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-Some of the nation's favourite celebrities. -Why have I got such expensive taste? | 0:00:02 | 0:00:07 | |
One antiques expert each. | 0:00:07 | 0:00:09 | |
And one big challenge - | 0:00:12 | 0:00:14 | |
who can seek out and buy the best antiques at the very best prices? | 0:00:14 | 0:00:19 | |
Answers on a postcard. | 0:00:19 | 0:00:21 | |
-And auction for a big profit further down the road. -Are you ready for a quick romp through the shop? | 0:00:21 | 0:00:27 | |
Who will spot the good investments? Who will listen to advice? | 0:00:27 | 0:00:31 | |
-Do you like it? -No, it's horrible. | 0:00:31 | 0:00:33 | |
And who will be the first to say, "Don't you know who I am?" | 0:00:33 | 0:00:37 | |
-Well done, us. -Time to put your pedal to the metal. | 0:00:37 | 0:00:42 | |
This is Celebrity Antiques Road Trip. | 0:00:42 | 0:00:45 | |
Yeah! | 0:00:47 | 0:00:48 | |
Today, we're road-tripping with visionary garden designer Diarmuid Gavin | 0:00:53 | 0:00:59 | |
and '80s pop superstar turned gardening guru Kim Wilde. | 0:00:59 | 0:01:04 | |
So that's two award-winning horticulturalists. | 0:01:04 | 0:01:09 | |
No rivalry here then. | 0:01:09 | 0:01:12 | |
Diarmuid, you have to be a very competitive person. | 0:01:12 | 0:01:15 | |
Everybody says that about me. I like to do my own thing and not really against anybody. | 0:01:15 | 0:01:21 | |
-Are you competitive? -It's not something I really am. | 0:01:21 | 0:01:25 | |
But today, my juices are flowing now and I feel like I really want to beat you, Diarmuid. | 0:01:25 | 0:01:30 | |
It's funny you say that. I'm on fire at the moment. | 0:01:30 | 0:01:33 | |
Ooh, they're feisty. | 0:01:33 | 0:01:35 | |
Kim Wilde is one of the most successful female artists of the 1980s, | 0:01:35 | 0:01:40 | |
having shot to fame with her hit Kids In America in 1981. | 0:01:40 | 0:01:44 | |
# Down town the young ones are growing | 0:01:44 | 0:01:47 | |
-# We're the kids in America -Whoa-oa | 0:01:47 | 0:01:49 | |
-# We're the kids in America -Whoa-oa | 0:01:49 | 0:01:53 | |
# Everybody live for the music-go-round... | 0:01:53 | 0:01:57 | |
# Bright lights, the music gets faster... # | 0:01:58 | 0:02:02 | |
Not content with just taking the charts by storm, | 0:02:02 | 0:02:05 | |
Kim has also had great success with her second passion - gardening. | 0:02:05 | 0:02:09 | |
It's very, very hard work, | 0:02:09 | 0:02:11 | |
so I'm glad I'm not doing that job today. | 0:02:11 | 0:02:14 | |
Having seen your house, your garden, your gold-winning gardens... | 0:02:14 | 0:02:19 | |
-I want to beat that. -You haven't forgiven me for getting a gold medal at Chelsea before you did. | 0:02:19 | 0:02:25 | |
Not only at Chelsea, also at Tatton. | 0:02:26 | 0:02:28 | |
-So the game's on. The game's on. -The game is on! | 0:02:28 | 0:02:31 | |
It certainly is. | 0:02:31 | 0:02:34 | |
Diarmuid is a multi-award-winner and, over his illustrious career, | 0:02:34 | 0:02:38 | |
has gained an international reputation for contemporary garden design. | 0:02:38 | 0:02:44 | |
He has also helped turn the nation's fingers green in Home Front In The Garden. | 0:02:46 | 0:02:52 | |
Create some structure, create movement in a garden. | 0:02:52 | 0:02:56 | |
What we've done here is added giant structures and plants, | 0:02:56 | 0:02:59 | |
big, scary plants that children absolutely adore. | 0:02:59 | 0:03:02 | |
And lucky Diarmuid is in the company of not one classy '80s icon, but two, | 0:03:02 | 0:03:07 | |
as he and Kim hit the road in this sleek 1988 Jaguar XJS. | 0:03:07 | 0:03:11 | |
This car, gorgeous as it is, it doesn't have... | 0:03:11 | 0:03:15 | |
It doesn't have a make-up mirror. | 0:03:15 | 0:03:17 | |
I mean, how thoughtless is that? | 0:03:17 | 0:03:21 | |
Ah, you look lovely, Kim. | 0:03:21 | 0:03:23 | |
And cutting quite a dash themselves are antiques experts Jonathan Pratt and Will Axon. | 0:03:24 | 0:03:30 | |
They're high-tailing it to the assistance of our celebrities | 0:03:30 | 0:03:35 | |
in this sporty 1971 TR6. | 0:03:35 | 0:03:37 | |
ENGINE REVS Whoa, steady there, William! | 0:03:38 | 0:03:41 | |
-We'll run out of fuel. -It's a beautiful, sunny day. Let's put the car through its paces. | 0:03:41 | 0:03:46 | |
Jonathan Pratt's love affair with antiques was sparked by TV's Lovejoy. | 0:03:46 | 0:03:52 | |
But as a valuer and managing director of a successful auction house, | 0:03:54 | 0:03:58 | |
his expert credentials are anything but fictional. | 0:03:58 | 0:04:02 | |
Pretty girls always sell. | 0:04:02 | 0:04:04 | |
Will Axon's passion began with trips to the salerooms with his mother. | 0:04:04 | 0:04:09 | |
He knows the business inside and out, having worked his way up from the bottom | 0:04:11 | 0:04:16 | |
to be the senior valuer and auctioneer we have before us today. | 0:04:16 | 0:04:20 | |
Let's go with the flow. | 0:04:20 | 0:04:22 | |
-I'm led to believe that there could be some sort of gardening theme running. -Oh. | 0:04:22 | 0:04:27 | |
We've got Diarmuid Gavin and Kim Wilde. Unless Diarmuid did a song in the '80s, I'm sure it's gardening. | 0:04:27 | 0:04:33 | |
Thankfully for us all, | 0:04:34 | 0:04:36 | |
Kim's the only singer round here. | 0:04:36 | 0:04:39 | |
But with two professional gardeners vying for victory, | 0:04:40 | 0:04:43 | |
will we bear witness to a thorny battle? | 0:04:43 | 0:04:47 | |
It's all in the expert, it's all in the eye. | 0:04:47 | 0:04:50 | |
We've both got a good eye and we're both going to have a great expert, | 0:04:50 | 0:04:54 | |
so it's a pretty even match. | 0:04:54 | 0:04:56 | |
Except you know the area and you know what people will buy. | 0:04:56 | 0:05:01 | |
I don't know. That's conjecture. I don't believe that that's in my favour. | 0:05:01 | 0:05:07 | |
Who do you think you are? Judge Judy? Conjecture, my bum! | 0:05:07 | 0:05:11 | |
Oh, my! | 0:05:11 | 0:05:12 | |
Their journey begins in Kim's back yard, the historic market town of St Albans in Hertfordshire. | 0:05:14 | 0:05:19 | |
After two days of shopping and over 200 miles, | 0:05:19 | 0:05:23 | |
they'll end their antique adventure at auction in the Cheshire town of Macclesfield. | 0:05:23 | 0:05:28 | |
With £400 each to spend, they just have to sort out who's with who. | 0:05:28 | 0:05:31 | |
-Here they are. -Nice! | 0:05:31 | 0:05:34 | |
-Hello. -Hello. -Your brakes work! | 0:05:35 | 0:05:38 | |
-Suits you! -Very nice. -Yeah. -You should have a cloth cap on in that. | 0:05:38 | 0:05:43 | |
-I'm Will. -Nice to meet you, Will. -Jonathan. Hi. -Hi, Jonathan. | 0:05:43 | 0:05:47 | |
- Hello. - Hello. | 0:05:47 | 0:05:49 | |
I know what's going to happen next. | 0:05:49 | 0:05:51 | |
Both you lads want to be driving around the countryside with the gorgeous Kim Wilde. | 0:05:51 | 0:05:56 | |
-So you've already discussed this, have you? -I know. I've lost already, you see. | 0:05:56 | 0:06:02 | |
I'm a bit worried about that car. I think it might clash with my coat. | 0:06:02 | 0:06:06 | |
- Stand closer. Let's see. - It's a strong consideration. | 0:06:06 | 0:06:10 | |
I think you'll look beautiful in that. Look at that! | 0:06:10 | 0:06:13 | |
-As I'm a bit worried about the clashing thing... -You want to stick in the Jag? -I'll stick with the Jag. | 0:06:13 | 0:06:19 | |
So, due to purely sartorial considerations, | 0:06:19 | 0:06:23 | |
Kim and her new team-mate Will will get the Jag. | 0:06:23 | 0:06:26 | |
Bye! | 0:06:26 | 0:06:27 | |
But their first stop is a stroll through town, | 0:06:27 | 0:06:31 | |
so off they trot towards The Vintage Emporium. | 0:06:31 | 0:06:35 | |
What a great shop! I've passed it several times and I've never come in here. | 0:06:36 | 0:06:41 | |
I can see straight away that this is your sort of shop. | 0:06:41 | 0:06:44 | |
-It goes all the way down there. It goes for miles. -Let's find out... -It's a veritable treasure trove. | 0:06:44 | 0:06:51 | |
This place is watched over by the lovely George and is packed full of all sorts of goodies. | 0:06:51 | 0:06:56 | |
Kim's already smitten. | 0:06:56 | 0:06:59 | |
