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-Some of the nation's favourite celebrities. -That's the pig for you. -This is the pig for me. | 0:00:02 | 0:00:07 | |
-One antiques expert each. -Celebrities! -Shake his hand. He's got the money! | 0:00:07 | 0:00:12 | |
And one big challenge - who can seek out and buy the best antiques at the very best prices... | 0:00:12 | 0:00:18 | |
-I love it. -Right. -I would buy it myself. | 0:00:18 | 0:00:22 | |
..and auction for a big profit further down the road? | 0:00:22 | 0:00:25 | |
Well done, well done. | 0:00:25 | 0:00:27 | |
Who will spot the good investments, who will listen to advice? | 0:00:27 | 0:00:31 | |
-It goes with your eyes. -Does it? | 0:00:31 | 0:00:33 | |
And who will be the first to say, "Don't you know who I am?" | 0:00:33 | 0:00:38 | |
Time to put your pedal to the metal. | 0:00:38 | 0:00:42 | |
This is Celebrity Antiques Road Trip. | 0:00:42 | 0:00:45 | |
Yeah! | 0:00:47 | 0:00:48 | |
ENGINE REVS | 0:00:48 | 0:00:51 | |
Welcome to the wonderful Isle of Wight, three miles south of mainland Britain, | 0:00:51 | 0:00:57 | |
population 150,000 people, | 0:00:57 | 0:01:00 | |
and now the arena for two celebrities with £400 each | 0:01:00 | 0:01:04 | |
to speculate on the best available antiques. | 0:01:04 | 0:01:08 | |
# You can go your own way... # | 0:01:08 | 0:01:10 | |
From stage and screen, we have a pair of firm pals. | 0:01:10 | 0:01:15 | |
I am quietly confident that I am going to beat you. | 0:01:15 | 0:01:18 | |
Do you know what? I would prefer it if you won. | 0:01:18 | 0:01:22 | |
Born right here on the isle, | 0:01:24 | 0:01:26 | |
she's graced our screens in comedies and tragedies for many, many years. | 0:01:26 | 0:01:31 | |
She is the First Lady of Drama. | 0:01:31 | 0:01:34 | |
-She is Sheila Hancock. -A lady's prerogative. | 0:01:34 | 0:01:37 | |
And she's brought her best friend along. | 0:01:37 | 0:01:40 | |
Hailing from the land of the Danes before she footlighted into the world of comedy... | 0:01:41 | 0:01:47 | |
LAUGHTER | 0:01:47 | 0:01:49 | |
-Tonight, we have a section marked "big books". -TV presenter, novelist, | 0:01:52 | 0:01:56 | |
conversationalist and bon viveur, she's also found time for competitive shopping. | 0:01:56 | 0:02:02 | |
She's Sandi Toksvig. | 0:02:02 | 0:02:04 | |
Why, it's tantamount to cheating! | 0:02:04 | 0:02:07 | |
-See that coffee house that's called Vectis? -Yeah. -That's the original name of the Isle of Wight. -Is it? | 0:02:08 | 0:02:15 | |
-Yeah. -How did it become Wight? | 0:02:15 | 0:02:17 | |
It's one of those things that's very slightly lost in the mists of time and my fault entirely, | 0:02:17 | 0:02:22 | |
but the Danes invaded many times. | 0:02:22 | 0:02:24 | |
That was quite a long way round from Denmark to come down here? | 0:02:24 | 0:02:28 | |
I know. Whenever I come to the Isle of Wight, I feel I should apologise. | 0:02:28 | 0:02:32 | |
-You can apologise to me because I was born here. -I'm terribly sorry. | 0:02:32 | 0:02:36 | |
Now, whilst our celebrities can enjoy their suave, 1972 Triumph TR6, | 0:02:38 | 0:02:44 | |
they simply cannot go antique shopping all by themselves. | 0:02:44 | 0:02:48 | |
Now let's run through the qualities you are looking for in your antiques expert. | 0:02:48 | 0:02:53 | |
-In my antiques expert? -Fantastically dashing. -Beautiful. -Staggeringly good-looking. -Very elegant. | 0:02:53 | 0:02:59 | |
-With a sense of style. -Oh, dear. | 0:02:59 | 0:03:02 | |
Sheila and Sandi really deserve the finest expertise in the land, | 0:03:04 | 0:03:08 | |
but it was rather short notice. | 0:03:08 | 0:03:10 | |
-I said I never wanted to work with you ever again. -Why? -You're horrid to me. | 0:03:10 | 0:03:14 | |
-I love you immensely. -That's beginning to worry me. | 0:03:14 | 0:03:17 | |
I've seen them both on the telly, but I can't remember which one is the best. | 0:03:17 | 0:03:22 | |
Take your foot off the brake, you silly fool! | 0:03:22 | 0:03:24 | |
Once one of the youngest qualified valuers in the land, he began his esteemed career back in 19... | 0:03:24 | 0:03:32 | |
Well, it was a long time ago. | 0:03:32 | 0:03:35 | |
He's an antiques valuer, he's a serious negotiator, | 0:03:37 | 0:03:41 | |
he's the man in the pink, he's David Barby. | 0:03:41 | 0:03:44 | |
And I know what you're thinking. | 0:03:44 | 0:03:47 | |
Who's the dashing, stylish man about town? | 0:03:47 | 0:03:51 | |
He's moved seamlessly from cattle trading to auctioneering. | 0:03:52 | 0:03:56 | |
He has a fine mind, he has a keen eye. He has very forgiving trousers. | 0:03:56 | 0:04:00 | |
He's Philip Serrell. | 0:04:00 | 0:04:03 | |
What I find extraordinary with somebody such as the status of Sheila Hancock | 0:04:05 | 0:04:11 | |
-who actually appeared with Bette Davis in a film called The Anniversary... -Really? | 0:04:11 | 0:04:16 | |
-Did you not know that? -No. It's more your era. | 0:04:16 | 0:04:19 | |
And I like Sandi because of her radio shows. | 0:04:19 | 0:04:22 | |
Do you not call it the wireless? | 0:04:22 | 0:04:25 | |
David and Philip have brought along their cute 1960 Morris Minor | 0:04:26 | 0:04:30 | |
to help impress a pair of pretty special ladies. | 0:04:30 | 0:04:35 | |
-Sandi or Sheila? -I think Sheila likes fast sports cars and so do you. | 0:04:36 | 0:04:42 | |
I'm like a coiled spring at the minute. I'm having a job just to belt myself in. | 0:04:42 | 0:04:46 | |
Here they are. | 0:04:46 | 0:04:48 | |
Gentlemen! | 0:04:48 | 0:04:50 | |
-How are you? -All right. -A little warm. | 0:04:50 | 0:04:53 | |
-What took you so long? -Mostly first gear. | 0:04:53 | 0:04:57 | |
-Sandi. -Hello, Sandi. | 0:04:57 | 0:04:59 | |
- Hello, Sheila. - Hello. | 0:04:59 | 0:05:01 | |
I recognise you from so many things. | 0:05:01 | 0:05:03 | |
- Nice to meet you. - Nice to meet you. | 0:05:03 | 0:05:05 | |
-Have you decided who you want to...? -No, we'll let you decide. -Sheila? | 0:05:05 | 0:05:09 | |
I can't. I really can't. Shall we toss? | 0:05:09 | 0:05:12 | |
Do you know? There are so many answers to that. | 0:05:12 | 0:05:15 | |
-I tell you what. You shout, you get the choice. -All right. | 0:05:15 | 0:05:19 | |
-Heads. -You've got the choice. | 0:05:19 | 0:05:21 | |
-I will choose this gentleman on my right. -Oh! | 0:05:21 | 0:05:25 | |
-Good luck. -See you there. -May the best person win. Is that the right thing to say? -I just hope we do. | 0:05:25 | 0:05:31 | |
See you later. | 0:05:31 | 0:05:33 | |
Our celebrities have £400 each and it's time to get rummaging. | 0:05:33 | 0:05:38 | |
The Isle of Wight provides a fertile antiques hunting ground, hopefully, | 0:05:40 | 0:05:45 | |
before heading to auction in Tunbridge Wells. | 0:05:45 | 0:05:48 | |
Today's frolics get going in sunny Newport. | 0:05:48 | 0:05:51 | |
-I want to know what you're looking for. -Honestly, I don't know. | 0:05:51 | 0:05:55 | |
-Where are your interests? -Well, I have very Scandinavian tastes, I would say. | 0:05:55 | 0:06:00 | |
-So I don't like anything that's too ornate. -Too fussy. | 0:06:00 | 0:06:04 | |
We'll let them do all the running around and we'll just take this in a very chilled, quiet, sedate manner. | 0:06:04 | 0:06:10 | |
-Yeah, but we've got to win. -Let's get on with it then. | 0:06:10 | 0:06:13 | |
I've got to beat Sandi! | 0:06:13 | 0:06:15 | |
-I don't like weapons. -I don't either. Killing things. -I hate that sort of thing. -Let's not have that. | 0:06:15 | 0:06:22 | |
She was doing all this thing about, "I'm not competitive. I don't like competition. | 0:06:22 | 0:06:27 | |
"I like everybody to be equal," and all that. You wait, you wait! | 0:06:27 | 0:06:31 | |
Competitive Sheila has found the first shop of the day. | 0:06:36 | 0:06:39 | |
Welcome to Newport's very own Minstrels On The Hill | 0:06:39 | 0:06:44 | |
