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The nation's favourite celebrities... | 0:00:02 | 0:00:03 | |
What if we were to say 150 for the two? | 0:00:03 | 0:00:05 | |
You've got yourself a deal. | 0:00:05 | 0:00:07 | |
..one antiques expert each... | 0:00:07 | 0:00:08 | |
-We're smokin'! -Exactly. | 0:00:08 | 0:00:10 | |
-# Da-da-dana-dana-da! # -I like it, I like it. | 0:00:10 | 0:00:13 | |
..and one big challenge - who can seek out and buy | 0:00:13 | 0:00:15 | |
the best antiques at the very best prices... | 0:00:15 | 0:00:19 | |
I love it. | 0:00:19 | 0:00:20 | |
THEY BOTH LAUGH | 0:00:20 | 0:00:22 | |
..and auction for a big profit further down the road? | 0:00:22 | 0:00:26 | |
Potential for disaster. | 0:00:26 | 0:00:28 | |
Who will spot the good investments? Who will listen to advice? | 0:00:28 | 0:00:31 | |
What you've just come out with there, I cannot believe that. | 0:00:31 | 0:00:33 | |
And who will be the first to say, "Don't you know who I am?!"? | 0:00:33 | 0:00:38 | |
Time to put your pedal to the metal. | 0:00:38 | 0:00:42 | |
This is Celebrity Antiques Road Trip. | 0:00:42 | 0:00:44 | |
Yeah! | 0:00:47 | 0:00:48 | |
Welcome to gorgeous Cornwall, | 0:00:52 | 0:00:53 | |
the location of today's Celebrity Road Trip. | 0:00:53 | 0:00:55 | |
And examining the 1961 Austin-Healey Frogeye Sprite... | 0:00:55 | 0:01:00 | |
-It is gorgeous, though. -It is nice, isn't it? | 0:01:00 | 0:01:02 | |
..are two well-loved faces of British TV. | 0:01:02 | 0:01:05 | |
Thank you. | 0:01:05 | 0:01:06 | |
Say hello to the rather lovely Fiona Phillips... | 0:01:06 | 0:01:08 | |
And these doors are so thin! | 0:01:08 | 0:01:11 | |
-HOLLOW KNOCKING -Like you. | 0:01:11 | 0:01:12 | |
..and the irrepressible Richard Madeley, | 0:01:12 | 0:01:15 | |
both firm admirers of the classic car. | 0:01:15 | 0:01:17 | |
Old cars, you know, they look great, but they drive like crap. | 0:01:17 | 0:01:21 | |
Well, that's polite(!) | 0:01:21 | 0:01:22 | |
-ENGINE ROARS -Bye! | 0:01:22 | 0:01:24 | |
Now, time to get these two on the road. | 0:01:24 | 0:01:26 | |
They have two days and £400 each to turn as much profit as possible, | 0:01:26 | 0:01:30 | |
which will go to Children in Need. | 0:01:30 | 0:01:32 | |
Hang on, I'm clearly doing something wrong. | 0:01:32 | 0:01:35 | |
-ENGINE ROARS -There we go. | 0:01:35 | 0:01:36 | |
This could be an exciting ride! | 0:01:36 | 0:01:39 | |
What's known as "riding the clutch". Oh, boy! | 0:01:39 | 0:01:43 | |
Ah, yes. Fiona Phillips has done it all, | 0:01:43 | 0:01:46 | |
from current affairs to starting our day for us from the GMTV sofa. | 0:01:46 | 0:01:50 | |
Journalism aside, | 0:01:50 | 0:01:52 | |
she's even been crowned one of Europe's sexiest vegetarians. | 0:01:52 | 0:01:56 | |
My passion is... Not you. | 0:01:56 | 0:01:58 | |
-..is potatoes! -LAUGHTER | 0:01:58 | 0:02:01 | |
-This car's heating up! -Yes, it is. | 0:02:02 | 0:02:04 | |
-That's all coming from the engine. -It's not a happy engine, is it? | 0:02:04 | 0:02:08 | |
Don't worry, it'll be fine. | 0:02:08 | 0:02:10 | |
-We hope. -I think we're going to be walking. | 0:02:10 | 0:02:14 | |
Richard Madeley is one half of that legendary showbiz couple - | 0:02:14 | 0:02:18 | |
Richard and Judy. | 0:02:18 | 0:02:19 | |
These days, you'll find him very much at home on Radio Two. | 0:02:19 | 0:02:22 | |
Thirteen minutes past eight o'clock on Radio Two, | 0:02:24 | 0:02:26 | |
this is the Chris Evans Breakfast Show, | 0:02:26 | 0:02:28 | |
with Richard sitting in for him. He's back on Monday. | 0:02:28 | 0:02:30 | |
They were so impressed, they gave him his own show. | 0:02:30 | 0:02:34 | |
-I just want to say, it's not me, OK? -No, I can tell that. | 0:02:34 | 0:02:38 | |
Once they top three miles an hour, | 0:02:38 | 0:02:40 | |
our celebrities will each have their very own expert | 0:02:40 | 0:02:43 | |
to help them buy, sell and hopefully make a profit at auction. | 0:02:43 | 0:02:46 | |
And here they come. | 0:02:46 | 0:02:47 | |
Say hello to Charles Hanson... | 0:02:52 | 0:02:54 | |
GEARS GRIND | 0:02:54 | 0:02:56 | |
Oh, Lord! ..and James Braxton... | 0:02:56 | 0:02:58 | |
I'll find second now. | 0:02:58 | 0:02:59 | |
..who are in a wee spot of bother | 0:02:59 | 0:03:01 | |
with this rather fun 1982 Citroen 2CV. | 0:03:01 | 0:03:04 | |
Oh, that's low gear! | 0:03:04 | 0:03:06 | |
-That's first gear! -Right, push it up now. | 0:03:06 | 0:03:08 | |
-Oh, yeah, that's it. -Crikey. | 0:03:08 | 0:03:10 | |
Crikey, indeed. | 0:03:12 | 0:03:13 | |
James Braxton boasts 20 years' experience in auctioneering, | 0:03:13 | 0:03:18 | |
and says his passion for antiques comes from being dragged | 0:03:18 | 0:03:20 | |
through stately homes by his loving parents. | 0:03:20 | 0:03:23 | |
Charles Hanson, on the other hand, | 0:03:23 | 0:03:25 | |
has been in this business just over a decade, | 0:03:25 | 0:03:28 | |
but both his knowledge and his hunger for discovery | 0:03:28 | 0:03:30 | |
cannot be denied. | 0:03:30 | 0:03:31 | |
And his desire to be Fiona Phillips' team-mate. | 0:03:31 | 0:03:34 | |
Oh, Lordy. | 0:03:34 | 0:03:36 | |
We're not flipping a coin for this one - | 0:03:36 | 0:03:38 | |
you're dead set on Fiona, aren't you? | 0:03:38 | 0:03:40 | |
Well, Jim, you know, we must be fair. | 0:03:40 | 0:03:43 | |
-Who would you prefer? -I can see your heart's... | 0:03:43 | 0:03:46 | |
-But sell it to me! -I'm not going to be an obstacle for love. | 0:03:46 | 0:03:49 | |
Oh, get outta here! | 0:03:49 | 0:03:50 | |
THEY BOTH LAUGH | 0:03:50 | 0:03:51 | |
Our road trip today sees us on a whirlwind tour of Cornwall. | 0:03:53 | 0:03:57 | |
We're headed to the coast, | 0:03:57 | 0:03:59 | |
then going as far south | 0:03:59 | 0:04:00 | |
as it's possible to go, | 0:04:00 | 0:04:02 | |
and back up for an auction in Bude, | 0:04:02 | 0:04:04 | |
though, first, our experts and celebrities | 0:04:04 | 0:04:07 | |
will rendezvous in Lostwithiel. | 0:04:07 | 0:04:09 | |
But there's just one small problem. | 0:04:09 | 0:04:11 | |
-ENGINE SPLUTTERS AND DIES -It's called the Sprite. | 0:04:11 | 0:04:14 | |
As I predicted, we have now broken down. | 0:04:14 | 0:04:16 | |
Yes. | 0:04:16 | 0:04:17 | |
Let's just try it one more time. It's been misfiring. | 0:04:17 | 0:04:20 | |
But at least we've broken down in an antique. | 0:04:20 | 0:04:22 | |
No. The little Sprite isn't feeling very spritely this morning. | 0:04:22 | 0:04:26 | |
Fortunately, our celebrities are made of stern stuff. | 0:04:26 | 0:04:29 | |
Within seconds, Fiona's popped the bonnet, | 0:04:29 | 0:04:33 | |
and Richard's bringing to bear his VAST mechanical knowledge. | 0:04:33 | 0:04:37 | |
Um, I think we're screwed, actually. | 0:04:37 | 0:04:39 | |
So what they need now is rescuing. | 0:04:39 | 0:04:41 | |
MUSIC: "Theme From Thunderbirds" | 0:04:41 | 0:04:44 | |
GEARS GRIND | 0:04:44 | 0:04:46 | |
Probably what they need to do is clean the sparking plugs, | 0:04:47 | 0:04:50 | |
and, for that, you need a socket. | 0:04:50 | 0:04:51 | |
Richard, that is about the tenth reason you've gone for! | 0:04:51 | 0:04:54 | |
I'm thinking on my feet here! | 0:04:54 | 0:04:56 | |
I did think you knew what you were talking about to start off with. | 0:04:56 | 0:04:59 | |
SHE LAUGHS | 0:04:59 | 0:05:00 | |
-Oh, here they are, look. -Oh, look. | 0:05:03 | 0:05:06 | |
By comparison, that's practically a Rolls Royce compared to this. | 0:05:06 | 0:05:09 | |
It's prehistoric! Hello! | 0:05:09 | 0:05:13 | |
-Our rescue vehicle! -You can stop now, if you want. | 0:05:13 | 0:05:15 | |
-How's it going? -So which one's in the shining armour? | 0:05:15 | 0:05:18 | |
Well... | 0:05:18 | 0:05:20 | |
First and foremost, do either of you know anything | 0:05:20 | 0:05:22 | |
about cars of this vintage and fixing them? | 0:05:22 | 0:05:24 | |
Because it's misfiring and it keeps just cutting out. | 0:05:24 | 0:05:28 | |
You can see where our priorities are - we need to be rescued! | 0:05:28 | 0:05:31 | |
There's gratitude for you. | 0:05:31 | 0:05:33 | |
Car troubles aside, you also need to decide who's going with whom. | 0:05:33 | 0:05:37 | |
I thought you and I are from the, what, 1970s... | 0:05:37 | 0:05:39 | |
I sense an insult coming. | 0:05:39 | 0:05:41 | |
You have that collectability, | 0:05:41 | 0:05:42 | |
and these two guys, with their pedigree, | 0:05:42 | 0:05:44 | |
and slightly more worldly-wise thoughts... | 0:05:44 | 0:05:46 | |
Richard and I were at our prime, obviously, in the early '80s. | 0:05:46 | 0:05:50 | |
Yes, that's when we peaked, I think. | 0:05:50 | 0:05:51 | |
You've given me an almighty compliment, | 0:05:51 | 0:05:53 | |
because Richard and I are of the same vintage, aren't we? | 0:05:53 | 0:05:56 | |
-Just rub it in, Fiona! -CHARLES: Really? I'm sorry! | 0:05:56 | 0:05:59 | |
-Are you still interested now, Charles? -Absolutely. | 0:05:59 | 0:06:01 | |
Yes, I am. | 0:06:01 | 0:06:03 | |
Well, that's Charles happy, and once we get the Sprite up and running, | 0:06:03 | 0:06:06 | |
finally, this road trip can begin. | 0:06:06 | 0:06:08 | |
Better late than never, I suppose. | 0:06:08 | 0:06:10 | |
Lostwithiel is a small town | 0:06:13 | 0:06:15 | |
which, 700 years ago, was the undisputed capital of Cornwall. | 0:06:15 | 0:06:18 | |
Thanks in part to the Cornish tin industry, | 0:06:18 | 0:06:21 | |
this was a major port, second only to Southampton. | 0:06:21 | 0:06:24 | |
Now, while today, things are a LITTLE quieter, | 0:06:24 | 0:06:28 | |
the area is teeming with antique shops, | 0:06:28 | 0:06:31 | |
something that has James Braxton rather excited. | 0:06:31 | 0:06:33 | |
-We want to find something... -Fitting start! -Yeah! | 0:06:33 | 0:06:36 | |
We want to find something that's going to profit, and we've got £400. | 0:06:36 | 0:06:39 | |
-400 quid. -Come on, Richard. Get in there. | 0:06:39 | 0:06:42 | |
-And we want to spend it all. £400. -So do I. -Yeah. | 0:06:42 | 0:06:46 | |
Get in there. | 0:06:46 | 0:06:47 | |
While Team Braxton moves boldly towards its first purchase, | 0:06:47 | 0:06:51 | |
Charles is struggling just to park. | 0:06:51 | 0:06:54 | |
Thanks, Fiona, you're a strong lady. | 0:06:54 | 0:06:56 | |
With all that under control, they're off to Nanadobbie, | 0:06:56 | 0:06:59 | |
the shop that specialises in mid-century modern. | 0:06:59 | 0:07:03 | |
I need to wipe my feet! | 0:07:03 | 0:07:04 | |
This is a very stylish shop, isn't it? Hello, sir. | 0:07:04 | 0:07:07 | |
-Hello, there. -How are you? -I'm fine, thanks. | 0:07:07 | 0:07:09 | |