I could spend hours with the clothes. | 0:07:00 | 0:07:03 | |
# Pretty woman, walking down the street | 0:07:03 | 0:07:07 | |
# Pretty woman, the kind I like to meet | 0:07:07 | 0:07:11 | |
# Pretty woman... # | 0:07:11 | 0:07:13 | |
It seems you can't keep an '80s pop star away from clothes. | 0:07:13 | 0:07:17 | |
Will's not so easily distracted, however, | 0:07:18 | 0:07:21 | |
and is getting some tips from the auction house. | 0:07:21 | 0:07:24 | |
It's a jolly good idea and one that could prove profitable down the line. | 0:07:24 | 0:07:29 | |
What have you got after the silver? | 0:07:29 | 0:07:31 | |
I'll have a look. Adam, you've given me a great heads-up. | 0:07:31 | 0:07:35 | |
I've just got to find Kim. She's trying on vintage dresses. | 0:07:35 | 0:07:38 | |
That was well worth the phone call. The sale that we're going to | 0:07:38 | 0:07:42 | |
starts with silver and silver plate and pharmacy lots. | 0:07:42 | 0:07:45 | |
I don't know if you spotted that display as we walked in. There's a great pharmacy display here. | 0:07:45 | 0:07:51 | |
-No, I was distracted by the fabulous vintage clothing. -Colourful dresses. | 0:07:51 | 0:07:56 | |
Keeping Kim's attention on antiques and off clothes is going to keep Will busy. | 0:07:57 | 0:08:02 | |
-These are doable. -People want those? -Yeah. -Why? | 0:08:03 | 0:08:07 | |
-Interior designers like them. They look good maybe in a kitchen up high on a shelf. -They need dusting. | 0:08:07 | 0:08:13 | |
These German, hand-blown pharmacy bottles are £80 each and date from the 19th century. | 0:08:13 | 0:08:20 | |
Maybe we should go and look at vintage clothing? | 0:08:20 | 0:08:23 | |
Afterwards. Afterwards, you can shop till you drop. | 0:08:24 | 0:08:28 | |
Tell me if you're just completely not taken with the idea. | 0:08:28 | 0:08:32 | |
Aesthetically, they are rather beautiful. | 0:08:32 | 0:08:35 | |
Kim is already taking some expert guidance, | 0:08:35 | 0:08:38 | |
but can they take some money off that price tag? | 0:08:38 | 0:08:42 | |
They have to convince George who is doing the deal on behalf of the shop's absentee owner. | 0:08:42 | 0:08:48 | |
What is the best price on some of his bottles that he's got in there? | 0:08:48 | 0:08:53 | |
He does prefer to do a 10% if you're asking for a reduction. | 0:08:53 | 0:09:00 | |
-10%? -I saw the look on your face. You did not like that very much. | 0:09:00 | 0:09:04 | |
This is a special occasion. | 0:09:04 | 0:09:06 | |
The lovely Kim is with us. | 0:09:06 | 0:09:09 | |
-Kim has graced us with her presence. -Looking stunning. | 0:09:09 | 0:09:12 | |
Surely, this is worth more than a 10% discount. | 0:09:12 | 0:09:16 | |
75 quid. We could stretch... You know the name of the game. We're on a budget. | 0:09:16 | 0:09:21 | |
-Sort of 40 quid a bottle? -I tell you what I would be happy with and let's see the look on your face. -Yeah. | 0:09:21 | 0:09:27 | |
50. | 0:09:27 | 0:09:29 | |
You will do well out of them, guys. I know you will. | 0:09:29 | 0:09:32 | |
Shall we meet in the middle and say 45? | 0:09:32 | 0:09:35 | |
-Bosh! -Done. -I've just done the deal. Are you happy with that? | 0:09:35 | 0:09:39 | |
-Kim? -LAUGHTER | 0:09:39 | 0:09:41 | |
I struck... I struck while the iron was hot. | 0:09:42 | 0:09:45 | |
It's a £105 reduction on the pharmacy bottles, | 0:09:46 | 0:09:49 | |
but Kim is only just getting going in her new favourite shop. | 0:09:49 | 0:09:53 | |
That could be interesting. | 0:09:56 | 0:09:58 | |
-What about this? -I'm loving that. | 0:09:59 | 0:10:01 | |
-This is a nice, little three-piece thing. You get this and this. -Yeah. | 0:10:01 | 0:10:06 | |
-And you get this. -And the little sucrier. | 0:10:06 | 0:10:09 | |
Does that kind of fit the bill for unusual silver or silver plate? | 0:10:09 | 0:10:13 | |
She really has been paying attention, Will. It's a good sign. | 0:10:13 | 0:10:18 | |
-How much was it...? Oh! -CLATTER | 0:10:18 | 0:10:20 | |
It's all right. Don't panic! | 0:10:21 | 0:10:24 | |
Always deal in silver plate. Never glass. | 0:10:24 | 0:10:28 | |
58. That's one way to get the price down - damaged goods! | 0:10:28 | 0:10:32 | |
I'm afraid there's a dent in the lid(!) | 0:10:32 | 0:10:35 | |
-Do you want to have a go at it? -Let's see what she says. | 0:10:35 | 0:10:38 | |
Kim can certainly hunt for an antique, but can she haggle for one? | 0:10:38 | 0:10:42 | |
It's got a big old 58 on the label. | 0:10:42 | 0:10:45 | |
I think it definitely deserves that, but before you say it, Will, because it's you, | 0:10:45 | 0:10:50 | |
I'll just jump straight in there | 0:10:50 | 0:10:53 | |
and I'll just get to the lowest I can do which would be 45. | 0:10:53 | 0:10:57 | |
-45? -Yeah. | 0:10:57 | 0:10:59 | |
-45? -Yes, Kim. -What are you thinking? | 0:11:00 | 0:11:04 | |
-GRUFF COCKNEY ACCENT: -45! | 0:11:04 | 0:11:06 | |
LAUGHTER | 0:11:06 | 0:11:08 | |
I'll stand behind Kim looking menacing while she repeats "45" back at you. | 0:11:08 | 0:11:13 | |
You watched Will earlier, so bounce it back. | 0:11:13 | 0:11:17 | |
I don't know. OK. 40? | 0:11:17 | 0:11:20 | |
-Lovely work. Good work. -I learnt from the master. | 0:11:21 | 0:11:26 | |
I don't know. We haven't sold 'em yet! Great negotiating. Well done. | 0:11:26 | 0:11:30 | |
On Will's advice, they've spent almost half their budget in the first shop. | 0:11:30 | 0:11:35 | |
I think this might be the beginning of a beautiful partnership. | 0:11:35 | 0:11:39 | |
-That was just great. -Two lots under our belt. -Yeah. -Good work. -Yeah. | 0:11:39 | 0:11:44 | |
But will Jonathan also cultivate a profitable pairing with his gardening celebrity? | 0:11:47 | 0:11:54 | |
They're about to find out at George Antiques. | 0:11:55 | 0:12:00 | |
-So, Diarmuid, your career is about design. -Yes. | 0:12:01 | 0:12:04 | |
-But outside? -Yes. -How does that help with looking in here? | 0:12:04 | 0:12:08 | |
I don't know if it helps, but I absolutely love good furniture. | 0:12:08 | 0:12:13 | |
-But I know the styles I like. -Yeah. | 0:12:13 | 0:12:16 | |
And it isn't Victorian, Edwardian, Tudor. | 0:12:16 | 0:12:21 | |
It's very definitely contemporary, but I like... | 0:12:21 | 0:12:24 | |
-Actually, I don't. -LAUGHTER | 0:12:24 | 0:12:28 | |
I'll have that radio. | 0:12:28 | 0:12:31 | |
Does that count as antique at this stage? | 0:12:31 | 0:12:33 | |
-Not quite. -It must be 18 years. | 0:12:33 | 0:12:36 | |
Well, he knows what he wants. | 0:12:36 | 0:12:39 | |
That's a William IV four-poster bed. | 0:12:40 | 0:12:43 | |
It should have gone wherever William IV went. | 0:12:43 | 0:12:46 | |
I like these two HMV dogs. They'd be very cool if you got them cheap enough. They're quite fun. | 0:12:46 | 0:12:51 | |
They don't look like the HMV dog. | 0:12:51 | 0:12:53 | |
Hmm, Jonathan's tips are falling on stony ground. | 0:12:55 | 0:12:59 | |
He does have an opinion of what he likes | 0:13:00 | 0:13:03 | |
and that's really good. | 0:13:03 | 0:13:05 | |
It's really good. It makes my job slightly harder. | 0:13:05 | 0:13:08 | |
It will indeed. | 0:13:08 | 0:13:10 | |
This is one celebrity who means business. | 0:13:10 | 0:13:14 | |
Are you ready for a quick romp through the shop? We'll start off with that. | 0:13:14 | 0:13:19 | |
I quite like this Disney Pooh Bear. | 0:13:19 | 0:13:21 | |
I like this, but maybe it's a little bit obvious. | 0:13:21 | 0:13:26 | |
And this, I would never want to use, | 0:13:26 | 0:13:28 | |
but there are so many golfers. | 0:13:28 | 0:13:31 | |
I think anything that has a kind of golfing theme, this toy... | 0:13:31 | 0:13:36 | |
-They've got a whole box full of them. -Yeah, yeah. | 0:13:36 | 0:13:39 | |
Is there any age to these? "Original 1960s Pro Shot golfer game." | 0:13:39 | 0:13:43 | |
OK, I like that. | 0:13:43 | 0:13:45 | |
But with a ticket price of £142, I can't see it teeing up much of a profit. | 0:13:45 | 0:13:51 | |
-Did I score a hole in one? -You did. | 0:13:53 | 0:13:55 | |
You've got your green, look. | 0:13:55 | 0:13:58 | |
The green has seen better days. I've seen much better lawns. | 0:13:59 | 0:14:03 | |
-You could do a much better lawn. -I've seen roll-out lawns, never fold-up ones. | 0:14:03 | 0:14:08 | |
