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Some of the nation's favourite celebrities... | 0:00:02 | 0:00:03 | |
Sensational! | 0:00:03 | 0:00:06 | |
..one antiques expert each... | 0:00:06 | 0:00:08 | |
-This is Chien Lung. -Chien Lung. Well done. | 0:00:08 | 0:00:11 | |
..and one big challenge - | 0:00:13 | 0:00:14 | |
who can seek out and buy the best antiques at the very best prices... | 0:00:14 | 0:00:19 | |
I'm going to kiss you full on the lips when I see you! | 0:00:19 | 0:00:22 | |
..and auction them for a big profit... | 0:00:22 | 0:00:25 | |
55, a new bidder, thank you. | 0:00:25 | 0:00:26 | |
..further down the road. | 0:00:26 | 0:00:29 | |
Who will spot the good investments? | 0:00:29 | 0:00:31 | |
Who will listen to advice? | 0:00:32 | 0:00:34 | |
And who will be the first to say, "Don't you know who I am?" | 0:00:36 | 0:00:40 | |
Time to put your metal to the pedal. | 0:00:40 | 0:00:43 | |
This is the Celebrity Antiques Road Trip, yeah! | 0:00:43 | 0:00:47 | |
Taking the high road today in vintage opulence | 0:00:53 | 0:00:56 | |
are two media luvvies who just ooze celebrity appeal, darling. | 0:00:56 | 0:01:02 | |
Like many stars at the top, driving yourselves is just not done, | 0:01:02 | 0:01:06 | |
so this couple have their own chauffeur - Dennis. | 0:01:06 | 0:01:10 | |
And taking to the road today we've got Knight of the Realm | 0:01:10 | 0:01:14 | |
and veteran TOG of radio and TV... | 0:01:14 | 0:01:17 | |
Sir Terry Wogan! | 0:01:17 | 0:01:19 | |
CHEERING AND APPLAUSE | 0:01:19 | 0:01:20 | |
Good evening. Thank you, thank you! | 0:01:23 | 0:01:25 | |
Oh, steady! | 0:01:25 | 0:01:27 | |
Erm, best known for his gentle ways. | 0:01:27 | 0:01:30 | |
Just twisting your arm behind your back! | 0:01:30 | 0:01:32 | |
Terry, it's actually hurting now. | 0:01:32 | 0:01:35 | |
MUSIC: "Sweet Caroline" by Neil Diamond | 0:01:35 | 0:01:38 | |
We've also got actress Caroline Quentin of Kiss Me Kate, | 0:01:39 | 0:01:43 | |
Men Behaving Badly | 0:01:43 | 0:01:45 | |
and Jonathan Creek fame, who's used to a bit of detective work. | 0:01:45 | 0:01:49 | |
Ah, that's a big one, Caroline! | 0:01:50 | 0:01:52 | |
-Look at Charlie! -Oh, my word! Gorgeous! | 0:01:52 | 0:01:57 | |
This pair of stars are on an antiques road trip | 0:01:57 | 0:02:01 | |
all in the name of Children In Need | 0:02:01 | 0:02:03 | |
and to stop them driving up a blind alley | 0:02:03 | 0:02:06 | |
they have two pillars of the antiques community helping them - | 0:02:06 | 0:02:10 | |
Charlie Ross... | 0:02:10 | 0:02:12 | |
and Charles Hanson. | 0:02:12 | 0:02:14 | |
CREAKING GEARS | 0:02:14 | 0:02:16 | |
Oh, don't, don't, don't! | 0:02:16 | 0:02:17 | |
Can we have one change? Ah! | 0:02:17 | 0:02:20 | |
AH! AHH! | 0:02:20 | 0:02:23 | |
Charles is an auctioneer with a taste for the unusual. | 0:02:24 | 0:02:27 | |
Do you enjoy seafood? | 0:02:27 | 0:02:30 | |
I love seafood, that looks delicious, can I start? | 0:02:30 | 0:02:33 | |
While Charlie, also an auctioneer, prefers something lyrical. | 0:02:33 | 0:02:39 | |
THEY WARBLE | 0:02:39 | 0:02:40 | |
Oh, dear. | 0:02:44 | 0:02:46 | |
Our celebrities have £400 each to spend on antiques | 0:02:49 | 0:02:52 | |
and their mission - to make a profit at auction. | 0:02:52 | 0:02:55 | |
So, not surprisingly, they'll stop at nothing to win! | 0:02:55 | 0:02:58 | |
I don't know about you, | 0:02:58 | 0:02:59 | |
but it's my intention to drive an extremely hard bargain. | 0:02:59 | 0:03:02 | |
Me too. | 0:03:02 | 0:03:04 | |
When you get the price down, I thought I might be really, erm... | 0:03:04 | 0:03:07 | |
what's the word? | 0:03:07 | 0:03:09 | |
-A little bit like a Jack Russell and not let go of it. -Tigerish! -Uh-huh! | 0:03:09 | 0:03:12 | |
This'll be interesting. | 0:03:12 | 0:03:14 | |
During this road trip, | 0:03:14 | 0:03:16 | |
Sir Terry and Caroline kick off on Woodstock, near Oxford, | 0:03:16 | 0:03:20 | |
and travel 60 miles across the Oxfordshire countryside, | 0:03:20 | 0:03:24 | |
ending at an auction in Chiswick, London. | 0:03:24 | 0:03:27 | |
-Oh, wowee! -Morning! | 0:03:28 | 0:03:30 | |
Oh, my word, what a delightful couple they look! | 0:03:31 | 0:03:34 | |
It's a bit bigger than ours, isn't it? | 0:03:34 | 0:03:36 | |
Are you newly married, you two? | 0:03:36 | 0:03:38 | |
Yes, we are, you catch us on our honeymoon! | 0:03:38 | 0:03:41 | |
And where better to strike an alliance than Woodstock? | 0:03:42 | 0:03:45 | |
Close to Blenheim Palace, birthplace of Winston Churchill. | 0:03:45 | 0:03:50 | |
-Who's with who? -I think we look quite good together | 0:03:50 | 0:03:52 | |
cos we're both in pale colours, what about you? | 0:03:52 | 0:03:54 | |
-You're both dressed for safari! -THEY LAUGH | 0:03:54 | 0:03:57 | |
-We are! And you're both dressed for boating. -Yes. -Yes. | 0:03:57 | 0:04:00 | |
Despite that blazer of yours, | 0:04:00 | 0:04:03 | |
I think we can work together happily. | 0:04:03 | 0:04:05 | |
-I'm very, very happy with that. -Caroline. -Yes. | 0:04:05 | 0:04:07 | |
-Melt into my arms and I'll show you a good time. -Definitely, very good! | 0:04:07 | 0:04:10 | |
And with an air of knowing what they're doing, | 0:04:11 | 0:04:14 | |
Caroline and Charlie head purposefully into Woodstock Arts and Antiques | 0:04:14 | 0:04:19 | |
and proprietor Michael Jackson. | 0:04:19 | 0:04:20 | |
MUSIC: "Billie Jean" by Michael Jackson | 0:04:20 | 0:04:22 | |
-Hello? -Hello, hello, I'm Caroline. -No, not that one. | 0:04:22 | 0:04:26 | |
-Lovely to see you! -Charlie Ross, lovely to see you. | 0:04:26 | 0:04:29 | |
I tell you what, Caroline. If you look round and I'll look round, | 0:04:29 | 0:04:32 | |
-give a little squeal if you see something you like. -OK. | 0:04:32 | 0:04:34 | |
Come on then, Charles. | 0:04:34 | 0:04:36 | |
Look at this, it's an Aladdin's cave. | 0:04:36 | 0:04:39 | |
Look what I've seen immediately. | 0:04:39 | 0:04:41 | |
It's an original oil painting of a Connemara landscape, | 0:04:41 | 0:04:44 | |
west of Ireland and I just, what do you think? | 0:04:44 | 0:04:46 | |
Does it take you back to your youth? To your very young years? | 0:04:46 | 0:04:50 | |
Well, yes, it does, obviously takes me back to Ireland, | 0:04:50 | 0:04:53 | |
but 56 quid, do you think it's a bargain at that? | 0:04:53 | 0:04:56 | |
It's, I think it's very decorative. | 0:04:56 | 0:04:59 | |
I think, maybe, it's one to think about. | 0:04:59 | 0:05:01 | |
I think that's a no from you, Charles, isn't it? | 0:05:01 | 0:05:04 | |
-I quite like this little squirrel here. -Yeah? | 0:05:09 | 0:05:11 | |
-It's a German porcelain squirrel by Ernst Bohne. -Mental note, Charles. | 0:05:11 | 0:05:17 | |
We'll make a little mental note of that one. | 0:05:17 | 0:05:20 | |
-And also the Irish picture. -Oh, I like that mirror. | 0:05:20 | 0:05:23 | |
Look, this is quite flattering, let me just...adjust my...OK. | 0:05:23 | 0:05:26 | |
-It's just part of the furniture here, is it? -It is for sale. | 0:05:26 | 0:05:30 | |
Oh, it's for sale. | 0:05:30 | 0:05:32 | |
It's a 19th century oval gilded mirror, it could be yours for 155. | 0:05:32 | 0:05:35 | |
-We'll think of that. -Mental note. -Little mental note. | 0:05:35 | 0:05:39 | |
I like your mental notes. | 0:05:39 | 0:05:40 | |
Yeah, we don't want to overload our mental capacities, here. | 0:05:40 | 0:05:42 | |
I'm overloaded already, Terry. | 0:05:42 | 0:05:44 | |
I've got a feeling this is going to take quite some time. | 0:05:44 | 0:05:48 | |
This is a fabulous jug! Lustreware is usually not marked. | 0:05:48 | 0:05:53 | |
Sometimes it has a mark, but no mark there. | 0:05:53 | 0:05:55 | |
I think, erm, Wedgwood started lustreware | 0:05:55 | 0:05:58 | |
and lustreware went on through to... | 0:05:58 | 0:06:01 | |
Right the way through the Victorian period. | 0:06:01 | 0:06:03 | |
They loved this sort of thing... | 0:06:03 | 0:06:05 | |
It's called lustreware for its metallic glaze | 0:06:05 | 0:06:08 | |
that gives it an iridescent look. | 0:06:08 | 0:06:11 | |
So it appears to change colour as you move it around. | 0:06:11 | 0:06:15 | |
Do you love the pink and the price? | 0:06:15 | 0:06:17 | |
Between £300 and £400. | 0:06:17 | 0:06:19 | |
-Yeah, well, 425. -425, yeah. Isn't it lovely, though? | 0:06:19 | 0:06:24 | |
It's really lovely, but we've got 400 quid! | 0:06:24 | 0:06:27 | |
Oh, you're so level headed. | 0:06:27 | 0:06:29 | |
That's a beautiful genuine antique with a lot of history to it. | 0:06:29 | 0:06:34 | |
-Sort of thing we should be looking for, but... -Yeah. | 0:06:34 | 0:06:37 | |
-(Slightly less pricey.) -Yeah. I like that, the cream pot. | 0:06:37 | 0:06:40 | |
It's got a massive chip in the front, I can see from here, | 0:06:40 | 0:06:42 | |
-but I still like it. -Isn't it fun, though? | 0:06:42 | 0:06:44 | |
-Isn't that gorgeous? -I do really like it. | 0:06:44 | 0:06:46 | |
-Can I come round this side? That's it. -Yeah! | 0:06:46 | 0:06:49 | |
-Don't you think that's lovely? -I think it's absolutely delightful! | 0:06:49 | 0:06:52 | |
19th-century cream pail, very large, | 0:06:52 | 0:06:54 | |
"Maling Cream Pail, some damage, circa 1900." | 0:06:54 | 0:06:58 | |
