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Some of the nation's favourite celebrities. | 0:00:03 | 0:00:05 | |
Why have I got such expensive taste? | 0:00:05 | 0:00:08 | |
One antiques expert each. | 0:00:08 | 0:00:09 | |
Oh, great. | 0:00:11 | 0:00:13 | |
And one big challenge - who can seek out | 0:00:13 | 0:00:16 | |
and buy the best antiques at the very best prices. | 0:00:16 | 0:00:20 | |
Answers on a postcard. | 0:00:20 | 0:00:21 | |
And auction for a big profit further down the road. | 0:00:22 | 0:00:26 | |
I say. It's an absolute charm. | 0:00:26 | 0:00:29 | |
Who will spot the good investment? | 0:00:29 | 0:00:31 | |
Who will listen to advice? Do you like it? | 0:00:31 | 0:00:33 | |
No, I think it's horrible. | 0:00:33 | 0:00:35 | |
And who will be the first to say, "Don't you know who I am?" | 0:00:35 | 0:00:39 | |
Well done, us. | 0:00:39 | 0:00:40 | |
Time to put your pedal to the metal. | 0:00:40 | 0:00:43 | |
This is Celebrity Antiques Road Trip. | 0:00:43 | 0:00:46 | |
Cornwall, famous for its pasties | 0:00:53 | 0:00:54 | |
and rugged coastline, hosts today's Road Trip. | 0:00:54 | 0:00:58 | |
Ready for battle are two telly pals - | 0:00:58 | 0:00:59 | |
Hermione Norris and John Thomson. | 0:00:59 | 0:01:02 | |
Roof down? Yes. | 0:01:02 | 0:01:04 | |
But they're not off to the best start | 0:01:04 | 0:01:07 | |
in their classic 1989 Jaguar XJS. | 0:01:07 | 0:01:09 | |
It's unhooked, isn't it? Yes. Off. Off. | 0:01:09 | 0:01:13 | |
He's broken the car. Oh, dear. | 0:01:17 | 0:01:19 | |
Ever the dedicated actor, John will be employing the method technique | 0:01:23 | 0:01:27 | |
today as he takes on the role of an antiques expert. | 0:01:27 | 0:01:31 | |
I've got the subterfuge of tweed to suggest I'm an antiques expert. | 0:01:31 | 0:01:34 | |
I thought he was an antiques man when I met him. | 0:01:34 | 0:01:36 | |
She didn't recognise me. | 0:01:36 | 0:01:38 | |
She thought I was a genuine antiques expert. | 0:01:38 | 0:01:41 | |
Looking the part is half the battle, John. | 0:01:41 | 0:01:43 | |
Yay. | 0:01:43 | 0:01:45 | |
Lancastrian funnyman John started as a writer in '80s' satire | 0:01:45 | 0:01:49 | |
Spitting Image before appearing onscreen in the likes | 0:01:49 | 0:01:53 | |
of The Fast Show and Men Behaving Badly. | 0:01:53 | 0:01:55 | |
So I think by wearing a little bit of tweed, I'll have the upper hand. | 0:01:55 | 0:02:00 | |
Hermione's investigative skills should help her on this Road Trip. | 0:02:00 | 0:02:05 | |
She's been in crime-solving dramas for over 20 years. | 0:02:05 | 0:02:08 | |
Poirot, Wire In The Blood and as super spy Ros Myers in Spooks. | 0:02:08 | 0:02:14 | |
There is of course one show that we remember them both from... | 0:02:14 | 0:02:18 | |
There's such an affection for Cold Feet | 0:02:18 | 0:02:20 | |
because I say it's before TV went bad. | 0:02:20 | 0:02:22 | |
I hope present company is not included, John. | 0:02:22 | 0:02:26 | |
He won our hearts as the hapless Pete Gifford | 0:02:26 | 0:02:29 | |
and Hermione was posh totty Karen Marsden. | 0:02:29 | 0:02:32 | |
Well, hello. | 0:02:32 | 0:02:34 | |
What's your field of expertise in antiques? | 0:02:34 | 0:02:36 | |
I don't have any. I am clueless. | 0:02:36 | 0:02:38 | |
I really like to go into a shop that is an Aladdin's cave. | 0:02:38 | 0:02:41 | |
I don't think you're going to find that. | 0:02:41 | 0:02:43 | |
Are we not? I don't know. | 0:02:43 | 0:02:45 | |
Well, to find an Aladdin's cave you'll need an antiques genie, | 0:02:46 | 0:02:51 | |
or in this case two - | 0:02:51 | 0:02:53 | |
Mark Stacey and Catherine Southon. | 0:02:53 | 0:02:54 | |
They're driving another icon of British motoring - | 0:02:54 | 0:02:57 | |
a 1960 Morris Minor. | 0:02:57 | 0:02:59 | |
But Mark's thinking bigger. | 0:02:59 | 0:03:01 | |
I want the Jaguar. | 0:03:01 | 0:03:03 | |
You want? | 0:03:03 | 0:03:05 | |
You mean, "I would like." Oh! | 0:03:05 | 0:03:07 | |
SHE SCREAMS | 0:03:07 | 0:03:09 | |
Stop! I was so excited. | 0:03:09 | 0:03:11 | |
For god's sake. | 0:03:11 | 0:03:12 | |
I was so excited. | 0:03:12 | 0:03:14 | |
Carry on like this, Mark, and you won't be driving anything. | 0:03:14 | 0:03:17 | |
Thank you. | 0:03:17 | 0:03:19 | |
You almost killed me then, Mark. | 0:03:19 | 0:03:22 | |
Whilst Catherine's weak with fear, Mark seizes the advantage. | 0:03:23 | 0:03:27 | |
I'm having Hermione. | 0:03:27 | 0:03:28 | |
Are you having her? Not literally. | 0:03:28 | 0:03:31 | |
Catherine, I think you'll be much better with John. | 0:03:31 | 0:03:34 | |
That's the teams decided then. | 0:03:34 | 0:03:36 | |
Catherine began her career by cataloguing sales at Sotheby's. | 0:03:38 | 0:03:41 | |
