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Some of the nation's favourite celebrities. Why have I got such expensive taste? | 0:00:03 | 0:00:08 | |
One antiques expert each. | 0:00:08 | 0:00:11 | |
That would be amazing. And one big challenge - | 0:00:11 | 0:00:15 | |
who can seek out and buy the best antiques at the very best prices... | 0:00:15 | 0:00:20 | |
Answers on a postcard. | 0:00:20 | 0:00:22 | |
..and auction for a big profit further down the road? | 0:00:22 | 0:00:26 | |
You're the expert. Who will spot the good investments? | 0:00:26 | 0:00:30 | |
Who will listen to advice? Do you like it? Horrible. | 0:00:30 | 0:00:34 | |
And who will be the first to say, "Don't you know who I am?!"? | 0:00:34 | 0:00:38 | |
Well done, us. Time to put your pedal to the metal. | 0:00:38 | 0:00:43 | |
This is Celebrity Antiques Road Trip! | 0:00:43 | 0:00:47 | |
Yeah! | 0:00:48 | 0:00:49 | |
Today's multi-talented celebrity road trippers are the comedy coupling of Miles Jupp... | 0:00:49 | 0:00:56 | |
I'm not really a car person. | 0:00:56 | 0:00:59 | |
And Nina Wadia. Well, I love cars, so... | 0:00:59 | 0:01:02 | |
You should drive. You sure? I'll be in charge of the stereo. | 0:01:02 | 0:01:06 | |
Nina is today driving a gorgeous 1992 Alfa Romeo Spider. | 0:01:06 | 0:01:11 | |
I'll navigate. I've got no sense of direction. | 0:01:13 | 0:01:17 | |
Nina's career has taken her from the fast lane of comedy | 0:01:17 | 0:01:21 | |
in the groundbreaking sketch show Goodness Gracious Me and sitcom All About Me | 0:01:21 | 0:01:27 | |
to the streets of Walford in a five-year stint with some explosive storylines. | 0:01:27 | 0:01:34 | |
She played the much put-upon Zainab Masood. | 0:01:34 | 0:01:38 | |
How competitive are you? I'm competitive. | 0:01:38 | 0:01:42 | |
Within the field of antiques or...? I know nothing about antiques if I'm perfectly honest. | 0:01:42 | 0:01:49 | |
If I go for something, I really go for it. Riding shotgun is funny man Miles Jupp, | 0:01:49 | 0:01:55 | |
a stand-up since he was a student. | 0:01:55 | 0:01:57 | |
"This machine does not accept Scottish money." | 0:01:57 | 0:02:01 | |
Everyone in London moans about Scottish people begging. | 0:02:01 | 0:02:05 | |
They're probably not poor. They just can't break into a pound note. | 0:02:05 | 0:02:10 | |
He first became famous as Archie the Inventor in kids' show Balamory | 0:02:10 | 0:02:15 | |
before moving on to political satire The Thick of It and also Rev. | 0:02:15 | 0:02:19 | |
Do you know anything about antiques? I think I could spot an antique. | 0:02:19 | 0:02:24 | |
Me, too! His knowledge of antiques is nothing compared to his knowledge of cricket. | 0:02:24 | 0:02:29 | |
He's written a best-selling book centred around it | 0:02:29 | 0:02:32 | |
and his specialist knowledge of it helped him win Celebrity Mastermind. Congratulations. Thank you. | 0:02:32 | 0:02:38 | |
Obviously the high-point of your career so far. Very much so. Until today, obviously. | 0:02:38 | 0:02:44 | |
We're about to meet antiques experts. That's right, yes. And they'll choose us, I think. | 0:02:44 | 0:02:52 | |
Oh, really? That's how it's going to work today, Miles. | 0:02:52 | 0:02:57 | |
In a 1960 Morris Minor, the duo doing the choosing today are the incorrigible Thomas Plant... | 0:02:57 | 0:03:03 | |
Morning, Bradley! | 0:03:03 | 0:03:05 | |
..and the insatiable Catherine Southon. Very nice legs, actually. | 0:03:05 | 0:03:10 | |
Do you like a cyclist? My husband's a cyclist. You do, don't you? | 0:03:10 | 0:03:14 | |
When he's not busy being Michael McIntyre's body double, Thomas loves a good auction | 0:03:14 | 0:03:20 | |
and is an expert in jewellery, watches, silver and James Bond. Yes - James Bond. | 0:03:20 | 0:03:26 | |
We've got everything onside today. This lovely Morris Minor, we've got the sun shining. Mm-hm. | 0:03:26 | 0:03:33 | |
I've got you. What could possibly go wrong? | 0:03:33 | 0:03:38 | |
Nothing like tempting fate, girl. Oh, the pressure, the pressure. | 0:03:38 | 0:03:42 | |
Our Catherine is an expert on scientific and medical instruments and maritime works of art. | 0:03:42 | 0:03:49 | |
Who does she want controlling her compass today? I think girls in the sports car. You think so? | 0:03:49 | 0:03:56 | |
So you're with Miles. Yeah. And I'm with Nina. | 0:03:56 | 0:04:00 | |
Do you think they know about antiques? No, I don't. I think Miles might. Do you think? | 0:04:00 | 0:04:05 | |
He could be a dark horse. He's quite posh. | 0:04:05 | 0:04:10 | |
This road is getting narrower. Like Charlie in the Chocolate Factory to that little door! | 0:04:10 | 0:04:16 | |
We'll go to the land of the Oompa Loompas. | 0:04:16 | 0:04:20 | |
I can assure you it's not the land of the Oompa Loompas you're heading to. | 0:04:20 | 0:04:25 | |
With ?400 each to spend, this trip will see our dynamic duos dealing and duelling | 0:04:25 | 0:04:31 | |
across south-west England. | 0:04:31 | 0:04:33 | |
From High Wycombe, they'll take the back roads of Buckinghamshire, Berkshire and Surrey | 0:04:33 | 0:04:39 | |
and criss-cross the Home Counties before heading to auction over 100 miles away in Gloucester. | 0:04:39 | 0:04:45 | |
Where are our celebs? | 0:04:46 | 0:04:48 | |
What do you think they'll look like? Em, Lovejoy, I presume. | 0:04:48 | 0:04:54 | |
Hello! Working hard? | 0:04:54 | 0:04:56 | |
Hello. Thomas. Miles. Hello. | 0:04:56 | 0:05:00 | |
I'd like an ice cream. That's ?3.60. There we are. Thank you very much indeed. | 0:05:00 | 0:05:06 | |
But you didn't barter. That's what you've got to do. | 0:05:06 | 0:05:11 | |
There's always another price. You can't barter with an ice cream lady! Why not?! | 0:05:11 | 0:05:19 | |
Before Thomas negotiates the 99 down to a 79, it's time for our teams to get going. | 0:05:19 | 0:05:25 | |
Come on. Happy antiquing. | 0:05:25 | 0:05:27 | |
Goodbye. Lovely to meet you. We're so beating them. | 0:05:27 | 0:05:30 | |
So the boys might be in for a licking, but first a slight problem - Miles's driving. | 0:05:30 | 0:05:37 | |
Mine's a bit tight. Make the day run really smoothly. | 0:05:37 | 0:05:41 | |
I'm warming up. For a car like this. | 0:05:41 | 0:05:46 | |
The go-getting girls seem to find this driving lark a whole lot easier. | 0:05:46 | 0:05:51 | |
Oh, perfect! Well done, Nina. | 0:05:51 | 0:05:54 | |
As the girls tear up the highway, Miles is still struggling. Oh... | 0:05:54 | 0:05:59 | |
I've done that "Please overtake me" manoeuvre. | 0:06:00 | 0:06:04 | |
Are we turning left here? Right. | 0:06:04 | 0:06:07 | |
You can turn right, it's fine. This is the worst news ever. | 0:06:07 | 0:06:10 | |
After some tears, bad language and terrible driving, | 0:06:10 | 0:06:15 | |
Miles and Thomas eventually complete the six-mile trip to Marlow. At least the car is in one piece. | 0:06:15 | 0:06:21 | |
Oh, for...! You've broken it! | 0:06:21 | 0:06:25 | |
Great Marlow, as it was known until the late 19th century, was given by William the Conqueror | 0:06:25 | 0:06:31 | |
to his queen Matilda after 1066. | 0:06:31 | 0:06:34 | |
She only wanted new shoes. The town was passed down through various royal hands over the years | 0:06:34 | 0:06:41 | |
before becoming a borough and changing its name, so with ?400 | 0:06:41 | 0:06:45 | |
the Jupp/Plant combo meet Zoe Heindes of Buckingham Antiques. | 0:06:45 | 0:06:50 | |
Hello. Hello, I'm Miles. Hi, Miles. I'm Zoe. | 0:06:50 | 0:06:54 | |
Hi, I'm Thomas. Hi, Thomas. | 0:06:54 | 0:06:56 | |
It doesn't take long until something catches Miles's eye. | 0:06:56 | 0:07:00 | |
A little Staffordshire set. I don't know if me liking cricket | 0:07:00 | 0:07:05 | |
is going to affect the price they sell at at auction. No. | 0:07:05 | 0:07:09 | |
No, I don't think that will affect the value, Miles. You are the seller, not the buyer. | 0:07:09 | 0:07:15 | |
