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-Some of the nation's favourite celebrities... -Why have I got such expensive taste? | 0:00:02 | 0:00:07 | |
..one antiques expert each... | 0:00:07 | 0:00:09 | |
..and one big challenge - | 0:00:11 | 0:00:14 | |
who can seek out and buy the best antiques | 0:00:14 | 0:00:17 | |
at the very best prices... | 0:00:17 | 0:00:19 | |
Answers on a postcard... | 0:00:19 | 0:00:21 | |
-Oh! -..and auction for a big profit further down the road? | 0:00:21 | 0:00:25 | |
It's a wee bit funky! | 0:00:25 | 0:00:27 | |
Who will spot the good investments? Who will listen to advice? | 0:00:27 | 0:00:31 | |
-Do you like it? -No, I think it's horrible. | 0:00:31 | 0:00:33 | |
And who will be the first to say, "Don't you know who I am?" | 0:00:33 | 0:00:37 | |
Well done, us! | 0:00:37 | 0:00:39 | |
Time to put your pedal to the metal! | 0:00:39 | 0:00:42 | |
This is Celebrity Antiques Road Trip! | 0:00:42 | 0:00:45 | |
Yeah! | 0:00:47 | 0:00:48 | |
On this road trip, we're enjoying the talents of two great British grandes dames | 0:00:50 | 0:00:55 | |
of the acting world. | 0:00:55 | 0:00:57 | |
A standing ovation please for good chums | 0:00:58 | 0:01:01 | |
Anne Reid and Thelma Barlow. | 0:01:01 | 0:01:03 | |
I love you, Thelma. | 0:01:03 | 0:01:04 | |
-I know you do. Put your other hand on the wheel, darling! -I really love you! | 0:01:04 | 0:01:09 | |
Anne and Thelma together, of course, | 0:01:11 | 0:01:14 | |
are best known for their parts in Victoria Wood's much-loved sitcom Dinnerladies, | 0:01:14 | 0:01:18 | |
where they became the best of friends... | 0:01:18 | 0:01:21 | |
I think we should ask somebody with bigger hips. | 0:01:21 | 0:01:25 | |
Jean! | 0:01:25 | 0:01:27 | |
..and a comedy double act. | 0:01:28 | 0:01:30 | |
With Keith's family? Last big wedding, his Auntie Dot ate a coaster. | 0:01:30 | 0:01:35 | |
No! | 0:01:35 | 0:01:36 | |
She thought it was a high-fibre biscuit. | 0:01:36 | 0:01:39 | |
LAUGHTER | 0:01:39 | 0:01:41 | |
-The first time we worked together, wasn't it? -It's the only time we've worked together. | 0:01:42 | 0:01:46 | |
-The one and only. -Yes. -It was enough for both of us! | 0:01:46 | 0:01:50 | |
-Yes, well, I said to my agent, "Please don't." -"Don't, please!" | 0:01:50 | 0:01:54 | |
"Don't ever put me with Thelma Barlow again." | 0:01:54 | 0:01:58 | |
I don't think your agent's listening, darling. | 0:01:58 | 0:02:00 | |
Anne spent the Swinging '60s on Coronation Street, | 0:02:00 | 0:02:03 | |
before branching out to shine in a stunning variety of productions, | 0:02:03 | 0:02:08 | |
flitting from popular comedy to serious drama. | 0:02:08 | 0:02:10 | |
She's just recently been snuggling up to Sir Derek Jacobi | 0:02:10 | 0:02:15 | |
in the BAFTA-bagging BBC drama Last Tango in Halifax. | 0:02:15 | 0:02:19 | |
What a girl! | 0:02:19 | 0:02:21 | |
-It's exciting, isn't it? I've never done anything like this before. -No, I haven't. | 0:02:21 | 0:02:26 | |
Really thrilling. | 0:02:26 | 0:02:27 | |
My hair is going to be ruined, of course, that's the only thing. | 0:02:27 | 0:02:31 | |
But who is Thelma Barlow? | 0:02:31 | 0:02:33 | |
Well, I don't really know! Just kidding! | 0:02:33 | 0:02:37 | |
The charming Thelma spent more than two decades | 0:02:37 | 0:02:40 | |
portraying treasured Corrie character Mavis Wilton, | 0:02:40 | 0:02:44 | |
and gave life to what's probably | 0:02:44 | 0:02:46 | |
still the series' best-known catchphrase. | 0:02:46 | 0:02:49 | |
-Or is it? -I don't really know! | 0:02:49 | 0:02:53 | |
When she left the Street in the late '90s, | 0:02:53 | 0:02:56 | |
she went on to feature in many of our best-loved dramas. | 0:02:56 | 0:02:59 | |
She's our twinkle-eyed performance powerhouse. | 0:02:59 | 0:03:02 | |
-This is lovely, this car. -It's a lovely area. | 0:03:02 | 0:03:04 | |
Do you think they'd miss it if we just... | 0:03:04 | 0:03:08 | |
-We could take off. -We could just drive off! | 0:03:08 | 0:03:10 | |
We could head for the coast and a ferry, we'd be gone! | 0:03:10 | 0:03:13 | |
Thelma and Louise, I mean Anne, are piloting a blue-bodied beauty, | 0:03:13 | 0:03:18 | |
the 1985 Mercedes 280SL. | 0:03:18 | 0:03:22 | |
-It's so beautiful, though, isn't it? -It's beautiful! | 0:03:22 | 0:03:26 | |
Not as lovely as you two girls. | 0:03:26 | 0:03:28 | |
And they're getting into the mood for antiquity. | 0:03:28 | 0:03:31 | |
-I've just had my ancestors traced. -Have you? | 0:03:31 | 0:03:34 | |
-I might be royal. -Oh, Christ! -I have... | 0:03:34 | 0:03:38 | |
-It gets worse! -..high-born ancestors. | 0:03:38 | 0:03:41 | |
High born? Up in the attic! | 0:03:41 | 0:03:45 | |
Every leading lady needs her stage-door Johnny | 0:03:47 | 0:03:51 | |
and we have got a pair of them. | 0:03:51 | 0:03:53 | |
David Harper is an auctioneer who's proud to say | 0:03:53 | 0:03:56 | |
that his passion for antiques courses through his very veins. | 0:03:56 | 0:04:00 | |
-I'm the purest, you're like the nouveau. -You're puerile! | 0:04:00 | 0:04:03 | |
Puerile! THEY LAUGH | 0:04:03 | 0:04:06 | |
Paul Laidlaw's a canny Scottish antiques expert | 0:04:06 | 0:04:10 | |
with a keen eye for quality. | 0:04:10 | 0:04:12 | |
A day like this, open-top classic car, whatever it is... | 0:04:12 | 0:04:16 | |
OK, there's you, but we can't have it all! | 0:04:16 | 0:04:21 | |
The chaps are driving a neat little number today - | 0:04:21 | 0:04:24 | |
the 1968 Triumph Vitesse. Saucy! | 0:04:24 | 0:04:28 | |
I'm loving the Vitesse. | 0:04:28 | 0:04:30 | |
Do you love the Vitesse as much as I love the Vitesse? | 0:04:30 | 0:04:32 | |
-David, almost certainly not! -THEY LAUGH | 0:04:32 | 0:04:36 | |
Today, they'll begin their buying in Henley-on-Thames, Oxfordshire, | 0:04:37 | 0:04:41 | |
aiming for their auction in Penkridge, Staffordshire. | 0:04:41 | 0:04:45 | |
Henley-on-Thames is, of course, | 0:04:46 | 0:04:49 | |
the rowing capital of Britain, | 0:04:49 | 0:04:51 | |
hosting the annual Henley Royal Regatta. | 0:04:51 | 0:04:55 | |
Let's hope some of that sportsmanlike spirit rubs off on Paul and David | 0:04:55 | 0:04:59 | |
as they meet our right royal ladies of stage and screen. | 0:04:59 | 0:05:03 | |
ALL: Hello! Hello there! Hello! Good morning! | 0:05:03 | 0:05:05 | |
Hello! I'm David. | 0:05:05 | 0:05:08 | |
There we go. If he's getting kisses, I'm getting kisses. | 0:05:08 | 0:05:11 | |
Lordy! Let's get paired up, then. | 0:05:11 | 0:05:13 | |
Who got the short straw? THEY LAUGH | 0:05:13 | 0:05:15 | |
Who's getting me? | 0:05:15 | 0:05:16 | |
OK, well, I can reveal that poor Thelma's got the short straw, | 0:05:16 | 0:05:21 | |
-because you've got me, I'm afraid. -Oh, I'm delighted! | 0:05:21 | 0:05:25 | |
-Are you ready to go shopping? -We are! | 0:05:25 | 0:05:28 | |
-Come on. Link on! -OK. | 0:05:28 | 0:05:30 | |
-Indeed. -Your chariot is this way! | 0:05:30 | 0:05:33 | |
Newly-minted twosome Anne and Paul are heading off towards their first shop. | 0:05:33 | 0:05:38 | |
I'll just have to follow my instinct | 0:05:38 | 0:05:40 | |
because I don't know anything about antiques at all. | 0:05:40 | 0:05:44 | |
-OK. -You do know that? -I'll guide you. We're a double act. | 0:05:44 | 0:05:48 | |
We've got £400 to spend on up to five auction lots. | 0:05:48 | 0:05:53 | |
-Jolly good. -Shall we? -Yes! -You lead the way, Anne, come on! | 0:05:53 | 0:05:57 | |
With that decided, they're going into Henley Antiques and meeting dealer Simon. | 0:05:57 | 0:06:01 | |
-Good afternoon! -Hello. Good afternoon. | 0:06:01 | 0:06:03 | |
-Hello. I'm Annie. -Hello, Annie. Welcome to Henley-on-Thames. | 0:06:03 | 0:06:06 | |
-Hi, I'm Paul. -Hello, Paul. Simon. | 0:06:06 | 0:06:08 | |
You can call me Tim. | 0:06:08 | 0:06:10 | |
Anyway, you'd both better get browsing. | 0:06:10 | 0:06:14 | |
To aid the search, | 0:06:20 | 0:06:22 | |
Paul's trying to glean some info on Anne's tastes. | 0:06:22 | 0:06:26 | |
-Are you a collector, Anne? -I collect music. | 0:06:26 | 0:06:30 | |
-Music? -Music. -What do you mean by music? | 0:06:30 | 0:06:32 | |
-Sheet music? -Yes. | 0:06:32 | 0:06:33 | |
Well, if there's a sheet music shop, I love that. | 0:06:33 | 0:06:38 | |
There doesn't seem to be any sheet music to be had in this shop, | 0:06:38 | 0:06:42 | |
but Anne has spied something which looks like it might ring true. | 0:06:42 | 0:06:46 | |
It's a pewter plate, | 0:06:46 | 0:06:48 | |
circa 1700. | 0:06:48 | 0:06:50 | |
-Ooh, I like that. -Yours for £45. | 0:06:50 | 0:06:53 | |
Should we have a little look? | 0:06:53 | 0:06:54 | |
Pewter is a metal alloy comprising largely tin. | 0:06:54 | 0:06:59 | |
It was ubiquitous as a material for manufacturing everyday objects | 0:06:59 | 0:07:03 | |
up until the 19th century. | 0:07:03 | 0:07:06 | |
I don't know why I like it, I just do. | 0:07:06 | 0:07:09 | |
-Something drew you. -Yep. | 0:07:09 | 0:07:11 | |
Something did. I just think it's pretty. I'd like it on my table. | 0:07:11 | 0:07:15 | |
