Browse content similar to Episode 15. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
'Some of the nation's favourite celebrities.' Why have I got such expensive tastes? | 0:00:02 | 0:00:06 | |
'One antiques expert each.' HE LAUGHS | 0:00:07 | 0:00:10 | |
'And one big challenge. | 0:00:12 | 0:00:14 | |
'Who can seek out and buy the best antiques at the very best prices?' | 0:00:14 | 0:00:19 | |
Answers on a postcard. HAMMER BANGS | 0:00:19 | 0:00:21 | |
Oh! 'And auction for a big profit further down the road?' | 0:00:21 | 0:00:25 | |
HE LAUGHS | 0:00:25 | 0:00:28 | |
'Who will spot the good investments? Who will listen to advice?' | 0:00:28 | 0:00:31 | |
Do you like it? No, I think it's horrible. | 0:00:31 | 0:00:33 | |
'And who will be the first to say, "Don't you know who I am?" | 0:00:33 | 0:00:38 | |
Well done, us! 'Time to put your peddle to the metal! | 0:00:38 | 0:00:42 | |
'This is Celebrity Antiques Road Trip! | 0:00:42 | 0:00:45 | |
'Yeah! | 0:00:47 | 0:00:48 | |
'Taking a road trip today, | 0:00:48 | 0:00:51 | |
'wildlife TV presenters Michaela Strachan | 0:00:51 | 0:00:53 | |
'and Martin Hughes-Games. | 0:00:53 | 0:00:55 | |
'Equipped with ?400 each, they're embarking on a safari | 0:00:55 | 0:00:59 | |
'in Martin's home territory, the West Country, | 0:00:59 | 0:01:02 | |
'in search of that elusive species - profit from antiques.' | 0:01:02 | 0:01:06 | |
Do you know anything about antiques? | 0:01:06 | 0:01:08 | |
I know a bit about silver. Do you? I do, yeah. | 0:01:08 | 0:01:12 | |
And also, I brought a lot of my silver books with me. | 0:01:12 | 0:01:15 | |
Oh, my word! You swot! | 0:01:15 | 0:01:18 | |
'Class swot Martin Hughes-Games studied zoology at university | 0:01:18 | 0:01:22 | |
'before working behind the cameras on shows like Tomorrow's World | 0:01:22 | 0:01:26 | |
'and indulging his passion for restoring and riding motorbikes. | 0:01:26 | 0:01:31 | |
'And after three decades, he finally ventured in front of the cameras...' | 0:01:31 | 0:01:35 | |
Back by popular demand... '..rapidly becoming a fixture on Springwatch, | 0:01:35 | 0:01:39 | |
'Autumnwatch and every other season watch. | 0:01:39 | 0:01:43 | |
'He's getting to grips with this 1964 MGB, | 0:01:45 | 0:01:48 | |
'but words are proving more troublesome.' | 0:01:48 | 0:01:51 | |
You get people in the... you know, during the actual, erm... | 0:01:51 | 0:01:54 | |
What do they call it? What, the auction? | 0:01:54 | 0:01:57 | |
The auction, that's it! Oh, my word! You didn't do much homework, then! | 0:01:57 | 0:02:00 | |
'Michaela Strachan has been hard at work in front of the camera | 0:02:00 | 0:02:03 | |
'since 1986, presenting children's shows like the Wide Awake Club and Wacaday. | 0:02:03 | 0:02:09 | |
'She was Her to Pete Waterman's Hit Man | 0:02:09 | 0:02:12 | |
'but traded nightlife for wildlife. | 0:02:12 | 0:02:15 | |
'Since then, her career's ranged from The Really Wild Show | 0:02:15 | 0:02:18 | |
'to becoming ladies world gurning champion on Countryfile, | 0:02:18 | 0:02:23 | |
'and now she's a regular on the Springwatch and Autumnwatch teams.' | 0:02:23 | 0:02:26 | |
It was an early 5am start to get into position before dawn. | 0:02:26 | 0:02:32 | |
'The early bird catches the worm and perhaps she'll apply it to antiques hunting, too. | 0:02:32 | 0:02:37 | |
'But our celebrities are counting on their experts, as well.' | 0:02:37 | 0:02:40 | |
We are with people that study antiques. Yes. | 0:02:40 | 0:02:43 | |
So they are going to be able to help us. They'll use the same sort of skills, | 0:02:43 | 0:02:47 | |
that incisive knowledge, peering, all the things that we have. | 0:02:47 | 0:02:52 | |
Yeah, right. I tend to use a lot of guess work, actually. | 0:02:52 | 0:02:55 | |
'Guess work? | 0:02:55 | 0:02:58 | |
'Something James Braxton and Mark Stacey never use! | 0:02:58 | 0:03:02 | |
'Just like they never get muddled.' | 0:03:03 | 0:03:05 | |
James, how exciting! We're meeting a pair of naturists. | 0:03:05 | 0:03:10 | |
A pair of naturists? Naturalists, man! Oh, naturalists! | 0:03:10 | 0:03:13 | |
For goodness sake! What are naturists, then? | 0:03:13 | 0:03:15 | |
Naturists are people... nudists. | 0:03:15 | 0:03:17 | |
Oh, no! No, no, no. Oh, no, no, no. | 0:03:17 | 0:03:19 | |
The only things that's topless is the car. | 0:03:19 | 0:03:22 | |
'This topless beauty is a 1989 Citroen 2CV, | 0:03:22 | 0:03:26 | |
'but James is more preoccupied with his potential partner.' | 0:03:26 | 0:03:29 | |
Martin Hughes-Gaines. 'Games, James!' | 0:03:31 | 0:03:34 | |
It's a rather great name that, isn't it? | 0:03:34 | 0:03:36 | |
Lovely name. It's like Huge Gains. | 0:03:36 | 0:03:38 | |
I think he would be a lucky person to go with. It's an omen for the auction. | 0:03:38 | 0:03:42 | |
'James Braxton doesn't rely on good omens. | 0:03:47 | 0:03:50 | |
'He has a nose for a bargain.' Ooh, smells of antiques. | 0:03:50 | 0:03:54 | |
'A qualified surveyor, he's notched up 25 years in the antiques industry | 0:03:54 | 0:03:59 | |
'and especially loves spotting silver and sculpture. | 0:03:59 | 0:04:02 | |
'And he's always thankful for a great find.' | 0:04:02 | 0:04:05 | |
Finally bought something! | 0:04:05 | 0:04:07 | |
'The prospect of working with wildlife presenters has him pondering.' | 0:04:07 | 0:04:12 | |
In the animal kingdom, where would you put yourself? | 0:04:12 | 0:04:16 | |
I'd be a grazer. A grazer? Yes. | 0:04:16 | 0:04:19 | |
You know, like a fine gazelle or something like that. | 0:04:19 | 0:04:22 | |
'Mark Stacey has rarely been described as a gazelle, | 0:04:22 | 0:04:25 | |
'but he sometimes does wonder what he is.' | 0:04:25 | 0:04:29 | |
Do I look a cheeky bottom type of person? Don't answer that. | 0:04:29 | 0:04:33 | |
'When not confused, he's built up many years experience | 0:04:33 | 0:04:36 | |
'as an antiques dealer, auctioneer, valuer and consultant, | 0:04:36 | 0:04:40 | |
'with a particular passion for silver, Art Deco, retro items and cheeky comments.' | 0:04:40 | 0:04:46 | |
I know what animal you'd be. What would I be, Mark? Surprise me. | 0:04:46 | 0:04:50 | |
I'll give you a clue. You'd like wallowing in mud. | 0:04:50 | 0:04:54 | |
JAMES LAUGHS A hippo? Yeah. | 0:04:54 | 0:04:56 | |
I think a hippo... I wouldn't mind being a hippo. | 0:04:56 | 0:04:59 | |
Jolly nice. Can we both be hippos? | 0:04:59 | 0:05:01 | |
Cos that would be quite fun, wouldn't it? Yeah. Just snoozing all day. | 0:05:01 | 0:05:05 | |
'There's no time for snoozing. There's a road trip to accomplish. | 0:05:05 | 0:05:08 | |
'Today's road trip begins near Corsham in Wiltshire | 0:05:09 | 0:05:13 | |
'and heads west to dip a tentative toe in the Bristol Channel | 0:05:13 | 0:05:17 | |
'and then east again to the edge of the Mendip hills | 0:05:17 | 0:05:20 | |
'for an auction in Frome in Somerset.' | 0:05:20 | 0:05:23 | |
Where are those Springwatchers? I don't know. | 0:05:23 | 0:05:25 | |
These naturalists, naturists, whatever they are, always late. | 0:05:25 | 0:05:28 | |
Like you. Hang on, I hear something. Here you are. | 0:05:28 | 0:05:32 | |
Look. They're quite athletic, these people. Very athletic! | 0:05:32 | 0:05:35 | |
Sorry we're late. We were going to look for a bit of wildlife. | 0:05:35 | 0:05:38 | |
I'm impressed with that. We heard a report there was a lesser-spotted woodpecker in the woods | 0:05:38 | 0:05:43 | |
and we thought we'd try and find it. | 0:05:43 | 0:05:45 | |
'Does bird-spotting skill translate to bargain-spotting? A partner will help.' | 0:05:45 | 0:05:50 | |
Martin, I like your name. It sounds almost like Huge Gains, doesn't it? | 0:05:50 | 0:05:53 | |
Huge Gains, yes! It's an omen. I've been called many thing before but not that. | 0:05:53 | 0:05:57 | |
THEY LAUGH Huge Gains! | 0:05:57 | 0:06:00 | |
I think you need to go with the Welshman, Michaela. | 0:06:00 | 0:06:04 | |
And he knows a lot more about antiques than I do. OK. | 0:06:04 | 0:06:07 | |
And hopefully, Martin and I can be the huge gains, the winning team! | 0:06:07 | 0:06:13 | |
The winning team! Right, we've got a challenge on now! There's no chance. | 0:06:13 | 0:06:16 | |
'As they head into Corsham, Michaela reveals her strategy for dominance over the rivals.' | 0:06:16 | 0:06:22 | |
I thought maybe we could go for a theme. | 0:06:22 | 0:06:24 | |
Being a wildlife person, maybe I could look for something with wildlife on it. | 0:06:24 | 0:06:28 | |
Oh, yeah, that's a really good idea. | 0:06:28 | 0:06:30 | |
And I particularly remember those... You remember those little whimsies? | 0:06:30 | 0:06:34 | |
I used to get them as a kid as going home presents. Yes. | 0:06:34 | 0:06:37 | |
They used to come in a matchbox and they're all British wildlife. | 0:06:37 | 0:06:40 | |
That's right. I've noticed antique shops have those. Yes. You pulled a face. | 0:06:40 | 0:06:44 | |
Actually, they are one of my least favourite things in the antiques world. | 0:06:44 | 0:06:48 | |
'I fear these two will lock horns if Mark isn't tactful.' | 0:06:48 | 0:06:52 | |
But I will be honest with my opinions. SHE LAUGHS | 0:06:52 | 0:06:57 | |
'Corsham is a handsome town filled with 16th, 17th and 18th century buildings | 0:06:57 | 0:07:02 | |
'and a few surprises.' | 0:07:02 | 0:07:04 | |
Ooh, look at this! That'd be great if we could buy that. | 0:07:04 | 0:07:07 | |
