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Some of the nation's favourite celebrities. Why have I such expensive taste? | 0:00:03 | 0:00:08 | |
One antiques expert each. | 0:00:08 | 0:00:11 | |
And one big challenge: | 0:00:13 | 0:00:15 | |
who can seek out and buy the best antiques at the very best prices? | 0:00:15 | 0:00:20 | |
Answers on a postcard. | 0:00:20 | 0:00:22 | |
Oh! And auction for a big profit further down the road. | 0:00:22 | 0:00:26 | |
I say! He's an absolute shower! | 0:00:26 | 0:00:29 | |
Who will spot the good investments? Who will listen to advice? Like it? No. It's horrible. | 0:00:29 | 0:00:34 | |
And who will be the first to say, "Don't you know who I am?"? | 0:00:34 | 0:00:55 | |
two-thirds of much-loved 1970s comedy team The Goodies. | 0:00:55 | 0:00:59 | |
# Goodies! Goody goody yum yum... # | 0:00:59 | 0:01:02 | |
Most people concentrate on the giant kitten, I think, because it was in the opening titles. | 0:01:02 | 0:01:07 | |
So it pulls that down in every show. Yeah, yeah. | 0:01:07 | 0:01:12 | |
And they're just being kind and pretending they remember the series. | 0:01:16 | 0:01:21 | |
Oh, come, come! Don't be so modest. | 0:01:21 | 0:01:24 | |
These two have been chums and close collaborators for nigh on 50 years. | 0:01:24 | 0:01:28 | |
I like it. Glad to hear it, Tim. | 0:01:28 | 0:01:31 | |
# Tie a yellow gibbon round the old oak tree... # | 0:01:31 | 0:01:35 | |
With colleague Bill Oddie, they transformed the laughter landscape | 0:01:35 | 0:01:39 | |
with their trademark combination of surreal monkey business... | 0:01:39 | 0:01:43 | |
# Do, do, do the funky gibbon... # | 0:01:43 | 0:02:03 | |
Yes! | 0:02:03 | 0:02:05 | |
While many of The Goodies' signature comedy stunts relied on Tim's considerable talents | 0:02:05 | 0:02:11 | |
as a comic and actor. | 0:02:11 | 0:02:13 | |
An almost inseparable pair, they've also spent more than 40 years as panellists on BBC Radio Four's | 0:02:13 | 0:02:19 | |
chucklefest I'm Sorry, I Haven't A Clue. | 0:02:19 | 0:02:23 | |
Today our Goodies are driving a great British classic updated for the modern age, | 0:02:24 | 0:02:30 | |
the 1999 HMC Healey. | 0:02:30 | 0:02:32 | |
They're on their way to meet their opposite numbers. | 0:02:32 | 0:02:36 | |
They're the celebrities and we're the antiques. Yes. Oh, pish posh, Graeme! | 0:02:36 | 0:02:41 | |
But they are antiquarian maestros - Philip Serrell and Will Axon. | 0:02:41 | 0:02:46 | |
Philip is a Worcestershire auctioneer and Road Trip veteran | 0:02:46 | 0:02:50 | |
whose predilection for buying eccentric objects is, at this stage, well-established. | 0:02:50 | 0:03:13 | |
Well, he's not a woman! I'm loving these Miami palms. | 0:03:13 | 0:03:17 | |
I feel like Crockett and Tubbs. Who? Miami Vice! | 0:03:17 | 0:03:21 | |
Don't get carried away! This morning those two are piloting a scarlet stunner, | 0:03:21 | 0:03:26 | |
the 1969 Triumph Vitesse. | 0:03:26 | 0:03:29 | |
Where are you going? Do you know? I'm sorry, I haven't a clue! Ha! | 0:03:30 | 0:03:34 | |
Today's first stop will be in Paignton, Devon, | 0:03:34 | 0:03:38 | |
with both teams aiming for an auction in Cirencester, Gloucestershire. | 0:03:38 | 0:03:42 | |
The next two days will see them tour the southern county of Devon. | 0:03:42 | 0:03:47 | |
# Here comes the sun | 0:03:47 | 0:03:50 | |
# Here comes the sun I say it's all right... # | 0:03:50 | 0:03:54 | |
And the sunny summer weather certainly looks inviting. | 0:03:54 | 0:03:59 | |
# Sun, sun, sun, here it comes... # | 0:03:59 | 0:04:02 | |
Time for our celebrities to meet Phil and Will. | 0:04:02 | 0:04:24 | |
How are you? I'm Will. | 0:04:24 | 0:04:27 | |
Graeme, how are you? | 0:04:27 | 0:04:30 | |
Shall we let these two get on with it, Tim? I think so. Exactly. | 0:04:30 | 0:04:34 | |
Tim and Will face off against Graeme and Phil. | 0:04:37 | 0:04:41 | |
Both teams start with a freshly-pressed ?400 | 0:04:41 | 0:04:44 | |
so let's get the show on the road. | 0:04:44 | 0:04:47 | |
And they're off! Here we go. | 0:04:47 | 0:04:50 | |
Handbrake. Well, sort of. You say when. When. Oh! | 0:04:50 | 0:04:55 | |
HORN BLOWS Careful, Will. | 0:04:55 | 0:04:57 | |
Always best to look in the wing mirror! Having narrowly cheated death once again, they're motoring on | 0:04:57 | 0:05:04 | |
in their newly-formed twosomes. | 0:05:04 | 0:05:07 | |
Well, Tim, my partner for this Road Trip. Winning partner. | 0:05:07 | 0:05:11 | |
I was going to ask if you were competitive, but you want to beat Graeme? Yes. We want to, well... | 0:05:11 | 0:05:35 | |
The social history context. Exactly. | 0:05:35 | 0:05:38 | |
Ideal. | 0:05:38 | 0:05:40 | |
Will and Tim are headed for the town of Totnes. | 0:05:40 | 0:05:45 | |
Totnes is a bustling market town which celebrated the 800th anniversary of its Royal Charter | 0:05:45 | 0:05:51 | |
in 2006. Tim and Will are parking up | 0:05:51 | 0:05:56 | |
and heading off into their first shop of the day, the decisively named Not Made In China. Ha! | 0:05:56 | 0:06:02 | |
They're meeting a dealer, James. Hello, James. Hello there. | 0:06:02 | 0:06:06 | |
I'm Tim. How do you do? And he'll introduce himself. | 0:06:06 | 0:06:11 | |
Hello, I'm Will. Hello, Will. | 0:06:11 | 0:06:13 | |
Just have a quick scan, see if anything catches your eye. | 0:06:13 | 0:06:17 | |
This clock is fairly... That is very showy, isn't it? | 0:06:17 | 0:06:21 | |
I quite like the jaunty hat on that bear. Yes, the smoking cap. | 0:06:23 | 0:06:42 | |
That is an original little oil. | 0:06:42 | 0:06:44 | |
Bit of art glass. I've just remembered I've got this hat on. | 0:06:44 | 0:06:49 | |
I wasn't going to mention it. I thought it suited you rather well. | 0:06:49 | 0:06:53 | |
That would be where we hang the pendulum. But time is ticking on. You'll have to settle on something. | 0:06:53 | 0:07:00 | |
