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-Some of the nation's favourite celebrities. -Why have I such expensive taste? | 0:00:02 | 0:00:07 | |
One antiques expert each. | 0:00:07 | 0:00:09 | |
Argh! | 0:00:10 | 0:00:12 | |
And one big challenge - who can seek out and buy the best antiques at the very best prices? | 0:00:12 | 0:00:19 | |
Answers on a postcard. | 0:00:19 | 0:00:21 | |
And auction for a big profit further down the road? | 0:00:21 | 0:00:25 | |
Start fondling the cash! | 0:00:25 | 0:00:27 | |
-Who will spot the good investments? Who will listen to advice? -Like it? -It's horrible. | 0:00:27 | 0:00:33 | |
And who will be the first to say, "Don't you know who I am?!" | 0:00:33 | 0:00:37 | |
-Well done, us. -Time to put your pedal to the metal. | 0:00:37 | 0:00:42 | |
This is Celebrity Antiques Road Trip! | 0:00:42 | 0:00:45 | |
Yeah! | 0:00:46 | 0:00:48 | |
We're in Norwich for curtain up on a Celebrity Road Trip battle to create profits from antiques. | 0:00:48 | 0:00:55 | |
Treading the boards, two stars of stage and screen, Robert Bathurst and Amanda Donohoe, | 0:00:55 | 0:01:02 | |
each with £400 to spend. | 0:01:02 | 0:01:05 | |
They've been working on a new comedy series and although they've known each other a decade, | 0:01:05 | 0:01:11 | |
-there's something Robert hasn't factored in to this. -I have a slight advantage. -What? | 0:01:11 | 0:01:17 | |
My parents were antique dealers | 0:01:17 | 0:01:20 | |
and I did grow up surrounded by...antiques, which didn't interest me in the slightest. | 0:01:20 | 0:01:27 | |
Amanda Donohoe was more interested in acting and shot to fame playing opposite Oliver Reed | 0:01:27 | 0:01:34 | |
in the film Castaway. In a varied career, she's worked with Ken Russell, | 0:01:34 | 0:01:39 | |
won a Golden Globe for her role in LA Law and been the murderess, Natasha Wylde, in Emmerdale. | 0:01:39 | 0:01:45 | |
Her adoptive home is down the road from Norwich and her local ties include an honorary degree | 0:01:46 | 0:01:52 | |
from the University of East Anglia. | 0:01:52 | 0:01:55 | |
Much less of a local is this 1967 Chevrolet Camaro, | 0:01:55 | 0:02:00 | |
complete with left-hand drive and lap belts. It's more at home in sunny LA, I'd have thought. | 0:02:00 | 0:02:06 | |
It has a soft top, but...being midsummer... | 0:02:06 | 0:02:11 | |
It's obviously raining! Because it's England. | 0:02:11 | 0:02:15 | |
Rain apart, nothing could be more quintessentially English than Robert Bathurst. | 0:02:15 | 0:02:21 | |
He's been President of the Cambridge Footlights and pined for Lady Edith in Downton Abbey. | 0:02:21 | 0:02:27 | |
He's starred in a host of theatre productions as well as Cold Feet, Wild At Heart | 0:02:27 | 0:02:33 | |
and My Dad's The Prime Minister. | 0:02:33 | 0:02:35 | |
With no script, our thespian celebrities can't tell how the plot of this Road Trip will unfold, | 0:02:35 | 0:02:42 | |
but Robert's prepared for his role with extremely thorough research. | 0:02:42 | 0:02:47 | |
-We're meeting Philip Serrell... -Oh, yes? -..and David Harper. -Ah. | 0:02:47 | 0:02:51 | |
Philip's an auctioneer in Worcester. | 0:02:51 | 0:02:54 | |
Impressive fact-finding, Robert. | 0:02:54 | 0:02:57 | |
For the record, Philip's a qualified chartered surveyor who's bought some incredible items. | 0:02:57 | 0:03:03 | |
Incredibly BAD items! | 0:03:03 | 0:03:05 | |
And his tastes include Royal Worcester porcelain and old cars. | 0:03:05 | 0:03:10 | |
And David runs a business placing antiques around the country. | 0:03:10 | 0:03:15 | |
You sell through him and he places what you want to sell at the right auction house. | 0:03:15 | 0:03:22 | |
Thank you, Robert, but I usually do that bit. | 0:03:22 | 0:03:25 | |
I will add that David bought his first antique when he was nine | 0:03:25 | 0:03:30 | |
and is passionate about Oriental antiques, especially Japanese decorative items. | 0:03:30 | 0:03:35 | |
When it comes to the celebrities, Phil's relying on reminiscence rather than research. | 0:03:35 | 0:03:41 | |
-I can remember watching Amanda in Castaway. Remember that? -I do. | 0:03:41 | 0:03:44 | |
And Oliver Reed. Working with him, I think, could range from the best to an absolute nightmare. | 0:03:44 | 0:03:51 | |
I would have thought so! A bit like working with you. | 0:03:51 | 0:03:55 | |
-One minute it's heaven, one minute it's hell. -Philip as the Oliver Reed of antiques? | 0:03:55 | 0:04:01 | |
There's a thought! Now before anyone beats me to it, our experts are driving a Mini Cooper. | 0:04:01 | 0:04:07 | |
Thorough research would link it to The Italian Job, Michael Caine and a gold bullion heist. | 0:04:07 | 0:04:13 | |
So this is the Norfolk equivalent of The Italian Job, isn't it? We're in a John Cooper special. | 0:04:13 | 0:04:19 | |
You're not going to take me down a sewer are you? | 0:04:19 | 0:04:22 | |
No sewers, thanks. Just a Road Trip from Norwich which trundles across the Norfolk countryside | 0:04:22 | 0:04:29 | |
into the Lincolnshire fens and then heads south to an auction near Dartford in Kent. | 0:04:29 | 0:04:33 | |
En route to their rendezvous, Philip has invented a rationale for pairing up with Amanda. | 0:04:33 | 0:04:40 | |
-I love the Yorkshire Dales and she appeared in Emmerdale. -Right. -I love the Yorkshire Dales. | 0:04:40 | 0:04:46 | |
-I think that is just the worst excuse. -We've heard them all now! | 0:04:46 | 0:04:51 | |
Norwich, the meeting point, has many historic buildings | 0:04:51 | 0:04:55 | |
including a magnificent Norman cathedral. It so impressed the local peregrine falcons | 0:04:55 | 0:05:01 | |
that they've taken up residence in the spire. The newest arrivals are noisier. | 0:05:01 | 0:05:07 | |
-Oh, my God! -Very stylish. -A Camaro! Hello! | 0:05:07 | 0:05:12 | |
-The Little and Large show! -That's small! -Don't be so rude! | 0:05:12 | 0:05:15 | |
-Hi there, Robert. Hello. -Robert, good to see you. | 0:05:15 | 0:05:19 | |
-Amanda, hello. I'm David. -Hello. -Nice to meet you. -Nice to meet you. | 0:05:19 | 0:05:23 | |
-It's a doubler. -Hello! -David. Nice to meet you. | 0:05:23 | 0:05:26 | |
-Philip, hello. -Lovely to meet you. | 0:05:26 | 0:05:30 | |
-Who's getting that car? -There's a natural divide here. -I think so. -It's already worked. | 0:05:30 | 0:05:37 | |
-Green is my colour, you see. -It must be because this one here, he wants Amanda | 0:05:37 | 0:05:43 | |
because he loves the Yorkshire Dales. Just because she's on Emmerdale?! What a rubbish excuse! | 0:05:43 | 0:05:49 | |
-I love the Yorkshire Dales. -YORKSHIRE: I could speak like that. | 0:05:49 | 0:05:53 | |
Shall we go round talking like that? | 0:05:53 | 0:05:56 | |
Well, Robert, you can teach me how to speak properly. | 0:05:56 | 0:06:00 | |
I say! Rather, old chap! | 0:06:00 | 0:06:03 | |
With pairs and cars decided, it's on with the show. | 0:06:05 | 0:06:09 | |
-Phil wants to know if his new teammate is an antiques rookie. -My parents were dealers. -A ringer! | 0:06:09 | 0:06:16 | |
-I've got a ringer! Get in there! Harper, look out. Really? -Oh, yes. | 0:06:16 | 0:06:20 | |
-I'll just sit back and let you do it all. -The problem is... | 0:06:20 | 0:06:24 | |
It doesn't get better than that, Phil. Except you also get to ask the question you're dying to ask. | 0:06:24 | 0:06:31 | |
-Oliver Reed - that must have been just a dream to work with him. Was it? -Er...hmm. | 0:06:31 | 0:06:37 | |
-No, it wasn't. -Oliver was a phenomenally good screen actor. There's no question. | 0:06:37 | 0:06:43 | |
-But he just liked the drink a little too much, as we all know. -Yeah. | 0:06:43 | 0:06:49 | |
But my main absolute joy was working with my favourite all-time director, Nic Roeg. | 0:06:49 | 0:06:56 | |
And Oliver came along with that. | 0:06:56 | 0:06:59 | |
-So it was buy one, get one free. -Yes. | 0:06:59 | 0:07:02 | |
Mm. I wonder if they can clinch a BOGOF deal with their £400 at the first shop. | 0:07:02 | 0:07:08 | |