Working her way up to up to Head Of Scientific Instruments | 0:03:41 | 0:03:44 | |
And Maritime Works Of Art. | 0:03:44 | 0:03:46 | |
She's not afraid to flirt for a bargain. | 0:03:46 | 0:03:48 | |
You've got lovely eyes. | 0:03:48 | 0:03:49 | |
And her eye is pretty well trained too. | 0:03:49 | 0:03:52 | |
Oh, the pressure! The pressure! | 0:03:52 | 0:03:54 | |
Welsh wizard Mark's been in the business over 20 years | 0:03:54 | 0:03:57 | |
as a dealer, valuer and auctioneer. | 0:03:57 | 0:04:00 | |
Ever the optimist. | 0:04:01 | 0:04:02 | |
Oh, it's going to be one of those days. | 0:04:02 | 0:04:05 | |
He's known as Magpie Mark, | 0:04:05 | 0:04:07 | |
always spotting shiny bargains. | 0:04:07 | 0:04:09 | |
That's got to double its money, really. | 0:04:09 | 0:04:11 | |
Our veterans are already getting into the spirit of the contest. | 0:04:11 | 0:04:14 | |
You're not going to be all competitive, are you, Catherine? | 0:04:14 | 0:04:17 | |
I'm not competitive! | 0:04:17 | 0:04:19 | |
I'm not! Oh, my good Lord. | 0:04:19 | 0:04:21 | |
I'm not. That's like saying, | 0:04:21 | 0:04:24 | |
Attila the Hun works for the United Nations Peacekeeping force. | 0:04:24 | 0:04:27 | |
The teams have two days of antiques shopping ahead | 0:04:27 | 0:04:30 | |
with ?400 in their pockets. | 0:04:30 | 0:04:32 | |
Their aim - to strike the kind of deals that will make them | 0:04:32 | 0:04:34 | |
loads of dosh at auction. | 0:04:34 | 0:04:36 | |
And so to battle at the Port of Charlestown. | 0:04:36 | 0:04:39 | |
It's two days of finding antiques | 0:04:39 | 0:04:40 | |
and doing deals around Cornwall before road tripping | 0:04:40 | 0:04:42 | |
the 300 miles to that all-important auction in London. | 0:04:42 | 0:04:46 | |
Kicking off in sunny Charlestown, Mark's already decided he's | 0:04:46 | 0:04:49 | |
with Hermione and he's not giving up on the Jag either. | 0:04:49 | 0:04:53 | |
Hello, Hermione. | 0:04:53 | 0:04:54 | |
Hi, nice to meet you. | 0:04:54 | 0:04:55 | |
Nice to meet you. | 0:04:55 | 0:04:56 | |
HERMIONE: Which car are we going in? | 0:04:56 | 0:04:58 | |
I think we should have this one. | 0:04:58 | 0:05:00 | |
I think we definitely should have this one. | 0:05:00 | 0:05:02 | |
We're having the Jag. Thanks, John, see you. | 0:05:02 | 0:05:04 | |
Thank you, John. Wouldn't want to be you. | 0:05:04 | 0:05:07 | |
Ha, that's not very sporting, you pair. | 0:05:07 | 0:05:09 | |
You're driving. | 0:05:09 | 0:05:10 | |
CATHERINE: Come on. Come on. | 0:05:10 | 0:05:12 | |
HERMIONE: See you, Miss Marple. No racing. | 0:05:12 | 0:05:14 | |
Catherine doesn't seem to mind though. | 0:05:14 | 0:05:16 | |
I've got a feeling that you're going to be so cool throughout this. | 0:05:16 | 0:05:20 | |
Look at you with your shades, hands in pockets. | 0:05:20 | 0:05:23 | |
What sort of thing are you going to buy? What are you looking for? | 0:05:23 | 0:05:26 | |
I like curious things. | 0:05:26 | 0:05:28 | |
Something with a bit of interest as opposed to a silver salver. | 0:05:28 | 0:05:32 | |
But you'd be surprised what a silver salver might make. | 0:05:32 | 0:05:35 | |
What you like on salvers? | 0:05:35 | 0:05:36 | |
I'm not bad on salvers, but I think you and I come from the same sort | 0:05:36 | 0:05:39 | |
of thing cos I like something that's not just pretty, | 0:05:39 | 0:05:42 | |
it's not just aesthetically pleasing, it does something else. | 0:05:42 | 0:05:45 | |
You and I are going to get on famously. Great. | 0:05:45 | 0:05:48 | |
Come on, John, let's get going. | 0:05:48 | 0:05:50 | |
In the Jag, en route to their first shop, | 0:05:50 | 0:05:53 | |
it's lesson one in antique hunting. | 0:05:53 | 0:05:56 | |
If you put into an auction, | 0:05:56 | 0:05:58 | |
you want to find something that is a little bit different, | 0:05:58 | 0:06:01 | |
quirky and look as if it's just come from a house clearing | 0:06:01 | 0:06:06 | |
or something like that. | 0:06:06 | 0:06:08 | |
Sounds rather morbid, doesn't it? | 0:06:08 | 0:06:09 | |
Something that's going to appeal to the mass-market. | 0:06:09 | 0:06:12 | |
Thus our trip today. | 0:06:12 | 0:06:14 | |
We want to find something that looks like | 0:06:14 | 0:06:16 | |
it's literally just come out of somebody's house? Absolutely. | 0:06:16 | 0:06:19 | |
Lesson one accomplished. | 0:06:19 | 0:06:21 | |
I think we should buy that. | 0:06:21 | 0:06:23 | |
Ah, maybe not then. | 0:06:23 | 0:06:25 | |
A phone box/bath combo, I think | 0:06:25 | 0:06:27 | |
she needs a few more lessons before Mark lets her loose with their ?400. | 0:06:27 | 0:06:32 | |
I'm Mark, lovely to meet you. | 0:06:32 | 0:06:34 | |
Neil Martin has run Eden Reclamation for ten years. | 0:06:34 | 0:06:37 | |