Ah! What is that? What is it? A little sort of... It's a warmer. | 0:07:00 | 0:07:05 | |
OK. Originally, the top would have unscrewed and you'd put coals in it. | 0:07:05 | 0:07:10 | |
Oh, for your carriage. A little carriage footwarmer. For a picnic or something. | 0:07:10 | 0:07:15 | |
It's quite interesting. Are you liking that? Yeah. | 0:07:15 | 0:07:19 | |
It's campaign, I suppose. Campaign is a good word. | 0:07:19 | 0:07:24 | |
It's a nice word. It certainly is! | 0:07:24 | 0:07:26 | |
Campaign items are designed for travel and were popular in the 18th and 19th centuries. | 0:07:26 | 0:07:34 | |
This is a little warming stool, decorated in an Indian style. | 0:07:34 | 0:07:51 | |
18 whole pounds. It would be nice to buy something. That's got ?15 written all over it. | 0:07:51 | 0:07:58 | |
OK. Look at that! Deal. I'm left holding the propeller. | 0:07:58 | 0:08:02 | |
Good work, fella. So they've got the so-called campaign stool for ?15 and this contest is up and running. | 0:08:02 | 0:08:09 | |
Hello, hello. | 0:08:09 | 0:08:12 | |
Meanwhile, Graeme and Phil are in the car and on the way to their own first shop. | 0:08:12 | 0:08:17 | |
Well, sir, have you got a plan? | 0:08:17 | 0:08:20 | |
I think I'm going to buy some very expensive things very cheaply. | 0:08:20 | 0:08:24 | |
I think you've got the measure of this game, Graeme. I was discussing this with Tim in the car. Yeah? | 0:08:24 | 0:08:31 | |
And I gave him a bit of advice. I said, "Here's a tip, Tim. Always pay the asking price." | 0:08:31 | 0:08:37 | |
Or a little bit more. People like generous people. That's it. | 0:08:37 | 0:08:42 | |
Do you think he believed you? I think he did. All he has to do is convince Will. | 0:08:42 | 0:09:02 | |
Yeah. He looks like he should be buying a silver spoon. Something that slips easily into a pocket. | 0:09:02 | 0:09:09 | |
Oh, really? | 0:09:09 | 0:09:11 | |
But to matters at hand... Where are we going?! | 0:09:11 | 0:09:14 | |
They're heading for the Devon town of Salcombe. | 0:09:14 | 0:09:18 | |
We should go round the harbour and try to find a boat. No, you jolly well should not, | 0:09:18 | 0:09:24 | |
though Salcombe's lovely waterfront has ensured it's always been a sailing town. | 0:09:24 | 0:09:30 | |
Graeme and Philip are cruising off into Mo Logan Antiques and meeting the proprietress, | 0:09:30 | 0:09:36 | |
who oddly enough is called Mo. Hello! Hi. Hello, hello. | 0:09:36 | 0:09:41 | |
Make yourselves at home. | 0:09:41 | 0:09:43 | |
Quick as a flash, Phil's spotted something and as usual it is something large and heavy. | 0:09:43 | 0:09:50 | |
Can I pull this out? Yeah, it's really heavy. Is it? | 0:09:50 | 0:10:13 | |
Who buys columns? Well, I think it would be... It's a good decorator's lot. | 0:10:13 | 0:10:19 | |
Yes. I could see that in the corner of a really trendy bathroom. | 0:10:19 | 0:10:24 | |
Nice head, a marble head. You can't beat a good bust. Hey, steady! | 0:10:24 | 0:10:32 | |
What's the ticket price on that? 195. | 0:10:32 | 0:10:34 | |
Can we have a think about that? Can we put that one by? Yeah. It's not going anywhere. It isn't! | 0:10:35 | 0:10:41 | |
Ah! Another hat! They never can resist. | 0:10:45 | 0:10:49 | |
Am I modelling this? Yeah. | 0:10:49 | 0:10:51 | |
Do you think that's me? Yeah. No, I think this is just a bit too much for me, really. | 0:10:51 | 0:10:57 | |
It does look a bit small. It does him no favours, does it? | 0:10:57 | 0:11:01 | |
That's just not his colour! | 0:11:01 | 0:11:20 | |
They're totally asymmetrical. That doesn't help them, does it? No. No. | 0:11:20 | 0:11:26 | |
Again, these iron railings are right up Phil's street, but Graeme's willing to go along with him | 0:11:26 | 0:11:32 | |
on them and the wooden pedestal. | 0:11:32 | 0:11:35 | |
What sort of price does Philip think they need to be? | 0:11:35 | 0:11:39 | |
We'd like to try and get ?80 for them. For these? 20 and 60. | 0:11:39 | 0:11:43 | |
Mm, blimey. That's a very substantial discount on the combined ticket price of ?270. | 0:11:43 | 0:11:50 | |
But perhaps Mo is keen to see the back of these weighty items, with any luck. | 0:11:50 | 0:11:55 | |
Would ?80 buy the two of them? Em... That puts this at 60 and those at 20. | 0:11:55 | 0:12:01 | |
Yeah, I can... They're quite heavy things for people to buy on holiday. | 0:12:01 | 0:12:06 | |
That's not going to go in the boot of your car. So I would be happy to do that. What do you think? | 0:12:06 | 0:12:12 | |
Think we should buy those? All right. You buy that, I'll buy them. We'll see who does best. | 0:12:12 | 0:12:29 | |
Hopefully, they'll be a sound buy. | 0:12:29 | 0:12:32 | |
The sole purpose of this programme is to make a profit. It's actually to make a fool of him. | 0:12:32 | 0:12:37 | |
I don't need any help in that! Ain't that the truth? | 0:12:37 | 0:12:41 | |
Now Tim and Will are in the Healey and racing off to the next shop. | 0:12:42 | 0:12:47 | |
Will's keen to ask about Tim's 50 years of friendship with Graeme. | 0:12:47 | 0:12:51 | |
Now what about Graeme? He comes across to me as a very intelligent man, very broad knowledge. | 0:12:51 | 0:12:58 | |
That's a very good description of him. He's quite a quiet man. He is. | 0:12:58 | 0:13:02 | |
It could be infuriating. You get nothing out of him. | 0:13:02 | 0:13:07 | |
Suddenly, he'd come up with the best idea of the lot. Worth waiting for. | 0:13:07 | 0:13:12 | |
They're aiming for the town of Dartmouth. | 0:13:12 | 0:13:16 | |
Every year since 1834, the lovely River Dart has played host to Dartmouth Royal Regatta. | 0:13:16 | 0:13:42 | |
What about art? Do you like art? I do, but it's a very personal thing. It is. | 0:13:42 | 0:13:48 | |
So I'm choosing something I want. Mind you, I like that. | 0:13:48 | 0:13:53 | |
It's a nautical scene, painted by the late-19th, early-20th century artist William Matthew Hale. | 0:13:53 | 0:14:00 | |
