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Some of the nation's favourite celebrities. | 0:00:02 | 0:00:05 | |
What if we were to say 150 for the two? Then you've got yourself a deal. | 0:00:05 | 0:00:07 | |
-One antiques expert each. -Rock it, Tom! | 0:00:07 | 0:00:11 | |
Da, da, da, da, da, da, da! | 0:00:11 | 0:00:13 | |
And one big challenge - | 0:00:13 | 0:00:14 | |
who can seek out and buy the best antiques at the very best prices? | 0:00:14 | 0:00:19 | |
I knew it wouldn't be easy! | 0:00:19 | 0:00:21 | |
And auction for a big profit further down the road? | 0:00:21 | 0:00:26 | |
Potential for disaster. | 0:00:26 | 0:00:28 | |
Who will spot the good investments? Who will listen to advice? | 0:00:28 | 0:00:31 | |
What you've just come out with there, I cannot believe that! | 0:00:31 | 0:00:33 | |
And who will be the first to say, "Don't you know who I am?" | 0:00:33 | 0:00:38 | |
Time to put your pedal to the metal, | 0:00:38 | 0:00:42 | |
this is Celebrity Antiques Road Trip! | 0:00:42 | 0:00:44 | |
Yeah! | 0:00:47 | 0:00:49 | |
Getting to the bottom of things on this big antiques case, | 0:00:50 | 0:00:53 | |
we have two of the sexiest lab geeks going. | 0:00:53 | 0:00:57 | |
Co-stars in one of Britain's best crime dramas, Silent Witness, | 0:00:58 | 0:01:02 | |
it's Emilia Fox and Tom Ward. | 0:01:02 | 0:01:05 | |
My plan is to push you out of the way. | 0:01:05 | 0:01:07 | |
I have no idea what makes... I wouldn't know an antique | 0:01:07 | 0:01:09 | |
if it leapt up and slapped me in the face. | 0:01:09 | 0:01:11 | |
Well, it's definitely not going to do that. | 0:01:11 | 0:01:13 | |
It might do. It might be one of those novelty jack-in-the-boxes. | 0:01:13 | 0:01:18 | |
MUSIC :"Isn't She Lovely" by Stevie Wonder | 0:01:18 | 0:01:20 | |
Hailing from a dynasty of thespians, Emilia is an award-winning actress | 0:01:20 | 0:01:25 | |
best known for her role as Dr Nikki Alexander in Silent Witness. | 0:01:25 | 0:01:30 | |
Nothing gets past this smart cookie. | 0:01:30 | 0:01:34 | |
Hey! | 0:01:34 | 0:01:36 | |
From English rose, meek and mild, | 0:01:36 | 0:01:39 | |
to scary sorceress, incredibly wild. | 0:01:39 | 0:01:41 | |
Emilia has been dazzling audiences | 0:01:41 | 0:01:43 | |
with striking performances and stunning looks for years. | 0:01:43 | 0:01:47 | |
Just how does she do it? | 0:01:47 | 0:01:50 | |
Oh, that's my little secret! | 0:01:50 | 0:01:52 | |
It panics me that you're going to be looking on the bottom of jugs, | 0:01:52 | 0:01:56 | |
and going, "Oh, yes, that's...Diddlee-Diddleywood", | 0:01:56 | 0:02:00 | |
whereas I will literally find something that I like, | 0:02:00 | 0:02:02 | |
which will be worthless. | 0:02:02 | 0:02:04 | |
It's clever of you to remember that I like looking at jugs, but... | 0:02:04 | 0:02:07 | |
The task of out-foxing Emilia goes to a man | 0:02:08 | 0:02:11 | |
who does tall, dark and handsome very well. | 0:02:11 | 0:02:13 | |
Tom Ward has cut a dash in more period pieces | 0:02:13 | 0:02:16 | |
than you can shake a costume at. | 0:02:16 | 0:02:18 | |
You're absolutely right. | 0:02:18 | 0:02:20 | |
With a nose for trouble and an eye for detail, | 0:02:20 | 0:02:22 | |
Tom has played Dr Harry Cunningham, a forensic pathologist, | 0:02:22 | 0:02:26 | |
in crime drama Silent Witness for the last ten years | 0:02:26 | 0:02:28 | |
opposite our Emilia. | 0:02:28 | 0:02:30 | |
You've got blood on your hair. | 0:02:32 | 0:02:35 | |
Emilia and Tom might know each other inside out, | 0:02:35 | 0:02:39 | |
but in this challenge, there can be only one hero. | 0:02:39 | 0:02:43 | |
Let battle commence! | 0:02:43 | 0:02:45 | |
I will try and be very, very clever | 0:02:45 | 0:02:48 | |
about some sort of naval, lunar, map-reading instrument! | 0:02:48 | 0:02:52 | |
And I'll pay 200 quid for it and it will turn out to have been | 0:02:52 | 0:02:55 | |
mass made in Hull by a bloke called Fred. | 0:02:55 | 0:02:59 | |
And they're racing to the scene of the challenge | 0:02:59 | 0:03:02 | |
in a rather cool 1981 Mercedes SL. | 0:03:02 | 0:03:05 | |
If you're an antique expert, does that mean you're very, very old? | 0:03:05 | 0:03:09 | |
It's not an expert who is themselves an antique, if that's what you mean. | 0:03:09 | 0:03:12 | |
-Exactly. -And from one classy pair to another. | 0:03:12 | 0:03:14 | |
Trundling along in this charismatic Citroen 2CV - ha! - | 0:03:14 | 0:03:19 | |
we've got two of the finest antiques experts who were available. | 0:03:19 | 0:03:24 | |
It's Charlie Ross and James Braxton. | 0:03:24 | 0:03:27 | |
I don't think I'm in first! | 0:03:27 | 0:03:29 | |
GEARS CRUNCH Ooh, I am now, that's better! | 0:03:29 | 0:03:31 | |
Oh, this is the cutting edge, Bingo! | 0:03:31 | 0:03:34 | |
Charlie is an auctioneer and antiques expert of worldwide repute. | 0:03:36 | 0:03:41 | |
He even once raised 33 million in one day at a motor auction in LA. | 0:03:41 | 0:03:45 | |
-So, 50 plus 30... -Yes. | 0:03:45 | 0:03:47 | |
..equals 70, yeah? | 0:03:47 | 0:03:50 | |
He's good with numbers, our Charlie, and oh so suave. | 0:03:50 | 0:03:53 | |
I see you've got your best beige on. | 0:03:53 | 0:03:55 | |
I'm in understated beige. | 0:03:55 | 0:03:58 | |
This man's parents persisted in taking him around stately homes | 0:03:59 | 0:04:04 | |
as a child to gawk at antiques, and now look at him. | 0:04:04 | 0:04:07 | |
Now you can see, I'm obviously a jazz musician | 0:04:07 | 0:04:10 | |
by the way I'm approaching this. | 0:04:10 | 0:04:13 | |
With 25 years in the antiques business, he knows a good thing | 0:04:13 | 0:04:17 | |
when he sees it, our James, | 0:04:17 | 0:04:20 | |
or, as Charlie likes to call him, "Bingo". | 0:04:20 | 0:04:22 | |
Oh, Bingo, you've put on the old three piece suit today, haven't you? | 0:04:22 | 0:04:26 | |
-I have. -Just especially. Do you think Emilia's going | 0:04:26 | 0:04:29 | |
-to be turned on by your three piece wear? -I don't know, it's a risk. | 0:04:29 | 0:04:32 | |
She might like the charming, debonair thing, | 0:04:32 | 0:04:35 | |
the tanned... This is a man resting from his yacht. | 0:04:35 | 0:04:39 | |
This Celebrity Antiques Road Trip kicks off in the historic city | 0:04:40 | 0:04:43 | |
of Glasgow, covering the city from east to west | 0:04:43 | 0:04:47 | |
before scampering towards home turf 450 miles south | 0:04:47 | 0:04:50 | |
for an auction showdown in Billingshurst, West Sussex. | 0:04:50 | 0:04:54 | |
With its hustle and bustle | 0:04:57 | 0:05:01 | |
and a history as rich in culture as it is in crime - ha! - | 0:05:01 | 0:05:04 | |
Glasgow is the perfect playground for this plucky pair. | 0:05:04 | 0:05:07 | |
You are so competitive about everything. | 0:05:07 | 0:05:10 | |
I am not! You are quietly very competitive. | 0:05:10 | 0:05:13 | |
You're slightly like the Terminator. | 0:05:13 | 0:05:14 | |
I think a bit of your face is going to fall off. | 0:05:14 | 0:05:17 | |
Well, if a bit of my face falls off, then auction it. | 0:05:17 | 0:05:21 | |
Well, I want to win. | 0:05:21 | 0:05:22 | |
Emilia and Tom have £400 each, | 0:05:26 | 0:05:28 | |
two days to forensically forage for antiques | 0:05:28 | 0:05:31 | |
and one crucial auction to see who can turn the biggest profit. | 0:05:31 | 0:05:35 | |
Let battle commence. | 0:05:35 | 0:05:37 | |
What are you doing? You're not putting a jacket on? | 0:05:37 | 0:05:41 | |
Best tucker on, best tucker! Best tucker. | 0:05:41 | 0:05:44 | |
You old tart! See you later! | 0:05:44 | 0:05:47 | |
-A-ha! Tom? -Hello, Tom, yes. | 0:05:51 | 0:05:53 | |
-Charlie. -Hello, Charlie. -Emilia. | 0:05:53 | 0:05:56 | |
Emilia. Oh! Emilia! We were actually going to have a boxing fight. | 0:05:56 | 0:05:59 | |
We were going to have a fight. | 0:05:59 | 0:06:01 | |
-Over you, Tom. -I knew that was going to happen! Didn't I say that? | 0:06:01 | 0:06:04 | |
-As senior member, I have made a decision here. -Have you? | 0:06:04 | 0:06:07 | |
If Emilia can put up with you, and it'll be hard, Emilia, | 0:06:07 | 0:06:11 | |
I'm going to join you two for the next two days. | 0:06:11 | 0:06:14 | |
-That's really nice of you. -Fantastic. | 0:06:14 | 0:06:15 | |
Happy with that? Bingo knows everything about nothing. | 0:06:15 | 0:06:18 | |
Well, I know everything about everything, Charlie, so come and... | 0:06:18 | 0:06:21 | |
-Go on, Emilia. -Treat him gently! | 0:06:21 | 0:06:24 | |
Both teams are kicking off their antiques buying here, | 0:06:24 | 0:06:27 | |
at Glasgow Antiques and Collectibles Market | 0:06:27 | 0:06:30 | |
housed in the world famous Barras market. | 0:06:30 | 0:06:32 | |
The Barrowlands, affectionately dubbed the Barras, | 0:06:32 | 0:06:37 | |
sprang into being in the early 1920s. | 0:06:37 | 0:06:40 | |
Today, it houses in excess of 300 traders | 0:06:40 | 0:06:42 | |
and has become an intrinsic part of Glasgow life. | 0:06:42 | 0:06:46 | |
Tom, why don't you have a good look round on your own? | 0:06:46 | 0:06:49 | |
-All right. -So that we're not influencing one another. | 0:06:49 | 0:06:52 | |
-And if you see something... -I'll summon you. | 0:06:52 | 0:06:55 | |
-Yeah. -Do you like that, or does it leave you cold? | 0:06:55 | 0:06:58 | |
-Personally, it leaves me cold. -Right. | 0:06:58 | 0:07:00 | |
-But how much is it? -Coffee tables. He's wanting £300 for it. | 0:07:00 | 0:07:03 | |
-Forget it. -So keep looking, we need that rare treat. | 0:07:03 | 0:07:06 | |
-Call me if you need any help. -Will do, will do. | 0:07:06 | 0:07:09 | |
Any expert help. | 0:07:09 | 0:07:10 | |
It's very, very hard. | 0:07:12 | 0:07:14 | |
I don't know, I feel slightly kind of lost. | 0:07:14 | 0:07:18 | |
Oh look at that, what's that little brooch thing... No. | 0:07:18 | 0:07:21 | |
I slightly feel like I'm sort of taking stuff back | 0:07:21 | 0:07:27 | |
to the headmaster and getting approval or not. | 0:07:27 | 0:07:31 | |
-Tom? -You talking to me? | 0:07:31 | 0:07:33 | |
