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-Some of the nation's favourite celebrities. -That's the pig for you. | 0:00:02 | 0:00:06 | |
-This is the pig for me. -One antiques expert each. -Celebrities. | 0:00:06 | 0:00:10 | |
You will sell this very cheap. | 0:00:10 | 0:00:11 | |
And one big challenge. | 0:00:11 | 0:00:14 | |
Who can seek out and buy the best antiques at the very best prices... | 0:00:14 | 0:00:19 | |
I'm prepared to hand over the money! | 0:00:19 | 0:00:22 | |
..and auction for a big profit? | 0:00:22 | 0:00:25 | |
This is Celebrity Antiques Road Trip. | 0:00:25 | 0:00:28 | |
Yeah! | 0:00:31 | 0:00:33 | |
Welcome to glorious Essex, a far cry from Peckham. | 0:00:35 | 0:00:38 | |
This couple know a thing or two about dodgy dealing - | 0:00:38 | 0:00:41 | |
it's Sue Holderness and John Challis. | 0:00:41 | 0:00:43 | |
That's right, Marlene and Boycie from Only Fools And Horses, innit? | 0:00:43 | 0:00:49 | |
-They don't make them like that any more. -They don't. My goodness. | 0:00:49 | 0:00:52 | |
For the classiest couple on TV, this eye catching and very elegant | 0:00:52 | 0:00:56 | |
1960s E-Type Jag. | 0:00:56 | 0:00:57 | |
They'll be right at home in there. | 0:00:57 | 0:01:00 | |
Go on, you can do it, you can do it. | 0:01:02 | 0:01:04 | |
You know you'll never get out again. | 0:01:04 | 0:01:07 | |
I'm exhausted already. | 0:01:07 | 0:01:08 | |
Time to hit the road. John and Sue have two days | 0:01:08 | 0:01:11 | |
and £400 apiece to make as much profit as possible. | 0:01:11 | 0:01:14 | |
No, that's backwards. | 0:01:16 | 0:01:17 | |
Steady on! | 0:01:17 | 0:01:18 | |
How about that, eh? Now where am I going? | 0:01:18 | 0:01:23 | |
John Challis has been a familiar face on our television screens | 0:01:23 | 0:01:27 | |
since the early '60s. | 0:01:27 | 0:01:29 | |
I've never relied on anybody, just myself. | 0:01:30 | 0:01:33 | |
I always got myself out of trouble. | 0:01:33 | 0:01:36 | |
Might come in handy today, John. | 0:01:36 | 0:01:37 | |
He's now best known as dodgy second-hand car dealer | 0:01:37 | 0:01:40 | |
Boycie from Only Fools And Horses. | 0:01:40 | 0:01:41 | |
Will his character's love of one-upmanship | 0:01:41 | 0:01:44 | |
put him on the winning team this trip? | 0:01:44 | 0:01:47 | |
ENGINE CHOKES | 0:01:47 | 0:01:48 | |
Gosh, I felt that. | 0:01:48 | 0:01:50 | |
John's Road Trip rival, Sue Holderness, | 0:01:50 | 0:01:53 | |
might be game for a challenge, | 0:01:53 | 0:01:55 | |
as she's played Boycie's flirtatious wife Marlene | 0:01:55 | 0:01:58 | |
for well over a decade in Fools And Horses | 0:01:58 | 0:02:01 | |
and their own spin-off series, Green, Green Grass. | 0:02:01 | 0:02:04 | |
She's equally at home in serious drama as she is in comedy, | 0:02:04 | 0:02:07 | |
but can she outsmart her TV husband | 0:02:07 | 0:02:10 | |
by making the most profit on this trip? | 0:02:10 | 0:02:12 | |
Have you been out buying antiques yet? | 0:02:12 | 0:02:14 | |
No, you're much more up on the buying of antiques. | 0:02:14 | 0:02:17 | |
I dabbled about a bit on the fringes of it once in my life | 0:02:17 | 0:02:22 | |
and it was quite interesting. | 0:02:22 | 0:02:23 | |
Of course, you did it properly, didn't you? | 0:02:23 | 0:02:26 | |
Obviously not properly enough, Sue, as he's now a successful actor, | 0:02:26 | 0:02:31 | |
but don't worry, we'll provide the antiques expertise. | 0:02:31 | 0:02:34 | |
Right on cue, here they are, | 0:02:34 | 0:02:37 | |
in a rather fitting 1968 Cortina Crayford convertible. | 0:02:37 | 0:02:41 | |
It's Philip Serrell and Charles Hanson, | 0:02:41 | 0:02:43 | |
our very own Del Boy and Rodney. | 0:02:43 | 0:02:45 | |
You've dressed up then, Charlie? | 0:02:45 | 0:02:48 | |
Well, Phil, we're meeting some very important people. I'm so excited. | 0:02:48 | 0:02:51 | |
-Are you? -Very. -I am and was and have been | 0:02:51 | 0:02:54 | |
a massive Fools And Horses fan. | 0:02:54 | 0:02:57 | |
We're meeting Marlene and Boycie. Fantastic, Phil. | 0:02:57 | 0:03:01 | |
No, Charles, you're meeting Sue and John. They're actors. | 0:03:01 | 0:03:05 | |
Come on, Charles. Keep up. | 0:03:05 | 0:03:07 | |
Charles is a fully fledged auctioneer, | 0:03:07 | 0:03:09 | |
with just over ten years in the business. | 0:03:09 | 0:03:11 | |
He has an infectious passion for collecting | 0:03:11 | 0:03:14 | |
and a wide-ranging expertise that belies his boyish enthusiasm. | 0:03:14 | 0:03:19 | |
Sometimes confused and often confusing, | 0:03:19 | 0:03:22 | |
his eye for the quirky is second to none. | 0:03:22 | 0:03:23 | |
Charles's opponent, on the other hand, is a match for Boycie any day. | 0:03:25 | 0:03:30 | |
With well over 20 years' experience of the antiques trade, | 0:03:30 | 0:03:32 | |
he doesn't mess about when going in for the kill. | 0:03:32 | 0:03:36 | |
He's mean, he's moody | 0:03:36 | 0:03:38 | |
and certainly not averse to the quirky negotiation style. | 0:03:38 | 0:03:42 | |
What was the name of the block of flats? | 0:03:42 | 0:03:46 | |
-What was it called? -Nelson Mandela House. -Oh, really? | 0:03:46 | 0:03:49 | |
Charlie, have you seen this programme? | 0:03:49 | 0:03:52 | |
It's one of my favourite films. | 0:03:52 | 0:03:55 | |
Films? Now I'm confused. | 0:03:55 | 0:03:56 | |
Our celebrities and experts will kick off their Road Trip | 0:03:56 | 0:04:00 | |
in Battlesbridge, meander north into the heart of Essex | 0:04:00 | 0:04:04 | |
before returning south to an auction showdown in Dartford, Kent. | 0:04:04 | 0:04:08 | |
Where better to begin a battle than in Battlesbridge? | 0:04:08 | 0:04:11 | |
The village sits on the banks of the tidal River Crouch | 0:04:14 | 0:04:18 | |
and is named after the Bataille family, | 0:04:18 | 0:04:20 | |
who maintained the all-important river crossing from early times. | 0:04:20 | 0:04:24 | |
It is now better known as a centre for antiques | 0:04:24 | 0:04:27 | |
and collectibles, so the perfect place for our teams to meet. | 0:04:27 | 0:04:30 | |
THEY LAUGH | 0:04:30 | 0:04:31 | |
Well, hello! | 0:04:31 | 0:04:33 | |
My name's Sue. I'm going to hope that you'll yank me up. | 0:04:33 | 0:04:37 | |
-Nicely done. -This is Charlie. | 0:04:37 | 0:04:40 | |
Hi, Charlie! | 0:04:40 | 0:04:42 | |
I'll be with you in a minute. This is going to take me some time. | 0:04:42 | 0:04:45 | |
His legs, I'm afraid, are just too long. | 0:04:47 | 0:04:49 | |
Hello! Shall I come round this way? | 0:04:49 | 0:04:52 | |
Good to see you, Boycie, Charles Hanson. | 0:04:52 | 0:04:55 | |
It's John, actually, Charles. | 0:04:55 | 0:04:57 | |
-You managed to get out, then? -Just about. | 0:04:57 | 0:05:01 | |
Sue and Charles will be up against John and Phil. | 0:05:01 | 0:05:05 | |
-Let the battle commence. -See you later. -All the best, bye. | 0:05:05 | 0:05:09 | |
So, Charlie... | 0:05:09 | 0:05:11 | |
With £400 to spend, Sue and Charles set off at a cracking pace. | 0:05:11 | 0:05:17 | |
We are running. We're in a hurry. | 0:05:17 | 0:05:19 | |
Come on, Marlene, I kid you not, time is of the essence. | 0:05:19 | 0:05:23 | |
Her name is Sue, Charles! | 0:05:23 | 0:05:25 | |
Aware of John's passion for gardening, | 0:05:28 | 0:05:30 | |
Phil leads John towards Cadix. | 0:05:30 | 0:05:32 | |
I think this might be beyond our budget. | 0:05:32 | 0:05:34 | |
-Do you like that? -I do, yes. -It's brand-new. | 0:05:34 | 0:05:40 | |
If you could buy that for somewhere between... | 0:05:40 | 0:05:43 | |