Maling pottery was first produced in Sunderland nearly 250 years ago | 0:06:59 | 0:07:03 | |
and tends to be functional pieces, like tableware and toilet pans. | 0:07:03 | 0:07:08 | |
I think that's just super. | 0:07:09 | 0:07:11 | |
-Yeah, you're not going to think the price is super, darling. -Am I not? | 0:07:11 | 0:07:14 | |
-Yeah, it's 325. -Oh, Michael knows his stuff, doesn't he? | 0:07:14 | 0:07:18 | |
Hm, he does, that's lovely. | 0:07:18 | 0:07:20 | |
With these prices, I feel a serious bit of haggling coming on. | 0:07:20 | 0:07:25 | |
Could you lose yourself for a minute? | 0:07:25 | 0:07:27 | |
Michael, come here. Michael, come here. | 0:07:27 | 0:07:30 | |
Michael, oh, Michael! | 0:07:31 | 0:07:34 | |
I am the expert, but I'm not leading this, am I? | 0:07:34 | 0:07:37 | |
I mean, let's, let's face it, Caroline is a thrusty girl | 0:07:37 | 0:07:40 | |
and she's taken over. | 0:07:40 | 0:07:41 | |
-I'll leave it with you. -Leave it with me, I shall just have a look. | 0:07:41 | 0:07:44 | |
All right, Michael. | 0:07:44 | 0:07:46 | |
I see, so Charlie's the expert, but Caroline is doing all the haggling. | 0:07:46 | 0:07:51 | |
Any action down the road yet? | 0:07:51 | 0:07:54 | |
It's a 1960s Venetian Murano glass lemonade set. | 0:07:54 | 0:07:57 | |
-I've been to Murano, I've seen them blow the glass in Murano. -Yeah. | 0:07:57 | 0:08:00 | |
You'll know then, Terry, | 0:08:00 | 0:08:02 | |
that Murano glass is from the Venetian Island of Murano | 0:08:02 | 0:08:06 | |
and is best know for its vibrant colours and elaborate designs. | 0:08:06 | 0:08:11 | |
Maybe this more unusual design could swing a profit at auction? | 0:08:11 | 0:08:15 | |
And when it comes to haggling, Sir Terry's approach is more direct. | 0:08:15 | 0:08:19 | |
-Ooh. -Hello. -I can feel the touch coming on! | 0:08:19 | 0:08:23 | |
Charles and Terry, Terry and Charles. | 0:08:23 | 0:08:25 | |
-Just twisting your arm behind your back. -OK, right. Now, look. | 0:08:25 | 0:08:28 | |
-Keep smiling, keep smiling! -Yeah, I'm smiling. | 0:08:28 | 0:08:31 | |
We are getting very desperate now for a purchase, | 0:08:31 | 0:08:33 | |
-we do like your very wacky Murano set, don't we, Terry? -Yes, we do. | 0:08:33 | 0:08:37 | |
-And we're hoping for a competitive price. -Even with the box? | 0:08:37 | 0:08:39 | |
Now, you must stop wincing, just cos I'm twisting your arm. | 0:08:39 | 0:08:42 | |
-Terry, it's actually hurting now. -It's not meant to hurt. -No. | 0:08:42 | 0:08:45 | |
-It's just meant to concentrate your mind. -It's an exquisite agony! -Oh! | 0:08:45 | 0:08:50 | |
-OK, tell you what, I'll give you crunch price. -Yes. -£110. | 0:08:50 | 0:08:56 | |
Crunch price, no hassle. | 0:08:56 | 0:08:59 | |
-I tell you, I love it! -As a Northerner to... You even get the box. | 0:08:59 | 0:09:02 | |
-Say no more! -Say no more? Put it there. -It's a done deal. | 0:09:02 | 0:09:05 | |
-Thank you very much. -It's a sale, thanks very much. -Thank you. | 0:09:05 | 0:09:07 | |
-Terry, good work! -Well spotted, well spotted! -Thank you, Terry. | 0:09:07 | 0:09:11 | |
Hooray, our first buy! | 0:09:11 | 0:09:14 | |
Down the road, competitive Caroline is squeezing Michael hard | 0:09:14 | 0:09:19 | |
to slash that hefty £425 price tag on the lustreware pot. | 0:09:19 | 0:09:25 | |
And Charlie's been brought back from the wilderness to seal the deal. | 0:09:25 | 0:09:29 | |
You see, Michael, if you ever had something here, | 0:09:29 | 0:09:32 | |
like an opening of something, or anything | 0:09:32 | 0:09:34 | |
and you needed someone off to telly to come and cut a ribbon, or... | 0:09:34 | 0:09:38 | |
Ah! Loving your vibes! | 0:09:38 | 0:09:41 | |
You know, there's all sorts of deals to be done here, Michael. | 0:09:41 | 0:09:44 | |
For £170, plus some sort of charitable services? | 0:09:44 | 0:09:51 | |
Michael, | 0:09:51 | 0:09:52 | |
I don't want you to feel I'm putting any unnecessary pressure on you. | 0:09:52 | 0:09:56 | |
CHARLIE LAUGHS | 0:09:56 | 0:09:58 | |
-We've got it, 180. -170. | 0:09:58 | 0:10:01 | |
Tell you what, I'll do it for 175, | 0:10:01 | 0:10:03 | |
but there's a brooch I want in the window. | 0:10:03 | 0:10:05 | |
Hang on, hang on, hang on! It's not a valuable brooch. | 0:10:05 | 0:10:10 | |
-It isn't a valuable brooch, I just love it! -175 with the brooch. | 0:10:10 | 0:10:13 | |
YAY! Michael Jackson! | 0:10:13 | 0:10:16 | |
-You have won tonight's star prize. -You're absolutely gorgeous. | 0:10:16 | 0:10:19 | |
I am thrilled with that! | 0:10:19 | 0:10:21 | |
I can't say we're going to make a fortune on it. | 0:10:21 | 0:10:23 | |
-But we both like it. -We can put that in the auction proudly! | 0:10:23 | 0:10:27 | |
-Here's trouble. -Who are these people? | 0:10:29 | 0:10:32 | |
CAROLINE SINGS THEM FROM "The Good, The Bad And The Ugly" | 0:10:32 | 0:10:36 | |
GUNSHOT | 0:10:36 | 0:10:37 | |
-Peow! -You turned out to be Clint Eastwood. | 0:10:37 | 0:10:41 | |
-Have you had a very successful morning? -How was it? | 0:10:41 | 0:10:43 | |
-You spend your money? -Worrying. -Yeah. | 0:10:43 | 0:10:45 | |
-The depths of my ignorance is worrying. -Is it? | 0:10:45 | 0:10:49 | |
Yeah, but I think we got one good thing. | 0:10:49 | 0:10:51 | |
-How are you getting on with, erm... -Charlie? | 0:10:51 | 0:10:53 | |
-He's, erm, he's a tough master. -Pushy, he's pushy. | 0:10:53 | 0:10:56 | |
-He's, erm, he's holding me back! -Caroline is very, very competitive. | 0:10:56 | 0:11:00 | |
Oh, really? | 0:11:00 | 0:11:02 | |
We bought something this morning, I had to go out, | 0:11:02 | 0:11:05 | |
she sent me out of the room and she clinched it, | 0:11:05 | 0:11:07 | |
-well, she literally clinched the shopkeeper! -You're joking?! | 0:11:07 | 0:11:09 | |
-Which did the business! -Really? | 0:11:09 | 0:11:11 | |
-We're too gentile for this. -I think we are, really. | 0:11:11 | 0:11:14 | |
I wouldn't, for instance, want to debase myself | 0:11:14 | 0:11:15 | |
by throwing myself at someone just to get a few quid off a pot. | 0:11:15 | 0:11:18 | |
-Are you going to? -I'm going in this man's... -Terry, come on! | 0:11:18 | 0:11:21 | |
You'll never get a penny... | 0:11:21 | 0:11:23 | |
So, with one piece each and some questionable behaviour, | 0:11:23 | 0:11:27 | |
our pair of luvvies swap shops. | 0:11:27 | 0:11:29 | |
We've had the best stuff in there anyway! | 0:11:29 | 0:11:31 | |
-Come on, we'll go down here. -Waste of time. -Exactly. | 0:11:31 | 0:11:33 | |
-I'm like Terry's hound dog, OK. I'm the one who will bark... -Yep. | 0:11:33 | 0:11:36 | |
-..and try and negotiate and Terry's my finder, OK. -OK. | 0:11:36 | 0:11:38 | |
He throws a stone to me, or stick and I have to dig. | 0:11:38 | 0:11:42 | |
-I'm off, Terry, OK, I'm off. -Carry on, carry on. | 0:11:42 | 0:11:44 | |
-I'm digging deep, Terry. -Yeah. | 0:11:44 | 0:11:45 | |
You know, he doesn't do a thing I tell him! | 0:11:47 | 0:11:49 | |
-Terry! -Oh, come on, then! | 0:11:52 | 0:11:53 | |
At the far end of the shop, hunting hound Henson has sniffed out | 0:11:55 | 0:11:59 | |
this Spode tea set. | 0:11:59 | 0:12:01 | |
Terry, it's hand enamelled, it's gilded, we've got the teapot... | 0:12:02 | 0:12:06 | |
You've got everything here. | 0:12:06 | 0:12:07 | |
-..the milk jug... What's this? Have a guess. -That's a sugar bowl. | 0:12:07 | 0:12:10 | |
-It's what we tend to call a sucrier. Sucrier and cover. -Ah! | 0:12:10 | 0:12:13 | |
This famous factory of English pottery from Stoke-on-Trent | 0:12:13 | 0:12:18 | |
so impressed the Prince of Wales in 1906 that he asked Spode | 0:12:18 | 0:12:22 | |
to produce the banqueting service for his coronation as George IV. | 0:12:22 | 0:12:27 | |
Well, if it's good enough for a king it's good enough for a knight of the realm, eh, Terry? | 0:12:27 | 0:12:32 | |
However, look at that little spout, it's been riveted, | 0:12:32 | 0:12:35 | |
it's an old restoration, it's a bit frivolous, it's a bit floral, | 0:12:35 | 0:12:41 | |
it's a bit out of vogue. | 0:12:41 | 0:12:42 | |
Er, every reason not to buy it then, Charles. | 0:12:42 | 0:12:45 | |
I can just see those plates with cucumber sandwiches on them... | 0:12:45 | 0:12:48 | |
-Oh, Terry! -..without any crusts. -Exactly! | 0:12:48 | 0:12:51 | |
It's on at a fair price, but... | 0:12:51 | 0:12:54 | |
-I would really try and knock that price down a bit. -Hm. | 0:12:54 | 0:12:58 | |
You're a hard man, I know that, I've learnt that over the morning. | 0:12:58 | 0:13:01 | |
Well, Terry, I just feel I've got a duty, an honour to serve you | 0:13:01 | 0:13:05 | |
and my duty is to make money for you, sir. | 0:13:05 | 0:13:08 | |
But it's also in your nature to hammer out a hard bargain. | 0:13:08 | 0:13:11 | |
Let's leave master and servant to their tea set. | 0:13:11 | 0:13:15 | |
Oh, it's lovely! | 0:13:15 | 0:13:17 | |
Erm, it's a Liberty piece... | 0:13:17 | 0:13:20 | |
-I'm glad you didn't go for that, actually. -Oh, I like that! | 0:13:20 | 0:13:23 | |
Hands off, Caroline, this one's Sir Terry's! | 0:13:23 | 0:13:27 | |
-What would you pay for it? -110. -Really? | 0:13:27 | 0:13:31 | |
You must be psychic... | 0:13:31 | 0:13:33 | |
