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Some of the nation's favourite celebrities... | 0:00:02 | 0:00:05 | |
Why have I got such expensive taste? | 0:00:05 | 0:00:06 | |
..one antiques expert each... | 0:00:06 | 0:00:09 | |
..and one big challenge - | 0:00:13 | 0:00:15 | |
who can seek out and buy the best antiques at the very best prices... | 0:00:15 | 0:00:19 | |
Answers on a postcard. | 0:00:19 | 0:00:21 | |
..and auction for a big profit further down the road? | 0:00:21 | 0:00:26 | |
We shake your hand and send you a big kiss for that. | 0:00:26 | 0:00:28 | |
Who will spot the good investments? | 0:00:28 | 0:00:30 | |
Who will listen to advice? | 0:00:30 | 0:00:32 | |
Do you like it? No, I think it's horrible. | 0:00:32 | 0:00:34 | |
Maybe not. | 0:00:34 | 0:00:35 | |
For today's show, we'll be travelling through the leafy lanes of Herefordshire | 0:00:35 | 0:00:56 | |
and through time, in the company of our two celebrities. | 0:00:56 | 0:00:59 | |
A Time Lord, Colin Baker, and Dr Who's one-time companion, Peter Purves. | 0:01:00 | 0:01:05 | |
This is going to be fun, I think. | 0:01:05 | 0:01:07 | |
Each will be given a classic car, | 0:01:07 | 0:01:10 | |
and antiques expert and ?400 to spend. | 0:01:10 | 0:01:12 | |
They must provide their own sonic screwdriver. | 0:01:12 | 0:01:16 | |
What is there not to look forward to? | 0:01:16 | 0:01:18 | |
Driving through leafy lanes with a television god... You're very kind! | 0:01:18 | 0:01:22 | |
..in search of antiquity. | 0:01:22 | 0:01:23 | |
Colin Baker was the sixth man to play Dr Who, | 0:01:23 | 0:01:26 | |
fighting Daleks and Cybermen across many millennia, | 0:01:26 | 0:01:29 | |
but mainly from 1984 to 1986. | 0:01:29 | 0:01:33 | |
How do you do? I am known as the Doctor. | 0:01:33 | 0:01:36 | |
ZZZAAAP! | 0:01:37 | 0:01:39 | |
Peter Purves played Steven Taylor, | 0:01:39 | 0:01:42 | |
companion to the first Dr Who, in 1965. | 0:01:42 | 0:02:02 | |
The one thing we must do - one very important thing - | 0:02:02 | 0:02:05 | |
before we leave is to make sure our animals are going to be as happy | 0:02:05 | 0:02:08 | |
as we're going to be when we're on holiday. | 0:02:08 | 0:02:10 | |
Ooh, get off me foot! | 0:02:10 | 0:02:11 | |
The first time I appeared on Blue Peter, | 0:02:11 | 0:02:13 | |
I was terrified. | 0:02:13 | 0:02:15 | |
No autocue, no safety net... | 0:02:15 | 0:02:17 | |
So, where did these two old pals meet - | 0:02:17 | 0:02:20 | |
battling sea monsters in the outer reaches of cyberspace, perchance? | 0:02:20 | 0:02:25 | |
I directed you in the pantomime. Of course you did! | 0:02:25 | 0:02:28 | |
We did Aladdin in Hayes in Middlesex. | 0:02:28 | 0:02:32 | |
And you were Wishee Washee and you were very funny. | 0:02:32 | 0:02:35 | |
And what part was I playing? | 0:02:35 | 0:02:37 | |
BOTH LAUGH | 0:02:37 | 0:02:39 | |
You're still very funny! | 0:02:40 | 0:02:42 | |
Do these old pals have the competitive spirit? | 0:02:45 | 0:02:47 | |
I think I am competitive. I mean, I'm going to win this. | 0:02:47 | 0:02:50 | |
No question about that. | 0:02:50 | 0:02:52 | |
It seems they do. | 0:02:52 | 0:02:54 | |
Our celebrity pair are off to meet another duo of experts | 0:02:54 | 0:03:12 | |
James has 25 years of experience in the antiques game. | 0:03:12 | 0:03:16 | |
He says that quality and design are what set his pulse racing. | 0:03:16 | 0:03:20 | |
And he has a penchant for a nice piece of jewellery. | 0:03:20 | 0:03:23 | |
Blood to the brain, blood to the brain... Right, I'm ready. | 0:03:23 | 0:03:27 | |
Will Axon was born in Newmarket | 0:03:27 | 0:03:29 | |
and wanted to be a jockey before he became an auctioneer. | 0:03:29 | 0:03:32 | |
He started his career valuing rugs, works of art | 0:03:32 | 0:03:36 | |
and furniture, and can spot a bargain anywhere. | 0:03:36 | 0:03:39 | |
There's a silver tankard down here. | 0:03:39 | 0:03:41 | |
Who are we on our way to meet, James? | 0:03:41 | 0:03:43 | |
Peter Purves, Colin Baker. | 0:03:43 | 0:03:46 | |
Oh, it's a Dr Who theme? | 0:03:46 | 0:03:50 | |
Ethereal, celestial... | 0:03:50 | 0:03:52 | |
Are they going to arrive in a TARDIS? | 0:03:52 | 0:03:55 | |
Oh, I hope so! | 0:03:55 | 0:03:56 | |
The very opposite, actually - | 0:03:56 | 0:03:58 | |
it's a 1970 Morris Minor, | 0:03:58 | 0:04:01 | |
smaller on the inside than on the outside. | 0:04:01 | 0:04:04 | |
That's why I like watching you act. | 0:04:23 | 0:04:26 | |
Oh! Oh, Peter! | 0:04:26 | 0:04:28 | |
Hello! Luvvy alert. | 0:04:28 | 0:04:31 | |
I'm looking forward to meeting my slim young blonde-haired... | 0:04:31 | 0:04:35 | |
antique assistant. | 0:04:35 | 0:04:38 | |
Well, good luck with that. | 0:04:38 | 0:04:40 | |
Our team will have two days travelling in Herefordshire | 0:04:41 | 0:04:44 | |
and Worcestershire, starting in Bishop's Frome. | 0:04:44 | 0:04:47 | |
They'll shop for items which they hope | 0:04:47 | 0:04:49 | |
will realise a handsome profit at the auction in Winchcombe. | 0:04:49 | 0:04:52 | |
At the agreed meeting point, there seems to have been some kind of rift in the space/time continuum. | 0:04:57 | 0:05:03 | |
In other words, our experts are late. | 0:05:05 | 0:05:07 | |
Look, Doctor, this can't go on. | 0:05:07 | 0:05:09 | |
What's happening? | 0:05:09 | 0:05:11 | |
Without the benefit of time travel, I haven't got a clue where they are. | 0:05:11 | 0:05:14 | |
about the subject we are entering into? | 0:05:35 | 0:05:37 | |
I bet they do! We were going to ask you the same thing! | 0:05:37 | 0:05:40 | |
How are we going to team up? | 0:05:40 | 0:05:42 | |
Well, you're from Suffolk, aren't you, Peter? Yes. | 0:05:42 | 0:05:45 | |
And I think there are two men here who probably like to stop for lunch occasionally. | 0:05:45 | 0:05:48 | |
I heard a whisper about Scotch eggs. | 0:05:48 | 0:05:50 | |
Yes. I'm a fellow devotee. Oh, are you? | 0:05:50 | 0:05:54 | |
The glove box is full of them! | 0:05:54 | 0:05:56 | |
So that's the Suffolk boys, Will and Peter, in the Morris | 0:05:56 | 0:05:59 | |
and James and Colin, the Scotch egg connoisseurs, | 0:05:59 | 0:06:03 | |
in the MG. | 0:06:03 | 0:06:05 | |
We'll see you at the auction. | 0:06:05 | 0:06:06 | |
Good luck! We're going to win! | 0:06:06 | 0:06:08 | |
Good luck! | 0:06:08 | 0:06:10 | |
Right, now they've gone - lunch? | 0:06:11 | 0:06:13 | |
Perhaps we could squeeze in one shop before lunch. | 0:06:13 | 0:06:17 | |
Colin and James head into Cole's Antiques | 0:06:17 | 0:06:20 | |
for some pre-prandial perusal. | 0:06:20 | 0:06:22 | |
Where do you stock your decaying goods? | 0:06:22 | 0:06:25 | |
Far too pink and far too girly. | 0:06:46 | 0:06:50 | |
Too girly. We don't want girly handbags. | 0:06:50 | 0:06:52 | |
Shall we move on? | 0:06:54 | 0:06:56 | |
This looks more up their street. | 0:06:56 | 0:06:58 | |
You see, look at this. | 0:06:58 | 0:07:00 | |
This is a mahogany fellow. | 0:07:00 | 0:07:02 | |
Feel the weight of that. | 0:07:02 | 0:07:04 | |
Lovely joints here. | 0:07:04 | 0:07:06 | |
It's a candle box. It's rather nice. | 0:07:06 | 0:07:08 | |
I do like that. It's got age. | 0:07:08 | 0:07:10 | |
It hasn't been touched. It's suffered the rigours of use | 0:07:10 | 0:07:13 | |
and hasn't been badly repaired. | 0:07:13 | 0:07:15 | |
I know how it feels. | 0:07:15 | 0:07:17 | |
Damage up there. Yes. | 0:07:18 | 0:07:21 | |
Damage below, but, you know, structurally sound. | 0:07:21 | 0:07:24 | |
And that's done a lot of years. | 0:07:24 | 0:07:27 | |
Nice fielded panels. | 0:07:27 | 0:07:29 | |