So, a spot of work needed on the greens and on owner Louisa | 0:14:08 | 0:14:12 | |
who is currently in Italy. | 0:14:12 | 0:14:14 | |
Handy(!) | 0:14:14 | 0:14:16 | |
-I'd like to pay around 85 for this. What do you think? -I think so. | 0:14:16 | 0:14:20 | |
I'm really fond of this, but in the 80s, the late 80s would be... | 0:14:20 | 0:14:25 | |
I don't think she'll go that far, but I will phone and find out. | 0:14:25 | 0:14:28 | |
-Could I have a word with her? -You can have a word with her. | 0:14:28 | 0:14:32 | |
It's the celebrity in the driving seat in this team. | 0:14:32 | 0:14:36 | |
And he's not done yet as he's just spotted an Art Deco trolley. | 0:14:36 | 0:14:41 | |
-I really like this. -It's a fun thing. | 0:14:41 | 0:14:44 | |
-That kind of sounds dismissive to me. -It is. It's my polite way... | 0:14:44 | 0:14:48 | |
When I say it's fun, it's popular, but it's popular at a price. | 0:14:49 | 0:14:53 | |
Could we see it on its own without all the adornment? | 0:14:53 | 0:14:58 | |
It seems Jonathan's advice and a ticket price of £165 isn't putting him off this item. | 0:14:58 | 0:15:03 | |
This is the sort of thing you might put in at 80 to 120 at auction. | 0:15:05 | 0:15:08 | |
It's a bit of a punt, | 0:15:08 | 0:15:10 | |
but with the right people in the right environment, | 0:15:10 | 0:15:14 | |
right marketing, at auction, who knows? It might make 120, 150. | 0:15:14 | 0:15:18 | |
But there's a chance of a loss. That's the downside, you know. | 0:15:18 | 0:15:22 | |
The expert has spoken, | 0:15:22 | 0:15:24 | |
but determined Diarmuid is pressing ahead with the two items | 0:15:24 | 0:15:29 | |
and both belong to Louisa. | 0:15:29 | 0:15:32 | |
He wants that game for under £90, but is she willing to deal? | 0:15:32 | 0:15:37 | |
Hi, Louisa. | 0:15:37 | 0:15:39 | |
What's the lowest you'd go on that? | 0:15:39 | 0:15:41 | |
I think we're going to go for the... | 0:15:41 | 0:15:44 | |
That's for 90, yeah. We're going to take the golf game. | 0:15:44 | 0:15:48 | |
Thank you very much and enjoy the rest of your holiday. | 0:15:48 | 0:15:52 | |
A £55 reduction isn't bad. | 0:15:52 | 0:15:55 | |
And what about the trolley? Good luck, Jonathan. | 0:15:55 | 0:15:59 | |
We'd like to make you an offer. | 0:15:59 | 0:16:01 | |
Because it's such a nice object and you're such a lovely lady, we thought we'd offer you £90. | 0:16:01 | 0:16:06 | |
You've been very kind with us already with the golfers. We won't push it too much, OK? | 0:16:06 | 0:16:12 | |
Thanks very much. | 0:16:12 | 0:16:13 | |
Enjoy your afternoon. Bye. | 0:16:13 | 0:16:16 | |
We're only allowed to have the trade rate. | 0:16:16 | 0:16:19 | |
She's saying she'll do it for 20% below the marked price on that | 0:16:19 | 0:16:24 | |
which is coming out at about 130. | 0:16:24 | 0:16:27 | |
I think this is a good, solid piece of furniture, | 0:16:27 | 0:16:31 | |
of the type of furniture I like. | 0:16:31 | 0:16:33 | |
It's a bit mumsy or grannyish with the legs, but I think there's a good profit to be made. | 0:16:33 | 0:16:38 | |
We'll take 20% off 165. | 0:16:38 | 0:16:41 | |
-Brilliant. -Great. Thank you. -We'll go with it. -Yeah. | 0:16:41 | 0:16:44 | |
At £132, it's cost them more than Jonathan wanted to pay, | 0:16:45 | 0:16:50 | |
but it seems when Diarmuid wants something, he goes for it. | 0:16:50 | 0:16:54 | |
I really... I like that. | 0:16:55 | 0:16:57 | |
I've seen a million of these, but this is quite decorative. | 0:16:57 | 0:17:01 | |
-It's a soda... -It's a soda water siphon. | 0:17:01 | 0:17:04 | |
-It's '20s, it's very Gatsby. -It is, which is very "in" at the moment. I think it's a very nice piece. | 0:17:04 | 0:17:10 | |
In auction, you might say it's worth £20 to £30. If you go to an auction, that's the sort of price. | 0:17:10 | 0:17:16 | |
-But a dealer or a private client might go for it. And it's an affordable amount of money. -Yes. | 0:17:16 | 0:17:22 | |
They're in agreement on the soda siphon. The ticket price is £48 and the owner Stephen is on the phone. | 0:17:22 | 0:17:27 | |
-Stand by. -OK, I'm passing you over now. | 0:17:27 | 0:17:30 | |
Be gentle with me, Stephen, because the Irish magic hasn't worked so well so far today. How are you? | 0:17:30 | 0:17:36 | |
What's the best you can do on that? | 0:17:36 | 0:17:39 | |
-I would love it for 20. -I bet you would! | 0:17:39 | 0:17:42 | |
You have a deal at 25. Thank you very much. Cheers. Bye. | 0:17:42 | 0:17:47 | |
-It's a deal? -Yes, 25. -That was easy. | 0:17:47 | 0:17:49 | |
A more realistic £25 for the siphon then. | 0:17:49 | 0:17:53 | |
Just as well, really, as they've spent almost £250 | 0:17:53 | 0:17:57 | |
on Diarmuid's finds in here. | 0:17:57 | 0:18:00 | |
Three, four, five and 50. | 0:18:00 | 0:18:03 | |
-Thanks a lot. -See you again. -Thank you very much. Bye now. | 0:18:03 | 0:18:08 | |
Well, Jonathan has got a celebrity with conviction on his hands, | 0:18:08 | 0:18:13 | |
but on the road, Will is having an altogether more relaxing time with his own private gig. | 0:18:13 | 0:18:19 | |
# Baby, you can drive my car... # HORN TOOTS | 0:18:19 | 0:18:22 | |
# Beep-beep, beep-beep, yeah... # | 0:18:22 | 0:18:26 | |
How old were you when you started off in the music industry? | 0:18:26 | 0:18:29 | |
Were you an early starter? | 0:18:29 | 0:18:32 | |
-Well, my first record sort of came round about when I was 20 years old. -OK. | 0:18:32 | 0:18:38 | |
-So it was a good age to become a pop star. -Yeah, yeah. | 0:18:38 | 0:18:41 | |
In fact, my first record, Kids In America, was a massive hit. | 0:18:41 | 0:18:45 | |
-It was a massive hit. -It was an overnight success. | 0:18:45 | 0:18:48 | |
I heard Ricky writing Kids In America in the bedroom next to mine. | 0:18:48 | 0:18:52 | |
-So he wrote that song? -Yeah, he sure did. -Your brother? | 0:18:52 | 0:18:56 | |
He had a little synthesiser, portable thing in his room. He pressed a button and it went... | 0:18:56 | 0:19:01 | |
SYNTHESISER SOUNDS | 0:19:01 | 0:19:03 | |
-Then Kids In America was born. -That's great. -I could have clouted him all night. It was driving me insane. | 0:19:03 | 0:19:10 | |
# Friday night and everyone's moving | 0:19:10 | 0:19:13 | |
# I can feel the heat, but it's soothing, heading down... # | 0:19:13 | 0:19:17 | |
They're having a "Wilde" time together and are heading for another trip down memory lane | 0:19:17 | 0:19:23 | |
as Kim is keen to find out more about a collection of Ladybird books she has brought from home. | 0:19:23 | 0:19:29 | |
# We're the kids in America... # | 0:19:29 | 0:19:31 | |
I've got a box full of Ladybird books. I think one or two might be a little bit collectable. | 0:19:31 | 0:19:36 | |
I don't know. I've brought them along to get them to look at them and see what they think. | 0:19:36 | 0:19:42 | |
Kim and her little box of books are making the short journey to the town of Harpenden. | 0:19:42 | 0:19:47 | |
And they're here to meet Helen Day, | 0:19:48 | 0:19:51 | |
the proud owner of the largest personal collection of Ladybird books in the world. | 0:19:51 | 0:19:56 | |
-Hello. Welcome. -Nice to meet you, Helen. | 0:19:56 | 0:19:59 | |
-Hello, Helen. How do you do? I'm Will. -Nice to see you, Will. -Thanks for having us. -Come on in. | 0:19:59 | 0:20:05 | |
-Oh, what have we got? -I've got a box full of books. -The clue might be on the box. | 0:20:05 | 0:20:10 | |
Yeah... In my ladybird box. | 0:20:11 | 0:20:14 | |
For most of us, these little books take us right back to childhood | 0:20:15 | 0:20:20 | |
with their well-known stories and evocative artwork. | 0:20:20 | 0:20:24 | |
The first one was published in 1915 and, today, there are hundreds of titles | 0:20:25 | 0:20:30 | |
that have sold millions of copies around the world. | 0:20:30 | 0:20:34 | |
They became a mainstay in the classroom, educating us on an impressive array of subjects | 0:20:34 | 0:20:40 | |
from arithmetic to mechanics. | 0:20:40 | 0:20:42 | |
Come through. | 0:20:44 | 0:20:46 | |
Wow! It's all in here. Look at this! | 0:20:46 | 0:20:49 | |