-cos we've just sold it to Sir Terry. -What?! -You've? | 0:13:33 | 0:13:37 | |
THEY LAUGH | 0:13:37 | 0:13:38 | |
-That is Sir Terry's? -What did he pay for it? -Oh, I can't possibly say. | 0:13:38 | 0:13:42 | |
-Oh, go on! -Oh, you've got to tell me! | 0:13:42 | 0:13:45 | |
Well, I said... I've got to remember 110. | 0:13:45 | 0:13:47 | |
-You think there's a profit in that? -Yeah. | 0:13:47 | 0:13:49 | |
You don't, Charlie, you don't. | 0:13:49 | 0:13:52 | |
-I think it's quite west London. -I do. | 0:13:52 | 0:13:56 | |
-Don't tell me we've gone too traditional! -No, we're all right. | 0:13:56 | 0:13:59 | |
Hello, we're admiring your mantelpiece, | 0:13:59 | 0:14:02 | |
but more so, the tea set upon it! | 0:14:02 | 0:14:05 | |
What's the very, very, very, very best? | 0:14:05 | 0:14:07 | |
-Go on, go on! -110, I can't do better than that. | 0:14:10 | 0:14:13 | |
-Is there anything else you can recommend to offer? -I have. | 0:14:13 | 0:14:16 | |
Excellent, a piece of Art Deco, eh? | 0:14:16 | 0:14:19 | |
-A bit better than that Spode, surely? -Have a feel, Terry. | 0:14:19 | 0:14:24 | |
-Feel it to believe it. -Well, you see, I... | 0:14:24 | 0:14:26 | |
Erm, I don't know anything about this kind of thing. | 0:14:26 | 0:14:28 | |
-What do you know about it? -Is it by Charlotte Rhead? | 0:14:28 | 0:14:30 | |
Absolutely, and signed. | 0:14:30 | 0:14:32 | |
-Terry, have you heard of Clarice Cliff? -Yes, I have, we have some at home. -Wonderful. | 0:14:32 | 0:14:36 | |
Well, this lady, called Charlotte Rhead, | 0:14:36 | 0:14:38 | |
was really on a par to Susie Cooper | 0:14:38 | 0:14:40 | |
and they were three very important, influential ladies, | 0:14:40 | 0:14:44 | |
very attractive ladies in their day, | 0:14:44 | 0:14:46 | |
who were forward thinking in taking the ceramic industry away from all things which had gone before. | 0:14:46 | 0:14:51 | |
They were very radical in their design. | 0:14:51 | 0:14:53 | |
-OK, Charles, time to go in for the kill. -£50 will buy that. | 0:14:53 | 0:14:58 | |
We'll call it 150 for the two. | 0:14:58 | 0:15:01 | |
I think that sounds like a good deal to me. | 0:15:01 | 0:15:03 | |
I would love to buy that set, but I would need to spend about £80. | 0:15:03 | 0:15:08 | |
-Is that really, really mean? -Yeah. | 0:15:08 | 0:15:10 | |
-Really, really mean. -Totally ridiculous. | 0:15:10 | 0:15:11 | |
Am I walking away? The absolutely best is 110? | 0:15:11 | 0:15:14 | |
No, we've already come down 100. It's 140, the best was 150. | 0:15:14 | 0:15:19 | |
You've said 40 on this and 100 on that, 140. | 0:15:19 | 0:15:23 | |
-That's even lower, Terry. -That is it. | 0:15:23 | 0:15:27 | |
-You heard the man. -Well, I would say, Terry... -It's a deal. | 0:15:27 | 0:15:30 | |
We're in it together, we'll buy it together. | 0:15:30 | 0:15:32 | |
-Put it there. -Thank you very much. | 0:15:32 | 0:15:34 | |
Well, not really, Charles. | 0:15:34 | 0:15:37 | |
You might think we were all created equally, | 0:15:37 | 0:15:40 | |
but when it comes down to it, some are more equal than others. | 0:15:40 | 0:15:44 | |
With Woodstock behind them, our couples make a short sprint south, | 0:15:47 | 0:15:51 | |
to the city of dreaming spires, Oxford. | 0:15:51 | 0:15:54 | |
I've negotiated with some pretty tough nuts in my time, | 0:15:54 | 0:15:58 | |
-but you are the bizzo! -Thanks, Charlie. | 0:15:58 | 0:16:01 | |
-I cannot wait to get to Oxford... -Thank you! | 0:16:01 | 0:16:03 | |
..to see you rip off some poor old man in the middle of Oxford! | 0:16:03 | 0:16:08 | |
Oxford... | 0:16:08 | 0:16:09 | |
Home to the venerable University for 800 years, | 0:16:09 | 0:16:14 | |
that's turned out some 26 prime ministers, | 0:16:14 | 0:16:17 | |
47 Nobel Prize winners and at least 12 saints. | 0:16:17 | 0:16:21 | |
Alas, there's nothing heavenly about the way this couple are behaving. | 0:16:21 | 0:16:25 | |
God, you're lovely! | 0:16:25 | 0:16:28 | |
-Isn't he, though? He's quite, he is lovely! -He's better close up! | 0:16:28 | 0:16:31 | |
Caroline, that wonderful Sherlock Holmesian item. | 0:16:31 | 0:16:37 | |
-That's hilarious! -Do you like that? | 0:16:37 | 0:16:40 | |
What does it remind you of, Caroline? | 0:16:40 | 0:16:42 | |
-It reminded me of Jonathan Creek. -Jonathan Creek! Very good. | 0:16:42 | 0:16:47 | |
I could, it's good, actually, it's really good. | 0:16:47 | 0:16:49 | |
-It's not old, though, is it? -It's got age. -Has it really? | 0:16:49 | 0:16:53 | |
It's certainly Edwardian, I think. You look at that brass collar. | 0:16:53 | 0:16:56 | |
Really, Charlie? I can't pay £38 for it, though! | 0:16:56 | 0:16:59 | |
No, I'm not suggesting you pay anything LIKE 38 quid, | 0:16:59 | 0:17:01 | |
but don't you think it's a fun thing? | 0:17:01 | 0:17:03 | |
I lo... It actually makes me really laugh. | 0:17:03 | 0:17:05 | |
-Shall I go on the pavement again? -Get out! -Off he goes again, look. | 0:17:05 | 0:17:08 | |
-Who does this, is it not yours to sell? Whose is it? -It's Andrew's. | 0:17:08 | 0:17:11 | |
Have you got his phone number? | 0:17:11 | 0:17:13 | |
You say it's lovely to talk to me now, Andrew, | 0:17:13 | 0:17:15 | |
but when I've told you what I'm going to tell you, | 0:17:15 | 0:17:17 | |
you won't say it's lovely! I really like the big viewer. | 0:17:17 | 0:17:19 | |
You've got it at £38, which is way out of my budget. | 0:17:19 | 0:17:23 | |
How many? | 0:17:26 | 0:17:27 | |
Not 22? | 0:17:27 | 0:17:28 | |
23? I LOVE you, Andrew, | 0:17:28 | 0:17:31 | |
and when I come back to Oxford | 0:17:31 | 0:17:33 | |
I am going to kiss you full on the lips when I see you! | 0:17:33 | 0:17:36 | |
Oh, promises, promises! | 0:17:36 | 0:17:38 | |
-Great. -Are you pleased? -Rea... I'm actually delighted! -Goodie! | 0:17:38 | 0:17:42 | |
-I'm going to take you to Tetsworth, now... -OK. | 0:17:42 | 0:17:45 | |
-..where you can work your magic again. -All right, darling. -Come on! | 0:17:45 | 0:17:49 | |
Oh, Charlie, you smoothie! You do know how to show a girl a good time! | 0:17:49 | 0:17:53 | |
As team Quentin heads off into the sunset in search of fresh pickings, | 0:17:58 | 0:18:03 | |
Sir Terry is keen to educate his young charge about something that's, | 0:18:03 | 0:18:06 | |
well, closer to his broadcasting heart. | 0:18:06 | 0:18:09 | |
With a spring in their step | 0:18:11 | 0:18:13 | |
they head for the Museum of the History of Science | 0:18:13 | 0:18:17 | |
for a tutorial on Marconi, the father of wireless broadcasting. | 0:18:17 | 0:18:22 | |
Taking the lesson is museum director Jim Bennett. | 0:18:22 | 0:18:25 | |
-Good to meet you! -My dear fellow! -Welcome to the Museum of the History of Science. | 0:18:25 | 0:18:29 | |
-Tremendous, you've got to show us. -It's wonderful. | 0:18:29 | 0:18:33 | |
Born in Italy in 1874, | 0:18:33 | 0:18:35 | |
Marconi's early work involved finding ways | 0:18:35 | 0:18:38 | |
of sending telegraphic messages in Morse code, without using cables. | 0:18:38 | 0:18:43 | |
Hence the word...wireless. | 0:18:43 | 0:18:46 | |
When Marconi came to England with this wireless idea in 1896 | 0:18:46 | 0:18:51 | |
developments have been extraordinary. | 0:18:51 | 0:18:52 | |
First sending signals across the channel, then across the Atlantic | 0:18:52 | 0:18:55 | |
and communicating with ships, that's the big development there. | 0:18:55 | 0:18:58 | |
So, you can have radio operators on ships | 0:18:58 | 0:19:00 | |
and then of course, famously, with the Titanic. | 0:19:00 | 0:19:02 | |
You have the radio operators on Titanic | 0:19:02 | 0:19:05 | |
sending messages while the ship is sinking to nearby ships... | 0:19:05 | 0:19:10 | |
-Correct. -..and calling for help and so on. | 0:19:10 | 0:19:13 | |
So the 700, or so, people who are saved were due to Marconi's radio. | 0:19:13 | 0:19:19 | |
However, it wasn't until the onset of World War One | 0:19:21 | 0:19:25 | |
that Marconi developed radio for broadcast | 0:19:25 | 0:19:28 | |
by using wireless technology to transmit speech | 0:19:28 | 0:19:31 | |
as well as Morse code. | 0:19:31 | 0:19:33 | |
One of the things we have here is a microphone that Dame Nellie Melba | 0:19:34 | 0:19:40 | |
used when he set up the very first live radio music broadcast. | 0:19:40 | 0:19:47 | |
Of course, Melba was a great star. | 0:19:47 | 0:19:48 | |
You know, the world's most famous soprano. | 0:19:48 | 0:19:50 | |
You could never get a ticket to see Melba, | 0:19:50 | 0:19:52 | |
you can't afford one, even if you can get one, | 0:19:52 | 0:19:55 | |
but Marconi, his stunt was to bring Melba into your living room. | 0:19:55 | 0:19:59 | |
MELBA SINGING | 0:19:59 | 0:20:01 | |
They realised this was an important moment in the history of radio | 0:20:05 | 0:20:09 | |
because, if you look at this, | 0:20:09 | 0:20:11 | |
you can see that after the famous broadcast | 0:20:11 | 0:20:13 | |
Melba has signed it, "Nellie Melba, 1920." | 0:20:13 | 0:20:18 | |
By 1922, the era of broadcasting to the home, first by radio | 0:20:21 | 0:20:26 | |
and later television, had begun. | 0:20:26 | 0:20:29 | |
Initially the Post Office regulated broadcast licenses, | 0:20:29 | 0:20:34 | |