It was his passion for reclaiming | 0:06:37 | 0:06:39 | |
and reinstating period features that kicked it all off. | 0:06:39 | 0:06:42 | |
You could say his hobby became his livelihood. | 0:06:42 | 0:06:44 | |
Do you have just outside things or do you have antiques as well? | 0:06:44 | 0:06:48 | |
Antiques as well. Great. Those are inside. | 0:06:48 | 0:06:52 | |
Keen to learn, Hermione's quick to put Mark to the test. | 0:06:54 | 0:06:57 | |
What's that china then? | 0:06:57 | 0:06:59 | |
That's not terribly old. | 0:06:59 | 0:07:01 | |
Blue and white, I love blue and white. | 0:07:01 | 0:07:04 | |
Probably 1950s. | 0:07:04 | 0:07:05 | |
Listen to that! | 0:07:05 | 0:07:07 | |
Yeah, just amazing. | 0:07:07 | 0:07:09 | |
These are rather sweet. | 0:07:09 | 0:07:11 | |
I think that will probably be Masons Ironstone. | 0:07:11 | 0:07:14 | |
No flies on him. | 0:07:15 | 0:07:17 | |
I find that fascinating that he knew all that. | 0:07:17 | 0:07:20 | |
I'd love to be able to know that. | 0:07:20 | 0:07:22 | |
Do you know how clever that is? | 0:07:24 | 0:07:26 | |
That's clever. | 0:07:26 | 0:07:27 | |
Well, he is a clever boy. | 0:07:27 | 0:07:30 | |
Whilst Hermione's learning the tricks of the trade, | 0:07:30 | 0:07:32 | |
Catherine and John saunter to their first shop. | 0:07:32 | 0:07:35 | |
Nice bunting. | 0:07:35 | 0:07:37 | |
Lovely bunting. | 0:07:37 | 0:07:38 | |
Makes me think it's going to be pricey. | 0:07:38 | 0:07:40 | |
Time to put those bargaining skills to good use then. | 0:07:40 | 0:07:44 | |
Photographer Mick and artist wife Sarah only recently opened | 0:07:44 | 0:07:48 | |
the Sail Loft Emporium | 0:07:48 | 0:07:50 | |
having refurbished this former gunpowder store. | 0:07:50 | 0:07:53 | |
It now houses items from 40 traders specialising in arts and crafts. | 0:07:53 | 0:07:58 | |
There are some really good prices here. Are there? | 0:07:58 | 0:08:01 | |
If you know your stuff, John, you'll see. | 0:08:01 | 0:08:03 | |
Yeah, you'll be fine. | 0:08:03 | 0:08:04 | |
That's as long as you've got plenty of 17th-century silver. | 0:08:04 | 0:08:08 | |
Very good, John, you're talking the antique talk. | 0:08:08 | 0:08:12 | |
Let's see if you can walk the walk. | 0:08:12 | 0:08:14 | |
I was immediately drawn to this jewellery box here. | 0:08:14 | 0:08:17 | |
It comes in at a measly ?750. | 0:08:17 | 0:08:22 | |
That's all very well, John, | 0:08:22 | 0:08:24 | |
but if you're going to pull off this role, | 0:08:24 | 0:08:26 | |
you'll have to hunt down those bargains. | 0:08:26 | 0:08:28 | |
Tiffany cup and saucer. | 0:08:28 | 0:08:30 | |
Tiffany? Yeah. OK. | 0:08:30 | 0:08:32 | |
"Minton cup and sauce." I thought you said Tiffany? | 0:08:32 | 0:08:35 | |
It is, "Marked Tiffany New York." | 0:08:35 | 0:08:37 | |
The pattern's mismatched. | 0:08:37 | 0:08:39 | |
Well spotted. | 0:08:39 | 0:08:41 | |
It says that on the label as well. | 0:08:41 | 0:08:42 | |
It's kind of like learning your lines, John. | 0:08:43 | 0:08:45 | |
Of course I noticed that anyway. | 0:08:45 | 0:08:47 | |
This, the antique rose gold horseshoe, it's a cigar cutter. | 0:08:47 | 0:08:51 | |
That's quite nice. | 0:08:51 | 0:08:53 | |
You've got quite expensive taste. | 0:08:53 | 0:08:55 | |
This horseshoe-shaped rose gold cigar cutter | 0:08:55 | 0:08:59 | |
has an articulated hanging loop for hanging on a watch chain. | 0:08:59 | 0:09:01 | |
Quite the accessory for a 19th-century gent about town. | 0:09:01 | 0:09:05 | |
We've got this marked... | 0:09:05 | 0:09:07 | |
..at 95. | 0:09:08 | 0:09:09 | |
We'll do that one for 70, and that's it. | 0:09:10 | 0:09:13 | |
If it weren't for the missing nail, I'd definitely go for it. | 0:09:13 | 0:09:16 | |
But we are drawn to the... | 0:09:16 | 0:09:18 | |
Something else. This. | 0:09:18 | 0:09:20 | |
Good tactics, John, put together a job lot. | 0:09:21 | 0:09:23 | |
Expertly done. | 0:09:24 | 0:09:26 | |
I'd think that would look good on a Goth. | 0:09:26 | 0:09:28 | |
On a what? A Goth. | 0:09:28 | 0:09:30 | |
Why would it look nice on a Goth? They wear black and purple. | 0:09:32 | 0:09:36 | |
I think a Goth could snap that up. | 0:09:36 | 0:09:39 | |
You might try for a slightly wider audience. | 0:09:39 | 0:09:42 | |
We don't have to decide now, | 0:09:42 | 0:09:44 | |
we can have a walk around and then see what we think. | 0:09:44 | 0:09:47 | |
Fine. We'll just leave that cabinet open. | 0:09:47 | 0:09:51 | |
Come back to it later. | 0:09:51 | 0:09:52 | |
That's two potential trinkets for John and Catherine. | 0:09:52 | 0:09:55 | |
But have Hermione and Mark spotted anything at the reclamation yard? | 0:09:55 | 0:09:59 | |
Oh, gosh, I like this. | 0:09:59 | 0:10:01 | |
