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Some of the nation's top celebrities... | 0:00:02 | 0:00:03 | |
What if we were to say 150 for the two? Then you've got yourself a deal. | 0:00:03 | 0:00:07 | |
..one antiques expert each... | 0:00:07 | 0:00:08 | |
You use them for plucking out nose hairs. | 0:00:08 | 0:00:10 | |
# Da-da, da-na-na... # | 0:00:10 | 0:00:13 | |
..and one big challenge - who can seek out and buy the best antiques at the very best prices... | 0:00:13 | 0:00:19 | |
This is a fine art. | 0:00:19 | 0:00:20 | |
THEY LAUGH | 0:00:20 | 0:00:22 | |
..and auction for a big profit further down the road? | 0:00:22 | 0:00:26 | |
Potential for disaster. | 0:00:26 | 0:00:28 | |
Who will spot the good investments? Who will listen to advice? | 0:00:28 | 0:00:31 | |
What you've just come out with there, I cannot believe that! | 0:00:31 | 0:00:33 | |
And who will be the first to say "Don't you know who I am?!" | 0:00:33 | 0:00:38 | |
Time to put your pedal to the metal - | 0:00:38 | 0:00:42 | |
this is Celebrity Antiques Road Trip! | 0:00:42 | 0:00:44 | |
Yeah! | 0:00:47 | 0:00:48 | |
Tonight, it's a big showbiz "hello" from Hertfordshire, | 0:00:48 | 0:00:52 | |
-where we're joined by two vintage British actors. -Morning, Annette. | 0:00:52 | 0:00:56 | |
It's Richard Wilson and his long-suffering on-screen wife, | 0:00:56 | 0:00:59 | |
Annette Crosbie. | 0:00:59 | 0:01:01 | |
Do you remember that thing you were in telly, | 0:01:01 | 0:01:04 | |
and the wee girl said, "Don't talk to me when I'm driving"? | 0:01:04 | 0:01:07 | |
And Annette's getting to grips with the gears and pedals | 0:01:07 | 0:01:11 | |
of this stylish 1963 Hillman Minx. | 0:01:11 | 0:01:13 | |
-I've never driven one of those, ever. -Really? | 0:01:13 | 0:01:17 | |
-I want out! -Richard and Annette, of course, made their names together | 0:01:17 | 0:01:21 | |
in the award-winning sitcom One Foot In the Grave. | 0:01:21 | 0:01:24 | |
Want a sucky sweet? | 0:01:27 | 0:01:29 | |
Sucky sweet?! | 0:01:29 | 0:01:31 | |
I'll be sucking on that exhaust pipe in a minute, much more of this! | 0:01:32 | 0:01:35 | |
Over time, Richard has earned a long list of credits, | 0:01:36 | 0:01:39 | |
including Doctor Who and, more recently, Merlin. | 0:01:39 | 0:01:43 | |
I'm sorry, Merlin. | 0:01:43 | 0:01:45 | |
But it was his cantankerous character Victor Meldrew | 0:01:45 | 0:01:49 | |
that drew him to the nation's heart. | 0:01:49 | 0:01:51 | |
LAUGHTER I don't believe it! | 0:01:51 | 0:01:54 | |
There's no-one else I'd rather be in a situation like this with, Richard, than you. | 0:01:54 | 0:02:00 | |
Ah, bless! | 0:02:00 | 0:02:01 | |
Annette played alongside Richard as his wife for over a decade. | 0:02:01 | 0:02:06 | |
Very strange smell downstairs when I came in. | 0:02:06 | 0:02:09 | |
Wonder what that could be? | 0:02:09 | 0:02:10 | |
I wonder(!) | 0:02:10 | 0:02:12 | |
LAUGHTER | 0:02:14 | 0:02:16 | |
But she got her first break in the 1970s, | 0:02:16 | 0:02:19 | |
playing Catherine of Aragon, for which she won a BAFTA. | 0:02:19 | 0:02:22 | |
What area of antiques would you be most interested in? | 0:02:22 | 0:02:26 | |
Jewellery. | 0:02:26 | 0:02:27 | |
Jewellery? Yes. Of course. | 0:02:27 | 0:02:31 | |
Talking of antiques, I suppose we're sitting in one now. | 0:02:31 | 0:02:34 | |
You're sitting NEXT to one now! | 0:02:34 | 0:02:37 | |
Steering this fine pair towards more traditional antiques | 0:02:39 | 0:02:44 | |
-are two of Road Trip's esteemed experts. -Good to see you. | 0:02:44 | 0:02:47 | |
First call is for our own great character actor, James Lewis. | 0:02:47 | 0:02:53 | |
What do you think? Toad of Toad Hall look? | 0:02:53 | 0:02:56 | |
And our leading lady of antiques is Catherine Southon. | 0:02:56 | 0:02:59 | |
Together, in this 1960s Morris Minor, | 0:02:59 | 0:03:01 | |
they're revving up to meet their match. | 0:03:01 | 0:03:04 | |
-There we go! -James! I... | 0:03:04 | 0:03:07 | |
With 20 years of buying and selling under his belt, | 0:03:07 | 0:03:11 | |
James Lewis challenges himself | 0:03:11 | 0:03:12 | |
to seek out the bizarre and the beautiful. | 0:03:12 | 0:03:16 | |
And don't be fooled by his cuddly exterior - | 0:03:16 | 0:03:18 | |
he knows how to drive hard to get a good deal. | 0:03:18 | 0:03:21 | |
Another classic day in a classic car - | 0:03:24 | 0:03:25 | |
or, as I would call it, a heap of rust. | 0:03:25 | 0:03:27 | |
Ooh! | 0:03:27 | 0:03:29 | |
Experienced valuer Catherine Southon | 0:03:29 | 0:03:31 | |
has a keen eye for the more discerning antique. | 0:03:31 | 0:03:34 | |
Specialising in scientific and medical instruments, | 0:03:34 | 0:03:39 | |
she has a nose for the quirky and the intricate. | 0:03:39 | 0:03:42 | |
-We haven't met our experts yet, of course. -No. | 0:03:44 | 0:03:47 | |
I think I should be with a man and you should be with a woman. | 0:03:47 | 0:03:50 | |
There's a sexual chemistry will spring into place | 0:03:50 | 0:03:55 | |
if we're mixed with the opposite sex! ANNETTE LAUGHS | 0:03:55 | 0:03:58 | |
I'll be lucky if any chemistry is working in my body | 0:03:58 | 0:04:02 | |
by the time I get out of this car! | 0:04:02 | 0:04:04 | |
Who do you want - Richard or Annette? | 0:04:04 | 0:04:07 | |
Oh, I'm a bit scared about him! | 0:04:07 | 0:04:09 | |
I think he's going to be like your headmaster, isn't he? | 0:04:09 | 0:04:12 | |
I just expect him to be this grumpy, miserable old swine! | 0:04:12 | 0:04:18 | |
"God's sake, don't go that way!" "What are you doing?!" | 0:04:18 | 0:04:21 | |
"Don't turn left! I don't believe it!" | 0:04:21 | 0:04:26 | |
Our teams have two days of antiques shopping, | 0:04:26 | 0:04:29 | |
with £400 in their back pockets. Their aim? To strike good deals | 0:04:29 | 0:04:34 | |
that'll make them a profit at auction. | 0:04:34 | 0:04:36 | |
This celebrity road trip starts in Potters Bar, in England's southeast. | 0:04:36 | 0:04:42 | |
We'll then head into Greater London, | 0:04:42 | 0:04:44 | |
before racing south to Heathfield in East Sussex for the auction. | 0:04:44 | 0:04:47 | |
Normally our celebs and experts would meet on a local high street | 0:04:53 | 0:04:57 | |
but today we've gone for a more industrial location, | 0:04:57 | 0:05:00 | |
on the outskirts of Potters Bar. | 0:05:00 | 0:05:01 | |
-Wait, look - they're here! -This should be interesting! | 0:05:03 | 0:05:05 | |
-OK, now remember - Richard, not Victor. -No. -Richard. | 0:05:05 | 0:05:10 | |
Hello! | 0:05:11 | 0:05:13 | |
ANNETTE: Am I safe to get my feet off these pedals? | 0:05:13 | 0:05:15 | |
Yes, I know, that's the thing! | 0:05:15 | 0:05:17 | |
-Nice to meet you. -And you. | 0:05:17 | 0:05:19 | |
Your first decision, or between us, is who goes with who. | 0:05:19 | 0:05:23 | |
-Oh, Annette's decided that. -Oh! | 0:05:24 | 0:05:26 | |
I thought that I should go with a man and you should go with a woman, | 0:05:26 | 0:05:30 | |
simply because it's easier and quicker | 0:05:30 | 0:05:32 | |
for some kind of chemistry to work, if it's going to work. | 0:05:32 | 0:05:35 | |
"If it's going to work", OK! | 0:05:35 | 0:05:36 | |
-If it's not, we'll just have to pretend. -We'll just have to pretend. | 0:05:36 | 0:05:39 | |
-Come on, then. -Oh, right, then - are we off? | 0:05:39 | 0:05:42 | |
Lead the way. Come on. | 0:05:42 | 0:05:44 | |
And without further ado, | 0:05:45 | 0:05:47 | |
they all head into their first shop of the day - Canonbury Antiques. | 0:05:47 | 0:05:51 | |
Owner Martin is standing by to help them navigate his huge barn, | 0:05:51 | 0:05:55 | |
rammed floor to ceiling with goodies. | 0:05:55 | 0:05:58 | |
Oh, we actually get the money. I didn't realise. | 0:05:58 | 0:06:01 | |
-Yes. -Is this £400? -That is the whole...amount. | 0:06:01 | 0:06:06 | |
-100, 200, 300, 400. -There we are. Lovely. | 0:06:06 | 0:06:08 | |
I didn't realise we actually carried the cash around. | 0:06:08 | 0:06:12 | |
What did you think? We paid by, sort of, tokens or something? | 0:06:12 | 0:06:15 | |
-Well, I thought... -Right, the rules are... | 0:06:15 | 0:06:17 | |
-We've got £400. -We can buy whatever we want. | 0:06:17 | 0:06:21 | |
-I would like to buy up to five lots to go into the auction. -Five? -Yes. | 0:06:21 | 0:06:25 | |
-What happens if I see something that costs £400? -That wouldn't be a great move, | 0:06:25 | 0:06:29 | |
because then you're putting all your eggs into one basket, | 0:06:29 | 0:06:32 | |
-and if it goes horribly wrong for us... -Oh, I see - we lose it all. | 0:06:32 | 0:06:35 | |
-We lose everything. -I don't see anything... | 0:06:35 | 0:06:40 | |
remotely that I want to buy at the moment. | 0:06:40 | 0:06:43 | |
We've only walked three paces, Richard! | 0:06:43 | 0:06:46 | |
Here we are. This is interesting. It's James' hat! | 0:06:50 | 0:06:53 | |
-He's got quite a big head. -That's quite nice, but he's got a massive head. | 0:06:53 | 0:06:56 | |
Gosh! | 0:06:56 | 0:06:59 | |
Good grief! | 0:06:59 | 0:07:00 | |
Well, lots of big and bold things. | 0:07:00 | 0:07:04 | |
Heavens! | 0:07:04 | 0:07:05 | |
What have we got here? | 0:07:06 | 0:07:08 | |