Large lumps of furniture I know absolutely nothing about. | 0:07:33 | 0:07:36 | |
No. I think large lumps of big furniture, not good news. | 0:07:36 | 0:07:39 | |
-Interesting post-box? -I suspect that is... -Fake. | 0:07:39 | 0:07:41 | |
Great fun, but it's fake. Well spotted. | 0:07:41 | 0:07:43 | |
Rather like us, great fun but fake. | 0:07:43 | 0:07:46 | |
You speak for yourself! | 0:07:46 | 0:07:50 | |
After that fake start, the boys have tuned into something rather natty. | 0:07:50 | 0:07:55 | |
RADIO STATIC | 0:07:55 | 0:07:56 | |
Dealer Ros is keen to help. | 0:07:56 | 0:07:57 | |
It's walnut, it's English. | 0:07:57 | 0:07:59 | |
If it didn't have the radio in it, | 0:07:59 | 0:08:02 | |
it would be unsaleable as a piece of furniture. | 0:08:02 | 0:08:05 | |
But of course, old radios have become hugely collectable. | 0:08:05 | 0:08:09 | |
Is Radio Luxembourg marked on there? | 0:08:09 | 0:08:11 | |
I don't think it is, actually. We've got Kalund, Oslo, Reykjavik... | 0:08:11 | 0:08:15 | |
Come on Tom, fire it up. Yeah. | 0:08:15 | 0:08:18 | |
INDISTINCT ROCK'N'ROLL MUSIC | 0:08:18 | 0:08:20 | |
Rock it, Tom! | 0:08:20 | 0:08:22 | |
OK, sorry, that's enough. | 0:08:22 | 0:08:24 | |
-I think we've all seen enough of that, don't you? -I do! | 0:08:24 | 0:08:26 | |
There was a bit of interference, but is that where it is, or...? | 0:08:26 | 0:08:29 | |
-It's because it's in here. -Right. | 0:08:29 | 0:08:31 | |
I've had it outside and it's a brilliant sound. | 0:08:31 | 0:08:33 | |
Never known a saleswoman like her. | 0:08:33 | 0:08:35 | |
-I know, she's got it all covered, hasn't she? -Absolutely fantastic. | 0:08:35 | 0:08:38 | |
-You'll be telling me you made the damn thing next! -No, no, no, | 0:08:38 | 0:08:41 | |
-I'm not as old as Marconi yet! -Oh no! -It's my birthday today. | 0:08:41 | 0:08:43 | |
-It's your birthday today? -It's your birthday? -Today. | 0:08:43 | 0:08:46 | |
-Goodness me, happy birthday. -Thank you. -Happy birthday. | 0:08:46 | 0:08:48 | |
You'll be feeling very generous. | 0:08:48 | 0:08:50 | |
-Yes. -Your birthday present to us | 0:08:50 | 0:08:52 | |
could be to give us the Marconi radio. | 0:08:52 | 0:08:54 | |
-How much is it, darling? -How would 90 suit you? | 0:08:54 | 0:08:57 | |
-Ooh. -90, that sounds... | 0:08:57 | 0:09:00 | |
And I'll throw in the dog. | 0:09:00 | 0:09:02 | |
I would almost rather you didn't throw in the dog. | 0:09:02 | 0:09:05 | |
-Don't foist that dog off! -But if the dog was thrown in, | 0:09:05 | 0:09:07 | |
-somebody might bid 10 or 20 quid for a laugh. -Absolutely. | 0:09:07 | 0:09:10 | |
He's working his magic, isn't he? | 0:09:10 | 0:09:12 | |
-Could we reserve it? OK. -Worthless. | 0:09:12 | 0:09:15 | |
Have you spent any money yet, Emilia? | 0:09:15 | 0:09:17 | |
I might, I might not! | 0:09:17 | 0:09:19 | |
-Ooh, cagey. -I told you, didn't I? I told you she'd be competitive. | 0:09:19 | 0:09:22 | |
So you're going for furnishings, are you? | 0:09:22 | 0:09:24 | |
I'm not going to tell you what we're going for! | 0:09:24 | 0:09:27 | |
You're going to start getting all, you know... | 0:09:27 | 0:09:30 | |
The battle to be top dog has well and truly begun. | 0:09:30 | 0:09:33 | |
Don't panic about the opposition. | 0:09:33 | 0:09:35 | |
-Focus on the goods, not our competitors. -Really? | 0:09:35 | 0:09:39 | |
-Yeah, because it distracts you. -But that's half the fun of it! | 0:09:39 | 0:09:42 | |
-It distracts you. -I love this painting here. | 0:09:42 | 0:09:45 | |
So what do you like about that? | 0:09:45 | 0:09:47 | |
Well, that's something that I would have in my house. | 0:09:47 | 0:09:49 | |
Well, it's an acid test, isn't it? | 0:09:49 | 0:09:52 | |
Oh, no! Oh, my God! | 0:09:54 | 0:09:56 | |
Sorry! So 1912. The frame looks totally contemporary. | 0:09:56 | 0:10:00 | |
It's on canvas, it's cracking a bit there. | 0:10:00 | 0:10:03 | |
Would you have that in your house? | 0:10:03 | 0:10:04 | |
Well, not any more because I've just seen what would happen. | 0:10:04 | 0:10:07 | |
-The picture would fall out of it! -No, we can secure it, | 0:10:07 | 0:10:09 | |
don't worry about that. But it's all fine. | 0:10:09 | 0:10:12 | |
Just very nicely complex build it up, isn't it? | 0:10:12 | 0:10:14 | |
Held together with sticking plaster. | 0:10:14 | 0:10:16 | |
£80 is too much, but this is where you come in, Emilia. | 0:10:16 | 0:10:20 | |
This is where you flutter your eyelids and all that sort of thing. | 0:10:20 | 0:10:24 | |
I don't think that that's going to work. | 0:10:24 | 0:10:26 | |
-Of course it is! Of course it is! -You have so much faith in me. | 0:10:26 | 0:10:29 | |
A devilish plan there, James, but it might just work. | 0:10:29 | 0:10:33 | |
Meanwhile, Charlie has come over all glassy-eyed. | 0:10:33 | 0:10:37 | |
Very saleable objects, little perfume bottles. | 0:10:37 | 0:10:40 | |
Right, little knick-knacks. | 0:10:40 | 0:10:42 | |
-Ink wells, there's a little tidy there. -OK. | 0:10:42 | 0:10:45 | |
That's got a hallmark and the lion passant means it's silver. | 0:10:45 | 0:10:48 | |
OK. | 0:10:48 | 0:10:50 | |
Good thing about that is that it has a cut-glass base, | 0:10:50 | 0:10:52 | |
which you have to check very carefully, to make sure | 0:10:52 | 0:10:56 | |
it's not chipped or damaged which it doesn't appear to be. | 0:10:56 | 0:10:59 | |
-That's an impressive... -Chunky. | 0:10:59 | 0:11:01 | |
-Very heavy cut-glass. -Nice to have in hand. -That's an inkwell. | 0:11:01 | 0:11:05 | |
That's an inkwell, is it? | 0:11:05 | 0:11:07 | |
Wouldn't that look wonderful if you put blue ink in there? | 0:11:07 | 0:11:09 | |
Dealer Vincenzo is on hand to help. | 0:11:09 | 0:11:14 | |
Vincenzo, are you a man that can be insulted | 0:11:14 | 0:11:17 | |
or you wouldn't be insulted by an offer? | 0:11:17 | 0:11:19 | |
From you, I would never be insulted, I can always say no. | 0:11:19 | 0:11:24 | |
We're not very keen on the elephants but we quite like all the jars, | 0:11:24 | 0:11:27 | |
but I was wondering as a sort of job lot for the lot, | 0:11:27 | 0:11:30 | |
I would like to pay £100. | 0:11:30 | 0:11:35 | |
No, £100 is no. No, I can't do it. | 0:11:35 | 0:11:40 | |
Ten, I'm doing my best. | 0:11:40 | 0:11:43 | |
Yes, try your best. | 0:11:43 | 0:11:46 | |
A hundred... ten. | 0:11:46 | 0:11:49 | |
Give me 120 and I'll give it as a job lot. | 0:11:49 | 0:11:52 | |
Tom, I think it's a good thing to do and I think we'll stand | 0:11:52 | 0:11:56 | |
a good chance of making some reasonable profit. 120? | 0:11:56 | 0:11:58 | |
-120. -It's a deal. Thanks very much. -Thank you. | 0:11:58 | 0:12:01 | |
The first deal of the day. | 0:12:01 | 0:12:03 | |
£120 for the job lot of cut-glass jars. | 0:12:03 | 0:12:06 | |
Smashing! | 0:12:06 | 0:12:08 | |
James and Emilia have spotted something rather unusual. | 0:12:08 | 0:12:12 | |
-Look at these great carpet bags! -I know! Aren't they gorgeous? | 0:12:12 | 0:12:15 | |
-Aren't they gorgeous? -Wouldn't someone want that? | 0:12:15 | 0:12:18 | |
A set of Bedouin carpet bags. | 0:12:18 | 0:12:21 | |
Bedouin, of course, meaning people of the desert. | 0:12:21 | 0:12:24 | |
Traditionally, these would have been used to carry and store | 0:12:24 | 0:12:27 | |
a tribe's worldly possessions. | 0:12:27 | 0:12:29 | |
Feel the way underneath, it's just a block of foam. | 0:12:29 | 0:12:33 | |
But you could still have that in your house as something to sit on. | 0:12:33 | 0:12:37 | |
You could, couldn't you? They are fun, aren't they? | 0:12:37 | 0:12:40 | |
Aren't they? I'd buy these from auction. | 0:12:40 | 0:12:42 | |
And you know, either side of a sofa or whatever they really are lovely. | 0:12:42 | 0:12:46 | |
Well, let's see how much we can get them for. | 0:12:46 | 0:12:48 | |
We'll have to ask about those ones. | 0:12:48 | 0:12:50 | |
Genuine Bedouin, that's the spirit, Emilia. | 0:12:50 | 0:12:53 | |
How much are these things here? Cos I really love them. | 0:12:53 | 0:12:56 | |
£100, 120. | 0:12:56 | 0:12:59 | |
100 and 120? | 0:12:59 | 0:13:00 | |
Aye. | 0:13:00 | 0:13:02 | |
-That's expensive. -You could use it. -Yeah. | 0:13:02 | 0:13:05 | |
It's a mighty big old carpet bag but I think it's quite expensive. | 0:13:05 | 0:13:09 | |
It's very expensive, are we going to look in other rooms first? | 0:13:09 | 0:13:12 | |
-I can give it you for £125. -For the pair? | 0:13:12 | 0:13:15 | |
-For the pair. -For the pair. | 0:13:15 | 0:13:17 | |
And I'll say more, cos I'll give you the cushion as a present. | 0:13:17 | 0:13:22 | |
Oh, my God, Vincenzo. | 0:13:22 | 0:13:27 | |
Thank you. | 0:13:27 | 0:13:29 | |
I think it's the furnishings of a Bedouin tent in one lot, isn't it? | 0:13:29 | 0:13:35 | |
Really, really love these. | 0:13:35 | 0:13:37 | |
If you like them, somebody else will like them. | 0:13:37 | 0:13:39 | |
If I like them then I'll then be buying them in the auction as well. | 0:13:39 | 0:13:42 | |
-No, you're precluded. -Oh, right. | 0:13:42 | 0:13:45 | |
But I don't do delivery, eh? | 0:13:45 | 0:13:48 | |
No, no delivery needed. Anyway, we're going for it. | 0:13:48 | 0:13:52 | |
-Thank you. -Thank you so much! -So you got a deal. | 0:13:52 | 0:13:55 | |
Thank you very much. | 0:13:55 | 0:13:57 | |
I need you to change it to two tens. I haven't got a ten. | 0:13:57 | 0:14:02 | |
I've only got twenties and fives, so I'll need to change it to two. | 0:14:02 | 0:14:05 | |
-I haven't got a ten. -So buy something else. | 0:14:05 | 0:14:09 | |
I knew it wouldn't be easy. | 0:14:11 | 0:14:13 | |
I know what, what if we put another £20 in | 0:14:13 | 0:14:16 | |
and we got the picture as well? | 0:14:16 | 0:14:18 | |
OK, let's deal. I do it just for you and never again. | 0:14:18 | 0:14:23 | |
-Just for you. -Just for her. -Vincenzo! | 0:14:23 | 0:14:25 | |
-I need another hug now. -Wow! | 0:14:25 | 0:14:30 | |
Now, you'll carry change from now on, won't you? Go on! | 0:14:30 | 0:14:35 | |