We've got to think clever here, because our stuff's going straight | 0:05:43 | 0:05:47 | |
into the auction, people aren't going to have the day before to view it. | 0:05:47 | 0:05:51 | |
It probably won't be on the internet, so we've just got to... | 0:05:51 | 0:05:54 | |
It's what's someone going to want there? | 0:05:54 | 0:05:56 | |
You could argue... Somebody who's got a garden. | 0:05:56 | 0:06:00 | |
It's not a specific thing, you know what I mean? | 0:06:00 | 0:06:03 | |
It might just do a job but we need to get it for between 50 and 80 quid. | 0:06:03 | 0:06:07 | |
-That is good. -But no age. | 0:06:07 | 0:06:09 | |
Let's bear that in mind, but he said that he's got a shed over here | 0:06:09 | 0:06:13 | |
that he puts things in which have just come in. | 0:06:13 | 0:06:16 | |
-It might be an idea to go there first. -Very nice. | 0:06:16 | 0:06:19 | |
Maybe one for the pot later. | 0:06:19 | 0:06:23 | |
Oh, my goodness. | 0:06:23 | 0:06:24 | |
Now, how are Sue and Charles getting on? | 0:06:24 | 0:06:27 | |
-Hello! -Oh, dear! | 0:06:27 | 0:06:29 | |
Oh, dear, indeed. | 0:06:29 | 0:06:31 | |
Can you not see Marlene and Del Boy together having a little cocktail? | 0:06:31 | 0:06:35 | |
This, to me, takes you back. | 0:06:35 | 0:06:38 | |
This is a Del Boy special and I think there is somebody out there | 0:06:38 | 0:06:43 | |
who could see themselves with a little umbrella in the glass. | 0:06:43 | 0:06:46 | |
-Exactly. -And one of Del's special cocktails. | 0:06:46 | 0:06:50 | |
-Curacao with a bit of vodka and cider. -Oh, God, don't take me back. | 0:06:50 | 0:06:54 | |
It captures you, it's in good condition. | 0:06:54 | 0:06:58 | |
-I love the finish. -It is, I'm afraid, stretching our budget. | 0:06:58 | 0:07:02 | |
But it is so kitsch. | 0:07:02 | 0:07:04 | |
Spot on, Charles. | 0:07:04 | 0:07:05 | |
The home bar has been in and out of fashion since the 1920s and '50s, | 0:07:05 | 0:07:09 | |
but enjoyed a resurgence in the 1970s. | 0:07:10 | 0:07:13 | |
This one being a typical example of that era. | 0:07:13 | 0:07:16 | |
Ticketed at £245, it's not as cheap as it looks. | 0:07:16 | 0:07:20 | |
-Lovely concave cupboards, I like this. -I like it. | 0:07:20 | 0:07:23 | |
It runs very smoothly. | 0:07:23 | 0:07:25 | |
It's a gorgeous piece, in many ways, | 0:07:25 | 0:07:27 | |
but we are on a very restricted budget. | 0:07:27 | 0:07:31 | |
If, on the day, there's an Only Fools And Horses fan who's potty, | 0:07:31 | 0:07:34 | |
it will go quite well. | 0:07:34 | 0:07:35 | |
If you model yourself beside it, that's the '80s swagger. | 0:07:35 | 0:07:39 | |
I'd be prepared to drape myself in a bit of leopard-print | 0:07:41 | 0:07:44 | |
and lean on this bar with you, Charlie. | 0:07:44 | 0:07:46 | |
-Do you think that might work? -I'm in heaven, Sue. I'm in heaven. | 0:07:46 | 0:07:50 | |
-What do you think, Jim? -We've got £245 on there. | 0:07:50 | 0:07:54 | |
It's not priced to take loads of money off | 0:07:54 | 0:07:57 | |
but a good trade price, 175. | 0:07:57 | 0:08:00 | |
-Could you come down further? -150. -Has it been here a long time, Jim? | 0:08:00 | 0:08:04 | |
-There's no dust on it, is there? -It's been well polished up. | 0:08:05 | 0:08:09 | |
£150, eh? That's setting the bar quite high for your first buy. | 0:08:09 | 0:08:14 | |
What could we do to really add value to it? | 0:08:14 | 0:08:17 | |
We could almost serve a cocktail on it. | 0:08:17 | 0:08:19 | |
Maybe we'd have to now look for cocktail shakers | 0:08:19 | 0:08:22 | |
that we can add to the package. | 0:08:22 | 0:08:24 | |
Do you know what, you're clever. | 0:08:24 | 0:08:26 | |
And get a couple of those paper umbrellas, | 0:08:26 | 0:08:28 | |
which you're probably not going to find in an antique emporium, | 0:08:28 | 0:08:31 | |
but you never know. | 0:08:31 | 0:08:32 | |
-I think... -One way or another, that Jim's going to say he'll take 140. | 0:08:32 | 0:08:37 | |
-Would you take 140 for it, Jim? -I'll take the tenner off for luck. | 0:08:37 | 0:08:41 | |
He's taking a tenner off for luck! Thank you, Jim. The deal is done. | 0:08:41 | 0:08:45 | |
That is a deal. I might regret it, Jim, but you know what? | 0:08:45 | 0:08:48 | |
It's a wonderful item. Purely for its appearance, it's got the edge. | 0:08:48 | 0:08:53 | |
And I'm prepared to hand over the money! | 0:08:53 | 0:08:56 | |
Egyptian, maybe, but you'll need to be Tutankhamen to sell it. | 0:08:59 | 0:09:02 | |
Having parted with an astronomical £140, | 0:09:02 | 0:09:05 | |
Charles and Sue hit the road and Sue's already created a cocktail. | 0:09:05 | 0:09:09 | |
I think there's the added je ne sais quoi | 0:09:09 | 0:09:13 | |
-in Marlene's Pinky Winky. -Oh, don't! | 0:09:13 | 0:09:15 | |
This is going to be a cocktail that could take off. | 0:09:15 | 0:09:17 | |
That would be an explosion of taste | 0:09:17 | 0:09:20 | |
and hopefully, an explosion of hands everywhere. | 0:09:20 | 0:09:23 | |
People are going to be as excited by the cocktail, | 0:09:25 | 0:09:28 | |
Marlene's own recipe, as they are by that magnificent Egyptian bar. | 0:09:28 | 0:09:32 | |
Rettendon is a small village in the borough of Chelmsford | 0:09:34 | 0:09:37 | |
and was once owned by the Bishop of Ely. | 0:09:37 | 0:09:39 | |
It's home to FB Antiques, Sue and Charles's next stop. | 0:09:39 | 0:09:44 | |
Meanwhile, back in Battlesbridge, | 0:09:44 | 0:09:47 | |
John is exercising his powers of persuasion. | 0:09:47 | 0:09:51 | |
You will sell this very cheap to us. | 0:09:51 | 0:09:53 | |
What do you reckon to that? I was just thinking, London auction. | 0:09:58 | 0:10:01 | |
-What was it used for? -It's a water filter. | 0:10:01 | 0:10:04 | |
A water softener. | 0:10:04 | 0:10:05 | |
Which do you prefer out of the two? | 0:10:05 | 0:10:07 | |
Out of the one full of water or this one? I don't know. | 0:10:07 | 0:10:12 | |
We'll get the right price, of course. | 0:10:12 | 0:10:15 | |
For the right price, we could get both! | 0:10:15 | 0:10:18 | |
Quick learner, John. | 0:10:18 | 0:10:20 | |
-£60. -For the two? £60 for the two, that's not bad! | 0:10:20 | 0:10:24 | |
-That's not bad, a very good deal. -Could you do 100 quid for the two? | 0:10:24 | 0:10:29 | |
-Which is putting them in at 40 and 60. -Say 50 and 60, 110. | 0:10:29 | 0:10:34 | |
110, what do you think? | 0:10:34 | 0:10:36 | |
-Let's have a wander round. -That's very interesting. | 0:10:36 | 0:10:39 | |
I do like that, that's good. | 0:10:39 | 0:10:42 | |
No hurry, we've got all day. | 0:10:42 | 0:10:46 | |
The laidback approach may just take Jim off guard. | 0:10:49 | 0:10:53 | |
What would be the absolute finish on those two? | 0:10:53 | 0:10:55 | |
Could you do the two for 100 quid if we put the one in at 50 | 0:10:55 | 0:10:58 | |
and the other in at 50? | 0:10:58 | 0:11:01 | |
-That's really giving the urn away, isn't it? -It's up to you. | 0:11:01 | 0:11:04 | |
-I know you've got to make a profit. -Yeah, I'll do that. -You would do it. | 0:11:04 | 0:11:09 | |
Put them in the back of the E-Type. | 0:11:09 | 0:11:11 | |
That's £100 spent, I'll shake you by the hand now. | 0:11:11 | 0:11:15 | |
You've been very kind to us. Thank you ever so much. | 0:11:15 | 0:11:18 | |
-Thank you very much, sir. -Thank you. | 0:11:18 | 0:11:21 | |
Well done, boys. Two lots sorted. | 0:11:21 | 0:11:23 | |
A Victorian stoneware water filter and a large garden urn for £100. | 0:11:23 | 0:11:28 | |
