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Some of the nation's favourite celebrities... | 0:00:01 | 0:00:03 | |
What if we were to say 150 for the two? Then you've got yourself a deal. | 0:00:03 | 0:00:07 | |
..one antiques expert each... | 0:00:07 | 0:00:08 | |
A-a-a-a-a-h! | 0:00:08 | 0:00:10 | |
# Da, da, da, da, da, da, da! # | 0:00:10 | 0:00:13 | |
..and one big challenge. | 0:00:13 | 0:00:14 | |
Who can seek out and buy the best antiques at the very best prices? | 0:00:14 | 0:00:19 | |
HE BLEATS LIKE A SHEEP | 0:00:19 | 0:00:20 | |
THEY LAUGH | 0:00:20 | 0:00:22 | |
And auction for a big profit further down the road? | 0:00:22 | 0:00:26 | |
Who will spot the good investments? Who will listen to advice? | 0:00:26 | 0:00:31 | |
What you've just come out with there, I cannot believe that! | 0:00:31 | 0:00:33 | |
And who will be the first to say, "Don't you know who I am?!" | 0:00:33 | 0:00:38 | |
Time to put your pedal to the metal. | 0:00:38 | 0:00:42 | |
This is Celebrity Antiques Road Trip! | 0:00:42 | 0:00:44 | |
Yeah! | 0:00:47 | 0:00:48 | |
Welcome to Hampshire, a part of southern England, | 0:00:51 | 0:00:54 | |
filled with bucolic charms, but not immune from the English summer. | 0:00:54 | 0:00:59 | |
I'm now driving my own little paddling pool! | 0:01:00 | 0:01:02 | |
THEY LAUGH | 0:01:02 | 0:01:04 | |
Gregg Wallace and John Torode create heat in the kitchen, | 0:01:04 | 0:01:07 | |
and they'll be no soggy sponges when it comes to antiques. | 0:01:07 | 0:01:11 | |
-GREGG: -This is a competition between you and I, so obviously I'll win. -You think. | 0:01:11 | 0:01:15 | |
Let's just remember I am Australian and slightly competitive. | 0:01:15 | 0:01:18 | |
You're also used to being secondary to me on MasterChef. | 0:01:18 | 0:01:21 | |
Gregg Wallace is best known as a tough taskmaster | 0:01:21 | 0:01:25 | |
on the MasterChef programmes. | 0:01:25 | 0:01:27 | |
His roots were in selling fruit and veg... | 0:01:27 | 0:01:30 | |
..which sparked his love of food and restaurants. | 0:01:31 | 0:01:34 | |
And he still makes time for fun. | 0:01:35 | 0:01:38 | |
Oh, yeah! This is nice, me and you hanging out, don't have to taste anybody's rubbish food! | 0:01:38 | 0:01:42 | |
Aussie-born John Torode's tasted a lot in the name of MasterChef. | 0:01:42 | 0:01:48 | |
A classically trained chef and restaurateur, | 0:01:48 | 0:01:52 | |
he demands the best from MasterChef hopefuls. | 0:01:52 | 0:01:56 | |
-And nothing less from himself. -Thank you! | 0:01:57 | 0:02:01 | |
Charles Hanson and Charlie Ross are in their 1968 Beetle | 0:02:03 | 0:02:06 | |
en route to meet Gregg and John. | 0:02:06 | 0:02:08 | |
Charles has high hopes. | 0:02:09 | 0:02:11 | |
They appreciate the sweet and the savoury, | 0:02:13 | 0:02:16 | |
we appreciate the pedigree and the condition. | 0:02:16 | 0:02:19 | |
It could be a foursome made in heaven. | 0:02:19 | 0:02:22 | |
It might be, especially as Gregg and John like their 1969 MG Midget. | 0:02:22 | 0:02:27 | |
But Gregg has firm views on what's acceptable. | 0:02:27 | 0:02:30 | |
-If my one's got a cravat, I'm just walking! -Yes. | 0:02:31 | 0:02:34 | |
I'm not having anyone with a cravat. People with cravats are weird. | 0:02:34 | 0:02:37 | |
No cravats then, Gregg, I promise. There are some things best kept plain. | 0:02:37 | 0:02:41 | |
A simple guy, Charlie. I like, you know, I like toast and jam. | 0:02:41 | 0:02:44 | |
-You know, cheese on... -No, you like a value meal! | 0:02:44 | 0:02:47 | |
Charles Hanson may eat simply but he has fancy taste in antiques. | 0:02:49 | 0:02:52 | |
# He likes bread and butter... # | 0:02:52 | 0:02:56 | |
He's a seasoned auctioneer with a passion for early English porcelain and neoclassical furniture. | 0:02:56 | 0:03:00 | |
When it comes to plain English, it's another story. | 0:03:00 | 0:03:03 | |
It's the hustle and bustle of digging deep. | 0:03:03 | 0:03:06 | |
# Food, glorious, food | 0:03:06 | 0:03:08 | |
# Hot sausage and mustard... # | 0:03:08 | 0:03:11 | |
Put a sock in it, chaps! | 0:03:11 | 0:03:13 | |
When not deafening hedgerows, | 0:03:15 | 0:03:17 | |
Charlie Ross is a distinguished auctioneer. | 0:03:17 | 0:03:20 | |
He ran his own auction house for 25 years before going freelance. | 0:03:20 | 0:03:24 | |
Since then, he's sold everything, | 0:03:25 | 0:03:28 | |
from Jimi Hendrix songs to Wembley Stadium memorabilia. | 0:03:28 | 0:03:31 | |
Even so, he can never predict when the next big find might be. | 0:03:31 | 0:03:36 | |
Good grief! Talk about an Aladdin's cave! | 0:03:36 | 0:03:39 | |
Never mind choosing antiques. First, who's pairing up with whom? | 0:03:39 | 0:03:43 | |
-This guy who is called John Torode... -Yeah. | 0:03:43 | 0:03:47 | |
He is Australian, he's suave, he's charismatic, he's cool. | 0:03:47 | 0:03:51 | |
Why don't you get fresh with him? | 0:03:51 | 0:03:52 | |
Gregg is the guy who wears big glasses, he's really passionate, | 0:03:52 | 0:03:56 | |
he really waxes lyrical when it comes to oozing out fine food. | 0:03:56 | 0:04:01 | |
I can get passionate with him and you can get fresh with, erm, John. | 0:04:01 | 0:04:04 | |
You know? And that could be a good foursome. | 0:04:04 | 0:04:07 | |
I'm not sure about this getting fresh and getting passionate. | 0:04:07 | 0:04:10 | |
No, that's definitely not in the rules! | 0:04:12 | 0:04:14 | |
You know full well you get a celebrity and £400 each, | 0:04:14 | 0:04:18 | |
a classic car and two days' shopping | 0:04:18 | 0:04:20 | |
to see who can make the most money at auction. | 0:04:20 | 0:04:23 | |
Our fresh four start their road trip in Alton, in Hampshire, | 0:04:27 | 0:04:32 | |
weaving their way through the pretty countryside of West Sussex, | 0:04:32 | 0:04:35 | |
ending at an auction in Fernhurst, on the Surrey-Sussex border. | 0:04:35 | 0:04:40 | |
The market town of Alton was home to Sweet Fanny Adams. | 0:04:40 | 0:04:44 | |
HE CHUCKLES | 0:04:44 | 0:04:45 | |
Yes, she really existed, until her gruesome murder in 1867. | 0:04:45 | 0:04:51 | |
Happily, the only danger today is our teams MAKING Sweet Fanny Adams. | 0:04:51 | 0:04:56 | |
Speaking of which... | 0:04:56 | 0:04:58 | |
-Here they are. Morning. -Good morning. -How are you? -John. -Gregg. -Charles... -Hello, John. | 0:04:58 | 0:05:02 | |
-Gregg. -Charlie. -Hi. -Two Charleses? -A Charlie and Charles. -Yeah. -Exactly. | 0:05:02 | 0:05:06 | |
-You're our experts? -Absolutely. -Yeah. We know everything! -Yeah. | 0:05:06 | 0:05:09 | |
-JOHN: -Who's with me? -Well, guys, we thought... | 0:05:09 | 0:05:12 | |
-What do you think? -We thought... -We've been thinking?! -We've been thinking. | 0:05:12 | 0:05:15 | |
We were thinking in the car that you guys are quite similar. | 0:05:15 | 0:05:18 | |
-Sorry, erm, you and me are quite similar. And John... -Get this right! | 0:05:18 | 0:05:22 | |
Sorry, John! Sorry, I'll start again. We thought, in the car, didn't we, | 0:05:22 | 0:05:26 | |
you didn't want to go with somebody who... | 0:05:26 | 0:05:27 | |
No, you wanted somebody... I'll start again. What do we do about this? | 0:05:27 | 0:05:31 | |
I just asked him who was with who, right? Can you imagine what he'll be like trying to find an antique! | 0:05:31 | 0:05:36 | |
-I think it's simple. -Yeah. -We shouldn't have two bald people together. | 0:05:36 | 0:05:39 | |
-You and I should be split up, don't you think? -Yeah, OK. | 0:05:39 | 0:05:41 | |
Two... One with hair and one without in each pair! | 0:05:41 | 0:05:45 | |
-Good luck with this young whippersnapper! -He'll be fine. | 0:05:45 | 0:05:47 | |
-You don't like the cut of his suit. -It's a sale! | 0:05:47 | 0:05:50 | |
-Come on, Aussie! -Let's go! | 0:05:50 | 0:05:52 | |
-Er, you have left school, have you? -Yeah, I left school, um, about... | 0:05:52 | 0:05:56 | |
Gregg and the young whippersnapper - ha - | 0:05:56 | 0:05:58 | |
head for The Tiny Shop in Alton, which seems to appeal. | 0:05:58 | 0:06:02 | |
Oh! Croquet! | 0:06:02 | 0:06:04 | |
-Are you a croquet player? -I love croquet. | 0:06:04 | 0:06:07 | |
-It's really competitive but it's real fun. -Yeah. | 0:06:07 | 0:06:09 | |
-And it's very, very English. -Yeah, yeah. | 0:06:09 | 0:06:12 | |
Hidden under this old brass...fire grate, | 0:06:12 | 0:06:15 | |
you've got an all-important name hidden down there. Can you read it? | 0:06:15 | 0:06:18 | |
It says "Jacques". | 0:06:18 | 0:06:20 | |
Jacques was the most important maker of early 20th-century croquet sets. | 0:06:20 | 0:06:25 | |
-That could be a really good buy, buddy. -What about Alfred? | 0:06:25 | 0:06:29 | |
-Alfred? -The grate. Alfred - I'm calling him Alfred. | 0:06:30 | 0:06:33 | |
-Oh, that's clever. Alfred the brass grate. -Yeah. | 0:06:33 | 0:06:36 | |
-I tell you what, if I was that... -Yeah? -..I'd be on fire. -How d'you mean? | 0:06:36 | 0:06:39 | |
How d'you mean on fire? | 0:06:41 | 0:06:42 | |
-(On fire...?) -Keep up, Charles! | 0:06:42 | 0:06:44 | |
-Yeah, I've got it. "On fire", yeah, yeah, yeah, great! -Right! | 0:06:44 | 0:06:47 | |
-Good. Great gag. -Ha! | 0:06:47 | 0:06:49 | |
-Great gag. Get it? "Grate" gag! -We've got... -Hello, sir! | 0:06:49 | 0:06:52 | |
The croquet set's priced at £80 | 0:06:52 | 0:06:54 | |
but Gregg and Charles are hoping dealer Rob will give them a - | 0:06:54 | 0:06:58 | |
sorry - "grate" bargain! | 0:06:58 | 0:07:00 | |
I reckon, Gregg, at auction, the auctioneer, the wholesale market | 0:07:00 | 0:07:04 | |
would guide that set to fetch between £30 and £50. | 0:07:04 | 0:07:07 | |
So I wonder if we could do a deal at 30? | 0:07:07 | 0:07:10 | |
We'll put it in the car, take it away and clear your front entrance. | 0:07:10 | 0:07:13 | |
-See, the hand has come out straight away. -That's brilliant. -Yeah. | 0:07:13 | 0:07:16 | |
You're a good man, sir. We'll take it for £30. Yeah, we like it very much. | 0:07:16 | 0:07:20 | |