Ticket price is ?145. | 0:14:00 | 0:14:02 | |
I quite like that. Is that a possible? I think it's a possible. | 0:14:04 | 0:14:09 | |
OK, that's a possible. Well, Tim likes it. It's his pick. They make a note and browse on. | 0:14:09 | 0:14:15 | |
Tricky little things that nobody else sees. Exactly. | 0:14:15 | 0:14:20 | |
And something on the other side of the shop has really struck them. | 0:14:20 | 0:14:24 | |
Blimey! Look at that. We used to have those when I was a lad! | 0:14:24 | 0:14:29 | |
I remember it well, Tim! | 0:14:29 | 0:14:31 | |
It's a carved club, clearly fashioned of English ash. | 0:14:31 | 0:14:53 | |
# Anything any time... # Oh, so you did! | 0:14:53 | 0:14:57 | |
It's got a great weight to it. | 0:14:57 | 0:15:00 | |
Yeah! | 0:15:00 | 0:15:01 | |
People do like wood and I suppose you could call it treen. | 0:15:01 | 0:15:07 | |
It seems a bit out of our league, but... Yeah, it's a little pricey. | 0:15:07 | 0:15:12 | |
And there's one more item they reckon might see a profit. | 0:15:12 | 0:15:16 | |
Ooh. | 0:15:16 | 0:15:18 | |
You could almost become admiral, couldn't you? What does it say? | 0:15:18 | 0:15:22 | |
A stalker telescope. | 0:15:22 | 0:15:24 | |
Hang on. This looks like it's going to... You might need help here. | 0:15:24 | 0:15:29 | |
It's a 19th-century, four-draw telescope designed for use when deerstalking | 0:15:29 | 0:15:35 | |
on some heathery Victorian moor. Ticket price on that one is a substantial ?175. | 0:15:35 | 0:16:02 | |
while they're only holding ?385, cash. | 0:16:02 | 0:16:07 | |
They're going to have to get a super deal for all three. Watch out. | 0:16:07 | 0:16:11 | |
I mean, if we could get all of them for 100 quid each. | 0:16:11 | 0:16:15 | |
300 quid? Yeah, actually, that does make sense. | 0:16:15 | 0:16:19 | |
Time to ambush dealer Nick. | 0:16:19 | 0:16:22 | |
We found three items. Yep. The picture we were taken by. Yeah, the oil. | 0:16:22 | 0:16:28 | |
The Goodies-esque club. Yeah. Cudgel. | 0:16:28 | 0:16:32 | |
And the telescope. Give us your very best prices on them. | 0:16:32 | 0:16:36 | |
And we'll see... What's on the picture? | 0:16:36 | 0:16:40 | |
145. So you're looking at about 110 on that. | 0:16:40 | 0:16:45 | |
The club, really I'd need to get 100 for that. | 0:16:45 | 0:16:50 | |
OK. OK? | 0:16:50 | 0:17:10 | |
OK. | 0:17:10 | 0:17:11 | |
One of your telescopes has got 175 on it. I've had a really cheeky offer of 100. | 0:17:11 | 0:17:18 | |
Huh. Doesn't sound like JJ's biting. | 0:17:18 | 0:17:21 | |
No. 110. | 0:17:21 | 0:17:24 | |
JJ, would you take 110 on the telescope? Whoever it is, it's 130. | 0:17:24 | 0:17:29 | |
OK, all right. Thanks, JJ. Cheers. Bye. | 0:17:30 | 0:17:34 | |
So the telescope's stuck at ?130, but could Nick come down a little further on the painting? | 0:17:34 | 0:17:40 | |
If that could be 100, a straight 100. Yep. Yeah? Yeah. | 0:17:40 | 0:17:44 | |
That's 100 and that's 130. | 0:17:44 | 0:17:48 | |
So that's 330. | 0:17:49 | 0:17:50 | |
We've got to spend it somewhere, haven't we? But what if tomorrow we suddenly find the ideal thing? | 0:17:50 | 0:17:57 | |
But what if you don't? This is true. | 0:17:57 | 0:17:59 | |
Could the club come down any further? What about if it's 70? Does that help you at all? | 0:17:59 | 0:18:20 | |
So they pay ?100 for the painting, ?130 for the telescope and ?70 for the club. | 0:18:20 | 0:18:27 | |
That's ?300 the lot. | 0:18:27 | 0:18:29 | |
That's a nice deal, but they've blown the great majority of their budget. | 0:18:29 | 0:18:34 | |
Some very confident buying there, chaps. Let's hope it pays off. | 0:18:34 | 0:18:39 | |
Thanks. Cheers. | 0:18:39 | 0:18:41 | |
Graeme and Phil meanwhile are driving to the outskirts of Salcombe | 0:18:41 | 0:18:46 | |
where they're visiting a local National Trust property that commemorates the life | 0:18:47 | 0:18:53 | |
of its last private owner. He was an inventor and great British eccentric in the classic mould | 0:18:53 | 0:18:59 | |
by the marvellous name of Otto Overbeck. | 0:18:59 | 0:19:04 | |
Otto gave life to several inventive innovations, | 0:19:09 | 0:19:29 | |
So it will be certainly interesting to see what his take is. | 0:19:29 | 0:19:33 | |
These trees could do with a trim. Always the critic, Philip! They're meeting guide Malcolm Wesley. | 0:19:33 | 0:19:40 | |
Hello. Welcome to Overbeck's. Thank you. Very pleased to meet you both. Hi, I'm Phil. | 0:19:40 | 0:19:45 | |
Overbeck owned this house from 1928 until his death in 1937. | 0:19:46 | 0:19:52 | |
Although hailing from a relatively modest family, the curious and learned Otto managed to amass | 0:19:52 | 0:19:57 | |
a fortune large enough to acquire this grand property. | 0:19:57 | 0:20:01 | |
Do come on through. | 0:20:01 | 0:20:03 | |
Otto was in his 60s before one of his inventions finally took off commercially. | 0:20:03 | 0:20:09 | |
In the 1920s, when he was about 64, he was suffering from chronic kidney pain. | 0:20:09 | 0:20:14 | |
And he turned to the field of electrotherapy and that led to the development of a product | 0:20:14 | 0:20:42 | |
Otto's actual invention is this comb device and he filed the patent for that in 1924. | 0:20:42 | 0:20:48 | |
In another room, we've actually got a working model. Fascinated. | 0:20:48 | 0:20:53 | |
Malcolm has an original instruction card that lists the conditions the device claimed to treat. | 0:20:53 | 0:20:59 | |
Basically, if you've heard of it, it's on this list. There's certainly all the nervous conditions | 0:20:59 | 0:21:05 | |
and neurological conditions. Yeah. Anaemia, Asthma. | 0:21:05 | 0:21:10 | |
Do you get chilblains any more? No, they've gone. | 0:21:10 | 0:21:14 | |
And then on the reverse of the card he actually shows in this diagram how it interacts with the brain. | 0:21:14 | 0:21:20 | |
Otto had an electrical theory which he felt explained how it worked. | 0:21:20 | 0:21:25 | |