until finally they came together | 0:20:34 | 0:20:36 | |
under the British Broadcasting Corporation, or BBC. | 0:20:36 | 0:20:40 | |
-And Marconi would produce these himself? -Yeah, in his factory. | 0:20:40 | 0:20:44 | |
And I see there is a BBC logo up there as well. | 0:20:44 | 0:20:47 | |
Yes, there were radios that were compatible with the BBC system. | 0:20:47 | 0:20:51 | |
So having the BBC sign there | 0:20:51 | 0:20:54 | |
meant that you had the right sort of radio for BBC listening. | 0:20:54 | 0:20:58 | |
Terry, what do you prefer? | 0:20:58 | 0:20:59 | |
Would it be television now, or radio back then? | 0:20:59 | 0:21:02 | |
I think, at any time, | 0:21:02 | 0:21:04 | |
radio is a slightly more satisfactory medium as a presenter. | 0:21:04 | 0:21:09 | |
Do you feel closer to your audience? | 0:21:09 | 0:21:12 | |
Yeah, that's what you try and do on radio is create, | 0:21:12 | 0:21:15 | |
if you like, a little kind of club. | 0:21:15 | 0:21:16 | |
Radio is not about an audience, | 0:21:16 | 0:21:20 | |
radio is about individuals listening. | 0:21:20 | 0:21:24 | |
One or two people at most. | 0:21:24 | 0:21:26 | |
The audience is a theatrical concept, | 0:21:26 | 0:21:29 | |
but radio is about almost a one-to-one communication. | 0:21:29 | 0:21:34 | |
Well, this is telly, Tel, and it waits for no man! | 0:21:34 | 0:21:38 | |
Meanwhile, Caroline and Charlie are heading southeast, | 0:21:42 | 0:21:45 | |
to Tetsworth, for one final shop of the day. | 0:21:45 | 0:21:48 | |
If only the owner of this rural retreat | 0:21:48 | 0:21:51 | |
knew what was about to hit him. | 0:21:51 | 0:21:53 | |
Willie, I'd like you to meet Caroline. | 0:21:53 | 0:21:56 | |
-Hello, Willie - lovely to meet you! -Thank you for coming along. -I'm just thrilled to be here! | 0:21:56 | 0:22:01 | |
Single wishbone-backed chair. | 0:22:04 | 0:22:06 | |
Usually oak, but I think this might be Pugin. Gothic detail. | 0:22:06 | 0:22:11 | |
I don't think we can afford this, though, because it's £26,000. | 0:22:11 | 0:22:17 | |
Not even cutting a ribbon or giving a kiss | 0:22:17 | 0:22:19 | |
will get you that one, Caroline. | 0:22:19 | 0:22:22 | |
Alternatively... | 0:22:22 | 0:22:24 | |
-Whitefriars started in the 19th century. -Yeah. | 0:22:24 | 0:22:28 | |
And we think of Whitefriars being 1950s, '60s. | 0:22:28 | 0:22:33 | |
Whitefriars glass, so called because the factory | 0:22:33 | 0:22:37 | |
was in the Whitefriars area of London, dates back to 1834. | 0:22:37 | 0:22:41 | |
Starting as stained-glass manufacturers, over the years, | 0:22:41 | 0:22:45 | |
designers have moved to tableware and textured glass. | 0:22:45 | 0:22:50 | |
It's the most beautiful, beautiful object. | 0:22:50 | 0:22:52 | |
It's got a fabulous colour to it. | 0:22:52 | 0:22:55 | |
Look at the way the colour changes as the light changes. | 0:22:55 | 0:22:58 | |
I think that's given Caroline an idea. | 0:23:00 | 0:23:03 | |
What about best price on the decanter there, Willie? | 0:23:03 | 0:23:06 | |
-Ah, now that's a pretty rare one. -Yeah. | 0:23:06 | 0:23:09 | |
Yeah. Barnaby Powell, 1932. | 0:23:09 | 0:23:13 | |
-285. -Yeah. | 0:23:15 | 0:23:17 | |
Probably bought that all right. 195. | 0:23:17 | 0:23:23 | |
-For you. -I think that's almost exactly what I've got left. | 0:23:23 | 0:23:26 | |
Oh, bit steep! What about the glasses? | 0:23:26 | 0:23:30 | |
You know, you could buy a couple of these on top. | 0:23:30 | 0:23:33 | |
On top?! | 0:23:33 | 0:23:35 | |
It would take my set down to eight. | 0:23:35 | 0:23:38 | |
But it would show the decanter off, wouldn't it? | 0:23:38 | 0:23:40 | |
Yeah. But I don't know. How much would they cost? | 0:23:40 | 0:23:43 | |
-Two for 20, to you. -I need to talk to Charlie about this. | 0:23:44 | 0:23:47 | |
I can't make the decision on my own - it's too scary. | 0:23:48 | 0:23:50 | |
Have you tried offering Willie £20 for two of the glasses, | 0:23:52 | 0:23:55 | |
without the decanter? | 0:23:55 | 0:23:56 | |
No, it hadn't occurred to me. | 0:23:56 | 0:23:59 | |
Really? Willie, would you take 20 quid?! I've just had an idea. | 0:24:00 | 0:24:05 | |
It's just come in - I don't know how I come up with this stuff! | 0:24:05 | 0:24:08 | |
I've been a dealer and an auctioneer for years. | 0:24:08 | 0:24:11 | |
Would you sell me two of the glasses for £20 on their own? | 0:24:11 | 0:24:14 | |
Yeah, I would, because we don't go back on our prices. | 0:24:14 | 0:24:19 | |
# Sweet Caroline... # | 0:24:19 | 0:24:22 | |
And the girl does it again! | 0:24:22 | 0:24:23 | |
# Good times never seemed so good... # | 0:24:23 | 0:24:26 | |
-Done your shopping? -Yes. | 0:24:26 | 0:24:29 | |
Well done, Charlie. | 0:24:29 | 0:24:31 | |
I don't know about them, | 0:24:31 | 0:24:32 | |
but I'm exhausted after seeing the antics of our teams. | 0:24:32 | 0:24:36 | |
Can't think what tomorrow will bring. | 0:24:36 | 0:24:38 | |
It's a new dawn, and our celebrities | 0:24:43 | 0:24:46 | |
are ready for another day of antiques foraging. | 0:24:46 | 0:24:49 | |
Already on this road trip, they've been to Woodstock and Oxford. | 0:24:52 | 0:24:56 | |
Now, they're heading for Wallingford before the auction in Chiswick. | 0:24:56 | 0:25:00 | |
So far, Sir Terry and his underling Charles | 0:25:03 | 0:25:06 | |
have spent £250 on three items - | 0:25:06 | 0:25:09 | |
Murano glass, | 0:25:09 | 0:25:11 | |
a bespoke tea set and the Charlotte Rhead plate. | 0:25:11 | 0:25:15 | |
They still have £150 left, | 0:25:15 | 0:25:17 | |
but Team Hanson won't be putting their feet up. | 0:25:17 | 0:25:20 | |
Well - not both pairs, anyway. | 0:25:20 | 0:25:22 | |
Caroline and comrade-in-arms Charlie Ross | 0:25:25 | 0:25:29 | |
have parted with £218 and bought three items. | 0:25:29 | 0:25:32 | |
A Sunderland plasterware pot, | 0:25:32 | 0:25:34 | |
a giant magnifying glass and two Whitefriars tumblers. | 0:25:34 | 0:25:38 | |
Leaving them a generous £182. | 0:25:38 | 0:25:41 | |
How are you coping with the legend that is Terry Wogan? | 0:25:46 | 0:25:49 | |
Well, it's like his personal...fag. | 0:25:49 | 0:25:51 | |
And in fact, you know, I was a hound dog, bidding and buying items. | 0:25:51 | 0:25:56 | |
But I think, more so, Charlie - you know, he is SUCH a nice man. | 0:25:56 | 0:26:01 | |
Were you reduced to physical violence at any point? | 0:26:01 | 0:26:04 | |
No, I found emotional blackmail to be absolutely my best weapon. | 0:26:04 | 0:26:07 | |
-Ah! The old female - the old female trick, eh? -Yeah, you know it. | 0:26:07 | 0:26:11 | |
-Did you burst into... -Big ploppy tears! | 0:26:11 | 0:26:14 | |
I didn't. I left all the evilness and the ugliness to Charles. | 0:26:14 | 0:26:21 | |
-Because it suits him better. -You're so right. | 0:26:21 | 0:26:25 | |
With all to play for, our celebrity road-trippers and experts | 0:26:25 | 0:26:28 | |
hit the town of Wallingford, a pleasant market town | 0:26:28 | 0:26:32 | |
famed as a location for Midsomer Murders. Oh, look! | 0:26:32 | 0:26:34 | |
Oh, look at the... May I try an olive, sir? | 0:26:34 | 0:26:37 | |
-Of course you can. -Thank you. -Don't give them stuff for nothing! | 0:26:37 | 0:26:41 | |
You're ruining your market! | 0:26:41 | 0:26:44 | |
And with money still burning a hole in their pockets, | 0:26:44 | 0:26:46 | |
it's time for both teams to get a move on. | 0:26:46 | 0:26:50 | |
-Do you know, I quite like this vase. -You're a great man. And it's... | 0:26:52 | 0:26:55 | |
-would you say Chinese, Japanese? -Terry, you're quite right. | 0:26:55 | 0:26:59 | |
-This is Chinese export vase. -It's got a bit of a chip on it. | 0:26:59 | 0:27:03 | |
Damage? Oh, nasty! | 0:27:03 | 0:27:06 | |
And this vase is in what we call the famille rose palette of colours, | 0:27:06 | 0:27:10 | |
with the chrysanthemums. You've heard of Ming? | 0:27:10 | 0:27:13 | |
-I've heard of Tang. -Song? | 0:27:13 | 0:27:17 | |
-Chung. -Chung, yeah. | 0:27:17 | 0:27:18 | |
This, I think, is Chien Lung. | 0:27:18 | 0:27:21 | |
Chien Lung. Well done. | 0:27:21 | 0:27:23 | |
I would, Terry, if this came into my sale room, | 0:27:23 | 0:27:25 | |
estimate it would fetch between 100 and 150. | 0:27:25 | 0:27:28 | |
-There's no way you could do it for £100? -No. | 0:27:28 | 0:27:31 | |
-No way, Jose? -No. -No. | 0:27:31 | 0:27:33 | |
I mean, I could burst into tears. And fling myself at your mercy. | 0:27:33 | 0:27:36 | |
Do you want to try it? | 0:27:36 | 0:27:38 | |
-No! -OK. -No, it's too undignified. | 0:27:38 | 0:27:40 | |
OK. And the absolute best is...? | 0:27:40 | 0:27:42 | |
-120. -Thank you ever so much. -Thank you. | 0:27:42 | 0:27:45 | |
It seems team Wogan and Hanson are back to just thinking. Oh, well. | 0:27:46 | 0:27:51 | |
But nearby, Terry spots a £45 inkwell. | 0:27:53 | 0:27:55 | |
Silver-plated, arts and crafts, | 0:27:55 | 0:27:57 | |
and with a touch of the Rennie Mackintosh about it. | 0:27:57 | 0:28:01 | |
Terry, why does that appeal to you? | 0:28:02 | 0:28:04 | |
I don't know. I just saw it when I came in, | 0:28:04 | 0:28:07 | |
-and it gleamed at me. -Yes, yeah. Good object. | 0:28:07 | 0:28:11 | |
Seems our celebs are getting the hang of this antiques lark. | 0:28:11 | 0:28:15 | |
