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'Some of the nation's favourite celebrities.' | 0:00:02 | 0:00:04 | |
Why have I got expensive tastes? | 0:00:04 | 0:00:06 | |
'One antiques expert each.' | 0:00:07 | 0:00:09 | |
La belle epoch? | 0:00:10 | 0:00:12 | |
'And one big challenge - | 0:00:12 | 0:00:14 | |
'who can seek out and buy the best antiques at the very best prices...' | 0:00:14 | 0:00:19 | |
Answers on a postcard. | 0:00:19 | 0:00:21 | |
'..and auction for a big profit further down the road?' | 0:00:21 | 0:00:25 | |
I love it! Ah! | 0:00:25 | 0:00:27 | |
'Who will spot good investments and listen to advice?' | 0:00:27 | 0:00:31 | |
-You like it? -I think it's horrible. | 0:00:31 | 0:00:33 | |
'And who will be the first to say, "Don't you know who I am?"' | 0:00:33 | 0:00:37 | |
Well done, us! | 0:00:37 | 0:00:39 | |
'Time to put your pedal to the metal. | 0:00:39 | 0:00:42 | |
'This is Celebrity Antiques Road Trip. | 0:00:42 | 0:00:45 | |
'Yeah!' | 0:00:47 | 0:00:48 | |
'On this Road Trip, we're really cooking | 0:00:48 | 0:00:51 | |
'with a couple of culinary maestros who are also close mates.' | 0:00:51 | 0:00:57 | |
Hello, everybody. | 0:00:57 | 0:00:59 | |
Shall we wave? Hello! | 0:00:59 | 0:01:01 | |
'Coo-ee! Jean Christophe Novelli and Rosemary Shrager.' | 0:01:01 | 0:01:06 | |
-Hello! -It's Rosemary and Raymond! | 0:01:08 | 0:01:10 | |
BOTH LAUGH | 0:01:10 | 0:01:12 | |
Yes. Hello! | 0:01:12 | 0:01:14 | |
I must say that I do have a few antiques. I do like antiques. | 0:01:18 | 0:01:23 | |
'Jolly good. | 0:01:23 | 0:01:26 | |
'Jean Christophe is a French master of the culinary art | 0:01:27 | 0:01:31 | |
'who first came to Britain in the early 1980s. | 0:01:31 | 0:01:34 | |
'Since then, he's opened a string of restaurants, | 0:01:34 | 0:01:37 | |
'winning four consecutive Michelin stars. | 0:01:37 | 0:01:40 | |
'Sacre bleu! If that wasn't enough, he also owns a cookery school | 0:01:41 | 0:01:47 | |
'and brightens up Britain's cooking shows with his handsome physog!' | 0:01:47 | 0:01:52 | |
That's all the work making you look 20 years younger! | 0:01:52 | 0:01:55 | |
They're wasting the budget! | 0:01:55 | 0:01:58 | |
-I'm really looking forward to it. -It's going to be fabulous. | 0:01:58 | 0:02:01 | |
-I tell you something... -In Yorkshire. | 0:02:01 | 0:02:04 | |
-Watch the road! -Ooh! The brakes. | 0:02:04 | 0:02:06 | |
'That looks, um, terrifying.' | 0:02:06 | 0:02:09 | |
-You've been to antiques shops? -Oh, yes. I love antiques shops. | 0:02:09 | 0:02:14 | |
'Rosemary Shrager is a chef who's worked for top restaurateurs and in stately homes, | 0:02:15 | 0:02:20 | |
'run no less than three cookery schools and published books | 0:02:20 | 0:02:24 | |
'which bring her stellar skills to the masses. | 0:02:24 | 0:02:26 | |
'She's also a regular on the gogglebox, | 0:02:26 | 0:02:29 | |
'where she's tutored all and sundry | 0:02:29 | 0:02:31 | |
'and traded baking for bush tucker on I'm A Celebrity. | 0:02:31 | 0:02:35 | |
'Rather you than me, Rosemary. | 0:02:37 | 0:02:40 | |
'Today, our gastronomic guy and gal are driving a red-blooded American classic, | 0:02:40 | 0:02:46 | |
'a 1965 Ford Mustang.' | 0:02:46 | 0:02:49 | |
I wonder who our antique experts are going to be. | 0:02:49 | 0:02:52 | |
-Do you have a clue? -No, I don't. | 0:02:52 | 0:02:54 | |
'But I do. Hello! Paul Laidlaw and Margie Cooper.' | 0:02:56 | 0:03:00 | |
-Us and two chefs, eh? -LAUGHS | 0:03:00 | 0:03:03 | |
"I like this vase." "Do you, chef? Yes, chef. Buy it, chef!" | 0:03:03 | 0:03:07 | |
'Paul Laidlaw's a canny Scott's auctioneer | 0:03:08 | 0:03:11 | |
'who's quite clear that he's happier in a saleroom than a kitchen.' | 0:03:11 | 0:03:15 | |
If you ever see me get two courses within a reasonable time of one another, | 0:03:15 | 0:03:21 | |
you are likely to see a grown man cry, shout or break something. | 0:03:21 | 0:03:26 | |
'Margie Cooper is a dealer and silver specialist, | 0:03:27 | 0:03:31 | |
'who always charms with her ready laugh.' | 0:03:31 | 0:03:35 | |
LAUGHS | 0:03:35 | 0:03:37 | |
-I don't envy them their career. I'd rather have ours. -Oh, what? | 0:03:37 | 0:03:41 | |
'Quite right, Margie. | 0:03:41 | 0:03:43 | |
'This lover of silver has definitely set her sights on gold in this race.' | 0:03:43 | 0:03:48 | |
It's not much fun coming second. | 0:03:48 | 0:03:51 | |
-It's the lengths you'll go to achieve that. -Cross the line. -Absolutely. | 0:03:51 | 0:03:55 | |
I crossed over to the dark side years ago, of course! | 0:03:55 | 0:03:59 | |
'I've got my eye on you, Paul. | 0:04:00 | 0:04:03 | |
'They're piloting a snow white starlet, a 1960s Morris Minor. | 0:04:03 | 0:04:07 | |
'Today, they'll begin in Gomersal, West Yorkshire, | 0:04:09 | 0:04:12 | |
'tour through the lovely West Riding | 0:04:12 | 0:04:14 | |
'and end up at auction in the fine city of Sheffield. | 0:04:14 | 0:04:19 | |
'Margie and Paul have decided which of the chefs they're going to claim for their respective teams.' | 0:04:19 | 0:04:25 | |
So you're taking Rosemary and I'll have Jean Christophe. | 0:04:25 | 0:04:29 | |
Good idea. | 0:04:29 | 0:04:32 | |
And may the best man win! PAUL LAUGHS | 0:04:32 | 0:04:35 | |
Yes, chef! | 0:04:35 | 0:04:37 | |
'And the competition is already heating up.' | 0:04:37 | 0:04:41 | |
Get me into the shop, I'll find the right thing. I'll beat you. | 0:04:41 | 0:04:45 | |
A dozen eggs! We could stop and get some eggs. | 0:04:45 | 0:04:48 | |
'There are two good eggs waiting for you in a nearby car park.' | 0:04:48 | 0:04:53 | |
There we are! | 0:04:53 | 0:04:55 | |
'Both teams are aiming for the same first shop, | 0:04:57 | 0:05:00 | |
'each armed with a £400 budget.' | 0:05:00 | 0:05:02 | |
ENGINE STARTS | 0:05:02 | 0:05:05 | |
'Rosemary and Paul are motoring off in determined fashion.' | 0:05:08 | 0:05:12 | |
-Have you known Jean Christophe long? -I've known him for over 20 years. | 0:05:12 | 0:05:16 | |
-Oh, my word! -I used to work for him. He's absolutely fabulous. | 0:05:16 | 0:05:21 | |
Today, everything goes out of the window because I'm very competitive. | 0:05:21 | 0:05:26 | |
'Meanwhile, though they're headed to the same place, | 0:05:26 | 0:05:30 | |
'Jean Christophe and Margie seem to have driven off into a rain shower. | 0:05:30 | 0:05:34 | |
'That cloud must be following you.' | 0:05:34 | 0:05:37 | |
Argh! | 0:05:37 | 0:05:38 | |
Right... | 0:05:41 | 0:05:42 | |
What's that? | 0:05:42 | 0:05:44 | |
Look at our wonderful technique. | 0:05:45 | 0:05:47 | |
We're getting more wet doing this than if we'd not bothered! | 0:05:47 | 0:05:52 | |
-That's very clever. -Oh, hang on! | 0:05:55 | 0:05:57 | |
Are you in? | 0:05:57 | 0:05:59 | |
BOTH LAUGH | 0:06:01 | 0:06:03 | |
'What a palaver! But they're back on the road. | 0:06:03 | 0:06:08 | |
'Unsurprisingly, Rosemary and Paul are the first | 0:06:08 | 0:06:11 | |
'to make it to today's inaugural shop, the Old Silk Mill.' | 0:06:11 | 0:06:15 | |
-Ooh, we're here! -Look who's NOT here. | 0:06:15 | 0:06:19 | |
Ha! No, they're not! They're not here yet! | 0:06:19 | 0:06:22 | |
That is good news. | 0:06:22 | 0:06:24 | |
'They're meeting dealer Simon.' | 0:06:27 | 0:06:30 | |
Hello. I'm Simon. Welcome to the Old Silk Mill. | 0:06:30 | 0:06:33 | |
I'm Paul. Good to see you. | 0:06:33 | 0:06:35 | |
'Time for this brand new team to get browsing.' | 0:06:35 | 0:06:38 | |
-Lovely welcome. What a lovely spot. -Isn't it nice? Sweet little chair. | 0:06:38 | 0:06:42 | |
-I love the feel of that. -Yeah. | 0:06:47 | 0:06:49 | |
'Soon, Paul's spied something over yonder.' | 0:06:49 | 0:06:52 | |
Two hand lanterns appealing to different markets. | 0:06:52 | 0:06:56 | |
'He's found two lanterns of differing design. | 0:06:57 | 0:07:00 | |
'One made to be mounted on an early motor car, | 0:07:00 | 0:07:03 | |
'and the other a hand lantern issued by the London Midland and Scottish Railway, | 0:07:03 | 0:07:08 | |
'a precursor to British Rail. | 0:07:08 | 0:07:10 | |
'They both date from the early 20th century.' | 0:07:10 | 0:07:13 | |
Value, that's the punchline. | 0:07:14 | 0:07:16 | |
-Too much. -They're worth £20, £30 each. -Yeah. | 0:07:16 | 0:07:20 | |
But... I'm not getting a good vibe? | 0:07:20 | 0:07:24 | |
-Is that not you? Are these just...? -That's not. That would be me. | 0:07:24 | 0:07:28 | |
