Son of Leicester here and look, | 0:04:27 | 0:04:31 | |
on the back it says, "buying or selling this bottle is illegal." | 0:04:31 | 0:04:34 | |
Yes, that's because the liquid, you're actually buying the liquid, | 0:04:34 | 0:04:38 | |
you're not buying the bottle, so the bottle was returnable | 0:04:38 | 0:04:40 | |
and they'd give you a penny. | 0:04:40 | 0:04:42 | |
What they're saying is, this is our bottle, no one else can have it. | 0:04:42 | 0:04:45 | |
We want it back so we can reuse it. | 0:04:45 | 0:04:46 | |
How many of them do you think there are here? | 0:04:46 | 0:04:49 | |
We got up to about 240 here and we just gave up after that, me and my cousin. | 0:04:49 | 0:04:53 | |
-Is there a market for them, Paul? -There is. | 0:04:53 | 0:04:56 | |
It does tend to be on the manufacturers. | 0:04:56 | 0:04:58 | |
People go for regions, brewers. | 0:04:58 | 0:05:01 | |
We've got some great ones here actually. These little jars are from Cornwall. | 0:05:01 | 0:05:04 | |
These would have had clotted cream in. | 0:05:04 | 0:05:06 | |
Actually, this one does say, "from the breezy pastures | 0:05:06 | 0:05:08 | |
of the West Countree, rich thick cream." | 0:05:08 | 0:05:11 | |
One of the ones that do tend to be quite collectible is these | 0:05:11 | 0:05:14 | |
codswallop bottles where they had a little ball in | 0:05:14 | 0:05:16 | |
and the idea was that the pressure of the lemonade would actually seal your bottle. | 0:05:16 | 0:05:21 | |
You just pop your marble and the rest of the liquid you can drink. | 0:05:21 | 0:05:24 | |
What do you reckon we might get for a load of old bottles? | 0:05:24 | 0:05:27 | |
If I was being realistic, we put these in at between £50 and £80 | 0:05:27 | 0:05:31 | |
and if someone takes a chance, how does that sound? | 0:05:31 | 0:05:33 | |
-Fine. -I have to say, I'm amazed. | 0:05:33 | 0:05:36 | |
-£50 for a load of old bottles out of a dump site. -I know! | 0:05:36 | 0:05:39 | |
It's the history and it's always the history and the collectability of them. | 0:05:39 | 0:05:42 | |
-Your dad was on to a good thing there then. -He was. | 0:05:42 | 0:05:44 | |
I'm glad that Julie's got a rough idea how many bottles there are here. | 0:05:44 | 0:05:48 | |
Well over 200? We'd be here all morning if we had to count them. | 0:05:48 | 0:05:51 | |
But if beer and lemonade bottles aren't our bidders' cup of tea, | 0:05:51 | 0:05:55 | |
perhaps this Royal Albert tea set is. | 0:05:55 | 0:05:58 | |
These pieces were collected by Julie's mum and dad. | 0:05:58 | 0:06:01 | |
Friends and family kept buying them more and more as presents, | 0:06:01 | 0:06:04 | |
until Dad put his foot down and said, "No more!" | 0:06:04 | 0:06:07 | |
Still, this collection would add another £40 - £60 to our total. | 0:06:07 | 0:06:11 | |
Our experts like nothing better than to seek out cash in the attic. | 0:06:11 | 0:06:15 | |
Paul, what about these, there's quite a lot of books in the boxes here. | 0:06:15 | 0:06:18 | |
-Oh, right. Let's have a look. -From my childhood. | 0:06:18 | 0:06:21 | |
-So these are all yours, are they? -Oh, yes. | 0:06:21 | 0:06:24 | |
Gosh, that brings back my childhood. Look at these. | 0:06:24 | 0:06:26 | |
-Enid Blyton, the Famous Five. -Yes. -And where did they come from, bookshops, or...? | 0:06:26 | 0:06:30 | |
Well, there used to be a shop in Mountain Ash called The Leather Shop. | 0:06:30 | 0:06:35 | |
And you'd walk in and all the Enid Blyton books would be in the back of the shop. | 0:06:35 | 0:06:38 | |
So the first port of call, straight for the books! | 0:06:38 | 0:06:41 | |
So most of the pocket money went, it's probably in the box here! | 0:06:41 | 0:06:45 | |
So and then, you know, any table top sales, in the church, my mother used to have a fit. | 0:06:45 | 0:06:50 | |
"How many more books have you come back with?!" | 0:06:50 | 0:06:52 | |
And I'm like, "Well, I need them!" | 0:06:52 | 0:06:54 | |
Well, Enid Blyton, I mean, she's amazing. | 0:06:54 | 0:06:56 | |
One of Britain's best-known children's authors. | 0:06:56 | 0:06:59 | |
She sold something like 600 million books. That's a lot of books. | 0:06:59 | 0:07:03 | |
-You're telling me! -And they're just so nice. | 0:07:03 | 0:07:05 | |
I mean, the stories are all based round boarding schools, | 0:07:05 | 0:07:08 | |
or round just life in the 1950s, wasn't it? | 0:07:08 | 0:07:11 | |
Wonderful stuff. | 0:07:11 | 0:07:12 | |
Look at this! There we are, top pop stars of the day! | 0:07:12 | 0:07:17 | |
-Who's is that? -Oh, that's mine! | 0:07:17 | 0:07:19 | |
You always want to be one of the singers, don't you?! | 0:07:19 | 0:07:22 | |
You know, model yourself on them. | 0:07:22 | 0:07:24 | |
If you're a teenager in the 1960s, these would have been your idols. | 0:07:24 | 0:07:26 | |
But you look at them now, it is very nostalgic. | 0:07:26 | 0:07:29 | |
-You've got Mick Jagger, Lulu there. -I know. | 0:07:29 | 0:07:32 | |
Well, do you know what, there is quite a big following for these sort of things now, | 0:07:32 | 0:07:36 | |
for that nostalgia market. | 0:07:36 | 0:07:37 | |
A good collection of books like that, I mean, | 0:07:37 | 0:07:39 | |
if I said around the £30 mark, | 0:07:39 | 0:07:42 | |
sort of £20-£40 as an auction estimate, how does that sound? | 0:07:42 | 0:07:45 | |
That's fine. I wouldn't have thought they'd have been anywhere near that. | 0:07:45 | 0:07:48 | |
Really? Oh, right. OK. | 0:07:48 | 0:07:50 | |
Well, the Famous Five, let's all go to auction, eh? | 0:07:50 | 0:07:53 | |
-Exactly. -Lashings of ginger beer! -Yeah! And we need the dog as well! | 0:07:53 | 0:07:56 | |
OK, that's definitely going, then. | 0:07:56 | 0:07:58 | |
So let's have a look over here, see what else we can find. | 0:07:58 | 0:08:01 | |
As our search continues around Julie's parents' home, | 0:08:03 | 0:08:06 | |
she comes across some more nostalgia in the form of this collection of boxed Yesteryear cars. | 0:08:06 | 0:08:12 | |
They were originally collected by Julie's dad | 0:08:12 | 0:08:15 | |
and others were bought as presents. | 0:08:15 | 0:08:16 | |
Paul reckons they'll help us motor on to another £20-£30 | 0:08:16 | 0:08:20 | |
towards our target. | 0:08:20 | 0:08:21 | |
There's no time for that, Paul! As we rummage around this house, | 0:08:22 | 0:08:25 | |
I can't help noticing there are lots of empty spaces. | 0:08:25 | 0:08:29 | |
Julie, up here on the landing, | 0:08:29 | 0:08:31 | |
you really get the feeling of being in an empty house, don't you? | 0:08:31 | 0:08:36 | |
I know, it's a bit strange. | 0:08:36 | 0:08:37 | |
The more empty it's becoming, the harder it is to come, to be honest. | 0:08:37 | 0:08:42 | |
I'm used to seeing it full with lots of stuff, you know. | 0:08:42 | 0:08:47 | |
Particularly upstairs. | 0:08:47 | 0:08:49 | |
I can understand why, when you say there are so many memories. | 0:08:49 | 0:08:52 | |
-Too many ghosts in this house for you to stay here? -There is. | 0:08:52 | 0:08:56 | |
I come in and I can still see them, you know, | 0:08:56 | 0:08:58 | |