Feel up to a bit of haggling now, Sir Terry? Oh, go on! | 0:28:15 | 0:28:19 | |
Theoretically, all that I've left is 30 quid. | 0:28:19 | 0:28:23 | |
Well it came in with something else, | 0:28:23 | 0:28:25 | |
and we've already sold that. OK, 30. | 0:28:25 | 0:28:28 | |
-Thank you. It's a deal! -Superb. -It's a deal. | 0:28:28 | 0:28:32 | |
Ah! Just to explain the money... | 0:28:32 | 0:28:34 | |
-30 smackers. -..they have £150. -Pleasure. -Thanks again. | 0:28:34 | 0:28:39 | |
The vase is £120. Leaving £30. | 0:28:39 | 0:28:42 | |
Except they haven't bought the vase yet. | 0:28:42 | 0:28:44 | |
-Should we close this deal? -Give me half an hour, let me run round. | 0:28:44 | 0:28:48 | |
-You have a sit down, and I'll bring everything to you. -Fair enough-ski. | 0:28:48 | 0:28:51 | |
-Is that OK with you? -You're the man. -I'll see you shortly, Terry. | 0:28:51 | 0:28:54 | |
-Carry on. -Shall I go upstairs first? | 0:28:54 | 0:28:56 | |
Wherever your trained senses lead you. | 0:28:56 | 0:28:59 | |
OK. | 0:28:59 | 0:29:00 | |
# La da-da da, da-da,da | 0:29:06 | 0:29:10 | |
# La, da-da da-da-da-da da da | 0:29:10 | 0:29:13 | |
# La da da... | 0:29:13 | 0:29:15 | |
# Give me your hand, my darling... # | 0:29:15 | 0:29:18 | |
Oh! We've been caught in the act! | 0:29:18 | 0:29:21 | |
Lunatics have taken over the asylum. | 0:29:21 | 0:29:25 | |
Guard! | 0:29:25 | 0:29:26 | |
Nurse! | 0:29:27 | 0:29:29 | |
And I thought we'd got away with it! | 0:29:29 | 0:29:31 | |
Actually, that's a very nice music stand. | 0:29:31 | 0:29:33 | |
We like this. We think the people of Chiswick might care for this. | 0:29:33 | 0:29:37 | |
We just think the people of Chiswick, | 0:29:37 | 0:29:39 | |
with young children learning the violin... | 0:29:39 | 0:29:41 | |
-There's nothing worse than hearing it! -My son is learning the violin. It's unspeakable. | 0:29:41 | 0:29:45 | |
In fact, just come down here with me a minute, dear. Sit on my knee. | 0:29:45 | 0:29:48 | |
-Go on, go on. -Your turn, Charlie, to flutter those eyelashes. | 0:29:48 | 0:29:53 | |
We want to buy that for 50 quid. | 0:29:53 | 0:29:55 | |
Oh, I bet you do. I could do it for 60. | 0:29:55 | 0:29:57 | |
As it's you, Charlie, and for no other reason. | 0:29:57 | 0:30:01 | |
What about me? | 0:30:01 | 0:30:02 | |
Oh, and you. | 0:30:02 | 0:30:04 | |
80 quid! | 0:30:04 | 0:30:05 | |
Meanwhile, upstairs, Charles is working hard for his master. | 0:30:10 | 0:30:13 | |
Who's not working hard. | 0:30:13 | 0:30:15 | |
What have you got? | 0:30:16 | 0:30:18 | |
Terry, these are Beswick flying seagulls. Do you like them? | 0:30:18 | 0:30:23 | |
They're, as you know, quite sophisticated people of the world in Chiswick. | 0:30:23 | 0:30:27 | |
They would equate that with ducks flying up the wall. | 0:30:27 | 0:30:31 | |
Chintzy. | 0:30:31 | 0:30:32 | |
A little bit sort of 1950s. | 0:30:32 | 0:30:35 | |
-I think you're right, Terry. Not good enough. I'll see you later. -Take your seagulls away. | 0:30:36 | 0:30:41 | |
Pretty soon now my man will come in with some antiques, | 0:30:47 | 0:30:51 | |
of which he will try and impress me and I will doubtless reject him. | 0:30:51 | 0:30:57 | |
Do you enjoy sea food? | 0:31:03 | 0:31:05 | |
I love sea food. That looks delicious. Can I start? | 0:31:05 | 0:31:08 | |
This is real history. | 0:31:08 | 0:31:10 | |
This object really was inspired by the great Italian Renaissance potters of the 14th and 15th century. | 0:31:10 | 0:31:16 | |
Don't be ridiculous. It's not my favourite thing. | 0:31:16 | 0:31:19 | |
No. | 0:31:19 | 0:31:20 | |
Good effort. | 0:31:20 | 0:31:21 | |
Lunch? | 0:31:23 | 0:31:25 | |
If we could have that in reality, that'd be fine, wouldn't it? | 0:31:25 | 0:31:28 | |
-I'll get off. Thank you. -Good man. Good man. | 0:31:28 | 0:31:30 | |
Done it again! How's he do that? | 0:31:32 | 0:31:35 | |
Terry, I'm a mystical man, and these conjure up that Chinese vase we saw a short while ago. | 0:31:44 | 0:31:50 | |
How much do you think they would sell for? | 0:31:50 | 0:31:52 | |
I could see them making about £40. | 0:31:52 | 0:31:55 | |
We paid 30 quid for them. | 0:31:55 | 0:31:56 | |
-£10. -£10 is no use to me. | 0:31:56 | 0:31:59 | |
Terry, I think we're thinking the same sort of thing. | 0:31:59 | 0:32:02 | |
How about the Chinese vase we saw earlier on? | 0:32:02 | 0:32:04 | |
Finally, a decision. | 0:32:04 | 0:32:06 | |
The damaged Chien Lung, it is. Be it on your head though, Charles. | 0:32:06 | 0:32:11 | |
We'll take it to the Chiswick auction room, and hopefully | 0:32:11 | 0:32:15 | |
it will turn out to be a lost treasure and we'll make millions. | 0:32:15 | 0:32:20 | |
-Try and be a bit more confident. -Sorry. Sorry, yes. No. | 0:32:23 | 0:32:26 | |
So, with their shopping done, Caroline and Charles | 0:32:31 | 0:32:34 | |
take a short break and go Buckinghamshire-bound to Hughenden Manor, | 0:32:34 | 0:32:38 | |
once country retreat of Prime Minister Benjamin Disraeli. | 0:32:38 | 0:32:43 | |
On hand to reveal its secrets is Nicholas Witherick. | 0:32:43 | 0:32:48 | |
-Welcome to Hughenden. -Caroline Quentin! -Hello. | 0:32:48 | 0:32:50 | |
-Hello Caroline, nice to meet you. -Lovely to meet you, too. | 0:32:50 | 0:32:55 | |
There's been a manor on this site since, oh, I don't know, yonks ago, around the Norman Conquest time, | 0:32:55 | 0:33:01 | |
but this present stately pile is quite a youngster, more 18th century with remodelling in Victorian times. | 0:33:01 | 0:33:09 | |
It was here that Disraeli entertained the great and the good, | 0:33:13 | 0:33:16 | |
when he became Prime Minister in 1874, and in particular, his biggest fan. | 0:33:16 | 0:33:22 | |
Queen Victoria came here. | 0:33:22 | 0:33:24 | |
An unprecedented visit of an monarch to a sitting Prime Minister, visiting his private residence. | 0:33:24 | 0:33:30 | |
That fantastic picture between the two windows of Queen Victoria | 0:33:30 | 0:33:33 | |
painted by her favourite artist Von Angeli, and this is a copy. | 0:33:33 | 0:33:37 | |
The original hangs in Windsor, and she liked it so much, | 0:33:37 | 0:33:41 | |
she presented Disraeli with this copy, and it shows that it was | 0:33:41 | 0:33:45 | |
a gift from her from the crown on top of the frame. | 0:33:45 | 0:33:47 | |
Oh, OK. Yes, I see. Oh, that's great. So did she actually sit down for dinner in this room? | 0:33:47 | 0:33:51 | |
She did. She came here for lunch with Princess Beatrice. | 0:33:51 | 0:33:55 | |
She sat in this chair here, and we know it was this chair because | 0:33:55 | 0:33:58 | |
Disraeli had an inch-and-a-half shaved off the legs of that chair. | 0:33:58 | 0:34:02 | |
Being a very small lady, he wanted her feet to be firmly placed on the floor. | 0:34:02 | 0:34:06 | |
-Oh, my God, that is adorable. So it's different. Oh, it is, I can tell! -It is. you can see that. | 0:34:06 | 0:34:11 | |
How remarkable to do that to one chair when you have a set of, what, probably a dozen. | 0:34:11 | 0:34:15 | |
A dozen chairs, and you know, to a purist you think, | 0:34:15 | 0:34:18 | |
hang on, you've wrecked the whole set, doing that. | 0:34:18 | 0:34:21 | |
-What would you have done, Charlie, cut some holes in the floor? -I'd have got another chair for her. | 0:34:21 | 0:34:26 | |
Were they really good friends? | 0:34:26 | 0:34:28 | |
Extremely close friends. | 0:34:28 | 0:34:29 | |
She described him as her closest friend and her favourite Prime Minister. | 0:34:29 | 0:34:35 | |
Oh, my God, that's incredible. | 0:34:35 | 0:34:37 | |
The manor is best known for its famous political resident. | 0:34:37 | 0:34:42 | |
That is, until very recently. | 0:34:42 | 0:34:44 | |
Only by accident was this, Disraeli's Ice House, found to be more than it seemed. | 0:34:44 | 0:34:50 | |
During the Second World War, these two rooms were key to the war effort. | 0:34:52 | 0:34:56 | |
And this half of the Ice House, Disraeli's Ice House, | 0:34:56 | 0:35:01 | |
was a mess room, for six guys who lived and worked in here | 0:35:01 | 0:35:05 | |
called the Ice House Boys. | 0:35:05 | 0:35:06 | |
What were they doing here? | 0:35:06 | 0:35:08 | |
Developing maps for the bombing raids of the Second World War. | 0:35:08 | 0:35:12 | |
So this side of the Ice House was the operational side, | 0:35:12 | 0:35:16 | |
and this was key to the war effort. | 0:35:16 | 0:35:19 | |
This was all about producing maps onto slides, | 0:35:19 | 0:35:22 | |
photographing maps that had been hand-drawn in the manor | 0:35:22 | 0:35:26 | |
by about 100 people. | 0:35:26 | 0:35:28 | |
This primitive camera here would produce up to 200 slides a day | 0:35:28 | 0:35:32 | |
of hand-drawn maps that were put onto glass slides | 0:35:32 | 0:35:36 | |
and distributed from here to the southeast England airfields. | 0:35:36 | 0:35:40 | |
Vital, vital work, and you didn't discover this... | 0:35:40 | 0:35:43 | |
Well, not you, but it wasn't discovered until...? | 0:35:43 | 0:35:45 | |
2005, when a chap called Victor Gregory who worked here | 0:35:45 | 0:35:49 | |
during the war came back with his grandson | 0:35:49 | 0:35:51 | |
and began to tell his grandson about the story, | 0:35:51 | 0:35:54 | |