-You really are a collector, aren't you? -I am. -Look at this! | 0:20:49 | 0:20:53 | |
I didn't know so many Ladybird books existed. | 0:20:53 | 0:20:56 | |
To be fair, this is only a fraction. | 0:20:56 | 0:20:58 | |
-I know. I saw some snuck upstairs in boxes. I had a little peek. -This is what I admit to. | 0:20:58 | 0:21:04 | |
Helen started collecting Ladybird books | 0:21:04 | 0:21:08 | |
after re-discovering them with her son 14 years ago | 0:21:08 | 0:21:11 | |
and now has around 7,000 of them. | 0:21:11 | 0:21:14 | |
And one reason these small books are such a big part of our lives | 0:21:15 | 0:21:19 | |
is that Ladybird cut costs by printing each one on a single sheet of paper. | 0:21:19 | 0:21:25 | |
That's clever. | 0:21:25 | 0:21:27 | |
-This is obviously from the printworks. -Oh, look at this! -You can see how... | 0:21:27 | 0:21:32 | |
This is an entire book. It's printed front and back. | 0:21:32 | 0:21:35 | |
-If you folded this in a certain way, you'd have the complete book? -The whole book, one sheet of paper. | 0:21:36 | 0:21:42 | |
They were child-friendly. They were a nice, small size. | 0:21:42 | 0:21:45 | |
This is a later one, but the artwork was superb. | 0:21:45 | 0:21:48 | |
-Did you grow up with Ladybird books? -Of course I did. | 0:21:48 | 0:21:52 | |
Like Helen said, they were in schools. They were all over the classroom. | 0:21:52 | 0:21:57 | |
I've got very fond memories of mostly the stories, really. You know, the goats, the pancakes and the pigs. | 0:21:57 | 0:22:03 | |
-What's lovely is that we all read them, so we have that shared experience... -Yeah. -..which is rare. | 0:22:03 | 0:22:09 | |
Many of these childhood favourites have now grown up to be valuable collectors' items, | 0:22:10 | 0:22:16 | |
but does Kim's box of show and tell contain a small fortune? | 0:22:16 | 0:22:21 | |
I brought these for you because these belonged to my husband's family. | 0:22:21 | 0:22:25 | |
I've got quite a lot more at home. | 0:22:25 | 0:22:28 | |
-And I just wondered if you'd look at them. -Get them on the table. | 0:22:28 | 0:22:32 | |
-It's a little ladybird box. -Sweet! | 0:22:32 | 0:22:34 | |
-Here they are. -You're going to tell Kim these are worth a fortune? | 0:22:34 | 0:22:38 | |
I'm afraid I'm not. | 0:22:38 | 0:22:40 | |
I'm going to tell you that the content and the passion | 0:22:40 | 0:22:44 | |
that went into them and the beauty of them is worth a fortune, but you won't get that in terms of money. | 0:22:44 | 0:22:51 | |
These books are extremely sought-after today because people have such fondness for them. | 0:22:51 | 0:22:57 | |
You're transported yourself back to when you first saw those images, | 0:22:57 | 0:23:02 | |
-particularly the fantastic artwork in these books. -Exactly. | 0:23:02 | 0:23:07 | |
You'll have to settle for some priceless memories, Kim. | 0:23:07 | 0:23:11 | |
Her rival Diarmuid, however, is pressing on in search of profit. | 0:23:16 | 0:23:20 | |
And Jonathan is taking this opportunity to find out what inspires his celebrity. | 0:23:20 | 0:23:27 | |
What made you become a gardener? What compelled you to become a gardener? | 0:23:27 | 0:23:31 | |
I just always wanted to be a gardener. I loved being outside. | 0:23:31 | 0:23:35 | |
There were a few great parks around where we lived. I loved all this. I was fascinated by how things grow. | 0:23:35 | 0:23:41 | |
And I liked design, so a combination of all that got me into it. I was also a big dreamer. | 0:23:41 | 0:23:47 | |
I wanted to have ideas. I loved reading Enid Blyton books as a kid and just imagining things. | 0:23:47 | 0:23:53 | |
So let's see what inspires that imagination at their next destination | 0:23:53 | 0:23:58 | |
just outside the little village of Redbourn. | 0:23:58 | 0:24:01 | |
They're headed for Bushwood Antiques, | 0:24:06 | 0:24:08 | |
set in a beautiful Georgian stable yard. | 0:24:08 | 0:24:11 | |
-Good afternoon. -Good to see you. -Tony, nice to see you again. -Hi, I'm Diarmuid. -Lovely to meet you. | 0:24:14 | 0:24:20 | |
There's a staggering 25,000 square feet of antiques here, | 0:24:21 | 0:24:25 | |
housed in a former equestrian centre. | 0:24:25 | 0:24:28 | |
Wow! | 0:24:29 | 0:24:31 | |
The problem is it's chock-a-block with the more traditional style of furniture Diarmuid's not keen on. | 0:24:33 | 0:24:39 | |
So it's ships and sideboards, is it? | 0:24:44 | 0:24:47 | |
-Where are you? -Over here. | 0:24:47 | 0:24:50 | |
So it'll be the oddities I'm going for. | 0:24:50 | 0:24:53 | |
I'm sure there's plenty of them here. | 0:24:53 | 0:24:56 | |
Oddities, eh? | 0:24:56 | 0:24:58 | |
Sounds fun, but it doesn't always make for a profitable purchase. | 0:24:58 | 0:25:02 | |
-It's very quirky. -It's very quirky. | 0:25:02 | 0:25:05 | |
-What makes you like that? -Because it's just so crazy. | 0:25:05 | 0:25:09 | |
It's odd. | 0:25:09 | 0:25:12 | |
And if you stop asking yourself, "Why would anybody want it," it's a bit of fun. | 0:25:12 | 0:25:17 | |
My business is about selling stuff. | 0:25:17 | 0:25:19 | |
-Yeah. -And this job is about selling stuff. -Yeah. | 0:25:19 | 0:25:22 | |
Do you think nobody will want this? | 0:25:22 | 0:25:25 | |
No, I just thought it might be sensible to maybe interject that thought process. That was all. | 0:25:25 | 0:25:31 | |
It's the opposite to everything else I've seen here. | 0:25:31 | 0:25:35 | |
Hmm... Diarmuid's definitely using that imagination of his. | 0:25:35 | 0:25:38 | |
My role is to try and explain what the market's doing and what is popular. | 0:25:38 | 0:25:43 | |
Whether he decides... | 0:25:43 | 0:25:45 | |
If I say, "Quite a lot of people buy that sort of stuff," that doesn't seem to sway him. | 0:25:45 | 0:25:51 | |
Diarmuid is certainly keeping him on his toes and, I tell you, he's not missing a thing in this place, | 0:25:53 | 0:25:59 | |
however unsuitable for auction. | 0:25:59 | 0:26:01 | |
-Those doors over there? -The best place for it is here. Someone comes in and says, "They're perfect." | 0:26:03 | 0:26:09 | |
-Auction houses can't hold these things for very long. -There are some more doors back there too. | 0:26:09 | 0:26:14 | |
-He won't let me. -LAUGHTER | 0:26:14 | 0:26:16 | |
I know when I'm beat. | 0:26:16 | 0:26:18 | |
Jonathan holds the purse strings? | 0:26:19 | 0:26:22 | |
I have to listen to advice. If I don't do that, I'm very silly. | 0:26:22 | 0:26:26 | |
-Do you think I've upset him? -I think so, yeah. | 0:26:26 | 0:26:29 | |
At least he's listening to you, Jonathan. Perhaps it's time to move to warehouse number two. | 0:26:29 | 0:26:34 | |
It may be next door, but owner Tony is determined to take them the long way round. | 0:26:34 | 0:26:39 | |
-All yours. -Oh, I get to drive too. -Walk on. -Walk on. | 0:26:40 | 0:26:44 | |
Hold on tight, you in the back. Whoops! | 0:26:44 | 0:26:48 | |
-It's like riding a horse, but two. -Yeah. | 0:26:50 | 0:26:52 | |
Are we here yet? | 0:26:54 | 0:26:56 | |
-Are we there then, Dad? -Thank you, Ben-Hur. | 0:26:56 | 0:26:58 | |
-- No problem. - Thank you very much. -Super. | 0:26:58 | 0:27:02 | |
Right, fellas, back to the job in hand. | 0:27:02 | 0:27:05 | |
-There's a floral print here. -Yeah. | 0:27:08 | 0:27:11 | |
I'm not entirely sure it's to your taste, to be honest. Have a look. | 0:27:11 | 0:27:15 | |
It's just a bit obviously flowers, I think. | 0:27:15 | 0:27:17 | |
No, I quite like that. | 0:27:17 | 0:27:20 | |
You know, I found this other one | 0:27:20 | 0:27:22 | |
which is completely different. | 0:27:22 | 0:27:25 | |
He's spotted something he likes in this drawing of an allotment, but what do you make of it, Jonathan? | 0:27:26 | 0:27:32 | |
The ticket price is £95. | 0:27:32 | 0:27:34 | |
It's "The Allotments at Aldeburgh". | 0:27:34 | 0:27:37 | |
"Kensington and Chelsea Artists' Exhibition, 1919." It's kind of fun. | 0:27:37 | 0:27:42 | |
Diarmuid likes it, Jonathan likes it. | 0:27:42 | 0:27:46 | |
This is progress. | 0:27:46 | 0:27:48 | |
As it's a garden, you could put a piece of paper on the back that says, "Bought by Diarmuid." | 0:27:48 | 0:27:53 | |
-"Sold by Diarmuid." -Yeah. | 0:27:53 | 0:27:56 | |