Do you really? I do. | 0:10:02 | 0:10:04 | |
Whether we'll find anything for our challenge, I don't know. | 0:10:04 | 0:10:08 | |
What's this? | 0:10:08 | 0:10:10 | |
I don't know. | 0:10:10 | 0:10:11 | |
I really think that's quite funky. | 0:10:11 | 0:10:14 | |
In a kitchen, you could use that as a little reminder of | 0:10:14 | 0:10:17 | |
what you need shopping. | 0:10:17 | 0:10:19 | |
With a chalk pen you could write "eggs". | 0:10:19 | 0:10:21 | |
It's just a little bit funky. Yeah, I like that. | 0:10:21 | 0:10:24 | |
Shall we put that as a possibility? Yes. | 0:10:24 | 0:10:27 | |
Let's put that down on the chair there. | 0:10:27 | 0:10:28 | |
I thought that's really quite nice. | 0:10:31 | 0:10:33 | |
With the plaque put aside, Hermione is still keen to learn as ever. | 0:10:33 | 0:10:37 | |
Something there. What's that? | 0:10:38 | 0:10:40 | |
It's upside down. | 0:10:40 | 0:10:41 | |
It's Australian. | 0:10:41 | 0:10:42 | |
Is it? No. It's upside down. | 0:10:42 | 0:10:45 | |
Do try and keep up, Hermione. | 0:10:45 | 0:10:47 | |
It was upside down. | 0:10:47 | 0:10:50 | |
Antique experts are a funny lot, Hermione, | 0:10:50 | 0:10:52 | |
but not as funny as they think they are. | 0:10:52 | 0:10:55 | |
This might be worth examining. | 0:10:55 | 0:10:57 | |
How much do you think this is worth? | 0:10:57 | 0:10:59 | |
I don't know. I suspect it's quite a bit. | 0:10:59 | 0:11:01 | |
This Edwardian oak and leather doctor's consulting couch | 0:11:01 | 0:11:05 | |
was made by WH Bailey of London. | 0:11:05 | 0:11:08 | |
Bailey and Sons specialised in medical items | 0:11:08 | 0:11:10 | |
and had showrooms on Oxford Street and the Strand from 1894. | 0:11:10 | 0:11:15 | |
Looks like it's a mahogany base | 0:11:15 | 0:11:17 | |
with very simple turned layers, but I even like this old leather on it. | 0:11:17 | 0:11:21 | |
Cos you wouldn't do anything with it, just polish it up. | 0:11:21 | 0:11:25 | |
You could lie on it and be shrunk by somebody. | 0:11:25 | 0:11:27 | |
Yes. You could. | 0:11:27 | 0:11:29 | |
The good thing is we've got several options already brewing. | 0:11:29 | 0:11:33 | |
And if we do buy any of those, | 0:11:33 | 0:11:35 | |
we both might need to go to lie down in a darkened room and... | 0:11:35 | 0:11:37 | |
Recover. | 0:11:37 | 0:11:40 | |
Time for Hermione to try out her new antiquing skills on Neil. | 0:11:40 | 0:11:44 | |
We're quite mad, you know, we really are. | 0:11:44 | 0:11:48 | |
And this battered up piece of old nonsense. | 0:11:48 | 0:11:53 | |
How much is that? | 0:11:53 | 0:11:55 | |
?200. | 0:11:55 | 0:11:57 | |
We are so close. | 0:11:58 | 0:12:00 | |
?100. | 0:12:02 | 0:12:04 | |
Don't leap in too early, dear. | 0:12:04 | 0:12:06 | |
Hermione's right in there. | 0:12:06 | 0:12:07 | |
Mark's teaching is rubbing off. | 0:12:07 | 0:12:10 | |
?100 is a nice round figure, isn't it? | 0:12:10 | 0:12:15 | |
What would be the very, very best on that? | 0:12:15 | 0:12:17 | |
To give you room to make a bit of money, ?120. | 0:12:17 | 0:12:21 | |
We couldn't get it down to 100? | 0:12:22 | 0:12:24 | |
Go on, for me. | 0:12:24 | 0:12:26 | |
Could we, do you think? | 0:12:26 | 0:12:27 | |
Cos you don't really want it here. | 0:12:27 | 0:12:29 | |
Go on, then. Are you sure? Yeah. | 0:12:29 | 0:12:32 | |
You're an angel. Thank you. | 0:12:32 | 0:12:34 | |
Oh, look at that. | 0:12:34 | 0:12:36 | |
Are you happy with that? I am. | 0:12:36 | 0:12:37 | |
I think that's absolutely fantastic. | 0:12:37 | 0:12:39 | |
Shall I tell you something, if I had chosen an item, | 0:12:39 | 0:12:42 | |
I would have gone for a consultant's chair. | 0:12:42 | 0:12:44 | |
That's really good. | 0:12:44 | 0:12:46 | |
Really? | 0:12:46 | 0:12:47 | |
Who'd have thought. | 0:12:47 | 0:12:49 | |
First deal done is ?100. | 0:12:49 | 0:12:51 | |
That's half the ticket price. | 0:12:51 | 0:12:53 | |
Impressive. | 0:12:53 | 0:12:54 | |
Can Neil explain the postage item? | 0:12:55 | 0:12:59 | |
Where did that come from? | 0:12:59 | 0:13:01 | |
Originally it's a postage stamp machine. A what? | 0:13:01 | 0:13:05 | |
Postage stamp machine. | 0:13:05 | 0:13:06 | |
Oh, so you would have a box here? | 0:13:06 | 0:13:07 | |
Ticket dispense would have gone in there. | 0:13:07 | 0:13:09 | |
And then, they blank them off when they're not in use. | 0:13:09 | 0:13:12 | |
I think that's rather fun. | 0:13:12 | 0:13:13 | |
I thought it might go as a little lot with our little letter | 0:13:14 | 0:13:18 | |
cos we're dealing with postage, aren't we? Yes. | 0:13:18 | 0:13:22 | |
What have you got on those? | 0:13:22 | 0:13:23 | |
?40 for the stamp machine. | 0:13:23 | 0:13:25 | |
A tenner for the letters. | 0:13:25 | 0:13:27 | |