OK, now, a lot of the things here are brand-new reproductions, | 0:07:11 | 0:07:18 | |
so that...we need to try and find | 0:07:18 | 0:07:22 | |
the antiques amongst the repro. | 0:07:22 | 0:07:25 | |
Yeah. Well, you're on your own! OK? I'll just follow you. | 0:07:25 | 0:07:28 | |
That's not really the idea, Annette. | 0:07:28 | 0:07:32 | |
There's no "I" in "team"! | 0:07:32 | 0:07:34 | |
OK, now these are early. | 0:07:35 | 0:07:37 | |
They're not very good, but at least they're old. | 0:07:38 | 0:07:43 | |
Are those copies, those chairs? | 0:07:43 | 0:07:45 | |
Rush seat. Yes, there's one, look. They're 1800 in style. | 0:07:46 | 0:07:51 | |
If you put your hand over that cresting rail... Feel it's rough? | 0:07:51 | 0:07:54 | |
-Yeah. -Imagine 200 years of hands going under there. | 0:07:54 | 0:07:58 | |
-Yes, OK. -Smoothes it over. -Right. | 0:07:58 | 0:08:00 | |
So, yeah, brand new. Probably made in... | 0:08:00 | 0:08:02 | |
-Are we going to find anything old in here? -We'll try! | 0:08:02 | 0:08:05 | |
I mean, apart from Richard and me! | 0:08:05 | 0:08:08 | |
Now, Richard, at the other end of the shed, | 0:08:09 | 0:08:11 | |
has found something antique - | 0:08:11 | 0:08:14 | |
or is it? | 0:08:14 | 0:08:15 | |
It's quite a nice vase, there. Aren't Chinese vases very "in"? | 0:08:15 | 0:08:19 | |
The market is very strong at the moment, but for good 18th-century... | 0:08:19 | 0:08:24 | |
For millions of pounds - millions of pounds. | 0:08:24 | 0:08:27 | |
-But, I mean, that's brand new. -I don't like it now I can see it up close. | 0:08:27 | 0:08:30 | |
No - we like it from a distance. | 0:08:30 | 0:08:32 | |
I think we'll keep our money in our pocket. | 0:08:32 | 0:08:35 | |
-And move on? -And move. -Do you think they're buying something? | 0:08:35 | 0:08:38 | |
Do you they're getting excited? | 0:08:38 | 0:08:40 | |
If they are, they're making a mistake, probably. | 0:08:40 | 0:08:42 | |
-Right... -I love this, Richard! | 0:08:44 | 0:08:46 | |
I love your attitude. It's wonderful. | 0:08:46 | 0:08:49 | |
I wouldn't be so sure, Richard. | 0:08:49 | 0:08:53 | |
James and Annette's perseverance might be paying off. | 0:08:53 | 0:08:56 | |
-Fine? -Very good. -There we are. Off we go. | 0:08:56 | 0:08:59 | |
Barnet, here we come. | 0:08:59 | 0:09:00 | |
With the help of owner Michael, | 0:09:00 | 0:09:02 | |
they've uncovered a pair of original French bedside tables. | 0:09:02 | 0:09:06 | |
They have a charm and an elegance. | 0:09:07 | 0:09:09 | |
-Ormolu. -And, erm... -Not plastic. Ormolu. | 0:09:09 | 0:09:13 | |
-Gilded brass. -Which is ormolu. | 0:09:13 | 0:09:16 | |
Dating from around 1870, these walnut pieces are hand crafted | 0:09:16 | 0:09:22 | |
with brass finishing and are topped with green marble. | 0:09:22 | 0:09:24 | |
Annette has a morbid fear of negotiating, | 0:09:24 | 0:09:28 | |
but it's time for her to get stuck in. Go, girl! | 0:09:28 | 0:09:31 | |
On a good day, they could make 150. | 0:09:31 | 0:09:33 | |
-Oh, well, that's where you need to be. -What do you think? | 0:09:33 | 0:09:37 | |
-This is a fine art. I'm keeping out of it! -No... | 0:09:37 | 0:09:42 | |
Michael has already dropped the price from £200 to 150. | 0:09:42 | 0:09:47 | |
Annette, be brave, I promise you, you won't go wrong with those. | 0:09:47 | 0:09:50 | |
No, no, I can't do it. I can't do it. | 0:09:50 | 0:09:52 | |
That didn't go well. | 0:09:52 | 0:09:54 | |
OK, £80. | 0:09:54 | 0:09:56 | |
Throw another fiver in for luck - 85, all right? | 0:09:56 | 0:10:00 | |
Oh, I can't bear the suspense. | 0:10:00 | 0:10:02 | |
I'm going to have to go somewhere else. | 0:10:02 | 0:10:04 | |
Shall we toss a coin, or shall we just decide to buy them? | 0:10:04 | 0:10:07 | |
It takes the pressure off. 80, heads. | 0:10:07 | 0:10:10 | |
-We'll lose that unless you catch it on the way down. -85, tails. -Go on then. | 0:10:10 | 0:10:14 | |
Ay! | 0:10:14 | 0:10:15 | |
I've lost again! I always lose when I do that. | 0:10:17 | 0:10:20 | |
Well, why do you keep doing it?! | 0:10:20 | 0:10:22 | |
Because I always think that it's got to work one day! | 0:10:22 | 0:10:25 | |
At least we've done a deal, thank you. | 0:10:25 | 0:10:27 | |
That's a great deal - less than half the original asking price. | 0:10:29 | 0:10:32 | |
So Annette and James have their first purchase, | 0:10:32 | 0:10:34 | |
spending £85 from their pot. | 0:10:34 | 0:10:36 | |
You know, I think we're going to have to start buying jewellery! | 0:10:39 | 0:10:42 | |
ANNETTE LAUGHS | 0:10:42 | 0:10:44 | |
Ha-ha! Richard and Catherine are back on the road, | 0:10:46 | 0:10:48 | |
heading into the small town of Barnet | 0:10:48 | 0:10:51 | |
in search of a shop more to their liking. | 0:10:51 | 0:10:53 | |
Do you know which knob to pull for the windscreen wipers? | 0:10:54 | 0:10:57 | |
I thought you were going to say for the roof to go up. I could try a few. | 0:10:57 | 0:11:00 | |
No, no, not that one! That's just done... | 0:11:00 | 0:11:03 | |
Barnet in Hertfordshire was once the site of an ancient horse fair | 0:11:03 | 0:11:08 | |
from which the rhyming slang of Barnet Fair - hair - originates. | 0:11:08 | 0:11:14 | |
-I think that looks good. -Yeah, it's good. | 0:11:17 | 0:11:20 | |
I could put you in that and just wheel you around the antique shops. | 0:11:20 | 0:11:24 | |
Yeah, OK. | 0:11:24 | 0:11:25 | |
And there's plenty more inside The Barn antiques emporium | 0:11:27 | 0:11:31 | |
and perhaps with the help of Jim, this picky pair can find a treasure. | 0:11:31 | 0:11:35 | |
Ooh. | 0:11:36 | 0:11:38 | |
Of interest? | 0:11:38 | 0:11:40 | |
I'm not...I'm not panicking, Catherine. | 0:11:40 | 0:11:43 | |
-Oh, good, cos I am! -THEY LAUGH | 0:11:43 | 0:11:46 | |
We just want something that's going to jump out at us, | 0:11:46 | 0:11:50 | |
something really, really unusual and exciting. ..Hello! | 0:11:50 | 0:11:55 | |
What have you got? | 0:11:55 | 0:11:57 | |
-It looks like Jim is doing the hard work for you! -Lead. | 0:11:57 | 0:12:01 | |
Oh, they're lead. I was going to say lead first. | 0:12:01 | 0:12:03 | |
-What are they? -Apparently years ago, | 0:12:03 | 0:12:05 | |
the wealthy had them on their wall for their form of insurance. | 0:12:05 | 0:12:08 | |
-This is Notts and Derby. Where's that one from? -Sun Alliance. | 0:12:08 | 0:12:11 | |
After the Great fire of London | 0:12:11 | 0:12:13 | |
devastated over 65,000 houses in 1666, | 0:12:13 | 0:12:17 | |
people saw the need to take out insurance. | 0:12:17 | 0:12:21 | |
These plaques would be nailed on the outside of insured buildings | 0:12:21 | 0:12:24 | |
and only then would the fire brigade put the fire out. | 0:12:24 | 0:12:29 | |
-It's heavy, lead, isn't it? -Mm. | 0:12:29 | 0:12:30 | |
Can't see an awful lot though, can you, on the... What do you think? | 0:12:30 | 0:12:34 | |
No, not to that extreme, but they've got to be old. | 0:12:34 | 0:12:37 | |
I'm not interested in that, I'm afraid. I'm sorry to be brutal. | 0:12:37 | 0:12:40 | |
Thank you very much indeed. | 0:12:40 | 0:12:43 | |
This looks interesting, if you like weights and measures. | 0:12:43 | 0:12:46 | |
-They're a nice big pair of scales! -The scales. | 0:12:46 | 0:12:49 | |
25 quid. Or a pony, to you. | 0:12:50 | 0:12:54 | |
-Do you know what a pony is? -£25. -I didn't know what a pony was. | 0:12:54 | 0:12:58 | |
What's the best you could give us on those? Not this pony nonsense. | 0:12:58 | 0:13:02 | |
-A score, then. -What's a score? -20. | 0:13:02 | 0:13:04 | |
You knew that one, didn't you? £20, yeah. | 0:13:04 | 0:13:07 | |
Now we've discovered our ponies and scores, | 0:13:07 | 0:13:10 | |
shouldn't we take a proper look at these scales? | 0:13:10 | 0:13:12 | |
That's the reason why I looked at it, | 0:13:12 | 0:13:14 | |
I thought the actual bowl was in quite nice condition, | 0:13:14 | 0:13:17 | |
and I think because it's so big, that they're probably shop scales. | 0:13:17 | 0:13:20 | |
They're too big to be in a home, so you would want them probably in a... | 0:13:20 | 0:13:24 | |
-They are proper ones. -They're the business. | 0:13:24 | 0:13:26 | |
-That's the word. -They're not the most exciting thing we've seen, | 0:13:26 | 0:13:30 | |
but they're probably the best thing we've seen so far, aren't they? | 0:13:30 | 0:13:34 | |
Old-fashioned scales have become more collectable, | 0:13:34 | 0:13:36 | |
and in some domestic kitchens are more desirable than modern ones | 0:13:36 | 0:13:40 | |
to measure your flour and sugar. It's called kitchenalia. | 0:13:40 | 0:13:43 | |
I could say something, but you could be terribly offended. | 0:13:43 | 0:13:47 | |
-No, I don't get offended. -Don't you? How does ten sound? | 0:13:47 | 0:13:50 | |
I'll meet you halfway. | 0:13:50 | 0:13:52 | |
-15? -Can we think on those, and you mention you've got something else? | 0:13:52 | 0:13:57 | |
-I have downstairs, yeah. -Shall we follow you downstairs? -Yeah. | 0:13:57 | 0:14:00 | |
-Look at what else you've got. -Yeah. | 0:14:00 | 0:14:03 | |
-These are the golden oldies, these ones. -Ah. | 0:14:03 | 0:14:05 | |
-How old are they? -I would say 1920s. | 0:14:07 | 0:14:10 | |