-May we browse your shop? -Indeed. | 0:07:09 | 0:07:12 | |
That's Mike, by the way. | 0:07:12 | 0:07:14 | |
Though, right now, Fiona's more interested in this little lady. | 0:07:14 | 0:07:17 | |
I don't know what the look on her face is. | 0:07:17 | 0:07:19 | |
She's almost in tears. She's terrified. | 0:07:19 | 0:07:22 | |
-She's quite flirtatious around the mouth still! -Yeah, she is. Yeah. | 0:07:22 | 0:07:25 | |
Mm. She's not the only one. | 0:07:25 | 0:07:28 | |
And tell me, Fiona, are you a Fifi or a Fiona? | 0:07:28 | 0:07:31 | |
Oh, no, I'm not a Fi... | 0:07:31 | 0:07:32 | |
Although Richard calls me Fifi sometimes, actually, yeah. | 0:07:32 | 0:07:35 | |
-I think it's a bit overfamiliar. -What should I call you? | 0:07:35 | 0:07:38 | |
-Fiona. -Fiona, OK. Maybe Fifi later. | 0:07:38 | 0:07:40 | |
-Yeah, maybe later! -Maybe tomorrow. | 0:07:40 | 0:07:42 | |
-You are a Fifi sort of person, aren't you? -Am I? | 0:07:42 | 0:07:44 | |
-Well, I could be. -Yeah, I think you are. | 0:07:44 | 0:07:46 | |
Goodness me, those two are fresh. | 0:07:46 | 0:07:48 | |
Thankfully, back at Uzella Court, | 0:07:48 | 0:07:51 | |
James and Richard are focused on the task in hand. | 0:07:51 | 0:07:54 | |
You see, they're quite fun, these Indian porcupines. | 0:07:54 | 0:07:58 | |
-Is that what that is, that box? -That box, yeah. | 0:07:58 | 0:08:00 | |
-That's a sort of country-housey sort of item. -Yes, it is, isn't it? | 0:08:00 | 0:08:03 | |
-Something somebody would've brought back from Empire. -Exactly. | 0:08:03 | 0:08:06 | |
It's something you put on a tabletop, | 0:08:06 | 0:08:09 | |
and it... It's those little additions that make a home. | 0:08:09 | 0:08:12 | |
I must admit, that appeals to me. | 0:08:12 | 0:08:14 | |
Oh, good. That's £85. | 0:08:14 | 0:08:16 | |
The problem with these is they generally have losses to them. | 0:08:16 | 0:08:19 | |
-Do they? -So it's the quills. | 0:08:19 | 0:08:21 | |
-In good nick, isn't it? -It's quite fun, isn't it? | 0:08:21 | 0:08:24 | |
-You think it's from India? -Yeah, they were made in India. | 0:08:24 | 0:08:26 | |
-And what period? -Er...early 19th century, | 0:08:26 | 0:08:29 | |
so they're sort of slightly older. | 0:08:29 | 0:08:31 | |
They're not late-Victorian ones, they have a bit of age. | 0:08:31 | 0:08:35 | |
-So going on for a couple of hundred years then? -Yeah, almost. | 0:08:35 | 0:08:37 | |
Well, in that... Now you've said all that, 85 doesn't sound... | 0:08:37 | 0:08:40 | |
-WHISPERS: -Can we knock her down? | 0:08:40 | 0:08:42 | |
Of course we can. I like it. | 0:08:42 | 0:08:44 | |
-I would like to buy it, if we can. -Shall we hang on to that? -Yeah. | 0:08:44 | 0:08:47 | |
As for the competition, they're still flirting... | 0:08:47 | 0:08:50 | |
-It's vintage, so... -Yeah, exactly! | 0:08:50 | 0:08:53 | |
..with each other... | 0:08:53 | 0:08:54 | |
-I like your shirt as well. -..and with Mike. | 0:08:54 | 0:08:56 | |
-Is that mid-century? -No. I am, though. | 0:08:56 | 0:08:59 | |
THEY ALL LAUGH | 0:08:59 | 0:09:01 | |
-But the only... If you were looking to take a bit of a gamble... -Yes. | 0:09:01 | 0:09:04 | |
-..but something that's maybe had a bit more mainstream appeal... -Yes. | 0:09:04 | 0:09:07 | |
..you looked at it. | 0:09:07 | 0:09:09 | |
Well, yeah, I saw that - Zulu. And I said, "Oh, my goodness, Zulu!" | 0:09:09 | 0:09:11 | |
Because it's a classic film. | 0:09:11 | 0:09:13 | |
Released in '64, it was Michael Caine's breakthrough performance. | 0:09:13 | 0:09:16 | |
Though, being shot in South Africa, | 0:09:16 | 0:09:18 | |
cast and crew were told not to fraternise | 0:09:18 | 0:09:20 | |
with the topless tribal dancers, | 0:09:20 | 0:09:23 | |
as the penalty for interracial sex then was seven years' hard labour. | 0:09:23 | 0:09:27 | |
Good poster. | 0:09:29 | 0:09:30 | |
It's something which I think is not too expensive at 120, really. | 0:09:30 | 0:09:34 | |
-No. -No, I think that's very good. -For what it is. -Yeah. | 0:09:34 | 0:09:37 | |
But at the same time, it's something which... | 0:09:37 | 0:09:40 | |
is a gamble, as life is. | 0:09:40 | 0:09:43 | |
Well, Fiona's the boss, and while she thinks it over, | 0:09:43 | 0:09:46 | |
James and Richard have spotted another possibility. | 0:09:46 | 0:09:49 | |
-Keep going, keep going. -Oh, it's a pencil! -Nice pencil. | 0:09:49 | 0:09:52 | |
-And it's silver. -It's silver, and Sampson Mordan, | 0:09:52 | 0:09:55 | |
-he was sort of Paul Smith of yesteryear. -Really? -Yeah. | 0:09:55 | 0:09:59 | |
And he produced lots of fabulously-designed luxury goods, | 0:09:59 | 0:10:03 | |
quite manly goods. | 0:10:03 | 0:10:05 | |
So up until this time, | 0:10:05 | 0:10:07 | |
sort of Victorians had used pencils, but they were very thin and fiddly, | 0:10:07 | 0:10:10 | |
over-decorated, and horrid to use - they were sharp and angular. | 0:10:10 | 0:10:14 | |
-Whereas this is quite chunky, isn't it? -Chunky. -Yeah. | 0:10:14 | 0:10:17 | |
Chunky. | 0:10:17 | 0:10:18 | |
By the way, Sampson Mordan | 0:10:18 | 0:10:20 | |
were actually the co-inventors of the propelling pencil | 0:10:20 | 0:10:23 | |
and it first went on sale in 1823. | 0:10:23 | 0:10:26 | |
-What would it be used for? -Racing pencils. | 0:10:26 | 0:10:28 | |
Chap would have had it on his watch chain, and racing was a big thing, | 0:10:28 | 0:10:31 | |
-day at the races, and you would... -You'd mark your card. -Exactly. | 0:10:31 | 0:10:35 | |
And the ticket price? £59. | 0:10:35 | 0:10:38 | |
-Is it dated? -It says, "Silver pencil, S Mordan..." | 0:10:38 | 0:10:42 | |
Yeah, Sampson. "..London, 1911," so just before the Great War. | 0:10:42 | 0:10:46 | |
Yeah. That's 101 years old, and still in bright condition. | 0:10:46 | 0:10:49 | |
-Yeah. I love it. -It's lovely, isn't it? -Are you...? | 0:10:49 | 0:10:52 | |
I'm getting a vibe from you. | 0:10:52 | 0:10:53 | |
I'm getting a sense that this could make money. | 0:10:53 | 0:10:55 | |
I don't know if it would make a huge amount of money, | 0:10:55 | 0:10:58 | |
but it's a REALLY nice piece. | 0:10:58 | 0:11:00 | |
-Is it a collectible? Do people collect this stuff? -It is, yeah. | 0:11:00 | 0:11:03 | |
Shall we put...50, 59? What do you think we should...? | 0:11:03 | 0:11:06 | |
I think we should try and get it... | 0:11:06 | 0:11:08 | |
-I think we should launch in at 35. -OK. | 0:11:08 | 0:11:10 | |
So, it's that and the porcupine box to negotiate. | 0:11:10 | 0:11:14 | |
But hang on - the competition's arrived. | 0:11:14 | 0:11:17 | |
Nothing to see, nothing to see here, is there? | 0:11:17 | 0:11:19 | |
-Why are your hands behind your back? -Exactly, what are you hiding? | 0:11:19 | 0:11:22 | |
-It's how we stand! -Treasures. | 0:11:22 | 0:11:23 | |
-What are you hiding? -Treasures. | 0:11:23 | 0:11:25 | |
In case you're wondering, | 0:11:25 | 0:11:27 | |
even though Fiona's moved on to this shop, | 0:11:27 | 0:11:29 | |
she's still pondering that Zulu movie print. | 0:11:29 | 0:11:32 | |
-Where's the big lump of furniture? -Well... -Have you bought anything? | 0:11:32 | 0:11:35 | |
-No, we haven't. We've mentally noted a few things. -Oh, yeah. | 0:11:35 | 0:11:37 | |
-After you, then. Let's bypass these... -Good luck. | 0:11:37 | 0:11:41 | |
We're finished now, Madeley! | 0:11:41 | 0:11:44 | |
Now, now, you two. Concentrate on your own shopping. | 0:11:45 | 0:11:48 | |
We've got two items here, | 0:11:51 | 0:11:53 | |
wondered whether you could do the two for £85? | 0:11:53 | 0:11:57 | |
I think that's a damn good offer, actually. | 0:11:57 | 0:11:59 | |
It's pushing it a bit. | 0:11:59 | 0:12:01 | |
-Well, that's our business, Judith! -Terrible auctioneers.... | 0:12:01 | 0:12:04 | |
-And it's my business as well. -I know, I know. | 0:12:04 | 0:12:07 | |
It's two great sides meeting - the dealers and the auctioneers. | 0:12:07 | 0:12:11 | |
Nice try, James, | 0:12:11 | 0:12:13 | |
but I don't think Judith is falling for the old Braxton charm much. | 0:12:13 | 0:12:17 | |
How about 100 for the pair? | 0:12:17 | 0:12:19 | |
100, what does that break down at? | 0:12:20 | 0:12:22 | |
-I tell you what, 90. 90 and you have a deal. -95. | 0:12:22 | 0:12:25 | |
Do you think she's being fair with us? | 0:12:25 | 0:12:27 | |
Considering the asking price of both, | 0:12:27 | 0:12:30 | |
and the quality, let's be honest, I think it's a fair deal. | 0:12:30 | 0:12:33 | |
I think it's a fair deal. Judith, thank you very much indeed. | 0:12:33 | 0:12:36 | |
-Thank you very much indeed. -Thanks a lot. -Thank you. | 0:12:36 | 0:12:39 | |
So £75 to the lady. | 0:12:39 | 0:12:40 | |
THEY ALL LAUGH | 0:12:40 | 0:12:42 | |
Cheeky! | 0:12:42 | 0:12:43 | |
As for the slowcoaches out the back... | 0:12:43 | 0:12:45 | |
A late-Victorian, early-Edwardian cigar humidifier. | 0:12:45 | 0:12:50 | |
What's a humidifier, a cigar humidifier? I'm being ignorant. | 0:12:50 | 0:12:52 | |
See, I don't know either. Isn't that...? | 0:12:52 | 0:12:54 | |
No, it's where they're stored. | 0:12:54 | 0:12:56 | |
Of course, to keep them airtight. I like it. | 0:12:56 | 0:12:58 | |
Yeah, ten points, Fiona, good girl. | 0:12:58 | 0:13:00 | |
This device allows you to store and keep fresh a partially smoked cigar. | 0:13:00 | 0:13:04 | |
So how would it work? | 0:13:04 | 0:13:06 | |
That's your stand, then you've got your little sort of screw lid | 0:13:06 | 0:13:10 | |
for your cigar to go in there. Isn't that stylish? | 0:13:10 | 0:13:12 | |
I've never seen one before in my life, never. | 0:13:12 | 0:13:15 | |
In all my years of doing antiques. | 0:13:15 | 0:13:16 | |
And that, you know, well, for someone who smokes a cigar, | 0:13:16 | 0:13:19 | |
-that would be wonderful, that would be a gorgeous little present. -Yeah. | 0:13:19 | 0:13:22 | |
Now you're thinking! | 0:13:22 | 0:13:24 | |
If you were, you know, a fairly highbrow businessman | 0:13:24 | 0:13:26 | |
-and this was on your desk, "Have a cigar, hey, mate." -Yeah. | 0:13:26 | 0:13:29 | |
You know, impress your buddy. | 0:13:29 | 0:13:31 | |
And out it comes, take the cigar out and that's just a sweet object. | 0:13:31 | 0:13:35 | |
But it all depends on the auction. | 0:13:35 | 0:13:37 | |
I'd hate to see your investment go up in smoke. Ha! | 0:13:37 | 0:13:41 | |
It's something which I really like. | 0:13:41 | 0:13:42 | |
-It could make 150 in the right audience. -It could, couldn't it? | 0:13:42 | 0:13:46 | |
-But it could, could, could, it could make £30. -Yeah. | 0:13:46 | 0:13:49 | |
So, you know, maybe it's something to get your teeth round, | 0:13:49 | 0:13:52 | |
-but not quite a... -Mm. | 0:13:52 | 0:13:53 | |