No need to jump through the hoops there, then! | 0:07:20 | 0:07:23 | |
It's the first lot in the bag, I mean, box. | 0:07:23 | 0:07:27 | |
For their antique-buying appetiser | 0:07:28 | 0:07:30 | |
John and Charlie are bidding farewell to Alton | 0:07:30 | 0:07:33 | |
and heading ten miles down the road, to West Liss. | 0:07:33 | 0:07:36 | |
West Liss is the oldest part of the village of Liss, in Hampshire. | 0:07:37 | 0:07:42 | |
It boasts all those quintessentially English village amenities | 0:07:42 | 0:07:46 | |
like pubs, a playing field, a cricket club and, erm, | 0:07:46 | 0:07:50 | |
an Italian wine importer. | 0:07:50 | 0:07:52 | |
Bypassing the wine merchant, | 0:07:52 | 0:07:54 | |
John and Charlie head into Plestor Barn Antiques. | 0:07:54 | 0:07:57 | |
Don't get too worried about the antique side of things. We're here to make a profit. | 0:07:57 | 0:08:01 | |
The barn is run by Terry McCarthy. | 0:08:01 | 0:08:04 | |
They soon sniff out a find. | 0:08:06 | 0:08:08 | |
Brandy. | 0:08:08 | 0:08:09 | |
Oh, yes. | 0:08:11 | 0:08:12 | |
-Presumably you have to have a hell of a good sense of smell? -Yeah, sense of smell and taste. | 0:08:12 | 0:08:16 | |
-Taste is what it's all about. -Also I've got to make up for Gregg's inability to taste food properly, | 0:08:16 | 0:08:21 | |
cos he's got spoon stuck in his gob all the time, hasn't he? Right...! | 0:08:21 | 0:08:25 | |
Charlie sniffs out something spookily familiar. | 0:08:25 | 0:08:28 | |
People love playing croquet. | 0:08:28 | 0:08:31 | |
Have a look at one of the mallets and see if it's stamped with "Jacques" on it. | 0:08:31 | 0:08:35 | |
It says something else which I would think you might like. | 0:08:35 | 0:08:38 | |
So it says... | 0:08:38 | 0:08:39 | |
-Look. -Oh, yeah. "The All England". Yep. And the other side... | 0:08:39 | 0:08:43 | |
"Jacques". | 0:08:44 | 0:08:46 | |
I think "The All England", refers to the model, if you like, | 0:08:46 | 0:08:48 | |
so it'll be their sort of luxury model. | 0:08:48 | 0:08:51 | |
Do you think they all match? | 0:08:51 | 0:08:53 | |
A close inspection shows some parts of the set aren't original | 0:08:53 | 0:08:58 | |
but that doesn't deter John and Charlie. | 0:08:58 | 0:09:01 | |
-I quite like it, though, you know? I mean... -It's a great thing! | 0:09:01 | 0:09:03 | |
Yes! But it's £195! | 0:09:03 | 0:09:06 | |
At auction it would probably make 75 or 80 quid. | 0:09:06 | 0:09:09 | |
Really?! Charles reckoned 30 to 50. | 0:09:09 | 0:09:12 | |
-Complete death is 70 quid. I cannot do it for 50. -That is... No, no, no. | 0:09:12 | 0:09:16 | |
A deal is doomed until John has a brainwave. | 0:09:16 | 0:09:19 | |
-I was thinking about afternoon tea. -Yeah. | 0:09:19 | 0:09:21 | |
Maybe the person who buys it comes and has a cup of tea and a cupcake I make for them, | 0:09:21 | 0:09:26 | |
and they have their photo taken. | 0:09:26 | 0:09:27 | |
-I think that's just a belter! -OK. | 0:09:27 | 0:09:30 | |
Have you got a cakestand you could throw in? | 0:09:30 | 0:09:32 | |
Well, let's see what a little rummage might turn up. | 0:09:32 | 0:09:37 | |
I found silver-plated muffin dish. | 0:09:37 | 0:09:39 | |
You could put your scones in there! | 0:09:39 | 0:09:41 | |
I think you'd have to dress up as a butler, wouldn't you? "Hello, sir." | 0:09:41 | 0:09:44 | |
The muffin dish should be £20 but Charlie's got a hunch. | 0:09:44 | 0:09:49 | |
If we gave you 70 quid, could we have a muffin dish with it? | 0:09:49 | 0:09:52 | |
Would that work? | 0:09:52 | 0:09:54 | |
80, really. 70, and ten for the muffin dish. | 0:09:54 | 0:09:57 | |
75? | 0:09:57 | 0:09:58 | |
OK. I've had a quiet week! 75 it is! | 0:09:58 | 0:10:01 | |
Cheers! Thank you. | 0:10:01 | 0:10:04 | |
Deal! It's a tasty starter for our road-trippers! | 0:10:04 | 0:10:07 | |
Back in Alton, it's going like clockwork. | 0:10:07 | 0:10:11 | |
-Oh, mate! -What have you found there, Gregg? | 0:10:11 | 0:10:13 | |
Look, look, look, look, look! It's a wind-up Scottie dog! | 0:10:13 | 0:10:16 | |
-That's quite novel, isn't it? -I love him! Look! Rrrrr! Go on, son! | 0:10:16 | 0:10:20 | |
-See, he's really good, actually. -Rrr-ay! | 0:10:20 | 0:10:23 | |
The dog was made by the German manufacturer Schuco, | 0:10:23 | 0:10:27 | |
which achieved huge success in the 1920s and '30s | 0:10:27 | 0:10:30 | |
with its mechanical tin toys. | 0:10:30 | 0:10:32 | |
This little fellow doesn't have his original winding key. | 0:10:32 | 0:10:36 | |
It reduces his value a bit, but not his charm. | 0:10:36 | 0:10:38 | |
GREGG LAUGHS LOUDLY | 0:10:38 | 0:10:41 | |
Oh, mate! I just need to buy it myself! He's brilliant! | 0:10:41 | 0:10:46 | |
All I got to do now is teach him | 0:10:46 | 0:10:49 | |
to pee up the next-door neighbours' marigolds and he's done! | 0:10:49 | 0:10:51 | |
-Go on, you have a chat. -Sir, best price on the Schuco dog? | 0:10:51 | 0:10:54 | |
-We'll give you a chance. £10. -£10. -It's a done dog! £10 done dog! | 0:10:54 | 0:10:58 | |
-Yeah. Are you enjoying yourself? -I'm loving it! -Really? | 0:10:58 | 0:11:01 | |
-This is... This is... -We have chemistry together. | 0:11:01 | 0:11:04 | |
Chemistry, eh? Let's test it. | 0:11:04 | 0:11:06 | |
-I'll tell you... I have got some antique jokes. -Have you? -Yeah! | 0:11:06 | 0:11:09 | |
Tell me an antique joke. I might get this one. | 0:11:09 | 0:11:11 | |
Why did the Tyrannosaurus cross the road? | 0:11:11 | 0:11:13 | |
Erm... | 0:11:13 | 0:11:14 | |
There were no chickens in those days. | 0:11:15 | 0:11:18 | |
Ha! If that's chemistry, I'm Heston Blumenthal! | 0:11:18 | 0:11:22 | |
Stick with what you know, Charles, | 0:11:23 | 0:11:25 | |
which seems to be silver meat skewers. | 0:11:25 | 0:11:27 | |
This skewer dates to the year 1820. | 0:11:27 | 0:11:31 | |
-Five years after the Battle of Waterloo. -Exactly... | 0:11:31 | 0:11:34 | |
-..12 years before the Great Reform Act. -God, I love history! | 0:11:34 | 0:11:36 | |
-We've got one... -Keep talking to me! -One of the Georges on the throne. | 0:11:36 | 0:11:40 | |
It was made in London. That's a profile there of George IV, | 0:11:40 | 0:11:43 | |
and the maker's mark is up there, GP, | 0:11:43 | 0:11:46 | |
and the maker of this was a man called George Pierce. | 0:11:46 | 0:11:50 | |
-I just think it could be quite a good buy. -You think? -Yeah, I do. | 0:11:50 | 0:11:54 | |
It's not something I would, but I trust you. | 0:11:54 | 0:11:56 | |
-As an amateur historian, that excites me. -Exactly. | 0:11:56 | 0:11:59 | |
-The hands it's been through and the era it was forged. -Exactly. | 0:11:59 | 0:12:03 | |
What we've got here, around 1820, we've got political upheaval. | 0:12:03 | 0:12:06 | |
-A revolution's coming on from below. -Lord Liverpool's government. | 0:12:06 | 0:12:09 | |
-Lord Liverpool's government. -This man knows his history! | 0:12:09 | 0:12:11 | |
-The last great Tory government. -Mate! He's my wingman! God! | 0:12:11 | 0:12:15 | |
We're living the dream and this is a dream. | 0:12:15 | 0:12:17 | |
-Let's do it. And, look, we're in this together... -Exactly! | 0:12:17 | 0:12:20 | |
-If it goes wrong, you're copping the blame. -How d'you mean? -Well... | 0:12:20 | 0:12:24 | |
Ah, true team spirit there, Gregg(!) | 0:12:24 | 0:12:27 | |
Anyway, you need to get the price down from £175 first. | 0:12:27 | 0:12:31 | |
-What's the best price on your skewer? -60? | 0:12:31 | 0:12:34 | |
Would you come down a bit more at all? Would you take for this, £40? | 0:12:34 | 0:12:38 | |
-Go on, then. -Are you sure? -Yep. -Shake his hand quick! | 0:12:38 | 0:12:41 | |
Quick indeed! With the skewer, the toy dog | 0:12:41 | 0:12:44 | |
and the croquet set all in the bag for £80, these guys are cookin'! | 0:12:44 | 0:12:48 | |
In Liss, John and Charlie | 0:12:51 | 0:12:53 | |
are still rootling through the surprising stock at Plestor Barn. | 0:12:53 | 0:12:57 | |
-What about this, Charles? You seen this? -No. | 0:12:57 | 0:13:02 | |
I used to have this as a kid. | 0:13:02 | 0:13:04 | |
-It's very clever. So these are the slides, right? -Yeah. | 0:13:04 | 0:13:07 | |
-I think this is a collector's item. -I remember those! -Right. | 0:13:07 | 0:13:10 | |
-You put that in there, like that... -Yeah. -..then you look in it... | 0:13:10 | 0:13:13 | |
Yeah, look. | 0:13:13 | 0:13:15 | |
Brilliant. | 0:13:15 | 0:13:16 | |
Oh, loving it! Cornwall! | 0:13:19 | 0:13:21 | |
So these are all old. I don't know how old they are but look... | 0:13:21 | 0:13:24 | |
Well, John, the View-Master originated in the late 1930s, | 0:13:24 | 0:13:28 | |
when its stereo images of scenery | 0:13:28 | 0:13:30 | |
were intended to rival traditional postcards. | 0:13:30 | 0:13:33 | |
See, I even remember having one in the 1970s when I was a kid. | 0:13:35 | 0:13:39 | |
But they're beautiful. I think they're really beautiful. | 0:13:39 | 0:13:41 | |
And all the bits and pieces are in there. | 0:13:41 | 0:13:43 | |
And it's ten quid. | 0:13:43 | 0:13:45 | |
Ten quid?! There's not a lot of down side, is there?! | 0:13:45 | 0:13:48 | |
-Can we buy it? -Absolutely. I'm right behind you. | 0:13:48 | 0:13:51 | |
-Shall I haggle? -I think ten quid, no haggle. | 0:13:51 | 0:13:53 | |
While they're on a roll, the chaps also pick up a stamp album | 0:13:53 | 0:13:57 | |
and some loose stamps, reduced from £20 to £15. | 0:13:57 | 0:14:00 | |
So, signed, sealed and delivered. | 0:14:04 | 0:14:07 | |
That's a grand total of £100 for the stamps, the View-Master, | 0:14:07 | 0:14:10 | |
the croquet set and the muffin dish. What a mixture! | 0:14:10 | 0:14:13 | |
Gregg and Charles have left Alton behind them | 0:14:13 | 0:14:16 | |
to follow in John and Charlie's tracks, on the road to West Liss. | 0:14:16 | 0:14:21 | |
As a self-confessed jam and toast man, | 0:14:21 | 0:14:23 | |