What he said was terribly important was maintaining a balance between the negative electricity | 0:21:25 | 0:21:48 | |
Speaking of which, let's electrocute Philip! Malcolm is the technician. | 0:21:48 | 0:21:54 | |
It's not going to do you any harm. You've got no hair. He's got no hair! It cures constipation and insomnia? | 0:21:54 | 0:22:01 | |
Apparently so. OK, give it a go, then. OK, you take those two. | 0:22:01 | 0:22:04 | |
Oh, I do it? Oh, yes. I'll take your coat. What are you laughing at? | 0:22:04 | 0:22:09 | |
Nothing...yet. | 0:22:09 | 0:22:11 | |
Can I ask just one question? Yes. Where is the nearest lavatory? Just in case it works very quickly. | 0:22:11 | 0:22:18 | |
Round the corner. That corner? Don;t fall asleep on the way. Ready? | 0:22:18 | 0:22:22 | |
There you are. Do you feel that? Oh...I'll be back in a minute. | 0:22:24 | 0:22:29 | |
Well, he doesn't look very rejuvenated! | 0:22:29 | 0:22:33 | |
But what's trained medic Graeme's verdict? | 0:22:33 | 0:22:37 | |
I'm not sure about the negative and the positive electrical balance. | 0:22:37 | 0:22:59 | |
One is the stimulators that the Victorians had as toys. | 0:22:59 | 0:23:04 | |
Yes. And the other was the fad for rejuvenation, which happened in the 1920s and '30s. Right. | 0:23:04 | 0:23:10 | |
People like Gaylord Wilshire of Wilshire Boulevard. | 0:23:10 | 0:23:14 | |
His thing was Ionico, which was a magnetic belt. OK. That's how he made his fortune, | 0:23:14 | 0:23:20 | |
like Overbeck here made his fortune with this one. Gaylord Wilshire, eh? | 0:23:20 | 0:23:27 | |
Graeme, you truly are a font of knowledge. | 0:23:27 | 0:23:31 | |
It is a wonderful example of the sort of eccentric | 0:23:31 | 0:23:35 | |
that came out in that time in this country, somebody with an idea. He must have believed in it, | 0:23:35 | 0:23:42 | |
that in some way it worked for him. Yes, I think that's right. | 0:23:42 | 0:23:47 | |
It's very ingenious. And it's the way eccentricity leads to strange forms of creativity. | 0:23:47 | 0:24:08 | |
Night night, chaps. | 0:24:08 | 0:24:10 | |
But you just can't keep a Goodie man down and the sunny morning greets all four of them | 0:24:13 | 0:24:19 | |
back on the road and raring to go. | 0:24:19 | 0:24:21 | |
Another sunny day! Gorgeous, isn't it? There's nothing like England in the sun, or Britain in the sun. | 0:24:21 | 0:24:28 | |
Yeah. | 0:24:28 | 0:24:30 | |
COUGHS Idyllic(!) | 0:24:30 | 0:24:32 | |
But the drive's sent Graeme and Tim wandering down memory lane. | 0:24:32 | 0:24:36 | |
It takes you back to the Goodies filming here. I remember once when Bill arrived late in the morning | 0:24:36 | 0:24:43 | |
to say he had just seen whatever it was in a reserve. | 0:24:43 | 0:24:49 | |
Bill quote often used to arrange our locations around his birdwatching interests, didn't he? | 0:24:49 | 0:24:56 | |
Yes. He'd get the producer to go somewhere where he'd see a very interesting small grey bird. | 0:24:56 | 0:25:17 | |
You buy that, I'll buy them, see who does best. We're on the same team! | 0:25:17 | 0:25:21 | |
Whilst Tim and Will have been significantly more scattercash, | 0:25:21 | 0:25:27 | |
spending a whopping ?315 on four lots. | 0:25:27 | 0:25:30 | |
The warming stool, | 0:25:30 | 0:25:33 | |
the nautical painting, | 0:25:33 | 0:25:36 | |
the wooden club and the stalker's telescope. | 0:25:36 | 0:25:39 | |
Where are you taking me, Will? This is one of my favourite lay-bys. | 0:25:39 | 0:25:44 | |
That's why it's always so busy. How lovely! They're heading to meet Tim and Graeme. | 0:25:44 | 0:25:50 | |
They're good value, those two. They've been working together now for 40-odd years. | 0:25:50 | 0:25:56 | |
Can you imagine us pootling about in a Triumph Vitesse in 40 years'? I can't see that happening. | 0:25:56 | 0:26:02 | |
We might be wandering in circles wondering what we're doing. So completely different from now(!) | 0:26:02 | 0:26:27 | |
which was once home to the Monster Raving Loony Party. | 0:26:27 | 0:26:31 | |
What better place for our madcap duos to get back on the hunt? Tim's got the hang of that car now. | 0:26:31 | 0:26:37 | |
He has indeed. I hope the brakes work! | 0:26:37 | 0:26:40 | |
How are we? Terrific. We've just been badmouthing both of you. | 0:26:40 | 0:26:45 | |
I don't feel so bad about us badmouthing you now. | 0:26:45 | 0:26:50 | |
Good to see you again. Morning, Phil. | 0:26:50 | 0:26:53 | |
Tim and Will are heading into their first shop of the day, Etc Etc. | 0:26:54 | 0:27:00 | |
That's the name of the shop. They're meeting dealer Robert. Hi. Hi, Robert. Will. | 0:27:00 | 0:27:06 | |
Lovely shop you have here. Thanks. Is it OK to have a wander? There's more upstairs. | 0:27:06 | 0:27:12 | |
Indeed there is. There's plenty to keep them occupied. | 0:27:12 | 0:27:16 | |
It feels like one of those programmes about properties. Heaven forfend! | 0:27:16 | 0:27:37 | |
It's not big enough! | 0:27:37 | 0:27:40 | |
Tell me about it, Tim. Remembering the telescope they bought yesterday, | 0:27:41 | 0:27:46 | |
they've spotted a walking stick topped with an antler handle | 0:27:46 | 0:27:51 | |
and are thinking of combining them into a job lot. The stick's ticketed at ?30. | 0:27:51 | 0:27:57 | |
At that sort of money, we could knock him down. If it doesn't eat too much of our budget... | 0:27:57 | 0:28:03 | |
It's not "deer". Oh, dear. Leave it alone. Boom-boom-tish! | 0:28:03 | 0:28:08 | |
Anyone got a trombone? | 0:28:08 | 0:28:10 | |
What did you have for breakfast?! | 0:28:10 | 0:28:13 | |
Speaking of country life, they've soon spotted something else with a strong flavour of the bucolic. | 0:28:13 | 0:28:18 | |
Oh, look at that. It does look rather splendid. A pitchfork. | 0:28:18 | 0:28:23 | |
I do like that, actually. Yeah. | 0:28:23 | 0:28:26 | |
Do you think this mark here...? It looks Japanese. Yeah. | 0:28:26 | 0:28:45 | |