my mum sat in the chair, my dad sort of playing the electric organ. | 0:08:58 | 0:09:03 | |
To come in, I couldn't sit here in the night, Angela. | 0:09:03 | 0:09:07 | |
I would be thinking too much, you know? | 0:09:07 | 0:09:10 | |
-But your parents loved to dance, didn't they? -Definitely, yeah. | 0:09:10 | 0:09:14 | |
They loved to dance. Big part of, you know, their courtship. | 0:09:14 | 0:09:18 | |
And a big part of our life as a family. | 0:09:18 | 0:09:20 | |
My dad was paramount to teaching me to dance. | 0:09:20 | 0:09:26 | |
He always used to say to me, "My girl, if you can dance, | 0:09:26 | 0:09:28 | |
"you'll never be lonely." | 0:09:28 | 0:09:29 | |
And it was the radiogram downstairs in the corner, | 0:09:29 | 0:09:33 | |
it was probably the first piece of furniture that they had saved up for for a number of years. | 0:09:33 | 0:09:38 | |
The only time they ever went out was sort of on a Saturday night. | 0:09:38 | 0:09:42 | |
Him and his brothers and their wives would all go out | 0:09:42 | 0:09:44 | |
down to one of the local dance halls and off they'd go, you know, | 0:09:44 | 0:09:47 | |
and I'd be left there with my nan and pop. | 0:09:47 | 0:09:49 | |
It used to be great, because I'd have a little picnic with them then, you know! | 0:09:49 | 0:09:53 | |
And I'd get away with murder! | 0:09:53 | 0:09:55 | |
He was obviously a very special man. | 0:09:55 | 0:09:57 | |
-And your mum must have been a very special lady. -They were. | 0:09:57 | 0:10:00 | |
My dad was my rock. And Mam was my best friend. | 0:10:00 | 0:10:03 | |
And it's been a bit of a... a couple of years, it's not been easy. | 0:10:03 | 0:10:10 | |
I think both of them will be incredibly proud | 0:10:10 | 0:10:12 | |
knowing what you're going to do for the British Heart Foundation. | 0:10:12 | 0:10:15 | |
So, let's go and join Lynn and Paul and see how much closer we are to that target. | 0:10:15 | 0:10:21 | |
Absolutely. | 0:10:21 | 0:10:22 | |
I'm sure that many of the items we're discovering here today | 0:10:22 | 0:10:25 | |
bring back fond memories for Julie of her parents. | 0:10:25 | 0:10:28 | |
Lynn finds this brass traction engine that was a present from Julie's mum to her dad, | 0:10:29 | 0:10:34 | |
who always had an interest in steam engines. | 0:10:34 | 0:10:37 | |
Paul estimates that this particular piece could be worth £30-£40. | 0:10:37 | 0:10:40 | |
Full steam ahead! | 0:10:40 | 0:10:42 | |
This is an absolute child's dream, this house! | 0:10:42 | 0:10:46 | |
Look at all the toys. The Bristol Castle! | 0:10:46 | 0:10:49 | |
-What a fantastic locomotive that is. -Oh, yes. | 0:10:49 | 0:10:52 | |
Uncle Gordon loved steam trains. Anything mechanical, just loved it. | 0:10:52 | 0:10:57 | |
-So it doesn't surprise me at all. -So, what have you got there? | 0:10:57 | 0:11:01 | |
-Well, this is at steam car. -A steam car?! -Lots of bits and pieces. | 0:11:01 | 0:11:05 | |
-I think that one actually works. -And another one here. | 0:11:05 | 0:11:07 | |
A steam locomotive. Oh gosh, these are fantastic. | 0:11:07 | 0:11:11 | |
I know Paul likes playing with toys, but these are rather special. | 0:11:11 | 0:11:16 | |
Paul! Do you want to come and join us? | 0:11:16 | 0:11:17 | |
I've got something special for you to look at here. | 0:11:17 | 0:11:20 | |
-Ah, now than! Look at this! -Do you know Mamod? -I do know Mamod, yes. | 0:11:20 | 0:11:23 | |
Mamod steam engine, traction engine, and a steam car. | 0:11:23 | 0:11:27 | |
-These are wonderful. -He loved steam, did he? | 0:11:27 | 0:11:31 | |
Yes, just loved anything mechanical, steam engines, trains, | 0:11:31 | 0:11:34 | |
all sorts of things. | 0:11:34 | 0:11:36 | |
Well, do you know what, there is a fascination, | 0:11:36 | 0:11:38 | |
especially the old boys love steam engines, steam trains, that sort of thing. | 0:11:38 | 0:11:41 | |
But these really were one of the first ones, all hands on toys, really. | 0:11:41 | 0:11:46 | |
-And we've got the box! -That makes a massive difference. | 0:11:46 | 0:11:49 | |
I've never seen one with a box before, that's great. | 0:11:49 | 0:11:51 | |
And this tells you the age there. | 0:11:51 | 0:11:53 | |
Look at that, we've got Award Winner, 1975. | 0:11:53 | 0:11:55 | |
So we know it's at least after that date. | 0:11:55 | 0:11:58 | |
I think you still actually can buy this model. | 0:11:58 | 0:12:00 | |
-I'm not sure about the actual car any more. -So, that's a steam car?! | 0:12:00 | 0:12:03 | |
-That a steam car, which is really good fun. -Isn't it great?! | 0:12:03 | 0:12:06 | |
But they always create an interest, and there's lots of old boys now that love to get these going | 0:12:06 | 0:12:10 | |
and reintroduce it to another generation. | 0:12:10 | 0:12:12 | |
-And young boys, too. -Gosh, yes. -How much, do we think? | 0:12:12 | 0:12:16 | |
Well, these things do really well, | 0:12:16 | 0:12:17 | |
especially in this sort of condition. | 0:12:17 | 0:12:20 | |
I mean, if I said at least sort of £30-£50 each. | 0:12:20 | 0:12:23 | |
So you're looking probably £60-£100, that sort of price. | 0:12:23 | 0:12:26 | |
-Does that sound OK to you? -Surprising! | 0:12:26 | 0:12:28 | |
-I think they're lovely. -Yeah, there are. | 0:12:28 | 0:12:29 | |
But will these classic toys peak a bidding interest when we get to auction? | 0:12:29 | 0:12:35 | |
-50, 60. 70, £80. -Wow! | 0:12:35 | 0:12:38 | |
We'll find out soon enough! | 0:12:38 | 0:12:41 | |
So far, our rummage here in MidGlamorgan has thrown up all sorts of nostalgic pieces. | 0:12:42 | 0:12:48 | |
And it looks like Paul has come across something | 0:12:48 | 0:12:50 | |
that's associated with the history of these parts. | 0:12:50 | 0:12:53 | |
-Julie? -Yeah? -Now, where did these miners' lamps come from? | 0:12:53 | 0:12:58 | |
These are great, aren't they? | 0:12:58 | 0:13:00 | |
I would have thought it would have been my dad's dad, more than my mum's, | 0:13:00 | 0:13:04 | |
because my grandad was the blacksmith down in Penrhiwceibre colliery. | 0:13:04 | 0:13:10 | |
Penrhiwceibr colliery. Try and say that! | 0:13:10 | 0:13:12 | |
Oh yeah, try and say that after you've had a few a few pints! You've had your chips! | 0:13:12 | 0:13:16 | |
Well, I can see that one hasn't been used at all. | 0:13:16 | 0:13:18 | |
That looks more like, not a tourist thing, | 0:13:18 | 0:13:20 | |
but more like a reproduction item, it's had no use whatsoever. | 0:13:20 | 0:13:24 | |
-That's come from the local lamp works in Aberdare. -What I like is the this. | 0:13:24 | 0:13:28 | |
This one tells a story of itself, really, | 0:13:28 | 0:13:32 | |
that's had a lot of use at some point. | 0:13:32 | 0:13:33 | |
So it's Thomas and Williams Ltd. | 0:13:33 | 0:13:36 | |
Approved under Schedule B, Cambrian type. | 0:13:36 | 0:13:38 | |
And then the number there, number 35. | 0:13:38 | 0:13:40 | |
I think that actually would be your grandfather's issue number. | 0:13:40 | 0:13:44 | |
Well, these were very necessary items. | 0:13:44 | 0:13:46 | |
They're known as a Davy lamp, after a guy called Sir Humphrey Davy. | 0:13:46 | 0:13:49 | |