And that one I like, as well, that little one. | 0:07:15 | 0:07:18 | |
Look at what you're buying into, something that's, what, 300 years old? | 0:07:18 | 0:07:22 | |
-Yes. -Yes. The mouths that that fed... | 0:07:22 | 0:07:26 | |
-I know. -The conversations that went on around the table... | 0:07:26 | 0:07:29 | |
I know. Isn't that amazing? | 0:07:29 | 0:07:32 | |
It also bears some little marriage marks, | 0:07:32 | 0:07:35 | |
the initials of the couple who owned it. | 0:07:35 | 0:07:39 | |
It's a real piece of history and priced up at £45. | 0:07:39 | 0:07:44 | |
I love the fact that you like it, | 0:07:44 | 0:07:46 | |
-and I don't think it's expensive. -OK. | 0:07:46 | 0:07:50 | |
Are we looking at something we might want to buy? | 0:07:50 | 0:07:52 | |
Oh, gosh! You make the mind up, darling! | 0:07:52 | 0:07:56 | |
Dealer Simon is a pewter specialist, so Paul's quite confident of its 18th-century provenance. | 0:07:56 | 0:08:03 | |
But what sort of price could he let it go for? | 0:08:03 | 0:08:06 | |
-You've found something of interest? -I just like it. It's just pretty. | 0:08:06 | 0:08:10 | |
-Annie likes that. -That's all I go in. | 0:08:10 | 0:08:13 | |
-(We're going to buy this!) -All right. | 0:08:13 | 0:08:15 | |
Forgive me, I've got to haggle. Can you give us a wee bit of discount on that? | 0:08:15 | 0:08:21 | |
Well, £45 I had to sell it, | 0:08:21 | 0:08:24 | |
but two crisp 20-pound-notes and it's yours. | 0:08:24 | 0:08:27 | |
-Annie? -If I knew you better, I'd kiss you! | 0:08:27 | 0:08:30 | |
Ooh! So they've got their first buy in hand. Pewt-her there! | 0:08:30 | 0:08:34 | |
-Thank you very much. -Wonderful! | 0:08:34 | 0:08:36 | |
-Our first purchase! -There is a little pewter plate for you. | 0:08:36 | 0:08:39 | |
PAUL LAUGHS There we are. | 0:08:39 | 0:08:42 | |
Thelma and David, meanwhile, | 0:08:42 | 0:08:44 | |
are getting chummy on their walk to the first shop. | 0:08:44 | 0:08:48 | |
-Are we going to be a competitive team? -Ooh, tremendously! Absolutely. | 0:08:48 | 0:08:52 | |
-Are you very competitive by nature? -I didn't think I was | 0:08:52 | 0:08:55 | |
until I went to yoga and I found I was. | 0:08:55 | 0:08:58 | |
-Yoga? -It's a very wrong thing to do! -That's meant to make you calm and relaxed! | 0:08:58 | 0:09:02 | |
So just imagine how competitive the road trip's going to make her! | 0:09:02 | 0:09:07 | |
Golly gosh! | 0:09:07 | 0:09:08 | |
-So we're really looking to... -How about this? It's a bit unusual. | 0:09:08 | 0:09:13 | |
Let's have a look in here. | 0:09:13 | 0:09:14 | |
They're moseying in. Owner Abba presides. | 0:09:14 | 0:09:18 | |
-Hello. -Thelma Barlow. -Pleased to meet you. -How do you do? | 0:09:18 | 0:09:21 | |
-Fantastic. -Where do we start? | 0:09:21 | 0:09:24 | |
Let's just have a wander, Thelma. Come on, we'll have a wander! | 0:09:24 | 0:09:28 | |
Right. | 0:09:28 | 0:09:29 | |
Before long, Thelma spotted something she thinks is quite cracking. | 0:09:35 | 0:09:40 | |
That is quite a pretty little thing. | 0:09:40 | 0:09:42 | |
It's not something I would buy or use, but it's an attractive little item. | 0:09:42 | 0:09:47 | |
-So, why are you drawn to it, then? -Just because it's pretty. -OK. | 0:09:47 | 0:09:52 | |
No other reason. | 0:09:52 | 0:09:54 | |
It's a silver-plated egg cruet set, | 0:09:54 | 0:09:56 | |
comprising a tray, four egg cups and four spoons. | 0:09:56 | 0:10:01 | |
-Because your butler, of course... -Of course! | 0:10:01 | 0:10:03 | |
..would deliver this to you, Thelma, | 0:10:03 | 0:10:05 | |
but he's going to carry it from one part of the house to another | 0:10:05 | 0:10:09 | |
and what he doesn't want to happen, he doesn't want to lose any of those eggs, | 0:10:09 | 0:10:13 | |
-so the egg cups are fixed pretty tight. -It's very pretty. | 0:10:13 | 0:10:16 | |
It's really good. | 0:10:16 | 0:10:17 | |
Mm. It dates from the early part of the 20th century | 0:10:17 | 0:10:20 | |
and bears the mark of maker Walker and Hall. | 0:10:20 | 0:10:23 | |
-What date do you think it is? It would have to be cheap, I've got to tell you. -Yes. | 0:10:23 | 0:10:27 | |
-Shall we get a price? -Yes. -OK. | 0:10:27 | 0:10:29 | |
-Let's consult Abba. -What would you like? | 0:10:29 | 0:10:32 | |
Just that. | 0:10:32 | 0:10:34 | |
-What kind of price? -The best price? | 0:10:34 | 0:10:37 | |
-The absolute best price, please? -£40. | 0:10:37 | 0:10:40 | |
In the cold reality of an auction, | 0:10:40 | 0:10:44 | |
on a wet Wednesday afternoon, with no-one there potentially, | 0:10:44 | 0:10:47 | |
-it has to be 10 to £20 as an estimate. -OK. | 0:10:47 | 0:10:51 | |
So then you have to think, "I've got to pay less than £10." | 0:10:51 | 0:10:55 | |
Abba will do it for a knockdown £10, | 0:10:55 | 0:10:58 | |
but devilish haggler David's not finished. | 0:10:58 | 0:11:01 | |
We're competitive, aren't we? We've got to beat the other team. | 0:11:01 | 0:11:04 | |
A fiver would be an absolute steal. It would be a steal at a fiver. | 0:11:04 | 0:11:09 | |
-You can have it for five. -Let's shake his hand! -Thank you so much! | 0:11:09 | 0:11:13 | |
-Thank you. -That's so kind! Thank you very much. | 0:11:13 | 0:11:17 | |
So with some very hard bargaining from David, | 0:11:17 | 0:11:20 | |
they have their first buy and they're browsing on. | 0:11:20 | 0:11:24 | |
Thelma, I'm hoping you're an expert in musical instruments. | 0:11:29 | 0:11:33 | |
No, I'm not! | 0:11:33 | 0:11:34 | |
-What is it? -It's a musical instrument. -Yes. | 0:11:34 | 0:11:37 | |
It's this expert insight we rely on you for, David. | 0:11:37 | 0:11:41 | |
-What a lovely sound! -I'm going to do that again. I didn't know how talented I was. | 0:11:41 | 0:11:46 | |
-PLAYS SLIGHTLY OFF-KEY -# A bit more! # | 0:11:46 | 0:11:49 | |
Ooh, you've got a lovely voice. Do that again. Ready? | 0:11:49 | 0:11:52 | |
# A bit more! # | 0:11:52 | 0:11:55 | |
Beautiful! Beautiful! | 0:11:55 | 0:11:57 | |
-It's utterly gorgeous. -It's got a little box! -How much it is, I don't know. | 0:11:57 | 0:12:01 | |
-It's probably too expensive for us. -It might be. | 0:12:01 | 0:12:04 | |
-Abba? -Yes? -Can you give us a idea on this musical instrument? | 0:12:04 | 0:12:08 | |
-Which one? -This one here. -It's a flutina. | 0:12:08 | 0:12:12 | |
It's a type of accordion, popular in the 19th century, | 0:12:12 | 0:12:16 | |
fashioned from rosewood and mother-of-pearl | 0:12:16 | 0:12:19 | |
and complete with its original box. | 0:12:19 | 0:12:23 | |
But having already grabbed Abba down to a tiddly price on the cruet set, | 0:12:23 | 0:12:29 | |
can this fledgling bargaining tag-team repeat the trick? | 0:12:29 | 0:12:33 | |
What kind of money are we looking at? | 0:12:33 | 0:12:36 | |
-Be careful! -150. -Ouch! | 0:12:36 | 0:12:39 | |
-Ouch! -Ooh, I think we'll have to leave the shop! | 0:12:39 | 0:12:42 | |
No, it's beautiful, but it's a bit out of our range, isn't it? | 0:12:42 | 0:12:46 | |
A lot out of our range. | 0:12:46 | 0:12:48 | |
It's going into auction, it's a competition, | 0:12:48 | 0:12:52 | |
and I'm going to ask you a question... | 0:12:52 | 0:12:54 | |
-Do you want to see Thelma win this competition? -Yes, I do. | 0:12:54 | 0:12:58 | |
-Thank you. -£50. | 0:12:58 | 0:13:00 | |
Crikey! That's some discount! | 0:13:00 | 0:13:03 | |
As an object, | 0:13:03 | 0:13:04 | |
-it's absolutely delicious, isn't it? -It's lovely. -Utterly delicious. | 0:13:04 | 0:13:08 | |
Abba, it couldn't be 30, could it? | 0:13:08 | 0:13:12 | |
-It's beautiful. -Go in the middle. 40. | 0:13:12 | 0:13:15 | |
-Yes? -Thelma, it's over to you. What do you think? | 0:13:15 | 0:13:17 | |
Do you think we might get it for 35, if you look at him nicely? | 0:13:17 | 0:13:21 | |
-We can have it for 35. -Has he said yes? -Yes. | 0:13:21 | 0:13:23 | |
-He's brilliant! -He certainly is! -Thank you very much indeed. | 0:13:23 | 0:13:27 | |
-That's very kind. Thank you very much. -Fantastic. | 0:13:27 | 0:13:30 | |
So Thelma and David are proving to be a deadly duo in the haggling stakes, | 0:13:30 | 0:13:36 | |
and they got the egg cruet set and the flutina | 0:13:36 | 0:13:40 | |
for very little loot-ina. | 0:13:40 | 0:13:42 | |
Now, Anne and Paul are also still in sunny Henley | 0:13:42 | 0:13:46 | |
and have made their way to their next shop, Tudor House, where they're meeting dealer David. | 0:13:46 | 0:13:51 | |
-Hi! -Good afternoon. | 0:13:51 | 0:13:53 | |
-How are you doing? -Hello. | 0:13:53 | 0:13:55 | |
-Pleased to meet you. -Annie. Hello. | 0:13:55 | 0:13:57 | |
-Paul. -I'm David. -David, it's good to see you. | 0:13:57 | 0:14:00 | |
This shop's a jam-packed treasure trove, full of thousands of items. | 0:14:00 | 0:14:04 | |
Best get hunting! | 0:14:04 | 0:14:06 | |
-Wigs... Do you want a wig? -Er, not yet! | 0:14:12 | 0:14:15 | |
I might be heading in that direction ultimately, but at the moment... | 0:14:15 | 0:14:19 | |