'Ticket price on that lamp is £48, | 0:07:28 | 0:07:31 | |
'but Paul's sending Rosemary off with strict instructions. | 0:07:31 | 0:07:34 | |
'Go for it, girl!' | 0:07:34 | 0:07:36 | |
-WHISPERS: -Ruthless! I'm thinking a tenner! | 0:07:36 | 0:07:39 | |
'Watch out, Simon! Here comes trouble. Big time.' | 0:07:39 | 0:07:43 | |
What would be your best price? | 0:07:43 | 0:07:45 | |
I'm in a generous mood. 30. You're going to hate me for this. | 0:07:45 | 0:07:49 | |
But please, um...ten? | 0:07:49 | 0:07:52 | |
You can have it for 20, definitely. | 0:07:52 | 0:07:55 | |
15? Please? | 0:07:56 | 0:07:58 | |
Seeing as it's you, Rosemary, 15. | 0:07:59 | 0:08:01 | |
Thank you! | 0:08:01 | 0:08:04 | |
'Put him down. That's a good deal, but Paul's still got his eye on the other lantern.' | 0:08:04 | 0:08:09 | |
Can I push it further? Next to it... Now, Rosemary doesn't like it. | 0:08:09 | 0:08:13 | |
If that's 15, the two could be 25, couldn't they? | 0:08:13 | 0:08:17 | |
That's not as valuable as that. | 0:08:17 | 0:08:20 | |
What about 28 for the pair? | 0:08:20 | 0:08:23 | |
Shall we do 28? OK, let's do 28. As long as I get another cuddle. | 0:08:23 | 0:08:27 | |
You can have another cuddle! | 0:08:27 | 0:08:29 | |
'Another cuddle? Gosh! I think Simon might be a fan of yours, Rosemary. | 0:08:29 | 0:08:33 | |
'After a hesitant start, Rosemary seems to be getting the hang of this haggling lark | 0:08:33 | 0:08:38 | |
'and they've got their first lot in hand for £28. | 0:08:38 | 0:08:41 | |
'Which might shine a light. | 0:08:41 | 0:08:44 | |
'It looks as though Jean Christophe and Margie have finally caught up.' | 0:08:46 | 0:08:51 | |
-Hello. -Look at that! -I don't know you. | 0:08:53 | 0:08:57 | |
I'm Simon. Pleased to meet you. Are you OK? | 0:08:57 | 0:09:00 | |
'What might Jean Christophe's strategy be?' | 0:09:00 | 0:09:03 | |
You know, like going to a food shop, obviously, you can't smell, you can't taste. | 0:09:03 | 0:09:09 | |
'You can taste the antiques, if you want, Jean Christophe. | 0:09:09 | 0:09:12 | |
'I don't know if I'd recommend it. | 0:09:12 | 0:09:14 | |
'Mm, aroma of hat!' | 0:09:14 | 0:09:16 | |
Would you let me this desk for 400 quid? | 0:09:16 | 0:09:19 | |
-How much is the piano? -LAUGHING: How much is a piano? | 0:09:21 | 0:09:25 | |
He's so excited. We've only got £400 and we're trying to make a profit. | 0:09:25 | 0:09:29 | |
I've lost control. | 0:09:29 | 0:09:31 | |
Look! I've lost control! Complete control! | 0:09:31 | 0:09:35 | |
LAUGHS He's having a good time. | 0:09:35 | 0:09:38 | |
It's not his field and it's an exciting field. | 0:09:38 | 0:09:42 | |
'Jean Christophe soon sniffed out something he's really keen on.' | 0:09:45 | 0:09:49 | |
-How about that horse? -Oh, crikey! | 0:09:49 | 0:09:52 | |
-You've got to think, where I come from... -That! | 0:09:52 | 0:09:56 | |
-..something like this. -That is awful. -I don't think so. | 0:09:56 | 0:10:00 | |
That is the worst horse in Christendom. | 0:10:00 | 0:10:03 | |
I know it's not perfect. | 0:10:03 | 0:10:05 | |
MUSIC: Theme to "Rawhide" | 0:10:05 | 0:10:08 | |
'It's a 20th-century carousel horse missing one ear | 0:10:13 | 0:10:16 | |
'that's been liberated from a fairground and fitted on runners. | 0:10:16 | 0:10:20 | |
'There's no ticket price. To put it mildly, Margie is not keen.' | 0:10:20 | 0:10:24 | |
It's in terrible condition. It doesn't rock. | 0:10:24 | 0:10:27 | |
-It's got no age to it at all. -But the thing is... | 0:10:27 | 0:10:32 | |
I've never seen anything as horrible in my life. | 0:10:32 | 0:10:35 | |
That's what people like! If it's too beautiful, people hate it. | 0:10:35 | 0:10:39 | |
'You've found that, have you, Jean Christophe? | 0:10:39 | 0:10:43 | |
'Under sufferance, Margie will fetch Simon.' | 0:10:43 | 0:10:45 | |
Simon, follow me. That horrible horse. | 0:10:45 | 0:10:50 | |
-It's not horrible. -It is horrible. -It's something attractive. | 0:10:50 | 0:10:54 | |
I bet it's expensive. | 0:10:54 | 0:10:56 | |
The horse is 200. BOTH GASP | 0:10:56 | 0:10:58 | |
You see? I told you it's worth something. | 0:10:58 | 0:11:02 | |
-MARGIE: Move on. -Why don't we say 40 quid? | 0:11:02 | 0:11:04 | |
'Steady on, Jean Christophe.' | 0:11:04 | 0:11:06 | |
75. Oh, that's... | 0:11:06 | 0:11:08 | |
-My only concern is the missing ear. -MARGIE: It is a slight problem. | 0:11:08 | 0:11:13 | |
Shall we call it Vincent Van Gogh? LAUGHS | 0:11:13 | 0:11:17 | |
SIMON: How about I meet you halfway? Say, 55, and you've got a bargain. | 0:11:17 | 0:11:22 | |
40. If you accept 40, I'll go for it | 0:11:22 | 0:11:26 | |
and it's out of your showroom. | 0:11:26 | 0:11:28 | |
SIMON: Mm... | 0:11:28 | 0:11:30 | |
-You've got a deal, Jean Christophe. -You're a good man, because I really believe in it! | 0:11:30 | 0:11:35 | |
'So, Jean Christophe negotiates an excellent deal on his beloved horse. | 0:11:35 | 0:11:40 | |
'Despite her professional reservations, Margie will indulge him on this one. | 0:11:40 | 0:11:45 | |
'What a nice thing. | 0:11:45 | 0:11:47 | |
'Rosemary and Paul are still downstairs | 0:11:49 | 0:11:52 | |
'and they've spotted something of their own.' | 0:11:52 | 0:11:55 | |
-Look! "Lusty's Maidsaver!" -Oh, I love it! | 0:11:55 | 0:11:58 | |
-GASPS -That's a gem. -I LOVE it! | 0:11:58 | 0:12:01 | |
'It's a mid 20th-century kitchen branded as the Maidsaver!' | 0:12:01 | 0:12:06 | |
-It's bang on trend. -I wonder how much this is. | 0:12:06 | 0:12:10 | |
'Ticket price is a hefty £225, | 0:12:10 | 0:12:13 | |
'so they have to agree a deal with Simon - the deal of the century.' | 0:12:13 | 0:12:18 | |
Simon? Can I ask you a question? | 0:12:18 | 0:12:22 | |
SIGHS | 0:12:23 | 0:12:24 | |
'Now Rosemary's got him where she wants him, she's going to try for another reduction. | 0:12:24 | 0:12:29 | |
'Stand by. Poor boy.' | 0:12:29 | 0:12:32 | |
50. Ooh! | 0:12:32 | 0:12:33 | |
I'm afraid that's far too cheap. 55. | 0:12:33 | 0:12:37 | |
'You're a quick learner. You've really taken to bargaining. You've terrified him.' | 0:12:37 | 0:12:42 | |
I think if we stretched to 125, you're getting a bargain. | 0:12:42 | 0:12:45 | |
No, no, no. We can't. | 0:12:45 | 0:12:47 | |
I've got a price at the top we can only do, seriously. | 0:12:47 | 0:12:50 | |
I can only do it. OK...70. | 0:12:50 | 0:12:53 | |
We have got it up at 225, which is a reasonable price. | 0:12:54 | 0:12:59 | |
Minimum we could go to, that would be 90. | 0:12:59 | 0:13:03 | |
'Simon's giving you a run for your money.' | 0:13:04 | 0:13:07 | |
75. | 0:13:07 | 0:13:09 | |
I think 85, you've got an absolute bargain. | 0:13:10 | 0:13:14 | |
A real, real bargain at 85. 82 and I'll call it a deal. | 0:13:14 | 0:13:18 | |
ROSEMARY LAUGHS HEARTILY | 0:13:21 | 0:13:24 | |
Fantastic! | 0:13:24 | 0:13:26 | |
Have you any idea how glad I am that Rosemary is on MY side? | 0:13:26 | 0:13:31 | |
She's a tough cookie! | 0:13:31 | 0:13:33 | |
'She certainly is. Now Rosemary's trying to get Simon to include a few small kitchen items in the deal | 0:13:33 | 0:13:38 | |
'to dress the cabinet - which is really finger-licking cunning.' | 0:13:38 | 0:13:43 | |
Can you throw in just a few little bits? | 0:13:43 | 0:13:46 | |
SIMON: I'm sure we can, yes. | 0:13:46 | 0:13:48 | |
You're such a good egg! Thank you SO much! | 0:13:48 | 0:13:51 | |
-You are a whirlwind. -I love it! Shall we go upstairs? | 0:13:51 | 0:13:55 | |
'Ha ha ha. Thought you'd never ask. | 0:13:55 | 0:13:58 | |
'Paul's clocked something.' | 0:14:00 | 0:14:02 | |
That is a mid 20th-century office regulator. | 0:14:02 | 0:14:08 | |
That is the timepiece from which other clocks could be set. | 0:14:08 | 0:14:14 | |
-Look at that technology! -Wow! | 0:14:15 | 0:14:17 | |
-What is that? -This is an electric regulator. -It looks electric. | 0:14:17 | 0:14:21 | |
'It dates from the 1940s and it's marked up at £85.' | 0:14:21 | 0:14:25 | |
-I like the face. -It's got a great face. -It's really lovely. | 0:14:27 | 0:14:30 | |
'Of course, they'll be looking for a substantial discount from Simon, | 0:14:30 | 0:14:35 | |
'who'll be lucky if he still has his hat by lunch time. | 0:14:35 | 0:14:40 | |
Do you recall, upstairs, you've got a...albeit shabby office wall clock? | 0:14:40 | 0:14:46 | |
It's not going to be 20 quid, is it? | 0:14:46 | 0:14:49 | |