And he developed a method of making a naked flame that could be used in the mine, but it was safe. | 0:13:49 | 0:13:56 | |
-And it's not actually a lamp, it's a safety light. -Right. | 0:13:56 | 0:13:58 | |
People often think that these are the sort of things you bring to actually see with. It isn't. | 0:13:58 | 0:14:02 | |
-Yeah. -What you do, you place it on the base of the mine, | 0:14:02 | 0:14:06 | |
and it detects any unwanted gases. | 0:14:06 | 0:14:08 | |
And it would actually change colour, so if it went like a blue colour, | 0:14:08 | 0:14:11 | |
you knew there was too much methane in the room, you had to get out. | 0:14:11 | 0:14:14 | |
If it went out, there wasn't enough oxygen, and it wasn't safe to work. | 0:14:14 | 0:14:17 | |
So it's a safety lamp, and it saved countless lives, this lamp. | 0:14:17 | 0:14:20 | |
It's a fantastic thing. | 0:14:20 | 0:14:21 | |
Well, you've got this one here, | 0:14:21 | 0:14:24 | |
which doesn't have much of a value, to be fair. | 0:14:24 | 0:14:26 | |
I mean, the history is what people tend to go for, the nostalgia value. | 0:14:26 | 0:14:29 | |
I mean, if I said around the £50 mark, sort of £40-£60, | 0:14:29 | 0:14:34 | |
as an estimate, and I think if you get two people | 0:14:34 | 0:14:37 | |
who really take a shine to these, | 0:14:37 | 0:14:38 | |
-You could do all right. -OK. | 0:14:38 | 0:14:40 | |
-Does that sound all right to you? -It sounds great, thanks. | 0:14:40 | 0:14:42 | |
Well, let's leave that one there and let's check out for any firedamp, or methane gas! | 0:14:42 | 0:14:47 | |
OK! | 0:14:47 | 0:14:48 | |
We're over halfway through our rummage, and by Paul's estimate, | 0:14:48 | 0:14:51 | |
so far we've got £260 worth of stock to take to auction. | 0:14:51 | 0:14:55 | |
With many of the shelves and cupboards bare, | 0:14:55 | 0:14:58 | |
except in the old play room, we turn our attention | 0:14:58 | 0:15:01 | |
to some of the larger pieces | 0:15:01 | 0:15:03 | |
and Lynn suggests this chest of drawers. | 0:15:03 | 0:15:06 | |
It was bought by Julie's dad, Gordon, possibly from Abergavenny market. | 0:15:06 | 0:15:11 | |
He'd apparently often come home with odd bits of furniture, | 0:15:11 | 0:15:13 | |
but never say where they came from! | 0:15:13 | 0:15:15 | |
But with an estimate of £30-£50, Julie knows where it is going! | 0:15:15 | 0:15:19 | |
Family history is very much at the centre of our search today, | 0:15:19 | 0:15:23 | |
with so many of our finds belonging to Julie's dad and Lynn's uncle. | 0:15:23 | 0:15:28 | |
I'd like to find out more about this close-knit family. | 0:15:28 | 0:15:30 | |
Julie, how many boxes of photographs have you got?! | 0:15:30 | 0:15:33 | |
-You must have hundreds of them! -I have no idea. | 0:15:33 | 0:15:37 | |
We are just finding them everywhere. | 0:15:37 | 0:15:40 | |
They're in cupboards, they're in boxes in the attic, they're in drawers! | 0:15:40 | 0:15:45 | |
You are a very close family, but Julie, | 0:15:45 | 0:15:47 | |
you're here in Wales, Lynn, you're in east London. | 0:15:47 | 0:15:51 | |
How on earth do you manage to keep in touch? | 0:15:51 | 0:15:53 | |
Well, Julie's grandfather and my grandmother are brother and sister, | 0:15:53 | 0:15:58 | |
and they were very, very close. | 0:15:58 | 0:16:00 | |
And my grandmother went down to London to go into service when she was 15. | 0:16:00 | 0:16:05 | |
And they just always kept close, kept in touch. | 0:16:05 | 0:16:09 | |
And so when they had children, they did the same. | 0:16:09 | 0:16:12 | |
So, Julie, it was pretty obvious that one of your best friends was going to be Lynn? | 0:16:12 | 0:16:16 | |
Yeah, it was always going to be, because of the family connection. | 0:16:16 | 0:16:21 | |
I mean, when you've got no brothers and sisters, | 0:16:21 | 0:16:23 | |
she is the closest thing I've got to a sister, really. | 0:16:23 | 0:16:26 | |
Lynn, weren't you telling me that your uncle - Julie, your father - used to play the organ? | 0:16:26 | 0:16:30 | |
Yes, he did. Self-taught. | 0:16:30 | 0:16:33 | |
We used to have an organ along the back wall there, a really big thing. | 0:16:33 | 0:16:39 | |
And you'd come in and he'd be there, plonking away | 0:16:39 | 0:16:42 | |
with his headphones on while my mother was sat watching the telly! | 0:16:42 | 0:16:46 | |
But he would sing with the headphones on his head! | 0:16:46 | 0:16:48 | |
So it was pointless him having the headphones on, | 0:16:48 | 0:16:50 | |
because my mother couldn't hear the telly anyway! | 0:16:50 | 0:16:52 | |
They'd have a battle. My mother'd be turning the telly up, | 0:16:52 | 0:16:55 | |
and my father would be singing louder and louder and playing! | 0:16:55 | 0:16:57 | |
-But I don't see the organ in the house anywhere now. -Where is it? | 0:16:57 | 0:17:00 | |
We donated it to the local church. | 0:17:00 | 0:17:02 | |
Which is what we felt that Dad would have liked to do. | 0:17:04 | 0:17:07 | |
So it must have been a sad day when you had to say goodbye to the organ? | 0:17:07 | 0:17:10 | |
It was very, very sad. For me, that was probably the hardest bit so far, | 0:17:10 | 0:17:14 | |
was seeing the organ being taken out. | 0:17:14 | 0:17:16 | |
Yeah. | 0:17:16 | 0:17:18 | |
But, when we came back and sort of talked about it, | 0:17:18 | 0:17:22 | |
and I told Julie that we had to look on the bright side, | 0:17:22 | 0:17:25 | |
-because she'd just become an organ donor! -Yeah. | 0:17:25 | 0:17:29 | |
Well, if he sang so much, | 0:17:29 | 0:17:31 | |
I'm sure that whoever buys this house will find an echo of him | 0:17:31 | 0:17:34 | |
somewhere up in the attic, or in one of the rooms somewhere! | 0:17:34 | 0:17:37 | |
I think that's one of the biggest memories of my dad, | 0:17:37 | 0:17:40 | |
is always singing, always dancing. | 0:17:40 | 0:17:44 | |
Um... | 0:17:44 | 0:17:46 | |
He was just always there. He was a dad in a million. | 0:17:46 | 0:17:50 | |
So let's hope we can do Gordon and Yvonne's memory proud | 0:17:50 | 0:17:54 | |
and raise a good sum in aid of that worthy cause. | 0:17:54 | 0:17:57 | |
How about this lovely looking polished cabinet? | 0:17:57 | 0:18:00 | |
Julie's parents bought it from a local furniture store around 10 years ago. | 0:18:00 | 0:18:04 | |
They got it to display all the crystal that they used to collect | 0:18:04 | 0:18:08 | |
and thanks to its condition, | 0:18:08 | 0:18:10 | |
Paul estimates that it could net us a further £50-£80 at auction. | 0:18:10 | 0:18:14 | |
Now then, Lynn, oh, look at this! | 0:18:14 | 0:18:16 | |
-Oh, that's a nice set, actually, isn't it? -Yeah. | 0:18:16 | 0:18:19 | |
Now then, whose is this? | 0:18:19 | 0:18:20 | |
Well, it's a tea service that I think was Julie's nan and grandad's. | 0:18:20 | 0:18:25 | |
And I think Julie's parents bought it for them | 0:18:25 | 0:18:27 | |
for some anniversary or another. | 0:18:27 | 0:18:29 | |
Right, we're looking at the 1930s. Do you know who made this? | 0:18:29 | 0:18:32 | |