-Hello. Amanda. -Hello, nice to meet you. -Pleased to meet you. I'm Pasquale. | 0:07:08 | 0:07:14 | |
Welcome to the Treasure Chest. | 0:07:14 | 0:07:17 | |
Treasure Chest Antiques has 36 stalls with an amazing variety of wares, | 0:07:17 | 0:07:22 | |
-but Amanda and Phil get waylaid at the very first cabinet. -They're lovely. | 0:07:22 | 0:07:27 | |
-They're bookplates, aren't they? -I think they probably are. | 0:07:27 | 0:07:31 | |
There's the name with the price for that one. | 0:07:31 | 0:07:35 | |
-So they're... -19th-century authors by Max Beerbohm. -Max Beerbohm. | 0:07:35 | 0:07:41 | |
-Good artist. -He is. -Well sought after. -I'm attracted to them. | 0:07:41 | 0:07:46 | |
The images are by Sir Max Beerbohm, the noted caricaturist and wit of the Edwardian era, | 0:07:46 | 0:07:53 | |
-probably taken from a book. -Why do you like them? | 0:07:53 | 0:07:57 | |
I don't know. I've always loved prints. I have always loved drawing. | 0:07:57 | 0:08:02 | |
Do you know, that smacks that you were brought up in this business. | 0:08:02 | 0:08:07 | |
Because most people would shy away from prints. | 0:08:07 | 0:08:11 | |
-And prints are a good old-fashioned academic antique dealers lot. -Yeah. | 0:08:11 | 0:08:17 | |
Philip has reservations that the cost of mounting and framing might deter bidders, | 0:08:17 | 0:08:22 | |
but Amanda thinks they'll appeal. | 0:08:22 | 0:08:25 | |
I think they're really beautiful. Would look good in a contemporary or a non-contemporary setting. | 0:08:25 | 0:08:31 | |
-Yeah, I like that. -Know what I mean? | 0:08:31 | 0:08:34 | |
I can see that looking quite cool. | 0:08:34 | 0:08:36 | |
It's a tough decision, so they decide to investigate what else the shop has to offer. | 0:08:36 | 0:08:42 | |
Phil finds a weird tribute to space exploration. | 0:08:44 | 0:08:48 | |
I think it's really funky. | 0:08:48 | 0:08:51 | |
This is a 1970s television. | 0:08:51 | 0:08:54 | |
Now, if you just said to me 15 years ago | 0:08:55 | 0:09:00 | |
that Philip Serrell would be looking at a 1970s lunar module space helmet television, I'd say you're bonkers. | 0:09:00 | 0:09:06 | |
Actually, it's said to be an '80s homage to the Space Shuttle, but what matters is what Amanda thinks. | 0:09:06 | 0:09:13 | |
It's horrible, but he likes it! | 0:09:13 | 0:09:17 | |
That's a no, then. They decide to buy four of the Beerbohm images. | 0:09:17 | 0:09:22 | |
-Ticket price is £15 each. -I'm thinking, Pasquale, that at auction these will make | 0:09:22 | 0:09:28 | |
£20-£40 for the four. | 0:09:28 | 0:09:30 | |
-20-40... -Yeah. | 0:09:30 | 0:09:32 | |
Which means we've got to try to give you just under that to have a chance of making a profit. If you can. | 0:09:32 | 0:09:38 | |
-I think the best I can do on those is 30. -I don't think we can give more than £20 for them. | 0:09:38 | 0:09:44 | |
-That's what I really think. -I'll meet you halfway. 25. -I honestly think 20. -That's fair, isn't it? | 0:09:44 | 0:09:51 | |
-Let me... -I'll leave it to you. -If we sell these for £30, we don't make a shilling | 0:09:51 | 0:09:57 | |
because we pay our commission which brings us back to 25 quid. | 0:09:57 | 0:10:01 | |
I know I'm being really hard on you, but I honestly think they'll make £20-£40. | 0:10:01 | 0:10:05 | |
And we want to win this, don't we? | 0:10:05 | 0:10:08 | |
-£20, right, and if they make more than 40, come back and buy me coffee. -I'll buy you two coffees! | 0:10:08 | 0:10:14 | |
Bargain! He gets a kiss for that. | 0:10:14 | 0:10:18 | |
-The deal is sealed with a kiss at £20. -No, no... | 0:10:18 | 0:10:21 | |
Quite right. That's enough excitement. Well, perhaps not. | 0:10:21 | 0:10:25 | |
-Are you genuinely excited? -I am. It's completely outside my understanding of...anything. | 0:10:25 | 0:10:32 | |
I've never done this before. I've been to a couple of antiques shops, so I'm in your hands | 0:10:32 | 0:10:38 | |
-and very happy to be guided. -That's encouraging. No matter what I say, you'll believe it? | 0:10:38 | 0:10:44 | |
-Please say that's true. -Indeed so. No, I'll pick up any old tat. | 0:10:44 | 0:10:48 | |
-Great! -And say...Ming. -That bodes well(!) | 0:10:48 | 0:10:53 | |
The first shop of the day is Elm Hill Collectables. | 0:10:53 | 0:10:58 | |
-Aha. Hello there. Hi. David Harper. -Hello, David. I'm Paul. | 0:10:58 | 0:11:03 | |
-And I'm Robert. Hello. -This is you, then, Paul. -This is me. | 0:11:03 | 0:11:07 | |
-What do we specialise in? -Nothing. -Good man! Love it! | 0:11:07 | 0:11:11 | |
A quick rummage soon leads to Robert's first lesson in antiques and collectables. | 0:11:11 | 0:11:17 | |
How important is it for toys that they're in their original boxes? | 0:11:17 | 0:11:22 | |
Unbelievably important. | 0:11:22 | 0:11:24 | |
In fact, one of the most fundamental facts in the value of a toy is its box. | 0:11:24 | 0:11:30 | |
-Do you still have it and is it in good condition? -That's the trouble. | 0:11:30 | 0:11:35 | |
-Have you ever played blow football? -I loved it. -It's responsible for transmitting infectious diseases | 0:11:35 | 0:11:41 | |
to children over the years. | 0:11:41 | 0:11:43 | |
-It's most unsanitary, isn't it? Would you want to buy a second-hand blow football kit? -Yes! | 0:11:43 | 0:11:49 | |
Stanley Matthews, I always thought he was a blow football player because he was a great dribbler. | 0:11:49 | 0:11:55 | |
-So, yeah, anyway...there we are. -Do you remember this from childhood? -Yeah, I do. | 0:11:55 | 0:12:00 | |
-With the little bits of spit... -Yeah. -I think this is Arsenal versus Man Utd, probably. | 0:12:00 | 0:12:06 | |
We made our own fun in those days. | 0:12:06 | 0:12:09 | |
Also up for grabs is an old Monopoly set and a variety of other games, | 0:12:09 | 0:12:14 | |
some unusual and some more conventional. Robert and David think it's an appealing selection. | 0:12:14 | 0:12:20 | |
-Let me get a price off Paul. Paul? -Yes? | 0:12:20 | 0:12:24 | |
The box of boxed old games. Could they be remarkably cheap? | 0:12:24 | 0:12:28 | |
-Yes. I want it out of the way. -OK. How much is remarkably cheap? | 0:12:28 | 0:12:32 | |
-How many are there? Ten? -Ten. Would they be a pound each? | 0:12:32 | 0:12:37 | |
-Have the whole lot for £10. -The whole lot for £10. | 0:12:37 | 0:12:41 | |
Yeah, I reckon we can turn a penny, if not two, and put some disinfectant on the blow football. | 0:12:41 | 0:12:47 | |
-Shall we have a play? -Yeah. -Shall we? Where's all the kit? -Let's have a look. | 0:12:47 | 0:12:53 | |
So it's the first deal done at a tenner and time to see who is Premiership. | 0:12:53 | 0:12:59 | |
-TB or Cholera? -Er, TB, please. | 0:12:59 | 0:13:02 | |
-An expert full of wind? Who'd have thought it? -YES! | 0:13:05 | 0:13:11 | |
Come on, Robert! | 0:13:11 | 0:13:14 | |
-Oh, that was an open goal. There we are. -Great match. | 0:13:14 | 0:13:18 | |
-I think a draw. -One-all. -They think it's all over, but the Road Trip is a game of two halves. | 0:13:18 | 0:13:26 | |
Just up the road, Amanda and Philip are at the Bridewell Museum | 0:13:26 | 0:13:31 | |
to see its St Valentine's collection. Amanda's nearest city once had some local twists on this. | 0:13:31 | 0:13:37 | |
-Glorious, isn't it? -Hello. -Hello. -You're Helen. -Yes, I am. | 0:13:37 | 0:13:42 | |
Hi. Philip. Good to see you. | 0:13:42 | 0:13:45 | |
Helen Renton is the Assistant Curator of the museum, which celebrates the history of Norwich. | 0:13:45 | 0:13:52 | |
-What's in this cabinet? -What does Valentine's Day mean to you? -Expense! | 0:13:52 | 0:13:57 | |
-Who says romance is dead? -Lots of cards, I imagine. -Yes. | 0:13:57 | 0:14:02 | |
In Norwich, Valentine's is something quite different, or it was in the 19th century. | 0:14:02 | 0:14:09 | |
In Norwich, we celebrated Valentine's Eve, the 13th of February. | 0:14:09 | 0:14:14 | |
And we gave cards, but as well as cards everybody gave everybody else presents as well. | 0:14:14 | 0:14:20 | |