£75, yeah. It's, you know, it's worthy of thought. | 0:13:53 | 0:13:56 | |
So more pondering! | 0:13:56 | 0:13:58 | |
-We've got quite a few mental notes, haven't we, going on? -Yeah, we have. | 0:13:58 | 0:14:01 | |
Still no actual buying! | 0:14:01 | 0:14:04 | |
James and Richard, meanwhile, are ready to hit the road, | 0:14:04 | 0:14:07 | |
but there's just one small issue... | 0:14:07 | 0:14:09 | |
Bye, thanks for nothing! | 0:14:09 | 0:14:11 | |
..and it's red. Their Austin Sprite is completely jiggered. | 0:14:11 | 0:14:14 | |
-It's dead, isn't it? I think. -Dead as a door nail. | 0:14:14 | 0:14:17 | |
So a new mode of transport is required. | 0:14:17 | 0:14:21 | |
What about that boat, is that...? | 0:14:21 | 0:14:23 | |
Yeah, that's practical(!) | 0:14:23 | 0:14:24 | |
-Padstow's... Padstow's north, is it? -That way, yeah, yeah, yeah. | 0:14:24 | 0:14:28 | |
Anyway, anyway. Hey, hold the phone, I see the 2CV over there. | 0:14:28 | 0:14:32 | |
Surely they're not suggesting stealing Charles' and Fiona's car?! | 0:14:32 | 0:14:36 | |
Let's go. I think we should hurry, Richard, I've got this terrible... | 0:14:36 | 0:14:40 | |
Do you feel guilty about this? | 0:14:40 | 0:14:41 | |
No, I don't feel guilty, but I've got this terrible concern. | 0:14:41 | 0:14:45 | |
-We'll ring 'em in a few minutes and tell 'em what we've done. -OK. | 0:14:45 | 0:14:48 | |
ENGINE SPLUTTERS AND GEARS GRIND | 0:14:48 | 0:14:50 | |
Yeah, yeah, we can't really scram, | 0:14:50 | 0:14:52 | |
-but we need the car more than they do. -We do. | 0:14:52 | 0:14:54 | |
We do, we've got someone to see. | 0:14:54 | 0:14:56 | |
ENGINE ROARS TO LIFE | 0:14:56 | 0:14:58 | |
Well done. We're clear. | 0:14:58 | 0:15:01 | |
GEARS GRIND | 0:15:01 | 0:15:03 | |
And in the blink of an eye... | 0:15:03 | 0:15:05 | |
whoosh! They're gone. | 0:15:05 | 0:15:08 | |
So Charles and Fiona have no car... | 0:15:08 | 0:15:11 | |
-Yeah. -It's not the be-all and end-all. | 0:15:11 | 0:15:14 | |
So... There's so much stuff here. | 0:15:14 | 0:15:16 | |
..and no antiques. | 0:15:16 | 0:15:18 | |
But after a quick cuddle, they're thinking. | 0:15:18 | 0:15:22 | |
TRUMPET FANFARE | 0:15:22 | 0:15:25 | |
The cigar humidor! | 0:15:27 | 0:15:29 | |
-So, we like it. -We do like it, Judith. | 0:15:29 | 0:15:32 | |
-I think we need to take a decision on this. -OK. | 0:15:32 | 0:15:34 | |
And it's your call. I would love to buy it for 50 or 55. | 0:15:34 | 0:15:38 | |
-Yeah. -That's my hunch, and... | 0:15:38 | 0:15:41 | |
-Judith's shaking her head. -No, and that's... | 0:15:41 | 0:15:43 | |
-It's not going to happen. -No, and that's business. | 0:15:43 | 0:15:46 | |
-That's our decision made. -It's all about margins, you see. -Yeah. | 0:15:46 | 0:15:49 | |
At this rate, they're not going to buy anything. | 0:15:49 | 0:15:51 | |
But hang on, Judith's selling on behalf of another dealer, | 0:15:51 | 0:15:55 | |
so a quick phone call could change everything. | 0:15:55 | 0:15:57 | |
Go for it, Jude. | 0:15:57 | 0:15:58 | |
-And, Judith, the best price, please, is...? -60. | 0:15:58 | 0:16:01 | |
-£60. -Oh. -Golly. I think it's worth a gamble. | 0:16:01 | 0:16:04 | |
-OK. -I think, you know, we're smokin', man. | 0:16:04 | 0:16:07 | |
We're smokin'! | 0:16:07 | 0:16:09 | |
Well, perhaps smouldering at best, | 0:16:09 | 0:16:11 | |
because I'm afraid there's bad news afoot... | 0:16:11 | 0:16:16 | |
You have nicked our car! | 0:16:16 | 0:16:17 | |
I know, I'm sorry. | 0:16:17 | 0:16:19 | |
We felt really good... I mean, really bad. | 0:16:19 | 0:16:21 | |
'Yeah. The upside is a very good upside, you'll love it.' | 0:16:21 | 0:16:25 | |
We've booked a taxi for you, | 0:16:25 | 0:16:26 | |
so you won't have to sit with that awful driver of yours, Fiona. | 0:16:26 | 0:16:29 | |
-Oh, have you? -Oh, that's so kind, Richard. | 0:16:29 | 0:16:31 | |
'And there's a nice restaurant we've booked for us for this evening.' | 0:16:31 | 0:16:34 | |
-Good, all right. -Can't wait, OK. | 0:16:34 | 0:16:36 | |
'Fiona, you don't have to drive with him again.' | 0:16:36 | 0:16:38 | |
That's very kind of you, Richard, thanks for the great favour. | 0:16:38 | 0:16:41 | |
I've tweeted about you being a common thief. | 0:16:41 | 0:16:43 | |
I was only thinking of you! | 0:16:43 | 0:16:45 | |
JAMES LAUGHS | 0:16:45 | 0:16:47 | |
-'See you later.' -See you later, yeah, see you later. | 0:16:47 | 0:16:49 | |
At least the sun's shining. | 0:16:49 | 0:16:50 | |
-I think they took that rather well. -They took that well. | 0:16:50 | 0:16:53 | |
They didn't have any choice. | 0:16:53 | 0:16:55 | |
But that leaves these two | 0:16:55 | 0:16:56 | |
plenty of time to do what they do best - ponder and flirt. | 0:16:56 | 0:17:00 | |
It's up to you, boss. | 0:17:00 | 0:17:01 | |
I personally would say, "Thank you, but no thanks." | 0:17:01 | 0:17:05 | |
But then, you know, look, if you feel it's got some stature... | 0:17:05 | 0:17:11 | |
-Clearly, people are buying... -Sometimes, I'd say, "Go, girl." | 0:17:11 | 0:17:15 | |
He's come down from 120, his best price is...? | 0:17:15 | 0:17:18 | |
-95. -It is... | 0:17:18 | 0:17:19 | |
-95. -And it's no less... | 0:17:19 | 0:17:21 | |
-..than 95. -THEY ALL LAUGH | 0:17:21 | 0:17:23 | |
I'm trying, Fiona! | 0:17:23 | 0:17:25 | |
Should we delay the taxi, perhaps? | 0:17:25 | 0:17:27 | |
She's going once. She's going twice... | 0:17:27 | 0:17:30 | |
What's the decision, Fiona? SHE SQUEALS | 0:17:30 | 0:17:33 | |
-Fiona... You've got to decide... -No. Yes! Yes! | 0:17:33 | 0:17:36 | |
Orgasmic! Well, thank goodness for that. | 0:17:36 | 0:17:38 | |
Once it makes 150, I'll say, "Thanks, mate." | 0:17:38 | 0:17:40 | |
Once it doesn't, I'll say, "I'm really sorry." | 0:17:40 | 0:17:42 | |
-I know, exactly. -And I'll be closed. | 0:17:42 | 0:17:45 | |
THEY ALL LAUGH | 0:17:45 | 0:17:47 | |
Having made the cleanest of getaways... | 0:17:47 | 0:17:49 | |
Luckily, you're a master of this car. | 0:17:49 | 0:17:52 | |
GEARS GRIND | 0:17:52 | 0:17:54 | |
..James and Richard's destination is the town of Padstow, | 0:17:54 | 0:17:57 | |
named in honour of a Welsh missionary, | 0:17:57 | 0:17:59 | |
who lived, prayed and died here about 15 centuries back. | 0:17:59 | 0:18:03 | |
It's also home to Prideaux Place, | 0:18:05 | 0:18:08 | |
an Elizabethan manor with many a fine reception room | 0:18:08 | 0:18:11 | |
and a staggering 46 bedrooms. | 0:18:11 | 0:18:14 | |
Even more impressive, in the four centuries since it was built, | 0:18:14 | 0:18:17 | |
it's belonged to the same family, and Peter Prideaux-Brune, | 0:18:17 | 0:18:21 | |
who's the 14th generation to live here, | 0:18:21 | 0:18:24 | |
is going to give our boys a guided tour. | 0:18:24 | 0:18:27 | |
-Hello. -Hello, welcome! I'm Peter Prideaux-Brune. | 0:18:27 | 0:18:29 | |
-I'm Richard Madeley. How do you do? -Hello. | 0:18:29 | 0:18:31 | |
-James Braxton, hello. -Nice to meet you. Come in. | 0:18:31 | 0:18:33 | |
-I hope you've had a good shopping trip. -You go. | 0:18:33 | 0:18:35 | |
-Ah, we've done very well, thanks. -Very well, yeah. | 0:18:35 | 0:18:38 | |
Well, I'll show you some of my treasures. | 0:18:38 | 0:18:40 | |
Oh! There's an offer that's hard to refuse. | 0:18:40 | 0:18:43 | |
This house was built in 1588 by Sir Nicholas Prideaux, there. | 0:18:43 | 0:18:47 | |
So this is in the year of the Armada, isn't it? | 0:18:47 | 0:18:49 | |
In the year of the Armada, yes. | 0:18:49 | 0:18:51 | |
Another funny thing you might like to see here, | 0:18:51 | 0:18:54 | |
a carving of Queen Elizabeth I standing on a pig. | 0:18:54 | 0:18:58 | |
Oh, yes! | 0:18:58 | 0:18:59 | |
As for the Prideaux family, | 0:19:00 | 0:19:02 | |
their ancestry can be traced back to the 11th century | 0:19:02 | 0:19:05 | |
and, according to Peter, they've played a role | 0:19:05 | 0:19:08 | |
in many of Britain's most notorious periods of history. | 0:19:08 | 0:19:11 | |
This is rather fun. | 0:19:11 | 0:19:12 | |
This is my great-grandfather, | 0:19:12 | 0:19:15 | |
Colonel Charles Robert Prideaux-Brune. | 0:19:15 | 0:19:17 | |
Um, we've got one thing here. | 0:19:17 | 0:19:21 | |
This is his sword. | 0:19:21 | 0:19:22 | |
I think that might be beyond your £400... | 0:19:22 | 0:19:26 | |
THEY LAUGH | 0:19:26 | 0:19:27 | |
-Go on, give me a price. -THEY LAUGH AGAIN | 0:19:27 | 0:19:30 | |
Give me a price. | 0:19:30 | 0:19:31 | |
-It's very nicely balanced, isn't it? -Very nice. | 0:19:31 | 0:19:33 | |
Go on, how much are you offering me? | 0:19:33 | 0:19:36 | |
Er, well, it's got provenance, it's got history, | 0:19:36 | 0:19:38 | |
it's going to be very expensive, and we've only got £305 left. | 0:19:38 | 0:19:43 | |
Oh, dear, right. | 0:19:43 | 0:19:45 | |
Our next stop on this house tour is the Civil War of the 1640s, | 0:19:46 | 0:19:49 | |
when, to Peter's great regret, his family supported Cromwell, | 0:19:49 | 0:19:54 | |
who was determined to bring down the monarchy. | 0:19:54 | 0:19:57 | |
So, in 1660, when Charles II came back to the throne, | 0:19:57 | 0:20:01 | |
we were in political schtook. | 0:20:01 | 0:20:04 | |
We've got this wonderful pardon. | 0:20:04 | 0:20:05 | |
Yeah. | 0:20:05 | 0:20:06 | |
I mean it's wonderful words. | 0:20:06 | 0:20:08 | |
Things like, "I forgive you for lying in wait with murder aforethought | 0:20:08 | 0:20:13 | |
"for my sovereign lord, my father," and so on. | 0:20:13 | 0:20:15 | |
And this got them off all counts, this was a complete...? | 0:20:15 | 0:20:18 | |
Got them off all counts and this is 1660, | 0:20:18 | 0:20:22 | |
and by 1662, we were back as High Sheriff of Cornwall. | 0:20:22 | 0:20:27 | |
-Extraordinary. -Really? And did you have to pay anything for this? | 0:20:27 | 0:20:31 | |
No! We had to marry our daughter to an extremely ugly man. | 0:20:31 | 0:20:35 | |
-Right. -THEY LAUGH | 0:20:35 | 0:20:37 | |
We'll need some torches for this, | 0:20:39 | 0:20:41 | |
-because there's no electricity up there. -OK. | 0:20:41 | 0:20:43 | |
Handy. | 0:20:43 | 0:20:44 | |
The most recent conflict to involve the Prideaux family, | 0:20:45 | 0:20:48 | |
and indeed this house, was the Second World War, | 0:20:48 | 0:20:52 | |
when American soldiers were stationed here | 0:20:52 | 0:20:54 | |
for the 12 months leading up to D-day. | 0:20:54 | 0:20:56 | |
Yes, they were 121st Combat Division, | 0:20:56 | 0:21:00 | |
and they were a suicide squad. | 0:21:00 | 0:21:02 | |
They were the second wave into Omaha | 0:21:02 | 0:21:04 | |
and over 400 were killed in the first two days of D-day. | 0:21:04 | 0:21:09 | |