and one of our room guides overheard him and began to question him. | 0:35:54 | 0:35:57 | |
-How amazing that he hadn't written a book about it! -No. | 0:35:57 | 0:36:01 | |
-And no research had been done up until that point. -So it was covered by the Official Secrets Act? | 0:36:01 | 0:36:05 | |
It was, and we applied and that was lifted, and research began. | 0:36:05 | 0:36:08 | |
These are original photographs. | 0:36:08 | 0:36:10 | |
They show Hughenden whilst it was occupied by the RAF. | 0:36:10 | 0:36:14 | |
Amazing. Look at this little happy band. | 0:36:14 | 0:36:17 | |
-The camaraderie on the estate must have been amazing. -Extraordinary. | 0:36:17 | 0:36:20 | |
They produced a newspaper called the Hillside Herald, | 0:36:20 | 0:36:22 | |
which went out across the estate, and we have some originals here, | 0:36:22 | 0:36:26 | |
that show you a typical wartime, witty newspaper, | 0:36:26 | 0:36:29 | |
and this depicts the guys that used to live in the Ice House. | 0:36:29 | 0:36:33 | |
They were known as the Ice House boys and they did all the work. | 0:36:33 | 0:36:37 | |
Look, someone as a seal and someone shooting, with an igloo... | 0:36:37 | 0:36:41 | |
and someone with champagne, Eskimos, penguins. | 0:36:41 | 0:36:43 | |
-I read somewhere that Hitler had discovered that this was here and tried to bomb it. -He did. | 0:36:43 | 0:36:49 | |
Hitler had the same intelligence system as we had here in Britain, | 0:36:49 | 0:36:54 | |
and story has it that a German aircraft was shot out the sky over Britain | 0:36:54 | 0:37:00 | |
and in the boot of the airman was found this list of sites... | 0:37:00 | 0:37:03 | |
-Oh, my goodness me. -..that was to be bombed. | 0:37:03 | 0:37:06 | |
And at the top of that list, crossed here, | 0:37:06 | 0:37:09 | |
is "High Wycombe, Schloss Hughenden", | 0:37:09 | 0:37:11 | |
which is Hughenden Castle, he referred to it as. | 0:37:11 | 0:37:14 | |
-How close did he get? -About a mile and a half. | 0:37:14 | 0:37:17 | |
The bomb dropped and blew the windows out of the church, | 0:37:17 | 0:37:20 | |
but they never found Hughenden. | 0:37:20 | 0:37:22 | |
-We're surrounded by 750 acres of woodland. -Yeah, yeah. | 0:37:22 | 0:37:26 | |
-So an incredible historical document. -That is! | 0:37:26 | 0:37:30 | |
For our celebrities, the war is over. | 0:37:30 | 0:37:32 | |
Time for them to head back to Wallingford | 0:37:32 | 0:37:36 | |
and show each other their wares. Do the honours, Charlie. | 0:37:36 | 0:37:39 | |
Oh... | 0:37:39 | 0:37:41 | |
-Oh, it's back to front. -Of course. It's a mangle. | 0:37:42 | 0:37:46 | |
It's a late-Victorian music stand. | 0:37:46 | 0:37:48 | |
I see it...as not a tremendously useful object, | 0:37:48 | 0:37:52 | |
but I think it's a nice piece of furniture. | 0:37:52 | 0:37:55 | |
-Good. -It would sit well in a person's room. -OK. | 0:37:55 | 0:37:57 | |
What's it going to fetch in a saleroom? | 0:37:57 | 0:38:00 | |
I'd say it might fetch around about 300 quid. | 0:38:00 | 0:38:02 | |
I'm going to say at auction, between, Caroline, £50 and £80. | 0:38:02 | 0:38:07 | |
< That's OK. That's fine. | 0:38:07 | 0:38:09 | |
-Well, we paid £60 for it. -60 quid. | 0:38:09 | 0:38:11 | |
-Very good. -OK, I take back my estimate. | 0:38:11 | 0:38:14 | |
LAUGHTER | 0:38:14 | 0:38:16 | |
OK, Charles, hit them with the Murano glass. | 0:38:16 | 0:38:19 | |
I adore it. | 0:38:19 | 0:38:21 | |
-And we know what it cost. Do you know why? -I made them an offer. | 0:38:21 | 0:38:24 | |
Cos Caroline said, "I'll give you £110," | 0:38:24 | 0:38:27 | |
and they said, "You must be psychic." | 0:38:27 | 0:38:29 | |
So I suggest that you paid 110. | 0:38:29 | 0:38:31 | |
Wow, that psychic stuff really works. | 0:38:31 | 0:38:34 | |
Go on, Caroline, show them your big one. I mean, a mere slip at £23. | 0:38:34 | 0:38:37 | |
-Oh, my God. -Wow. | 0:38:37 | 0:38:41 | |
-It's not going to sell on the basis of age. -No. | 0:38:41 | 0:38:43 | |
-It's going to sell on the basis of novelty. -Yes. | 0:38:43 | 0:38:45 | |
And it's going to sell because it's amusing | 0:38:45 | 0:38:48 | |
and I think you'll get 40 quid for it. | 0:38:48 | 0:38:51 | |
We'd be happy with that. Yeah. | 0:38:51 | 0:38:53 | |
Do you know, I'm seeing you for the first time as you really are. | 0:38:53 | 0:38:57 | |
I was beavering away and, Terry and myself, we came across this. | 0:38:57 | 0:39:01 | |
-I like it. -Yeah, I quite like it. Let me look. | 0:39:01 | 0:39:04 | |
I like it too, because > | 0:39:04 | 0:39:05 | |
it's painted by a wonderful lady called Charlotte Rhead. | 0:39:05 | 0:39:08 | |
-Charlotte Rhead? Oh, my God! -Charlotte Rhead, yes. | 0:39:08 | 0:39:11 | |
-Cost us £40. -Double your money. | 0:39:11 | 0:39:13 | |
Wish you'd spotted that one too, hey? | 0:39:13 | 0:39:17 | |
Still, Charlie, you've still got the Whitefriars. Well, a bit of it. | 0:39:17 | 0:39:21 | |
We couldn't afford the decanter but we loved the glasses. | 0:39:21 | 0:39:24 | |
They're very pretty but it's a shame that you only got two of them. | 0:39:24 | 0:39:27 | |
-I love them. They wouldn't have been very expensive. -They were 20 quid. | 0:39:27 | 0:39:31 | |
This wonderful tea set was made in circa 1806. > | 0:39:31 | 0:39:35 | |
-Do you know what I like about it? -What? -The gilding is superb. | 0:39:35 | 0:39:39 | |
I like it, I really... and I love the painting generally, | 0:39:39 | 0:39:42 | |
I think the flowers are beautiful on it. | 0:39:42 | 0:39:45 | |
What's it worth? ?> Erm... | 0:39:45 | 0:39:46 | |
-< £78. -Guess again. | 0:39:46 | 0:39:48 | |
110. | 0:39:48 | 0:39:50 | |
-We paid... Are you ready for this, Caroline? -Yes. -£100. | 0:39:50 | 0:39:55 | |
-Great-shaped teapot, Charles. -It might go like a dream. -Yeah. | 0:39:55 | 0:39:58 | |
You're not convinced, Caroline. | 0:39:58 | 0:40:01 | |
Now, a traditional antique. | 0:40:01 | 0:40:03 | |
-That's very good. -That's very good. -I can see the ticket price, 425. | 0:40:03 | 0:40:07 | |
-Tell me what it cost you. -175. -Cor! | 0:40:07 | 0:40:11 | |
-You battered the man into submission. -< I did, I'm afraid. | 0:40:11 | 0:40:14 | |
In fairness, it's the hardest afternoon's work I've ever done! | 0:40:14 | 0:40:17 | |
What's it worth? | 0:40:17 | 0:40:19 | |
Between 250 and 350. Lovely, lovely object. | 0:40:19 | 0:40:24 | |
No doubt he likes it | 0:40:24 | 0:40:27 | |
but, Charles, you've got your own "lovely, lovely" at just £30. | 0:40:27 | 0:40:32 | |
The hinge lid is there for your little inkwell like so. | 0:40:32 | 0:40:36 | |
-Lovely. -It's without doubt my favourite item of yours. -Is it really? -Without doubt. | 0:40:36 | 0:40:40 | |
Don't be taken in, boys. Caroline's got a last trick up her sleeve. | 0:40:40 | 0:40:44 | |
Three freebies and two for £17. | 0:40:44 | 0:40:47 | |
Bargain jewellery picked up along the way. | 0:40:47 | 0:40:50 | |
Bridge player's bracelet, which is made of aluminium. It's... | 0:40:50 | 0:40:53 | |
I hadn't realised you were such a cheapskate until now. | 0:40:53 | 0:40:57 | |
< Did you not? I'm well known for it. | 0:40:57 | 0:41:00 | |
-Very nice lot, Caroline, for £17. -17 whole quid, eh? -Yeah. | 0:41:00 | 0:41:04 | |
-Do you think we'll make anything on it? -Yes. | 0:41:04 | 0:41:07 | |
You've got retro here, | 0:41:07 | 0:41:09 | |
you've got a wonderful '70s forward-thinking brooch there. | 0:41:09 | 0:41:13 | |
Do you reckon I might get 25 quid out of that? | 0:41:13 | 0:41:16 | |
-I think that lot will make about £40. -Really? -I love that! | 0:41:16 | 0:41:20 | |
But the boys are fighting back. | 0:41:20 | 0:41:23 | |
Ah! | 0:41:23 | 0:41:25 | |
We've gone to the Orient at last. I knew he would. | 0:41:27 | 0:41:30 | |
It's a magnificent Chinese vase and the best of its type | 0:41:30 | 0:41:33 | |
coming from the Far East in probably the late Chien Lung. | 0:41:33 | 0:41:38 | |
We love it. | 0:41:38 | 0:41:40 | |
Sir Terry and myself are gambling hard that this might just see a really good yield. | 0:41:40 | 0:41:45 | |
-What did it cost? 100 quid? -120. | 0:41:45 | 0:41:50 | |
Well bought. You've been fantastic because you've really bought such a range of items, haven't you? | 0:41:50 | 0:41:57 | |
Don't sell yourself short. | 0:41:57 | 0:42:00 | |
There's not a single brooch in any of your lot, which I think is a mistake. | 0:42:00 | 0:42:04 | |
Ah! Haven't they been so nice to each other? | 0:42:04 | 0:42:09 | |
But what do they really think? | 0:42:09 | 0:42:11 | |
The only lot that's slightly risky is the Chinese vase. | 0:42:11 | 0:42:15 | |
The whole thing is going to revolve - their Chinese vase and our Sunderland. | 0:42:15 | 0:42:22 | |
-There's no contest. -It's no-brainer, baby. | 0:42:22 | 0:42:26 | |
I'm not so sure about the music stand. But as a nice piece of furniture, it's OK. | 0:42:26 | 0:42:32 | |
It'll be interesting to see what that makes. | 0:42:32 | 0:42:35 | |
It's an eclectic mix of all sorts. | 0:42:35 | 0:42:38 | |
If one thing fails, the other will succeed. It's going to be a great ride at the auction. | 0:42:38 | 0:42:43 | |
Well, let's see. It's auction day and our four road trippers head 41 miles southeast | 0:42:49 | 0:42:54 | |