Now, where's the Jag? | 0:11:28 | 0:11:30 | |
Wey-hey! We're off, aren't we? | 0:11:33 | 0:11:36 | |
I got that far. | 0:11:36 | 0:11:38 | |
Or maybe not. | 0:11:38 | 0:11:39 | |
That's reverse, Phil. | 0:11:42 | 0:11:43 | |
There's a clutch in there somewhere, isn't there? | 0:11:43 | 0:11:46 | |
How are Sue and Charles getting on in Rettendon Common? | 0:11:46 | 0:11:50 | |
That's quite nice, isn't it? | 0:11:53 | 0:11:55 | |
-It's very sweet. -That's quite good. That's Elkington silver, | 0:11:56 | 0:11:59 | |
so that teaspoon does belong in the box, silver. | 0:11:59 | 0:12:05 | |
Elkington were Birmingham manufacturers | 0:12:05 | 0:12:08 | |
who patented the first commercial electroplating process in 1840. | 0:12:08 | 0:12:12 | |
It's a delightful set, but isn't there something missing? | 0:12:12 | 0:12:15 | |
It hasn't got its little napkin ring. | 0:12:15 | 0:12:18 | |
Could one find a napkin ring to put in there? | 0:12:18 | 0:12:21 | |
Fred, have you any napkin rings floating around in your emporium? | 0:12:21 | 0:12:24 | |
-Unfortunately, I don't. -It's quite nice. | 0:12:24 | 0:12:27 | |
We're not going to make a killing on this, are we? | 0:12:27 | 0:12:30 | |
-Just one second, there might... -Fred's had an idea. | 0:12:30 | 0:12:33 | |
Nothing like a good rummage through your own drawers. | 0:12:33 | 0:12:36 | |
Look what he's found! Does it fit? | 0:12:36 | 0:12:38 | |
-I doubt it. -It's going to be too fat. | 0:12:38 | 0:12:41 | |
Oh... | 0:12:43 | 0:12:45 | |
What a man. That is a Victorian silver napkin ring. | 0:12:47 | 0:12:52 | |
You then have a fairly modern Elkington, | 0:12:52 | 0:12:54 | |
who were the leading silver and plate manufacturers and retailers, | 0:12:55 | 0:12:59 | |
with a very nice silver egg cup and a spoon, | 0:12:59 | 0:13:02 | |
and although it's a matched set now, | 0:13:02 | 0:13:05 | |
because before that wasn't there, that's a good lot. | 0:13:05 | 0:13:08 | |
You're falling in love, aren't you? | 0:13:08 | 0:13:10 | |
Look at the man there and tell him, just look into his eyes. | 0:13:10 | 0:13:14 | |
-I'm falling in love with his napkin ring. -Fred, she's falling in love. | 0:13:14 | 0:13:17 | |
I'm falling in love. | 0:13:17 | 0:13:18 | |
What can you do this for, Fred? | 0:13:18 | 0:13:21 | |
For you, it's a gift at £10. | 0:13:21 | 0:13:22 | |
Can I hug this man? | 0:13:24 | 0:13:25 | |
I'm going to give permission to Marlene to give you a hug | 0:13:25 | 0:13:28 | |
and say that's a sale. | 0:13:28 | 0:13:30 | |
It's Sue, Charles. I give up. | 0:13:30 | 0:13:34 | |
-Thank you very much. -You're welcome. | 0:13:34 | 0:13:35 | |
It's been the best part of our day so far. How lovely. | 0:13:35 | 0:13:39 | |
Phil and John are taking a break from buying antiques | 0:13:39 | 0:13:42 | |
and heading off for a visit. | 0:13:42 | 0:13:43 | |
They're heading for Kelvedon Hatch, | 0:13:43 | 0:13:46 | |
John and Philip are about to enter a nuclear bunker... | 0:13:46 | 0:13:50 | |
Very exciting. | 0:13:50 | 0:13:51 | |
..built in 1952 when relations between east and west | 0:13:51 | 0:13:55 | |
were at their lowest. | 0:13:55 | 0:13:56 | |
Josef Stalin was still in power in the Soviet Union | 0:13:56 | 0:14:00 | |
and Churchill was back in government in Great Britain. | 0:14:00 | 0:14:03 | |
Warheads were being produced at an alarming rate and pointing our way. | 0:14:03 | 0:14:08 | |
There was a very real threat that they would be used. | 0:14:08 | 0:14:12 | |
By the 1960s and '70s, the threat was taken | 0:14:12 | 0:14:14 | |
so seriously that public information films were broadcast, giving hints | 0:14:14 | 0:14:17 | |
and tips on how to survive a nuclear attack. | 0:14:17 | 0:14:21 | |
ANNOUNCER: There is danger outside, so don't go outside. | 0:14:21 | 0:14:26 | |
John and Phil have come to meet Mike Parish, grandson of the | 0:14:26 | 0:14:29 | |
original owner, from whom the MoD requisitioned the land. | 0:14:29 | 0:14:34 | |
Mike bought it back, complete with the nuclear bunker, frozen in time | 0:14:34 | 0:14:38 | |
since its decommission in 1992, but it's far from what you might expect. | 0:14:38 | 0:14:42 | |
This is a bit like an iceberg, isn't it? | 0:14:42 | 0:14:44 | |
What you see on the top is a fraction of what's underneath. | 0:14:44 | 0:14:48 | |
-It is, indeed. -Really? -This is the guard house. | 0:14:48 | 0:14:51 | |
It was built in 1952 by the Air Ministry, designed to look like a | 0:14:51 | 0:14:54 | |
typical farm cottage as a bit of a disguise, and it houses the entrance | 0:14:54 | 0:14:59 | |
to the bunker, which is buried 100 foot underground behind you. | 0:14:59 | 0:15:03 | |
You might imagine that a bunker is a dark, dank, | 0:15:03 | 0:15:06 | |
concrete hole in the ground. | 0:15:06 | 0:15:08 | |
But no, far from it. | 0:15:08 | 0:15:10 | |
This underground complex utilised | 0:15:10 | 0:15:12 | |
the cutting edge technology of its time. | 0:15:12 | 0:15:15 | |
It's fantastic walking through here, isn't it? | 0:15:15 | 0:15:18 | |
It's so evocative and I think it's because of the sounds. | 0:15:18 | 0:15:21 | |
And it's almost as if it's up and running | 0:15:21 | 0:15:25 | |
and the people have just left, you know? I think it's extraordinary. | 0:15:25 | 0:15:28 | |
It's not known exactly how many nuclear bunkers are dotted around | 0:15:28 | 0:15:32 | |
the country, but estimates vary between 300 and well over 1,000. | 0:15:32 | 0:15:36 | |
In 1949, the Soviet Union tested its first atomic bomb, | 0:15:38 | 0:15:41 | |
which triggered the building of these bunkers. | 0:15:41 | 0:15:44 | |
Designed to hold up to 600 personnel, | 0:15:46 | 0:15:49 | |
including the Prime Minister and the Cabinet, | 0:15:49 | 0:15:51 | |
it was more like a city under the ground, completely self-contained | 0:15:51 | 0:15:54 | |
with offices, dormitories, telephone exchange, television studio | 0:15:54 | 0:15:58 | |
and even its own operating theatre. | 0:15:58 | 0:16:02 | |
Its chilling role in the event of an unthinkable nuclear strike | 0:16:02 | 0:16:05 | |
was to co-ordinate the military response and ensure the survival | 0:16:05 | 0:16:09 | |
of the remaining British population. | 0:16:09 | 0:16:11 | |
After the fall of the Berlin Wall, east-west relations improved. | 0:16:11 | 0:16:15 | |
This bunker, and numerous others like it, | 0:16:15 | 0:16:18 | |
was costing millions of pounds a year to maintain, | 0:16:18 | 0:16:21 | |
so it was eventually decommissioned. | 0:16:21 | 0:16:24 | |
But now it's preserved as a museum, | 0:16:24 | 0:16:27 | |
a bleak reminder of what could have been. | 0:16:27 | 0:16:30 | |
It's an astonishing place with plenty of reminders | 0:16:30 | 0:16:32 | |
of our recent history lying about. | 0:16:32 | 0:16:35 | |
-How many of these chairs have you got? -Quite a few. | 0:16:35 | 0:16:38 | |
-We'll give you 20 quid for four. -20 for four? | 0:16:38 | 0:16:41 | |
That's only a fiver each! | 0:16:41 | 0:16:44 | |
-Your maths is better than mine. -Got cash on here. There it is. Bang! | 0:16:44 | 0:16:50 | |
In your hand. That's a deal. | 0:16:50 | 0:16:52 | |
-Gentleman and a scholar. -Good man! | 0:16:52 | 0:16:56 | |
That's your 20 quid. Right, we've got to find four of these now. | 0:16:56 | 0:17:00 | |
-Well done, sir. -I'll have that one. | 0:17:00 | 0:17:03 | |
So, heading back to the surface | 0:17:03 | 0:17:05 | |
