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Some of the nation's favourite celebrities. | 0:00:01 | 0:00:04 | |
Why have I got such expensive taste? | 0:00:04 | 0:00:06 | |
One antiques expert each. | 0:00:07 | 0:00:09 | |
Speak, oh wise one. | 0:00:11 | 0:00:12 | |
And one big challenge. | 0:00:12 | 0:00:14 | |
Who can seek out and buy the best antiques at the very best prices? | 0:00:14 | 0:00:19 | |
Answers on a postcard! | 0:00:19 | 0:00:21 | |
An auction for a big profit further down the road. | 0:00:22 | 0:00:25 | |
# When I'm cleaning windows! # | 0:00:25 | 0:00:28 | |
Who will spot the good investment? Who will listen to advice? | 0:00:28 | 0:00:31 | |
-Do you like it? -No, I think it's horrible! | 0:00:31 | 0:00:34 | |
And who will be the first to say, "Don't you know who I am?!" | 0:00:34 | 0:00:38 | |
Well done, us. | 0:00:38 | 0:00:39 | |
Time to put your pedal to the metal. | 0:00:39 | 0:00:42 | |
This is Celebrity Antiques Road Trip! | 0:00:42 | 0:00:45 | |
Yeah! | 0:00:47 | 0:00:49 | |
Doing battle today in the Roman playground of Essex | 0:00:53 | 0:00:56 | |
are two gladiators of stage and screen. | 0:00:56 | 0:00:58 | |
Simon Williams and Duncan Preston. | 0:00:58 | 0:01:00 | |
And check out their chariot, eh? | 0:01:00 | 0:01:03 | |
The magnificent E-type Jag. | 0:01:03 | 0:01:05 | |
That is just so beautiful! | 0:01:05 | 0:01:07 | |
The E-type has always turned heads and made the headlines. | 0:01:07 | 0:01:10 | |
Enzo Ferrari himself called this the most beautiful car in the world | 0:01:10 | 0:01:14 | |
when it was released in 1961. | 0:01:14 | 0:01:17 | |
Oh, that's just beautiful. | 0:01:17 | 0:01:19 | |
Treat her like a lady, Simon. Gently does it! | 0:01:19 | 0:01:22 | |
We're in for two very fine days. | 0:01:22 | 0:01:25 | |
We're in for some fine country weather. | 0:01:25 | 0:01:27 | |
And Simon's on the hunt with Duncan, whose career has spanned Hamlet to Emmerdale. | 0:01:27 | 0:01:32 | |
As Victoria Wood's leading man, | 0:01:32 | 0:01:35 | |
he's starred on stage and screen in Acorn Antiques, | 0:01:35 | 0:01:38 | |
and wasn't he Stan the janitor in Dinner Ladies? | 0:01:38 | 0:01:41 | |
Oh, yes! | 0:01:41 | 0:01:42 | |
The element of competition is alive and well. | 0:01:45 | 0:01:47 | |
It certainly is! | 0:01:47 | 0:01:48 | |
At the other end of the social spectrum, | 0:01:48 | 0:01:51 | |
Simon is famed for his aristocratic roles from '70s drama Upstairs Downstairs | 0:01:51 | 0:01:56 | |
to joining Duncan in Dinner Ladies. | 0:01:56 | 0:01:59 | |
What's that? | 0:01:59 | 0:02:01 | |
It's a shepherd's pie, Ma'am. Your Royal Highness. | 0:02:01 | 0:02:04 | |
-Not made with real shepherds, I hope? -Ha, ha, ha! | 0:02:06 | 0:02:09 | |
So, with decades of playing the cream of the upper classes behind him, | 0:02:10 | 0:02:14 | |
Simon should have no trouble getting to grips with the precision engineering | 0:02:14 | 0:02:18 | |
of this classy little motor. | 0:02:18 | 0:02:20 | |
-How many gears has it got? -Who cares how many gears? Four. | 0:02:20 | 0:02:23 | |
-Right. -The backwards one you can't find. | 0:02:23 | 0:02:25 | |
I get my people to park for me! | 0:02:25 | 0:02:28 | |
Of course he does! | 0:02:28 | 0:02:29 | |
And looking every inch the gentleman, | 0:02:29 | 0:02:31 | |
will surely be a boon when it comes to getting a good price for his antiques. | 0:02:31 | 0:02:34 | |
I'd be looking so cool. And when the antique dealers saw me arrive, | 0:02:34 | 0:02:38 | |
they'd add a zero to everything they've got in store! | 0:02:38 | 0:02:42 | |
Ah, well. Maybe not, then. | 0:02:42 | 0:02:44 | |
The cars match the men. From sleek and sexy to muscular and manly! | 0:02:45 | 0:02:48 | |
Ha-ha! Pairing up with our celebs are two Road Trip veterans, | 0:02:48 | 0:02:52 | |
Philip Serrell and James Lewis. | 0:02:52 | 0:02:54 | |
This is the very first car there ever was. | 0:02:55 | 0:02:58 | |
It's a punchy three-litre V8 Triumph Stag for them. | 0:02:58 | 0:03:02 | |
If you read the Bible, it says, "Moses came down the hill in his triumph." | 0:03:02 | 0:03:06 | |
And this is it! | 0:03:06 | 0:03:08 | |
In that case, just like our experts, it's aging beautifully. | 0:03:08 | 0:03:11 | |
Derbyshire auctioneer James Lewis started his career at the tender age of six | 0:03:11 | 0:03:16 | |
when he bought a bird cage for his budgie at auction. | 0:03:16 | 0:03:19 | |
It was going "cheep"! | 0:03:19 | 0:03:21 | |
Made for you! | 0:03:21 | 0:03:23 | |
When in Rome, James... | 0:03:23 | 0:03:25 | |
Oh, no! | 0:03:25 | 0:03:26 | |
And there's the silver fox himself, auctioneer Phil Serrell | 0:03:26 | 0:03:29 | |
who has a lot of bottle when it comes to taking a risk on some hair-raising purchases! | 0:03:29 | 0:03:33 | |
But when it's sewing up the competition, he's all business. | 0:03:33 | 0:03:37 | |
A table-top sewing machine. | 0:03:37 | 0:03:39 | |
No, I don't mind. It's all about taking part, isn't it? Is it hell! | 0:03:40 | 0:03:45 | |
Our teams have two days of antiques shopping ahead, | 0:03:45 | 0:03:48 | |
with £400 in their back pockets. | 0:03:48 | 0:03:50 | |
Their aim? To strike the kind of deals that make them lots of dosh at auction. | 0:03:50 | 0:03:55 | |
So, to battle, at Finchingfield in Essex. | 0:03:56 | 0:03:59 | |
Then it's a quick stop in Suffolk | 0:03:59 | 0:04:01 | |
before Road Tripping the 300 miles | 0:04:01 | 0:04:03 | |
to that all-important auction on the English Riviera at Torquay. | 0:04:03 | 0:04:07 | |
Starting off in Finchingfield, there's just time for a cuppa | 0:04:10 | 0:04:13 | |
before our experts meet our sophisticated celebrities. | 0:04:13 | 0:04:16 | |
You've got the drinks in, then? | 0:04:16 | 0:04:18 | |
-How are you? Good to see you. -Pleased to meet you. -How are you? | 0:04:18 | 0:04:20 | |
Choosing partners takes careful deliberation. | 0:04:22 | 0:04:25 | |
Heads. | 0:04:25 | 0:04:26 | |
You've got Phil. | 0:04:28 | 0:04:30 | |
Good. There we are. We're in business. | 0:04:30 | 0:04:32 | |
-Shall we let them race off, and we'll sit down and have a coffee. -That would be nice. Lovely. | 0:04:32 | 0:04:36 | |
Whilst Simon and James make a dash to the first shop, | 0:04:36 | 0:04:39 | |
Phil reveals his strategy to Duncan. | 0:04:39 | 0:04:41 | |
Duncan, I think the plan is a hare and tortoise job, here. | 0:04:41 | 0:04:46 | |
-Yeah, go on. -Well, there's a pub there | 0:04:46 | 0:04:49 | |
and I think we should equally spend our time between the antiques centre and the pub. What do you reckon? | 0:04:49 | 0:04:55 | |
Well, I've got to be honest. I saw the pub before the antiques centre! | 0:04:55 | 0:04:58 | |
Listen, it's Antiques Road Trip, not Antiques Pub Crawl! | 0:04:58 | 0:05:02 | |
Nice to see one team, though, taking it seriously. | 0:05:03 | 0:05:06 | |
-I'm Simon Williams. -Hello, sir. | 0:05:06 | 0:05:08 | |
-Hello, there. -Hello! Hi, there. | 0:05:08 | 0:05:11 | |
Peter and Mary Curry have owned Finchingfield Antiques Centre for 25 years, | 0:05:11 | 0:05:16 | |
although for the first seven years, they ran it as a restaurant. | 0:05:16 | 0:05:18 | |
Whilst Duncan and Phil check out the retail opportunities in the pub, | 0:05:20 | 0:05:23 | |
Simon is honing his haggling skills. | 0:05:23 | 0:05:26 | |
-Have you got a lot to spend? -Poor as church mice. Take no notice of the E-type Jaguar! | 0:05:26 | 0:05:30 | |
Not sure you'll get away with that one, Simon! | 0:05:30 | 0:05:33 | |
In fact, the boys have £400 to spend. | 0:05:33 | 0:05:35 | |
But is there anything on the menu that will serve up a healthy profit? | 0:05:35 | 0:05:39 | |
-I'm not moved here yet. Are you? -No, not yet. | 0:05:41 | 0:05:43 | |
Somebody actually made that, you know! | 0:05:45 | 0:05:47 | |
Is Simon casting a spell? Well, it's worth a try! | 0:05:48 | 0:05:52 | |
Interesting stuff. I'm enjoying myself. Are you? | 0:05:52 | 0:05:54 | |
Yeah, it's... I always feel the pressure, you know, | 0:05:54 | 0:05:58 | |
until I find the first object. | 0:05:58 | 0:06:00 | |
-That's the sort of thing I love to find. -Big iron brackets and things. | 0:06:04 | 0:06:07 | |
These cast iron Victorian architectural brackets | 0:06:08 | 0:06:11 | |
date to about 1860 and were often used in conservatories. | 0:06:11 | 0:06:15 | |
The whole discipline is about not what you want to have in your house, | 0:06:15 | 0:06:20 | |
-it's what we can make money on. -That's it. | 0:06:20 | 0:06:22 | |
That's why I'm a pauper. | 0:06:22 | 0:06:24 | |
Exactly, Simon. | 0:06:24 | 0:06:25 | |
Seems like he's really getting the hang of this Road Tripping business. | 0:06:25 | 0:06:28 | |
He's got a good eye and he's keen. | 0:06:28 | 0:06:30 | |
What do you like? What do you collect? | 0:06:32 | 0:06:35 | |
I like a bit of a painting. | 0:06:35 | 0:06:37 | |
Simon's spotted a 1984 pastel by Jon Antony Atkinson, | 0:06:37 | 0:06:41 | |
entitled Joanie, Early Morning, priced at £38. | 0:06:41 | 0:06:45 | |
Is it a boy or is it a woman? | 0:06:45 | 0:06:47 | |
Poor old Joanie! | 0:06:47 | 0:06:49 | |
-I think it's a woman. I'm seeing woman. -I see woman now. | 0:06:49 | 0:06:52 | |
See a woman who's had a disappointing time of it, I think! | 0:06:52 | 0:06:55 | |
Yeah. She's not happy, is she? | 0:06:55 | 0:06:56 | |
But there's a mood there, and nice tones. | 0:06:56 | 0:06:59 | |
-I think at 38, I think it's... -Hmm. | 0:07:00 | 0:07:03 | |