What do you think? | 0:13:29 | 0:13:30 | |
Just land you in it, I'm terrible at this. | 0:13:30 | 0:13:33 | |
30? 25? | 0:13:33 | 0:13:35 | |
Huh, you're just saying numbers now. | 0:13:35 | 0:13:37 | |
20. 45. | 0:13:37 | 0:13:39 | |
This is not my forte. | 0:13:39 | 0:13:41 | |
Don't be so hard on yourself, girl, you're doing great. | 0:13:41 | 0:13:44 | |
40 would be comfortable, | 0:13:44 | 0:13:46 | |
and I feel like I'm giving you the letter box for nothing. | 0:13:46 | 0:13:50 | |
35. | 0:13:50 | 0:13:52 | |
30 would be lovely as a round figure, wouldn't it? | 0:13:52 | 0:13:55 | |
It's round, we like round. | 0:13:55 | 0:13:58 | |
30. | 0:13:58 | 0:13:59 | |
And we might find something else. Go on. | 0:14:02 | 0:14:06 | |
I'll leave you some room to make some profit. | 0:14:06 | 0:14:08 | |
Thank you very much. | 0:14:08 | 0:14:09 | |
Oh, that's lovely. | 0:14:09 | 0:14:11 | |
Is there anything else that caught our eye? | 0:14:11 | 0:14:13 | |
I think we're on a winning streak here. | 0:14:13 | 0:14:15 | |
Yup, you're certainly on a roll, that's ?100 for the consulting chair | 0:14:15 | 0:14:18 | |
and ?30 for the 19th-century stamp dispenser with letter box. | 0:14:18 | 0:14:23 | |
And they're not the only ones who are getting deals done. | 0:14:23 | 0:14:26 | |
Back at the Sail Loft Emporium, Catherine's got | 0:14:26 | 0:14:29 | |
the owner of the brooch on the phone. | 0:14:29 | 0:14:31 | |
Is there any way you could go down to about 60 on that? | 0:14:31 | 0:14:34 | |
Is the cigar cutter yours as well? | 0:14:37 | 0:14:39 | |
We do quite like that as well. | 0:14:39 | 0:14:41 | |
OK. Thank you very much indeed. | 0:14:41 | 0:14:44 | |
Thank you. Bye-bye. | 0:14:44 | 0:14:46 | |
The pin, I think it was 70, but you might want to double-check on that. | 0:14:46 | 0:14:50 | |
What she did say about the cigar cutter is that | 0:14:50 | 0:14:54 | |
she would come down to 60 on that. | 0:14:54 | 0:14:56 | |
Oh, hello. | 0:14:56 | 0:14:58 | |
I've seen something that I really like round this corner. | 0:14:58 | 0:15:01 | |
Hang on, we've lost John. | 0:15:01 | 0:15:03 | |
The collapsible drinking cup. | 0:15:03 | 0:15:05 | |
Oh, yes, I've seen those. | 0:15:05 | 0:15:07 | |
That is nice, that's like Tiffany cups, that. | 0:15:07 | 0:15:08 | |
Hang on, he's off again. | 0:15:08 | 0:15:10 | |
He's interested in something else now. | 0:15:10 | 0:15:12 | |
There's no stopping him. I'm on a roll now. | 0:15:12 | 0:15:15 | |
Before I was mooching, now I'm having a proper full-on browse. | 0:15:15 | 0:15:19 | |
If John can just keep still for a minute, | 0:15:19 | 0:15:22 | |
they might actually buy something. | 0:15:22 | 0:15:24 | |
No? Yeah, I quite like it. | 0:15:24 | 0:15:25 | |
We could put it with our brooch. | 0:15:25 | 0:15:27 | |
You mean, you take two items and you put them together? | 0:15:27 | 0:15:30 | |
Yeah. And make one lot. Yeah. | 0:15:30 | 0:15:32 | |
I'm going for very manly things, have you noticed? I have. | 0:15:32 | 0:15:36 | |
I might have to camp up a bit | 0:15:36 | 0:15:38 | |
and go for something a little bit more feminine. | 0:15:38 | 0:15:40 | |
He's really getting into character now. | 0:15:40 | 0:15:42 | |
Well done, John. | 0:15:42 | 0:15:44 | |
You've got the antiques expert pose down to a T look. | 0:15:44 | 0:15:48 | |
I'd like to get both and the deer, kind of Monarch Of The Glen brooch. | 0:15:49 | 0:15:53 | |
If we could do a deal on these two, | 0:15:53 | 0:15:56 | |
so 60 on that and what would you want to pay for that? | 0:15:56 | 0:15:59 | |
120, 60 apiece. | 0:15:59 | 0:16:02 | |
Go on. | 0:16:02 | 0:16:03 | |
Time for John to take the stage. | 0:16:03 | 0:16:05 | |
We've got a proposal for you. | 0:16:08 | 0:16:10 | |
I don't like that look, John. | 0:16:10 | 0:16:12 | |
We'd like to take both. We're going to say... | 0:16:13 | 0:16:17 | |
What was it? 120 for the two. | 0:16:17 | 0:16:18 | |
I think that's very fair. | 0:16:18 | 0:16:20 | |
And if you give me that, I'll buy the Monarch of the Glen brooch | 0:16:20 | 0:16:24 | |
for a tenner off you. | 0:16:24 | 0:16:25 | |
I'll do that price if you do that at the marked price. | 0:16:25 | 0:16:30 | |
Shall we say 130? | 0:16:30 | 0:16:32 | |
OK. Are you happy with that? | 0:16:32 | 0:16:35 | |
I'm cool with that. | 0:16:35 | 0:16:36 | |
Take a bow, John. | 0:16:36 | 0:16:38 | |
First deal done like a pro. | 0:16:38 | 0:16:40 | |
Can you throw in this child's crash helmet. | 0:16:40 | 0:16:42 | |
Suits you, John. | 0:16:44 | 0:16:46 | |
After some intense negotiation, | 0:16:46 | 0:16:48 | |
John and Catherine have bought a rose gold cigar cutter for ?60, | 0:16:48 | 0:16:53 | |
a 1920s' silver pin brooch also for ?60 | 0:16:53 | 0:16:56 | |