I know it says Shelley on the bottom, | 0:18:32 | 0:18:34 | |
but I don't know much more about it than that. | 0:18:34 | 0:18:36 | |
That's right. This is Shelley. It's one of Britain's best-known manufacturers, | 0:18:36 | 0:18:40 | |
from the Art Deco period. | 0:18:40 | 0:18:41 | |
And very white porcelain. The value really, though, is in the shape. | 0:18:41 | 0:18:45 | |
The more geometric, the more Art Deco these pieces are, the better. | 0:18:45 | 0:18:49 | |
But beautiful quality. | 0:18:49 | 0:18:50 | |
And what you tend to find nowadays, you have a cup, a saucer, | 0:18:50 | 0:18:54 | |
and a side plate. | 0:18:54 | 0:18:55 | |
And that is classed as a trio. Can you see that? | 0:18:55 | 0:18:57 | |
And it would go in a cabinet, just to look pretty. | 0:18:57 | 0:18:59 | |
But this one is the Primrose pattern. | 0:18:59 | 0:19:03 | |
And that is how people tend to collect them now. | 0:19:03 | 0:19:05 | |
Unless you get a full set of six. What have we got here? | 0:19:05 | 0:19:08 | |
We've got one, two, three, four, five, oh, what has happened here? | 0:19:08 | 0:19:12 | |
-What a shame. We've got five and a half! -Yes. | 0:19:12 | 0:19:15 | |
-Do you know what happened there? -I don't know what happened to it, | 0:19:15 | 0:19:18 | |
but I can see that Gordon tried to repair it. | 0:19:18 | 0:19:21 | |
-Do you ever remember her using this set? -Not really, no. | 0:19:21 | 0:19:24 | |
No, it was mugs. | 0:19:24 | 0:19:25 | |
-Things like that only got used when the doctor came round! -Right! | 0:19:25 | 0:19:28 | |
They were usually just kept in the cabinet, just to look pretty. | 0:19:28 | 0:19:31 | |
And you've got your bread and butter plate and your sugar and cream. OK. | 0:19:31 | 0:19:35 | |
Well, what you've got is a 1930s part tea service | 0:19:35 | 0:19:38 | |
by one of the best manufacturers. | 0:19:38 | 0:19:40 | |
I mean, if you said £10 a cup and saucer, looking around the £50 mark. | 0:19:40 | 0:19:45 | |
If I said sort of £30-£50 as an estimate, how does that sound? | 0:19:45 | 0:19:48 | |
-That's fine. -All right. It will be somebody's cup of tea! | 0:19:48 | 0:19:51 | |
-Oh! Only someone with a very sweet tooth! -Exactly, yeah! | 0:19:51 | 0:19:55 | |
All right, come on, let's keep looking. I do the jokes! | 0:19:55 | 0:19:57 | |
I'd say the jury's out on that last statement, Paul! | 0:19:57 | 0:19:59 | |
We're nearing the end of our search, so it's time to give the house | 0:19:59 | 0:20:03 | |
one last look to see if we've missed anything. | 0:20:03 | 0:20:06 | |
Paul, the sun's over the yardarm - do you fancy a cocktail?! | 0:20:06 | 0:20:10 | |
Do you know, I thought you'd never ask! | 0:20:10 | 0:20:12 | |
That's fantastic, isn't it? I love these cocktail cabinets, | 0:20:12 | 0:20:16 | |
there's something really sort of Art Deco about them. | 0:20:16 | 0:20:18 | |
Where has this come from? Is it something that you've bought? | 0:20:18 | 0:20:21 | |
Right, this has been around since long before me. | 0:20:21 | 0:20:25 | |
Did they used to have cocktail parties and things like that? | 0:20:25 | 0:20:28 | |
No, it was opened at Christmas. They weren't drinkers at all. | 0:20:28 | 0:20:32 | |
And I think that's one of my biggest memories with this, | 0:20:32 | 0:20:35 | |
was at Christmas I was allowed to have a sherry! | 0:20:35 | 0:20:37 | |
Which I thought was so grown-up. But it was, you know, | 0:20:37 | 0:20:40 | |
sherry with a pile of lemonade stuck in the top of it! | 0:20:40 | 0:20:43 | |
Do you know what, I've seen lots and lots of these cabinets around. | 0:20:43 | 0:20:46 | |
They don't fit in with the modern generation. | 0:20:46 | 0:20:48 | |
I don't think we're a nation of cocktail drinkers these days. | 0:20:48 | 0:20:51 | |
But I think they're wonderful things. | 0:20:51 | 0:20:53 | |
I love the action where the whole thing closes up and comes out. Very hydraulic. | 0:20:53 | 0:20:57 | |
You've got a lemon squeezer here, the fluorescent lights. | 0:20:57 | 0:20:59 | |
It's very Art Deco with its cloud shape. Can you see that? | 0:20:59 | 0:21:02 | |
The contrasting colours you've got there. | 0:21:02 | 0:21:04 | |
A very dark wood on the outside, | 0:21:04 | 0:21:06 | |
but you have a bird's eye maple on the inside, a very light wood. | 0:21:06 | 0:21:09 | |
That's a nice combination. But this is done in a veneer. | 0:21:09 | 0:21:12 | |
The only thing I wish they would have done is just made them better. | 0:21:12 | 0:21:15 | |
They're really affordable, cheapish wood, really, they made these from. | 0:21:15 | 0:21:19 | |
For me, it's spoilt it. If this was a good quality made piece, | 0:21:19 | 0:21:21 | |
I think it would be more popular. But they have turned up at auction quite recently. | 0:21:21 | 0:21:25 | |
I see these sort of things, | 0:21:25 | 0:21:27 | |
and you can be looking sort of £20-£40. | 0:21:27 | 0:21:30 | |
How does that sound? | 0:21:30 | 0:21:31 | |
Yeah, well it's all towards a good cause, isn't it? So it'll all help. | 0:21:31 | 0:21:36 | |
-OK, so it's cocktails all round at the auction then, eh?! -Absolutely! | 0:21:36 | 0:21:39 | |
-CABINET GRATES -Oh, dear me! It's a bit of fun, that, isn't it? | 0:21:39 | 0:21:41 | |
I quite like the look of it. Angela, Lynn! Now then. | 0:21:41 | 0:21:44 | |
-What have you got there, then? -We found a lovely cocktail cabinet. | 0:21:44 | 0:21:47 | |
Sort of 1930s, maybe even later, 1950s. | 0:21:47 | 0:21:50 | |
Hopefully it should sell quite well, maybe £20-£40. | 0:21:50 | 0:21:52 | |
So put that on to the target, if you would. | 0:21:52 | 0:21:55 | |
Now, is that with or without the contents? | 0:21:55 | 0:21:57 | |
-We'll have to empty it first, I think! -That won't be a problem! | 0:21:57 | 0:22:01 | |
THEY LAUGH | 0:22:01 | 0:22:02 | |
So £20, a nice round figure for me to do my maths at the end of the day. | 0:22:02 | 0:22:07 | |
If I just add that to the figure that I've already got in my head, | 0:22:07 | 0:22:10 | |
it means that while we're hoping to raise £300 at auction, | 0:22:10 | 0:22:14 | |
and on his lowest estimate, if I add that £20 to the figure | 0:22:14 | 0:22:18 | |
I've already got in my head, it comes out at £390. | 0:22:18 | 0:22:23 | |
-Hey! -Wow! Yeah! | 0:22:23 | 0:22:25 | |
That's good! Good result! | 0:22:25 | 0:22:27 | |
And at auction, of course, we could do even better than that! | 0:22:27 | 0:22:30 | |
But we'll have to wait and see. Who knows? | 0:22:30 | 0:22:32 | |
I mean, they may see the cocktail cabinet | 0:22:32 | 0:22:34 | |
and darling, it'll be a party all round! | 0:22:34 | 0:22:36 | |
THEY LAUGH | 0:22:36 | 0:22:37 | |
Won't it be great if we do reach our target? | 0:22:38 | 0:22:42 | |
Amongst our finds here today, that large collection of bottles, | 0:22:42 | 0:22:46 | |
many of which have come from the local valleys. | 0:22:46 | 0:22:49 | |
They should bring us £50£80 when we call time at auction. | 0:22:49 | 0:22:52 | |
Other items of local interest are those Davy safety lamps | 0:22:54 | 0:22:57 | |
that were used by Julie's grandad during his days as a miner. | 0:22:57 | 0:23:00 | |