All up, 100 men lived and worked in this part of the house | 0:21:10 | 0:21:14 | |
and, to this day, the rooms remain virtually untouched. | 0:21:14 | 0:21:17 | |
The soldiers, they stayed and slept in here, | 0:21:19 | 0:21:22 | |
and there was such security about when D-day was going to be, | 0:21:22 | 0:21:26 | |
that one morning, they were just woken up, | 0:21:26 | 0:21:29 | |
"That's it, lads, you're off!" | 0:21:29 | 0:21:31 | |
Their deployment was so fast, some left possessions behind, | 0:21:31 | 0:21:34 | |
from humble objects, to the more poignant. | 0:21:34 | 0:21:38 | |
Oh, it's...money. | 0:21:38 | 0:21:40 | |
It's a United States postal money order. | 0:21:40 | 0:21:43 | |
"February 24th, 1944. | 0:21:43 | 0:21:46 | |
"Darling, enclosed in this note you will find the money, | 0:21:46 | 0:21:49 | |
"five dollars, that I told you about in my letter of yesterday..." | 0:21:49 | 0:21:52 | |
-This is from a mother, so she was writing every day... -Yes. | 0:21:52 | 0:21:56 | |
..every day to her boy. | 0:21:56 | 0:21:57 | |
I think I'm actually going to break up! | 0:21:57 | 0:22:00 | |
"And please don't try to make me believe that you can't use this, | 0:22:00 | 0:22:04 | |
"and bless you, darling. All my love, Mom." | 0:22:04 | 0:22:08 | |
Backtracking just a little, | 0:22:18 | 0:22:20 | |
our next stop on this road trip is the small town of Wadebridge. | 0:22:20 | 0:22:25 | |
Originally, this settlement was called Wade, | 0:22:25 | 0:22:28 | |
as it is said people once waded across the river, | 0:22:28 | 0:22:31 | |
resulting in centuries of animals and residents drowning. | 0:22:31 | 0:22:35 | |
The Reverend Thomas Lovibond - great name - | 0:22:35 | 0:22:38 | |
commissioned the building of a bridge | 0:22:38 | 0:22:40 | |
and thus it became known as Wadebridge. But, more importantly, | 0:22:40 | 0:22:44 | |
just past the fish shop and the man in that playful T-shirt, | 0:22:44 | 0:22:48 | |
is Victoria Antiques, owned by the lovely Sylvia and Mike. | 0:22:48 | 0:22:52 | |
What a great shop you've got! | 0:22:52 | 0:22:54 | |
You're a very attractive couple, actually! | 0:22:54 | 0:22:56 | |
Fiona, stop flirting! | 0:22:56 | 0:22:57 | |
-Nice start, I like your start! -Aren't they? | 0:22:57 | 0:22:59 | |
So, three floors, THOUSANDS of antiques, what do you choose? | 0:22:59 | 0:23:03 | |
If I could click my fingers and buy you anything... | 0:23:03 | 0:23:07 | |
I don't know, this is the thing. It's really difficult. | 0:23:07 | 0:23:10 | |
Yeah, look around, take it all in. | 0:23:10 | 0:23:11 | |
This is, you know, this is antique paradise. | 0:23:11 | 0:23:14 | |
-Oh, look! -Yeah. | 0:23:14 | 0:23:16 | |
Gosh, I was at those Silver Jubilee celebrations. | 0:23:16 | 0:23:18 | |
-When, '53? -I remember, my friend and I... | 0:23:18 | 0:23:21 | |
the Union Jack got stolen from our street | 0:23:21 | 0:23:23 | |
and my friend and I were prime suspects. | 0:23:23 | 0:23:25 | |
-So, you were at the Coronation? -Not the Coronation! -In '53? | 0:23:25 | 0:23:28 | |
-You weren't! -The Silver Jubilee, 1977. | 0:23:28 | 0:23:30 | |
-Oh, I was going to say, sorry. -I wasn't at the Coronation! | 0:23:30 | 0:23:33 | |
Sorry, sorry! | 0:23:33 | 0:23:35 | |
Uh-oh, I think the romance is officially over. | 0:23:35 | 0:23:38 | |
What's the best price on the Silver Jubilee lot? | 0:23:38 | 0:23:40 | |
You can have that for £25. There's 35 on it. | 0:23:40 | 0:23:44 | |
Nostalgia, isn't it? | 0:23:44 | 0:23:46 | |
And what are these little figures made of? Are they lead, or...? | 0:23:46 | 0:23:49 | |
-I believe they are. -Are they really? | 0:23:49 | 0:23:51 | |
They usually are. They're Britains, which is the best... | 0:23:51 | 0:23:53 | |
Yeah, I can remember. | 0:23:53 | 0:23:55 | |
I used to work in a toyshop on a Saturday | 0:23:55 | 0:23:56 | |
and Britains was the huge thing then, farmyard stuff and everything. | 0:23:56 | 0:24:00 | |
They've been going for years. | 0:24:00 | 0:24:02 | |
Since 1893, in fact, | 0:24:02 | 0:24:03 | |
when William Britain Junior invented | 0:24:03 | 0:24:06 | |
the process of hollow casting | 0:24:06 | 0:24:09 | |
and revolutionised the production of toy soldiers. | 0:24:09 | 0:24:12 | |
What you could do, Fiona, | 0:24:12 | 0:24:14 | |
is you could buy these Scots Guards and Yeoman Warders, | 0:24:14 | 0:24:17 | |
and the Lifeguards from this great period of 1977, | 0:24:17 | 0:24:21 | |
and, for Queen and country, | 0:24:21 | 0:24:22 | |
leave me maybe a lot tomorrow to buy the bigger one. | 0:24:22 | 0:24:25 | |
What if you find a big one and you're £25 short? | 0:24:25 | 0:24:29 | |
Well, I'll say, "C'est la vie, Hanson, | 0:24:29 | 0:24:31 | |
"things happen for a reason." | 0:24:31 | 0:24:33 | |
And the best price, sir, is...? | 0:24:33 | 0:24:34 | |
£25. | 0:24:34 | 0:24:36 | |
-£25! -And between friends, look at us... | 0:24:36 | 0:24:38 | |
£28! | 0:24:38 | 0:24:39 | |
THEY ALL LAUGH | 0:24:39 | 0:24:41 | |
Right, it's your decision, boss, you know. | 0:24:41 | 0:24:43 | |
Well, no, you said it. Oh, let's do it, I think. | 0:24:43 | 0:24:45 | |
Yeah, we'll do it. | 0:24:45 | 0:24:47 | |
And on that royal note, I think it's time to call it a day. | 0:24:47 | 0:24:50 | |
Though, with the Citroen still at large, | 0:24:50 | 0:24:53 | |
Charles and Fiona might need another cab. | 0:24:53 | 0:24:56 | |
Night-night. | 0:24:58 | 0:25:00 | |
Day two, and the good news is the Sprite's been fully repaired - ha! | 0:25:01 | 0:25:05 | |
And the chances of it breaking down are really rather minimal. | 0:25:05 | 0:25:09 | |
-How are you finding Charles? -Oh, I LOVE him! | 0:25:09 | 0:25:11 | |
-He loves you! -He thought I was the same age as him and he's only 36. | 0:25:11 | 0:25:15 | |
What did he do when you told him you were actually 67? | 0:25:15 | 0:25:18 | |
-SHE LAUGHS -He didn't believe it, Richard. | 0:25:18 | 0:25:20 | |
Actually, Charles is still smitten | 0:25:22 | 0:25:25 | |
and he's insisting on telling James all about it. | 0:25:25 | 0:25:28 | |
Fiona has just been a dream. | 0:25:28 | 0:25:31 | |
She's had the passion, she's had the energy to pursue the antique, | 0:25:31 | 0:25:36 | |
and she has a real interest... | 0:25:36 | 0:25:38 | |
-Does she? -Absolutely. | 0:25:38 | 0:25:40 | |
She's a lady who likes a good dust | 0:25:40 | 0:25:42 | |
and she doesn't mind getting her furniture wax out | 0:25:42 | 0:25:46 | |
because she appreciates art for art's sake, you know? | 0:25:46 | 0:25:49 | |
THEY CHUCKLE | 0:25:49 | 0:25:52 | |
As for the competition at hand, | 0:25:53 | 0:25:55 | |
Fiona's so far spent £180 on three items - | 0:25:55 | 0:25:59 | |
a Silver Jubilee toy set, | 0:25:59 | 0:26:01 | |
a cigar holder, and that "Zulu" movie poster. | 0:26:01 | 0:26:06 | |
I personally would say, "Thank you, but no, thanks." | 0:26:06 | 0:26:09 | |
That appeals to me more than a bit of old silver, I have to say. | 0:26:09 | 0:26:12 | |
-Really?! -Yeah. -Really? -Yes. | 0:26:12 | 0:26:14 | |
Have the money. Count it out. | 0:26:14 | 0:26:17 | |
100 years old? | 0:26:17 | 0:26:18 | |
Richard, meanwhile, doesn't seem to be in much of a rush. | 0:26:18 | 0:26:22 | |
He's only parted with £95 for a porcupine quill box | 0:26:22 | 0:26:26 | |
and that Sampson Mordan racing pencil. | 0:26:26 | 0:26:28 | |
That's 101 years old and it's still in bright condition. | 0:26:28 | 0:26:32 | |
Yeah, yeah, I love it. | 0:26:32 | 0:26:33 | |
Judith, thank you very much indeed. | 0:26:33 | 0:26:35 | |
Thank you very much indeed. Thank you. | 0:26:35 | 0:26:37 | |
Right, our experts and celebs are about to reconvene. | 0:26:38 | 0:26:42 | |
Next stop, the coast. | 0:26:42 | 0:26:44 | |
-Big day today. -Big day. | 0:26:44 | 0:26:46 | |
-Yeah, it's going to be wonderful, James. -It's going to be lovely. | 0:26:46 | 0:26:49 | |
You know, and look at this early morning mist, look at it. | 0:26:49 | 0:26:52 | |
Oh, sugar! JAMES LAUGHS | 0:26:52 | 0:26:55 | |
I just... Sorry about that. | 0:26:55 | 0:26:57 | |
I've just taken off the, erm... Sorry, James! | 0:26:57 | 0:26:59 | |
The French have a great eye for quality, I've noticed, with this car. | 0:26:59 | 0:27:02 | |
I'm so embarrassed about that, sorry. | 0:27:02 | 0:27:04 | |
What a vandal! Anyway, round two starts now, | 0:27:04 | 0:27:07 | |
taking us south to the historic | 0:27:07 | 0:27:09 | |
market town of Penzance. | 0:27:09 | 0:27:10 | |
Being at England's southwesterly tip, | 0:27:15 | 0:27:18 | |
Penzance is one of the first towns you come across | 0:27:18 | 0:27:21 | |
when sailing from Europe and beyond, | 0:27:21 | 0:27:23 | |
which historically has meant many a pirate, | 0:27:23 | 0:27:26 | |
major ransacking and the odd invasion. | 0:27:26 | 0:27:29 | |
As for its latest invaders, that would be our experts, | 0:27:29 | 0:27:33 | |
who are still waiting for Richard and Fiona to arrive. | 0:27:33 | 0:27:37 | |
To be honest with you, I enjoy sweets on my ice cream. | 0:27:37 | 0:27:39 | |
I'm not mad about the hundreds and thousands. | 0:27:39 | 0:27:42 | |
If they got here sooner, Richard and Fiona, | 0:27:42 | 0:27:44 | |
-they could have enjoyed them with us. -They could have tucked in. | 0:27:44 | 0:27:47 | |
It just shows you our old car - OK, it's old, hasn't got the look, | 0:27:47 | 0:27:49 | |
but it's speedier, efficient, | 0:27:49 | 0:27:51 | |
-we've learned the gears, you know? -Look at these two! | 0:27:51 | 0:27:54 | |
-While we've been driving! -Hi! -Hello. -Good morning. | 0:27:54 | 0:27:56 | |
This looks suspiciously like fraternisation going on here. | 0:27:56 | 0:28:00 | |
I thought you were meant to be deadly enemies! | 0:28:00 | 0:28:02 | |
-No, we're good mates. Good mates. -No, no. | 0:28:02 | 0:28:04 | |
Come on, we've got lots of things to do. | 0:28:04 | 0:28:05 | |
Fiona, we're going this way. | 0:28:05 | 0:28:07 | |
-We've got that big purchase to make. -Exactly! | 0:28:07 | 0:28:09 | |
-See you later, Fiona, good luck. -I would say good luck, but I don't really mean it! | 0:28:09 | 0:28:13 | |
-Hope you fail miserably! -Charming(!) | 0:28:13 | 0:28:15 | |
But do you know where second and third gear is now? | 0:28:15 | 0:28:18 | |
I've had a lesson on the way here with James. | 0:28:18 | 0:28:20 | |
-Reverse? -Reverse, no, not yet. | 0:28:20 | 0:28:22 | |
-Ah. -Reverse is still a problem. | 0:28:22 | 0:28:24 | |
I hope I'm not reversed, well, up against a harbour wall, | 0:28:24 | 0:28:28 | |
but we'll be fine, we'll be fine. We're going to drive... | 0:28:28 | 0:28:30 | |
How exactly are we going to get out of here without reversing? | 0:28:30 | 0:28:33 | |