-Nice. -Presents were given not only to your sweethearts, but everyone in the family, especially children. | 0:14:20 | 0:14:26 | |
The custom's origins aren't clear, but the presents were not cheap. | 0:14:26 | 0:14:31 | |
It was a post-Christmas boost for the shops in Norwich, which took on extra sales staff. | 0:14:31 | 0:14:37 | |
I can't get over what is now a relatively tongue-in-cheek, | 0:14:37 | 0:14:43 | |
perhaps fun - from a bloke's perspective - celebration, this was expensive. | 0:14:43 | 0:14:50 | |
-It was big business. -Yeah. -That was only part of the story. I'll show you some more things. | 0:14:50 | 0:14:56 | |
Might get a card! Might get a Valentine's! | 0:14:56 | 0:15:00 | |
Laid out behind the scenes are more Valentine's cards and gifts. | 0:15:00 | 0:15:05 | |
-This gorgeous piece. -That's like a little willow pattern. | 0:15:05 | 0:15:10 | |
-Isn't it? -English scent bottle. -You're good at hallmarks. I haven't got my glasses on. | 0:15:10 | 0:15:17 | |
Well, it's London. And I would think that it's back end of the 19th century. | 0:15:17 | 0:15:23 | |
-The present-giving tradition in Norwich developed a mischievous twist. -People left the presents | 0:15:23 | 0:15:29 | |
on the doorstep. So little boys would wrap a present up, leave it on a doorstep, knock, run away, | 0:15:29 | 0:15:35 | |
and as the person answered the door and bent down to pick up the present, | 0:15:35 | 0:15:40 | |
the little boy would pull the string and the present would be whipped away and they'd end up on their nose, | 0:15:40 | 0:15:46 | |
which they thought was hilarious. So that was one of the ways Valentine's got a bad name. | 0:15:46 | 0:15:52 | |
-If you come over here, I'll show you some of the other ways. -Really? | 0:15:52 | 0:15:56 | |
Aw, look at these. | 0:15:56 | 0:15:59 | |
These are fantastic. | 0:15:59 | 0:16:01 | |
Now these are not your traditional Valentine's cards. They are Valentines, though. | 0:16:01 | 0:16:08 | |
And they were aimed at people that you didn't like. | 0:16:08 | 0:16:12 | |
You could send a Valentine's card anonymously. It was open to sending them to people they didn't like. | 0:16:12 | 0:16:20 | |
So if you had a neighbour who you thought was a bit of a scold or a butcher you didn't get on with, | 0:16:20 | 0:16:27 | |
-you could send them one of these and they'd be deeply hurt. -I'm glad there's not one for an auctioneer! | 0:16:27 | 0:16:33 | |
I'm surprised there isn't. | 0:16:33 | 0:16:35 | |
"You think that you are pretty, But 'tis really not the case, | 0:16:35 | 0:16:40 | |
"It certainly's a pity That your teeth are out of place | 0:16:40 | 0:16:44 | |
"You're neither wise nor witty, And you wear a double-face." | 0:16:44 | 0:16:48 | |
Somebody that nobody liked. She's literally got two faces. | 0:16:48 | 0:16:52 | |
Can you imagine how upsetting that would be? And these kinds of cards became more and more popular | 0:16:52 | 0:16:59 | |
and actually put an end to Valentine's Day as we know it. | 0:16:59 | 0:17:03 | |
-So these are universal across the country. -Up and down the country. Because they were so nasty, | 0:17:03 | 0:17:09 | |
by the end of the 19th century, the tradition died out altogether. | 0:17:09 | 0:17:14 | |
It was only really WWI, when people were apart from their loved ones that they started again | 0:17:14 | 0:17:20 | |
-and manufacturers jumped on the bandwagon. -In certain parts of Worcestershire, | 0:17:20 | 0:17:25 | |
-there is still no Valentine's Day. -In your house. -That's very sad! | 0:17:25 | 0:17:29 | |
Very sad! | 0:17:29 | 0:17:31 | |
-Thank you so much, Helen. -Thanks, Helen. Thank you. | 0:17:31 | 0:17:35 | |
Come along, Philip. | 0:17:35 | 0:17:38 | |
Robert and David have left Norwich behind and are heading west across Norfolk to King's Lynn. | 0:17:38 | 0:17:44 | |
King's Lynn was one of England's most important ports from the 12th century onwards | 0:17:44 | 0:17:51 | |
and its prosperous mercantile past is evident in the buildings. | 0:17:51 | 0:17:56 | |
Whether Robert and David have a prosperous mercantile future is in the hands | 0:17:56 | 0:18:01 | |
of the Old Granary Antique Centre, home to a dozen dealers with items from coins to vintage clothes. | 0:18:01 | 0:18:07 | |
David's eye is drawn by something fishy in dealer Ruth's stock. | 0:18:07 | 0:18:12 | |
-What's that little fish carving there? -Right. | 0:18:12 | 0:18:16 | |
-Is it a brooch? -No, it's actually just a little carving of a fish of some sort. | 0:18:17 | 0:18:23 | |
-Chinese, Japanese or whatever. -Let's have a look at him. | 0:18:23 | 0:18:28 | |
Robert... | 0:18:28 | 0:18:29 | |
-What do you feel...? -It's a carving. | 0:18:30 | 0:18:34 | |
-It's quite lustrous. -Yeah. | 0:18:34 | 0:18:37 | |
The fish appears to be a Japanese okimono, a decorative miniature sculpture. | 0:18:37 | 0:18:43 | |
-This should be right up David's street. -Would you say that's a carp? | 0:18:43 | 0:18:48 | |
-Ruth, would you say it's a carp? -We've got koi carp and they don't look anything like that. | 0:18:48 | 0:18:54 | |
-Don't they? Is it a stylised carp? -Yes, exactly. | 0:18:54 | 0:18:57 | |
-It's certainly stylised. -I think it's representing a carp. | 0:18:57 | 0:19:02 | |
-It's an important fish in the Orient. The carp swims against the tide, a bit like a salmon. -OK. | 0:19:02 | 0:19:08 | |
People that own models of carps do so because they feel it represents their character. | 0:19:08 | 0:19:16 | |
-Strength, independence, doing it their own way. I think he's gorgeous. -It's intricate. | 0:19:16 | 0:19:22 | |
-It's rather...rather fine, isn't it? -If that was 18th-century and in jade | 0:19:22 | 0:19:29 | |
and Chinese with a nice imperial mark, it would be worth £200,000. | 0:19:29 | 0:19:33 | |
-What do you think of it? -Well, I think we've got a choice here. | 0:19:33 | 0:19:38 | |
It's either a carp that is immensely valuable | 0:19:38 | 0:19:42 | |
or it's just an anagram of carp. | 0:19:42 | 0:19:45 | |
The ticket price is £39. Definitely something to carp about. | 0:19:46 | 0:19:50 | |
Robert takes the lead role in haggling, hoping thorough analysis will get results. | 0:19:50 | 0:19:57 | |
My deal-broking skills are legendarily awful. I'd hope to make a fiver on it. | 0:19:57 | 0:20:02 | |
I'd like to think that we could make a fiver on it. I would imagine - this is my informed opinion | 0:20:02 | 0:20:09 | |
from minutes of experience - that we could get £28 for it, maybe £25, £28. | 0:20:09 | 0:20:16 | |
-I would love to turn a profit, so if I say 20 we might make a profit. -Yes, I think that would be all right. | 0:20:16 | 0:20:23 | |
-Thank you, Ruth. -That's the longest bit of negotiating I've ever witnessed! | 0:20:23 | 0:20:29 | |
It was brilliant, though! It was just basically a lecture and you went, "Yes." | 0:20:29 | 0:20:34 | |
-It could be beginner's luck or a cunning plan. Either way, it's effective. -Brilliant. | 0:20:34 | 0:20:41 | |
Inspired, David takes a closer look at the cabinet that yielded the fish and find a perfume bottle. | 0:20:41 | 0:20:47 | |
-Is that...uranium glass? -Uranium glass. | 0:20:47 | 0:20:51 | |
Uranium glass was most commonly made in the first half of the 20th century | 0:20:51 | 0:20:56 | |
when small quantities of uranium oxide were added during glass manufacture. | 0:20:56 | 0:21:01 | |
The glass has a yellow or green tint and glows under ultraviolet light. | 0:21:01 | 0:21:06 | |
-It's very substantial. -Yeah. -And the shape of it. | 0:21:06 | 0:21:10 | |
-It's got a sort of... Here I go. -Go on, go on. You've got it. | 0:21:10 | 0:21:15 | |
It's got sort of 1930s sort of fluting... | 0:21:15 | 0:21:21 | |
-Yeah. -With Joan Collins, 1980s shoulder pads. It's rather unusual. | 0:21:21 | 0:21:25 | |
And what I like about it is it's got a chunky feel to it. | 0:21:25 | 0:21:30 | |
It's solid. It feels substantial. | 0:21:30 | 0:21:35 | |