That would definitely get a lot of money. Well, I don't know, it's only half there. | 0:07:07 | 0:07:11 | |
It's missing its head. But I tell you what, it is indicative, | 0:07:11 | 0:07:14 | |
cos we're going to exterminate the opposition. Very good. I like it. | 0:07:14 | 0:07:18 | |
'I wonder if Mark will like the stock in their first shop, Granny's Attic. | 0:07:18 | 0:07:23 | |
'It includes those collectable animal figurines, whimsies.' | 0:07:23 | 0:07:27 | |
Look! I don't believe it. Mark's going to get so upset, but look. | 0:07:27 | 0:07:31 | |
That was one of my favourites. I used to love that one. | 0:07:31 | 0:07:34 | |
That's definitely not British wildlife, though, is it? | 0:07:34 | 0:07:37 | |
And that one. I had both of those as a child. ?1 each! | 0:07:37 | 0:07:40 | |
You see, I've got a whole collection now. | 0:07:40 | 0:07:43 | |
A little collection of animal whimsies. | 0:07:43 | 0:07:47 | |
'Not if Mark has any say in it. | 0:07:47 | 0:07:49 | |
'Now, is this on the right line?' I quite like things like this. | 0:07:49 | 0:07:53 | |
I love that. It needs cleaning up. That's so Crossroads. | 0:07:53 | 0:07:57 | |
Yeah. From the 1970s. | 0:07:57 | 0:07:59 | |
That's a hideous colour, as well. | 0:07:59 | 0:08:01 | |
I went to Portmeirion the other day where they do new ones of those | 0:08:01 | 0:08:05 | |
and they were really quite expensive, so I reckon if we cleaned that up... | 0:08:05 | 0:08:09 | |
SHE LAUGHS Sorry. | 0:08:09 | 0:08:12 | |
I... I think that was a missed call. SHE LAUGHS | 0:08:12 | 0:08:17 | |
HE RINGS BELL Time, gentlemen, please. THEY LAUGH | 0:08:20 | 0:08:23 | |
'With ?400 to spend, Michaela spots another possibility.' | 0:08:23 | 0:08:27 | |
Look at that. Is that interesting or just bric-a-brac? I find that interesting. | 0:08:27 | 0:08:31 | |
It's quite fun, isn't it? Yeah. Cos it's... Actually, that is quite fun. | 0:08:31 | 0:08:36 | |
'This modern fireside companion set includes a brush, shovel and tongs and it's ?20.' | 0:08:36 | 0:08:42 | |
Erm, it's different, certainly. SHE LAUGHS | 0:08:42 | 0:08:47 | |
Erm... But you're quite liking it. You're liking it more than my whimsy. | 0:08:47 | 0:08:50 | |
Oh, I... Not the whimsy. No, you're quite right, I do like it. | 0:08:50 | 0:08:54 | |
I want to see the look on the other team's face when we reveal our items, as well. Yes! | 0:08:54 | 0:09:01 | |
If we could get that for a tenner or something... Yeah. | 0:09:01 | 0:09:04 | |
..that could be a good buy, actually. Yep. Well spotted! | 0:09:04 | 0:09:07 | |
Honestly, well spotted, cos I walked straight past that. | 0:09:07 | 0:09:10 | |
'Michaela's choice gets a thumbs up, but the price doesn't. | 0:09:10 | 0:09:14 | |
'Perhaps Vanessa can help.' | 0:09:14 | 0:09:17 | |
To be honest, I think the auctioneer will estimate it at ?20 to ?30. | 0:09:17 | 0:09:20 | |
I don't know, it could be just quirky. If there's two or three people who like it on the day, | 0:09:20 | 0:09:24 | |
they might pay a bit more. But I think we've really got to pay you a ?10 note for it. | 0:09:24 | 0:09:29 | |
Cos it's a bit of fun, isn't it? I think that's fine. | 0:09:30 | 0:09:33 | |
Or even a ?5 note. She said fine. Oh, no. | 0:09:33 | 0:09:35 | |
SHE LAUGHS I'm just playing the game here. | 0:09:35 | 0:09:38 | |
You're pushing it now. Ten. I'm very happy to pay ?10 for it. Are you? Yeah. | 0:09:38 | 0:09:42 | |
Thank you very much. Thank you. Thanks so much. | 0:09:42 | 0:09:45 | |
That's lovely of you. Are you happy? I'm very happy with that, yeah. I think that's great. | 0:09:45 | 0:09:49 | |
'It's not wildlife as we know it, | 0:09:49 | 0:09:52 | |
'but at ?10, it's a deal. | 0:09:52 | 0:09:54 | |
'En route to Corsham, James and Martin have a team talk | 0:09:56 | 0:10:00 | |
'on the importance of dealing with the boss at each antique shop.' | 0:10:00 | 0:10:04 | |
It's like the natural world, really. Yes. | 0:10:04 | 0:10:07 | |
There is a pecking order. But we want to go to the primate. OK. | 0:10:07 | 0:10:11 | |
The silverback, the top man or top woman. Yeah, we do. | 0:10:11 | 0:10:15 | |
The silverback of lady owners. | 0:10:15 | 0:10:17 | |
THEY LAUGH That's what we want. | 0:10:17 | 0:10:20 | |
'Their first port of call is Harley Antiques, with its furniture and accessories. | 0:10:20 | 0:10:26 | |
'Time will tell whether dealer Mark Ripon is a silverback or not.' | 0:10:26 | 0:10:30 | |
James. Nice to meet you. Good to meet you, Mark. | 0:10:30 | 0:10:33 | |
'Martin's spotting instincts soon kick in.' | 0:10:34 | 0:10:38 | |
People love owls, don't they? They do. | 0:10:39 | 0:10:42 | |
They do love an owl. Emblematic of the goddess of... | 0:10:42 | 0:10:46 | |
Athena. Athena, that's right. | 0:10:46 | 0:10:48 | |
But, in fact, sadly, a friend of mine's got owls, | 0:10:48 | 0:10:51 | |
and you know "wise old owl"? They're as thick as... Are they? | 0:10:51 | 0:10:56 | |
They're really stupid birds, tragically. | 0:10:56 | 0:10:58 | |
He's got starlings, as well, and the starlings are head and shoulders cleverer. | 0:10:58 | 0:11:01 | |
JAMES LAUGHS Not wise at all! | 0:11:01 | 0:11:05 | |
'How about some wise purchases? What about a silver ashtray | 0:11:05 | 0:11:08 | |
'from the White Star Cruise Line of Titanic fame?' | 0:11:08 | 0:11:13 | |
We've got a date letter | 0:11:13 | 0:11:15 | |
and another mark. | 0:11:15 | 0:11:18 | |
Do you know your date letters off by heart? No. | 0:11:18 | 0:11:21 | |
'Tut-tut, Mr Expert.' | 0:11:21 | 0:11:24 | |
HE LAUGHS We've got the book! Come on. | 0:11:24 | 0:11:27 | |
Look up RSWS. | 0:11:27 | 0:11:30 | |
Cos it's in that clover leaf, it's in the four-leaf clover. OK. | 0:11:30 | 0:11:33 | |
It's quite a nice mark, that. No, it hasn't got it in this. | 0:11:33 | 0:11:36 | |
'Serves you right, swot!' I've got a number of books I brought with me. | 0:11:36 | 0:11:39 | |
I've done a bit of research. Don't really need it, but it's quite useful. | 0:11:39 | 0:11:43 | |
And the special eye piece, which I normally use for looking at insects, | 0:11:43 | 0:11:46 | |
knew it would work here. | 0:11:46 | 0:11:49 | |
'The chaps think the ticket price is ?18, | 0:11:49 | 0:11:53 | |
'but it turns out it reads ?68. Ha!' | 0:11:53 | 0:11:57 | |
JAMES LAUGHS Oh, no! Oh, no! | 0:11:57 | 0:11:59 | |
Could it be 18, Mark? No, it can't be that cheap, I'm afraid. | 0:11:59 | 0:12:02 | |
What could you do that for, then? 20 quid? | 0:12:03 | 0:12:05 | |
No. We could do that for 50. 50? | 0:12:05 | 0:12:08 | |
Yeah. It's quite a faded ticket. It's been around for a while. | 0:12:08 | 0:12:11 | |
It's been around for a while, but still 50 is the maximum we can go to, I'm afraid. Really? Yep. | 0:12:11 | 0:12:16 | |
'There's no deal to be done, so Martin and James leave empty-handed.' Oh, dear. | 0:12:16 | 0:12:21 | |
'Michaela and Mark are putting shopping and caution behind them for now | 0:12:21 | 0:12:25 | |
'to head ten miles down the road to Bath. | 0:12:25 | 0:12:29 | |
'Of course, Bath is famous for its waters, architecture | 0:12:29 | 0:12:31 | |
'and being in Jane Austen novels, | 0:12:31 | 0:12:34 | |
'but without any persuasion, | 0:12:34 | 0:12:37 | |
'Michaela and Mark have opted to go wild and west.' | 0:12:37 | 0:12:41 | |
Hello. Welcome to the American Museum of Britain. Hello! | 0:12:41 | 0:12:44 | |
We knew you were coming so we've ordered the sunshine. You've ordered it specially! | 0:12:44 | 0:12:48 | |
'Laura Beresford curates the museum's impressive collection of American decorative and folk art. | 0:12:48 | 0:12:53 | |
'Many of the exhibits have animal themes, | 0:12:53 | 0:12:56 | |
'so the plan is for Michaela to see animals in art | 0:12:56 | 0:12:59 | |
'rather than in the flesh as she usually does. Well, that was the plan.' | 0:12:59 | 0:13:05 | |
I love this! It's a Native America. This is fantastic! | 0:13:05 | 0:13:10 | |
He's beautiful, isn't he? He is a ship's figurehead. | 0:13:10 | 0:13:12 | |
There was a frigate called the Mohawk on Lake Ontario | 0:13:12 | 0:13:15 | |
at the beginning of the 19th century and we presume that this chap | 0:13:15 | 0:13:19 | |
was the significant symbol of that particular ship. | 0:13:19 | 0:13:22 | |
'He's magnificent. But what about the wildlife?' | 0:13:22 | 0:13:26 | |
Eagles feature a lot in American folk, | 0:13:26 | 0:13:29 | |
as you can imagine. The great seal of the States. | 0:13:29 | 0:13:33 | |
The eagle, as a symbol, had everything embodied in it. | 0:13:33 | 0:13:37 | |
If you think about America trying to establish itself as a new republic | 0:13:37 | 0:13:40 | |
and if you think about their big public monuments, their big buildings, | 0:13:40 | 0:13:44 | |
we're talking about harking back to the classical age, | 0:13:44 | 0:13:46 | |
and yet they wanted to do something different, so they pick the eagle | 0:13:46 | 0:13:50 | |
as their new symbol of being so different from the mother country. | 0:13:50 | 0:13:54 | |
My favourite, actually, is this spectacular chap. | 0:13:54 | 0:13:58 | |
This particular eagle was created by quite a notorious folk artist in the States. | 0:13:58 | 0:14:06 | |
He was known for getting very drunk and so he would often end up in jail | 0:14:06 | 0:14:10 | |
and his bail payments would often be carved animals, carved eagles. Really? Yes. | 0:14:10 | 0:14:15 | |
He's particularly known for his eagles and his name was Old Schimmel. | 0:14:15 | 0:14:18 | |