with charming proprietor Jo in attendance. | 0:06:44 | 0:06:47 | |
But will celebrity or expert be making the decisions here? | 0:06:47 | 0:06:51 | |
What about period clothes? | 0:06:51 | 0:06:53 | |
Oh, this is a Mary Quant hat. | 0:06:53 | 0:06:56 | |
-That's cool, isn't it? -Mary Quant, '60s. | 0:06:56 | 0:06:59 | |
-Now, that is interesting. -It is, isn't it? How much is that? | 0:06:59 | 0:07:03 | |
That is... How much is this? | 0:07:03 | 0:07:05 | |
Mary Quant, £45. | 0:07:06 | 0:07:09 | |
-What do you think? -The fact that it's got the Mary Quant label in it... -You haven't said how I look. | 0:07:09 | 0:07:14 | |
Arguably one of the big three designers of the 1960s fashion, | 0:07:14 | 0:07:19 | |
alongside Christian Dior and Chanel, | 0:07:19 | 0:07:23 | |
Mary Quant is pretty famous for giving us both mini-skirts and hot-pants. | 0:07:23 | 0:07:28 | |
Thank you, Mary. | 0:07:28 | 0:07:30 | |
However, this slightly more innocent straw hat dates from around the 1970s. | 0:07:30 | 0:07:36 | |
I love it. I would buy it myself. | 0:07:36 | 0:07:39 | |
Let's have a definite "yes" on that, | 0:07:39 | 0:07:41 | |
but let's go and have a look round and we'll think about whether... | 0:07:41 | 0:07:45 | |
You've got loads of clothes in here. | 0:07:45 | 0:07:48 | |
While Philip gets hot under the collar, David has gone a bit red in the face. | 0:07:48 | 0:07:52 | |
Darling, you do look a bit burnt. I hope this isn't going to hurt. | 0:07:52 | 0:07:56 | |
-Did that hurt you? -Oh... It's better now. -Oh, darling! -Thank you. | 0:07:56 | 0:08:01 | |
That's lovely. You've got such a gentle touch, actually. | 0:08:01 | 0:08:04 | |
When Sandi's wiped David's head, she can drag him round the Cowshed... | 0:08:04 | 0:08:09 | |
..a vast antiques ranch on the edge of town. | 0:08:11 | 0:08:15 | |
All right. Now, here's some odds and sods. | 0:08:16 | 0:08:19 | |
This is Cowshed 1. You've got Cowshed 2 to go into yet. | 0:08:20 | 0:08:24 | |
And there's another shop next door, but I'll let you find that yourself. | 0:08:24 | 0:08:28 | |
-See, now, I like that. That toy. -I do as well. | 0:08:28 | 0:08:32 | |
-I think it's rather beautiful. -I think that's quite good. Let's have a look. | 0:08:32 | 0:08:36 | |
It's £85. "A vintage crane." I think it's quite nice. | 0:08:36 | 0:08:40 | |
I'm not certain whether in fact it is a "toy" toy. | 0:08:40 | 0:08:44 | |
Could I just remove my finger before you turn it? | 0:08:44 | 0:08:48 | |
Have you got it? Are you all right there, darling? | 0:08:48 | 0:08:52 | |
-Oh, wait a minute. There's a ratchet on it. -Oh! | 0:08:52 | 0:08:55 | |
Oh, it's splendid. | 0:08:55 | 0:08:57 | |
Right, I think this is a winner. | 0:08:57 | 0:08:59 | |
That is the sort of thing somebody would have as a talking point in their minimalist flat. | 0:08:59 | 0:09:04 | |
-That's quite good. -Do you like that? -I do. -Yeah, I do too. | 0:09:04 | 0:09:08 | |
-We concur. I think that's quite good. I like it. -That's excellent. -Right. | 0:09:08 | 0:09:12 | |
-Time to bring Richard into this conversation. -What's the very best you can do on that? | 0:09:12 | 0:09:18 | |
-It's on at...? -85. -85. | 0:09:18 | 0:09:20 | |
The best on that one, I think we're looking at about £60 on that. | 0:09:20 | 0:09:25 | |
-That much? -Oh, yes. -Could you just sort of nudge it? We'd like to pay around 45 for it. | 0:09:25 | 0:09:31 | |
It's been here for a little while, so I think we could probably agree on that and do it for 45. | 0:09:31 | 0:09:36 | |
-Brilliant. -What do you think? -I say it's sold. -Richard, would you shake Sandi's hand? -Certainly. | 0:09:36 | 0:09:42 | |
Shake his hand. He's got the money! | 0:09:42 | 0:09:44 | |
Oh, yes! | 0:09:44 | 0:09:46 | |
Lovely. | 0:09:46 | 0:09:48 | |
Did we agree on 40? | 0:09:49 | 0:09:52 | |
It was, wasn't it? | 0:09:52 | 0:09:54 | |
For you, we'll do it for 40. | 0:09:54 | 0:09:56 | |
Sorry, Richard. David never knows when to stop. Naughty boy! | 0:09:57 | 0:10:02 | |
That's lovely. Thank you. | 0:10:02 | 0:10:04 | |
-Is this an antique or is this modern? -It is modern. -It is modern. | 0:10:06 | 0:10:11 | |
-But, but, but, but, but! -"But"? | 0:10:11 | 0:10:14 | |
-Why should it put us off? I think we should buy this and the Mary Quant hat. -Is that all I'm allowed? -Yeah. | 0:10:14 | 0:10:19 | |
-What about this furry coat? -People don't like that. -No? -No, no, no. | 0:10:19 | 0:10:24 | |
-It's not bad if you wore black trousers. -I'll let you buy that, but you've got to model it. | 0:10:24 | 0:10:30 | |
-At the auction. -Oh, really? | 0:10:30 | 0:10:32 | |
It might get a bit hot! Well, so far, Sheila has led Philip to a '70s hat, | 0:10:32 | 0:10:38 | |
a brand-new bag and a faux fur coat. Great(!) | 0:10:38 | 0:10:41 | |
For some genuine antique shopping, we need to stick with keen-eyed Sandi and tough-talking Barby. | 0:10:41 | 0:10:48 | |
-Oh! -SANDI LAUGHS | 0:10:48 | 0:10:52 | |
-LOUD METALLIC BANGING -It's just on the edge of irritating. | 0:10:52 | 0:10:56 | |
Just close to irritating. | 0:10:56 | 0:10:58 | |
Oh, that's nice. | 0:10:58 | 0:11:00 | |
-Oh, I like that. -That is nice. | 0:11:02 | 0:11:05 | |
-That's the sort of distressed look people long for, don't they? -Yeah. | 0:11:05 | 0:11:09 | |
And the other thing I liked as I came through... | 0:11:09 | 0:11:12 | |
BANGING RESUMES Oh! | 0:11:12 | 0:11:14 | |
SANDI LAUGHS | 0:11:14 | 0:11:16 | |
Don't move. | 0:11:17 | 0:11:19 | |
-BANGING STOPS -Don't move. Talk, but don't move. | 0:11:21 | 0:11:24 | |
I want to go and ask the price of the chest. | 0:11:24 | 0:11:26 | |
-OK, you move first. -Yes. -But gently. | 0:11:26 | 0:11:29 | |
Quietly. | 0:11:30 | 0:11:32 | |
-BANGING STARTS -Oh, for goodness sake! | 0:11:35 | 0:11:38 | |
Clearly, this chap is some kind of hard-haggling, early warning system, | 0:11:38 | 0:11:42 | |
protecting a rather attractive, mid-19th century pine chest. | 0:11:42 | 0:11:46 | |
Perhaps Richard can tell our suspicious shoppers where the bottom line is. | 0:11:46 | 0:11:51 | |
Where's the bottom line then? | 0:11:51 | 0:11:53 | |
-What are we on? -215. | 0:11:53 | 0:11:56 | |
Hmm... | 0:11:57 | 0:11:58 | |
Do you want the very best price or "you want to haggle with me for a while" price? | 0:11:58 | 0:12:04 | |
-No, let's just cut to the chase. -No, I'd rather be quite honest. | 0:12:04 | 0:12:08 | |
-A hundred... -A hundred pounds sounds good. -A hundred and fifty. -A hundred pounds sounds good. | 0:12:08 | 0:12:13 | |
-£100 and I won't eat tonight. -Accommodate us. | 0:12:13 | 0:12:17 | |
I think 150 is too much for an auction. | 0:12:17 | 0:12:20 | |
Um... | 0:12:21 | 0:12:23 | |
I can't really do... 140 would be, you know... And I'm losing money on that. | 0:12:23 | 0:12:28 | |
Shall I discuss it with my business partner? | 0:12:28 | 0:12:31 | |
It's the sort of thing I would like to buy, but at auction I wouldn't pay more than £200 for it. | 0:12:33 | 0:12:38 | |
That's a £60 profit, of which you've got to pay...? | 0:12:38 | 0:12:42 | |
-Of that you've got to pay... -20%. -40. £40. -Right. | 0:12:42 | 0:12:46 | |
-So... -So that leaves you with a £20 profit. | 0:12:47 | 0:12:50 | |
No, we're walking. Come. Come with me, David. Come with me. | 0:12:50 | 0:12:54 | |
Wow! I never thought I'd see David walk away from a tricky negotiation. | 0:13:01 | 0:13:06 | |
Or is it all part of today's game plan? | 0:13:06 | 0:13:09 | |
Have you had it long? | 0:13:11 | 0:13:13 | |
No, it's just a personal sort of thing that we decide to sell. | 0:13:13 | 0:13:16 | |
Can we have a deal here? | 0:13:16 | 0:13:18 | |
-Right. -You can buy three lots of clothing that will be one lot in the auction. -OK. | 0:13:18 | 0:13:24 | |
-Can I buy the chess set? -On my ticket? -Our ticket. | 0:13:24 | 0:13:27 | |
-Yes, I'm relying on you. Are all the bits there? -I think there's some damage there. | 0:13:27 | 0:13:32 | |