Thank you, thank you, James. | 0:14:35 | 0:14:38 | |
So after that hug fest, Emilia and James managed to buy | 0:14:38 | 0:14:42 | |
the oil painting and the Bedouin carpet bags | 0:14:42 | 0:14:45 | |
with complimentary cushions, for the bargain price of £160. | 0:14:45 | 0:14:50 | |
Happy? | 0:14:50 | 0:14:52 | |
-Now, what about the radio? -I love it. | 0:14:52 | 0:14:55 | |
I'm going to hide, but I think it's got to be, Tom, | 0:14:55 | 0:14:57 | |
between you and me, Tom, somewhere around the nifty fifty, | 0:14:57 | 0:15:00 | |
-if we were going to buy and I'd be right behind you. -OK. | 0:15:00 | 0:15:04 | |
Tom's hoping that Ros will be on his wave length here. Ha! | 0:15:04 | 0:15:08 | |
-I want to talk to you about general matters. -Yes, OK. | 0:15:08 | 0:15:11 | |
And we may accidentally find ourselves quite near this radio. | 0:15:11 | 0:15:15 | |
I think it's really fun, this radio. It's kind of quite niche. | 0:15:15 | 0:15:18 | |
I'm under instructions to make you a risible offer of 50 pounds. | 0:15:18 | 0:15:22 | |
If you stretch it to 60...? | 0:15:24 | 0:15:26 | |
55? | 0:15:26 | 0:15:28 | |
-OK, you've got a deal. -55? With the dog? -You can have the dog. | 0:15:28 | 0:15:31 | |
Oh, bless you! | 0:15:31 | 0:15:33 | |
-OK? -Thank you so much! | 0:15:33 | 0:15:35 | |
Well, they both got what they wanted. | 0:15:35 | 0:15:37 | |
Tom his radio, and Ros her birthday kiss. | 0:15:37 | 0:15:40 | |
And the dog, well, he's just a bonus. | 0:15:40 | 0:15:44 | |
I think we should look out for some female shopkeepers. | 0:15:44 | 0:15:47 | |
I think he stands a really good chance with buying off the ladies. | 0:15:47 | 0:15:52 | |
Whereas I've gone past that stage, I think. | 0:15:52 | 0:15:56 | |
Vincenzo has heard that Tom bought the radio | 0:15:56 | 0:15:59 | |
and wants to be in on the action. | 0:15:59 | 0:16:00 | |
I just heard that you bought the radio. Can I buy it from you? | 0:16:00 | 0:16:04 | |
-Buy the radio? -Yes, I'll offer you 75 pounds. | 0:16:04 | 0:16:07 | |
-Sounds good. -What did it cost? | 0:16:09 | 0:16:10 | |
-55. -That's 20 pounds' profit. | 0:16:10 | 0:16:12 | |
Before we've even moved five foot from it. | 0:16:12 | 0:16:15 | |
You're a natural dealer! I don't know what you're doing acting. | 0:16:15 | 0:16:19 | |
May I suggest that we simply say yes, you can have the radio, | 0:16:21 | 0:16:26 | |
but take 75 pounds off the silver. | 0:16:26 | 0:16:28 | |
Simple as that. You happy with that? | 0:16:28 | 0:16:29 | |
Yeah, happy with that. | 0:16:29 | 0:16:31 | |
So instead of £120, we get the silver for £45 and he gets the radio. | 0:16:31 | 0:16:36 | |
-But I don't want the dogs. -You don't want the dog? | 0:16:36 | 0:16:38 | |
He doesn't want the dog. | 0:16:38 | 0:16:40 | |
-We've got a free dog. -A free dog. | 0:16:40 | 0:16:41 | |
Yes you get the woofer for free, but Charlie, your maths! | 0:16:41 | 0:16:45 | |
This new deal means you've paid £100 for the glass jars, | 0:16:45 | 0:16:47 | |
just to let you know, mate. | 0:16:47 | 0:16:49 | |
While you've been away, I've added up the individual prices on those bits of silver. | 0:16:49 | 0:16:52 | |
Do you think we're going to do all right? | 0:16:52 | 0:16:55 | |
-Well, they come to £350, so that's two... -Really? -Yeah. | 0:16:55 | 0:16:58 | |
You really are an old shark, aren't you? | 0:16:58 | 0:17:01 | |
Glasgow's west end is home | 0:17:01 | 0:17:03 | |
to the famous Kelvingrove Art Gallery | 0:17:03 | 0:17:06 | |
and the city's historic university. | 0:17:06 | 0:17:08 | |
It also holds a few antique shops bursting with treasures and curios, | 0:17:08 | 0:17:12 | |
and that's where Emilia and James are headed next. | 0:17:12 | 0:17:15 | |
Did you act at school? | 0:17:17 | 0:17:19 | |
I did a little bit of acting at school. | 0:17:19 | 0:17:21 | |
I'd been a disastrous waitress and failed in every establishment. | 0:17:21 | 0:17:25 | |
And the director of the BBC's Pride and Prejudice | 0:17:25 | 0:17:28 | |
-was looking for someone that could play the piano. -Yeah. | 0:17:28 | 0:17:31 | |
And he remembered that I could play the piano. | 0:17:31 | 0:17:34 | |
Well, I think, totally, what a lovely thing | 0:17:34 | 0:17:36 | |
in the spirit of Jane Austen, | 0:17:36 | 0:17:39 | |
that you should get your part because of an accomplishment. | 0:17:39 | 0:17:43 | |
She would be very pleased with that, wouldn't she? | 0:17:43 | 0:17:46 | |
So we've done quite well. | 0:17:46 | 0:17:47 | |
I think we've got the budget for silver. | 0:17:47 | 0:17:49 | |
I think we should buy something silver. | 0:17:49 | 0:17:51 | |
-So are we talking jewellery, or are we talking...? -Well, let's see. | 0:17:51 | 0:17:55 | |
This hidden gem is called Relics. | 0:17:55 | 0:17:57 | |
Wow! Now this is my sort of shop. | 0:17:57 | 0:18:01 | |
-I mean, I think this is just going to be fun things, isn't it? -Yeah. | 0:18:03 | 0:18:07 | |
What about this...? | 0:18:11 | 0:18:12 | |
Footy. | 0:18:12 | 0:18:14 | |
I think that might appeal to someone. | 0:18:14 | 0:18:16 | |
And assisting them with their enquiries | 0:18:16 | 0:18:19 | |
is proprietor Steven Currie. | 0:18:19 | 0:18:21 | |
-So is it a complete set? -Pretty much. | 0:18:21 | 0:18:23 | |
It's about 40 years old and it's in pretty good order. | 0:18:23 | 0:18:26 | |
How do you like my find? | 0:18:26 | 0:18:28 | |
-I like your find. -Do you? Really? | 0:18:28 | 0:18:30 | |
-I do. I think it's got a lot going for it. -Really? | 0:18:30 | 0:18:33 | |
You're not just agreeing with her, are you, James, just to be sweet? | 0:18:33 | 0:18:37 | |
-Can I ask you about a few things? -Yes. | 0:18:37 | 0:18:39 | |
This one, and also, I really love | 0:18:39 | 0:18:43 | |
the ABC television bus and London Transport. | 0:18:43 | 0:18:47 | |
I love those. | 0:18:47 | 0:18:48 | |
That's a great one, isn't it? Has it got all four wheels? | 0:18:48 | 0:18:52 | |
Well, let's start with basics. | 0:18:52 | 0:18:54 | |
Yep. | 0:18:54 | 0:18:56 | |
It's not exactly mint and boxed, is it? | 0:18:56 | 0:18:59 | |
But it's a Dinky Supertoy. | 0:18:59 | 0:19:01 | |
It's not bad for its age, I would say. Pretty clean, | 0:19:01 | 0:19:03 | |
-the transfers are clean, the paint's not bad. -It's not bad, is it? | 0:19:03 | 0:19:06 | |
-How old is it? -Probably late '50s, I would think. -Yes. | 0:19:06 | 0:19:09 | |
-I mean, what would be great is to have a little collection, I think, of fun things. -Fun things. | 0:19:09 | 0:19:13 | |
It's quite expensive. | 0:19:13 | 0:19:15 | |
-I'll let you negotiate with Steven. -We might have to ask you to help. -He looks like a ladies' man. | 0:19:15 | 0:19:19 | |
-The Subbuteo can be 20, with 25 on the ABC. -Yep. | 0:19:19 | 0:19:23 | |
48 would be the best on the Triang Minic bus. | 0:19:23 | 0:19:26 | |
I'd like to buy the whole lot for 50. | 0:19:26 | 0:19:29 | |
That's what my dream price would be. | 0:19:29 | 0:19:32 | |
I'd buy the whole lot for 50! | 0:19:33 | 0:19:36 | |
Sorry, I really can't do it. | 0:19:36 | 0:19:38 | |
You're meant to be saying, | 0:19:38 | 0:19:40 | |
"Yes, of course - 50. For you, I'll do it for 40"! | 0:19:40 | 0:19:44 | |
Your charms don't seem to be working with our Steven - | 0:19:44 | 0:19:47 | |
quick, give him a hug! | 0:19:47 | 0:19:49 | |
So those two together would be... | 0:19:49 | 0:19:51 | |
-45. -45. Steven, please may I buy both these for £40? | 0:19:51 | 0:19:56 | |
-42. -42? | 0:19:56 | 0:19:58 | |
-Yes. -42. | 0:19:58 | 0:20:00 | |
-We'll do a deal. -Thank you. | 0:20:00 | 0:20:01 | |
Well, you've got to give her her points for trying! | 0:20:01 | 0:20:05 | |
I just hope that the Subbuteo set | 0:20:05 | 0:20:06 | |
doesn't end up being a bit of an own goal. | 0:20:06 | 0:20:09 | |
Let me put up this very attractive umbrella. | 0:20:09 | 0:20:11 | |
Well, I like...you keep it for yourself. I've got my... | 0:20:11 | 0:20:14 | |
-No, no. -Because I've got my hat. | 0:20:14 | 0:20:15 | |
-Are you saying you don't want to come under my umbrella? -No, I'd love to. | 0:20:15 | 0:20:18 | |
THEY LAUGH | 0:20:18 | 0:20:21 | |
Did you enjoy your first buying experience? | 0:20:23 | 0:20:25 | |
Well, it was fascinating watching you at work. | 0:20:25 | 0:20:29 | |
The proof of the pudding, though, Tom, is in the eating. I know. | 0:20:29 | 0:20:32 | |
-Well, I shall shatter that dog over your head if it's not... -CHARLIE LAUGHS | 0:20:32 | 0:20:36 | |
My wife will tell you that I am terrible at haggling, | 0:20:36 | 0:20:39 | |
-pathetic English politeness, you know? -No, no. | 0:20:39 | 0:20:42 | |
I've learnt to over the years. | 0:20:42 | 0:20:44 | |
I think if I was actually a dealer for a living, | 0:20:44 | 0:20:46 | |
I'd have gone bankrupt years ago. | 0:20:46 | 0:20:48 | |
What do you think of it so far?! | 0:20:48 | 0:20:51 | |
Just in case Tom does pick up any mercenary habits along the way, | 0:20:53 | 0:20:56 | |
Charlie is bringing him somewhere | 0:20:56 | 0:20:58 | |
which should help keep him on the straight and narrow. | 0:20:58 | 0:21:01 | |
As the first city in the UK to have its own police force, | 0:21:01 | 0:21:05 | |
Glasgow prides itself on its long law and order history. | 0:21:05 | 0:21:10 | |
Right, best behaviour, I think, here. | 0:21:10 | 0:21:12 | |
Today, Tom and Charles have come to meet a retired police officer, | 0:21:12 | 0:21:16 | |
Alastair Dinsmor, a volunteer here at the Police Museum. | 0:21:16 | 0:21:21 | |
-Hi. Tom Wa... -I'm Alastair Dinsmor. | 0:21:21 | 0:21:22 | |
Tom Ward. How'd you do? | 0:21:22 | 0:21:23 | |
-Tom Ward? And..? -Charlie Ross. | 0:21:23 | 0:21:25 | |
Charlie Ross. Would you like to come in? | 0:21:25 | 0:21:27 | |
-Love to! -Thank you very much. | 0:21:27 | 0:21:28 | |
Alongside preserving the museum's vast collection, | 0:21:28 | 0:21:32 | |
Alastair has been avidly amassing artefacts | 0:21:32 | 0:21:34 | |
from forces worldwide since the 1960s. | 0:21:34 | 0:21:39 | |
We had policing from 1779, | 0:21:39 | 0:21:41 | |