So early 20th century? Well, do you like them? | 0:14:10 | 0:14:14 | |
-I do quite like them. -Oh, do you? -Mm. -Do you do buy one, get one free? | 0:14:14 | 0:14:18 | |
What, you're in the market now, selling vegetables? | 0:14:20 | 0:14:23 | |
How much do you want for those? | 0:14:23 | 0:14:25 | |
Er...£70, cos I know you're going to throw a figure back at me. | 0:14:27 | 0:14:32 | |
He knows how we work. | 0:14:32 | 0:14:33 | |
-What would be your rock-bottom price on them? -Rock bottom. | 0:14:33 | 0:14:36 | |
-Bull's-eye. -A bull's-eye? | 0:14:36 | 0:14:38 | |
That's 50. Oh, if you go that way, yes. | 0:14:38 | 0:14:41 | |
I think we should think about that. | 0:14:41 | 0:14:43 | |
Do you? OK. | 0:14:43 | 0:14:46 | |
These two certainly don't part with their cash easily. | 0:14:46 | 0:14:48 | |
I have to rely on your expertise here, | 0:14:48 | 0:14:52 | |
but of what we've seen so far, they make an interesting double. | 0:14:52 | 0:14:57 | |
I say... | 0:14:57 | 0:14:59 | |
Yes. | 0:14:59 | 0:15:00 | |
Right. | 0:15:00 | 0:15:02 | |
Jim? | 0:15:02 | 0:15:03 | |
-Jim. -That's me. -Jim. | 0:15:07 | 0:15:10 | |
Would you take an extra fiver off, and call it 45 for the pair? | 0:15:10 | 0:15:13 | |
He looks a lovely man, doesn't he? | 0:15:15 | 0:15:17 | |
A sprinkle of charm has sealed the deal | 0:15:17 | 0:15:20 | |
on Richard and Catherine's first purchases - | 0:15:20 | 0:15:24 | |
£45 for two sets of scales. | 0:15:24 | 0:15:26 | |
Thank you very much, Jim. | 0:15:28 | 0:15:31 | |
After successfully buying two French bedside tables in Potters Bar, | 0:15:36 | 0:15:40 | |
James and Annette are heading north to try their luck in Hertford. | 0:15:40 | 0:15:45 | |
Is he really as grumpy as he comes over on...? | 0:15:45 | 0:15:48 | |
No, no, no. No, no. He's a great big pussy cat! | 0:15:48 | 0:15:51 | |
-I'm the one who is grumpy. -Really? | 0:15:53 | 0:15:56 | |
Oh, yes. And I embarrass Richard with my grumpiness. | 0:15:56 | 0:16:02 | |
You're not too grumpy at the moment, | 0:16:02 | 0:16:04 | |
and you're in a wet car, so you can't be that bad! | 0:16:04 | 0:16:06 | |
The show must go on here in Hertford. | 0:16:06 | 0:16:09 | |
Which is the last place in England | 0:16:09 | 0:16:12 | |
to see a person condemned to death for witchcraft, in 1712. | 0:16:12 | 0:16:15 | |
Luckily, the judge thought the whole idea of witchcraft ludicrous, | 0:16:15 | 0:16:20 | |
so her life was spared. | 0:16:20 | 0:16:22 | |
I wish she was around today to cast a spell on this wretched weather! | 0:16:22 | 0:16:27 | |
James and Annette are forging on regardless | 0:16:27 | 0:16:29 | |
in search of their next antiques haven. | 0:16:29 | 0:16:32 | |
-Yeah, you don't know of any antiques shops around? -Down there on the left. | 0:16:32 | 0:16:36 | |
-On the left hand side, by the jeweller's. -Annette's off! | 0:16:36 | 0:16:39 | |
There it is, Honey Lane Antiques. | 0:16:42 | 0:16:44 | |
-Good. -Left turn. | 0:16:44 | 0:16:46 | |
-My name's Annette, how do you do? -Hello. -An unusual ring. | 0:16:48 | 0:16:51 | |
-Not for sale. -I'll bet it's not. | 0:16:51 | 0:16:55 | |
-Yes, it's very, very nice. -Yes. | 0:16:55 | 0:16:57 | |
Annette has bypassed every antique and headed straight for her passion. | 0:16:57 | 0:17:02 | |
Ah, you're feeling at home already, aren't you? | 0:17:02 | 0:17:04 | |
Can I have a look at that square, is that an opal? | 0:17:04 | 0:17:07 | |
-What is it? -That is an intaglio. | 0:17:07 | 0:17:09 | |
-Oh, I see! That's the kind of thing I love. -Oh, I'm sure. | 0:17:09 | 0:17:13 | |
Right, you go and find something, James. | 0:17:13 | 0:17:15 | |
James is going to have to work hard | 0:17:15 | 0:17:17 | |
to find something that'll get Annette back onside. | 0:17:17 | 0:17:20 | |
But Bonny did mention a chatelaine, let's have a... It's steel, | 0:17:20 | 0:17:24 | |
but there was a fashion for steel around the 1820s, 1840s | 0:17:24 | 0:17:31 | |
when you would have steel nailheads faceted, | 0:17:31 | 0:17:36 | |
and they would polish them to such a degree | 0:17:36 | 0:17:38 | |
-that they would sparkle like diamonds. -Right. | 0:17:38 | 0:17:41 | |
We've got a four-piece chatelaine, with a piece missing. | 0:17:41 | 0:17:45 | |
A chatelaine was worn by housekeepers | 0:17:45 | 0:17:47 | |
as a practical accoutrement, | 0:17:47 | 0:17:49 | |
with attached thimbles, scissors, pinwheels etc. | 0:17:49 | 0:17:53 | |
-I've clunked around a stage wearing those, yes. -Have you? | 0:17:53 | 0:17:56 | |
-Something like Jane Eyre or something. -Jane Eyre, have you really? | 0:17:56 | 0:17:59 | |
With a price tag of £98 it's sparked Annette's interest | 0:17:59 | 0:18:04 | |
and James is determined to start negotiating. | 0:18:04 | 0:18:07 | |
-There we are. -What? -It's up to you. | 0:18:08 | 0:18:11 | |
-What, you mean I have to take the responsibility for it? -Yeah. | 0:18:11 | 0:18:15 | |
-I can't do it. -Go on, you can! -I can't, darling. | 0:18:15 | 0:18:18 | |
-You're Scottish, of course you can. -I don't know why. | 0:18:18 | 0:18:21 | |
I don't know what that's got to do with anything, but I can't. | 0:18:21 | 0:18:24 | |
-I'm no good at it, I never was. -Really? | 0:18:24 | 0:18:26 | |
-Off you go. -Funny thing is, you and I both hate the haggle. | 0:18:26 | 0:18:31 | |
I hate doing it, too! | 0:18:31 | 0:18:33 | |
-The lady's already come down. -You're quite right. | 0:18:33 | 0:18:36 | |
And it's only because it came in at a good price. | 0:18:36 | 0:18:39 | |
I agree. You've sold it. | 0:18:39 | 0:18:41 | |
James is going to have to work on Annette's haggling skills, | 0:18:41 | 0:18:45 | |
but he did a good deal at £60, | 0:18:45 | 0:18:47 | |
giving them their second item for auction. | 0:18:47 | 0:18:50 | |
Richard and Catherine have set aside shopping | 0:18:50 | 0:18:53 | |
and are heading towards London. | 0:18:53 | 0:18:56 | |
-Oh, sorry - that was your knee! -That's all right. | 0:18:56 | 0:18:59 | |
If I suddenly grab your knee | 0:18:59 | 0:19:00 | |
while I'm trying to change gear, I do apologise. | 0:19:00 | 0:19:03 | |
Oh, Catherine. | 0:19:03 | 0:19:05 | |
They're en route to East Finchley | 0:19:10 | 0:19:12 | |
to take a peek into a rather curious world | 0:19:12 | 0:19:15 | |
of a certain collector who resides there. | 0:19:15 | 0:19:18 | |
Maurice Collins, a man obsessed with weird and wonderful household gadgets. | 0:19:18 | 0:19:23 | |
He's got over 1,500 of them from the 18th and 19th centuries | 0:19:23 | 0:19:26 | |
packed inside his semi. | 0:19:26 | 0:19:29 | |
This Aladdin's cave contains everything from a 1930s hair waxer, | 0:19:29 | 0:19:34 | |
to a time-saving envelope sealer | 0:19:34 | 0:19:36 | |
and a Victorian "electropathic belt for extra vigour" | 0:19:36 | 0:19:42 | |
that was apparently a cure-all medical device. Hm. | 0:19:42 | 0:19:46 | |
-Hi. -You must be Maurice. -I am Maurice, sounds good, doesn't it? | 0:19:46 | 0:19:49 | |
This is fantastic, you have a museum in your home. | 0:19:49 | 0:19:52 | |
I'm just fascinated to know how you started, really, | 0:19:53 | 0:19:56 | |
how you began to collect all this paraphernalia. | 0:19:56 | 0:20:01 | |
Come on in, then, and I'll explain it all to you. | 0:20:01 | 0:20:03 | |
-Paraphernalia, Catherine, that's a big derogatory, isn't it? -Is it? | 0:20:03 | 0:20:08 | |
The story of this unusual collection started at a rubbish dump | 0:20:08 | 0:20:11 | |
where, in 1976, Maurice unearthed a special bottle. | 0:20:11 | 0:20:17 | |
-You must have heard the phrase "what a lot of codswallop". -Codswallop. | 0:20:17 | 0:20:20 | |
Well, the man who invented it was a man called Hiram Codd | 0:20:20 | 0:20:23 | |
in about 1870, and the idea was to stop the gas escaping. | 0:20:23 | 0:20:27 | |
There's a marble in the top there. | 0:20:27 | 0:20:29 | |
When you wanted to drink it, you would burst that, | 0:20:29 | 0:20:32 | |
and then you would pour your lemonade or your sparkling water. | 0:20:32 | 0:20:35 | |
So you wallop the bottle's top to dislodge the marble - | 0:20:35 | 0:20:39 | |
cor, what a lot of codswallop! | 0:20:39 | 0:20:41 | |
-So this actually inspired you to start collecting? -This is what started me off. | 0:20:41 | 0:20:44 | |
This is one that, sort of, seems to fascinate people, | 0:20:44 | 0:20:49 | |
which is the 1920s satnav. | 0:20:49 | 0:20:52 | |
Huh. Oh, it's a road. | 0:20:52 | 0:20:53 | |
This is obviously going to Dunkirk on the A2, to Canterbury, Surrey... | 0:20:53 | 0:20:58 | |
-So it's a little map inside a... -Yes, and you wear it. -..watch. | 0:20:58 | 0:21:02 | |
And the funny thing is, when you arrive, it says "stop". | 0:21:02 | 0:21:06 | |
Right. What if you don't want to go on that route? | 0:21:06 | 0:21:10 | |
-Bad luck. -You're going. | 0:21:10 | 0:21:11 | |
Still, you do have a choice of destinations. | 0:21:13 | 0:21:16 | |
-These are the cartridges. -That's brilliant! | 0:21:16 | 0:21:18 | |
-Ah. -Don't you just love that, Richard? -Mm. | 0:21:18 | 0:21:22 | |
We could do with that in our car, actually. | 0:21:22 | 0:21:24 | |
I must ask about this. | 0:21:24 | 0:21:26 | |
This is a Victorian electricity-giving machine | 0:21:26 | 0:21:30 | |