It's got a rather interesting colour. If you hold it up even to the pink light, | 0:21:35 | 0:21:40 | |
it almost looks as though it's full of some elixir. | 0:21:40 | 0:21:44 | |
I think you've got it. It's got weight, colour, design. | 0:21:44 | 0:21:49 | |
-It's got absolute quality. It's screaming quality. -1950s? | 0:21:49 | 0:21:53 | |
-I think it's earlier. -Earlier? -You were closer... -1930s? | 0:21:53 | 0:21:58 | |
-I think it's '20s, '30s. -OK. -It's definitely got a Deco feel. -Yes. | 0:21:58 | 0:22:03 | |
Look at some hallmarks. We've got... Oh. | 0:22:03 | 0:22:07 | |
-It's Sampson Mordan. OK. -Who? -Sampson Mordan is the maker. | 0:22:07 | 0:22:12 | |
The silversmith. | 0:22:12 | 0:22:14 | |
Top end quality. And it just now proves it. | 0:22:14 | 0:22:19 | |
You've got the style, the look, the quality, the feel. Now you've got the maker. | 0:22:19 | 0:22:24 | |
-Sampson Mordan. -It's an interesting piece, but at £75, it might take more than a monologue | 0:22:24 | 0:22:31 | |
-to get it down to the right price. -Shall we use your tactic of talking her to death? | 0:22:31 | 0:22:37 | |
It's a failsafe device! | 0:22:37 | 0:22:39 | |
But what we want is to get Ruth before she keels over. | 0:22:40 | 0:22:45 | |
-Better not do that. -Safety first! | 0:22:45 | 0:22:47 | |
So I think... you...you exercise... | 0:22:47 | 0:22:52 | |
your wiles on Ruth. | 0:22:52 | 0:22:54 | |
This little perfume bottle, Ruth. What could that be to Robert and I as a trade deal? | 0:22:54 | 0:23:01 | |
We're both in the trade. Robert's been in the trade for two minutes, | 0:23:01 | 0:23:06 | |
but he's getting there, learning quickly. Can we get it at 30, Ruth? | 0:23:06 | 0:23:11 | |
-Er, 60. -Oh, really? -Oh, dear. -He's doing the... -I got the teeth suck. | 0:23:11 | 0:23:17 | |
-40, Ruth. -It's got to be 50. If I was taking that to London, I'd expect 120 for it. | 0:23:17 | 0:23:23 | |
There you are. | 0:23:23 | 0:23:25 | |
Is there a rack available? | 0:23:25 | 0:23:27 | |
-No, we don't go that far on this! -OK. | 0:23:27 | 0:23:32 | |
-It's 50 or nothing? -It is. -OK. My vote is...we have it at 50. | 0:23:32 | 0:23:36 | |
-Mm-hm. -What do you say? You can have the casting vote. | 0:23:36 | 0:23:40 | |
I shall be excited selling that. Let's go in at 50. | 0:23:40 | 0:23:44 | |
-Let's have it. Ruth, thank you. -Thank you. -Thank you. | 0:23:44 | 0:23:48 | |
Very happy with that. Very happy. | 0:23:48 | 0:23:52 | |
So our thespian antiques novice ends his debut with a fish, | 0:23:52 | 0:23:56 | |
a footie game and a fancy bottle. It's been quite a performance. Night night, teams. | 0:23:56 | 0:24:03 | |
It's a new day and Amanda is digging for information on the opposition. | 0:24:04 | 0:24:10 | |
-So what did you get up to yesterday? -Yesterday? -Yes. | 0:24:10 | 0:24:14 | |
-In the shops? -Yes, Robert! In the shops. | 0:24:14 | 0:24:18 | |
In the shops, well... It was good. | 0:24:18 | 0:24:21 | |
-We're getting them crated up. -Crated up?! -He's not a successful actor for nothing, don't you know. | 0:24:21 | 0:24:27 | |
I think they're on the low loader and we'll be winching them down to the auction house. | 0:24:27 | 0:24:35 | |
What a fibber! Robert and David's supposed lorry-load of goodies has cost them £80 | 0:24:36 | 0:24:41 | |
-and amounts to the selection of games... -TB or Cholera? -TB, please. | 0:24:41 | 0:24:45 | |
..the carved stone fish and the rather posh perfume bottle. | 0:24:46 | 0:24:51 | |
-Unorthodox negotiating... -Is there a rack available? | 0:24:51 | 0:24:56 | |
..leaves them with £320 for today. | 0:24:56 | 0:24:58 | |
-Phil was immediately impressed by Amanda's savvy. -You're sharp. I like you. | 0:25:00 | 0:25:05 | |
But they waited in the wings, buying only the four Max Beerbohm images. | 0:25:05 | 0:25:11 | |
The deal was sealed at £20. | 0:25:11 | 0:25:14 | |
-He gets a kiss for that. -Thank you! -It means they have a whopping £380 left to spend. | 0:25:14 | 0:25:19 | |
But to use it all, Phil might need to update Amanda's ideas about what to buy and sell. | 0:25:19 | 0:25:26 | |
-I think she's got an old-fashioned antique dealer's eye. -OK. -Which isn't today's market. | 0:25:26 | 0:25:31 | |
-It's totally not the market. -It might not be easy. | 0:25:31 | 0:25:35 | |
He did steer me towards something very peculiar yesterday, which was the 1970s television. | 0:25:35 | 0:25:42 | |
And it looked like a helmet. | 0:25:42 | 0:25:45 | |
-It was as far from an antique as you could possibly get. -NASA written in felt tip. -Exactly! | 0:25:45 | 0:25:51 | |
The teams have left Norfolk behind them and made their way to just south of Boston in Lincolnshire. | 0:25:51 | 0:25:58 | |
-Well done. Excellent driving(!) -No comment on my driving, please! | 0:26:02 | 0:26:07 | |
-None whatsoever. -You look frozen! | 0:26:07 | 0:26:10 | |
Good morning. | 0:26:10 | 0:26:12 | |
-You look frozen. -A little chilly, perhaps! | 0:26:12 | 0:26:17 | |
How are you, partner? We're going to knock 'em dead today. | 0:26:17 | 0:26:21 | |
-Well, good luck! -Have a lovely time. | 0:26:21 | 0:26:25 | |
-I think we're in here. -Clutterbugs Collectables. -Are you ready for it? | 0:26:25 | 0:26:30 | |
Very kind. Nice and warm in here. | 0:26:30 | 0:26:33 | |
-See you, guys. See you later. -Bye! -Don't buy too much! | 0:26:33 | 0:26:38 | |
Clutterbugs is a general antiques and collectables shop with the wares spread over two floors. | 0:26:38 | 0:26:44 | |
-What's your name? -Alan. -Great. -I'm Robert. -Nice to see you. | 0:26:44 | 0:26:48 | |
There's lots to look at, but deciding what will do best at auction isn't easy. | 0:26:48 | 0:26:55 | |
With £320 still to spend, they discuss a buying strategy. | 0:26:55 | 0:27:00 | |
Something quirky is always a winner in an auction. It can bite you, but it can also... | 0:27:00 | 0:27:06 | |
-We've got to take a risk. -I love taking a risk and on odd things. | 0:27:06 | 0:27:11 | |
-Odd? Here goes. -What would you feel about a little miniature house made out of matchsticks? | 0:27:11 | 0:27:19 | |
-I'm thinking of that little beastie down there. -Right. -Obviously made out of matchsticks. | 0:27:19 | 0:27:25 | |
It's not the kind of thing I dream about. It's not the Chippendale table that I'm lusting after, | 0:27:25 | 0:27:31 | |
but it's odd. Let's drag it out. It's very cobwebby. | 0:27:31 | 0:27:36 | |
-House moving. -It's been here... Look at the cobwebs. It's been here forever. | 0:27:36 | 0:27:42 | |
Are you listening to this, Alan? | 0:27:42 | 0:27:45 | |
Cobwebs show demand is slow. It might mean a bargain. | 0:27:45 | 0:27:50 | |
Right, OK. Who on earth made this? | 0:27:50 | 0:27:52 | |
Who lives in a house like this? | 0:27:52 | 0:27:55 | |
-Peering through the keyhole reveals the answer. -You've got dead wasps here and beetles. | 0:27:55 | 0:28:01 | |
-That's added value. -I think you're right. | 0:28:01 | 0:28:05 | |
It's built from thousands of matchsticks. | 0:28:05 | 0:28:10 | |
-Age-wise, I suppose it's 10, 20, 30 years old or something. -Who can tell? -It's a bit bonkers. | 0:28:10 | 0:28:15 | |
-Yes, yes. -What are you thinking? -Well, I just... It's... | 0:28:15 | 0:28:20 | |
It's odd. It's not particularly fine. | 0:28:20 | 0:28:24 | |
-That's very polite! They're not architectural things. -Crikey! There are two! | 0:28:24 | 0:28:30 | |
No one has employed an architect to make a model of their dream home. | 0:28:30 | 0:28:35 | |
-No, it's the sort of thing you might have on a Thunderbirds set that gets blown up. -Maybe that's it! | 0:28:35 | 0:28:41 | |
I think it would be something that someone would... | 0:28:41 | 0:28:46 | |
-not want to spend more than a fiver or tenner on. -You might be right. | 0:28:46 | 0:28:50 | |
-Yeah, yeah, yeah. It is just matchwood, but the effort that's gone into it... -I know. | 0:28:50 | 0:28:57 | |
-Staggering. -I'm sort of tempted, I've got to tell you. I'm tempted. I think they're mad. -Yes, they are. | 0:28:57 | 0:29:03 | |