with Phil's nuclear souvenirs, the chairs, | 0:17:05 | 0:17:08 | |
it's time for all our experts and celebs to take a well-earned rest. | 0:17:08 | 0:17:13 | |
Night night! | 0:17:13 | 0:17:14 | |
JOHN HUMS | 0:17:14 | 0:17:16 | |
Day two of the road trip and the sun is shining. | 0:17:18 | 0:17:21 | |
Our celebrities are rested, ready | 0:17:21 | 0:17:24 | |
and on the road to rejoin the experts. | 0:17:24 | 0:17:26 | |
I think you, basically, should be very depressed, | 0:17:26 | 0:17:29 | |
because I think our stuff is... going to fly. | 0:17:29 | 0:17:32 | |
I've a feeling the phone lines are going to be hot. | 0:17:32 | 0:17:35 | |
Picturing that bar, lukewarm actually comes to mind. | 0:17:35 | 0:17:38 | |
Now, how is the temperature in the Cortina? | 0:17:38 | 0:17:42 | |
How many of the... How many laughs did you get? | 0:17:42 | 0:17:45 | |
-He's John Challis, Charlie. -No, but it's Boycie. | 0:17:45 | 0:17:50 | |
That's acting. That's not what they're really like, that's not their real names. | 0:17:50 | 0:17:54 | |
-I keep telling him. -Is he like Boycie, though? | 0:17:54 | 0:17:58 | |
Oh, honestly! | 0:17:58 | 0:18:05 | |
Now, this road trip is on the move again | 0:18:02 | 0:18:05 | |
and our teams find themselves in Great Baddow. | 0:18:05 | 0:18:09 | |
-Bye! Bye-bye! Bye! -Good to see you again! | 0:18:09 | 0:18:12 | |
While Sue and Charles head into the Baddow Antique Centre... | 0:18:12 | 0:18:15 | |
We've got to look for something quirky and fun... | 0:18:15 | 0:18:18 | |
-Exactly, exactly. -..to go with what we've already got. | 0:18:18 | 0:18:22 | |
..John and Phil are nipping up the road to try their hand | 0:18:22 | 0:18:25 | |
in A Little Bazaar. | 0:18:25 | 0:18:28 | |
This shop isn't built for me, John. | 0:18:28 | 0:18:30 | |
-But it's truly bizarre. -I'm going to breathe in. -OK. | 0:18:30 | 0:18:33 | |
Sue, what are you thinking? | 0:18:33 | 0:18:37 | |
We're rolling back the years. | 0:18:37 | 0:18:39 | |
You can see Del Boy drinking his cocktail out of that, can't you? | 0:18:39 | 0:18:42 | |
That'd be an awfully big umbrella. Is this going to ruin your reputation | 0:18:42 | 0:18:46 | |
forever, Charlie, just mingling with me and being persuaded to buy... | 0:18:46 | 0:18:50 | |
Marlene...look at me. No! I assure you, Marlene, it won't, | 0:18:51 | 0:18:54 | |
because when you go to such almost a sickly kitsch, it's what the market | 0:18:54 | 0:19:00 | |
thrives on, because it's such a heartbeat from a certain period. | 0:19:00 | 0:19:05 | |
-I'm in love with it. -It's in good condition, it's not overpriced. | 0:19:05 | 0:19:10 | |
I think what we'll do is put it down, mental note, | 0:19:10 | 0:19:14 | |
-and when we quickly... -See what we've got left in the kitty. | 0:19:14 | 0:19:17 | |
-Exactly. -Don't forget it. | 0:19:17 | 0:19:19 | |
I don't think it's going to fly off the shelf as we wander around. | 0:19:19 | 0:19:22 | |
Now, are John and Phil making any progress? | 0:19:23 | 0:19:25 | |
What have you found? | 0:19:25 | 0:19:28 | |
That's sweet. | 0:19:28 | 0:19:29 | |
And it's practical. It actually works. Look at that. | 0:19:31 | 0:19:33 | |
-Does the other one work as well? -Yes. -How much is that? -What? Four pounds. | 0:19:33 | 0:19:40 | |
-We can't! -Go on, Phil, push the boat out. -Hornby! Hornby, course it is. | 0:19:40 | 0:19:44 | |
It's a Meccano Hornby train set. | 0:19:44 | 0:19:47 | |
Some little lad, 1953, waiting for Father Christmas to come. | 0:19:47 | 0:19:50 | |
Sounds like me. I was that boy. | 0:19:50 | 0:19:53 | |
-Really? -I always wanted... -Tragic story. | 0:19:53 | 0:19:57 | |
Excuse me while I reach for the hankies! | 0:19:57 | 0:20:01 | |
Meanwhile, have Sue and Charles finally found something? | 0:20:01 | 0:20:04 | |
What about, for the bar, the Uncle Albert decanter. | 0:20:04 | 0:20:08 | |
Exactly. | 0:20:08 | 0:20:11 | |
For those who don't know, Del's Uncle Albert was | 0:20:11 | 0:20:14 | |
one of the iconic characters from Only Fools And Horses. | 0:20:14 | 0:20:17 | |
An ex-Navy man, notorious for his fishy tales beginning with, | 0:20:17 | 0:20:20 | |
"During the war..." | 0:20:20 | 0:20:22 | |
-Uncle Albert did sink an awful lot of ships. -Yes. | 0:20:22 | 0:20:25 | |
And that's the sort of thing that would have gone down with him. | 0:20:25 | 0:20:29 | |
-Were you quite close to uncle Albert? -Very close. -Were you? | 0:20:29 | 0:20:31 | |
Don't you think he might have brought it back from his days at sea? | 0:20:31 | 0:20:35 | |
"During the war..." | 0:20:35 | 0:20:37 | |
"During the war", and Del would have loved it | 0:20:37 | 0:20:39 | |
because it's nicely decorated. | 0:20:39 | 0:20:41 | |
I am a little bit in love with this. You're not, are you? | 0:20:41 | 0:20:43 | |
No, but for the memory of that great man, you're quite right. | 0:20:43 | 0:20:47 | |
We could romanticise it, couldn't we, really take people back? | 0:20:47 | 0:20:51 | |
We can let them live those days during the war. | 0:20:51 | 0:20:53 | |
-Mental note. -Mental note. | 0:20:53 | 0:20:55 | |
Not sure that the war was that romantic, Charles, actually, | 0:20:57 | 0:21:01 | |
but is there any romance in the little bazaar? | 0:21:01 | 0:21:04 | |
-Phil, where are you? -What? -I've had a great idea, look. | 0:21:04 | 0:21:08 | |
They're not for you, are they? | 0:21:08 | 0:21:09 | |
Fantastic shoes and I have found this dress? | 0:21:09 | 0:21:12 | |
Don't you think it's pure Marlene? | 0:21:12 | 0:21:14 | |
I mean, look, see, it's as if they're made for each other. | 0:21:14 | 0:21:17 | |
What do you think are the chances? Can we get her to model it? | 0:21:17 | 0:21:21 | |
You know her better than I. Do you think there's a chance? | 0:21:21 | 0:21:24 | |
-Do you think it'd sell? -No. -She'd love it. | 0:21:24 | 0:21:28 | |
-Those are fantastic. -Aren't they? | 0:21:28 | 0:21:30 | |
They might suit Marlene, | 0:21:31 | 0:21:33 | |
but I'm not sure about Sue, who happens to have found a bargain. | 0:21:33 | 0:21:37 | |
-Priced at...it's free. -There's no price. Could be a freebie. | 0:21:37 | 0:21:42 | |
You're quite right. | 0:21:42 | 0:21:43 | |
-That's a really attractive chair. -It's cute, isn't it? -And it's period. | 0:21:43 | 0:21:47 | |
That's happily period, so it's 1885 and that's a cute chair. | 0:21:47 | 0:21:52 | |
Can we find out how much that is, because I'm in love with that. | 0:21:52 | 0:21:55 | |
Are you really? I'll go and find out. | 0:21:55 | 0:21:57 | |
She falls in love quite freely, our Sue, doesn't she? | 0:21:57 | 0:22:01 | |
My lady over here has found a very nice chair. | 0:22:01 | 0:22:05 | |
-And it looks as though it's free. There's no label on it. -OK. | 0:22:05 | 0:22:09 | |
-Let's investigate for you. -Can we see if it's absolutely dirt cheap? | 0:22:09 | 0:22:13 | |
This is a chair that Marlene would buy. | 0:22:13 | 0:22:16 | |
It's also a chair that I would buy. | 0:22:16 | 0:22:18 | |
I think I am turning into Marlene. That's a great worry! | 0:22:18 | 0:22:22 | |
-It's got no price on it. -No. -Can we just walk out with it? | 0:22:22 | 0:22:26 | |
The dealer is just giving it away. | 0:22:26 | 0:22:27 | |
That's awfully sweet of... Male or female dealer? | 0:22:27 | 0:22:30 | |
Fortunately, the dealer is here today, | 0:22:30 | 0:22:32 | |
-so we can have a word with Ian. -We can actually thank him? | 0:22:32 | 0:22:35 | |
-I'll have a quick chat with him and see what we can do. -Would you? | 0:22:35 | 0:22:38 | |