Charles wants to know what makes a foodie. | 0:14:23 | 0:14:26 | |
Are you born with a good palate? | 0:14:26 | 0:14:28 | |
I think people that can't taste food can be palate deaf, | 0:14:28 | 0:14:31 | |
like people are tone deaf, | 0:14:31 | 0:14:33 | |
but definitely the more you do of something, | 0:14:33 | 0:14:35 | |
the better your palate gets. | 0:14:35 | 0:14:37 | |
Just think about what you're eating. | 0:14:37 | 0:14:40 | |
Don't say just, "Oh, I like it" or "I don't like it". | 0:14:40 | 0:14:43 | |
-Figure out WHY you don't like it. -Yeah. | 0:14:43 | 0:14:45 | |
Gregg and Charles' second stop is Plestor Barn Antiques. | 0:14:52 | 0:14:55 | |
John and Charlie are long gone, | 0:14:55 | 0:14:56 | |
leaving the coast clear for some browsing... | 0:14:56 | 0:15:00 | |
And that is a big one, isn't it? | 0:15:00 | 0:15:02 | |
..and reflection on a relationship that's definitely defrosting. | 0:15:02 | 0:15:05 | |
I actually like old Chazza. He knows what he's talking about. | 0:15:05 | 0:15:08 | |
He's a bit posh at first and he uses really long-winded explanations, | 0:15:08 | 0:15:12 | |
but actually he's a good guy at heart and he does know his stuff. | 0:15:12 | 0:15:15 | |
Indeed he does. | 0:15:15 | 0:15:16 | |
And he's not short of clever ideas either. | 0:15:17 | 0:15:20 | |
Look at this. You know, you're a man who was all about fresh fruit, | 0:15:20 | 0:15:25 | |
and if you want fine, fresh fruit, freshly painted, | 0:15:25 | 0:15:29 | |
like a canvas on porcelain, look at that. | 0:15:29 | 0:15:33 | |
That's really pretty. | 0:15:33 | 0:15:34 | |
Hand enamelled, made by Royal Worcester. | 0:15:34 | 0:15:38 | |
What does hand-enamelled mean? | 0:15:38 | 0:15:40 | |
Hand-enamelled - it's been painted on by the artist, | 0:15:40 | 0:15:42 | |
so all the fruit, this began as a blank canvas | 0:15:42 | 0:15:45 | |
and the artist sat there for maybe three, four hours, | 0:15:45 | 0:15:48 | |
and has painted all of this on purely by hand. | 0:15:48 | 0:15:50 | |
-You're kidding me? -No. -That's beautiful. -Yeah. | 0:15:50 | 0:15:53 | |
-No transfer printing, nothing. -It has "greengrocer" written all over it! | 0:15:53 | 0:15:56 | |
Royal Worcester has a very elaborate system of marks | 0:15:56 | 0:15:59 | |
which enable experts to date each piece exactly. | 0:15:59 | 0:16:04 | |
This plate was made in 1954. | 0:16:05 | 0:16:07 | |
It's a bargain. | 0:16:07 | 0:16:09 | |
£8. You know, it's worth its weight in fruit probably ten times over. | 0:16:09 | 0:16:14 | |
-Sir...what's your bottom price on this? -£7. | 0:16:14 | 0:16:18 | |
-That's a deal. Thank you so much. -No problem. | 0:16:18 | 0:16:20 | |
Torode's not going to get anywhere near us. | 0:16:20 | 0:16:23 | |
I think Charlie Ross will be quaking in his boots | 0:16:23 | 0:16:26 | |
as he sees our objects tomorrow. | 0:16:26 | 0:16:28 | |
Hmm... I don't think it's quaking that's the issue right now. | 0:16:28 | 0:16:33 | |
-Whoa-ho! -Oh, I say, matron! Let's give it... | 0:16:33 | 0:16:35 | |
That's it! | 0:16:35 | 0:16:37 | |
Crikey! | 0:16:37 | 0:16:38 | |
Team Torode is weaving its way, a little unsteadily at times, | 0:16:40 | 0:16:44 | |
the 11 or so miles from West Liss to Midhurst in West Sussex. | 0:16:44 | 0:16:49 | |
Charlie's curious to know about the foundations of the Torode empire. | 0:16:49 | 0:16:53 | |
-What brought you over here? -I always wanted to travel the world. | 0:16:53 | 0:16:57 | |
I was going, "I want to live and work in Italy." | 0:16:57 | 0:16:59 | |
-I wanted to cook Italian food, properly. -Yeah. | 0:16:59 | 0:17:02 | |
I came to England and ran out of money. I've never left since. | 0:17:02 | 0:17:05 | |
-I'm still 'ere! -You have your own restaurant? -Uh, yeah. Various... | 0:17:05 | 0:17:10 | |
-Which is in London? -Yeah. -Or have you got more than one? | 0:17:10 | 0:17:13 | |
-Yeah. My biggest thing is meat. I'm a beef man. -Yeah. | 0:17:13 | 0:17:16 | |
I just specialise in great beef. | 0:17:16 | 0:17:18 | |
You have the only surviving lot of rare-breed beef | 0:17:18 | 0:17:21 | |
left in the whole world. | 0:17:21 | 0:17:23 | |
Every single breed has an individual flavour, so I celebrate beef... | 0:17:23 | 0:17:27 | |
-Fantastic. -..and brought rare breed back to the fore. | 0:17:27 | 0:17:30 | |
After 11 miles and an awful lot of chewing the cud, | 0:17:32 | 0:17:35 | |
they're in Midhurst, a market town with over 100 listed buildings. | 0:17:35 | 0:17:39 | |
It's in the middle of the South Downs National Park | 0:17:39 | 0:17:42 | |
and only a short gallop from the polo at Cowdray Park, | 0:17:42 | 0:17:44 | |
don't you know?! | 0:17:44 | 0:17:46 | |
John and Charlie are headed for Marmaduke's, | 0:17:48 | 0:17:51 | |
an intriguing emporium owned by Carlo, | 0:17:51 | 0:17:54 | |
who is poised to help, with dealer Ann. | 0:17:54 | 0:17:56 | |
A cookery book catches John's eye straight away. | 0:17:58 | 0:18:01 | |
It's a Larousse Gastronomique but you need a better version than that. | 0:18:01 | 0:18:06 | |
A cookery book, signed by you. | 0:18:06 | 0:18:08 | |
-Would we get... -I don't know... -..Gregg to sign it? | 0:18:08 | 0:18:10 | |
We could probably trick... | 0:18:10 | 0:18:12 | |
Would that improve the value or detract from it? | 0:18:12 | 0:18:14 | |
THEY LAUGH | 0:18:14 | 0:18:16 | |
Hey! The cookbook idea takes hold! | 0:18:16 | 0:18:19 | |
There are some cookbooks down there. There's a couple of Mrs Beetons. | 0:18:19 | 0:18:23 | |
Mrs Beeton's All About Cookery. | 0:18:23 | 0:18:25 | |
Yes. What's that there? | 0:18:25 | 0:18:27 | |
-This is Mrs Beeton's All About Cookery. -New Edition. | 0:18:27 | 0:18:29 | |
Yep, so this is an older one. | 0:18:29 | 0:18:31 | |
Oh, looks like first edition's got colour plates. | 0:18:31 | 0:18:34 | |
But after checking re-sale values online, | 0:18:34 | 0:18:36 | |
Team Torode decides it's not likely to make a quick buck from cookbooks. | 0:18:36 | 0:18:41 | |
They're presently going for about 64 pence, | 0:18:41 | 0:18:43 | |
so even at seven quid, they're over-priced! | 0:18:43 | 0:18:46 | |
I don't think we're going to get much value for it. | 0:18:46 | 0:18:48 | |
With the cookbooks ruled out, the search for a bargain goes on. | 0:18:48 | 0:18:52 | |
What is that? | 0:18:52 | 0:18:53 | |
-That's a stick pin. -Oh, it's a stick pin? -Might be gold. It IS gold. | 0:18:53 | 0:18:57 | |
Stick pins became fashionable in the late 18th century | 0:18:59 | 0:19:02 | |
as a way of securing a gentleman's neckwear | 0:19:02 | 0:19:05 | |
AND displaying wealth. | 0:19:05 | 0:19:07 | |
Tell you what I do like about that, is the original box. | 0:19:07 | 0:19:10 | |
-So turn it... -It's gold... Yeah, have a look at it. | 0:19:10 | 0:19:12 | |
-The mother-of-pearl on the other side's amazing, isn't it? -Yes, it is. | 0:19:15 | 0:19:19 | |
It's quite pretty, isn't it? You like that, don't you? | 0:19:19 | 0:19:21 | |
I do, I quite like that. | 0:19:21 | 0:19:23 | |
The stick pin is £38 - too pricey. | 0:19:23 | 0:19:25 | |
OK, I'll just pass you over... | 0:19:25 | 0:19:28 | |
John negotiates with the dealer. | 0:19:28 | 0:19:30 | |
Hi, Lynn, how are you? | 0:19:30 | 0:19:31 | |
Cheekily, what would be the best price you'd do for me, Lynn, PLEASE? | 0:19:31 | 0:19:36 | |
Very please, please, please, please! | 0:19:36 | 0:19:39 | |
-What was the verdict? -Vingt-cinq. | 0:19:39 | 0:19:41 | |
-Vingt-cinq! -Vingt-cinq. | 0:19:41 | 0:19:44 | |
Twenty-five! | 0:19:44 | 0:19:46 | |
They postpone a decision when Ann tempts them | 0:19:46 | 0:19:49 | |
with some splendidly British flying memorabilia. | 0:19:49 | 0:19:52 | |
What's this, then? | 0:19:52 | 0:19:54 | |
-That's the box for the goggles. They fold up. -Ah! | 0:19:54 | 0:19:57 | |
So they've got their original box. | 0:19:57 | 0:19:59 | |
-I don't think I've seen them with their original box before. -No. | 0:19:59 | 0:20:02 | |
Would you like to try them on? They're amazing. | 0:20:02 | 0:20:04 | |
Everything goes orange. | 0:20:04 | 0:20:06 | |
-You've just been... -Blimey! -You've just been tangoed! | 0:20:09 | 0:20:12 | |
Flying officer Torode! | 0:20:12 | 0:20:14 | |
But you imagine, have the sun on their faces up there, mustn't they? | 0:20:14 | 0:20:17 | |
Yeah. | 0:20:17 | 0:20:18 | |
Yeah. | 0:20:18 | 0:20:19 | |
I'm liking this. | 0:20:19 | 0:20:21 | |
There, look at that! | 0:20:23 | 0:20:24 | |
HE HUMS THE DAM BUSTERS THEME | 0:20:27 | 0:20:31 | |
What you could... | 0:20:31 | 0:20:32 | |
JOHN LAUGHS | 0:20:32 | 0:20:35 | |
That's doing it! | 0:20:37 | 0:20:38 | |
-That's brilliant! -That's sensational! | 0:20:41 | 0:20:44 | |
JOHN SQUEALS | 0:20:44 | 0:20:47 | |
That's amazing! | 0:20:48 | 0:20:50 | |
I have to say... | 0:20:50 | 0:20:51 | |
-Yeah? -..the thought of John wearing that in the saleroom... | 0:20:51 | 0:20:56 | |
could get the punters into a frenzied... | 0:20:56 | 0:20:59 | |
-A frenzies of bidding. -Yeah, a frenzy of bidding. | 0:20:59 | 0:21:02 | |
Frenzy or not, Charlie has seen things like this BOMB at auction. | 0:21:02 | 0:21:06 | |
He needs a reduction on the original price of £70 | 0:21:06 | 0:21:09 | |
to be confident of a profit. | 0:21:09 | 0:21:11 | |
Happily, Ann is flexible. Oh, yes. | 0:21:11 | 0:21:15 | |
Yes, we'd sell that for 35. | 0:21:15 | 0:21:17 | |
-35? -Yes. | 0:21:17 | 0:21:19 | |
Well, I'll tell you what, I'm very happy at 35. | 0:21:19 | 0:21:22 | |
-Right. -Yeah. -Deal. I think you're going to make money out of it. | 0:21:22 | 0:21:25 | |
If you're that confident you'll make money out of it, we're going to make money out of it. | 0:21:25 | 0:21:29 | |
Let's hope so. | 0:21:29 | 0:21:30 | |
With the stick pin and the flying gear, it's £60 from the kitty. | 0:21:30 | 0:21:34 | |
Back in West Liss, | 0:21:35 | 0:21:37 | |
Gregg's persistent in the face of incomprehension. | 0:21:37 | 0:21:40 | |