-that will cure all problems. -Oh. | 0:21:30 | 0:21:33 | |
You have any type of illness, you hold on to your two items like that, | 0:21:33 | 0:21:39 | |
your colleague turns that, | 0:21:39 | 0:21:42 | |
and before you know where you are, you're sparking. | 0:21:42 | 0:21:45 | |
Oh, lordy. It sounds electrifying. | 0:21:45 | 0:21:47 | |
I'll stick to my tablets, thanks very much! | 0:21:47 | 0:21:50 | |
I'd like to show you the pride of my collection, | 0:21:50 | 0:21:53 | |
the one that I love, and I'm totally, sort of, | 0:21:53 | 0:21:58 | |
excited by, always, which is... | 0:21:58 | 0:22:01 | |
the clockwork teasmade from 1902. | 0:22:01 | 0:22:04 | |
Ho ho! When a patent was lodged for this device, | 0:22:04 | 0:22:08 | |
it was called an automatic tea-making apparatus. | 0:22:08 | 0:22:11 | |
Catchy, huh? It wasn't until 1932 that a different inventor | 0:22:12 | 0:22:16 | |
developed the simple-to-understand term, "teasmade". And it took off. | 0:22:16 | 0:22:23 | |
-Have you ever seen anything like that before? -Beautiful. | 0:22:23 | 0:22:25 | |
-Isn't it gorgeous? -Beautiful. | 0:22:25 | 0:22:27 | |
And the way it works is you wind up the clock, set the alarm, | 0:22:27 | 0:22:31 | |
the alarm goes off, and a lever knocks another lever | 0:22:31 | 0:22:35 | |
which causes a match to strike across that bit of emery cloth, | 0:22:35 | 0:22:39 | |
which lights the fire underneath, which boils the kettle, | 0:22:39 | 0:22:41 | |
and when the kettle boils, it tilts into the teapot. | 0:22:41 | 0:22:44 | |
-That's beautiful, isn't it? Isn't it beautifully made, as well? -How extraordinary. | 0:22:44 | 0:22:48 | |
A few more items have caught the eye of Catherine and Richard, | 0:22:50 | 0:22:54 | |
but they're just not sure what they are. | 0:22:54 | 0:22:57 | |
Something that would be useful to you. | 0:22:58 | 0:23:00 | |
Um... I don't know what it is though, | 0:23:00 | 0:23:03 | |
but this is like a sort of suedy feel to it. | 0:23:03 | 0:23:06 | |
-Which would do what? -Clean something, buff something up? | 0:23:06 | 0:23:09 | |
-Very good, very good. Can I demonstrate? -Please. | 0:23:09 | 0:23:11 | |
What would happen is, is you would put your fingers in there like that, | 0:23:11 | 0:23:15 | |
and your fingers in there like that, | 0:23:15 | 0:23:17 | |
and you would buff your nails automatically. | 0:23:17 | 0:23:19 | |
Brilliant. That is absolutely brilliant, | 0:23:19 | 0:23:21 | |
and I find things like that fascinating, | 0:23:21 | 0:23:23 | |
they're just so brilliant. | 0:23:23 | 0:23:25 | |
-So let's try something on you. -Yes, OK. -See if you can see what that is. | 0:23:25 | 0:23:29 | |
RICHARD LAUGHS | 0:23:31 | 0:23:33 | |
-It does open. -It's a little... -That's it, well done. | 0:23:33 | 0:23:36 | |
-So is it for the nails, again? -Not for the nails. | 0:23:36 | 0:23:39 | |
-To roughen something? -Not quite. | 0:23:39 | 0:23:44 | |
-What do you do every day? -Do you mean after I take my drugs? | 0:23:44 | 0:23:47 | |
THEY LAUGH | 0:23:47 | 0:23:48 | |
-Er... -In the morning. | 0:23:48 | 0:23:51 | |
-Clean my teeth? Shave? -Ah-ha! | 0:23:51 | 0:23:55 | |
So it's that. | 0:23:55 | 0:23:56 | |
That's it, exactly that. Just roll it up and down. | 0:23:56 | 0:24:00 | |
-This is a nice one. -Give me something easy. | 0:24:00 | 0:24:02 | |
-See how good you are with this one. -OK, so, perfectly flat. | 0:24:02 | 0:24:06 | |
It's for wedging under a piece of cake that you're cutting? | 0:24:08 | 0:24:11 | |
-I'll give you a clue... -That's a very good guess. | 0:24:11 | 0:24:14 | |
-..it's for a dining room table. It's much more utilitarian than that. -Oh. | 0:24:14 | 0:24:18 | |
And would have been used in a very upmarket home, | 0:24:18 | 0:24:20 | |
where they didn't want to exhaust | 0:24:20 | 0:24:22 | |
the poor sophisticated people eating at the table, | 0:24:22 | 0:24:25 | |
-because who would want to lift up a soup plate to do the dregs? -Oh... | 0:24:25 | 0:24:30 | |
So all you do is you put it under the soup plate, and as you do it... | 0:24:30 | 0:24:33 | |
-So you don't have to tip it? -You don't have to tip it. | 0:24:33 | 0:24:37 | |
-How... That's incredible. -Mm-hm. | 0:24:37 | 0:24:40 | |
Ah. I know exactly what this is. | 0:24:41 | 0:24:45 | |
This is a horse's hoof file. | 0:24:45 | 0:24:48 | |
As it so happens, you're not far out, | 0:24:48 | 0:24:50 | |
but you're not absolutely correct. | 0:24:50 | 0:24:53 | |
You're at the wrong end. | 0:24:53 | 0:24:56 | |
-Teeth! -Quite right. It's a horse's toothbrush. | 0:24:56 | 0:25:00 | |
Yes, because they show their teeth a lot. | 0:25:00 | 0:25:02 | |
Do you want to take your fingers off that now? | 0:25:02 | 0:25:06 | |
What an intriguing insight into the weird and wonderful world of inventions. | 0:25:06 | 0:25:10 | |
That was amazing, wasn't it? Fascinating. | 0:25:11 | 0:25:15 | |
Fascinating, what an extraordinary collection. | 0:25:15 | 0:25:17 | |
Back in Hertford, James and Annette have discovered a shop | 0:25:22 | 0:25:25 | |
that specialises in antique maps. | 0:25:25 | 0:25:29 | |
Gillmark Gallery holds an incredible collection of originals and prints | 0:25:29 | 0:25:33 | |
from around the globe, amassed by its owner, Mark. | 0:25:33 | 0:25:36 | |
There might be a couple of things upstairs, | 0:25:36 | 0:25:39 | |
if you want to pop up there? | 0:25:39 | 0:25:40 | |
Oh. I don't like the look of those stairs. | 0:25:44 | 0:25:47 | |
The first thing I thought, that they look like pianola rolls. | 0:25:49 | 0:25:53 | |
Yeah, they're actually small maps. | 0:25:53 | 0:25:56 | |
A lot of people use them, you can use them for wallpaper. | 0:25:56 | 0:25:58 | |
I've seen these do quite well at auction. | 0:25:58 | 0:26:00 | |
-Jeez. -There's about 60-odd maps. | 0:26:01 | 0:26:05 | |
Good grief. | 0:26:05 | 0:26:07 | |
-I have seen them go for, sort of, £5 a roll at auction. -Really? | 0:26:07 | 0:26:10 | |
But I've never seen a big collection like this, I've never seen 60-odd. | 0:26:10 | 0:26:14 | |
So you could be standing here with a treasure trove? | 0:26:14 | 0:26:16 | |
These unusual little rollers are actually used to make | 0:26:16 | 0:26:20 | |
simple outline prints of countries from around the globe. | 0:26:20 | 0:26:24 | |
-How much do you want for them? -Well, I've got 345 on them. | 0:26:24 | 0:26:27 | |
What were you thinking? | 0:26:29 | 0:26:32 | |
I was thinking we'd take a couple to the auction and see how they go, | 0:26:32 | 0:26:35 | |
and if they go terribly well, we'll be back! | 0:26:35 | 0:26:37 | |
-You'll want to sell the lot? -I don't really want to split them up, no. | 0:26:39 | 0:26:41 | |
I think they're just such a specialist thing. | 0:26:41 | 0:26:44 | |
I think you're probably right. What a shame. | 0:26:44 | 0:26:48 | |
With a lot of these maps and prints beyond their budget, | 0:26:48 | 0:26:51 | |
James has homed in on a quirky little compass, priced at £75. | 0:26:51 | 0:26:57 | |
Oh, it's lovely. | 0:26:57 | 0:26:58 | |
About as hi-tech as our car. It could be our satnav! | 0:26:58 | 0:27:02 | |
-Still works, though, doesn't it? -It does. | 0:27:04 | 0:27:07 | |
Navigational compasses were first invented by the Chinese | 0:27:07 | 0:27:10 | |
over 1,000 years ago. | 0:27:10 | 0:27:13 | |
This Georgian mahogany pocket compass dates from around 1775. | 0:27:13 | 0:27:17 | |
It would be nice to think | 0:27:17 | 0:27:19 | |
that somebody in the battle against the Americans, | 0:27:19 | 0:27:21 | |
the War of Independence, might have had that in their pocket. | 0:27:21 | 0:27:24 | |
-It's a wonder it survived, isn't it? -What could be your best on that? | 0:27:24 | 0:27:28 | |
-35. -Oh... | 0:27:28 | 0:27:31 | |
-32. -OK. -Deal. | 0:27:31 | 0:27:34 | |
-Is that all right? -Yes. -Super. | 0:27:34 | 0:27:36 | |
That's a great price for a George III pocket compass | 0:27:36 | 0:27:39 | |
and gives Annette and James their third lot for auction. | 0:27:39 | 0:27:43 | |
Right. | 0:27:43 | 0:27:45 | |
And with more clouds rolling in over Hertfordshire, | 0:27:45 | 0:27:47 | |
both teams are off to rest their weary heads | 0:27:47 | 0:27:50 | |
after their first day's shopping. | 0:27:50 | 0:27:53 | |
Night-night, all. | 0:27:53 | 0:27:54 | |
It's a new day in Hertfordshire and sadly the rain is back. | 0:27:56 | 0:28:02 | |
It is probably one of the wettest days | 0:28:04 | 0:28:07 | |
of my 55 years in show business! | 0:28:07 | 0:28:09 | |
Yep. How much have you bought? | 0:28:09 | 0:28:13 | |
Well, I can't say, really. | 0:28:13 | 0:28:17 | |
-Oh, come on. -Not a lot. | 0:28:17 | 0:28:19 | |
-Just between you and me. -Not very much. | 0:28:19 | 0:28:23 | |
-So you haven't spent a lot of money? -I think Catherine's a bit worried. | 0:28:23 | 0:28:27 | |
-Want to put up with me driving this? -Well, that's a great joy, of course. | 0:28:27 | 0:28:31 | |
And you've spent how much so far? | 0:28:31 | 0:28:34 | |
Just under £200, I think. | 0:28:34 | 0:28:37 | |
-Well, we spent £45 yesterday. -£45?! | 0:28:37 | 0:28:40 | |
I know, I know! It's pathetic, | 0:28:40 | 0:28:43 | |
-that's why I want to make some big purchases today. -Yeah. | 0:28:43 | 0:28:47 | |