That's a shame. I think one of those might rather suit you, Paul. | 0:14:19 | 0:14:24 | |
While they search, Paul quizzes Anne on her friendship with Thelma. | 0:14:24 | 0:14:28 | |
With regards to Coronation Street, | 0:14:28 | 0:14:31 | |
-did your roles overlap? -No, never. | 0:14:31 | 0:14:35 | |
We got really to know each other a lot | 0:14:35 | 0:14:38 | |
-just before Dinnerladies. -Ah, yes, yes! | 0:14:38 | 0:14:41 | |
-And Victoria Wood saw us together. -Right. | 0:14:41 | 0:14:44 | |
She said, "Would you like to work with Thelma?" | 0:14:44 | 0:14:47 | |
and I said, "No, but all right, go on!" | 0:14:47 | 0:14:50 | |
-Any competition between you? -No! She's one of my best friends! | 0:14:52 | 0:14:58 | |
-I love her to pieces! -So, you really don't mind who wins? | 0:14:58 | 0:15:01 | |
Ooh, no, I love it. No, no... | 0:15:01 | 0:15:04 | |
Oh, no, I'm quite competitive about this. | 0:15:04 | 0:15:07 | |
Yes, I want us to win. PAUL LAUGHS | 0:15:07 | 0:15:10 | |
Quite right, too, Anne. | 0:15:10 | 0:15:12 | |
And she's soon spotted something that might help in that cause. | 0:15:12 | 0:15:17 | |
We used to have those when I was a little girl. I think it's lovely! | 0:15:17 | 0:15:21 | |
-Your face lights up when you love things. -Well, yes. | 0:15:21 | 0:15:25 | |
-It's the same look we saw with pewter. -Yes. | 0:15:25 | 0:15:28 | |
It's a tea service. | 0:15:28 | 0:15:31 | |
It's likely fashioned of Britannia metal, | 0:15:31 | 0:15:35 | |
another pewter-like alloy of tin, in this case plated with silver, | 0:15:35 | 0:15:39 | |
and dating from the early 20th century. | 0:15:40 | 0:15:43 | |
There's no ticket price on it. | 0:15:43 | 0:15:46 | |
David, is that expensive? How much do you want for a four-piece...? | 0:15:46 | 0:15:50 | |
-About £40, 40 to 50. -Yeah. | 0:15:50 | 0:15:53 | |
That's too rich for their blood. | 0:15:53 | 0:15:55 | |
But David's got a proposal. | 0:15:55 | 0:15:58 | |
I tell you what we'll do, why don't you ask me if you can have it for £20? | 0:15:58 | 0:16:03 | |
-Can we have it? -Certainly. No problem. £20. | 0:16:05 | 0:16:08 | |
Would you like it gift-wrapped, madam?! | 0:16:08 | 0:16:11 | |
TIM LAUGHS | 0:16:11 | 0:16:13 | |
Anne dazzles him with her leading-lady's peepers... | 0:16:13 | 0:16:17 | |
-You're a star. -..and it's a deal done at £20. | 0:16:17 | 0:16:20 | |
They're continuing the hunt. | 0:16:20 | 0:16:22 | |
-But hark...! -It's a gorgeous building. -It is. | 0:16:22 | 0:16:25 | |
-Look at the staircase! -If I'm not mistaken, Annie... | 0:16:25 | 0:16:29 | |
-What, darling? -If I'm not mistaken, that's the dulcet tones of Mr Harper. | 0:16:29 | 0:16:33 | |
Thelma and David have caught up with them. | 0:16:33 | 0:16:36 | |
PAUL LAUGHS Oh, hello! | 0:16:36 | 0:16:38 | |
ANNE: I thought I heard your dulcet tones! | 0:16:38 | 0:16:42 | |
-I wonder what that's for! -Oh, be careful! | 0:16:42 | 0:16:45 | |
Come and have a sit down. We need a break. | 0:16:45 | 0:16:47 | |
You're looking much too pleased with yourselves! | 0:16:47 | 0:16:51 | |
No. And what about this shop? | 0:16:51 | 0:16:54 | |
This whole morning, "I don't anything about antiques!" | 0:16:54 | 0:16:58 | |
I do know a bit more now because of David. | 0:16:58 | 0:17:00 | |
It's fascinating, isn't it? I'm learning, as well. | 0:17:00 | 0:17:03 | |
DAVID: She's the best negotiator I've ever had. | 0:17:03 | 0:17:06 | |
-Oh, shut up! -She's fabulous! | 0:17:06 | 0:17:10 | |
-I'm wonderful, as well, aren't I? -Of course! | 0:17:11 | 0:17:15 | |
Well, we know that, Anne. | 0:17:15 | 0:17:16 | |
She can wrap these people round there! | 0:17:16 | 0:17:20 | |
You haven't seen this one... | 0:17:20 | 0:17:21 | |
Well, then, let this battle of the fluttered eyelashes commence! | 0:17:21 | 0:17:25 | |
-..you haven't got it yet. -No, we haven't. | 0:17:25 | 0:17:28 | |
Those two are looking worried and I like it. | 0:17:28 | 0:17:30 | |
To aid the search, David's keen to learn more about the lovely Ms Barlow. | 0:17:30 | 0:17:35 | |
-Whereabouts in Yorkshire were you born? -I was born in Middlesbrough. Teesside. | 0:17:35 | 0:17:39 | |
-I was born in Middlesbrough. -Were you? -Seriously. | 0:17:39 | 0:17:42 | |
-You were born in Middlesbrough? -Yes! | 0:17:42 | 0:17:44 | |
-Good heavens! -Isn't that amazing? We make a proper team, don't we? | 0:17:44 | 0:17:47 | |
-That's lovely! -Isn't that wonderful? -Yes! | 0:17:47 | 0:17:50 | |
I'm glad you proud northerners are bonding, | 0:17:50 | 0:17:53 | |
but we're supposed to be looking for items, you know. | 0:17:53 | 0:17:56 | |
Oh, look, he's spied something. | 0:17:56 | 0:17:57 | |
-Let me ask you what you think about him. -He's a handsome thing, isn't he? | 0:17:57 | 0:18:01 | |
No, not me, Thelma, the... the fish! | 0:18:01 | 0:18:05 | |
Honestly! It's a large wooden carp, late 20th century, | 0:18:05 | 0:18:09 | |
and carved from hardwood in an Oriental style. | 0:18:09 | 0:18:13 | |
You're not over enamoured by him at all, are you? | 0:18:14 | 0:18:17 | |
No! But if you think he's a jolly good... | 0:18:17 | 0:18:20 | |
I think he is jolly good. I think he's got some good age. I think he's fantastically carved. | 0:18:20 | 0:18:25 | |
It's certainly got quality. | 0:18:25 | 0:18:27 | |
The ticket price is £75. That's a little on the costly side | 0:18:27 | 0:18:31 | |
so they're noting it and browsing on. | 0:18:31 | 0:18:36 | |
But David clearly has timber on the brain today, | 0:18:36 | 0:18:39 | |
as he's shortly spotted another wooden item. | 0:18:39 | 0:18:43 | |
What on earth is that, the Egyptian-looking thing? | 0:18:43 | 0:18:46 | |
It's just a box! | 0:18:46 | 0:18:48 | |
But it's very different. | 0:18:48 | 0:18:51 | |
-It is. -It's very different. | 0:18:51 | 0:18:53 | |
It's a hand-carved box, or possibly a seat, | 0:18:55 | 0:18:58 | |
rendered in an Egyptian style, | 0:18:58 | 0:19:01 | |
perhaps dating from the 1950s or '60s. | 0:19:01 | 0:19:04 | |
To be honest, it's a little bit of a mystery. | 0:19:04 | 0:19:07 | |
# Walk like an Egyptian # | 0:19:07 | 0:19:11 | |
-I love it because we haven't got a clue what it is. -That's right. | 0:19:11 | 0:19:15 | |
OK, I don't think we can hide that from those two! | 0:19:15 | 0:19:18 | |
Do you think they'd be drawn to it? THEY LAUGH | 0:19:18 | 0:19:22 | |
-No! -That's not very... -I don't know about Paul, you see. | 0:19:22 | 0:19:25 | |
-He might see it as you see it. -He's a bit straight-laced. -Is he? | 0:19:25 | 0:19:28 | |
-He's a straight-laced Scotsman. -Oh, right. | 0:19:28 | 0:19:30 | |
-So, he would find that a bit funky? -Yes! | 0:19:30 | 0:19:34 | |
"Oh, it's a wee bit funky!" | 0:19:34 | 0:19:37 | |
I thought that was Paul Laidlaw! That was absolutely amazing! | 0:19:37 | 0:19:40 | |
Ha! So they're definitely interested in the carp | 0:19:40 | 0:19:44 | |
and the Egyptian box. | 0:19:44 | 0:19:47 | |
Downstairs to dealer David they go. | 0:19:47 | 0:19:49 | |
Will he prove as susceptible to Thelma's charms as he was to Anne's? | 0:19:49 | 0:19:54 | |
-Do you think he's particularly good-looking, Thelma? -I do. -I do. | 0:19:54 | 0:19:58 | |
I've fallen hook, line and sinker. | 0:19:58 | 0:20:00 | |
That would work if you said it to me but I don't know about him! | 0:20:00 | 0:20:04 | |
-There's a very odd Egyptian-looking box upstairs. -Yes. | 0:20:04 | 0:20:09 | |
What could he do on the price? | 0:20:09 | 0:20:11 | |
Could you do it for 30? | 0:20:11 | 0:20:13 | |
I could do it for 15. DEALER SIGHS | 0:20:13 | 0:20:17 | |
-It's the girls, isn't it? -I know! -You bring the girls in! | 0:20:17 | 0:20:20 | |
No less than £20, I'm afraid. | 0:20:20 | 0:20:22 | |
-Didn't he get to 15, or was that me? -That was you, but we could go in between the two. | 0:20:22 | 0:20:27 | |
If you promise not to tell Anne that you got something cheaper off of me than she did... | 0:20:27 | 0:20:32 | |
I promise I won't tell. | 0:20:32 | 0:20:33 | |
And neither will I. Deal done at £15! | 0:20:33 | 0:20:37 | |
But what about the carp David's so very keen on? | 0:20:37 | 0:20:40 | |
My partner in crime isn't a lover of it. | 0:20:40 | 0:20:43 | |
I would go along with it if you think it's a very good thing to buy for the auction. | 0:20:43 | 0:20:48 | |
-I'm not carping about it! -Oh, no! -Oh, Thelma, you are a card! | 0:20:48 | 0:20:54 | |
If Thelma asked me very nicely if she could have it for 20, I'd probably say yes. | 0:20:54 | 0:20:58 | |
Do you think you could do it for £20 for us? | 0:20:58 | 0:21:02 | |
I could do it for you for 20, | 0:21:02 | 0:21:05 | |
-but not for "us"! -THEY LAUGH | 0:21:05 | 0:21:07 | |
-Story of my life... -Oh, cruel! -I don't mind. | 0:21:07 | 0:21:11 | |
-Shall we have him? -Yes. -Let's have a big fat carp. | 0:21:11 | 0:21:14 | |
-Fabulous. -Thank you so much. | 0:21:14 | 0:21:15 | |
Crikey! Our experts barely get a look in when Thelma and Anne are around. | 0:21:15 | 0:21:19 | |
Dealer David is putty in her hands | 0:21:19 | 0:21:22 | |