When it snowed, me and my granddad, we used to go over Peckham Rye, | 0:21:40 | 0:21:43 | |
we used to go bobsleighing - | 0:21:43 | 0:21:44 | |
-one week, we managed to kill seven bobs! -You didn't? | 0:21:44 | 0:21:48 | |
What are bobs? What are bobs? | 0:21:48 | 0:21:50 | |
-Bob slaying! -Oh! | 0:21:50 | 0:21:52 | |
D'you know, I don't know why, | 0:21:52 | 0:21:53 | |
my mind doesn't quite click into your creativity. | 0:21:53 | 0:21:56 | |
-A randy lobster, he went to a disco and pulled a mussel. -CHARLIE LAUGHS | 0:21:56 | 0:22:00 | |
-He laughed! -Oh, dear! | 0:22:00 | 0:22:03 | |
He's giggling at my jokes! I'm wearing off on him! | 0:22:03 | 0:22:05 | |
Yes, yes, that's all very well, | 0:22:05 | 0:22:07 | |
but there are antiques still to be bought. | 0:22:07 | 0:22:10 | |
Look at this! | 0:22:10 | 0:22:12 | |
Fruity - I love it. | 0:22:12 | 0:22:14 | |
Charles has spotted another Royal Worcester piece. | 0:22:15 | 0:22:19 | |
It's a globular vase with a style of hand-painted decoration | 0:22:19 | 0:22:23 | |
popular in the 1920s. | 0:22:23 | 0:22:25 | |
This example dates from 1950. | 0:22:25 | 0:22:28 | |
It's not an antique, it's a collectible | 0:22:28 | 0:22:30 | |
but it's a high-quality collectible. | 0:22:30 | 0:22:31 | |
You know, Gregg, I'm going to say | 0:22:31 | 0:22:33 | |
"Look, just buy it, shake the man's hand. It's ten pounds". | 0:22:33 | 0:22:35 | |
-Deal done. -All right, Kev. -Cheers, Gregg. | 0:22:37 | 0:22:39 | |
-Cheers, Tel. -You know how we're creating margins between them and us? | 0:22:39 | 0:22:44 | |
That margin is getting bigger, and bigger, and bigger. | 0:22:44 | 0:22:48 | |
We're on to a good thing. We're ripening. | 0:22:48 | 0:22:52 | |
That's it... | 0:22:52 | 0:22:53 | |
Well, as day one comes to a close, | 0:22:53 | 0:22:54 | |
you may be ripening as a double act but successful comedy's all about... | 0:22:54 | 0:22:59 | |
..timing, Charles. | 0:23:00 | 0:23:02 | |
Oh, well, never mind, Charles. | 0:23:02 | 0:23:04 | |
We'll politely not heckle and wish both teams nighty-night. | 0:23:04 | 0:23:08 | |
Day two of the road trip, and Charlie and Charles | 0:23:19 | 0:23:21 | |
have been discussing Gregg's background in fruit and veg. | 0:23:21 | 0:23:25 | |
Actually, he does look like a potato! | 0:23:27 | 0:23:29 | |
He's a good chunky chip. | 0:23:29 | 0:23:31 | |
If I've got a chippy chip, your man, Torode, | 0:23:31 | 0:23:34 | |
what was his great asset when it came to the kitchen? | 0:23:34 | 0:23:37 | |
-Meat. -Meat? -Meat. -So what...? -Choppy chop! | 0:23:37 | 0:23:40 | |
-It's Chippy Chip versus Choppy Chop! -Yeah, yeah, yeah, exactly. | 0:23:40 | 0:23:43 | |
This is the match of all matches. It's the chip on my side, against... | 0:23:43 | 0:23:46 | |
-Versus the chop. -Exactly. -Chip versus Chop! -Exactly! | 0:23:46 | 0:23:49 | |
Chip and Chop don't seem to have such addled brains | 0:23:49 | 0:23:54 | |
but they know how to wind each other up. | 0:23:54 | 0:23:56 | |
-So we have a cunning plan! -JOHN CACKLES | 0:23:57 | 0:24:00 | |
-What's the, what's the plan? -I can't tell you. -Oh. | 0:24:01 | 0:24:04 | |
You'll have to wait and see, Gregg. | 0:24:07 | 0:24:09 | |
But for now, Gregg and Charles have a spent a paltry £97 | 0:24:09 | 0:24:13 | |
acquiring five lots - | 0:24:13 | 0:24:15 | |
a croquet set, a wind-up dog, a silver meat skewer | 0:24:15 | 0:24:19 | |
and two pieces of Royal Worcester. | 0:24:19 | 0:24:21 | |
That leaves a princely £303 to splash out today. | 0:24:21 | 0:24:25 | |
-Sir. -Oh. -Show me the way. | 0:24:26 | 0:24:29 | |
John and Charlie have paid out £160 for four lots - | 0:24:29 | 0:24:33 | |
the croquet set with silver-plated dish, | 0:24:33 | 0:24:36 | |
the View-Master and stamps, | 0:24:36 | 0:24:38 | |
the pilot's helmet and accessories, and the gold stick pin. | 0:24:38 | 0:24:41 | |
They have a more than adequate £240 to play with today. | 0:24:41 | 0:24:46 | |
-Hello! -Morning! -Morning! -Morning! | 0:24:48 | 0:24:50 | |
What brings you here? | 0:24:50 | 0:24:52 | |
-JOHN: -Don't know! Something about making some money! | 0:24:52 | 0:24:55 | |
THEY ALL LAUGH | 0:24:55 | 0:24:57 | |
Ha-ha-ha(!) | 0:24:57 | 0:24:59 | |
After a quick rendezvous and car swap, | 0:24:59 | 0:25:01 | |
our culinary, and culinaril-l-l-l-ly challenged couples | 0:25:01 | 0:25:05 | |
are ready to hit the road again. | 0:25:05 | 0:25:07 | |
John and Charlie are making the short hop | 0:25:08 | 0:25:10 | |
to the village of Petworth, in West Sussex. | 0:25:10 | 0:25:12 | |
It has some handsome houses and even rather grand street lighting | 0:25:12 | 0:25:17 | |
but that's beneath Team Torode. | 0:25:17 | 0:25:19 | |
They're expected at one of the finest country houses in the land. | 0:25:19 | 0:25:22 | |
This is Petworth House. | 0:25:24 | 0:25:25 | |
Situated on the edge of a deer park landscaped by Capability Brown, | 0:25:25 | 0:25:30 | |
Petworth House is a magnificent late-17th-century mansion, | 0:25:30 | 0:25:35 | |
now in the care of the National Trust. | 0:25:35 | 0:25:38 | |
Well... | 0:25:39 | 0:25:40 | |
I thought you said you were taking me to a big house! | 0:25:42 | 0:25:45 | |
Well, let's see...perhaps this is the back door! | 0:25:45 | 0:25:49 | |
-Hello! -Hello! -Hello! | 0:25:53 | 0:25:56 | |
-I'm Judy, come in. -Hello, Judy. Charlie and John. -And this what? | 0:25:56 | 0:25:59 | |
-Servants' entrance? -Servants' entrance, yes. -Ah! | 0:25:59 | 0:26:01 | |
-How appropriate! -I'm used to that! | 0:26:01 | 0:26:04 | |
Sorry, John, it's the kitchens for you! | 0:26:04 | 0:26:07 | |
The servants' quarters and kitchen | 0:26:07 | 0:26:08 | |
were built separately from the main house, to reduce fire risk. | 0:26:08 | 0:26:13 | |
Wow! | 0:26:15 | 0:26:17 | |
Now this is a kitchen! | 0:26:17 | 0:26:19 | |
How many people would be working in a kitchen like this? | 0:26:19 | 0:26:22 | |
Erm, in this particular part there'd be the chef and three kitchen maids. | 0:26:22 | 0:26:26 | |
On special occasions, | 0:26:26 | 0:26:28 | |
there would have been up to 12 servants in the kitchen area, | 0:26:28 | 0:26:31 | |
producing some 400 meals a day - | 0:26:31 | 0:26:34 | |
though usually it was more like 100. | 0:26:34 | 0:26:38 | |
Look at the size of this thing. | 0:26:38 | 0:26:40 | |
Doubles up as a brass band. | 0:26:40 | 0:26:42 | |
Good GRIEF! | 0:26:43 | 0:26:45 | |
How would you carry that with something in it?! | 0:26:45 | 0:26:48 | |
Well, you'd probably have two people. | 0:26:48 | 0:26:49 | |
-Would have one on either side. -Yeah. | 0:26:49 | 0:26:52 | |
Or you'd do it like this. | 0:26:52 | 0:26:53 | |
You put it under your arm, look... | 0:26:53 | 0:26:56 | |
Cantilever. | 0:26:57 | 0:26:58 | |
This is what's called a turbotiere. | 0:27:02 | 0:27:04 | |
Ah. | 0:27:04 | 0:27:05 | |
-For turbot? -Correct. | 0:27:05 | 0:27:07 | |
-Very... -There's something in there if you lift the lid. | 0:27:07 | 0:27:10 | |
-Oh! -It's a bit small! THEY LAUGH | 0:27:10 | 0:27:13 | |
I actually think it's a brill, but anyway... | 0:27:14 | 0:27:16 | |
So, there's the fish kettle itself and there's the shape of the fish. | 0:27:16 | 0:27:19 | |
And it gets dropped into it and then, like that, | 0:27:20 | 0:27:23 | |
and, I mean, these things are worth a fortune. | 0:27:23 | 0:27:27 | |
It's a splendid thing, but John's a man for meatier matters. | 0:27:28 | 0:27:33 | |
Do you know when this was put in? | 0:27:33 | 0:27:34 | |
Erm, probably early 19th century. | 0:27:34 | 0:27:37 | |
The actual range, here, does date from Tudor times, | 0:27:37 | 0:27:40 | |
so that's really old, | 0:27:40 | 0:27:41 | |
-but I think all this equipment was installed much later. -Right. | 0:27:41 | 0:27:44 | |
But look at that ferocious thing. | 0:27:44 | 0:27:46 | |
-So, down the back, obviously, there'd be fuel, down the back. -Yep. | 0:27:46 | 0:27:50 | |
-So what you've got, you've got your main piece there... -Yep. | 0:27:50 | 0:27:54 | |
So, butts of beef turning around | 0:27:54 | 0:27:55 | |
-in front of quite a decent-sized fire... -Yep. | 0:27:55 | 0:27:59 | |
..and then these ones, so imagine you've got rabbits or pheasants, | 0:27:59 | 0:28:02 | |
or something like that from the top as that mechanism goes there. | 0:28:02 | 0:28:05 | |
So, this now, here, turns around and around, and around, and around, | 0:28:05 | 0:28:09 | |
-and around, and around, like that... -Yep. | 0:28:09 | 0:28:11 | |
-..and that's how they would cook their birds. -Yeah. | 0:28:11 | 0:28:13 | |
I would imagine that when you've cooked your pig or whatever it is, | 0:28:16 | 0:28:20 | |
you'd stand it in there and the juices flow into the bottom. | 0:28:20 | 0:28:22 | |
I would say as you're cooking it, all the juices are dropping into it | 0:28:22 | 0:28:27 | |
and this big thing here, the ladle, you'd go down the centre, like this, | 0:28:27 | 0:28:30 | |
you scoop out, like that, and you'd be going, "Bastey, bastey, bastey!" | 0:28:30 | 0:28:35 | |
THEY LAUGH | 0:28:35 | 0:28:37 | |
Gosh...I'm salivating. | 0:28:37 | 0:28:41 | |
I am as well, actually. | 0:28:41 | 0:28:42 | |
-Yeah, a bit of roast beef now'd be all right. -Oh, it would. | 0:28:42 | 0:28:46 | |
And a tankard of beer, mate! | 0:28:46 | 0:28:47 | |
Sounds good to me, but there's still one thing to be resolved. | 0:28:49 | 0:28:53 | |
How did all the food get from here to the dining room, | 0:28:53 | 0:28:56 | |
-which must be somewhere over there? -That's right. | 0:28:56 | 0:28:58 | |
Well, footmen would come and collect trays of food from the kitchens... | 0:28:58 | 0:29:02 | |
-Yeah. -..and take them through a tunnel under the courtyard outside, | 0:29:02 | 0:29:05 | |
and upstairs on the other side into the main house. | 0:29:05 | 0:29:08 | |
-Under, un-under a courtyard?! -Yes. | 0:29:08 | 0:29:11 | |
I don't like the way you're looking at me! | 0:29:13 | 0:29:14 | |