Yeah, I love it. I really love it. | 0:27:56 | 0:27:58 | |
Tony, £45? | 0:27:58 | 0:28:00 | |
At this time of the day, can we agree on something like 50 quid? | 0:28:00 | 0:28:05 | |
Every penny counts, so if we say 47? | 0:28:05 | 0:28:09 | |
-You told him to say that. -I didn't say a word. Don't look at me like that! | 0:28:09 | 0:28:14 | |
-OK, you've got a deal. -Cheers. I'm thrilled with that. -Thanks, Tony. It's a lovely thing. | 0:28:14 | 0:28:19 | |
I think that's very special. | 0:28:19 | 0:28:21 | |
-The sad thing is, you can't keep it. -I know, I know. | 0:28:21 | 0:28:26 | |
Lovely. Diarmuid gets his garden and Jonathan has a very happy celebrity at last - | 0:28:26 | 0:28:31 | |
a perfect end to day one. | 0:28:31 | 0:28:34 | |
Sweet dreams, everyone. | 0:28:35 | 0:28:37 | |
Morning has broken and the gifted gardeners are spilling the beans on yesterday's exploits. | 0:28:46 | 0:28:51 | |
-We bought and we bought and we bought. -Did you really? -We did. | 0:28:51 | 0:28:55 | |
Yeah, but I'm not sure how we bought. | 0:28:55 | 0:28:58 | |
The first thing we bought is such a lot of fun, | 0:28:58 | 0:29:01 | |
but it probably won't fetch anything and I paid quite a bit for it. | 0:29:01 | 0:29:05 | |
-I'm worried about that. -You just went for something you loved and you spent a lot of money on it? | 0:29:05 | 0:29:11 | |
I think that just about sums it up, Kim. | 0:29:11 | 0:29:14 | |
Your experts did have very different shopping experiences. | 0:29:15 | 0:29:20 | |
-I had a great laugh with Diarmuid. -Did you? -Everything he wants to buy has to be thought through. -Really? | 0:29:20 | 0:29:26 | |
-He's a deep thinker. -And he's not interested in buying anything that might be commercial, really! | 0:29:26 | 0:29:33 | |
I'm trying to work out what makes him tick, pre-guess his last purchase to see if I can work it out. | 0:29:33 | 0:29:39 | |
I like it. A bit Freudian, you two. Getting a bit heavy. | 0:29:39 | 0:29:44 | |
Kim and I were singing along to Hey, Joe and Last Night A DJ Saved My Life. | 0:29:44 | 0:29:50 | |
This morning they're meeting in the historic town of Berkhamsted, | 0:29:51 | 0:29:56 | |
where in 1066 William the Conqueror accepted the English defeat after the Battle of Hastings, | 0:29:56 | 0:30:02 | |
but who will get the upper hand here today? | 0:30:02 | 0:30:06 | |
-Here comes trouble. -Howdy hoody! | 0:30:06 | 0:30:09 | |
Morning. How are you doing? | 0:30:09 | 0:30:12 | |
-Ready? -I'm ready to win. -Refreshed? -Absolutely. | 0:30:12 | 0:30:16 | |
A very competitive nature. That's what we were talking about. | 0:30:16 | 0:30:20 | |
-She's one up on me! -We're going to get a gold star. -We need bragging rights on this! | 0:30:20 | 0:30:26 | |
- A gold star! - I've got the bit between my teeth. | 0:30:26 | 0:30:31 | |
-I really want to find stuff today. -Come on. | 0:30:31 | 0:30:33 | |
-Well done. -Shall we go for it? -Yeah. | 0:30:33 | 0:30:36 | |
Kim followed Will's advice, purchasing three 19th-century pharmacy bottles | 0:30:36 | 0:30:40 | |
before finding a silver-plated tea set. | 0:30:40 | 0:30:44 | |
Altogether, they parted with £175, leaving them £225 for today. | 0:30:44 | 0:30:51 | |
Damn, it looks good. | 0:30:51 | 0:30:53 | |
Diarmuid took the lead in the other team, picking up the golf game, | 0:30:53 | 0:30:58 | |
the Art Deco trolley, | 0:30:58 | 0:31:00 | |
the 1930s soda syphon | 0:31:00 | 0:31:02 | |
and the drawing exhibited in 1919 at a total cost of £294. | 0:31:02 | 0:31:08 | |
-That's very special. -The sad thing is you can't keep it. -I know. | 0:31:10 | 0:31:15 | |
Here. Morning. | 0:31:15 | 0:31:17 | |
So with £106 left over, Jonathan and Diarmuid embark on their last shopping trip together, | 0:31:17 | 0:31:24 | |
this time in Heritage Antiques. | 0:31:24 | 0:31:26 | |
What do you think of that? | 0:31:26 | 0:31:29 | |
Jonathan knows what he wants, but can he convince Diarmuid? | 0:31:31 | 0:31:35 | |
I'm personally looking for something which says, "Buy me. I'm going to make you money." | 0:31:35 | 0:31:41 | |
-Yeah, I agree with that. Whatever he said. I wasn't listening. -There we are. | 0:31:41 | 0:31:47 | |
It's a good plan, Jonathan, but this gardener is definitely ploughing his own furrow. | 0:31:47 | 0:31:54 | |
-True to form... -Can I show you something? -..Diarmuid finds something all on his own. | 0:31:54 | 0:31:59 | |
I like the colour. | 0:31:59 | 0:32:01 | |
I don't see any price on it. | 0:32:01 | 0:32:04 | |
-OK. -It's... | 0:32:04 | 0:32:07 | |
-Is it comfortable? -It's comfortable. Quite upright. | 0:32:07 | 0:32:11 | |
It's all about price. If that's less than 40 quid, it's fine. | 0:32:11 | 0:32:15 | |
If it's over 40 quid... It's the sort of thing you stick in at 40-60. If somebody pays £70, brilliant. | 0:32:15 | 0:32:21 | |
-But... -So we can't pay what we have left anyway because we won't make the profit? | 0:32:21 | 0:32:27 | |
-If we paid 100 for it, you won't make any profit. -Right. -Unless it was leather, then you'd get 200-300. | 0:32:27 | 0:32:34 | |
Jonathan's warning against it especially with the ticket price of £190. | 0:32:34 | 0:32:40 | |
But can dealer Helen sway things Diarmuid's way? | 0:32:40 | 0:32:44 | |
-180 maybe... -No, we haven't got the money. | 0:32:44 | 0:32:49 | |
-It was possibly a nice story, Diarmuid. -It's a really good, comfy chair. | 0:32:49 | 0:32:54 | |
You're right to walk away at that price, Jonathan, especially as furniture isn't doing well now. | 0:32:54 | 0:33:00 | |
-Although it looks like your teammate is quite comfortable where he is. -This is it. | 0:33:00 | 0:33:06 | |
I know this is it. I don't know if it will sell. How do I break it to him that the search is over? | 0:33:08 | 0:33:15 | |
He's fallen in love with this period piece from the 1940s and he's made up his mind. | 0:33:15 | 0:33:22 | |
I can no longer carry on with this charade. | 0:33:24 | 0:33:28 | |
-Why? What's the matter? -It is the chair. -Is it? -If we can get the price down. | 0:33:28 | 0:33:34 | |
HE SIGHS | 0:33:34 | 0:33:36 | |
The expert's been beaten. Now for Helen. | 0:33:36 | 0:33:40 | |
The Irish and the Chinese have always got on extremely well. | 0:33:40 | 0:33:45 | |
What I need to do is I really need to make a profit on this chair. | 0:33:45 | 0:33:51 | |
I really need to make a profit. So how much can we come down? | 0:33:51 | 0:33:56 | |
-We'll meet halfway. -So 50 quid? -No! | 0:33:56 | 0:34:00 | |
-90 quid. -How about 80 quid? | 0:34:00 | 0:34:03 | |
-Done. -Great. -Thank you. -Thank you. | 0:34:03 | 0:34:07 | |
Right, we're there! | 0:34:07 | 0:34:09 | |
-See, that's international trade negotiation. -Indeed. | 0:34:09 | 0:34:13 | |
And at twice what you would have paid, Jonathan. | 0:34:13 | 0:34:17 | |
-Look how reluctant he is. -Yeah. | 0:34:17 | 0:34:20 | |
OK, £80. No, I'm not... | 0:34:20 | 0:34:23 | |
It's just I like the chair. I'd give it house room, next to the fire in the hallway. | 0:34:23 | 0:34:28 | |
-Could I sell it to you for 150? -No, you can't! | 0:34:28 | 0:34:32 | |
They'll have to wait until the auction to see if that pays off. | 0:34:33 | 0:34:38 | |
With five lots in the bag, that concludes our boys' shopping. | 0:34:38 | 0:34:42 | |
Round the corner, however, Kim and Will are just getting going | 0:34:44 | 0:34:48 | |
-at Home and Colonial Antiques. -It looks like a great place. Oh, vintage clothes, too! | 0:34:48 | 0:34:54 | |
-Oh, no... -Distracted. -You've had your vintage clothes. We said we'd go up top. | 0:34:54 | 0:35:00 | |
We are. We've got a strategy. | 0:35:00 | 0:35:03 | |
We'll see how long that lasts. | 0:35:03 | 0:35:06 | |
# The minute you walked in the joint | 0:35:08 | 0:35:11 | |
# I could see you were a man of distinction | 0:35:11 | 0:35:16 | |
# A real big spender... # | 0:35:16 | 0:35:18 | |
Not with 220 quid I'm not! | 0:35:18 | 0:35:21 | |
-# -Hey, big spender Spend... | 0:35:21 | 0:35:25 | |
-# -..a little time with me... -# | 0:35:25 | 0:35:27 | |
-Look at that. It's magnificent. -You spotted it on the way up. | 0:35:27 | 0:35:32 | |