I might pay ?20 for that. | 0:07:29 | 0:07:31 | |
Or you might not. | 0:07:31 | 0:07:32 | |
The ticket price is ?60. | 0:07:32 | 0:07:34 | |
I'd like that. Unusual to find in mahogany. | 0:07:34 | 0:07:35 | |
It says mid-19th-century. I think it's older than that. | 0:07:35 | 0:07:56 | |
Well, that first shop was all done and dusted double quick. | 0:07:56 | 0:07:59 | |
I wonder why? | 0:07:59 | 0:08:01 | |
Now, I have heard a little rumour that just round the corner from here | 0:08:01 | 0:08:05 | |
they make Scotch eggs. Aah! | 0:08:05 | 0:08:08 | |
Ah, that's why! | 0:08:08 | 0:08:09 | |
Our Scotch egg fanatics have been shopping barely 50 yards | 0:08:09 | 0:08:13 | |
from a Scotch egg emporium of some repute. | 0:08:13 | 0:08:16 | |
What are the chances, eh? | 0:08:16 | 0:08:18 | |
Oh, the world of Scotch eggs! | 0:08:18 | 0:08:20 | |
Welcome to the Egg Shed, as we call ourselves. | 0:08:20 | 0:08:23 | |
The Egg Shed! | 0:08:23 | 0:08:25 | |
It's no yolk, is it? | 0:08:25 | 0:08:27 | |
TIM GROANS Prepare yourselves, viewers. | 0:08:27 | 0:08:30 | |
Let me give you a menu. We have, unfortunately, | 0:08:32 | 0:08:35 | |
over 50 different types of Scotch egg there. | 0:08:35 | 0:08:37 | |
Yes...we might be here a while. | 0:08:37 | 0:08:40 | |
This is the Black Watch, the one you thought you'd like. | 0:08:40 | 0:08:43 | |
This is black pudding with sausagemeat | 0:08:43 | 0:09:04 | |
is said to date from 1738, | 0:09:04 | 0:09:06 | |
when they were first made by Fortnum Mason. | 0:09:06 | 0:09:09 | |
Colin, I'm afraid I'm going to have to drag you away. | 0:09:09 | 0:09:12 | |
Start laying the trail. | 0:09:12 | 0:09:14 | |
There's a Scotch egg! | 0:09:14 | 0:09:15 | |
I think we got off quite lightly there. | 0:09:15 | 0:09:18 | |
Right, let's see how Peter and Will are getting on. | 0:09:18 | 0:09:20 | |
I'm full of anticipation | 0:09:22 | 0:09:24 | |
and worry a little. | 0:09:24 | 0:09:26 | |
I've got to look for things that will sell rather than things that I like. | 0:09:26 | 0:09:29 | |
As long as we're pleased with what we buy, | 0:09:29 | 0:09:31 | |
then, you know, I don't think we can regret anything. | 0:09:31 | 0:09:35 | |
The other car, with James and the Time Lord, | 0:09:35 | 0:09:39 | |
and in the Morris, the companion. Who's going to win? | 0:09:39 | 0:09:43 | |
We should win. | 0:09:43 | 0:09:45 | |
Oh, the gauntlet has been thrown down! | 0:09:45 | 0:09:47 | |
Oh, yes. Peter and Will are pootling | 0:09:47 | 0:09:50 | |
the 16 miles from Bishop's Frome | 0:09:50 | 0:09:53 | |
to Leominster, | 0:09:53 | 0:09:54 | |
which, back in 1809, | 0:09:54 | 0:10:13 | |
There's plenty to look at. Is there? Give us an idea of the layout. | 0:10:13 | 0:10:16 | |
We've got three floors and a basement and an attic. | 0:10:16 | 0:10:19 | |
I must stop thinking about what I like. | 0:10:23 | 0:10:25 | |
Let's see what will make a profit. | 0:10:25 | 0:10:27 | |
Wise words...but Peter is finding it hard to stick to. | 0:10:27 | 0:10:32 | |
Quite pretty. | 0:10:32 | 0:10:33 | |
I don't think that's got legs, myself. | 0:10:35 | 0:10:38 | |
No. | 0:10:38 | 0:10:39 | |
I see you are being drawn to tea sets, though, and things like that. | 0:10:39 | 0:10:43 | |
Will tries a gentle reminder. | 0:10:45 | 0:10:47 | |
What was that you were saying, Peter? | 0:10:47 | 0:10:49 | |
A hedgerow hammer! | 0:10:51 | 0:10:54 | |
Will's working on a theme here. | 0:10:54 | 0:10:56 | |
It's definitely hammer time! | 0:10:56 | 0:10:58 | |
# You can't touch this! # | 0:10:58 | 0:11:00 | |
That would make me a fine gavel. | 0:11:00 | 0:11:02 | |
And SOLD! | 0:11:02 | 0:11:04 | |
Smash the desk! What a great... | 0:11:04 | 0:11:23 | |
have a total price of ?82. | 0:11:23 | 0:11:25 | |
That's a good-looking tool. I like that. | 0:11:26 | 0:11:28 | |
That's another cooper's tool. A metal-framed pick. | 0:11:31 | 0:11:34 | |
Not quite the same, but the cooper's tool... | 0:11:34 | 0:11:36 | |
I quite like that, though. | 0:11:36 | 0:11:38 | |
That's quite unusual, with the way that frame goes all around. | 0:11:38 | 0:11:41 | |
Peter Purves has picked up a pick. | 0:11:41 | 0:11:42 | |
But how much is Peter Purves prepared to pay | 0:11:42 | 0:11:45 | |
for the pick that he has picked? | 0:11:45 | 0:11:47 | |
Who writes this stuff?! | 0:11:47 | 0:11:49 | |
?50. | 0:11:49 | 0:11:51 | |
I sense that Peter's going to be quite good at this Road Trip malarkey. | 0:11:51 | 0:11:54 | |
We might as well have a look on the ground floor, | 0:11:54 | 0:11:57 | |
then we can say we've covered all bases. | 0:11:57 | 0:11:59 | |
Hello! What do we have here? | 0:11:59 | 0:12:02 | |
That's caught my eye as we came in. | 0:12:02 | 0:12:05 | |
A grain scoop. | 0:12:06 | 0:12:08 | |
There's quite a lot of money in them. | 0:12:08 | 0:12:10 | |
Someone with a bit of imagination could use that for anything. | 0:12:10 | 0:12:13 | |
Scooping grain, maybe? | 0:12:13 | 0:12:33 | |
and see what he can do? | 0:12:33 | 0:12:34 | |
Brian, a unit owner, | 0:12:34 | 0:12:36 | |
makes the call to Nigel, who owns the tools. | 0:12:36 | 0:12:39 | |
You've got some cooper's tools there. | 0:12:39 | 0:12:41 | |
Ticket price you've got, that adds up to 82. | 0:12:41 | 0:12:45 | |
And they are making you a very generous offer | 0:12:45 | 0:12:48 | |
of ?50. | 0:12:48 | 0:12:50 | |
Don't laugh, Nigel! | 0:12:52 | 0:12:53 | |
I just talked them up to that. | 0:12:55 | 0:12:57 | |
Would you like to have a word with the legendary Peter Purves? | 0:12:57 | 0:13:00 | |
This is Nigel. | 0:13:00 | 0:13:02 | |
Hello, Nigel. I gather you laughed at our offer. | 0:13:02 | 0:13:06 | |
60 is his best. | 0:13:06 | 0:13:07 | |
The owner is prepared to come down a fair bit, | 0:13:07 | 0:13:10 | |
but there is a limit, even for the legendary Peter Purves. | 0:13:10 | 0:13:13 | |
OK, we'll shake your hand on 60. | 0:13:13 | 0:13:15 | |
Just as business seems to be concluded on the tools, | 0:13:15 | 0:13:19 | |
owner Jeremy Weston interrupts. | 0:13:19 | 0:13:21 | |
You're missing a golden opportunity. | 0:13:21 | 0:13:24 | |
I know that they sell, but price is everything. | 0:13:42 | 0:13:45 | |
That is a seller. You can sell that. | 0:13:45 | 0:13:47 | |
Get your keys out, Jeremy. | 0:13:47 | 0:13:48 | |
You've pulled! | 0:13:48 | 0:13:50 | |
Candle boxes seem to be today's hot ticket. | 0:13:50 | 0:13:53 | |
Is there some concern about the future of Britain's power supplies, perchance? | 0:13:53 | 0:13:58 | |
It'll give you a good profit. | 0:13:58 | 0:14:00 | |
You could make money on this. | 0:14:00 | 0:14:02 | |
I've got 85 on it. | 0:14:02 | 0:14:03 | |
45 to you. | 0:14:03 | 0:14:05 | |
You're on. | 0:14:05 | 0:14:07 | |
That Jeremy knows what he's doing. | 0:14:07 | 0:14:09 | |
That was a quick bit of business. | 0:14:09 | 0:14:11 | |
We've made a deal with Jeremy on this. | 0:14:13 | 0:14:16 | |
He's a fast worker, that Jeremy! | 0:14:16 | 0:14:18 | |
He's a good salesman! | 0:14:18 | 0:14:20 | |
I'm impressed. 45 quid. | 0:14:20 | 0:14:22 | |
And wouldn't you know it - | 0:14:22 | 0:14:24 | |
it turns out that Jeremy also owns the grain scoop. | 0:14:24 | 0:14:27 | |
Ticket price ?32. | 0:14:27 | 0:14:29 | |
18. | 0:14:29 | 0:14:30 | |
Ah! The job's done! | 0:14:33 | 0:14:52 | |
Hello. Hello. | 0:14:52 | 0:14:53 | |
Hello there. This looks rather large. Are you Fiona? | 0:14:53 | 0:14:56 | |
That's right. Hi, Fiona. I'm Peter. | 0:14:56 | 0:14:58 | |
It's one of those shops - | 0:14:58 | 0:15:00 | |
floor after floor, room after room, | 0:15:00 | 0:15:03 | |