Thomas spots an enamel dressing table set that he thinks might be a goer with a price of ?200. | 0:07:15 | 0:07:21 | |
This is guilloche enamel, a translucent enamel. | 0:07:21 | 0:07:25 | |
The silver has been made by a silversmith | 0:07:25 | 0:07:29 | |
and then engine-turned. Pardon? This design is called engine-turned. | 0:07:29 | 0:07:34 | |
Engine-turned engraving makes a precise pattern on the base metal which is visible under the enamel. | 0:07:34 | 0:07:41 | |
The enamel, basically glass beads, has been applied over and then it's fired to give it this design | 0:07:41 | 0:07:47 | |
and then the mirror's put in. Right. It's got a bevel to the mirror. Another sign of quality. | 0:07:47 | 0:07:52 | |
But Miles isn't impressed. I don't really like it. | 0:07:52 | 0:07:56 | |
It is very commercial. Very? You don't have to like it to buy it. | 0:07:56 | 0:08:00 | |
No, I hear you. It does seem like a lot of hairbrushes. | 0:08:00 | 0:08:04 | |
This is showy. So this comes at the auction. People will say, "That's a nice set." | 0:08:04 | 0:08:10 | |
"There's five of them." It's blue. "One for clothes..." | 0:08:10 | 0:08:14 | |
If you want to buy it, as I never tire of saying to random strangers, you're the expert. | 0:08:14 | 0:08:20 | |
Yes, he is the expert. So watch and learn, Miles. | 0:08:20 | 0:08:25 | |
Is there any movement on that price? I can do a little bit for you. | 0:08:25 | 0:08:28 | |
What do you mean "a little bit"? Down to 180? The 180 is a bit more than I wanted to pay. | 0:08:28 | 0:08:35 | |
Is there any way you can work some magic for me? | 0:08:35 | 0:08:39 | |
175? That's a ?5 discount. I was thinking maybe a little bit more than that. | 0:08:39 | 0:08:45 | |
Is this your haggling stance? Yes, it is! | 0:08:45 | 0:08:50 | |
Watch - don't interrupt, Miles. I'm picking up tips as well. You are. | 0:08:50 | 0:08:55 | |
Right. Absolute best price - 170. I know this isn't haggling, but 15% sounds a pretty good discount to me. | 0:08:55 | 0:09:02 | |
Ssh! That's the opposite of haggling. | 0:09:02 | 0:09:05 | |
Unfortunately, 170 would be the bottom price. | 0:09:05 | 0:09:09 | |
I think we should go for it. I'm up for that. Very reasonable. | 0:09:09 | 0:09:13 | |
I had 140 in mind. I don't think... Anyway, 170. | 0:09:15 | 0:09:20 | |
Having sabotaged Tom's deal, Miles now needs to hand over the cash to Zoe. | 0:09:20 | 0:09:26 | |
Cor! Hope they're clean socks. There you are. | 0:09:26 | 0:09:30 | |
Oh, I have a question. Do you really work at the shop? | 0:09:30 | 0:09:34 | |
Having confirmed Zoe's credentials and accepted Tom's expertise, Miles is happy to continue. | 0:09:36 | 0:09:42 | |
Catherine and Nina meanwhile have made a nine-mile journey | 0:09:42 | 0:09:46 | |
between High Wycombe and their first shop in Burnham. Time for tactics. | 0:09:46 | 0:09:51 | |
Do we go for, like, one massively huge item? | 0:09:51 | 0:09:56 | |
Or do we just buy little things? | 0:09:56 | 0:09:59 | |
We'll probably buy about four or five items... Aww. | 0:09:59 | 0:10:04 | |
No? No, OK. I say if you're going to go down, go down in a blaze of glory. | 0:10:04 | 0:10:10 | |
And then, if things don't go right for us, we drive off a cliff in this car. | 0:10:10 | 0:10:16 | |
Yes, Thelma and Louise. I like the sound of that. | 0:10:16 | 0:10:20 | |
And here we are. Burnham Village. Yay! This is our first stop. | 0:10:20 | 0:10:24 | |
In the Middle Ages, beautiful Burnham was the overnight stop-off between London and Bath, | 0:10:24 | 0:10:31 | |
but in the 20th century it earned some fame as a movie location | 0:10:31 | 0:10:35 | |
for Carry On films and Robin Hood. | 0:10:35 | 0:10:38 | |
This is our first shop. Will Nina and Catherine rob the rich to give to the poor? | 0:10:38 | 0:10:44 | |
Or will it turn into a bit of a carry on? First stop for them and their ?400 | 0:10:44 | 0:10:48 | |
is Burnham Emporium. Never been to an antique shop? Never. Fun! | 0:10:48 | 0:10:53 | |
In charge of the fun, dealer Judy Ditchburn and Anne Ford, the manageress. Let's go! | 0:10:53 | 0:10:59 | |
What are we going to buy, Nina? I think we should go that way and look for something. | 0:10:59 | 0:11:06 | |
Jade! Jade! According to Chinese folklore, laughing Buddha figures can bring good luck. | 0:11:07 | 0:11:13 | |
You might need it today. | 0:11:13 | 0:11:15 | |
Oh, he's beautiful. Look. You have to rub their bellies like that. | 0:11:15 | 0:11:21 | |
And feel the good luck. Absolutely. Before an audition, I used to rub my dad's belly. | 0:11:21 | 0:11:27 | |
?150. I don't think we can afford that. No! We have ?400! | 0:11:27 | 0:11:31 | |
You have to look at how well-carved it is. I feel real good luck from him. Do you? I'm not joking. | 0:11:31 | 0:11:38 | |
I don't think it's terribly well carved. Oh, I do. | 0:11:38 | 0:11:42 | |
I sense there may be some differing opinions ahead from these two. | 0:11:42 | 0:11:46 | |
Shall we look around? You're making me nervous saying he's not carved properly. | 0:11:46 | 0:11:52 | |
That Buddha's crying now. He's clearly devastated. | 0:11:52 | 0:11:56 | |
Right. | 0:11:56 | 0:11:58 | |
We need something really strange. | 0:11:58 | 0:12:01 | |
What about buying a group load of silver? Yeah... You're not interested in that, I can tell. | 0:12:01 | 0:12:07 | |
Is it in my voice? Yes! | 0:12:07 | 0:12:11 | |
I thought Nina was going to go with the flow, but she's very fixed on what she wants. | 0:12:11 | 0:12:18 | |
'She's a lady that likes to say no.' | 0:12:18 | 0:12:20 | |
She's a hard woman to please. Sorry. But I'm up to a challenge. | 0:12:20 | 0:12:25 | |
But Judy thinks this little pooch painted by a French artist might get a yes out of Nina. | 0:12:25 | 0:12:32 | |
It looks amazing. I really don't like these dogs. | 0:12:32 | 0:12:36 | |
Catherine may not like it, but these sketchy kitsch early 20th century animal prints are rather popular. | 0:12:36 | 0:12:42 | |
I can obviously do better than I've put on there. | 0:12:42 | 0:12:46 | |
Down to about 65. | 0:12:46 | 0:12:48 | |
I think we'd need to go... A lot lower than that. | 0:12:48 | 0:12:53 | |
What's "a lot" lower? ?20? Oh, no, no. There's no way... She IS a haggler! | 0:12:53 | 0:12:59 | |
No, I can't do it for 20. | 0:12:59 | 0:13:01 | |
Could you do it for 40? That would be... | 0:13:01 | 0:13:06 | |
Please? 45 and then I'm making about a pound on it! Oh... | 0:13:06 | 0:13:11 | |
Shall I leave you to think about it? Yes, let's leave us to think. | 0:13:12 | 0:13:16 | |
Catherine and Nina are struggling to get an item until a spot of patriotism takes hold. | 0:13:16 | 0:13:23 | |
That's very English. I think you'll find that's the British flag. | 0:13:23 | 0:13:27 | |
Look at that. That's beautiful. | 0:13:27 | 0:13:30 | |
It's lovely. How much is it? | 0:13:33 | 0:13:36 | |
Oh...?55. | 0:13:36 | 0:13:38 | |
How much? 55. We'd want to pay about...20. | 0:13:38 | 0:13:43 | |
Hm. 55 seems a bit high, so Anne calls the owner to see if they can get it for ?25. | 0:13:43 | 0:13:50 | |
They're looking at your bunting which is in cabinet number one. | 0:13:51 | 0:13:56 | |
What would be the best price? | 0:13:56 | 0:13:58 | |
OK, hold on. She'd do it for 30. That's the best. | 0:13:58 | 0:14:02 | |
OK, thanks. Bye. | 0:14:02 | 0:14:04 | |
I like the flags. The bunting. Do you want the pooch and the flags? | 0:14:04 | 0:14:09 | |
We could get a deal maybe. OK, let's try. Do you want to try? | 0:14:09 | 0:14:15 | |
They're going to try to get a deal, but with different owners for each item that could prove tricky. | 0:14:15 | 0:14:20 | |
I will shave a couple more pounds off the pooch. Especially with the uncompromising Anne as go-between. | 0:14:20 | 0:14:28 | |
Would your lovely friend shave a couple of pounds off hers? No. 30. | 0:14:28 | 0:14:33 | |