Paul suggests £40-£60. | 0:23:00 | 0:23:03 | |
And there's also that collection of nostalgic novels, | 0:23:03 | 0:23:07 | |
including many Enid Blyton treasured classics. | 0:23:07 | 0:23:09 | |
With books like these still very much in demand, | 0:23:09 | 0:23:12 | |
Paul reckons we'll get £20-£40 for the lot. | 0:23:12 | 0:23:15 | |
Coming up, Julie unveils a novel sales pitch at auction... | 0:23:18 | 0:23:21 | |
The firebox fell off and set fire to the stage! Oops! | 0:23:21 | 0:23:26 | |
Perhaps I shouldn't be saying that! | 0:23:26 | 0:23:28 | |
..And one sale gets us very shaken and stirred... | 0:23:28 | 0:23:30 | |
I'm really overwhelmed! | 0:23:30 | 0:23:32 | |
I don't believe that! | 0:23:32 | 0:23:35 | |
That is amazing! | 0:23:35 | 0:23:37 | |
Be there when the hammer falls. | 0:23:37 | 0:23:39 | |
We had such a lovely day with Julie | 0:23:43 | 0:23:46 | |
and how very generous of her to decide to give the proceeds | 0:23:46 | 0:23:49 | |
of today's auction to her favourite charity. | 0:23:49 | 0:23:52 | |
But of course, it's not going to go anywhere | 0:23:52 | 0:23:54 | |
until she actually raises the money. | 0:23:54 | 0:23:55 | |
So we've brought all of her things here to Carmarthen, | 0:23:55 | 0:23:59 | |
to the Peter Francis auction house. | 0:23:59 | 0:24:01 | |
And I'm rather hoping that her items are really going to catch the eye of the bidders. | 0:24:01 | 0:24:06 | |
Julie's already here, | 0:24:06 | 0:24:08 | |
but it looks like her cousin Lynn has been given the day off. | 0:24:08 | 0:24:11 | |
-Julie! -Hello. -Hi, how are you doing? -And who's this? | 0:24:11 | 0:24:15 | |
-This is my best friend, Christine. -Hello. -Hi. -Otherwise known as Chris. | 0:24:15 | 0:24:20 | |
Unfortunately, my cousin's on jury service, | 0:24:20 | 0:24:23 | |
so she can't make it this week. | 0:24:23 | 0:24:26 | |
But I tend to take her out and dust her off and she comes in handy! | 0:24:26 | 0:24:30 | |
We've got some nice things coming up. You put a reserve on a couple of them, haven't you? | 0:24:30 | 0:24:34 | |
Yeah, the auction house have put a reserve | 0:24:34 | 0:24:36 | |
on quite a lot of the stuff and I sort of questioned it, | 0:24:36 | 0:24:39 | |
but they've reserved the Shelley and the Mamod steam trains. | 0:24:39 | 0:24:43 | |
That's not a problem at all. They're some of your best items. | 0:24:43 | 0:24:46 | |
The Mamods, great collectors' items. I think they've got no problem. | 0:24:46 | 0:24:49 | |
And Shelley is one of the best names for that type of china. | 0:24:49 | 0:24:52 | |
But look, as you can see, there are lots of people in the auction room | 0:24:52 | 0:24:55 | |
and it's already in progress. | 0:24:55 | 0:24:56 | |
I think your lots are about to come up, | 0:24:56 | 0:24:59 | |
-so we really should go and take our places, shall we? -Sounds good. | 0:24:59 | 0:25:02 | |
Julie's first lot up for auction is the brass traction engine | 0:25:04 | 0:25:07 | |
that belonged to her dad, Gordon, the keen steam train enthusiast. | 0:25:07 | 0:25:11 | |
We saw a lot of steam engines, baby ones, when we were at your house. | 0:25:11 | 0:25:15 | |
And one of them is about to come up now. | 0:25:15 | 0:25:17 | |
This was never really a toy, was it, this steam engine? | 0:25:17 | 0:25:19 | |
They shouldn't be, however, my dad being as soft as he is with the kids, | 0:25:19 | 0:25:23 | |
my son and my grandson were allowed to play with it. | 0:25:23 | 0:25:27 | |
So it's been well used! | 0:25:27 | 0:25:30 | |
But these are really collectors' items, Paul? | 0:25:31 | 0:25:33 | |
They are. And so much passion goes into these items. | 0:25:33 | 0:25:35 | |
People do love steam. | 0:25:35 | 0:25:36 | |
I mean, anyone that can remember the steam trains, obviously, | 0:25:36 | 0:25:39 | |
they're very attractive things. | 0:25:39 | 0:25:41 | |
But the kids nowadays have never seen anything like it before, | 0:25:41 | 0:25:44 | |
there's a whole new fascination out there for these things. | 0:25:44 | 0:25:47 | |
So we're looking around the £50 mark. | 0:25:47 | 0:25:48 | |
I said sort of £30-£40, we'll expect it to go, hopefully, | 0:25:48 | 0:25:51 | |
around that sort of price. | 0:25:51 | 0:25:53 | |
Starting me away at 20. Five. £30 with me. | 0:25:53 | 0:25:56 | |
Commission bid is at £30, straight in. Two if you will now. | 0:25:56 | 0:25:59 | |
£30 with me. 32. | 0:25:59 | 0:26:01 | |
And five. 38,sir? | 0:26:01 | 0:26:02 | |
35 still with me. Lost you in the room at 35. | 0:26:02 | 0:26:06 | |
-38, fresh bidder. 40, do I see? -Oh! -There we go! | 0:26:06 | 0:26:10 | |
40, I'll take. 40, back in. | 0:26:10 | 0:26:12 | |
Two. 45, sir? 45 is bid. And eight. 48. | 0:26:12 | 0:26:17 | |
Fill it up, 50. £48, second row bid. Finished and done at 48. | 0:26:17 | 0:26:22 | |
-There you go, dead right. -Terrific! | 0:26:22 | 0:26:25 | |
That's what happens when you get a couple of steam engine enthusiasts and they both want it. | 0:26:25 | 0:26:29 | |
I can't believe that! Yeah! | 0:26:29 | 0:26:32 | |
A great start for Julie, | 0:26:32 | 0:26:34 | |
and one that's put us on the right track for today's target of £300. | 0:26:34 | 0:26:38 | |
Moving on to our next item, we've got another steam engine. | 0:26:38 | 0:26:42 | |
This one is made by Mamod, and there's also a Mamod steam car. | 0:26:42 | 0:26:46 | |
So those have actually been raced in the YMCA opts at my mum and dad's house. | 0:26:46 | 0:26:53 | |
Which, the firebox fell off and set fire to the stage! Oops! | 0:26:53 | 0:26:58 | |
Perhaps I shouldn't be saying that! I'll give the secrets away! Yeah! | 0:26:58 | 0:27:02 | |
It's an interesting story, | 0:27:02 | 0:27:03 | |
but it's not the sort of provenance you want, really! | 0:27:03 | 0:27:07 | |
But these are lovely items. Great fun. | 0:27:07 | 0:27:09 | |
Lots of people can remember them, good nostalgic bits and pieces. | 0:27:09 | 0:27:12 | |
Again, lots of commission bidders here today. Two in this case. | 0:27:12 | 0:27:16 | |
Starting me away a at 50. 60. 70. £80. | 0:27:16 | 0:27:19 | |
-Wow! -£80 I am at. 90. 100. | 0:27:19 | 0:27:23 | |
Oh! | 0:27:23 | 0:27:24 | |
110. 120. 120 here. | 0:27:24 | 0:27:26 | |
Commission bid at 130, if you like now. At 120 with me. 130, do I see? | 0:27:26 | 0:27:31 | |
I can't believe it! | 0:27:31 | 0:27:33 | |
140. | 0:27:33 | 0:27:35 | |
140 still with me. Finished and done, £140. | 0:27:35 | 0:27:38 | |
Any advance? | 0:27:38 | 0:27:40 | |
-There you go. -How's that? | 0:27:40 | 0:27:42 | |
-Your dad would have never guessed that, would he? -He would not have. | 0:27:42 | 0:27:45 | |
He would not have. He would have been absolutely thrilled. He would. | 0:27:45 | 0:27:51 | |
Well, the bidders don't seem to be running out of steam, | 0:27:51 | 0:27:54 | |
as our car and traction engine | 0:27:54 | 0:27:56 | |
have made over twice Paul's bottom estimate. | 0:27:56 | 0:27:58 | |
Let's hope our two miners' safety lamps bring us further success. | 0:27:58 | 0:28:02 | |