That's such a joyful one. It's so humorous. | 0:14:18 | 0:14:21 | |
It is. It makes you smile looking at it. | 0:14:21 | 0:14:23 | |
Absolutely. And we have people talking about him being Gonzo out of the Muppets. Oh, yes! | 0:14:23 | 0:14:28 | |
'The museum has a delightfully diverse collection of items | 0:14:28 | 0:14:32 | |
'made by the people, for the people. | 0:14:32 | 0:14:35 | |
'Many had practical uses, like the decoy ducks.' | 0:14:35 | 0:14:38 | |
Do these ducks on the wall quack as you go past? | 0:14:38 | 0:14:40 | |
No, they don't. But rather wonderfully, you naughty thing, | 0:14:40 | 0:14:44 | |
some of their heads move. So when they were bobbing on the water, | 0:14:44 | 0:14:48 | |
their heads moved around to make them much more lifelike. | 0:14:48 | 0:14:51 | |
Any many of them have cork inserts underneath to keep them afloat. | 0:14:51 | 0:14:55 | |
That's what I want to find in an antique shop. Quacking ducks. | 0:14:55 | 0:14:59 | |
'A quacking idea, Michaela! | 0:14:59 | 0:15:02 | |
'And speaking of bird life, the museum has another zoological treat, | 0:15:02 | 0:15:06 | |
'a collection of works by John James Audubon.' | 0:15:06 | 0:15:09 | |
These are lovely, aren't they? They are beautiful. Oh, my goodness, they're exquisite! | 0:15:09 | 0:15:13 | |
'Audubon was the outstanding wildlife artist | 0:15:13 | 0:15:17 | |
'of the first half of the 19th century in America, | 0:15:17 | 0:15:19 | |
'especially noted for his 435 life-size prints of birds.' | 0:15:19 | 0:15:26 | |
He's become very significant in the world of wildlife, hasn't he? | 0:15:26 | 0:15:29 | |
Absolutely, because he went into the American wilderness | 0:15:29 | 0:15:33 | |
and drew and collected specimens | 0:15:33 | 0:15:36 | |
before people even knew that certain bird types, | 0:15:36 | 0:15:39 | |
that certain mammals existed, and so when he came back to the populated areas of the east coast, | 0:15:39 | 0:15:45 | |
this was completely mind-blowing to the public that he was presenting these drawings to. | 0:15:45 | 0:15:50 | |
He observed very closely, | 0:15:50 | 0:15:53 | |
he took detailed notes about mannerisms of flight, for instance. | 0:15:53 | 0:15:58 | |
I mean, he was an astonishing scientist. | 0:15:58 | 0:16:00 | |
He was not only an artist, he was someone who was such a great observer. | 0:16:00 | 0:16:06 | |
So he was an iconic ornithologist, really. Very much so. | 0:16:06 | 0:16:09 | |
But not just an ornithologist, he was very interested in the mammal world, as well. | 0:16:09 | 0:16:13 | |
So if we manage to find one of his originals | 0:16:13 | 0:16:16 | |
in an antique shop for less than ?400, | 0:16:16 | 0:16:19 | |
then we're laughing! We'll buy it. But I somehow doubt it. | 0:16:19 | 0:16:23 | |
Thank you, Laura. We've learned such a lot. Yes, thank you. | 0:16:23 | 0:16:27 | |
'Martin and James are following Michaela and Mark to Bath. | 0:16:27 | 0:16:31 | |
'James is curious to know when Martin developed his interest in wildlife.' | 0:16:31 | 0:16:36 | |
When I was eight, I got the school prize for nature. | 0:16:36 | 0:16:41 | |
Oh! So I must have been interested, even when I was tiny. | 0:16:41 | 0:16:46 | |
But, yeah, I just... The thing is, it's all around you | 0:16:46 | 0:16:50 | |
and so it's sort of something you can enjoy wherever you are, whatever you're doing. | 0:16:50 | 0:16:54 | |
'Wherever you are, whatever you're doing, | 0:16:54 | 0:16:56 | |
'making a profit needs to be your second nature today, Martin. | 0:16:56 | 0:17:00 | |
'Craik's Antiques in Bath might have the right sort of specimens.' | 0:17:00 | 0:17:04 | |
This is an Aladdin's cave, isn't it? | 0:17:04 | 0:17:08 | |
I want everything already. Full of goodies. Look at those suitcases! | 0:17:08 | 0:17:12 | |
Ooh, magic crystal balls. | 0:17:12 | 0:17:14 | |
And the... Look! Fabulous. Brass candlesticks. | 0:17:15 | 0:17:19 | |
I think we've struck gold here, Martin. Yes. This is looking much more like it. | 0:17:19 | 0:17:23 | |
'With help from owner Caroline, they do strike, well, wood, not gold, actually, | 0:17:23 | 0:17:28 | |
'but let's not nit-pick, eh?' | 0:17:28 | 0:17:30 | |
Now, that's interesting. First World War. Yeah. | 0:17:30 | 0:17:33 | |
It is First World War, isn't it? Bit of trench art carving. | 0:17:33 | 0:17:36 | |
Calais. Mm. | 0:17:36 | 0:17:38 | |
'Soldiers and civilians produced trench art | 0:17:38 | 0:17:42 | |
'and Calais was a main port on the way to the battlefields in Flanders.' | 0:17:42 | 0:17:47 | |
Interesting that you'd have a sunflower there, isn't it? | 0:17:47 | 0:17:50 | |
A sunflower? Oh, yeah! You'd expect a poppy, wouldn't you? | 0:17:50 | 0:17:53 | |
And it's sort of slightly... Do you think a stylised oak leaf? | 0:17:53 | 0:17:57 | |
'Martin won the nature prize when he was eight. Over to him.' | 0:17:57 | 0:18:01 | |
Poppies came after the war, didn't they? Yeah. That's rather lovely. | 0:18:01 | 0:18:04 | |
It's interesting. It's history. It is history. | 0:18:04 | 0:18:07 | |
Social history. It is. Ohh! And military history. | 0:18:07 | 0:18:10 | |
Military and social history. It's all history rolled into one. | 0:18:10 | 0:18:14 | |
And what have you got on that, a tenner? | 0:18:14 | 0:18:16 | |
I was really looking for 25. | 0:18:16 | 0:18:18 | |
Ooh, blimey. But I could let it go for 20. | 0:18:18 | 0:18:22 | |
I mean, just think of that poor soldier in his trench carving away, | 0:18:23 | 0:18:28 | |
because he would've put his own photograph or a letter in there and sent it to his loved one. Yeah. | 0:18:28 | 0:18:32 | |
'Martin and James agree on shortlisting the frame | 0:18:34 | 0:18:37 | |
'and resume foraging for goodies.' | 0:18:37 | 0:18:40 | |
People use these for smart lights and interior design. | 0:18:40 | 0:18:44 | |
These are made by Boosey Hawkes or somebody. | 0:18:44 | 0:18:47 | |
They're the great manufacturers. | 0:18:47 | 0:18:50 | |
Are your eyes still good? Maker to Her Majesty's forces, | 0:18:50 | 0:18:53 | |
A Hall Gisborne, London, | 0:18:53 | 0:18:57 | |
Birmingham, England. | 0:18:57 | 0:18:59 | |
Gisborne? Gisborne. | 0:18:59 | 0:19:01 | |
Guy of Gisborne! Oh, it doesn't quite... Who was Guy of Gisborne? | 0:19:01 | 0:19:05 | |
'A baddie in Robin Hood. And like Martin, he didn't play the tuba.' | 0:19:05 | 0:19:09 | |
Lovely tone. Nice tone, yeah. | 0:19:09 | 0:19:13 | |
Oh, it's got things. In harmony. | 0:19:13 | 0:19:15 | |
But is the price right? | 0:19:15 | 0:19:17 | |
How much have you got on it, Caroline? 50? | 0:19:17 | 0:19:20 | |
No. Do you know, psychic! I was going to say 50. | 0:19:20 | 0:19:25 | |
It needs... I wanted 120 for it. | 0:19:25 | 0:19:29 | |
Oh, Caroline. Oh, Caroline. | 0:19:29 | 0:19:31 | |
I polished the thing. Well, I know you've polished it, but just think... | 0:19:31 | 0:19:34 | |
Caroline, you could've done a bit more polishing, I'm afraid. | 0:19:34 | 0:19:38 | |
Oh, let me get my duster. It's beyond dusters. It's beyond dusters, I think. | 0:19:38 | 0:19:44 | |
'Martin fancies a bargain.' | 0:19:44 | 0:19:46 | |
Your starting price was 70. No, it wasn't. | 0:19:46 | 0:19:49 | |
Wasn't it? My starting price was 120. | 0:19:49 | 0:19:52 | |
Oh, sorry. And my finishing price was 75. | 0:19:52 | 0:19:54 | |
75. You can tell she's been in the business a while. | 0:19:54 | 0:19:57 | |
'He's underestimated Caroline.' Would you throw in the beautiful... | 0:19:57 | 0:20:00 | |
No, I wouldn't. Let me finish. | 0:20:00 | 0:20:03 | |
I know what you're going to say. No. 'But he's tenacious.' | 0:20:03 | 0:20:07 | |
What about ?90 for all? Hold on. Steady. I think you're being far too generous. | 0:20:07 | 0:20:12 | |
It's seen better days. No, it's seen life, not better days. | 0:20:12 | 0:20:17 | |
Oh, life. It is, it is. Mm. | 0:20:17 | 0:20:21 | |
It's got a history to tell. It's got a history. | 0:20:21 | 0:20:24 | |
Oh, go on, 85. 85! Caroline, well done. 'Result!' | 0:20:24 | 0:20:29 | |
Thank you! Lovely to meet you. Really nice to meet you. | 0:20:29 | 0:20:31 | |
Thank you. We can go away triumphant. Did you want a bag? | 0:20:31 | 0:20:34 | |
No. I want this gift-wrapped, please. "Get out of my shop!" | 0:20:34 | 0:20:39 | |
'With two lots in the bag for ?85, | 0:20:39 | 0:20:41 | |
'it seems Martin has the right instincts. | 0:20:41 | 0:20:44 | |
'And with that, it's time for our trainee antique-spotters and their experts | 0:20:44 | 0:20:49 | |
'to go back to snuggle down in their hides for some shut-eye. Nighty night. | 0:20:49 | 0:20:54 | |
'It's a new day and Michaela and Martin are raring to build on yesterday's purchases. | 0:20:55 | 0:21:01 | |
'Michaela and Mark planned on animal-themed antiques buying, | 0:21:01 | 0:21:05 | |
'but ended up spending just ?10 on a quirky fireside companion set | 0:21:05 | 0:21:11 | |
'with not a trace of fur or feather.' | 0:21:11 | 0:21:13 | |
Oh! They are class! Look at them! | 0:21:13 | 0:21:16 | |
'They have a whopping ?390 to spend today, if they can agree on anything.' | 0:21:16 | 0:21:22 | |
Guy of Gisborne. 'Martin and James seemed more in harmony, | 0:21:22 | 0:21:26 | |
'buying an early 20th century tuba...' | 0:21:26 | 0:21:28 | |
Lovely tone. Nice tone, yeah. | 0:21:28 | 0:21:31 | |
'..and a trench art photograph frame for a total of ?85. | 0:21:31 | 0:21:35 | |