1984. It's not early. | 0:07:04 | 0:07:06 | |
-No, it's not early. -She's not happy, she's not pretty, she's not early. | 0:07:07 | 0:07:13 | |
-There's something possibly a little bit French. -Yeah. I agree with you. | 0:07:13 | 0:07:17 | |
Could we make a buck on that? | 0:07:17 | 0:07:19 | |
Let's put it somewhere else, and stand back. | 0:07:19 | 0:07:22 | |
Good plan. | 0:07:22 | 0:07:24 | |
Well, as they say, she's no oil painting! | 0:07:25 | 0:07:27 | |
But will Joanie's frail charm attract a potential bidder? | 0:07:27 | 0:07:31 | |
Speak, oh wise one! | 0:07:34 | 0:07:36 | |
I think it's nicely done. | 0:07:37 | 0:07:39 | |
I think you're right. | 0:07:39 | 0:07:41 | |
-Damning with faint praise? -No. | 0:07:41 | 0:07:43 | |
I think she's either in her sick bed or... | 0:07:43 | 0:07:47 | |
-She didn't quite get there. -Yes. | 0:07:47 | 0:07:49 | |
So, to buy or not to buy is the question being pondered by Team Simon. | 0:07:49 | 0:07:54 | |
Meanwhile, next door, it seems Phil has found the answer to his problems. | 0:07:56 | 0:08:01 | |
And no, it's not the wine! | 0:08:01 | 0:08:02 | |
"Not a drop is sold till it's seven years old." | 0:08:03 | 0:08:07 | |
It's John Jameson's whiskey. Irish scotch. Are you a scotch man? | 0:08:07 | 0:08:11 | |
No, I'm afraid not. | 0:08:11 | 0:08:13 | |
-You might be now! -I might be changing! | 0:08:13 | 0:08:15 | |
Well, we all might be! | 0:08:15 | 0:08:17 | |
-Can I take the bottles out? -Please do. | 0:08:17 | 0:08:18 | |
Has Phil found unexpected treasure? | 0:08:18 | 0:08:20 | |
So is this an old one, or a brand new one? | 0:08:20 | 0:08:24 | |
That was bought a couple of years ago from a lady called Heather, | 0:08:24 | 0:08:29 | |
who has a vintage shop here in the area. | 0:08:29 | 0:08:33 | |
-I think that's a fun thing. -Yes, it is. | 0:08:33 | 0:08:36 | |
Someone's taken a whiskey box, attached a handle, and hey presto! | 0:08:36 | 0:08:40 | |
-That's quite a clever idea, I think. -Yes, it is. | 0:08:41 | 0:08:43 | |
It's a trick, isn't it? It's worked. That's just what it is. | 0:08:43 | 0:08:47 | |
But I think it's fun. | 0:08:47 | 0:08:48 | |
What you need to look at is who's going to buy it at the auction. | 0:08:48 | 0:08:51 | |
-There's going to be a few drinkers there. -A few?! | 0:08:51 | 0:08:54 | |
-Well, there's going to be us, for a start! -Absolutely right. | 0:08:54 | 0:08:57 | |
-But it's going to go to another pub, isn't it? -Yeah. Yeah. | 0:08:57 | 0:08:59 | |
I'd have that at home. | 0:08:59 | 0:09:01 | |
But there's only room for six bottles of booze in it. | 0:09:01 | 0:09:04 | |
We're going to be really mean here, | 0:09:04 | 0:09:05 | |
but if that goes for auction, I think that'll make between 15 and 30 quid. | 0:09:05 | 0:09:10 | |
Which means we've got to try and buy it for between five and ten pounds. Is that any good? | 0:09:10 | 0:09:14 | |
-He's crying! -I would be crying! | 0:09:16 | 0:09:19 | |
I would be crying, I would. Realistically, we would... | 0:09:19 | 0:09:22 | |
£20. | 0:09:23 | 0:09:25 | |
-Do you like it? -Split the difference. 15 quid. | 0:09:26 | 0:09:29 | |
£15. | 0:09:32 | 0:09:33 | |
Sold for £15. And their slow and steady strategy bags them the first deal of the Road Trip. | 0:09:33 | 0:09:38 | |
Well done, chaps. | 0:09:38 | 0:09:40 | |
That tortoise and hare have gone rushing off into there. | 0:09:40 | 0:09:43 | |
We can enjoy our drink, can't we? | 0:09:43 | 0:09:45 | |
Is a round of drinks cheaper than the basket? | 0:09:45 | 0:09:47 | |
-I'll have to buy you one as well, now! -Good point! -Thank you very much indeed. | 0:09:49 | 0:09:53 | |
Strictly orange juice, boys. You're driving! | 0:09:53 | 0:09:56 | |
Next door, Joanie has been left to languish on the couch | 0:09:57 | 0:10:00 | |
as Peter is summoned. | 0:10:00 | 0:10:02 | |
-Can we borrow you for a minute? -Yes, right. -Thank you. | 0:10:02 | 0:10:05 | |
How long has this been in your premises, I wonder? | 0:10:05 | 0:10:09 | |
It's been here a long time, hasn't it? | 0:10:09 | 0:10:11 | |
The wallpaper was faded around it! | 0:10:11 | 0:10:13 | |
Oh, stop it! | 0:10:13 | 0:10:14 | |
Luckily, we can't afford wallpaper, because of people like you! | 0:10:14 | 0:10:18 | |
It's got a bit of something about it, hasn't it? | 0:10:19 | 0:10:21 | |
She looks dead! | 0:10:21 | 0:10:23 | |
-She's just resting! -No, we weren't seeking a fiver! | 0:10:24 | 0:10:27 | |
That's just as well! | 0:10:28 | 0:10:30 | |
Are we talking here, or are we actually negotiating? | 0:10:31 | 0:10:35 | |
I'm not sure at the moment! | 0:10:35 | 0:10:36 | |
I think if we could get it for 20, we'd be in some kind of business. Do you? | 0:10:36 | 0:10:41 | |
That was exactly the level. And we haven't pre-planned that, either. | 0:10:41 | 0:10:46 | |
It's a classic pincer movement. | 0:10:46 | 0:10:47 | |
I'll just confer. Won't be a minute. | 0:10:47 | 0:10:50 | |
So it's 38. Right. | 0:10:50 | 0:10:53 | |
Peter's consulting with the real boss, his wife, Mary. | 0:10:54 | 0:10:59 | |
So, 20 quid. I was looking at 38. | 0:10:59 | 0:11:02 | |
25. | 0:11:03 | 0:11:05 | |
You've got it at 25. | 0:11:06 | 0:11:07 | |
I think it might sell for 25. | 0:11:08 | 0:11:10 | |
22? | 0:11:13 | 0:11:14 | |
-He's as hard as flint, isn't he? -He's a tough man. | 0:11:16 | 0:11:19 | |
A henchman, here. | 0:11:19 | 0:11:21 | |
Um, 22.50, then. | 0:11:21 | 0:11:23 | |
22.50. I said 22.50. I think that's a fabulous bargain! | 0:11:23 | 0:11:26 | |
-Thank you very much. -It's not even mine! -Well done. | 0:11:27 | 0:11:30 | |
There we are. Well done. Well found. | 0:11:30 | 0:11:33 | |
What do you think? You like? You like? | 0:11:33 | 0:11:36 | |
Too late for second thoughts, old bean! | 0:11:36 | 0:11:38 | |
With Joanie in the bag, the boys are in a buying mood. | 0:11:40 | 0:11:44 | |
Not coming back for your brackets? | 0:11:44 | 0:11:47 | |
Oh, the Victorian brackets. | 0:11:47 | 0:11:49 | |
Those brackets, I think, are very good at that price. | 0:11:50 | 0:11:55 | |
They're interesting. | 0:11:55 | 0:11:57 | |
49 quid the lot. | 0:11:57 | 0:11:59 | |
He'll probably do... They're not mine. He'll probably do them for... | 0:12:00 | 0:12:04 | |
I should imagine you'd get them for about 35. | 0:12:07 | 0:12:09 | |
I think with the damage to them, we could get that price tidied up a little further. | 0:12:11 | 0:12:16 | |
I can ring him up and ask him. | 0:12:16 | 0:12:18 | |
Good. Let's just wait and see what we get back on the phone here. | 0:12:18 | 0:12:21 | |
Seems Simon's definitely getting the hang of this! | 0:12:21 | 0:12:25 | |
Time for Peter to call the dealer. | 0:12:25 | 0:12:27 | |
Alan, I've got Simon Williams and James Lewis here, | 0:12:27 | 0:12:31 | |
looking at your cast iron brackets. | 0:12:31 | 0:12:35 | |
-What were you... -We wanted to offer 15 for the two. | 0:12:35 | 0:12:39 | |
-Or 25 for the lot. -25 for the lot or 15 the two. | 0:12:39 | 0:12:45 | |
-The good ones. Is that about right, do you think? -Yes. | 0:12:45 | 0:12:47 | |
-So no joy on that. -How about 35, then? What do you think? | 0:12:47 | 0:12:52 | |
They're taking up a lot of space here. | 0:12:52 | 0:12:55 | |
Exactly. You're doing them a favour! | 0:12:55 | 0:12:58 | |
You're going to do that? | 0:12:58 | 0:13:00 | |
You're on, then? OK. | 0:13:00 | 0:13:02 | |
35. | 0:13:02 | 0:13:04 | |
-We are done. -Go on. -Good. Thank you. | 0:13:04 | 0:13:07 | |
Wow! A nail-biting end, and a sterling ovation for our leading man. | 0:13:07 | 0:13:11 | |
-Great! Well done! -I've had a fantastic hour! | 0:13:11 | 0:13:15 | |
So that's a 20th-century pastel for £22.50, | 0:13:15 | 0:13:18 | |
and four cast iron brackets for £35. | 0:13:18 | 0:13:21 | |
£57.50, altogether. | 0:13:21 | 0:13:23 | |
There's 60. | 0:13:23 | 0:13:25 | |
-58. £60. -Lovely. Thank you very much. | 0:13:25 | 0:13:28 | |
-Good doing business with you. -Pleasure. | 0:13:28 | 0:13:30 | |
Time to hit the road. No sign of Team Duncan. | 0:13:30 | 0:13:33 | |
The opposition gets the pick of the cars. | 0:13:33 | 0:13:35 | |
Which one will they choose, I wonder? | 0:13:35 | 0:13:37 | |
I'm having the best day! | 0:13:39 | 0:13:42 | |
It is lovely. | 0:13:42 | 0:13:44 | |
-Wonderful. -England with a blue sky. Open-top car. | 0:13:44 | 0:13:48 | |
E-type, you, and the good thing is, we've got cameras turning and I don't have to learn any lines! | 0:13:48 | 0:13:55 | |
One thing about antiques, I absolutely love them. | 0:13:56 | 0:13:58 | |
But if they're rubbish antiques, I don't like them. | 0:13:58 | 0:14:02 | |
If they're very good antiques, I get worried about the grandchildren knocking them over or breaking them. | 0:14:02 | 0:14:08 | |
-So they're a kind of two-edged sword! -They are. | 0:14:08 | 0:14:10 | |
Simon isn't the only one reflecting on the joys of the antiques trade. | 0:14:10 | 0:14:14 | |
Duncan is reminiscing about his time on Victoria Wood's masterpiece, Acorn Antiques. | 0:14:15 | 0:14:21 | |
'We had a great time doing that.' | 0:14:21 | 0:14:23 | |
'We didn't know how funny it was' | 0:14:23 | 0:14:25 | |
when we first started doing it. | 0:14:25 | 0:14:27 | |
You look at one of Victoria Wood's scripts, | 0:14:27 | 0:14:29 | |
but we didn't know that the back cloth was swinging from side to side | 0:14:29 | 0:14:33 | |
or half of what was going on. | 0:14:33 | 0:14:35 | |
She has a vision like nobody's ever seen. | 0:14:35 | 0:14:39 | |