-Thank you. -No problem at all. | 0:22:38 | 0:22:40 | |
Bad news. | 0:22:40 | 0:22:41 | |
Ian says the chair comes with a desk, but the good news... | 0:22:41 | 0:22:45 | |
However, he is prepared to sell it separately and the very best | 0:22:45 | 0:22:49 | |
-he can do is £60. -If it was 50, | 0:22:49 | 0:22:51 | |
I would say, "I don't care what you think, I'm buying it anyway." | 0:22:51 | 0:22:54 | |
-Yes, yes. -But at 60, I know it's a risk. | 0:22:54 | 0:22:57 | |
That's your very best, 60? | 0:22:58 | 0:23:00 | |
Do you want me to go and try my very best? | 0:23:00 | 0:23:03 | |
-Shall I say... -Marlene? -It's Sue! | 0:23:03 | 0:23:06 | |
-Go and talk to him. -Strut your stuff, please. | 0:23:06 | 0:23:09 | |
-Ian, you're Ian. -Yes. | 0:23:09 | 0:23:11 | |
Ian, I love your little chair. | 0:23:11 | 0:23:13 | |
-Couldn't do it for 50, could you? -As it's you. | 0:23:13 | 0:23:16 | |
Ian, I love you! We're having it! | 0:23:16 | 0:23:19 | |
A Little Bazaar has certainly lived up to its name, | 0:23:19 | 0:23:22 | |
as John and Phil have found an odd mix of toys, | 0:23:22 | 0:23:26 | |
ladies' shoes | 0:23:26 | 0:23:28 | |
and majolica. | 0:23:28 | 0:23:31 | |
Have they lost their way? | 0:23:31 | 0:23:32 | |
For such a small shop, how did we got lost here? | 0:23:32 | 0:23:34 | |
-Ooh, I don't know. -We need to make a decision, don't we? | 0:23:34 | 0:23:37 | |
-So it was £20 for those three, wasn't it? -That's it. | 0:23:37 | 0:23:40 | |
I tell you what I think, | 0:23:40 | 0:23:41 | |
I think if we buy these, we can put that with something else. | 0:23:41 | 0:23:44 | |
We can put that with something else, right? And I'm so confident, | 0:23:44 | 0:23:49 | |
-so confident that we're going to be victors... -Yes. | 0:23:49 | 0:23:51 | |
-..that we can always give those to Sue, can't we? -As a present. | 0:23:51 | 0:23:54 | |
-As a compensatory present for losing. -For coming second. -Yes, yes. | 0:23:54 | 0:23:58 | |
-She'd love that. Yes, she would. -20 quid. Yes? | 0:23:58 | 0:24:02 | |
-Yes. -Great, terrific. -You happy with that? | 0:24:02 | 0:24:04 | |
Come along, driver. Hurry up. | 0:24:04 | 0:24:07 | |
John and Phil say goodbye to Great Baddow | 0:24:07 | 0:24:10 | |
and head for their next shop in Halstead. | 0:24:10 | 0:24:12 | |
Meanwhile, back in Great Baddow, Sue and Charles continue shopping | 0:24:13 | 0:24:17 | |
and funnily enough, that goblet and decanter set | 0:24:17 | 0:24:21 | |
have not been snapped up. | 0:24:21 | 0:24:22 | |
-What about this? -It's... Goodness me. | 0:24:22 | 0:24:25 | |
Imagine that on the bar with... Uncle Albert's decanter. | 0:24:25 | 0:24:31 | |
Yes, that's a nice twosome, I like it. | 0:24:31 | 0:24:33 | |
Have you noticed what it was standing on? | 0:24:33 | 0:24:35 | |
You're becoming a very risque shopper. | 0:24:35 | 0:24:37 | |
-I've got the shopping bug now, darling. -Yes, I know. | 0:24:37 | 0:24:40 | |
-And I do like the chair as well. -I think it's beautiful, | 0:24:40 | 0:24:42 | |
a little silver tray. Tell me about that. | 0:24:42 | 0:24:44 | |
Probably 1930s, 1950s. It's called an Art Deco tray. | 0:24:44 | 0:24:48 | |
It has this wonderful, almost... | 0:24:48 | 0:24:52 | |
I don't know what it is, actually, almost a sort of lacquered veneer, | 0:24:52 | 0:24:55 | |
which really gives off that slinky feel. | 0:24:55 | 0:24:59 | |
I think that the people here are going to be very kind to us. | 0:24:59 | 0:25:02 | |
Before we ask them, can I get my alligator glass? | 0:25:02 | 0:25:06 | |
I can't leave without my alligator glass. | 0:25:06 | 0:25:08 | |
Go and get that now and let's do a deal. | 0:25:08 | 0:25:10 | |
Ah, if you must, Sue. | 0:25:10 | 0:25:13 | |
I don't care if it does ruin his reputation. | 0:25:13 | 0:25:16 | |
Nor does he, I suspect. | 0:25:16 | 0:25:18 | |
I love your run, by the way. | 0:25:18 | 0:25:20 | |
It's the high heels. | 0:25:20 | 0:25:21 | |
I love it. It's quite like my own run as well. It's great. | 0:25:21 | 0:25:24 | |
Now, we've got four items here we need to negotiate on. | 0:25:24 | 0:25:28 | |
Because otherwise, we're not going to have one of these lots, | 0:25:28 | 0:25:30 | |
because we haven't got enough money. | 0:25:30 | 0:25:32 | |
-Exactly. Exactly. -Is this where we need to talk to... | 0:25:32 | 0:25:35 | |
This is where it gets interesting. | 0:25:35 | 0:25:36 | |
OK, so the decanter, | 0:25:36 | 0:25:39 | |
my Uncle Albert decanter, is marked at 38. | 0:25:39 | 0:25:43 | |
What do you think you could do for us? | 0:25:43 | 0:25:45 | |
As it's you, Marlene, the very best we can do on that | 0:25:45 | 0:25:49 | |
is going to be £10 on the decanter | 0:25:49 | 0:25:51 | |
and I think that's a very fair deal, OK? | 0:25:51 | 0:25:52 | |
-That's unbelievable. -Give. -That is a gift. -It's a gift. | 0:25:52 | 0:25:56 | |
This is Ernie, he's the owner of the cocktail shaker and tray. | 0:25:56 | 0:25:59 | |
The two of them are marked at 110 and Russell's already, | 0:25:59 | 0:26:04 | |
we've beaten him down to 75. Can you do any better? | 0:26:04 | 0:26:07 | |
-Because we've got to beat Boycie, I'll do it for £50. -Oh! | 0:26:07 | 0:26:10 | |
I love it! Can I kiss another man? | 0:26:12 | 0:26:13 | |
-What a man. -Thank you. No problem. Good luck. | 0:26:13 | 0:26:17 | |
-I'm falling in love all over again. -Thanks, you're a good man, £50. | 0:26:17 | 0:26:21 | |
-Thank you so much. -Thank you. | 0:26:21 | 0:26:23 | |
There's also one more thing, isn't there? | 0:26:23 | 0:26:25 | |
There is one more thing | 0:26:25 | 0:26:27 | |
and this, I think, is actually going to ruin Charles Hanson's reputation. | 0:26:27 | 0:26:31 | |
Get out of here. | 0:26:31 | 0:26:32 | |
But I want very much to buy, for my Del Boy cocktail bar, | 0:26:32 | 0:26:37 | |
this beautiful alligator glass. | 0:26:37 | 0:26:39 | |
I'm building it up too high, | 0:26:39 | 0:26:40 | |
because then it will be overpriced. | 0:26:40 | 0:26:43 | |
I don't know if we can afford it. | 0:26:43 | 0:26:44 | |
OK, going on the prices of the cocktail shaker and the tray, | 0:26:44 | 0:26:48 | |
I think it's only fair we do the glass for £5. | 0:26:48 | 0:26:50 | |
SUE LAUGHS | 0:26:51 | 0:26:52 | |
Oh, I'm a woman in Heaven. | 0:26:52 | 0:26:55 | |
Thank you very much, consider the whole thing done, | 0:26:55 | 0:26:57 | |
we're buying the lot. | 0:26:57 | 0:26:59 | |
Boycie, eat your heart out. | 0:26:59 | 0:27:02 | |
SHE LAUGHS | 0:27:02 | 0:27:04 | |
Ha! Don't speak too soon, Sue, because in Halstead, | 0:27:04 | 0:27:07 | |
John and Phil have found old legal documents | 0:27:07 | 0:27:09 | |
that look to be of interest. | 0:27:09 | 0:27:11 | |
How much do you think that's worth? | 0:27:11 | 0:27:13 | |
-I don't know. What, individually? -Yes. | 0:27:14 | 0:27:17 | |
I don't know. At least a fiver, isn't it? | 0:27:19 | 0:27:21 | |
Would you pay a pound for it? | 0:27:21 | 0:27:23 | |
-Yes, I would. -Well, it's priced at a pound. | 0:27:23 | 0:27:25 | |
I was thinking if you bought, perhaps... | 0:27:27 | 0:27:29 | |
I love them. I think they're right up my personal alley here. | 0:27:29 | 0:27:34 | |
There's a load more in there, which are a bit more valuable. | 0:27:34 | 0:27:37 | |
You know, I mean, I think... | 0:27:37 | 0:27:39 | |
-You could make a whole wall of them, couldn't you? -Yes. | 0:27:39 | 0:27:42 | |
-Fantastic wallpaper, isn't it? -Yes. | 0:27:42 | 0:27:44 | |