It leaves them with a generous ?315 for today's shopping. | 0:21:35 | 0:21:39 | |
'Both teams have left Bath behind and made their way to Bristol. | 0:21:40 | 0:21:45 | |
'James and Mark have not had an easy ride. | 0:21:45 | 0:21:48 | |
'So Michaela and Martin are the first to arrive.' | 0:21:49 | 0:21:52 | |
They may be experts, but they're not exactly punctual, are they? | 0:21:52 | 0:21:56 | |
I actually think that they've given up on us both! Cos we're a bit rubbish. | 0:21:56 | 0:22:00 | |
Seriously, I think Mark was looking at what I was picking up in that bric-a-brac shop | 0:22:00 | 0:22:04 | |
and he just thought, "Oh, dear, she just really, really hasn't got a clue." | 0:22:04 | 0:22:08 | |
Hello! Oh, you're... Oh, hello! Sorry about that. Lovely to see you! | 0:22:08 | 0:22:12 | |
We've had a bit of a breakdown. Technical. Not us, the car. | 0:22:12 | 0:22:16 | |
Oh, no! THEY LAUGH | 0:22:16 | 0:22:18 | |
A personal breakdown? You know the handbrake was slightly sticking yesterday? | 0:22:18 | 0:22:22 | |
Well, it finally decided to not stick but seize. | 0:22:22 | 0:22:25 | |
How are we going to get around, James? I think Shanks's pony. | 0:22:25 | 0:22:29 | |
Shanks's pony? I've got high-heeled boots on! | 0:22:29 | 0:22:31 | |
I know, the Sarkozys! How are you going to get on with those? Oh, dear! | 0:22:31 | 0:22:36 | |
We've got our secret weapon over there. He's a native. | 0:22:36 | 0:22:38 | |
I'm a native, my baba. I can talk the lango. Yeah. | 0:22:38 | 0:22:42 | |
Lango? Lingo. Well, I also used to live in Bristol. | 0:22:42 | 0:22:45 | |
How much do you want for that, my lover? I tell you what speaks in this town - money. | 0:22:45 | 0:22:48 | |
And we've got more of it and we've got more time, so let's go shopping. | 0:22:48 | 0:22:52 | |
Good luck, boys! Thank you very much. | 0:22:52 | 0:22:54 | |
Hey, you could borrow a Lambretta! Hark at ee! Hark at ee! Hark at ee! | 0:22:54 | 0:22:58 | |
Jolly lucky that young man does yoga, isn't it? | 0:22:58 | 0:23:01 | |
THEY LAUGH The way he got in that car. | 0:23:01 | 0:23:04 | |
Good luck. We didn't break our car. Oh, she's got it in gear! Well done. Bye! | 0:23:04 | 0:23:08 | |
Buy some whimsies! Whimsies! | 0:23:09 | 0:23:13 | |
They're trending! They're so going to lose. Yeah. | 0:23:13 | 0:23:17 | |
Losers! Bye, losers! Losers! | 0:23:17 | 0:23:20 | |
'Confident, eh? | 0:23:20 | 0:23:22 | |
'As Michaela and Mark make for the first shop of the day, | 0:23:22 | 0:23:26 | |
'Mark's pondering the perils of being a TV presenter.' | 0:23:26 | 0:23:29 | |
There's an old saying in television, "You should never work with children and animals." | 0:23:29 | 0:23:34 | |
You do both. I do. And I've survived to tell the tale. | 0:23:34 | 0:23:38 | |
THEY LAUGH Dare I ask which you prefer? | 0:23:38 | 0:23:41 | |
I'll tell you, not only did I do children and animals, | 0:23:41 | 0:23:43 | |
I did, erm, slightly inebriated people in night clubs, as well! | 0:23:43 | 0:23:48 | |
Oh! Doing a programme called Hit Man And Her. | 0:23:48 | 0:23:50 | |
And I think that's probably the most challenging. | 0:23:50 | 0:23:53 | |
'What? Harder than agreeing on antiques with Mark Stacey? | 0:23:53 | 0:23:57 | |
'And on that subject, you'd better get cracking with your ?390. | 0:23:57 | 0:24:01 | |
'The destination is Rachel's Antiques.' | 0:24:01 | 0:24:04 | |
Good morning! Good morning! Hi! | 0:24:04 | 0:24:08 | |
I'm Rachel. Hi, Rachel. | 0:24:08 | 0:24:10 | |
'Rachel has an intriguing mix of stock | 0:24:10 | 0:24:12 | |
'and dad Michael has more in his shop next door. | 0:24:12 | 0:24:16 | |
'Michaela's all fired up and Mark's trying hard.' | 0:24:16 | 0:24:20 | |
Oh, my God, there's a duck-billed platypus there. | 0:24:20 | 0:24:23 | |
Oh, yeah! Let's get that! No, but it's an ashtray. Look. | 0:24:23 | 0:24:26 | |
Oh, that's fantastic, isn't it? Look at that! | 0:24:26 | 0:24:29 | |
And it's got Brownie Downing registered design. | 0:24:29 | 0:24:33 | |
And then you've got an old man of the Maoris. It's a Maori, isn't it? | 0:24:33 | 0:24:36 | |
How often do you even see a picture of a duck-billed platypus on an ashtray? | 0:24:36 | 0:24:40 | |
I mean, that is unique, isn't it? Yeah, pretty unique. | 0:24:40 | 0:24:43 | |
And do you want to see it again? SHE LAUGHS | 0:24:43 | 0:24:46 | |
What do you reckon? I'm sorry, I've seen them now. Shall we move on? | 0:24:46 | 0:24:49 | |
SHE LAUGHS See, I like them. | 0:24:49 | 0:24:52 | |
'No meeting of minds here. | 0:24:52 | 0:24:54 | |
'See if you can spot something else. These will help!' | 0:24:54 | 0:24:58 | |
I was going to say, that doesn't usually help, if you have the cover on the end. | 0:24:58 | 0:25:03 | |
'Well, maybe not. | 0:25:03 | 0:25:06 | |
'Mark's still trying with the animal theme.' | 0:25:06 | 0:25:09 | |
Look at that. It's a little teething ring for a child. | 0:25:09 | 0:25:13 | |
I can see what it is. 'Uh-oh.' | 0:25:13 | 0:25:15 | |
Yes. Well, I think... It's a pussy cat, which is animal-related. | 0:25:15 | 0:25:19 | |
But it's hideous. Why is it hideous? | 0:25:19 | 0:25:22 | |
Well, because it just is. I mean, look. Are you going to be difficult all day? | 0:25:22 | 0:25:27 | |
'Try again, Mark!' Look, this is Victorian, nine-carat gold. | 0:25:27 | 0:25:33 | |
'These are opals and moonstones, too. Delightful.' | 0:25:33 | 0:25:37 | |
It's a bit boring, though, isn't it? No! A bit boring? | 0:25:37 | 0:25:39 | |
See, that's practical and useful. What are you going to do with that? | 0:25:40 | 0:25:44 | |
People collect them. Yeah, but you're not going to give that to a child now. | 0:25:44 | 0:25:47 | |
People don't want to collect them for children, they want to collect them for their cabinet. | 0:25:47 | 0:25:51 | |
I like something that has a point to it. Yeah, I know. | 0:25:51 | 0:25:54 | |
I'm rapidly beginning to think, "What is the point of this?" | 0:25:54 | 0:25:57 | |
'The point is to make a profit.' | 0:25:57 | 0:25:59 | |
You want my honest opinion? 'Brace yourselves.' | 0:25:59 | 0:26:02 | |
It's OK. It's in its original box. | 0:26:02 | 0:26:05 | |
'OK is pretty close to agreement for these two. | 0:26:05 | 0:26:08 | |
'They decide to put the brooch to one side and head next door.' | 0:26:08 | 0:26:11 | |
See you in a minute, Rachel. I've got a couple of possibilities. | 0:26:11 | 0:26:15 | |
Gosh, you are difficult! 'Perhaps Michael's Antiques has the perfect lot for this pair.' | 0:26:15 | 0:26:20 | |
Hello! Ooh, I'm liking this. Hello. | 0:26:20 | 0:26:23 | |
Are you liking this? I'm liking the look of this. | 0:26:23 | 0:26:26 | |
I love these! Do you? Oh, they're great! | 0:26:26 | 0:26:29 | |
Do you want me to switch one on for you? Yeah! Let's have a bit of music! | 0:26:29 | 0:26:32 | |
Does it work? Yeah, but I can't tune it in. | 0:26:32 | 0:26:35 | |
There's a little bit of string on there... That's no good, then! | 0:26:35 | 0:26:38 | |
No, you can have it restrung, it's only a rubber band, and cos they dry out, they snap. | 0:26:38 | 0:26:43 | |
I don't like that one so much, but I like that one. | 0:26:43 | 0:26:45 | |
There's a brother to that one. There's another one over there. | 0:26:45 | 0:26:48 | |
Oh, yeah. They're cool, aren't they? | 0:26:48 | 0:26:51 | |
A bit trendy. Bakelite. Well, it looks like a toaster. | 0:26:52 | 0:26:55 | |
SHE LAUGHS They were all designed in the 30s, it's all Art Deco. | 0:26:55 | 0:26:59 | |
Yeah. Art Deco's quite in, isn't it? | 0:26:59 | 0:27:02 | |
'Mark's curious about the provenance of the radios.' | 0:27:02 | 0:27:05 | |
Who made this? The make is on the front there, KB. | 0:27:05 | 0:27:09 | |
KB. That's well-known. | 0:27:09 | 0:27:12 | |
Who are they, then? You don't know. Er... | 0:27:12 | 0:27:15 | |
You don't know who they are! | 0:27:15 | 0:27:17 | |
SHE LAUGHS Who's KB? It was to do with Russia. | 0:27:17 | 0:27:20 | |
Yeah, the KBG. | 0:27:20 | 0:27:22 | |
HE LAUGHS KGB that is, you silly man. | 0:27:22 | 0:27:26 | |
Kolster-Brandes Ltd. | 0:27:26 | 0:27:29 | |
'Definitely not KGB. | 0:27:29 | 0:27:32 | |
'Kolster-Brandes made hundreds of thousands of radios | 0:27:32 | 0:27:36 | |
'in the late 20s and 1930s at its plant in Kent | 0:27:36 | 0:27:40 | |
'and supplied communications equipment for the ocean liner Queen Mary. | 0:27:40 | 0:27:45 | |
'Michaela prefers the toaster lookalike.' It's Bakelite, similar to rosewood. | 0:27:45 | 0:27:50 | |
But it would come up lovely. | 0:27:50 | 0:27:53 | |
They're broken. No, they're not. | 0:27:53 | 0:27:55 | |
Well, yeah. What they do with these now, | 0:27:55 | 0:27:58 | |
they keep all that, they take all the gubbins out and put a new one in. | 0:27:58 | 0:28:02 | |
'For once, Michaela and Mark both like the same thing, | 0:28:02 | 0:28:07 | |
'but a purchase boils down to price.' | 0:28:07 | 0:28:09 | |
What would you do the two for, if we bought the two of them? | 0:28:09 | 0:28:12 | |
?50. Oh, that's too much. | 0:28:12 | 0:28:14 | |
No. Cos think about putting it into auction. | 0:28:14 | 0:28:17 | |
Can we say 30, Michael? No, we can't. | 0:28:17 | 0:28:20 | |
35 and that's my limit. | 0:28:20 | 0:28:22 | |
Michaela, come on, smile. | 0:28:22 | 0:28:24 | |
35, that sounds great. Oh, Michaela! | 0:28:24 | 0:28:27 | |
SHE LAUGHS | 0:28:27 | 0:28:30 | |
'Not quite the haggling Mark was looking for, | 0:28:30 | 0:28:33 | |