-Have you seen the size of those trays? -I have. | 0:29:14 | 0:29:17 | |
Can you imagine how tough that was? | 0:29:17 | 0:29:19 | |
No. | 0:29:19 | 0:29:20 | |
Maybe you should find out. | 0:29:20 | 0:29:22 | |
This is a serious job! | 0:29:22 | 0:29:24 | |
You'd need to be an Olympic athlete to do this! | 0:29:24 | 0:29:27 | |
"My partridge is getting cold, madam." | 0:29:27 | 0:29:30 | |
Imagine the wine cellar down here, Charlie. | 0:29:32 | 0:29:35 | |
Oh, they'd have had some good bottles here. | 0:29:35 | 0:29:38 | |
"Nearly there, ma'am." | 0:29:38 | 0:29:39 | |
Do I serve over the left shoulder or the right, sir? | 0:29:41 | 0:29:43 | |
Charlie, I tell you what, whatever is it you're doing very well! | 0:29:43 | 0:29:46 | |
Splendid. | 0:29:46 | 0:29:48 | |
Well, thank you, it's been a real treat, it's been wonderful. | 0:29:48 | 0:29:50 | |
It's been my pleasure too. | 0:29:50 | 0:29:52 | |
-That kitchen is unbelievable. -It's fabulous. -Unbelievable. | 0:29:52 | 0:29:54 | |
I'd love to fire it up one day. | 0:29:54 | 0:29:56 | |
I'd love to fire it up and do, like, a banquet in there. | 0:29:56 | 0:30:00 | |
-Yes, please! -You cook it, I'll eat it! | 0:30:00 | 0:30:02 | |
Why don't we do that next time for our auction? | 0:30:02 | 0:30:04 | |
What a good idea. | 0:30:04 | 0:30:05 | |
Yum-yum, count me in too! | 0:30:06 | 0:30:09 | |
Out in the country lanes of West Sussex, | 0:30:10 | 0:30:13 | |
Gregg and Charles are on their way to Midhurst. | 0:30:13 | 0:30:17 | |
Gregg has a captive audience. | 0:30:17 | 0:30:19 | |
D'you hear about the Spanish fireman? | 0:30:19 | 0:30:21 | |
Hold on, his name was, erm... | 0:30:21 | 0:30:23 | |
-Jose. -Jose. | 0:30:23 | 0:30:24 | |
And his friend? | 0:30:24 | 0:30:26 | |
Hose B. | 0:30:26 | 0:30:27 | |
Oh, yeah, hose pipe. CHARLES CHUCKLES | 0:30:29 | 0:30:32 | |
Fella goes in a pub with a newt on his shoulder, | 0:30:32 | 0:30:34 | |
he says, "I'll have a pint of lager," he said, | 0:30:34 | 0:30:36 | |
"and a small whisky for Tiny here." | 0:30:36 | 0:30:39 | |
He said, "Why do you call him Tiny?" He said "He's minute." | 0:30:39 | 0:30:42 | |
CHARLIE CHUCKLES | 0:30:42 | 0:30:43 | |
Oh, my. | 0:30:43 | 0:30:45 | |
Hang on in there, Charles, it'll all make sense one day! | 0:30:45 | 0:30:48 | |
Gregg and Charles's final shopping stop is Marmaduke's, | 0:30:52 | 0:30:55 | |
where John and Charlie bought the pilot's helmet. | 0:30:55 | 0:30:59 | |
Gregg soon spots the cookery books that caught John's attention. | 0:30:59 | 0:31:03 | |
There's an old Larousse Gastronomique here. | 0:31:03 | 0:31:05 | |
What's that all about? | 0:31:05 | 0:31:07 | |
Well, that is THE book on French cuisine... | 0:31:07 | 0:31:11 | |
-Oh, really?! -..and every, EVERY chef owns one. | 0:31:11 | 0:31:13 | |
These have been published for 100 years | 0:31:13 | 0:31:17 | |
and this is an old '60s or '70s one. | 0:31:17 | 0:31:19 | |
We have got, here, some copies of various Mrs Beeton's cookery books. | 0:31:19 | 0:31:25 | |
Oh, right, OK. | 0:31:25 | 0:31:26 | |
They're obviously a bit earlier. | 0:31:26 | 0:31:29 | |
This is wonderful, how old's this? | 0:31:29 | 0:31:31 | |
I suspect, looking at the binding, Carlo, | 0:31:31 | 0:31:33 | |
-this must be what, 1890, 1900, late Victorian... -Around that, yeah. | 0:31:33 | 0:31:37 | |
..maybe. It is pretty tired, though, Gregg, | 0:31:37 | 0:31:39 | |
but it is certainly, it's an antique by definition. | 0:31:39 | 0:31:43 | |
-This is 1909. -So, that's an antique, by definition. | 0:31:43 | 0:31:47 | |
I think these are quite good. I mean, look at this here, you've got... | 0:31:47 | 0:31:50 | |
Look at those wonderful plates, colour plates, | 0:31:50 | 0:31:52 | |
they really capture the essence of good Edwardian, | 0:31:52 | 0:31:55 | |
late-Victorian etiquette when it comes to dining and eating. | 0:31:55 | 0:31:59 | |
-You know, I think they've got potential. -All right. | 0:31:59 | 0:32:01 | |
You could also, then, put that modern equivalent with them, perhaps? | 0:32:01 | 0:32:06 | |
And make a nice job lot of cookery books. | 0:32:06 | 0:32:09 | |
-What would be the best price on the four? -Oh... -To give us... | 0:32:09 | 0:32:12 | |
-I think probably... -Yeah. -I mean, they're, I think they're somewhere around the 30 mark at the moment. | 0:32:12 | 0:32:16 | |
Erm, £20? | 0:32:16 | 0:32:17 | |
-20. You wouldn't come down a bit less? -Well, I'll take 15 on them. | 0:32:17 | 0:32:21 | |
£15. We'll say thanks ever so much. | 0:32:21 | 0:32:23 | |
Thanks for your time and helping us, and we'll pay you £15, sir. | 0:32:23 | 0:32:27 | |
OK. | 0:32:27 | 0:32:28 | |
There's £20. | 0:32:28 | 0:32:31 | |
So, John and Charlie thought the books were a turkey, | 0:32:31 | 0:32:34 | |
but Gregg and Charles reckon they're a recipe for success. | 0:32:34 | 0:32:36 | |
The proof, of course, is in the pudding! | 0:32:36 | 0:32:39 | |
John and Charlie have traded the grandeur of Petworth House | 0:32:41 | 0:32:45 | |
for the village of Petworth in search of bargains. | 0:32:45 | 0:32:48 | |
Phoenix Antiques! This is where it's at. | 0:32:48 | 0:32:51 | |
-You mean business today, don't you? -I do mean business. -Right. | 0:32:51 | 0:32:53 | |
-Hello. -Hello, there. | 0:32:53 | 0:32:56 | |
-Hi! -Hello. -I'm Charlie. | 0:32:56 | 0:32:57 | |
-Sarah, pleased to meet you. -Sarah, lovely to meet you. | 0:32:57 | 0:33:00 | |
Owner Sarah has a young assistant, and Charlie sees an opportunity. | 0:33:00 | 0:33:05 | |
-Are you an antique dealer? -Yes. -That's my girl! | 0:33:05 | 0:33:08 | |
Are you cheaper than your mother? | 0:33:08 | 0:33:10 | |
I don't really know about that one. | 0:33:10 | 0:33:12 | |
Oh! I've gotta see who to deal with. | 0:33:12 | 0:33:14 | |
That's it, yes. | 0:33:14 | 0:33:15 | |
Charlie's negotiating strategy needs work, but he knows what he's after. | 0:33:15 | 0:33:20 | |
I want a nice piece of silver, that's what I want. | 0:33:20 | 0:33:23 | |
-There's a chunky bit of silver. -That's quite nice. | 0:33:23 | 0:33:26 | |
Don't suppose Aussies use these things, do they? | 0:33:26 | 0:33:28 | |
No, mate! | 0:33:28 | 0:33:30 | |
Nah, we use essence of axle grease, us. | 0:33:30 | 0:33:33 | |
Axle grease! | 0:33:33 | 0:33:34 | |
I don't use the old, er, the old squirter. | 0:33:34 | 0:33:37 | |
It's in amazing condition, 1922. | 0:33:37 | 0:33:39 | |
-Great condition. -It is fantastic condition. | 0:33:41 | 0:33:43 | |
-Yes. -If you like something like that. -Yes. | 0:33:43 | 0:33:45 | |
Squirt your perfume on. What would that make at auction? | 0:33:45 | 0:33:48 | |
-I've no idea. -Have a guess. | 0:33:48 | 0:33:51 | |
I dunno. That's why I'm here, to learn. | 0:33:51 | 0:33:53 | |
I think it would make about 45 quid at auction, 45-50 quid. | 0:33:53 | 0:33:59 | |
The ticket price is £85, so Team Torode needs to haggle hard. | 0:33:59 | 0:34:05 | |
You couldn't take... | 0:34:05 | 0:34:06 | |
£30 for that, could you? | 0:34:06 | 0:34:08 | |
Can't squeeze you a little bit on that? | 0:34:08 | 0:34:10 | |
You can squeeze me as much you like on 20! | 0:34:10 | 0:34:13 | |
THEY LAUGH | 0:34:13 | 0:34:15 | |
I mean, I would buy it for 30 quid. | 0:34:17 | 0:34:19 | |
It can go for 30 quid. | 0:34:19 | 0:34:20 | |
-Oh! -Hooray! | 0:34:20 | 0:34:23 | |
-I'm happy with the purchase. -I think that's very good. | 0:34:23 | 0:34:25 | |
-Are you all right with that? -I'm really happy with that. | 0:34:25 | 0:34:28 | |
Well, I trust you. | 0:34:28 | 0:34:29 | |
One day with you and I now trust you. That's good, isn't it? | 0:34:29 | 0:34:32 | |
20...30 of the best. | 0:34:34 | 0:34:36 | |
You take the money. | 0:34:36 | 0:34:37 | |
Where are we going now? | 0:34:37 | 0:34:39 | |
Well, that wasn't bad, but there's a shop down here... | 0:34:39 | 0:34:42 | |
John and Charlie's final stop is less than a stone's throw away. | 0:34:42 | 0:34:46 | |
Charlie knows the dealer, Paul. | 0:34:46 | 0:34:48 | |
-99% of Paul's things, you will want... -Yes. | 0:34:48 | 0:34:51 | |
..but won't be able to afford. | 0:34:51 | 0:34:53 | |
-Oh, my goodness. This is beautiful. -I know. | 0:34:53 | 0:34:56 | |
-Good eye. -Beautiful. | 0:34:56 | 0:34:57 | |
-I've seen Paul. Paul? It is, isn't it? -Morning. | 0:34:57 | 0:34:59 | |
-Hello. -Good morning. | 0:34:59 | 0:35:01 | |
What's this funny thing? | 0:35:04 | 0:35:06 | |
Oh, that's quite fun that. It's a pickle fork. That's very unusual. | 0:35:06 | 0:35:09 | |
It's mid-Victorian. | 0:35:12 | 0:35:14 | |
It was made, I think, in...1865, in Birmingham... | 0:35:14 | 0:35:19 | |
..and you stab your pickled onion, your gherkin, | 0:35:20 | 0:35:25 | |
and then you push it off onto your plate using the pusher. | 0:35:25 | 0:35:28 | |
Isn't that a splendid object? | 0:35:30 | 0:35:31 | |
And that is so typical of the Victorian ingenuity. | 0:35:31 | 0:35:36 | |
-And that's silver, isn't it? -Oh, yes, silver, yeah. | 0:35:36 | 0:35:38 | |
And that's unusual. | 0:35:38 | 0:35:39 | |
I mean, 99% of those are silver plate. | 0:35:39 | 0:35:41 | |
-And what's the, what's the handle? -Er, mother of pearl. | 0:35:41 | 0:35:44 | |
It's a handsome piece but at the handsome price of £145, | 0:35:45 | 0:35:50 | |
Charlie's certain an auction is not the place to make a profit from it. | 0:35:50 | 0:35:54 | |
Do you want to win the competition | 0:35:54 | 0:35:55 | |
or do you want to buy something that's really good? | 0:35:55 | 0:35:58 | |
-"Do you want to win the competition or buy something really good?" -CHARLIE LAUGHS | 0:35:58 | 0:36:01 | |
-I want BOTH! Both. I love that. -I don't talk like that! | 0:36:01 | 0:36:05 | |
You'd have my 100% blessing at 100 quid if Paul can do it | 0:36:05 | 0:36:08 | |
-because I... He's shaking his head. -Please, 110, please? -115. | 0:36:08 | 0:36:13 | |
-Strewth! -We're going to have it. | 0:36:13 | 0:36:15 | |