shelf after shelf, all stuffed with antiques. | 0:15:03 | 0:15:06 | |
Lovely! | 0:15:06 | 0:15:07 | |
Now, before you come in here, make me a promise. | 0:15:07 | 0:15:10 | |
Walk straight past it all. | 0:15:10 | 0:15:13 | |
Come on...no, I'm not letting you... | 0:15:15 | 0:15:17 | |
No tea wares, no dinner wares. | 0:15:17 | 0:15:19 | |
What do you make to that? | 0:15:19 | 0:15:21 | |
A bit of tribal. African, is it? | 0:15:21 | 0:15:22 | |
I like bowler hats. I think we should maybe revive wearing bowler hats. | 0:15:22 | 0:15:27 | |
Do you know what it's like? It's like opening a new box of chocolates. | 0:15:27 | 0:15:31 | |
Come on, Forrest Gump! Concentrate. | 0:15:31 | 0:15:34 | |
What about that? A student microscope, with slides. | 0:15:36 | 0:15:39 | |
I wonder what the slides are. | 0:15:39 | 0:15:42 | |
In its little box. | 0:15:42 | 0:16:02 | |
This was the one that struck me at a distance, | 0:16:02 | 0:16:04 | |
because I think... | 0:16:04 | 0:16:06 | |
if I'm not mistaken... | 0:16:06 | 0:16:08 | |
That's a nice shape. It's a Shelley. Oh, yes. | 0:16:08 | 0:16:10 | |
And they do tend to be rather nice. | 0:16:10 | 0:16:13 | |
That's rather undamaged. | 0:16:13 | 0:16:14 | |
Looks all right, condition-wise, doesn't it? That's... | 0:16:14 | 0:16:19 | |
I quite like that. | 0:16:19 | 0:16:21 | |
Ah! Damage on the base. | 0:16:21 | 0:16:23 | |
Ah. | 0:16:23 | 0:16:24 | |
Peter's taking on the role of expert now, | 0:16:24 | 0:16:26 | |
spotting a tiny area of damage that will affect the value | 0:16:26 | 0:16:29 | |
of the jelly mould. | 0:16:29 | 0:16:31 | |
How much is the jelly mould worth? ?20. | 0:16:31 | 0:16:33 | |
Yeah, I mean, I'm not enamoured by the jelly mould, | 0:16:33 | 0:16:36 | |
but I will follow your lead. | 0:16:36 | 0:16:39 | |
Oh, crikey, don't do that! | 0:16:39 | 0:16:40 | |
We'll be dead in the water! I can't, you know... | 0:16:40 | 0:16:44 | |
Hello! Do I detect a bit of division in the ranks? | 0:16:44 | 0:16:46 | |
Oh, that's interesting. | 0:16:46 | 0:16:47 | |
Have you seen that? The sampler? I just saw that. | 0:16:47 | 0:16:50 | |
Do you like samplers? I do. | 0:16:50 | 0:16:52 | |
Samplers are the embroidery equivalent | 0:16:52 | 0:17:12 | |
I did notice that. It hasn't got a date. | 0:17:12 | 0:17:15 | |
Little bit of staining. | 0:17:15 | 0:17:18 | |
And not the finest stitch in the world. | 0:17:18 | 0:17:20 | |
But... That small, neat type... | 0:17:20 | 0:17:23 | |
Exactly. You get that petit point, I think they call it, | 0:17:23 | 0:17:26 | |
the stitching. | 0:17:26 | 0:17:27 | |
It's something everybody did. | 0:17:27 | 0:17:29 | |
Oh, crikey, look at the back of it. | 0:17:29 | 0:17:31 | |
That's not been off in a while. It hasn't. | 0:17:31 | 0:17:32 | |
We like things that turn up well, don't we? Yes. | 0:17:32 | 0:17:35 | |
What's on it? Victorian. 60 quid. | 0:17:35 | 0:17:37 | |
They like the sampler, | 0:17:37 | 0:17:40 | |
and have also asked one of the unit owners, Fiona, | 0:17:40 | 0:17:42 | |
for a closer look at the microscope. | 0:17:42 | 0:17:45 | |
Oh, you've brought it to us. I'm good like that. | 0:17:46 | 0:17:49 | |
Thanks, Fiona. | 0:17:49 | 0:17:51 | |
Little vintage... | 0:17:52 | 0:17:54 | |
Looks all there. Quite tidy. | 0:17:54 | 0:17:56 | |
I quite like that. | 0:17:56 | 0:17:58 | |
I quite like it. | 0:17:58 | 0:17:59 | |
I'd have thought, at that sort of money, there's potential in that. | 0:18:01 | 0:18:22 | |
But we're really hoping, praying, really, | 0:18:22 | 0:18:25 | |
that we could get this for about 40. | 0:18:25 | 0:18:27 | |
The dealer wants 50. | 0:18:27 | 0:18:29 | |
Could we stretch it to 48? | 0:18:29 | 0:18:31 | |
He's very good at this. | 0:18:31 | 0:18:33 | |
Your husband's saying it has to be 48? | 0:18:33 | 0:18:36 | |
OK, we'll shake your hand and send you a big kiss for that. | 0:18:36 | 0:18:40 | |
Thank you very much. 48. | 0:18:40 | 0:18:42 | |
That's lovely. Thank you very much indeed. | 0:18:42 | 0:18:44 | |
Thank you. Thank you, Sheila! | 0:18:44 | 0:18:47 | |
That's lovely. Thank you. | 0:18:47 | 0:18:49 | |
I think you dealt with that very well. | 0:18:49 | 0:18:52 | |
I think you did well there, because, like I've said to you, | 0:18:52 | 0:18:55 | |
what we don't want to do is just come in and say... | 0:18:55 | 0:18:58 | |
She gets no profit at all. She said to me, "I'll have made ?1.30 on that". | 0:18:58 | 0:19:03 | |
It might be more than we're going to make on it. | 0:19:03 | 0:19:06 | |
Come on, man, have some confidence! | 0:19:07 | 0:19:10 | |
So have we bought that? We've bought that. | 0:19:10 | 0:19:12 | |
Time now to tackle the owner of the microscope. | 0:19:12 | 0:19:31 | |
It sounds like you're just name-dropping in every shop you go into! | 0:19:31 | 0:19:34 | |
"Don't you know that I'M Peter Purves?!" | 0:19:34 | 0:19:38 | |
You've got to explain he's filming the Antiques Road Trip! | 0:19:38 | 0:19:41 | |
He hasn't just wandered in off the street and said, "I'm Peter Purves!" | 0:19:41 | 0:19:44 | |
That's good. Cheers. Bye-bye. Did he say yes? He said yes. | 0:19:44 | 0:19:47 | |
Thank you! Thank you, Mark! | 0:19:47 | 0:19:49 | |
I love that - "You'll never guess who walked into the shop!" | 0:19:49 | 0:19:52 | |
Peter Purves, throwing his name about! | 0:19:52 | 0:19:54 | |
Well, that's two items bought. | 0:19:54 | 0:19:57 | |
Good work, Peter. | 0:19:57 | 0:19:59 | |
Everybody seems happy. | 0:19:59 | 0:20:00 | |
?68 seems a reasonable price for the two pieces. | 0:20:00 | 0:20:04 | |
Their shopping for the day is now over. | 0:20:04 | 0:20:07 | |
Well, that's job done again! | 0:20:07 | 0:20:10 | |
I can't believe it. We're on a roll. | 0:20:10 | 0:20:12 | |
Colin and James, however, have barely started. | 0:20:14 | 0:20:16 | |
They're enjoying themselves, though. | 0:20:16 | 0:20:18 | |
What a lovely morning! What a lovely day! | 0:20:18 | 0:20:21 | |
That's been the perfect morning. It has. | 0:20:21 | 0:20:42 | |
to visit what is, in many ways, | 0:20:42 | 0:20:44 | |
Colin's own personal museum. | 0:20:44 | 0:20:46 | |
# Dr Who Hey! | 0:20:46 | 0:20:48 | |
# The TARDIS | 0:20:48 | 0:20:50 | |
# Dr Who Hey! | 0:20:50 | 0:20:52 | |
# Dr Who... # | 0:20:52 | 0:20:53 | |
Shall we go and visit the Time Machine? | 0:20:53 | 0:20:55 | |
The Time Machine museum houses one of the biggest collections | 0:20:55 | 0:20:58 | |
of screen-used Dr Who props in the galaxy. | 0:20:58 | 0:21:01 | |
Is it going to be bigger on the inside? | 0:21:01 | 0:21:03 | |
No, it's smaller. | 0:21:03 | 0:21:05 | |
Former policeman Andy Glazzard | 0:21:05 | 0:21:07 | |
has been collecting for 30 years. | 0:21:07 | 0:21:09 | |
Prior to opening the museum in 1997, | 0:21:09 | 0:21:12 | |
he kept the whole collection round at his mum's place. | 0:21:12 | 0:21:15 | |
I'm the owner of this exhibition, | 0:21:15 | 0:21:17 | |
which is approximately 80% | 0:21:17 | 0:21:20 | |
Dr Who actual props and costume from the show. | 0:21:20 | 0:21:23 | |
How fantastic! | 0:21:23 | 0:21:24 | |
And the rest is made up from Star Wars, Star Trek... | 0:21:24 | 0:21:28 | |
Sorry, Star Wars?! | 0:21:28 | 0:21:30 | |
Right, time to boldly explore some of these exhibits. | 0:21:30 | 0:21:54 | |
and she saw her daddy, who wasn't there with her, | 0:21:54 | 0:21:57 | |
being dragged by this thing, on this box in the corner. | 0:21:57 | 0:22:01 | |
She couldn't grasp it, and had nightmares for weeks. | 0:22:01 | 0:22:04 | |
It must have cost the BBC a fortune. | 0:22:04 | 0:22:07 | |