Hang on. Looks like Phil is having a visionary moment of his own! | 0:14:40 | 0:14:44 | |
Look at all that in there! | 0:14:44 | 0:14:45 | |
What's the old dog up to? | 0:14:45 | 0:14:47 | |
There's all sorts of axles, and all sorts. | 0:14:47 | 0:14:48 | |
Yes. It's resting in peace, actually. | 0:14:48 | 0:14:51 | |
-Guard dogs and all sorts of things! -I don't want to buy a guard dog, but is there anything else? | 0:14:51 | 0:14:57 | |
Oh, dear! | 0:14:57 | 0:14:58 | |
Looks like the old remains of a trailer over there. | 0:14:58 | 0:15:00 | |
I think we need to look at places like this. | 0:15:03 | 0:15:05 | |
Well, we're certainly looking at it! Onward down the road. | 0:15:05 | 0:15:08 | |
Onwards, indeed. | 0:15:08 | 0:15:10 | |
Meanwhile, Simon and James are forging on ten miles to Gosfield, | 0:15:10 | 0:15:14 | |
and the talk turns to this acting lark. | 0:15:14 | 0:15:17 | |
Have you always been acting? Or is it in later life, or..? | 0:15:17 | 0:15:22 | |
No. When I was a kid, my father was an actor. | 0:15:22 | 0:15:25 | |
He took me to see My Fair Lady with Stanley Holloway. | 0:15:25 | 0:15:28 | |
Stanley Holloway took me by the hand, took me out onto the stage of the Theatre Royal in Drury Lane | 0:15:28 | 0:15:32 | |
and there was a great big empty auditorium. And he said, "What do you think of that?" | 0:15:32 | 0:15:37 | |
And I said... Oh, I just knew then that these were the buildings | 0:15:37 | 0:15:40 | |
I wanted to be in all my life. I love them! | 0:15:40 | 0:15:43 | |
Next stop is on the outskirts of Gosfield, | 0:15:43 | 0:15:45 | |
said to be where geese were resting on their march from Norwich to the markets of London. | 0:15:45 | 0:15:50 | |
Fantastic! | 0:15:50 | 0:15:51 | |
Simon and James have big boots to fill. | 0:15:51 | 0:15:54 | |
I was guest of honour at the Gosfield Shopping Village opening ceremony | 0:15:54 | 0:15:57 | |
back in 2006. | 0:15:57 | 0:15:59 | |
The village has two main barns, | 0:15:59 | 0:16:01 | |
housing items from some 130 dealers. Wow! | 0:16:01 | 0:16:05 | |
And keeping an eye on proceedings is Betha. She's Polish, by the way. | 0:16:05 | 0:16:09 | |
SPEAKS POLISH | 0:16:09 | 0:16:10 | |
SHE CORRECTS HIM | 0:16:10 | 0:16:11 | |
Well done! Well done! | 0:16:11 | 0:16:13 | |
I didn't know you nearly spoke Polish, James! | 0:16:13 | 0:16:16 | |
Good tactic, though. Get her on your side. | 0:16:16 | 0:16:18 | |
Woo-hoo-hoo! | 0:16:18 | 0:16:20 | |
Guess! | 0:16:20 | 0:16:21 | |
-65. -295! -What?! | 0:16:21 | 0:16:25 | |
-Yes. -Oh, that's incredible. | 0:16:25 | 0:16:27 | |
I can carry my own luggage, sir! | 0:16:27 | 0:16:29 | |
Yes! | 0:16:29 | 0:16:30 | |
Talk me through these. | 0:16:32 | 0:16:34 | |
They have a crown on the back, hallmarked Sheffield. | 0:16:34 | 0:16:38 | |
A lion, which means it's English silver. | 0:16:38 | 0:16:42 | |
And an S. From about 1900, 1910. | 0:16:42 | 0:16:46 | |
-A set of six of those are worth 30 to £40. -Yes. | 0:16:48 | 0:16:53 | |
Ah, a wry smile. But that's half the ticket price. | 0:16:53 | 0:16:56 | |
-We'd have to get half price to get our money back, I think. -I think we would. | 0:16:56 | 0:17:00 | |
Moving to the next barn, they now have 12 shop units and an art gallery to peruse. | 0:17:01 | 0:17:06 | |
Good tactics to split up. Cover more ground, that way. | 0:17:06 | 0:17:08 | |
So many things to feast the eye on. | 0:17:11 | 0:17:13 | |
James has sniffed out something close to his heart. | 0:17:14 | 0:17:17 | |
A snuff box. This one dates to 1730. | 0:17:17 | 0:17:20 | |
It's mother-of-pearl in tortoise shell. | 0:17:20 | 0:17:24 | |
Snuff used to be so popular | 0:17:24 | 0:17:26 | |
that George III's wife, Queen Charlotte, | 0:17:26 | 0:17:28 | |
dedicated a whole room to it | 0:17:28 | 0:17:30 | |
and was known as "Snuffy Charlotte"! | 0:17:30 | 0:17:32 | |
I think that's a possibility. | 0:17:32 | 0:17:35 | |
-Shall I move this ticket? -OK. | 0:17:35 | 0:17:38 | |
And he's not finished yet. | 0:17:38 | 0:17:39 | |
He's going box mad. | 0:17:39 | 0:17:42 | |
It's unusual because of its shape, more than anything. | 0:17:43 | 0:17:46 | |
-What is it made of? -Battersea enamel. -Battersea enamel? -Yeah. | 0:17:46 | 0:17:50 | |
Battersea enamel was a factory which used a transfer printing process | 0:17:50 | 0:17:54 | |
back in the 1750s. | 0:17:54 | 0:17:56 | |
That's a terribly special green. | 0:17:56 | 0:17:58 | |
It's, um, about 1820. | 0:18:00 | 0:18:02 | |
They often had a mirror in the top. | 0:18:02 | 0:18:05 | |
And it was when you would have a spot or blemish on your skin | 0:18:05 | 0:18:08 | |
and you would cover it with a beauty spot. | 0:18:08 | 0:18:10 | |
And then within ten or 15 years, it became fashionable to have the beauty spot anyway. | 0:18:10 | 0:18:16 | |
Yes. | 0:18:16 | 0:18:17 | |
So you would literally lick, tap, and with the mirror, apply. | 0:18:17 | 0:18:23 | |
Lovely. | 0:18:23 | 0:18:24 | |
So with two boxes in hand, can they broker a deal with Betha? | 0:18:24 | 0:18:27 | |
Over to you, Simon! | 0:18:27 | 0:18:29 | |
-If we were to propose a job lot of this and the... -And that. -..that. | 0:18:29 | 0:18:36 | |
-Are they 35 each? -35 each, yes. -So that's 70. | 0:18:36 | 0:18:39 | |
£70 altogether. | 0:18:39 | 0:18:40 | |
-I'd like to make an offer of £60 for the pair. -OK. | 0:18:41 | 0:18:45 | |
You are tough! | 0:18:45 | 0:18:48 | |
But I don't see how else we can pull it off. | 0:18:48 | 0:18:52 | |
-Would you go with that? -I think special for both of you. You are so nice! | 0:18:52 | 0:18:55 | |
It pays to have a class act on your team! Good work, old fruit. | 0:18:57 | 0:19:00 | |
Just really makes it right. | 0:19:00 | 0:19:02 | |
Lovely. Thank you. Gives us a chance. | 0:19:02 | 0:19:05 | |
So, that's £60 for an enamel patch box and a snuff box. | 0:19:05 | 0:19:09 | |
Just the thing James collects. | 0:19:09 | 0:19:12 | |
If it had been my money for my collection, I'd have happily paid ticket price for that. It's lovely. | 0:19:12 | 0:19:16 | |
There you are. If only we could get that message to the auctioneer! | 0:19:16 | 0:19:19 | |
-Yeah. -I wonder what Preston and Philip are getting up to? | 0:19:19 | 0:19:24 | |
-Probably been in the pub all day! -Probably have! | 0:19:24 | 0:19:26 | |
That's slanderous! In fact, Duncan and Phil have left Finchingfield | 0:19:26 | 0:19:31 | |
and driven the 15 miles east to Sudbury. | 0:19:31 | 0:19:34 | |
They're visiting a place where an old aged tradition thrives | 0:19:34 | 0:19:37 | |
and without which, many of Britain's historic buildings simply wouldn't survive. | 0:19:37 | 0:19:42 | |
-Am I looking at Peter? -You are, indeed. Nice to meet you. Lovely day. -And you. | 0:19:42 | 0:19:47 | |
Nice to meet you. | 0:19:47 | 0:19:49 | |
Peter Minter's family business is one of the country's foremost brick makers | 0:19:49 | 0:19:53 | |
and produces over 300,000 a year, using age-old techniques. | 0:19:53 | 0:19:57 | |
The bricks are used to renovate our most important buildings, | 0:19:57 | 0:20:00 | |
like Hampton Court Palace. | 0:20:00 | 0:20:02 | |
-This is the end product of all this? All this huge concern? -Yes. | 0:20:02 | 0:20:07 | |
"Mark Nicholson, Victoria Cottage, Halstead", a local town. | 0:20:07 | 0:20:10 | |
But it could be anywhere. These are going to Hampton Court. So there's a variety. | 0:20:10 | 0:20:14 | |
They're all different. I never knew there were so many different bricks. | 0:20:14 | 0:20:18 | |
In fact, as every historic building is unique, | 0:20:18 | 0:20:20 | |
there are more than 25,000 different types. | 0:20:20 | 0:20:23 | |
Most of them are moulded. Ordinary bricks are moulded, and most of the specials are moulded. | 0:20:23 | 0:20:27 | |
It depends entirely on where they're going as to the specification, | 0:20:27 | 0:20:30 | |
the clay we blend for it and how we do it. | 0:20:30 | 0:20:33 | |
Can you take us through how you start? Right from the beginning? | 0:20:33 | 0:20:38 | |
Yes. Go to the pit. That's where it all starts with the geology and the clay. | 0:20:38 | 0:20:41 | |
We'll see that and you'll understand the process as it evolves from there. | 0:20:41 | 0:20:44 | |
I'm looking forward to this. | 0:20:44 | 0:20:46 | |
The Minters have been on-site since 1936, | 0:20:46 | 0:20:49 | |
but the tile kiln dates back to 1450. | 0:20:49 | 0:20:52 | |
The industry is even older. | 0:20:52 | 0:20:55 | |
The whole of the brick industry in this area goes back to Roman times | 0:20:55 | 0:21:00 | |
and into the Saxon period as well. | 0:21:00 | 0:21:01 | |
It almost seems continuous. | 0:21:01 | 0:21:03 | |
This is the pit, where we actually dig the clay. | 0:21:03 | 0:21:06 | |
Crikey Moses! | 0:21:07 | 0:21:09 | |
I can see there's a hole there. | 0:21:10 | 0:21:13 | |
You don't put explosives in there? | 0:21:13 | 0:21:16 | |
No, we dig it all in the autumn. | 0:21:16 | 0:21:19 | |
And we dig when it's the best conditions down here | 0:21:19 | 0:21:23 | |
and then we actually stockpile it and use it the following year. | 0:21:23 | 0:21:28 | |
And what you're looking at is the estuary, from the Thames estuary, | 0:21:28 | 0:21:32 | |
about 40 million years ago. | 0:21:32 | 0:21:34 | |
-This was water? -Water. 40 million years ago. | 0:21:34 | 0:21:37 | |
The clay is the source of the material, and the key to the whole thing. | 0:21:37 | 0:21:41 | |