-29 years before Robert Peel's police in London. -Ah! | 0:21:41 | 0:21:43 | |
Because the American Revolution robbed Glasgow of its tobacco trade. | 0:21:43 | 0:21:49 | |
So why do we hear about Robert Peel all the time? | 0:21:49 | 0:21:51 | |
-Well, they've just got a good publicity department... -Right. | 0:21:51 | 0:21:54 | |
-down in the Met, and... -And a good nickname - the Peelers. -Yeah, yeah. | 0:21:54 | 0:21:58 | |
The reason Glasgow formed the first police force | 0:21:58 | 0:22:01 | |
was to tackle the city's increasing crime rate. | 0:22:01 | 0:22:04 | |
Unemployment in the city had risen sharply when Glasgow's | 0:22:04 | 0:22:07 | |
tobacco merchants lost control of the export | 0:22:07 | 0:22:11 | |
and redistribution of the amber leaf, | 0:22:11 | 0:22:14 | |
following America's Declaration of Independence in 1776. | 0:22:14 | 0:22:18 | |
The city's magistrates, | 0:22:20 | 0:22:22 | |
who had historically dealt with crime, were overwhelmed, | 0:22:22 | 0:22:25 | |
and so in 1779, Glasgow formed the first police force in the UK. | 0:22:25 | 0:22:31 | |
Early criminals that were caught by that initial police force | 0:22:31 | 0:22:35 | |
-were condemned to death? -Well, some of them. -Yeah. | 0:22:35 | 0:22:37 | |
There was about 40 crimes that you could be hung for. | 0:22:37 | 0:22:40 | |
We have an extract from a newspaper of 1824, | 0:22:40 | 0:22:43 | |
and it was two 18-year-olds being hung at Glasgow Cross | 0:22:43 | 0:22:46 | |
for persistent housebreaking, | 0:22:46 | 0:22:48 | |
and it was only later that the list was reduced greatly... | 0:22:48 | 0:22:51 | |
-Yeah. -..and... through the government. | 0:22:51 | 0:22:54 | |
Since retiring, Alastair has been devoting his time | 0:22:54 | 0:22:57 | |
to maintaining the museum's vast collection. | 0:22:57 | 0:23:00 | |
There are over 2,000 artefacts here, each one with its own story. | 0:23:00 | 0:23:05 | |
Whilst Tom might have played a few heroes, | 0:23:07 | 0:23:10 | |
Alastair has something earned by a real life one. | 0:23:10 | 0:23:13 | |
-This is Britain's first police bravery medal. -Right. | 0:23:13 | 0:23:16 | |
-It's a substantial item, isn't it?! -Gold medal, isn't it? | 0:23:16 | 0:23:19 | |
It's silver, it's beautifully made. | 0:23:19 | 0:23:22 | |
I love that sort of two truncheons rampant! | 0:23:22 | 0:23:25 | |
Constable John Kerr was checking property | 0:23:25 | 0:23:27 | |
in the Trongate in Glasgow here, and he went down Old Wynd, | 0:23:27 | 0:23:31 | |
and this was on the 23rd of November, 1871, | 0:23:31 | 0:23:34 | |
about quarter to five in the morning. | 0:23:34 | 0:23:37 | |
He saw a large crack in one of the buildings | 0:23:37 | 0:23:39 | |
and realised, being an ex-fireman, | 0:23:39 | 0:23:41 | |
that it was in a dangerous situation, | 0:23:41 | 0:23:44 | |
so he ran up the stairs and rescued 68 people | 0:23:44 | 0:23:46 | |
from the three-storey building. | 0:23:46 | 0:23:48 | |
And he got them out into the street and he went back in to check it, | 0:23:48 | 0:23:53 | |
-and as he was leaving, the building collapsed. -Wow! | 0:23:53 | 0:23:55 | |
Fortunately, he was uninjured. | 0:23:55 | 0:23:57 | |
So the city gave him this medal, and the back of it has | 0:23:57 | 0:24:00 | |
a beautiful inscription that outlines what he did. | 0:24:00 | 0:24:05 | |
Beautifully told, in detail. | 0:24:05 | 0:24:07 | |
For Tom, this place is like a giant dressing-up box. | 0:24:07 | 0:24:11 | |
Are these yours? | 0:24:11 | 0:24:13 | |
-Yes, the... I started in 1966... -Wow! | 0:24:13 | 0:24:15 | |
..when I was a police cadet, and it's sort of got out of hand! | 0:24:15 | 0:24:19 | |
It has! | 0:24:19 | 0:24:20 | |
I'm...I'm thinking of taking it up seriously! | 0:24:20 | 0:24:24 | |
How many have you got? | 0:24:24 | 0:24:25 | |
I have 200 uniforms. | 0:24:25 | 0:24:28 | |
200 uniforms. From how many different countries? | 0:24:28 | 0:24:30 | |
Er...from about... 92 different countries. | 0:24:30 | 0:24:34 | |
Which country in the world has the most flamboyant police uniform? | 0:24:34 | 0:24:39 | |
I would say that the ceremonial uniform of the Italian Carabinieri | 0:24:39 | 0:24:42 | |
takes a lot of beating. | 0:24:42 | 0:24:44 | |
-Which was the hardest one to get hold of? -I would say | 0:24:44 | 0:24:46 | |
the cap from North Korea was... | 0:24:46 | 0:24:48 | |
-Yes, I can see how that... -Yes. | 0:24:48 | 0:24:50 | |
Now, Alastair, this fez, how did that appear in your collection? | 0:24:50 | 0:24:53 | |
-Just like that! -No! | 0:24:53 | 0:24:56 | |
THEY LAUGH | 0:24:56 | 0:24:57 | |
And that joke, absolutely criminal! | 0:24:57 | 0:25:00 | |
-Thank you so much for showing us round. -My pleasure, Charlie. | 0:25:00 | 0:25:02 | |
Could have talked to you all day. Absolutely fascinating. | 0:25:02 | 0:25:05 | |
So, a respectable first foray into antiques finding. | 0:25:05 | 0:25:09 | |
But there is still much work to be done. | 0:25:09 | 0:25:13 | |
Go and recharge, m'dears, | 0:25:13 | 0:25:14 | |
for tomorrow, the case of unearthing more treasures continues. | 0:25:14 | 0:25:19 | |
Nighty-night. | 0:25:19 | 0:25:21 | |
It's a brand new day, and our bright young things and experts - ha! - | 0:25:23 | 0:25:27 | |
are champing at the bit to be reunited | 0:25:27 | 0:25:29 | |
for more feverish antiques finding. | 0:25:29 | 0:25:31 | |
I think we were so lucky to get James and Charlie, weren't we? | 0:25:31 | 0:25:35 | |
I think we've been very, very lucky, | 0:25:35 | 0:25:37 | |
cos they're both extremely nice | 0:25:37 | 0:25:38 | |
and extremely funny and extremely expert. | 0:25:38 | 0:25:41 | |
I should think Emilia's probably quite a good negotiator. | 0:25:41 | 0:25:44 | |
She is good, and she's got the eyes for it. | 0:25:44 | 0:25:46 | |
Oh, I bet she just flutters the eyelids | 0:25:46 | 0:25:48 | |
and the price falls like a stone! | 0:25:48 | 0:25:51 | |
And the other thing that I noticed about them | 0:25:51 | 0:25:54 | |
is that they're not competitive with each other at all about it. | 0:25:54 | 0:25:57 | |
Have you not seen the little wax dolls they've got of each other, | 0:25:57 | 0:26:00 | |
with pins in them, no? | 0:26:00 | 0:26:01 | |
Tom is a complete delight. | 0:26:01 | 0:26:03 | |
The man showed considerable nous and dealing ability on his first day. | 0:26:03 | 0:26:08 | |
Marvellous. | 0:26:08 | 0:26:09 | |
Actually, can I auction you? | 0:26:09 | 0:26:11 | |
Er... | 0:26:11 | 0:26:13 | |
Now that is how I could make some money! | 0:26:13 | 0:26:16 | |
We're not doing a slave auction here, Emilia, | 0:26:16 | 0:26:18 | |
although you might have a point! | 0:26:18 | 0:26:20 | |
Yesterday, our beautiful starlets flirted, | 0:26:23 | 0:26:27 | |
foisted, and fluttered their eyelashes | 0:26:27 | 0:26:30 | |
into the hearts of dealers in this, | 0:26:30 | 0:26:32 | |
the most friendly city in Scotland. | 0:26:32 | 0:26:35 | |
It's Glasgow, by the way! | 0:26:35 | 0:26:36 | |
Emilia and James spent £202 and got something for everyone - | 0:26:36 | 0:26:41 | |
a framed oil painting of a rural scene, | 0:26:41 | 0:26:44 | |
a pair of Bedouin tribal bags with complimentary cushions, | 0:26:44 | 0:26:48 | |
a 1970s Subbuteo football game set, | 0:26:48 | 0:26:51 | |
and a Dinky ABC Television scanner truck, | 0:26:51 | 0:26:55 | |
leaving them with £198 to spend today. | 0:26:55 | 0:26:58 | |
God, Vincenzo! | 0:26:58 | 0:27:01 | |
Lucky chap! | 0:27:01 | 0:27:03 | |
Personally, I can't wait to see what they buy. | 0:27:03 | 0:27:06 | |
Meanwhile, best buddies Tom and Charlie | 0:27:06 | 0:27:09 | |
embarked on something of a shaggy dog story. | 0:27:09 | 0:27:12 | |
Rock it, Tom! | 0:27:12 | 0:27:13 | |
Tom fell in love with a vintage radio, | 0:27:13 | 0:27:17 | |
only to have birthday girl Ros throw in a classy canine effigy. | 0:27:17 | 0:27:21 | |
Charlie haggled his heart out with Vincenzo | 0:27:21 | 0:27:24 | |
to get the contents of a glass cabinet. | 0:27:24 | 0:27:26 | |
I just heard that you bought the radio. | 0:27:26 | 0:27:28 | |
Then Vincenzo wanted the radio, so Tom struck a deal, | 0:27:28 | 0:27:32 | |
meaning they got all the glassware for £100. | 0:27:32 | 0:27:35 | |
You're a natural dealer! | 0:27:35 | 0:27:37 | |
-Cor! The dog was still free... -Mwah! | 0:27:37 | 0:27:41 | |
..and Ros got a birthday kiss, leaving them £300 to spend today. | 0:27:41 | 0:27:45 | |
Now, everyone is headed 15 miles west of Glasgow, | 0:27:47 | 0:27:49 | |
to the charming village of Kilbarchan, | 0:27:49 | 0:27:52 | |
which has been designated as an area of outstanding natural beauty. | 0:27:52 | 0:27:57 | |
Gardner's Antique Centre here in Kilbarchan | 0:27:57 | 0:28:00 | |
is rammed with rarities for our investigation teams to uncover. | 0:28:00 | 0:28:04 | |
Good morning! | 0:28:04 | 0:28:06 | |
-Yeah! -So, it's like Christmas, waking up | 0:28:06 | 0:28:09 | |
-to start again! -How are you? | 0:28:09 | 0:28:11 | |
-Hi. -Follow the pug! | 0:28:11 | 0:28:13 | |
Piled high with stunning antique pieces, | 0:28:15 | 0:28:18 | |
the trick is not to miss a treasure. | 0:28:18 | 0:28:20 | |
-Walk round, but walk round slowly. -Right. | 0:28:20 | 0:28:24 | |
-It's very easy in a place like this, full of fantastic things... -Yeah. | 0:28:24 | 0:28:27 | |
-to walk down there, walk down there... -Yes. | 0:28:27 | 0:28:29 | |
..walk down there, and you can miss something that you really like. | 0:28:29 | 0:28:32 | |
Like hunting a small creature which might just be | 0:28:32 | 0:28:34 | |
-nestling two feet from you. -Yes, yes! -So you've got be... | 0:28:34 | 0:28:37 | |
Tom and Charlie - poised to pounce! | 0:28:37 | 0:28:40 | |
Decorative items sell well. | 0:28:40 | 0:28:42 | |
-Decorative doesn't? -Does. | 0:28:42 | 0:28:44 | |
-Does. -So busts or that country house look, | 0:28:44 | 0:28:46 | |
that's what they're after. | 0:28:46 | 0:28:48 | |
I'm worried that my kitsch taste will get in the way! | 0:28:48 | 0:28:52 | |