and the stag's head brooch for a tenner. | 0:16:56 | 0:16:58 | |
They're done here. | 0:16:58 | 0:17:00 | |
Back at the reclamation yard, it's reached that time of day. | 0:17:00 | 0:17:04 | |
Anyone for a cocktail? You could mix gin and tonic in that. | 0:17:04 | 0:17:07 | |
Would you mix your gin and tonic in there? | 0:17:07 | 0:17:09 | |
We'd have up to there with gin. | 0:17:09 | 0:17:11 | |
And then one small drop of tonic. | 0:17:11 | 0:17:14 | |
I'll have mine shaken thanks, not stirred. | 0:17:14 | 0:17:16 | |
That's cocktail hour over. Back to work. | 0:17:18 | 0:17:21 | |
This is really old-fashioned, isn't it? | 0:17:22 | 0:17:24 | |
It's beautiful. | 0:17:24 | 0:17:26 | |
It's a Victorian mahogany cot with turned spindles | 0:17:26 | 0:17:29 | |
and original China castors. | 0:17:29 | 0:17:31 | |
Drop-sided cots like this were actually banned in | 0:17:31 | 0:17:35 | |
the USA for safety reasons. | 0:17:35 | 0:17:37 | |
Ready? One, two, three. | 0:17:37 | 0:17:38 | |
Throw baby in. | 0:17:42 | 0:17:43 | |
And then guillotine it. That's it. | 0:17:43 | 0:17:45 | |
Stay in there. | 0:17:45 | 0:17:46 | |
Not allowed out. | 0:17:46 | 0:17:47 | |
I reckon this is about 1860, 1870. | 0:17:47 | 0:17:50 | |
Do you think we should buy it? | 0:17:50 | 0:17:52 | |
I think it's great. Do you like it? | 0:17:52 | 0:17:54 | |
It's a beautiful thing. | 0:17:54 | 0:17:55 | |
It's a thing of beauty, isn't it? | 0:17:55 | 0:17:57 | |
And I think it's very unusual. | 0:17:57 | 0:17:59 | |
Neil. | 0:17:59 | 0:18:01 | |
Can I just ask you... | 0:18:01 | 0:18:03 | |
how much for this? | 0:18:03 | 0:18:06 | |
200. | 0:18:06 | 0:18:08 | |
?200. | 0:18:08 | 0:18:10 | |
But what would you use it for? | 0:18:10 | 0:18:12 | |
I'm struggling at the moment. | 0:18:12 | 0:18:14 | |
I think there must be somebody out there | 0:18:14 | 0:18:17 | |
who would think of a way of using this. | 0:18:17 | 0:18:19 | |
No-one in here though. | 0:18:19 | 0:18:20 | |
If you took that completely off...it's quite nice and comfy. | 0:18:20 | 0:18:26 | |
Comfy? Yeah. | 0:18:26 | 0:18:27 | |
Let's have a look. | 0:18:27 | 0:18:30 | |
Maybe I'm just being stupid, but I love it. | 0:18:30 | 0:18:32 | |
I would like to see the auctioneer | 0:18:32 | 0:18:34 | |
having as much an imagination as me | 0:18:34 | 0:18:35 | |
and saying it's worth maybe... | 0:18:35 | 0:18:37 | |
200 to 300, 300 to 400. | 0:18:37 | 0:18:40 | |
Hermione doesn't seem to be too sure about the cot-turned-couch idea. | 0:18:40 | 0:18:44 | |
Maybe a good price would convince her. | 0:18:44 | 0:18:46 | |
I'm having trouble convincing Hermione. | 0:18:46 | 0:18:49 | |
I love it. | 0:18:49 | 0:18:50 | |
What's your really, really, really best price. | 0:18:50 | 0:18:54 | |
Two happy people... | 0:18:54 | 0:18:55 | |
Please, to make two very happy people... | 0:18:55 | 0:18:58 | |
Very, very, very, very happy people. | 0:18:58 | 0:19:02 | |
Is that too much? No, it's very good. | 0:19:02 | 0:19:04 | |
I'll do this for 120. | 0:19:07 | 0:19:09 | |
Which then, we've spend 250. | 0:19:09 | 0:19:11 | |
Is that good? Fantastic. Thank you. | 0:19:11 | 0:19:14 | |
I can't thank you enough. | 0:19:16 | 0:19:17 | |
Well done. A good deal all round. | 0:19:17 | 0:19:20 | |
Thank you. You have really made us happy. | 0:19:22 | 0:19:24 | |
You really have. | 0:19:24 | 0:19:26 | |
Having spent the day in Charlestown, | 0:19:26 | 0:19:28 | |
marine enthusiast Catherine has invited John to dive into | 0:19:28 | 0:19:31 | |
the colourful and unexpected past of this historic port town. | 0:19:31 | 0:19:35 | |
Pleased to meet you. John. Lovely to meet you. | 0:19:35 | 0:19:38 | |
They're meeting Roy Rodriguez, | 0:19:38 | 0:19:40 | |
from the Shipwreck And Heritage Centre, | 0:19:40 | 0:19:43 | |
who starts by enlightening them on how the town got its name. | 0:19:43 | 0:19:47 | |
It's all to do with a man named Charles Rashleigh, cos in 1790, | 0:19:47 | 0:19:51 | |
there were nine fishermen here in the village | 0:19:51 | 0:19:54 | |
and he could see a need for a harbour and by 1794, | 0:19:54 | 0:19:59 | |
there were 300 people living here with cottages | 0:19:59 | 0:20:03 | |
and they changed the name form West Porthmear to Charlestown. | 0:20:03 | 0:20:09 | |
Even now the locals refer to it as Charlie's town. | 0:20:09 | 0:20:13 | |
But it was a precious substance hidden deep in the granite rocks | 0:20:13 | 0:20:17 | |
all around Devon and Cornwall | 0:20:17 | 0:20:19 | |
that really made Charlestown name - china clay. | 0:20:19 | 0:20:22 | |
I'm really interested to know about the Wedgewood connection, | 0:20:22 | 0:20:25 | |
so he used to come here? | 0:20:25 | 0:20:26 | |