Turning that 40-million-year-old clay into bricks like these | 0:21:41 | 0:21:45 | |
starts back in the workshop. | 0:21:45 | 0:21:47 | |
-What's that goo? -That's the clay. | 0:21:47 | 0:21:51 | |
That's the clay. We were down in the pit. | 0:21:51 | 0:21:53 | |
It's been processed through there with just water added | 0:21:53 | 0:21:56 | |
and it comes out as a paste like that. | 0:21:56 | 0:21:58 | |
Kenny here has brick making in the blood. | 0:21:59 | 0:22:02 | |
It's important to our heritage buildings that these skills are passed down. | 0:22:02 | 0:22:06 | |
His father works here. He makes the moulds. | 0:22:06 | 0:22:09 | |
-Right. -And his mother worked here. | 0:22:09 | 0:22:13 | |
It's all part of the family. | 0:22:13 | 0:22:14 | |
It's all family, isn't it? | 0:22:14 | 0:22:16 | |
This method he's using, would it have been the same 100 years ago? | 0:22:16 | 0:22:21 | |
Yes. This building was here then. | 0:22:21 | 0:22:24 | |
This technique would have been used in this area, | 0:22:24 | 0:22:26 | |
it's called stock moulding because the block underneath is known as the stock. | 0:22:26 | 0:22:29 | |
-Right. -The frame goes over it. | 0:22:29 | 0:22:31 | |
You can raise and lower your frame to get different thicknesses of the same size. | 0:22:31 | 0:22:35 | |
We've got over 150 different frame sizes. | 0:22:35 | 0:22:39 | |
There are about 25,000 different-sized bricks you could make | 0:22:39 | 0:22:42 | |
if you wanted to compute it all. | 0:22:42 | 0:22:44 | |
Fascinating. | 0:22:44 | 0:22:45 | |
-Can I have a go? -You can certainly have a go. -Can I? -We'll dress you properly. | 0:22:45 | 0:22:49 | |
Good idea. This could get messy! | 0:22:49 | 0:22:51 | |
-Kenny, will you show me how to do it? -Yeah, sure. | 0:22:51 | 0:22:54 | |
A bit of sand in there. Get your hand round in the middle. | 0:22:54 | 0:22:57 | |
So far, so good. | 0:22:57 | 0:22:59 | |
-And then in there? -Yeah. | 0:22:59 | 0:23:01 | |
Like that? | 0:23:03 | 0:23:04 | |
Oh. | 0:23:04 | 0:23:06 | |
That settles out. | 0:23:06 | 0:23:07 | |
-Is that right? -Now you want to roll it as you... | 0:23:07 | 0:23:10 | |
-Roll it over. -It's pouring out, Kenny! | 0:23:10 | 0:23:13 | |
Steady! | 0:23:13 | 0:23:14 | |
-Bit of a shake. -Yeah. -Bit of a bang. | 0:23:14 | 0:23:17 | |
CLATTERS TO FLOOR | 0:23:18 | 0:23:20 | |
That's called dropping a brick! | 0:23:20 | 0:23:21 | |
-How was that? -To be honest, not very good! | 0:23:21 | 0:23:25 | |
I didn't mean that honest! | 0:23:25 | 0:23:27 | |
Don't hold back, Kenny. You tell him, son! Let him have it. | 0:23:27 | 0:23:30 | |
Oh, dear. | 0:23:30 | 0:23:32 | |
It just makes you look good, this, doesn't it? | 0:23:32 | 0:23:34 | |
Fabulous. | 0:23:35 | 0:23:36 | |
Maybe stick to acting, then, Duncan. | 0:23:36 | 0:23:37 | |
I think we should move on. | 0:23:37 | 0:23:39 | |
Good idea! But Phil's determined not to leave the brickyard empty-handed | 0:23:39 | 0:23:43 | |
and he's spotted a decorative finial. | 0:23:43 | 0:23:45 | |
This looks to me like it's what, 1860, 1870? | 0:23:45 | 0:23:49 | |
It was copied originally from a much earlier 16th-century building. | 0:23:49 | 0:23:53 | |
-So this is from 1870? -It was down on the Thames somewhere. We did a series of pinnacles. | 0:23:53 | 0:24:00 | |
Then we were asked to make some more up. So that's copying something from the 16th century. | 0:24:00 | 0:24:05 | |
-So you made these? -Yes, we made those. | 0:24:05 | 0:24:07 | |
Exactly, Phil. So unless Peter's ageing well, it's not 150 years old. | 0:24:07 | 0:24:11 | |
-Is it for sale? -I suppose anything's for sale, yes. | 0:24:11 | 0:24:15 | |
Here we go! | 0:24:15 | 0:24:16 | |
Now, in auction that's going to make 40 to 60. That sort of region. | 0:24:17 | 0:24:22 | |
Which means we've got to try and buy it for a bit less than that. | 0:24:22 | 0:24:25 | |
If we were selling them per item, each of those pieces... | 0:24:25 | 0:24:28 | |
-Oh, no, we don't want to do that. -Not that? -We want to buy the whole lot, Peter, | 0:24:28 | 0:24:32 | |
-and we want to give you... -40 or 50 quid. | 0:24:32 | 0:24:34 | |
-No. 30 quid. -30 quid?! | 0:24:34 | 0:24:36 | |
-20 or 30 quid. -20 or 30? -I didn't think you'd like to hear the 20 bit! | 0:24:36 | 0:24:39 | |
-No, I don't like 20 quid. -But the 30 quid might do, might it? | 0:24:39 | 0:24:42 | |
30 quid? Well, it's... Just as it's you. Just because it's you. | 0:24:42 | 0:24:46 | |
Oh, get in there! Get in there! | 0:24:46 | 0:24:48 | |
Brilliant, Peter! | 0:24:48 | 0:24:50 | |
Crikey. So he's either bagged a bargain or... | 0:24:50 | 0:24:54 | |
We just bought a pile of bricks for 30 quid! | 0:24:54 | 0:24:56 | |
-Come on. -Shall we get on? | 0:24:59 | 0:25:01 | |
We'll go and open the boot. | 0:25:01 | 0:25:04 | |
So, the end of an unconventional first day. | 0:25:04 | 0:25:07 | |
Duncan and Phil have stuck to their plan of taking things at a steady pace. | 0:25:07 | 0:25:12 | |
And Simon and James have been haring ahead doing deals left, right and centre. | 0:25:12 | 0:25:16 | |
No sign yet who's going to win this race! | 0:25:16 | 0:25:19 | |
So, nighty-night, boys! | 0:25:19 | 0:25:21 | |
It's the dawn of a new day. | 0:25:24 | 0:25:26 | |
Will Phil finally take Duncan to an antiques shop? | 0:25:26 | 0:25:29 | |
And can Simon keep schmoozing those deals? | 0:25:29 | 0:25:32 | |
He's already feeling wickedly competitive | 0:25:32 | 0:25:35 | |
and he's barely had breakfast. | 0:25:35 | 0:25:37 | |
I'm quietly confident. We've still got money to burn today. | 0:25:37 | 0:25:40 | |
We bought some stuff yesterday, masterpieces of art, | 0:25:40 | 0:25:44 | |
artefacts, oh yes. | 0:25:44 | 0:25:45 | |
-Art? -I'm not saying any more. | 0:25:45 | 0:25:49 | |
No, best not to. | 0:25:49 | 0:25:50 | |
My goal is just to keep away from antiques shops. That's the way forward. | 0:25:51 | 0:25:55 | |
-I know what you've done. -What? | 0:25:57 | 0:25:59 | |
You've picked something up off the side of the road, knowing you! | 0:25:59 | 0:26:02 | |
Well, you're not too far wrong. | 0:26:02 | 0:26:05 | |
So far, Simon and James have spent £117.50 on four items. | 0:26:05 | 0:26:10 | |
The pastel painting, four cast iron brackets, | 0:26:10 | 0:26:13 | |
the mother-of-pearl snuff box and the enamel patch box. | 0:26:13 | 0:26:17 | |
Duncan and Phil, however, have forked out a miserly £45 on two items. | 0:26:17 | 0:26:20 | |
A wooden box and a pile of bricks! | 0:26:20 | 0:26:22 | |
So, time for out teams to turn their chariots south-east to Colchester, | 0:26:24 | 0:26:27 | |
for the next part of this Road Trip. | 0:26:27 | 0:26:29 | |
And there's fighting talk in the air! | 0:26:29 | 0:26:32 | |
-Right, here we are, Day Two. -Morning, girls! | 0:26:32 | 0:26:35 | |
-Morning! -How are you? | 0:26:35 | 0:26:37 | |
It's a fine day. | 0:26:37 | 0:26:39 | |
Good, so you're going to continue your losing streak, basically, the way the strategy's going. | 0:26:39 | 0:26:45 | |
Straight in for the kill! | 0:26:45 | 0:26:46 | |
We're going to go... We've got money to spend and we're going to spend it more subtly than yesterday. | 0:26:46 | 0:26:52 | |
Like a good drama, Simon, we're accelerating towards a brilliant conclusion. | 0:26:52 | 0:26:58 | |
No over-acting, thank you! | 0:26:58 | 0:27:00 | |
In the first century AD, | 0:27:01 | 0:27:03 | |
the Romans established a legionary fortress in Colchester | 0:27:03 | 0:27:08 | |
and anointed the town as the provincial capital of Britain. | 0:27:08 | 0:27:11 | |
There's something about the way they spell "bitz", B-I-T-Z, that worries me here! | 0:27:11 | 0:27:16 | |
Right. Clever use of the language! | 0:27:16 | 0:27:19 | |
That's not the half of it! | 0:27:19 | 0:27:21 | |
-What's your name? -Bob. -Hi, Bob. | 0:27:21 | 0:27:22 | |
-Oh, "bitz and bobs"! -Bitz and Bob's. | 0:27:22 | 0:27:24 | |
Bob Kavanagh and his wife have owned this shop for seven years. | 0:27:27 | 0:27:31 | |
Their collection covers everything, from Victorian jewellery to stuffed warthogs! | 0:27:31 | 0:27:36 | |
-We've got work to do here. -Looking promising. -Good. | 0:27:37 | 0:27:40 | |
If you want to catch a big fish, look at that! | 0:27:40 | 0:27:44 | |
We could get Preston on that! | 0:27:44 | 0:27:46 | |
There's Pierce Brosnan there. Get a shot of me. | 0:27:47 | 0:27:51 | |
A striking resemblance! | 0:27:51 | 0:27:52 | |
You're quite Bond-like, actually! | 0:27:54 | 0:27:56 | |
It's amazing how the role escaped me. | 0:27:56 | 0:27:58 | |
He's a bit of a "bore"! | 0:27:58 | 0:28:00 | |
Aw! | 0:28:00 | 0:28:02 | |
James has spotted something from his home county of Derbyshire. | 0:28:02 | 0:28:06 | |
TAPS VASE | 0:28:06 | 0:28:08 | |
It's pastelware, 1930s. | 0:28:08 | 0:28:11 | |
And made by Denby in Derbyshire. | 0:28:13 | 0:28:15 | |
-Is it hand-painted? -Mm. Hand-moulded. It's a moulded piece. | 0:28:15 | 0:28:20 | |
But they're hand-decorated. | 0:28:20 | 0:28:22 | |
It's part of their range called Danesby Ware. | 0:28:22 | 0:28:26 | |
What will that fetch? | 0:28:28 | 0:28:30 | |
What will that make us? | 0:28:30 | 0:28:32 | |
It should make 30 to 35 quid. | 0:28:32 | 0:28:34 | |
That would be a decent profit. Ticket price is a tenner. | 0:28:34 | 0:28:38 | |
Oh, no! Not another brick! | 0:28:39 | 0:28:42 | |
If only James knew! | 0:28:43 | 0:28:45 | |
Even Philip Serrell would find that interesting! | 0:28:45 | 0:28:48 | |