What do you think, Buddha? "Talk to me..." He says you're right. | 0:14:33 | 0:14:37 | |
Does he? He says we should get these. Thanks, Buddha. | 0:14:37 | 0:14:42 | |
OK, let's do it. Yes and yes. OK, done. | 0:14:42 | 0:14:46 | |
So with ?30 paid for the bunting, ?43 for the painting and the Buddha left to meditate, | 0:14:46 | 0:14:53 | |
Catherine and Nina hit the road, which is what Miles would do if he could master the Morris Minor. | 0:14:53 | 0:15:00 | |
That's it. You've jumped out of gear. Put it in second. Can you smell burning? | 0:15:00 | 0:15:07 | |
Don't worry. You're fine. # Baby, we were born to run... # | 0:15:07 | 0:15:13 | |
After a lot of blood, swearing and tears, | 0:15:16 | 0:15:20 | |
Miles and Thomas finally make the five-mile trip back to High Wycombe. | 0:15:20 | 0:15:24 | |
While they're in the area, they want to find out more about the industry that put the town on the map. | 0:15:24 | 0:15:30 | |
This corner of England is famous for furniture and the craftsmen and artisans of the town | 0:15:30 | 0:15:36 | |
not only revolutionised the industry but gave the whole Empire something to sit on. | 0:15:36 | 0:15:41 | |
# Baby, we were born to run! # Educating our boys is Wycombe Museum curator Catherine Grigg. | 0:15:41 | 0:15:48 | |
She's sure going to have her work cut out. Hello. I'm Thomas. Hello, I'm Catherine. Welcome. | 0:15:48 | 0:15:54 | |
I'm Miles. I'm a learner driver. Right, come on. | 0:15:54 | 0:15:58 | |
Loads of local beechwood, good links to London and a surplus of labour | 0:15:58 | 0:16:02 | |
caused by the mechanisation of the paper mills meant High Wycombe was perfectly placed | 0:16:02 | 0:16:08 | |
to take advantage of the demands of an expanding empire. | 0:16:08 | 0:16:13 | |
The town produced all manner of furniture, but it was chairs that it left the world behind in. | 0:16:13 | 0:16:20 | |
The first mass-produced chair in the world was built right here and named the Windsor chair | 0:16:20 | 0:16:26 | |
because they were shipped from Windsor to London and beyond in a surprisingly modern way. | 0:16:26 | 0:16:34 | |
You could take the whole of the back bit off and you'd be left with a stool. | 0:16:34 | 0:16:40 | |
The top bit would slot in to the seat. | 0:16:40 | 0:16:43 | |
So it's a bit like your flatpack furniture of today, but 19th century. | 0:16:43 | 0:16:50 | |
Ones that were shipped around the Empire were shipped flatpack. | 0:16:50 | 0:16:54 | |
Everyone makes the same length, legs, the same size backs. | 0:16:54 | 0:17:00 | |
Lots of people were making a Windsor chair. | 0:17:00 | 0:17:03 | |
How many chairs were made like this? Hundreds of thousands? | 0:17:03 | 0:17:07 | |
Well, I can tell you that in 1877, when Queen Victoria came to visit, | 0:17:07 | 0:17:11 | |
they were making 4,700 chairs per day. | 0:17:11 | 0:17:14 | |
That's an unbelievable amount. A six-day week... | 0:17:14 | 0:17:19 | |
I can hear the cogs whirring in his head. A six-day week, six times four is 24,000, seven sixes is... | 0:17:19 | 0:17:26 | |
another 4,200, so 28,200 chairs a week. That is... Stunning. That is a busy old High Wycombe. | 0:17:26 | 0:17:33 | |
That's right. Over a staggering 28,000 chairs produced in a week. | 0:17:33 | 0:17:38 | |
Flatpacked and then shipped around the world, | 0:17:38 | 0:17:42 | |
but who made these chairs? Well, in the early days, | 0:17:42 | 0:17:45 | |
craftsmen based themselves in the woods to make legs for the chairs using green timber, | 0:17:45 | 0:17:51 | |
which, when assembled, helped make a sturdier construction. | 0:17:51 | 0:17:55 | |
The men making the legs were known as bodgers, but it's their colleagues in the workshops | 0:17:55 | 0:18:01 | |
providing amusement now for Miles and Thomas. A different man made the chair seats. | 0:18:01 | 0:18:07 | |
He was a bottomer. He shaped the chair seats. | 0:18:07 | 0:18:11 | |
Another job I dare say you could take on and perform with some panache. | 0:18:11 | 0:18:18 | |
Do you get kids coming in here? I bet you can't keep a straight face. They giggle. We get classes | 0:18:18 | 0:18:24 | |
of schoolchildren in every week. That's the bit they always remember. | 0:18:24 | 0:18:28 | |
Would you be a bottomer or a bodger? | 0:18:28 | 0:18:31 | |
I...oh... In the woods or in the factory? I'd like to be in the woods. I would, too. Yeah. | 0:18:31 | 0:18:37 | |
Do you want a go at bodging? I'd love that. Great. Have a go and get the idea. Go on. | 0:18:37 | 0:18:43 | |
If you can get a rhythm going... Although bodging has come to mean making a bad job of something, | 0:18:43 | 0:18:51 | |
like Miles is doing here, the bodgers were skilled artisans. | 0:18:51 | 0:18:56 | |
It's a real skill, isn't it? | 0:18:56 | 0:18:59 | |
Not only were they skilled craftsmen, they were designers, | 0:18:59 | 0:19:04 | |
as this rather clever upside down chair demonstrates. | 0:19:04 | 0:19:08 | |
If you went out in the morning to your garden and you wanted to sit down and relax | 0:19:08 | 0:19:13 | |
and it had rained overnight or there was bird poo on it, | 0:19:13 | 0:19:19 | |
you could simply turn the chair the right way round and it works just as well. | 0:19:19 | 0:19:24 | |
It's exactly the same. A mirror image. A mirror image. This is brilliant. You've got one? | 0:19:24 | 0:19:31 | |
No, I haven't. Could I sit in it? | 0:19:31 | 0:19:35 | |
I'm really sorry. We don't let people sit in our chairs. This one's particularly fragile. | 0:19:35 | 0:19:41 | |
We only know of one other like it in existence. It's got two sides... | 0:19:41 | 0:19:45 | |
But you might break it. Can I sit in one? I'm sorry. You cannot sit in both sides. OK. | 0:19:45 | 0:19:52 | |
I think we need to work on the design for this. | 0:19:52 | 0:19:57 | |
But I've not sat in it. I don't know if it's worth it. But you're now a bodger. | 0:19:57 | 0:20:02 | |
You could have a go. I could be a bottomer. Come on. I just wanted to sit in it. | 0:20:02 | 0:20:09 | |
So with Miles and Thomas's plans for a future furniture enterprise yet to be worked out, | 0:20:09 | 0:20:14 | |
let's say chair-io to High Wycombe. | 0:20:14 | 0:20:17 | |
Both teams now have purchases under their belts | 0:20:17 | 0:20:22 | |
and Catherine and Nina are heading 4? miles to Maidenhead. | 0:20:22 | 0:20:25 | |
As a high-flyer in her own career, Nina's come to Maidenhead Heritage Centre | 0:20:25 | 0:20:31 | |
to find out about female high flyers of a completely different kind. | 0:20:31 | 0:20:35 | |
Just some tricky parking to deal with first. I can't believe I did that after all that way! | 0:20:35 | 0:20:41 | |
In we go... | 0:20:41 | 0:20:43 | |
Oh. | 0:20:43 | 0:20:45 | |
Nearly. And again... | 0:20:45 | 0:20:47 | |
You are top dog! You think parking an Alfa Romeo Spider is tough, Nina? | 0:20:50 | 0:20:55 | |
Wait until you find out more about the amazing women of the Air Transport Auxiliary and their vital, | 0:20:55 | 0:21:03 | |
but largely unknown role in helping to win WWII. | 0:21:03 | 0:21:08 | |
It's all detailed here in the Spitfire exhibition curated by John Webster. | 0:21:08 | 0:21:14 | |
Hello, ladies. Welcome to Maidenhead. | 0:21:14 | 0:21:17 | |
The brave women of the Air Transport Auxiliary or ATA took over | 0:21:17 | 0:21:21 | |
non-military flying duties during the war so that the male pilots were left free to fight the enemy. | 0:21:21 | 0:21:27 | |
They risked their lives flying planes and personnel between airfields, factories | 0:21:27 | 0:21:33 | |
and maintenance sites. | 0:21:33 | 0:21:35 | |
Here we have the founders. Gerard D'Erlanger for the men | 0:21:35 | 0:21:41 | |
and Pauline Gower for the women. | 0:21:41 | 0:21:43 | |
At the start of the war, women weren't allowed to fly in the ATA, | 0:21:43 | 0:21:47 | |
but thanks to this remarkable woman, the ATA took the radical step of letting them join. | 0:21:47 | 0:21:53 | |