So Richard and Catherine have £355 of their budget to spend | 0:28:49 | 0:28:53 | |
after buying just two auction lots. | 0:28:53 | 0:28:56 | |
After weighing up their options, they settled on two sets of scales. | 0:28:58 | 0:29:04 | |
Would you take an extra fiver off, and call it 45 for the pair? | 0:29:04 | 0:29:07 | |
So he looks a lovely man, doesn't he? | 0:29:07 | 0:29:10 | |
Oh, yeah? A large pair of early 20th-century brass scales | 0:29:10 | 0:29:13 | |
and a smaller Avery set from the 1940s. | 0:29:13 | 0:29:16 | |
James Lewis and Annette Crosbie | 0:29:19 | 0:29:22 | |
have spent £177 on three lots for auction. | 0:29:22 | 0:29:25 | |
-Lots of big and bold things. -Heavens! | 0:29:25 | 0:29:29 | |
A pair of French bedside tables... | 0:29:29 | 0:29:31 | |
..a polished steel chatelaine | 0:29:33 | 0:29:35 | |
and a small but charming mahogany compass, | 0:29:35 | 0:29:38 | |
leaving them with £223 to spend from their original £400 budget. | 0:29:38 | 0:29:43 | |
-ENGINE SPLUTTERS -Oh, oh, please don't break down. | 0:29:44 | 0:29:47 | |
Oh my... Slow down, slow down. | 0:29:47 | 0:29:50 | |
-Oh, no! -It's died! -Oh, no! | 0:29:50 | 0:29:53 | |
Uh-oh! No garage in sight and they abandon the car | 0:29:54 | 0:29:58 | |
and try a more desperate means of transport. | 0:29:58 | 0:30:01 | |
Help! They are so mean! Please! | 0:30:01 | 0:30:04 | |
-Please. -Hey! | 0:30:04 | 0:30:07 | |
Oh. You're lifesavers, thank you. | 0:30:08 | 0:30:10 | |
Thank goodness for the generous-hearted Great British public. | 0:30:10 | 0:30:13 | |
Thanks a lot, guys, bye. | 0:30:13 | 0:30:15 | |
Finally, Richard and Annette also arrive at Bluecoat Antiques in Birch Green | 0:30:18 | 0:30:23 | |
where owner Sandra is helping our experts recover from their ordeal. | 0:30:23 | 0:30:28 | |
Our experts are supposed to be here. Oh, look! | 0:30:28 | 0:30:32 | |
Look. | 0:30:32 | 0:30:34 | |
Ah! | 0:30:34 | 0:30:35 | |
BOTH: I don't believe it! | 0:30:35 | 0:30:38 | |
-I hear you've been hitchhiking. -Oh, just... | 0:30:40 | 0:30:43 | |
I have to say, it's been fun. | 0:30:43 | 0:30:45 | |
No time to wallow - there's shopping to be done. | 0:30:45 | 0:30:48 | |
James and Annette decide to leave the others to it. | 0:30:48 | 0:30:51 | |
I'm looking for something upmarket, serious. | 0:30:53 | 0:30:56 | |
Yes, with a bit of class. | 0:30:56 | 0:30:57 | |
-You've come to the right place. -Really? Excellent. | 0:30:57 | 0:31:00 | |
-Follow me. -OK. | 0:31:00 | 0:31:02 | |
Ah, here we are. Look. | 0:31:02 | 0:31:05 | |
-Repousse. -Repousse. | 0:31:05 | 0:31:07 | |
Yeah. | 0:31:07 | 0:31:08 | |
So that's all been, the pattern's all been done from behind, | 0:31:08 | 0:31:11 | |
-been beaten out. -Yes. | 0:31:11 | 0:31:13 | |
Are we talking about Edwardian here, or is it later? | 0:31:13 | 0:31:15 | |
-1900. -1900. -So late Victorian. | 0:31:15 | 0:31:17 | |
1900. | 0:31:17 | 0:31:19 | |
And how much is on that? | 0:31:19 | 0:31:20 | |
-425. -Oh, gosh. | 0:31:20 | 0:31:23 | |
-Oh, no, no. -I could push that. | 0:31:23 | 0:31:25 | |
We're looking for something just slightly shy of 100... | 0:31:25 | 0:31:28 | |
-I've got a set of preserve spoons. -Hm. | 0:31:28 | 0:31:31 | |
Sheffield, 1922. | 0:31:31 | 0:31:33 | |
That's very good condition. | 0:31:33 | 0:31:35 | |
This pair is from the 1920s Art Deco period, priced at £49. | 0:31:35 | 0:31:40 | |
Personally, I wouldn't, | 0:31:40 | 0:31:43 | |
-but I can see people... -Buying those. -..buying those, | 0:31:43 | 0:31:46 | |
er, especially since they are in the box, | 0:31:46 | 0:31:48 | |
and they do look as though they've stayed in the box. | 0:31:48 | 0:31:51 | |
Mm. What would you be able to do on those, Sandra? | 0:31:51 | 0:31:54 | |
Um, 40 on those. 40. | 0:31:54 | 0:31:57 | |
Oh, gosh, that's not much. | 0:31:57 | 0:31:59 | |
-We can still think. -All right. Think about those. | 0:31:59 | 0:32:02 | |
Richard's off in search of a better deal. | 0:32:02 | 0:32:06 | |
Um, what about that little footstool? | 0:32:06 | 0:32:09 | |
-The gout stool? -Gout stool. | 0:32:09 | 0:32:11 | |
-I like it. -It's in mahogany. | 0:32:11 | 0:32:12 | |
Isn't that lovely? How much is on that, Sandra? | 0:32:12 | 0:32:16 | |
That's 165. | 0:32:16 | 0:32:18 | |
Gout stools were big business for ladies and gentlemen in the 19th century, | 0:32:18 | 0:32:24 | |
as overindulgence in rich food and booze led to | 0:32:24 | 0:32:27 | |
a type of arthritis in their feet, | 0:32:27 | 0:32:29 | |
so they needed to elevate them. | 0:32:29 | 0:32:32 | |
To have a chance, it needs to be under £100 I think, don't you? | 0:32:32 | 0:32:38 | |
I could do it for 100. How does that feel? | 0:32:38 | 0:32:40 | |
That's jolly kind of you, | 0:32:40 | 0:32:42 | |
but I don't think it's quite there, to be honest. | 0:32:42 | 0:32:45 | |
So maybe the condiment spoons? | 0:32:45 | 0:32:47 | |
What would really be your rock bottom price for us? | 0:32:47 | 0:32:50 | |
Well, 38 is really the best price I could manage on that. | 0:32:51 | 0:32:54 | |
What do you think, Richard, would you like to buy them, or...? | 0:32:54 | 0:32:57 | |
I've got a good feeling about them. | 0:32:57 | 0:32:59 | |
Would you do them for a nice round 35? | 0:32:59 | 0:33:02 | |
I could do them for a very tight 36. | 0:33:02 | 0:33:05 | |
-Oh! -How's 36? | 0:33:05 | 0:33:08 | |
-I think that's very good. -£36.00. | 0:33:08 | 0:33:10 | |
-I've got the money here. -Wonderful, oh, that's very good. | 0:33:10 | 0:33:12 | |
Fine. | 0:33:12 | 0:33:14 | |
Richard and Catherine now have three lots in the bag | 0:33:14 | 0:33:16 | |
and £319 left to spend. | 0:33:16 | 0:33:19 | |
Thank you. | 0:33:19 | 0:33:21 | |
Meanwhile, James and Annette are heading off | 0:33:21 | 0:33:24 | |
their shopping route, towards Ayot Saint Lawrence, | 0:33:24 | 0:33:27 | |
to visit an inspirational place. | 0:33:27 | 0:33:30 | |
Shaw's Corner is the former home of politician, philosopher | 0:33:31 | 0:33:35 | |
and writer George Bernard Shaw. | 0:33:35 | 0:33:38 | |
In the early 1900s, Shaw penned many notable plays including | 0:33:38 | 0:33:42 | |
Major Barbara, The Doctor's Dilemma, and Pygmalion. | 0:33:42 | 0:33:46 | |
At that time he was living here in this Edwardian villa. | 0:33:46 | 0:33:50 | |
Showing James and Annette around today is assistant house steward Lizzy. | 0:33:51 | 0:33:54 | |
Hello, come in, come in. Come out of the rain. | 0:33:54 | 0:33:58 | |
The house is much as Shaw left it. | 0:33:58 | 0:34:00 | |
In fact, it was just six months after his death in 1950 that it opened as a tribute to a man | 0:34:00 | 0:34:08 | |
who, in his heyday, was one of the most famous, most photographed, | 0:34:08 | 0:34:12 | |
and most quoted men in the world. | 0:34:12 | 0:34:15 | |
The best way, I think, to describe how famous he was | 0:34:15 | 0:34:17 | |
was the reactions to his death. | 0:34:17 | 0:34:19 | |
So he died in November 1950 and when he died, the lights were put out | 0:34:19 | 0:34:24 | |
in Times Square and Broadway, the Indian senate rose, | 0:34:24 | 0:34:27 | |
all the Australian school children were given the day off school. | 0:34:27 | 0:34:31 | |
He was that famous and his death was counted as being that much. | 0:34:31 | 0:34:35 | |
And this was left exactly how he left it? | 0:34:35 | 0:34:38 | |
Exactly as he left it, to the point of... | 0:34:38 | 0:34:40 | |
we still have the mud from his last walk. | 0:34:40 | 0:34:44 | |
No! | 0:34:44 | 0:34:46 | |
Oh, yes. It's quite creepy, but wonderful at the same time. | 0:34:46 | 0:34:49 | |
We're off to the dining room - come and have a look through into here. | 0:34:49 | 0:34:53 | |
In his dining room, he often enjoyed a long lunch, | 0:34:53 | 0:34:55 | |
while penning newspaper columns and political works, | 0:34:55 | 0:34:59 | |
surrounded by pictures of peers and people who inspired him. | 0:34:59 | 0:35:03 | |
Shaw is the only person in the world to have won an Oscar for a screenplay | 0:35:03 | 0:35:06 | |
and a Nobel prize for literature, | 0:35:06 | 0:35:08 | |
so you will not see this anywhere else, it's totally unique - | 0:35:08 | 0:35:10 | |
he's still the only person to have won both. | 0:35:10 | 0:35:12 | |
Is that what a Nobel Prize looks like? | 0:35:12 | 0:35:14 | |
That is a Nobel Prize certificate. | 0:35:14 | 0:35:16 | |
He turned down the prize money, he had to be coerced into taking it. | 0:35:16 | 0:35:20 | |
He didn't have much value of the Oscar, | 0:35:20 | 0:35:22 | |
he said he didn't write for competitions. | 0:35:22 | 0:35:23 | |
It's been quite bashed about a bit, | 0:35:23 | 0:35:25 | |
because Shaw used it as a doorstop, as well, and to crack walnuts! | 0:35:25 | 0:35:29 | |
It wasn't quite the treasure that everyone expects it should be. | 0:35:29 | 0:35:32 | |
Probably threw it for the dog, as well! | 0:35:32 | 0:35:34 | |
For those of us who appreciate a little showbiz, | 0:35:34 | 0:35:37 | |
Shaw won the Oscar for his screenplay of Pygmalion - | 0:35:37 | 0:35:42 | |
a story that was adapted some 50 years later into the musical My Fair Lady. | 0:35:42 | 0:35:47 | |