James, you have no idea! | 0:28:48 | 0:28:50 | |
It's a royal wedding brick! | 0:28:50 | 0:28:52 | |
Commemorating the union of Charles and Diana, | 0:28:52 | 0:28:55 | |
made by the London Brick Company in 1981. | 0:28:55 | 0:28:58 | |
We could sell that to Phil! | 0:28:59 | 0:29:01 | |
No need, James. He's got that one covered! | 0:29:01 | 0:29:04 | |
Mahjong set. | 0:29:04 | 0:29:06 | |
Really? | 0:29:06 | 0:29:07 | |
-1920s. -Yes? | 0:29:07 | 0:29:09 | |
A complete set. If you lift it out, I'll show you. | 0:29:09 | 0:29:12 | |
Although it looks like dominoes, | 0:29:12 | 0:29:14 | |
this ancient Chinese game of skill and strategy is more closely related to rummy. | 0:29:14 | 0:29:18 | |
I think that would make about 75, 80 quid at auction. | 0:29:18 | 0:29:21 | |
This will make about 195 at auction. | 0:29:21 | 0:29:24 | |
James is not convinced. | 0:29:24 | 0:29:27 | |
Anything else, Bob? | 0:29:27 | 0:29:29 | |
What about the Royal Worcester coffee set? That will sell quite well. | 0:29:29 | 0:29:34 | |
Tell me about this. | 0:29:35 | 0:29:37 | |
It's Royal Worcester, who were one of the best porcelain manufacturers in England. | 0:29:37 | 0:29:44 | |
If they'd been painted with fruit, | 0:29:44 | 0:29:46 | |
then they'd be £100, £150 a cup and saucer. | 0:29:46 | 0:29:50 | |
But the plain powder blue is very difficult to sell at the moment. | 0:29:50 | 0:29:55 | |
So... | 0:29:55 | 0:29:56 | |
-But still very pretty. -It is pretty. | 0:29:56 | 0:29:59 | |
What's the best on the mahjong set? | 0:29:59 | 0:30:02 | |
95. | 0:30:03 | 0:30:05 | |
-Hmm. -What do you want to pay for it? | 0:30:05 | 0:30:07 | |
-80. -You've got a deal. | 0:30:07 | 0:30:09 | |
Before you shake hands... | 0:30:09 | 0:30:11 | |
He bit his hand off! Quick, make the most of it! | 0:30:11 | 0:30:14 | |
-He's the expert. -Will you throw that in with it? | 0:30:14 | 0:30:16 | |
-Yes. -Shake the man's hand. You've done a deal. | 0:30:16 | 0:30:19 | |
That's a 1930s English Denby vase and a Chinese mahjong set for £80. | 0:30:20 | 0:30:25 | |
Well done, boys. | 0:30:25 | 0:30:27 | |
Exit stage right. | 0:30:27 | 0:30:29 | |
Entering stage left are Duncan and Phil, | 0:30:29 | 0:30:31 | |
who are heading ten miles south to Britain's most easterly inhabited island | 0:30:31 | 0:30:35 | |
and its small town, West Mersea. | 0:30:35 | 0:30:38 | |
This is really nice. I'm glad we came down here. | 0:30:38 | 0:30:41 | |
-I've never even heard of Mersea! -I haven't, either. | 0:30:42 | 0:30:45 | |
Since Roman times, it's been famous for oysters. | 0:30:45 | 0:30:48 | |
So can our pair find a magic pearl to bring them riches at auction? | 0:30:48 | 0:30:52 | |
But let's not get ahead of ourselves. | 0:30:52 | 0:30:54 | |
First things first. | 0:30:54 | 0:30:56 | |
Work out where you are! | 0:30:56 | 0:30:58 | |
Is it "Mer-sey" or Mersea? | 0:30:58 | 0:31:00 | |
They call it Mersea. | 0:31:00 | 0:31:02 | |
Mersea. And is that an island, do you think? | 0:31:02 | 0:31:04 | |
Oh, crikey. Mersea Island, chaps! The clue's in the name! | 0:31:04 | 0:31:08 | |
This is lovely. | 0:31:08 | 0:31:10 | |
Wonders will never cease. | 0:31:10 | 0:31:12 | |
Duncan and Phil are finally heading to an antiques shop. | 0:31:12 | 0:31:15 | |
One with a nautical feel. | 0:31:15 | 0:31:17 | |
Why? Because Phil is a man with a plan. | 0:31:17 | 0:31:20 | |
Those are quite nice, look. | 0:31:20 | 0:31:22 | |
We've got to think here, haven't we? | 0:31:22 | 0:31:25 | |
-We're going to Torquay. -Yeah. -Which is on the coast. -Yeah. | 0:31:25 | 0:31:28 | |
-Unless somebody's moved it. -Something nautical. | 0:31:28 | 0:31:30 | |
Sounds like a winner. | 0:31:30 | 0:31:32 | |
You know, I think we might have set ourselves too big a task here | 0:31:41 | 0:31:44 | |
by trying to buy stupid things. | 0:31:44 | 0:31:46 | |
We've got our eyes shut to shops like this, really. | 0:31:46 | 0:31:49 | |
Really, Phil? | 0:31:49 | 0:31:51 | |
-I like that. -What about that, yeah? | 0:31:51 | 0:31:53 | |
These bronze fittings were screwed to ships' decks next to the cleats | 0:31:53 | 0:31:58 | |
around which the mooring ropes were tied. | 0:31:58 | 0:32:00 | |
-They're for ropes on a ship. -Yeah. | 0:32:00 | 0:32:02 | |
-And there's the rope. -Yeah. | 0:32:02 | 0:32:04 | |
So as a pair, that's a possibility. | 0:32:04 | 0:32:07 | |
30 quid apiece. We'd need to have a tickle with the girls on price. | 0:32:07 | 0:32:11 | |
-30 quid a pair, isn't it? -Get out of here. It's less than that! | 0:32:11 | 0:32:15 | |
Time to turn the charm on Lynne and Heather, | 0:32:15 | 0:32:17 | |
with an offer that will hopefully be music to their ears. | 0:32:17 | 0:32:20 | |
-Is it for sale? -It is for sale. | 0:32:22 | 0:32:23 | |
What made you choose that? | 0:32:23 | 0:32:26 | |
I just like the look of it. | 0:32:26 | 0:32:28 | |
Hold on. I thought the plan was to go nautical? | 0:32:28 | 0:32:30 | |
Do you know what? I wouldn't have a clue what that was worth. | 0:32:30 | 0:32:33 | |
Give us a tune, Duncan. | 0:32:34 | 0:32:36 | |
# When I'm cleaning windows! # | 0:32:36 | 0:32:38 | |
Oh, dawdy. | 0:32:39 | 0:32:41 | |
Can I have a look at the bows, please? | 0:32:41 | 0:32:43 | |
Oh, dear. Phil's on the fiddle! | 0:32:43 | 0:32:45 | |
What are you learning now? | 0:32:45 | 0:32:47 | |
Very often, you can find a lousy violin | 0:32:47 | 0:32:51 | |
that might be worth, I don't know, 30 quid. | 0:32:51 | 0:32:55 | |
And everybody forgets the bow. | 0:32:55 | 0:32:57 | |
-And the bow could be worth a lot more than the fiddle. -Wow. | 0:32:57 | 0:33:01 | |
A lot more than the fiddle. But this is fairly modern. | 0:33:01 | 0:33:04 | |
-There's a Tommy Cooper joke about that, you know. -What's that? | 0:33:04 | 0:33:09 | |
I was left a Rembrandt and a Stradivarius. | 0:33:09 | 0:33:14 | |
Unfortunately, Rembrandt was a terrible violinist, | 0:33:14 | 0:33:19 | |
and Stradivarius could never paint! | 0:33:19 | 0:33:23 | |
Seems the musical instruments haven't struck the right note. | 0:33:24 | 0:33:27 | |
Time to re-group. | 0:33:27 | 0:33:29 | |
The only thing I think we might have a chance for | 0:33:31 | 0:33:34 | |
is those ships' rope tie things. | 0:33:34 | 0:33:38 | |
But I think we've got to be quite firm in our price. | 0:33:38 | 0:33:41 | |
Yeah, let's be firm. | 0:33:41 | 0:33:43 | |
So, with a ticket price of £30, can the boys tie up a bargain? | 0:33:43 | 0:33:47 | |
I really, really like them. I do like them. | 0:33:48 | 0:33:50 | |
And it's just down on price. | 0:33:50 | 0:33:52 | |
Where I'm coming from, I think if you put them into auction, | 0:33:52 | 0:33:56 | |
you'd perhaps estimate them at, I don't know, 30 to 40 quid. | 0:33:56 | 0:34:00 | |
25, 45, that sort of area. | 0:34:00 | 0:34:03 | |
If we bought them for 20 quid the two, | 0:34:03 | 0:34:06 | |
then if they sell for 30 quid, they're going to make £5 for us. | 0:34:06 | 0:34:10 | |
But I'd understand if you say no. | 0:34:10 | 0:34:12 | |
I think there's more in it for you. | 0:34:12 | 0:34:14 | |
25. | 0:34:14 | 0:34:15 | |
I honestly think 20 is going to be our best shot. Honestly. | 0:34:15 | 0:34:20 | |
-All right. -Sure? Thank you. | 0:34:20 | 0:34:21 | |
The old sea dog has done it again! | 0:34:21 | 0:34:23 | |
Thank you very much indeed. | 0:34:23 | 0:34:26 | |
Thanks ever so much, girls. | 0:34:26 | 0:34:29 | |
And the deal is sealed with a kiss. How nice! | 0:34:29 | 0:34:31 | |
Back in Colchester, Simon and James are all spent up. | 0:34:31 | 0:34:35 | |
But their hunt for antiques isn't over. | 0:34:35 | 0:34:37 | |
They've come to the home of Gerald Gurney, one of the world's foremost collectors of sporting memorabilia. | 0:34:37 | 0:34:42 | |
-There we are. -Mr Gurney, sir, how nice to meet you! | 0:34:43 | 0:34:46 | |
There we are. | 0:34:46 | 0:34:47 | |
-I love your doves. -The doves are wonderful. | 0:34:47 | 0:34:50 | |
As a former tennis coach, | 0:34:52 | 0:34:53 | |
it's Gerald's love of racquet sports in particular | 0:34:53 | 0:34:56 | |
that has inspired this collection, | 0:34:56 | 0:34:58 | |
built up over 60 years. | 0:34:58 | 0:35:00 | |
And he has some choice items. | 0:35:00 | 0:35:03 | |
This is the box. | 0:35:03 | 0:35:05 | |
-Oh, yes. -From 1875. | 0:35:05 | 0:35:08 | |
-Oh, look at that. -Golly! | 0:35:08 | 0:35:10 | |
This is one of the original racquets. | 0:35:10 | 0:35:12 | |
I bought this for £25 on Newmarket racecourse. | 0:35:14 | 0:35:19 | |
One of these racquets, I was there at Christie's, | 0:35:19 | 0:35:22 | |
-and it sold for £18,500. -Golly! | 0:35:22 | 0:35:27 | |
What have you got there? | 0:35:27 | 0:35:29 | |
-This is the... -Oh, the net... The net marker. | 0:35:29 | 0:35:33 | |
Very elegant thing, isn't it? | 0:35:33 | 0:35:34 | |
Yes. And look at the scene on the top. | 0:35:34 | 0:35:36 | |
Oh, gosh, yes. | 0:35:36 | 0:35:38 | |
He's Victorian, and there he is in his cap. | 0:35:38 | 0:35:41 | |
-This is a reproduction one, though, isn't it? -No. | 0:35:41 | 0:35:44 | |
-Are you sure? -Yes! -You wouldn't take a tenner for it, then? | 0:35:44 | 0:35:47 | |
It was worth a go! | 0:35:47 | 0:35:48 | |
Ha! Cheeky! In fact, it's worth a lot more. | 0:35:48 | 0:35:51 | |
There are thought to be just two others in the world. | 0:35:51 | 0:35:54 | |
This net measurer is the only one remaining at the original net height of four foot 11 inches, | 0:35:54 | 0:36:00 | |