Well, watch, OK? Seeing is believing. | 0:28:33 | 0:28:35 | |
-The car... -We've just walked past it, haven't we? | 0:28:36 | 0:28:38 | |
-Have we? -Charles, you're awful! This is it, isn't it? | 0:28:38 | 0:28:42 | |
-Is this it? -Oh, yes! -Is this it? Is that it? | 0:28:42 | 0:28:45 | |
Is that our car? | 0:28:45 | 0:28:46 | |
Yes! It's your car. | 0:28:46 | 0:28:47 | |
This is our car. | 0:28:47 | 0:28:49 | |
-Yes, I forgot. Sorry, it's our car! Sorry! -Oh, Charles! | 0:28:49 | 0:28:52 | |
Not the most encouraging of starts. | 0:28:53 | 0:28:56 | |
Meanwhile, the competition is already en route to... | 0:28:56 | 0:28:59 | |
..the town of St Just, | 0:29:01 | 0:29:03 | |
which sits between the rambling moors | 0:29:03 | 0:29:05 | |
and picturesque north coast. | 0:29:05 | 0:29:07 | |
Way back when, this was one of the major hubs | 0:29:07 | 0:29:10 | |
of the Cornish tin industry, | 0:29:10 | 0:29:12 | |
telling a story which easily spans 4,000 years. | 0:29:12 | 0:29:15 | |
Good afternoon. | 0:29:15 | 0:29:16 | |
Mind you, we're just here for the shopping, | 0:29:16 | 0:29:19 | |
and hopefully, Vicky has something that will appeal. | 0:29:19 | 0:29:22 | |
That's quite quirky, the servants bell, | 0:29:22 | 0:29:24 | |
and I could do you a good deal on that. | 0:29:24 | 0:29:26 | |
-Servants bell. People love those, don't they? -Yeah. | 0:29:26 | 0:29:29 | |
Would these have worked on electricity, or cable pull? | 0:29:29 | 0:29:32 | |
-Yeah, probably, or cable. -Which? | 0:29:32 | 0:29:34 | |
-I don't know! Cut that bit out! Cut that bit out! -Leave it in! | 0:29:34 | 0:29:38 | |
That's my kind of answer, "probably!" | 0:29:38 | 0:29:40 | |
-It was a cable pull. A cable pull. -Cable pull, I thought so. | 0:29:40 | 0:29:43 | |
Well, my guess would be electric, actually. | 0:29:43 | 0:29:46 | |
Vicky, did this come from a local house? | 0:29:46 | 0:29:48 | |
It did, it came from a local country house, just outside of St Just. | 0:29:48 | 0:29:51 | |
-Large and rambling? -Yes. | 0:29:51 | 0:29:53 | |
It can't be that large! | 0:29:53 | 0:29:55 | |
Vicky, I think you're... I'm not sure about these answers! | 0:29:55 | 0:29:58 | |
Well, large enough to have servants, that's for sure! | 0:29:58 | 0:30:00 | |
-Front drawing room. -Sitting room, dining, bedroom. | 0:30:00 | 0:30:03 | |
So this is in the era when quite modest families had servants. | 0:30:03 | 0:30:07 | |
And did you know, the first servants bell system was introduced | 0:30:07 | 0:30:12 | |
early in the 18th century? | 0:30:12 | 0:30:13 | |
Before then, servants would either be stationed in the room | 0:30:13 | 0:30:17 | |
or just outside the door, listening in. | 0:30:17 | 0:30:20 | |
Well, she wants quite a lot for it. | 0:30:20 | 0:30:22 | |
No, it's... rather ambitious, that. | 0:30:22 | 0:30:26 | |
Make me an offer I can't refuse. | 0:30:26 | 0:30:28 | |
You say that to all the boys, don't you? | 0:30:28 | 0:30:30 | |
THEY LAUGH | 0:30:30 | 0:30:32 | |
Look at the hand, Richard! | 0:30:32 | 0:30:33 | |
Look at the hand! | 0:30:33 | 0:30:35 | |
OK. We like this, but we do think | 0:30:35 | 0:30:37 | |
it's...woah, overpriced. | 0:30:37 | 0:30:39 | |
Obviously, yeah. | 0:30:39 | 0:30:40 | |
I mean, WOAH, overpriced! | 0:30:40 | 0:30:42 | |
So don't be insulted, but would you take, in cash, | 0:30:42 | 0:30:45 | |
would you take 30 for it? | 0:30:45 | 0:30:47 | |
I can do 40, that's my least. | 0:30:47 | 0:30:49 | |
I'll look to the headmaster for the response. 35? | 0:30:49 | 0:30:52 | |
Well, I know what these auctioneers are like. | 0:30:52 | 0:30:55 | |
They're going to put £30-50 as an estimate on it. | 0:30:55 | 0:30:58 | |
The nearer we can get it down... 35? | 0:30:58 | 0:31:01 | |
Yes... | 0:31:01 | 0:31:02 | |
Thank you! | 0:31:02 | 0:31:04 | |
That's three purchases for the boys, well done. | 0:31:04 | 0:31:06 | |
And back in Penzance, Charles Hanson is in love... | 0:31:06 | 0:31:10 | |
with a sideboard. | 0:31:10 | 0:31:11 | |
Amongst other things. | 0:31:12 | 0:31:14 | |
PING! | 0:31:14 | 0:31:15 | |
I think. | 0:31:15 | 0:31:16 | |
You've got the sort of matte ground, | 0:31:16 | 0:31:19 | |
you've got the aesthetic... almost glass centre panel. | 0:31:19 | 0:31:22 | |
Look at those little tendrils, look at the copper panels, | 0:31:22 | 0:31:25 | |
that would date this at the dawn, | 0:31:25 | 0:31:26 | |
to the birth of that great last century, the 20th century. | 0:31:26 | 0:31:29 | |
All of the bits are there, so the little pediment at the top, | 0:31:29 | 0:31:32 | |
which is dowelled in above the cabinet, is detachable, | 0:31:32 | 0:31:36 | |
-but so often, pieces like that get lost. -Yes. | 0:31:36 | 0:31:39 | |
Well, Jeff makes quite a sales pitch. | 0:31:39 | 0:31:42 | |
Got to make sure we don't lose things like that, they can fall off. | 0:31:42 | 0:31:44 | |
Yeah, I mean, they're easily lost, aren't they? | 0:31:44 | 0:31:47 | |
-Absolutely. -As you say, they're all in tact. | 0:31:47 | 0:31:49 | |
The Arts and Crafts movement, which kicked off in the 1860s, | 0:31:49 | 0:31:53 | |
was a cry for social and economic reform, | 0:31:53 | 0:31:57 | |
a rebellion against mass production. | 0:31:57 | 0:32:00 | |
But more importantly, it inspired a celebration of handmade furniture. | 0:32:00 | 0:32:05 | |
It's also really important, Fiona... | 0:32:05 | 0:32:07 | |
I've never seen Charles being manly before! | 0:32:07 | 0:32:09 | |
I'm from Derbyshire. | 0:32:09 | 0:32:11 | |
You know what they say, strong in the arm... You know? | 0:32:11 | 0:32:13 | |
Charles, that's very impressive! | 0:32:13 | 0:32:15 | |
Thank you. And that's a good dresser. | 0:32:15 | 0:32:18 | |
Matter of opinion. | 0:32:18 | 0:32:19 | |
Let's talk cold, hard cash. | 0:32:19 | 0:32:22 | |
Now, sir, we... Tell me the price. I expect it's | 0:32:22 | 0:32:26 | |
well out of our league, really. | 0:32:26 | 0:32:27 | |
As I say, it's just come in. | 0:32:27 | 0:32:29 | |
How does £200 sound? | 0:32:29 | 0:32:31 | |
I can't possibly comment. | 0:32:31 | 0:32:33 | |
You know, we are shopping together, and, you know... | 0:32:33 | 0:32:36 | |
I think that's a good sign, if you can't comment. | 0:32:36 | 0:32:38 | |
No, well, I don't know, do you like it? | 0:32:38 | 0:32:41 | |
You've gone all fidgety. | 0:32:41 | 0:32:42 | |
Oh, I've gone all fidgety! | 0:32:42 | 0:32:44 | |
Your energy's zapping back through your body. | 0:32:44 | 0:32:46 | |
Oh, I know, because... | 0:32:46 | 0:32:47 | |
I think we should buy it and then go and have some fish and chips! | 0:32:47 | 0:32:50 | |
-Goodness me! -You did say you wanted to buy big, | 0:32:50 | 0:32:53 | |
and that you wanted to see something, and I think you've seen it, cos I can tell. | 0:32:53 | 0:32:57 | |
-And the best price, sir? -It is 200. | 0:32:57 | 0:32:59 | |
So, your decision is...? | 0:32:59 | 0:33:02 | |
-Do you want to shake his hand? -Yes, I really do. | 0:33:02 | 0:33:04 | |
I will guide you... | 0:33:04 | 0:33:05 | |
You see, if it was up to me, I would give you 200. | 0:33:05 | 0:33:07 | |
-Thank you. -Yes, we've done it! | 0:33:07 | 0:33:09 | |
That's one big ticket item. | 0:33:09 | 0:33:12 | |
Mission accomplished. | 0:33:12 | 0:33:14 | |
Now all Charles and Fiona have to worry about... | 0:33:15 | 0:33:18 | |
-Hang on... -That's it. -Is it? | 0:33:18 | 0:33:20 | |
I heard it click. I think that's it. | 0:33:20 | 0:33:21 | |
-..is finding reverse. -Let's try it now. | 0:33:21 | 0:33:24 | |
ENGINE WHIRRS | 0:33:27 | 0:33:29 | |
Oh, no! | 0:33:29 | 0:33:30 | |
GEARS GRIND | 0:33:31 | 0:33:32 | |
Oh! Oh! | 0:33:32 | 0:33:37 | |
Ah! | 0:33:37 | 0:33:40 | |
Sorry! Sorry! | 0:33:40 | 0:33:42 | |
Plan B, as always, is to push. | 0:33:42 | 0:33:45 | |
Where's the handbrake? | 0:33:46 | 0:33:48 | |
If you just put your foot on clutch... | 0:33:48 | 0:33:50 | |
Yeah. | 0:33:50 | 0:33:51 | |
Demobilise break. | 0:33:51 | 0:33:52 | |
Yeah. | 0:33:52 | 0:33:53 | |
Look at me. I'll look at the road, OK? | 0:33:53 | 0:33:55 | |
I know you can do it. | 0:33:55 | 0:33:57 | |
You're a man, Charles, you're a man! | 0:33:57 | 0:33:59 | |
Even now, they're still flirting. | 0:33:59 | 0:34:02 | |
Oh, my goodness! | 0:34:02 | 0:34:04 | |
He's going to rupture himself. | 0:34:04 | 0:34:06 | |
-I think you're in gear. -No, I'm not. | 0:34:06 | 0:34:08 | |
I think you are. Now, this could take a while. | 0:34:08 | 0:34:10 | |
As for James and Richard, they're popping down the road to | 0:34:10 | 0:34:13 | |
St Buryan, taking their remaining £270 to The Boathouse... | 0:34:13 | 0:34:18 | |
Do people buy portholes? | 0:34:18 | 0:34:20 | |
..which, in turn, has inspired... | 0:34:20 | 0:34:21 | |
BELL RINGS | 0:34:21 | 0:34:24 | |
..you've guessed it, a nautical theme. | 0:34:24 | 0:34:26 | |
-It's a beauty, isn't it? -Yeah, it's got some quality there. | 0:34:26 | 0:34:29 | |
That's a masthead lamp. | 0:34:29 | 0:34:30 | |
Masthead, right. | 0:34:30 | 0:34:31 | |
So it would have gone at the top of the mast. | 0:34:31 | 0:34:34 | |
-I like it. -That's nice, isn't it? -It is very nice. | 0:34:34 | 0:34:36 | |
You know, it's always going to have a following down here, isn't it? | 0:34:36 | 0:34:40 | |
Made in Edinburgh, some time between the Wars, according to Martin, | 0:34:40 | 0:34:44 | |
the lamp still works. | 0:34:44 | 0:34:46 | |
-Just regular lamp oil? Nothing special? -Yes, yes. | 0:34:46 | 0:34:49 | |
And he's happy to demonstrate. | 0:34:49 | 0:34:51 | |
The thing is, though, it's not just an object, | 0:34:51 | 0:34:53 | |
it's a working object, a thing of beauty, that still does what | 0:34:53 | 0:34:56 | |
it was designed to do not far off 100 years ago, and it looks new. | 0:34:56 | 0:35:00 | |
That is a beautiful piece. | 0:35:00 | 0:35:01 | |
-That's great, isn't it? -I want it. | 0:35:01 | 0:35:03 | |
In that case, time to strike a deal. | 0:35:03 | 0:35:06 | |
Now, nutty price, Martin, can you really make our day? | 0:35:06 | 0:35:10 | |
Because we are taking this to auction in Bude. | 0:35:10 | 0:35:15 | |
We are going the wrong way round. | 0:35:15 | 0:35:16 | |
You are. I don't envy you your task. | 0:35:16 | 0:35:19 | |
I know, it's always a tricky one, isn't it? | 0:35:19 | 0:35:20 | |
So how can you help us with it? | 0:35:20 | 0:35:22 | |
Could you do anything really dramatic on it? | 0:35:22 | 0:35:24 | |
It's on 265 at the moment, isn't it? | 0:35:24 | 0:35:26 | |
Yeah, yeah. Like... | 0:35:26 | 0:35:28 | |
I can do... | 0:35:28 | 0:35:31 | |
You couldn't take 100 off, could you? | 0:35:31 | 0:35:33 | |