Damage? Philip! | 0:13:32 | 0:13:34 | |
Amazingly, Thomas Jaques began his games company way back in 1795 | 0:13:34 | 0:13:41 | |
and it's still run by the Jaques family today. | 0:13:41 | 0:13:44 | |
These familiar-shaped playing pieces originate from the Staunton set, first produced in 1849. | 0:13:44 | 0:13:52 | |
I always like the knights, me. Time for some strategic play, I feel. | 0:13:52 | 0:13:56 | |
All right, you can have that then. | 0:13:56 | 0:13:58 | |
What's the best you can do that for? | 0:13:58 | 0:14:01 | |
The best on that is going to be, um... | 0:14:01 | 0:14:04 | |
38. | 0:14:05 | 0:14:06 | |
-35? -At an absolute push. -OK. -But we're going to buy some other things as well. -OK. | 0:14:06 | 0:14:13 | |
-Hat, bag and this. -Spot-on. | 0:14:13 | 0:14:15 | |
Right, that's on for 35. | 0:14:15 | 0:14:17 | |
Would you take that down to 30 because it's really bad repair? | 0:14:17 | 0:14:22 | |
-We can do that for 30 for you. -All right then. | 0:14:22 | 0:14:25 | |
-How much is this then? -We've got 45 on the hat. | 0:14:25 | 0:14:28 | |
The absolute, total best I could do on that would be...34. | 0:14:29 | 0:14:36 | |
-That's 64 we've got to, is it? -Yeah. | 0:14:36 | 0:14:39 | |
Can we get a free bag? | 0:14:39 | 0:14:41 | |
-You can have a free bag, with pleasure. -All right. | 0:14:41 | 0:14:44 | |
-That's £64 and a free bag. -Lovely. -I think that's top dollar. | 0:14:44 | 0:14:47 | |
-Shall I pay the lady? -Yes, please. | 0:14:47 | 0:14:50 | |
Good work. £35 for the chess set and £64 for the fashionable threesome. | 0:14:50 | 0:14:56 | |
Haven't Sheila and Philip done terribly well? | 0:14:56 | 0:15:00 | |
-Top job. I'm delighted. -I hope you're right about that. -I'll either be right or be wrong! | 0:15:00 | 0:15:06 | |
Sandi and David will now need to watch their ba... Oh, hang on. | 0:15:06 | 0:15:10 | |
One, two... | 0:15:12 | 0:15:15 | |
..three... | 0:15:17 | 0:15:19 | |
..four... | 0:15:20 | 0:15:22 | |
-..five. -Wonderful. -Looks like someone persevered. | 0:15:24 | 0:15:28 | |
-To get that pine chest for just £100 - what a rogue! -Have a good day. -Thank you very much. | 0:15:28 | 0:15:34 | |
-Don't forget the suntan lotion. -No! | 0:15:34 | 0:15:36 | |
Now let's leave town before there's any more ungentlemanly behaviour. | 0:15:37 | 0:15:43 | |
Oh, it is a ford! | 0:15:43 | 0:15:45 | |
Ah! We daren't go across there, surely. | 0:15:45 | 0:15:50 | |
-Right. -Are you going to have a paddle? -I've read too many things about satnav! -Is it cold? | 0:15:51 | 0:15:57 | |
-I hope there's no crocodiles. -Don't be ridiculous, Sheila! -Oh! | 0:16:00 | 0:16:04 | |
-Are you all right? -Although perhaps you'd be less ridiculous if you get back in the car, love. | 0:16:04 | 0:16:10 | |
-I'll have wet feet. -Webbed feet! | 0:16:10 | 0:16:13 | |
Whilst brave Philip recalculates the route, | 0:16:13 | 0:16:17 | |
the Road Trip is already moving on. | 0:16:17 | 0:16:20 | |
I thought it was right. | 0:16:22 | 0:16:25 | |
-No, I said "right" meaning, "Let's go." -Oh! | 0:16:25 | 0:16:29 | |
Slipping southwards a full nine miles, our celebrity teams bid Newport farewell | 0:16:32 | 0:16:38 | |
to find more treasures in the pretty village of Chale. | 0:16:38 | 0:16:42 | |
Oh, hello. | 0:16:51 | 0:16:53 | |
Are you friendly? You look friendly. | 0:16:53 | 0:16:56 | |
-Hello, yes. -Ahh! Isn't Buckley cute? | 0:16:56 | 0:17:00 | |
-Um, we have got work to do, Sandi. -Oh, sorry. | 0:17:00 | 0:17:03 | |
-So sorry. -Did you offer to kiss me like that? No. Just the dog. -You never patted me like that. -True. | 0:17:03 | 0:17:10 | |
He wanted a lick. Sandi and David have found another sprawling antiques ranch | 0:17:10 | 0:17:15 | |
with several sheds, two chickens, one dog, one horse and man called Mike. | 0:17:15 | 0:17:20 | |
-Oh, my goodness me! -Wow. -It's almost bordering on conceptual art. I think it's you. -Very good condition. | 0:17:20 | 0:17:27 | |
-# -Close in your arms | 0:17:27 | 0:17:29 | |
-# -When they enfold me Sweet are the charms... -# | 0:17:29 | 0:17:33 | |
-What's the mirror? -Well spotted. It's an original. -Yeah. | 0:17:33 | 0:17:37 | |
Well, it is quite...something. | 0:17:37 | 0:17:40 | |
Yes. It's too much at that. | 0:17:41 | 0:17:43 | |
-What's the very best you can do on this, please? -At a squeeze... | 0:17:43 | 0:17:49 | |
It's a good piece. 100. | 0:17:49 | 0:17:51 | |
I've got to feed the horses. | 0:17:51 | 0:17:54 | |
-Chickens. Don't forget the chickens. -And the dog. -And the dog. | 0:17:55 | 0:17:59 | |
-You couldn't come less than 80? -Are you making a firm offer? -Yes. | 0:17:59 | 0:18:04 | |
-Of? -80. -I'm not going to argue. | 0:18:04 | 0:18:07 | |
£80 ain't bad for a fine piece of repousse Arts and Crafts copper. | 0:18:07 | 0:18:12 | |
This is quite likely from the Newlyn School, | 0:18:12 | 0:18:16 | |
emanating and dating from late 19th century Newlyn in Cornwall. | 0:18:16 | 0:18:21 | |
That's very different from anything else we've got. It's not my taste, but I think it'll do very well. | 0:18:21 | 0:18:28 | |
-I concur with your taste, which I've always considered excellent. -I chose you, didn't I? | 0:18:28 | 0:18:34 | |
Good heavens! Someone please rescue us from this awful loveliness. | 0:18:34 | 0:18:39 | |
Hello, Mr Dog. | 0:18:39 | 0:18:41 | |
-Hello, Dog. Go on in, my dear. -Right. | 0:18:41 | 0:18:45 | |
Hello. | 0:18:46 | 0:18:47 | |
-Bloody hell. Have you found anything? -No. Nothing for us. | 0:18:47 | 0:18:52 | |
Oh, you...you are such a bad actress, Sandi! | 0:18:52 | 0:18:56 | |
You have obviously bought something in here! Obviously! LAUGHTER | 0:18:56 | 0:19:02 | |
Who knew? | 0:19:02 | 0:19:04 | |
Go and listen to what they're saying! | 0:19:04 | 0:19:07 | |
-That man's following me, David. -Everywhere we go! -Fat man? | 0:19:07 | 0:19:11 | |
-No, THAT man. -Thank you. | 0:19:11 | 0:19:13 | |
-I just wanted to clarify how personal it was getting. -No, no. ..That fat man was following me! | 0:19:13 | 0:19:20 | |
They're definitely buying something in there. I can't believe that they've actually found something. | 0:19:21 | 0:19:28 | |
Pants. Utter pants. | 0:19:28 | 0:19:31 | |
Bye, Barbs! | 0:19:31 | 0:19:33 | |
Unable to find their next investment, Philip has opted instead to give Sheila a little treat. | 0:19:34 | 0:19:41 | |
So long, Chale, and hello, the open road! | 0:19:41 | 0:19:45 | |
This time switching north by north-east, a full 16 miles up the road to Ryde. | 0:19:46 | 0:19:52 | |
Nice! | 0:19:52 | 0:19:54 | |
When you get a script come through with 100 pages or 500 pages, do you ever find it just daunting? | 0:19:55 | 0:20:01 | |
You have to sit down for hours and hours and hours and learn the lines. | 0:20:01 | 0:20:06 | |
The scary thing is that when you stand in the wings, | 0:20:06 | 0:20:11 | |
-the only tool that you have are words. -Yes. | 0:20:11 | 0:20:15 | |
And you go on that stage hoping to God they'll come out of your head in the right order | 0:20:15 | 0:20:21 | |
and often they don't. You make mistakes. | 0:20:21 | 0:20:25 | |
In the 19th century, the villages of Upper and Lower Ryde were joined | 0:20:25 | 0:20:31 | |
to form this fabulous seaside town. Today, Sheila and Philip have a ticket to Ryde | 0:20:31 | 0:20:36 | |
via the rest of the world. | 0:20:36 | 0:20:39 | |
I used to teach geography - not very well. I saved a whole generation of children by getting out. | 0:20:39 | 0:20:45 | |
-But... -Is this it? -Yeah. Maps and globes have always fascinated me. | 0:20:45 | 0:20:51 | |
Relocated here in 1991, Greaves and Thomas have been reviving the art of globe making, | 0:20:53 | 0:21:00 | |
now the only company of its kind in Britain and the only one in the world to recreate historical globes. | 0:21:00 | 0:21:06 | |