House manager Sue is keen to show off Shaw's most treasured possession, | 0:35:49 | 0:35:54 | |
an incredible book signed by the great and the good for his 70th birthday. | 0:35:54 | 0:35:58 | |
There's some music from Richard Strauss, there's some paintings from Pechstein, | 0:35:58 | 0:36:03 | |
there's some beautiful things in here. | 0:36:03 | 0:36:06 | |
I mean, to see this, | 0:36:06 | 0:36:07 | |
it just shows... how incredibly important he was. | 0:36:07 | 0:36:12 | |
-Absolutely. -What does the Einstein one say? We don't know yet? | 0:36:12 | 0:36:15 | |
We don't know yet. We haven't had it translated yet. | 0:36:15 | 0:36:18 | |
Shaw does have a tastefully furnished study, | 0:36:23 | 0:36:27 | |
but often feeling hemmed in by its four walls, | 0:36:27 | 0:36:30 | |
he sought solace in his garden shed. | 0:36:30 | 0:36:33 | |
Here he wrote many classics. | 0:36:33 | 0:36:35 | |
And he used to come down in all weathers. | 0:36:35 | 0:36:37 | |
We've got pictures of the garden covered in snow | 0:36:37 | 0:36:40 | |
with a path still cleared to come to the writing hut. | 0:36:40 | 0:36:43 | |
I did a house clearance at a place | 0:36:43 | 0:36:45 | |
called Birdsgrove House in Ashbourne, | 0:36:45 | 0:36:47 | |
and it was the headquarters of the World Pharmaceutical Society, | 0:36:47 | 0:36:51 | |
and they would have... Any ailing pharmacist would come back | 0:36:51 | 0:36:55 | |
and stay at this place, Birdsgrove House, by the river, | 0:36:55 | 0:36:59 | |
and they had six of these in the grounds, and that'll be why. | 0:36:59 | 0:37:02 | |
So fresh air, sunshine, was very much a belief of the time, | 0:37:02 | 0:37:05 | |
and this is what this was for. | 0:37:05 | 0:37:06 | |
But was translated into creating masterpieces. | 0:37:06 | 0:37:11 | |
From this humble setting, Shaw created stories which made him a household name | 0:37:12 | 0:37:17 | |
and here at Shaw's Corner, | 0:37:17 | 0:37:19 | |
his personality is still very much alive. | 0:37:19 | 0:37:21 | |
The road trip now rattles on eastward | 0:37:25 | 0:37:28 | |
to the town of Sawbridgeworth. | 0:37:28 | 0:37:30 | |
It sits on the Hertfordshire and Essex border that made its money | 0:37:32 | 0:37:37 | |
from the malting industry. With over £300 to spend, | 0:37:37 | 0:37:40 | |
Richard and Catherine have headed into Herts and Essex Antiques. | 0:37:40 | 0:37:45 | |
The pressure's on - it's day two, and the shops are about to shut. | 0:37:45 | 0:37:49 | |
This is getting desperate now, Richard. | 0:37:49 | 0:37:52 | |
Yes, I'm getting desperate now. | 0:37:52 | 0:37:53 | |
-Desperate measures. -It's serious. | 0:37:53 | 0:37:56 | |
It is, isn't it? | 0:37:56 | 0:37:57 | |
I was looking at him... But I don't think it would sell. | 0:37:57 | 0:38:00 | |
Potential sale, no. Right. OK. | 0:38:00 | 0:38:04 | |
What do you think about these little novelty...? | 0:38:04 | 0:38:06 | |
Yes, I think they're quite nice, but if they're not solid silver, does that not make them... | 0:38:06 | 0:38:11 | |
They're not solid silver. | 0:38:11 | 0:38:13 | |
Or, we've got a clock barometer, and a thermometer in the middle. | 0:38:15 | 0:38:19 | |
Not so keen on that. | 0:38:19 | 0:38:21 | |
No. Prices are high, aren't they? | 0:38:21 | 0:38:24 | |
395 is just silly. | 0:38:24 | 0:38:27 | |
"Silver-plated thistle vesta". | 0:38:27 | 0:38:30 | |
If it was silver, I'd have bought it. | 0:38:30 | 0:38:32 | |
But it's plate. It's not easy, is it? Especially when the clock's ticking. | 0:38:32 | 0:38:36 | |
It certainly isn't, | 0:38:36 | 0:38:38 | |
especially when you two are SO fussy. | 0:38:38 | 0:38:41 | |
-Richard? -Yes? -Things are getting a little bit desperate, | 0:38:41 | 0:38:45 | |
so I might quickly run next door and see what they've got. | 0:38:45 | 0:38:48 | |
-OK. -Is that all right? -Yeah. | 0:38:48 | 0:38:49 | |
God, this is miles away, I thought it was next door! | 0:38:53 | 0:38:56 | |
Hello! I want something fabulous. | 0:38:59 | 0:39:02 | |
Can you show me something fabulous? | 0:39:02 | 0:39:05 | |
Ugh, I feel under enormous pressure. No, nothing at all. | 0:39:05 | 0:39:10 | |
And to add to it, the competition are heading to the same shop. Look out! | 0:39:10 | 0:39:15 | |
Well, we've got our final opportunity to buy something really exciting. | 0:39:15 | 0:39:19 | |
I need to get you into the bargaining mood. | 0:39:19 | 0:39:23 | |
You need to do a lot more than that, pet. | 0:39:23 | 0:39:25 | |
You need to turn me into an optimist. | 0:39:25 | 0:39:27 | |
Richard has joined Catherine in the shop next door. | 0:39:27 | 0:39:30 | |
I just picked up this, I thought "Brilliant, | 0:39:30 | 0:39:32 | |
"it's got everything going for it, | 0:39:32 | 0:39:34 | |
"it's beautifully etched, Mappin and Webb, wonderful perfume bottle" - | 0:39:34 | 0:39:38 | |
damaged. No. | 0:39:38 | 0:39:40 | |
-No. -No. | 0:39:40 | 0:39:42 | |
No. | 0:39:42 | 0:39:43 | |
-Shall we go back? -What, the very first place we went in? | 0:39:43 | 0:39:47 | |
-Yeah. -Right. | 0:39:47 | 0:39:48 | |
Thank you very much for having us! | 0:39:48 | 0:39:50 | |
I'm glad we bought something this morning, | 0:39:50 | 0:39:53 | |
otherwise we'd be in serious trouble! | 0:39:53 | 0:39:55 | |
Look who it is! | 0:39:55 | 0:39:57 | |
They look worryingly happy. | 0:39:57 | 0:40:00 | |
Yes. | 0:40:00 | 0:40:02 | |
We're stressed out. | 0:40:02 | 0:40:03 | |
James and Annette wisely steer clear of opposition | 0:40:03 | 0:40:07 | |
and make a beeline for Riverside Antiques. | 0:40:07 | 0:40:10 | |
Oh, God, I will never walk again. | 0:40:10 | 0:40:12 | |
Oh, are you stiff? | 0:40:12 | 0:40:13 | |
"Antiques upstairs". Are we going upstairs? | 0:40:14 | 0:40:18 | |
There's got to be something here somewhere. There's got to be. | 0:40:18 | 0:40:23 | |
-OK... -I feel like a child, | 0:40:23 | 0:40:26 | |
just frantically not trying to lose sight of its parent. | 0:40:26 | 0:40:30 | |
Did he go in here? Where are you, Ja...? | 0:40:30 | 0:40:32 | |
Are you stuck in there? | 0:40:32 | 0:40:35 | |
-Come and look at this. -An improvement. | 0:40:35 | 0:40:36 | |
God, it's tight. | 0:40:36 | 0:40:38 | |
Oh, dear. I think that's what they call a bad fit. | 0:40:38 | 0:40:42 | |
I think they're in need of a little guidance from shop owner Shirley. | 0:40:44 | 0:40:48 | |
Come on, Shirl. | 0:40:48 | 0:40:50 | |
I am going to show you something that is really nice, and even I was going to buy this. | 0:40:50 | 0:40:54 | |
All right, OK. | 0:40:54 | 0:40:55 | |
Useful item on your desk. | 0:40:55 | 0:40:58 | |
Everybody likes a desk set. | 0:40:58 | 0:41:01 | |
It's just not very commercial. | 0:41:01 | 0:41:03 | |
I like it because I like elephants. | 0:41:03 | 0:41:07 | |
With ink wells and a hook for a pocket watch, | 0:41:07 | 0:41:10 | |
this Anglo-Indian coromandel-wood standish is a kind of desk tidy from the late 19th century. | 0:41:10 | 0:41:16 | |
With the shop closing shortly, | 0:41:19 | 0:41:21 | |
Annette and James scour the cabinets one last time. | 0:41:21 | 0:41:23 | |
OK, let's have a think. | 0:41:26 | 0:41:28 | |
Little group there for £20. | 0:41:30 | 0:41:31 | |
But they've all got faults - salts bottle, chipped. Frame, no back. | 0:41:32 | 0:41:38 | |
Those, that are worn, and the comb. But they are all silver. | 0:41:38 | 0:41:42 | |
-But... -Right. | 0:41:42 | 0:41:44 | |
..they've all got faults, but they're 20 quid. | 0:41:44 | 0:41:46 | |
They're not a lot of money. | 0:41:46 | 0:41:48 | |
No, right, why are you still looking at me? | 0:41:48 | 0:41:51 | |
-You're the one who sells this kind of thing. -Encouragement?! | 0:41:51 | 0:41:53 | |
-No, yes, yeah, fine. -Or no? -No, it's a yes. | 0:41:53 | 0:41:56 | |
By adding another ornate comb, | 0:41:56 | 0:42:00 | |
this silver lot has a ticket price of £32 all in. | 0:42:00 | 0:42:03 | |
Was it the one on the right? This one, wasn't it? | 0:42:04 | 0:42:07 | |
-Yup. -And as a last minute decision, | 0:42:07 | 0:42:09 | |
James has added a £20 pocket watch | 0:42:09 | 0:42:11 | |
to the wooden standish, making it worth a punt. | 0:42:11 | 0:42:14 | |
But it hasn't got something to hang it off. | 0:42:14 | 0:42:17 | |
Right, done, deal. | 0:42:17 | 0:42:19 | |
Deal, deal, deal. | 0:42:19 | 0:42:21 | |
It has never been so tough to spend money. | 0:42:21 | 0:42:24 | |
Thank you, sir, I will just check that they're real. | 0:42:24 | 0:42:27 | |
Well done, James, you've got your five lots for auction | 0:42:29 | 0:42:32 | |
and shaved £7 off the ticket price of this little lot. | 0:42:32 | 0:42:36 | |
Even with time against them, | 0:42:38 | 0:42:39 | |
Richard and Catherine are still being choosy. | 0:42:39 | 0:42:41 | |
What we have got to face up to is yes, we are pressured - | 0:42:41 | 0:42:45 | |
we have just got to stop thinking about being pressured | 0:42:45 | 0:42:50 | |
and go for it. | 0:42:50 | 0:42:51 | |
Would it be really stupid to gamble everything on those tongs? | 0:42:53 | 0:42:56 | |
These 19th-century Russian silver tongs are extremely rare. | 0:42:57 | 0:43:01 | |
They are lovely, I like them. | 0:43:01 | 0:43:04 | |
And being fully marked with maker's initials, | 0:43:04 | 0:43:07 | |