She also fought for equal pay and conditions, making it one of the first equal opportunity employers. | 0:21:53 | 0:21:59 | |
There was a tremendous amount of opposition | 0:21:59 | 0:22:04 | |
to allowing females to fly the King's aeroplanes. | 0:22:04 | 0:22:08 | |
I can imagine. Eventually, the powers that be relaxed their attitude | 0:22:08 | 0:22:15 | |
and the women went on to fly all manner of operational aircraft. | 0:22:15 | 0:22:19 | |
These women with wings flew their planes without radios, little in the way of instruments | 0:22:21 | 0:22:27 | |
and at the mercy of the British weather, using only local landmarks to guide them. | 0:22:27 | 0:22:31 | |
They were often asked to fly types of planes they'd never flown before with only this little guide book. | 0:22:31 | 0:22:37 | |
And a lot of them were single-seat aircraft... So you didn't have anyone to help you. | 0:22:37 | 0:22:43 | |
You couldn't have someone to help. All you had was a little book. | 0:22:43 | 0:22:47 | |
That's ridiculous! With a little set of notes. There's a lovely remark in this one, | 0:22:47 | 0:22:53 | |
which says, "The Beaufort will fly on one engine, but needs very firm handling." | 0:22:53 | 0:22:59 | |
Oh! A bit like the car, really! | 0:22:59 | 0:23:03 | |
Perhaps the most famous ATA pilot was Amy Johnson. | 0:23:04 | 0:23:08 | |
Before the war, the glamorous and daring Amy stunned the world with various flying records, | 0:23:08 | 0:23:14 | |
most notably as the first woman to fly solo from England to Australia. | 0:23:14 | 0:23:18 | |
Here is, in fact, a collection of log books, bound together. | 0:23:18 | 0:23:25 | |
Of Philippa Bennett. | 0:23:25 | 0:23:28 | |
And there are references in here | 0:23:28 | 0:23:31 | |
to flying with Amy Johnson. | 0:23:31 | 0:23:35 | |
Sadly, Amy was also the first ATA pilot to die during the war | 0:23:35 | 0:23:40 | |
when she bailed out over the Thames in bad weather, giving her life in the service of her country. | 0:23:40 | 0:23:46 | |
I'm... I knew nothing about this. This is amazing. So fascinating. | 0:23:46 | 0:23:51 | |
It just shows how brave you had to be. | 0:23:51 | 0:23:54 | |
It's hard today for Nina to imagine what her sisters in the sky experienced decades ago, | 0:23:54 | 0:24:01 | |
but something here might just help. | 0:24:01 | 0:24:04 | |
Here at Maidenhead we have built a Spitfire simulator. | 0:24:04 | 0:24:08 | |
Em... | 0:24:08 | 0:24:10 | |
And we'd love you to try it out. That would be incredible. | 0:24:10 | 0:24:14 | |
Her instructor is Christopher Hobbs. | 0:24:14 | 0:24:16 | |
Right. Have you flown before, any sort of plane? Yes, several Spitfires when... No! | 0:24:16 | 0:24:22 | |
I have never flown before. OK, we'll start from the basics. | 0:24:22 | 0:24:28 | |
Let's hope Nina can fly a Spitfire better than she can park. | 0:24:28 | 0:24:32 | |
Will the example of the brave women of the ATA inspire her to reach for the skies? | 0:24:32 | 0:24:37 | |
Or will she be brought back down to earth with a bump? Chocks away! | 0:24:37 | 0:24:43 | |
Got it... That's good. | 0:24:43 | 0:24:45 | |
We should really do a roll. Oh, no! We're going for a roll. | 0:24:45 | 0:24:49 | |
Watch the horizon. There it goes. Wow! Wow! | 0:24:49 | 0:24:54 | |
And it stays there gently. Now let's see if Nina can bring this crate in to land. | 0:24:54 | 0:25:00 | |
I need to get the nose down. Yes. | 0:25:00 | 0:25:03 | |
Almost there... Wow! | 0:25:03 | 0:25:05 | |
A bit of a bounce, bit of a bounce. Oh, no, it's terrible! | 0:25:05 | 0:25:10 | |
Oh, no! No! | 0:25:10 | 0:25:12 | |
We better get the fire out. I think that deserves a certificate. | 0:25:12 | 0:25:17 | |
Oh, no! I crashed it! Well done. | 0:25:17 | 0:25:21 | |
That was a good flight. We'll get the landing right next time. Thank you. | 0:25:21 | 0:25:25 | |
I will treasure that. Thanks. Well, that was the world of the ATA | 0:25:25 | 0:25:30 | |
and those magnificent women in their flying machines. Catherine and Nina are done for the day | 0:25:30 | 0:25:36 | |
and so are our not-so-magnificent men in their driving machine. Planes, chairs and automobiles - | 0:25:36 | 0:25:42 | |
who knows what tomorrow might bring? Night night. | 0:25:42 | 0:25:46 | |
Yes, it's a new day and another chance for our antiques experts to do battle. | 0:25:46 | 0:25:52 | |
Did you do anything yesterday?! A bit of shopping. We bought one thing. One thing?! Pathetic! | 0:25:52 | 0:25:58 | |
It was quite expensive as well. How much? It was over ?100. | 0:25:58 | 0:26:02 | |
Ha! What you and Miles actually spent was a rather large ?170 on one item, | 0:26:02 | 0:26:09 | |
a very fetching blue Art Deco silver and enamel dressing table set, | 0:26:09 | 0:26:14 | |
which leaves Team Jupp with a fighting fund of ?230 for the day. | 0:26:14 | 0:26:19 | |
Nina and Catherine spent a somewhat stingy ?73 on some vintage bunting for ?30... | 0:26:19 | 0:26:25 | |
It's wonderful. I love it. It smells good as well. | 0:26:25 | 0:26:30 | |
..and a 19th-century painting by Pierre Riensard, costing ?43. | 0:26:30 | 0:26:35 | |
Magnifique, possiblement. That little dog leaves them with a big kitty of ?327. | 0:26:35 | 0:26:42 | |
With a day's road tripping behind them, what do our experts think? | 0:26:42 | 0:26:47 | |
How did you get on with Nina? The one thing I would say about her is | 0:26:47 | 0:26:52 | |
she really has her mind made up. Showed her something. "No!" Showed her something. "No!" | 0:26:52 | 0:26:59 | |
She's a woman who knows what she wants. Oh, my, does she! | 0:26:59 | 0:27:03 | |
Do you find you agree about what to buy? Absolutely not. | 0:27:03 | 0:27:08 | |
Oh, really? Yeah. What I wanted to do from the beginning was buy one really unusual big piece. Right. | 0:27:08 | 0:27:16 | |
Has it become heated? It did. | 0:27:16 | 0:27:19 | |
So there's some tension on the road. Nina is desperate to splash the cash on something she really likes, | 0:27:19 | 0:27:25 | |
but can our experts keep our celebrities in check? | 0:27:25 | 0:27:30 | |
Yesterday took both our teams through beautiful Buckinghamshire and Berkshire, | 0:27:30 | 0:27:35 | |
but today Teams Wadia and Jupp will be travelling through stunning Surrey, starting the day on foot | 0:27:35 | 0:27:41 | |
in East Molesey. | 0:27:41 | 0:27:44 | |
East Molesey was once known as the bare knuckle boxing capital of Britain. | 0:27:44 | 0:27:49 | |
It's a lot more civilised today, but we might yet see a bit of sparring. | 0:27:49 | 0:27:55 | |
I've been hearing about your purchases. You told him?! | 0:27:55 | 0:27:59 | |
Not what we bought! I'm upset now. | 0:27:59 | 0:28:03 | |
I told him we didn't spend a huge amount. We splashed out. We did. | 0:28:03 | 0:28:07 | |
How many items did you buy? One, with five component parts. I said that's what I wanted to do! | 0:28:07 | 0:28:14 | |
She's telling me off now! Let's go and buy another better item. We're going into there! | 0:28:14 | 0:28:19 | |
First I need you to go round, get a selection of menus | 0:28:21 | 0:28:26 | |
and I can have a proper think... Always thinking about lunch! | 0:28:26 | 0:28:30 | |
Well, you know... | 0:28:30 | 0:28:33 | |
Hi, how are you? I'm fine. I'm Thomas. What's your name? Lesley. Nice to meet you, Lesley. | 0:28:33 | 0:28:39 | |
The lovely Lesley Denny has been a dealer at Hampton Court Antiques for over 16 years | 0:28:39 | 0:28:45 | |
and the shop is big enough for Tom to indulge one of his odder habits. One thing that I find odd is | 0:28:45 | 0:28:51 | |
that when he's not on camera, he always wears a pith helmet. | 0:28:51 | 0:28:55 | |
It's very... It's very hard to catch him. | 0:28:55 | 0:28:59 | |
I was rather taken by some of the things in this... Were you? Yeah. | 0:29:01 | 0:29:07 | |