'but with the radios reduced from ?50 to ?35, it's a good price. | 0:28:33 | 0:28:38 | |
'On the other side of Bristol, Martin and James have arrived at Odds And Todds, run by Jay Smith.' | 0:28:38 | 0:28:44 | |
Oh, penny farthing! Yeah. | 0:28:44 | 0:28:47 | |
Morning. Morning. James. | 0:28:48 | 0:28:51 | |
I'm Jay. Jay, hi. Good to meet you. | 0:28:51 | 0:28:54 | |
We want some bargains. Oh, do you? Yes. | 0:28:54 | 0:28:56 | |
Some beautiful, wonderful bargains we can take to auction. I'm sure you'll find them here. | 0:28:56 | 0:29:01 | |
'There's a shop full of house clearance to choose from | 0:29:01 | 0:29:05 | |
'and ?315 to spend. | 0:29:05 | 0:29:07 | |
'Our transportless twosome home in on a ladies' bicycle from the early 1900s. | 0:29:10 | 0:29:16 | |
'In those days, they gave women far more mobility and independence than they'd had before. | 0:29:16 | 0:29:21 | |
'But James is focused on present-day possibilities.' | 0:29:23 | 0:29:27 | |
So what could you do on something like that? | 0:29:27 | 0:29:29 | |
Erm, I could go for 200 quid, but that'd be about the death on that. | 0:29:29 | 0:29:33 | |
It's very clean. It's quite clean, isn't it? | 0:29:33 | 0:29:37 | |
It's a nice look to it. Yeah. | 0:29:37 | 0:29:39 | |
It's a nice example. All you've got to do is pump those tyres up and you can ride it. | 0:29:39 | 0:29:43 | |
Really? I think it's got to be 120. | 0:29:43 | 0:29:47 | |
HE LAUGHS Hasn't it? | 0:29:47 | 0:29:49 | |
'Martin joins the pursuit.' | 0:29:49 | 0:29:51 | |
But the front mudguard's disappeared. What's happened to that? It stops by the stirrup. | 0:29:51 | 0:29:56 | |
Do you see? Yeah. | 0:29:56 | 0:29:58 | |
You can't ring up your local Raleigh dealer and say, "I want a front mudguard for a 1907 bike". | 0:29:58 | 0:30:04 | |
You'll have to help us a little bit, mate. | 0:30:04 | 0:30:06 | |
Go on, help us out. A little bit. I'm helping as much as I can. | 0:30:06 | 0:30:09 | |
150, we could... No. | 0:30:09 | 0:30:11 | |
I don't like to be that hard, but I do on this one, I'm afraid. | 0:30:11 | 0:30:15 | |
Erm, I'll kind of meet you somewhere in the middle-ish | 0:30:16 | 0:30:21 | |
and do it for 180, but that is it. | 0:30:21 | 0:30:23 | |
Jake, what about if we bought a couple of other little things? | 0:30:23 | 0:30:27 | |
We might do a little package. Shall we come back to you then? 'Smart move.' | 0:30:27 | 0:30:32 | |
A couple of other things, yeah. We'll see if we can work with it. | 0:30:32 | 0:30:35 | |
'James has spotted a magazine rack, or Canterbury.' | 0:30:35 | 0:30:38 | |
It's lovely 60s. It is the 60s. 60s, 70s. I'll tell you who likes all this stuff, Mark. | 0:30:38 | 0:30:43 | |
Does he? His shop in Brighton is full of all this sort of 60s, quirky... | 0:30:43 | 0:30:48 | |
This mid-century modern is quite cool. Oh! | 0:30:48 | 0:30:51 | |
Right, we need a package. I like that. That's interesting. | 0:30:51 | 0:30:55 | |
Oh, taking it with him! I'm taking it with me. | 0:30:55 | 0:30:57 | |
Just make sure nobody else gets it. Yeah. You never know. Mm. | 0:30:57 | 0:31:01 | |
These Bristol people. 'Martin has another idea for making a killing.' | 0:31:01 | 0:31:04 | |
James, I have seen something. Oh, right, OK. | 0:31:04 | 0:31:07 | |
It's not antique, but it is slightly interesting. Hang on a minute. | 0:31:07 | 0:31:11 | |
Go on. Up you go. | 0:31:11 | 0:31:14 | |
You can't keep a good man down. What on earth is that? | 0:31:14 | 0:31:17 | |
This is in good nick. This is a bird box. Yeah. | 0:31:17 | 0:31:20 | |
It's made of woodcrete, it's very, very strong. Woodcrete? | 0:31:20 | 0:31:23 | |
'Woodcrete is a mix of sawdust, clay and concrete.' | 0:31:23 | 0:31:27 | |
And why you need it is that woodpeckers will come along, this is the size for a blue tit, | 0:31:27 | 0:31:32 | |
and in a normal bird box, they can bash it open and get the chicks out. | 0:31:32 | 0:31:36 | |
So these are super solid, these. Oh, really? | 0:31:36 | 0:31:41 | |
It's sort of, it's top... | 0:31:41 | 0:31:44 | |
It doesn't look great, but as far as bird boxes go, this is top of the range. | 0:31:44 | 0:31:48 | |
This is the Rolls Royce. I've got two of these in my garden and I paid 30 quid for them. | 0:31:48 | 0:31:53 | |
What, each? Each one, yeah. | 0:31:53 | 0:31:55 | |
'There's no price tag, but the bird box might help make up a package.' | 0:31:55 | 0:31:59 | |
Honestly, these are very expensive little items, these. | 0:31:59 | 0:32:02 | |
It's good. It's got style. I like it. | 0:32:02 | 0:32:05 | |
Because he might not know what it is. Yeah. | 0:32:05 | 0:32:08 | |
Let's see if he'll give it to us for a quid, OK? OK. | 0:32:08 | 0:32:10 | |
Yeah, it's rather nice, that. | 0:32:10 | 0:32:12 | |
'Martin and James want a closer look at the bike before striking a deal.' | 0:32:12 | 0:32:17 | |
It's pretty good, isn't it? I love the riding position. Do the brakes work at all? | 0:32:17 | 0:32:21 | |
Oh, they do a little bit. Do they? Yeah, they do, actually. That's pretty good. | 0:32:22 | 0:32:26 | |
What, slightly better than the Citroen? THEY LAUGH | 0:32:26 | 0:32:29 | |
That's a little bit wobbly, but... | 0:32:29 | 0:32:31 | |
But it's a shame there's no maker's mark on it. | 0:32:31 | 0:32:34 | |
It does look like an Edwardian frame, doesn't it? | 0:32:34 | 0:32:37 | |
It does, doesn't it? You can imagine a suffragette on that, can't you? | 0:32:37 | 0:32:40 | |
You can, easily, with her petticoats flying in the wind. | 0:32:40 | 0:32:43 | |
'The rear tyre's had it. | 0:32:43 | 0:32:45 | |
'So at ?180, James thinks the price for the bike is inflated. | 0:32:45 | 0:32:50 | |
'With the Canterbury and bird box now included in the package, he tries again.' | 0:32:50 | 0:32:56 | |
I think the fair thing, Jay, is 170. Oh, he's off now! | 0:32:56 | 0:32:59 | |
I can't believe it! A tenner for the wheel. | 0:32:59 | 0:33:02 | |
Go on, mate! No. That's it. 170? | 0:33:02 | 0:33:05 | |
It's 180. You know we want it. I think 170, don't you, Martin? | 0:33:05 | 0:33:09 | |
It's nice. I like it. It is a massive risk. Come on, Jay. | 0:33:09 | 0:33:13 | |
Yeah, 170, mate. No, it's 180. OK. | 0:33:13 | 0:33:17 | |
Oh, he's firm, isn't he? He's firm. He's gone to the death. | 0:33:17 | 0:33:22 | |
That is the death. That is the death now, look. | 0:33:22 | 0:33:24 | |
OK. I mean, you've got a lovely magazine rack. | 0:33:24 | 0:33:27 | |
It's not that lovely, mate, let's be honest. | 0:33:27 | 0:33:30 | |
'Jay's set on ?180, so the deal is done at ?160 for the bike | 0:33:30 | 0:33:36 | |
'and a tenner each for the magazine Canterbury and bird box.' | 0:33:36 | 0:33:40 | |
We've got five things. That is a sleeper. It's going to make us money, that. | 0:33:40 | 0:33:44 | |
You've got a lingo, you have. Is that what it is? A sleeper? Yes. | 0:33:44 | 0:33:47 | |
That's the same in motorbikes! Is it? That's a sleeper, that. That's a sleeper. | 0:33:47 | 0:33:51 | |
Sleeper in the auction. We're in shipshape and Bristol fashion. | 0:33:51 | 0:33:55 | |
I think we are. Let's go to auction. Oh, I nearly knocked that over! | 0:33:55 | 0:33:58 | |
'Michaela and Mark are still in Michael's shop. | 0:33:58 | 0:34:02 | |
'But the animals antiques theme seems long forgotten.' | 0:34:02 | 0:34:05 | |
Is that an organ? Yes. Oh, wow, now you're talking! | 0:34:05 | 0:34:09 | |
How much is that? Can you give us that for 35? | 0:34:09 | 0:34:12 | |
Yes. You can have that for 35. | 0:34:12 | 0:34:14 | |
Oh, but look how cool that is. Oh, Michaela! | 0:34:14 | 0:34:17 | |
What do you mean? This is brilliant! | 0:34:17 | 0:34:20 | |
SHE PLAYS CHORDS Oh, yeah! How much is this? ?35. | 0:34:20 | 0:34:25 | |
35? We'll take it. | 0:34:25 | 0:34:27 | |
'The organ is from the Edwardian period. | 0:34:27 | 0:34:30 | |
'And Michael believes it's all original.' | 0:34:30 | 0:34:33 | |
Mind yourself. I want to go to a good home. | 0:34:33 | 0:34:37 | |
Well, I mean, ?35. Yeah! | 0:34:37 | 0:34:40 | |
Yeah, done deal. Deal? Yep. OK. Lovely doing business with you. | 0:34:40 | 0:34:44 | |
If you could wrap it up, that'd be great. THEY LAUGH | 0:34:44 | 0:34:47 | |
'At ?35, Michaela's sealed the deal.' | 0:34:47 | 0:34:51 | |
I'm loving it! | 0:34:51 | 0:34:53 | |
'All fired up, they return to Rachel's shop next door | 0:34:53 | 0:34:56 | |
'to reconsider the brooch.' | 0:34:56 | 0:34:58 | |
It's got that nice old look on the gold, as well, doesn't it? | 0:34:58 | 0:35:02 | |
You know, that mellow look. I must say, when you put it against my thing, it looks quite pretty. | 0:35:02 | 0:35:07 | |
And I do think it's quite fun. | 0:35:07 | 0:35:10 | |
What would be your best on that? I could do it for 80, but that is absolutely the bottom line. | 0:35:11 | 0:35:16 | |
Would you talk to us again if we come back? I'm not sure. | 0:35:16 | 0:35:19 | |
Of course I will. Thank you. Thank you very much. | 0:35:19 | 0:35:23 | |
Grab the box. I'll get the box. Bye, Rachel. Thank you. Bye! | 0:35:23 | 0:35:27 | |
'Martin and James have been spared the indignity of the bicycle made for one | 0:35:27 | 0:35:33 | |
'thanks to a speedy repair to the 2CV. | 0:35:33 | 0:35:35 | |
'And they're forsaking Bristol for the Somerset resort of Weston-super-Mare. | 0:35:35 | 0:35:42 | |
'It's home to a golden sandy beach, | 0:35:43 | 0:35:46 | |
'a pier, and occasionally visits from mods. | 0:35:46 | 0:35:49 | |