G&T - ha! - sell their marvellous spheres all over the world to hotels, museums and universities, | 0:21:11 | 0:21:17 | |
even to the Library of Congress in Washington, DC. | 0:21:17 | 0:21:21 | |
Hi! | 0:21:21 | 0:21:23 | |
Owner James Bissell-Thomas has kindly offered to give Sheila and Philip the full tour. | 0:21:23 | 0:21:29 | |
A sort of global view. | 0:21:29 | 0:21:32 | |
-When did they start making globes? When was the earliest? -They say the Greeks were first, | 0:21:32 | 0:21:37 | |
-but they were celestial. -Celestial being...? -The heavens. | 0:21:37 | 0:21:41 | |
And you've got the Farnese statue dug out of Pompeii, which means it was pre-AD79. | 0:21:41 | 0:21:48 | |
That shows Atlas holding a great celestial globe. | 0:21:48 | 0:21:52 | |
-When was the earliest one made, then? -The earliest surviving terrestrial globe was made | 0:21:52 | 0:21:58 | |
by Martin Behaim in 1491-92. We've made a copy of that, which we have here. Do have a look. | 0:21:58 | 0:22:03 | |
-Right. -This is a beautiful globe, as you'll see. It's festooned with inscriptions. | 0:22:03 | 0:22:09 | |
-What sort of thing are they saying? -They're from other notable travellers, like Marco Polo, | 0:22:09 | 0:22:15 | |
Isidore de Seville, all talking about the world and where you can find gold, spices, precious metals. | 0:22:15 | 0:22:21 | |
And it's all on this globe. The only thing that's missing is America. It hadn't been discovered. | 0:22:21 | 0:22:27 | |
So you go straight from Europe and straight round to Japan. | 0:22:27 | 0:22:32 | |
Already a renowned traveller and cartographer, | 0:22:32 | 0:22:35 | |
Martin Behaim collaborated with painter Georg Albrecht Glockenthon from around 1491 | 0:22:35 | 0:22:42 | |
to create what Martin called the Erdapfel or Earth Apple, | 0:22:42 | 0:22:47 | |
possibly the earliest terrestrial globe. | 0:22:47 | 0:22:51 | |
-This is staggering, isn't it? What a piece of work is man that we did this so early on. -Yes. | 0:22:51 | 0:22:57 | |
-How much would the original be worth? -It's the Holy Grail or mother of all terrestrial globes. | 0:22:57 | 0:23:02 | |
Presently, it's in the rightful place, which is the Germanic Museum in Germany. | 0:23:02 | 0:23:07 | |
Despite the fact that it was badly damaged by restorers in 1847, | 0:23:07 | 0:23:11 | |
I say it's got to be worth... Gosh. The record for a globe is £1 million. | 0:23:11 | 0:23:16 | |
I say this one would be worth at least 10 million. | 0:23:16 | 0:23:20 | |
It's so important. Such a historic item. | 0:23:20 | 0:23:23 | |
Wow! So the original would really have cost the Earth! | 0:23:23 | 0:23:27 | |
Greaves and Thomas, however, sold a pair of their facsimile globes at Christie's in 1999 | 0:23:27 | 0:23:34 | |
for a fairly impressive 28 grand. | 0:23:34 | 0:23:36 | |
So how much did they know about the world? Had America appeared yet? | 0:23:36 | 0:23:41 | |
-Yes. We've got cannibals there as well. -Cannibals? Oh, dear! | 0:23:41 | 0:23:46 | |
If you look here, some poor soul is being beheaded and then they chop him up and he's being cooked. | 0:23:46 | 0:23:51 | |
The 1492 discovery of America caused a revolution in globe-making | 0:23:51 | 0:23:57 | |
as well as filling a large cartographical hole between Europe and Japan. | 0:23:57 | 0:24:03 | |
The original of this 1688 terrestrial globe was designed by Vincenzo Coronelli, | 0:24:05 | 0:24:11 | |
a Venetian friar and doctor of theology, with all the fears and propaganda of European conquerors. | 0:24:11 | 0:24:19 | |
-So here's the cannibal zone. -Who put that cannibal in there? | 0:24:19 | 0:24:23 | |
Coronelli was the globe maker and engraver, so it would have been him | 0:24:23 | 0:24:28 | |
and he would have put it there on authority of literature he had read | 0:24:28 | 0:24:32 | |
-which had told him you'd probably get eaten. -It just shows you how rumours start, doesn't it? | 0:24:32 | 0:24:38 | |
James has created something truly amazing - not just a thriving business, but a celebration | 0:24:38 | 0:24:43 | |
of both the Earth and the heavens. | 0:24:43 | 0:24:46 | |
Even the ceiling of his tea room is something to behold | 0:24:46 | 0:24:50 | |
as the galaxy turns above some very fortunate heads. | 0:24:50 | 0:24:55 | |
-Look at it. -While you're looking above, the best view is through the mirror-topped table. | 0:24:55 | 0:25:02 | |
Here, the planets defy gravity. | 0:25:02 | 0:25:05 | |
-Did you come up with this idea? -Well, yes, I did, Sheila. | 0:25:06 | 0:25:10 | |
-You're very special, aren't you? -He's clever. You just headbutted Saturn. -Thank you so much. | 0:25:10 | 0:25:16 | |
It's been an absolute delight. You're so creative and clever. It's wonderful. | 0:25:16 | 0:25:22 | |
I love these kind of slightly, dare I say it, eccentric visions! | 0:25:22 | 0:25:26 | |
If only there were more time for star-gazing. | 0:25:26 | 0:25:30 | |
It's been an inspiring terrestrial and celestial encounter, | 0:25:30 | 0:25:35 | |
but the business of the day is not yet done, so Sandi and David are carrying the shopping torch. | 0:25:35 | 0:25:41 | |
-Imagine people moving down to the Isle of Wight where Victoria took resident. -Did she come every summer? | 0:25:41 | 0:25:47 | |
-Wasn't she incarcerated most of her... -Oh, her widowhood. -Yeah. | 0:25:47 | 0:25:52 | |
-Or was that in...? -She went to Balmoral. -Where she had John Brown as her lover. | 0:25:52 | 0:25:59 | |
-Well, friend. Let's say friend. -Lover! | 0:25:59 | 0:26:03 | |
-She was a goer. -Oh, please! | 0:26:03 | 0:26:06 | |
Eight miles south from Ryde's worlds of wonder | 0:26:06 | 0:26:11 | |
lies the pretty coastal village of Shanklin. | 0:26:11 | 0:26:15 | |
Before the Victorian era, Shanklin was a small fishing village | 0:26:15 | 0:26:19 | |
with occasional smugglers, | 0:26:19 | 0:26:22 | |
but the 19th century created a small town, popular with poets and honeymooners. | 0:26:22 | 0:26:26 | |
-What are you reading at the minute? -Lord. Crimson Petal and the White. -Is it good? -Bloody marvellous! | 0:26:26 | 0:26:33 | |
It's the best book about Victorian prostitution that I've ever read. | 0:26:33 | 0:26:37 | |
Oh! Lots of little goodies. | 0:26:41 | 0:26:43 | |
-Hiya. I'm Sandi. -Nice to meet you. John. -Hello, John. | 0:26:43 | 0:26:47 | |
People are interested in pipes. | 0:26:47 | 0:26:50 | |
-That one's seen a bit of service. -I've never seen a set like this. | 0:26:53 | 0:26:57 | |
In fact, the set is most likely bespoke, made in 1901 by Salmon and Gluckstein. | 0:26:57 | 0:27:04 | |
It's part-amber, part-silver and, well, rather interesting. Perhaps. | 0:27:04 | 0:27:08 | |
-You've got this at 125. -Mm-hm. -My reaction to it initially is I think it's immensely interesting, | 0:27:08 | 0:27:14 | |
-but smoking is not exactly de rigueur. -No. | 0:27:14 | 0:27:20 | |
-My very bottom - £70. -That's his considering look. I've got used to it. | 0:27:20 | 0:27:25 | |
-Oh, right. OK. -You can almost see the little cogs whirring. -Yes. | 0:27:25 | 0:27:29 | |
70. | 0:27:30 | 0:27:32 | |
-Is that the very best price you can do on that? -What would you like to pay for it? | 0:27:32 | 0:27:38 | |
-50. -50? | 0:27:38 | 0:27:40 | |
-Absolutely? -Hmm. -And a couple of photographs. | 0:27:40 | 0:27:44 | |
-Deal? -Of what? -Well, probably not of David! | 0:27:45 | 0:27:49 | |
But as the Toksvig team leaves triumphant, Team Hancock has the very same shop in their sights. | 0:27:49 | 0:27:55 | |
-We've got to be really hard-nosed. -I know. | 0:27:55 | 0:27:59 | |
-Hello. -Hello. -Hi, there. -Now I don't remember receiving one of these, | 0:27:59 | 0:28:06 | |
but this is for the children of the nation after the war. | 0:28:06 | 0:28:10 | |
It's from George, the King, "Today as we celebrate victory, I send this personal message to you | 0:28:10 | 0:28:16 | |
"and all the other boys and girls for you have shared in the hardships of a total war | 0:28:16 | 0:28:21 | |