-£40. £40 will... -Aargh! | 0:14:49 | 0:14:53 | |
ROSEMARY: 21? | 0:14:53 | 0:14:55 | |
PAUL LAUGHS | 0:14:55 | 0:14:57 | |
Little steps! | 0:14:57 | 0:14:59 | |
The absolute death would be 35. You've got an absolute bargain. | 0:14:59 | 0:15:03 | |
-25. -30 and I'll shake your hand. | 0:15:03 | 0:15:06 | |
You've got an absolute bargain. Yes. I mean... | 0:15:06 | 0:15:09 | |
All right. Go on. | 0:15:10 | 0:15:13 | |
Cheers. I'd better get more money out. | 0:15:13 | 0:15:16 | |
'You better had, Paul. | 0:15:17 | 0:15:19 | |
'Simon's given you generous deals, but he's also made lots of sales. | 0:15:19 | 0:15:24 | |
'The other two are still browsing | 0:15:28 | 0:15:30 | |
'and it doesn't look as if Margie's having any more luck | 0:15:30 | 0:15:33 | |
'containing the Mercurial Jean Christophe.' | 0:15:33 | 0:15:36 | |
La belle epoch? | 0:15:36 | 0:15:39 | |
Anything Napoleon or Louis XV or...? | 0:15:39 | 0:15:42 | |
Unfortunately, no, I don't think so. | 0:15:42 | 0:15:45 | |
Charlemagne? | 0:15:45 | 0:15:47 | |
-Let's be serious now and give a little bit of concentration. -Yeah. | 0:15:47 | 0:15:51 | |
'Margie's steering him towards something befitting of his profession. Stop mincing about.' | 0:15:51 | 0:15:57 | |
-Look, culinary! -Wonderful painting. -A mincer. | 0:15:57 | 0:16:00 | |
I used to make mince with that. | 0:16:00 | 0:16:02 | |
-Did you? -Yeah. Many, many years ago. -I bet. When you were a lad. | 0:16:02 | 0:16:06 | |
'It's an old tool for mincing meat. There's no ticket price on it.' | 0:16:06 | 0:16:11 | |
It falls into a group of antiques called kitchenalia. | 0:16:11 | 0:16:15 | |
It doesn't go for a lot of money. | 0:16:15 | 0:16:18 | |
Mind you, if at the auction people connect you with something culinary, it probably would. | 0:16:18 | 0:16:24 | |
SIMON: The mincer I could do for £5. | 0:16:24 | 0:16:27 | |
'This could be the start of their job lot of kitchen-centric items. | 0:16:27 | 0:16:31 | |
'I'm starting to sense a theme developing. | 0:16:31 | 0:16:34 | |
'Kitchenalia, to use the antiques world term, | 0:16:35 | 0:16:38 | |
'can be saleable to the right market. | 0:16:38 | 0:16:41 | |
'It does put Jean Christophe back on familiar ground. | 0:16:42 | 0:16:45 | |
'He's soon found something else he'd like to add to the lot.' | 0:16:45 | 0:16:49 | |
-I can see the scale and the mincer together. -That is a thought. Yeah. | 0:16:49 | 0:16:54 | |
How much is it? We've got 25 with the weights. | 0:16:54 | 0:16:58 | |
'It's a set of scales and weights dating from the early 20th century.' | 0:16:59 | 0:17:04 | |
MARGIE: So, the two together? SIMON: The mincer and the scales? | 0:17:04 | 0:17:08 | |
What about 18 for the pair? | 0:17:09 | 0:17:12 | |
'Oh! Now he's doing his Marcel Marceau! | 0:17:12 | 0:17:17 | |
'But it seems to be working.' | 0:17:18 | 0:17:20 | |
-15. -I'm going to step out here. | 0:17:20 | 0:17:23 | |
MARGIE LAUGHING | 0:17:23 | 0:17:26 | |
Thank you, my friend. I love you very much. | 0:17:26 | 0:17:29 | |
'Deal done at £15 for the mincer and scales.' | 0:17:29 | 0:17:33 | |
Marvellous. Thank you. | 0:17:33 | 0:17:35 | |
'And the irrepressible Jean Christophe is browsing on.' | 0:17:35 | 0:17:38 | |
I have great interest to this... | 0:17:38 | 0:17:41 | |
-Is it Victorian? -LAUGHTER | 0:17:42 | 0:17:45 | |
'Lordy! | 0:17:45 | 0:17:47 | |
'Now, Rosemary and Paul are back on the road. | 0:17:47 | 0:17:51 | |
'They're driving towards Grange Moor, West Yorkshire, | 0:17:51 | 0:17:55 | |
'and heading into Rockwood Antiques, which is above a garden centre. | 0:17:55 | 0:17:59 | |
'Oh! | 0:17:59 | 0:18:01 | |
'Dealers Karen and Sally are ready to greet them. | 0:18:01 | 0:18:04 | |
'Hello, Karen and Sally.' | 0:18:04 | 0:18:07 | |
Wow! Oooh! | 0:18:08 | 0:18:11 | |
OK. Let's just say hello. | 0:18:11 | 0:18:13 | |
-How are you doing? -Hello, hello! How are you? | 0:18:13 | 0:18:16 | |
'Our competitive pair are getting down to some determined bargain hunting.' | 0:18:17 | 0:18:23 | |
It's come over all serious, you and I! What happened? | 0:18:25 | 0:18:30 | |
-I love these big bowls. -A big dairy crock! | 0:18:30 | 0:18:33 | |
-I love them. -They are belting, aren't they? | 0:18:33 | 0:18:36 | |
With JC and myself, it's all got a bit kitchen-orientated! | 0:18:36 | 0:18:40 | |
-I'm getting that! -You're getting the hang of it? | 0:18:40 | 0:18:43 | |
Kitchen, kitchen, kitchen. | 0:18:43 | 0:18:45 | |
'And before long, Rosemary's spotted yet another kitchen themed item. | 0:18:45 | 0:18:50 | |
'This time, on a miniature scale.' | 0:18:50 | 0:18:52 | |
Oh, look at this! | 0:18:52 | 0:18:55 | |
GASPS Oh! Look at this oven! | 0:18:55 | 0:18:58 | |
Sweetheart! | 0:18:59 | 0:19:01 | |
Oh, look! | 0:19:02 | 0:19:04 | |
My grandchildren would LOVE this. | 0:19:04 | 0:19:08 | |
'It's a child's toy stove dating from the 1930s or '40s, | 0:19:08 | 0:19:13 | |
'complete with miniature pots, pans and utensils. | 0:19:13 | 0:19:17 | |
'Ticket price is £85. It's awoken the childlike joy in this pair. | 0:19:17 | 0:19:23 | |
'It's almost as if they've trotted off to the nursery.' | 0:19:23 | 0:19:26 | |
-Isn't that adorable? -A wee tinplate range, is that what you call it? | 0:19:26 | 0:19:31 | |
-Yeah. -A stove. | 0:19:31 | 0:19:33 | |
-What do you think they would sell it for? -I'd need that for half. | 0:19:33 | 0:19:38 | |
'Getting it for half price might be a challenge, | 0:19:38 | 0:19:41 | |
'but Rosemary is proving she's no slouch at bargaining. | 0:19:41 | 0:19:44 | |
'She'll speak to Karen.' | 0:19:44 | 0:19:46 | |
-Are you able to speak for these people? -I am, love. Yes. | 0:19:46 | 0:19:51 | |
OK. It's obviously too expensive for us. We couldn't even do half. | 0:19:51 | 0:19:56 | |
-£25? -Can I have a look, see what's on it? | 0:19:56 | 0:19:59 | |
'Uh-oh.' | 0:19:59 | 0:20:01 | |
-I'd rather you didn't! -LAUGHS | 0:20:01 | 0:20:04 | |
'But Karen's kindly willing to haggle.' | 0:20:04 | 0:20:07 | |
Could you possibly shift to 30? | 0:20:07 | 0:20:10 | |
SIGHS | 0:20:10 | 0:20:12 | |
-I wouldn't hesitate. -All right. I'll do 30. | 0:20:12 | 0:20:15 | |
Done. OK. Thank you so much. | 0:20:15 | 0:20:17 | |
'Wonderful! Wonderful! Deal struck. | 0:20:17 | 0:20:20 | |
'They've got the darling little stove for £30 | 0:20:20 | 0:20:24 | |
'and a ruckload of children's pots and pans. | 0:20:24 | 0:20:28 | |
'Now, Jean Christophe and Margie are in the car.' | 0:20:29 | 0:20:33 | |
That was our first shop. How do you feel? | 0:20:33 | 0:20:36 | |
I think it was an amazing experience. | 0:20:36 | 0:20:38 | |
BOTH LAUGH | 0:20:38 | 0:20:40 | |
'Thanks to you, Jean Christophe. | 0:20:40 | 0:20:43 | |
'They're motoring off towards the city of Leeds. | 0:20:43 | 0:20:46 | |
'They're going to spend the afternoon visiting a stately home, | 0:20:46 | 0:20:50 | |
'Temple Newsam, where Michelin-winning chef Jean Christophe | 0:20:50 | 0:20:53 | |
'will learn about a menu served here in the 19th century | 0:20:53 | 0:20:57 | |
'that was amongst the most lavish of its time. | 0:20:57 | 0:21:00 | |
'They're meeting retired curator James Lomax.' | 0:21:00 | 0:21:04 | |
-You're James? -That's right. Come along. -Thank you. | 0:21:04 | 0:21:07 | |
'Temple Newsam is a grand Tudor Jacobean pile, | 0:21:08 | 0:21:12 | |
'one of the most important country houses in the north of England. | 0:21:12 | 0:21:17 | |
'It sits in 1,500 acres of parkland, | 0:21:20 | 0:21:23 | |
'which today includes a rare breeds farm. | 0:21:23 | 0:21:27 | |
'Jean Christophe's keen to visit the farm, | 0:21:27 | 0:21:29 | |
'which produces high-quality meat, but before that | 0:21:29 | 0:21:32 | |
'they're going to learn about a very special meal in the house's history, | 0:21:32 | 0:21:36 | |
'a feast fit for a King.' | 0:21:36 | 0:21:38 | |
In 1894, there was a visit by a member of the royal family to Leeds. | 0:21:38 | 0:21:44 | |
The future Queen Mary and George V, the Duke of York, | 0:21:44 | 0:21:48 | |
came and had a big dinner here for 48 people. | 0:21:48 | 0:21:53 | |
'The royal couple who were then Duke and Duchess of York, | 0:21:53 | 0:21:57 | |
'came to Leeds to inaugurate some new academic buildings.' | 0:21:57 | 0:22:02 | |
They came to open the new medical faculty at the university | 0:22:02 | 0:22:05 | |