-Is it something you light to warm something up? -I think it's just a centre bowl, | 0:35:32 | 0:35:37 | |
but very much in that Arts and Crafts... You see the Celtic design, | 0:35:37 | 0:35:41 | |
the sinuous, organic shape. | 0:35:41 | 0:35:45 | |
-And the price tag of £1,550, Kim. -Why have I got such expensive taste?! | 0:35:45 | 0:35:51 | |
Big spender, indeed, but you've only got £225, I'm afraid. | 0:35:51 | 0:35:55 | |
I did see on our travels a funny little print upstairs. | 0:35:55 | 0:36:00 | |
By a chap called Klein. | 0:36:00 | 0:36:03 | |
Now he did those etchings of all the dogs queuing up to have a pee next to a lamp-post. | 0:36:03 | 0:36:09 | |
Ever seen them? | 0:36:09 | 0:36:11 | |
-No. -Did you like my action? | 0:36:11 | 0:36:13 | |
Sounds like something I'd hate! | 0:36:13 | 0:36:16 | |
It may take some convincing, but it has a more affordable ticket price of £68. | 0:36:16 | 0:36:22 | |
It's by French artist Boris O'Klein and was part of his hugely popular Naughty Dogs of Paris series. | 0:36:22 | 0:36:29 | |
Right, OK. | 0:36:29 | 0:36:31 | |
-Nicely signed. -We've got a signature? -Yeah. | 0:36:31 | 0:36:35 | |
-An artist who's collectable? -Yeah. -We've got a dog having a wee. | 0:36:35 | 0:36:39 | |
It's not a big ticket price. It's a bit of fun! It's making YOU laugh! | 0:36:39 | 0:36:44 | |
-And we did see some dogs walking along the canal, on our way to the shops. -Yeah. | 0:36:44 | 0:36:51 | |
-Might have been an omen. -I swear they were whispering to us. Dog whisperers! | 0:36:51 | 0:36:56 | |
-"The wee picture! The wee picture!" -Come on, let's go for it, Will. | 0:36:56 | 0:37:01 | |
Will has won his celebrity over once more. | 0:37:01 | 0:37:05 | |
I'm just looking at... I think it's a vase. | 0:37:06 | 0:37:10 | |
I can just see roses in it looking absolutely stunning. | 0:37:10 | 0:37:14 | |
-This one here? -But now I'm thinking my heart's ruling my head. | 0:37:14 | 0:37:18 | |
-But sometimes you've got to do that. -I love it. Great colour, isn't it? | 0:37:18 | 0:37:22 | |
I love that colour. It's one of my favourite colours. | 0:37:22 | 0:37:26 | |
-You can tell which factory made it just by looking at the colour. -Really? -It's Poole Pottery. | 0:37:26 | 0:37:32 | |
Sure enough, there's the mark. Poole Pottery. | 0:37:32 | 0:37:36 | |
With a ticket price of £38, they've now got two items to haggle for | 0:37:36 | 0:37:43 | |
and both require a phone call to the owners. First up, the dogs. | 0:37:43 | 0:37:48 | |
Hello? Oh, hello. | 0:37:48 | 0:37:51 | |
We've fallen in love with your print, your doggy print. | 0:37:51 | 0:37:55 | |
-Will's trying to drive a hard bargain. He's gone down to 30... -Bad cop. | 0:37:55 | 0:38:01 | |
He feels 50's kind of... How about if we went down to 45? | 0:38:01 | 0:38:06 | |
What would you say to that? Could we buy it for 45, then? | 0:38:06 | 0:38:10 | |
Oh, that's great. Thank you so much. | 0:38:10 | 0:38:13 | |
-Good work. -I feel used and abused. | 0:38:13 | 0:38:16 | |
Aww. £45 for the O'Klein and now for Kim's flower trough. | 0:38:16 | 0:38:22 | |
Hi, Eileen, it's Kim Wilde here. We were wondering about...20. | 0:38:22 | 0:38:26 | |
I heard that from here! | 0:38:28 | 0:38:30 | |
In the immortal words, come on, Eileen. | 0:38:30 | 0:38:34 | |
-# -Oh, come on... -# | 0:38:34 | 0:38:36 | |
It's the first time she's heard it(!) Your corny jokes! You're a liability! | 0:38:38 | 0:38:43 | |
-And I was doing so well! -I've scuppered the deal! | 0:38:43 | 0:38:47 | |
-She's got to make a profit and it's a big old 30 for us. -I like it. Shall we do it? | 0:38:47 | 0:38:52 | |
Yeah, we're going to go for that. Thanks, Eileen. Sorry... | 0:38:52 | 0:38:57 | |
-Sorry about Will. -It's an outrage! -Bye! Bye. | 0:38:57 | 0:39:02 | |
That's another two lots up and £75 down. | 0:39:02 | 0:39:06 | |
That was lovely. The other nice thing was that you solved it nice and quietly, | 0:39:06 | 0:39:12 | |
-without too much force. -Thanks. That's a real compliment. Thank you so much. | 0:39:12 | 0:39:17 | |
Look and learn. | 0:39:17 | 0:39:19 | |
-Look...and learn. -What do you need me for? I'm out of a job, Eddie. | 0:39:19 | 0:39:24 | |
Not quite yet, Will. You still have one shop left. | 0:39:24 | 0:39:28 | |
But with their shopping behind them, your rivals are heading to Beaconsfield | 0:39:29 | 0:39:35 | |
to search out a little slice of heaven for Diarmuid. | 0:39:35 | 0:39:40 | |
The market town is certainly picturesque, but as a well-known landscape designer, | 0:39:40 | 0:39:45 | |
Diarmuid's more concerned with a place celebrated for its 1½ acres of manicured gardens, | 0:39:45 | 0:39:51 | |
albeit they're miniature ones at Bekonscot Model Village and Railway, | 0:39:52 | 0:39:58 | |
-the oldest and largest of its kind in the world. -Hello. -Hi, I'm Chris. | 0:39:58 | 0:40:03 | |
-Quite excited to see this. -This place is a feast for the eyes | 0:40:03 | 0:40:09 | |
and engineer Chris Nixon knows every tiny detail of this charming world | 0:40:09 | 0:40:13 | |
that perfectly captures 1930s England. | 0:40:13 | 0:40:17 | |
Chris, walking in through the lane and emerging out to this miniature world, I was here, | 0:40:17 | 0:40:23 | |
I've just realised I was here about 44 years ago when I was that height, | 0:40:23 | 0:40:29 | |
-a little lad in a pram. -We've been here since 1929. It's very possible you've come. | 0:40:29 | 0:40:36 | |
-What happened in 1929? How did it emerge? -The founder lived across the road. | 0:40:36 | 0:40:41 | |
Essentially, his hobby outgrew his house, then his garden. He bought the land opposite | 0:40:41 | 0:40:46 | |
and him and a friend just built it up slowly. People would come round, enjoy a cup of tea, lawn tennis, | 0:40:46 | 0:40:53 | |
put some money in the pot and that's how we started. | 0:40:53 | 0:40:58 | |
-So it was a private passion that evolved... -Absolutely. -..to this magnificent exhibition. | 0:40:58 | 0:41:03 | |
That founder was London accountant Roland Callingham. | 0:41:03 | 0:41:08 | |
His original creation has grown and includes six towns and 200 buildings, | 0:41:10 | 0:41:16 | |
not to mention all the vehicles, shops and even a fishing village. | 0:41:16 | 0:41:20 | |
-Natural undulations of the landscape really suit these type of worlds, don't they? -Absolutely. | 0:41:20 | 0:41:27 | |
-You wouldn't want to take the shears out here. -You'd need to have all your Edward Scissorhands blades going. | 0:41:27 | 0:41:33 | |
Every shrub has to be kept in context, I suppose, to the background. | 0:41:33 | 0:41:38 | |
Dedication of two full-time gardeners constantly preening and pruning, yeah. | 0:41:38 | 0:41:44 | |
There are over 3,000 shrubs and trees here for Diarmuid to enjoy. | 0:41:44 | 0:41:49 | |
That's one for each of the 3,000 inhabitants. | 0:41:49 | 0:41:54 | |
And Chris is keen to point out a special and rather familiar-looking new addition. | 0:41:54 | 0:42:00 | |
-What about this chap here? -That looks like a hairy gardener. | 0:42:00 | 0:42:03 | |
I have those boots, those jeans, that shirt. Hair's a little shorter. What's going on here?! | 0:42:03 | 0:42:10 | |
-That is you. -You're joking. -Captured and placed in Bekonscot. | 0:42:10 | 0:42:14 | |
That is so funny. God! | 0:42:14 | 0:42:17 | |
-Where's the auctioneer, then?! -No, you're lecturing to the Women's Institute. | 0:42:17 | 0:42:23 | |
You're on a gig in there. That's so funny. I love it. | 0:42:23 | 0:42:27 | |
Am I wearing lipstick?! Hilarious. | 0:42:27 | 0:42:30 | |
That's been fantastic fun. I'll be back with my family. | 0:42:30 | 0:42:34 | |
-I'm going to see you in another 40 years. Am I going to age? -I think you're timeless. | 0:42:34 | 0:42:40 | |
-Captured forever more like that. -Yay! I've become a classic. | 0:42:40 | 0:42:45 | |
Just remember size isn't everything, Diarmuid. | 0:42:45 | 0:42:49 | |
But for Kim, back in Berkhamsted, getting one over on her rival is. | 0:42:49 | 0:42:53 | |
So they've come to Heritage Antiques to see what little treasure Diarmuid and Jonathan missed. | 0:42:53 | 0:42:59 | |
-Hi, I'm Kim. -I'm John. -Hi, John. | 0:42:59 | 0:43:02 | |