More than they were paying me! | 0:22:07 | 0:22:08 | |
We're talking ?25,000, ?35,000. Yes. | 0:22:08 | 0:22:10 | |
Cor! You got a lot of intergalactic megalomaniac to the pound in those days. | 0:22:10 | 0:22:15 | |
This is the well-known TARDIS, isn't it? | 0:22:15 | 0:22:17 | |
That's a very big one. | 0:22:17 | 0:22:19 | |
I never had one as big as that. | 0:22:19 | 0:22:20 | |
No. Yours wasn't as tall, but it might have been a little bit wider. | 0:22:20 | 0:22:25 | |
What are you suggesting? | 0:22:25 | 0:22:26 | |
That was Jon Pertwee. Oh, trust him to have one bigger than mine! | 0:22:26 | 0:22:29 | |
Lead on, Andy. | 0:22:29 | 0:22:31 | |
Will I ever return? | 0:22:31 | 0:22:33 | |
The museum is an old bakery. | 0:22:34 | 0:22:36 | |
Plenty of the fourth dimension, | 0:22:36 | 0:22:38 | |
but not much of the first three. | 0:22:38 | 0:22:40 | |
Could I have it back, please? It's mine. | 0:23:02 | 0:23:04 | |
I did pay an awful lot of money for it. No, it was stolen from me. | 0:23:04 | 0:23:07 | |
I can attest that it's genuine, so you should have paid more for it. | 0:23:07 | 0:23:10 | |
The trip back in time to the days he travelled through time | 0:23:10 | 0:23:14 | |
has put Colin in a nostalgic mood. | 0:23:14 | 0:23:17 | |
Late one night, after filming a Dalek story, | 0:23:17 | 0:23:20 | |
I'd been in the bar and had a couple of drinks | 0:23:20 | 0:23:22 | |
and I was walking back and took a short cut through the studio to my dressing room. | 0:23:22 | 0:23:26 | |
They'd stripped all the sets out, but there was one Dalek | 0:23:26 | 0:23:30 | |
left in the middle of the studio floor. | 0:23:30 | 0:23:32 | |
And it was dimly lit with emergency lighting. | 0:23:32 | 0:23:34 | |
And as I walked past, the eye stalk | 0:23:34 | 0:23:37 | |
followed me round. | 0:23:37 | 0:23:39 | |
And it turned out that the operator was worried, because all day it had been squeaking. | 0:23:39 | 0:23:43 | |
And he was inside, oiling it. | 0:23:43 | 0:23:46 | |
But I didn't know that! | 0:23:46 | 0:23:48 | |
And for me, alone in a vast empty space, | 0:23:48 | 0:23:50 | |
with a Dalek, for a moment, | 0:23:50 | 0:23:52 | |
just one moment, | 0:23:52 | 0:24:10 | |
Do you never learn? | 0:24:10 | 0:24:13 | |
This is the one opportunity to finally kill the Doctor. | 0:24:13 | 0:24:17 | |
EXTERMINATE! | 0:24:17 | 0:24:19 | |
They don't learn. How many times have I defeated them? | 0:24:19 | 0:24:23 | |
And they still come back for more. And they still come back for more. | 0:24:23 | 0:24:26 | |
He's still got what it takes. Once a Doctor, always a Doctor. | 0:24:26 | 0:24:29 | |
So, with that time-travelling interlude, | 0:24:31 | 0:24:33 | |
day one of the road trip is done. Night-night. | 0:24:33 | 0:24:36 | |
I hope the Silurian bedbugs don't bite. | 0:24:36 | 0:24:39 | |
# Good morning, world It's a brand-new day... # | 0:24:44 | 0:24:47 | |
It's a new day on Celebrity Antiques Road Trip | 0:24:47 | 0:24:50 | |
and our two time-travelling celebrities | 0:24:50 | 0:24:53 | |
of yesteryear are catching up on yesterday. | 0:24:53 | 0:24:56 | |
We had a really good day. We bought five lots. What did you buy? | 0:24:56 | 0:25:00 | |
I'm not telling you. Go on! No. | 0:25:00 | 0:25:02 | |
Animal, vegetable or mineral? | 0:25:02 | 0:25:22 | |
And over in the MG, our antiques experts swap notes on their two new pals. | 0:25:23 | 0:25:28 | |
Peter does like to shop. Does he? Yeah. | 0:25:28 | 0:25:31 | |
He's a natural. He needs a bit of guiding. | 0:25:31 | 0:25:35 | |
He seems to like, um... | 0:25:35 | 0:25:37 | |
unsalable porcelain tea sets. | 0:25:37 | 0:25:39 | |
Excellent! | 0:25:39 | 0:25:41 | |
Both of them seem very happy. | 0:25:41 | 0:25:43 | |
Colin's a very nice fellow. | 0:25:43 | 0:25:45 | |
They're both, aren't they? Yeah. | 0:25:45 | 0:25:47 | |
They've seen it, they've done it. You can't teach them anything, can we? | 0:25:47 | 0:25:51 | |
Look at this! How kind of you to join us(!) | 0:25:54 | 0:25:56 | |
WILL: Well, do you know what? | 0:25:56 | 0:25:58 | |
We can't work it out. We can't work it out. | 0:25:58 | 0:26:00 | |
We don't know how you do it. | 0:26:00 | 0:26:02 | |
You always get everywhere we're going before us. | 0:26:02 | 0:26:04 | |
The secret's in the title - Time Lord! | 0:26:04 | 0:26:09 | |
Ah! | 0:26:09 | 0:26:10 | |
We have the mastery of time. | 0:26:10 | 0:26:32 | |
That's job done again! | 0:26:32 | 0:26:35 | |
James and Colin hardly shopped at all, | 0:26:35 | 0:26:37 | |
buying just the candle holder for ?20, | 0:26:37 | 0:26:40 | |
and have got a pocket-busting ?380 in their crisply ironed chinos. | 0:26:40 | 0:26:45 | |
Looks even better in the daylight. | 0:26:45 | 0:26:48 | |
Teamed up again, Peter and Will use the drive through the famous spa town of Malvern | 0:26:52 | 0:26:57 | |
to consider their rivals' progress. | 0:26:57 | 0:27:00 | |
I think Colin actually is sharper on the antiques than we think. | 0:27:00 | 0:27:04 | |
He's a good actor. | 0:27:04 | 0:27:05 | |
He is that. He is that. | 0:27:05 | 0:27:07 | |
I shouldn't say anything nice about him - he won't be saying anything nice about me. | 0:27:09 | 0:27:13 | |
And let battle recommence! | 0:27:13 | 0:27:16 | |
Oh, and a space - look at that! | 0:27:16 | 0:27:19 | |
Yes, and you can probably walk to the kerb from where you are. | 0:27:19 | 0:27:21 | |
I bet that's a rarity in Malvern. I bet it is. | 0:27:21 | 0:27:41 | |
It's the hardest bit, this bit. The browsing. | 0:27:41 | 0:27:43 | |
The looking. | 0:27:43 | 0:27:45 | |
Well, no-one said it would be easy. | 0:27:45 | 0:27:46 | |
Backgammon set. | 0:27:46 | 0:27:48 | |
Probably North African or something like that, do you think? | 0:27:48 | 0:27:51 | |
A little souvenir piece. | 0:27:51 | 0:27:53 | |
Satsuma ware, is it? Yes, I think it probably is, yeah. | 0:27:53 | 0:27:57 | |
Will is still struggling to point Peter away from the porcelain. | 0:27:57 | 0:28:00 | |
Walk on, Peter. Walk on. Walk on. | 0:28:00 | 0:28:02 | |
Yes, sorry. | 0:28:02 | 0:28:04 | |
Stopping at things we are not going to buy. | 0:28:04 | 0:28:06 | |
Hello, what are they? This could be trouble. | 0:28:11 | 0:28:14 | |
Ooh, look. | 0:28:15 | 0:28:17 | |
Jelly mould. Your Shelley jelly mould. | 0:28:18 | 0:28:20 | |
Yeah. | 0:28:20 | 0:28:21 | |
How much have they got on that? Can't see it. | 0:28:23 | 0:28:25 | |
68. | 0:28:25 | 0:28:27 | |
Really? That's an interesting one, with the... | 0:28:27 | 0:28:30 | |
And you've got some more down that end. | 0:28:30 | 0:28:48 | |
I don't think he is. | 0:28:48 | 0:28:50 | |
Shelley's Potteries, once known as Foley, were based in Staffordshire. | 0:28:50 | 0:28:54 | |
They were known for their fine porcelain, | 0:28:54 | 0:28:56 | |
with production peaking during the Art Deco period. | 0:28:56 | 0:28:58 | |
But not for moulds. | 0:28:58 | 0:29:01 | |
Go on, Peter, dive in. | 0:29:01 | 0:29:03 | |
There you are. Thank you very much. | 0:29:04 | 0:29:06 | |
It looks in very good condition. It does. | 0:29:07 | 0:29:10 | |
What's the total? | 0:29:10 | 0:29:12 | |
68. It's a lot of money, that. | 0:29:12 | 0:29:13 | |
What's your budget? | 0:29:13 | 0:29:15 | |
There's 116 here, | 0:29:15 | 0:29:17 | |
170, 180... | 0:29:17 | 0:29:19 | |
4. | 0:29:19 | 0:29:21 | |
184?! For the three. | 0:29:21 | 0:29:23 | |
Remember those moulds they saw yesterday? | 0:29:23 | 0:29:26 | |
They were ?20 a pop. | 0:29:26 | 0:29:28 | |
I suppose there is a market - kitchenalia, that sort of thing. | 0:29:28 | 0:29:31 | |