to the Chiswick Auctions in London for their final showdown. | 0:42:54 | 0:42:58 | |
-Do you want a coffee before we start? -Certainly not! -It's my pre-match nerves. | 0:43:04 | 0:43:08 | |
-It's the calm... -Where's my Caroline? -..before the storm. | 0:43:08 | 0:43:11 | |
-Hello! How are you? -Morning! -Are you nervous? -I am a bit, actually. | 0:43:11 | 0:43:18 | |
I never thought you'd have the nerve to turn up after the kind of purchases you made. | 0:43:18 | 0:43:22 | |
Chiswick Auctions has been running since 1998. | 0:43:22 | 0:43:26 | |
Hardly an antique themselves, but still masters in the field. | 0:43:26 | 0:43:31 | |
Today, wielding the gavel, is Tom Keane. | 0:43:31 | 0:43:34 | |
I'm really concerned about Terry and Charles' Chinese vase. | 0:43:34 | 0:43:39 | |
We get loads of Chinese vases here. They don't like buying things with damage on them. | 0:43:39 | 0:43:44 | |
If they get £40-50, they'll do well. | 0:43:44 | 0:43:46 | |
I think Caroline and Charlie's been pretty clever today. | 0:43:46 | 0:43:50 | |
Charlie advised to buy lower-priced lots and some impressive items. | 0:43:50 | 0:43:54 | |
They've got some things that will definitely get a profit. | 0:43:54 | 0:43:59 | |
Team Quentin started today's road trip with £400 | 0:43:59 | 0:44:02 | |
and spent just £295 on five auction lots. | 0:44:02 | 0:44:07 | |
Team Wogan also began with £400 and have spent the whole lot of lolly, | 0:44:10 | 0:44:16 | |
also on five auction lots. | 0:44:16 | 0:44:19 | |
As experts and celebrities cosy up on the sofa, all is calm and orderly | 0:44:21 | 0:44:26 | |
in the auction room, just as it should be, but something tells me | 0:44:26 | 0:44:30 | |
this is going to be one bumpy ride, so hold onto your seats! | 0:44:30 | 0:44:34 | |
Ready? | 0:44:36 | 0:44:38 | |
First lot, Charles and Caroline's late Victorian music stand. | 0:44:38 | 0:44:44 | |
Quite a nice thing. Is that worth £100 for it? £50 for it? | 0:44:44 | 0:44:48 | |
Uh-oh! We're barely into the auction | 0:44:48 | 0:44:51 | |
and Caroline is on her feet. | 0:44:51 | 0:44:53 | |
-Will this woman stop at nothing to win? -55. | 0:44:53 | 0:44:56 | |
58, 60, two, five. | 0:44:56 | 0:44:59 | |
Eight, 70. Two, five, eight, 85. 85, 90. | 0:44:59 | 0:45:04 | |
90, 95, 100. And five. 110. | 0:45:04 | 0:45:07 | |
£105, 100? At £105. 105. 105. Take 110 for it. | 0:45:07 | 0:45:13 | |
The bid's over there. £105. Take 110. 105, all done. | 0:45:13 | 0:45:17 | |
-All done, 105. -Thank you very much! It's worth it. | 0:45:17 | 0:45:21 | |
It's a beautiful thing! | 0:45:21 | 0:45:23 | |
Oh, hold on. Now, what's she doing? Take it from me. | 0:45:24 | 0:45:28 | |
Kissing the winning bidder isn't part of the normal auction protocol, | 0:45:28 | 0:45:32 | |
but then who said this is going to be normal? | 0:45:32 | 0:45:36 | |
Well done. Great. Thank you. | 0:45:36 | 0:45:38 | |
Well, fair play. She did squeeze out a juicy profit on that. | 0:45:40 | 0:45:43 | |
Ready for the two Whitefriars glasses, Caroline? | 0:45:43 | 0:45:48 | |
£20, here we go. £20? Worth more. £10. | 0:45:48 | 0:45:51 | |
£10. Someone give me 10? I'm bid at ten, give me 12? | 0:45:51 | 0:45:55 | |
-Caroline, feel the magic. -They're worth more than that! | 0:45:55 | 0:46:00 | |
Thank you. 14. 14. 16. 16. | 0:46:00 | 0:46:03 | |
-18? At £16. At 18. 16 and we're done. -No! | 0:46:03 | 0:46:07 | |
Any more for any more? | 0:46:07 | 0:46:08 | |
I'm going to make a loss on these and I really can't bear it. | 0:46:08 | 0:46:11 | |
Don't cheapen yourself! | 0:46:11 | 0:46:13 | |
Here she comes again. Don't be alarmed, viewers. | 0:46:13 | 0:46:16 | |
-This is definitely not normal auction behaviour. -24, 26? 28? | 0:46:16 | 0:46:20 | |
At £26. All done at £26. Going for £26. | 0:46:20 | 0:46:24 | |
-It's getting a bit shameless now. -You ain't seen nothing yet. | 0:46:26 | 0:46:29 | |
Oh, I don't like the sound of that. | 0:46:29 | 0:46:31 | |
Our first couple have cleared the starting gate. | 0:46:31 | 0:46:35 | |
So, can Terry and Charles get off the blocks with this inkwell? | 0:46:35 | 0:46:39 | |
Here we go and what's it worth? £50 for it? | 0:46:39 | 0:46:43 | |
-£30 for it. Come on... -Hang on, where's Sir Terry gone? | 0:46:43 | 0:46:46 | |
I don't believe it! He's touting the inkwell around now. | 0:46:46 | 0:46:50 | |
42, 45. At £42. At 42. 45? 48? | 0:46:50 | 0:46:54 | |
-48, 50? -I haven't seen any bidding... | 0:46:54 | 0:46:58 | |
Anyone would think this is a bring-and-buy sale. | 0:46:58 | 0:47:01 | |
It's an auction, man! | 0:47:01 | 0:47:03 | |
-At 58. -Rennie Mackintosh! | 0:47:03 | 0:47:06 | |
-Rennie Mackintosh. -72, 75, 78. -Mmmm. | 0:47:06 | 0:47:10 | |
I don't think magic's going to help you here. | 0:47:10 | 0:47:12 | |
I'm bid 78. 80? 82. 83, if that helps you. 83. | 0:47:12 | 0:47:17 | |
83, 84. 84, 85. | 0:47:17 | 0:47:20 | |
I like this man. | 0:47:20 | 0:47:21 | |
-I'm picking on you. -85, 86. | 0:47:22 | 0:47:26 | |
86, 87. | 0:47:26 | 0:47:28 | |
No, £86. Bid at £86. | 0:47:28 | 0:47:30 | |
We're done at £86? All done at £86. Going once, 86. | 0:47:30 | 0:47:33 | |
Done for 86 and gone. | 0:47:33 | 0:47:35 | |
APPLAUSE | 0:47:35 | 0:47:37 | |
-56. Brilliant. -They're sorry for me, that's why. | 0:47:41 | 0:47:45 | |
Or they just wanted you to sit down! | 0:47:45 | 0:47:47 | |
But that magnificent profit has put you in the lead, Sir Terry. | 0:47:47 | 0:47:51 | |
Next, Caroline's brooches and bracelet. | 0:47:51 | 0:47:56 | |
For Children In Need. Start me...£20 for it. | 0:47:56 | 0:47:58 | |
I'm going to show you them, because they're lovely. | 0:47:58 | 0:48:01 | |
I chose all these myself. | 0:48:01 | 0:48:03 | |
I don't believe it, they're all at it now. | 0:48:03 | 0:48:07 | |
Where's Terry going? | 0:48:07 | 0:48:08 | |
The loo(?) | 0:48:08 | 0:48:09 | |
A nice '50s bracelet and it's got... | 0:48:09 | 0:48:12 | |
Being shown live in the auction right now. | 0:48:12 | 0:48:14 | |
-Surely, Charlie will rein her in! -Is she your lady? -She's my lady. | 0:48:14 | 0:48:17 | |
-I chose well, didn't I? -Maybe not! | 0:48:17 | 0:48:20 | |
So that's the lot. Thank you very much. | 0:48:20 | 0:48:23 | |
-I shall see you shortly. -Excuse me, come back here! -Yeah. | 0:48:23 | 0:48:26 | |
You might as well do the whole lot. | 0:48:26 | 0:48:28 | |
-Oh, no! I don't want to do that. -Oh! Now, what's going on? | 0:48:28 | 0:48:32 | |
-Come on, Caroline, you can do it. -She's on the rostrum. | 0:48:32 | 0:48:35 | |
-What do I say? -You have a bid of 20. -I have a bid of £20 here. | 0:48:35 | 0:48:38 | |
-Thank you, sir. -22. -22. -25. -25. | 0:48:38 | 0:48:42 | |
Aren't you going up higher than that? | 0:48:42 | 0:48:44 | |
-This is unheard of. -30. | 0:48:44 | 0:48:47 | |
-Lady there. -32. -35, thank you, madam. | 0:48:47 | 0:48:51 | |
Do I hear 40 for it? | 0:48:51 | 0:48:52 | |
-Come to think of it, she's not doing too badly. -50! | 0:48:52 | 0:48:56 | |
Bit shrieky. | 0:48:56 | 0:48:57 | |
£60, sir, thank you. Oh, sorry! Ouch! | 0:48:57 | 0:49:00 | |
She's the best auctioneer I have seen in my life. | 0:49:00 | 0:49:03 | |
-65? -What? | 0:49:03 | 0:49:05 | |
-£100. -£100! | 0:49:05 | 0:49:07 | |
Are we all finished it £100? Going, going... | 0:49:07 | 0:49:11 | |
gone! Thank you very much. | 0:49:11 | 0:49:13 | |
-HE CHEERS -Thank you very much. | 0:49:13 | 0:49:16 | |
-Do another, I'll do it again. -I have plenty more coming up. | 0:49:16 | 0:49:19 | |
£100 for those! Anyone would have thought this is for charity! | 0:49:19 | 0:49:23 | |
-HE CHUCKLES -Oh, yes, it is! | 0:49:23 | 0:49:26 | |
Still, that puts Team Quentin straight in the lead. | 0:49:26 | 0:49:30 | |
I loved it. The power! | 0:49:31 | 0:49:33 | |
I wonder how Team Wogan will top Caroline's performance. | 0:49:35 | 0:49:38 | |
-Next up. -This is a Crown Ducal Art Deco pottery plate, | 0:49:38 | 0:49:42 | |
signed Charlotte Rhead. | 0:49:42 | 0:49:45 | |
Well, say no more. | 0:49:45 | 0:49:46 | |
Now Caroline's had a go, Sir Terry's not missing a chance, either | 0:49:46 | 0:49:51 | |
and he's got Charles doing the legwork. | 0:49:51 | 0:49:53 | |
-Don't let that...£50. -A bidder at £50. -£50. | 0:49:53 | 0:49:56 | |
Charles Hanson showing. Don't let that put you off(!) | 0:49:56 | 0:49:59 | |
LAUGHTER | 0:49:59 | 0:50:02 | |
Who'll give me 60 for it? | 0:50:02 | 0:50:04 | |
-£60. We need to do better than that. -60. -£60? | 0:50:04 | 0:50:09 | |
-Have we got 65? Is that a 65, sir? -67. | 0:50:09 | 0:50:11 | |
-It's a 70. -We like that. | 0:50:11 | 0:50:14 | |
-My dear fellow, thank you very much. -Offer 72. -Can we go for 72? | 0:50:14 | 0:50:20 | |
72. 75. £75 to the good gentleman. | 0:50:20 | 0:50:24 | |
-APPLAUSE -Well done. Well done. | 0:50:24 | 0:50:27 | |
Handled masterfully, Sir Terry. | 0:50:27 | 0:50:30 | |
How does that feel to you? On the rostrum, in control? | 0:50:30 | 0:50:34 | |
I felt a complete eejit standing there. | 0:50:34 | 0:50:38 | |
Well, not bad for a beginner, but even with that profit, | 0:50:38 | 0:50:41 | |
Sir Terry is lagging behind. | 0:50:41 | 0:50:43 | |
Next, the Quentin magnifying glass. | 0:50:43 | 0:50:47 | |