No, no, no, we're fine. | 0:28:52 | 0:28:53 | |
Oh, I love this tea cosy! | 0:28:55 | 0:28:58 | |
No, Emilia - that's not kitsch at all! | 0:28:58 | 0:29:01 | |
-How much is that? -68. | 0:29:01 | 0:29:03 | |
-Ooh, no! -Huh? I know, I know! OK! | 0:29:03 | 0:29:05 | |
That's too expensive, isn't it? | 0:29:05 | 0:29:07 | |
Let's keep going. Oh... | 0:29:07 | 0:29:09 | |
Now, this is interesting, isn't it? | 0:29:09 | 0:29:11 | |
I like that. You've got a good eye. | 0:29:11 | 0:29:14 | |
It's very...again, that lovely cranes, Japanese aesthetic, | 0:29:14 | 0:29:19 | |
and it's made by Doulton. | 0:29:19 | 0:29:21 | |
It's very unusual. | 0:29:21 | 0:29:23 | |
How much is that? 38? | 0:29:23 | 0:29:25 | |
-Are you pleased, then? -Definitely. | 0:29:25 | 0:29:26 | |
OK. Thank goodness! | 0:29:26 | 0:29:28 | |
-Definitely. -Phew! | 0:29:28 | 0:29:30 | |
You hang on to that. We don't want the boys to grab it. | 0:29:30 | 0:29:32 | |
Let's keep that with us, | 0:29:32 | 0:29:33 | |
and shall we have a quick look in the other room? | 0:29:33 | 0:29:36 | |
Charlie, what do you think of this? | 0:29:36 | 0:29:37 | |
-I think there's one word here. "Ghastly" is... -Oh, really? | 0:29:37 | 0:29:41 | |
-I thought it was an unusual thing... -Yeah... | 0:29:41 | 0:29:43 | |
..an old lady might like in her conservatory, | 0:29:43 | 0:29:45 | |
to have flowerpots on, you know, that kind of vibe. | 0:29:45 | 0:29:47 | |
I think you're right, but an old lady with a conservatory | 0:29:47 | 0:29:50 | |
probably wouldn't pay more than a tenner for it. | 0:29:50 | 0:29:52 | |
I'm not in this for profit. | 0:29:52 | 0:29:53 | |
I'm in it for making old ladies happy. | 0:29:53 | 0:29:55 | |
Then, we'll have the tray... | 0:29:55 | 0:29:57 | |
Frankly, I'm up against it, | 0:29:57 | 0:29:58 | |
if you're just in this for making old ladies happy! | 0:29:58 | 0:30:01 | |
-We've almost covered the whole shop now. -Have you? | 0:30:01 | 0:30:04 | |
Yep. We're doing breakneck speed. | 0:30:04 | 0:30:07 | |
-Oh no, we've been much, much more selective, haven't we, Tom? -We have. | 0:30:07 | 0:30:10 | |
Come and have a look at this. | 0:30:12 | 0:30:14 | |
That's great. Is it complete? That's important. | 0:30:14 | 0:30:17 | |
I don't know when, it's presumably, Enid Blyton, so that's... | 0:30:17 | 0:30:21 | |
-Post-war. -Post-war. -1953. That would be right. | 0:30:21 | 0:30:23 | |
Chad Valley, great maker of toys, | 0:30:23 | 0:30:26 | |
but what's fantastic here, this presumably was bought | 0:30:26 | 0:30:29 | |
and given to somebody in the early 50s. | 0:30:29 | 0:30:30 | |
-And barely... -They haven't used it! | 0:30:30 | 0:30:33 | |
-That's always the great thing. -Yes, it's wonderful. | 0:30:33 | 0:30:35 | |
-What are we looking at? -100 quid? -80 quid, we could get that for. | 0:30:35 | 0:30:40 | |
I think that's collectable. | 0:30:40 | 0:30:42 | |
-I'm liking it. -You're liking it? He's liking it. | 0:30:42 | 0:30:45 | |
-I'm thinking... -First time for everything. -Yes. | 0:30:45 | 0:30:47 | |
I'm just, going to pop it one side. | 0:30:47 | 0:30:49 | |
-And what I'll now do is drop it, there we are. -Don't drop it. | 0:30:49 | 0:30:52 | |
Let's have a look round these two rooms | 0:30:52 | 0:30:55 | |
and see if we can find a nice ceramic that we both like. | 0:30:55 | 0:31:00 | |
I'm just going to give you some options. | 0:31:00 | 0:31:02 | |
-OK. -OK? This. -Yes. | 0:31:02 | 0:31:04 | |
-That. -Yes. -That. | 0:31:04 | 0:31:08 | |
-What about over here? -No. | 0:31:08 | 0:31:11 | |
We've nearly been round all the rooms again. | 0:31:11 | 0:31:14 | |
I know, but it's amazing what you see on the second journey, isn't it? | 0:31:14 | 0:31:17 | |
-What about that? -That's interesting, isn't it? Great shape. | 0:31:17 | 0:31:21 | |
Isn't it? It's beautiful. | 0:31:21 | 0:31:22 | |
-That's what, I would love to have that at home. -Yeah. | 0:31:22 | 0:31:25 | |
An old chemist's bottle used to store ammonia. | 0:31:25 | 0:31:30 | |
Because of its antiseptic and corrosive qualities, | 0:31:30 | 0:31:32 | |
domestically in the old days, | 0:31:32 | 0:31:34 | |
it would have been used mainly for cleaning purposes. | 0:31:34 | 0:31:37 | |
You can see how the label, they've put the label on the bottom, | 0:31:37 | 0:31:40 | |
so it would've been on those fabulous chemists' shelves, wouldn't it? | 0:31:40 | 0:31:44 | |
And there is a bit of damage there, | 0:31:44 | 0:31:46 | |
but if you had it on a high shelf, you might not notice. | 0:31:46 | 0:31:48 | |
And how much is it with said damage? | 0:31:48 | 0:31:50 | |
To us, £68. So that's not bad, is it? | 0:31:50 | 0:31:54 | |
So in a way, the break has given us the opportunity of purchase. | 0:31:54 | 0:31:58 | |
-I mean gosh, it's... -Can you see it? -..jewel-like purple, isn't it? | 0:31:58 | 0:32:01 | |
It's nightclub purple, isn't it? | 0:32:01 | 0:32:03 | |
-HE LAUGHS -Shall we go for them? | 0:32:03 | 0:32:05 | |
-Yes, but can we, can we, get anything, fit anything else in? -No. | 0:32:05 | 0:32:10 | |
Co-owner David Gardner is happy to help. | 0:32:10 | 0:32:13 | |
I think with the damage, it's really a showy thing now... | 0:32:13 | 0:32:15 | |
-It is, yeah. -It's a display thing. | 0:32:15 | 0:32:18 | |
Emilia, you're missing these pearls of wisdom here. | 0:32:18 | 0:32:20 | |
I'm still searching! | 0:32:20 | 0:32:22 | |
I'm just going to come and present to you with more things. | 0:32:22 | 0:32:25 | |
Why did you like this, Emilia? | 0:32:25 | 0:32:26 | |
Um, I think it's such an unusual shape. | 0:32:26 | 0:32:31 | |
-It is. -It's a great shape, isn't it? -Ewer, from a basin in Ewer set. | 0:32:31 | 0:32:36 | |
I think it will fit in with almost any interior. | 0:32:36 | 0:32:40 | |
I think that's a great lot. Come on, what's the trade on this? | 0:32:40 | 0:32:44 | |
They're 32 and 68, so you've got £100 there. | 0:32:44 | 0:32:47 | |
-£100. You happy? -Very. | 0:32:47 | 0:32:48 | |
-We've got £100. -Well spent. Well spent indeed. -Yes. | 0:32:48 | 0:32:51 | |
We've bought very individual lots that'll stand out. | 0:32:51 | 0:32:54 | |
They'll, either... | 0:32:54 | 0:32:56 | |
I think they could do quite well. | 0:32:56 | 0:32:58 | |
They'll "either" what, James? | 0:32:58 | 0:32:59 | |
Decided not to finish the sentence, eh? | 0:32:59 | 0:33:02 | |
Well, time will tell. | 0:33:02 | 0:33:04 | |
-You're teaching me, you're teaching me. -No! | 0:33:04 | 0:33:07 | |
-You're teaching me. -Absolutely not. I'm driving you mad. | 0:33:07 | 0:33:09 | |
-Everyone loves a nice light. -Yes, I couldn't agree more. | 0:33:13 | 0:33:18 | |
-It's not dear, is it? -38 quid? | 0:33:18 | 0:33:20 | |
There's one thing, at auction, you can't sell it with plugs on, | 0:33:20 | 0:33:23 | |
because if somebody buys it in an auction room, | 0:33:23 | 0:33:26 | |
plug it in, stick the fingers in there, electrocute themselves, | 0:33:26 | 0:33:28 | |
sue the saleroom, thank you very much. | 0:33:28 | 0:33:30 | |
-Fine. -What was Noddy, 80? -80. -And this is 38. | 0:33:30 | 0:33:34 | |
-Get it for 110, the whole lot? -I like that. -Yeah, go on. | 0:33:34 | 0:33:38 | |
100 would be better, I mean 110! HE LAUGHS | 0:33:38 | 0:33:41 | |
-Shall I leave it to you? -I thought you would. OK. | 0:33:41 | 0:33:43 | |
I've also seen, because I'm on a roll with you now see, | 0:33:43 | 0:33:45 | |
I've caught you in one of your good moods. | 0:33:45 | 0:33:47 | |
HE LAUGHS | 0:33:47 | 0:33:49 | |
I'm going to... | 0:33:49 | 0:33:51 | |
Have you ever seen me in a bad mood? | 0:33:51 | 0:33:53 | |
What? I don't know yet. | 0:33:53 | 0:33:54 | |
I don't want to be there when it happens. | 0:33:54 | 0:33:55 | |
-Come and see. -Come and look. -Yes, yes. | 0:33:55 | 0:33:58 | |
This is a pair, which I know always sends you into giddy ecstasy. | 0:34:01 | 0:34:04 | |
HE LAUGHS | 0:34:04 | 0:34:06 | |
-Of what? -Japanese. | 0:34:06 | 0:34:07 | |
Creamware. They're enamel decorated. | 0:34:07 | 0:34:10 | |
They are into the 20th century, but not by a great deal, | 0:34:10 | 0:34:14 | |
I would say they're 1910, 1920. | 0:34:14 | 0:34:17 | |
-Right. -So, 100 years old. | 0:34:17 | 0:34:19 | |
Simulated bamboo handles, which I quite like. | 0:34:19 | 0:34:22 | |
-Yes. -They are, by Japanese standards, poor quality. | 0:34:22 | 0:34:26 | |
-Poor quality. -Well no, that's rude. Average quality is a better word. | 0:34:26 | 0:34:29 | |
-But if they weren't, they'd be 1,500 quid's worth, this size. -Right. | 0:34:29 | 0:34:33 | |
Nice geisha girls. | 0:34:33 | 0:34:35 | |
-Alright, keep it clean. -CHARLIE LAUGHS | 0:34:35 | 0:34:37 | |
Peonies. Lotus blossom. | 0:34:37 | 0:34:39 | |
You've got everything you need in Japan. | 0:34:39 | 0:34:42 | |
-It's 90 quid. -Yes. | 0:34:42 | 0:34:44 | |
-I think if we do the Noddy... -Yes. | 0:34:44 | 0:34:46 | |
-..do this... -Three items. | 0:34:46 | 0:34:48 | |
Three items, and say he knocked... | 0:34:48 | 0:34:50 | |
Well, we can ask David. David? How good's your maths? | 0:34:52 | 0:34:55 | |
-38 for this. -Yes. | 0:34:55 | 0:34:56 | |
-90 for that is 128. -Yes. | 0:34:56 | 0:34:59 | |
-80 for that would be 208 in total, as per tag. -Yes. | 0:34:59 | 0:35:03 | |
Sounds like 200 quid to me, doesn't it? | 0:35:03 | 0:35:05 | |
-I think it does, sounds quite like 200 quid. -Yes. | 0:35:05 | 0:35:07 | |
-Does it sound like 200 quid? -We couldn't manage £200, no. | 0:35:07 | 0:35:10 | |
-Doesn't sound like 200 quid. -No, it doesn't. Sounds like £208. | 0:35:10 | 0:35:13 | |
Sounds exactly like £208. | 0:35:13 | 0:35:15 | |
-Thanks for putting us straight. -Yes, my pleasure. | 0:35:15 | 0:35:18 | |
-Are you happy? -I'm happy. Thank you, David. | 0:35:18 | 0:35:20 | |
-Absolutely, thank you. -Well done , partner. | 0:35:20 | 0:35:23 | |
After a fairly hapless attempt at haggling, | 0:35:23 | 0:35:27 | |
Tom and James are paying the ticket price for everything. | 0:35:27 | 0:35:29 | |