I tell you what's really appealing about them is the endeavour. | 0:29:03 | 0:29:08 | |
There's no doubting the effort that went into both houses, but although they're £25 each, | 0:29:08 | 0:29:15 | |
Alan's happy to wave goodbye to the pair for £10. Strike a light! | 0:29:15 | 0:29:19 | |
Have them for a tenner. | 0:29:19 | 0:29:22 | |
The deal's done. Whether it's matchless is debatable. | 0:29:22 | 0:29:26 | |
Amanda and Phil are making their way from Boston through the heart of fen country to Long Sutton. | 0:29:26 | 0:29:32 | |
It's a small market town through which they say the highwayman Dick Turpin once passed. | 0:29:33 | 0:29:40 | |
I wonder if the dealers at Long Sutton Antiques Centre will stand and deliver. | 0:29:40 | 0:29:45 | |
Amanda and Phil have £380 to spend. I'm guessing a cash transaction is what John Roe would prefer. | 0:29:45 | 0:29:51 | |
-Welcome. -How are you? -Nice to meet you. | 0:29:51 | 0:29:56 | |
The Antiques and Craft Centre is spread over two floors, selling everything...with a few surprises. | 0:29:56 | 0:30:03 | |
-What's that? -It's like a body massager, which is just what it is. | 0:30:03 | 0:30:08 | |
-Oh, is it? -So if you wanted to be Miss Whiplash, not that you would want to be... -It's nice. | 0:30:08 | 0:30:15 | |
-Try. Give us your shoulder. -It does the job. -You've got to get the wife to... -Not know! | 0:30:15 | 0:30:22 | |
..to do this! Don't tell the wife. | 0:30:22 | 0:30:25 | |
My lips are sealed. Back to business and for Phil old habits die hard. | 0:30:25 | 0:30:29 | |
The reason why that has split is because this lot here... | 0:30:29 | 0:30:35 | |
-all shrinks and warps at different rates. -Because it's not sealed. | 0:30:35 | 0:30:39 | |
-Why am I telling this to an antique dealer's daughter? -It's all right. | 0:30:39 | 0:30:43 | |
-Come on, get on with it. -Amanda's instinctively traditional eye is drawn to some mahogany furniture. | 0:30:43 | 0:30:49 | |
We've got a little toy... A little toy bed here, | 0:30:49 | 0:30:54 | |
-which is rather sweet. -It's a piece of doll's furniture. | 0:30:54 | 0:30:59 | |
Ah, we've got a slat missing. | 0:30:59 | 0:31:01 | |
-You've also got the canopy missing. -The canopy? -It's a four-poster. | 0:31:01 | 0:31:06 | |
Ah, yes. You've got little... You can see the little holes. | 0:31:06 | 0:31:10 | |
-A canopy on there. -What a shame. -I think that would hold it back. | 0:31:10 | 0:31:15 | |
-But doll's house furniture is quite sought after. -I think so, too. And it's mahogany. | 0:31:15 | 0:31:21 | |
-Beautiful little castors. -They're worth 50 quid. At auction that's £40-£60. -Really? | 0:31:21 | 0:31:27 | |
So I can't see us getting that for £30, £40. I really can't. | 0:31:27 | 0:31:32 | |
The ticket price is £110, so hard bargaining would be needed. | 0:31:32 | 0:31:36 | |
It's a maybe while the search continues. | 0:31:36 | 0:31:40 | |
-Phil? -Yeah? -What do you reckon to this little crib? | 0:31:40 | 0:31:43 | |
The sort of thing that doll and teddy bear collectors like. | 0:31:43 | 0:31:48 | |
It's quite unusual because most of these are in oak and quite rustic. | 0:31:48 | 0:31:53 | |
-This is slightly finer, isn't it? -It says there it's oak, but... Is that oak? | 0:31:53 | 0:31:59 | |
It's not easy to be sure. | 0:31:59 | 0:32:01 | |
-Dealer Jimmy lends a second opinion. -I think it's mahogany, Phil. | 0:32:01 | 0:32:06 | |
-That's mahogany. -Yeah. -That's mahogany. | 0:32:06 | 0:32:10 | |
It's just unusual in that it's mahogany. You're spot on. | 0:32:10 | 0:32:14 | |
Doll collectors and teddy bear collectors buy these, but the other thing that's really cool | 0:32:14 | 0:32:21 | |
is you either put all your magazines in it or they're a log basket. | 0:32:21 | 0:32:26 | |
It's an attractive piece, but it's £125. | 0:32:26 | 0:32:30 | |
-And Phil's expert eye spots some suspect marks. -If you look here, | 0:32:30 | 0:32:35 | |
can you see those run lines there? | 0:32:35 | 0:32:38 | |
-Yes. -I would think... -It's stained. -To put a false age on it. | 0:32:38 | 0:32:42 | |
-Yeah. -When they put a false age on it, it's just wrong. Not a right thing. | 0:32:42 | 0:32:47 | |
It's not, is it? It's been altered. You can see the base of it's not quite what it was. | 0:32:47 | 0:32:55 | |
-Well... -But it's still an interesting little piece. | 0:32:55 | 0:32:59 | |
You've got different timbers because that there is oak. | 0:32:59 | 0:33:03 | |
That's mahogany. But at the end of the day, it is what it is what it is. | 0:33:03 | 0:33:11 | |
Despite its flaws, it's appealing and is added to the shortlist. | 0:33:13 | 0:33:17 | |
-The next find is Phil's. -It's an old gramophone horn. | 0:33:17 | 0:33:21 | |
-The ticket price is £40. -What I think you would do is one of two things, right? | 0:33:21 | 0:33:27 | |
-I think you'd mount it on a piece of wood. -Yes. -Or polished steel. | 0:33:27 | 0:33:31 | |
Put a piece of flex up there, put a bulb in there, then you've got a great, really trendy light. | 0:33:31 | 0:33:37 | |
-Yeah. -Or you put a speaker in there and you've got a really great, trendy speaker for an iPod. | 0:33:37 | 0:33:44 | |
-Inventive? Or barking? -I need to get out more! | 0:33:44 | 0:33:48 | |
-It's, "He saw you coming, madam". -I know, I know, but... | 0:33:48 | 0:33:53 | |
-I actually... -Nice try. If you think that will sell, I have to bow to your greater knowledge. | 0:33:54 | 0:34:01 | |
OK. I need to get out more. I really do need to get out more. | 0:34:01 | 0:34:05 | |
Ha! More importantly, you need to make some decisions. | 0:34:05 | 0:34:10 | |
-They depend on price. The doll's bed is £110. -Would 35 be any good for you? | 0:34:10 | 0:34:16 | |
-That would be our best shot. -40, go on. -What's the very best you can do on the horn? | 0:34:16 | 0:34:21 | |
The very, very best on that. | 0:34:21 | 0:34:24 | |
That's quite saleable as it is. I'd still say 35. | 0:34:24 | 0:34:28 | |
-OK. And you couldn't do any less? -You couldn't have them both? | 0:34:28 | 0:34:32 | |
No... Well, we might do. I don't know. We might do. | 0:34:32 | 0:34:36 | |
£70 the pair. | 0:34:36 | 0:34:38 | |
-OK, I think we need to sit down and think about this. Can I borrow a pen and paper, please? -For sums. | 0:34:38 | 0:34:45 | |
-Some calculations quickly clarify the options. -John, can we give you £60 for the horn and the bed? | 0:34:48 | 0:34:55 | |
-OK. -You're sure? -Absolutely. -You're a gentleman. -No problem. Thank you. | 0:34:55 | 0:35:00 | |
So the doll's bed is reduced from £110 to £30 | 0:35:00 | 0:35:05 | |
and the horn from £40 to £30, | 0:35:05 | 0:35:07 | |
-leaving the crib still on the wish list at £125. -Jimmy... | 0:35:07 | 0:35:12 | |
-Phil. -You take a lady shopping, she goes shopping! | 0:35:12 | 0:35:16 | |
-We decided we just like this. -Right. | 0:35:16 | 0:35:19 | |
OK? We think it's lovely, but we see it at 60 quid. | 0:35:19 | 0:35:23 | |
-And that, for us, is the end of it. -60? -Can you do that? | 0:35:23 | 0:35:27 | |
-This often helps. This is a ploy I learnt... -Get the cash out. | 0:35:27 | 0:35:32 | |
Start fondling the cash. | 0:35:32 | 0:35:35 | |
-Look, look! He's like a moth to a flame. -Oh, it's a great ploy, but... | 0:35:35 | 0:35:40 | |
-60's a little bit low, Phil. I'd need another brown one. -I've got a blue one. -A blue one. | 0:35:40 | 0:35:47 | |
-Is that all right? Actually, it's green. -It is. -Never mind. | 0:35:47 | 0:35:51 | |
-That might give me a slight profit. -You're a gentleman. Thanks. | 0:35:51 | 0:35:56 | |
-Thank you so much. Appreciate it. -I'll rush this lady off now. | 0:35:56 | 0:36:00 | |
With £60 off the ticket price, Amanda and Phil have their fourth lot in the bag. | 0:36:00 | 0:36:07 | |
-Robert and David are just outside Boston, considering their carbon footprint. -It's a gas guzzler. | 0:36:07 | 0:36:13 | |
-It looks the business, but I bet we're not doing more than eight miles to the gallon. I bet. -No. | 0:36:13 | 0:36:20 | |