'In some seaside towns in the 60s, | 0:35:49 | 0:35:52 | |
'rival scooter-riding mods and motorbiking rockers came to blows. | 0:35:52 | 0:35:56 | |
'So as a biker, Martin's about to walk into enemy territory.' | 0:35:56 | 0:36:01 | |
Right! Let's have it! Come on! | 0:36:01 | 0:36:03 | |
You're a mod, aren't you? No, I'm not, actually. Aren't you? I was a rocker. | 0:36:03 | 0:36:07 | |
Well, I'm a biker. But anyway, this looks fantastic. Sorry, James. I had to get it in there. | 0:36:07 | 0:36:11 | |
Yeah, get in there. Just in case. Hello, Stuart. | 0:36:11 | 0:36:14 | |
Hi, I'm Martin. Martin. Sorry about that. | 0:36:14 | 0:36:16 | |
This is the Lambretta Museum. Look at this. It's epic, isn't it? | 0:36:16 | 0:36:20 | |
'Stuart Lanning's collection of Lambretta scooters | 0:36:21 | 0:36:24 | |
'is mod heaven, but alien to Martin. | 0:36:24 | 0:36:28 | |
'The collection of Lambrettas ranges from the 1940s to the 1980s | 0:36:28 | 0:36:33 | |
'and there's a host of related memorabilia, too.' | 0:36:33 | 0:36:36 | |
What a treasure trove this is. | 0:36:36 | 0:36:39 | |
Ooh! I've not seen anything like this before. | 0:36:39 | 0:36:43 | |
Well, this is where it all began. This is the first Lambretta, the Model A. | 0:36:43 | 0:36:47 | |
Erm, produced 1947. | 0:36:47 | 0:36:50 | |
'This is the oldest scooter in the collection. | 0:36:50 | 0:36:53 | |
'Its looks are a clue to its origins | 0:36:53 | 0:36:55 | |
'at the Italian manufacturer Innocenti.' | 0:36:55 | 0:36:58 | |
So it looks like a bit of chair or something, doesn't it? That chrome bit. | 0:36:58 | 0:37:03 | |
Well, Innocenti originally were a manufacturer of scaffolding. | 0:37:03 | 0:37:08 | |
Literally, scaffolding that you get... Scaffolding. | 0:37:08 | 0:37:10 | |
In the olden days, in the 30s, especially in the 30s, scaffolds were made of wood. | 0:37:10 | 0:37:15 | |
So he actually invented, helped invent making scaffolding out of metal. | 0:37:15 | 0:37:19 | |
So he produced the clamps, the scaffolding, had many contracts around Italy. | 0:37:19 | 0:37:24 | |
And then the Second World War happened and the factory went into producing bombs and bullets. | 0:37:24 | 0:37:29 | |
'After the war, the company spotted a market for low-cost transport | 0:37:29 | 0:37:33 | |
'and started making scooters.' | 0:37:33 | 0:37:36 | |
Were they highly successful? Did they sell? | 0:37:36 | 0:37:38 | |
Once again, it's starting off a business, isn't it? | 0:37:38 | 0:37:41 | |
So I think they only did a few thousand of these, | 0:37:41 | 0:37:45 | |
but as we go through the production, they started to go to 50,000, 60,000 on each model. Really? It took off. | 0:37:45 | 0:37:50 | |
'Over the years, Lambrettas evolved gradually through many different models, | 0:37:50 | 0:37:54 | |
'but all offering their owners style and freedom.' | 0:37:54 | 0:37:58 | |
To us, when we were younger, these were a cheap form of transport. | 0:37:58 | 0:38:02 | |
You could buy a Lambretta, 15 quid, off some old bloke out of the shed, | 0:38:02 | 0:38:05 | |
do it all up, get on the road, go off to Brighton, go off to Scarborough. It was escape. Yeah. | 0:38:05 | 0:38:11 | |
Start that bike and I could go anywhere in the country I wanted to. | 0:38:11 | 0:38:14 | |
Preferably with a girl on the back. Of course, yeah. JAMES LAUGHS | 0:38:14 | 0:38:17 | |
That never happened. But I dreamt it might happen, you know? | 0:38:17 | 0:38:21 | |
'In the 1960s, scooters became a huge part of mod culture.' | 0:38:21 | 0:38:26 | |
Look at that! Well, the great Quadrophenia. | 0:38:27 | 0:38:30 | |
Yeah, this is what they used to do to individualise their scooters. | 0:38:30 | 0:38:35 | |
Put lights, mirrors on them. | 0:38:35 | 0:38:38 | |
It's absolute bobbins, isn't it? HE LAUGHS | 0:38:38 | 0:38:40 | |
'That's not a compliment! But then he's a biker. | 0:38:40 | 0:38:43 | |
'The company continued to produce futuristic scooter designs into the 1970s. | 0:38:43 | 0:38:49 | |
'Then its fortunes gradually faded. | 0:38:49 | 0:38:52 | |
'But it's left an enjoyable legacy for long-time enthusiasts | 0:38:52 | 0:38:56 | |
'and possibly one new convert.' | 0:38:56 | 0:38:59 | |
That doesn't look like a scooter at all, but that's a Lambretta still? | 0:38:59 | 0:39:01 | |
Yep, it's a... Well, they call them Lambros. OK? | 0:39:01 | 0:39:06 | |
Lambros? Yeah, Lambros. Lambros. This is an FDC. | 0:39:06 | 0:39:11 | |
It's 175cc. Is that all? Yeah. | 0:39:11 | 0:39:15 | |
That's all. That's a big old unit, isn't it, for one? | 0:39:15 | 0:39:18 | |
And this is a very rare machine. | 0:39:18 | 0:39:21 | |
We think maybe five or six were made. | 0:39:21 | 0:39:23 | |
But as far as we know, this is the only example left. | 0:39:23 | 0:39:26 | |
Wow! Can I sit in? Yeah, of course you can. | 0:39:26 | 0:39:29 | |
This is a real tuc-tuc, isn't it? It's a tuc-tuc. It is. | 0:39:29 | 0:39:32 | |
Shall I take the back? Yeah, in you go, mate. | 0:39:32 | 0:39:35 | |
Right, take me... Where do you want to go, sir? | 0:39:35 | 0:39:37 | |
I want to go to Bristol. | 0:39:37 | 0:39:40 | |
'They'll make slow progress in that. | 0:39:40 | 0:39:42 | |
'Michaela and Mark are eating up the miles en route to their final shopping stop | 0:39:44 | 0:39:48 | |
'in the village of Ston Easton in Somerset. | 0:39:48 | 0:39:52 | |
'Along the way, Mark's keen to know more about what it's like working with animals.' | 0:39:52 | 0:39:57 | |
Do you get emotionally attached to them? | 0:39:57 | 0:40:00 | |
For example, if you've been watching a nest box for several weeks | 0:40:00 | 0:40:04 | |
and then something happens to the mother bird or the chicks, | 0:40:04 | 0:40:08 | |
do you feel emotional? Does that affect you at all? | 0:40:08 | 0:40:11 | |
Of course! Of course it affects me! I am... | 0:40:11 | 0:40:15 | |
It must do, mustn't it? Do you know, I was once labelled as being the emotional belly of wildlife telly. | 0:40:15 | 0:40:21 | |
Oh, my gosh! THEY LAUGH | 0:40:21 | 0:40:23 | |
I'm not sure I'd ever be described as the emotional underbelly of antiques telly. | 0:40:23 | 0:40:28 | |
'If they can keep their emotions in check, | 0:40:28 | 0:40:31 | |
'these two might spend some of their remaining ?240 | 0:40:31 | 0:40:35 | |
'at the Somerset shop and reclamation yard.' | 0:40:35 | 0:40:38 | |
We're looking for something small and decorative. | 0:40:38 | 0:40:41 | |
Yeah. Not a deer, Michaela. Oh, come on! We want our wildlife. | 0:40:41 | 0:40:46 | |
Although I'm sure it'll be inexpensive. That is heavy. ?650? | 0:40:46 | 0:40:50 | |
OK, well, that's over our budget. 'That's a dear deer!' | 0:40:50 | 0:40:53 | |
'Perhaps Michaela and Mark can find something cheaper with help from John. | 0:40:53 | 0:40:58 | |
'There's stock here ranging from the weird and wonderful to piano accordions.' | 0:40:58 | 0:41:02 | |
Oh, look at this! No, I won't! No, seriously. | 0:41:02 | 0:41:06 | |
No, I don't want to look. You've got to look, actually. | 0:41:06 | 0:41:09 | |
'Mark's no match for an insistent Michaela.' | 0:41:09 | 0:41:12 | |
It sticks to our musical theme. I've heard so much... Oh, Michaela, no! | 0:41:12 | 0:41:17 | |
Why not? No! That's got to be old. | 0:41:17 | 0:41:20 | |
It's hideous! It's 50s. | 0:41:20 | 0:41:22 | |
'The ticket price is ?55, but even at 55p, Mark would resist.' | 0:41:22 | 0:41:29 | |
Michaela, I hate it. I absolutely hate it with a vengeance. | 0:41:29 | 0:41:33 | |
Well, as you told me, you don't have to like it, you're not buying it. | 0:41:33 | 0:41:35 | |
Yeah, but I don't want to buy it, it's horrid. SHE LAUGHS | 0:41:35 | 0:41:38 | |
It's so tacky. 55 quid, that's OK. | 0:41:38 | 0:41:42 | |
It's so tacky. I'm sorry. | 0:41:42 | 0:41:44 | |
Well, just because you don't... People play those. | 0:41:44 | 0:41:46 | |
They don't play them! Go on, have a go. | 0:41:46 | 0:41:49 | |
No! It's hideous! I'm going to have a go. I don't want to even physically touch it. | 0:41:49 | 0:41:52 | |
'Could a serenade persuade?' Because it's a bit hideous. | 0:41:52 | 0:41:56 | |
SHE PLAYS CHORDS Oh, no, come on, this is just brilliant! No! | 0:41:57 | 0:42:01 | |
I'm not buying it. No, I won't let you buy it. | 0:42:01 | 0:42:03 | |
SHE PLAYS CHORDS I'm not listening. | 0:42:03 | 0:42:07 | |
SHE PLAYS ACCORDION | 0:42:07 | 0:42:10 | |
No. No. No. No. | 0:42:11 | 0:42:14 | |
'After more argy-bargy and tuneless music, Mark comes clean.' | 0:42:14 | 0:42:20 | |
We used to have one at home when I was a child. Can you play it? No. | 0:42:20 | 0:42:23 | |
But my father used to try to play it at Christmas and it drove my brother and I mad. | 0:42:23 | 0:42:28 | |
You can't let a personal memory spoil a possible profit. | 0:42:28 | 0:42:32 | |
I... SHE LAUGHS | 0:42:32 | 0:42:34 | |
That's right, yes. The potential could be massive on that one. | 0:42:34 | 0:42:37 | |
Oh! That is going to absolutely... | 0:42:37 | 0:42:42 | |
That will never hit the right note as far as I'm concerned. | 0:42:42 | 0:42:45 | |
Go on, I'll do it for 37. No, 35. | 0:42:45 | 0:42:48 | |
35. I'll chip in ?2. | 0:42:48 | 0:42:51 | |
36 and that's my final offer. | 0:42:51 | 0:42:53 | |
?36. | 0:42:53 | 0:42:56 | |
I've got 37 written on there. 36, come on. Come on, 37, we want to go. | 0:42:56 | 0:43:00 | |
37, right, there we go. | 0:43:00 | 0:43:02 | |
'It's Michaela's for ?37. Mark, be gracious in defeat.' | 0:43:02 | 0:43:06 | |