A pickle fork, eh? | 0:36:15 | 0:36:16 | |
Let's hope it doesn't get them in a... | 0:36:16 | 0:36:18 | |
Well, you know where that one was going. | 0:36:18 | 0:36:21 | |
-Really appreciate that. I think it's a great thing. -Thank you very much. | 0:36:21 | 0:36:24 | |
That's brilliant. Thank you very much. | 0:36:24 | 0:36:26 | |
Thanks very much indeed. Loving the pickle! | 0:36:26 | 0:36:29 | |
Let's go and find a pickle, Aussie. To stab your pickle with! | 0:36:29 | 0:36:32 | |
Gregg and Charles have been making their way six miles south | 0:36:34 | 0:36:37 | |
to the West Sussex village of Singleton | 0:36:37 | 0:36:40 | |
for a taste of history and food history. | 0:36:40 | 0:36:42 | |
They're meeting up with Richard Pailthorpe, | 0:36:44 | 0:36:47 | |
the Director of the Weald and Downland Open Air Museum. | 0:36:47 | 0:36:51 | |
The 50-acre site has over 50 buildings from southeast England, | 0:36:51 | 0:36:54 | |
dating from the 13th century onwards. | 0:36:54 | 0:36:58 | |
Each one was moved from its original site, | 0:36:58 | 0:37:01 | |
brick by brick and timber by timber, and painstakingly re-built here. | 0:37:01 | 0:37:06 | |
An invaluable record of rural life and building methods. | 0:37:06 | 0:37:09 | |
All of these buildings have in some way | 0:37:09 | 0:37:12 | |
been threatened with destruction | 0:37:12 | 0:37:14 | |
at some point in their previous history. | 0:37:14 | 0:37:18 | |
These are the ones that, probably, the likes of you and I | 0:37:18 | 0:37:20 | |
would've lived and worked in | 0:37:20 | 0:37:22 | |
if we'd been around 300 or 400 years ago. | 0:37:22 | 0:37:24 | |
We're very much the lower sort of status of society here. | 0:37:24 | 0:37:28 | |
You're an orphanage for homes? | 0:37:28 | 0:37:29 | |
Yep, that's a very good way of putting it. | 0:37:29 | 0:37:31 | |
In a 17th-century home, Gregg will make butter | 0:37:33 | 0:37:36 | |
using the method of that time - supervised by Lesley. | 0:37:36 | 0:37:40 | |
First of all, you need to milk your cow | 0:37:40 | 0:37:42 | |
and then you'd leave the milk to settle in bowls like this, | 0:37:42 | 0:37:46 | |
which are called pancheons, settling pans, for about 24 hours, | 0:37:46 | 0:37:50 | |
so the cream that's naturally in the milk just rises to the top. | 0:37:50 | 0:37:55 | |
And then you'll skim the cream off. | 0:37:55 | 0:37:57 | |
The cream goes to make the butter, | 0:37:57 | 0:37:59 | |
the remaining milk goes to make the cheese. | 0:37:59 | 0:38:01 | |
So, what do you add to cream to make butter? | 0:38:01 | 0:38:04 | |
Absolutely nothing. | 0:38:04 | 0:38:05 | |
So, the most recommended technique, with your hands, | 0:38:05 | 0:38:08 | |
is to use a sort of paddling motion. | 0:38:08 | 0:38:11 | |
Gregg's favoured technique is comedy. | 0:38:11 | 0:38:14 | |
So, what cheese do you use to disguise a horse? | 0:38:14 | 0:38:16 | |
-Mascarpone! -Oh, dear, dear! LESLEY LAUGHS | 0:38:16 | 0:38:19 | |
And what did the cheese say to its reflection? | 0:38:19 | 0:38:22 | |
I don't know, what did the cheese say to its reflection? | 0:38:22 | 0:38:25 | |
-Haloumi. -THEY LAUGH | 0:38:25 | 0:38:27 | |
Come on, come on, there's paddling to be done! | 0:38:27 | 0:38:29 | |
Is this safe to sit on? | 0:38:29 | 0:38:31 | |
It should be, it's lasted for thousands of years. | 0:38:31 | 0:38:35 | |
This is ridiculous! What about just that? | 0:38:35 | 0:38:37 | |
All you have to do is agitate the cream in some way. | 0:38:37 | 0:38:40 | |
All right. You are stupid cream! | 0:38:40 | 0:38:41 | |
You're the worst cream I've ever seen. | 0:38:41 | 0:38:43 | |
How ridiculous are you as cream! It looks pretty agitated to me. | 0:38:43 | 0:38:47 | |
Well, just keep on agitating it for about ten minutes. | 0:38:47 | 0:38:50 | |
Ten minutes?! If Napoleon had waited ten minutes | 0:38:50 | 0:38:52 | |
he'd have lost the battle of Austerlitz. | 0:38:52 | 0:38:55 | |
-Keep going, lad. -My arm's aching! | 0:38:55 | 0:38:57 | |
-Women did this all day long without complaining. -That explains a lot. | 0:38:57 | 0:39:01 | |
But, as you say, back in the 17th century | 0:39:02 | 0:39:04 | |
it made you a man, didn't it? It was hard work... | 0:39:04 | 0:39:06 | |
-Oh, yes, absolutely. -..and it was the way to a long life. | 0:39:06 | 0:39:09 | |
A long life in the mediaeval times?! | 0:39:09 | 0:39:11 | |
What sort of historian are you? There's no such thing. | 0:39:11 | 0:39:13 | |
Long life was 40 years old, mate. | 0:39:13 | 0:39:15 | |
-Keep going. -I've done it. | 0:39:15 | 0:39:16 | |
Yeah, that's whipped cream. | 0:39:16 | 0:39:19 | |
Why didn't anybody invent a whisk? | 0:39:19 | 0:39:21 | |
They're idiots! No wonder people didn't live very long, | 0:39:21 | 0:39:24 | |
they couldn't even invent a whisk! | 0:39:24 | 0:39:25 | |
It's turning to milk again?! | 0:39:25 | 0:39:26 | |
So you've got your butter curds now, separated from your buttermilk. | 0:39:26 | 0:39:30 | |
You wouldn't waste the buttermilk - that would go into your cooking. | 0:39:30 | 0:39:33 | |
-Oh, that... -And that's your butter. | 0:39:33 | 0:39:35 | |
-Wonderful. -We're going to get the rest of the buttermilk out of it | 0:39:35 | 0:39:39 | |
-because it feels quite slimy at the moment, doesn't it? -Mmm. | 0:39:39 | 0:39:42 | |
It still has got quite a lot of moisture in it. | 0:39:42 | 0:39:44 | |
That is an AMAZING process. | 0:39:44 | 0:39:46 | |
But it's that quick. | 0:39:46 | 0:39:48 | |
-From a bowl of cream... -Yeah. | 0:39:48 | 0:39:50 | |
..to an instant heart attack. | 0:39:50 | 0:39:52 | |
That process there is magical. I just feel enlightened. | 0:39:52 | 0:39:56 | |
Well, I'm surprised we've taught a chef like you something! | 0:39:56 | 0:39:58 | |
Well, so am I! I'm not even a chef, I'm a greengrocer. | 0:39:58 | 0:40:03 | |
Well, now you're a dairy maid too. | 0:40:03 | 0:40:05 | |
-I'm going to be fancied by the local squire! -Absolutely! | 0:40:05 | 0:40:08 | |
Dream on! | 0:40:08 | 0:40:09 | |
After getting rid of excessive moisture, | 0:40:11 | 0:40:13 | |
Gregg's butter is ready for critical appraisal. | 0:40:13 | 0:40:16 | |
-Can we try some? -Yeah, go on, take a bit. | 0:40:16 | 0:40:19 | |
Can we do it in that real MasterChef way together? | 0:40:19 | 0:40:22 | |
I'll be your John Torode, ready? | 0:40:22 | 0:40:24 | |
Hmm, good on the palate, isn't it? | 0:40:27 | 0:40:31 | |
I can feel the texture coming through. | 0:40:31 | 0:40:33 | |
It's only one texture mate, it's butter. | 0:40:33 | 0:40:35 | |
Oh, yeah, butter, it's butter. | 0:40:35 | 0:40:36 | |
It's unbelievably creamy. | 0:40:36 | 0:40:38 | |
That's one of the most interesting things I've ever done. | 0:40:38 | 0:40:41 | |
That was brilliant, my darling. Give me a kiss. | 0:40:41 | 0:40:43 | |
Mwah! That was absolutely brilliant! | 0:40:43 | 0:40:46 | |
What a smooth operator! | 0:40:46 | 0:40:48 | |
But you need to drag yourself back to the 21st century now, Gregg, | 0:40:48 | 0:40:51 | |
to reveal all to Team Torode. | 0:40:51 | 0:40:54 | |
Slightly disappointing. | 0:40:56 | 0:40:57 | |
And I think your biggest item is a shock to John and Charlie! | 0:40:57 | 0:41:01 | |
-Ah-ah-ah! What's that? -Breathe in. | 0:41:01 | 0:41:03 | |
-Well, what do you think? -It says... | 0:41:03 | 0:41:05 | |
Oh, Jacques Ltd London - I've heard of them. | 0:41:05 | 0:41:07 | |
-Yeah, they make quite good croquet sets. -Apparently they do. | 0:41:07 | 0:41:10 | |
How much did you pay for your croquet set? | 0:41:10 | 0:41:13 | |
It's a great name, all the mallets are stamped... | 0:41:13 | 0:41:15 | |
The mallets are a bit ordinary, they're beech. | 0:41:15 | 0:41:17 | |
-They're not very nice. -And they're not matching. | 0:41:17 | 0:41:21 | |
-How much would you pay for it? -I would pay about £35. | 0:41:21 | 0:41:23 | |
-Really? Not impressed, are you? -What did you pay for it? | 0:41:23 | 0:41:26 | |
-£30 it cost us. -Did it really cost you 30 quid? | 0:41:26 | 0:41:29 | |
Do you know what they are? Those, those plates. | 0:41:29 | 0:41:32 | |
They're plates and a bowl. | 0:41:32 | 0:41:33 | |
That's Royal Worcester and that's Worcester. | 0:41:33 | 0:41:36 | |
-I think they're a real find cos they're Royal Worcester, fruit... -Stale fruit. | 0:41:36 | 0:41:40 | |
-How much would you pay for them? -To make a profit at auction | 0:41:40 | 0:41:43 | |
I would pay £40 for that one... | 0:41:43 | 0:41:47 | |
and I would pay £35 for the other one. | 0:41:47 | 0:41:49 | |
We paid eight quid for one, seven quid for the other. | 0:41:49 | 0:41:52 | |
Oh, no! That's cheating. That's theft! | 0:41:52 | 0:41:54 | |
-This is actually... -It's a meat skewer! -Exactly, Charlie. | 0:41:54 | 0:41:57 | |
This meat skewer is solid silver, it's London hallmarked. | 0:41:57 | 0:41:59 | |
-It's worth 120 quid. -Well, we hope so. | 0:41:59 | 0:42:01 | |
It cost a bit more but not bad, is it? | 0:42:01 | 0:42:04 | |
-CHARLIE LAUGHS -What did it cost? | 0:42:04 | 0:42:06 | |
-Tell him. -10p? Hang on, what did it cost? | 0:42:06 | 0:42:08 | |
-40 quid. -That's not bad... -You creep. | 0:42:08 | 0:42:12 | |
-All right? All right? -YOU, Mr Wallace, are a cheapskate. | 0:42:12 | 0:42:16 | |
That's very good, well done. | 0:42:16 | 0:42:17 | |
-We thought you're a meaty guy and you'd love the skewer. -I do like the skewer. | 0:42:17 | 0:42:20 | |
-Yeah, the skewer's good. -1820 - history! | 0:42:20 | 0:42:22 | |
Always looks good through your fifth rib. | 0:42:22 | 0:42:25 | |
-Right, young man. -Got our work cut out! | 0:42:25 | 0:42:28 | |
CHARLIE SINGS | 0:42:28 | 0:42:30 | |
NO! | 0:42:37 | 0:42:38 | |
THEY ALL SHOUT | 0:42:38 | 0:42:40 | |
Woop-woop! | 0:42:40 | 0:42:42 | |
Now, there's a story to this. | 0:42:42 | 0:42:43 | |
-Unbelievable. -This is Jacques... | 0:42:43 | 0:42:45 | |
-NO! -It is Jacques. | 0:42:45 | 0:42:47 | |