they've got a price tag of £375. | 0:43:07 | 0:43:09 | |
Wow. | 0:43:09 | 0:43:11 | |
You could use them for plucking out nose hair. | 0:43:11 | 0:43:14 | |
I think they are far too special for that. | 0:43:14 | 0:43:17 | |
They feel wonderful. | 0:43:17 | 0:43:18 | |
They decide to take a punt | 0:43:18 | 0:43:20 | |
and ask Nick, the shop owner, to put a call into the dealer. | 0:43:20 | 0:43:24 | |
Will their luck be in? | 0:43:24 | 0:43:25 | |
Well, it WAS 375. | 0:43:25 | 0:43:28 | |
He says normally he would only do it for 340, | 0:43:28 | 0:43:32 | |
he is willing to drop another £40 off it and make it £300. | 0:43:32 | 0:43:35 | |
-It's too much of a gamble. -Unfortunately, Russian silver is very collectable. | 0:43:35 | 0:43:38 | |
-Very desirable. -Very desirable and very expensive. | 0:43:38 | 0:43:41 | |
-We said we wanted something of fine quality, didn't we? -We did. | 0:43:41 | 0:43:45 | |
If we could get that below £300... | 0:43:45 | 0:43:47 | |
I will try. | 0:43:47 | 0:43:48 | |
That's a huge risk. | 0:43:48 | 0:43:50 | |
Nick calls again... | 0:43:50 | 0:43:53 | |
..and the dealer's lowest price is... | 0:43:55 | 0:43:57 | |
£290. | 0:43:57 | 0:43:58 | |
Why don't we take the biggest risk? | 0:43:58 | 0:44:01 | |
OK. | 0:44:01 | 0:44:03 | |
And actually if we bomb... | 0:44:03 | 0:44:06 | |
we'll have rehearsed how we are going to deal with it beforehand. | 0:44:06 | 0:44:10 | |
Well, you're a good actor, so you must be quite good. | 0:44:10 | 0:44:12 | |
I am going to rehearse you in super cool. | 0:44:12 | 0:44:14 | |
-Can you do crying? -No, no, super cool. | 0:44:14 | 0:44:17 | |
Done. | 0:44:17 | 0:44:18 | |
-Done. -Fabulous. | 0:44:18 | 0:44:20 | |
SHE CLAPS Yay! | 0:44:20 | 0:44:22 | |
-Yes! -Well done! | 0:44:22 | 0:44:24 | |
-That was amazing. -Whoo! | 0:44:24 | 0:44:26 | |
And with that bombshell, | 0:44:28 | 0:44:30 | |
it's time for the two teams to reveal their lots. | 0:44:30 | 0:44:33 | |
Oh! | 0:44:34 | 0:44:36 | |
Gosh, you've bought lots. | 0:44:36 | 0:44:39 | |
-Have we? -Can I ask what that object there is? | 0:44:39 | 0:44:42 | |
You wouldn't know, but almost every costume drama I have been in, | 0:44:42 | 0:44:45 | |
I've had to wear one of these. | 0:44:45 | 0:44:48 | |
Chatelaine, round the waist, you know, if you are the housekeeper. | 0:44:48 | 0:44:51 | |
Very nice. | 0:44:51 | 0:44:52 | |
-How much was that? -It was quite a lot, £60. | 0:44:52 | 0:44:56 | |
Ha, ha! | 0:44:56 | 0:44:57 | |
-You ain't seen nothing yet. -Yes. | 0:44:57 | 0:45:00 | |
-Yes. -And what is this made of, could I ask? | 0:45:00 | 0:45:02 | |
Coromandel or ebony, same sort of family of woods, | 0:45:02 | 0:45:06 | |
but Indian, turn of the century, probably around 1900. | 0:45:06 | 0:45:10 | |
For the standish and the pocket watch it was 33. | 0:45:10 | 0:45:15 | |
I think it's worth more. | 0:45:15 | 0:45:16 | |
That's good. That's the idea. | 0:45:16 | 0:45:18 | |
-It's a good buy, you're saying? -I think so. | 0:45:18 | 0:45:20 | |
I can sense a touch of the old green-eyed monster here. | 0:45:20 | 0:45:23 | |
And there's more - the job lot of silver, | 0:45:23 | 0:45:25 | |
the mahogany compass and their biggest purchase, | 0:45:25 | 0:45:28 | |
the French tables. | 0:45:28 | 0:45:30 | |
-And how much were they? -85 the pair. | 0:45:30 | 0:45:32 | |
And what's their history? | 0:45:32 | 0:45:33 | |
-French walnut, 1875. -I like the fact they're marble topped. | 0:45:33 | 0:45:37 | |
Got a side of quality there. | 0:45:37 | 0:45:39 | |
And nice being a pair. | 0:45:39 | 0:45:41 | |
I thought they might make 150. | 0:45:41 | 0:45:43 | |
We're going to lose on everything. | 0:45:43 | 0:45:45 | |
-Oh, you're not! -Yes, we are. | 0:45:45 | 0:45:47 | |
Yes, we are. | 0:45:47 | 0:45:48 | |
A weights and measure theme. I like those. | 0:45:48 | 0:45:51 | |
We thought they were quite impressive. | 0:45:55 | 0:45:57 | |
Now, what do you think they're worth? | 0:45:57 | 0:45:59 | |
I think they're worth, er, 70-£100. | 0:45:59 | 0:46:02 | |
-Do you really? -Yeah, I think they're lovely. Really nice. | 0:46:02 | 0:46:06 | |
We paid...30. | 0:46:06 | 0:46:08 | |
What is all this fuss about? About paying too much? | 0:46:08 | 0:46:12 | |
Don't you worry, we've got more things. | 0:46:12 | 0:46:14 | |
We've got bigger fish to fry. | 0:46:14 | 0:46:15 | |
When you say you're going to lose, what do you think they're going to make? | 0:46:15 | 0:46:19 | |
-We're not going to lose on that. We're not going to lose on the art-deco preserve spoons. -OK. | 0:46:19 | 0:46:23 | |
-Are they solid? -Yeah. | 0:46:23 | 0:46:25 | |
-How much did you pay for those? -36. | 0:46:25 | 0:46:29 | |
What we might lose on... | 0:46:29 | 0:46:32 | |
Russian. | 0:46:32 | 0:46:33 | |
Cor... | 0:46:33 | 0:46:34 | |
-ANNETTE: -Oh, they're beautiful. -Honestly, James, what do you think? | 0:46:34 | 0:46:38 | |
Wonderful. | 0:46:38 | 0:46:40 | |
-What did you pay, 300? -Pretty much. -Did you? Yeah. | 0:46:40 | 0:46:43 | |
290. | 0:46:43 | 0:46:44 | |
It's a huge gamble. | 0:46:44 | 0:46:46 | |
-It's out of our hands now. -Yes, it is. | 0:46:46 | 0:46:48 | |
So, what do they really think of each others' lots? | 0:46:49 | 0:46:52 | |
The first thing that struck me was the quantity. | 0:46:54 | 0:46:56 | |
Yes. | 0:46:56 | 0:46:58 | |
They had a huge amount of items, didn't they? | 0:46:58 | 0:47:00 | |
Yes. | 0:47:00 | 0:47:01 | |
-I think we've done all right, you know. -Yes. | 0:47:01 | 0:47:04 | |
-We? You've done very well. -Oh, no, it's a team effort. -Very well done. | 0:47:04 | 0:47:07 | |
Ours looked more...chosen, somehow. Solid. | 0:47:07 | 0:47:15 | |
-£295 on a pair of sugar boats. -Yes. | 0:47:15 | 0:47:18 | |
It's a lot of money to spend on one thing. | 0:47:18 | 0:47:20 | |
You've got to take a plunge. | 0:47:20 | 0:47:22 | |
I hope it pays off for them because they deserve it to. | 0:47:22 | 0:47:25 | |
I think I probably would have bought the pen tray. | 0:47:25 | 0:47:27 | |
I think that's got quite a lot going for it. | 0:47:27 | 0:47:31 | |
Would we have bought any of the items that they had? | 0:47:31 | 0:47:33 | |
No. | 0:47:35 | 0:47:36 | |
The teams started this road trip in Potters Bar. | 0:47:41 | 0:47:44 | |
They're now motoring on towards Heathfield in East Sussex, | 0:47:44 | 0:47:47 | |
to the auction - their final stop. | 0:47:47 | 0:47:49 | |
Why? | 0:47:54 | 0:47:56 | |
Why did I buy those tongs? | 0:47:56 | 0:47:58 | |
I really need a couple of Russian oligarchs to bid against each other. | 0:48:00 | 0:48:05 | |
I'd quite like to meet a Russian oligarch. I don't think there's a chance... | 0:48:05 | 0:48:09 | |
SHE LAUGHS | 0:48:09 | 0:48:10 | |
The location of this antiques showdown is Watson Auctioneers | 0:48:12 | 0:48:16 | |
where our celebrities and experts meet up for one last time. | 0:48:16 | 0:48:19 | |
Each team is chasing glory | 0:48:19 | 0:48:21 | |
and the chance to win tonight's Celebrity Antiques Road Trip. | 0:48:21 | 0:48:26 | |
-Hello. -How are you? | 0:48:26 | 0:48:27 | |
Ooh! | 0:48:27 | 0:48:28 | |
-It looks a bit like a cattle market. -Yes. | 0:48:28 | 0:48:32 | |
-Is this it? Is this really it? -It is. | 0:48:32 | 0:48:35 | |
Both teams began this journey with £400 in their pockets. | 0:48:39 | 0:48:43 | |
Two days later, Annette and James have spent £242 | 0:48:44 | 0:48:48 | |
on five auction lots. | 0:48:48 | 0:48:51 | |
It's never been so tough to spend money. | 0:48:51 | 0:48:53 | |
Richard and Catherine have parted with an impressive | 0:48:55 | 0:48:57 | |
£371 on four auction lots. | 0:48:57 | 0:49:01 | |
-You could use them for plucking out nose hair. -Yuk! | 0:49:01 | 0:49:04 | |
Well, there's a full house today, so let's see how both teams fare. | 0:49:08 | 0:49:12 | |
Auctioneer Peter Hebden has cast a professional eye | 0:49:12 | 0:49:16 | |
over their purchases. | 0:49:16 | 0:49:18 | |
I like James' tables very much. They're very much of the moment. | 0:49:18 | 0:49:22 | |
I think they should do quite well. | 0:49:22 | 0:49:24 | |
The mixed lot of five pieces of silver, | 0:49:24 | 0:49:26 | |
probably, unfortunately, go for scrap. | 0:49:26 | 0:49:28 | |
Probably make £40-60. | 0:49:28 | 0:49:31 | |
The ebony standish, | 0:49:31 | 0:49:33 | |
it's nice that it's complete. | 0:49:33 | 0:49:35 | |
And it's good, also, that it comes with the upstand for the watch. | 0:49:35 | 0:49:40 | |
Catherine's table top and grocery scales - pity they didn't | 0:49:40 | 0:49:43 | |
have some bell weights. That would have enhanced them even more. | 0:49:43 | 0:49:46 | |
Catherine's tongs, again, of the moment. | 0:49:46 | 0:49:49 | |
Russian items are extremely sought after. | 0:49:49 | 0:49:52 | |
They should sell quite well. | 0:49:52 | 0:49:54 | |
Well, time will tell. Quiet, please! | 0:49:54 | 0:49:58 | |
The auction's getting under way. | 0:49:58 | 0:49:59 | |
First up, James and Annette's late 19th-century | 0:49:59 | 0:50:03 | |
wooden standish complete with pocket watch. | 0:50:03 | 0:50:05 | |
That one there at £50. | 0:50:05 | 0:50:07 | |
50, 30. | 0:50:07 | 0:50:08 | |