I cannot believe we're going to reveal with a piano accordion. | 0:43:06 | 0:43:12 | |
Do they do a major key? No, I'm not listening, Michaela. | 0:43:14 | 0:43:17 | |
I can't bear the sound of it. | 0:43:17 | 0:43:20 | |
'There comes a time in every man's life when he goes to a reveal with a piano accordion. | 0:43:20 | 0:43:25 | |
'This is your time, Mark. | 0:43:25 | 0:43:27 | |
'The beach at Weston-super-Mare is where the teams reveal all.' | 0:43:27 | 0:43:31 | |
Oh, that's fab! That is kind of a Mary Poppins style... | 0:43:32 | 0:43:37 | |
I love it! How much did you buy that for? | 0:43:37 | 0:43:40 | |
We bought that for 160 quid. | 0:43:40 | 0:43:42 | |
Did you really? We did, yeah. 160 quid. | 0:43:42 | 0:43:45 | |
That's quite a lot. Have you painted it recently? | 0:43:45 | 0:43:47 | |
It's been restored. It has had some work on it. | 0:43:47 | 0:43:51 | |
I think it's really nice but I think you probably spent a bit too much on it. Do you? | 0:43:51 | 0:43:54 | |
What else have you bought? | 0:43:54 | 0:43:56 | |
Look at that. Look at that. Oh, my good Lord! | 0:43:56 | 0:44:00 | |
We thought ours was bad! SHE LAUGHS | 0:44:00 | 0:44:03 | |
Look at that. They're becoming very popular now. | 0:44:03 | 0:44:06 | |
Who told you that? Who told you that? Did James Braxton tell you that? | 0:44:06 | 0:44:10 | |
Yeah. Yeah, he told me that. I thought he would. On trend. On trend. They're trending. | 0:44:10 | 0:44:14 | |
Michaela, I want to ask you about this. Yeah? It looks a bit rough, doesn't it? | 0:44:14 | 0:44:19 | |
Where do you think and why do you think that was carved? | 0:44:19 | 0:44:22 | |
Do you want a clue? Yeah. Go on, give me a clue. | 0:44:22 | 0:44:24 | |
Think of the war. Think of the wall? Oh, it's a light switch. | 0:44:25 | 0:44:29 | |
The war! The war! Not the wall! | 0:44:29 | 0:44:31 | |
'Oops, easy mistake.' SHE LAUGHS | 0:44:31 | 0:44:34 | |
That, apparently, was probably carved in the trenches in the First World War by a soldier down there. | 0:44:34 | 0:44:41 | |
And I love your trombone or whatever it is. | 0:44:41 | 0:44:43 | |
Tuba. Tuba. Tuba. | 0:44:43 | 0:44:45 | |
Well, it's been under the ground a long time, looking at the condition. I know. | 0:44:45 | 0:44:49 | |
This is... I'll show you. Oh, no, please, don't. | 0:44:49 | 0:44:52 | |
Look, look, see that? That's sweet. It's a nest box. It's woodcrete. | 0:44:52 | 0:44:56 | |
That's our sleeper. That's good. That's good. | 0:44:56 | 0:44:58 | |
Yeah, that really is a sleeper. That is... THEY LAUGH | 0:44:58 | 0:45:02 | |
If there's somebody there who knows anything about bird boxes, we'll make a killing. | 0:45:02 | 0:45:06 | |
'Maybe, but you have serious opposition.' | 0:45:06 | 0:45:09 | |
Do you want to see ours? Come on. That's going to make us some money. Shall I go this end? | 0:45:09 | 0:45:13 | |
Yeah. And you can do that end. Ready? Ready? | 0:45:13 | 0:45:16 | |
Dear, oh, dear. THEY LAUGH | 0:45:18 | 0:45:20 | |
OK. We'll start with this one. We'll start with this one. | 0:45:21 | 0:45:24 | |
Oh, what? Michaela! That's just a bit of fun. | 0:45:24 | 0:45:28 | |
Isn't that a wonderful companion set? | 0:45:28 | 0:45:31 | |
That's quirky. It is. That is quirky. | 0:45:31 | 0:45:34 | |
'If you think that's quirky, just wait.' | 0:45:34 | 0:45:37 | |
This is the thing Michaela wanted, and I hate, absolutely hate. Isn't it brilliant? | 0:45:37 | 0:45:41 | |
Here it comes. She... Piano accordion. | 0:45:41 | 0:45:45 | |
I've got to give you a little demonstration of it. Oh, please, don't. | 0:45:45 | 0:45:49 | |
Because, honestly... Please, don't. Please do! | 0:45:49 | 0:45:52 | |
Please do! Go on, Michaela. Go on, go on. 'Yes, go on!' | 0:45:52 | 0:45:55 | |
SHE PLAYS CHORD Oh! Sing! | 0:45:55 | 0:45:58 | |
Not to that, I can't! THEY HOWL | 0:45:58 | 0:46:02 | |
'Worth the wait?' | 0:46:02 | 0:46:04 | |
Honestly, he was so upset that I bought it, but I think it's really cool. I was livid. | 0:46:04 | 0:46:08 | |
Cos this, this is lovely. This is my choice. | 0:46:08 | 0:46:11 | |
Oh, lovely! Look at that gold. Gold? | 0:46:11 | 0:46:15 | |
Opals. Opals. And moonstones. That's lovely! | 0:46:15 | 0:46:18 | |
Victorian. Victorian. That really is lovely. That's nice, isn't it? Isn't that stunning, James? | 0:46:18 | 0:46:22 | |
We do have one other item but we didn't bring it with us. | 0:46:22 | 0:46:25 | |
Yes. It was too big. Too big? Yes. | 0:46:25 | 0:46:27 | |
It's about this big. Yeah. At least, and about this tall. | 0:46:27 | 0:46:31 | |
And it's an organ. An organ? You bought an organ? | 0:46:32 | 0:46:35 | |
For ?35! 35 quid. THEY LAUGH | 0:46:35 | 0:46:38 | |
And it works. Really? | 0:46:38 | 0:46:40 | |
And do you have to pedal it? Yeah, it's a pedal one. | 0:46:40 | 0:46:43 | |
It is a pretty rum old lot we've bought, isn't it? Well, both of us. | 0:46:43 | 0:46:47 | |
That's going to fly. Really? Yes! | 0:46:47 | 0:46:50 | |
Hang on, stop crossing your fingers. # Good luck tomorrow # | 0:46:50 | 0:46:55 | |
Oh! Let's go to auction! THEY LAUGH | 0:46:55 | 0:46:59 | |
Lovely. May the best man/woman win. | 0:46:59 | 0:47:03 | |
'Time to be honest, or in this case, even more honest.' | 0:47:05 | 0:47:09 | |
Accordion? | 0:47:11 | 0:47:13 | |
And as for the thing that they've got, the fire thing, that's shocking. Yeah. | 0:47:14 | 0:47:19 | |
Really, honestly, I'd have been ashamed if I'd made that for O-level Art. | 0:47:19 | 0:47:23 | |
And that hideous magazine rack. Oh, no, that's horrible. | 0:47:23 | 0:47:26 | |
That's nothing, I promise you, nothing to do with the 70s. And the tuba? | 0:47:26 | 0:47:30 | |
Yeah, well, the less said the better, really. | 0:47:30 | 0:47:33 | |
Tuba's great. It's going to make us money. Tuba's great. | 0:47:33 | 0:47:36 | |
The woodcrete sleeper. That's our sleeper, yeah. | 0:47:36 | 0:47:39 | |
The bike is great fun... I like the bike. ..but ?160? I know. | 0:47:39 | 0:47:42 | |
I mean, how much of it is actually genuine? | 0:47:42 | 0:47:45 | |
The only thing I'm a tiny bit worried about is their bit of jewellery is rather nice. | 0:47:45 | 0:47:49 | |
Yeah, but ?80. 80 quid. And remember, it's still a bar brooch. Who wears bar brooches? | 0:47:49 | 0:47:55 | |
The main thing is, have we had a fantastic time? | 0:47:55 | 0:47:57 | |
We had a laugh. Thank you so much. It's a pleasure. | 0:47:57 | 0:48:00 | |
Put it there, Chief! Well done! Well done! | 0:48:03 | 0:48:05 | |
'So, is it well done? Time to see. | 0:48:05 | 0:48:08 | |
'Our teams submit their choices to the scrutiny of the West Country's finest | 0:48:08 | 0:48:13 | |
'at an auction in Frome in Somerset. | 0:48:13 | 0:48:16 | |
'En route to the sale, Michaela develops pre-auction jitters.' | 0:48:18 | 0:48:21 | |
You know when you're in the excitement of it, and you buy all this stuff and you think it's great, | 0:48:21 | 0:48:26 | |
and then you have dinner and you think about it properly, | 0:48:26 | 0:48:28 | |
you think, "Oh, my goodness, what have we bought?" | 0:48:28 | 0:48:31 | |
'James has the jitters, too, especially about the bike.' | 0:48:31 | 0:48:35 | |
I need a Tour de France cyclist. | 0:48:35 | 0:48:39 | |
Not to buy that bike you don't, James, | 0:48:39 | 0:48:42 | |
because any Tour de France cyclist is not going to get on that. No. | 0:48:42 | 0:48:46 | |
I don't see many Tour de France riders wearing Edwardian skirts. | 0:48:46 | 0:48:51 | |
'True. Perhaps the bike will find a less Lycra-clad bidder | 0:48:52 | 0:48:57 | |
'at Dore Rees Auction Salerooms. | 0:48:57 | 0:48:59 | |
'They started up in 1868 and they're still going strong | 0:48:59 | 0:49:02 | |
'with fortnightly sales.' | 0:49:02 | 0:49:05 | |
Careful. | 0:49:05 | 0:49:08 | |
Morning. Hello. | 0:49:08 | 0:49:10 | |
Oh, gosh! | 0:49:10 | 0:49:12 | |
A bit nervous now. Oh, I'm terrified. I'm absolutely terrified. | 0:49:12 | 0:49:17 | |
It's a lovely machine, isn't it? | 0:49:17 | 0:49:19 | |
You see, while we were doing that, the French were busily doing this. | 0:49:19 | 0:49:23 | |
Draw your own conclusions. THEY LAUGH | 0:49:24 | 0:49:27 | |
I've got a feeling our organ might not go. | 0:49:27 | 0:49:31 | |
Let's put a brave face on it. OK, come on, let's go in. Be positive. | 0:49:31 | 0:49:34 | |
'But is the auctioneer feeling positive? | 0:49:34 | 0:49:36 | |
'The man on the rostrum today is Mark Rees.' | 0:49:36 | 0:49:39 | |
One which is quite nice is the opal and moonstone brooch. | 0:49:39 | 0:49:44 | |
Nine-carat gold, should sell quite well, should appeal to the ladies. | 0:49:44 | 0:49:48 | |
That would be the one item I'd run off with first. | 0:49:48 | 0:49:51 | |
The magazine rack, well, that could come in at the bottom end of the retro market | 0:49:51 | 0:49:56 | |
or even stroke a note with the gothic market. | 0:49:56 | 0:49:59 | |
The companion set, that seems quite a bit of fun that should appeal to somebody. | 0:49:59 | 0:50:04 | |
The ladies' vintage bike should do fairly well. | 0:50:04 | 0:50:07 | |
But as to a record-breaking price, | 0:50:07 | 0:50:10 | |
then I don't think we'll be getting there today. | 0:50:10 | 0:50:14 | |
'Michaela and Mark spent as much time bickering as buying, | 0:50:14 | 0:50:18 | |
'but eventually used ?197 of their ?400 budget | 0:50:18 | 0:50:22 | |
'to buy five lots. | 0:50:22 | 0:50:25 | |