and she's 2-1 up in this championship flirt-off. | 0:21:22 | 0:21:26 | |
I'm not even trying. I didn't know I had this gift! | 0:21:26 | 0:21:31 | |
The other two had better up their game. | 0:21:32 | 0:21:35 | |
What is that? | 0:21:35 | 0:21:37 | |
That is an extremely elegant magazine rack. Edwardian. | 0:21:37 | 0:21:43 | |
-What do you think of that? -It's pretty. | 0:21:43 | 0:21:46 | |
It is elegant, actually. | 0:21:46 | 0:21:48 | |
Is that an oak base? | 0:21:48 | 0:21:51 | |
-You're asking me? -Allow me, Anne. | 0:21:51 | 0:21:53 | |
It's an Edwardian lacquered brass and oak magazine rack. | 0:21:53 | 0:21:57 | |
Ticket price is a whopping £85. | 0:21:57 | 0:22:00 | |
Oh, David...! | 0:22:00 | 0:22:02 | |
What can I do for you? | 0:22:02 | 0:22:04 | |
-What do you think of this, Annie? Help me. -I think it's very sweet and charming. | 0:22:04 | 0:22:09 | |
-Rather Downton Abbey, we thought. -Well, yes, of course. That's where I got it from. | 0:22:09 | 0:22:14 | |
Downton Abbey? You got it from Highclere! | 0:22:14 | 0:22:17 | |
-A day to Highclere! You just walked out with it, did you? -I'm only joking! | 0:22:17 | 0:22:22 | |
I think it's more Upstairs, Downstairs, personally. | 0:22:22 | 0:22:24 | |
I can probably help you with the price a little bit. | 0:22:24 | 0:22:26 | |
-Halfway there! -Yes. | 0:22:26 | 0:22:28 | |
-Can we...? -THEY LAUGH | 0:22:28 | 0:22:31 | |
-She's doing it again! -Work that magic! | 0:22:31 | 0:22:33 | |
Listen, if I was... Darling, if I was younger, | 0:22:33 | 0:22:36 | |
I could really persuade you! I'm an old girl now! | 0:22:36 | 0:22:41 | |
We're not too far apart, I don't think. | 0:22:41 | 0:22:44 | |
Steady on, you two! This is a family show. | 0:22:44 | 0:22:46 | |
Now that you've been, er, charmed... | 0:22:46 | 0:22:49 | |
Mesmerised! | 0:22:49 | 0:22:51 | |
..what can it be? I know what it needs to be. | 0:22:51 | 0:22:56 | |
-Would 40 be all right? That's half price. -Oh! | 0:22:56 | 0:22:59 | |
That man took the words out of my mouth! | 0:22:59 | 0:23:02 | |
-Thank you very much. -Another great deal for Anne, | 0:23:03 | 0:23:05 | |
and it looks like the charm offensive is a draw. | 0:23:05 | 0:23:09 | |
If today has proved anything, it's that dealers stand no chance | 0:23:09 | 0:23:12 | |
against the wiles of an accomplished actress. | 0:23:12 | 0:23:16 | |
I wonder where I can get one! Nighty-night, you lovely lot. | 0:23:16 | 0:23:20 | |
But the show must go on, and so must this road trip. | 0:23:20 | 0:23:24 | |
This is the great, glorious British summer. | 0:23:24 | 0:23:27 | |
Having spent the whole of their first day in Henley, | 0:23:27 | 0:23:30 | |
they're all in the motorcars and travelling on... damply. | 0:23:30 | 0:23:35 | |
-It's a bit wetter today, darling, isn't it? -Oh, it is! | 0:23:36 | 0:23:39 | |
It turns out that dark horse Thelma has got previous in this trade. | 0:23:39 | 0:23:45 | |
-I worked for an auctioneer in my pre-theatre days. -Did you? -Yes. | 0:23:45 | 0:23:49 | |
-What did you do? -I was in the office. I was a terrible secretary. | 0:23:49 | 0:23:53 | |
-You never told me that. -There's a lot about me you don't know... | 0:23:53 | 0:23:57 | |
-..still to reveal! -THEY LAUGH | 0:23:57 | 0:24:00 | |
How intriguing. I like a woman of mystery. | 0:24:00 | 0:24:04 | |
So far, Thelma and David have spent £75 on four lots - | 0:24:05 | 0:24:11 | |
the egg cruet set, the rosewood flutina, | 0:24:11 | 0:24:15 | |
the carved wooden carp | 0:24:15 | 0:24:17 | |
and an item that's probably a box and might well be Egyptian. | 0:24:17 | 0:24:22 | |
While Anne and Paul take the prize for spend-thriftery so far, | 0:24:22 | 0:24:28 | |
having shelled out a cool 100 smackers for three items - | 0:24:28 | 0:24:31 | |
the pewter dish, | 0:24:31 | 0:24:33 | |
the silver-plated tea set | 0:24:33 | 0:24:36 | |
and the Edwardian magazine rack. | 0:24:36 | 0:24:40 | |
# He played the ukulele As the ship went down # | 0:24:44 | 0:24:47 | |
-Oh, please don't... -That's a song. -Don't sing, darling. -I won't sing. | 0:24:47 | 0:24:51 | |
-I'd rather you didn't sing. -All right, darling. | 0:24:51 | 0:24:54 | |
Where are we going from here, I wonder. | 0:24:54 | 0:24:57 | |
You're going to meet Paul and David. | 0:24:57 | 0:25:00 | |
-Two ladies! -Ah, here they are. | 0:25:00 | 0:25:03 | |
-Right, my brolly... -I'm getting dribbled on! | 0:25:03 | 0:25:06 | |
Good morning! | 0:25:06 | 0:25:08 | |
-Hello. Round that side. -WOMEN: Hello! | 0:25:09 | 0:25:14 | |
Luckily for you, you can stay in the car. | 0:25:14 | 0:25:17 | |
-THEY LAUGH -Have you seen him?! | 0:25:17 | 0:25:20 | |
Oh, dear! Come on, Mary Poppins, let's get going! | 0:25:20 | 0:25:24 | |
Anne and Paul are motoring on towards Northend in Warwickshire... | 0:25:25 | 0:25:31 | |
..and chatting away like old pals. | 0:25:33 | 0:25:35 | |
I've twin boys, six year old, | 0:25:35 | 0:25:38 | |
and they are massive fans of Doctor Who. | 0:25:38 | 0:25:42 | |
-Oh! -Would I be right in thinking...? -I did, you're absolutely right. | 0:25:42 | 0:25:46 | |
There was a lot of giggling went on that day. | 0:25:46 | 0:25:49 | |
-David Tennant did not behave very well. -Oh! | 0:25:49 | 0:25:54 | |
Those things always make me giggle. | 0:25:54 | 0:25:56 | |
You think, "This is no job for grown-ups." | 0:25:56 | 0:26:00 | |
Neither is this, to be honest, Anne. | 0:26:00 | 0:26:03 | |
Having acquired a good haul of items yesterday, | 0:26:05 | 0:26:08 | |
they've decided to take their feet off the gas a little | 0:26:08 | 0:26:11 | |
and spend this morning visiting a fascinating local collection | 0:26:11 | 0:26:14 | |
relating to World War I. | 0:26:14 | 0:26:17 | |
-My dad was in the First World War. -Really? -Yes. | 0:26:17 | 0:26:20 | |
I think he was in the Middle East, actually, because he learnt to speak Arabic. | 0:26:20 | 0:26:25 | |
Between Anne's family link to the Great War via her dad's service, | 0:26:25 | 0:26:29 | |
and Paul's great enthusiasm for all things militaria, | 0:26:29 | 0:26:33 | |
they're certainly in for a treat this morning. | 0:26:33 | 0:26:36 | |
What an interesting wee building. | 0:26:36 | 0:26:38 | |
They're meeting collector James Gordon-Cummings. | 0:26:38 | 0:26:42 | |
-James? -Yes. -Good to see you. | 0:26:42 | 0:26:44 | |
-Amassed over the last 15 years... -Oh, wow! | 0:26:44 | 0:26:48 | |
..James's huge collection numbers more than 1,300 items of trench art. | 0:26:48 | 0:26:54 | |
He's fascinated by these objects, crafted by people caught up in war. | 0:26:54 | 0:26:59 | |
These items were often handmade by servicemen, fighting in conflicts, | 0:26:59 | 0:27:03 | |
or by civilians affected by them, | 0:27:03 | 0:27:06 | |
so that they can be highly evocative of personal war experiences. | 0:27:06 | 0:27:12 | |
The objects are often fashioned from discarded war materials, | 0:27:12 | 0:27:16 | |
such as shell casings or, as here, discarded fighter plane propellers. | 0:27:16 | 0:27:23 | |
Trench art was made during World War I and the post-war period. | 0:27:24 | 0:27:28 | |
It's very iconic of the First World War. | 0:27:28 | 0:27:30 | |
You only really get it in this scale | 0:27:30 | 0:27:34 | |
because the First World War came slap-bang in the middle | 0:27:34 | 0:27:37 | |
of the Arts & Crafts movement and Art Nouveau | 0:27:37 | 0:27:40 | |
and everybody was a craftsman, | 0:27:40 | 0:27:41 | |
and, suddenly, this 20th-century warfare lands in the middle | 0:27:41 | 0:27:46 | |
and they have that ability to make things that they lost. | 0:27:46 | 0:27:50 | |
In the '20s and '30s, machinery came in and everything became more mechanised. | 0:27:50 | 0:27:54 | |
This truly was a World War | 0:27:54 | 0:27:57 | |
and trench-art items can be found from many countries. | 0:27:57 | 0:28:01 | |
I recognise those as hailing from the Middle East. | 0:28:01 | 0:28:04 | |
-That's Damascus-type work, isn't it? -Yes. | 0:28:04 | 0:28:07 | |
This type of inlay, where they've inlaid copper and silver, | 0:28:07 | 0:28:11 | |
is very peculiar to the Middle East. | 0:28:11 | 0:28:15 | |
These shells were actually made at the Bezalel School of Arts in Jerusalem. | 0:28:15 | 0:28:20 | |
Oh, my goodness! | 0:28:20 | 0:28:22 | |
But these are exceptionally nice... | 0:28:22 | 0:28:25 | |
-..and unusual things. -They're lovely! | 0:28:25 | 0:28:28 | |
Anne has a personal connection to the Middle Eastern Theatre of War in World War I | 0:28:29 | 0:28:35 | |
and a fascinating link to a very famous name. | 0:28:35 | 0:28:38 | |
My father served in the Middle East as a young man. | 0:28:38 | 0:28:42 | |
He was supposed to be one of the soldiers | 0:28:42 | 0:28:45 | |
who was connected with Lawrence. | 0:28:45 | 0:28:47 | |
-Yes, TE Lawrence. -Yes. -Lawrence of Arabia. | 0:28:47 | 0:28:50 | |
One of the people who carried the money that he needed, | 0:28:50 | 0:28:54 | |
he was one of the links, apparently. | 0:28:54 | 0:28:56 | |