and stayed here for three days - it was like a state visit. | 0:22:05 | 0:22:08 | |
'In 1894, the house was owned and lived in | 0:22:08 | 0:22:12 | |
'by Lady Emily Charlotte Meynell Ingram - quite a mouthful. | 0:22:12 | 0:22:16 | |
'Like many grand houses of the time, | 0:22:16 | 0:22:18 | |
'Temple Newsam was equipped to host large and lavish parties. | 0:22:18 | 0:22:23 | |
'The royal guests enjoyed a spectacular meal in their visit. | 0:22:23 | 0:22:27 | |
'Look at that!' | 0:22:27 | 0:22:29 | |
You can see the preparations going on. | 0:22:29 | 0:22:31 | |
They're laying the table, basically. | 0:22:31 | 0:22:35 | |
You can see the silver plates - the 144 silver plates. | 0:22:35 | 0:22:40 | |
Then we also have the menu. | 0:22:40 | 0:22:42 | |
Of course, in French. | 0:22:42 | 0:22:45 | |
It has to be. Anything really smart has to be in French always. | 0:22:45 | 0:22:49 | |
'Naturellement.' | 0:22:49 | 0:22:52 | |
"Consomme royale, poulet roti, | 0:22:52 | 0:22:55 | |
"escaloppes de saumen ravigot, salade de homard." | 0:22:55 | 0:22:59 | |
'To you or me, that's royal broth, roast chicken, | 0:22:59 | 0:23:03 | |
'salmon with sauce and lobster salad. Yummy!' | 0:23:03 | 0:23:06 | |
-"Poulet decoupe". -What's that? | 0:23:06 | 0:23:09 | |
Beheaded chicken! | 0:23:09 | 0:23:12 | |
It's basically a chicken slice in 24 bits. | 0:23:12 | 0:23:17 | |
'The menu has put Jean Christophe in mind of a giant of French cookery.' | 0:23:17 | 0:23:21 | |
This is definitely Escoffier time, Escoffier language. | 0:23:21 | 0:23:26 | |
'Auguste Escoffier rejuvenated traditional French cooking | 0:23:26 | 0:23:31 | |
'in the late 1800s and early 1900s, publishing La Guide Culinaire, | 0:23:31 | 0:23:35 | |
'which remains a bible in professional kitchens to this day. | 0:23:35 | 0:23:39 | |
'This menu reflects the haute cuisine of the moment.' | 0:23:39 | 0:23:43 | |
-As a chef... -These old menus. -..this is like reading a bible to me. | 0:23:43 | 0:23:49 | |
-Yes, of course it is. -This is the frame of cooking today. | 0:23:49 | 0:23:52 | |
This is where all the sauces, these amazing classic dishes | 0:23:52 | 0:23:57 | |
have been moved on now to what it is today. | 0:23:57 | 0:24:00 | |
-In that time, these would be really exceptional. -Exceptional eating. | 0:24:00 | 0:24:04 | |
'The chef that cooked this meal wouldn't have had far to go | 0:24:05 | 0:24:09 | |
'to source the produce that went into it. | 0:24:09 | 0:24:12 | |
'A farm on the estate provided the house with much of its food. | 0:24:12 | 0:24:17 | |
'The provenance of our ingredients is just as important today. | 0:24:17 | 0:24:21 | |
'The farm still exists and Jean Christophe and Margie | 0:24:22 | 0:24:26 | |
'are going to wander down there to meet farm manager David Bradley.' | 0:24:26 | 0:24:30 | |
-Good afternoon. -Welcome to Temple Newsam. | 0:24:30 | 0:24:32 | |
-How are you? -Very good. Brought some nice weather with you. | 0:24:32 | 0:24:36 | |
-We had a lovely time in the house. -It's lovely, isn't it? | 0:24:36 | 0:24:40 | |
'Today, it's run by the city as a rare breeds farm, | 0:24:40 | 0:24:43 | |
'devoted to preserving breeds of farm animals neglected by commercial agriculture.' | 0:24:43 | 0:24:49 | |
-Do you want to see the cattle? -I'd love to. | 0:24:52 | 0:24:56 | |
Most of the breeds became rare after the war years, really. | 0:24:57 | 0:25:01 | |
Most of the breeds became rare when farming methods got more modern | 0:25:01 | 0:25:05 | |
and traditional things went by the board. | 0:25:05 | 0:25:08 | |
That's my favourite one. | 0:25:12 | 0:25:14 | |
'The farm provides meat to Temple Newsam's on-site cafe. | 0:25:17 | 0:25:21 | |
'The farm's been successful in its mission | 0:25:21 | 0:25:24 | |
'to preserve traditional British breeds and farming methods, | 0:25:24 | 0:25:27 | |
'bringing the gastronomic story of Temple Newsam up to the present day. | 0:25:27 | 0:25:31 | |
'Jean Christophe is impressed.' | 0:25:31 | 0:25:33 | |
I think it's important to understand the way of sourcing your product, | 0:25:33 | 0:25:38 | |
to understand about farms. | 0:25:38 | 0:25:40 | |
It's down to people like ourselves to produce something that's better than we've had in the past. | 0:25:40 | 0:25:45 | |
This is fabulous. | 0:25:45 | 0:25:48 | |
You only need one good chef and one good farmer and you've got it made! | 0:25:48 | 0:25:52 | |
'Indeed! It's time for Jean Christophe and Margie to hit the road.' | 0:25:52 | 0:25:57 | |
Bye bye, Billy. | 0:25:57 | 0:25:59 | |
'With that, it's the end of a hectic first day. Bon nuit, mes amis. | 0:25:59 | 0:26:05 | |
'But the bargain trail calls and the next morning finds all four back on the road, | 0:26:09 | 0:26:15 | |
'comparing notes on the trip so far.' | 0:26:15 | 0:26:18 | |
I have to tell you, I love Paul. | 0:26:18 | 0:26:20 | |
He is so good to be with. He's so funny. | 0:26:20 | 0:26:23 | |
-Margie, what does she think about what you bought? -Oh! | 0:26:23 | 0:26:26 | |
-Margie LOVE it! -BOTH LAUGH | 0:26:26 | 0:26:30 | |
-I don't know whether to believe you or not. -She gave me a look like... | 0:26:30 | 0:26:34 | |
"OK. Yeah. You've got a point." | 0:26:34 | 0:26:37 | |
I think you are completely winding me up. | 0:26:37 | 0:26:40 | |
'You could be right there, Rosemary.' | 0:26:40 | 0:26:43 | |
He was like a little boy in a sweet shop. I really lost control. | 0:26:43 | 0:26:48 | |
What I've got, believe me, will knock your socks off. | 0:26:48 | 0:26:52 | |
-Well... -Knock your socks off. -Wait till you see what I bought yesterday. | 0:26:52 | 0:26:57 | |
You're going to be shocked. | 0:26:57 | 0:26:59 | |
'He IS winding you up this morning, Rosemary. | 0:26:59 | 0:27:03 | |
'So far, Rosemary and Paul have spent £170 exactly on four lots - | 0:27:03 | 0:27:08 | |
'the two carbide lanterns, | 0:27:08 | 0:27:10 | |
'the Maidsaver kitchen cabinet, the regulator clock | 0:27:10 | 0:27:14 | |
'and the toy stove and accoutrements, | 0:27:14 | 0:27:15 | |
'meaning they have £230 left to spend today.' | 0:27:15 | 0:27:19 | |
Thank you very much. Take care. | 0:27:19 | 0:27:22 | |
'Jean Christophe and Margie have been quite abstemious by comparison, | 0:27:23 | 0:27:28 | |
'spending only £55 on two lots - | 0:27:28 | 0:27:31 | |
'the scales and mincer, and the carousel horse. | 0:27:31 | 0:27:35 | |
'They have £345 left to spend. | 0:27:35 | 0:27:38 | |
'They're all beginning in the West Yorkshire town of Hebden Bridge. | 0:27:38 | 0:27:43 | |
'Bohemian Hebden Bridge is known for its vibrant cultural scene | 0:27:43 | 0:27:48 | |
'and array of independent shops. | 0:27:48 | 0:27:50 | |
'What better place to kick off today's proceedings?' | 0:27:50 | 0:27:53 | |
Hello! Here are the competitors. | 0:27:53 | 0:27:56 | |
-How was your journey? -Damp! | 0:27:56 | 0:27:59 | |
-I'll see you later. -See you later. -Have a good'un. | 0:27:59 | 0:28:03 | |
'Rosemary and Paul are strolling off to their first shop. | 0:28:04 | 0:28:08 | |
'They're heading into Hebden Bridge Antiques, | 0:28:08 | 0:28:11 | |
'where they're meeting dealer Duncan. Hello, Duncan.' | 0:28:11 | 0:28:14 | |
-Your name is? -Duncan. -Hello, Duncan. | 0:28:14 | 0:28:17 | |
-How do you do? I'm Paul. -I'm Rosemary. | 0:28:17 | 0:28:20 | |
Do you know what? JC has been winding me up so much this morning! | 0:28:23 | 0:28:28 | |
He's been doing my head in. This is real BUSINESS, OK? | 0:28:28 | 0:28:32 | |
-I mean that. Please help me. -A grudge match? | 0:28:32 | 0:28:35 | |
This is a grudge match. Actually, we're at war. | 0:28:35 | 0:28:38 | |
We're actually at war. | 0:28:38 | 0:28:40 | |
'The brave Mr Laidlaw is willing to step up to the plate | 0:28:42 | 0:28:46 | |
'and has soon spotted something that speaks to his own war-like area of expertise, militaria.' | 0:28:46 | 0:28:51 | |
-I'll show you an easy profit on an interesting thing. -Hm? | 0:28:51 | 0:28:55 | |
'It's a pipe with a clay bowl | 0:28:55 | 0:28:58 | |
'shaped as the head of French military leader Ferdinand Foch, | 0:28:58 | 0:29:03 | |
'Supreme Commander of the allied armies in World War I.' | 0:29:03 | 0:29:07 | |
Dated 1918. | 0:29:07 | 0:29:09 | |
That's commemorating the armistice. That's 13 and a half pounds. | 0:29:09 | 0:29:15 | |
Buy it for a tenner and it's worth £30 to £50. | 0:29:15 | 0:29:18 | |