-Lord John Russell. -I thought it was Elvis Presley! | 0:43:06 | 0:43:11 | |
So far, Will and Kim have chosen two objects each and still have £150 to spend. | 0:43:13 | 0:43:20 | |
But will anything catch their eye? | 0:43:20 | 0:43:23 | |
-She is nice. -She is slightly cross-eyed if you look her in the face. | 0:43:23 | 0:43:30 | |
Oh, gosh. Really. Who's going to look her in the face? | 0:43:30 | 0:43:33 | |
Hey, who's going to be looking at her eyes? | 0:43:33 | 0:43:38 | |
They're losing it. | 0:43:40 | 0:43:42 | |
-You all right, Kim? -Sure. -You look deep in thought. | 0:43:42 | 0:43:47 | |
I'm just wondering where we go from here, you and I. | 0:43:47 | 0:43:51 | |
-Has it come to that? -How are you feeling about the lady with the roses? We could do better? | 0:43:51 | 0:43:58 | |
I'm just worried that at auction she could bomb. | 0:43:58 | 0:44:01 | |
-I'm not feeling very inspired. I'm struggling now. -Do you think we peaked too soon? | 0:44:01 | 0:44:08 | |
Come on, Will! It's your job to inspire your weary celebrity. | 0:44:08 | 0:44:12 | |
That's a big old lump. That's the sort of thing you need to put that bust on, isn't it? | 0:44:12 | 0:44:18 | |
-Well, I wouldn't myself. And how much is it? -It's from 110 down to 80. | 0:44:18 | 0:44:24 | |
Ah! The only thing that puts me off it a bit is this running thing. | 0:44:24 | 0:44:28 | |
-The Greek key sort of design? -It doesn't appeal to me at all. | 0:44:28 | 0:44:33 | |
I guess it's a lump of something that's pretty beautiful, really. | 0:44:33 | 0:44:37 | |
Well, she doesn't hate it. So can a phone call to the owner bring that price down? | 0:44:37 | 0:44:43 | |
Reduced to 80. What's your very, very best? | 0:44:43 | 0:44:48 | |
For Kim Wilde, this is. ..60. | 0:44:48 | 0:44:50 | |
-Shall we go for it? -Sure thing. -We're going to have it! | 0:44:50 | 0:44:54 | |
-Nice to meet you. -And you. -That purchase means both teams now have five items, | 0:44:54 | 0:45:00 | |
but who's made the better buys? Time to bare all. | 0:45:00 | 0:45:04 | |
Da-da-da! | 0:45:04 | 0:45:06 | |
Ah! | 0:45:06 | 0:45:07 | |
Yeah. | 0:45:07 | 0:45:09 | |
-OK. -I like this and this very much. -Good, aren't they? -The rest you can take home. | 0:45:09 | 0:45:14 | |
-Pharmacy bottles. -Does that one say Boring? I can't really read from here. | 0:45:14 | 0:45:20 | |
Yeah. | 0:45:20 | 0:45:22 | |
-This was a hot tip. -Was it? -Another hot tip we had was anything silver or silver-plated. | 0:45:22 | 0:45:28 | |
I found these and I thought they were rather stunning. | 0:45:28 | 0:45:31 | |
-It's a crazy design, isn't it? -I've never seen anything like it. -No marks, Jonathan. | 0:45:31 | 0:45:36 | |
-But who does that remind you of? -You want to think it's Dresser. | 0:45:36 | 0:45:40 | |
In the manner of, the style of. | 0:45:40 | 0:45:43 | |
Not blown away, eh, boys? But can you do any better? | 0:45:43 | 0:45:47 | |
-Yes, yes. I'm loving the watercolour. -Oh, God! What's this? | 0:45:47 | 0:45:52 | |
-The final piece... -Go on. Oh, very gentleman's club. | 0:45:52 | 0:45:56 | |
-I love the colour of that. -Good, isn't it? Moss Green. | 0:45:56 | 0:46:00 | |
-It's beautiful, yeah. -I'm glad that got a good reaction. | 0:46:00 | 0:46:04 | |
-This one you have to handle. Look at him. -From the 1960s. | 0:46:04 | 0:46:09 | |
-He's got a good technique going. -He's got his eye over the ball. | 0:46:09 | 0:46:13 | |
-That was more expensive than the chair. -He paid £90. -HE paid £90. | 0:46:15 | 0:46:19 | |
-Rats deserting the sinking ship! -Oh, no, I'm not, I'm not. I was with you all the way. | 0:46:19 | 0:46:25 | |
-It was a matter of buying what was fun and quirky. -It is. | 0:46:25 | 0:46:30 | |
Let's make it official. Good luck to you both. ..Come on! | 0:46:30 | 0:46:35 | |
-JP, good work. -Good lu... -Good luck. -Good luck, guys. | 0:46:35 | 0:46:40 | |
They're trying to be awfully nice, but what do they really think? | 0:46:40 | 0:46:45 | |
They'll really struggle on that golf game How much did he say? 90 quid. | 0:46:45 | 0:46:50 | |
Yeah! | 0:46:50 | 0:46:51 | |
I bought mine. I think it cost me 15 quid at auction. | 0:46:51 | 0:46:55 | |
Those brown jars - I'm not entirely convinced they're that old. | 0:46:55 | 0:46:59 | |
-The service has no mark. -And I don't think it's '30s. | 0:46:59 | 0:47:02 | |
-It has a more Moroccan flavour. -Yes, it does. -I think it's a Moroccan twist on a coffee service. | 0:47:02 | 0:47:10 | |
OK. Kim! | 0:47:10 | 0:47:12 | |
-I loved the green chair. -Did you? -I really did. Not the painting. | 0:47:12 | 0:47:18 | |
I think the objects they've got will be swallowed up in the sale. | 0:47:18 | 0:47:22 | |
An educated eye just might think they'd bought a load of junk! | 0:47:22 | 0:47:26 | |
So it's off for the final showdown at auction some 170 miles north in Macclesfield, Cheshire. | 0:47:30 | 0:47:37 | |
What a beautiful day for an auction, eh, Diarmuid? Eh? | 0:47:38 | 0:47:42 | |
-What a beautiful day to be a winner, Kim. -You know what... -A beautiful day to be a winner, Kim. | 0:47:42 | 0:47:49 | |
I haven't been to an auction for many years. I've only been to one and they're quite nerve-racking. | 0:47:49 | 0:47:56 | |
-Have you ever been to an auction? -One in my life. -I'm glad I'm not bidding. I just have to sit there | 0:47:56 | 0:48:02 | |
-and watch all our stuff go for much higher prices than yours. -A couple of confident celebrities! | 0:48:02 | 0:48:09 | |
-What about their experts? -I think our Achilles heel may be the one thing I pushed. | 0:48:09 | 0:48:16 | |
-Your bottles? -The bottles. | 0:48:16 | 0:48:19 | |
-The golfing game could be our Achilles heel. -No "could" about it! | 0:48:19 | 0:48:24 | |
-But Diarmuid loved it. It was great fun and it fitted the Willy Wonka sense of his... -Madness. | 0:48:24 | 0:48:31 | |
Absolutely. | 0:48:31 | 0:48:33 | |
You may be a brilliant singer, but I'm not so sure about your ability in spotting antiques, Kim. | 0:48:33 | 0:48:41 | |
That's fighting talk. | 0:48:41 | 0:48:44 | |
Today's auction is at Adam Partridge Auctioneers and Valuers. | 0:48:44 | 0:48:48 | |
-And as Kim puts the final touches to her lots... -Some people may say I'm going for an unfair advantage. | 0:48:49 | 0:48:57 | |
I say...so what? | 0:48:57 | 0:48:59 | |
Auctioneer Adam Partridge gives us his thoughts on what they've bought. | 0:48:59 | 0:49:05 | |
Golf set's a bit of fun, isn't it? | 0:49:05 | 0:49:08 | |
The staff thought, "What are we doing with this, boss?" But I reckon it'll make 20 or 30 quid. | 0:49:08 | 0:49:15 | |
If I was a betting man, I'd be putting my money on Will and Kim. | 0:49:15 | 0:49:19 | |
Mainly because... I don't know what they paid, but they bought the better items. | 0:49:19 | 0:49:25 | |
For that very reason alone, they should win. | 0:49:25 | 0:49:28 | |
Et voila! | 0:49:28 | 0:49:30 | |
-What do you think? It's nice? -Not bad. | 0:49:31 | 0:49:35 | |
He's gutted, isn't he? | 0:49:36 | 0:49:38 | |
Kim and Will spent a total of £310 and are presenting five lots. | 0:49:40 | 0:49:46 | |
It's pretty beautiful, really. | 0:49:46 | 0:49:48 | |
Diarmuid and Jonathan also came with five lots, but with a slightly larger combined price tag of £374. | 0:49:48 | 0:49:56 | |
Now just give me a moment. | 0:49:57 | 0:49:59 | |
The auction room isn't exactly packed, but it's also happening live online | 0:49:59 | 0:50:05 | |
and with all profits to Children In Need, take it away, Adam! | 0:50:05 | 0:50:09 | |
-We're up first, I think, with our pharmacy bottles. -Really? | 0:50:09 | 0:50:14 | |
You never were convinced, were you, Kim? | 0:50:14 | 0:50:18 | |
£30 the lot. | 0:50:18 | 0:50:20 | |
-£20 the lot? -It's enough to make you feel quite ill. | 0:50:20 | 0:50:24 | |
£20. I'll take five. At 30 bid online. | 0:50:24 | 0:50:28 | |
At five anywhere? At 30. | 0:50:28 | 0:50:30 | |
- Any advance now on £30? - Not going our way. | 0:50:30 | 0:50:34 | |
Selling, then. Internet. | 0:50:34 | 0:50:36 | |
At £30. The expressions don't look good. | 0:50:36 | 0:50:40 | |
£105 loss! | 0:50:40 | 0:50:43 | |