What's this tantalus marked up at? Do you like a tantalus? What's a tantalus? A decanter like that. | 0:29:07 | 0:29:13 | |
A decanter stand. Three bottles in there - whisky, cognac or... | 0:29:13 | 0:29:17 | |
Oh, and it's got a handle. So it's perfect for picnics. | 0:29:17 | 0:29:22 | |
This tantalus was made by the famous Mappin and Webb. | 0:29:22 | 0:29:26 | |
They were used by the upper classes to keep booze locked away from the staff. | 0:29:26 | 0:29:31 | |
What can I do for you? This tantalus hasn't got a price tag on it. | 0:29:31 | 0:29:35 | |
Oh, what a surprise! I'll phone. | 0:29:35 | 0:29:39 | |
While Lesley calls Steven, the owner, Miles spots something else he'd like to digest. | 0:29:39 | 0:29:45 | |
No, not his lunch. Something I imagined gets a lot of money | 0:29:45 | 0:29:49 | |
is special Reader's Digest... No, what's great about these is you get four novels, | 0:29:49 | 0:29:56 | |
all abridged. People in the Cotswolds do not have time to read full-length books. | 0:29:56 | 0:30:01 | |
This is absolutely perfect. That could be some people's entire retirement reading. | 0:30:01 | 0:30:07 | |
Any news down the wires? Yes, I have. Is he on the phone? | 0:30:07 | 0:30:11 | |
Yes, he's on the phone. The best possible price for cash is 150. | 0:30:11 | 0:30:16 | |
I was thinking more like two figures. Could you have a word? | 0:30:16 | 0:30:21 | |
A deal on the tantalus is tantalisingly close. Stephen? | 0:30:21 | 0:30:25 | |
Hi. How are you? | 0:30:25 | 0:30:28 | |
Miles's mind has turned to a much more important subject. Lunch. | 0:30:28 | 0:30:33 | |
I've got another menu to peruse so I can get on with the sensible business. | 0:30:33 | 0:30:38 | |
So 120's your final offer? OK, OK. I was really thinking 95. | 0:30:38 | 0:30:44 | |
No, I know. OK. | 0:30:44 | 0:30:46 | |
All right, I understand. That's very fair. | 0:30:46 | 0:30:50 | |
I'll have to talk to Miles. OK, bye-bye. | 0:30:50 | 0:30:54 | |
Miles, do you want to know about the tantalus? Oh, yes. 120. That sounds all right. Buy it? | 0:30:54 | 0:31:00 | |
Yeah. OK. We'd love to buy this. We'll do the deal. | 0:31:00 | 0:31:05 | |
With the price agreed, Thomas spots another upper class accoutrement for sale. | 0:31:05 | 0:31:10 | |
These are great. Aren't they? They're fun. | 0:31:10 | 0:31:14 | |
A three-room bell indicator box. It's in our price range. ?45. | 0:31:14 | 0:31:18 | |
Would you do your hard negotiation? I think so. This is an Edwardian beech bell indicator box, | 0:31:18 | 0:31:24 | |
which you used to summon servants, presumably the ones who weren't stealing your booze. | 0:31:24 | 0:31:31 | |
Have you experience of selling this? Yes. They're delightful. Who likes these? People in the Cotswolds. | 0:31:31 | 0:31:37 | |
For the kitchen, it's quite fun. I can get you a good price on that. | 0:31:37 | 0:31:42 | |
People will put it up as a novelty item. A novelty in the kitchen. | 0:31:42 | 0:31:47 | |
Kids say, "What is that, Mummy?" "When we were rich once, we had staff | 0:31:47 | 0:31:52 | |
"and there was a bell," et cetera. | 0:31:52 | 0:31:55 | |
Thomas has never really got over letting the staff go. Never mind. | 0:31:55 | 0:32:00 | |
He's got Lesley doing his bidding. | 0:32:00 | 0:32:03 | |
Tom is interested in your indicator box. The three-room bell indicator box. | 0:32:03 | 0:32:09 | |
You've got ?45 on it. I said you were very generous and would give them a very good price. You sweet talker! | 0:32:09 | 0:32:17 | |
He'll take ?10 off. It'll be 35. | 0:32:17 | 0:32:20 | |
Do you think he would be kind enough to take ?15 off? Would you come down to 30? | 0:32:21 | 0:32:26 | |
I told you he was a nice man. He'll do 30 for you. Lovely. He's a very nice man. Very, very nice. | 0:32:28 | 0:32:35 | |
He's a very nice man. Thank you, Tony. Thank you! | 0:32:35 | 0:32:39 | |
I'm worried you're running away with yourself. I'd like to take 2-3 hours to choose the next item. | 0:32:39 | 0:32:45 | |
Really? And not to cost more than ?4. | 0:32:45 | 0:32:48 | |
Just down the road are Catherine and Nina, checking out Sue Haswell | 0:32:49 | 0:32:55 | |
and her shop, Bridge Road Antiques. | 0:32:55 | 0:32:58 | |
Nice to meet you. | 0:32:58 | 0:33:00 | |
We want to spend some money today. | 0:33:00 | 0:33:02 | |
What is that? Ooh! | 0:33:03 | 0:33:05 | |
Is it alive? Oh, it's armadillo! A real one?! | 0:33:05 | 0:33:10 | |
OK! | 0:33:10 | 0:33:11 | |
Nina is attracted to the more weird and wonderful items. What is wrong with me?! | 0:33:11 | 0:33:18 | |
While Catherine is interested in things that are a bit more practical. | 0:33:18 | 0:33:22 | |
Do you like these storage jars? Oh, no. Nice try, Catherine. | 0:33:22 | 0:33:27 | |
Oh, what about a rocking horse? | 0:33:28 | 0:33:30 | |
Look at this. ?475. | 0:33:30 | 0:33:34 | |
Move on! No, I like it. No, move on! Why? | 0:33:34 | 0:33:38 | |
Because that would sell at auction for about ?60. No! Honestly. | 0:33:38 | 0:33:44 | |
What if we bargain them right down? Go on. See what you can get it for. | 0:33:44 | 0:33:48 | |
Nina's been desperate to haggle for something she really likes. Now is her big chance. | 0:33:48 | 0:33:55 | |
Can I ask you something crazy? Go on. I love that rocking horse. | 0:33:55 | 0:33:59 | |
Yeah? But it's 400 and something. Mm-hm. Would you consider something crazy? | 0:33:59 | 0:34:05 | |
It depends how crazy! I mean seriously crazy. | 0:34:05 | 0:34:09 | |
Like half-price crazy. Like ?200. Probably not. | 0:34:09 | 0:34:13 | |
Not as far as... How about ?150? Yeah, going lower with your price isn't quite how haggling works. | 0:34:13 | 0:34:20 | |
I think she wants something that's got a wow factor. | 0:34:20 | 0:34:24 | |
That probably has the wow factor. Yes, it absolutely does. | 0:34:24 | 0:34:28 | |
Nina is so determined to see everything, she's got Sue bringing boxes of stuff out for a rummage, | 0:34:28 | 0:34:34 | |
but eventually they find hidden treasure. Well, most of it. | 0:34:34 | 0:34:38 | |
When you've got dressing table sets, people want the mirrors. | 0:34:38 | 0:34:43 | |
Come on, mirror, where are you? There's a mirror there. | 0:34:43 | 0:34:47 | |
The dressing table set is looking promising, but Nina is dropping not-so-subtle hints. | 0:34:47 | 0:34:53 | |
You want that horse, don't you? What made you think of that? | 0:34:53 | 0:34:58 | |
Sue, we need your help. Put all this stuff together and they'd have a whole set of silver things. | 0:34:58 | 0:35:05 | |
Edwardian Rococo silver sets are still popular, but with all the pieces not matching, | 0:35:05 | 0:35:11 | |
it's not a stellar item. But it could still sell for its scrap value. | 0:35:11 | 0:35:17 | |
I think ?60 for all of that. I can't. We'd want it all together. | 0:35:17 | 0:35:22 | |
A really good price for it. I'm not going to be anywhere near you. | 0:35:22 | 0:35:27 | |
The girls are trying, but Sue isn't for budging. I'd say 120. | 0:35:27 | 0:35:32 | |
My whole problem with this is that it doesn't really all match perfectly. No. | 0:35:32 | 0:35:37 | |
I think we would be very happy to give you ?100 for the lot. | 0:35:37 | 0:35:43 | |
In a rare show of unity, Catherine and Nina agree ?100 for the dressing table set. | 0:35:43 | 0:35:49 | |
OK? Yes. Thank you so much. | 0:35:49 | 0:35:51 | |
Sue, thank you very much indeed. Thank you for being so patient! | 0:35:51 | 0:35:56 | |
Nina still wants that one big item, though. Will they get it before the end of the day? | 0:35:56 | 0:36:01 | |
Outside, however, dastardly deeds are afoot. | 0:36:01 | 0:36:05 | |
Those naughty boys have decided it's time for a spot of joyriding in Nina and Catherine's car. | 0:36:05 | 0:36:11 | |
How dare they! This is really nice and comfortable. | 0:36:11 | 0:36:15 | |
Sit in it. I think we'll steal this. | 0:36:15 | 0:36:18 | |