£80 for the Noddy tea set, | 0:35:29 | 0:35:31 | |
£38 for the cut glass table lamp | 0:35:31 | 0:35:33 | |
and £90 for the pair of Japanese vases, | 0:35:33 | 0:35:36 | |
bringing their total to £208. | 0:35:36 | 0:35:39 | |
I admire your tenacity. | 0:35:44 | 0:35:46 | |
You were in there, and you wanted to spend absolutely everything. | 0:35:46 | 0:35:49 | |
And you almost did. | 0:35:49 | 0:35:51 | |
HE LAUGHS Well, I'm a terrier! | 0:35:51 | 0:35:52 | |
So do you think we could have a new show together, | 0:35:52 | 0:35:56 | |
called Shop Till You Drop? | 0:35:56 | 0:35:57 | |
-Shop Till You Drop, or Fill The Van. -Fill The Van. | 0:35:57 | 0:36:00 | |
HE LAUGHS | 0:36:00 | 0:36:01 | |
Taking a break from their object-finding mission, | 0:36:01 | 0:36:06 | |
James has brought Emilia to an exhibition | 0:36:06 | 0:36:08 | |
in Glasgow's Trongate building called Sharmanka, | 0:36:08 | 0:36:12 | |
Kinetic Theatre by Russian-born artist, Eduard Barsudski. | 0:36:12 | 0:36:18 | |
Eduard specialises in using found and hand-carved objects | 0:36:18 | 0:36:24 | |
which perform an enchanting choreography to haunting music, | 0:36:24 | 0:36:28 | |
telling funny and tragic stories of the human spirit. | 0:36:28 | 0:36:32 | |
It's an amazing space, isn't it? | 0:36:33 | 0:36:36 | |
James and Emilia have come to meet Eduard's right-hand woman, | 0:36:36 | 0:36:40 | |
Tatyana Jakovskaya. | 0:36:40 | 0:36:43 | |
-Hello! -Hello. -Welcome to Sharmanka. -Hello, James. -Hello, James. | 0:36:44 | 0:36:48 | |
-Emilia. -Emilia. | 0:36:48 | 0:36:50 | |
Friend, collaborator and art critic, | 0:36:52 | 0:36:56 | |
Tatyana co-founded Sharmanka with Eduard in 1988 in St Petersburg, | 0:36:56 | 0:37:01 | |
and is still the theatre's director today. | 0:37:01 | 0:37:04 | |
Sharmanka in Russian means 'barrel organ', hurdy-gurdy. | 0:37:04 | 0:37:08 | |
It's also a symbol of things going in circle. | 0:37:08 | 0:37:12 | |
-I see. -So here in the west you believe in the progress, | 0:37:12 | 0:37:16 | |
and you know, east believes that everything goes in circles. | 0:37:16 | 0:37:20 | |
There are currently 35 sculptures by Eduard Barsudski | 0:37:23 | 0:37:26 | |
on display here, and several more are out touring the country. | 0:37:26 | 0:37:30 | |
Aside from training briefly to be an electrician, | 0:37:32 | 0:37:35 | |
Eduard has no mechanical training. | 0:37:35 | 0:37:38 | |
I met him 25 years ago in St Petersburg, Russia. | 0:37:38 | 0:37:43 | |
A friend brought me to his flat... | 0:37:43 | 0:37:46 | |
Er, not really flat, room | 0:37:46 | 0:37:48 | |
and in this room, I saw all these machines. | 0:37:48 | 0:37:51 | |
Really? | 0:37:51 | 0:37:52 | |
He lived among them on something which was his armchair daytime, | 0:37:52 | 0:37:57 | |
and his bed at night. | 0:37:57 | 0:37:59 | |
The first found objects Eduard used | 0:38:01 | 0:38:04 | |
were bits of carved furniture from pre-revolution Russia, | 0:38:04 | 0:38:08 | |
which, when he first started to make these sculptures, | 0:38:08 | 0:38:11 | |
were being discarded by everyone in favour of modern furniture. | 0:38:11 | 0:38:15 | |
Fleeing from Communist oppression in the USSR, | 0:38:15 | 0:38:18 | |
Eduard came to Scotland in 1993, | 0:38:18 | 0:38:21 | |
desperate to continue telling his stories | 0:38:21 | 0:38:23 | |
through the medium of mechanic sculptures. | 0:38:23 | 0:38:27 | |
This is the first piece Eduard made here, | 0:38:30 | 0:38:34 | |
and is affectionately named Jock's Jokes, | 0:38:34 | 0:38:38 | |
after a rather amusing chimney sweep he met called Jock Redburn. | 0:38:38 | 0:38:42 | |
He collected all beautiful scrap, industrial scrap, | 0:38:43 | 0:38:47 | |
and he would not allow anybody to use anything of this, | 0:38:47 | 0:38:52 | |
until he saw photographs of Eduard kinemats. | 0:38:52 | 0:38:56 | |
So they found each other after each other's own heart. | 0:38:56 | 0:38:59 | |
They found each other, yes. | 0:38:59 | 0:39:01 | |
I mean, they're just utterly extraordinary pieces. | 0:39:01 | 0:39:03 | |
Was he fascinated by time? By clocks? By watches? | 0:39:03 | 0:39:08 | |
-I don't know why they keep appearing. -Yes, of course. | 0:39:08 | 0:39:10 | |
I think that it's kind of feeling that old objects | 0:39:10 | 0:39:14 | |
keep touches of people who use them. | 0:39:14 | 0:39:17 | |
This piece is called Titanic, | 0:39:17 | 0:39:19 | |
and was made in 1994 for a major exhibition in Glasgow. | 0:39:19 | 0:39:23 | |
It was later bought to be one of the central pieces | 0:39:23 | 0:39:27 | |
for the opening ceremony of Glasgow's Museum of Modern Art. | 0:39:27 | 0:39:31 | |
We have to step over, so be, please, be very, very careful. | 0:39:33 | 0:39:38 | |
This is no time for comic trips! | 0:39:38 | 0:39:40 | |
SHE LAUGHS | 0:39:40 | 0:39:42 | |
Oh! | 0:39:42 | 0:39:43 | |
James! | 0:39:43 | 0:39:44 | |
This is a butter churn, became heart of Titanic. | 0:39:44 | 0:39:48 | |
And I think that name Titanic came from this bell... | 0:39:48 | 0:39:51 | |
-That's gorgeous. -..which was bought in Belgium. | 0:39:51 | 0:39:55 | |
As a joke, we ask seller, is it real one from Titanic? | 0:39:55 | 0:39:58 | |
and he go, "Yes, of course, I have many of them." | 0:39:58 | 0:40:00 | |
THEY LAUGH | 0:40:00 | 0:40:02 | |
It's such a wonderful merging of mechanics and theatre, isn't it? | 0:40:04 | 0:40:08 | |
-Yes. -And I love the way you describe it, with a heart. -Yes. | 0:40:08 | 0:40:12 | |
It sort of, it gives it its life. | 0:40:12 | 0:40:15 | |
Eduard thinks that it's not so much he is making them, | 0:40:15 | 0:40:19 | |
they just make themselves, he just help them into existence. | 0:40:19 | 0:40:25 | |
This is amazing. You sit there. | 0:40:27 | 0:40:30 | |
CHIMES | 0:40:30 | 0:40:34 | |
The passion and originality with which Eduard Barsudski | 0:40:34 | 0:40:37 | |
started making his kinemat is ever present today, | 0:40:37 | 0:40:41 | |
and with Eduard now 72, still working six days a week | 0:40:41 | 0:40:45 | |
on making more and more of these fantastic creations, | 0:40:45 | 0:40:49 | |
we can look forward to many more mechanical marvels to come. | 0:40:49 | 0:40:52 | |
And sailing towards their last shop of the trip, | 0:40:55 | 0:40:59 | |
Tom and Charlie are almost home and dry. | 0:40:59 | 0:41:01 | |
-One more shop? -One more shop. | 0:41:01 | 0:41:03 | |
We're in quite good shape. We can relax. | 0:41:03 | 0:41:06 | |
THUNDER CLAP | 0:41:06 | 0:41:10 | |
God! What about this? Have you seen rain like this?! | 0:41:10 | 0:41:13 | |
Look at it! | 0:41:13 | 0:41:15 | |
Oh, dear. Looks like you spoke too soon about the dry bit anyway. | 0:41:15 | 0:41:19 | |
We're taking in water, guv'nor. | 0:41:19 | 0:41:21 | |
Woah! My God! | 0:41:21 | 0:41:23 | |
LAUGHTER | 0:41:23 | 0:41:25 | |
I'm sitting in three inches of water! | 0:41:25 | 0:41:27 | |
-Oh. Under the Clyde! -The Clyde, I know. | 0:41:27 | 0:41:29 | |
-How's the red gunner, sir? -Haven't heard from him since Calais. | 0:41:35 | 0:41:38 | |
Come on. | 0:41:38 | 0:41:40 | |
Tom and a rather soggy Charlie | 0:41:40 | 0:41:43 | |
have come to Glasgow City Antiques, | 0:41:43 | 0:41:46 | |
hoping to find something which will help make a splash at the auction. | 0:41:46 | 0:41:50 | |
Hello! How are you? | 0:41:50 | 0:41:53 | |
-Fine, thank you. -I've had an accident. | 0:41:53 | 0:41:56 | |
-Do you want a towel? -I don't think there's anything a towel can do, my dear. | 0:41:56 | 0:42:00 | |
It's only water, Charlie. You won't melt. | 0:42:00 | 0:42:03 | |
With a number of traders housed under one roof, there's tons to see. | 0:42:03 | 0:42:07 | |
I've never actually dried my bottom with a hairdryer before, | 0:42:10 | 0:42:14 | |
and it's got a certain je ne sais quoi. | 0:42:14 | 0:42:16 | |
Oh, Charlie, you are awful. | 0:42:16 | 0:42:18 | |
Ah, look. There he there he is. | 0:42:18 | 0:42:20 | |
The whiff of the antiques gets him pointing. | 0:42:20 | 0:42:24 | |
-You're still doing a bit of that, aren't you? -I'm drying out slowly. | 0:42:24 | 0:42:27 | |
You're shaking yourself out. | 0:42:27 | 0:42:28 | |
Have you seen anything you can't live without? | 0:42:28 | 0:42:30 | |
Christian Dior collar. | 0:42:32 | 0:42:35 | |
-Is that fashionable these days? -I don't know. | 0:42:35 | 0:42:38 | |
-You're at the cutting edge of fashion. -Am I? -Yeah. | 0:42:38 | 0:42:41 | |
Name is great. Fifties is kind of glam. | 0:42:41 | 0:42:43 | |
There you are, sir. | 0:42:43 | 0:42:44 | |
Just half close your eyes and imagine I'm beautiful and female. | 0:42:44 | 0:42:48 | |
Not wearing glasses, with hair. | 0:42:48 | 0:42:49 | |
I'm an imaginative man, but I think even my... | 0:42:49 | 0:42:53 | |
LAUGHTER | 0:42:53 | 0:42:55 | |
Stop larking around, you two! | 0:42:55 | 0:42:57 | |
You need to find your last lot. | 0:42:57 | 0:43:00 | |
There. Rather classical, Wedgwood, black basalt brooch. | 0:43:00 | 0:43:04 | |
-That's rather lovely, actually. -It's gorgeous. | 0:43:04 | 0:43:07 | |
-Shall we have a look? -Just check if it says Wedgwood. | 0:43:07 | 0:43:10 | |
It does say Wedgwood. | 0:43:10 | 0:43:12 | |
That's promising. | 0:43:12 | 0:43:14 | |
Trader John is acting as go-between, | 0:43:14 | 0:43:15 | |
as the dealer who owns the brooch is a bit camera shy. | 0:43:15 | 0:43:20 | |
Would he know if that's gold or not? | 0:43:20 | 0:43:22 | |
-Give me two minutes and I'll find out for you. -Could you ask him? | 0:43:22 | 0:43:25 | |
I think it's a really interesting... It's marked up at £100. | 0:43:25 | 0:43:28 | |
Right, OK. | 0:43:28 | 0:43:29 | |
That's exactly the kind of thing I can see my mother-in-law wearing. | 0:43:29 | 0:43:33 | |
-She's a very stylish Elegant woman. -Elegant lady, yeah. | 0:43:33 | 0:43:36 | |
It's the sort of word you have to use about mother-in-laws. | 0:43:36 | 0:43:38 | |
I know, I said it quickly. | 0:43:38 | 0:43:41 | |
It's wonderful quality. | 0:43:41 | 0:43:44 | |