the other two having been cut down to today's net height of three feet, | 0:36:00 | 0:36:03 | |
making this one unique. | 0:36:03 | 0:36:05 | |
-Gosh! -Brilliant. | 0:36:05 | 0:36:07 | |
I've got to say - I've been pretending I haven't seen it for the last ten minutes! | 0:36:07 | 0:36:13 | |
-Yes. -That, that is fantastic! | 0:36:13 | 0:36:16 | |
It looks like the Ladies' Wimbledon trophy, | 0:36:16 | 0:36:19 | |
but this particular Rosewater dish has never seen Centre Court. | 0:36:19 | 0:36:22 | |
A number of them were made in the 1860s | 0:36:22 | 0:36:24 | |
but only one became the iconic silver trophy we see today. | 0:36:24 | 0:36:27 | |
And you can tell me. Is this silver on brass, or silver on copper? | 0:36:31 | 0:36:36 | |
Elkington and Co invented this technique of electroplating | 0:36:36 | 0:36:42 | |
in the 1850s. | 0:36:42 | 0:36:44 | |
They have a copper base | 0:36:44 | 0:36:48 | |
and they attach a current where the silver attracts to the copper. | 0:36:48 | 0:36:53 | |
This is an example of that, | 0:36:53 | 0:36:56 | |
the Venus Rosewater. | 0:36:56 | 0:36:57 | |
And how did Gerald come by this version of the trophy? | 0:36:57 | 0:37:00 | |
Well, it was pure luck. | 0:37:00 | 0:37:02 | |
Some years ago, somewhere round Oxford Street, lots of antiques places, | 0:37:02 | 0:37:06 | |
and I went in and I saw this. | 0:37:06 | 0:37:10 | |
And it was £60. | 0:37:10 | 0:37:14 | |
I then said to the dealer, "Have you got any more tennis items?" | 0:37:14 | 0:37:18 | |
"Tennis?", he said, "What's it got to do with tennis?" | 0:37:18 | 0:37:21 | |
-You got lucky that day! -Wonderful. | 0:37:23 | 0:37:26 | |
Gerald's collection also includes contributions from some unlikely sources. | 0:37:26 | 0:37:31 | |
You may have heard of the dispute relating to Boris Johnson and the game of Whiff-Waff. | 0:37:31 | 0:37:37 | |
Just remind us about the dispute. | 0:37:37 | 0:37:39 | |
In Beijing, he made the statement very firmly | 0:37:39 | 0:37:43 | |
that the game of table tennis was first called Whiff-Waff. | 0:37:43 | 0:37:50 | |
-Right. -And he got it wrong! | 0:37:50 | 0:37:53 | |
Indeed. Renowned sports manufacturer Jake | 0:37:53 | 0:37:56 | |
actually released ping-pong a full nine years before Slazenger invented Whiff-Waff. | 0:37:56 | 0:38:01 | |
Gerald even wrote to Boris to correct him. | 0:38:01 | 0:38:04 | |
Boris returned the volley. | 0:38:04 | 0:38:06 | |
"Dear Mr Gurney, | 0:38:06 | 0:38:08 | |
"Thank you so much for your letter and comments about ping-pong/Whiff-Waff. | 0:38:08 | 0:38:13 | |
"I know I am right. | 0:38:13 | 0:38:15 | |
"Best wishes. Yours sincerely, Boris Johnson, Mayor of London." | 0:38:16 | 0:38:21 | |
How wonderful! That's typical! But he's not right. | 0:38:21 | 0:38:24 | |
He is not right. He is not right by nine or ten years. | 0:38:24 | 0:38:29 | |
This is one of Gerald's prize possessions. | 0:38:31 | 0:38:34 | |
It used to belong to Fred Perry | 0:38:34 | 0:38:35 | |
and there's an unusual story attached to it. | 0:38:35 | 0:38:38 | |
-You know that Fred Perry was champion at Wimbledon. -Yep. | 0:38:38 | 0:38:44 | |
You might not know that he was world champion at table tennis. | 0:38:44 | 0:38:47 | |
-Was he? -He was, indeed. | 0:38:47 | 0:38:50 | |
He was one of those annoying characters that was good at everything! | 0:38:50 | 0:38:53 | |
Budapest 1920. | 0:38:53 | 0:38:55 | |
Is this the actual trophy that he won? | 0:38:55 | 0:38:57 | |
This is the actual trophy that he won. | 0:38:57 | 0:38:59 | |
Fred Perry's trophy! | 0:38:59 | 0:39:01 | |
As it's a money-based programme, | 0:39:01 | 0:39:03 | |
what do you think it would be worth today? | 0:39:03 | 0:39:05 | |
I'm not... That's for you. | 0:39:05 | 0:39:07 | |
Oh, no idea! | 0:39:07 | 0:39:10 | |
This is my most recent find at a boot fair. | 0:39:10 | 0:39:13 | |
It's a ball cleaner. | 0:39:13 | 0:39:15 | |
-It says 1897 at the top there. -Shall we give it a go? | 0:39:15 | 0:39:18 | |
Oh, dear. | 0:39:18 | 0:39:19 | |
-Do we push? -I think you have to press it, actually. | 0:39:21 | 0:39:23 | |
Careful, James. Even the balls are antiques. | 0:39:26 | 0:39:28 | |
-It's gone now. -Where's it gone? | 0:39:29 | 0:39:31 | |
You've chewed it up into fragments! | 0:39:31 | 0:39:33 | |
Don't tell me that was Fred Perry's ball! | 0:39:33 | 0:39:36 | |
It's an amazing collection, and I have to say I've learned a lot. | 0:39:38 | 0:39:41 | |
And I just wish that Boris Johnson might learn a lot, as well! | 0:39:41 | 0:39:43 | |
If you're watching, learn, Boris! | 0:39:43 | 0:39:46 | |
Game, set and match to Gerald. | 0:39:48 | 0:39:50 | |
Wonderful! | 0:39:50 | 0:39:52 | |
Meanwhile, Team Duncan have left Mersea Island | 0:39:52 | 0:39:56 | |
and are heading back to Colchester for more shopping. | 0:39:56 | 0:39:58 | |
But, back to form, it's not an antiques shop. | 0:39:58 | 0:40:01 | |
Duncan is certainly having an unusual Road Trip. | 0:40:01 | 0:40:04 | |
This looks really good, doesn't it? | 0:40:04 | 0:40:06 | |
Woo-hoo-hoo! | 0:40:06 | 0:40:08 | |
It's Blackheath Reclamation, | 0:40:10 | 0:40:11 | |
run by Terry Att. | 0:40:11 | 0:40:13 | |
Hi, Terry. Duncan. | 0:40:13 | 0:40:15 | |
I know exactly what we want to buy, | 0:40:15 | 0:40:17 | |
which is a profit. I don't care what it is, I want to buy a profit. | 0:40:17 | 0:40:21 | |
Luckily, Terry sells everything here but the kitchen sink! | 0:40:21 | 0:40:25 | |
What about those? | 0:40:26 | 0:40:27 | |
OK, everything! | 0:40:27 | 0:40:29 | |
What are they made of? | 0:40:29 | 0:40:30 | |
This is Carrara marble from Italy, | 0:40:31 | 0:40:34 | |
used to make such artistic wonders as Michelangelo's David, | 0:40:34 | 0:40:38 | |
or in this case basins with no plug holes! | 0:40:38 | 0:40:40 | |
What's the absolute death on these? | 0:40:40 | 0:40:41 | |
The pair, 90. | 0:40:41 | 0:40:43 | |
No. Let's go and have a look round. | 0:40:43 | 0:40:45 | |
Terry's been in the trade for almost 20 years. | 0:40:47 | 0:40:49 | |
This family-run business started in demolition in 1989, | 0:40:49 | 0:40:53 | |
but Terry's love of reclamation has seen the business move into architectural salvage | 0:40:53 | 0:40:57 | |
with a speciality for Tudor items. | 0:40:57 | 0:40:59 | |
-You wouldn't believe what we've bought! I promise you. -No. | 0:40:59 | 0:41:03 | |
-He's off the wall! -I've got a warped mind! | 0:41:03 | 0:41:06 | |
You said it, Phil, not me! | 0:41:06 | 0:41:08 | |
I don't know what you think. I'm thinking one of those sinks. | 0:41:10 | 0:41:13 | |
-One of those sinks? -Yeah. -Yeah. | 0:41:13 | 0:41:15 | |
-The marble ones? -Yeah. -Yeah. | 0:41:17 | 0:41:18 | |
Well, there's no doubt who's in charge here. | 0:41:18 | 0:41:20 | |
So, how's it going with Phil, Duncan? Go on, be honest! | 0:41:20 | 0:41:24 | |
'I think he's totally barmy!' | 0:41:24 | 0:41:27 | |
And he's picking up things. My sympathies are with the people at the auction, | 0:41:27 | 0:41:32 | |
getting these things out! | 0:41:32 | 0:41:34 | |
What's the absolute finito on those? | 0:41:34 | 0:41:36 | |
What have we got them at? 290. | 0:41:36 | 0:41:38 | |
'He has that eye that hones in on things.' | 0:41:38 | 0:41:41 | |
And I'm glad he's here! | 0:41:41 | 0:41:44 | |
What do you reckon's the best bet? One of those baths or the sink? | 0:41:44 | 0:41:48 | |
The sinks. | 0:41:48 | 0:41:50 | |
I know you'll make money on them. | 0:41:50 | 0:41:51 | |
But at £45 for one, | 0:41:51 | 0:41:53 | |
is there an offer Terry can't refuse? | 0:41:53 | 0:41:56 | |
How does 30 quid sound? | 0:41:56 | 0:41:58 | |
Oh, get in, there! | 0:41:59 | 0:42:01 | |
-Well done, Terry. -Shake his hand as well. | 0:42:01 | 0:42:03 | |
Well, at £30, let's hope the people of Torquay want a sink without a hole! | 0:42:03 | 0:42:07 | |
Terry, we need something else. | 0:42:07 | 0:42:09 | |
Uh-oh! Now, what have they spotted? | 0:42:09 | 0:42:12 | |
-I love that. -Do you? -Yeah. -This is lunacy, isn't it? | 0:42:12 | 0:42:15 | |
Seems they just can't escape the pub! | 0:42:15 | 0:42:17 | |
I love that. | 0:42:19 | 0:42:21 | |
It's plastic. It's not wood. | 0:42:21 | 0:42:23 | |
-It's not wood. It's unusual... -Is it really? -All plastic. | 0:42:23 | 0:42:27 | |
Who do you know that has got a garden that they'd put that in? | 0:42:27 | 0:42:30 | |
See, that at auction, it's 50 to 80 quid's worth, isn't it? | 0:42:34 | 0:42:38 | |
-Mm. -Which means we've got to try and buy it for under 50 quid. | 0:42:38 | 0:42:42 | |
Hmm. | 0:42:42 | 0:42:43 | |
-What do you think that's going to make at auction? Truthfully. -Exactly what you said. | 0:42:44 | 0:42:47 | |
No need for Terry to do the hard sell here. | 0:42:47 | 0:42:50 | |
He's leaving that to Duncan! | 0:42:50 | 0:42:51 | |
It's there. You don't need to do anything to it. | 0:42:51 | 0:42:53 | |
The only thing you like about it is it's a pub! | 0:42:53 | 0:42:56 | |
Yeah, but it's also got something there. | 0:42:56 | 0:42:58 | |
-You don't have to do anything to it. -Do not feed me that flannel! | 0:42:58 | 0:43:02 | |
It has just one interest for you. It's a pub. | 0:43:02 | 0:43:04 | |
-No! -Yes! | 0:43:04 | 0:43:06 | |
Let's go and see what else we can find. | 0:43:06 | 0:43:09 | |
I feel a bit guilty cos he's let me do all the choosing so far | 0:43:10 | 0:43:14 | |
and when it all goes horribly wrong, I'm the one that will be in trouble. | 0:43:14 | 0:43:18 | |