One real, one reproduction. | 0:28:02 | 0:28:04 | |
-But the real one is from the family, isn't it? -It is, yeah. Yeah. | 0:28:04 | 0:28:07 | |
It was from my grandad. So, it's... | 0:28:07 | 0:28:11 | |
You sound a bit sad now, giving it away. | 0:28:11 | 0:28:14 | |
I know, but I think it needs to go. | 0:28:14 | 0:28:17 | |
Because I haven't got anywhere to put it. | 0:28:17 | 0:28:20 | |
It would just be stuck up in the attic, | 0:28:20 | 0:28:22 | |
so I think, let it go to somebody that will enjoy it. | 0:28:22 | 0:28:25 | |
I've got my memories of it, so that's the main thing. | 0:28:25 | 0:28:27 | |
You've got two in the lot there. What shall we say for it? | 0:28:27 | 0:28:30 | |
Nice original one. £60 to start me away for the miners' lamps. | 0:28:30 | 0:28:33 | |
50, then. 30 to get on then, surely. 30 is bid. | 0:28:33 | 0:28:36 | |
Gentleman's bid standing at 30. | 0:28:36 | 0:28:38 | |
Five do I see now, for the miners' lamps? 35. 40. | 0:28:38 | 0:28:41 | |
-That's it, they're waking up now. -Yes. | 0:28:41 | 0:28:43 | |
Finished and done. No advance on 40. | 0:28:43 | 0:28:48 | |
-There you go. -Never mind. It was on estimate. | 0:28:48 | 0:28:51 | |
That's right, yeah. It was. | 0:28:51 | 0:28:53 | |
There was two people wanted it, but it stuck to that. | 0:28:53 | 0:28:55 | |
-So that must be the going rate for the Aberdare, Thomas and Williams Ltd lamps. -Exactly. | 0:28:55 | 0:28:59 | |
Bang on estimate, Paul. | 0:28:59 | 0:29:01 | |
Our next lot may be empty of their contents, | 0:29:01 | 0:29:04 | |
but this collection of bottles | 0:29:04 | 0:29:06 | |
was acquired by Julie's dad over many years. | 0:29:06 | 0:29:11 | |
I think the auction house have given up and said, "Over 200 bottles!" | 0:29:11 | 0:29:15 | |
Not 10 green bottles, but over 200! | 0:29:15 | 0:29:17 | |
The interest isn't massive for these. | 0:29:17 | 0:29:20 | |
-We're looking between £50-£8. All right? -Yes. | 0:29:20 | 0:29:22 | |
But they've displayed them nicely, they're hanging on the wall over there, which is lovely. | 0:29:22 | 0:29:26 | |
I wouldn't want to start singing that song, then! We'd be here for ever! | 0:29:26 | 0:29:30 | |
-HE SINGS: -200 green bottles, hanging on the wall! | 0:29:30 | 0:29:32 | |
We'll join you later, Paul, we'll join you later! | 0:29:32 | 0:29:34 | |
Let's just see what they go for! | 0:29:34 | 0:29:36 | |
Over 200, I'm told, in here. | 0:29:36 | 0:29:38 | |
Good mixed lot of jars and bottles there. | 0:29:38 | 0:29:40 | |
£80 to start me for them, for the five boxes there. | 0:29:40 | 0:29:43 | |
50 to get on, then. 30 then. Here to be sold. Surely £30. | 0:29:43 | 0:29:47 | |
£30 is paid. Gentleman's bid at 30. Five do I see now? | 0:29:47 | 0:29:50 | |
£30 for all these bottles seems cheap. Five, do I see? | 0:29:50 | 0:29:54 | |
Finished and done. Maiden bid of 30. Five. Just in time. 40. | 0:29:54 | 0:29:58 | |
Lost you behind now. At £40 I have. Five do I see? Finished at £40. | 0:29:58 | 0:30:03 | |
45. | 0:30:03 | 0:30:04 | |
Oh! | 0:30:04 | 0:30:06 | |
50 now. At 45, just behind. Just in time. | 0:30:06 | 0:30:08 | |
Finished and done at 45. | 0:30:08 | 0:30:10 | |
-Hey! -Yes! -That's not bad, is it? -Phew! | 0:30:10 | 0:30:14 | |
I think it's better than packing them up and taking them back home! | 0:30:14 | 0:30:17 | |
I certainly wouldn't have anywhere to put them in the attic, | 0:30:17 | 0:30:20 | |
that's for sure! | 0:30:20 | 0:30:21 | |
I'd need to reinforce it! | 0:30:21 | 0:30:24 | |
And I'd say that £45 is a pretty decent amount | 0:30:25 | 0:30:27 | |
for a collection of empties! | 0:30:27 | 0:30:29 | |
And we've got yet another collection coming up next. | 0:30:29 | 0:30:31 | |
This set of Yesteryear cars, all boxed, | 0:30:31 | 0:30:34 | |
they're in excellent condition. | 0:30:34 | 0:30:38 | |
And these were made quite recently, so it must have been somebody who collected these. | 0:30:38 | 0:30:41 | |
-My dad! -Oh, really? | 0:30:41 | 0:30:43 | |
There's another load of those in our attic that my husband was collecting as well. | 0:30:43 | 0:30:48 | |
These are in their original boxes. But they're a future collectable, | 0:30:48 | 0:30:51 | |
they're not something that's really in demand at the moment. | 0:30:51 | 0:30:54 | |
The old Corgis and Dinkies from 50, 60 years earlier than these are very good. | 0:30:54 | 0:30:58 | |
There's quite a lot in this lot. Do you know how many there were? | 0:30:58 | 0:31:01 | |
-I haven't got a clue. -I never counted. | 0:31:01 | 0:31:03 | |
All right, well we're looking between £20 - £30, Angela, | 0:31:03 | 0:31:05 | |
for a good collection of modern toys. | 0:31:05 | 0:31:08 | |
Start me at £20 for the mixed lot there. Die-cast. 10 then, to go. | 0:31:08 | 0:31:13 | |
-10 is bid. Right-hand side. 15 in the centre. -Come on! | 0:31:13 | 0:31:15 | |
20. Five. | 0:31:15 | 0:31:17 | |
At £25, seated. 30 do I see now? I'll take eight if it helps. | 0:31:17 | 0:31:21 | |
£25, are you finished and done? | 0:31:21 | 0:31:22 | |
-There you go. -OK. -That was more than we thought. | 0:31:24 | 0:31:26 | |
-That's right in the middle of the estimate. 20-30. -Yes. | 0:31:26 | 0:31:29 | |
-Nice call, Paul. -Well, there we are. | 0:31:29 | 0:31:31 | |
I imagine our bidder will probably hold on to this | 0:31:31 | 0:31:35 | |
collection for a while. | 0:31:35 | 0:31:37 | |
And who knows, in 20 years' time, they may be worth a lot more. | 0:31:37 | 0:31:41 | |
Not in quite as good condition, the books belonged to Julie as a child. | 0:31:41 | 0:31:45 | |
Many of them feature the always popular | 0:31:45 | 0:31:48 | |
and magical world of Enid Blyton. | 0:31:48 | 0:31:50 | |
These old Enid Blyton stories, of course, | 0:31:50 | 0:31:52 | |
-are still popular today, aren't they? -Yes. | 0:31:52 | 0:31:55 | |
So we should get people wanting to buy these for today's children, Paul? | 0:31:55 | 0:31:59 | |
Yes, these are fantastic things to have for children to rediscover, really. | 0:31:59 | 0:32:03 | |
There's a whole generation that haven't heard the Famous Five and all the Enid Blyton stories. | 0:32:03 | 0:32:07 | |
Interest again with me, starting me away at 10. 20. Five with me. | 0:32:07 | 0:32:11 | |
-25! -25 already! | 0:32:11 | 0:32:13 | |
£25 with me. Who says 28? Any interest here? | 0:32:13 | 0:32:17 | |
Commission bidder at 25. We'll take it, otherwise... | 0:32:17 | 0:32:21 | |
-There you go. -Oh, brilliant! Fantastic. | 0:32:21 | 0:32:24 | |
You see, someone obviously saw that in the catalogue and said, | 0:32:24 | 0:32:27 | |
"Got to have them!" | 0:32:27 | 0:32:29 | |
-Yeah. -Do you remember the figure you wanted to raise? 300? -About £300. | 0:32:29 | 0:32:32 | |
You'll be delighted to know you've made a very nice sort of attractive-looking figure of £323! | 0:32:32 | 0:32:40 | |
-Yay! -Excellent! Great. -And there's lots more to come! -Yes! | 0:32:40 | 0:32:44 | |
Now, the thing is, | 0:32:44 | 0:32:45 | |
you two have never been to an auction before, have you? | 0:32:45 | 0:32:48 | |
-No. -There's lots of lovely things to look at. | 0:32:48 | 0:32:50 | |