What are they saying, these? | 0:27:46 | 0:27:47 | |
This is an indenture, isn't it? | 0:27:47 | 0:27:51 | |
In medieval times, a contract was written in duplicate | 0:27:51 | 0:27:54 | |
on the same sheet, with the copies separated | 0:27:54 | 0:27:57 | |
by cutting along a jagged or toothed line, hence indenture, | 0:27:57 | 0:28:01 | |
so that the teeth of the two parts | 0:28:01 | 0:28:04 | |
could later be refitted to confirm authenticity. | 0:28:04 | 0:28:07 | |
"Between these agreements, | 0:28:07 | 0:28:08 | |
"right honourable Robert Earl Grosvenor, Viscount | 0:28:08 | 0:28:12 | |
"Belgrave and Baron Grosvenor of Eton | 0:28:12 | 0:28:15 | |
"in the County Palatine of Chester..." | 0:28:15 | 0:28:21 | |
-That's an indenture... -Yes. | 0:28:21 | 0:28:22 | |
..that's between the Duke of Westminster's estate | 0:28:22 | 0:28:25 | |
or a relative of his. | 0:28:25 | 0:28:26 | |
Tripartite indenture, so it's between three people. | 0:28:26 | 0:28:30 | |
I'll bid you 50 quid for the lot now. | 0:28:30 | 0:28:33 | |
Toss you for it. | 0:28:33 | 0:28:34 | |
-What, 50? -Heads, 70, tails 50. | 0:28:36 | 0:28:38 | |
-We've got no idea. Bit of fun, isn't it? -Yes, yes. | 0:28:38 | 0:28:41 | |
-You up for that? -Yes. You've got the double-headed coin. | 0:28:41 | 0:28:43 | |
I have. Hold on. I'll just go and check it out. | 0:28:43 | 0:28:45 | |
-Use yours, yes. -Yes. | 0:28:45 | 0:28:47 | |
HE LAUGHS | 0:28:47 | 0:28:48 | |
I missed that. | 0:28:48 | 0:28:50 | |
Right, are you ready for this? | 0:28:52 | 0:28:54 | |
Now, if we win, we get them for 50 quid. | 0:28:56 | 0:29:00 | |
Heads 70, tails 50. | 0:29:00 | 0:29:02 | |
-So you're calling heads. -Yes. | 0:29:02 | 0:29:03 | |
Grudgingly, very grudgingly, I've got to give you 70 quid now. | 0:29:05 | 0:29:08 | |
That makes each individual document | 0:29:08 | 0:29:10 | |
worth a pound, with 70 in the collection. | 0:29:10 | 0:29:12 | |
Thank you ever so much. Thank you, thank you. | 0:29:12 | 0:29:15 | |
Cheers, mate. Terrific. | 0:29:15 | 0:29:16 | |
John's taken a liking to a couple of glass tankards, | 0:29:16 | 0:29:18 | |
printed with signatures of the 1960s Surrey and England cricket teams. | 0:29:18 | 0:29:25 | |
Having shown the way, Phil has left John to make the deal. | 0:29:25 | 0:29:29 | |
Absolute rock bottom, I'd really like £15. | 0:29:29 | 0:29:31 | |
-That's your rock bottom? -Mmm. | 0:29:31 | 0:29:34 | |
Well, I'm afraid my rock bottom's actually a bit lower than yours. | 0:29:34 | 0:29:39 | |
Great start, John. | 0:29:39 | 0:29:40 | |
Might be worth, what? Five quid each? | 0:29:40 | 0:29:43 | |
I might need to squeeze a bit more out of you than five quid each. | 0:29:43 | 0:29:47 | |
Toss for it. | 0:29:48 | 0:29:49 | |
Remember what happened last time, John. | 0:29:49 | 0:29:52 | |
15 or 10. | 0:29:52 | 0:29:53 | |
-Heads, 15, and 10, tails. -Tails. Got it. | 0:29:53 | 0:29:56 | |
-So are we saying... -I'm saying tails. | 0:30:00 | 0:30:03 | |
It's tails. | 0:30:07 | 0:30:08 | |
-For 15? -No! | 0:30:08 | 0:30:10 | |
THEY LAUGH | 0:30:10 | 0:30:12 | |
He's changed it round again. | 0:30:12 | 0:30:13 | |
£10. £10. Terrific. Thank you very much. | 0:30:13 | 0:30:16 | |
Well, Philip, that's the way it's done. | 0:30:16 | 0:30:18 | |
Well, I think that was good. You happy with that lot? | 0:30:18 | 0:30:23 | |
I'm really happy with that lot, I'm really, really happy. | 0:30:23 | 0:30:25 | |
Whether they make any money, Lord knows, | 0:30:25 | 0:30:27 | |
but I think we've bought really interesting things. | 0:30:27 | 0:30:29 | |
-I'm very happy, so if you're happy, I'm even happier. -Good stuff. | 0:30:29 | 0:30:33 | |
This road trip is on the move again, in Gosfield. | 0:30:33 | 0:30:36 | |
That's Gosfield shopping village. No time to lose. | 0:30:36 | 0:30:38 | |
Good evening, ladies. | 0:30:38 | 0:30:41 | |
Do you recognise that? | 0:30:43 | 0:30:44 | |
Ah! | 0:30:44 | 0:30:45 | |
Good Lord, that is tiny. | 0:30:47 | 0:30:49 | |
-Trotters Independent Traders. -Yes. | 0:30:49 | 0:30:52 | |
-New York, Paris and Peckham. -New York, Paris, Peckham. | 0:30:52 | 0:30:56 | |
I think that's so cool. | 0:30:56 | 0:30:58 | |
The Trotters' iconic van is frequently | 0:30:58 | 0:31:00 | |
and incorrectly referred to as a Robin. | 0:31:00 | 0:31:02 | |
It's actually a Reliant Regal Supervan. | 0:31:02 | 0:31:05 | |
Would it be possible to have a look at that, do you think? | 0:31:05 | 0:31:08 | |
Yes, of course. | 0:31:08 | 0:31:09 | |
If you get a fine point or something, | 0:31:09 | 0:31:11 | |
-you could just get the signature on there. -Yes. | 0:31:11 | 0:31:14 | |
Well, it's a possibility. | 0:31:14 | 0:31:16 | |
So this is... They call these swing framed toilet mirrors. | 0:31:16 | 0:31:20 | |
-Oh, yes? -Because the frame swings. -Yes. | 0:31:20 | 0:31:23 | |
It's lifted and it's got this nice shield shape to it all. | 0:31:23 | 0:31:28 | |
But it's been through the mill a little bit. | 0:31:28 | 0:31:30 | |
So this would've sat in a gentleman's bathroom, | 0:31:30 | 0:31:34 | |
with a wash set and bowl, probably, | 0:31:34 | 0:31:36 | |
-and he would keep his studs or whatever in there. -Yes. | 0:31:36 | 0:31:39 | |
In an ideal world, if at all possible, | 0:31:39 | 0:31:42 | |
it would be good if we can buy the two for 20. That would be good. | 0:31:42 | 0:31:46 | |
I think special for you, yes. | 0:31:46 | 0:31:48 | |
Really? You're an angel. Thank you very much, indeed. | 0:31:48 | 0:31:51 | |
Let me get some money. This is where the money comes out again. | 0:31:51 | 0:31:54 | |
-Thank you so much. -You're welcome. | 0:31:54 | 0:31:56 | |
I'm amazed you've got any left, Phil. | 0:31:56 | 0:31:58 | |
-Well done. -Thank you very, very much. -That's fantastic. | 0:31:58 | 0:32:02 | |
-You like that. -I do. -I love that. | 0:32:02 | 0:32:05 | |
-I love the shape of it. -It's elegant, isn't it? | 0:32:05 | 0:32:08 | |
I think it is, yes. | 0:32:08 | 0:32:09 | |
-Well, there we go. Finished. -Yes. | 0:32:09 | 0:32:12 | |
Not quite. | 0:32:12 | 0:32:15 | |
Time to discover what your rivals have been buying | 0:32:15 | 0:32:17 | |
and to share with them your own eccentric purchases. | 0:32:17 | 0:32:20 | |
Three, two, one, go. | 0:32:20 | 0:32:22 | |
-Well! -Certainly interesting, isn't it? -That's interesting, the word interesting. | 0:32:24 | 0:32:28 | |
These four stacking chairs, which I think are trendy, | 0:32:28 | 0:32:30 | |
-we got them out of the nuclear bunker. -You didn't. -Yes. | 0:32:30 | 0:32:34 | |
-They were what you call fallout. -Really? -They were £20. -Yes. | 0:32:34 | 0:32:37 | |
-SUE: For the four. -We bought this urn, which cost us 60 quid, | 0:32:37 | 0:32:42 | |
so we hope there's a bit of a profit in that. | 0:32:42 | 0:32:43 | |
I think you bought that because Mr Challis wants that in his garden. | 0:32:43 | 0:32:47 | |
-I could get inside it, too. -SUE: We'd like to see that. | 0:32:47 | 0:32:50 | |
How much is a Challis urn? | 0:32:50 | 0:32:53 | |
And then we bought this water purifier, the London water filter. | 0:32:53 | 0:32:57 | |
-Which was 40 quid. -Yes. | 0:32:57 | 0:33:00 | |
But the most interesting thing, | 0:33:00 | 0:33:01 | |
I will now hand you over to my dear and esteemed colleague, | 0:33:01 | 0:33:04 | |
is these lots here. | 0:33:04 | 0:33:05 | |
SUE: That's pretty. What are these? | 0:33:05 | 0:33:07 | |
We found all these indentures and we got them, actually, | 0:33:07 | 0:33:11 | |