I couldn't do it. 200, I could do. | 0:35:33 | 0:35:35 | |
-200. -200, I could do. Yeah. | 0:35:35 | 0:35:37 | |
Sounds like a very fair offer, actually. | 0:35:37 | 0:35:40 | |
-Do you want to do it? -Done. | 0:35:40 | 0:35:42 | |
Done? Done. | 0:35:42 | 0:35:45 | |
Our Richard is a man of action. | 0:35:45 | 0:35:47 | |
That still leaves James and Richard with £70, | 0:35:47 | 0:35:51 | |
but I wonder how Charles and Fiona are doing? | 0:35:51 | 0:35:53 | |
Make a name for yourself - three, two, one, let's go. | 0:35:53 | 0:35:56 | |
Oh, yes! | 0:35:56 | 0:35:57 | |
-Oh-ho! -Thank goodness the natives are so friendly! | 0:35:57 | 0:36:00 | |
Thank you. We don't know how to open the window! | 0:36:00 | 0:36:03 | |
Tatty-bye! Next stop - probably about half a mile down the road. | 0:36:03 | 0:36:09 | |
Or, if all goes to plan, | 0:36:09 | 0:36:11 | |
the small village of Porthcurno | 0:36:11 | 0:36:13 | |
which, I'm reliably informed, | 0:36:13 | 0:36:16 | |
is Cornish for 'the port of Cornwall'. | 0:36:16 | 0:36:17 | |
It was in this glorious spot that am-dram enthusiast Rowena Cade | 0:36:17 | 0:36:23 | |
built her home, then, in 1932, | 0:36:23 | 0:36:26 | |
created the most famous | 0:36:26 | 0:36:27 | |
open-air theatre in Britain, just next door, | 0:36:27 | 0:36:31 | |
on the side of this cliff, | 0:36:31 | 0:36:33 | |
so she could stage The Tempest. And incredibly, | 0:36:33 | 0:36:36 | |
she did much of the work herself. | 0:36:36 | 0:36:39 | |
That opens your mind up, doesn't it? | 0:36:39 | 0:36:41 | |
-Yeah. -It's gorgeous. | 0:36:41 | 0:36:42 | |
Absolutely. | 0:36:42 | 0:36:43 | |
Stunning. | 0:36:43 | 0:36:45 | |
-What a marvel. -Beautiful colours. | 0:36:45 | 0:36:46 | |
Here's our man, I think. | 0:36:46 | 0:36:48 | |
-Gorgeous. -Hello! -Hello, Philip. Fiona. | 0:36:48 | 0:36:50 | |
-Fiona, nice to meet you. -Hi, Philip, lovely to see you. -Charles Hanson. | 0:36:50 | 0:36:54 | |
I'm Phil Jackson, theatre manager here. | 0:36:54 | 0:36:55 | |
-You lucky man. -I am lucky, I've got this view every day from my office. | 0:36:55 | 0:36:58 | |
-Pretty good, isn't it? -Beautiful. | 0:36:58 | 0:37:00 | |
Indeed! This was the view that inspired | 0:37:00 | 0:37:03 | |
Rowena's dramatic ambitions, | 0:37:03 | 0:37:05 | |
and today, Charles and Fiona are getting the tour. | 0:37:05 | 0:37:08 | |
Oh, my goodness. Wow! | 0:37:08 | 0:37:11 | |
-Don't fancy working here in winter, as she did. -It's wonderful. | 0:37:11 | 0:37:14 | |
Imagine doing that! How long did it take to do it? | 0:37:14 | 0:37:16 | |
Well, she spent 40 years of her life working on it, | 0:37:16 | 0:37:18 | |
but actually, the original stage, I mean, | 0:37:18 | 0:37:21 | |
it's exactly the same size and shape as it is now, | 0:37:21 | 0:37:23 | |
and the terraces are the original terraces from the '30s, but she created the terraces | 0:37:23 | 0:37:27 | |
and the stage in one winter. | 0:37:27 | 0:37:29 | |
At that time, it didn't have any of the border on it, | 0:37:29 | 0:37:32 | |
none of the concrete was down there, so it was just a grass terrace, | 0:37:32 | 0:37:35 | |
nothing to stop you falling over the back. | 0:37:35 | 0:37:37 | |
It was a straight, sheer drop for the actors | 0:37:37 | 0:37:39 | |
if they stepped backwards. | 0:37:39 | 0:37:40 | |
Ooh, lovely. Real drama! | 0:37:40 | 0:37:42 | |
It was a real drama. | 0:37:42 | 0:37:43 | |
From its first performance, which was lit by car headlights, | 0:37:44 | 0:37:47 | |
the Minack Theatre proved to be a great success. | 0:37:47 | 0:37:51 | |
It was even mentioned favourably in The Times, so every year, | 0:37:51 | 0:37:55 | |
Rowena would stage a new production and chisel its name into the stone. | 0:37:55 | 0:38:00 | |
You can see the names of the plays, and all the designs, | 0:38:00 | 0:38:02 | |
-there's hardly a flat bit of concrete anywhere. -BOTH: No. | 0:38:02 | 0:38:05 | |
If you look over your shoulder, you'll see the dates, everything she's built, | 0:38:05 | 0:38:08 | |
she's put a bit of design in it. | 0:38:08 | 0:38:10 | |
She was very creative, and she used whatever was around. | 0:38:10 | 0:38:12 | |
-Yeah. -Including this. | 0:38:12 | 0:38:14 | |
Oh, what is that? | 0:38:14 | 0:38:15 | |
The magic screwdriver. You wouldn't open much with that. | 0:38:15 | 0:38:18 | |
That's the tool she used to engrave all these names. | 0:38:18 | 0:38:20 | |
-Did she, really? -It's a pretty ordinary screwdriver. | 0:38:20 | 0:38:23 | |
-With a very steady hand! -Yes, it's got a lot of history on it. | 0:38:23 | 0:38:25 | |
And there's lovely stories, because when she was making the concrete, | 0:38:25 | 0:38:28 | |
it had to be engraved at just the right texture, so whether it be | 0:38:28 | 0:38:31 | |
too hard or too soft, so the fishermen that fished on the cliffs | 0:38:31 | 0:38:34 | |
used to see a torch wandering around in the early hours of the morning, | 0:38:34 | 0:38:37 | |
and it would be Rowena up here with a torch finishing off the engraving. | 0:38:37 | 0:38:40 | |
In fact, Rowena's involvement | 0:38:40 | 0:38:42 | |
with the theatre carried on | 0:38:42 | 0:38:44 | |
until she was in her eighties, at which point, | 0:38:44 | 0:38:47 | |
she gifted the Minack to the people of Cornwall, then carried on | 0:38:47 | 0:38:51 | |
as a trustee until she passed away at the ripe old age of 89. | 0:38:51 | 0:38:56 | |
How marvellous. | 0:38:56 | 0:38:57 | |
We're on the stage now where the first play, The Tempest, | 0:38:57 | 0:39:00 | |
-was produced. -Yeah. | 0:39:00 | 0:39:01 | |
And this is the programme of The Tempest. | 0:39:01 | 0:39:03 | |
-From 1932? -From 1932. | 0:39:03 | 0:39:05 | |
-Wow. -With original cast. | 0:39:05 | 0:39:08 | |
-Oh, lovely. -Including my great-aunt. | 0:39:08 | 0:39:10 | |
Oh, right, Marianne Jackson, OK. | 0:39:10 | 0:39:13 | |
A lot of local people involved in this one, | 0:39:13 | 0:39:15 | |
because the first play was, she was using the community, basically. | 0:39:15 | 0:39:19 | |
Isn't that wonderful? | 0:39:19 | 0:39:21 | |
You keep talking about your auction voice and how it carries, and I just | 0:39:21 | 0:39:25 | |
want to see how his auction voice will carry on your stage, Philip. | 0:39:25 | 0:39:28 | |
-I think we should try that. I think we should find out, really. -Oh, don't! | 0:39:28 | 0:39:31 | |
You know you want to, you little tease! | 0:39:31 | 0:39:33 | |
Where would I stand, Philip? | 0:39:33 | 0:39:34 | |
Ladies and gentlemen, Charles Hanson is... | 0:39:34 | 0:39:38 | |
I'm going to impress you, OK? | 0:39:38 | 0:39:39 | |
-..The Tempest. -Are you, finally? | 0:39:39 | 0:39:40 | |
Just imagine, if I took you back to the year 1932, | 0:39:40 | 0:39:45 | |
you're an Art Deco lady. | 0:39:45 | 0:39:48 | |
-Sophisticated. -You were in your jazzy evening attire, OK? | 0:39:48 | 0:39:51 | |
I might read you this... | 0:39:51 | 0:39:53 | |
"Now my charms are all overthrown, | 0:39:53 | 0:39:57 | |
"and what strength I have's mine own, | 0:39:57 | 0:40:01 | |
"which is most faint, | 0:40:01 | 0:40:03 | |
"now 'tis true, I must be here, Fiona, confined by you." | 0:40:03 | 0:40:08 | |
SHE GASPS | 0:40:08 | 0:40:09 | |
Do you know what? Don't call us, we'll call you! | 0:40:09 | 0:40:13 | |
Since the first performance of The Tempest, | 0:40:13 | 0:40:16 | |
this stage has seen everything, from Gilbert and Sullivan | 0:40:16 | 0:40:19 | |
to popular music, but more importantly, Rowena Cade's dream | 0:40:19 | 0:40:23 | |
of bringing live entertainment to Cornwall lives on...via Charles. | 0:40:23 | 0:40:28 | |
As for James and Richard, | 0:40:30 | 0:40:32 | |
they're now purchasing a set of 1920s brass portholes. | 0:40:32 | 0:40:36 | |
As you do! | 0:40:36 | 0:40:38 | |
Could you do 50 on the pair? | 0:40:38 | 0:40:40 | |
Yes. I think so. | 0:40:40 | 0:40:41 | |
Which leaves them just £20 still in the kitty. | 0:40:41 | 0:40:45 | |
Well, hold on, we've still got £25. | 0:40:45 | 0:40:47 | |
No, 20. | 0:40:47 | 0:40:49 | |
Keep looking, keep looking, sir. | 0:40:49 | 0:40:51 | |
-I like the man's spirit. -So do I! | 0:40:51 | 0:40:54 | |
Well, this is our last shop, you know, I mean... | 0:40:54 | 0:40:56 | |
I know, let's shop till we drop. | 0:40:56 | 0:40:59 | |
They may not be able to count, | 0:40:59 | 0:41:00 | |
but I love their enthusiasm! | 0:41:00 | 0:41:01 | |
I've just found an anachronism. | 0:41:01 | 0:41:03 | |
-Yep. -OK. | 0:41:03 | 0:41:04 | |
Now, drinking and driving... | 0:41:04 | 0:41:06 | |
-Yep? -Not on. -Not on. | 0:41:06 | 0:41:07 | |
Now, who would you expect to be in the forefront of the message | 0:41:07 | 0:41:10 | |
not to drink and drive, other than the police and the law? | 0:41:10 | 0:41:13 | |
-I mean, the RAC? -Yep. | 0:41:13 | 0:41:14 | |
The AA? | 0:41:14 | 0:41:15 | |
The AA, support services. | 0:41:15 | 0:41:17 | |
Yeah, yeah, yeah, AA. | 0:41:17 | 0:41:18 | |
-This is a little drinks flask, issued by the AA. -AA. | 0:41:18 | 0:41:23 | |
Good Lord! | 0:41:23 | 0:41:24 | |
While the flask is circa 1950, the AA itself was formed in 1905, | 0:41:24 | 0:41:29 | |
their main aim - to help people avoid speed traps. Ha! | 0:41:29 | 0:41:33 | |
Would you let us have it for 25? It's on for 35. | 0:41:33 | 0:41:36 | |
-Go on, then. Just for you. -You happy with that? | 0:41:36 | 0:41:38 | |
Yeah, it's...very quirky, isn't it? | 0:41:39 | 0:41:41 | |
-Totally my call. It may go for a tenner... -Yeah. | 0:41:41 | 0:41:43 | |
..but I just think it's calling out to be bought. | 0:41:43 | 0:41:46 | |
-An AA hipflask. -Yeah, yeah. | 0:41:46 | 0:41:49 | |
-It's funny. -OK... | 0:41:49 | 0:41:50 | |
Excuse me, excuse me, what else does AA stand for? | 0:41:50 | 0:41:54 | |
Alcoholics... | 0:41:54 | 0:41:55 | |
Alcoholics Anonymous. I want this hipflask! | 0:41:55 | 0:41:57 | |
LAUGHTER | 0:41:57 | 0:41:59 | |
-Sold. -Sold. | 0:41:59 | 0:42:00 | |
And with that, James and Richard have officially gone over budget, | 0:42:00 | 0:42:03 | |
spending £5 of their own money. | 0:42:03 | 0:42:06 | |
Naughty boys! | 0:42:06 | 0:42:07 | |
Very kind. Thank you. | 0:42:07 | 0:42:09 | |
But we'll get to that soon enough. | 0:42:09 | 0:42:11 | |
Right now, it's time for a little show and tell. | 0:42:11 | 0:42:14 | |
-Good luck. -Good luck. -Good luck. | 0:42:16 | 0:42:17 | |
-Shall I do the honours? -I think you should start. | 0:42:17 | 0:42:19 | |
OK, three, two, one... | 0:42:19 | 0:42:20 | |
Here we go. | 0:42:20 | 0:42:22 | |
Oh! Oh, OK! | 0:42:22 | 0:42:24 | |
This is Richard's top item. | 0:42:24 | 0:42:26 | |