So why don't you take an opportunity now to go and have a look at what else there is, | 0:32:50 | 0:32:54 | |
-and then we'll come back for the second half? -OK. Brilliant. | 0:32:54 | 0:32:56 | |
Lead on, Paul! | 0:32:56 | 0:32:58 | |
If you've never been to an auction, | 0:32:58 | 0:33:00 | |
but would like to have a go at selling, | 0:33:00 | 0:33:02 | |
do remember that auction houses do charge fees such as commission. | 0:33:02 | 0:33:05 | |
So it is best to check them in advance. | 0:33:05 | 0:33:08 | |
Paul is always happy roaming around an auction room, | 0:33:08 | 0:33:10 | |
and he's found something very surreal. | 0:33:10 | 0:33:13 | |
Paul, have you found a Welsh Salvador Dali here?! | 0:33:13 | 0:33:17 | |
-It's a very strange world that we're living in! -It is, isn't it? | 0:33:17 | 0:33:20 | |
I really like it. If this was a genuine Salvador Dali, | 0:33:20 | 0:33:23 | |
you'd be talking millions of pounds. But what I like about it, | 0:33:23 | 0:33:26 | |
the artist has really captured the spirit of Dali. | 0:33:26 | 0:33:29 | |
You've got these dismembered bodies, this futuristic world, | 0:33:29 | 0:33:34 | |
this very strange world that only Dali lived in. | 0:33:34 | 0:33:36 | |
So what do we know about the artist, Carey, whoever he or she is? | 0:33:36 | 0:33:39 | |
Well really, it's just what it is, it's a decorative picture. | 0:33:39 | 0:33:43 | |
If you like it, then buy it. | 0:33:43 | 0:33:44 | |
It's not for future investment, or investing in the artist himself, | 0:33:44 | 0:33:48 | |
it's just really because you like the look of the painting. | 0:33:48 | 0:33:50 | |
And I think this guy's done a really good job, whether it's a Mr or Mrs Carey, I'm not sure. | 0:33:50 | 0:33:54 | |
The auctioneer doesn't know. | 0:33:54 | 0:33:55 | |
And I think it's a great buy for somebody today. | 0:33:55 | 0:33:58 | |
-You could be looking at less than £100 for this. -Really? | 0:33:58 | 0:34:00 | |
Yeah, an absolute bargain I think, for someone. | 0:34:00 | 0:34:02 | |
Well, as one of our esteemed colleagues once said to me, | 0:34:02 | 0:34:06 | |
"You get a lot of paint for your money!" | 0:34:06 | 0:34:08 | |
There you go! | 0:34:08 | 0:34:09 | |
THEY LAUGH | 0:34:09 | 0:34:10 | |
That's right! | 0:34:10 | 0:34:12 | |
Well, you were right, Paul. | 0:34:12 | 0:34:13 | |
This homage to Salvador Dali didn't make millions. | 0:34:13 | 0:34:17 | |
In fact, it ended up fetching £25. | 0:34:17 | 0:34:21 | |
It's time to resume our places at the auction | 0:34:21 | 0:34:23 | |
as Julie's next lots go under the hammer. | 0:34:23 | 0:34:26 | |
First, this 12-piece Royal Albert tea set. | 0:34:26 | 0:34:29 | |
Is this something that you bought, or inherited? | 0:34:29 | 0:34:31 | |
It was something that Mum and Dad started collecting and then, | 0:34:31 | 0:34:36 | |
you know, they'd got so much of it | 0:34:36 | 0:34:39 | |
and everyone was buying a little bit for Christmas and stuff. | 0:34:39 | 0:34:42 | |
And then it got to the point, you know, it was, "Stop, no more!" | 0:34:42 | 0:34:45 | |
Nice lot there. | 0:34:45 | 0:34:47 | |
A good amount of pieces. Start me at £50 for it. | 0:34:47 | 0:34:50 | |
£50 do I see? 30 then to get on then, surely. | 0:34:50 | 0:34:53 | |
For the Old Country Roses. 20 to start me then. £10, surely. | 0:34:53 | 0:34:57 | |
10 is bid. 15 I've got. 20. Five. 30. Five. | 0:34:57 | 0:35:01 | |
Come on! They need a bit of encouragement, you see. | 0:35:01 | 0:35:04 | |
£45, front row. 50 I'll take now. Are you finished and done? | 0:35:04 | 0:35:08 | |
No advance on 45. | 0:35:08 | 0:35:09 | |
Hopefully there are some more tea drinkers here, | 0:35:09 | 0:35:13 | |
as there's also this 1930s Shelley set. | 0:35:13 | 0:35:15 | |
Is this a tea service you've used? | 0:35:16 | 0:35:19 | |
It was the best tea service, | 0:35:19 | 0:35:21 | |
and it was bought initially of for my nan and my pop, | 0:35:21 | 0:35:25 | |
Mam's mum and dad, for their 25th wedding anniversary. | 0:35:25 | 0:35:29 | |
-Have you ever drunk out of this particular tea service? -Oh, no! | 0:35:29 | 0:35:32 | |
I would be too afraid to, I'm too clumsy! | 0:35:32 | 0:35:35 | |
THEY LAUGH She is! | 0:35:35 | 0:35:37 | |
It's a very pretty set, isn't it, Paul? Collectable? | 0:35:37 | 0:35:39 | |
Yes, very collectable. I agree with the auctioneer here, actually. | 0:35:39 | 0:35:42 | |
It's one of the best names. Shelley is very much in demand. | 0:35:42 | 0:35:45 | |
-Right. -The only thing that you can find these days, | 0:35:45 | 0:35:47 | |
-people don't really use tea services. -No. | 0:35:47 | 0:35:49 | |
So for that reason, they've put a reserve on it, | 0:35:49 | 0:35:51 | |
because it's worth at least £30. So I agree. | 0:35:51 | 0:35:54 | |
So we're looking between £30 £50. | 0:35:54 | 0:35:56 | |
All right, let's have a look. | 0:35:56 | 0:35:57 | |
And as always with the Shelley, some interest with me, | 0:35:57 | 0:36:00 | |
putting me in at 40. | 0:36:00 | 0:36:01 | |
50. £60 with me for the Shelley tea ware. | 0:36:01 | 0:36:04 | |
£60. 70 is bid. 80. | 0:36:04 | 0:36:06 | |
90. 100. | 0:36:06 | 0:36:08 | |
No! | 0:36:08 | 0:36:10 | |
120. £120 still with me. 130, fresh bidder. | 0:36:10 | 0:36:13 | |
135. 140 in the room now on my right-hand side. 140. | 0:36:13 | 0:36:18 | |
-Go on! -Gosh! | 0:36:18 | 0:36:19 | |
Are you all done and finished at 140? Thank you. | 0:36:19 | 0:36:24 | |
-Yes! -Good Lord! -That's fantastic. -Well done, that's amazing! | 0:36:24 | 0:36:28 | |
I tell you what, the auctioneer got it right | 0:36:28 | 0:36:30 | |
when he said put a reserve of 30 quid on it! | 0:36:30 | 0:36:33 | |
-Wow! -Well, it's the name, you see. Shelley is the name. | 0:36:33 | 0:36:35 | |
Tea services aren't that collectable, but Shelley is the very best. | 0:36:35 | 0:36:38 | |
And it just goes to prove that buyers do pay for the good names. | 0:36:40 | 0:36:44 | |
Now for the chest of drawers that Lynn found under the stairs. | 0:36:45 | 0:36:49 | |
Another of her uncle Gordon's finds from the shops | 0:36:49 | 0:36:52 | |
and markets of Glamorgan. | 0:36:52 | 0:36:54 | |
£30 to start me away. 22 to get on then, surely. 20 is bid. | 0:36:54 | 0:36:59 | |
Front of the room now. Five do I see now? For the mahogany chest. | 0:36:59 | 0:37:03 | |
Here at 20. Five is bid. 30 now, 30. Five. | 0:37:03 | 0:37:05 | |
-Yes! -Yes! | 0:37:05 | 0:37:07 | |
50. Five. 60 now. I've lost you. | 0:37:07 | 0:37:10 | |
55 front of the room. 60 now do I see? | 0:37:10 | 0:37:12 | |
All done. 60, just in time. Five do I see for you? At £60, takes it. | 0:37:12 | 0:37:18 | |
-There we go. -Well done! | 0:37:18 | 0:37:20 | |
-It's a really nice little chest of drawers, that. -Yes. Great! | 0:37:20 | 0:37:24 | |
Actually, I would never have thought £60 for that little chest of drawers. | 0:37:24 | 0:37:29 | |
So well done, Dad! | 0:37:29 | 0:37:32 | |
Well, Julie, it just goes to show, | 0:37:32 | 0:37:34 | |
you never can tell what bidders are looking for. | 0:37:34 | 0:37:36 | |