TE Lawrence was providing support, financial support, | 0:28:56 | 0:29:01 | |
from England to the Arab tribes | 0:29:01 | 0:29:04 | |
in order to help them and arm them | 0:29:04 | 0:29:07 | |
to revolt against the Turkish occupation. | 0:29:07 | 0:29:09 | |
So, yes, he did a very important job | 0:29:09 | 0:29:11 | |
if he was actually part of that funnel of money | 0:29:11 | 0:29:14 | |
to Lawrence and the Arab troops. | 0:29:14 | 0:29:17 | |
James is taking them to see an object that tells another personal story, | 0:29:17 | 0:29:20 | |
that of a British fighter pilot, Frank Billinge, | 0:29:20 | 0:29:24 | |
who flew in the Royal Flying Corps, the precursor of the RAF. | 0:29:24 | 0:29:28 | |
It's a clock, fashioned from Frank's damaged plane propeller. | 0:29:28 | 0:29:31 | |
That propeller was on Frank Billinge's plane, | 0:29:31 | 0:29:36 | |
he was in the Royal Flying Corps, | 0:29:36 | 0:29:38 | |
and he was flying in France | 0:29:38 | 0:29:39 | |
and they got attacked by three German Fokker planes, | 0:29:39 | 0:29:43 | |
and that propeller actually got hit five times by German bullets | 0:29:43 | 0:29:48 | |
but didn't destruct | 0:29:48 | 0:29:50 | |
and managed to bring him back over the lines. | 0:29:50 | 0:29:54 | |
But in the course of that, he was injured | 0:29:54 | 0:29:56 | |
and sent back to England to recuperate. | 0:29:56 | 0:29:59 | |
He was sent to a hospital for servicemen | 0:29:59 | 0:30:02 | |
which had been set up in the grand former Hampshire home of Empress Eugenie, | 0:30:02 | 0:30:08 | |
the exiled wife of former French Emperor Napoleon III. | 0:30:08 | 0:30:13 | |
Frank was sent there, with his injury, | 0:30:13 | 0:30:17 | |
and they struck up a friendship, | 0:30:17 | 0:30:19 | |
and he had the propeller from his accident | 0:30:19 | 0:30:22 | |
turned into that clock and presented to the Empress | 0:30:22 | 0:30:26 | |
as a mark of respect to her and her friendship. | 0:30:26 | 0:30:29 | |
-What a lovely story. -It is indeed! | 0:30:29 | 0:30:31 | |
It's all written on that little silver plaque at the bottom. | 0:30:31 | 0:30:35 | |
Yes. | 0:30:35 | 0:30:37 | |
That's a fantastic object! | 0:30:37 | 0:30:40 | |
Great story, isn't it? | 0:30:40 | 0:30:43 | |
How wonderful! | 0:30:43 | 0:30:45 | |
But having paid tribute to Anne's dad | 0:30:45 | 0:30:48 | |
and all the other brave men who served, | 0:30:48 | 0:30:50 | |
it's time for them to be hitting the road. | 0:30:50 | 0:30:53 | |
James, thanks for having us. That was absolutely magic. | 0:30:53 | 0:30:56 | |
Pleasure. Thank you for coming. | 0:30:56 | 0:30:58 | |
-Thank you. -Lovely to meet you, Anne. I'm glad we had a link with your father. | 0:30:58 | 0:31:02 | |
I know! That was really nice. | 0:31:02 | 0:31:04 | |
Thank you very much. | 0:31:04 | 0:31:07 | |
-Thelma and David, meanwhile, are in the Merc... -What a day! | 0:31:08 | 0:31:12 | |
..and heading for the town of Woodstock, Oxfordshire. | 0:31:12 | 0:31:16 | |
This attractive and historic town | 0:31:19 | 0:31:21 | |
makes an excellent place to continue their buying, | 0:31:21 | 0:31:24 | |
despite the weather. | 0:31:24 | 0:31:25 | |
-We're going to go in this one here. -OK. | 0:31:25 | 0:31:28 | |
They're dashing into Woodstock Art And Antiques, | 0:31:28 | 0:31:32 | |
where there's a very warm welcome from dealer Michael. | 0:31:32 | 0:31:35 | |
-Whaa! -Hello, David! -Hello! | 0:31:35 | 0:31:36 | |
-Welcome to Woodstock. -Thank you! -Very, very wet! | 0:31:36 | 0:31:40 | |
Thelma! Thelma! | 0:31:40 | 0:31:42 | |
Ahh! | 0:31:42 | 0:31:43 | |
-Pleased to meet you. Sorry about the weather. -I know! | 0:31:43 | 0:31:46 | |
Well, a browse should keep you out of the soup for a bit. | 0:31:46 | 0:31:50 | |
-CHIMING -Oh! | 0:31:50 | 0:31:52 | |
And some items are leading Thelma down Memory Lane this morning. | 0:31:53 | 0:31:58 | |
And this, certainly, reminds me of my great aunt. | 0:31:58 | 0:32:02 | |
One of our celebrations when I was in Coronation Street, | 0:32:02 | 0:32:05 | |
-we all got lovely carriage clocks like that. -Did you? -Yes. I've still got it. | 0:32:05 | 0:32:09 | |
You know, it's just a lot of things that just tick with you. | 0:32:09 | 0:32:12 | |
-TICK with you...! -TIM LAUGHS | 0:32:12 | 0:32:15 | |
Sorry! A pretty little something's caught Thelma's eye. | 0:32:16 | 0:32:21 | |
That's been here less than a week. It is fabulous silver. | 0:32:21 | 0:32:25 | |
It's a silver lady's calling-card case. | 0:32:25 | 0:32:29 | |
There's a Birmingham hallmark, dating from 1915. | 0:32:29 | 0:32:33 | |
-That is solid silver. -It's lovely. | 0:32:33 | 0:32:35 | |
-It's very elegant. It's very you. -Mm. | 0:32:35 | 0:32:38 | |
Gilded interior. So solid silver with a gold-plated interior. | 0:32:38 | 0:32:42 | |
Isn't it lovely? | 0:32:42 | 0:32:43 | |
How much is it to us, trade, Michael? | 0:32:43 | 0:32:46 | |
I've got to pick up £90 on that, I think. | 0:32:46 | 0:32:49 | |
Maybe parcel it again, another bit of silver, | 0:32:49 | 0:32:52 | |
-which has got a lot more to play with. -OK. OK. | 0:32:52 | 0:32:56 | |
David's not convinced at £90, | 0:32:56 | 0:32:59 | |
so they're going to try to assemble a job lot of silver items | 0:32:59 | 0:33:03 | |
which Michael might be able to let them have for a more attractive price. | 0:33:03 | 0:33:08 | |
-A fruit knife! -A lady's fruit knife. Cased. | 0:33:08 | 0:33:12 | |
It is indeed a lady's fruit knife, dating from 1924, | 0:33:12 | 0:33:15 | |
in its original case. | 0:33:15 | 0:33:18 | |
-That's a nice little thing. -That's gorgeous. -That's very nice. | 0:33:20 | 0:33:23 | |
He's got something else from the Jazz Age - | 0:33:23 | 0:33:26 | |
a white metal chainmail handbag. | 0:33:26 | 0:33:29 | |
A 1920s... | 0:33:29 | 0:33:32 | |
-That's pretty. -..bag. | 0:33:32 | 0:33:34 | |
-You tell me what you think, Thelma. -You can do the Charleston with that. -Yes! | 0:33:35 | 0:33:39 | |
I'm really, really going to help you. | 0:33:39 | 0:33:42 | |
I shall do the three for £80. | 0:33:42 | 0:33:47 | |
All three for 80? | 0:33:47 | 0:33:49 | |
But David's still worried the lot won't perform at auction. | 0:33:49 | 0:33:54 | |
-It doesn't get me overly excited on the profit stakes. -No. | 0:33:54 | 0:33:58 | |
So Michael's generously offering to throw in | 0:33:58 | 0:34:01 | |
another two silver gewgaws from the early 20th century - | 0:34:01 | 0:34:06 | |
a manicure tool and a little magnifying glass. | 0:34:06 | 0:34:11 | |
This little magnifying glass is so pretty. | 0:34:11 | 0:34:13 | |
-Silver enamel. -Oh, that's rather nice. | 0:34:13 | 0:34:16 | |
-It's lovely, isn't it? -Birmingham 1934. | 0:34:16 | 0:34:18 | |
So, how much can he do this silvery mega-lot for? | 0:34:18 | 0:34:22 | |
100 for the five. | 0:34:22 | 0:34:25 | |
It sounds marvellous, you've been wonderfully generous, | 0:34:25 | 0:34:28 | |
but if you could do a little bit more! | 0:34:28 | 0:34:31 | |
90, and that is going to be it! | 0:34:31 | 0:34:34 | |
He daren't look at you! Have you noticed? | 0:34:34 | 0:34:38 | |
-I'm sure we've got a deal at 90. -Yes. -Right. | 0:34:38 | 0:34:42 | |
I think it is an interesting lot and it's a cracking deal. | 0:34:42 | 0:34:46 | |
-It's wonderful. -It's a cracking deal. -Yes. Thank you. | 0:34:46 | 0:34:49 | |
-Are we going to say yes? -Yes. -Go for it. | 0:34:49 | 0:34:52 | |
-Thank you. -The Thelma magic works again. Thank you very much. | 0:34:52 | 0:34:56 | |
So they've got a sterling deal on all that pretty stuff | 0:34:56 | 0:34:59 | |
and David and Thelma are all bought up! | 0:34:59 | 0:35:02 | |
DAVID LAUGHS | 0:35:02 | 0:35:04 | |
Anne and Paul are making their way onto Banbury in Oxfordshire... | 0:35:05 | 0:35:10 | |
..where they're aiming for Slade's Antiques & House Clearances. | 0:35:11 | 0:35:16 | |
Yes, fine! | 0:35:16 | 0:35:18 | |
They're meeting dealer Ian. | 0:35:18 | 0:35:20 | |
Come on in, Annie! | 0:35:20 | 0:35:22 | |
-Hello there! -Hello! | 0:35:23 | 0:35:26 | |
-Hello. I'm Annie. -I'm Ian. Nice to meet you. | 0:35:26 | 0:35:28 | |
-Paul. Good to see you. -Along with Cheryl and baby Isla. | 0:35:28 | 0:35:33 | |
-Hi there, both! -HE LAUGHS | 0:35:33 | 0:35:36 | |
Happy soul! | 0:35:36 | 0:35:38 | |
Ian specialises in house clearances, | 0:35:38 | 0:35:41 | |
so this large warehouse is stuffed with large boxes and boxes full of items. | 0:35:41 | 0:35:47 | |
What we're looking at is the content of houses. | 0:35:47 | 0:35:52 | |
This sort of place is exactly where they might find a hidden gem, | 0:35:52 | 0:35:56 | |
but combing through the stock is a daunting task. | 0:35:56 | 0:36:00 | |
-Holy Moses! -I know. It's impossible, isn't it? | 0:36:00 | 0:36:02 | |
There's so much stuff! | 0:36:02 | 0:36:06 | |
I don't know where to start. | 0:36:06 | 0:36:09 | |
Ooh, look who it is - | 0:36:09 | 0:36:10 | |
another of Anne's Dinnerladies colleagues. | 0:36:10 | 0:36:14 | |
-Is that Thora? -Yes. | 0:36:14 | 0:36:16 | |