I like it, Richard, I like it. | 0:42:26 | 0:42:28 | |
It's clean, it's tidy, it's in good order. | 0:42:28 | 0:42:30 | |
There's a few indentations, it's been knocked around, | 0:42:30 | 0:42:32 | |
but it's a good thing for the area, to sell, isn't it? | 0:42:32 | 0:42:35 | |
And it works. You should see it when it's lit, it's gorgeous. Fabulous. | 0:42:35 | 0:42:38 | |
It's a real work of art. | 0:42:38 | 0:42:39 | |
-It is lovely, actually. -It's a beautiful object. | 0:42:39 | 0:42:41 | |
-That's your biggest spend, isn't it? -It is. | 0:42:41 | 0:42:43 | |
Yeah, by a long way? | 0:42:43 | 0:42:44 | |
-By a long way. -What's it worth? | 0:42:44 | 0:42:46 | |
My instinct is, if you really haggled, you may have paid about 180. | 0:42:46 | 0:42:50 | |
-OK. Good thought? -Good thought, it's on the money. | 0:42:50 | 0:42:53 | |
-What did it cost you? -200. | 0:42:53 | 0:42:55 | |
Oh, it did cost 200? | 0:42:55 | 0:42:57 | |
Oh, really? Good thing, it's a good object. | 0:42:57 | 0:42:59 | |
Then, of course, the boys have everything from portholes to | 0:42:59 | 0:43:02 | |
-that Sampson Mordan pencil. -Oh, really? -Yep. | 0:43:02 | 0:43:05 | |
Oh, that's good. | 0:43:05 | 0:43:07 | |
That's good. That's very nice. | 0:43:07 | 0:43:09 | |
-Yeah. -Is it heavy? -Yeah. | 0:43:09 | 0:43:11 | |
It's nice to hold, it's got a nice feel to it. | 0:43:11 | 0:43:13 | |
That's nice, tactile feel. I like it. I like it too much, Richard, I like it too much. | 0:43:13 | 0:43:17 | |
I'll have it back, then! Thank you. | 0:43:17 | 0:43:18 | |
Yeah, that's going to make money, definitely. Yeah, like it. | 0:43:18 | 0:43:21 | |
And then... | 0:43:21 | 0:43:23 | |
Something for someone's kitchen. | 0:43:23 | 0:43:24 | |
Look at that - country house, elegance, | 0:43:24 | 0:43:26 | |
you know, you're harking back to the golden age of B&Bs. | 0:43:26 | 0:43:29 | |
Except it just shows how small houses could be to have a servant, | 0:43:29 | 0:43:31 | |
there's only four rooms in that house. | 0:43:31 | 0:43:33 | |
-Awesome. -They still had a servant. -Yeah. | 0:43:33 | 0:43:35 | |
And it's in good condition. I think you've done very well. | 0:43:35 | 0:43:38 | |
That's very kind of you. | 0:43:38 | 0:43:39 | |
We are all in, all out. | 0:43:39 | 0:43:41 | |
-I'm feeling upbeat. -Are you? -Yes, I am. | 0:43:41 | 0:43:42 | |
After surveying their wares, I'm happy. | 0:43:42 | 0:43:44 | |
-All right, come on. -Let's see yours. | 0:43:44 | 0:43:46 | |
Look at that, guys. Just look at that. | 0:43:46 | 0:43:49 | |
-Classic movie. -And we thought with this, we really can't go wrong. | 0:43:49 | 0:43:52 | |
-It was cheap. -Yeah. | 0:43:52 | 0:43:54 | |
-How cheap? Name your price. -£30? | 0:43:54 | 0:43:56 | |
50, 50, I'd say 50. | 0:43:57 | 0:43:59 | |
The lady had to buy it. | 0:43:59 | 0:44:01 | |
It's my fault, I had a sort of a gut thing, I just liked it. | 0:44:01 | 0:44:03 | |
-No, we like it. It was cheap, it was £95. -Ooh! -Between friends. -OK. | 0:44:03 | 0:44:06 | |
-It's... It's... -It's well presented, isn't it? -Yeah. -Quite clean. | 0:44:06 | 0:44:09 | |
In other words, they don't like it! So, how about this? | 0:44:09 | 0:44:13 | |
No, no, no, it's a cigar humidifier. | 0:44:13 | 0:44:15 | |
-JAMES: -Isn't that very good? | 0:44:15 | 0:44:17 | |
Absolutely. Sometimes, you buy things for quirky value and we feel this, | 0:44:17 | 0:44:21 | |
to a gentleman of the South who wants a really good | 0:44:21 | 0:44:23 | |
humidifier for his evening port and cigar, this is it, Richard. | 0:44:23 | 0:44:27 | |
That's a lovely gift for someone who loves cigars, like you, James. | 0:44:27 | 0:44:30 | |
I think it's lovely. | 0:44:30 | 0:44:32 | |
You know, you watch it race away, you know. | 0:44:32 | 0:44:34 | |
You know, you watch! | 0:44:34 | 0:44:35 | |
And let's not forget that Silver Jubilee toy set. | 0:44:35 | 0:44:38 | |
They're very smart, they're smart as paint, actually. | 0:44:38 | 0:44:40 | |
They're very sweet. | 0:44:40 | 0:44:42 | |
Is that good? I think it's collectable... | 0:44:42 | 0:44:44 | |
People obsessed with the Royal Family would want that. They'd want a piece of it. | 0:44:44 | 0:44:47 | |
You're impressed, aren't you? | 0:44:47 | 0:44:49 | |
Yeah, I think you've done very well. | 0:44:49 | 0:44:51 | |
But is that it? | 0:44:51 | 0:44:53 | |
Well, you bought the big one, we've bought the bigger one. | 0:44:53 | 0:44:55 | |
-An invisible bigger one? I can't see it. -The bigger one, Richard, | 0:44:55 | 0:44:58 | |
is going to send us into stardom with a huge profit. | 0:44:58 | 0:45:01 | |
-OK? -Says you. | 0:45:01 | 0:45:03 | |
Exactly. Right. One minute. Watch, mate, one minute. | 0:45:03 | 0:45:06 | |
You wait till you see this. Go on, Charles! | 0:45:06 | 0:45:09 | |
DRUM ROLL James and Richard, | 0:45:09 | 0:45:11 | |
prepare to be impressed, OK? Look at this! | 0:45:11 | 0:45:14 | |
-Watch the spindles. -Look at that! | 0:45:14 | 0:45:16 | |
Look at that! | 0:45:16 | 0:45:17 | |
-What is it? -It's a sideboard. -Look at this! | 0:45:17 | 0:45:21 | |
This is a dawn of the 20th century Arts and Crafts, Richard. | 0:45:21 | 0:45:26 | |
It's stylish, James. It wasn't £400 or £500, was it, Fiona? | 0:45:26 | 0:45:31 | |
No, it wasn't £400-500, | 0:45:31 | 0:45:33 | |
although that's what he said he would put it on sale for... | 0:45:33 | 0:45:36 | |
Yeah. | 0:45:36 | 0:45:37 | |
..and we got it for... | 0:45:37 | 0:45:39 | |
Got it for...? | 0:45:39 | 0:45:40 | |
..200. | 0:45:40 | 0:45:41 | |
-Well done! -Well done. -And if this doesn't make money | 0:45:41 | 0:45:44 | |
and take Fiona and I to the summit, nothing ever will. | 0:45:44 | 0:45:48 | |
-What do you think? It's a nice piece, isn't it? -It is a nice piece. | 0:45:48 | 0:45:51 | |
-It's a lot for £200. -Is it? Yeah. | 0:45:51 | 0:45:53 | |
We're ready, James, we're ready for the auction now. | 0:45:53 | 0:45:57 | |
Steady on! First, I want to know what our competitors really think. | 0:45:57 | 0:46:01 | |
-They've done very well. -They have. -It's an imaginative collection. | 0:46:01 | 0:46:05 | |
-It is. -Do you think that their big gun, | 0:46:05 | 0:46:07 | |
which is that piece of furniture, compared to our big gun, | 0:46:07 | 0:46:09 | |
-is a bigger gun? -It's a great piece of furniture and, | 0:46:09 | 0:46:12 | |
you know, even to a layman, £200 seems on the low side. | 0:46:12 | 0:46:16 | |
-That big copper... -I love that, actually. | 0:46:16 | 0:46:19 | |
I think that's quite good. | 0:46:19 | 0:46:20 | |
-Yeah. -But at 200, it's a big spend, so don't worry about it. | 0:46:20 | 0:46:23 | |
It's a huge spend. | 0:46:23 | 0:46:24 | |
We've bought well and if we've bought well, we ought to sell well. | 0:46:24 | 0:46:28 | |
Ours is a real winner. And I could see that possibly making | 0:46:28 | 0:46:33 | |
anywhere between 200-350. | 0:46:33 | 0:46:35 | |
Oh, well, we'll see at the sale. | 0:46:35 | 0:46:36 | |
-We will. The proof is in the eating, isn't it? -Mm-hm. | 0:46:36 | 0:46:39 | |
-Good luck, partner. -Yeah, you too. -Come on, we'll be fine! | 0:46:39 | 0:46:41 | |
-Thank you, thank you. -We'll go for it. To auction, we go. | 0:46:41 | 0:46:44 | |
Unhand her! | 0:46:44 | 0:46:46 | |
After first experiencing engine problems just outside Lostwithiel, | 0:46:46 | 0:46:51 | |
this celebrity road trip comes to an end | 0:46:51 | 0:46:53 | |
in the seaside town of Bude. | 0:46:53 | 0:46:55 | |
But forget the beach, it's here we've come to do battle | 0:46:55 | 0:47:00 | |
at the auction house of James F Kendling, | 0:47:00 | 0:47:03 | |
and at this very second, both teams are filled with confidence, | 0:47:03 | 0:47:06 | |
-and raring to go. -ENGINE REVS | 0:47:06 | 0:47:08 | |
That sounds like Charles. High revs, first gear. | 0:47:08 | 0:47:12 | |
Morning! | 0:47:12 | 0:47:15 | |
Both teams began this journey with £400 in the coffers, | 0:47:17 | 0:47:19 | |
and two days on, Charles and Fiona have spent all but £20 of it, | 0:47:19 | 0:47:24 | |
staking their reputations on four eclectic lots. | 0:47:24 | 0:47:28 | |
-We're smokin'! -Yes! | 0:47:28 | 0:47:31 | |
ENGINE REVS | 0:47:31 | 0:47:32 | |
Oh! | 0:47:32 | 0:47:34 | |
James and Richard, meanwhile, have spent every penny, | 0:47:34 | 0:47:37 | |
splashing out on six items, though before we proceed, | 0:47:37 | 0:47:40 | |
I'm afraid to say they have a confession to make. | 0:47:40 | 0:47:43 | |
-We... We... We've overspent. -You haven't? | 0:47:43 | 0:47:46 | |
It's in your power to disqualify us and declare yourselves the winners. | 0:47:46 | 0:47:50 | |
So you've overspent? I don't believe it! | 0:47:50 | 0:47:52 | |
-We overspent by £5. -You haven't?! | 0:47:52 | 0:47:54 | |
-We did the sums and... -£5 over. | 0:47:54 | 0:47:56 | |
-Well, we're a decent pair, really, aren't we? -Yeah, we are. | 0:47:56 | 0:47:58 | |
-So, you'll let it go? -We wouldn't like to fall out. | 0:47:58 | 0:48:00 | |
-No. -We're really rather fond of you. | 0:48:00 | 0:48:03 | |
-OK, thank you. -We're happy, we're happy. | 0:48:03 | 0:48:05 | |
I actually loved your stuff. | 0:48:05 | 0:48:07 | |
Well, isn't that nice? | 0:48:07 | 0:48:08 | |
But how does auctioneer James Kendling rate their chances? | 0:48:08 | 0:48:12 | |
Could £5 make all the difference? | 0:48:12 | 0:48:15 | |
It's open season, really, isn't it? | 0:48:15 | 0:48:18 | |
Richard and James' porcupine and ebony box - | 0:48:18 | 0:48:22 | |
that could go either way. Could make £10, could make 30. | 0:48:22 | 0:48:25 | |
Charles and Fiona, we're liking the cigar humidor. | 0:48:25 | 0:48:29 | |
If the question is - what do you buy the man who has everything, | 0:48:29 | 0:48:32 | |
then the answer is - an individual cigar humidor, isn't it? | 0:48:32 | 0:48:36 | |
Richard's lamp, I'm liking that, that's a nice thing, | 0:48:36 | 0:48:39 | |
so we're quite hopeful of that. | 0:48:39 | 0:48:41 | |
As for Charles and Fiona's big-ticket item, the dresser. | 0:48:41 | 0:48:45 | |
That's typical of something that, | 0:48:45 | 0:48:46 | |
if it does well, it will do really, really well, and if it doesn't, | 0:48:46 | 0:48:51 | |
it could be a bit disastrous. | 0:48:51 | 0:48:53 | |
So, I don't know. Charles and Fiona have made some plucky purchases. | 0:48:53 | 0:48:59 | |
Richard and James have made some shrewd purchases. | 0:48:59 | 0:49:03 | |
Could go either way. | 0:49:03 | 0:49:05 | |
Certainly. | 0:49:05 | 0:49:07 | |
Frankly, the suspense is killing me, so let the auction begin! | 0:49:07 | 0:49:11 | |
Deep breaths. | 0:49:11 | 0:49:12 | |