So maybe Phil's going to let Duncan make a decision. | 0:43:18 | 0:43:21 | |
I like that pub sign. | 0:43:23 | 0:43:24 | |
You indicated that you could do a deal for us, didn't you? | 0:43:26 | 0:43:29 | |
On the pub sign. | 0:43:29 | 0:43:31 | |
What's the best you can do that for? | 0:43:31 | 0:43:32 | |
-50. -50 quid. | 0:43:32 | 0:43:34 | |
-So that means... -It's a steal for you. | 0:43:35 | 0:43:37 | |
-Yeah, it is. -It looks as though it's a bit weathered, as well. | 0:43:37 | 0:43:40 | |
-You look like that! -Thank you(!) | 0:43:40 | 0:43:42 | |
We'll have the Truman sign. We'll have the sign. | 0:43:43 | 0:43:45 | |
-OK with that? -Yep. -I'm happy with that. | 0:43:45 | 0:43:48 | |
Job done. So that's £30 for the sink | 0:43:50 | 0:43:52 | |
and £50 for the pub sign. | 0:43:52 | 0:43:54 | |
With the shopping ending in a full circle. | 0:43:54 | 0:43:57 | |
So, what started off in a pub | 0:43:57 | 0:44:00 | |
has finished off with us buying a pub sign! | 0:44:00 | 0:44:04 | |
-What a lovely story. -Absolutely right. | 0:44:04 | 0:44:08 | |
I wonder whether it's... What's the word I'm looking for? Subconscious? | 0:44:08 | 0:44:13 | |
Yes. Must be. | 0:44:13 | 0:44:14 | |
What will their rivals make of their subconscious choices? | 0:44:14 | 0:44:17 | |
Time to show and tell! | 0:44:17 | 0:44:19 | |
It's been a fantastic treasure hunt, hasn't it? | 0:44:19 | 0:44:22 | |
But I'm quietly confident that we've got you licked! | 0:44:22 | 0:44:25 | |
You haven't seen anything yet! | 0:44:25 | 0:44:26 | |
-I think... -You can smell it! | 0:44:26 | 0:44:29 | |
-Shall we start? -Look at this, eh. | 0:44:30 | 0:44:32 | |
Curtain up, then. I mean, off. | 0:44:32 | 0:44:35 | |
How about that, eh? | 0:44:35 | 0:44:36 | |
Was she in a lot of pain when that was done? | 0:44:36 | 0:44:39 | |
-Look at this. -Ah, Mahjong. | 0:44:40 | 0:44:42 | |
A bit of Denby. | 0:44:42 | 0:44:44 | |
Snuff box is a beauty. | 0:44:44 | 0:44:46 | |
I've seen "e-snuff" of those! | 0:44:46 | 0:44:47 | |
That's "e-snuff" of that! | 0:44:48 | 0:44:50 | |
I don't think you've done well, but you haven't done badly. | 0:44:50 | 0:44:53 | |
-I like these. -They're very you! -How much are they? | 0:44:53 | 0:44:57 | |
-They were 35 quid. -For the four? -Yeah. -That's worth the money. | 0:44:57 | 0:45:01 | |
-Do you want to see how it's done, now? -Go on, then! | 0:45:01 | 0:45:03 | |
Brace yourselves! | 0:45:03 | 0:45:05 | |
What? | 0:45:05 | 0:45:06 | |
What?! | 0:45:06 | 0:45:07 | |
Oddly, James seems at a loss for words. | 0:45:07 | 0:45:10 | |
Have you raided a tip? | 0:45:10 | 0:45:13 | |
-What? -You've been to a skip, haven't you? -What?! -A skip. -What?! | 0:45:13 | 0:45:17 | |
I'm so sad for you. | 0:45:17 | 0:45:19 | |
I've got to just unwrap this gently. | 0:45:19 | 0:45:21 | |
Oh! | 0:45:21 | 0:45:22 | |
What's really funny is I stood there, | 0:45:22 | 0:45:24 | |
because I'm an expert in this business, | 0:45:24 | 0:45:27 | |
-and I said, "This is probably about 1870." -You did. | 0:45:27 | 0:45:29 | |
-You thought possibly 1865. -I thought that. | 0:45:29 | 0:45:32 | |
But I was sure. 1870. | 0:45:32 | 0:45:34 | |
And then Peter told us he made it six years ago. | 0:45:34 | 0:45:37 | |
Oh! | 0:45:37 | 0:45:38 | |
Yes, maybe the less said, the better! | 0:45:39 | 0:45:41 | |
-Are you ready? -Look and learn. | 0:45:41 | 0:45:43 | |
-Please. -The master. | 0:45:43 | 0:45:46 | |
-A dead tree? -No, the master. | 0:45:47 | 0:45:49 | |
Don't you look at our things like that! | 0:45:49 | 0:45:50 | |
Not only have they been buying from pubs, they've nicked the sign! | 0:45:52 | 0:45:56 | |
-That's really rather charming. -Do you know what the best part is? | 0:45:56 | 0:45:59 | |
It's all plastic. | 0:45:59 | 0:46:01 | |
It's not wood at all? | 0:46:01 | 0:46:02 | |
What was it you said? Go for something big. | 0:46:02 | 0:46:05 | |
Yeah. We couldn't find anything. | 0:46:05 | 0:46:07 | |
-We couldn't find anything bigger. -So you bought a snuff box. | 0:46:07 | 0:46:10 | |
Ribbing aside, what do they really think? | 0:46:10 | 0:46:13 | |
That's a piece de resistance. | 0:46:13 | 0:46:16 | |
-I think that might fly. -Do you? | 0:46:16 | 0:46:18 | |
When the auctioneer mentions the sign | 0:46:18 | 0:46:21 | |
you shout, "It's plastic!" | 0:46:21 | 0:46:24 | |
-Something subtle like that. -Nice and subtle and fair play and all. | 0:46:24 | 0:46:27 | |
How do you think they compare with our stuff? | 0:46:27 | 0:46:30 | |
I wouldn't swap any of our bits for their bits, | 0:46:30 | 0:46:32 | |
but that's cos we bought our bits and they bought their bits. | 0:46:32 | 0:46:34 | |
I'd like to see that at the bottom of my garden. | 0:46:34 | 0:46:37 | |
-I quite like that and that. The rest you can keep. -Yeah. | 0:46:37 | 0:46:40 | |
But I honestly think - this is where I go down in flames - I think we might win this. | 0:46:40 | 0:46:45 | |
Ooh! | 0:46:45 | 0:46:47 | |
Well, we're about to find out, Phil. | 0:46:47 | 0:46:49 | |
Time for our Road Trippers to hit the tarmac again | 0:46:49 | 0:46:52 | |
and bid farewell to Colchester | 0:46:52 | 0:46:54 | |
and hello to the English Riviera on the south coast | 0:46:54 | 0:46:57 | |
for the auction showdown in Torquay. | 0:46:57 | 0:46:59 | |
So, here we are. We're in Torquay at last! | 0:46:59 | 0:47:02 | |
The day of reckoning! | 0:47:02 | 0:47:04 | |
Do you know what, I'm not an excitable person, as you've probably gathered, | 0:47:05 | 0:47:08 | |
but I've just got a little twittering in my stomach. | 0:47:08 | 0:47:12 | |
Ooh, that sounds uncomfortable! | 0:47:12 | 0:47:14 | |
Are you feeling mildly confident, Mr Lewis? | 0:47:15 | 0:47:18 | |
No! | 0:47:18 | 0:47:20 | |
-That's good to hear. -Are you? | 0:47:20 | 0:47:22 | |
Yeah, no. Confidence is a recipe for disaster in sale rooms. | 0:47:22 | 0:47:26 | |
Torquay became a fashionable seaside resort in the early 19th century, | 0:47:28 | 0:47:31 | |
initially with the Navy during the Napoleonic Wars. | 0:47:31 | 0:47:35 | |
Then with the creme de la creme of Victorian society | 0:47:35 | 0:47:38 | |
as the town's fame spread. | 0:47:38 | 0:47:40 | |
-Good morning, gentlemen! -Good morning! | 0:47:40 | 0:47:43 | |
-Morning. -How are you doing? | 0:47:44 | 0:47:46 | |
-How are you? -Good to see you, partner. | 0:47:46 | 0:47:48 | |
How confident are we feeling? | 0:47:48 | 0:47:51 | |
-I think it's in the bag. -I'm quietly worried. -It's in the bag. | 0:47:51 | 0:47:54 | |
-It's in the bag. Shall we make a move? -Shall we get in there? | 0:47:54 | 0:47:57 | |
-I can't wait. -Are we off? -Come on, then. | 0:47:57 | 0:47:59 | |
West of England Auctions is the venue for today's showdown. | 0:47:59 | 0:48:02 | |
They've been running sales here for over 30 years. | 0:48:02 | 0:48:05 | |
Warren Hunt is the man with the gavel. | 0:48:05 | 0:48:07 | |
So, what does he think of the team's buys? | 0:48:07 | 0:48:10 | |
You've got a large advertising sign here. | 0:48:10 | 0:48:12 | |
There are still a few publicans around here who buy these type of things. | 0:48:12 | 0:48:17 | |
The pastel painting is what we would call in the trade not a very interesting picture. | 0:48:17 | 0:48:23 | |
It's the wrong subject. | 0:48:23 | 0:48:24 | |
Oh, dear! | 0:48:24 | 0:48:26 | |
Looking at the items James has bought, | 0:48:26 | 0:48:28 | |
I would say he's probably more of a gentleman who likes to have a little gamble on items. | 0:48:28 | 0:48:33 | |
As regards the items Phil has bought, | 0:48:33 | 0:48:36 | |
he's got some nice interesting collectable items there. | 0:48:36 | 0:48:39 | |
Out of the two, I would probably go with Phil. | 0:48:40 | 0:48:45 | |
Because the items he's bought I would say he's used his head more. | 0:48:45 | 0:48:48 | |
So, Duncan and Phil's shopping tactics might just have worked. | 0:48:48 | 0:48:51 | |
Both teams started this Road Trip with £400. | 0:48:53 | 0:48:55 | |
Simon and James spent almost half their budget | 0:48:55 | 0:48:58 | |
picking up five items for a total price of £197.50. | 0:48:58 | 0:49:02 | |
Duncan and Phil also bought five items | 0:49:02 | 0:49:05 | |
but were a little more frugal, managing to splash a mere £145. | 0:49:05 | 0:49:10 | |
We've just bought a pile of bricks for 30 quid! | 0:49:10 | 0:49:12 | |
So let's see who'll be facing a standing ovation | 0:49:14 | 0:49:17 | |
and who will be playing to an empty house. | 0:49:17 | 0:49:19 | |
First up, Simon and James's pastel of the unhappy girl. | 0:49:22 | 0:49:26 | |
Start me at £10. | 0:49:26 | 0:49:27 | |
Ten is bid, thank you. Can I see 15? | 0:49:27 | 0:49:29 | |
15 is bid. 20. | 0:49:29 | 0:49:32 | |
25. 30. | 0:49:32 | 0:49:35 | |
New bidder at 30. 35. 40. | 0:49:35 | 0:49:38 | |
£35. Can I see 40? | 0:49:38 | 0:49:41 | |
35. | 0:49:42 | 0:49:43 | |
All done at 35? | 0:49:43 | 0:49:45 | |
Well done, boys. That's something to smile about. | 0:49:47 | 0:49:50 | |
Next up is Duncan and Phil's Jameson Whiskey box from the pub. | 0:49:51 | 0:49:56 | |
Ten to start me? | 0:49:56 | 0:49:58 | |
OK. I'll accept a five. Can I see six? | 0:49:59 | 0:50:02 | |
And we have a £6 bid. Seven? | 0:50:02 | 0:50:04 | |
Eight. Nine. Ten. | 0:50:04 | 0:50:06 | |
12, madam? 14? | 0:50:06 | 0:50:09 | |
16. 18. 18 new bidder. | 0:50:09 | 0:50:12 | |
20? At £18. Can I see 20? | 0:50:12 | 0:50:16 | |