"and you have shared no less in the triumph." It's lovely. | 0:28:21 | 0:28:25 | |
-What on earth is that?! -They're inkwells. -It's a peculiar item, | 0:28:25 | 0:28:30 | |
with blown glass and decorative accessories of, well, questionable function. | 0:28:30 | 0:28:36 | |
But what purpose it serves, I've got no idea. | 0:28:36 | 0:28:39 | |
I like things where I haven't the first idea what they are. | 0:28:39 | 0:28:43 | |
It's London. And it's William Halford of London. | 0:28:43 | 0:28:48 | |
-I think what we should try and do is put a bit of a parcel together. -OK. | 0:28:48 | 0:28:52 | |
-And I'd like us to include that. -Really? -Yeah, I do. | 0:28:52 | 0:28:57 | |
-You're mad! That's not going to get anything. -I've always been mad. | 0:28:57 | 0:29:01 | |
-Who knows? -No, but nobody will know what it is. -That's part of the fun, isn't it? | 0:29:01 | 0:29:07 | |
-Who is that lady? -That's Victoria. | 0:29:07 | 0:29:11 | |
Oh, her. Like a flash, Sheila's amassed a commemorative bundle to sell in 2012, | 0:29:11 | 0:29:18 | |
of all years. | 0:29:18 | 0:29:20 | |
We have a Pavilion Hotel cigar case and Edward VII ashtray, a George VI VE Day letter | 0:29:20 | 0:29:27 | |
and an advertisement for Coronation champagne. | 0:29:27 | 0:29:31 | |
Enough to make patriotic hearts all aflutter. | 0:29:31 | 0:29:35 | |
What's the price on those? | 0:29:35 | 0:29:38 | |
-I've got 75 on the pair, but... I'm sure we can negotiate. -You think I'm off on one here. | 0:29:38 | 0:29:45 | |
-I do. I seriously do. -Do you like those? -Yes. I think they're pretty. | 0:29:45 | 0:29:49 | |
-If we gave you 70 quid for those and those, how would that stack up? -70 quid. | 0:29:49 | 0:29:55 | |
-And he'll bung that in for a tenner. -But what IS it? | 0:29:55 | 0:29:58 | |
-That's just detail, detail. -That's a minor detail! | 0:29:58 | 0:30:02 | |
-I think we should take it, just to see if anybody... -80 quid the lot. | 0:30:02 | 0:30:06 | |
That should be sold separately as an enigma, a mysterious thing that may be worth a great deal. | 0:30:06 | 0:30:12 | |
Looks like Sheila's getting a taste for antiques investment. | 0:30:12 | 0:30:17 | |
30, 40, | 0:30:18 | 0:30:20 | |
50, 60, 70, 80. | 0:30:20 | 0:30:23 | |
These rings are lovely. | 0:30:23 | 0:30:25 | |
-That's £10. -Just tell us we have to leave now. | 0:30:25 | 0:30:29 | |
Time to go, folks! | 0:30:29 | 0:30:31 | |
-Come back another day, Sheila. -I will, I will. | 0:30:31 | 0:30:34 | |
No! Bye-bye! We're going back now. | 0:30:34 | 0:30:38 | |
No, no, no, no. | 0:30:38 | 0:30:41 | |
No, no, no... | 0:30:41 | 0:30:43 | |
What a mammoth shopping day it's been. Time for our weary rummagers to rest their heads. | 0:30:45 | 0:30:51 | |
The shops are shutting and a soft pillow is not far from everyone's mind. | 0:30:51 | 0:30:57 | |
Bonne nuit, mes amis! | 0:30:57 | 0:30:59 | |
Up and quite literally at 'em, a new day is here and there's work to be done. | 0:31:01 | 0:31:06 | |
-Come on now, you can tell me. I won't tell them. -You're going to scoff! I know you'll scoff. | 0:31:06 | 0:31:12 | |
-Scoffing is a fine thing to do. -They all seem a good idea at the time. | 0:31:12 | 0:31:16 | |
-Let's go and have a look in. -There. | 0:31:16 | 0:31:20 | |
So far, Sheila Hancock and her hard taskmaster have spent £179 | 0:31:20 | 0:31:25 | |
on five auction lots. | 0:31:25 | 0:31:27 | |
The chess set, the Mary Quant hat with the faux fur coat, | 0:31:27 | 0:31:32 | |
the strange inkwell thing, | 0:31:32 | 0:31:35 | |
the white metal goblets and a big commemorative bundle. | 0:31:35 | 0:31:40 | |
They have a glorious £221 to throw at the day. | 0:31:40 | 0:31:44 | |
-60, 70, 80. -Now look at this lovely thing... | 0:31:44 | 0:31:48 | |
I think if I ignore her, it'll work out that way. | 0:31:50 | 0:31:54 | |
Meanwhile, Sandi Toksvig and her glamorous assistant | 0:31:54 | 0:31:58 | |
have spent a proud £270 on four auction lots. | 0:31:58 | 0:32:02 | |
The 1940s model crane - I want one! | 0:32:02 | 0:32:07 | |
The bargain 19th-century pine chest. Nice! | 0:32:08 | 0:32:12 | |
The repousse copper mirror. Lovely! | 0:32:13 | 0:32:16 | |
And the Boer War pipe set. Mmm. | 0:32:16 | 0:32:19 | |
Day Two stripped Sandi and David's fighting fund to just £130. | 0:32:20 | 0:32:25 | |
-I'm very pleased. Now I have to take my clothes off and get my photograph taken. -You've done it before. | 0:32:25 | 0:32:32 | |
-It is quite difficult. We couldn't have done it without the experts. -No, we'd have been rubbish. | 0:32:37 | 0:32:43 | |
It should've been me and you against the experts to see how much is luck! | 0:32:43 | 0:32:47 | |
-Sandi and I, we discussed our likes and dislikes. -"Sandi and I"? | 0:32:47 | 0:32:52 | |
-I feel as though Sandi and I are soulmates. -I tell you something - Sheila is a remarkable woman. | 0:32:52 | 0:32:58 | |
She's had a remarkable career. | 0:32:58 | 0:33:00 | |
Gods of the Road Trip be praised. We're moving on at last. | 0:33:00 | 0:33:05 | |
The town of Shanklin fades into distant memory as our celebrities and experts head east | 0:33:07 | 0:33:12 | |
by a couple of miles, all the way to Sandown. | 0:33:12 | 0:33:16 | |
But who will be the first to see the sea? | 0:33:16 | 0:33:19 | |
Isn't that a wonderful scene with all the boats there? And the bay! That's lovely. | 0:33:19 | 0:33:24 | |
Do you think sometimes you could be accused of not showing enough enthusiasm(?) Come out a bit more. | 0:33:24 | 0:33:30 | |
-I think so. -Just be a bit more... ebullient. -I love that word. | 0:33:30 | 0:33:35 | |
Another great word is late. Don't keep those girls waiting. | 0:33:35 | 0:33:40 | |
-See over there? That pier? -Yeah. | 0:33:40 | 0:33:42 | |
-I did a summer season there... -Did you? -..with Cyril Fletcher. | 0:33:42 | 0:33:48 | |
-Cyril Fletcher! -I was soubrette. -Soubrette. There is a job you don't see in the Job Centre anymore. | 0:33:48 | 0:33:54 | |
-No! -Soubrette. -The opening number went... | 0:33:54 | 0:33:57 | |
# Masquerade is here tonight And in the morning... # I never knew what happened then. | 0:33:57 | 0:34:03 | |
I had so much to learn in the show, I didn't learn the opening chorus because everybody sang it. | 0:34:03 | 0:34:10 | |
So I could just... MIMES | 0:34:10 | 0:34:12 | |
-Sandown. -Yes! A brilliant, exciting place! -You're doing it now. -Yes. | 0:34:12 | 0:34:17 | |
Yeah, OK. | 0:34:17 | 0:34:20 | |
-It must have been fun. You're by the sea. -No, it was lovely. I was very young. It was the '50s. | 0:34:20 | 0:34:26 | |
-Late '50s, early '60s. -Just when I was born. | 0:34:26 | 0:34:30 | |
Yes, well, we won't talk about that. | 0:34:30 | 0:34:33 | |
You know, Sandi, sometimes words can hurt. | 0:34:33 | 0:34:37 | |
Let's chat more shop, please. | 0:34:37 | 0:34:40 | |
Hello, girls! I hope you're not colluding. | 0:34:40 | 0:34:43 | |
- Well, no... - Oh! | 0:34:43 | 0:34:46 | |
I was going to suggest if we let Sheila and - Philip, isn't it? - go off and have a cup of coffee, | 0:34:46 | 0:34:53 | |
-then we'll go inside. -We'll do light dusting, then you can come in. I'd hate it to be grubby. | 0:34:53 | 0:34:58 | |
-Right, feel lucky? Feel the vibe? -Yes, I do. | 0:35:00 | 0:35:03 | |
Actually, I think whatsisname, Philip, has spotted an interesting item already. | 0:35:03 | 0:35:08 | |
-What's the ticket price on that? -Er, I could do it for 125. -That's the ticket price? | 0:35:08 | 0:35:14 | |
-It's only just come in. -OK, lovely job. Thank you. | 0:35:14 | 0:35:18 | |
-Hang on to that. -Is it pastel? -It's watercolour. -A watercolour. | 0:35:20 | 0:35:24 | |
Who's the artist? Robert Scott Temple. | 0:35:24 | 0:35:27 | |
Robert Scott Temple is a lesser-known landscape painter who exhibited in 1889, | 0:35:27 | 0:35:34 | |