£30. £30, I've got. | 0:50:08 | 0:50:10 | |
Thank you. 35, 38, 40, 42, | 0:50:10 | 0:50:13 | |
-5... -Wow, this looks promising. | 0:50:13 | 0:50:16 | |
45, 48, 50, 55, 60, | 0:50:16 | 0:50:20 | |
5, 70, 75, 80. | 0:50:20 | 0:50:23 | |
£80. At £80. | 0:50:23 | 0:50:27 | |
Yes! | 0:50:27 | 0:50:29 | |
-We've doubled our money. -Well done, James. Well done. | 0:50:29 | 0:50:33 | |
What a fantastic start for James and Annette | 0:50:33 | 0:50:36 | |
with a piece they weren't even sure about. | 0:50:36 | 0:50:39 | |
I think your scales are going to do well. | 0:50:39 | 0:50:41 | |
There's a profit. | 0:50:41 | 0:50:43 | |
Richard and Catherine are confident they can give good chase | 0:50:43 | 0:50:46 | |
with their first set of scales | 0:50:46 | 0:50:49 | |
form the 1940s, complete with a full set of weights. | 0:50:49 | 0:50:52 | |
What do we say for those? £40? | 0:50:52 | 0:50:55 | |
40, 30... | 0:50:55 | 0:50:56 | |
20 I'm bid. £20. At £20 bid, 20. | 0:50:56 | 0:50:59 | |
22, 25, 28, 30, | 0:50:59 | 0:51:02 | |
32? At 32. 35? | 0:51:02 | 0:51:03 | |
38, 40, 42? | 0:51:03 | 0:51:06 | |
At £42. 5, now? | 0:51:06 | 0:51:09 | |
At £42. Selling at 42. | 0:51:09 | 0:51:12 | |
-There you go. -There we go. | 0:51:12 | 0:51:15 | |
-That's a start. -Brilliant. | 0:51:15 | 0:51:17 | |
They've not quite doubled their money, | 0:51:19 | 0:51:21 | |
but it's a profit, nevertheless, before commission. | 0:51:21 | 0:51:24 | |
Next up, James and Annette's small but perfectly formed | 0:51:25 | 0:51:28 | |
George III pocket compass. | 0:51:28 | 0:51:30 | |
What do we say for that one? £50? | 0:51:30 | 0:51:33 | |
50, 30... | 0:51:33 | 0:51:34 | |
-Oh, go on. -£20 to start. | 0:51:34 | 0:51:36 | |
20 I've got, £20. | 0:51:36 | 0:51:37 | |
At £20 bid, 20. 22, | 0:51:37 | 0:51:39 | |
25, 28, 30, 32, | 0:51:39 | 0:51:42 | |
5, 38... £38. | 0:51:42 | 0:51:45 | |
40, 42, 45, 48, 50. | 0:51:45 | 0:51:50 | |
£50. 5. At 55. | 0:51:50 | 0:51:53 | |
-Last time, is it, then? At 55. -Ooh. | 0:51:53 | 0:51:57 | |
JAMES GROANS | 0:51:57 | 0:51:58 | |
-There we go. -Very good. -It's still a profit. | 0:51:58 | 0:52:00 | |
It's on the up, that's good. | 0:52:00 | 0:52:02 | |
Don't look so disappointed, James. You're up again | 0:52:02 | 0:52:05 | |
with a £23 profit before auction costs. | 0:52:05 | 0:52:09 | |
It all hangs in the balance now. | 0:52:09 | 0:52:10 | |
-Oooh! -Sorry, I couldn't resist it. | 0:52:10 | 0:52:12 | |
Oh dear, James. | 0:52:15 | 0:52:16 | |
But he's right, and it looks as if | 0:52:16 | 0:52:18 | |
today's crowd are also weighing up Richard and Catherine's | 0:52:18 | 0:52:21 | |
brass scales from the early 20th century. | 0:52:21 | 0:52:24 | |
And what do we say for those? £50? | 0:52:24 | 0:52:26 | |
50, 30. 20 I'm bid. £20. | 0:52:26 | 0:52:29 | |
At £20 bid, 20. 22, 25, | 0:52:29 | 0:52:33 | |
28, 30, 32, 35, | 0:52:33 | 0:52:36 | |
38, 40. | 0:52:36 | 0:52:38 | |
42, 45, 48. At £48. £50. | 0:52:38 | 0:52:43 | |
At £48, going to sell this time. | 0:52:43 | 0:52:46 | |
At £48... | 0:52:46 | 0:52:49 | |
JAMES GROANS | 0:52:49 | 0:52:50 | |
Didn't even make 50. | 0:52:50 | 0:52:52 | |
They may not have made £50, | 0:52:52 | 0:52:55 | |
but it's still a profit. This is going well. | 0:52:55 | 0:52:57 | |
Lot 90 is the steel bright cut chatelaine. | 0:52:57 | 0:53:02 | |
It's Annette and James' third lot - | 0:53:02 | 0:53:06 | |
the decorative chain from the 1830s. | 0:53:06 | 0:53:08 | |
£60. 60, 50... | 0:53:08 | 0:53:11 | |
-Oh. -£30... -No! -£30 I've got. | 0:53:11 | 0:53:13 | |
32, 35, 38, | 0:53:13 | 0:53:15 | |
40, 42, 45, | 0:53:15 | 0:53:18 | |
48, 50, 5, 60. | 0:53:18 | 0:53:21 | |
At £60. £60. Five, now? | 0:53:21 | 0:53:24 | |
Last time at £60... | 0:53:24 | 0:53:26 | |
No! | 0:53:26 | 0:53:28 | |
That's a very painful loss, guys. | 0:53:30 | 0:53:32 | |
It sold for what they spent on it, | 0:53:32 | 0:53:35 | |
so after costs, that's a loss. | 0:53:35 | 0:53:38 | |
Richard and Catherine's art-deco spoons are up next. | 0:53:38 | 0:53:41 | |
What do we say for those? £40? | 0:53:41 | 0:53:44 | |
40, 30, | 0:53:44 | 0:53:45 | |
20... 20 I've got. | 0:53:45 | 0:53:47 | |
£20, 22, 25, | 0:53:47 | 0:53:49 | |
28, 30. | 0:53:49 | 0:53:51 | |
At £30. 32, 35... | 0:53:51 | 0:53:54 | |
At £35. 38 is it? At £35. Going to sell at 35. | 0:53:54 | 0:53:59 | |
Oh, it's going so wrong now. | 0:54:00 | 0:54:03 | |
Oh...dear. | 0:54:04 | 0:54:06 | |
I couldn't have said it better myself. | 0:54:06 | 0:54:10 | |
They need to be doing a lot better if they're ever going to beat | 0:54:10 | 0:54:12 | |
James and Annette. | 0:54:12 | 0:54:14 | |
Well, so far, we're both in profit. | 0:54:14 | 0:54:17 | |
So we're in the right direction. | 0:54:17 | 0:54:20 | |
We have Big Risk coming up. | 0:54:20 | 0:54:23 | |
You've got Big Risk, but you've also got really big potential. | 0:54:23 | 0:54:26 | |
Potential? Potential for disaster. | 0:54:26 | 0:54:29 | |
But before we get to their big risk item, we've got James and Annette's | 0:54:33 | 0:54:36 | |
job lot of silver. All six items set them back just £32. | 0:54:36 | 0:54:41 | |
And that lot there at £40. 40, | 0:54:41 | 0:54:44 | |
30. At £30, 2, 35, 38, 40, 2, 5... | 0:54:44 | 0:54:49 | |
48. At £48. | 0:54:49 | 0:54:51 | |
-Go on. -At 48, 50 now? | 0:54:51 | 0:54:53 | |
At £48. Done then, is it? At 48. | 0:54:53 | 0:54:57 | |
Another tidy profit before commission. | 0:54:57 | 0:55:00 | |
And now for Richard and Catherine's biggest gamble, | 0:55:04 | 0:55:07 | |
the Russian silver gilt sugar tongs bought for a breathtaking £290. | 0:55:07 | 0:55:13 | |
Richard certainly has an eye for the finer things in life. | 0:55:13 | 0:55:16 | |
And what do we say for those? 150? | 0:55:16 | 0:55:18 | |
150, £100. | 0:55:18 | 0:55:21 | |
-Come on! -£100. | 0:55:21 | 0:55:23 | |
50 I'm only bid. At £50. 55. At 55. 60, | 0:55:23 | 0:55:28 | |
5, 70, 75, | 0:55:28 | 0:55:31 | |
80, 85, 90, 95, | 0:55:31 | 0:55:34 | |
100, 110, 120, 130. | 0:55:34 | 0:55:39 | |
At 130, 140, 150, | 0:55:39 | 0:55:42 | |
160. 160. | 0:55:42 | 0:55:44 | |
At 160. At £160. | 0:55:44 | 0:55:47 | |
Silver... 170. At 170. At £170. | 0:55:47 | 0:55:52 | |
At 170, you're out this time. | 0:55:52 | 0:55:54 | |
At £170. At 170, 180 is it? | 0:55:54 | 0:55:59 | |
Last time at 170... | 0:55:59 | 0:56:02 | |
Ouch! | 0:56:02 | 0:56:04 | |
£170, that's a staggering loss. | 0:56:04 | 0:56:09 | |
But hats off to Catherine and Richard for having the guts | 0:56:09 | 0:56:12 | |
to have a go in the first place. | 0:56:12 | 0:56:14 | |
I like their style. | 0:56:14 | 0:56:16 | |
-Here we go, the last lot. -Good luck. | 0:56:16 | 0:56:19 | |
So, can James and Annette | 0:56:22 | 0:56:23 | |
make a profit on the 19th-century walnut bedside tables? | 0:56:23 | 0:56:27 | |
150 for those. | 0:56:27 | 0:56:29 | |
150...£100. | 0:56:29 | 0:56:32 | |
100... Thank you, bid. | 0:56:32 | 0:56:34 | |
At £100 bid. | 0:56:34 | 0:56:35 | |
At 100. At £100. Looking for 10. | 0:56:35 | 0:56:38 | |
110, 120, 130, 140, | 0:56:38 | 0:56:42 | |
150. £150. | 0:56:42 | 0:56:44 | |
At 150. At 150, make it 160. | 0:56:44 | 0:56:48 | |
At £150 this time. | 0:56:48 | 0:56:50 | |
At 150. | 0:56:50 | 0:56:53 | |
-Well done! -Well done. -Yay! | 0:56:55 | 0:56:57 | |
-Very good. -Well done. -150. | 0:56:57 | 0:56:59 | |
-We... -I had nothing to do with it! | 0:56:59 | 0:57:02 | |
BOTH CHUCKLE | 0:57:02 | 0:57:04 | |
That's a great profit of £65 before costs. | 0:57:04 | 0:57:07 | |
So, who's come out on top? | 0:57:07 | 0:57:09 | |
Both teams started their road trip with a £400 budget. | 0:57:11 | 0:57:14 | |
After paying auction costs, Richard and Catherine have lost £129.10 | 0:57:17 | 0:57:23 | |
on the items they bought. leaving them with £270.90 in their pot. | 0:57:23 | 0:57:28 | |
Meanwhile, James and Annette have made a profit of £80.26 | 0:57:30 | 0:57:35 | |
giving them a grand total of £480.26 | 0:57:35 | 0:57:40 | |
making them today's outright winners! | 0:57:40 | 0:57:42 | |
Well done, James and Annette. | 0:57:42 | 0:57:46 | |
All the money our celebrities and experts make on their road trips | 0:57:46 | 0:57:50 | |
will go to Children In Need. | 0:57:50 | 0:57:51 | |
Well done. | 0:57:51 | 0:57:53 | |
Well done, you two. You did extremely well. | 0:57:53 | 0:57:56 | |
Well done. Congratulations, Annette. | 0:57:56 | 0:57:59 | |
Well, I feel really sorry for you and your tongs. | 0:57:59 | 0:58:01 | |
It was a brave move. | 0:58:01 | 0:58:03 | |
-Fair dos, your team won. -You did brilliantly. | 0:58:03 | 0:58:06 | |
You made profit on everything. | 0:58:06 | 0:58:07 | |
Annette's just desperate to go! | 0:58:07 | 0:58:10 | |
Well, yeah. Out of the rain, yeah. | 0:58:10 | 0:58:12 | |
It's been a pleasure. | 0:58:12 | 0:58:13 | |
-Thank you very much, darling. -Oh, I'm going to miss you. | 0:58:13 | 0:58:15 | |
So, thank you, everyone. | 0:58:15 | 0:58:17 | |
And, despite the rain, it's been fun. | 0:58:17 | 0:58:19 | |
Till the next time! | 0:58:19 | 0:58:22 | |
Yes, Annette, until next time. | 0:58:22 | 0:58:24 | |
Cheery-ho! | 0:58:24 | 0:58:26 | |
Subtitles by Red Bee Media Ltd | 0:58:52 | 0:58:55 |