'Martin and James were more attuned to each other | 0:50:25 | 0:50:29 | |
'and handed over a total of ?265 for their five lots. | 0:50:29 | 0:50:33 | |
'Profits go to Children In Need. And do I sense tension in the air?' | 0:50:33 | 0:50:38 | |
How are you feeling? Confident? MICHAELA LAUGHS | 0:50:38 | 0:50:41 | |
'First up is Michaela and Mark's companion set. | 0:50:41 | 0:50:45 | |
'Will their investment go up in smoke?' | 0:50:45 | 0:50:47 | |
Imagine it's winter with the logs burning away | 0:50:47 | 0:50:51 | |
in the inglenook fireplace. | 0:50:51 | 0:50:53 | |
No-one's bidding. 20. 20 I have. | 0:50:53 | 0:50:56 | |
20? We've doubled our money. | 0:50:56 | 0:50:58 | |
Wrought iron companion set there. | 0:50:58 | 0:51:00 | |
22 I have here. Ooh, it's going up. | 0:51:00 | 0:51:03 | |
24. 26. I was set for 20. | 0:51:03 | 0:51:06 | |
It's going to be sold at ?26. I can't believe it! | 0:51:06 | 0:51:09 | |
Being sold at 26. HAMMER BANGS | 0:51:09 | 0:51:12 | |
'It may look quirky but it's paid off handsomely.' | 0:51:12 | 0:51:17 | |
That's not bad, is it? Well done! | 0:51:17 | 0:51:21 | |
'Martin and James's first lot is the nest box | 0:51:21 | 0:51:24 | |
'and they have high hopes of a nest egg.' | 0:51:24 | 0:51:26 | |
2 I've been bid. 2. 4 now if you want it for the little bird box. | 0:51:26 | 0:51:31 | |
4 now. 4. 6. | 0:51:32 | 0:51:35 | |
8. 10. | 0:51:35 | 0:51:37 | |
12 now if you want it. Go on! Little bird box there. | 0:51:37 | 0:51:41 | |
It's going to be sold at 10. You can say where you've bought it from. | 0:51:41 | 0:51:45 | |
Keep going. 12. Oh, well done. 14 now? | 0:51:45 | 0:51:48 | |
Think of the poor blue tits. It's going to be sold at ?12 now. | 0:51:48 | 0:51:51 | |
You need a pair. All done? HAMMER BANGS | 0:51:51 | 0:51:54 | |
'It's made money. Well, just about.' | 0:51:54 | 0:51:58 | |
Yo! Well, yeah. You've wiped your face, I think. | 0:51:58 | 0:52:02 | |
Yeah. Licked our chops. THEY LAUGH | 0:52:02 | 0:52:04 | |
'The next lot sees an outbreak of solidarity on team Strachan.' | 0:52:04 | 0:52:09 | |
I have to admit, this is nothing to do with me. | 0:52:09 | 0:52:13 | |
You told me to get it! I did not! | 0:52:13 | 0:52:16 | |
20 I've been bid here. | 0:52:16 | 0:52:18 | |
22 now if you want it for the accordion and case there. | 0:52:18 | 0:52:21 | |
22. 24. 26. | 0:52:22 | 0:52:25 | |
28. 30 now if you want it. | 0:52:25 | 0:52:28 | |
It's going to be sold at ?28. At 28. | 0:52:28 | 0:52:32 | |
HAMMER BANGS | 0:52:32 | 0:52:33 | |
'Michaela's choice is definitely a little off-key | 0:52:33 | 0:52:36 | |
'but it's not a disaster.' | 0:52:36 | 0:52:39 | |
Somebody bought it. But that could've been worse. | 0:52:39 | 0:52:43 | |
'Martin and James's trench art photograph frame is next.' | 0:52:43 | 0:52:48 | |
10. 12. 14. | 0:52:48 | 0:52:50 | |
16. 18. Oh, my goodness! 20. No way! | 0:52:50 | 0:52:55 | |
22 now if you want it. 24. | 0:52:55 | 0:52:57 | |
26. 28. 30. | 0:52:57 | 0:53:01 | |
32 now. Ohh. | 0:53:01 | 0:53:03 | |
All done at 30? HAMMER BANGS | 0:53:03 | 0:53:05 | |
'And a solid profit puts them ahead of the opposition.' | 0:53:05 | 0:53:08 | |
Congratulations. Well done. Well done! ?10 profit. ?10 profit. | 0:53:08 | 0:53:13 | |
'Michaela and Mark hope their pair of vintage radios | 0:53:13 | 0:53:16 | |
'will get a good reception.' 10 I have. 12 now if you want them. | 0:53:16 | 0:53:21 | |
12. Yeah, up, up. 14. 16. | 0:53:21 | 0:53:24 | |
You've got to go a long way now! 20. | 0:53:24 | 0:53:26 | |
22. | 0:53:26 | 0:53:28 | |
24. 26. 28. | 0:53:28 | 0:53:32 | |
30. 32 now if you want them. | 0:53:32 | 0:53:35 | |
Going to be sold at ?30. Oh, come on! | 0:53:35 | 0:53:38 | |
HAMMER BANGS 'The bidders aren't turned on | 0:53:38 | 0:53:42 | |
'or tuned in. It's a loss.' | 0:53:42 | 0:53:44 | |
Oh, I'm sad, cos they... SHE LAUGHS | 0:53:44 | 0:53:47 | |
I thought they were going to make a bit more, I have to say. I did, too. | 0:53:47 | 0:53:50 | |
'Next up, it's Martin and James's much-mocked Canterbury. | 0:53:50 | 0:53:55 | |
'Will they have the last laugh?' | 0:53:55 | 0:53:57 | |
10 then, quickly. ?10. Hands all around. | 0:53:57 | 0:54:01 | |
2, we've started. 4 now if you want it. 4 I'm bid. | 0:54:01 | 0:54:05 | |
6 now if you want it. 6. 8. | 0:54:05 | 0:54:08 | |
10. 12. | 0:54:08 | 0:54:10 | |
14 now? Go on! | 0:54:10 | 0:54:13 | |
It's going to be sold at ?12, then. On the top at ?12. | 0:54:13 | 0:54:17 | |
HAMMER BANGS Thank you very much. | 0:54:17 | 0:54:19 | |
'Much-mocked but money-making nonetheless.' | 0:54:19 | 0:54:22 | |
Do you know, we haven't dropped yet. Yes, all right! | 0:54:22 | 0:54:25 | |
I'm getting competitive. Have you? Oh, you have! | 0:54:25 | 0:54:28 | |
Twice. Yes, we have, twice. | 0:54:28 | 0:54:30 | |
'Perhaps the opal and moonstone brooch will get things back on track | 0:54:30 | 0:54:35 | |
'for Michaela and Mark.' 40, we're away here. | 0:54:35 | 0:54:38 | |
45 now if you want it. 45. 50 now if you want it. | 0:54:38 | 0:54:42 | |
The nine-carat gold brooch. Oh, come on! 50. | 0:54:42 | 0:54:46 | |
55. 60. 65. | 0:54:46 | 0:54:49 | |
70 I have. 75. 80. | 0:54:49 | 0:54:53 | |
85. Ohh! 90. | 0:54:53 | 0:54:55 | |
95 now? | 0:54:55 | 0:54:57 | |
Commission bid at 90. HAMMER BANGS | 0:54:57 | 0:55:00 | |
'It's pretty, it's profitable | 0:55:00 | 0:55:03 | |
'and it puts Team Strachan back into play. | 0:55:03 | 0:55:06 | |
'The tuba's next. | 0:55:08 | 0:55:10 | |
'Did Martin and James invest wisely or were they full of wind?' | 0:55:10 | 0:55:14 | |
Come on, sea of hands. 12 I've been bid. | 0:55:14 | 0:55:16 | |
14. 16 now if you want it for the plated tuba there. | 0:55:16 | 0:55:21 | |
16. 18. | 0:55:22 | 0:55:24 | |
20. 22. | 0:55:24 | 0:55:26 | |
24 now? | 0:55:26 | 0:55:28 | |
It's going to be sold at ?22 then. All done at 22? No. | 0:55:28 | 0:55:32 | |
You can see the joy on their face. HAMMER BANGS | 0:55:32 | 0:55:35 | |
'A good deal for someone, although not for their neighbours.' | 0:55:35 | 0:55:39 | |
Oh, dear. Oh, dear, oh, dear, oh, dear. | 0:55:39 | 0:55:43 | |
It's the organ now and an impromptu performance to woo the bidders.' | 0:55:44 | 0:55:49 | |
It's ever so nice. It works really nicely. | 0:55:49 | 0:55:52 | |
I know! This is my second challenge of the day! There it is. | 0:55:52 | 0:55:56 | |
THEY LAUGH She's pulling all the stops out. | 0:55:56 | 0:56:00 | |
?10 then, quickly. 10. | 0:56:00 | 0:56:03 | |
Thank you. 12 now if you want it. | 0:56:03 | 0:56:05 | |
12 I have. Competition now. | 0:56:05 | 0:56:08 | |
14. 14 on a nod. | 0:56:08 | 0:56:10 | |
16. It reminds me of Sunday school. 18. 20 now? | 0:56:10 | 0:56:15 | |
18 I have. 20 now if you want it. | 0:56:15 | 0:56:19 | |
It's going to be sold at 18. HAMMER BANGS | 0:56:19 | 0:56:22 | |
'Sadly, all the stops just aren't enough.' | 0:56:22 | 0:56:26 | |
Well done, Michaela! Well done. | 0:56:26 | 0:56:29 | |
ALL CLAP Lovely. Lovely. | 0:56:29 | 0:56:33 | |
'Martin and James are trailing Michaela and Mark. | 0:56:35 | 0:56:38 | |
'Will their big gamble take them into the lead?' | 0:56:38 | 0:56:41 | |
22. 24. | 0:56:41 | 0:56:43 | |
26. 28. | 0:56:43 | 0:56:45 | |
Yeah, it's a long way to go. We need 100 on it. | 0:56:45 | 0:56:49 | |
34. 36. | 0:56:49 | 0:56:51 | |
38. 40 now if you want it. | 0:56:51 | 0:56:55 | |
It's going to be sold at ?38. At 38. Oh, dear, oh, dear. All done? | 0:56:55 | 0:56:59 | |
HAMMER BANGS Thank you. | 0:56:59 | 0:57:01 | |
'Oh, dear. All hopes punctured after that disappointment.' | 0:57:01 | 0:57:05 | |
Oh, dear, oh, dear, oh, dear. | 0:57:05 | 0:57:07 | |
I could convincingly say I think we've lost that one. | 0:57:07 | 0:57:11 | |
THEY LAUGH 'And you'd be convincingly correct. | 0:57:11 | 0:57:14 | |
'Our celebrities started with ?400 each. | 0:57:15 | 0:57:18 | |
'Initially, Martin and James were the swots, | 0:57:18 | 0:57:21 | |
'but after auction costs, they're bottom of the class | 0:57:21 | 0:57:24 | |
'with a loss of ?171.52, | 0:57:24 | 0:57:27 | |
'leaving them with only ?228.48.' | 0:57:27 | 0:57:31 | |
HAMMER BANGS 'Michaela and Mark made a disparate and at times despairing duo | 0:57:31 | 0:57:37 | |
'but are today's winners, having lost least money. | 0:57:37 | 0:57:40 | |
'With a loss, after costs, of just ?39.56, | 0:57:40 | 0:57:44 | |
'they're left with ?360.44. | 0:57:44 | 0:57:47 | |
'Our gallant losers accept only one team | 0:57:47 | 0:57:51 | |
'can be leader of the pack.' | 0:57:51 | 0:57:53 | |
You know, when bad things happen in life, | 0:57:53 | 0:57:56 | |
you've got to just brace yourself, stand tall and walk forward, not get depressed. | 0:57:56 | 0:58:01 | |
Have we had acres of fun? We have. We have had fun. Fun. | 0:58:01 | 0:58:05 | |
I don't think I've stopped laughing. Well done. Congratulations, winners. Lovely to meet you. | 0:58:05 | 0:58:09 | |
Congratulations. You're coming with me in the car. Thank you | 0:58:09 | 0:58:12 | |
for your help and your humour. And thank you for making me laugh. | 0:58:12 | 0:58:16 | |
Commiserations. Never mind. | 0:58:16 | 0:58:18 | |
We've learnt a bit, Martin. I've learnt a lot now, yeah! | 0:58:18 | 0:58:21 | |
I think we've learnt, basically, to stay with what we're good at. | 0:58:21 | 0:58:24 | |
THEY LAUGH | 0:58:24 | 0:58:27 | |
Subtitles by Red Bee Media Ltd | 0:58:27 | 0:58:31 | |
. | 0:58:31 | 0:58:31 |