a century before this scene would be made quite famous on British television. | 0:35:34 | 0:35:40 | |
-Sandi? -Yes, my darling boy. Perfect for me! -Two children's chairs. | 0:35:40 | 0:35:44 | |
They're very sweet. That's the sort of thing a doting grandparent in Tunbridge Wells would get. | 0:35:44 | 0:35:50 | |
-They look rather sturdy. -They look very much like Ercol. | 0:35:50 | 0:35:54 | |
Ercol have been fine, modern, terribly British furniture makers since the 1920s, | 0:35:54 | 0:36:00 | |
but Sheila's still holding that painting. Must have caught her eye. | 0:36:00 | 0:36:04 | |
-It's also interesting because the castle was on... -Monarch of the Glen. I'm less interested in that | 0:36:04 | 0:36:11 | |
unless we sold it to Richard Briers or Susan Hampshire. | 0:36:11 | 0:36:15 | |
It's awfully difficult. I like it and now we have to work out if anybody else in the world would. | 0:36:15 | 0:36:22 | |
Especially the people who live in Tunbridge Wells. | 0:36:22 | 0:36:26 | |
-Is it Grumpy of Tunbridge Wells? -I don't know! But you can cheer up. | 0:36:26 | 0:36:30 | |
-I would think this at auction will be £60-£90. That would be my shot for it. -Yeah, I'd agree with that. | 0:36:30 | 0:36:37 | |
-So we have to buy it for somewhere in the 40-50 quid mark. -Mmm. | 0:36:37 | 0:36:42 | |
I'd prefer the upper of that. | 0:36:42 | 0:36:44 | |
-We'll hang on to it for a second. -Make sure they can't... -We'll keep it like this. | 0:36:44 | 0:36:50 | |
Never a man to procrastinate, Philip Serrell is mulling it over. | 0:36:50 | 0:36:54 | |
Was Monarch of the Glen a big enough hit in Tunbridge Wells? | 0:36:55 | 0:36:59 | |
-What I really like about this is the television connection. -Richard Briers is one of my best friends. | 0:36:59 | 0:37:06 | |
-And Susan Hampshire. I'll phone up and tell them to be at the auction! -Oh, darling! Would you? | 0:37:06 | 0:37:12 | |
Shame Sandi and David don't know anyone working in children's furniture! | 0:37:12 | 0:37:16 | |
-Em, we did notice the little chairs down here. -Which we liked. -Lovely. | 0:37:16 | 0:37:21 | |
-I'll do them for £70 for the pair. -Not going to get much at auction. | 0:37:21 | 0:37:26 | |
-Right. Not going to make our money back. -We have to find someone who has twins. | 0:37:26 | 0:37:32 | |
-No, anybody with grandchildren or children who visit. -Oh, Sandi! This is part of the Barby technique. | 0:37:32 | 0:37:39 | |
Accentuate the negatives and get the rock bottom price. | 0:37:39 | 0:37:44 | |
I'll do them at 30 quid the pair. | 0:37:44 | 0:37:47 | |
-You must be able to... -Surely. They're lovely and well-made. | 0:37:47 | 0:37:51 | |
-I sit on the auction rostrum. -Right. -And furniture at the moment is zilch. | 0:37:51 | 0:37:56 | |
-Could you do them at £12 each? £24. -I'll do them at £25. | 0:37:56 | 0:38:01 | |
-Well, this is your choice. -Blame me? Is that what's happening? -Yes. | 0:38:01 | 0:38:06 | |
-Please give the man some money. -Could you shake hands, please? -Yes. | 0:38:06 | 0:38:10 | |
Can I just say, there's the £30 for the painting and a £20 tip? You've been so generous. | 0:38:10 | 0:38:17 | |
Well, it looks like that's both teams paid up and another shop ravaged. I mean, visited. | 0:38:17 | 0:38:24 | |
I never thought I would stay in the UK as long as I have. I came to go to school at 14 | 0:38:25 | 0:38:31 | |
-and I'm still here. -And what was the appeal? Is it the British people? | 0:38:31 | 0:38:36 | |
I love that I don't care where you live in the UK, you are a stone's throw from something fascinating. | 0:38:36 | 0:38:43 | |
Of course, it's the Great British Road Trip that keeps Sandi within our shores. | 0:38:44 | 0:38:49 | |
And so David's taking her on a little historical journey | 0:38:49 | 0:38:55 | |
all the way back to lovely Ryde. | 0:38:55 | 0:38:57 | |
-I like that. Look. -Oh, isn't that fabulous? -Isn't it wonderful? | 0:39:01 | 0:39:06 | |
-Where am I? -You're not. It's a painting. | 0:39:06 | 0:39:10 | |
Sandi and David are about to enter the world of a true pioneer - | 0:39:10 | 0:39:15 | |
a museum dedicated to the 20th century's most prolific cheeky postcard creator. | 0:39:15 | 0:39:21 | |
But what kind of man would open such a saucy museum? | 0:39:22 | 0:39:27 | |
-Hello, there. This is my friend David. We've come to have our fancy tickled. Is this the place? -It is. | 0:39:27 | 0:39:33 | |
-James is waiting for you. -Fantastic. | 0:39:33 | 0:39:35 | |
James? I think we've heard that name before. | 0:39:35 | 0:39:39 | |
-James. Hi, I'm Sandi. This is David. -Hello. Very pleased to meet you. | 0:39:39 | 0:39:43 | |
-Welcome to the Donald McGill Museum. -Wow! Look at all those. | 0:39:43 | 0:39:47 | |
Ah. So when he's not busy globe-making, | 0:39:47 | 0:39:51 | |
James curates this fine collection from the life of artist Donald McGill. | 0:39:51 | 0:39:57 | |
Donald began his career by accident in 1904 when a humorous cartoon sent to an injured relative | 0:39:57 | 0:40:04 | |
was forwarded to a publishing house. | 0:40:04 | 0:40:06 | |
Picture postcards rose in popularity after the Royal Mail granted their licence in 1894. | 0:40:06 | 0:40:13 | |
However, attractive seaside views became second place to Donald's great artistry and racy humour. | 0:40:13 | 0:40:20 | |
This brings back so many memories of holidays in Blackpool with my parents. | 0:40:20 | 0:40:26 | |
-We'd spend hours in front of these revolving stands, looking at cards. -Did you understand them? -No! | 0:40:26 | 0:40:31 | |
-It seems to me, James, that the saucy postcard is uniquely British. -Yes. -Is it uniquely Donald McGill? | 0:40:31 | 0:40:38 | |
-Who is the person we all think of? -People see Donald McGill as being the king of the saucy postcard. | 0:40:38 | 0:40:44 | |
He was crowned that in his own lifetime. There were other comic cards, but nobody in his league. | 0:40:44 | 0:40:51 | |
He went to art school, he was a draughtsman. He had perspective, engineering skills. | 0:40:51 | 0:40:56 | |
For all of those reasons, he was particularly good. | 0:40:56 | 0:41:00 | |
As a source of entertainment, Donald McGill's often highly sexy postcards | 0:41:01 | 0:41:07 | |
were possibly a continuation of Victorian music hall sauciness | 0:41:07 | 0:41:11 | |
and a definite forerunner to the world-famous Carry On films. | 0:41:11 | 0:41:17 | |
-But being saucy was not without its risks. -Did he come up with jokes? | 0:41:17 | 0:41:21 | |
I think he does. When you see his trial in 1954 and his defence for that trial | 0:41:21 | 0:41:27 | |
against the 21 cards, he's actually saying, "I found this joke in Vanity Fair or in Picture Post." | 0:41:27 | 0:41:33 | |
-It's extraordinary he was taken to court. -Absolutely. It was a witch-hunt by a coven of vicars. | 0:41:33 | 0:41:40 | |
-And they didn't win. -Well, Donald had a senior moment. | 0:41:40 | 0:41:44 | |
They turned it round and they got him to say, "Are you guilty?" And he said, "Yes." | 0:41:44 | 0:41:50 | |
Poor Donald was worn down by a vitriolic moral crusade. | 0:41:50 | 0:41:55 | |
Having gained huge popularity in the '20s and '30s, | 0:41:55 | 0:41:59 | |
Donald became almost part of the establishment. | 0:41:59 | 0:42:02 | |
But his style fell out of favour with some authoritative figures | 0:42:02 | 0:42:08 | |
in the more conservative 1950s. | 0:42:08 | 0:42:10 | |
Postcard shops were raided. On the Isle of Wight, Donald was prosecuted under the Obscene Publications Act, | 0:42:10 | 0:42:17 | |
heavily fined and left with a beleaguered business and artistic reputation. | 0:42:17 | 0:42:23 | |
-Did he recover from it? -Because of the cards which were banned and the loss of production and the cost, | 0:42:23 | 0:42:29 | |
it's been suggested that today the equivalent was £100,000 of lost revenue, | 0:42:29 | 0:42:34 | |
-which is a lot for a small business. -I feel a really strong link with it | 0:42:34 | 0:42:39 | |