Yeah, he was a frequent visitor to Charlestown | 0:20:26 | 0:20:29 | |
cos he used to come here to select the different grades of china clay | 0:20:29 | 0:20:32 | |
for his pottery. | 0:20:32 | 0:20:34 | |
Charlestown is the oldest china clay port in the world | 0:20:34 | 0:20:37 | |
and here carefully preserved are the tunnels through which the china clay | 0:20:37 | 0:20:41 | |
from the clay pits of St Austell was transported to waiting ships. | 0:20:41 | 0:20:45 | |
These tracks here are | 0:20:46 | 0:20:47 | |
the tracks where the trolleys run along with the china clay. | 0:20:47 | 0:20:51 | |
Oh, I like this. | 0:20:51 | 0:20:52 | |
By the mid-19th century, workers were extracting | 0:20:52 | 0:20:55 | |
and shipping 65,000 tons of clay per year. | 0:20:55 | 0:20:59 | |
How many people would have been working down here? | 0:20:59 | 0:21:01 | |
Oh, hundreds of people. | 0:21:01 | 0:21:04 | |
Also working on the ships cos the ships were in and out all day. | 0:21:04 | 0:21:08 | |
Why china clay? | 0:21:08 | 0:21:09 | |
It is similar to a kind they get in China, | 0:21:09 | 0:21:12 | |
or is that cos of the pottery it made? | 0:21:12 | 0:21:15 | |
I think it's because of the pottery that it made. | 0:21:15 | 0:21:18 | |
But it's used for everything. | 0:21:19 | 0:21:21 | |
It's a bit creepy down here. | 0:21:22 | 0:21:24 | |
Don't worry, Catherine, John and Roy will protect you. | 0:21:25 | 0:21:29 | |
I must admit, I'm glad I'm with two big strong men | 0:21:29 | 0:21:32 | |
cos I do feel a bit vulnerable down here. | 0:21:32 | 0:21:35 | |
It's a bit scary. | 0:21:35 | 0:21:36 | |
IN A CAMP VOICE: I'm terrified of spiders. OK. | 0:21:36 | 0:21:40 | |
Roy will protect you. | 0:21:40 | 0:21:41 | |
Come on, don't leave me alone. | 0:21:42 | 0:21:45 | |
Catherine might be right to feel a chill as the centre also houses | 0:21:45 | 0:21:49 | |
a collection dedicated to the darker side of seafaring life. | 0:21:49 | 0:21:53 | |
All these artefacts here, they came from different shipwrecks. | 0:21:53 | 0:21:58 | |
Catherine was Head Of Maritime at Sotheby's, so this treasure salvaged | 0:21:58 | 0:22:02 | |
from shipwrecks is bound to float her boat. | 0:22:02 | 0:22:06 | |
Wow, so we've got the Lusitania here. | 0:22:06 | 0:22:08 | |
And the Medina. | 0:22:08 | 0:22:10 | |
But the most famous one, | 0:22:10 | 0:22:11 | |
which probably everyone knows, is the Titanic. | 0:22:11 | 0:22:15 | |
And there is a letter in this cabinet | 0:22:15 | 0:22:17 | |
which was from Fred Banfield. | 0:22:17 | 0:22:19 | |
Banfield was on board? | 0:22:19 | 0:22:20 | |
He was. A passenger? | 0:22:20 | 0:22:23 | |
He was. | 0:22:23 | 0:22:24 | |
And the letter is to his wife. | 0:22:24 | 0:22:27 | |
Did he survive? He didn't. | 0:22:28 | 0:22:31 | |
"Well, my darling, it is splendid weather today and mild as a pond. | 0:22:32 | 0:22:37 | |
"But I expect we shall have it a little rougher | 0:22:37 | 0:22:41 | |
"directly going across to France. | 0:22:41 | 0:22:43 | |
"I believe we will call it Queenstown as well." | 0:22:43 | 0:22:47 | |
It's really poignant, that's really sad. | 0:22:47 | 0:22:49 | |
Yeah, sad, really. | 0:22:49 | 0:22:51 | |
That's amazing. | 0:22:51 | 0:22:52 | |
Do you know what I love seeing? The menus. | 0:22:56 | 0:22:58 | |
What people had. We've got the menu just here. | 0:22:58 | 0:23:01 | |
The first class menu. | 0:23:01 | 0:23:03 | |
I love seeing... | 0:23:03 | 0:23:04 | |
Is that the original? Yeah. | 0:23:04 | 0:23:07 | |
Supper - gruel, cabin biscuits and cheese. | 0:23:07 | 0:23:10 | |
And a squeeze of lime to keep the scurvy away. | 0:23:12 | 0:23:15 | |
I sold one of those for ?17,500 once. | 0:23:15 | 0:23:19 | |
A menu? Yep. | 0:23:19 | 0:23:20 | |
Really. That size. | 0:23:20 | 0:23:22 | |
Oh, my God. I'm in the wrong job. I know. | 0:23:24 | 0:23:27 | |
Aye, me hearty. | 0:23:27 | 0:23:29 | |
There's treasure to be found if you know where to look. | 0:23:29 | 0:23:32 | |
Roy, thank you so much. That's all right, you're welcome. | 0:23:32 | 0:23:34 | |
Really enjoyed it, thank you. Yeah, it's been wonderful. | 0:23:34 | 0:23:37 | |
Thank you. Really enjoyed it. | 0:23:37 | 0:23:39 | |
Bye. Bye. | 0:23:39 | 0:23:41 | |
As you have been such a good boy today, John, | 0:23:42 | 0:23:44 | |
I'm going to give you ?1 | 0:23:44 | 0:23:45 | |
and I'm going to let you have a go on the boats. | 0:23:45 | 0:23:48 | |
I'm going to race you. | 0:23:48 | 0:23:50 | |
I haven't done this for years. | 0:23:50 | 0:23:52 | |
Here we go. | 0:23:52 | 0:23:54 | |
You're going to crash into me. | 0:23:54 | 0:23:57 | |
It's like dodgems. | 0:23:57 | 0:23:59 | |
While it's playtime for those two, | 0:23:59 | 0:24:01 | |