-But it's quite possibly worth it. -It's red and it's not green. -That's for sure! | 0:36:20 | 0:36:25 | |
Not to worry, chaps. There are far more modest ways of motoring | 0:36:25 | 0:36:30 | |
-which you can explore with help from Paula Ashleigh-Morris. -Hello! | 0:36:30 | 0:36:34 | |
-Hello, I'm Paula. -David Harper. -How do you do? -Hello. -This is Robert. | 0:36:34 | 0:36:40 | |
-Welcome to the Bubble Car Museum. -We're very excited. One followed us in. He beeped us! | 0:36:40 | 0:36:46 | |
Paula runs the Bubble Car Museum, a celebration of micro cars. | 0:36:46 | 0:36:52 | |
That's cars with engines smaller than 700cc. They come in an extraordinary range of designs. | 0:36:52 | 0:36:59 | |
There are British bubble cars dating from the 1950s to the 1970s. | 0:36:59 | 0:37:03 | |
And overseas rivals including Heinkel and Messerschmitt. | 0:37:03 | 0:37:08 | |
-Were the first bubble cars German? -They were more or less the same time. In England, Bonds and early Reliants. | 0:37:08 | 0:37:16 | |
Germany did the Messerschmitt. Most were three-wheeler, so you can drive them on a motorbike licence. | 0:37:16 | 0:37:22 | |
So what you did was you drove a motorbike with your Brylcreemed hair and then you got a sidecar | 0:37:22 | 0:37:28 | |
and a wife and then you got children and they couldn't all cram in, | 0:37:28 | 0:37:33 | |
so these little three-wheeler cars people could buy without taking another driving test. | 0:37:33 | 0:37:38 | |
It got people from motorbike owners into car owners. A big social climb. | 0:37:38 | 0:37:43 | |
Paula and her other half, Mike, hadn't planned to start a museum, but their own collection just grew. | 0:37:43 | 0:37:50 | |
-One of the stars is a Messerschmitt three-wheeler. Lovely. -Isn't that delicious? | 0:37:50 | 0:37:56 | |
The original colour - aero silver - with a red interior. | 0:37:56 | 0:37:59 | |
-A Dan Dare pod. -Yeah. -How cool would you be in that? | 0:37:59 | 0:38:03 | |
-I'm not entirely sure. -You would be cool. You're cool in anything! | 0:38:03 | 0:38:08 | |
-You would be cool. -The first version of the car in 1948 was an invalid carriage | 0:38:08 | 0:38:14 | |
designed by aeronautical engineer Fritz Fend. He went on to collaborate with Willy Messerschmitt | 0:38:14 | 0:38:20 | |
on a two-seater that owes something of its looks to the fighter planes. It was a new venture for the company | 0:38:20 | 0:38:27 | |
which was not permitted to make aircraft in the post-war years. | 0:38:27 | 0:38:31 | |
-How fast would this go? -That would cruise at 60, comfortably. | 0:38:31 | 0:38:36 | |
-It's a little Sachs engine. -What's that? Is that...? -That's that tiny thing down there. | 0:38:36 | 0:38:42 | |
-You're joking! -That's it. -I'm amazed. -One piston. | 0:38:42 | 0:38:46 | |
But it will do 60 comfortably. My husband's driven all over Europe. | 0:38:46 | 0:38:52 | |
Europe's ambitious, but there is time for a micro Road Trip. | 0:38:52 | 0:38:56 | |
Oh, gosh. We've got battleship grey and a bright red, guards red. Almost like a Porsche colour. | 0:38:56 | 0:39:03 | |
-Which one do we get? -Right... -And we have two racing drivers? | 0:39:03 | 0:39:09 | |
At the wheels of these two Heinkel Trojans are Paula's husband Mike and Trojan enthusiast Gary. | 0:39:09 | 0:39:15 | |
David seems to know something. | 0:39:15 | 0:39:17 | |
Goodbye, Robert. It's been really nice knowing you. | 0:39:17 | 0:39:22 | |
-Chocks away! -Robert seems a fairly laidback sort of chap and David is Mr Competitive. | 0:39:22 | 0:39:28 | |
-I wonder what on earth might happen next. -I do feel a bit like a fighter pilot. | 0:39:30 | 0:39:36 | |
You just want to get him. You want to get him, Mike! | 0:39:36 | 0:39:41 | |
-What are they like on hills? -Drop to 10mph and go in first gear. | 0:39:41 | 0:39:45 | |
Is there any way you can get him? Can we sneak up? What do you reckon? | 0:39:45 | 0:39:50 | |
Dilly-dallying like a pair of girls! | 0:39:52 | 0:39:54 | |
The race concept seems lost on Robert. | 0:39:54 | 0:39:58 | |
DAVID CACKLES | 0:40:02 | 0:40:04 | |
Losers! Look at them. Gossiping away like a couple of old fish wives. | 0:40:04 | 0:40:08 | |
-And we're in the lead. Doesn't it feel good, eh? -Much better in the lead. -Much better. | 0:40:08 | 0:40:15 | |
It's Mini rather than micro for Amanda and Phil as they arrive at their final shop in Spalding. | 0:40:15 | 0:40:22 | |
-I reckon this is just the slot. -Wahey! -Look at that, eh? -Look at that! -The Italian Job! | 0:40:22 | 0:40:28 | |
-Yes, it is. -How cool is that? | 0:40:28 | 0:40:30 | |
Rush out and shut the doors. | 0:40:30 | 0:40:33 | |
-The Italian Job comes to Spalding. -"You're only supposed to blow the bloody doors off!" | 0:40:33 | 0:40:39 | |
Come on, Michael. | 0:40:39 | 0:40:41 | |
I'm not sure they stock gold bullion at Spalding Antiques, but there might be other treasure to find | 0:40:41 | 0:40:47 | |
-with help from owner John and his friend Peggy. -Hello! -Hi, this is Amanda. | 0:40:47 | 0:40:53 | |
-Hello. -Nice to see you, Phil. -How are you? | 0:40:53 | 0:40:57 | |
-I love that. -Isn't it beautiful? How much? -How much is it? | 0:40:57 | 0:41:02 | |
Well, it could be £400 to you. Shall I wrap it? | 0:41:02 | 0:41:07 | |
Dream on, John! They've only got £255 left. | 0:41:07 | 0:41:11 | |
There's lots to look at, but some of it leaves even Amanda puzzled. | 0:41:14 | 0:41:19 | |
-What is it? -A wool winder. -A wool winder? | 0:41:19 | 0:41:22 | |
-So you put your wool... -Well, you... | 0:41:22 | 0:41:26 | |
These pull out and this... Well, it's almost not metamorphic, but almost telescopic. | 0:41:26 | 0:41:32 | |
-These pull out. I don't want to just force it. -Oh, I see, yes. -Like so. | 0:41:32 | 0:41:39 | |
You can extend these one way or another. Put your wool on there. | 0:41:39 | 0:41:43 | |
-And then you just wind it. -Ah! -I think it's lignum vitae. | 0:41:43 | 0:41:46 | |
Lignum vitae is an exceptionally durable wood from a rare species of tree found in the Caribbean. | 0:41:46 | 0:41:53 | |
The name derives from the Latin for "wood of life" as it was believed to have medicinal properties. | 0:41:53 | 0:41:59 | |
-This at auction is going to make between 40 and 60 quid. -OK. | 0:41:59 | 0:42:03 | |
We need to try and get it if we can for around £35. I don't know what the price is. What's the price? | 0:42:03 | 0:42:10 | |
-Let's see if I can read that without my gla... Yeah. -85. -85. | 0:42:10 | 0:42:15 | |
You'll have to start smiling. What's the very best you can do it for? | 0:42:15 | 0:42:20 | |
-The very best would be 60. -I think at auction it's £40-£60. | 0:42:20 | 0:42:25 | |
-55 would be the very best. -We'll put it back. | 0:42:25 | 0:42:30 | |
Phil's determined to play hardball so the duo look for an alternative buy and find his long-lost twin. | 0:42:30 | 0:42:37 | |
Look, a perfect match. | 0:42:37 | 0:42:40 | |
Where do these people come from? | 0:42:45 | 0:42:48 | |
Phil's not impressed so the wool winder is back at the top of the list. | 0:42:48 | 0:42:53 | |
-John, our best shot on that would be 45. -That's cash, is it, Phil? -Cash in hand, sir. | 0:42:53 | 0:42:59 | |
-Done, thank you. -Thank you. -Patience pays off. The winder is reduced from £85 to £45. | 0:42:59 | 0:43:05 | |
With that final purchase it's time to see who gets wound up and who unravels as the teams reveal all. | 0:43:05 | 0:43:13 | |
Hey, look at this. Right, where do we start? | 0:43:15 | 0:43:20 | |
- The prints. - That was the first thing we got. Some lovely prints. That's Ibsen. | 0:43:20 | 0:43:26 | |
-So it says. -OK. | 0:43:26 | 0:43:28 | |
-Then the Regency-style bed. -A little doll's bed, missing its canopy, a couple of slats are missing. | 0:43:28 | 0:43:34 | |
-We just thought it was a bit of fun. -They're not laughing. -That, I think, is rather nice. Don't you think? | 0:43:34 | 0:43:41 | |
-I'd like to know what it is. -A lignum vitae wool winder. So you pull the arms out. -Uh-huh. | 0:43:41 | 0:43:47 | |