Yes, people will buy them. | 0:29:31 | 0:29:33 | |
Is Will warming to the moulds? | 0:29:33 | 0:29:36 | |
I'm not hugely aware of what the market is like for jelly moulds, | 0:29:36 | 0:29:40 | |
but of their type, they are nice ones. Yes. | 0:29:40 | 0:30:00 | |
How did you buy them? Where did you get them? | 0:30:00 | 0:30:02 | |
They came from a local house clearance. Did they? | 0:30:02 | 0:30:06 | |
We've got to try and turn a profit on these at auction. | 0:30:06 | 0:30:10 | |
Obviously, we don't want you to make a loss on them, but... | 0:30:10 | 0:30:13 | |
She's bought them well, Peter. | 0:30:13 | 0:30:15 | |
They've come out of a clearance. | 0:30:15 | 0:30:18 | |
You're probably already in profit for the whole clearance. Not really. | 0:30:18 | 0:30:21 | |
Um... | 0:30:21 | 0:30:23 | |
Shall we give you a figure that we were thinking of? Go on, then. | 0:30:23 | 0:30:26 | |
We were thinking of, maybe, for the three... | 0:30:27 | 0:30:29 | |
80 quid. | 0:30:29 | 0:30:31 | |
That's a trifling ?100 off the jelly moulds. | 0:30:31 | 0:30:34 | |
I was thinking more of ?100, really. | 0:30:36 | 0:30:38 | |
Hmm. | 0:30:38 | 0:30:42 | |
Hmm. Meet you halfway on that - 90? | 0:30:42 | 0:30:44 | |
Go on, then. Yeah. | 0:30:46 | 0:30:47 | |
Peter, you've done the deal, mate! | 0:30:47 | 0:30:49 | |
Peter's done the deal. | 0:30:49 | 0:30:50 | |
That's very nice from my point of view. That's lovely. | 0:30:50 | 0:31:10 | |
Definitely. Without a question. | 0:31:10 | 0:31:12 | |
And how does Will feel about his partner's work? | 0:31:12 | 0:31:16 | |
Well, Peter finally got his jelly moulds. | 0:31:16 | 0:31:18 | |
You know, he does seem to like his little sort of ceramic-y knick-knacks and so on, | 0:31:18 | 0:31:23 | |
and, well, the proof will be in the selling, won't it? | 0:31:23 | 0:31:26 | |
Hmm. Still, you're both in it together, aren't you? | 0:31:26 | 0:31:29 | |
Nothing to do with me, guv. It's all Peter. | 0:31:29 | 0:31:32 | |
Well, maybe not. | 0:31:32 | 0:31:34 | |
60, 80, 100. | 0:31:34 | 0:31:35 | |
That's a very nice deal. | 0:31:35 | 0:31:38 | |
Thank you very much. Not at all. Thank you, Bridget. | 0:31:38 | 0:31:41 | |
Over in the MG, also in Malvern, | 0:31:45 | 0:31:48 | |
James Braxton gives Colin a few insider tips. | 0:31:48 | 0:31:51 | |
The person whose shop it is | 0:31:51 | 0:31:53 | |
knows his stock a lot better than we do. | 0:31:53 | 0:31:55 | |
We want to buy something that's come from a house clearance. | 0:31:55 | 0:31:58 | |
It's been in a house for the last 30 or 40 years... Lovely. | 0:31:58 | 0:32:19 | |
You know your stock a lot better than we do. | 0:32:23 | 0:32:26 | |
Have you done any clearances recently? | 0:32:26 | 0:32:28 | |
Fresh goods, we're after. | 0:32:28 | 0:32:29 | |
We don't want to buy something everybody's seen. | 0:32:29 | 0:32:33 | |
You've got to put the work in. | 0:32:35 | 0:32:38 | |
You've got to walk around a couple of times. | 0:32:38 | 0:32:40 | |
Lovely item, that. 35 quid. | 0:32:40 | 0:32:43 | |
What? A chair. | 0:32:43 | 0:32:45 | |
That is an interesting item. | 0:32:45 | 0:32:47 | |
What on earth is this... | 0:32:47 | 0:32:49 | |
stoneware item here? | 0:32:49 | 0:32:51 | |
A chicken feeder. Put it out in the fields. | 0:32:51 | 0:32:53 | |
Chicken feed. | 0:32:53 | 0:32:55 | |
Made of? Stoneware. | 0:32:55 | 0:32:58 | |
It's salt-glazed. | 0:32:58 | 0:33:00 | |
Salt-glazed stonewares - | 0:33:00 | 0:33:02 | |
they're very often referred to as an orange-peel glaze. | 0:33:02 | 0:33:06 | |
Oh! | 0:33:06 | 0:33:07 | |
Chimney pots and things like that. | 0:33:07 | 0:33:28 | |
A particular variety or not? No. | 0:33:28 | 0:33:29 | |
Egg-laying ones. Egg-laying ones. | 0:33:29 | 0:33:32 | |
That certainly is an unusual item, isn't it? | 0:33:32 | 0:33:34 | |
It is funny. | 0:33:34 | 0:33:36 | |
He's trying to look casual, but I think James has taken a fancy to the chicken feeder. | 0:33:36 | 0:33:40 | |
Mark, what price would you put on this? | 0:33:41 | 0:33:44 | |
Think cheap, Mark. | 0:33:44 | 0:33:46 | |
Colin is the meanest man I think I have ever come across. | 0:33:46 | 0:33:49 | |
Colin, how would you price something like that? 20. | 0:33:49 | 0:33:53 | |
Ouch! It was priced at 75. | 0:33:53 | 0:33:56 | |
You can't have it for 20, I'm afraid. | 0:33:56 | 0:33:59 | |
Can't have it for 20? I'll do 22 and there we're... | 0:33:59 | 0:34:02 | |
The best I can do is ?40 on that, I'm afraid. | 0:34:02 | 0:34:06 | |
Back in your court, then, Colin. | 0:34:06 | 0:34:08 | |
I promised myself I wouldn't go above 25, but I'll do 30. | 0:34:08 | 0:34:11 | |
Really? That much? | 0:34:11 | 0:34:14 | |
I still won't bite, I'm afraid. | 0:34:14 | 0:34:16 | |
OK. Fair enough. | 0:34:16 | 0:34:18 | |
We'll pass on that, then. | 0:34:18 | 0:34:21 | |
I can see it now. Yes. | 0:34:21 | 0:34:39 | |
Very stylised. | 0:34:39 | 0:34:41 | |
It's quite nice. It gives a three-dimensional feel to it. | 0:34:41 | 0:34:44 | |
And this sort of opalescence. Yes. | 0:34:44 | 0:34:46 | |
Typical French. Typical French, isn't it? | 0:34:46 | 0:34:50 | |
The chap who sort of... | 0:34:50 | 0:34:52 | |
forefronted this was Lalique. | 0:34:52 | 0:34:56 | |
Good design, get somebody else to manufacture it | 0:34:56 | 0:34:59 | |
and then retail it. | 0:34:59 | 0:35:00 | |
Lalique bowls are very collectable. | 0:35:00 | 0:35:02 | |
This, however, is by Andre Hunebelle, | 0:35:02 | 0:35:05 | |
a less well-known glassmaker who became a film director. | 0:35:05 | 0:35:09 | |
How much have you got on that? 45. | 0:35:09 | 0:35:11 | |
You can have it for your 25 or your 20. | 0:35:13 | 0:35:16 | |
Ah! Ah! | 0:35:16 | 0:35:18 | |
I can feel him softening up a bit. | 0:35:18 | 0:35:22 | |
And Colin decides to pounce. | 0:35:22 | 0:35:25 | |
You wanted 35, you said, for that. | 0:35:25 | 0:35:28 | |
Wasn't it 35 you said? | 0:35:28 | 0:35:30 | |
I think I said 40, but...I will... | 0:35:30 | 0:35:49 | |
I thought you were in haggling mode! | 0:35:49 | 0:35:51 | |
No, no, we've already beaten him down. | 0:35:51 | 0:35:53 | |
That's very good. | 0:35:53 | 0:35:56 | |
That's the chicken feeder. Thank you. Done. | 0:35:56 | 0:35:58 | |
Thank you. Well done, Colin. | 0:35:58 | 0:36:00 | |
I think we've bought two very different objects. Yes. | 0:36:00 | 0:36:03 | |
For different people. | 0:36:03 | 0:36:05 | |
They won't be paying chicken feed for it either. | 0:36:05 | 0:36:07 | |
Well, if a joke works once... | 0:36:07 | 0:36:10 | |
Thank you very much. | 0:36:10 | 0:36:12 | |
Thanks a lot. Thank you very much. | 0:36:12 | 0:36:13 | |
Really kind. You've looked after us very well. Thank you. | 0:36:13 | 0:36:16 | |
With their shopping completed, Peter and Will are heading to Worcester. | 0:36:19 | 0:36:23 | |
And whereas Colin explored the world of science fiction, | 0:36:23 | 0:36:26 | |
Peter is looking into the history of science fact. | 0:36:26 | 0:36:30 | |
What about this, eh? Lovely. | 0:36:32 | 0:36:34 | |
Worcester has a rich medical history, | 0:36:34 | 0:36:36 | |
and has two museums of medicine. | 0:36:36 | 0:36:39 | |
One of them is housed in an old infirmary, | 0:36:39 | 0:36:59 | |
It was at a time when they were doing model hospitals. | 0:36:59 | 0:37:02 | |
So, as you can see from the design of it, | 0:37:02 | 0:37:04 | |
it had very large windows. | 0:37:04 | 0:37:06 | |
The beds were laid out in the form of Florence Nightingale's style. | 0:37:06 | 0:37:10 | |
The nurses could get up and down the... | 0:37:10 | 0:37:13 | |