That Will has a lot to answer for. | 0:50:43 | 0:50:46 | |
-I'll get my coat! -Look at Kim's face! -Welcome to the world of Antiques Road Trip! | 0:50:46 | 0:50:53 | |
I feel sorry for you. CRASH | 0:50:53 | 0:50:56 | |
-Oh! That sounded expensive. -That was a bid on the bottles. | 0:50:56 | 0:51:00 | |
Wishful thinking, but maybe Diarmuid and Jonathan's first offering hit a hole in one. | 0:51:00 | 0:51:06 | |
Looks like hours of fun(!) I have a bid of £20 already. | 0:51:06 | 0:51:10 | |
I'll take five. Five, thank you. 30 bid. Still with me at £30. | 0:51:10 | 0:51:15 | |
Someone's thinking about it online. At £30. They've gone! | 0:51:15 | 0:51:20 | |
Disappeared. Vanished! £30 it is. | 0:51:20 | 0:51:23 | |
£30. | 0:51:23 | 0:51:26 | |
That's a bad score with another big loss! | 0:51:26 | 0:51:30 | |
Well done, gents. We're off to a flying start! | 0:51:31 | 0:51:34 | |
Not exactly, Will, but perhaps Kim's silver-plated find can turn your fortunes around. | 0:51:34 | 0:51:40 | |
Bidding's started online. 40. Five. 50. Five. 60. And five. | 0:51:40 | 0:51:46 | |
Online at 65. Any advance? | 0:51:46 | 0:51:48 | |
-65. 70 bid. 70. And five. 80. -Ah! -At £80. | 0:51:48 | 0:51:54 | |
At 80. And five. 85 is bid. 90. | 0:51:54 | 0:51:57 | |
-95. 100. -It's pouring out profits! | 0:51:57 | 0:52:01 | |
110 is bid. 120 is bid. | 0:52:01 | 0:52:03 | |
130 is bid. 140 is bid. | 0:52:03 | 0:52:07 | |
150 now. They're still going. 160 is bid. At 170 bid. | 0:52:07 | 0:52:11 | |
180 bid. Any more? It's £180 on this. First, second and final time. | 0:52:13 | 0:52:20 | |
-At £180 now. -You star! | 0:52:20 | 0:52:23 | |
-Well done, well done. -That was good work. -Super. | 0:52:23 | 0:52:28 | |
A whopping £140 profit. | 0:52:28 | 0:52:30 | |
It even makes up for their loss on the bottles. | 0:52:30 | 0:52:35 | |
-180 quid! That gets us back in the game! -Back in the game! | 0:52:35 | 0:52:39 | |
Right, boys, your Art Deco trolley has some catching up to do. | 0:52:39 | 0:52:44 | |
-Give us £40 on the tray? Bid me £20. -Oh, dear. -20. And five. | 0:52:44 | 0:52:49 | |
25 at the back. 30 bid. And five. | 0:52:49 | 0:52:51 | |
Five at the back. 35. | 0:52:51 | 0:52:54 | |
At £35. You're out online. 40. And five. And 50, sir? | 0:52:54 | 0:52:58 | |
50 at the back of the room. Five now? | 0:52:58 | 0:53:01 | |
Trolley's going to be sold at the back of the room. £50. | 0:53:01 | 0:53:06 | |
Jonathan's fear of a loss has come true to the tune of £82. | 0:53:06 | 0:53:11 | |
You should never have let me buy it! | 0:53:12 | 0:53:14 | |
Don't turn on each other now. I do hope the soda syphon does better or we're in trouble. | 0:53:14 | 0:53:22 | |
I've got £20 online already. Any advance on £20? Five in the room. | 0:53:22 | 0:53:26 | |
At 25. It's a rare one, I'm sure. | 0:53:26 | 0:53:29 | |
-30 online. -That's more like it. -At £35. 40 bid. | 0:53:29 | 0:53:33 | |
All done at 40? A sparkling price. | 0:53:33 | 0:53:36 | |
At 40. | 0:53:36 | 0:53:38 | |
Profit at last. And for their least expensive item. | 0:53:38 | 0:53:43 | |
-It's a profit. -We should have bought five of those! | 0:53:43 | 0:53:46 | |
Back to Kim now and another of Will's recommendations. Can it do better than the pharmacy bottles? | 0:53:46 | 0:53:54 | |
Give me £20 for it? 20 bid. At £20. I'll take five online now. And 30. | 0:53:54 | 0:54:00 | |
30 bid, the room. At £30. A signed one. Five online. | 0:54:00 | 0:54:04 | |
Quick conference and 40 is bid in the room. | 0:54:04 | 0:54:07 | |
At five online. Say the 50. | 0:54:07 | 0:54:10 | |
50's in the room. Thanks. | 0:54:10 | 0:54:12 | |
Five's online now. 60. He's back in. That's it. | 0:54:12 | 0:54:17 | |
At £60. At 65 online now. | 0:54:17 | 0:54:20 | |
Online and selling now at £65. | 0:54:20 | 0:54:22 | |
I think you've redeemed yourself with that, Will. | 0:54:24 | 0:54:28 | |
-Profit in this game is rare. You've got to take them where you can. -Yeah, take them where you can. | 0:54:28 | 0:54:34 | |
Kim again now with the flower trough. Surely those last-minute additions will keep them in profit. | 0:54:34 | 0:54:41 | |
- It's got flowers in it. Roses. From your own garden? - They are. | 0:54:41 | 0:54:46 | |
-But covered in greenfly and a bit of blight. -They doubled the value! | 0:54:46 | 0:54:51 | |
Want to bid me £20 for it? Poole Pottery. | 0:54:51 | 0:54:54 | |
20 bid. At £20 in the room. Take five. In the room at 20. | 0:54:54 | 0:54:59 | |
All finished at 20? Opening bid. | 0:54:59 | 0:55:02 | |
Oh, man! | 0:55:02 | 0:55:04 | |
It hasn't exactly come up smelling of roses, but it's only a small loss. | 0:55:06 | 0:55:12 | |
I paid £20 for the roses! | 0:55:12 | 0:55:14 | |
Sticking with the gardening theme is Diarmuid's drawing of an allotment. | 0:55:14 | 0:55:19 | |
£20, the allotment? 20 bid. Any advance on £20? | 0:55:20 | 0:55:23 | |
At 20. All done? Anyone else? | 0:55:23 | 0:55:26 | |
-It was exhibited in Chelsea in... Does that make any difference? -Not really! | 0:55:26 | 0:55:31 | |
£20 in the room. At £20. We're selling at £20. There we go. | 0:55:31 | 0:55:36 | |
They just don't love it as much as you do, Diarmuid. Another loss. | 0:55:36 | 0:55:41 | |
-It's a tough game, this antiques business. -I thought the vase, you thought the painting. | 0:55:41 | 0:55:47 | |
-There's no justice in the world. -So we're down to a chair. | 0:55:47 | 0:55:52 | |
Indeed. But first is Kim's column. | 0:55:52 | 0:55:56 | |
Even a small profit will do here, chaps. | 0:55:56 | 0:56:01 | |
We had the owner of a local country house looking at it on viewing day. | 0:56:01 | 0:56:05 | |
Said he'd never let it through his door! No, he was quite interested. I've got a bid of £30. | 0:56:05 | 0:56:11 | |
At £30. At £30 only. I'll take five. | 0:56:11 | 0:56:14 | |
Five? 40 at the back. Five. 50. Five? | 0:56:14 | 0:56:18 | |
50 at the very back. And five. | 0:56:18 | 0:56:20 | |
And 60. I'll take five online. | 0:56:20 | 0:56:24 | |
It's 60 in the far corner. | 0:56:24 | 0:56:27 | |
It's broken even, but after auction costs this too will have made a loss. | 0:56:27 | 0:56:33 | |
It'd be nice to have a small profit. | 0:56:33 | 0:56:36 | |
Last up is Diarmuid's chair. | 0:56:36 | 0:56:39 | |
This has to make £135 to beat Kim. That's optimistic, I'd say. | 0:56:39 | 0:56:46 | |
-The most comfortable chair ever. -I have a commission bid. £25. | 0:56:46 | 0:56:51 | |
Anyone else on this chair? Held aloft for your viewing pleasure. | 0:56:51 | 0:56:55 | |
All done at £25? We'll have to deliver that to Chester as well. | 0:56:55 | 0:57:01 | |
At £25, then. | 0:57:01 | 0:57:03 | |
A £55 loss. That bidder's sure sitting pretty. | 0:57:06 | 0:57:11 | |
-I'm amazed at that. -A bargain! -25 quid. -Someone got that for 25 quid! Unbelievable. | 0:57:11 | 0:57:16 | |
That was rather shocking. | 0:57:19 | 0:57:21 | |
Diarmuid and Jonathan made a loss of £238.70 after auction costs, | 0:57:21 | 0:57:28 | |
leaving them with £161.30 | 0:57:28 | 0:57:31 | |
Kim and Will lost only £18.90 | 0:57:33 | 0:57:36 | |
so end the trip with £381.10, | 0:57:36 | 0:57:40 | |
making them the winners. Well, kind of. | 0:57:40 | 0:57:44 | |
-Well, so what happened? -We couldn't possibly have lost any more money! I don't think it's possible. | 0:57:45 | 0:57:51 | |
-So we both made losses. -Yeah. -But we made substantially... | 0:57:51 | 0:57:55 | |
-I would have loved that chair, the trolley and your vase. And they all went for... -A song! | 0:57:55 | 0:58:01 | |
I've recorded a win! | 0:58:01 | 0:58:04 | |
Completely down to your tea set. I mean, it's great, isn't it? | 0:58:04 | 0:58:08 | |
-I was your lucky mascot, Will. -Kim's item flew. | 0:58:08 | 0:58:11 | |
-I hope you've had fun. -Oh, Will, you've been a dude. I loved it. It's been good fun. | 0:58:11 | 0:58:18 | |
-So off we drive for a happy ever after. -Fantastic. | 0:58:18 | 0:58:22 | |
There's one thing we can beat you at. | 0:58:22 | 0:58:27 | |
# We're the kids in America We're the kids in America | 0:58:27 | 0:58:32 | |
# Everybody live for the music-go-round... # | 0:58:32 | 0:58:36 | |
Subtitles by Red Bee Media Ltd | 0:58:55 | 0:58:57 |