So it's almost... That's one of our possibilities. Maybes. | 0:28:45 | 0:28:50 | |
Best get downstairs and speak to Robert. Look what we found. | 0:28:50 | 0:28:54 | |
Hurry up, chaps. Here comes trouble. | 0:28:54 | 0:28:57 | |
You come near us...! Out you go! | 0:28:57 | 0:29:01 | |
It's a great shop. Where are you shopping? Tesco's. | 0:29:01 | 0:29:06 | |
Ah, Phil, other supermarkets are available. | 0:29:06 | 0:29:09 | |
We were told you were coming, so we picked up the nearest things. A bit of misdirection there, Tim. | 0:29:09 | 0:29:15 | |
But Phil's already spotted something that's taken his eye. | 0:29:15 | 0:29:20 | |
(Do you like that light?) | 0:29:20 | 0:29:23 | |
How much do you think...? But before he can do anything about it... | 0:29:25 | 0:29:29 | |
Are you going to leave us to it? We'll be back. See you in a while. | 0:29:29 | 0:29:33 | |
If they say, "What's the best?", double it. Then add a nought. | 0:29:33 | 0:29:55 | |
Lucky that comes to ?85! But everyone knows you'll be kind and do us a bit of a deal. | 0:29:55 | 0:30:02 | |
I'm never known for my kindness. Oh, dear! | 0:30:02 | 0:30:06 | |
I may be able to help a little bit. I will do it for 40. It doesn't belong to me so I don't rally care! | 0:30:06 | 0:30:13 | |
I don't know... I'm warming to him! | 0:30:13 | 0:30:18 | |
So that could be 40 and this one can be 20. That's ?60 the two. | 0:30:18 | 0:30:22 | |
So we've got 25 quid to spend on women and wine and song. | 0:30:22 | 0:30:27 | |
Not on my watch, sonny! That's Road Trip cash. | 0:30:27 | 0:30:31 | |
But they've secured a good deal on the stick and pitchfork. | 0:30:31 | 0:30:35 | |
Rob, it's been really kind of you to have us. Thank you. Good luck. | 0:30:35 | 0:30:39 | |
Meanwhile, Graeme and Philip have wandered over to another shop, The Shambles. | 0:30:41 | 0:30:46 | |
Let's hope they're anything but as they meet dealer Paula. | 0:30:46 | 0:31:06 | |
She's a big, strong girl. Hey, watch your hands there, Phil. Honestly. | 0:31:06 | 0:31:11 | |
Do you like that? Stand behind it and put your head over the... | 0:31:11 | 0:31:17 | |
But he's soon spotted another item which also takes his fancy. | 0:31:18 | 0:31:23 | |
What would you pay for that? | 0:31:23 | 0:31:25 | |
I would only pay about a fiver for that. OK. | 0:31:25 | 0:31:29 | |
That's 53 quid too much money. That's ?58. I think that's quite a cool chair. | 0:31:29 | 0:31:35 | |
It is. You wouldn't sit on it, though. Not without a lot of work. | 0:31:35 | 0:31:40 | |
Mm. I'm not sure Graeme's convinced. | 0:31:40 | 0:31:43 | |
How old is that? | 0:31:43 | 0:31:46 | |
That's a very awkward question! | 0:31:46 | 0:31:49 | |
It's trying to be regency. But I don't think it is. | 0:31:49 | 0:31:52 | |
It's a wrought-iron garden chair, modelled in the regency style of the early 19th century, | 0:31:52 | 0:32:14 | |
Graeme... Your heart is set on this, isn't it? | 0:32:14 | 0:32:17 | |
Have a seat. Sit down. Now tell me your problems. Very good. | 0:32:17 | 0:32:22 | |
Yeah. Tell me what colour my back is when I get up. | 0:32:22 | 0:32:26 | |
It's like a criss-cross. No, it's a good garden chair. | 0:32:27 | 0:32:31 | |
What's that one? You've got 58 on it. | 0:32:31 | 0:32:35 | |
The very best to you would be 45. Phil definitely seems to see something in it that Graeme doesn't, | 0:32:35 | 0:32:42 | |
but again Graeme's willing to trust him. Now, discount? | 0:32:42 | 0:32:46 | |
Can I give you 30 quid for it? No, you can't! We said 45. 40 would be the best. | 0:32:46 | 0:32:51 | |
What do you reckon? Worth it? | 0:32:51 | 0:32:54 | |
Do you think it'll do all right? I think it should. She would say that. | 0:32:54 | 0:32:58 | |
Lovely. Thank you very much. Deal done, then, at ?40. | 0:32:58 | 0:33:03 | |
Thank you. Bye-bye now. But that buy seems to have put the scent of bargains in their nostrils. | 0:33:03 | 0:33:23 | |
It's a 20th century fire hydrant remodelled into a standard lamp. | 0:33:23 | 0:33:27 | |
Ticket price is ?155. Too much. | 0:33:27 | 0:33:31 | |
155. | 0:33:32 | 0:33:34 | |
And that's tested and all ready to go? | 0:33:34 | 0:33:38 | |
I love that. Do you? Yes. | 0:33:40 | 0:33:43 | |
So they're in agreement on liking that and browsing on. Do you want to try it on? | 0:33:43 | 0:33:49 | |
You don't get away that easily, Phil. See a hat, try it on. You know the rule. | 0:33:49 | 0:33:55 | |
How's that? That's very good. | 0:33:55 | 0:33:57 | |
It gives a new meaning to the term mounted police. | 0:33:57 | 0:34:01 | |
If all else fails, we've got the vaulting horse. And Graeme's found items upstairs | 0:34:01 | 0:34:07 | |
which have him "Russian" to get Phil's opinion. | 0:34:07 | 0:34:11 | |
What do you think of these pictures? The little silhouettes? Yeah. They're quite sweet. They're a series. | 0:34:11 | 0:34:32 | |
and in a style somewhat similar to that of 19th-century French satirist Caran d'Ache. | 0:34:32 | 0:34:39 | |
It says ?155 on the ticket. Do you like those? | 0:34:39 | 0:34:42 | |
I like them because I like cartoons and... | 0:34:42 | 0:34:47 | |
These are really well done. | 0:34:47 | 0:34:50 | |
Time for a word with Robert. In the generous mood I am in, they could be ?120, | 0:34:50 | 0:34:57 | |
which isn't a lot of money, is it? I like your style. | 0:34:57 | 0:35:00 | |
And what about the fire hydrant cum lamp they're also keen on? | 0:35:00 | 0:35:05 | |
What's the best you could do on that? That's about the same price as this. Yeah, 155 that was. | 0:35:05 | 0:35:11 | |
Normally I would say about 130 would be the best. | 0:35:11 | 0:35:16 | |
Because the sun's shining, maybe I'll let you have it for ?100. Do the two for 200? Go on, then. | 0:35:18 | 0:35:24 | |
I'm going to pay the man | 0:35:24 | 0:35:45 | |
has been a market town since the 13th century. | 0:35:45 | 0:35:49 | |