And Caroline's back on her feet. | 0:50:47 | 0:50:49 | |
-Here you go... -I'm not coming up, Tom. I think I should show people. | 0:50:49 | 0:50:53 | |
In case anyone doesn't know how a magnifying glass works! | 0:50:53 | 0:50:56 | |
She's at it again, but at least the auctioneer is back in control. | 0:50:56 | 0:50:59 | |
-For now. -Jesus, she's put two stone on! -I beg your pardon? | 0:50:59 | 0:51:02 | |
-You carry on. -Who wants to bid for this? | 0:51:02 | 0:51:04 | |
-Come on, start the bidding, please. -What's it worth, £50? | 0:51:04 | 0:51:07 | |
£50 for it, £20 for it. Bid at £20. 22, 25. 25, 28. | 0:51:07 | 0:51:12 | |
30, 32, 35. | 0:51:12 | 0:51:14 | |
38, 40, 42. 42, 45, 45, 48. | 0:51:14 | 0:51:18 | |
50. Two. | 0:51:18 | 0:51:20 | |
At £52. 52. 55 a new bidder, thank you. | 0:51:20 | 0:51:23 | |
55, 58. | 0:51:23 | 0:51:25 | |
55 are we done at 55? HE BANGS GAVEL | 0:51:25 | 0:51:27 | |
Looks like Caroline's groundwork has paid off. | 0:51:27 | 0:51:31 | |
Hmm. Bidder thinks so, too. | 0:51:31 | 0:51:34 | |
Fantastic. | 0:51:34 | 0:51:37 | |
-What a woman! -Next, the Spode tea set. | 0:51:37 | 0:51:41 | |
Can Sir Terry and Charles come back from behind with this one? | 0:51:42 | 0:51:45 | |
It seems the auction rule book has been well and truly binned. | 0:51:46 | 0:51:50 | |
So what's the plan, boys? | 0:51:50 | 0:51:52 | |
Charles, auctioning? You should know better. You're not in charge. | 0:51:52 | 0:51:56 | |
Though at least he IS a professional. | 0:51:56 | 0:51:59 | |
Let's go. Start me off. Do I see £50? Come on, let's see £50. | 0:51:59 | 0:52:03 | |
I'll take 50. | 0:52:03 | 0:52:05 | |
55, 60, 70, 80, 90, sir. Look at me. | 0:52:05 | 0:52:09 | |
At £100. 110. | 0:52:09 | 0:52:10 | |
-Come on, sir. -He's gone mad. | 0:52:10 | 0:52:13 | |
-He's gone mad. -45, sir. | 0:52:13 | 0:52:15 | |
-105. I've got you, madam. -Thank you, madam. -110, sir. | 0:52:15 | 0:52:19 | |
115. 120. | 0:52:19 | 0:52:21 | |
Look at me. | 0:52:21 | 0:52:23 | |
"No", he says. Look at me, sir. One more. | 0:52:23 | 0:52:26 | |
I think it's looking at you that's putting them off! | 0:52:26 | 0:52:29 | |
LAUGHTER Thanks, mate(!) 125, sir. | 0:52:29 | 0:52:32 | |
Fair warning, you're all out to a lady who is standing | 0:52:32 | 0:52:36 | |
and very, very content. | 0:52:36 | 0:52:37 | |
At £120. | 0:52:37 | 0:52:39 | |
Going, going, | 0:52:39 | 0:52:41 | |
going, gone. Thank you very much. | 0:52:41 | 0:52:44 | |
CHEERING Madam, well done. | 0:52:44 | 0:52:46 | |
£20 profit. Even with that performance, boys, | 0:52:48 | 0:52:51 | |
you're still lagging behind. | 0:52:51 | 0:52:52 | |
-We tried. -Well done. | 0:52:52 | 0:52:56 | |
-Charles. -That was brilliant. -Magic. Absolute magic. -Thank you very much. | 0:52:56 | 0:53:00 | |
So, can the Murano glass put you in front? | 0:53:01 | 0:53:05 | |
-Ladies and gentlemen, this belongs to the opposition. -Oh, no. | 0:53:05 | 0:53:08 | |
Charlie is having a go now. | 0:53:08 | 0:53:09 | |
With no enthusiasm whatsoever. | 0:53:09 | 0:53:12 | |
So, what's happening here? | 0:53:12 | 0:53:13 | |
-Look at this. -OK, stop. | 0:53:13 | 0:53:16 | |
So Charlie's swapped teams and is auctioning for the other side. | 0:53:16 | 0:53:20 | |
Terry's portering his own lot. | 0:53:20 | 0:53:24 | |
Now, Caroline's bidding, but shouldn't be, | 0:53:24 | 0:53:26 | |
because she loves the glass. | 0:53:26 | 0:53:28 | |
Oh, Gawd, back to the auction. | 0:53:28 | 0:53:31 | |
Hands up who's never been to Murano? | 0:53:31 | 0:53:33 | |
LAUGHTER | 0:53:33 | 0:53:35 | |
You're all far too sharp! | 0:53:37 | 0:53:39 | |
100 my right. 110, somebody. At £100. | 0:53:39 | 0:53:42 | |
Anybody at 110. I'd even take 105. | 0:53:42 | 0:53:44 | |
At £100, yes, with you, Caroline, at £100. | 0:53:44 | 0:53:49 | |
Anybody going 105? Your last chance, ladies and gentlemen, at £100. | 0:53:49 | 0:53:52 | |
Anybody going at five? | 0:53:52 | 0:53:54 | |
-110. -110! -Oh, Tom! -What's this?! | 0:53:54 | 0:53:58 | |
Even Tom, the official auctioneer, is joining in. | 0:53:58 | 0:54:01 | |
-150. -150. | 0:54:01 | 0:54:02 | |
150! | 0:54:02 | 0:54:04 | |
-Surely that's an end to this auction madness. -Caroline, 150. | 0:54:04 | 0:54:08 | |
With the boss. All done. | 0:54:08 | 0:54:10 | |
-A big round of applause. -Thank you, Tom! | 0:54:10 | 0:54:12 | |
I've never seen anything like it. | 0:54:12 | 0:54:15 | |
Sold to Tom. I wonder if he'll charge himself commission. Ha-ha! | 0:54:15 | 0:54:20 | |
Now, the lustreware pot. Caroline's on the rostrum AGAIN. | 0:54:20 | 0:54:25 | |
Is she after a change of career or what?! | 0:54:25 | 0:54:29 | |
-What shall I start at, Tom? -You've got a bid already of £170. | 0:54:29 | 0:54:34 | |
I've got a bid of £170 already. | 0:54:34 | 0:54:36 | |
-Who'll give me 180? -Who'll give me 180, please? | 0:54:36 | 0:54:39 | |
-180. -180 there. | 0:54:39 | 0:54:41 | |
-190, sir? -190, there you are. | 0:54:41 | 0:54:43 | |
-200 there. -200. -210. -210. Offer me 215, please. | 0:54:43 | 0:54:49 | |
Thank you, sir. No more? Nobody in the room? Thank you very much, sir. | 0:54:49 | 0:54:53 | |
Going, going... | 0:54:53 | 0:54:54 | |
gone! Thank you. | 0:54:54 | 0:54:56 | |
She's done it, putting Team Quentin and Ross well in the lead. | 0:54:56 | 0:55:01 | |
By my reckoning, | 0:55:04 | 0:55:06 | |
Sir Terry needs to make £54 profit on this damaged Chinese vase to win. | 0:55:07 | 0:55:11 | |
Are you worried, Charles? | 0:55:11 | 0:55:14 | |
If we fail to get the reserve, of course, I shall blame you. | 0:55:14 | 0:55:18 | |
Here we go. Our last lot! | 0:55:18 | 0:55:19 | |
Is that worth £100 for it? £50 for it. | 0:55:19 | 0:55:22 | |
-It's worth much more than that. -£30 for it. | 0:55:22 | 0:55:25 | |
-This could be a discovery. -30, 32, 35...? At £32, give me 35. | 0:55:25 | 0:55:30 | |
-35, 38? 38, 40. -Come on! | 0:55:30 | 0:55:35 | |
-Don't beg, Charles. -40, 42. | 0:55:35 | 0:55:37 | |
-42? -Come on, Terry, show it round. -45, 48. | 0:55:37 | 0:55:41 | |
50? 55? | 0:55:41 | 0:55:43 | |
Thankfully, sanity has prevailed and normal auction rules are back on. | 0:55:43 | 0:55:47 | |
Or nearly. Sir Terry, look! He's trying to buy his own lot! | 0:55:47 | 0:55:51 | |
70. At £65, give me one more. 70, 75. | 0:55:51 | 0:55:54 | |
-At £70, have I got 75? £70. £75. -I think it's fantastic. | 0:55:54 | 0:55:59 | |
-Are we all done at 75? -Any more bids? -80. | 0:55:59 | 0:56:04 | |
At £75 bid...80. 80 there, 85? | 0:56:04 | 0:56:08 | |
85 bid, you want 90 now. | 0:56:08 | 0:56:10 | |
I wouldn't say we were desperate or anything, but, you know. | 0:56:10 | 0:56:13 | |
At £85. Give me 90, bid 90. | 0:56:13 | 0:56:16 | |
95, you're saying no? At £90 bid, at £90. With Sir Terry at £90. 95? | 0:56:16 | 0:56:23 | |
The man's gone mad! | 0:56:23 | 0:56:25 | |
-I'll give you 100 for it. -£100, 110? | 0:56:25 | 0:56:29 | |
LAUGHTER | 0:56:29 | 0:56:31 | |
Take 110 for it. At £100. Going once at £100. | 0:56:31 | 0:56:35 | |
-One more, yes, Terry, bid. -Take 120, 130? -Oh, did I go to 130? | 0:56:35 | 0:56:40 | |
LAUGHTER | 0:56:40 | 0:56:41 | |
Where are we up to, 120 or 130? You pick. | 0:56:41 | 0:56:45 | |
-Ah, come on. It's mine! -Twice at 130, last chance at 130. | 0:56:45 | 0:56:50 | |
Sold to Sir Terry at 130. | 0:56:50 | 0:56:52 | |
Terry! | 0:56:52 | 0:56:54 | |
APPLAUSE | 0:56:54 | 0:56:56 | |
Bought your own lot, Sir Terry? And made a small profit? | 0:56:56 | 0:57:00 | |
What can I say? Other than it's been...an education. | 0:57:00 | 0:57:04 | |
Others may buy Ming, or even Chung. But Chin Lung for me... | 0:57:04 | 0:57:09 | |
THEY LAUGH | 0:57:09 | 0:57:11 | |
Both teams started today's road trip with a £400 budget. | 0:57:13 | 0:57:17 | |
But after paying auction costs, our knight of the realm | 0:57:18 | 0:57:22 | |
and his young sidekick only made £60.02, | 0:57:22 | 0:57:26 | |
bringing up the rear with just £460.02. | 0:57:26 | 0:57:31 | |
Caroline and Charlie, however, stormed ahead, | 0:57:33 | 0:57:36 | |
with a commendable £115.82 profit, | 0:57:36 | 0:57:40 | |
crossing the finishing line with a winning £515.82. | 0:57:40 | 0:57:47 | |
Well done, everyone! | 0:57:47 | 0:57:48 | |
And all the money our celebrities and experts raise will go to Children In Need. | 0:57:48 | 0:57:54 | |
It's been bliss, it really has. It's been so fantastic! | 0:57:54 | 0:57:58 | |
-Thank you. It's been a pleasure. -You have been terrific. -Thank you very much. | 0:57:58 | 0:58:03 | |
-Come with me. -OK. | 0:58:03 | 0:58:05 | |
Well done. | 0:58:05 | 0:58:07 | |
Thank you, Dennis. Take me away from all this, will you? | 0:58:09 | 0:58:12 | |
Sadly, that's the end of our antiques road trip, | 0:58:12 | 0:58:15 | |
but I think you'll agree, our celebrities did the business | 0:58:15 | 0:58:18 | |
and have earned their stripes, | 0:58:18 | 0:58:20 | |
though more for their antiques hunting than their behaviour, maybe. | 0:58:20 | 0:58:24 | |
-Bye-bye, darling! -All the best. | 0:58:24 | 0:58:26 | |
-Who are those people? -I don't know. | 0:58:26 | 0:58:29 | |
Subtitles by Red Bee Media Ltd | 0:58:51 | 0:58:53 | |
E-mail [email protected] | 0:58:53 | 0:58:57 |