because I work often on the radio and TV and, of course, you can't say naughty things, | 0:42:39 | 0:42:44 | |
but we do it all the time, but hopefully in a subtle way. | 0:42:44 | 0:42:48 | |
Innuendo is alive and kicking. It's a great British tradition and long may it continue. | 0:42:48 | 0:42:53 | |
Indeed. And when Kames isn't juggling his large globes, no pun intended, | 0:42:53 | 0:42:59 | |
he's put his other life's work into this fantastic museum, | 0:42:59 | 0:43:03 | |
celebrating a great British man with a British sense of humour. | 0:43:03 | 0:43:07 | |
-Do we look very saucy? -You pucker your lips well, David! | 0:43:07 | 0:43:12 | |
It's slightly worrying how good he is at that. | 0:43:12 | 0:43:15 | |
And on that saucy finale, it's time for, "You show me yours and I'll show you mine." | 0:43:15 | 0:43:21 | |
Antiques, that is. | 0:43:21 | 0:43:23 | |
Where's the rest of your things? | 0:43:24 | 0:43:27 | |
-Small, as you will know, is beautiful. -That's so true. -You've got big things for a tiny person. | 0:43:27 | 0:43:33 | |
-Oh, I think they've done well. -Absolutely love this. -What is it? -It's a toy crane, | 0:43:34 | 0:43:39 | |
but we think it was probably made by a loving parent. | 0:43:39 | 0:43:43 | |
How do you know that? It could have been done yesterday. | 0:43:43 | 0:43:48 | |
-- It's called imagination and feel. - That... -It's not a modern design. | 0:43:48 | 0:43:53 | |
That doesn't matter! You're making out it's some sad, war-torn child. | 0:43:53 | 0:43:59 | |
OK, Sheila. We're all friends here. It might have some age to it. Moving on... | 0:43:59 | 0:44:04 | |
-This is an umbrella stand. -They repro those really well. | 0:44:04 | 0:44:08 | |
-It's a beautiful Victorian... It has the marking on the back. -A registration mark and number. | 0:44:08 | 0:44:15 | |
Yes, yes, yes. All very good, but it appears Sandi, with her accomplice, has shopped on the sly. | 0:44:15 | 0:44:22 | |
Fortunately, they've done rather well with a delightful, late-19th century iron stick stand for £90. | 0:44:22 | 0:44:29 | |
What's so interesting about the design is it's Anglo-Japanese. | 0:44:29 | 0:44:34 | |
If you look carefully, there's a panel there which shows birds. Very much in the naturalistic style. | 0:44:34 | 0:44:41 | |
-This is the aesthetic movement with the Japanese influence. -It's a Barby lecture! | 0:44:41 | 0:44:47 | |
-Oh, that's beautiful. -Isn't it lovely? -Beautiful. | 0:44:47 | 0:44:51 | |
It's November, 1901. It was made specially by Salmon and Gluckstein. | 0:44:51 | 0:44:56 | |
They were the largest tobacco retailers in the world in 1901. | 0:44:56 | 0:45:00 | |
Montague Gluckstein thought it would be a good idea to go into catering. | 0:45:00 | 0:45:04 | |
Nobody in the family thought it was a good idea. So he found a distant relative called Joseph Lyons. | 0:45:04 | 0:45:11 | |
Lyons came from that. | 0:45:11 | 0:45:13 | |
What a wonderful story and well researched. Let's hope it can influence the auction. | 0:45:13 | 0:45:19 | |
What is...? Oh, there's that thing! | 0:45:22 | 0:45:25 | |
-We didn't know what it was. -I have to say I did oppose getting it. It was my partner. | 0:45:25 | 0:45:31 | |
But having done that, I looked up on the internet and this is obviously a lovely ironmonger. | 0:45:31 | 0:45:37 | |
And I think he invented a way of using glass and making it heavy and like a weight. | 0:45:37 | 0:45:43 | |
More interestingly, he also found a way to put bubbly bits in glass. | 0:45:43 | 0:45:47 | |
Mm, bubbly bits in glass. I think Sandi's online fact-finding was a little more thorough, frankly. | 0:45:47 | 0:45:54 | |
I like it, too. Can I say I am drawn inexorably to the fur coat and funny hat? | 0:45:54 | 0:45:59 | |
Which is...a hat | 0:45:59 | 0:46:02 | |
by... | 0:46:02 | 0:46:04 | |
-Mary Quant. -Ah, very good! | 0:46:04 | 0:46:06 | |
-Is that the biggest reveal you've got? -This is the box. | 0:46:06 | 0:46:10 | |
It was sent to a lady as an offer from Woman's Own, which I think is touching and sweet. | 0:46:10 | 0:46:16 | |
-This is a '60s faux fur coat. -Right. | 0:46:16 | 0:46:20 | |
Which I think is quite good value. | 0:46:20 | 0:46:24 | |
-With the hat. -So that's what they think. | 0:46:24 | 0:46:28 | |
But what do they really think? | 0:46:28 | 0:46:31 | |
-I think they're seriously good. -They bought some good things. | 0:46:31 | 0:46:35 | |
I love those pipes. | 0:46:35 | 0:46:38 | |
-I didn't like that cast-iron inkwell. -No. | 0:46:38 | 0:46:42 | |
-But it might have appeal to somebody who collects industrial items. -It's quite nice. | 0:46:42 | 0:46:48 | |
-Sandi loves the crane, of course, but that won't do well, will it? -On a bad day, it might make £15-£20. | 0:46:48 | 0:46:54 | |
On a good day, it might make £40-£50. | 0:46:54 | 0:46:57 | |
-If we want to win... -Yeah. -..we've got to prevent Sheila wearing that coat and parading! | 0:46:57 | 0:47:03 | |
There's no question about it! | 0:47:03 | 0:47:06 | |
I'm not sure that modelling really fits with the Road Trip rule book, | 0:47:06 | 0:47:10 | |
but who am I to have an opinion? Let's go! | 0:47:10 | 0:47:15 | |
# You can go your own way | 0:47:16 | 0:47:20 | |
# Go your own way... # | 0:47:20 | 0:47:23 | |
The sceptred Isle of Wight is sad departed | 0:47:23 | 0:47:27 | |
as we hover and motor to our final destination. | 0:47:27 | 0:47:31 | |
Over on the mainland, a whopping 120 miles from the Isle of Wight, | 0:47:31 | 0:47:37 | |
the Hancock and Toksvig teams are about to fetch up in dear old Tunbridge Wells. | 0:47:37 | 0:47:44 | |
-I am just a touch nervous. -A touch? | 0:47:44 | 0:47:48 | |
I think I'm extremely nervous. I won't convey that to the girls. | 0:47:48 | 0:47:53 | |
-This is my own personal feeling. I confess to you all things. -I should be worrying about that. | 0:47:53 | 0:47:59 | |
May the best woman win. | 0:47:59 | 0:48:02 | |
-Yes! -All right, boys? -How are you both? | 0:48:02 | 0:48:05 | |
Ooh, nice parking! | 0:48:05 | 0:48:09 | |
-Sheila, how are you? -We are here to triumph! OK, we're here in a Triumph. | 0:48:10 | 0:48:15 | |
- It looks awfully posh. - So do you look posh! | 0:48:15 | 0:48:19 | |
-You look like you're going to a shooting luncheon. -My parents said to dress according to who I'll meet. | 0:48:19 | 0:48:25 | |
Suddenly I feel like a grouse! Let's go inside. | 0:48:25 | 0:48:30 | |
So here we finally are. The Tunbridge Wells and Hastings Auction Halls, | 0:48:31 | 0:48:36 | |
purveyors of fine art, ceramics and furniture, though fortunately today is the general sale. | 0:48:36 | 0:48:42 | |
Cheap as chips. £30. | 0:48:44 | 0:48:46 | |
Auctioneer Marcus Rowell has his own thoughts on our offerings. | 0:48:46 | 0:48:52 | |
I do like the pine box. It's got its fitted interior, which makes it quite rare. | 0:48:52 | 0:48:57 | |
It's got patina, the paint is nicely worn. Less enthusiastic about the repousse copper mirror | 0:48:57 | 0:49:03 | |
although I know Mr Barby rates it. | 0:49:03 | 0:49:05 | |
I like it, but not enough, I think. | 0:49:05 | 0:49:08 | |
The chairs are quite interesting. They're early Ercol. | 0:49:08 | 0:49:12 | |
Pretty. Not worth a lot, but we like those. | 0:49:12 | 0:49:15 | |
The chess set has damage or losses, I should say. | 0:49:15 | 0:49:20 | |
But the crane, I think, is the one to go for. It would fit well in a modern flat. | 0:49:20 | 0:49:26 | |
Pretty much everything else is trailing quite a long way behind. | 0:49:26 | 0:49:31 | |
I'll do my best from the rostrum, as usual, but what more can I say? | 0:49:31 | 0:49:35 | |
I think he's said enough. And so to the gallows... I mean auction. | 0:49:35 | 0:49:41 | |
-Both teams started with £400 each. -A chess set... | 0:49:43 | 0:49:46 | |
Sheila and Philip boldly spent £229 on six auction lots. | 0:49:46 | 0:49:51 | |