You put your wool on there, spin it and wind the wool into a ball. | 0:43:47 | 0:43:52 | |
-We've got four very traditional, old-fashioned antique lots. -OK. | 0:43:52 | 0:43:56 | |
-And I got the horn. -Of course. -Moving swiftly on! | 0:43:56 | 0:44:02 | |
-Right, OK. Here we go. -Here we go. This is ours. -Slowly, slowly. | 0:44:02 | 0:44:07 | |
What is it with toys? We like our toys and stuff, don't we? | 0:44:07 | 0:44:12 | |
-Good grief! You've got a whole South Fork! -A property business! | 0:44:12 | 0:44:17 | |
-OK, so... -One lot. -This is one lot. About ten boxed games from the 1950s, '60s. | 0:44:17 | 0:44:25 | |
-Possibly trickling into the '70s. We had a bit of fun. -Are they complete? -Yeah. | 0:44:25 | 0:44:31 | |
-They're pretty good. -I'm not sure "pretty good" is an answer. | 0:44:31 | 0:44:36 | |
There are bits missing? | 0:44:36 | 0:44:39 | |
-What do you want to talk about next? -South Fork! | 0:44:39 | 0:44:42 | |
Hello! These are hand-made. These are crafts... Well, let's not say that. | 0:44:42 | 0:44:47 | |
-They're hand-made. -That's a loose term! | 0:44:47 | 0:44:52 | |
-Not much art, let alone craft. -But a lot of time. | 0:44:52 | 0:44:56 | |
Yeah, wasted. Absolutely wasted. | 0:44:56 | 0:45:00 | |
-What did you pay for those? -£5 each. We bought them together, but will separate them. | 0:45:00 | 0:45:05 | |
-One lot each. -Their opponents are confused. | 0:45:05 | 0:45:09 | |
-Did you not get the title of this programme? -Yes, Antiques sort of comes into it. | 0:45:09 | 0:45:15 | |
-Antiques Road Trip. -Do you want an antique? -Not salvage hunters. | 0:45:15 | 0:45:20 | |
-I'm going to show you what I think is the best antique. -Antique. | 0:45:20 | 0:45:25 | |
-If that was bought for you as a gift, would you or would you not be delighted? -You'd dump him. | 0:45:25 | 0:45:31 | |
You would dump him. If a bloke gave you that. | 0:45:31 | 0:45:35 | |
-Come on, Amanda. You've got style and elegance. -Is it even silver? -Yes. | 0:45:35 | 0:45:39 | |
- Our final one is this piece here. - Should I get my glasses out? | 0:45:39 | 0:45:45 | |
-I think you should. -There you go. | 0:45:45 | 0:45:47 | |
-What is it? -A little carved carp. | 0:45:47 | 0:45:50 | |
Oh, I see. There's the tail of the fish. | 0:45:50 | 0:45:54 | |
-It's quite sweet. -It's a pretty little thing, it really is. | 0:45:54 | 0:45:59 | |
-How much was that? -20 quid. -I don't think they were trying very hard, Philip. | 0:45:59 | 0:46:04 | |
-What do you think? -Antiques? I've had enough of this. | 0:46:04 | 0:46:09 | |
-We'll see when we get to the auctions. -Gosh. If it's no holds barred now, | 0:46:09 | 0:46:15 | |
what will they say in private? | 0:46:15 | 0:46:17 | |
-I tell you, I think they spent too much money. -So do I. | 0:46:17 | 0:46:22 | |
On old-fashioned stuff. | 0:46:22 | 0:46:24 | |
I made a special effort to remain tasteful and in the category of vague antique. | 0:46:24 | 0:46:30 | |
And they come up with a matchstick house! | 0:46:30 | 0:46:34 | |
And discarded children's toys. | 0:46:34 | 0:46:36 | |
I'm feeling really quite confident. I always do, then it all goes terribly wrong. | 0:46:36 | 0:46:41 | |
-I wouldn't swap our purchases for theirs. -No, I was encouraged. | 0:46:41 | 0:46:46 | |
-We've enjoyed it. -And we've given the viewers a visual feast of antiquity. | 0:46:46 | 0:46:52 | |
I love this lady. She is the new love of my life. She's brilliant. | 0:46:52 | 0:46:56 | |
-And you mine. -Come on. | 0:46:56 | 0:46:59 | |
I hate to interrupt a budding romance, but right now it's about lucre, not love, | 0:46:59 | 0:47:05 | |
as our teams head south to the auction just outside Dartford. | 0:47:05 | 0:47:10 | |
Robert's fantasising about the bidders who will attend. | 0:47:10 | 0:47:14 | |
The main worldwide collector of matchstick houses will be here | 0:47:14 | 0:47:19 | |
-and will have had wind that there are a pair... -Or Dartford Prison could re-buy your item back! | 0:47:19 | 0:47:26 | |
Yes. Good. I mean, it would pass the time. You'd need a ten-year sentence, | 0:47:26 | 0:47:32 | |
but it would be good therapy. | 0:47:32 | 0:47:35 | |
-David's feeling a little defensive. -You can only buy what's in front of you. -The good, bad and the ugly! | 0:47:36 | 0:47:44 | |
A nice cross-section! | 0:47:44 | 0:47:46 | |
The best people to judge that are the bidders at Waterman's Auction Rooms where there are sales | 0:47:46 | 0:47:52 | |
-of antiques, furniture and more. -Hello! | 0:47:52 | 0:47:55 | |
-Has he been driving on the correct side of the road? -Doing our best! -How are you, madam? | 0:47:55 | 0:48:03 | |
-Robert, hello. -Hello. -You're looking incredibly dapper. -And yourself. Philip. | 0:48:04 | 0:48:10 | |
-He's got the same colour trousers as the perfume bottle! -I know. | 0:48:10 | 0:48:15 | |
-He is colour-coded. -Uranium trousers. As dangerous as uranium! | 0:48:15 | 0:48:21 | |
-Shall we go and have a look at out lots? -You can borrow them. -No. -Shall we go inside? | 0:48:21 | 0:48:27 | |
Those uranium trousers are quite remarkable, but what about the lots? | 0:48:27 | 0:48:32 | |
The auctioneer selling them will be Colin Waterman. | 0:48:32 | 0:48:36 | |
One of my favourites is the little uranium bottle. Sampson and Mordan. Should do very well on the day. | 0:48:36 | 0:48:43 | |
The little Victorian bed, mahogany. A lovely little thing. Should go very well as well. | 0:48:43 | 0:48:50 | |
Two houses which are... made of matchsticks. Rather lovely. | 0:48:50 | 0:48:55 | |
I don't think, actually! They'll fetch a fiver if they're lucky. | 0:48:55 | 0:48:59 | |
Then some nice little cartoons after Max Beerbohm. They've been looked at quite a bit in the viewing. | 0:48:59 | 0:49:05 | |
They should also do very well. | 0:49:05 | 0:49:08 | |
If I had to choose between the two teams, I'd have thought Amanda and Philip would just edge the war, | 0:49:08 | 0:49:16 | |
shall we say? But those matchstick buildings might fetch a fortune. | 0:49:16 | 0:49:20 | |
Each of our teams started with £400. Amanda and Philip spent £190 all in the best possible taste, | 0:49:20 | 0:49:27 | |
acquiring traditional antiques to create five lots. | 0:49:27 | 0:49:32 | |
Robert and David were parsimonious, parting with a mere £90 and splitting their purchases | 0:49:32 | 0:49:39 | |
so that they also have five lots. | 0:49:39 | 0:49:41 | |
As the auction gets underway, the anticipation is unbearable. | 0:49:41 | 0:49:45 | |
-You can feel the tension. They're waiting for the large matchstick house. -That's why it's last! | 0:49:45 | 0:49:52 | |
-Proceedings kick off with the Max Beerbohm images Amanda liked so much. -£50, somebody? | 0:49:52 | 0:49:59 | |
40? | 0:49:59 | 0:50:00 | |
Try you at 30, then. | 0:50:00 | 0:50:03 | |
-Encourage them! -Those are mine, by the way! Just thought I'd let you know. | 0:50:03 | 0:50:10 | |
Does that make a difference? Shall we make it 100? | 0:50:10 | 0:50:13 | |
Anyone start me at 20? No interest? | 0:50:13 | 0:50:16 | |
-15, anybody? 15 I have. -Oh, yes. -18 anywhere? | 0:50:16 | 0:50:20 | |
- Selling at £15. Last time it's going to be sold. - For the children! | 0:50:20 | 0:50:26 | |
Sadly, there's no licence to print money with that lot. | 0:50:27 | 0:50:32 | |
- That was really painful. - Oh, bless. Thank you. | 0:50:32 | 0:50:37 | |
Next are Robert's blow football and other boxed games. Was buying them an own goal? | 0:50:37 | 0:50:42 | |
No one at 15 on these? Are we sure? | 0:50:42 | 0:50:45 | |
-I'll take 12. 12 I have. Straight in. 14. 16. -They want complete ones. | 0:50:45 | 0:50:49 | |
-18. 20. -Come on! | 0:50:49 | 0:50:51 | |
22. 24? Still 22 at the back. | 0:50:51 | 0:50:55 | |
Four anywhere now? Selling at £22. | 0:50:55 | 0:50:57 | |
-Go on! -At 22... | 0:50:57 | 0:51:00 | |
It's back of the net for Robert and David with a great profit. | 0:51:00 | 0:51:04 | |