Not to be outdone by the other team's investigations into whimsical West Country pioneers, | 0:35:49 | 0:35:56 | |
they're keen to learn about an 18th-century invention devised by a courageous British eccentric, | 0:35:56 | 0:36:03 | |
in this case at the vanguard of early deep sea diving. | 0:36:03 | 0:36:07 | |
Hello! Sorry about the dramatic entrance there. | 0:36:07 | 0:36:11 | |
They're meeting Newton Abbot Museum curator Felicity Cole. | 0:36:11 | 0:36:14 | |
I'm Will. How do you do? Hello, I'm Felicity. And this man you'll recognise. Sterling Moss. | 0:36:14 | 0:36:20 | |
Better dive right in. | 0:36:20 | 0:36:23 | |
Here we have a room about our local hero John Lethbridge. Lethbridge? | 0:36:23 | 0:36:29 | |
Yes, and he invented an amazing diving machine. | 0:36:29 | 0:36:33 | |
John Lethbridge was a Newton Abbot man born in 1675 | 0:36:33 | 0:36:55 | |
so with the technologies available at the time it was a serious challenge. His initial experiments | 0:36:55 | 0:37:01 | |
were conducted right here in Newton Abbot. | 0:37:01 | 0:37:05 | |
He got himself into a barrel and a friend sealed him in and timed how long he could last | 0:37:05 | 0:37:10 | |
with the air in the barrel. Then he recovered and they did it again and he rolled him into his pond. | 0:37:10 | 0:37:18 | |
No. In an ordinary barrel? In an ordinary barrel. You'd have to choose a very good friend. | 0:37:18 | 0:37:24 | |
After his pond-based experiments, Lethbridge used what he'd learned | 0:37:25 | 0:37:30 | |
to commission a custom-built diving machine, still looking like a barrel. | 0:37:30 | 0:37:35 | |
He was actually lowered down almost flat on his belly. Yes. You can see the rope. | 0:37:35 | 0:37:42 | |
He could last, he says, for half an hour in the barrel. Really? | 0:37:42 | 0:38:06 | |
His exploits eventually made him wildly wealthy. | 0:38:06 | 0:38:10 | |
One of the traditional, I suppose, British eccentrics. Exactly. | 0:38:10 | 0:38:15 | |
Hurrah! Like this one between us. Hurrah! Hurrah! | 0:38:15 | 0:38:19 | |
Hurrah! The original diving engine of the 18th century was long ago lost or destroyed, | 0:38:19 | 0:38:25 | |
but the museum has a replica, created from drawings of the era. | 0:38:25 | 0:38:30 | |
Local carpenter Nick Hunt recreated the legendary machine. | 0:38:30 | 0:38:34 | |
So you're Nick. I'm Nick. How do you do? | 0:38:34 | 0:38:37 | |
You're the man responsible for this rather wonderful contraption. | 0:38:37 | 0:38:42 | |
They're going to take it down to have a closer look. Careful, chaps. | 0:38:42 | 0:38:47 | |
I've done a little bit of diving. Not to the depths of... Can we get you in here? | 0:38:47 | 0:38:52 | |
You're determined, aren't you? Absolutely. Good. So am I. And so is Nick. A man possessed! | 0:38:52 | 0:39:12 | |
We've got to put this one on. Yes, we have. No question. | 0:39:12 | 0:39:17 | |
I'm slightly worried that you couldn't get it off very easily. See what it's like when it's dark. | 0:39:17 | 0:39:23 | |
What's it like in there, Will? Actually, that means up. It's OK. I'm glad you're enjoying yourself. | 0:39:23 | 0:39:30 | |
Thanks very much for that. I think it's time for a cup of tea. I think so. | 0:39:30 | 0:39:36 | |
Er, guys? Guys? | 0:39:36 | 0:39:39 | |
Hello? Haha! That'll teach you to eat all the mint humbugs in the car! | 0:39:39 | 0:39:45 | |
I'll get you! | 0:39:45 | 0:39:46 | |
While those two sort that out, Phil and Graeme are on their way to their next shop, | 0:39:46 | 0:39:53 | |
but they seem to be slightly lost. Excuse me. Which way is Bovey Tracey? | 0:39:53 | 0:39:58 | |
Oh, lord... Hold on. Oh, that can't be Bovey Tracey. No. | 0:39:59 | 0:40:23 | |
Yes. Thank you very much. | 0:40:23 | 0:40:25 | |
Phil already knows dealer Tina. | 0:40:25 | 0:40:28 | |
Are you keeping well? Not bad. He'll be hoping to talk her into giving them a bargain. | 0:40:28 | 0:40:34 | |
Ah! Another legendary comedy threesome. Comedy heroes. | 0:40:34 | 0:40:39 | |
On your Marx! Let's get browsing. | 0:40:39 | 0:40:42 | |
Isn't this Tim Brooke-Taylor up here? Is that him there? It comes from London. | 0:40:46 | 0:40:52 | |
It could well be. I think it is him. | 0:40:52 | 0:40:54 | |
It could be him. 1917. That would be about right, wouldn't it? | 0:40:54 | 0:40:59 | |
Soon enough, Graeme's spotted something that's just his cuppa. | 0:41:00 | 0:41:04 | |
# I'm a teapot I'm a teapot... # | 0:41:04 | 0:41:07 | |
It's a tea set by Picquot ware, a distinctive manufacturer, popular in the mid-20th century. | 0:41:07 | 0:41:31 | |
Can we buy them off you for 20 quid? That's too low. | 0:41:31 | 0:41:35 | |
I tell you what, my best shot here would be 25. | 0:41:35 | 0:41:39 | |
Cos I think they're going to make 30-50. | 0:41:39 | 0:41:44 | |
If they go and make 30 quid, by the time... 28. I'll compromise. | 0:41:44 | 0:41:48 | |
What do you think? | 0:41:49 | 0:41:52 | |
I think somebody might. | 0:41:52 | 0:41:54 | |
You can have ?28, but do we get a cup of tea and a cake? Of course. | 0:41:54 | 0:41:59 | |
Thank you very much indeed! Deal. A cup of cha thrown in. | 0:41:59 | 0:42:04 | |
And they're all bought up! | 0:42:04 | 0:42:06 | |
Oh. | 0:42:08 | 0:42:09 | |
'I'm a coffee percolator. I've changed my mind.' | 0:42:14 | 0:42:17 | |
Now both teams have their buys. Time for our tussling teams to reveal their purchases to each other. | 0:42:19 | 0:42:44 | |
Yeah, they're in the style of Caran d'Ache, who was an artist around about the turn of the century. | 0:42:44 | 0:42:51 | |
I think they're drawn for illustration. There's crayon, blue, in the sky, | 0:42:51 | 0:42:57 | |
which is an instruction to the printer. He'd take a photogravure of the black. | 0:42:57 | 0:43:03 | |
- The blue wouldn't show up. - We're the so-called celebrities! Not the experts! | 0:43:03 | 0:43:09 | |
You've got a secret weapon here. Smarty pants! You don't fancy a job as an antiques expert, Graeme? | 0:43:09 | 0:43:15 | |