Now, the sitting-room in your parents house was dominated | 0:37:36 | 0:37:40 | |
-on the back wall by that huge glazed cabinet. -I know. | 0:37:40 | 0:37:43 | |
Very modern sort of Oriental in style. Yes. | 0:37:43 | 0:37:47 | |
Yeah. That, at one point, was filled with crystal. | 0:37:47 | 0:37:51 | |
Anyone that's got a collector's corner, someone that's got a big collection, | 0:37:51 | 0:37:55 | |
it's a great cabinet to have. | 0:37:55 | 0:37:56 | |
£50 to start me away for it. | 0:37:56 | 0:37:58 | |
50 straight in, thank you, sir. 50 we're bid. 60 do I see now, surely? | 0:37:58 | 0:38:02 | |
£50, maiden bid. Should be 60 at least. | 0:38:02 | 0:38:05 | |
Come on. | 0:38:05 | 0:38:06 | |
£50. 60. | 0:38:06 | 0:38:08 | |
Yes! | 0:38:08 | 0:38:09 | |
80. We're in now at 90. 100. | 0:38:09 | 0:38:13 | |
-Yes! -110. | 0:38:13 | 0:38:15 | |
120 now? At 110 at the back wall. | 0:38:15 | 0:38:17 | |
110. Any advance? Are you finished and done? | 0:38:17 | 0:38:21 | |
Yes! | 0:38:21 | 0:38:22 | |
THEY LAUGH | 0:38:22 | 0:38:24 | |
It's brilliant! | 0:38:24 | 0:38:26 | |
-Does that deserve another "Well done, Dad?!" -Oh, I think so! | 0:38:26 | 0:38:29 | |
Great stuff, Dad! Keep going! | 0:38:29 | 0:38:32 | |
Our final lot is this retro cocktail cabinet | 0:38:32 | 0:38:37 | |
that Julie's mum and dad bought when they got married in 1955. | 0:38:37 | 0:38:42 | |
I seem to remember, Paul, | 0:38:42 | 0:38:43 | |
you were very taken with the cocktail cabinet. | 0:38:43 | 0:38:46 | |
It was kind of your era. | 0:38:46 | 0:38:47 | |
You wanted it filled with martinis and things like that! | 0:38:47 | 0:38:51 | |
-But apparently, you've got a rival for it! -You like it as well? | 0:38:51 | 0:38:56 | |
-There's two of us out there that likes this! -I fell in love with it! | 0:38:56 | 0:38:59 | |
-Really? -Well, first time I was up there, I opened it up and it was like, Oh! Wow! | 0:38:59 | 0:39:05 | |
I've gone back to my childhood when I was a little girl | 0:39:05 | 0:39:08 | |
and was allowed to have a Babycham from my parents' cocktail cabinet! | 0:39:08 | 0:39:11 | |
Of course, it wasn't as posh as this one, | 0:39:11 | 0:39:13 | |
but it was, oh, you know, I want this! | 0:39:13 | 0:39:15 | |
-Nearly didn't get here! -So it nearly came off the back of her lorry?! | 0:39:15 | 0:39:19 | |
Yes, down to my house! | 0:39:19 | 0:39:21 | |
Well, I'm glad it has, because actually, | 0:39:21 | 0:39:23 | |
they only want about £20-£40 for it, Paul. | 0:39:23 | 0:39:25 | |
I know, I think after everyone said how hideous it was! | 0:39:25 | 0:39:28 | |
I think it's a lovely piece of furniture. | 0:39:28 | 0:39:30 | |
It's never going to be anything great, it's not a well-built item. | 0:39:30 | 0:39:33 | |
But for fun, and for nostalgia, it's great. | 0:39:33 | 0:39:35 | |
I'd love an eggnog, a Snowball. It would be lovely, wouldn't it?! | 0:39:35 | 0:39:38 | |
A Snowball, yeah! | 0:39:38 | 0:39:40 | |
What shall we say for it? £30 to start me away. | 0:39:40 | 0:39:43 | |
30 is bid, straight in. At £30. 40. I'll take five if it helps. 45. 50. | 0:39:43 | 0:39:49 | |
-Oooh! -55. -Somebody likes it! | 0:39:49 | 0:39:51 | |
60. Five. | 0:39:51 | 0:39:52 | |
70. Five. 80. Five. 90. | 0:39:52 | 0:39:56 | |
Wow! | 0:39:56 | 0:39:59 | |
-Five. 100. -Wow! That is a surprise. | 0:39:59 | 0:40:01 | |
110. 120. 130. | 0:40:01 | 0:40:04 | |
140. 150. 160. 170. | 0:40:04 | 0:40:08 | |
-Oooh! Great heavens! -190. Shakes the head. You sure? | 0:40:08 | 0:40:12 | |
180 I have. Lady's bid at the front of the room. | 0:40:12 | 0:40:15 | |
Done at £180. Number 364. | 0:40:15 | 0:40:17 | |
After all the praise we've heaped on your head today, Paul, for getting it right, | 0:40:17 | 0:40:21 | |
you said £20-£40! It sold for 180! | 0:40:21 | 0:40:24 | |
Do know what, that's the price they normally go for, those things. | 0:40:24 | 0:40:27 | |
I only thought it was me that loved it. | 0:40:27 | 0:40:29 | |
-I've met somebody else here today. -We knew! -The room is full of them! | 0:40:29 | 0:40:32 | |
-I know! -I'll take them all to Wales in future! -Yes! | 0:40:32 | 0:40:35 | |
Well, we saved the best till last! That was a spectacular result. | 0:40:35 | 0:40:40 | |
Let's find out just how much Julie's made in total. | 0:40:40 | 0:40:44 | |
I think we're going to have to tie you down | 0:40:44 | 0:40:46 | |
and I think your dad is going to be so proud, | 0:40:46 | 0:40:50 | |
because you have actually made £858. | 0:40:50 | 0:40:55 | |
Oh! Wow! THEY GIGGLE | 0:40:57 | 0:41:00 | |
I'm just really overwhelmed. | 0:41:00 | 0:41:02 | |
I don't believe that! | 0:41:02 | 0:41:04 | |
That is amazing! Thank you! | 0:41:04 | 0:41:07 | |
-Have a cwtch! -Have a cwtch! | 0:41:07 | 0:41:09 | |
Julie and her cousin Lynn, who is now back from jury service, | 0:41:16 | 0:41:19 | |
are over the moon that Gordon and Yvonne's items were such a success. | 0:41:19 | 0:41:24 | |
So, Julie's decided to give her original target of £300 | 0:41:24 | 0:41:27 | |
to a charity that has a strong personal connection. | 0:41:27 | 0:41:30 | |
I think to be able to make money | 0:41:30 | 0:41:33 | |
and donate it to The Heart Foundation, it's just been great. | 0:41:33 | 0:41:37 | |
It's been good fun, we've had a laugh. | 0:41:37 | 0:41:41 | |
And, you know, it's been sad saying goodbye to some of the stuff, | 0:41:41 | 0:41:45 | |
but it was a good goodbye, you know? | 0:41:45 | 0:41:46 | |
I felt really happy that at the auction, | 0:41:46 | 0:41:50 | |
things had gone way past estimate. | 0:41:50 | 0:41:52 | |
Because that means we're actually able to give a nice amount of money. | 0:41:52 | 0:41:56 | |
And with plenty of cash left over, | 0:41:56 | 0:41:58 | |
the girls are going to be able to celebrate in style! | 0:41:58 | 0:42:01 | |
We have come out to raise a glass to my mum and dad, you know. | 0:42:01 | 0:42:04 | |
And say cheers. | 0:42:04 | 0:42:06 | |
Because they were such larger-than-life characters, | 0:42:06 | 0:42:09 | |
and such a big part of family life for us, weren't it? | 0:42:09 | 0:42:14 | |
My dad would be looking down now and he would be having a giggle | 0:42:14 | 0:42:17 | |
and he'd probably be up there with his rum and black and lemonade, | 0:42:17 | 0:42:20 | |
going, "You go, girls!" | 0:42:20 | 0:42:22 | |
-Job well done! -Cheers. | 0:42:22 | 0:42:25 | |
I am so pleased that Julie had such a successful day at the auction | 0:42:29 | 0:42:33 | |
and was able to do something very special for her charity. | 0:42:33 | 0:42:36 | |
You know, if there is something that you would like to raise money for, | 0:42:36 | 0:42:39 | |
and you have things that you'd be very happy to take to auction, | 0:42:39 | 0:42:42 | |
then why not get in touch with the programme? | 0:42:42 | 0:42:44 | |
Come and join us here on Cash in the Attic. | 0:42:44 | 0:42:46 | |
You'll find all of our details on our web page: | 0:42:46 | 0:42:50 | |
It'll be good to see you. | 0:42:50 | 0:42:52 | |
Subtitles by Red Bee Media | 0:42:57 | 0:42:59 |