'Duncan will open the cabinet.' | 0:29:18 | 0:29:20 | |
I do love it because it's so... Feels lovely, though, doesn't it? | 0:29:22 | 0:29:26 | |
It's history! Like nasty Jean Christophe, it's a thing of the past! | 0:29:26 | 0:29:32 | |
'They're taking a note of it and browsing on.' | 0:29:32 | 0:29:35 | |
It's like Aladdin's cave in here. It's fantastic. | 0:29:35 | 0:29:39 | |
'The military theme continues as Paul's expert eye alights on something else.' | 0:29:42 | 0:29:48 | |
LAUGHS | 0:29:48 | 0:29:50 | |
-I've got something. -What is it? | 0:29:50 | 0:29:52 | |
-Binoculars. -Not any old pair of binoculars. -What are they? | 0:29:53 | 0:29:58 | |
Not a lot of people know this, | 0:29:58 | 0:30:00 | |
but... | 0:30:00 | 0:30:02 | |
those are military... | 0:30:02 | 0:30:05 | |
Don't look closely at me, it doesn't get any better! | 0:30:05 | 0:30:08 | |
'Crikey, it's Cary Grant!' | 0:30:08 | 0:30:10 | |
-These date to the Second World War. -Do they? | 0:30:10 | 0:30:13 | |
These were designed for and issued to British paratroops. | 0:30:13 | 0:30:19 | |
If they don't make 30 to 50, there's been an injustice. | 0:30:19 | 0:30:23 | |
'Paul's pretty sure he can turn a profit on his two pieces of militaria. | 0:30:23 | 0:30:29 | |
'Rosemary's still fixated on the Maidsaver kitchen cabinet she bought yesterday | 0:30:29 | 0:30:34 | |
'and is determined to scare up some kitchen items to dress it.' | 0:30:34 | 0:30:38 | |
Have you got any little things I can put inside it that I don't pay for? | 0:30:38 | 0:30:42 | |
PAUL AND DUNCAN LAUGH Just some bits and pieces? | 0:30:42 | 0:30:46 | |
'Rosemary! That's even embarrassed Paul! | 0:30:46 | 0:30:50 | |
'Asking for free stuff might be taking hard haggling a little far. | 0:30:50 | 0:30:55 | |
'But she is going to try to assemble her own parcel of kitchenalia | 0:30:55 | 0:30:59 | |
'to dress the cabinet, which Duncan might do for a knock-down price.' | 0:30:59 | 0:31:03 | |
-What bits and pieces are you looking for? -You know, maybe one of these. | 0:31:03 | 0:31:07 | |
-Pretty cups and saucers? -Yes. | 0:31:07 | 0:31:09 | |
-Spoons you're interested in? -Yes. They'll have me down as a scavenger. | 0:31:09 | 0:31:14 | |
'They will.' | 0:31:14 | 0:31:16 | |
-It's a wine stopper? -No, a spirit server. -That would be fantastic! | 0:31:16 | 0:31:21 | |
Take that. | 0:31:23 | 0:31:25 | |
I love that. | 0:31:25 | 0:31:27 | |
Can we put that on my...? PAUL LAUGHS | 0:31:27 | 0:31:30 | |
Can we? Please? | 0:31:30 | 0:31:32 | |
I feel like a beast of burden here, chef. | 0:31:32 | 0:31:35 | |
'Rosemary's positively daft for kitchen items. | 0:31:37 | 0:31:40 | |
'Is she finally finished?' | 0:31:40 | 0:31:42 | |
OK, I think we're done. | 0:31:42 | 0:31:44 | |
Oh, wait! | 0:31:44 | 0:31:45 | |
-LAUGHING: -"I think we're done. Oh, wait!" | 0:31:45 | 0:31:48 | |
'It's a set of four Victorian copper pans. | 0:31:48 | 0:31:51 | |
'They're thinking of adding them to the mega lot of kitchen cabinet and kitchenalia.' | 0:31:51 | 0:31:56 | |
Onto your counter. | 0:31:56 | 0:32:00 | |
'Ticket price for all four pans is a hefty £114. | 0:32:00 | 0:32:05 | |
'Oh, Duncan?' | 0:32:05 | 0:32:07 | |
-Would a straight 100 be any good to you? -That's a bit of slack. | 0:32:07 | 0:32:11 | |
I should have said, "Will there be a hell of a lot of slack?" | 0:32:11 | 0:32:15 | |
We're talking about slightly less than half. | 0:32:15 | 0:32:19 | |
Well, we wouldn't be able to do that. | 0:32:19 | 0:32:21 | |
70. | 0:32:21 | 0:32:23 | |
I still, you know, I don't think we'll make the money on it. | 0:32:23 | 0:32:27 | |
-How about 60? -You're tempting us. | 0:32:27 | 0:32:30 | |
'What about Rosemary's mountain of kitchen items? | 0:32:30 | 0:32:33 | |
'Combined ticket price on that motley assortment is around £30.' | 0:32:33 | 0:32:39 | |
If I give you a tenner for those? | 0:32:39 | 0:32:41 | |
-How about 13, unlucky 13? -SHE SIGHS | 0:32:41 | 0:32:44 | |
-12? -OK. | 0:32:44 | 0:32:46 | |
'What about the two military items Paul's so keen on, | 0:32:46 | 0:32:51 | |
'the pipe and the binoculars?' | 0:32:51 | 0:32:53 | |
-We can do that for a tenner. Can't go any lower. -That is so fair! | 0:32:53 | 0:32:57 | |
-Really keen on that. -You're going to say the same about the binoculars. | 0:32:57 | 0:33:02 | |
Yes. We could do that for a tenner. | 0:33:02 | 0:33:05 | |
-They could go together quite easily. -Yes, they look nice. | 0:33:05 | 0:33:09 | |
'£20 for the two is more than fair. | 0:33:09 | 0:33:12 | |
'So, Duncan's currently offering a total of £92 for the lot. | 0:33:13 | 0:33:18 | |
'If they take everything on the table, what could he do for the bulk buy?' | 0:33:18 | 0:33:23 | |
-75. -We're going to have to do it. | 0:33:23 | 0:33:26 | |
We're going to have to do it. PAUL LAUGHS | 0:33:26 | 0:33:29 | |
I'm not going to do that. Come here. | 0:33:29 | 0:33:33 | |
'An extraordinary deal from Duncan means that they're all bought up. | 0:33:33 | 0:33:37 | |
'Duncan's colleague Peter is lying in wait.' | 0:33:37 | 0:33:40 | |
Rosemary, before you go, I'd like to give you a present | 0:33:40 | 0:33:43 | |
in exchange for a photo. | 0:33:43 | 0:33:45 | |
-Fan... -To help you with your kitchen. -Oh, that's fantastic! | 0:33:45 | 0:33:49 | |
Seriously? | 0:33:49 | 0:33:51 | |
'Thank you, Peter. That plate will be added to the kitchen lot on which they've now spent £147.' | 0:33:51 | 0:33:57 | |
That's good! | 0:33:58 | 0:34:01 | |
'The other pair are in the car and Margie's looking forward to rooting out some real antiques today.' | 0:34:04 | 0:34:11 | |
-Are you going to let me have a look around? -Yes, of course. | 0:34:11 | 0:34:14 | |
And maybe buy something a bit special? | 0:34:14 | 0:34:18 | |
-I'll be your comis. -You'll be my comis chef! | 0:34:18 | 0:34:23 | |
'They're heading for a shop just outside Hebden Bridge.' | 0:34:23 | 0:34:27 | |
# Non, je ne regrette rien... # | 0:34:27 | 0:34:30 | |
'Yes, yes, yes. Let's be "Edith Pi-affing" you! | 0:34:30 | 0:34:34 | |
'They're at Caldene Antiques Centre.' | 0:34:34 | 0:34:36 | |
-What about this? -Oh! | 0:34:39 | 0:34:41 | |
BOTH LAUGH | 0:34:41 | 0:34:43 | |
'They're greeted by dealers Shirley and Paul.' | 0:34:43 | 0:34:48 | |
So, we're going to have a jolly good look round. | 0:34:48 | 0:34:51 | |
-And then, if you can help me at some stage? -Well, I hope so. -So do I. | 0:34:51 | 0:34:57 | |
Has he got any smell? | 0:34:57 | 0:34:59 | |
Look, he's watching me. | 0:34:59 | 0:35:02 | |
'Margie's keen to see if anything might chime | 0:35:02 | 0:35:05 | |
'with either her silver specialism | 0:35:05 | 0:35:07 | |
'or Jean Christophe's cheffy enthusiasms.' | 0:35:07 | 0:35:10 | |
With him being with us, a bit of culinary... | 0:35:10 | 0:35:14 | |
-I was thinking about that. -A bit of silver for the table! | 0:35:14 | 0:35:18 | |
I want to try and get him on a more serious track. | 0:35:18 | 0:35:21 | |
'He does seem a bit more reflective today.' | 0:35:21 | 0:35:25 | |
It's a lot to... There's so many little, little... | 0:35:25 | 0:35:29 | |
It's a different...different shop. | 0:35:29 | 0:35:32 | |
But I spot something over there. | 0:35:32 | 0:35:35 | |
Which, I think it might work. | 0:35:35 | 0:35:37 | |
Because my mum, my mother used to sew, make a bit of couture. | 0:35:37 | 0:35:43 | |
-Is it Victorian? -Yes. 1870. | 0:35:43 | 0:35:46 | |
'He decides against that chapeau, but they've soon spotted another.' | 0:35:46 | 0:35:52 | |
What about this firefighter? It's a French one, yeah? Is it French? | 0:35:53 | 0:35:58 | |
-Chapeau de pompier? -Oui. I recognise French. Pompier. | 0:35:58 | 0:36:02 | |
This is at least 100 years old. | 0:36:02 | 0:36:05 | |
'It is, indeed. It's a 19th-century brass fireman's helmet | 0:36:05 | 0:36:09 | |
'owned by one Firel Firent, | 0:36:09 | 0:36:13 | |
'who worked in the town of Decize on the Loire river.' | 0:36:13 | 0:36:17 | |
'Ticket price is £125.' | 0:36:18 | 0:36:21 | |
-This is fantastic. -Yeah, it's interesting. | 0:36:21 | 0:36:25 | |
-This is fabulous. -Yeah. | 0:36:25 | 0:36:27 | |
You can smell leather. | 0:36:28 | 0:36:30 | |
'Paul's asked the dealer who owns it what it might go for.' | 0:36:30 | 0:36:33 | |
-If we can get to 70. -It's a nice job but we only have 60 quid left. | 0:36:33 | 0:36:39 | |
'That's a fib, Jean Christophe!' | 0:36:39 | 0:36:42 | |