It's a Jacques box with the balls in it. | 0:42:47 | 0:42:50 | |
-With the balls in it. -Four balls, as you would with croquet. | 0:42:50 | 0:42:53 | |
But it comes with... | 0:42:53 | 0:42:55 | |
-a muffin dish... -As you do. | 0:42:55 | 0:42:57 | |
..and when you've bought it, a cream tea with... | 0:42:57 | 0:43:02 | |
-No, you can't do that, you can't do that. -Yeah, yeah, yeah, yeah. | 0:43:02 | 0:43:05 | |
All right, I'm going to sign all these books then. | 0:43:05 | 0:43:07 | |
So all these books are going to be personalised by me. | 0:43:07 | 0:43:10 | |
That might detract from the value. | 0:43:10 | 0:43:13 | |
THEY LAUGH | 0:43:13 | 0:43:14 | |
This is serious stuff, now. | 0:43:14 | 0:43:16 | |
I really don't think that's fair. I want a stewards on that! | 0:43:16 | 0:43:18 | |
You have a stewards on that. | 0:43:18 | 0:43:21 | |
-We're right in the heart of Battle of Britain country here... -Biggles! | 0:43:21 | 0:43:25 | |
-Absolutely. -..Battle of Britain country - | 0:43:25 | 0:43:27 | |
-Spitfire fighter pilot's helmet... -Well done! | 0:43:27 | 0:43:29 | |
-..original goggles, in box... -Hats off to you... -Shh! -Sorry. | 0:43:29 | 0:43:33 | |
..and the Bakelite earphones. | 0:43:33 | 0:43:34 | |
Tell you what, that's sort of thing I'd buy | 0:43:34 | 0:43:36 | |
and I'd pay a couple of hundred quid for that. You're on a winner there. | 0:43:36 | 0:43:39 | |
But we also have the Aussie special bonus offer. | 0:43:39 | 0:43:44 | |
-JOHN: -Yes, mate, this little package. | 0:43:44 | 0:43:45 | |
Because I used to have one of those as a child. | 0:43:45 | 0:43:48 | |
-You ever seen these before? -Yeah, they're brilliant. | 0:43:48 | 0:43:51 | |
Yeah, it's wonderful and it's got views of Switzerland, Austria... | 0:43:51 | 0:43:54 | |
-Basically, it's watching postcards through a plastic box. -That's what it is. -Yeah. | 0:43:54 | 0:43:58 | |
But that's quite fun. It does it for me. | 0:43:58 | 0:44:00 | |
That's going to travel an awful long way | 0:44:00 | 0:44:02 | |
to go in somebody else's flip-top bin. | 0:44:02 | 0:44:03 | |
-Exactly, exactly! -Anyway, look, summing up, guys. | 0:44:03 | 0:44:06 | |
It's going to be a hell of a competition. | 0:44:06 | 0:44:08 | |
-I think we've got two top tables here. -I love the Biggles set. -Yeah. | 0:44:08 | 0:44:11 | |
I really want the Biggles set. | 0:44:11 | 0:44:13 | |
"Never in the field of human conflict | 0:44:13 | 0:44:15 | |
"has so much been owed to so few." | 0:44:15 | 0:44:16 | |
Chocks away! | 0:44:16 | 0:44:18 | |
"Chocks away," indeed. | 0:44:18 | 0:44:20 | |
Will the teams let fly about each other's purchases? | 0:44:20 | 0:44:22 | |
I'm still quite confident because I think they've paid a lot of money | 0:44:23 | 0:44:27 | |
for certain objects that they MAY not get a return on. | 0:44:27 | 0:44:30 | |
Do you know what I'm really pleased about? | 0:44:30 | 0:44:32 | |
They bought those cook books and they are complete garbage! | 0:44:32 | 0:44:35 | |
THEY LAUGH | 0:44:35 | 0:44:37 | |
I don't like our books | 0:44:37 | 0:44:38 | |
but then we paid such little money for them. | 0:44:38 | 0:44:41 | |
We paid almost double for our croquet set. | 0:44:41 | 0:44:44 | |
Cream tea. | 0:44:44 | 0:44:45 | |
Yes, cream tea. Although, I think that might upset Gregg. | 0:44:45 | 0:44:48 | |
Yeah, that's not fair. | 0:44:48 | 0:44:49 | |
Only thing which could blow us away is that cream tea. | 0:44:49 | 0:44:51 | |
Well, if John's allowed to sell himself with a cream tea, | 0:44:51 | 0:44:55 | |
our croquet set comes with lunch with Gregg. | 0:44:55 | 0:45:00 | |
-Yeah. -Let battle commence. -Exactly! | 0:45:00 | 0:45:01 | |
Fighting talk, eh? | 0:45:01 | 0:45:03 | |
The battlefield is actually an auction room at Fernhurst - | 0:45:03 | 0:45:06 | |
a normally perfectly peaceful village in West Sussex, | 0:45:06 | 0:45:10 | |
near the borders of Surrey and Hampshire. | 0:45:10 | 0:45:13 | |
John Nicholson's Auctioneers hold general sales | 0:45:13 | 0:45:17 | |
as well as specialist fine art sales. | 0:45:17 | 0:45:19 | |
Sorry, brother. | 0:45:19 | 0:45:20 | |
-Look at these two! -Are you ready for defeat? | 0:45:22 | 0:45:25 | |
Auctioneer John Nicholson himself | 0:45:32 | 0:45:35 | |
has cast a critical eye over both teams' purchases | 0:45:35 | 0:45:38 | |
and has some firm favourites. | 0:45:38 | 0:45:41 | |
The silver atomizer - gorgeous quality, lovely marks. | 0:45:41 | 0:45:45 | |
I can see that making a good profit. | 0:45:45 | 0:45:47 | |
Charles and Gregg's Schuco figure, that's of great interest to us | 0:45:47 | 0:45:51 | |
because one of the founders of Schuco | 0:45:51 | 0:45:54 | |
literally lives three miles down the road | 0:45:54 | 0:45:57 | |
and we've been on the phone, told him it's here. | 0:45:57 | 0:45:59 | |
So, fingers crossed, might be a little surprise there. | 0:45:59 | 0:46:03 | |
The entertaining system... | 0:46:03 | 0:46:05 | |
..got my doubts about that. I think it was a brave buy. | 0:46:07 | 0:46:11 | |
Charles and Gregg's Worcester plate - a good buy, a good find. | 0:46:11 | 0:46:16 | |
Fabulous quality, big profit. | 0:46:16 | 0:46:19 | |
Biggles comes to mind, the flying helmet. | 0:46:19 | 0:46:23 | |
It shouldn't make a profit, but it could make a good one. | 0:46:23 | 0:46:27 | |
Hmm...I think that's auctioneer-speak for, | 0:46:27 | 0:46:30 | |
"Anything could happen"! | 0:46:30 | 0:46:31 | |
And here's what MIGHT make it happen. | 0:46:33 | 0:46:36 | |
Both teams started with £400. | 0:46:36 | 0:46:38 | |
Gregg and Charles spent a mere £112 to acquire six lots... | 0:46:38 | 0:46:43 | |
..while John and Charlie have also bought six lots | 0:46:44 | 0:46:46 | |
but at a rather more extravagant £305. | 0:46:46 | 0:46:51 | |
First under the hammer is John and Charlie's perfume atomizer. | 0:46:55 | 0:46:59 | |
Charlie's detected a whiff of interest already. | 0:46:59 | 0:47:01 | |
There's a lady sitting behind Gregg who likes perfume. | 0:47:01 | 0:47:04 | |
20 bid... | 0:47:04 | 0:47:06 | |
five, 30 , five, 40, five... | 0:47:06 | 0:47:09 | |
Hey, Charles, Charles, look at this lady here! | 0:47:09 | 0:47:12 | |
..50, 60, 70... | 0:47:12 | 0:47:15 | |
Oh, come on! | 0:47:15 | 0:47:17 | |
-..at £70... -Madam, it's a lovely one. | 0:47:17 | 0:47:19 | |
-..80... -Marvellous! -..90... | 0:47:19 | 0:47:22 | |
Yes! | 0:47:22 | 0:47:23 | |
..at 90. | 0:47:23 | 0:47:25 | |
-It's a steal, madam. -At 90. Try one more. | 0:47:25 | 0:47:28 | |
At £90. Your bid, sir, selling at £90. | 0:47:28 | 0:47:35 | |
It's the heady smell of success for John and Charlie. | 0:47:35 | 0:47:38 | |
-Brilliant! -Thank you very much. -Means you can push up all our lots! | 0:47:38 | 0:47:41 | |
Gregg and Charles have high hopes for their little dog. | 0:47:43 | 0:47:47 | |
Start it at ten, 15... | 0:47:47 | 0:47:48 | |
Come on. | 0:47:48 | 0:47:49 | |
..20, five, 30, five, 40, | 0:47:49 | 0:47:53 | |
five, 50, 55. 60... | 0:47:53 | 0:47:58 | |
Keep going, keep going! | 0:47:58 | 0:47:59 | |
..at 70, 80, 90... | 0:47:59 | 0:48:03 | |
-Yes! Yes! -..£100 | 0:48:03 | 0:48:07 | |
One more, one more. Yay! | 0:48:07 | 0:48:09 | |
..£100... CROWD APPLAUD | 0:48:09 | 0:48:12 | |
Brilliant, got to say congratulations to you, well done. | 0:48:12 | 0:48:15 | |
-..£110... -No. | 0:48:15 | 0:48:19 | |
-..at £110... -Give in. | 0:48:19 | 0:48:21 | |
Well done... | 0:48:21 | 0:48:22 | |
It's far too early for the white flag of surrender, Charlie, | 0:48:22 | 0:48:26 | |
but that IS a very big profit on a very small dog. | 0:48:26 | 0:48:31 | |
Yet again, youth powers over intelligence. | 0:48:31 | 0:48:35 | |
Next up is the slide show entertainment system and stamps. | 0:48:36 | 0:48:40 | |
..Ten... | 0:48:40 | 0:48:42 | |
There's stamps as well, sir! | 0:48:42 | 0:48:43 | |
Oh, and the stamps, yes, I'm still ten bid! THEY LAUGH | 0:48:43 | 0:48:48 | |
15, 20. | 0:48:48 | 0:48:49 | |
I don't think even you could make your bid on this, Charlie! | 0:48:49 | 0:48:52 | |
Sit down. | 0:48:52 | 0:48:54 | |
£20, you bid the back, at £20. | 0:48:54 | 0:48:58 | |
CHARLIE SIGHS | 0:48:58 | 0:48:59 | |
Oh, dear, the bidders took a dim view of that. | 0:48:59 | 0:49:02 | |
Now it's the first of the two croquet sets. | 0:49:04 | 0:49:08 | |
Gregg and Charles have a surprise addition to their lot. | 0:49:08 | 0:49:11 | |
You've made a cream tea, we've also got one as well. | 0:49:12 | 0:49:14 | |
The auction house made one first, so I'm going to... | 0:49:14 | 0:49:17 | |
-No, no, hold on, I made my own this morning. -Yeah. | 0:49:17 | 0:49:19 | |
You know what he's done, he's nicked my scones, hasn't he? | 0:49:19 | 0:49:21 | |
No, he hasn't. No, no, I know where our scones are. | 0:49:21 | 0:49:24 | |
And we thought that it was only fair to balance things up, | 0:49:24 | 0:49:29 | |
so we did the same. | 0:49:29 | 0:49:30 | |
Sir, the scones that we've got are fresh - | 0:49:30 | 0:49:33 | |
John made his over a week ago! | 0:49:33 | 0:49:35 | |
LAUGHTER | 0:49:35 | 0:49:36 | |
There we are. | 0:49:36 | 0:49:37 | |
20, 30, 40... | 0:49:37 | 0:49:40 | |
50, 60, 70... | 0:49:40 | 0:49:44 | |
80...90... | 0:49:44 | 0:49:47 | |
Very good. Very well done. | 0:49:47 | 0:49:48 | |
..100 bid. | 0:49:48 | 0:49:50 | |
At £110, there's the bid. | 0:49:50 | 0:49:54 | |
-The scones won't! -And the scones, and the jam and cream, at £110. | 0:49:54 | 0:50:01 | |
Very good. | 0:50:01 | 0:50:02 | |
So, with the scones, cream and jam | 0:50:02 | 0:50:05 | |
generously added by the auction house, | 0:50:05 | 0:50:07 | |
Gregg and Charles's croquet set is a plum buy. | 0:50:07 | 0:50:10 | |
LAUGHTER 110. | 0:50:10 | 0:50:12 | |
Next is John and Charlie's croquet set, | 0:50:13 | 0:50:16 | |
complete with muffin tray this time, | 0:50:16 | 0:50:17 | |
and what should be the star attraction - scones baked by John. | 0:50:17 | 0:50:22 | |