Now, Thora, | 0:36:16 | 0:36:18 | |
point us in the direction of something really good, please, darling. | 0:36:18 | 0:36:23 | |
Thank you. I remember that hat. | 0:36:23 | 0:36:25 | |
Shortly, Paul spies something. | 0:36:27 | 0:36:30 | |
We've got some old magic lantern slides. | 0:36:30 | 0:36:34 | |
-OK. -Magic lantern... -They're French. | 0:36:34 | 0:36:36 | |
It's a fair big quantity. | 0:36:36 | 0:36:40 | |
It is a big quantity. What sort of subject matters do we have? | 0:36:40 | 0:36:44 | |
-Oh! -Cracking label, isn't it? | 0:36:44 | 0:36:47 | |
They're slides for a late Victorian magic lantern, | 0:36:47 | 0:36:50 | |
bearing the images of engravings | 0:36:50 | 0:36:52 | |
that would be projected onto a wall or screen. | 0:36:52 | 0:36:55 | |
-This is what they had instead of television. -Yes. | 0:36:55 | 0:36:59 | |
Let's all three of us hope they don't make a comeback, then! | 0:36:59 | 0:37:03 | |
Have we found anything... | 0:37:03 | 0:37:05 | |
..really interesting? | 0:37:06 | 0:37:09 | |
How are you working the prices on these? | 0:37:09 | 0:37:12 | |
I haven't actually had the time to go through them all, | 0:37:12 | 0:37:15 | |
but for the whole lot, I'd want 200, | 0:37:15 | 0:37:20 | |
or we can come to a price on a few boxes. | 0:37:20 | 0:37:23 | |
Can you slaughter your price or are you going to give me paltry little discounts? | 0:37:23 | 0:37:29 | |
-Make me an offer. -I'll give you £50 the lot, easy as that. | 0:37:29 | 0:37:33 | |
I'll take 100. | 0:37:33 | 0:37:35 | |
70 quid cash and we've got... | 0:37:35 | 0:37:38 | |
I'll tell you something else - as a sweetener, | 0:37:38 | 0:37:40 | |
I promise we'll buy something else off you today. | 0:37:40 | 0:37:44 | |
Annie, work your magic. Look the man in the eyes! | 0:37:46 | 0:37:49 | |
-Help me here! -No, he doesn't look like I'm his type! | 0:37:49 | 0:37:54 | |
Try, woman, try! | 0:37:54 | 0:37:57 | |
Shall I sing you a song to persuade you to come down? | 0:37:57 | 0:38:01 | |
THEY LAUGH | 0:38:01 | 0:38:03 | |
£70 here on these, | 0:38:03 | 0:38:05 | |
and I assure you, we will make another purchase before we go. | 0:38:05 | 0:38:08 | |
-Oh, go on, then. -Good man! Thanks, Ian. -No problem. | 0:38:08 | 0:38:11 | |
-Thanks for the support there, compadre! -Thank you. | 0:38:11 | 0:38:14 | |
The magic two-hander of hard haggling and star power does it again! | 0:38:14 | 0:38:20 | |
And sheet music enthusiast Anne has spotted some keys. | 0:38:20 | 0:38:25 | |
SHE PLAYS DISCORDANTLY | 0:38:25 | 0:38:28 | |
Oh, it's a bit out of tune! | 0:38:28 | 0:38:30 | |
What about the vertebrae? | 0:38:30 | 0:38:32 | |
There's no age to that, but it's quirky. | 0:38:32 | 0:38:35 | |
Oh, gosh, no! | 0:38:35 | 0:38:37 | |
Fear not, dear viewers, it's only plastic. | 0:38:37 | 0:38:40 | |
Vertebrae! Who wants a vertebrae? | 0:38:40 | 0:38:44 | |
Let's hope they've got the backbone to keep on hunting! | 0:38:44 | 0:38:49 | |
But there's something elsewhere that might spin them a profit. | 0:38:49 | 0:38:52 | |
Oh, there's a spindle. Look at the spindle. | 0:38:52 | 0:38:55 | |
-A spinning wheel, yes. -A spinning wheel. | 0:38:55 | 0:38:57 | |
That's quite unusual. | 0:38:57 | 0:38:59 | |
-Do you like? -Yes. I just think that's so unusual. | 0:38:59 | 0:39:03 | |
How much is that going for? | 0:39:03 | 0:39:06 | |
-Be gentle! -Yes? | 0:39:06 | 0:39:08 | |
That would have to be £80. | 0:39:08 | 0:39:11 | |
-Right. -But, of course, Paul has another figure in mind. | 0:39:11 | 0:39:15 | |
At 40, I think it's there or thereabouts, from our point of view. | 0:39:15 | 0:39:20 | |
The best price I could do on it would be £50. | 0:39:20 | 0:39:23 | |
-It's a big, striking object. -All right. -It stands out. | 0:39:23 | 0:39:27 | |
-I would do that, too, really. -Yes? -Yes. | 0:39:27 | 0:39:31 | |
-Are you shaking Ian's hand? -Yes. | 0:39:31 | 0:39:33 | |
-Thank you very much, Anne. -Thanks, Ian. | 0:39:33 | 0:39:37 | |
Deal done, and it's time to be off. | 0:39:37 | 0:39:39 | |
Meanwhile, Thelma and David are also all bought up | 0:39:40 | 0:39:44 | |
so they've travelled onwards to the environs of Moreton-in-Marsh, Gloucestershire... | 0:39:44 | 0:39:50 | |
-It's a bit tight. -..where they're visiting a centuries' old local landmark - | 0:39:50 | 0:39:55 | |
the atmospheric Jacobean home Chastleton House. | 0:39:55 | 0:39:59 | |
A National Trust property, Chastleton is an incredible time capsule, | 0:40:03 | 0:40:07 | |
transporting visitors back to its 17th-century origins. | 0:40:07 | 0:40:12 | |
As Thelma is a keen gardener, | 0:40:14 | 0:40:16 | |
they're definitely going to take a tour around the house grounds. | 0:40:16 | 0:40:20 | |
But first, they're going to learn a little bit more | 0:40:20 | 0:40:23 | |
about what makes it so unique. | 0:40:23 | 0:40:26 | |
They're meeting Sebastian Conway, the house steward. | 0:40:26 | 0:40:30 | |
-Hello there. -Hello! -Hi! -Oh, dear! -Welcome to Chastleton. | 0:40:30 | 0:40:34 | |
-Are we going inside? -Please do come straight in. | 0:40:34 | 0:40:37 | |
-Thank you. -Thank you very much. | 0:40:37 | 0:40:39 | |
Do come into the Great Hall. | 0:40:39 | 0:40:41 | |
-The Great Hall. -The Great Hall. -Gosh, it is a great hall, isn't it? | 0:40:41 | 0:40:45 | |
The same family owned the house for 400 years. | 0:40:45 | 0:40:48 | |
You can't believe this is just for a family, can you? | 0:40:48 | 0:40:51 | |
The chap above the fireplace is Walter Jones. | 0:40:51 | 0:40:53 | |
He purchased the estate back in 1603, | 0:40:53 | 0:40:56 | |
with grand ideas that he'd marry his children into very good local families | 0:40:56 | 0:40:59 | |
and perhaps the estate would continue to grow. | 0:40:59 | 0:41:02 | |
What did he do? How did he get his money to do this? | 0:41:02 | 0:41:06 | |
We're told he inherited quite a large fortune from his grandfather. | 0:41:06 | 0:41:10 | |
They were wool merchants. | 0:41:10 | 0:41:12 | |
But sadly, the family's prosperous times were not to last. | 0:41:12 | 0:41:15 | |
Walter dies in 1632, | 0:41:15 | 0:41:18 | |
to be sort of, er, succeeded by his son and heir Henry. | 0:41:18 | 0:41:22 | |
There seems to be a sort of marked decline. | 0:41:22 | 0:41:25 | |
Over the subsequent three centuries, the family have really struggled to keep the house, | 0:41:25 | 0:41:29 | |
the estate has always shrunk. | 0:41:29 | 0:41:30 | |
But remarkably, this meant that the house was preserved | 0:41:30 | 0:41:33 | |
almost in its 17th-century state. | 0:41:33 | 0:41:36 | |
The last lady who lived here, Mrs Clutton-Brock, | 0:41:36 | 0:41:39 | |
she had a wonderful saying - poverty was a great preserver. | 0:41:39 | 0:41:42 | |
The fact that didn't have the money meant that there was no other option to altering it. | 0:41:42 | 0:41:47 | |
So when the National Trust became involved with the house in the early '90s, | 0:41:47 | 0:41:51 | |
it really presented with us this fantastic time capsule | 0:41:51 | 0:41:54 | |
which had been unaltered since the early 17th century. | 0:41:54 | 0:41:57 | |
Remarkable! Now a special treat for green-fingered Thelma - | 0:41:57 | 0:42:01 | |
Sebastian's going to take them outside to see the gardens. | 0:42:01 | 0:42:05 | |
Do come through. | 0:42:07 | 0:42:09 | |
Sebastian is handing them over to his colleague, volunteer gardener Julie. | 0:42:09 | 0:42:14 | |
-Hello, Julie. David Harper. -Hello. -Nice to meet you. | 0:42:14 | 0:42:17 | |
Lovely to meet you. | 0:42:17 | 0:42:19 | |
Beautiful, beautiful garden! | 0:42:19 | 0:42:21 | |
This garden layout, like the house, | 0:42:21 | 0:42:23 | |
is a gently faded echo of the estate's cash-strapped past. | 0:42:23 | 0:42:28 | |
It was laid out in the early 1600s, probably by the architect of the house, | 0:42:28 | 0:42:32 | |
and it then never really changed much. | 0:42:32 | 0:42:35 | |
The topiary shrubs here were once fashioned into precise shapes. | 0:42:35 | 0:42:40 | |
Like a ship in sail, | 0:42:40 | 0:42:42 | |
a tea cup, | 0:42:42 | 0:42:44 | |
a milk jug, a horse, | 0:42:44 | 0:42:46 | |
but over the last 50 years the family lived here, | 0:42:46 | 0:42:49 | |
they got a bit big and out of shape. | 0:42:49 | 0:42:51 | |
-You're trying to get them back to... -We can't get them back because they're too old, | 0:42:51 | 0:42:55 | |
but we like to give a hint of what they looked like. | 0:42:55 | 0:42:59 | |
Can David and Thelma guess what they were? | 0:42:59 | 0:43:02 | |
-Which one? -That one, to the right of the arch. -Oh... | 0:43:02 | 0:43:05 | |
It's a... It's a... It's a, erm, a bust, a head, on a plinth! | 0:43:05 | 0:43:09 | |
I was going to say a monster head. | 0:43:09 | 0:43:11 | |
-No, it's a horse! -It's a horse! -Of course it's a horse! Thelma! | 0:43:11 | 0:43:14 | |
Yes, tut-tut, Thelma! Of course it's a horse! | 0:43:14 | 0:43:18 | |
-This, for you, is fantastic, isn't it? -It's lovely. | 0:43:18 | 0:43:21 | |
Look how serene it is. It's just lovely. | 0:43:21 | 0:43:24 | |