You're putting these two to shame. Do you like my column? | 0:43:15 | 0:43:20 | |
I'm loving your column. If you've got a marble bust or a nice bronze you want to show off, there it is. | 0:43:20 | 0:43:26 | |
There is one more. What's under here? Who have you kidnapped? | 0:43:26 | 0:43:31 | |
- You might have seen this before. - We have! | 0:43:31 | 0:43:52 | |
It was worth it just for that. | 0:43:52 | 0:43:55 | |
Very good, Philip. Now it's Tim and Will's turn. | 0:43:55 | 0:43:59 | |
What on earth is that?! What? This? Like a prehistoric false hip! | 0:43:59 | 0:44:04 | |
It has got something of the dinosaur bone about it, hasn't it? Lob it over. | 0:44:04 | 0:44:10 | |
It's a real tactile... It's a great bit of wood. | 0:44:10 | 0:44:14 | |
That was nearly your painting! It's a funky thing. What did you pay for it? | 0:44:15 | 0:44:21 | |
Mm, we ended up buying three items from this shop. We've worked it out that each item is about 100 quid. | 0:44:21 | 0:44:28 | |
So what did you spend? We spent 300 quid in this shop. | 0:44:28 | 0:44:32 | |
That's not about. It's exactly. | 0:44:32 | 0:44:35 | |
You're right! Who's the 'scope by? | 0:44:35 | 0:44:37 | |
Unfortunately, it hasn't got a maker's name, but it's impressive. | 0:44:37 | 0:45:03 | |
- I think, between us, we've done well. - If it was all in one shop... | 0:45:03 | 0:45:09 | |
We'd have saved a lot of legwork! Don't be so lazy, Will! | 0:45:09 | 0:45:13 | |
But now that they've had a peek, what do they really think? | 0:45:13 | 0:45:18 | |
He will be laughing uproariously at our garden chair. | 0:45:18 | 0:45:22 | |
I don't think he rates that at all. | 0:45:22 | 0:45:26 | |
I can't believe it's worth anything! | 0:45:26 | 0:45:29 | |
If somebody sets fire to their log, we've got the ability to put it out! But would we? No! | 0:45:29 | 0:45:35 | |
We're in the hands of the auctioneer now. Yeah. It's out of our hands. | 0:45:35 | 0:45:40 | |
Would we swap any of our items for theirs? Yeah. | 0:45:40 | 0:45:43 | |
I think for me the answer is no. The only thing I'd swap is Will for you, I suppose. | 0:45:43 | 0:45:50 | |
On this southwestern odyssey, they began in Paignton, Devon, | 0:45:50 | 0:46:13 | |
A nasty button cut. You two are sharp as a button. | 0:46:13 | 0:46:16 | |
Who do you think is the best expert, apart from us, of course? | 0:46:16 | 0:46:21 | |
I think we've taught them a thing or two. They'll be very grateful. Quite right, Graeme. Modest, too. | 0:46:21 | 0:46:28 | |
Picturesque Cirencester is known as the capital of the Cotswolds. | 0:46:30 | 0:46:34 | |
They're nearly at the auction house and Graeme's feeling confident about his items. | 0:46:37 | 0:46:42 | |
How do you feel about it? Quietly confident. | 0:46:42 | 0:46:47 | |
You seemed quite noisily confident! We've got some very good lots. | 0:46:47 | 0:46:51 | |
I do very like the sea painting. | 0:46:51 | 0:46:55 | |
Your sea painting? Yeah. A whale by W Hale. | 0:46:55 | 0:47:00 | |
It's W Hale, not a whale! That's how I interpreted a signature. | 0:47:00 | 0:47:20 | |
They've arrived at the rather poetically named sale room of Moore Allen and Innocent. | 0:47:20 | 0:47:26 | |
Tim's just discovered that a photo of one of Graeme's favourite pen and ink drawings graces | 0:47:26 | 0:47:32 | |
the front of the auction catalogue. Have you had a word? | 0:47:32 | 0:47:35 | |
Ha ha ha! With this front page publicity and the auction welcoming bids online, | 0:47:35 | 0:47:42 | |
let's hope they have the best of all chances. | 0:47:42 | 0:47:46 | |
Winning! Presiding over proceedings today is auctioneer Philip J Allwood. | 0:47:46 | 0:47:52 | |
?20. Five now. At 25. | 0:47:52 | 0:47:55 | |
What does he make of the lots? | 0:47:55 | 0:47:58 | |
The urn stand is a very stylish thing from another era. It should do around ?100, ?150 or so. | 0:47:58 | 0:48:05 | |
The club is probably one of the more interesting ones. | 0:48:05 | 0:48:10 | |
and also have five lots to show for it. That'll do nicely. It's a winner. | 0:48:31 | 0:48:36 | |
204. The Picquot ware tea set. Oh, Goodie! | 0:48:36 | 0:48:41 | |
The sale's about to begin. | 0:48:41 | 0:48:43 | |
First up. It's the mid-century Picquot ware tea service, which Graeme spotted. | 0:48:43 | 0:48:49 | |
Will the punters fancy a sip? I've got to stay at 30. | 0:48:49 | 0:48:53 | |
At ?30. Five anywhere? | 0:48:53 | 0:48:55 | |
At ?30. Five. 40. At 45. | 0:48:55 | 0:48:59 | |
50. At 50 with me. At ?50. Five anywhere? | 0:48:59 | 0:49:02 | |
That's a good price. Very tasty. On the book at 60. Five anywhere? | 0:49:02 | 0:49:07 | |
At ?60. Here on the book at ?60. | 0:49:07 | 0:49:09 | |
All sure and selling here at 60. Are you all done? | 0:49:09 | 0:49:13 | |
What a start! Yeah, really good. | 0:49:13 | 0:49:17 | |
Really good. Pleased with that. | 0:49:17 | 0:49:20 | |
And the first for Tim and Will now as their Japanese pitchfork pitches up. | 0:49:20 | 0:49:38 | |
At ?35. All done at 35? | 0:49:38 | 0:49:41 | |
Sadly, it doesn't make hay today. Here we go. | 0:49:43 | 0:49:47 | |
It looks good on the screen. | 0:49:47 | 0:49:50 | |
Now it's Graeme and Phil's weighty job lot of cast-iron railing and wrought-iron garden chair. | 0:49:50 | 0:49:56 | |
Have we got a phone on this? OK, at 60. I'll take five now. | 0:49:56 | 0:50:02 | |
The chair's worth more than that. Five can I say now? Five. 70. | 0:50:02 | 0:50:06 | |
Five. 80. At 80 with me. | 0:50:06 | 0:50:09 | |
At ?80. Five anywhere now? At ?80. Five on the phone? | 0:50:09 | 0:50:13 | |
At ?80 I have. Five? No? | 0:50:13 | 0:50:16 | |
At ?80. It's here. And five. 90. | 0:50:16 | 0:50:19 | |
Back with me at ?90. Five anywhere? | 0:50:19 | 0:50:21 | |
At ?90. Are you all sure? Selling here at 90. | 0:50:21 | 0:50:25 | |
Terrific! And they widen their lead. | 0:50:26 | 0:50:30 | |