The windows haven't changed, have they? The windows haven't changed. | 0:37:13 | 0:37:17 | |
So this is the actual room we're in? It is. | 0:37:17 | 0:37:19 | |
In fact, there you are! | 0:37:19 | 0:37:21 | |
I've slightly changed! | 0:37:21 | 0:37:23 | |
Aged well. | 0:37:23 | 0:37:25 | |
This really tells you about when medicine was starting up, | 0:37:25 | 0:37:29 | |
prior to...well, really in the 1700s. | 0:37:29 | 0:37:32 | |
So, before the 1800s, it was based on the four humours theory, | 0:37:32 | 0:37:36 | |
which were blood, bile - yellow bile, black bile - | 0:37:36 | 0:37:39 | |
and phlegm. | 0:37:39 | 0:37:41 | |
So that, if they thought you were perhaps a bit too red or had a fever, | 0:37:41 | 0:37:46 | |
they'd actually let your blood into the bowl here. | 0:37:46 | 0:37:49 | |
Cut you and let your blood. | 0:37:49 | 0:37:50 | |
I really hope you're not eating your tea at home. | 0:37:50 | 0:38:08 | |
Well, I suppose it probably is. | 0:38:08 | 0:38:10 | |
It's not quite gory enough, because funnily enough, | 0:38:10 | 0:38:13 | |
people that collect this sort of medical memorabilia | 0:38:13 | 0:38:16 | |
and so on, surgical equipment, | 0:38:16 | 0:38:18 | |
the sort of gorier the better, really. | 0:38:18 | 0:38:21 | |
Because the scarifiers and similar | 0:38:21 | 0:38:24 | |
that you actually use to cut the skin, there's a market for those. | 0:38:24 | 0:38:27 | |
Have you got any about here? | 0:38:27 | 0:38:28 | |
Not in this, no. | 0:38:28 | 0:38:30 | |
They do have some fairly gruesome exhibits, however. | 0:38:30 | 0:38:35 | |
So obviously, we've got a bone saw here. | 0:38:35 | 0:38:38 | |
Scalpel. Scalpel. | 0:38:38 | 0:38:40 | |
We've got a trephine, used for boring into the head | 0:38:40 | 0:38:44 | |
to relieve pressure on the brain. | 0:38:44 | 0:38:46 | |
A cauterising iron. | 0:38:46 | 0:38:48 | |
And the horsehair, used for stitching people up. | 0:38:48 | 0:38:52 | |
I didn't know they used horsehair for the stitching. | 0:38:52 | 0:38:55 | |
And the bones are examples of...? | 0:38:55 | 0:38:57 | |
Bones that were cut at that time? | 0:38:57 | 0:38:59 | |
Yes, it's a really interesting story behind these bones. | 0:38:59 | 0:39:20 | |
from the jail opposite and bring them in a tunnel | 0:39:20 | 0:39:24 | |
through to the infirmary, | 0:39:24 | 0:39:25 | |
so a very macabre story of carrying bodies underneath... | 0:39:25 | 0:39:29 | |
Research bodies for... Developing techniques. Yes. | 0:39:29 | 0:39:32 | |
An endless supply of... | 0:39:32 | 0:39:34 | |
Criminals. Oh, dear! | 0:39:34 | 0:39:37 | |
Well, they didn't really have enough bodies, | 0:39:37 | 0:39:40 | |
so that's where you get the Burke and Hare | 0:39:40 | 0:39:42 | |
and all that body-snatching, because they just didn't have enough bodies. | 0:39:42 | 0:39:47 | |
With its interactive keyhole surgery display, | 0:39:47 | 0:39:50 | |
the museum also marks some of the more recent developments | 0:39:50 | 0:39:54 | |
in medical technology, | 0:39:54 | 0:39:56 | |
so Peter finally gets to play the doctor. | 0:39:56 | 0:39:58 | |
Oh, crikey! | 0:39:58 | 0:39:59 | |
It's a lot more sensitive than you'd think. | 0:39:59 | 0:40:02 | |
I think you just severed an artery. | 0:40:02 | 0:40:04 | |
Now, you see, I nearly got that little bit. | 0:40:04 | 0:40:07 | |
Yes, you are doing very well, in fact, Peter. | 0:40:07 | 0:40:10 | |
Left a bit... | 0:40:10 | 0:40:29 | |
So how's the real Doctor getting on? | 0:40:29 | 0:40:32 | |
James and Colin are also on their way from Malvern to Worcester | 0:40:33 | 0:40:37 | |
and their final shop of the trip. | 0:40:37 | 0:40:38 | |
We now have three items. | 0:40:38 | 0:40:41 | |
Three items I would be happy to put my name to. | 0:40:41 | 0:40:44 | |
Yes, absolutely. | 0:40:44 | 0:40:46 | |
And we've got one more shop to go to. | 0:40:46 | 0:40:49 | |
So are we downhearted, James? | 0:40:49 | 0:40:51 | |
No, we're chipper! | 0:40:51 | 0:40:53 | |
We're chipper. We know we're going to find something. | 0:40:53 | 0:40:55 | |
That's the spirit! | 0:40:55 | 0:40:57 | |
We need a win. It's good for the soul. We do. | 0:40:59 | 0:41:02 | |
James and Colin's final shop is another place just packed full of desirable items. | 0:41:05 | 0:41:10 | |
It's like Aladdin's cave in here! | 0:41:10 | 0:41:12 | |
Unfortunately, not much of this is at a price the lads can afford. | 0:41:12 | 0:41:17 | |
?3,500. | 0:41:18 | 0:41:20 | |
Maybe not. | 0:41:20 | 0:41:38 | |
I'm slightly regretting passing that chair now, Colin. | 0:41:38 | 0:41:41 | |
Oh, dear! | 0:41:43 | 0:41:45 | |
Woe! | 0:41:45 | 0:41:47 | |
James decides that they might have better luck outside in the gardening section. | 0:41:47 | 0:41:51 | |
This is better out here, isn't it? | 0:41:53 | 0:41:55 | |
Bonaparte has a naive charm, doesn't he? | 0:41:55 | 0:41:58 | |
Naive? Definitely. | 0:41:58 | 0:42:01 | |
Charm? | 0:42:01 | 0:42:03 | |
Not so much. | 0:42:03 | 0:42:04 | |
Is Boney cheap? | 0:42:04 | 0:42:06 | |
Is he nice or is he hideous? | 0:42:06 | 0:42:08 | |
Would you like my opinion? | 0:42:08 | 0:42:10 | |
Is that the companion figure? Yes. | 0:42:10 | 0:42:12 | |
Let's have a look at her. | 0:42:12 | 0:42:14 | |
I quite like the pair. | 0:42:15 | 0:42:17 | |
Well, I never! | 0:42:18 | 0:42:20 | |
He's thinking of buying TWO of them! | 0:42:20 | 0:42:21 | |
Where do these come from, then? | 0:42:21 | 0:42:23 | |
We just bought from a house. | 0:42:23 | 0:42:26 | |
They were in the grounds of an old property. They're not old. | 0:42:26 | 0:42:29 | |
I'm going to bring the lady up to him. | 0:42:49 | 0:42:51 | |
And then we can view them at a proper height. | 0:42:51 | 0:42:54 | |
They are different. They're going to divide people. | 0:42:54 | 0:42:56 | |
You'll either love them or loathe them. | 0:42:56 | 0:42:58 | |
It's a "Not tonight, Josephine" from me. | 0:42:58 | 0:43:02 | |
Look at her face! | 0:43:02 | 0:43:04 | |
They're 150 the pair. | 0:43:04 | 0:43:05 | |
150? Yes. | 0:43:05 | 0:43:07 | |
It's a price thing, you see. | 0:43:07 | 0:43:09 | |
I don't think you'll get ?100 for them at auction. | 0:43:09 | 0:43:11 | |
75. That's cheap. | 0:43:11 | 0:43:13 | |
That's cheap for those. The pair? | 0:43:13 | 0:43:14 | |
The pair. | 0:43:14 | 0:43:16 | |
55 would be more my... | 0:43:16 | 0:43:18 | |
The measure of it. | 0:43:18 | 0:43:19 | |
It's giving me chest pains. | 0:43:19 | 0:43:22 | |
65, and I'm losing on those. | 0:43:22 | 0:43:25 | |
Actually losing money. | 0:43:25 | 0:43:26 | |
Now we've established you're prepared to lose money... | 0:43:26 | 0:43:29 | |
will you lose a little more? | 0:43:29 | 0:43:31 | |
LAUGHTER | 0:43:31 | 0:43:32 | |
Let's have some fun and have them at 60. | 0:43:32 | 0:43:35 | |
60, sir. 65. | 0:43:35 | 0:43:36 | |
65? Do you want to do it? Go on. | 0:43:36 | 0:43:39 | |
65. Well done. | 0:43:39 | 0:44:00 | |
Have you recovered from our visit? | 0:44:01 | 0:44:03 | |
That chair - is it still there? | 0:44:03 | 0:44:05 | |
Little nursing chair. | 0:44:05 | 0:44:06 | |
Walnut one, wasn't it? Yes. | 0:44:06 | 0:44:08 | |
With the nice feet. | 0:44:08 | 0:44:10 | |
Would you take 30 on it? | 0:44:10 | 0:44:11 | |
Really got to be 35, has it? | 0:44:13 | 0:44:14 | |
Mark, let me save you the grief - we would love it at 35. | 0:44:16 | 0:44:19 | |
Thank you very much indeed, Mark. | 0:44:19 | 0:44:21 | |
Cor! They made hard work of it, | 0:44:21 | 0:44:23 | |
but James and Colin's shopping is now done. | 0:44:23 | 0:44:25 | |