-Do you spend plenty of time still in the garden these days? -Oh, yes, I do a lot. | 0:43:24 | 0:43:29 | |
As you say, it's healthy, you're getting fresh air | 0:43:29 | 0:43:31 | |
and you're being creative, which is another great thing. | 0:43:31 | 0:43:35 | |
Indeed it is. | 0:43:35 | 0:43:38 | |
And the grounds have one other big claim to fame - | 0:43:38 | 0:43:41 | |
the rules of croquet were codified here in the 1860s | 0:43:41 | 0:43:46 | |
by a chap called Walter Whitmore Jones. | 0:43:46 | 0:43:49 | |
So, how about a game on the croquet lawn to round off the visit? | 0:43:49 | 0:43:53 | |
I don't know the rules! | 0:43:53 | 0:43:56 | |
You've never let that stop you before, David! | 0:43:56 | 0:43:59 | |
Yeah... | 0:44:00 | 0:44:01 | |
Oh! Almost! That would've been fantastic. | 0:44:01 | 0:44:05 | |
Ohh! | 0:44:05 | 0:44:07 | |
-# We're proud of the stately homes Of England # -Bad luck! | 0:44:08 | 0:44:13 | |
You've either got it or you haven't. | 0:44:13 | 0:44:15 | |
-Yes! Yes! -And I haven't got it! -You haven't! | 0:44:15 | 0:44:19 | |
Lordy! Anne and Paul have caught up with them at Chastleton | 0:44:19 | 0:44:22 | |
and it's time for our duelling teams of mixed doubles | 0:44:22 | 0:44:25 | |
to reveal their items to each other. | 0:44:25 | 0:44:28 | |
First up, Thelma and David. | 0:44:28 | 0:44:31 | |
Oh, dear! PAUL LAUGHS | 0:44:31 | 0:44:33 | |
What?! | 0:44:33 | 0:44:35 | |
They look... impressed? | 0:44:35 | 0:44:36 | |
What's that? | 0:44:36 | 0:44:38 | |
-DAVID: -It's a box with a lift-up lid. | 0:44:38 | 0:44:41 | |
-It could be a seat. -It could be a seat. | 0:44:41 | 0:44:43 | |
It could be just something a bit unusual. | 0:44:43 | 0:44:46 | |
It's a bit bonkers. | 0:44:46 | 0:44:47 | |
TIM: 'I'm not sure they're sold on that one.' | 0:44:47 | 0:44:50 | |
What is that? | 0:44:50 | 0:44:51 | |
-You'll love this, Anne. -This is what we call in the business | 0:44:51 | 0:44:56 | |
a chest expander. | 0:44:56 | 0:44:58 | |
-DISCORDANT NOTES Oh, I love it! -I knew you would! | 0:44:58 | 0:45:02 | |
I want that! I'll have that. | 0:45:02 | 0:45:04 | |
-Isn't that just utterly delicious? -Can I? -Go for it. -It's beautiful. | 0:45:04 | 0:45:08 | |
Late 19th century, Marquetry inlaid. | 0:45:08 | 0:45:11 | |
-SHE GASPS -'Sabotage.' | 0:45:11 | 0:45:13 | |
-I think you press one of these. -Oh. | 0:45:13 | 0:45:15 | |
Have you been teaching Anne some naughty tricks? I know you! | 0:45:15 | 0:45:19 | |
Sorry. I didn't know I was supposed to press a button. | 0:45:19 | 0:45:21 | |
-I apologise. -Press the buttons. If you don't mind, do it quite gently. -I will. | 0:45:21 | 0:45:26 | |
-Press one of those? -Any one. | 0:45:26 | 0:45:28 | |
-And pull gently. -And that one? | 0:45:28 | 0:45:30 | |
ACCORDION-STYLE MUSIC # La! # | 0:45:30 | 0:45:33 | |
'At least they're in tune with you on that buy. Lovely!' | 0:45:35 | 0:45:39 | |
What else did you buy? | 0:45:39 | 0:45:41 | |
-We've got a collection of silver. -That's the prettiest thing you've ever seen. | 0:45:41 | 0:45:45 | |
-Is that silver, the purse? -Yes. | 0:45:45 | 0:45:47 | |
That's silver-plate or white metal. The rest of it is silver. | 0:45:47 | 0:45:51 | |
-All hallmarked, apart from that item there. -Yes. | 0:45:51 | 0:45:54 | |
We spent roughly £20... | 0:45:54 | 0:45:57 | |
-No! -..for this, | 0:45:57 | 0:45:59 | |
-90 for the silver collection. -That's good. | 0:45:59 | 0:46:02 | |
But I think this is truly the star. | 0:46:02 | 0:46:04 | |
'Thelma's the star! But at £35, the flutina is pretty good, too.' | 0:46:04 | 0:46:09 | |
-So that's us! -'Now for Anne and Paul.' | 0:46:09 | 0:46:11 | |
We're still all right! | 0:46:11 | 0:46:13 | |
-I'll roll the drums now. -He's confident. | 0:46:13 | 0:46:16 | |
Here we go! Here we go! | 0:46:16 | 0:46:19 | |
Oh, look! Totally different, isn't it? | 0:46:19 | 0:46:22 | |
-Totally different. -Totally different. -Yes! | 0:46:22 | 0:46:25 | |
OK. I can see a nice piece of pewter. | 0:46:25 | 0:46:28 | |
-Yes. -A pewter plate. | 0:46:28 | 0:46:29 | |
That was my choice. I picked that out. | 0:46:29 | 0:46:32 | |
-Is that a spice dish? -Yes. -It's quite old. | 0:46:32 | 0:46:35 | |
-It's pretty... It's got, er, initials on. -Here. -Yes. | 0:46:35 | 0:46:38 | |
-What date? 200 years old? -Erm... | 0:46:38 | 0:46:41 | |
It's 18th century and it could be mid or early, | 0:46:41 | 0:46:45 | |
-but it's 18th century. -OK. | 0:46:45 | 0:46:47 | |
-I think 250 years is a safe bet. -OK. | 0:46:47 | 0:46:49 | |
BOTH: Ooh! | 0:46:49 | 0:46:51 | |
How much was that? | 0:46:51 | 0:46:53 | |
-£40. -OK. | 0:46:53 | 0:46:56 | |
-And what's here? -The biggest and most interesting collection of magic lantern slides | 0:46:56 | 0:47:00 | |
-I've seen in many a moon. -Oh! | 0:47:00 | 0:47:02 | |
Mm...! | 0:47:02 | 0:47:04 | |
-I paid £70 for those. -OK. That's possibly cute. | 0:47:04 | 0:47:08 | |
That could make a £10 note off several hundred! | 0:47:08 | 0:47:11 | |
Only making a tenner? You're prayers are answered! | 0:47:11 | 0:47:13 | |
'Maybe. But what's behind you, David?' | 0:47:13 | 0:47:17 | |
-Ta-da! -I thought that was a prop! -I thought it belonged to the house! | 0:47:17 | 0:47:21 | |
I think there's going to be some profit here, both sides. | 0:47:21 | 0:47:25 | |
-'Well, let's hope so.' -Shake on it, darling! -Good luck. | 0:47:25 | 0:47:28 | |
'Everything's very friendly when they're face-to-face. | 0:47:28 | 0:47:32 | |
'But do the gloves come off behind closed doors?' | 0:47:32 | 0:47:35 | |
-I would never have thought of buying those slides. -I know. -They wouldn't appeal to me. | 0:47:35 | 0:47:39 | |
-What else did they have? The pewter plate. -I love that. -Ah, it's a pewter plate! | 0:47:39 | 0:47:44 | |
Is there anything on their table you would swap for something on our table? | 0:47:44 | 0:47:48 | |
No. Absolutely not. | 0:47:48 | 0:47:50 | |
-Even the daft carp? -Come on now, don't be so koi! | 0:47:50 | 0:47:54 | |
I thought that box was... | 0:47:54 | 0:47:56 | |
You'd really have to be a specialist to want that. | 0:47:56 | 0:48:00 | |
I loved the little handbag and the little card case. | 0:48:00 | 0:48:03 | |
-Lovely. -I like that. | 0:48:03 | 0:48:05 | |
-Lovely. -And the squeeze box was... | 0:48:05 | 0:48:07 | |
-I would like that. -What an exquisite little object. | 0:48:07 | 0:48:11 | |
-I'm quite confident. -Are you feeling good? -Yes, I am. | 0:48:11 | 0:48:14 | |
Sounds like everyone's primed and ready for battle. | 0:48:14 | 0:48:17 | |
Let's get at it! | 0:48:17 | 0:48:20 | |
Our pair of tussling twosomes have travelled from Henley-on-Thames, Oxfordshire, | 0:48:20 | 0:48:25 | |
to end up here, in Penkridge, Staffordshire. | 0:48:25 | 0:48:28 | |
The ancient market town of Penkridge seems a fine place | 0:48:28 | 0:48:32 | |
to set the scene for some selling. | 0:48:32 | 0:48:35 | |
They're pulling up at Cuttlestones Auctioneers & Valuers. | 0:48:36 | 0:48:41 | |
Here we are! There's plenty of people, Paul! | 0:48:41 | 0:48:45 | |
Plenty of people! | 0:48:45 | 0:48:47 | |
I'm going to get my lady, you get yours. | 0:48:50 | 0:48:53 | |
-Good morning. -Good morning. How are you? -Very well. -Good. -I'm raring to go. | 0:48:53 | 0:48:58 | |
-Show time, Annie. -Show time! | 0:48:58 | 0:49:01 | |
Just follow me. Ignore these two. They're of no importance. | 0:49:01 | 0:49:05 | |
Huh! Someone's getting a little big for his britches. | 0:49:05 | 0:49:10 | |
Auctioneer Dave Eglington holds our teams' fates in his gavel hands. | 0:49:10 | 0:49:15 | |
Before the off, what does he make of their lots? | 0:49:15 | 0:49:18 | |
The Egyptian carved box could struggle a little bit. | 0:49:18 | 0:49:21 | |
Nice little pewter spice dish, but it's a nice utility piece and it fits in with today's styles. | 0:49:21 | 0:49:26 | |
With the rosewood accordion - no musicians in my family - | 0:49:26 | 0:49:30 | |
but there will be one or two in the crowd today. | 0:49:30 | 0:49:33 | |
So it might be going for a song. | 0:49:33 | 0:49:37 | |
Thelma and David began the road trip with £400. | 0:49:37 | 0:49:41 | |
They spent quite a modest £165... | 0:49:41 | 0:49:45 | |
# La! # | 0:49:45 | 0:49:46 | |
..and have assembled five lots for today's sale. | 0:49:46 | 0:49:51 | |
Anne and Paul also began with 400 smackers. | 0:49:52 | 0:49:54 | |
They spent £220 of that... | 0:49:54 | 0:49:58 | |
-Please... -Certainly! It's a done deal! | 0:49:58 | 0:50:01 | |
..and also have five lots to show for it. | 0:50:02 | 0:50:05 | |
-No! -No? HE COUGHS THEATRICALLY | 0:50:05 | 0:50:09 | |
It's almost time for curtain up. On your marks... | 0:50:09 | 0:50:12 | |
I can feel the pressure building now. Can you feel it? | 0:50:12 | 0:50:15 | |
- Do you feel the pressure? - I'm very pressured, yes. | 0:50:15 | 0:50:19 | |
I think I'll have to go. I don't think I can stand the strain! | 0:50:19 | 0:50:23 | |
First up are Anne and Paul's many boxes of magic lantern slides. | 0:50:23 | 0:50:28 | |