-Sir. -Davi...John! Nearly called you David. | 0:43:44 | 0:43:47 | |
-That wouldn't have helped, would it? -No. | 0:43:47 | 0:43:49 | |
It's been tested as gold. | 0:43:49 | 0:43:51 | |
-It has? -And how old? We thought it's about... | 0:43:51 | 0:43:54 | |
About 100 years old. | 0:43:54 | 0:43:56 | |
Black, death, Queen Victoria. | 0:43:56 | 0:43:59 | |
-Oh, I see what you're getting at. -There were a lot of things | 0:43:59 | 0:44:03 | |
around about 1,900 that were ebonised. | 0:44:03 | 0:44:04 | |
The furniture was ebonised, in other words blackened, | 0:44:04 | 0:44:07 | |
for obvious reasons. I mean, from the death of Albert | 0:44:07 | 0:44:10 | |
rather than Queen Victoria. | 0:44:10 | 0:44:11 | |
When she went into black, everything went into black. | 0:44:11 | 0:44:14 | |
So what's the, to use a horrible expression, death on it? | 0:44:14 | 0:44:18 | |
-His definite bottom line's £70. -£70. | 0:44:18 | 0:44:21 | |
-I think 70 quid, that's a bargain. -We'd like to buy that please, John. | 0:44:21 | 0:44:24 | |
John, thank you very much indeed. | 0:44:24 | 0:44:27 | |
It's very wet, I'm afraid, my money. Do you want to hold that? | 0:44:27 | 0:44:30 | |
Well, we've got 22 quid leftover for a towel. | 0:44:30 | 0:44:33 | |
Think you'd put a towel in the auction, | 0:44:33 | 0:44:35 | |
having wiped my body down with it? | 0:44:35 | 0:44:37 | |
That would enhance its value about 25,000%. | 0:44:37 | 0:44:41 | |
Well, the boys are pinning their hopes | 0:44:41 | 0:44:44 | |
on the brooch being a gem at auction. | 0:44:44 | 0:44:46 | |
Having paid £70 for it, I'm keeping everything crossed. | 0:44:46 | 0:44:51 | |
And now for the moment of truth, | 0:44:51 | 0:44:53 | |
when they must reveal what they've each bought. | 0:44:53 | 0:44:56 | |
-Come on, go on. -Let's get on with it. | 0:44:56 | 0:44:59 | |
-We bought a lot. -(JAMES) That is a lot! | 0:44:59 | 0:45:01 | |
Wow! | 0:45:01 | 0:45:03 | |
-Haven't we bought a lot? -We have bought a lot. | 0:45:03 | 0:45:05 | |
This is a Noddy tea set, | 0:45:05 | 0:45:08 | |
-Chad Valley, which apparently is good. -Yep. | 0:45:08 | 0:45:11 | |
And we bought this sort of crystal based lamp, | 0:45:11 | 0:45:14 | |
-which we got for 38 quid I think. -What's the history of that lamp? | 0:45:14 | 0:45:17 | |
I bought it today. That's all the history I know. | 0:45:17 | 0:45:20 | |
-I need some lamps at home. -Marvellous, that's a buyer! | 0:45:20 | 0:45:23 | |
And then we've got these, which are apparently quite average | 0:45:23 | 0:45:27 | |
but quite nice, presentable, | 0:45:27 | 0:45:30 | |
Japanese, turn of the last century... | 0:45:30 | 0:45:32 | |
1920s probably, Satsuma. | 0:45:32 | 0:45:34 | |
-But that's our best buy I think. -(JAMES) Now what is that? | 0:45:34 | 0:45:37 | |
It's a Wedgwood. 19th century Wedgwood brooch, | 0:45:37 | 0:45:40 | |
mounted with gold. | 0:45:40 | 0:45:42 | |
That's beautiful. | 0:45:42 | 0:45:43 | |
-Paid 70 quid. -Very good. | 0:45:43 | 0:45:46 | |
-James, are you worried? -No, we're fine. We're fine. | 0:45:46 | 0:45:48 | |
-Why do you look so worried? -No, I'm not worried. Well done. | 0:45:48 | 0:45:52 | |
This is what we've bought. | 0:45:52 | 0:45:53 | |
That's fantastic. | 0:45:53 | 0:45:55 | |
That's rather nice. | 0:45:55 | 0:45:56 | |
-That's fabulous. -A chemist's jar. -(TOM) That's a great thing. | 0:45:56 | 0:45:59 | |
Hang on. By your finger, is there a little bit | 0:45:59 | 0:46:01 | |
of a bijou damagette there? | 0:46:01 | 0:46:03 | |
-Undamaged I would say that's £300. -And with damage? | 0:46:03 | 0:46:07 | |
With damage? Well, I don't know. 12 quid? | 0:46:07 | 0:46:10 | |
I'm only joking! | 0:46:10 | 0:46:12 | |
-He's a rotter. -That's cruel. Watch my face. | 0:46:12 | 0:46:14 | |
-75. -Almost spot on. 68. | 0:46:14 | 0:46:17 | |
-I like that very much. -(TOM) Yeah, that's really lovely. | 0:46:17 | 0:46:20 | |
Our big ticket item was the sort of the contents | 0:46:20 | 0:46:23 | |
of a Bedouin tent here. | 0:46:23 | 0:46:25 | |
Yeah. I did have a feel inside. | 0:46:25 | 0:46:26 | |
They aren't actually chunks inside, are they? | 0:46:26 | 0:46:29 | |
-No. They're sponge rubber. -Sponge rubber. | 0:46:29 | 0:46:31 | |
You can fill them with whatever you want. | 0:46:31 | 0:46:33 | |
-You can. Soft furnishings, yes? -Exactly. | 0:46:33 | 0:46:36 | |
Well done, defend your corner! | 0:46:36 | 0:46:38 | |
I will! I love those. | 0:46:38 | 0:46:40 | |
-So we bought that. -Ooh! | 0:46:40 | 0:46:43 | |
-Is that a Corgi or a Dinky? -Dinky. | 0:46:43 | 0:46:45 | |
Love the way you said, "Dinky" there. | 0:46:45 | 0:46:47 | |
Quick as a flash, "Dinky." | 0:46:47 | 0:46:49 | |
Didn't have to think, did he? | 0:46:49 | 0:46:51 | |
Don't have Corgi where we are! | 0:46:51 | 0:46:53 | |
-Right, see you there. -See you at the auction. | 0:46:53 | 0:46:56 | |
How convinced were they really about what each other had bought? | 0:46:56 | 0:46:59 | |
With these actors, sometimes you know it's hard to tell. | 0:46:59 | 0:47:02 | |
-What do you think? -The whole thing will hinge on that Bedouin. | 0:47:02 | 0:47:05 | |
I could see those in West London, going into a smart flat | 0:47:05 | 0:47:08 | |
for hundreds of pounds. | 0:47:08 | 0:47:10 | |
(JAMES) I'm not mad about the dog. | 0:47:10 | 0:47:12 | |
And I'm not mad about those vases, but someone will be, won't they? | 0:47:12 | 0:47:15 | |
They will be. | 0:47:15 | 0:47:16 | |
(TOM) I love that huge bottle. | 0:47:16 | 0:47:19 | |
I think the fact that the top's been off it, I think it's important. | 0:47:19 | 0:47:22 | |
The only big threat, I think, from them | 0:47:22 | 0:47:26 | |
is that fabulous collection of 12 silver topped bottles. | 0:47:26 | 0:47:30 | |
All's fair in love and war. | 0:47:30 | 0:47:32 | |
I think it's just going to boil down to Bedouin versus brooch. | 0:47:32 | 0:47:35 | |
Come on, let's go and have a beer. | 0:47:35 | 0:47:37 | |
Well, it's time to leave the delights of Bonnie Scotland | 0:47:37 | 0:47:40 | |
and head 450 miles south to the beauty of Billingshurst | 0:47:40 | 0:47:44 | |
in West Sussex, for that all-important auction. | 0:47:44 | 0:47:48 | |
Are you nervous or are you excited? | 0:47:48 | 0:47:50 | |
I'm quite excited and I'm a bit nervous | 0:47:50 | 0:47:52 | |
about whether anyone is actually going to bid. | 0:47:52 | 0:47:56 | |
I think people will think, | 0:47:56 | 0:47:58 | |
"Ah, if Emilia Fox likes this, then I must buy it." | 0:47:58 | 0:48:01 | |
-Confident of making a profit? -I think so. | 0:48:01 | 0:48:05 | |
I'm just expecting profit, after profit, after profit. | 0:48:05 | 0:48:08 | |
Should be a slam dunk, shouldn't it? | 0:48:08 | 0:48:10 | |
Quite right, chaps. | 0:48:10 | 0:48:12 | |
That's the kind of confidence that gets you far in life. | 0:48:12 | 0:48:15 | |
Bellmans Auctioneers have been auctioning fine art, | 0:48:15 | 0:48:19 | |
antiques and collectables for over 20 years. | 0:48:19 | 0:48:22 | |
Here we are. The moment of truth. | 0:48:22 | 0:48:25 | |
The moment of truth. | 0:48:25 | 0:48:27 | |
150. | 0:48:27 | 0:48:29 | |
And we have eagle-eyed auctioneer Will Pasfield | 0:48:29 | 0:48:33 | |
to give us his verdict on what's on the table. | 0:48:33 | 0:48:36 | |
First of all, it's a St Bernard. | 0:48:36 | 0:48:37 | |
We need to find two people who love St Bernards | 0:48:37 | 0:48:39 | |
to get them bidding against each other. | 0:48:39 | 0:48:42 | |
I think my personal favourite item is the wet drug jar, | 0:48:42 | 0:48:45 | |
but the big chip on the neck is going to affect the price. | 0:48:45 | 0:48:48 | |
The cut glass table lamp is going to be a little bit of a tricky sale. | 0:48:48 | 0:48:52 | |
We'll be lucky if we get £10 for it. | 0:48:52 | 0:48:54 | |
The pair of Bedouin tribal bag seats and the other cushions as well. | 0:48:54 | 0:48:57 | |
We've never sold anything like it before, but I'll see what I can do. | 0:48:57 | 0:49:00 | |
Both teams started with £400 each. | 0:49:02 | 0:49:05 | |
Emilia and James spent £302 | 0:49:05 | 0:49:09 | |
on an array of erm goodies. | 0:49:09 | 0:49:11 | |
Six things in total, which are now organised into six auction lots. | 0:49:11 | 0:49:15 | |
Go on, go on! | 0:49:15 | 0:49:18 | |
And by nefarious means, Charlie and Tom | 0:49:19 | 0:49:22 | |
have ended up with six auction lots and spent a total of £378. | 0:49:22 | 0:49:27 | |
Mwah! | 0:49:28 | 0:49:30 | |
Take your seats. Eyes front. | 0:49:30 | 0:49:33 | |
The auction is about to begin. | 0:49:33 | 0:49:34 | |
-Before we start, I just want to say good luck. -Good luck. | 0:49:34 | 0:49:38 | |
Here we go, here we go. | 0:49:38 | 0:49:40 | |
First up, it's Emilia and James's football game. | 0:49:40 | 0:49:43 | |
It's not fair. | 0:49:43 | 0:49:45 | |
Everyone's holding hands except for me. | 0:49:45 | 0:49:48 | |
£10 is the bid. 15 now, 15... | 0:49:48 | 0:49:51 | |
Yes! Please, please! 15, 25. | 0:49:51 | 0:49:53 | |
£10. If we're all done at £10? | 0:49:53 | 0:49:56 | |
I knew it. | 0:49:56 | 0:49:57 | |
Oh dear, that's not so good. | 0:49:57 | 0:50:00 | |
-It's a bit worrying. -Don't worry, don't worry. | 0:50:00 | 0:50:02 | |
Well, I think James knew, but he didn't like to say. | 0:50:02 | 0:50:06 | |
Can Charlie and Tom's dainty cut glass lamp light up the room? | 0:50:08 | 0:50:11 | |
£10 pounds for the lamp. £10, please. | 0:50:11 | 0:50:14 | |
That's not worth £10. | 0:50:14 | 0:50:15 | |
It's a lovely lamp, sir. It's the best lamp you've ever seen. | 0:50:15 | 0:50:18 | |
A bid of £10. It's going to sell for £10, any further interest? | 0:50:18 | 0:50:23 | |
15, hey! Now we're going. Come on, sir! | 0:50:23 | 0:50:26 | |
25 on the internet. | 0:50:26 | 0:50:27 | |
I'll lend you a fiver. | 0:50:27 | 0:50:28 | |
Don't just sit there man, bid! | 0:50:28 | 0:50:30 | |
It's gone blank, I'm afraid. | 0:50:30 | 0:50:32 | |
All done? | 0:50:32 | 0:50:33 | |
GAVEL BANGS | 0:50:33 | 0:50:35 | |