65, just to ease it? | 0:36:42 | 0:36:44 | |
-65. OK. -You're a good man. Thank you. | 0:36:44 | 0:36:48 | |
'Mon dieu! Another great deal and the helmet's in the bag for £65. | 0:36:48 | 0:36:54 | |
'Rosemary and Paul, meanwhile, are raring to go, | 0:36:57 | 0:37:00 | |
'but it looks like something's deflating their ambitions.' | 0:37:00 | 0:37:04 | |
-If you're going to pop it, pop it big stylee. -Yeah. | 0:37:04 | 0:37:07 | |
-Holy Moses! -Well, let's get it... It's in the boot, obviously. | 0:37:07 | 0:37:11 | |
-I know we've got one. There we go. -All right. Here we go. -Give me that. | 0:37:11 | 0:37:17 | |
'Time for some patented Laidlaw heroics.' | 0:37:17 | 0:37:20 | |
MUSIC: Theme to "The A-Team" | 0:37:20 | 0:37:23 | |
Make sure it's tight enough, Paul, so it won't come off. | 0:37:25 | 0:37:29 | |
Yes, chef! | 0:37:29 | 0:37:30 | |
Right! | 0:37:33 | 0:37:35 | |
'With that crisis averted, they're driving to Halifax, West Yorkshire. | 0:37:36 | 0:37:40 | |
'They have all their items for auction, | 0:37:40 | 0:37:43 | |
'so they're going to spend the afternoon | 0:37:43 | 0:37:45 | |
'at the Duke of Wellington's Regimental Museum. | 0:37:45 | 0:37:48 | |
'Rosemary is the patron of a Yorkshire charity | 0:37:48 | 0:37:51 | |
'that trains young forces' veterans for new careers in bakery, | 0:37:51 | 0:37:55 | |
'so she's keen to learn more about the military history of the area. | 0:37:55 | 0:38:00 | |
'Militaria-mad Paul's more than happy to come along for the ride. | 0:38:00 | 0:38:04 | |
'They're meeting military curator John Spencer.' | 0:38:04 | 0:38:07 | |
Good to see you. Thanks very much for coming. | 0:38:07 | 0:38:10 | |
Welcome to the Duke of Wellington's Regiment Museum. | 0:38:10 | 0:38:14 | |
'The museum celebrates the history of the regiment founded in 1702 | 0:38:16 | 0:38:21 | |
'as the Earl of Huntingdon's Regiment, | 0:38:21 | 0:38:23 | |
'but which came to be named after politician and war hero | 0:38:23 | 0:38:27 | |
'the first Duke of Wellington.' | 0:38:27 | 0:38:30 | |
We'll look at some items related to the great Duke himself. | 0:38:30 | 0:38:33 | |
'Born in 1769, Arthur Wellesly, the Duke of Wellington, | 0:38:34 | 0:38:39 | |
'was twice British Prime Minister, | 0:38:39 | 0:38:41 | |
'Commander in Chief of the British Army | 0:38:41 | 0:38:44 | |
'and famed as the victor at the Battle of Waterloo during the Napoleonic Wars.' | 0:38:44 | 0:38:50 | |
The Duke of Wellington became Colonel of the regiment in 1793. | 0:38:50 | 0:38:55 | |
He was Commander of the regiment. | 0:38:55 | 0:38:57 | |
He took it with him to India and to the Continent to fight the French. | 0:38:57 | 0:39:01 | |
As he went onwards and upwards through the ranks, | 0:39:01 | 0:39:04 | |
he remained the Honorary Colonel of the regiment until 1812. | 0:39:04 | 0:39:08 | |
-Fantastic! It's very much his regiment. -Very much his regiment. | 0:39:08 | 0:39:12 | |
When the Duke passed away, Queen Victoria decreed | 0:39:12 | 0:39:16 | |
that his old regiment, the 33rd, | 0:39:16 | 0:39:18 | |
should become the Duke of Wellington's Regiment in his honour. | 0:39:18 | 0:39:21 | |
'The museum holds some of the legendary Duke's own possessions.' | 0:39:21 | 0:39:26 | |
-Clothes worn by the Duke of Wellington. -What? -Yes. | 0:39:26 | 0:39:29 | |
-Not the Wellington boots? -Yes! We have a complete set of clothing. | 0:39:29 | 0:39:33 | |
-You are joking? -Worn by the Duke of Wellington. | 0:39:33 | 0:39:36 | |
We have here his frock coat. | 0:39:36 | 0:39:38 | |
-Look at that! -Good Lord! And his original hat? | 0:39:38 | 0:39:41 | |
His original hat with the cockade of the allied troops at Waterloo. | 0:39:41 | 0:39:47 | |
'On the other side of the room are more items relating to Waterloo.' | 0:39:47 | 0:39:51 | |
-The campaign bed is the Duke of Wellington's. -It's his? | 0:39:51 | 0:39:55 | |
It's allegedly the one he slept in on campaign. | 0:39:55 | 0:39:58 | |
'The museum doesn't just celebrate the great Duke's achievements. | 0:39:58 | 0:40:02 | |
'The stories of the brave men who served in the regiment are reflected also.' | 0:40:02 | 0:40:07 | |
Ensign Howard of the Light Company of the 33rd | 0:40:07 | 0:40:10 | |
wore that cap at the Battle of Waterloo on 18 June 1815. | 0:40:10 | 0:40:15 | |
A French musket ball passed within an eighth of an inch of his head. | 0:40:15 | 0:40:19 | |
He survived to write home to his mother, "Thank God I am safe. | 0:40:19 | 0:40:23 | |
"I had a very narrow escape that day. | 0:40:23 | 0:40:25 | |
"I intend bringing the cap to England." | 0:40:25 | 0:40:28 | |
Which, sure enough, he did. It's ended up in Halifax. | 0:40:28 | 0:40:31 | |
Yes. A circuitous journey, but the place for it to be. | 0:40:31 | 0:40:35 | |
'Marvellous. The proud regiment so formed went on to serve | 0:40:35 | 0:40:40 | |
'in our major conflicts through the 1800s and into the 20th century.' | 0:40:40 | 0:40:44 | |
Throughout the Second World War, up to the actions of the '90s. | 0:40:44 | 0:40:48 | |
-The regiment have served in Afghanistan and been seriously injured. -Exactly. | 0:40:48 | 0:40:54 | |
'Rosemary, of course, is patron of the Veterans' Artisan Bakery | 0:40:54 | 0:40:59 | |
'which supports ex servicemen, so the museum has resonated with her.' | 0:40:59 | 0:41:03 | |
This is really close to my heart because they come back traumatised, | 0:41:03 | 0:41:09 | |
and they're so brave, these young men, they really are. | 0:41:09 | 0:41:12 | |
Thank you SO much for showing us. | 0:41:12 | 0:41:15 | |
'Inspired by all they've learned, | 0:41:15 | 0:41:18 | |
'it's time for Rosemary and Paul to be hitting the road. | 0:41:18 | 0:41:23 | |
'Elsewhere, Jean Christophe and Margie are in the car, | 0:41:26 | 0:41:30 | |
'heading to their last shop.' | 0:41:30 | 0:41:32 | |
-Time running out. One more shop. -And we've got 280 quid. -Yeah. | 0:41:32 | 0:41:37 | |
'Time is, indeed, of the essence. | 0:41:37 | 0:41:40 | |
'They're heading back to Hebden Bridge and, in fact, | 0:41:40 | 0:41:43 | |
'to the very same shop the other pair were in this morning. | 0:41:43 | 0:41:47 | |
'Duncan and Peter look almost recovered from their earlier customers.' | 0:41:47 | 0:41:52 | |
Duncan, how are you? | 0:41:52 | 0:41:54 | |
'They need to focus on finding their last items.' | 0:41:58 | 0:42:02 | |
-CLOCK CHIMES -Brilliant! | 0:42:05 | 0:42:08 | |
You are interested in those? | 0:42:09 | 0:42:12 | |
'Margie's managed to steer him away from "those things".' | 0:42:12 | 0:42:16 | |
She's the boss. I forgot. | 0:42:16 | 0:42:18 | |
'But Jean Christophe's leading her a merry dance.' | 0:42:18 | 0:42:21 | |
MARGIE LAUGHS Well, I'd rather have that. | 0:42:21 | 0:42:24 | |
I'd rather have that than those flaming things! | 0:42:24 | 0:42:27 | |
'Shortly, he's alighted on something upstairs.' | 0:42:27 | 0:42:31 | |
-This lot in the corner is very, very interesting. -What is it? | 0:42:31 | 0:42:36 | |
-Oh, the scales. -Oh, yes. The scientific scales. -Fabulous! | 0:42:36 | 0:42:40 | |
'They're early 20th-century scientific scales | 0:42:40 | 0:42:44 | |
'and are priced up at £75.' | 0:42:44 | 0:42:47 | |
-Shall we move that on the side? -Put it over there. | 0:42:47 | 0:42:51 | |
-STRAINING: -Bloody hell! It's heavy. | 0:42:51 | 0:42:53 | |
'Watch your back, Jean Christophe.' | 0:42:53 | 0:42:56 | |
I've just spoken to Duncan. He's got 65 on them. | 0:42:56 | 0:42:59 | |
-He's prepared to knock them right down... -65 for what? -..to 25. | 0:42:59 | 0:43:04 | |
'Once again, Jean Christophe has set his heart on this.' | 0:43:04 | 0:43:08 | |
-Are you going to shake hands with the gentleman? -£25. | 0:43:08 | 0:43:12 | |
-Oh! -Shake his hand. -Thank you very much. | 0:43:12 | 0:43:15 | |
'What a bargain! They're taking the scales for £25. Who wouldn't? | 0:43:15 | 0:43:20 | |
'Soon, Margie's found something that she thinks might be right up Jean Christophe's street.' | 0:43:23 | 0:43:28 | |
-Oh, my God! -Yeah. Opera glasses. -Qu'est ce que c'est? | 0:43:28 | 0:43:32 | |
This very kind... They're at 45. 20 quid. | 0:43:32 | 0:43:36 | |
I'm going to give you a kiss on your hand. | 0:43:36 | 0:43:39 | |
Well done, because that is fabulous. | 0:43:39 | 0:43:43 | |
'It's a pair of 19th-century mother-of-pearl opera glasses. | 0:43:44 | 0:43:47 | |