I think, at a very, very good rate. | 0:33:11 | 0:33:13 | |
-There are 70 of them. -We paid a pound each. | 0:33:13 | 0:33:16 | |
I think they are really speculative. | 0:33:16 | 0:33:18 | |
I think they could do really well, because they have that history, | 0:33:18 | 0:33:23 | |
which, if you catch the right buyer, they're worth a lot of money. | 0:33:23 | 0:33:27 | |
-It would be wonderful to do the research on it. -Absolutely. | 0:33:27 | 0:33:29 | |
We thought, if nothing else, you could paper your loo with them. | 0:33:29 | 0:33:32 | |
-I'd rather put them on the wall, personally. -Ready? -Ready. -On your marks, get set, go. | 0:33:32 | 0:33:36 | |
Here's our first ensemble. | 0:33:36 | 0:33:37 | |
-That's nice, Charlie. -Oh, gosh, that's lovely, yes. | 0:33:37 | 0:33:40 | |
See you later, alligator! I'm afraid I fell in love with this. | 0:33:41 | 0:33:46 | |
I suspect it's going to ruin any credibility that Charles Hanson | 0:33:46 | 0:33:49 | |
-has ever had in the business. -No, I like that. | 0:33:49 | 0:33:52 | |
What's it worth, John? What's it worth? | 0:33:52 | 0:33:54 | |
-Have a guess. -Oh, I don't know. | 0:33:54 | 0:33:56 | |
£2.50? | 0:33:56 | 0:33:58 | |
Yes, thanks for coming. Yes, thanks. | 0:33:58 | 0:33:59 | |
-What did it cost us? -A fiver. -We got it for a fiver. | 0:33:59 | 0:34:02 | |
I think you're right. Charlie, what's the last thing? | 0:34:02 | 0:34:04 | |
-Well... -This... | 0:34:04 | 0:34:06 | |
-..we got caught in time, didn't we? -Yes, I think it might be our coup. | 0:34:06 | 0:34:10 | |
This is our great coup. | 0:34:10 | 0:34:11 | |
Are you ready? Three, two, one, drop the cloak. | 0:34:11 | 0:34:13 | |
Look at that. Look at that. | 0:34:13 | 0:34:16 | |
I cannot actually believe it. | 0:34:16 | 0:34:18 | |
Do you know, I am horribly underwhelmed. | 0:34:18 | 0:34:20 | |
Same here. | 0:34:20 | 0:34:22 | |
Overwhelmed, sorry. | 0:34:22 | 0:34:24 | |
Now, when we saw this delightful, wonderful cocktail bar, | 0:34:24 | 0:34:29 | |
-which cost us 140... -140. | 0:34:29 | 0:34:31 | |
-How much?! -We are going to sell it with the unique... | 0:34:31 | 0:34:34 | |
Unique. | 0:34:34 | 0:34:36 | |
..unbelievably good... | 0:34:36 | 0:34:37 | |
-Which you'll taste in a moment. -..recipe for Marlene's Slinky Pinky. | 0:34:37 | 0:34:42 | |
-Her very own recipe. -I'm going to propose a toast. Here's to a jolly good auction for all of us. | 0:34:42 | 0:34:46 | |
ALL: Cheers. | 0:34:46 | 0:34:47 | |
Here's to a jolly good auction. | 0:34:47 | 0:34:49 | |
Well done. Very good. | 0:34:49 | 0:34:50 | |
Oh, my life! | 0:34:50 | 0:34:52 | |
This road trip started in Battlesbridge, | 0:34:52 | 0:34:55 | |
but the winner will be decided in the auction room | 0:34:55 | 0:34:57 | |
that awaits due south in Dartford. | 0:34:57 | 0:35:00 | |
Dartford has been a market town since medieval times, | 0:35:00 | 0:35:03 | |
and was an important crossing for the old Dover-to-London road, | 0:35:03 | 0:35:07 | |
but forget about a walk in the park today. | 0:35:07 | 0:35:09 | |
We're here to do battle at Watermans Auction Rooms. | 0:35:09 | 0:35:12 | |
Both teams begin with £400 each and two days on, | 0:35:14 | 0:35:18 | |
John and Philip have only spent £240 of it on a number of items, | 0:35:18 | 0:35:23 | |
now organised into six varied lots. | 0:35:23 | 0:35:25 | |
-Fantastic wallpaper, isn't it? -Yes. | 0:35:25 | 0:35:28 | |
Almost better than anything else, I'm thinking, Mr Alligator. | 0:35:28 | 0:35:33 | |
Sue and Charles spent slightly more, | 0:35:33 | 0:35:35 | |
at £265, and also ended up with six auction lots. | 0:35:35 | 0:35:40 | |
The man with the gavel is Colin Waterman. | 0:35:41 | 0:35:44 | |
First up, John and Phil's water filter. | 0:35:45 | 0:35:48 | |
Nobody at 60? I'll try with 50, then, surely. | 0:35:48 | 0:35:50 | |
50 I've got, thank you. | 0:35:50 | 0:35:52 | |
50 I've got. Five anywhere? | 0:35:52 | 0:35:55 | |
Selling at 50. | 0:35:55 | 0:35:56 | |
Too cheap at 50. 55, 60, five. | 0:35:56 | 0:35:58 | |
70? 70 I've got. | 0:35:59 | 0:36:01 | |
Five I'm looking for. It's for charity. | 0:36:01 | 0:36:03 | |
You're a good valuer of these. | 0:36:03 | 0:36:05 | |
70 I've got, still. | 0:36:05 | 0:36:06 | |
Last time. It's going. At £70, it's selling. | 0:36:06 | 0:36:11 | |
-Well done. -Fair warning. | 0:36:11 | 0:36:13 | |
Well done, John. | 0:36:13 | 0:36:14 | |
A good start for John and Philip, with a tidy profit. | 0:36:14 | 0:36:17 | |
Even minus commission. | 0:36:17 | 0:36:19 | |
Next up, Sue's kitsch goblet. | 0:36:21 | 0:36:24 | |
15 straight in. 16, 18. | 0:36:24 | 0:36:25 | |
Thank you. | 0:36:25 | 0:36:26 | |
22, 24. | 0:36:26 | 0:36:27 | |
-Yes, good! -26. | 0:36:27 | 0:36:30 | |
28, £30. | 0:36:30 | 0:36:31 | |
-32, 34. -Yes, I like it! | 0:36:31 | 0:36:33 | |
34, 36. | 0:36:33 | 0:36:35 | |
38, £40, 42. | 0:36:35 | 0:36:37 | |
-44. -There is no justice here. | 0:36:37 | 0:36:40 | |
We should have bought more rubbish. | 0:36:40 | 0:36:42 | |
Instead of the quality we went for. | 0:36:42 | 0:36:45 | |
60 anywhere? | 0:36:45 | 0:36:47 | |
Seated at 55 and it's selling. | 0:36:47 | 0:36:50 | |
Yes! | 0:36:50 | 0:36:51 | |
An amazing £50 profit, which puts Sue's team out in front. | 0:36:51 | 0:36:55 | |
Charlie, how did that work? How did that work? | 0:36:55 | 0:36:59 | |
As an auctioneer, I'd have thought you'd know that, Phil. | 0:36:59 | 0:37:01 | |
Now, will the large garden pot be a nice little earner for the boys? | 0:37:03 | 0:37:06 | |
100 I've got, thank you. | 0:37:06 | 0:37:08 | |
That is a relief. | 0:37:08 | 0:37:10 | |
105, 110, 115, 120. | 0:37:10 | 0:37:14 | |
Think of Grandad. | 0:37:14 | 0:37:16 | |
Five, 30, five, 40, five. | 0:37:16 | 0:37:18 | |
This is going well. | 0:37:21 | 0:37:22 | |
180, five. | 0:37:22 | 0:37:25 | |
190, five. | 0:37:25 | 0:37:27 | |
200, 210. | 0:37:27 | 0:37:28 | |
Still 210 there. | 0:37:30 | 0:37:31 | |
Selling at £210 for the last time. | 0:37:31 | 0:37:34 | |
It sells at 210. | 0:37:34 | 0:37:36 | |
-Well done. -Oh, thank you. -Boycie, well done. | 0:37:36 | 0:37:39 | |
Well done, indeed. | 0:37:39 | 0:37:40 | |
£150 profit. | 0:37:40 | 0:37:42 | |
John's passion for gardening clearly paying off. | 0:37:42 | 0:37:44 | |
Next, it's Sue and Charles's Uncle Albert decanter. | 0:37:44 | 0:37:48 | |
No bid at 25. | 0:37:48 | 0:37:49 | |
Oh, no. | 0:37:49 | 0:37:50 | |
-20. -No, no, no. | 0:37:50 | 0:37:53 | |
Clearly no fans of Uncle Albert here. | 0:37:53 | 0:37:56 | |
15? 15 I have. | 0:37:56 | 0:37:58 | |
-Yes! -18 anywhere now? | 0:37:58 | 0:38:00 | |
Selling at 15. | 0:38:00 | 0:38:02 | |
Last time. It's going to sell. | 0:38:02 | 0:38:04 | |
-18, thank you. -Yes! | 0:38:04 | 0:38:05 | |
20, 22, 24, 26. | 0:38:05 | 0:38:09 | |
Keep it going. 32, 34. | 0:38:09 | 0:38:11 | |
These people are in need of treatment. | 0:38:11 | 0:38:16 | |
Still with the lady at 36. Eight anywhere? | 0:38:16 | 0:38:19 | |
I'm selling at £36. | 0:38:19 | 0:38:22 | |
Yes. | 0:38:22 | 0:38:23 | |
-Thank you. -Thank you. | 0:38:23 | 0:38:24 | |
Lovely jubbly! A £26 profit. | 0:38:24 | 0:38:27 | |
Uncle Albert would be pleased. | 0:38:27 | 0:38:29 | |
Next up is Phil's impulse buy from the bunker. | 0:38:29 | 0:38:31 | |
£20 to start me on the four? | 0:38:31 | 0:38:35 | |
-15? -Ouch. | 0:38:35 | 0:38:36 | |
10? Ouch, ouch. | 0:38:36 | 0:38:37 | |