Now Tim and Will's portable warming stool. Can it heat up their game? | 0:50:30 | 0:50:51 | |
At ?20. That's the scrap value. | 0:50:51 | 0:50:54 | |
Five now? At ?20. Got to be cheap. Five now? | 0:50:54 | 0:50:58 | |
Right in front of me at ?20. Five anywhere? | 0:50:58 | 0:51:01 | |
?20. Quite a cool response. Selling here. At ?20. | 0:51:01 | 0:51:05 | |
You all sure? Not another bid? Surely! It's selling then. | 0:51:05 | 0:51:09 | |
All done at a minor ?20? | 0:51:09 | 0:51:13 | |
Despite some very thorough auctioneering, the bid doesn't travel far. | 0:51:13 | 0:51:19 | |
Oh, dear. He was trying hard. | 0:51:19 | 0:51:22 | |
Now it's Graeme and Phil's fire extinguisher turned standard lamp. | 0:51:22 | 0:51:27 | |
The extinguisher standard lamp. A most unusual lot, you'll agree. | 0:51:27 | 0:51:32 | |
?50? 30 to get on. | 0:51:32 | 0:51:35 | |
It's not on fire. ?20? No firemen in here? Oh, dear. | 0:51:36 | 0:52:02 | |
At ?30. Selling here on the 'net. Are you all sure? At ?30. All done? | 0:52:02 | 0:52:08 | |
Oh, Phil! And that's entirely extinguished their profit. | 0:52:08 | 0:52:13 | |
Tim and Will's wooden caveman's club is up now. | 0:52:13 | 0:52:17 | |
It put Tim in mind of a Goodies sketch, but will it clobber the opposition? | 0:52:17 | 0:52:23 | |
A club of The Goodies! | 0:52:23 | 0:52:27 | |
Disappointed I haven't heard anyone humming the theme tune. | 0:52:27 | 0:52:31 | |
CROWD HUM TUNE | 0:52:31 | 0:52:32 | |
There we go. There had to be one. So the club there. | 0:52:32 | 0:52:36 | |
Good-looking piece. | 0:52:36 | 0:52:38 | |
Well, in a way. And I mean the club, | 0:52:38 | 0:52:42 | |
not somebody who looks like he's been hit with it. Start me. ?50? | 0:52:42 | 0:52:47 | |
Surely. A good piece of nostalgia. ?50? | 0:52:47 | 0:53:07 | |
55. 60. Surely! At ?60 here. | 0:53:07 | 0:53:10 | |
At 60. At ?60, you all done? | 0:53:10 | 0:53:14 | |
Some more hard work from Philip, but bidders don't see the funny side. We got away with that. | 0:53:16 | 0:53:22 | |
Another from Graeme and Phil now as their Russian pen and ink drawings face the room. | 0:53:24 | 0:53:31 | |
Good luck, gents. Cracking little set, this. | 0:53:31 | 0:53:34 | |
I hope it goes quite well. | 0:53:34 | 0:53:37 | |
Start me at ?100 for the set. Got to be cheap at 100. | 0:53:37 | 0:53:40 | |
?100? | 0:53:40 | 0:53:42 | |
50 to get on, then. It's got to be 50 to get on, hasn't it? | 0:53:42 | 0:53:48 | |
?30? 30 all over the place. Five if you like. Five. | 0:53:48 | 0:53:51 | |
40. Five. 50. | 0:53:51 | 0:53:54 | |
Five. 60. | 0:53:54 | 0:53:56 | |
At ?60. Got to be cheap. Five. | 0:53:56 | 0:54:18 | |
Clearly they aren't what the punters are looking for today. | 0:54:18 | 0:54:23 | |
You were 30-odd quid up. I reckon you've more or less broken even. That's where we are. | 0:54:23 | 0:54:29 | |
Tim and Will have the competition in their sights now | 0:54:29 | 0:54:34 | |
with the deerstalker's telescope and antler walking stick. | 0:54:34 | 0:54:38 | |
Here we go. Everything you need for a day out in the Cotswolds. | 0:54:38 | 0:54:42 | |
He's got what we were coming for. A day out. | 0:54:42 | 0:54:46 | |
Start me at 50. | 0:54:46 | 0:54:48 | |
?30, then. At ?30 a bid. Five. 40. | 0:54:48 | 0:54:51 | |
There's a man who knows his telescopes. 70. | 0:54:51 | 0:54:55 | |
At ?70 at the back. And another. Anyone now? At ?70. | 0:54:55 | 0:55:00 | |
At ?70 in the room. We're going to take a hit here, Tim. Are you all sure? At ?70. | 0:55:00 | 0:55:07 | |
And any chance of a profit gambols off into the undergrowth. | 0:55:07 | 0:55:27 | |
At ?100. 100. 110 if you like now. | 0:55:27 | 0:55:29 | |
At ?100. 110. 120. A solid start. 130. 140. | 0:55:29 | 0:55:34 | |
150. 160. At 160. 170 if you like. | 0:55:34 | 0:55:38 | |
170, he says. At 180 now? At 170 on the left. | 0:55:38 | 0:55:42 | |
170. 180 anywhere now then? | 0:55:42 | 0:55:44 | |
170. | 0:55:44 | 0:55:47 | |
What a performance and that's put them back in the black. | 0:55:47 | 0:55:51 | |
Well done. 170. Good price. | 0:55:51 | 0:55:53 | |
- Very well done indeed(!) - Tim looks pleased with that. | 0:55:53 | 0:55:58 | |
And, finally, for Tim and Will it's the much loved painting by W Hale, not of a whale. | 0:55:58 | 0:56:05 | |
It's a long shot, but can this save their day? | 0:56:05 | 0:56:09 | |
A good little piece. Who'll start me at 50? | 0:56:09 | 0:56:12 | |
?50? | 0:56:12 | 0:56:14 | |
?30 to get on? 20, then? | 0:56:14 | 0:56:18 | |
At ?20. 320. Five. | 0:56:18 | 0:56:36 | |
65 here. It's at 70. ?70 on the 'net. Five. | 0:56:36 | 0:56:41 | |
Go on, go on. ?75 on the 'net. | 0:56:41 | 0:56:44 | |
80 in the room if you like. At ?75 here. | 0:56:44 | 0:56:47 | |
That's a cheap picture at 75 quid. And ?80. | 0:56:47 | 0:56:51 | |
Go on, keep going. At ?80. | 0:56:51 | 0:56:53 | |
At ?80. It's on the 'net. Five now? | 0:56:53 | 0:56:56 | |
At ?80. Still look cheap. 85. 90 now? | 0:56:56 | 0:57:00 | |
It's creeping up. Doing well. | 0:57:00 | 0:57:03 | |
At ?85. You sure? | 0:57:03 | 0:57:05 | |
- Selling, make no mistake, at 85. - Oh, no! | 0:57:05 | 0:57:09 | |
85. | 0:57:09 | 0:57:11 | |
Ah, what a shame. They're sunk. | 0:57:12 | 0:57:15 | |
Well done, well done. | 0:57:15 | 0:57:18 | |
Philip, well done. | 0:57:18 | 0:57:20 | |
So Graeme and Phil had the last laugh today. | 0:57:20 | 0:57:25 | |
Tim and Will began this Road Trip with ?400. | 0:57:25 | 0:57:51 | |
?404.60. | 0:57:51 | 0:57:53 | |
So no one's actually covered themselves in glory. | 0:57:53 | 0:57:58 | |
Look at these two! Not good, is it? | 0:57:58 | 0:58:02 | |
We ended up in profit. Fantastic! | 0:58:02 | 0:58:06 | |
We'll leave these gents to it, shall we? See you, chaps! Bye bye! | 0:58:06 | 0:58:11 | |
But at least they've had a laugh. On your trike, everyone! | 0:58:11 | 0:58:15 | |
And the profits from this series go to Children In Need. Every little helps, eh? | 0:58:15 | 0:58:20 |