It's Richard's mahogany servants' bell, | 0:49:12 | 0:49:15 | |
which may or may not be from a rambling country house. | 0:49:15 | 0:49:19 | |
£10 upstairs, at 12, 14. 16, 18, 20, | 0:49:19 | 0:49:22 | |
two, four, 24, 24. 24. | 0:49:22 | 0:49:26 | |
26, anywhere? | 0:49:26 | 0:49:30 | |
It's quite crucial to a few people here! | 0:49:30 | 0:49:32 | |
30, here. 32, all done at £32. | 0:49:32 | 0:49:35 | |
THEY GROAN | 0:49:35 | 0:49:39 | |
All done at 32, then. | 0:49:39 | 0:49:42 | |
Not the best of starts. | 0:49:42 | 0:49:44 | |
That's a £3 loss, even before commission. | 0:49:44 | 0:49:47 | |
But moving along, Fiona's hoping her nostalgia for the Queen | 0:49:47 | 0:49:50 | |
will make her and Charles a wad of cash. | 0:49:50 | 0:49:54 | |
Somebody has made a studious purchase | 0:49:54 | 0:49:56 | |
of something that's not only timely, | 0:49:56 | 0:49:58 | |
but esteemed in quality, history, pomp and circumstance. | 0:49:58 | 0:50:04 | |
Well said, sir, well said! | 0:50:04 | 0:50:05 | |
So, let's start at £2, then. | 0:50:06 | 0:50:09 | |
Four, six, eight, 10, 12, 14, 20. | 0:50:09 | 0:50:14 | |
£20 here, £20 here. 22. 24... | 0:50:14 | 0:50:18 | |
That's more like it! | 0:50:18 | 0:50:21 | |
40, here. At 40, here. All done at £40, then. | 0:50:21 | 0:50:26 | |
In the room, front and centre... | 0:50:26 | 0:50:28 | |
-£15 up! -Fantastic! | 0:50:28 | 0:50:31 | |
Well done, Fiona. For now, at least, | 0:50:31 | 0:50:33 | |
you're firmly in first place. | 0:50:33 | 0:50:35 | |
But perhaps Richard's porcupine and ebony box could change everything. | 0:50:36 | 0:50:40 | |
It's our Achilles heel, that one. I think it is. | 0:50:40 | 0:50:43 | |
-I don't like it. -You don't like it? -No. | 0:50:43 | 0:50:47 | |
Well, let's hope these good people don't feel the same way. | 0:50:47 | 0:50:51 | |
I can start this at, er...£12. | 0:50:51 | 0:50:55 | |
Oh, yes, that's good. | 0:50:55 | 0:50:57 | |
16, anywhere? | 0:50:57 | 0:50:59 | |
16 in the door. | 0:50:59 | 0:51:01 | |
Well done. | 0:51:01 | 0:51:03 | |
18 upstairs, 20 anywhere? Against you in the door. | 0:51:03 | 0:51:06 | |
-Focus. -All done? At £18, then. | 0:51:06 | 0:51:09 | |
Oh, no! | 0:51:09 | 0:51:11 | |
Oh, dear! That's roughly another £30 down the old gurgler. | 0:51:11 | 0:51:16 | |
Then there's the commission. Oh, dear. So, don't worry. | 0:51:16 | 0:51:20 | |
I'm sensing an air of excitement, around James and Richard's next lot, | 0:51:20 | 0:51:24 | |
the Sampson Mordan racing pencil. | 0:51:24 | 0:51:26 | |
I can start this at £20. | 0:51:26 | 0:51:28 | |
22, 22 in the room. | 0:51:28 | 0:51:31 | |
24, behind you. 26, here. | 0:51:31 | 0:51:35 | |
28, here. 30, here. 30, here. At 30, here. All done at £30? | 0:51:35 | 0:51:41 | |
32, anywhere? | 0:51:41 | 0:51:43 | |
-£30 in the middle? All done at £30? Bargain of the century. -It is. | 0:51:43 | 0:51:48 | |
32! 32, just gone. | 0:51:48 | 0:51:50 | |
-34, here. -There's life in this lot yet. -38! 38, in the middle. | 0:51:50 | 0:51:57 | |
All done at 38, then? | 0:51:57 | 0:51:59 | |
Oh, no! | 0:51:59 | 0:52:02 | |
And so, just to recap, three items in, | 0:52:02 | 0:52:05 | |
James and Richard are losing money hand over fist. | 0:52:05 | 0:52:09 | |
Charles and Fiona, meanwhile, are filled with confidence, | 0:52:09 | 0:52:13 | |
and up next is their silver-plated cigar holder. | 0:52:13 | 0:52:18 | |
-It cost only £60. -60? You're going to make a loss. | 0:52:18 | 0:52:20 | |
-You're going to make a loss. -Oh, thanks! | 0:52:20 | 0:52:23 | |
And now, the moment of truth. | 0:52:23 | 0:52:26 | |
-£30 for it, then? -Come on, keep it going. | 0:52:26 | 0:52:28 | |
26, here. One could make a difference. 28. | 0:52:28 | 0:52:32 | |
28 online, come on! | 0:52:32 | 0:52:34 | |
Down to you. Do you want 30, sir? No, sure? | 0:52:34 | 0:52:38 | |
32 online, 34 anywhere? | 0:52:38 | 0:52:41 | |
I'm worn out. Absolutely worn out. | 0:52:41 | 0:52:44 | |
My goodness, I need a cup of tea and a lie down after that! | 0:52:44 | 0:52:48 | |
But, I'm afraid to say, it's still a loss. | 0:52:48 | 0:52:50 | |
I'm absolutely worn out. | 0:52:50 | 0:52:52 | |
-I'm hot, I'm sweaty... -£28 down! | 0:52:52 | 0:52:55 | |
Indeed, you are, Fiona. | 0:52:55 | 0:52:57 | |
But it could be worse. James and Richard are down £42. | 0:52:57 | 0:53:02 | |
Let's see if heir AA hip flask can revive them. | 0:53:02 | 0:53:05 | |
£10, at 12 here, 12. 12, 14, here. | 0:53:05 | 0:53:10 | |
Keep going. Keep going. | 0:53:10 | 0:53:14 | |
Well done, sir, well done! | 0:53:14 | 0:53:15 | |
22, anywhere? £20, upstairs. 22, anywhere? | 0:53:15 | 0:53:20 | |
All done, then? First and final time, all done at £20, then... | 0:53:20 | 0:53:24 | |
Hammer falls! | 0:53:24 | 0:53:27 | |
Let's be honest, here. It's not looking good, is it? | 0:53:27 | 0:53:30 | |
No, so can James and Richard's 1920s brass portholes | 0:53:30 | 0:53:35 | |
help save the day, or are these two all at sea? | 0:53:35 | 0:53:38 | |
£20... 22, here. 24, here. 26, with you. 28, here. | 0:53:38 | 0:53:44 | |
-30! Come on! Yes! -Never say never! | 0:53:44 | 0:53:49 | |
All done at £32, then... | 0:53:49 | 0:53:53 | |
THEY GROAN | 0:53:53 | 0:53:54 | |
Minus 18, Richard! | 0:53:54 | 0:53:57 | |
Yes, that's James and Richard's fourth loss in a row, | 0:53:57 | 0:54:01 | |
but this auction is far from over. | 0:54:01 | 0:54:03 | |
Next, the purchase that Charles and Fiona didn't quite agree on - | 0:54:03 | 0:54:07 | |
that framed Zulu movie poster. | 0:54:07 | 0:54:09 | |
20, then, £20 for it, then, £20, surely. | 0:54:09 | 0:54:12 | |
Come on! | 0:54:12 | 0:54:14 | |
I'm interrupted, 24, here. 26, 28. 28, 30. | 0:54:14 | 0:54:19 | |
This is going well. | 0:54:19 | 0:54:21 | |
Go on! 60, here. | 0:54:21 | 0:54:26 | |
But we're still not in the black. | 0:54:26 | 0:54:29 | |
64, 68 if you like. All done at 66, then. Fair warning, then. | 0:54:29 | 0:54:32 | |
That's your man! | 0:54:32 | 0:54:34 | |
Sold for £66. So, that's another loss. | 0:54:34 | 0:54:38 | |
I think it's fair to say | 0:54:38 | 0:54:40 | |
this auction has been a disaster. But at least our competitors | 0:54:40 | 0:54:44 | |
are keeping their chins up. | 0:54:44 | 0:54:46 | |
-This is not happening! -And each team still has one big ticket item left. | 0:54:46 | 0:54:50 | |
-It's not really about profit, it's about who loses less. -Yeah. | 0:54:50 | 0:54:55 | |
Yes, that's the spirit! | 0:54:55 | 0:54:57 | |
Up first is James and Richard's bold £200 purchase of the masthead lamp. | 0:54:57 | 0:55:02 | |
Now, this should do well. | 0:55:02 | 0:55:05 | |
Here we go. This could be the big one. | 0:55:05 | 0:55:07 | |
Start you in the room at £20. 25 over there. 25, 30. | 0:55:07 | 0:55:10 | |
Going up in fives. | 0:55:10 | 0:55:11 | |
35, 40, five, | 0:55:11 | 0:55:14 | |
-50... -At last! | 0:55:14 | 0:55:18 | |
£50. | 0:55:18 | 0:55:19 | |
Obviously, the bidders aren't in the room. | 0:55:19 | 0:55:24 | |
..55, 60. At 60. At £60. £60. At £60. | 0:55:24 | 0:55:28 | |
All done at £60, then? | 0:55:28 | 0:55:30 | |
-I'm not hearing this! -In the room at £60... 65? 65? | 0:55:30 | 0:55:35 | |
£70. £70. | 0:55:35 | 0:55:37 | |
-Hopefully, they knew what we paid for it! -£70. £70, I have. | 0:55:37 | 0:55:41 | |
Fair warning, then. At 70... | 0:55:41 | 0:55:44 | |
We're going down. THEY GROAN | 0:55:44 | 0:55:46 | |
It was a brave purchase, but it looks as if | 0:55:46 | 0:55:49 | |
James and Richard are officially sunk! | 0:55:49 | 0:55:52 | |
There's been a certain consistency about our lots, Richard. | 0:55:52 | 0:55:55 | |
Let's hope the bidders are a little kinder to Charles and Fiona. | 0:55:58 | 0:56:01 | |
And if anything can get them going, it'll be | 0:56:01 | 0:56:04 | |
this Arts and Crafts jobbie, which, like the lamp, cost £200. | 0:56:04 | 0:56:09 | |
20, then? | 0:56:09 | 0:56:12 | |
Take a tenner, for the sake of it! | 0:56:12 | 0:56:14 | |
This is close to rabbit hutch territory, here! | 0:56:14 | 0:56:17 | |
£10 for it, then? | 0:56:17 | 0:56:19 | |
At 12, here. At 12 here. 14, anywhere? | 0:56:19 | 0:56:22 | |
At 12, here. | 0:56:22 | 0:56:23 | |
-Get your coat! -Painful! -This is terrible. I can feel the pain! | 0:56:23 | 0:56:28 | |
-£15, then. -It cost 200! Oh! | 0:56:28 | 0:56:31 | |
Gosh, it's a tough crowd, and the dresser is struggling | 0:56:31 | 0:56:34 | |
to find a good home. In fact, any home at all. | 0:56:34 | 0:56:37 | |
-40, here... -£40, we've matched your investment. | 0:56:37 | 0:56:41 | |
42! | 0:56:41 | 0:56:43 | |
-I don't believe it, I don't believe it. 42. -Fair warning, then... | 0:56:43 | 0:56:46 | |
THEY GROAN | 0:56:46 | 0:56:49 | |
Someone has just got an incredible deal! | 0:56:49 | 0:56:54 | |
Sadly, for Charles and Fiona, | 0:56:54 | 0:56:56 | |
it means their big purchase didn't pay off. | 0:56:56 | 0:56:59 | |
-Oh, dear. -Our competitors have risked it all and lost it all. | 0:56:59 | 0:57:04 | |
So it comes down to who lost the least and, even then, | 0:57:04 | 0:57:08 | |
it's the closest race we've ever seen. | 0:57:08 | 0:57:10 | |
There's only 40p in it. | 0:57:10 | 0:57:12 | |
'It's very tight, James, it's very tight.' | 0:57:12 | 0:57:15 | |
To get the final figures, after auction costs, they're calling HQ. | 0:57:15 | 0:57:20 | |
'Richard and James have made a total loss of £232.80.' | 0:57:20 | 0:57:25 | |
£232.80. | 0:57:25 | 0:57:27 | |
You big losers! | 0:57:27 | 0:57:28 | |
'Fiona and Charles have made a loss of £232.40.' | 0:57:28 | 0:57:34 | |
THEY CHEER | 0:57:34 | 0:57:36 | |
Hee-hee! So, Charles and Fiona are the winners! | 0:57:36 | 0:57:40 | |
-Oh, James! -Well done! | 0:57:40 | 0:57:41 | |
By the way, if Richard and James hadn't gone £5 over budget... | 0:57:41 | 0:57:45 | |
..We would've won! | 0:57:45 | 0:57:48 | |
-Oh! -It's Shakespearian, isn't it? -It is. -It's a play of tragedy. | 0:57:48 | 0:57:53 | |
-Come on... -Unlucky. | 0:57:53 | 0:57:56 | |
Just to recap, after commission, | 0:57:56 | 0:57:58 | |
Fiona and Charles have made an overall loss of £232.40. | 0:57:58 | 0:58:03 | |
Meanwhile, Richard and James | 0:58:03 | 0:58:05 | |
have made a loss of £232.80. | 0:58:05 | 0:58:09 | |
In other words, this contest was won and lost over just 40p. | 0:58:09 | 0:58:13 | |
-Oh! We were robbed. Robbed! -We robbed ourselves. -We're going. | 0:58:13 | 0:58:19 | |
See you there. Bye! | 0:58:19 | 0:58:21 | |
So, thank you, everyone, especially today's winners, | 0:58:21 | 0:58:26 | |
Charles Hanson and Fiona Phillips. | 0:58:26 | 0:58:29 | |
Subtitles by Red Bee Media Ltd | 0:58:50 | 0:58:56 |