The next stop for them in their stolen car | 0:36:22 | 0:36:26 | |
is just three miles along the road in Walton-on-Thames. | 0:36:26 | 0:36:30 | |
This is a much better car! And it's a chance for Thomas to find out more about Miles, | 0:36:30 | 0:36:35 | |
whose recent role as a trainee vicar in Rev could have been art imitating life. | 0:36:35 | 0:36:41 | |
Where did you go to university? Edinburgh. What did you read? A degree in divinity. | 0:36:41 | 0:36:46 | |
In fact, today a lot of my best friends are people I met on that course. | 0:36:46 | 0:36:52 | |
Are they all priests? None of them. | 0:36:52 | 0:36:55 | |
But it's his antiques buying skills Miles would like to be recognised for now. | 0:36:55 | 0:37:00 | |
I'm going to choose whatever it is we get next. Shall I sit back and have a cup of tea? | 0:37:00 | 0:37:07 | |
Yeah, or you could nip out and get us coffees. | 0:37:07 | 0:37:10 | |
Miles has been learning from the master since yesterday and now he's finally in charge. | 0:37:10 | 0:37:16 | |
Miles studied divinity, he's played a reverend and his dad was a vicar, | 0:37:16 | 0:37:21 | |
so it's only fitting that their last port of call has an ecclesiastical theme. | 0:37:21 | 0:37:26 | |
Antique Church Furnishings. I really like church chairs. | 0:37:26 | 0:37:31 | |
Time is running out for the boys and with only ?80 left, so is money, | 0:37:31 | 0:37:36 | |
but Miles still won't let the Reader's Digest debacle go. | 0:37:36 | 0:37:40 | |
What was it? Six books? In the Cotswolds, six books, people would bite your hand off. | 0:37:40 | 0:37:46 | |
And it's not just six books. Each book contains four books! | 0:37:46 | 0:37:51 | |
24 novels. Condensed novels. Disappointingly condensed. | 0:37:51 | 0:37:56 | |
They're not at all. They take out the tedious bits. | 0:37:56 | 0:37:59 | |
I am not listening to this any longer. Come on. | 0:37:59 | 0:38:03 | |
Do you think the girls will be angry we've stolen their car? I don't know. Yes, they will, won't they? | 0:38:07 | 0:38:14 | |
In case you hadn't guessed, this place sells church furnishings. | 0:38:14 | 0:38:19 | |
To show them round is Lawrence. | 0:38:19 | 0:38:22 | |
I love religious artefacts. I think they're all fabulous. | 0:38:22 | 0:38:26 | |
So much devotion and love has gone into them. Oh, look. We know all about these. Windsor chairs. | 0:38:26 | 0:38:33 | |
We went around the museum. Oh, dear. Will they go all giggly again? | 0:38:33 | 0:38:38 | |
Oh, gosh. We can actually sit on them. You can. | 0:38:38 | 0:38:41 | |
How do you feel? Good, aren't they, chairs? This is fabulous. | 0:38:44 | 0:38:49 | |
If you live in the Cotswolds, you could have one in your kitchen. You could. | 0:38:49 | 0:38:54 | |
THOMAS LAUGHS | 0:38:55 | 0:38:57 | |
It's all right, isn't it? That's good. | 0:38:57 | 0:39:00 | |
FAP. Answers on a postcard. I'll save you the stamp. | 0:39:00 | 0:39:04 | |
FAP stood for First Aid Post. It was part of the civil defence during WWII, | 0:39:04 | 0:39:10 | |
offering first aid to civilians after regular bombing raids. So now you know, Miles. Like that? | 0:39:10 | 0:39:16 | |
This is great, but I want to buy a pew. We should get a pew. Definitely. | 0:39:16 | 0:39:22 | |
It's now Miles's turn to haggle. Is God on his side or is the devil in the detail? | 0:39:22 | 0:39:28 | |
Take a pew like this. This is marked at 275. | 0:39:28 | 0:39:32 | |
A pew like this one here, for instance, they're ?90. | 0:39:32 | 0:39:36 | |
That's kind of a loss leader. The pew equivalent of cheap cans of beans. | 0:39:36 | 0:39:42 | |
It's the value range of pews. That's right. | 0:39:42 | 0:39:45 | |
A pew for every pocket. | 0:39:45 | 0:39:47 | |
What is the best price? | 0:39:47 | 0:39:50 | |
Because it's you, I'd knock a fiver off, make it ?85. ?85. | 0:39:50 | 0:39:56 | |
What if I was to say to you... ?70? | 0:39:56 | 0:39:59 | |
I'd say that's just a chunk too much. | 0:39:59 | 0:40:03 | |
What about 75? 80 would be our... | 0:40:03 | 0:40:07 | |
Oh, my God, it really hurts. ..bottom, bottom price. Bottom, bottom price. | 0:40:07 | 0:40:13 | |
Can I jut interject? Let's hear what you've got to say. | 0:40:13 | 0:40:17 | |
Lawrence, ?80. Would you throw in that helmet? | 0:40:17 | 0:40:21 | |
No, absolutely not. Go on. No, no. We've only got that 80. | 0:40:21 | 0:40:26 | |
And we need to buy two more items. The boys struggle until Miles has a novel idea - part exchange | 0:40:26 | 0:40:33 | |
on one of the items Tom's picked. We will give you the tantalus. The tantalus? No... | 0:40:33 | 0:40:39 | |
A special church tantalus. I like the idea of a tantalus. I've always had a craving for one. | 0:40:39 | 0:40:45 | |
What about two pews and a helmet for a tantalus and 80 quid? | 0:40:45 | 0:40:50 | |
What was the other pew? Maybe this... Where are you going with this? | 0:40:50 | 0:40:55 | |
If we can trade in a tantalus, this is a good thing to do. | 0:40:55 | 0:41:00 | |
Two pews and the helmet for a tantalus and 80 quid. No! No! | 0:41:00 | 0:41:05 | |
So...that's two pews, a helmet and a dumbfounded antiques expert for a tantalus and ?80. | 0:41:05 | 0:41:11 | |
That's either genius or madness. The auction will decide which. | 0:41:11 | 0:41:16 | |
Well done! What a deal! I've surprised myself. | 0:41:16 | 0:41:21 | |
Do you know why I've been able to do this? Why? Because I had a proper lunch. | 0:41:21 | 0:41:27 | |
That's the secret to a happy life. | 0:41:27 | 0:41:29 | |
In East Molesey, Nina and Catherine have left Bridge Road Antiques | 0:41:29 | 0:41:34 | |
and travelled 200 yards to lovely Lesley's Hampton Court Emporium. | 0:41:34 | 0:41:38 | |
Hello, ladies. I'm Nina. I'm Lesley. Hello, Lesley. I'm Catherine. Good to meet you. You, too. | 0:41:38 | 0:41:45 | |
They now have ?227 left to spend and Nina is determined it's her pick next. | 0:41:45 | 0:41:52 | |
Come on. Where are you hiding this magnificent thing I am looking for. Where are you hiding? | 0:41:52 | 0:41:59 | |
I don't know what you think about this very stylish mirror. | 0:41:59 | 0:42:04 | |
You probably don't like it, but the whole thing is Art Deco. | 0:42:04 | 0:42:08 | |
A very traditional fan shape. Yeah. You've got the pink glass as well, which is nice. | 0:42:08 | 0:42:14 | |
OK. The pink glass and... Nina almost seems to like it. There's a chip on the bottom. | 0:42:14 | 0:42:20 | |
Oh, I didn't notice the chip. | 0:42:20 | 0:42:23 | |
Is this yours? No, but I can phone them. | 0:42:23 | 0:42:27 | |
I think that's nice. At ?60 it's very nice, but the problem for Nina is she didn't choose it. | 0:42:27 | 0:42:34 | |
Is that theirs as well? That mirror? | 0:42:34 | 0:42:37 | |
That's beautiful. I like that one. I think that's gorgeous. It is nice. | 0:42:37 | 0:42:42 | |
This eye-catching 1920s mirror, at ?135, | 0:42:44 | 0:42:48 | |
combines French and Egyptian styles, a combination that goes back to Napoleonic times. | 0:42:48 | 0:42:55 | |
It has the wow factor? It has. | 0:42:57 | 0:43:00 | |
With the wow factor found, Lesley gets on the phone to Valerie, the owner. | 0:43:00 | 0:43:05 | |
She's come down to 80. I do love that. | 0:43:05 | 0:43:09 | |
That would be amazing. Let's go with it, then. Yeah? | 0:43:09 | 0:43:14 | |
So with one wow mirror in the bag for ?80, Nina spots another. | 0:43:14 | 0:43:19 | |
Oh, my gosh! Look, look, look. Another Art Deco mirror. | 0:43:19 | 0:43:24 | |
Wow. That is nice, too. That is really beautiful. | 0:43:24 | 0:43:28 | |
It's exactly what you're looking for without the chip. | 0:43:28 | 0:43:31 | |
It's incredible. We know you love it, but put Catherine down, eh? | 0:43:31 | 0:43:36 | |
I saw it earlier and thought, "Beautiful". But at ?145, they need to do a deal | 0:43:36 | 0:43:42 | |
and the owner isn't contactable. Lesley, meanwhile, has hammered out a deal on the chipped one. | 0:43:42 | 0:43:49 | |