Will they light their way to a profit? | 0:50:28 | 0:50:30 | |
Fantastic bids here. £20 bid. | 0:50:30 | 0:50:32 | |
Oh! Low start... | 0:50:32 | 0:50:35 | |
..22. 24. 26. 28. 30. 32. 34. | 0:50:35 | 0:50:39 | |
Any advance on £34? | 0:50:39 | 0:50:41 | |
Are we all done? I shall sell at £34. | 0:50:41 | 0:50:45 | |
That definitely puts them in the shade. | 0:50:45 | 0:50:49 | |
Ouch! Ouch, ouch! | 0:50:49 | 0:50:51 | |
Now, the first for Thelma and David, | 0:50:51 | 0:50:54 | |
as their entirely eccentric Egyptian-style box is up. | 0:50:54 | 0:50:59 | |
-It's rare. Really rare. -Very nice. | 0:50:59 | 0:51:02 | |
14. 18. 20. | 0:51:02 | 0:51:04 | |
-Go on! -24. | 0:51:04 | 0:51:06 | |
-More than that! -Any advance on £24? | 0:51:06 | 0:51:08 | |
-It's a bargain! Go on! -You'll never see another one like it! | 0:51:08 | 0:51:13 | |
-You'll definitely never see another! -There might be a reason for that! | 0:51:13 | 0:51:16 | |
Yes! There's a fresh one! That's more like it! | 0:51:16 | 0:51:20 | |
-I shall sell for £38. -Oh! | 0:51:20 | 0:51:24 | |
It's a tidy profit. Anne is feeling the pressure. | 0:51:24 | 0:51:28 | |
I think acting is much less stressful! | 0:51:28 | 0:51:32 | |
I think I'd happily play Hamlet rather than go through this. | 0:51:33 | 0:51:37 | |
To be or not to be... a profit on Anne and Paul's pewter dish? | 0:51:38 | 0:51:43 | |
-Straight in at £22. -22. | 0:51:43 | 0:51:46 | |
It's gorgeous! I chose it! | 0:51:46 | 0:51:49 | |
It was my choice. It's 1700-and-something! | 0:51:49 | 0:51:52 | |
-It's beautiful! -24. 26. 28. 30. No? | 0:51:52 | 0:51:56 | |
-Oh, go on! -Come on! -Honestly! | 0:51:56 | 0:52:00 | |
Crikey, it's not flying! | 0:52:00 | 0:52:02 | |
At £40... | 0:52:02 | 0:52:04 | |
-At £40, all done? -It's beautiful with fruit on it! Lovely! | 0:52:04 | 0:52:08 | |
And they'll have to subtract auction costs from that. | 0:52:08 | 0:52:13 | |
Another chance for Anne and Paul to rack up some profit | 0:52:13 | 0:52:17 | |
with their Edwardian magazine stand. | 0:52:17 | 0:52:19 | |
Fantastic bids in here. £20 is bid on the magazine rack. | 0:52:19 | 0:52:22 | |
22. 24. 26. 28. 30. | 0:52:22 | 0:52:25 | |
30 away. At £30. | 0:52:25 | 0:52:27 | |
Are we all done? I shall sell for £30. | 0:52:27 | 0:52:31 | |
Sadly, the punters' brass stays in their pockets. | 0:52:31 | 0:52:35 | |
I don't know what we did, but it must've been very, very bad! | 0:52:35 | 0:52:41 | |
Now it's Thelma and David's expertly assembled job lot | 0:52:41 | 0:52:45 | |
of silvery trinkets. | 0:52:45 | 0:52:48 | |
-£30 bid. -It's beautiful! | 0:52:48 | 0:52:50 | |
-32. 34. 36. 38. 40. 42. 44. 46. -A long way to go. | 0:52:50 | 0:52:55 | |
48. 50. At £50 with me. £50. 55. | 0:52:55 | 0:53:00 | |
-60. At £60. -Come on! -65. 70. | 0:53:00 | 0:53:04 | |
75. 80. | 0:53:04 | 0:53:06 | |
-At £85 in the corner. £85. Any advance on 85? -Please! | 0:53:06 | 0:53:11 | |
-Am I all done? -No. -Selling for £85. | 0:53:11 | 0:53:16 | |
-GAVEL BANGS -Terrible luck! | 0:53:16 | 0:53:18 | |
That lot really should've sparkled. | 0:53:18 | 0:53:21 | |
There's another chance for Anne and Paul to shine now | 0:53:21 | 0:53:25 | |
with the silver-plated tea service. | 0:53:25 | 0:53:27 | |
-Bids in here at £10. -Oh! -Go on! -10 bid. Any advance on £10? | 0:53:27 | 0:53:31 | |
12. 14. 16. 18. | 0:53:31 | 0:53:34 | |
-£20 with the lady. £20. 22. -Yes! -£22 in the far corner. | 0:53:34 | 0:53:38 | |
-Go on! -Any advance on £22? | 0:53:38 | 0:53:41 | |
24. 26. 28. | 0:53:41 | 0:53:44 | |
-30. 32. -That's better. -34. -It's so pretty. | 0:53:44 | 0:53:48 | |
36. Fresh money. | 0:53:48 | 0:53:49 | |
Good! | 0:53:49 | 0:53:52 | |
All done at £36. | 0:53:52 | 0:53:55 | |
Phew! That finally serves up a steaming cup of profit. | 0:53:55 | 0:54:00 | |
It's the carved carp next. Will it leave them swimming in dosh? | 0:54:01 | 0:54:06 | |
-Bids in here at £8 only. -Oh! -£8. 10. 12. 14. | 0:54:06 | 0:54:10 | |
-16. 18's with you, sir. 20. -Better! -22. -Go on! -24. | 0:54:10 | 0:54:16 | |
-26. 28. 30. -Go on. | 0:54:16 | 0:54:19 | |
-Has somebody got a restaurant they can...? -At £32 with the lady. | 0:54:19 | 0:54:23 | |
-Any advance? With you at £32. -CARPE diem! | 0:54:23 | 0:54:25 | |
All done and selling at £32. | 0:54:25 | 0:54:28 | |
Did I tell you the one about the profit they caught? | 0:54:28 | 0:54:31 | |
It was this big! | 0:54:31 | 0:54:33 | |
What do you think of Mr Carp now, then, Thelma Barlow? | 0:54:33 | 0:54:36 | |
-Mr Carp's maybe a little bit better than I thought. -Yeah. Aye, aye! | 0:54:36 | 0:54:40 | |
Now it's the 19th-century contraption for Anne and Paul. | 0:54:40 | 0:54:44 | |
-But will it spin them a profit? -£20 is bid. | 0:54:44 | 0:54:47 | |
At 20. Any advance on 20? 22. 24. | 0:54:47 | 0:54:50 | |
26. 28. £30 with you, sir, at £30. | 0:54:50 | 0:54:53 | |
Any advance on £30? To my left, 32. 34. | 0:54:53 | 0:54:56 | |
-36. -That's better. -38. -That's better. -40. -Go on. | 0:54:56 | 0:55:00 | |
-Come on. -42. 44. | 0:55:00 | 0:55:02 | |
-Come on! -46. Fresh money. -Yes! -48. | 0:55:02 | 0:55:06 | |
-Get to the 50s! -50. -Come on! | 0:55:06 | 0:55:09 | |
-55? -This is better. -One more? | 0:55:09 | 0:55:11 | |
It's beautiful. | 0:55:11 | 0:55:13 | |
PAUL: You'll regret it! | 0:55:13 | 0:55:15 | |
-60. -Yes! | 0:55:15 | 0:55:17 | |
65. He's determined. | 0:55:17 | 0:55:18 | |
-Any advance on £65? -GAVEL BANGS | 0:55:18 | 0:55:21 | |
After a woolly start, they do get a profit. | 0:55:21 | 0:55:24 | |
Now it's the silver-plated egg cruet set for Thelma and David. | 0:55:24 | 0:55:28 | |
-Here we go! Here we go! This is ours. -Bids in at £10. | 0:55:28 | 0:55:32 | |
-Double money! -£10 bid. 12. 14. 16. | 0:55:32 | 0:55:36 | |
-18. -Come on. -20 is with you. 22. 24. -Go on! | 0:55:36 | 0:55:40 | |
-People of taste, obviously! -£24. Any advance on £24? | 0:55:40 | 0:55:45 | |
-26. Fresh money. £26. -Good price. -28. | 0:55:45 | 0:55:49 | |
No? At £26... | 0:55:49 | 0:55:52 | |
All done and selling for £26. | 0:55:52 | 0:55:55 | |
A smashing little buy for that team. | 0:55:55 | 0:55:58 | |
Next it's the lovely flutina - Thelma and David's star lot. | 0:55:58 | 0:56:03 | |
Oh! Hang on! | 0:56:03 | 0:56:05 | |
# Are you going To Scarborough Fair? # | 0:56:05 | 0:56:10 | |
Lovely! But that's enough of that, thank you, girls! | 0:56:10 | 0:56:13 | |
£30 is bid. At 30. | 0:56:13 | 0:56:15 | |
Any advance on 30? 32. 34. | 0:56:15 | 0:56:17 | |
-36. 38. 40. 50. -Come on! -And five. -Come on. | 0:56:17 | 0:56:21 | |
-60. And five. -Come on. -70 with me. £70. | 0:56:21 | 0:56:24 | |
-No? -No? At £70! -Oh, go on, please! -Any advance? 75. | 0:56:24 | 0:56:27 | |
-At 85 in the far corner. -Get bidding! Never mind that! -£85. | 0:56:27 | 0:56:31 | |
-90. -Yes! Come on. | 0:56:31 | 0:56:33 | |
-That's better! -100. -A lady of taste! | 0:56:33 | 0:56:36 | |
-Ooh, it's climbing! -Thelma, tell him! | 0:56:36 | 0:56:40 | |
130. She's determined. At £130. | 0:56:40 | 0:56:45 | |
-Come on. -135. -Ooh! -140. Are we all done? | 0:56:45 | 0:56:48 | |
-I shall sell for £140. -GAVEL BANGS | 0:56:48 | 0:56:52 | |
Our lovely showgirls lead the saleroom a merry dance | 0:56:52 | 0:56:56 | |
and earn a win. | 0:56:56 | 0:56:57 | |
-Are you a musician? -No, but I'm going to learn! | 0:56:57 | 0:57:01 | |
LAUGHTER | 0:57:01 | 0:57:03 | |
No insult, but it couldn't be any worse! | 0:57:03 | 0:57:06 | |
Everyone's a critic. | 0:57:06 | 0:57:08 | |
And with that spot of audience participation, | 0:57:08 | 0:57:11 | |
-the curtain falls on this performance. -Come on. | 0:57:11 | 0:57:15 | |
Understudies Anne and Paul started this trip with £400. | 0:57:15 | 0:57:19 | |
After paying auction costs, | 0:57:19 | 0:57:21 | |
they made an unfortunate loss of £51.90, | 0:57:21 | 0:57:24 | |
leaving them with £348.10. | 0:57:24 | 0:57:27 | |
Bad luck, you two. | 0:57:27 | 0:57:29 | |
But Thelma and David are the undisputed stars. | 0:57:33 | 0:57:36 | |
They also started with £400 | 0:57:36 | 0:57:38 | |
and managed to secure a handsome profit of £98.22, | 0:57:38 | 0:57:43 | |
meaning they finished the road trip with, | 0:57:43 | 0:57:45 | |
let's do the maths now, | 0:57:45 | 0:57:47 | |
£498.22. | 0:57:47 | 0:57:51 | |
All the profits generated from the auction will be donated to Children In Need. | 0:57:52 | 0:57:57 | |
Don't worry, we made up for your failings, so it's all OK! | 0:57:57 | 0:58:01 | |
-Doesn't he put things nicely! -Stop looking so smug! | 0:58:01 | 0:58:05 | |
-Paul... -Always a pleasure, David. -Absolutely marvellous. | 0:58:05 | 0:58:08 | |
And you two have been just angels. Thank you so much. | 0:58:08 | 0:58:13 | |
It's been great fun. | 0:58:13 | 0:58:15 | |
Oh, luvvies, | 0:58:15 | 0:58:17 | |
it's been a blast! | 0:58:17 | 0:58:19 | |
Ready, Paul? | 0:58:20 | 0:58:22 | |
Bye! | 0:58:22 | 0:58:25 | |
Subtitles by Red Bee Media Ltd | 0:58:25 | 0:58:28 |