'Ticket price is £45.' | 0:43:47 | 0:43:49 | |
You could look up in the box and see who... Ooh! It's not his wife! | 0:43:52 | 0:43:56 | |
BOTH LAUGH | 0:43:56 | 0:43:58 | |
'Best see what Peter could do on them.' | 0:43:58 | 0:44:01 | |
-For you... -Yeah. -..as a special one-off price. | 0:44:01 | 0:44:05 | |
-£20. -Oh! -We'll have it! | 0:44:05 | 0:44:08 | |
-Fabulous. You're a good man. Thank you so much. -Pleasure. | 0:44:08 | 0:44:12 | |
'Another nice buy in the bag, and they're nearly finished shopping - | 0:44:12 | 0:44:16 | |
'bar one more cookery themed item.' | 0:44:16 | 0:44:19 | |
-Mrs Beeton. -Yeah, yeah. | 0:44:19 | 0:44:21 | |
You like Mrs Beeton, don't you? | 0:44:21 | 0:44:24 | |
-How much is that? -I'm not sure what the price is on it. | 0:44:24 | 0:44:28 | |
Let's have a look and see. It's got 35 on it. | 0:44:28 | 0:44:33 | |
'It's an Edwardian edition of Mrs Beeton's famous book of cooking and household management.' | 0:44:35 | 0:44:41 | |
£20 we could do that for you. | 0:44:41 | 0:44:43 | |
I can hear Mrs Beeton, "Ooh, take 15." | 0:44:43 | 0:44:47 | |
-For a photo for the wall of fame, 15. -Go on, do it. | 0:44:47 | 0:44:52 | |
You're a good man. Thank you. | 0:44:52 | 0:44:54 | |
'With that final deal, everyone's got their lots for auction. | 0:44:54 | 0:44:59 | |
'Jean Christophe and Margie have caught up with the other two | 0:44:59 | 0:45:02 | |
'and it's time for the grand unveiling of their buys. | 0:45:02 | 0:45:06 | |
'Jean Christophe and Margie are up first.' | 0:45:07 | 0:45:09 | |
That's the first thing. | 0:45:09 | 0:45:12 | |
-PAUL LAUGHS -Is that a unicorn? | 0:45:12 | 0:45:16 | |
Excuse me. Don't touch it! | 0:45:16 | 0:45:19 | |
I can't believe this! Thank you for your gracious touch(!) | 0:45:19 | 0:45:23 | |
-He's called Vincent. -Oh, goodness me! | 0:45:23 | 0:45:26 | |
Don't touch it. Just calm down. | 0:45:27 | 0:45:30 | |
All right. It's not the first edition? | 0:45:30 | 0:45:33 | |
Oh, no! | 0:45:33 | 0:45:35 | |
-Do you know who this lady is? -Yes, I do know who this is. | 0:45:35 | 0:45:39 | |
Better move on. This is a mincer. | 0:45:39 | 0:45:41 | |
What's this? | 0:45:41 | 0:45:43 | |
-Don't! This is 100 year old. -It's a fire engine. | 0:45:43 | 0:45:47 | |
-'It's a helmet, actually.' -This is from France. | 0:45:47 | 0:45:50 | |
-ALL: Ah! -100 years old. | 0:45:50 | 0:45:52 | |
-It's from Burgundy. He was a brave man. -Oh, he's a brave man. | 0:45:52 | 0:45:56 | |
One of thousands of brave men in the world who fight against the fire. | 0:45:56 | 0:46:01 | |
And that is value. What do you think of this? | 0:46:01 | 0:46:04 | |
Look, it's a good thing. | 0:46:04 | 0:46:06 | |
It ain't unique, but it's a good specimen of a desirable object. | 0:46:06 | 0:46:10 | |
-Conservatively, it's 50 to 80 on a good day. -We can go off now! | 0:46:10 | 0:46:14 | |
Actually, I have to say to you, I think you've done really well. | 0:46:14 | 0:46:18 | |
-I really think you have done well. -It must hurt, non? | 0:46:18 | 0:46:21 | |
'Jean Christophe, that's not very sportsmanlike. | 0:46:21 | 0:46:24 | |
'Now, it's Rosemary and Paul's turn.' | 0:46:24 | 0:46:26 | |
-There you go. -It's an oven. | 0:46:27 | 0:46:30 | |
Isn't that nice? Oh! The little colander! | 0:46:30 | 0:46:34 | |
Listen to her! You do make me laugh, actually. | 0:46:34 | 0:46:37 | |
It's even got little candles in there you can put on. | 0:46:37 | 0:46:41 | |
-That was £30. -£30, yes. | 0:46:41 | 0:46:45 | |
Early 20th-century, Lucas King O' The Road, | 0:46:45 | 0:46:49 | |
automotive - early automotive. | 0:46:49 | 0:46:51 | |
And then an LMS railway hand lantern. | 0:46:51 | 0:46:54 | |
-That's up your street. -I agree. That's good. | 0:46:54 | 0:46:58 | |
-It's quite smart, that. -How much did you pay for that? | 0:46:58 | 0:47:01 | |
-Both of them, one lot... -Yeah? | 0:47:01 | 0:47:04 | |
-£28. -That's a good buy. -For both of them. | 0:47:04 | 0:47:08 | |
-£28 for the both of them. -I have to give you a point for that. | 0:47:08 | 0:47:13 | |
'That's more like it. And with a flourish...' | 0:47:13 | 0:47:17 | |
I remember seeing that. I thought you were going to buy that. | 0:47:18 | 0:47:21 | |
ROSEMARY: All beautifully done. We've got a whole kitchen. | 0:47:21 | 0:47:26 | |
One of these pans is incredibly valuable. | 0:47:26 | 0:47:30 | |
I used to work for a while in a place where everything was copper. | 0:47:30 | 0:47:35 | |
Believe me...this is not very valuable. | 0:47:35 | 0:47:38 | |
At all. In fact, you cannot even cook with that. | 0:47:38 | 0:47:42 | |
'Don't mince your words, Jean Christophe. | 0:47:42 | 0:47:44 | |
'Anyway, everyone's ready for auction.' | 0:47:44 | 0:47:47 | |
Well done, Margie. Well done. | 0:47:47 | 0:47:50 | |
Thank you, darling! Thank you. | 0:47:50 | 0:47:53 | |
And I'm looking forward to the day. | 0:47:53 | 0:47:56 | |
'They're frank enough in the flesh. What will they say behind closed doors?' | 0:47:59 | 0:48:05 | |
The horse is awful! It'll go one of two ways. | 0:48:05 | 0:48:08 | |
They'll either be lucky and people will be charmed by its eccentricity, | 0:48:08 | 0:48:12 | |
or they'll laugh at it and it'll bomb. | 0:48:12 | 0:48:15 | |
Honestly, she was on and on and on in the car. | 0:48:15 | 0:48:18 | |
She's trying to wind you up and she's done it. | 0:48:18 | 0:48:22 | |
They could do well on a couple of things, | 0:48:22 | 0:48:24 | |
then crash with the kitchenette. | 0:48:24 | 0:48:27 | |
Do you know what? Bring it on. PAUL LAUGHS | 0:48:27 | 0:48:30 | |
'And so to battle! | 0:48:30 | 0:48:33 | |
'On this Road Trip, they began in Gomersal, West Yorkshire, | 0:48:33 | 0:48:37 | |
'and will face the saleroom in Sheffield, South Yorkshire. | 0:48:37 | 0:48:41 | |
'In its steel-skied industrial past, | 0:48:41 | 0:48:45 | |
'Sheffield was known as a dirty picture in a golden frame. | 0:48:45 | 0:48:49 | |
'But today, signs of its civic regeneration abound. | 0:48:49 | 0:48:53 | |
'Jean Christophe and Rosemary are on their way, | 0:48:53 | 0:48:57 | |
'and Rosemary's still fixated on her kitchen cabinet.' | 0:48:57 | 0:49:00 | |
I haven't got a clue how my wonderful kitchen's going to go. | 0:49:00 | 0:49:04 | |
It is a kitchen in one piece of furniture. | 0:49:04 | 0:49:08 | |
Well, I think if there's an interest it has to be like a fireman | 0:49:08 | 0:49:12 | |
or someone who has a wood fireplace. | 0:49:12 | 0:49:15 | |
-ROSEMARY LAUGHS -Somebody who need wood! | 0:49:15 | 0:49:18 | |
-Cheap wood. -BOTH LAUGH | 0:49:18 | 0:49:21 | |
'That burning issue aside, how are they feeling in the other car?' | 0:49:21 | 0:49:26 | |
Paul, shall we bother turning up with these two? | 0:49:26 | 0:49:29 | |
When these two get cracking, we might as well slip off somewhere. | 0:49:29 | 0:49:34 | |
Is there a bar? Is there a cafeteria we can retreat to? | 0:49:34 | 0:49:38 | |
They're both very excitable, aren't they? | 0:49:38 | 0:49:41 | |
'That's saying something, but it's all part of their charm. | 0:49:41 | 0:49:45 | |
'Everyone's arrived at the saleroom, Sheffield Auction Gallery, | 0:49:45 | 0:49:48 | |
'which was established in 1840.' | 0:49:48 | 0:49:50 | |
How are we all feeling? | 0:49:50 | 0:49:52 | |
-Absolutely ready for it. -Very good. -It's going to be magic! | 0:49:52 | 0:49:56 | |
-LAUGHTER -Good luck, Rosemary. | 0:49:56 | 0:49:59 | |
'Today's auctioneer is Robert Lea. | 0:49:59 | 0:50:02 | |
'Before he raises the gavel aloft, what does he think of our team's lots?' | 0:50:02 | 0:50:06 | |
I like your kitchen cabinet. It depends what somebody paid for it. | 0:50:07 | 0:50:11 | |
The horse is certainly different. One thing against it is it's not useable. | 0:50:11 | 0:50:16 | |
Very solid. You can fit a whole family on that, never mind a kiddy. | 0:50:16 | 0:50:21 | |
'On this trip, Jean Christophe and Margie spent £180 on five lots. | 0:50:23 | 0:50:29 | |
'While Rosemary and Paul splashed out £255 | 0:50:30 | 0:50:34 | |
'and also have five lots in today's sale. | 0:50:34 | 0:50:37 | |
'With all profits going to Children In Need, | 0:50:37 | 0:50:39 | |
'it's time for their items to meet the discerning Sheffield crowd. | 0:50:39 | 0:50:44 | |
'First up is Jean Christophe and Margie's job lot of mincer, scales | 0:50:45 | 0:50:49 | |
'and an Edwardian edition of Mrs Beeton.' | 0:50:49 | 0:50:52 | |