-Yes! -Robbery! | 0:51:04 | 0:51:07 | |
The antique doll's bed is undeniably charming, but will Amanda and Phil lose sleep over it? | 0:51:08 | 0:51:15 | |
40 I have at the back. 40 I have. Five anywhere now? | 0:51:15 | 0:51:19 | |
- Ladies and gentlemen, come on! - 45. | 0:51:19 | 0:51:23 | |
50. Five. 60. | 0:51:23 | 0:51:25 | |
Five. 70? Still 65. | 0:51:25 | 0:51:28 | |
70 anywhere now? Selling at £65. Last time. | 0:51:28 | 0:51:32 | |
It's the stuff of dreams and puts Team Donohoe well ahead. | 0:51:32 | 0:51:37 | |
-Nyah nyah! -Look how she changes, suddenly! | 0:51:37 | 0:51:41 | |
You see? That's what real antique hunting is all about. | 0:51:41 | 0:51:46 | |
The carved carp is under the hammer now and Robert and David are hoping for some fishy business. | 0:51:46 | 0:51:53 | |
30? I'll come down to 20 if it helps. | 0:51:53 | 0:51:56 | |
-20, straight in at the back. -Come on now. | 0:51:56 | 0:52:00 | |
Two anywhere now? 20 I've got. 22. 24. 26. | 0:52:00 | 0:52:04 | |
28. £30. So it's 30 at the back there. Do you want it for 30? | 0:52:04 | 0:52:09 | |
30 I've got. And selling. At £30. | 0:52:09 | 0:52:13 | |
It's a small fish, but they landed a profit worth bragging about. | 0:52:13 | 0:52:17 | |
-Robert. -Excellent. -Another profit. | 0:52:17 | 0:52:21 | |
Phil's phonograph horn is next, but even his teammate seems unconvinced by it. | 0:52:21 | 0:52:27 | |
Lovely horn, that. Beautiful horn. Very useful! | 0:52:27 | 0:52:30 | |
I'll try you at 25 if it helps. Any bids? It's got to be sold. | 0:52:30 | 0:52:35 | |
No? Anyone at a tenner, then? 10 I've got. 12. 14. | 0:52:35 | 0:52:40 | |
16. 18. 20. | 0:52:40 | 0:52:42 | |
22. | 0:52:42 | 0:52:43 | |
Selling at £22. Last time. | 0:52:43 | 0:52:47 | |
A loss leaves Phil nothing to trumped about and the opposition is insufferable. | 0:52:47 | 0:52:52 | |
-Sadly, it's a bit of a loss(!) -Sadly! -Darn it! | 0:52:52 | 0:52:57 | |
Next is the uranium glass scent bottle, an expensive buy that warrants a great performance. | 0:52:57 | 0:53:04 | |
On offer here is not only this bottle, but also the lifetime reputation of David Harper. | 0:53:04 | 0:53:10 | |
Oh, dear. That'll ruin it! | 0:53:10 | 0:53:13 | |
80 I've got at the back. | 0:53:13 | 0:53:15 | |
-80 I've got. 85. 90. Five. -Go on. -100. | 0:53:15 | 0:53:20 | |
-And five. 110. -Tell 'em, Robert! -115. | 0:53:20 | 0:53:23 | |
-Yes. -120. 130. | 0:53:23 | 0:53:25 | |
-140. 150. -Nice. -160 at the back. -Yes! | 0:53:25 | 0:53:30 | |
Five anywhere? Selling at £160. Last time at 160. | 0:53:30 | 0:53:34 | |
It's a leap into the lead and rave reviews for Robert and David. | 0:53:35 | 0:53:40 | |
-Robert, you are amazing. Well done, you. -Well done, you. | 0:53:40 | 0:53:45 | |
-You found some gold there. -Or uranium. Absolutely. | 0:53:45 | 0:53:50 | |
-Sorry, what did that sell for? -5,020. -5,020. | 0:53:50 | 0:53:54 | |
Amanda and Phil hope the fightback begins with their potentially multi-purpose crib. | 0:53:54 | 0:54:00 | |
- 40 I've got. - Things are looking up. | 0:54:00 | 0:54:03 | |
40 I've still got. Five I'm looking for. I'll sell at £40. It's got to be sold. | 0:54:03 | 0:54:09 | |
Oh, dear. Be it crib, log basket, toy chest or magazine rack, | 0:54:09 | 0:54:15 | |
it's not rocked anyone here! | 0:54:15 | 0:54:17 | |
It isn't going very well, is it? | 0:54:17 | 0:54:20 | |
-This is going horribly! -You're a master of insincerity. | 0:54:20 | 0:54:24 | |
-Really bad luck. Robert, put it there. -You'll never let me forget this. | 0:54:24 | 0:54:30 | |
Chin up, Amanda. Surely no one except Robert and David thinks this first property looks good. | 0:54:30 | 0:54:37 | |
No one at 15 on the house? | 0:54:37 | 0:54:40 | |
-12? -I'm tempted to big a pound. -£10, then? £10? | 0:54:40 | 0:54:45 | |
Nobody at a tenner? | 0:54:45 | 0:54:47 | |
The gentleman over... | 0:54:47 | 0:54:50 | |
The gentleman on my left said £5, which is a spiffing bid. | 0:54:50 | 0:54:55 | |
We'll take it. Five I've got. | 0:54:55 | 0:54:57 | |
-Six anywhere now? -Go on! | 0:54:57 | 0:55:00 | |
Five I've still got. Six. Seven. Eight. | 0:55:00 | 0:55:03 | |
-Yes! -Strike a light! | 0:55:03 | 0:55:05 | |
Nine. Ten. Twelve? This is going beyond my absolute dreams! | 0:55:05 | 0:55:12 | |
£10. 12 anywhere now? Selling at £10. | 0:55:12 | 0:55:15 | |
New bidder at 12! It's going mad! | 0:55:15 | 0:55:18 | |
-14? -Yes! -No? What sort of son are you? | 0:55:19 | 0:55:23 | |
12 I've got. 14 anywhere now? Selling at 12. | 0:55:23 | 0:55:27 | |
It seems property was a sound investment, producing a good margin. | 0:55:27 | 0:55:32 | |
-Congratulations. What a property. -Unbelievable! | 0:55:32 | 0:55:37 | |
The Victorian wool winder is next and comes complete with an enthusiastic sales pitch. | 0:55:38 | 0:55:44 | |
30 I've got. Two anywhere now? 32? | 0:55:44 | 0:55:47 | |
Come on, you lovely people! | 0:55:47 | 0:55:51 | |
She doesn't seem to have the portering skills you have, Robert. | 0:55:51 | 0:55:55 | |
She's not got a high-quality product! | 0:55:55 | 0:55:58 | |
40 I've got. Deserves a lot more. | 0:55:58 | 0:56:00 | |
45 anywhere now? Selling at £40. Last time at £40. It's got to be sold. | 0:56:00 | 0:56:06 | |
Whoops! Amanda and Phil are in a tangle. | 0:56:06 | 0:56:10 | |
The final lot is Team Bathurst's second des res. Will the property boom continue? | 0:56:10 | 0:56:16 | |
-Five I've got. Six anywhere now? Eight. -Yeah! | 0:56:16 | 0:56:20 | |
Nine. Ten? Ten I've got. | 0:56:20 | 0:56:22 | |
- 12 anywhere now? Selling at £10. - Unbelievable. | 0:56:22 | 0:56:27 | |
At 10. | 0:56:27 | 0:56:28 | |
Robert and David are officially matchstick property magnates and Amanda is incredulous. | 0:56:28 | 0:56:35 | |
You've got away with blue murder today, I tell you. | 0:56:35 | 0:56:39 | |
It was the derision with which our lots were met by another expert, so that's rather gratifying. | 0:56:39 | 0:56:45 | |
It is. It's quite a good feeling. | 0:56:45 | 0:56:48 | |
Amanda and Phil don't have quite such a good feeling. | 0:56:48 | 0:56:52 | |
After auction costs, their tasteful, traditional antiques made a slight loss of £40.76, | 0:56:52 | 0:56:58 | |
leaving them with £359.24. | 0:56:58 | 0:57:01 | |
Robert and David gambled on a mix of quirkiness and quality | 0:57:02 | 0:57:06 | |
and the scent bottle clinched the sweet smell of success. They made a profit of £101.88, | 0:57:06 | 0:57:12 | |
leaving them victorious with £501.88. | 0:57:12 | 0:57:17 | |
All profits made on the Road Trip go to Children In Need. | 0:57:17 | 0:57:21 | |
Reeling from defeat, Amanda's still mindful of good manners. | 0:57:21 | 0:57:25 | |
-If you can't say anything nice, don't say anything at all. -Such a well-bred girl! | 0:57:25 | 0:57:32 | |
It's not about the winning. It's the taking part. | 0:57:32 | 0:57:35 | |
-Shut up, Robert! -And we took them apart! | 0:57:35 | 0:57:40 | |
-Oh, dear me. -Well, I just... | 0:57:40 | 0:57:42 | |
-As ever, really good fun. -I've learnt so much from you, I can tell you that! | 0:57:42 | 0:57:49 | |
-I'm never buying antiques again! -Amanda, you've been lovely. | 0:57:49 | 0:57:54 | |
Well done, expert. | 0:57:54 | 0:57:56 | |
Ohhh! | 0:57:56 | 0:57:57 | |
-That was barbed, wasn't it? -It was a bit. -Thank you very much. It was really good. | 0:57:57 | 0:58:03 | |
Can I just ask one thing? Would you get in, drive and shush? There's no need to say a word. | 0:58:03 | 0:58:10 | |
-Get in and shut up. -Don't you worry. -Shut up. -I won't mention it. | 0:58:10 | 0:58:14 | |
-Just shut up. -I won't mention uranium glass. -Shut up. -Sampson and Mordan. | 0:58:14 | 0:58:19 | |
-It's just the best quality... -Shut up. -Let's go for a nice long drive and a chat. | 0:58:19 | 0:58:26 | |
-Sampson Mordan. -Shut up. -We don't need hallmarks with Sampson Mordan. | 0:58:26 | 0:58:31 | |
-Shut up. -Sampson Mordan is Sampson Mordan. | 0:58:31 | 0:58:36 | |
Subtitles by Red Bee Media Ltd | 0:58:47 | 0:58:50 |