-Do you want to make money? -Yeah! | 0:49:51 | 0:49:53 | |
But Sandi and David threw caution to the wind | 0:49:55 | 0:49:59 | |
spending £385 also on six auction lots. | 0:49:59 | 0:50:03 | |
-Stand by. The sale is about to begin. -I don't think we'll do very well. | 0:50:06 | 0:50:12 | |
First up, Sandi and David's iron stick stand. | 0:50:12 | 0:50:16 | |
110 is bid. 120 anywhere? Come on. | 0:50:16 | 0:50:19 | |
-At £110. -Not a bad start, but don't crack open the bubbly just yet. | 0:50:21 | 0:50:28 | |
Will Sheila and Philip's silver goblets be cause for celebration? | 0:50:30 | 0:50:34 | |
£15? | 0:50:34 | 0:50:35 | |
10, then. | 0:50:35 | 0:50:37 | |
8 is bid. | 0:50:37 | 0:50:39 | |
10. 12. 15. | 0:50:39 | 0:50:41 | |
18? Go on. 18. 20? | 0:50:41 | 0:50:45 | |
No? £18. | 0:50:45 | 0:50:47 | |
18. | 0:50:48 | 0:50:49 | |
-That just cost us 15 quid. -It could have been worse, I suppose. | 0:50:52 | 0:50:57 | |
Let's hope Sandi and David's crane can lift the bidding here in Tunbridge Wells. | 0:50:57 | 0:51:02 | |
£80. 85 anywhere? | 0:51:02 | 0:51:05 | |
- Ridiculous. Are you all mad? - Yes. | 0:51:06 | 0:51:10 | |
Thank you. 85. 90. 100. | 0:51:10 | 0:51:12 | |
110? No, £100. | 0:51:12 | 0:51:15 | |
110 anywhere? All done? 100? | 0:51:15 | 0:51:18 | |
- Oh, no! - Go on! | 0:51:18 | 0:51:21 | |
110. | 0:51:21 | 0:51:23 | |
- How much did you pay for it? - 40. | 0:51:23 | 0:51:27 | |
-Only you could look so brokenhearted when you make 70 quid. -Yes, cheer up, David. Grumpy. | 0:51:27 | 0:51:34 | |
Now Sheila and Philip's unusual inkwell awaits the bidders. | 0:51:34 | 0:51:38 | |
-£20? -Everything all right, Sheila? | 0:51:38 | 0:51:41 | |
£60. | 0:51:41 | 0:51:44 | |
-All done? -An excellent result for Team Hancock. | 0:51:44 | 0:51:49 | |
- Well done, well done. - I can't believe it! | 0:51:49 | 0:51:53 | |
So can the Toksvig party make their pine chest fly? | 0:51:53 | 0:51:57 | |
It has got genuine patina. And it's a jolly good thing. | 0:51:57 | 0:52:01 | |
I have £65 bid. | 0:52:01 | 0:52:04 | |
It is bid. 75 anywhere? | 0:52:04 | 0:52:07 | |
-75. -Looks like someone is not happy with Tunbridge Wells today. | 0:52:07 | 0:52:11 | |
It's worth more than that. | 0:52:11 | 0:52:14 | |
- You'll never find another one. - Never. | 0:52:14 | 0:52:17 | |
£120. At the back. | 0:52:17 | 0:52:20 | |
A profit for sure, but do you think David wanted more? | 0:52:20 | 0:52:25 | |
Now get the bunting out. It's Sheila and Philip's assortment of Royal memorabilia. | 0:52:31 | 0:52:38 | |
£50? 40? | 0:52:38 | 0:52:41 | |
Come on! Bid for it. 30, then. | 0:52:43 | 0:52:45 | |
Come on. Is bid! £20 is bid. 22? | 0:52:45 | 0:52:50 | |
Thank you. 25? | 0:52:51 | 0:52:54 | |
Go on! | 0:52:54 | 0:52:56 | |
28. 30? Come on, it's fun. | 0:52:56 | 0:53:00 | |
30. 32? No. £30 from up there. Any more? | 0:53:00 | 0:53:04 | |
30 quid. | 0:53:04 | 0:53:07 | |
Well, maybe everyone's had enough of flag waving for one year. | 0:53:09 | 0:53:13 | |
Can Sandi and David sell the best of British craftsmanship here today? | 0:53:16 | 0:53:22 | |
150 is bid. 160? Come on. | 0:53:22 | 0:53:25 | |
-I can't believe this. -You've changed your tune, Barby! -Good taste here. | 0:53:25 | 0:53:30 | |
150. 160. 170 with me. | 0:53:30 | 0:53:34 | |
175? | 0:53:34 | 0:53:36 | |
180 with me. 185? No? | 0:53:36 | 0:53:40 | |
£185 with me. All done? | 0:53:40 | 0:53:42 | |
Well done and well deserved. | 0:53:42 | 0:53:45 | |
-£100. -And now... | 0:53:45 | 0:53:48 | |
-Oh, do we have to? -'60s! '60s! | 0:53:48 | 0:53:53 | |
And the hat I won't wear. It's for a much younger person. | 0:53:53 | 0:53:57 | |
There's the hat. | 0:53:57 | 0:54:00 | |
Come on. £100? | 0:54:02 | 0:54:05 | |
Come on! You all come here to join in and no one gets involved. It's pathetic! £50? | 0:54:06 | 0:54:12 | |
20 is bid. 25. 30. Go on. 5. | 0:54:14 | 0:54:18 | |
40. No? £35. Any more? Come on. | 0:54:18 | 0:54:21 | |
- That'll do. - £35. I heard, "That will do"! | 0:54:21 | 0:54:25 | |
Will that do? | 0:54:25 | 0:54:28 | |
Must have seemed like a good idea at the time. | 0:54:28 | 0:54:32 | |
-Who thought that was a good idea? -We stand as a team. You won't drive a wedge through us. | 0:54:32 | 0:54:38 | |
-Sheila bought it. -Miaow! | 0:54:38 | 0:54:42 | |
-Time for the pipes. -80. Come on. | 0:54:42 | 0:54:44 | |
85 anywhere? | 0:54:44 | 0:54:47 | |
90? 5. | 0:54:47 | 0:54:50 | |
100? 110? | 0:54:50 | 0:54:52 | |
120? 130? | 0:54:53 | 0:54:55 | |
No? | 0:54:55 | 0:54:57 | |
£120. Cheap lot. | 0:54:57 | 0:54:59 | |
130. 140. | 0:54:59 | 0:55:02 | |
150? No. 140. | 0:55:02 | 0:55:04 | |
A great profit and Team Toksvig are looking hard to beat now. | 0:55:04 | 0:55:11 | |
Perhaps the Hancock camp can employ some celebrity power with this scene from Monarch of the Glen. | 0:55:11 | 0:55:18 | |
-Sheila's terribly good friends with Richard Briers. -£50? | 0:55:18 | 0:55:22 | |
20? Thank you, sir. £20 is bid. 22 anywhere? | 0:55:22 | 0:55:27 | |
Oh, dear. Shame it's not a portrait of Jerry from The Good Life. | 0:55:27 | 0:55:31 | |
5? No. £32 on my left. | 0:55:31 | 0:55:34 | |
£32. Everyone happy? | 0:55:34 | 0:55:36 | |
Tough crowd. | 0:55:37 | 0:55:40 | |
Now Sandi and David seem unbeatable as their classic '50s chairs await their fate. | 0:55:44 | 0:55:50 | |
All right. £40 bid. 42 anywhere? | 0:55:51 | 0:55:54 | |
Come on! Thank you. 42. | 0:55:54 | 0:55:57 | |
45. One more. 48? £45 with me. | 0:55:57 | 0:56:01 | |
(Seems very cheap.) | 0:56:01 | 0:56:03 | |
Ridiculously cheap. £45. | 0:56:03 | 0:56:07 | |
I'm doing my best. Can't help. | 0:56:07 | 0:56:09 | |
A small profit, but it still keeps Sandi and David quite far ahead. Tense, isn't it? | 0:56:09 | 0:56:17 | |
I think it's a very, very good way to lose weight in here. | 0:56:17 | 0:56:21 | |
I don't know if you get a sense of the heat. And the tension. | 0:56:21 | 0:56:25 | |
So far, I've lost a stone. | 0:56:25 | 0:56:28 | |
Hancock and Serrell will need some smart play to catch up. | 0:56:28 | 0:56:33 | |
£10. 12 anywhere? Thank you. | 0:56:33 | 0:56:36 | |
15. | 0:56:36 | 0:56:38 | |
18, sir? Yes? | 0:56:38 | 0:56:40 | |
-20? -Oh, dear. Poor Philip. | 0:56:40 | 0:56:43 | |
Come on. 20. 25? Aha. We have a slight problem on the internet. | 0:56:43 | 0:56:47 | |
We have £230 bid. | 0:56:47 | 0:56:49 | |
Would anyone like to improve on that? No one? You astound me. | 0:56:51 | 0:56:56 | |
-Jolly well done, Philip and Sheila. You just can't beat these live bidders. -That was brilliant. | 0:56:57 | 0:57:04 | |
-Congratulations. -Thank you. -That is superb. | 0:57:04 | 0:57:08 | |
Philip, well done. | 0:57:08 | 0:57:11 | |
Our celebrities began with £400 each. | 0:57:14 | 0:57:17 | |
Team Hancock conjured up a decent profit, after paying auction costs, of £103.10. | 0:57:17 | 0:57:23 | |
Sheila and Philip end their Road Trip with £503.10. | 0:57:23 | 0:57:28 | |
But Team Toksvig did just a little bit better | 0:57:30 | 0:57:34 | |
with a proud profit of £193.10. | 0:57:34 | 0:57:37 | |
Sandi and David end their Road Trip with £593.10. | 0:57:37 | 0:57:42 | |
Thank you. Bye bye. | 0:57:48 | 0:57:51 | |
Thank you. | 0:57:51 | 0:57:52 | |
Well done, you. Well done, well done, Barbs. | 0:57:52 | 0:57:57 | |
-At least you won a profit. -Can I just say you did brilliantly? | 0:57:57 | 0:58:02 | |
-Yes, you did. -Hope to see you both soon. -Liar! | 0:58:02 | 0:58:06 | |
Oh, darlings, let's just wave and say goodbye, shall we? | 0:58:06 | 0:58:10 | |
The language is brilliant. The sexual acts are all in graphic detail! | 0:58:15 | 0:58:22 | |
It doesn't have any safety belts! | 0:58:22 | 0:58:25 | |
I wouldn't worry too much about that. I can't reach the pedals! | 0:58:25 | 0:58:29 | |
-What's this? -The ejector seat! | 0:58:29 | 0:58:32 | |
Subtitles by Red Bee Media Ltd | 0:58:47 | 0:58:50 |