£28. 30, I'm looking for... | 0:50:52 | 0:50:55 | |
-Can I bid? -No. | 0:50:55 | 0:50:58 | |
..Fair warning. Hammer's going to drop at £35. | 0:50:58 | 0:51:01 | |
'That weighs in with a profit, but they will pay auction costs.' | 0:51:03 | 0:51:08 | |
-It made five quid. -Charges to come off that. | 0:51:08 | 0:51:11 | |
'Now it's Rosemary and Paul's lanterns from rail and roads past.' | 0:51:12 | 0:51:18 | |
30. 32. 35. 38. 40. 42, it needs to be to carry on. | 0:51:18 | 0:51:23 | |
42. 45. 48, sir? | 0:51:23 | 0:51:26 | |
I'm out. Anybody else? It's going to sell. | 0:51:26 | 0:51:28 | |
They're going to sell at £48. Fair warning at 48... | 0:51:28 | 0:51:32 | |
BANGS GAVEL | 0:51:32 | 0:51:34 | |
'That's a bright outcome for them.' | 0:51:34 | 0:51:37 | |
I was expecting a lot more. | 0:51:37 | 0:51:38 | |
'Jean Christophe and Margie are up now with the carousel horse | 0:51:38 | 0:51:43 | |
'which divided their opinions. | 0:51:43 | 0:51:45 | |
'Who'll get bragging rights out of this?' | 0:51:45 | 0:51:48 | |
£50 for it? | 0:51:48 | 0:51:51 | |
Let's go down to 20. LAUGHTER | 0:51:51 | 0:51:54 | |
£10. 12. 15? | 0:51:54 | 0:51:56 | |
18. 20. 22. | 0:51:56 | 0:51:59 | |
25. 28. 30. 32. | 0:51:59 | 0:52:02 | |
35. 38? 35 only. | 0:52:02 | 0:52:05 | |
All done at £35? | 0:52:05 | 0:52:08 | |
That's good enough. | 0:52:08 | 0:52:10 | |
'Mm, you do know you made a £5 loss before costs, Jean Christophe? | 0:52:10 | 0:52:16 | |
'Now it's Rosemary and Paul's turn, | 0:52:16 | 0:52:18 | |
'as their regulator clock meets the room.' | 0:52:18 | 0:52:21 | |
On commission, I start at 30. 32. 35. | 0:52:21 | 0:52:24 | |
Need 38 elsewhere. Anybody else want to join in? | 0:52:24 | 0:52:28 | |
Hammer's going to drop, reluctantly, at 35... | 0:52:28 | 0:52:33 | |
JEAN CHRISTOPHE LAUGHS | 0:52:33 | 0:52:35 | |
'A small profit, but a profit, indeed.' | 0:52:35 | 0:52:38 | |
No, we're closing. | 0:52:38 | 0:52:41 | |
'Let's hope Jean Christophe and Margie can gallop to a profit | 0:52:41 | 0:52:45 | |
'on the next one, their 19th-century opera glasses.' | 0:52:45 | 0:52:48 | |
A few commissions on them. Start the bidding at ten, 12, 15, 18, 20. | 0:52:48 | 0:52:52 | |
22 I'm looking for in the room to carry on. 22 with the lady. | 0:52:52 | 0:52:57 | |
25. 28. 30. 32? | 0:52:57 | 0:53:01 | |
30. Lady, central. £30... | 0:53:01 | 0:53:03 | |
'A small profit, and not quite the pearl they'd been hoping for.' | 0:53:06 | 0:53:12 | |
I'm very sorry. | 0:53:12 | 0:53:14 | |
'Of course you are, Rosemary. | 0:53:16 | 0:53:18 | |
'One more for team Rosemary and Paul, | 0:53:18 | 0:53:21 | |
'the 1940s toy oven and miniature utensils. | 0:53:21 | 0:53:24 | |
'Might this give them something to play with?' | 0:53:24 | 0:53:27 | |
Commissions force me to start the bidding at 18, 20, 22, 25, £28. | 0:53:27 | 0:53:32 | |
-Worth more than that. -30. 32 with me. | 0:53:32 | 0:53:34 | |
35? I'm out. Young lady on the front at £35... | 0:53:34 | 0:53:38 | |
ROSEMARY: It's beautiful! It's beautiful! | 0:53:38 | 0:53:41 | |
..Anybody else want to join in? It's going to go at £35... | 0:53:41 | 0:53:45 | |
'Another small profit for the miniature items.' | 0:53:47 | 0:53:51 | |
We just need one item. | 0:53:51 | 0:53:53 | |
'Ha! Careful!' | 0:53:53 | 0:53:55 | |
'Now, it's Jean Christophe and Margie's French fireman's helmet. | 0:53:55 | 0:54:00 | |
'Will it save the day?' | 0:54:00 | 0:54:02 | |
Commissions force me to start it at 22, 25, 28, 30, 32, 35. | 0:54:02 | 0:54:09 | |
38 I need elsewhere. | 0:54:09 | 0:54:11 | |
38? | 0:54:11 | 0:54:12 | |
-I'm going to bid it. -'That's not allowed.' | 0:54:12 | 0:54:14 | |
Anybody else for £38? | 0:54:14 | 0:54:17 | |
No, you can't do that! 40, sir. 42. 45? > | 0:54:17 | 0:54:22 | |
-42, gentleman standing on my left. Fair warning at £42... -Oh, la la! | 0:54:22 | 0:54:26 | |
'Sadly, the bidders aren't as keen on it as Jean Christophe was. | 0:54:31 | 0:54:35 | |
'Oh, la la, indeed.' | 0:54:35 | 0:54:37 | |
Jean Christophe, how good was that helmet again? | 0:54:37 | 0:54:41 | |
'Now it's Rosemary and Paul's much beloved Maidsaver kitchen cabinet | 0:54:41 | 0:54:46 | |
'and accompanying copper pans and kitchenalia. | 0:54:46 | 0:54:49 | |
'They've thrown everything but the kitchen sink at it. Will it pay off? | 0:54:52 | 0:54:56 | |
Few commissions on this. Must start them at 48, 50, 55, 60, | 0:54:56 | 0:55:03 | |
65, £70. | 0:55:03 | 0:55:05 | |
75? 80 I'll accept elsewhere... | 0:55:05 | 0:55:07 | |
No?! | 0:55:07 | 0:55:08 | |
Seems cheap but it's got to go. £75 for the utility stuff. | 0:55:08 | 0:55:12 | |
Fair warning at 75... | 0:55:12 | 0:55:15 | |
No, no, no! Mama mia! | 0:55:15 | 0:55:17 | |
..80, new bid. 85. 90. Must be 90. | 0:55:17 | 0:55:22 | |
Hey, sit down. Don't take your clothes off. | 0:55:22 | 0:55:26 | |
..95 I need elsewhere. All done, are we, at £90? | 0:55:26 | 0:55:29 | |
Hammer's going to drop. Shout at me if I've missed you. | 0:55:29 | 0:55:32 | |
Oh, no! | 0:55:33 | 0:55:35 | |
And you've been doing my head all the time for 90 quid? | 0:55:35 | 0:55:40 | |
'Hard cheese, you two. It's going to be tough to recover from that.' | 0:55:40 | 0:55:44 | |
I could have used it for my wood fire! | 0:55:44 | 0:55:48 | |
'Jean Christophe and Margie are currently in the lead. | 0:55:50 | 0:55:53 | |
'Their fate hangs in the balance on their last lot, | 0:55:53 | 0:55:56 | |
'the scientific scales.' | 0:55:56 | 0:55:58 | |
Commissions force me to start them, ten, 12, 15, 18, | 0:55:58 | 0:56:04 | |
£20. | 0:56:04 | 0:56:05 | |
-22 I need. > What did you pay? -Ssh! | 0:56:05 | 0:56:08 | |
22 with the lady. Anybody else for 25? It's in the balance... | 0:56:08 | 0:56:12 | |
-It's neck-and-neck. -I'll give you my cooking book! | 0:56:12 | 0:56:16 | |
-I'll do the washing up for one year! -'No, you jolly well won't!' | 0:56:16 | 0:56:20 | |
Oh! The pain in my heart! | 0:56:20 | 0:56:24 | |
'What a pity, a small loss.' | 0:56:24 | 0:56:27 | |
£22! | 0:56:27 | 0:56:31 | |
'So, Rosemary and Paul have one last chance | 0:56:31 | 0:56:35 | |
'to make up the lost ground and claw back the lead. | 0:56:35 | 0:56:38 | |
'Will their militaria themed lot of binoculars and pipe win the war?' | 0:56:38 | 0:56:43 | |
Commissions force me to start them at ten, 12, 15, 18, | 0:56:43 | 0:56:47 | |
20, £22. | 0:56:47 | 0:56:49 | |
I need to carry on. 22. 25. 28? I'm out. | 0:56:49 | 0:56:53 | |
-Who's going to win? £28. -No, no, no, no. | 0:56:53 | 0:56:57 | |
Needs to be 30 elsewhere. All done? Hammer's going to drop, reluctantly. | 0:56:57 | 0:57:02 | |
It won't drop. > No! No! No! | 0:57:02 | 0:57:05 | |
CHEERING | 0:57:07 | 0:57:09 | |
Thank you, everybody! We love you! Thank you. Thank you. Thank you. | 0:57:09 | 0:57:14 | |
'Paul was right, the militaria did make a profit, | 0:57:14 | 0:57:17 | |
'but not enough to win the day. | 0:57:17 | 0:57:19 | |
'The teams did make small profits throughout, | 0:57:21 | 0:57:24 | |
'but the items that Rosemary and Jean Christophe bought blinded by love rather sank them. | 0:57:24 | 0:57:30 | |
'Jean Christophe thinks they won. Is he right? | 0:57:31 | 0:57:35 | |
'Rosemary and Paul started with £400. | 0:57:36 | 0:57:38 | |
'After paying auction costs, they made a not very toothsome loss | 0:57:38 | 0:57:43 | |
'of £61.48p | 0:57:43 | 0:57:45 | |
'and end this Road Trip with £338.52p. | 0:57:45 | 0:57:49 | |
'While Jean Christophe and Margie also started with £400, | 0:57:51 | 0:57:55 | |
'after costs, they lost a slightly more palatable £45.52p | 0:57:55 | 0:58:00 | |
'and so end today with £354.48p. | 0:58:00 | 0:58:04 | |
'And Jean Christophe seems to have won dishwashing duties from the opposition.' | 0:58:05 | 0:58:10 | |
Congratulations. Well done. | 0:58:10 | 0:58:13 | |
I've got a new kitchen porter now! That's good. | 0:58:13 | 0:58:17 | |
In the car, kitchen porter! | 0:58:17 | 0:58:19 | |
'I think you'll be hearing about this for some time, Rosemary.' | 0:58:19 | 0:58:23 | |
Oh, I can't believe this! | 0:58:23 | 0:58:25 | |
Thank you, my friends. | 0:58:25 | 0:58:28 | |
Bye, chefs! | 0:58:28 | 0:58:30 | |
'Goodbye, chefs. You've been sweet.' | 0:58:30 | 0:58:32 | |
Subtitles by Red Bee Media Ltd | 0:58:37 | 0:58:40 | |
E-mail [email protected] | 0:58:40 | 0:58:43 |