Well done, sir! | 0:50:35 | 0:50:36 | |
No. But hey, they got more than the predicted tenner for it. | 0:50:36 | 0:50:40 | |
Lot number 15A - a Dinky ABC television | 0:50:40 | 0:50:44 | |
TV remote controllable truck. | 0:50:44 | 0:50:46 | |
The person that bought that lot said it was £20... | 0:50:46 | 0:50:49 | |
Come on you lot, pay attention. | 0:50:49 | 0:50:52 | |
This is one of your lots. | 0:50:52 | 0:50:54 | |
Who's got the 5 anywhere? | 0:50:54 | 0:50:56 | |
Are we selling your lot? | 0:50:56 | 0:50:59 | |
£30. | 0:50:59 | 0:51:00 | |
Well, let's ask him afterwards. I'm sure it went for 20. | 0:51:00 | 0:51:02 | |
Correction - it was James's Dinky. | 0:51:02 | 0:51:05 | |
Just so you know, it fetched £30. | 0:51:05 | 0:51:08 | |
Go back! | 0:51:09 | 0:51:11 | |
No can do, Emilia. This auction waits for no man. | 0:51:11 | 0:51:14 | |
OK, or woman. | 0:51:14 | 0:51:16 | |
Next was Charlie and Tom's bargain bootie | 0:51:16 | 0:51:20 | |
of silver topped bottles. | 0:51:20 | 0:51:22 | |
£30 to start me for the set bottles. | 0:51:22 | 0:51:25 | |
-£30 and 5 and 40 and 5 and 40... -There's hundreds! | 0:51:25 | 0:51:29 | |
..and 5 and 60 and 5 and 70. | 0:51:29 | 0:51:32 | |
With the lady at £70. | 0:51:32 | 0:51:34 | |
Come on, internet. | 0:51:34 | 0:51:35 | |
85 on the net. | 0:51:35 | 0:51:37 | |
And 5 on the net, 90 | 0:51:37 | 0:51:39 | |
95 on the net if you want to bid, | 0:51:39 | 0:51:40 | |
100, 110, | 0:51:40 | 0:51:42 | |
120, 130, 140, 150? | 0:51:42 | 0:51:45 | |
140 with the lady smiling. | 0:51:45 | 0:51:48 | |
Do I see 150 anywhere? | 0:51:48 | 0:51:50 | |
If we're all done, it's a fair warning, £140. | 0:51:50 | 0:51:54 | |
-Well done. -Well done to Charlie. | 0:51:54 | 0:51:56 | |
Not quite the profit Charlie predicted, | 0:51:56 | 0:51:59 | |
but profit never the less. | 0:51:59 | 0:52:01 | |
Profit would be the best medicine for Emilia and James | 0:52:02 | 0:52:06 | |
with this 19th Century chemist's bottle. | 0:52:06 | 0:52:09 | |
Straight in at £50. | 0:52:09 | 0:52:10 | |
I'll take the 5 now, 5 anywhere? 5 anywhere? | 0:52:10 | 0:52:15 | |
55, 60. | 0:52:15 | 0:52:17 | |
60 and 5 and 70 and 5 | 0:52:17 | 0:52:19 | |
and 80 and 5 and 90 and 5 and 100 | 0:52:19 | 0:52:23 | |
and 10. Are you sure? | 0:52:23 | 0:52:25 | |
-Keep going, it's so lovely! -110 to clear the line, | 0:52:25 | 0:52:28 | |
Are we all done? | 0:52:28 | 0:52:29 | |
No! No! Keep going. | 0:52:29 | 0:52:32 | |
120, 130, 140 net, 150, | 0:52:32 | 0:52:35 | |
All bids on the internet. | 0:52:35 | 0:52:37 | |
All done, £140 on the internet | 0:52:37 | 0:52:40 | |
140... 150 | 0:52:40 | 0:52:41 | |
Yay! | 0:52:41 | 0:52:43 | |
All done, selling on my left to £150. | 0:52:43 | 0:52:47 | |
-Yeah! Thank you so much. -Thank you. | 0:52:47 | 0:52:50 | |
-Whoa! -Well done! | 0:52:50 | 0:52:53 | |
Didn't they do well? | 0:52:53 | 0:52:55 | |
You've got the best jobs in the world, you two. | 0:52:55 | 0:52:57 | |
You really do, it's so exciting. | 0:52:57 | 0:53:00 | |
Oh, don't look at me with those puppy dog eyes. | 0:53:00 | 0:53:02 | |
It's not up to me. | 0:53:02 | 0:53:05 | |
£10, who wants it for £10? | 0:53:05 | 0:53:07 | |
Whoa, 10! | 0:53:07 | 0:53:09 | |
-The St Bernard! -And 20? Do I see 5 anywhere? | 0:53:09 | 0:53:12 | |
-5 anywhere? -Yes! 25 quid. | 0:53:12 | 0:53:15 | |
On my left at £25. | 0:53:15 | 0:53:16 | |
All out for £25. | 0:53:16 | 0:53:20 | |
Well done! That's amaz... | 0:53:20 | 0:53:22 | |
Oh, I know. Sorry, I'm not your partner. | 0:53:22 | 0:53:25 | |
Every dog does indeed have its day. | 0:53:26 | 0:53:29 | |
Next up, James and Emilia's | 0:53:29 | 0:53:32 | |
Japanese inspired ewer jug. | 0:53:32 | 0:53:35 | |
Oh! Oh, beautiful. That is a beautiful jug. | 0:53:35 | 0:53:40 | |
£10? £10 for a wash down ewer. | 0:53:40 | 0:53:42 | |
Where's my friend, where's she gone? | 0:53:42 | 0:53:44 | |
£10 is bid by the lady behind. In the middle, | 0:53:44 | 0:53:46 | |
do I see 15? | 0:53:46 | 0:53:48 | |
15 I see and 20 and 5. | 0:53:48 | 0:53:51 | |
-Do I see 30 anywhere -Please, 30, pleas! | 0:53:51 | 0:53:54 | |
30 anywhere? | 0:53:54 | 0:53:56 | |
Done at £25. | 0:53:56 | 0:54:00 | |
-No shame! -It's good. | 0:54:00 | 0:54:01 | |
This beautiful old bird didn't fly. Bad luck. | 0:54:01 | 0:54:05 | |
And now the painting which Emilia so loved. | 0:54:05 | 0:54:09 | |
The pretty painting, £10. | 0:54:09 | 0:54:10 | |
There it is, £10. | 0:54:10 | 0:54:13 | |
10, thank you very much. 15, 20. | 0:54:13 | 0:54:16 | |
It's going. It's kicking off. | 0:54:16 | 0:54:18 | |
I can't believe it. | 0:54:18 | 0:54:20 | |
Internet? No? Back of the room, sir. | 0:54:20 | 0:54:22 | |
From New York, Milan... | 0:54:22 | 0:54:25 | |
It's a world record for that artist. | 0:54:25 | 0:54:27 | |
And after all that, it failed to make a scene. | 0:54:27 | 0:54:31 | |
Charlie and Tom's Noddy tea set, | 0:54:31 | 0:54:35 | |
frankly it could go either way. | 0:54:35 | 0:54:38 | |
-Five anywhere for the Chad Valley tea set? -Oh, come on! | 0:54:38 | 0:54:41 | |
45 with the lady on my right. | 0:54:41 | 0:54:43 | |
Who's got 50? Who's got 50 anywhere? | 0:54:43 | 0:54:46 | |
£45. | 0:54:46 | 0:54:47 | |
All done, selling for £45. | 0:54:47 | 0:54:51 | |
Big Ears, big loss. | 0:54:51 | 0:54:52 | |
No celebration tea here then! | 0:54:52 | 0:54:56 | |
Will anyone want to set up camp | 0:54:56 | 0:54:58 | |
with Emilia's Bedouin carpet bags? | 0:54:58 | 0:55:01 | |
Unusual lot this, who's going to start me off at £30? | 0:55:01 | 0:55:04 | |
-£30 for these bag seats, £30. -They're really lovely. | 0:55:04 | 0:55:07 | |
-15? 15, 20... -They're amazing. | 0:55:07 | 0:55:10 | |
-And 5. -We need to get up over 125! | 0:55:10 | 0:55:14 | |
-And 30. -We really need to get it up. | 0:55:14 | 0:55:18 | |
I don't think I can get it that high! | 0:55:18 | 0:55:20 | |
It's with the lady at £25. | 0:55:20 | 0:55:21 | |
Do I see 30 anywhere, 30 anywhere? | 0:55:21 | 0:55:23 | |
It's with the lady at £25. Are we all done? | 0:55:23 | 0:55:27 | |
EMILIA SOBS | 0:55:27 | 0:55:29 | |
Oh, but they're fantastic! | 0:55:29 | 0:55:31 | |
Well, yes. One lady - who just bagged the bargain of the century - | 0:55:31 | 0:55:34 | |
leaving another, Emilia, with the serious hump! | 0:55:34 | 0:55:37 | |
I just feel my stuff is not selling on the right day. | 0:55:37 | 0:55:40 | |
If we'd been here on another day... | 0:55:40 | 0:55:42 | |
That's happened to me for 40 years, darling. | 0:55:42 | 0:55:45 | |
Now it's time for Charlie and Tom's pair of Japanese vases. | 0:55:45 | 0:55:50 | |
£10 is bid, thank you. 15 now. 15, thank you, sir. | 0:55:50 | 0:55:53 | |
And 20 and 5... | 0:55:53 | 0:55:55 | |
Come on, they're big! They're very big! They're lovely. | 0:55:55 | 0:55:58 | |
They're gorgeous. | 0:55:58 | 0:56:00 | |
£30 has it on the left here, do I see 5 anywhere? | 0:56:00 | 0:56:04 | |
-Anyone else? -One more. | 0:56:04 | 0:56:06 | |
-No? That's £30 on my left. -Oh, my lord! | 0:56:06 | 0:56:10 | |
That's like going to the dentist. Root canal. | 0:56:10 | 0:56:12 | |
Root canal, no anaesthetic. | 0:56:12 | 0:56:14 | |
That may be, Tom, but for that measly £30, | 0:56:14 | 0:56:17 | |
you'd not even get a filling! | 0:56:17 | 0:56:19 | |
The Wedgwood brooch, now Charlie and Tom's last hope for profit. | 0:56:21 | 0:56:24 | |
-£10 to start for the brooch. -It's gold! | 0:56:24 | 0:56:28 | |
£10, come on. | 0:56:28 | 0:56:29 | |
The gold's worth £20! | 0:56:29 | 0:56:31 | |
It's gold, for God's sake! | 0:56:31 | 0:56:34 | |
15, and 20. | 0:56:34 | 0:56:35 | |
It's gold! It's not plastic. It's Wedgwood and gold! | 0:56:35 | 0:56:37 | |
15 carat gold! | 0:56:37 | 0:56:39 | |
£30. 30 there... | 0:56:39 | 0:56:41 | |
It's 15 carat gold! | 0:56:41 | 0:56:45 | |
All done at 30. | 0:56:45 | 0:56:47 | |
Is this the worst anyone's ever done? | 0:56:48 | 0:56:51 | |
I would think so by some margin! | 0:56:51 | 0:56:53 | |
It would appear that all that's gold does not glitter. | 0:56:53 | 0:56:57 | |
So, our celebrities began | 0:57:00 | 0:57:03 | |
with £400 each. | 0:57:03 | 0:57:05 | |
Unfortunately, Tom and Charlie | 0:57:05 | 0:57:08 | |
made a whopping £144.30 loss. | 0:57:08 | 0:57:10 | |
They wind up their road trip | 0:57:10 | 0:57:13 | |
with just £255.70. | 0:57:13 | 0:57:15 | |
Emilia and James did slightly better. | 0:57:16 | 0:57:20 | |
After auction costs, | 0:57:20 | 0:57:22 | |
they made a loss of £80.60, | 0:57:22 | 0:57:24 | |
which means they leave this road trip | 0:57:24 | 0:57:27 | |
with £319.40, making them the winners! | 0:57:27 | 0:57:30 | |
Well, it's just a dirty shame, isn't it? | 0:57:30 | 0:57:32 | |
All that effort, all that work | 0:57:32 | 0:57:34 | |
and today, sadly no profits were made. | 0:57:34 | 0:57:38 | |
Well, it's been emotional, but all good things must come to an end. | 0:57:38 | 0:57:42 | |
Well, we've had a marvellous... | 0:57:44 | 0:57:45 | |
Are we talking about the winner of who's lost now? | 0:57:45 | 0:57:48 | |
Yes, yes. | 0:57:48 | 0:57:50 | |
You are slightly less pathetic than we are! | 0:57:50 | 0:57:52 | |
I don't know. That's not true at all. | 0:57:52 | 0:57:54 | |
No, we've had a wonderful time. Oh, we have really enjoyed it. | 0:57:54 | 0:57:57 | |
Well done, James. What fun. | 0:57:57 | 0:57:59 | |
(JAMES) Tom, Tom, really great. | 0:57:59 | 0:58:01 | |
Come on, James. | 0:58:01 | 0:58:03 | |
-Right, bye-bye. -Toodle-pip! -Bye. | 0:58:03 | 0:58:06 | |
Ah, there were some heartfelt hugs right there. Bye, chaps! | 0:58:09 | 0:58:13 | |
I had a very, very... Such a fun time. | 0:58:13 | 0:58:16 | |
Yep. Do you think we can stay on for longer? | 0:58:16 | 0:58:18 | |
Do you think they'd notice if we hid in the back of their car? | 0:58:18 | 0:58:21 | |
-Become their bag carriers? -Yeah. | 0:58:21 | 0:58:23 | |
I'm sure it can be arranged. | 0:58:23 | 0:58:25 | |
Subtitles by Red Bee Media Ltd | 0:58:42 | 0:58:45 |