You're very lucky. Why? To have a persuasive duty manager. | 0:43:49 | 0:43:53 | |
Oooh! We love you, Lesley. ?40. So that makes ?120 for the Egyptian style and the chipped mirrors. | 0:43:53 | 0:44:00 | |
Looks like that's a deal to end the day and keep everyone happy. | 0:44:00 | 0:44:05 | |
But there's money left over and I want to spend it all. You're exhausting, Nina. | 0:44:05 | 0:44:11 | |
I'm exhausting. On this hot, sticky day. | 0:44:11 | 0:44:15 | |
Antiques dealers, no stamina whatsoever. | 0:44:15 | 0:44:18 | |
There's ?107 left, but the problem is that the pristine Art Deco mirror has a ticket price of ?145 | 0:44:18 | 0:44:25 | |
and Lesley can only go so low without the owner's permission. I'll risk one... | 0:44:25 | 0:44:32 | |
twenty-five. And that's risking it. | 0:44:32 | 0:44:37 | |
That still leaves them ?18 short. | 0:44:37 | 0:44:40 | |
So you can't have everything. | 0:44:40 | 0:44:43 | |
It's the unstoppable force of Nina versus the immoveable object of Lesley. | 0:44:43 | 0:44:48 | |
Catherine's leaving it to Nina to steamroller the deal. | 0:44:48 | 0:44:53 | |
So we've got 227... No matter how you add it up, Nina, you've still only got ?107 left. | 0:44:53 | 0:45:00 | |
This is 95. | 0:45:00 | 0:45:01 | |
If we can save ?20 between the three so they all take a hit... | 0:45:01 | 0:45:07 | |
But they've already taken a hit. Lesley's gone as far as she can. The sticking point is the mirror. | 0:45:07 | 0:45:14 | |
Pass me the phone. Could her boss possibly authorise another ?18 off to meet the magic target? | 0:45:14 | 0:45:20 | |
Now I have come down to 125, but their budget only allows them to pay ?107, isn't it, Nina? | 0:45:20 | 0:45:28 | |
We love Lesley. I love her. | 0:45:29 | 0:45:32 | |
I want to be her new child. | 0:45:32 | 0:45:35 | |
It looks like Lesley might finally have some good news. | 0:45:35 | 0:45:39 | |
OK, the agreement is OK. That's absolutely fine. YES! | 0:45:39 | 0:45:44 | |
I love you, Lesley! I love you, too. Thank God we've got a deal! | 0:45:44 | 0:45:49 | |
And you can go now. It's half past four! | 0:45:49 | 0:45:53 | |
So, to recap, ?40 for the chipped Art Deco mirror, | 0:45:57 | 0:46:01 | |
the magic figure of ?107 for the pristine Art Deco one and ?80 for the Egyptian-style mirror. | 0:46:01 | 0:46:08 | |
Well, after that marathon, both teams have finally finished business for the day | 0:46:08 | 0:46:14 | |
and have got five lots each. Time for "I'll show you mine if you'll show me yours". | 0:46:14 | 0:46:21 | |
First to reveal are Miles and Thomas. Ready? | 0:46:21 | 0:46:25 | |
Very nice. There you are. | 0:46:25 | 0:46:27 | |
I really love your Deco brushes. That's a really big purchase. | 0:46:27 | 0:46:33 | |
It was ?170. What?! For that? Well, you get five of them. | 0:46:33 | 0:46:39 | |
And this is the bell caller. I have one of those in my house, but it's a digital one. | 0:46:39 | 0:46:46 | |
Let's see what you've got. OK. Come on, girly. | 0:46:46 | 0:46:50 | |
One, two, three. Woo-hoo! | 0:46:50 | 0:46:53 | |
I do love a vanity set(!) Look at that! Isn't that extraordinary? | 0:46:53 | 0:46:59 | |
We found a load of silver and put it all together. How much? ?100. | 0:46:59 | 0:47:04 | |
?100 for the lot? Very good. Whose is the obsession with mirrors? | 0:47:04 | 0:47:10 | |
No, it's not MY obsession! You started with the Art Deco one. | 0:47:10 | 0:47:14 | |
I think you'll find it was both of you. ?25 each for those? | 0:47:14 | 0:47:18 | |
Oh, shut up, Thomas. ?25 each? | 0:47:18 | 0:47:21 | |
Is that it? Is that all you spent? | 0:47:21 | 0:47:24 | |
We spent everything. All of it? Every penny? That's ?400? | 0:47:24 | 0:47:28 | |
- Really? - Didn't you spend 400? Let's just take a seat. | 0:47:28 | 0:47:33 | |
Nina and Catherine are puzzled as to how the boys have spent ?400. Are they sitting on other purchases? | 0:47:33 | 0:47:40 | |
We've also managed to get this little pew. Right. And this little pew. | 0:47:40 | 0:47:46 | |
I went pew crazy when we got here. We were down to ?80 and I suddenly thought, "I want pews!" | 0:47:46 | 0:47:54 | |
Miles went pew crazy, but are the girls crazy about their purchases? | 0:47:54 | 0:47:58 | |
The helmet, for example. I know it's only ?20, but it's exactly the kind of thing I like. | 0:47:58 | 0:48:04 | |
And the pews - loved. | 0:48:04 | 0:48:07 | |
Part of me thinks they were a little underwhelmed by the pews. Really? | 0:48:07 | 0:48:12 | |
They're nice, but I love the enamel set. That was beautiful. | 0:48:12 | 0:48:17 | |
Really nice. The most beautiful piercing blue. It's lovely. | 0:48:17 | 0:48:22 | |
Anyway, who's going to win? I think... I think we could win, actually. | 0:48:22 | 0:48:28 | |
I want to go to the auction. Come on, Nina. | 0:48:28 | 0:48:32 | |
Come on! | 0:48:32 | 0:48:34 | |
For auction day, both our teams have to leave Surrey's fields of gold | 0:48:35 | 0:48:39 | |
and travel over 100 miles north through the Thames Valley and the Cotswolds to Gloucester. | 0:48:39 | 0:48:46 | |
To auction we go! Are you excited? No. Why not?! Of course I am! | 0:48:46 | 0:48:51 | |
I'm very excited. And with naughty Nina. Naughty Nina. And I had the lovely Miles. | 0:48:51 | 0:48:57 | |
Mischievous Miles. And funny. | 0:48:57 | 0:49:00 | |
My antiques expert, | 0:49:00 | 0:49:02 | |
I think he will be quite up for this. He'll be quietly confident. | 0:49:02 | 0:49:07 | |
You think? Yeah. I'm more confident that you're going to win than we are! Really? Yes. | 0:49:07 | 0:49:13 | |
It's the pews. I love the pews. I hope they do well. | 0:49:13 | 0:49:17 | |
Ah, here they are. | 0:49:17 | 0:49:20 | |
Look at that. Morning. How are you? | 0:49:20 | 0:49:24 | |
Are you up for it, challenge-wise? We're in a church, aren't we? | 0:49:24 | 0:49:29 | |
Will there be added value? Added value. I think there's a few churchgoers who need the odd pew. | 0:49:29 | 0:49:36 | |
Yes, most fittingly, Cotswold Auctions are holding today's auction in a church hall. | 0:49:36 | 0:49:43 | |
The company started life in the 19th century as part of an estate agent's business | 0:49:43 | 0:49:48 | |
and helped sell off the contents of country houses. | 0:49:48 | 0:49:52 | |
It became an independent business in 1998 when today's auctioneer, Lindsey Braune, was part of a team | 0:49:52 | 0:49:59 | |
that bought it. What does she think of our purchases? | 0:49:59 | 0:50:02 | |
They've bought some interesting pieces. I particularly like that little bulldog print, | 0:50:02 | 0:50:08 | |
the French one. Probably between the wars. | 0:50:08 | 0:50:12 | |
Nice decorative print. Looking a bit serious and comical at the same time. Zut alors! | 0:50:12 | 0:50:19 | |
She thinks it might turn out to be formidable! | 0:50:19 | 0:50:22 | |
But the first aid hat might leave them battered. | 0:50:22 | 0:50:26 | |
It's a typical boy's lot. There's a lot of them around. They survive, they're quite solid. | 0:50:26 | 0:50:32 | |
And we make ?10-?20 on it. Both teams started the trip with ?400. | 0:50:32 | 0:50:38 | |
In a high-risk strategy, both duos splashed the lot on five lots. | 0:50:38 | 0:50:44 | |
So with profits going to Children In Need, let's sell some antiques! | 0:50:44 | 0:50:49 | |
The first item is the 1940s Union Jack bunting. Is it going to fly the flag for Nina and Catherine? | 0:50:49 | 0:50:56 | |
Wow! ?10. Start me off. | 0:50:56 | 0:50:58 | |
?10 bid. At 10. 12. 15. | 0:50:58 | 0:51:01 | |
18. 20. | 0:51:01 | 0:51:03 | |
22 at the back. 25. 28? | 0:51:03 | 0:51:06 | |
28. And 30. Stop getting in a tither. | 0:51:06 | 0:51:10 | |
?30. 35 here. At 35. 40, is it? | 0:51:10 | 0:51:14 | |
At 35, I'm selling. | 0:51:14 | 0:51:18 | |
Did we make any money? Not after commission. Oh. | 0:51:18 | 0:51:22 | |