They join Peter and Will at the infirmary | 0:44:25 | 0:44:28 | |
to compare their wares. | 0:44:28 | 0:44:29 | |
Ooooh! | 0:44:31 | 0:44:32 | |
Oh, my goodness! | 0:44:32 | 0:44:35 | |
Goodness me! | 0:44:35 | 0:44:36 | |
Heavens to Betsy! | 0:44:36 | 0:44:38 | |
A lot of wood involved. There is. | 0:44:38 | 0:44:40 | |
I'll let Peter talk you through it. | 0:44:40 | 0:44:42 | |
What's that? | 0:44:42 | 0:44:43 | |
That's a candle box. | 0:44:43 | 0:44:44 | |
A candle box! What a novel idea(!) | 0:44:44 | 0:44:47 | |
And it's got the original staple hinges. | 0:44:47 | 0:45:07 | |
And they were actually priced quite high. | 0:45:07 | 0:45:08 | |
We managed to get those down to rather a nice price. | 0:45:08 | 0:45:12 | |
Shelley jelly moulds. Shelley jelly moulds. | 0:45:12 | 0:45:14 | |
That one's perfect. That one's perfect. | 0:45:14 | 0:45:18 | |
That's got the tiniest bit of damage on the side. | 0:45:18 | 0:45:21 | |
That was Peter's doing! | 0:45:21 | 0:45:22 | |
The lot there was... | 0:45:22 | 0:45:25 | |
?180? We didn't pay that, did we? No, we didn't. | 0:45:25 | 0:45:28 | |
We got them for 90. | 0:45:28 | 0:45:30 | |
Those three moulds? Those three. | 0:45:30 | 0:45:32 | |
Come on, then! I think...very good. | 0:45:32 | 0:45:35 | |
Well, it's a nice little mix, isn't it? | 0:45:35 | 0:45:37 | |
Nice variation. | 0:45:37 | 0:45:39 | |
Which one first? | 0:45:39 | 0:45:40 | |
Oh, I say! | 0:45:40 | 0:45:42 | |
Go, go, go! | 0:45:42 | 0:45:43 | |
Look what I've spotted at the front there! | 0:45:43 | 0:45:46 | |
Oh, yes! | 0:45:46 | 0:45:48 | |
Nice candle box again. | 0:45:48 | 0:45:49 | |
Is it a candle box? Yes. | 0:45:49 | 0:45:51 | |
Different one, with a sliding top. | 0:45:51 | 0:45:53 | |
Nice that they're different models. | 0:45:53 | 0:45:55 | |
That's a more... | 0:45:55 | 0:45:57 | |
Less rustic than ours. | 0:45:57 | 0:46:17 | |
Good work! You did well with that. | 0:46:17 | 0:46:19 | |
And WHAT are these horrors?! | 0:46:19 | 0:46:22 | |
I don't like those. | 0:46:22 | 0:46:23 | |
You either love them or hate them, don't you? | 0:46:23 | 0:46:26 | |
They are very mysterious. | 0:46:26 | 0:46:28 | |
Napoleon looks like... Oh, my days, look at her! | 0:46:28 | 0:46:31 | |
He looks like Spike Milligan. | 0:46:31 | 0:46:32 | |
SHE looks like Spike Milligan! | 0:46:32 | 0:46:35 | |
They may fall on deaf ears, those. | 0:46:35 | 0:46:37 | |
And the chair at the end. | 0:46:37 | 0:46:39 | |
Oh, yes, the last-minute chair. | 0:46:39 | 0:46:41 | |
Well, it's rather elegant. | 0:46:41 | 0:46:43 | |
WILL: You've gone for a piece of furniture. | 0:46:43 | 0:46:45 | |
We've gone for a piece of furniture - I don't know why. | 0:46:45 | 0:46:47 | |
It's lovely quality. It's walnut. Carved walnut. It's a nursing chair. | 0:46:47 | 0:46:51 | |
Did you do that stain? No, I left that to others. | 0:46:51 | 0:46:53 | |
But we bought it on price. | 0:46:53 | 0:46:57 | |
25 quid? Almost. | 0:46:57 | 0:46:59 | |
35. | 0:46:59 | 0:47:00 | |
I mean... | 0:47:00 | 0:47:02 | |
We say it all the time - how cheap is that? | 0:47:02 | 0:47:05 | |
Yes. For a piece of Victorian furniture. Look at those legs | 0:47:05 | 0:47:27 | |
What do they really think? | 0:47:27 | 0:47:29 | |
It'll be interesting, those jelly moulds. That's quite a price, ?90. | 0:47:29 | 0:47:32 | |
I was staggered when I heard that. | 0:47:32 | 0:47:34 | |
I mean, I clearly don't know the value of jelly moulds! | 0:47:34 | 0:47:38 | |
Even Shelley jelly moulds. | 0:47:38 | 0:47:40 | |
But I can't see them making money on those at auction. | 0:47:40 | 0:47:43 | |
Seeing those two gargoyles on the end, I think they're horrendous. | 0:47:43 | 0:47:46 | |
They're awful, aren't they? Absolutely horrendous. I wouldn't give those house room. | 0:47:46 | 0:47:50 | |
They could make...20 quid. If they're lucky. | 0:47:50 | 0:47:52 | |
All together, I wouldn't swap. | 0:47:52 | 0:47:55 | |
No. Nor would I. | 0:47:55 | 0:47:57 | |
So both teams approach the auction confident of victory. | 0:47:59 | 0:48:02 | |
For the sale, our celebrities and experts are travelling the 25 miles | 0:48:02 | 0:48:05 | |
from Worcester to Winchcombe. | 0:48:05 | 0:48:09 | |
What out of your lots do you think might struggle today? | 0:48:09 | 0:48:12 | |
Are you worried about any of them? Struggle?! | 0:48:12 | 0:48:14 | |
How DARE you! | 0:48:14 | 0:48:16 | |
My lots don't struggle! They don't walk, they don't run, they fly! | 0:48:16 | 0:48:36 | |
I'm going to smile very sweetly at everybody | 0:48:36 | 0:48:39 | |
and hope that I'm more appealing to them than you smiling very sweetly at them. | 0:48:39 | 0:48:44 | |
The auction house is British Bespoke Auctions in Winchcombe. | 0:48:52 | 0:48:56 | |
Before we get underway, auctioneer Nicholas Granger | 0:48:56 | 0:48:59 | |
casts his eye over the team's lots. | 0:48:59 | 0:49:02 | |
I quite like the terracotta heads of Napoleon. | 0:49:02 | 0:49:04 | |
They're quite stylised, a bit quirky, | 0:49:04 | 0:49:06 | |
They're quite stylised, a bit quirky, | 0:49:06 | 0:49:07 | |
and people like quirky things. Quirky things sell. | 0:49:07 | 0:49:09 | |
I like the Art Deco bowl. That's one of my favourite pieces. | 0:49:09 | 0:49:12 | |
I'm a great lover of Lalique, because Lalique's best bit has budgerigars on it. | 0:49:12 | 0:49:16 | |
As you can see, I quite like parrots. | 0:49:16 | 0:49:18 | |
So, Lalique-style, it's got a good chance. | 0:49:18 | 0:49:20 | |
Sadly, the expert opinion of the parrot was not recorded, | 0:49:22 | 0:49:25 | |
although he did think that Napoleon looked like a pretty boy. | 0:49:25 | 0:49:28 | |
spending ?175 on their five lots. | 0:49:48 | 0:49:51 | |
Now we've established you're prepared to lose money... | 0:49:51 | 0:49:54 | |
will you lose a little more? | 0:49:54 | 0:49:56 | |
Locals and internet bidders are ready | 0:49:56 | 0:49:58 | |
and profits made by our teams go to Children In Need, | 0:49:58 | 0:50:02 | |
so let's get on with it, shall we? | 0:50:02 | 0:50:04 | |
Good luck. Good luck. | 0:50:04 | 0:50:06 | |
First in the pecking order | 0:50:06 | 0:50:08 | |
is James and Colin's salt-glazed chicken feeder. | 0:50:08 | 0:50:11 | |
It's lovely, isn't it? | 0:50:11 | 0:50:13 | |
20 on the net we have straight away. | 0:50:13 | 0:50:16 | |
I'm looking for ?30. 32. Now looking for 35. | 0:50:16 | 0:50:18 | |
We're looking for ?35 on the internet. | 0:50:18 | 0:50:20 | |
35 we've got. And 8. I'm looking for 40. | 0:50:20 | 0:50:23 | |
?40 on the internet. | 0:50:23 | 0:50:24 | |
Come on! | 0:50:24 | 0:50:26 | |
We're looking for 42. I've got 40 on this. | 0:50:26 | 0:50:28 | |
Fair warning. | 0:50:28 | 0:50:30 | |
Are there no chickens here? | 0:50:30 | 0:50:31 | |
At ?40. Going once, twice... Sold. | 0:50:31 | 0:50:34 | |
That's ?5 more than they paid. | 0:50:34 | 0:50:37 | |
Not a bad start. | 0:50:37 | 0:50:39 | |
I can't believe it went for as little as that. | 0:50:39 | 0:50:58 | |
At 30 there, sir. At 30, with you. | 0:50:58 | 0:50:59 | |
?30 I've got. Looking for 32. | 0:50:59 | 0:51:02 | |
Do you have relatives here? No! If only! | 0:51:02 | 0:51:06 | |
At ?30. Fair warning at ?30. | 0:51:07 | 0:51:09 | |
Going once, twice, at ?30, to the room. | 0:51:09 | 0:51:12 | |
Peter and Will paid twice that. | 0:51:12 | 0:51:15 | |
The French apres Lalique bowl is next. | 0:51:18 | 0:51:21 | |
I wish I was allowed to bid. | 0:51:21 | 0:51:24 | |
Straight away, I'm looking for ?22 on that. 22 I've got. And 5. | 0:51:24 | 0:51:27 | |
Looking for 28. | 0:51:27 | 0:51:28 | |