Ouch! Oh, dear. | 0:38:38 | 0:38:40 | |
I'll take the five for the four chairs, then. | 0:38:40 | 0:38:42 | |
That's a five I have. | 0:38:42 | 0:38:43 | |
Six? Six. Seven? | 0:38:43 | 0:38:47 | |
Six I have. | 0:38:47 | 0:38:48 | |
I think we've just crashed. | 0:38:48 | 0:38:50 | |
We - I - have just crashed here. | 0:38:50 | 0:38:52 | |
Big-time, Phil. | 0:38:52 | 0:38:54 | |
Sold. | 0:38:54 | 0:38:55 | |
Well, thanks, mate. Well done. Terrific. | 0:38:55 | 0:38:59 | |
Been lovely seeing you. See you all soon, it's been lovely. | 0:38:59 | 0:39:01 | |
Bye! | 0:39:01 | 0:39:02 | |
A loss of £14, less commission. | 0:39:02 | 0:39:05 | |
Next up, the silver-plated Deco pieces. | 0:39:07 | 0:39:10 | |
Sue is expecting great shakes for these. | 0:39:10 | 0:39:12 | |
40. It's a lovely thing. | 0:39:12 | 0:39:15 | |
Down to 35, then. | 0:39:15 | 0:39:17 | |
-110 now! -This is Dartford! | 0:39:17 | 0:39:19 | |
Don't they do cocktails in Dartford? | 0:39:19 | 0:39:22 | |
I kissed two antique dealers for this. | 0:39:22 | 0:39:24 | |
£30 I've got to start it. | 0:39:24 | 0:39:27 | |
30 I've got. Looking for 35. | 0:39:27 | 0:39:29 | |
35, 40, five, 50. | 0:39:29 | 0:39:33 | |
-Selling at 45 to the young lady. -No, no! | 0:39:33 | 0:39:35 | |
Last time at 45. | 0:39:35 | 0:39:39 | |
We made a loss! | 0:39:40 | 0:39:41 | |
Correct, Sue. | 0:39:41 | 0:39:43 | |
In fact, a £5 loss less commission. | 0:39:43 | 0:39:45 | |
Funny old world, isn't it? | 0:39:45 | 0:39:47 | |
Well, Phil, let's hope it's funny enough to contain a cricket-loving | 0:39:47 | 0:39:51 | |
Meccano-collecting majolica fan in need of a mirror, | 0:39:51 | 0:39:54 | |
who wants to buy your next lot. | 0:39:54 | 0:39:57 | |
35 straight in at the back. 38. 40? | 0:39:57 | 0:40:00 | |
40 there. 42, 44. | 0:40:00 | 0:40:04 | |
46, 48, 50, 55. | 0:40:04 | 0:40:08 | |
60? Still 55. | 0:40:08 | 0:40:11 | |
At 55, it's going. | 0:40:11 | 0:40:12 | |
That's a £10 profit before commission. | 0:40:14 | 0:40:16 | |
It's looking as though the boys are unbeatable. | 0:40:17 | 0:40:19 | |
Will Sue's bedroom chair close the gap? | 0:40:21 | 0:40:24 | |
Should be around about 50. 45? | 0:40:24 | 0:40:26 | |
40? | 0:40:26 | 0:40:29 | |
£40 straight in, thank you. | 0:40:29 | 0:40:31 | |
Five anywhere? | 0:40:31 | 0:40:32 | |
40, I've got. Still looking for five. | 0:40:32 | 0:40:34 | |
45, 50. | 0:40:34 | 0:40:36 | |
Five, 60? | 0:40:36 | 0:40:38 | |
55 I have. 60 anywhere? | 0:40:38 | 0:40:41 | |
Selling at 55. | 0:40:41 | 0:40:43 | |
I've got to tell you, I think that was a result. | 0:40:44 | 0:40:47 | |
Do you? | 0:40:47 | 0:40:48 | |
OK, we have a box of... | 0:40:48 | 0:40:51 | |
Unfortunately, Charles, after commission, that's actually a loss. | 0:40:51 | 0:40:54 | |
Up next, the Trotters Independent Trading company van. | 0:40:58 | 0:41:00 | |
20? | 0:41:00 | 0:41:01 | |
18? | 0:41:01 | 0:41:03 | |
15, surely. 15, | 0:41:03 | 0:41:05 | |
16, 18, 20. | 0:41:05 | 0:41:07 | |
22. | 0:41:07 | 0:41:08 | |
24, 26, 28. | 0:41:08 | 0:41:11 | |
Going well for a three-wheeler. | 0:41:11 | 0:41:13 | |
34, 36. | 0:41:13 | 0:41:14 | |
38, 40. | 0:41:14 | 0:41:18 | |
Worth it. | 0:41:18 | 0:41:19 | |
42, 44? | 0:41:19 | 0:41:20 | |
Still 42 and selling at £42. | 0:41:20 | 0:41:22 | |
Well done. | 0:41:24 | 0:41:25 | |
Well done, guys. Well done. | 0:41:25 | 0:41:27 | |
Well done, thank you. | 0:41:27 | 0:41:29 | |
Cushty, I believe is the word. | 0:41:29 | 0:41:32 | |
Next up, it's the collection of indentures. | 0:41:34 | 0:41:36 | |
70 in total, bought for £70. | 0:41:36 | 0:41:39 | |
120, I've got. | 0:41:39 | 0:41:41 | |
Looking for 125. | 0:41:41 | 0:41:43 | |
125. | 0:41:43 | 0:41:44 | |
130, five, 140, five, | 0:41:44 | 0:41:46 | |
150, five, 160, five, | 0:41:46 | 0:41:50 | |
170, five, 180, five, | 0:41:50 | 0:41:53 | |
190, five, | 0:41:53 | 0:41:54 | |
200, 210, 220, 250. | 0:41:54 | 0:41:58 | |
260, | 0:41:58 | 0:42:00 | |
270, | 0:42:00 | 0:42:02 | |
280? | 0:42:02 | 0:42:04 | |
270 seated. At 270. | 0:42:04 | 0:42:08 | |
-Brilliant. -Pleased with that. | 0:42:08 | 0:42:09 | |
And so you should be, Phil. | 0:42:09 | 0:42:11 | |
A £200 profit before commission, all on the toss of a coin. Cor! | 0:42:11 | 0:42:15 | |
Lovely jubbly. | 0:42:15 | 0:42:17 | |
Let's hear it. | 0:42:17 | 0:42:19 | |
Shut up, Charles. | 0:42:19 | 0:42:20 | |
Lovely jubbly. | 0:42:20 | 0:42:21 | |
Del Boy'd be proud of you, my son. | 0:42:23 | 0:42:25 | |
Proud indeed, as it puts you firmly in the lead. | 0:42:25 | 0:42:28 | |
However, Sue and Charles still have two lots to go. | 0:42:28 | 0:42:32 | |
The first of these, the silver Elkington set. | 0:42:32 | 0:42:35 | |
Start me at 60. | 0:42:35 | 0:42:37 | |
Lovely piece of Elkington. | 0:42:37 | 0:42:38 | |
Any interest at all? | 0:42:40 | 0:42:41 | |
Over there, sir. | 0:42:41 | 0:42:42 | |
60 with the lady here. | 0:42:42 | 0:42:44 | |
60 I've got. | 0:42:44 | 0:42:46 | |
Five anywhere? | 0:42:46 | 0:42:48 | |
Selling at £60, at the back. | 0:42:48 | 0:42:49 | |
At £60. | 0:42:49 | 0:42:53 | |
That's £50 profit, but still leaves Sue and Charles trailing. | 0:42:53 | 0:42:58 | |
It's time to kitsch up with their final item. | 0:43:00 | 0:43:02 | |
In the words of the inimitable Del Boy Trotter, | 0:43:02 | 0:43:06 | |
the bonnet de douche of today's auction. | 0:43:06 | 0:43:09 | |
Bring on the bar! | 0:43:09 | 0:43:10 | |
Anyone, 165? 165 there. I've got 170. | 0:43:10 | 0:43:14 | |
You get a free drink! | 0:43:14 | 0:43:16 | |
175. In the room at 175. Looking for 180. I'm out. | 0:43:16 | 0:43:19 | |
And you get a free cocktail. | 0:43:19 | 0:43:20 | |
-Looking for 180 now. -And you get a free cocktail. | 0:43:20 | 0:43:22 | |
-A free drink. -Free cocktail. | 0:43:22 | 0:43:24 | |
You get the bar, you get the pineapples. | 0:43:24 | 0:43:26 | |
And the purchaser will get photographs of Boycie and Marlene | 0:43:26 | 0:43:30 | |
at the bar drinking a cocktail. | 0:43:30 | 0:43:34 | |
Another profit, but is it enough? | 0:43:34 | 0:43:37 | |
As an epic struggle ends, let's crunch the numbers. | 0:43:37 | 0:43:41 | |
Our celebrities began with £400 each. | 0:43:41 | 0:43:45 | |
After auction costs, Sue and Charles have made a reasonable profit | 0:43:45 | 0:43:49 | |
of £84.32, so end their road trip | 0:43:49 | 0:43:53 | |
with a total of £484.32. | 0:43:53 | 0:43:56 | |
After auction costs, | 0:43:58 | 0:44:00 | |
John and Philip have made an amazing profit of £295.46 | 0:44:00 | 0:44:05 | |
and end their road trip with a total of £695.46, | 0:44:05 | 0:44:09 | |
giving them a resounding victory. | 0:44:09 | 0:44:12 | |
All good things come to an end, so time to say their goodbyes. | 0:44:14 | 0:44:17 | |
Could be an interesting drive back. | 0:44:17 | 0:44:20 | |
Funny thing is, a profit | 0:44:20 | 0:44:21 | |
of £84.32 would normally win one of these trips, | 0:44:21 | 0:44:24 | |
but Sue and Charles were up against an unstoppable partnership | 0:44:24 | 0:44:27 | |
in John and Phil. | 0:44:27 | 0:44:29 | |
Now it's time for our experts and celebs to part company | 0:44:29 | 0:44:33 | |
for the last time. All profits generated by our celebrity teams | 0:44:33 | 0:44:36 | |
will go to Children In Need. | 0:44:36 | 0:44:38 | |
Three days and he's learnt her name. | 0:44:38 | 0:44:40 | |
-How does the laugh go? -Huh-huh-huh-huh! | 0:44:40 | 0:44:43 | |
Subtitles by Red Bee Media Ltd | 0:44:56 | 0:45:00 |