Ladies and gentlemen, a fine example of a 1970s chef, | 0:50:22 | 0:50:25 | |
obviously gone past his sell-by date! | 0:50:25 | 0:50:27 | |
LAUGHTER | 0:50:27 | 0:50:29 | |
Baked this morning by me, in my kitchen, after a bike ride, | 0:50:29 | 0:50:32 | |
a dozen scones, and four extras filled with cream and jam. | 0:50:32 | 0:50:35 | |
And you get the dish. | 0:50:35 | 0:50:36 | |
You see, Charles, that's outdone you. | 0:50:36 | 0:50:39 | |
-He has, I know. -Doesn't take much, though, does it? | 0:50:39 | 0:50:41 | |
..£50 bid, 60, 70... | 0:50:41 | 0:50:46 | |
-..at 70.. -Scones! Scones, man. | 0:50:46 | 0:50:48 | |
-..80, second row... -Scones! | 0:50:48 | 0:50:51 | |
..90... | 0:50:51 | 0:50:52 | |
..100 bid. | 0:50:53 | 0:50:55 | |
At £100. | 0:50:55 | 0:50:56 | |
Try one more, madam. The scones are lovely. | 0:50:56 | 0:51:00 | |
-Yes. -..110... -Sell them. | 0:51:00 | 0:51:03 | |
-Yeah, well done. -..at 110... | 0:51:04 | 0:51:06 | |
-One more scone. -..at £110... -One more scone. | 0:51:06 | 0:51:09 | |
..at the back of the room | 0:51:09 | 0:51:11 | |
No, well done. Well done. | 0:51:11 | 0:51:14 | |
-Well done. -Thank you. Cheers, mate. -At £110. | 0:51:14 | 0:51:17 | |
That leaves John and Charlie in a jam | 0:51:17 | 0:51:21 | |
and Gregg and Charles with a convincing lead. | 0:51:21 | 0:51:25 | |
-At £20 bid... -Oh, shut up! -..five I'll take. | 0:51:25 | 0:51:28 | |
At 20, there we are now... | 0:51:28 | 0:51:30 | |
Now it's Gregg and Charles's fruity Royal Worcester plate - | 0:51:32 | 0:51:35 | |
ripe for the picking. | 0:51:35 | 0:51:36 | |
Ten bid, 20, 30, 40, 50, 60... | 0:51:36 | 0:51:41 | |
-There's a lady just with her hand in the air. -..70, 80... | 0:51:41 | 0:51:44 | |
-Wow! -Second row, at £80. | 0:51:44 | 0:51:47 | |
At £90, at the back of the room... | 0:51:48 | 0:51:52 | |
-You're a genius! -£100 bid... | 0:51:52 | 0:51:54 | |
-Yay! -Very good. | 0:51:54 | 0:51:56 | |
APPLAUSE | 0:51:56 | 0:51:57 | |
..110, hang on, 110... | 0:51:57 | 0:52:00 | |
That's amazing. Seven pounds. | 0:52:00 | 0:52:02 | |
That's a good investment. | 0:52:02 | 0:52:03 | |
It's a tasty profit for Team Wallace and John's crushed. | 0:52:03 | 0:52:08 | |
I'm feeling a bit miserable right now. | 0:52:08 | 0:52:10 | |
Come on, chum. | 0:52:10 | 0:52:11 | |
Look, I know you Aussies are always expected to win | 0:52:11 | 0:52:14 | |
but you've gotta take it on the nose occasionally. | 0:52:14 | 0:52:17 | |
John and Charlie's Edwardian nine-carat gold stick pin | 0:52:17 | 0:52:21 | |
with mother of pearl cabochon is next. | 0:52:21 | 0:52:24 | |
Gold, sir. | 0:52:24 | 0:52:25 | |
Nine carat at that, sir. | 0:52:25 | 0:52:28 | |
£20? | 0:52:28 | 0:52:30 | |
£20. Five I'll take... | 0:52:30 | 0:52:32 | |
-It's gold! -At £20. Five... | 0:52:32 | 0:52:35 | |
-That's for nothing. -..at £25... -That's almost for free! | 0:52:35 | 0:52:37 | |
It's gold! | 0:52:37 | 0:52:39 | |
"It's gold," he says. | 0:52:39 | 0:52:41 | |
30, five... | 0:52:41 | 0:52:43 | |
40... | 0:52:43 | 0:52:45 | |
45... | 0:52:45 | 0:52:47 | |
Better. | 0:52:47 | 0:52:48 | |
..at £45. | 0:52:48 | 0:52:50 | |
Your bid, sir, at £45. | 0:52:50 | 0:52:53 | |
Oh, it's a profit. | 0:52:53 | 0:52:56 | |
It's another respectable profit for Team Torode | 0:52:56 | 0:52:59 | |
but they'll need at least one REMARKABLE profit | 0:52:59 | 0:53:02 | |
to catch Team Wallace. | 0:53:02 | 0:53:03 | |
You're just loving this. | 0:53:03 | 0:53:05 | |
Now it's the second piece of Royal Worcester - the fruity vase. | 0:53:06 | 0:53:11 | |
20, 30, 40, 50, 60. | 0:53:11 | 0:53:15 | |
At £60, the second row. | 0:53:15 | 0:53:17 | |
Very good. | 0:53:17 | 0:53:18 | |
Lovely little piece of Worcester. | 0:53:18 | 0:53:20 | |
70, 80. | 0:53:20 | 0:53:22 | |
At £80 - you nearly got it! At £80, the lady's bid, second row. | 0:53:22 | 0:53:28 | |
Selling, selling at £80. | 0:53:28 | 0:53:33 | |
Gregg and Charles pocket yet another big profit | 0:53:33 | 0:53:36 | |
without so much as baking a scone! | 0:53:36 | 0:53:38 | |
Or is it a sco-ne? | 0:53:38 | 0:53:39 | |
Loving your work, Gregg, loving your work. | 0:53:39 | 0:53:42 | |
The fighter pilot's helmet and accessories are next. | 0:53:44 | 0:53:48 | |
Will this lot let John and Charlie's fortunes take off? | 0:53:48 | 0:53:51 | |
20 bid. | 0:53:51 | 0:53:53 | |
30 I'll take... | 0:53:53 | 0:53:56 | |
30, 40... | 0:53:56 | 0:53:58 | |
50... | 0:53:58 | 0:54:01 | |
£50 bid. | 0:54:01 | 0:54:02 | |
Your bid, sir, for a bit of history. | 0:54:02 | 0:54:05 | |
At 60... | 0:54:05 | 0:54:07 | |
Your bid, sir. 65... | 0:54:07 | 0:54:11 | |
Go on, sir, have another. That's it! | 0:54:12 | 0:54:14 | |
-70... -One more. -Very good. | 0:54:14 | 0:54:16 | |
At £70. | 0:54:16 | 0:54:18 | |
Had their time, then. | 0:54:18 | 0:54:20 | |
Your bid, sir, selling at £70. | 0:54:20 | 0:54:25 | |
It's a profit again for John and Charlie, but too modest to help. | 0:54:25 | 0:54:30 | |
Any hopes of winning rests on their final lot. | 0:54:30 | 0:54:34 | |
Gregg and Charles's penultimate lot are the old cookbooks, | 0:54:34 | 0:54:38 | |
dismissed by John and Charlie | 0:54:38 | 0:54:40 | |
but which Gregg has promised to sign for the successful bidder. | 0:54:40 | 0:54:44 | |
Ten bid, 20, 30, 40... | 0:54:44 | 0:54:47 | |
-Oh, ridiculous! -..50... | 0:54:47 | 0:54:49 | |
-You are joking! -..at £50. | 0:54:49 | 0:54:52 | |
-..60. -No! -..at £60... | 0:54:52 | 0:54:55 | |
..at 60. | 0:54:56 | 0:54:57 | |
He can't write! | 0:54:57 | 0:54:58 | |
-He's a genius, the boy, he's a genius. -He is. | 0:54:58 | 0:55:02 | |
..at £60. | 0:55:02 | 0:55:04 | |
In the second row. | 0:55:04 | 0:55:05 | |
He knows what to buy. | 0:55:05 | 0:55:07 | |
At £60. 70, anybody? | 0:55:07 | 0:55:10 | |
And selling at £60. | 0:55:10 | 0:55:13 | |
Well done, skipper. | 0:55:13 | 0:55:15 | |
Maybe it was Gregg's autograph that clinched the sale, | 0:55:16 | 0:55:20 | |
but John's unimpressed. | 0:55:20 | 0:55:22 | |
HE BLOWS A RASPBERRY | 0:55:22 | 0:55:24 | |
361... | 0:55:24 | 0:55:26 | |
Gregg and Charles's final lot is the 1820 silver meat skewer. | 0:55:28 | 0:55:33 | |
20, 30, 40, 50, 60. | 0:55:33 | 0:55:37 | |
At £60. Should be a lot more. 70. | 0:55:38 | 0:55:41 | |
At 70... | 0:55:41 | 0:55:43 | |
Selling at £70. | 0:55:43 | 0:55:47 | |
It's not a big winner like the Royal Worcester, | 0:55:47 | 0:55:50 | |
but it's still a good profit. | 0:55:50 | 0:55:53 | |
John and Charlie's fate rests on their final lot | 0:55:53 | 0:55:57 | |
and poshest purchase - the rare silver pickle fork. | 0:55:57 | 0:56:01 | |
If the right bidder's in the room, their fortunes could be transformed. | 0:56:01 | 0:56:05 | |
And I'm bid £50. | 0:56:05 | 0:56:07 | |
60 I'll take. | 0:56:07 | 0:56:09 | |
At £50. | 0:56:09 | 0:56:12 | |
No. | 0:56:12 | 0:56:13 | |
At £50, 60 I'm looking for. | 0:56:13 | 0:56:16 | |
-At 50...60... -It's a rare thing, it's 120 quid. | 0:56:16 | 0:56:19 | |
At £60. 70, I'm looking for. | 0:56:19 | 0:56:23 | |
At £60, the gavel's up and I'm selling at £60. | 0:56:23 | 0:56:31 | |
It's rare and it's practical, | 0:56:33 | 0:56:36 | |
but the pickle eaters of West Sussex don't rate it. | 0:56:36 | 0:56:38 | |
And with that... | 0:56:38 | 0:56:39 | |
-That's it, thank you. -Thank you very much. -Thank you. | 0:56:40 | 0:56:44 | |
Have we made some money? | 0:56:44 | 0:56:46 | |
-Yep! -Sorry about the pickle fork! | 0:56:46 | 0:56:48 | |
-Never mind! -Thank you. | 0:56:48 | 0:56:50 | |
It leaves John and Charlie | 0:56:50 | 0:56:52 | |
lagging way behind a victorious Gregg and Charles. | 0:56:52 | 0:56:57 | |
Our celebrities began with £400 each... | 0:56:57 | 0:57:00 | |
John and Charlie made some modest gains and two losses, | 0:57:00 | 0:57:04 | |
leaving them with an overall profit of £18.90. | 0:57:04 | 0:57:07 | |
As feared, they've ended in a pickle with £418.90. | 0:57:07 | 0:57:12 | |
Gregg and Charles made profits ranging from good to gigantic, | 0:57:14 | 0:57:18 | |
with a total profit of no less than £330.80 | 0:57:18 | 0:57:22 | |
and they end the road trip with £730.80. | 0:57:22 | 0:57:27 | |
All the funds generated by our celebrity teams | 0:57:27 | 0:57:30 | |
go to Children in Need. | 0:57:30 | 0:57:32 | |
-So, guys? -Very good day. -That's it. | 0:57:32 | 0:57:34 | |
Our job is done. | 0:57:34 | 0:57:35 | |
Mr Wallace, impressive, well done. Congratulations. | 0:57:35 | 0:57:38 | |
Thank you very much. | 0:57:38 | 0:57:39 | |
-So, we're saying goodbye to you guys? -That's it, guys. | 0:57:39 | 0:57:41 | |
-Gregg, it's you and I away. -We're cooked. We're cooked! | 0:57:41 | 0:57:43 | |
-Great to meet you both. -Yeah, you too, boys. | 0:57:43 | 0:57:45 | |
-It's been fun. -Thanks, brother. | 0:57:45 | 0:57:48 | |
Your knowledge and my eye. | 0:57:48 | 0:57:50 | |
-We should be together. -Honestly! | 0:57:50 | 0:57:51 | |
I tell you what, we are the new Torode and Wallace of antiques. | 0:57:51 | 0:57:55 | |
I like it, I like it! | 0:57:55 | 0:57:56 | |
You see how quickly I'm shoved to one side?! | 0:57:56 | 0:57:59 | |
You'll be all right with me, mate. | 0:57:59 | 0:58:01 | |
Don't worry, John, Gregg may be fickle | 0:58:01 | 0:58:04 | |
but there's a part of him that'll never change... | 0:58:04 | 0:58:06 | |
Do you know what auctioneers need to know? | 0:58:08 | 0:58:10 | |
What do they need to know? | 0:58:10 | 0:58:12 | |
-Lots! -Oh, no! Oh, no! | 0:58:12 | 0:58:13 | |
..and the same goes for Charles. | 0:58:16 | 0:58:18 | |
Do you know why a Frenchman only has one egg for breakfast? | 0:58:18 | 0:58:22 | |
-No. -Because one egg's an ouef. | 0:58:22 | 0:58:24 | |
-Is that a joke? -One egg's an oeuf. Enough. | 0:58:24 | 0:58:26 | |
Oh, you mean neuf, for nine? Nine... | 0:58:26 | 0:58:30 | |
Subtitles by Red Bee Media Ltd | 0:58:53 | 0:58:57 |