28. Now I'm looking for 30. 30 I've got. | 0:51:28 | 0:51:31 | |
Looking for ?32 on this. | 0:51:31 | 0:51:32 | |
For ?32... I've got 30 on this. | 0:51:32 | 0:51:34 | |
Looking for ?32 in the room or at home. | 0:51:34 | 0:51:35 | |
It's worth hundreds! | 0:51:35 | 0:51:37 | |
It's worth hundreds, he says. We'll take his word for it, | 0:51:37 | 0:51:40 | |
but we've only got 30 | 0:51:40 | 0:51:42 | |
and we're looking for 32 now. | 0:51:42 | 0:51:43 | |
Great taste. | 0:51:43 | 0:51:45 | |
I'm looking for 35 now. | 0:51:45 | 0:51:47 | |
At ?32 with you, madam. | 0:51:47 | 0:51:49 | |
Oh, surely more than that! | 0:51:49 | 0:52:08 | |
Well done. | 0:52:08 | 0:52:09 | |
A profit's a profit. | 0:52:09 | 0:52:12 | |
Now, Peter and Will need to get going. | 0:52:12 | 0:52:15 | |
Will the joint grain scoop and candle box do it for them? | 0:52:15 | 0:52:19 | |
We travel back in time, ladies and gentlemen, with this one. | 0:52:19 | 0:52:22 | |
This is a 19th century candle box. | 0:52:22 | 0:52:26 | |
At ?45 we've got. | 0:52:26 | 0:52:28 | |
I'm looking for 48 on these two. | 0:52:28 | 0:52:30 | |
50 now. | 0:52:30 | 0:52:32 | |
I've got ?50 on these. | 0:52:32 | 0:52:33 | |
Looking for 52. And 5 we've got now, commission. | 0:52:33 | 0:52:36 | |
We need 60. | 0:52:36 | 0:52:38 | |
They know there's a better candle box coming later! | 0:52:38 | 0:52:40 | |
?55, going once, twice... | 0:52:40 | 0:52:43 | |
At ?55. | 0:52:43 | 0:52:45 | |
Sold for ?55, and bought for ?63. | 0:52:45 | 0:52:49 | |
The joint lot policy just doesn't pay off. | 0:52:49 | 0:52:52 | |
It's a shame. | 0:52:52 | 0:52:54 | |
Will James and Colin's candle box fare any better? | 0:52:55 | 0:52:59 | |
Commission bid on this. I'm looking for ?42. | 0:52:59 | 0:53:00 | |
Sold. | 0:53:00 | 0:53:18 | |
They've doubled their money there. | 0:53:18 | 0:53:20 | |
James and Colin are doing OK. | 0:53:20 | 0:53:22 | |
Well done, gentlemen. Well done. | 0:53:22 | 0:53:24 | |
The candle war is yours. | 0:53:24 | 0:53:26 | |
Peter and Will will need something to turn a profit. | 0:53:28 | 0:53:31 | |
Could the 19th-century needlework sampler do it for them? | 0:53:31 | 0:53:34 | |
We're looking for ?20 only on this. | 0:53:34 | 0:53:36 | |
20 on the net. We've got 20 bid straight away. | 0:53:36 | 0:53:39 | |
In the room now, we've got 22. | 0:53:39 | 0:53:40 | |
With you at 22 in the room. | 0:53:40 | 0:53:42 | |
At 22. 25, do we have? | 0:53:42 | 0:53:44 | |
And 5 on the internet. At 25. | 0:53:44 | 0:53:46 | |
And 30, sir? And 30 in the room. | 0:53:46 | 0:53:48 | |
And 2, sir? We'd like to go ?30. | 0:53:48 | 0:53:51 | |
32 on the net now. | 0:53:51 | 0:53:53 | |
And 5, sir? | 0:53:53 | 0:53:54 | |
At 35 in the room now. Looking for 38. | 0:53:54 | 0:53:57 | |
35, I'm going to sell, then. | 0:53:57 | 0:53:59 | |
At ?35, going once, twice, then. | 0:53:59 | 0:54:02 | |
At ?35 to the room. Sold. | 0:54:02 | 0:54:05 | |
Peter and Will are nought for four at the moment. | 0:54:05 | 0:54:07 | |
That's another painful loss. | 0:54:07 | 0:54:09 | |
This is very disappointing. | 0:54:09 | 0:54:27 | |
?30. At 30 here. And 2, sir? | 0:54:27 | 0:54:29 | |
And 5? | 0:54:29 | 0:54:31 | |
32 here with you, sir. | 0:54:31 | 0:54:33 | |
Looking for 35 elsewhere. | 0:54:33 | 0:54:35 | |
At ?35. I've got ?32 bid already. | 0:54:35 | 0:54:37 | |
Come on - it's lovely! | 0:54:37 | 0:54:39 | |
?32. Going once... And 5 over there. | 0:54:39 | 0:54:41 | |
CHEERING | 0:54:41 | 0:54:42 | |
5 on the net. | 0:54:42 | 0:54:44 | |
?35. | 0:54:44 | 0:54:45 | |
Obviously, the TARDIS is a bit slow. Took a bit of time to bid. | 0:54:45 | 0:54:48 | |
We've got 35. | 0:54:48 | 0:54:50 | |
And 38 bidding in the room. | 0:54:50 | 0:54:52 | |
38 in the room. We're looking for 40. | 0:54:52 | 0:54:53 | |
Just pull the plug! | 0:54:53 | 0:54:56 | |
Going once, twice at ?38. | 0:54:56 | 0:54:58 | |
Sold. | 0:54:58 | 0:55:00 | |
The last-minute purchase makes a last-minute profit, | 0:55:00 | 0:55:03 | |
although probably a small loss after auction costs. | 0:55:03 | 0:55:06 | |
A small loss is better than a big loss. | 0:55:06 | 0:55:09 | |
Could the student's microscope be the item that makes a profit | 0:55:11 | 0:55:14 | |
for Peter and Will? | 0:55:14 | 0:55:15 | |
Let's get it going at ?15. | 0:55:15 | 0:55:17 | |
Any takers at ?15 in the room or at home? At ?15. | 0:55:17 | 0:55:39 | |
I'm surprised. | 0:55:39 | 0:55:40 | |
?20, then. Going once, twice. At ?20. | 0:55:40 | 0:55:44 | |
Which is exactly what they paid for it. | 0:55:44 | 0:55:47 | |
I thought that would have made a bit more than 20 quid. | 0:55:48 | 0:55:51 | |
What do I know?! | 0:55:51 | 0:55:54 | |
Colin and James are doing well, | 0:55:56 | 0:55:58 | |
but this pair might be their Waterloo. | 0:55:58 | 0:56:00 | |
I can see at least three people out here who look just like that. | 0:56:00 | 0:56:04 | |
Start the bidding at ?40. They've got to be worth ?40. | 0:56:04 | 0:56:07 | |
At 40. At ?40. | 0:56:07 | 0:56:10 | |
Come on! What's wrong with you? | 0:56:10 | 0:56:12 | |
At ?40. At 30. | 0:56:12 | 0:56:14 | |
Let's start them off at ?30. | 0:56:14 | 0:56:15 | |
Have we got ?30? We're looking for 30, then. | 0:56:15 | 0:56:19 | |
At 30. | 0:56:19 | 0:56:20 | |
Let's start them off at 15, then. Got to be a giveaway at 15. | 0:56:20 | 0:56:23 | |
And all the hands go up. They all want them. | 0:56:23 | 0:56:26 | |
At 18. At 20. | 0:56:26 | 0:56:27 | |
Don't get carried away. | 0:56:27 | 0:56:29 | |
And 5. That's nothing - that's ?12.50 each. | 0:56:29 | 0:56:49 | |
Unlucky, gentlemen, unlucky. | 0:56:49 | 0:56:51 | |
That could work to our favour, Peter. | 0:56:51 | 0:56:54 | |
Finally, it's Peter's - | 0:56:56 | 0:56:57 | |
sorry, that should be Peter AND Will's - jelly moulds. | 0:56:57 | 0:57:00 | |
They need a big win here. | 0:57:00 | 0:57:02 | |
At ?40, a commission bid. | 0:57:02 | 0:57:04 | |
At ?40 I've got. | 0:57:04 | 0:57:06 | |
At 45. And 48. | 0:57:06 | 0:57:07 | |
And 50. ?50 we've got now. | 0:57:07 | 0:57:09 | |
At 50. We're looking for ?55. | 0:57:09 | 0:57:12 | |
We've got 50 here. We're looking for 55. | 0:57:12 | 0:57:14 | |
?50, going once, twice... | 0:57:14 | 0:57:16 | |
At ?50, the three Shelley jelly moulds. And sold. | 0:57:16 | 0:57:20 | |
I could try and put a positive spin on it, | 0:57:20 | 0:57:23 | |
but not one of Peter and Will's items made a profit. | 0:57:23 | 0:57:27 | |
You paid what? 90. | 0:57:27 | 0:57:29 | |
COLIN HOOTS WITH LAUGHTER | 0:57:29 | 0:57:31 | |
That's cheered him up! | 0:57:31 | 0:57:33 | |
Oh, dear! | 0:57:33 | 0:57:34 | |
Not a good day at auction, eh? | 0:57:34 | 0:57:36 | |
Peter and Will lost ?125.20 | 0:57:36 | 0:57:57 | |
Making them the winners. | 0:57:57 | 0:57:59 | |
I'd like to say...I'm not bitter. | 0:57:59 | 0:58:01 | |
Just a little bit twisted! | 0:58:03 | 0:58:05 | |
Just a little bit. | 0:58:05 | 0:58:06 | |
Before he gets any more ideas. | 0:58:06 | 0:58:08 | |
I could get used to this winning lark - it's rather good! | 0:58:08 | 0:58:11 | |
Very good. | 0:58:11 | 0:58:13 | |
Hooray! | 0:58:13 | 0:58:14 | |
Off we go! Cheerio, guys. | 0:58:15 | 0:58:17 | |
Colin and Peter... | 0:58:22 | 0:58:23 | |
Colin and Peter - lovely, lovely, lovely people. | 0:58:23 | 0:58:27 | |
We had a lovely day. | 0:58:27 | 0:58:28 | |
I've thoroughly enjoyed this. | 0:58:28 | 0:58:30 | |
It's been good seeing you again. It's been a brilliant three days. | 0:58:30 | 0:58:33 | |
Subtitles by Red Bee Media Ltd | 0:58:48 | 0:59:10 |