At £18. All done at 18? | 0:50:16 | 0:50:20 | |
Oh, dear. After auction costs, | 0:50:21 | 0:50:23 | |
that wipes out any hope of a celebratory drink! | 0:50:23 | 0:50:27 | |
So, can Simon and James's iron brackets do any better? | 0:50:28 | 0:50:31 | |
Start me at £20. | 0:50:33 | 0:50:35 | |
Not what James was looking for. | 0:50:35 | 0:50:37 | |
15 I'll accept. Can I see 16? | 0:50:38 | 0:50:40 | |
16 is bid. 18. | 0:50:40 | 0:50:42 | |
22. 24. 26. | 0:50:42 | 0:50:45 | |
28. 30. | 0:50:45 | 0:50:47 | |
32. 34. 36? | 0:50:47 | 0:50:50 | |
38. 40. | 0:50:50 | 0:50:52 | |
42? | 0:50:54 | 0:50:55 | |
£40. Are you all done at £40? | 0:50:55 | 0:50:57 | |
Now, cheer up, James. It was profit, albeit a small one. | 0:51:00 | 0:51:03 | |
Simon and James sneered at this pile of bricks, | 0:51:05 | 0:51:08 | |
but will Duncan and Phil build a profit? | 0:51:08 | 0:51:10 | |
A nice quality item, this is. | 0:51:10 | 0:51:12 | |
Nice quality. | 0:51:12 | 0:51:13 | |
£50? | 0:51:14 | 0:51:16 | |
Start me at 50. It's got to go at £50. | 0:51:19 | 0:51:21 | |
Don't see these very often. 30, then? | 0:51:21 | 0:51:23 | |
Uh-oh. It's not looking good. | 0:51:23 | 0:51:26 | |
£20? | 0:51:26 | 0:51:28 | |
-I'm going to bid £20 myself cos I think it's great! -That's not allowed! | 0:51:28 | 0:51:32 | |
Well, that's unusual. But it is allowed as Warren is buying it for himself. | 0:51:32 | 0:51:37 | |
I've got a bid of 25. | 0:51:37 | 0:51:38 | |
-30 with me. 35. -He's bidding on it! | 0:51:38 | 0:51:41 | |
40 with me. 45. | 0:51:41 | 0:51:43 | |
It'll look nice in my garden. | 0:51:43 | 0:51:45 | |
Do you want a beer sign, as well? | 0:51:46 | 0:51:48 | |
Don't push it, Phil! | 0:51:48 | 0:51:50 | |
45 with me. Can I see 50? | 0:51:51 | 0:51:53 | |
45. I'm actually buying this at 45. | 0:51:54 | 0:51:56 | |
And the winning bidder is Warren the auctioneer! Ha! | 0:52:01 | 0:52:04 | |
Next, the George II mother-of-pearl snuff box. | 0:52:06 | 0:52:09 | |
Can James and Simon sniff out a profit? | 0:52:09 | 0:52:11 | |
-Start me at £20. -What?! | 0:52:11 | 0:52:13 | |
Because, James, that's what. | 0:52:13 | 0:52:15 | |
20 is bid. Can I see 22? | 0:52:15 | 0:52:17 | |
22 to the hand. 24. | 0:52:17 | 0:52:19 | |
26. 28. | 0:52:19 | 0:52:22 | |
30. Two? | 0:52:22 | 0:52:23 | |
34. | 0:52:23 | 0:52:24 | |
Simon's not looking happy! | 0:52:24 | 0:52:26 | |
34, new bidder. | 0:52:26 | 0:52:28 | |
36. | 0:52:28 | 0:52:30 | |
34 at the back of the room. | 0:52:30 | 0:52:31 | |
Can I see 36? 38. | 0:52:31 | 0:52:34 | |
I've got a new bidder at 40. | 0:52:34 | 0:52:36 | |
£40. If you're all done at £40. | 0:52:36 | 0:52:39 | |
Crikey, it's a profit. It's nosed ahead. Pull yourself together, James! | 0:52:43 | 0:52:47 | |
Don't be such a baby! | 0:52:47 | 0:52:49 | |
I want to go home! | 0:52:49 | 0:52:51 | |
What gets me is you've got two blokes here with about 52 years of experience in the antiques trade, | 0:52:51 | 0:52:58 | |
they've had two days eking out bargains from all over the country | 0:52:58 | 0:53:02 | |
and so far, we're about £1.40 ahead of the game! | 0:53:02 | 0:53:05 | |
-Not very impressive, is it? -Not really. | 0:53:05 | 0:53:08 | |
But be thankful it's still a profit. | 0:53:08 | 0:53:10 | |
Top brass, next, in the form of these deck fittings. | 0:53:10 | 0:53:13 | |
An auction on the coast should be the place to shift these. | 0:53:13 | 0:53:18 | |
Start me at £20. | 0:53:18 | 0:53:19 | |
20 is bid. Thank you. Can I see 22? | 0:53:19 | 0:53:22 | |
22 is bid. | 0:53:22 | 0:53:24 | |
24. 26. | 0:53:24 | 0:53:26 | |
New bidder at 28. 30. | 0:53:26 | 0:53:28 | |
32. 32 with the lady. | 0:53:30 | 0:53:33 | |
-Can I see 34? -Come on. -Go on! | 0:53:33 | 0:53:35 | |
Are you all done at 32? | 0:53:35 | 0:53:37 | |
With three lots each sold, it's virtually neck and neck | 0:53:39 | 0:53:42 | |
for our teams. | 0:53:42 | 0:53:44 | |
So, with the rub o' the green, can the enamel patch box | 0:53:44 | 0:53:46 | |
put James and Simon into the lead? | 0:53:46 | 0:53:48 | |
-Nice little box. -How much was it, James? | 0:53:48 | 0:53:51 | |
120 quid I think it cost, Phil. | 0:53:51 | 0:53:54 | |
120, or was it 400? | 0:53:54 | 0:53:55 | |
Nice try, James. | 0:53:55 | 0:53:57 | |
-I thought you said 130 pence. -Start me at £30? | 0:53:57 | 0:54:00 | |
Silence. | 0:54:00 | 0:54:01 | |
-Ten pounds. -What?! -Can I see 12? | 0:54:01 | 0:54:04 | |
12 is bid. 14. | 0:54:05 | 0:54:07 | |
16. 18. 20. | 0:54:07 | 0:54:10 | |
Two. 24. | 0:54:10 | 0:54:11 | |
26. 28. | 0:54:11 | 0:54:13 | |
30. Two. | 0:54:13 | 0:54:15 | |
£30. Can I see 32? | 0:54:15 | 0:54:17 | |
-I can't believe this! -32, new bidder. | 0:54:17 | 0:54:20 | |
34. 36. | 0:54:20 | 0:54:21 | |
38. | 0:54:21 | 0:54:23 | |
40. Two? | 0:54:23 | 0:54:25 | |
£40. If you're all done at £40. | 0:54:26 | 0:54:28 | |
James may be grim-faced, | 0:54:31 | 0:54:32 | |
but they've boxed clever to make another profit. | 0:54:32 | 0:54:36 | |
Next, it's Duncan and Phil's marble basin. | 0:54:38 | 0:54:40 | |
Let's hope it doesn't sink their profits! | 0:54:40 | 0:54:42 | |
Come on. Start me at 20. | 0:54:45 | 0:54:47 | |
15, then? | 0:54:47 | 0:54:49 | |
15 is bid. Thank you, sir. | 0:54:49 | 0:54:51 | |
Can I see 16? | 0:54:51 | 0:54:53 | |
15 only bid? | 0:54:53 | 0:54:55 | |
I will sell, if you're all done at 15. | 0:54:55 | 0:54:57 | |
Looks like they're all washed up. | 0:54:57 | 0:54:59 | |
Got to be worth more than that. | 0:54:59 | 0:55:01 | |
A carved basin. £15, then. I will sell if you're all done at 15. | 0:55:01 | 0:55:05 | |
It's that sinking feeling. | 0:55:06 | 0:55:07 | |
And the first loss of the day. £15. | 0:55:09 | 0:55:11 | |
-Disaster! -Wipe that smile off your face! | 0:55:13 | 0:55:16 | |
"Is it plastic?" | 0:55:16 | 0:55:19 | |
Miaow! | 0:55:20 | 0:55:22 | |
Next, Simon and James's mahjong set, | 0:55:22 | 0:55:24 | |
which they've put with the Denby vase. | 0:55:24 | 0:55:27 | |
Interesting mix! | 0:55:27 | 0:55:29 | |
Oh, that's just gorgeous! | 0:55:29 | 0:55:31 | |
Louder, Simon! They didn't hear you at the back! | 0:55:31 | 0:55:33 | |
-Start me at £20. -What?! | 0:55:33 | 0:55:35 | |
Nice mahjong set. 20 bid. Can I see 22? | 0:55:35 | 0:55:39 | |
22 is bid. 24. | 0:55:39 | 0:55:41 | |
26. 28. | 0:55:41 | 0:55:43 | |
30. | 0:55:43 | 0:55:45 | |
Two? 34. 36? | 0:55:45 | 0:55:47 | |
38. 40. | 0:55:47 | 0:55:49 | |
Two. 44. 46. | 0:55:49 | 0:55:53 | |
48. 50. | 0:55:53 | 0:55:55 | |
Five, sir? 60? | 0:55:55 | 0:55:57 | |
55. Can I see 60? | 0:55:57 | 0:55:59 | |
55. Are you all done at £55? | 0:56:01 | 0:56:04 | |
Uh-oh! It's all gone wrong, mahjong! | 0:56:06 | 0:56:08 | |
Another loss. | 0:56:08 | 0:56:10 | |
Last orders, everyone. It's the final lot. | 0:56:12 | 0:56:14 | |
Is the pub sign going to prove plastic fantastic? | 0:56:14 | 0:56:17 | |
Start me at £20. | 0:56:17 | 0:56:19 | |
20 is bid. Thank you, sir. Can I see 22? | 0:56:21 | 0:56:23 | |
22, Ali? 24. | 0:56:23 | 0:56:26 | |
26. 28. | 0:56:26 | 0:56:27 | |
30. | 0:56:27 | 0:56:29 | |
32. 34. | 0:56:29 | 0:56:31 | |
36. 38? | 0:56:31 | 0:56:34 | |
Are you all finished at 36? | 0:56:36 | 0:56:38 | |
Disaster! But it's a close call. | 0:56:40 | 0:56:42 | |
Time to phone Road Trip HQ to see who's won. | 0:56:42 | 0:56:46 | |
-'Hello?' -Oh, hang on. | 0:56:46 | 0:56:48 | |
Who's won? Who's won? | 0:56:48 | 0:56:51 | |
-'It's very close.' -OK. What's our profit? | 0:56:51 | 0:56:53 | |
'So, after auction costs, you have lost £25.30.' | 0:56:53 | 0:56:59 | |
Right. OK. | 0:56:59 | 0:57:01 | |
'Philip and Duncan, | 0:57:01 | 0:57:03 | |
'you have made a loss | 0:57:03 | 0:57:06 | |
'of £25.28.' | 0:57:06 | 0:57:10 | |
'So Philip and Duncan are the winners by two pence!' | 0:57:10 | 0:57:14 | |
You're joking! | 0:57:16 | 0:57:18 | |
So, summing up, after setting off at a roaring pace on this Road Trip, | 0:57:18 | 0:57:22 | |
Simon and James made a conservative loss of £25.30 after auction costs, | 0:57:22 | 0:57:27 | |
earning them a total of £374.70. | 0:57:27 | 0:57:31 | |
While Duncan and Phil took a more leisurely approach, | 0:57:31 | 0:57:34 | |
preferring reclamation yards to antiques shops. | 0:57:34 | 0:57:37 | |
That netted them a loss of £25.28 after costs, | 0:57:37 | 0:57:40 | |
giving them £374.72 at the finishing line. | 0:57:40 | 0:57:45 | |
And that make Duncan and Phil the winners by 2p! | 0:57:45 | 0:57:49 | |
Can you believe it? | 0:57:49 | 0:57:51 | |
Well done. Well done. | 0:57:51 | 0:57:53 | |
I knew we'd win. I knew we'd win. | 0:57:53 | 0:57:54 | |
-Two pence?! -Amazing! -I think your bricks worked for you! | 0:57:54 | 0:57:58 | |
-Two pence! -Don't feel bad about it, will you? | 0:57:58 | 0:58:01 | |
-Off we go. -I think they're wrong. Recalculate, please! | 0:58:03 | 0:58:06 | |
Profits across the series will go to Children in Need. | 0:58:06 | 0:58:09 | |
Time for our guests to take a bow and face the final curtain. | 0:58:09 | 0:58:14 | |
Now, would we rather be an antiques dealer or an actor? | 0:58:14 | 0:58:19 | |
I think they would make better auctioneers than we would make actors! | 0:58:19 | 0:58:23 | |
I think they can turn their hand to it worryingly easily. | 0:58:23 | 0:58:27 | |
Mind you, we ARE antiques. Well, you are! | 0:58:27 | 0:58:29 | |
I don't know what they'll get for me! | 0:58:29 | 0:58:31 | |
Subtitles by Red Bee Media Ltd | 0:58:53 | 0:58:56 |