Not so much Lovejoy as killjoy, but she's right. | 0:51:22 | 0:51:25 | |
After auction fees, they're unlikely to see any profit. | 0:51:25 | 0:51:30 | |
I didn't want to buy the bunting! I know. | 0:51:30 | 0:51:33 | |
This is too exciting for Miles, the Antiques Road Trip. | 0:51:33 | 0:51:38 | |
Beneath his cool exterior, | 0:51:38 | 0:51:40 | |
Miles is bracing himself for the first of his pews. Will his deal bring songs of praise | 0:51:40 | 0:51:46 | |
or a requiem mass? I have interest at 30. 35. | 0:51:46 | 0:51:51 | |
40. With me at 40. Who's going on? At ?40. | 0:51:51 | 0:51:55 | |
At 45. 50. | 0:51:55 | 0:51:57 | |
At 50. With me again at 50. | 0:51:57 | 0:51:59 | |
Are we all done? Selling at ?50. | 0:51:59 | 0:52:02 | |
Are we all sure? And selling... | 0:52:02 | 0:52:05 | |
Oh, dear. The Lord preferred the tantalus. | 0:52:05 | 0:52:09 | |
What would that tantalus have got? | 0:52:09 | 0:52:12 | |
Did you just make a loss? | 0:52:12 | 0:52:14 | |
Yes, we did. Nina...calm down. | 0:52:14 | 0:52:18 | |
Now it's the print of the French bulldog that Lyndsey liked. | 0:52:18 | 0:52:22 | |
Let's hope for a magnifique profit. | 0:52:22 | 0:52:25 | |
Commissions here. Starting at 15. 18. | 0:52:25 | 0:52:29 | |
At 18 with me. Who's going on at ?18? | 0:52:29 | 0:52:32 | |
20. Two. At 22. With me again at 22. | 0:52:32 | 0:52:36 | |
Five anywhere? At 22. All sure? | 0:52:36 | 0:52:40 | |
Rather handsome chap, I thought. | 0:52:40 | 0:52:43 | |
Again, not what I wanted to buy! | 0:52:43 | 0:52:46 | |
Quel dommage! That sold for just over half of what they paid for it. | 0:52:46 | 0:52:50 | |
They eye-catching Art Deco enamel dressing table set | 0:52:50 | 0:52:54 | |
was the boys' first purchase, but will it catch the punters' eyes? | 0:52:54 | 0:52:59 | |
60 then to start. ?60. | 0:52:59 | 0:53:02 | |
At 60, thank you. Five. | 0:53:02 | 0:53:04 | |
70. Five. 80. Five. | 0:53:04 | 0:53:07 | |
90. Five. | 0:53:07 | 0:53:09 | |
At 100. 110. | 0:53:09 | 0:53:11 | |
110, look at that! | 0:53:11 | 0:53:14 | |
At 110. 20 anywhere? | 0:53:14 | 0:53:17 | |
Are we all done? At 110, then. And selling. | 0:53:17 | 0:53:20 | |
That's a shocker and the biggest loss of the day so far. | 0:53:22 | 0:53:26 | |
We've lost... We've hit three figures. Yeah. In terms of losses. | 0:53:26 | 0:53:31 | |
Do both teams realise the point is to make money? | 0:53:31 | 0:53:34 | |
Now the girls' dressing table set. Could this lift them back into profit and leave the boys behind? | 0:53:34 | 0:53:41 | |
50, start me? ?50 to start? | 0:53:41 | 0:53:44 | |
50 bid. Thank you. 55 here. She's got a commission bid. | 0:53:44 | 0:53:47 | |
65. 70. At 70. Right in the back. 70. | 0:53:47 | 0:53:52 | |
75. All done at 75? | 0:53:52 | 0:53:55 | |
Not quite as much of a hit as Miles and Thomas took, but it's pushed them further into loss. | 0:53:55 | 0:54:01 | |
I said, "I don't want to buy silver"! Yes, you've said that, | 0:54:01 | 0:54:05 | |
several times. Can the servants' bell box help Team Jupp call on a much-needed profit? | 0:54:05 | 0:54:10 | |
Unusual lot. ?20? 10, then. Start me off. ?10? | 0:54:10 | 0:54:15 | |
Anyone interested? 10 bid. 12. | 0:54:15 | 0:54:18 | |
Where are you? 15. At 15. Still not much. | 0:54:18 | 0:54:22 | |
Looking for 18. | 0:54:22 | 0:54:24 | |
Are we all done? At 15 and selling... | 0:54:24 | 0:54:28 | |
Cor! That bell box means their losses are alarming! | 0:54:28 | 0:54:32 | |
Did you make a loss? Another triumphant loss. | 0:54:32 | 0:54:35 | |
Here's Nina's big ticket item, the Egyptian-style mirror. | 0:54:35 | 0:54:39 | |
She's so keen, she makes a display of herself. | 0:54:39 | 0:54:43 | |
20 bid. At ?20. 22. | 0:54:43 | 0:54:45 | |
25. 28. 30. | 0:54:45 | 0:54:48 | |
At 30. Bid's in the room at 30. | 0:54:48 | 0:54:51 | |
At ?30. 32. 35. | 0:54:51 | 0:54:53 | |
She can't hold it up! It's too heavy. | 0:54:53 | 0:54:57 | |
At 35. Lovely mirror at 35. | 0:54:57 | 0:54:59 | |
38. 40 for you? At 38. | 0:54:59 | 0:55:03 | |
Bid's at 38, on the right. | 0:55:03 | 0:55:05 | |
38. At 38. Are we all done at 38? And selling. | 0:55:05 | 0:55:10 | |
What did it go for? ?38. You should have worn the apron. | 0:55:10 | 0:55:15 | |
Nina seems remarkably upbeat about the fact her Egyptian-style mirror tanked, | 0:55:16 | 0:55:21 | |
but maybe she's in de-Nile? | 0:55:21 | 0:55:24 | |
So with nearly double the losses of Nina and Catherine, the guys have to pray for some redemption. | 0:55:24 | 0:55:31 | |
At 30. 35. 40. | 0:55:31 | 0:55:34 | |
With me at 40. At 40. Who's going on? | 0:55:34 | 0:55:36 | |
At ?40. At 45. 50. With me again at 50. | 0:55:36 | 0:55:41 | |
At 50. Very nice pew at ?50. Who's going on now? | 0:55:41 | 0:55:45 | |
At 55. 60, is it? No, more, more! A bit more. | 0:55:45 | 0:55:49 | |
At ?60, then. All sure? | 0:55:49 | 0:55:52 | |
Perhaps instead of studying divinity Miles should have studied economics. | 0:55:52 | 0:55:56 | |
The final items for the girls are the Art Deco mirrors. | 0:55:56 | 0:56:00 | |
This may decide who is the feistiest of them all. | 0:56:00 | 0:56:04 | |
By my calculations, they need to sell them for over ?240 to make an overall profit. | 0:56:04 | 0:56:10 | |
Nina's hoping she might help. Where are they? Oh, thank you. Being beautifully held up. | 0:56:10 | 0:56:16 | |
One with green panels and a pink one. Two nice, decorative Deco mirrors. | 0:56:16 | 0:56:21 | |
30 for these? ?30? 30 bid. | 0:56:21 | 0:56:24 | |
Who's going on? 35. 40. 45. | 0:56:24 | 0:56:27 | |
50. At ?50. Five anywhere, then? And selling in the middle. | 0:56:27 | 0:56:33 | |
Disaster! But one person's loss is another's bargain. | 0:56:33 | 0:56:37 | |
Someone just picked up those mirrors for under a quarter of the price. | 0:56:37 | 0:56:41 | |
Nina, was that a loss? Am I allowed to punch him in the face on this show? Yes! | 0:56:41 | 0:56:48 | |
The final item is the WWII helmet. This could be the one item today that ends up with a decent profit. | 0:56:48 | 0:56:55 | |
?10, then. Start me off. ?10. | 0:56:55 | 0:56:58 | |
Anyone interested? ?10? | 0:56:58 | 0:57:00 | |
10 here. 12 for you? 12. | 0:57:00 | 0:57:02 | |
15, is it? At ?12. Don't see them every day. | 0:57:02 | 0:57:06 | |
15, anywhere? 15 at the back. | 0:57:06 | 0:57:10 | |
18 for you? At 15. Are you sure? At 15, right in the deep. | 0:57:10 | 0:57:14 | |
Last chance. At 15. | 0:57:14 | 0:57:17 | |
The helmet has failed to protect the boys from a loss, | 0:57:17 | 0:57:21 | |
but in true Dunkirk spirit defeat has brought our teams closer. | 0:57:21 | 0:57:25 | |
This has been a complete disaster. It certainly has! | 0:57:25 | 0:57:29 | |
Both teams started today with ?400. Nina and Catherine spent the lot | 0:57:29 | 0:57:34 | |
and despite making the only profit on an item today, after auction fees | 0:57:34 | 0:57:38 | |
they racked up a whacking loss of ?219.60. | 0:57:38 | 0:57:42 | |
This left them with just ?180.40. | 0:57:42 | 0:57:46 | |
Miles and Thomas failed to make a profit on any item today, | 0:57:47 | 0:57:51 | |
but perhaps thanks to Miles's connections to higher powers, they only lost ?195. | 0:57:51 | 0:57:57 | |
That means they finished the winners with the ungodly amount of ?205. | 0:57:57 | 0:58:03 | |
We had fun. It's been great. | 0:58:03 | 0:58:06 | |
I think I might join your crew! Thank you. | 0:58:06 | 0:58:10 | |
It was actually a lot of fun. It was great fun. | 0:58:10 | 0:58:14 | |
Congratulations! Even though both teams failed miserably, | 0:58:14 | 0:58:19 | |
it's all smiles at the end of the day. It's been a tough auction, | 0:58:19 | 0:58:24 | |
but that's the beauty of them. You can grab a bargain or lose a bundle. | 0:58:24 | 0:58:30 | |
So, see you next time! | 0:58:30 | 0:58:33 | |
# Baby, we were born to run! # | 0:58:33 | 0:58:37 | |
Subtitles by Red Bee Media Ltd | 0:58:51 | 0:58:53 |