Hermione's getting her half-term report. | 0:24:01 | 0:24:04 | |
I'm not very good at my bargaining, am I? | 0:24:04 | 0:24:08 | |
I don't think you've done too badly, actually. | 0:24:08 | 0:24:11 | |
Considering you got... | 0:24:11 | 0:24:13 | |
You started off offering them half, I mean, | 0:24:13 | 0:24:17 | |
I think that's really good, that's a good opening offer. | 0:24:17 | 0:24:19 | |
Gold star and top of the class. | 0:24:19 | 0:24:21 | |
Hermione and Mark have arrived at the Sail Loft Emporium | 0:24:21 | 0:24:25 | |
just as the others have left with their booty. | 0:24:25 | 0:24:27 | |
With a few choice buys under her belt, | 0:24:27 | 0:24:30 | |
Hermione's considering the competition. | 0:24:30 | 0:24:32 | |
I bet Catherine and John have been really canny | 0:24:32 | 0:24:34 | |
and really quite serious in their endeavour to... | 0:24:34 | 0:24:38 | |
Yes, canny and serious. | 0:24:38 | 0:24:41 | |
That's them all right... Not. | 0:24:41 | 0:24:43 | |
I think in here we've got a maybe...look more on, | 0:24:43 | 0:24:47 | |
"Can we make a profit on something?" | 0:24:47 | 0:24:49 | |
Rather than something that really hits us. | 0:24:49 | 0:24:52 | |
Yes. We'd love if we can, but I think that little figure, | 0:24:52 | 0:24:55 | |
I don't know what it's made of, do you like it? | 0:24:55 | 0:24:58 | |
No, I think it's horrible, | 0:24:58 | 0:24:59 | |
but I think if it's going to make a profit, | 0:24:59 | 0:25:01 | |
then that's a good thing. Can I just say one thing? I think | 0:25:01 | 0:25:04 | |
it's really important we understand each other, | 0:25:04 | 0:25:06 | |
please don't hold back, say what you feel. I will. | 0:25:06 | 0:25:08 | |
It's important. OK. | 0:25:08 | 0:25:10 | |
I'll take that on board. | 0:25:10 | 0:25:11 | |
He's quite grumpy, isn't he? | 0:25:13 | 0:25:15 | |
Very competitive. | 0:25:17 | 0:25:18 | |
He doesn't want Catherine to win at all, does he? | 0:25:18 | 0:25:21 | |
He certainly doesn't. | 0:25:21 | 0:25:23 | |
So, will this be the item | 0:25:23 | 0:25:25 | |
which ladles out disaster to the opposition? | 0:25:25 | 0:25:27 | |
Well, it's actually a toddy ladle... | 0:25:27 | 0:25:29 | |
..for pouring out your hot toddies. | 0:25:32 | 0:25:34 | |
It's a nice thing. | 0:25:35 | 0:25:37 | |
It has quite a nice feel to it, it's got the right weight feel to it. | 0:25:37 | 0:25:41 | |
And this is probably horn... | 0:25:41 | 0:25:44 | |
Right. ..from a deer or something like that, | 0:25:44 | 0:25:47 | |
or from a cow. | 0:25:47 | 0:25:49 | |
Which has been heated and spirally fluted, | 0:25:49 | 0:25:52 | |
with that little silver finial. | 0:25:52 | 0:25:54 | |
It's beautifully chased. | 0:25:54 | 0:25:56 | |
Hermione's certainly drinking up all this information. | 0:25:56 | 0:25:58 | |
(That's very interesting.) | 0:25:58 | 0:26:00 | |
(I think you should purchase it.) | 0:26:00 | 0:26:03 | |
(But not for ?70.) (No.) | 0:26:03 | 0:26:05 | |
(Watch out, Sarah's coming.) | 0:26:05 | 0:26:07 | |
Say something nice. | 0:26:07 | 0:26:08 | |
Sarah's got one of those lovely faces. Thank you. | 0:26:08 | 0:26:11 | |
How are you? | 0:26:11 | 0:26:12 | |
I'm very well. | 0:26:12 | 0:26:14 | |
You know me. And Hermione. Hello. You know our little challenge? | 0:26:14 | 0:26:17 | |
Yes, I do. | 0:26:17 | 0:26:18 | |
We've looked at this. What can you tell me about it? | 0:26:18 | 0:26:21 | |
I can tell you it's Georgian style, it's not hallmarked. | 0:26:21 | 0:26:25 | |
Well... | 0:26:25 | 0:26:27 | |
We quite like it. | 0:26:27 | 0:26:29 | |
Do you have an eye glass? | 0:26:29 | 0:26:30 | |
I do indeed. | 0:26:30 | 0:26:32 | |
You're going to use an eye glass? I am, I'm going to get technical. | 0:26:32 | 0:26:35 | |
Exciting! | 0:26:35 | 0:26:36 | |
Let's have a look. I'm going in now. | 0:26:38 | 0:26:41 | |
What is it telling you? | 0:26:41 | 0:26:43 | |
I was trying to see whether looking at it close up | 0:26:43 | 0:26:47 | |
would tell me if it was any better quality | 0:26:47 | 0:26:51 | |
than I thought at the beginning, | 0:26:51 | 0:26:52 | |
but it's not, to be honest with you. | 0:26:52 | 0:26:54 | |
I'm just not sure, Hermione. | 0:26:54 | 0:26:55 | |
Would you like my best price on it? | 0:26:55 | 0:26:57 | |
I would love your very best price. | 0:26:57 | 0:27:00 | |
My very, very, very best price would be ?52. | 0:27:00 | 0:27:03 | |
?52! | 0:27:03 | 0:27:05 | |
It's not round, is it? No. | 0:27:05 | 0:27:07 | |
That's a bit more than I was hoping for. | 0:27:07 | 0:27:10 | |
Do you want me to have a look through that eye glass? | 0:27:10 | 0:27:13 | |
Could you give me your valid opinion? | 0:27:13 | 0:27:15 | |
I'll give you my valid opinion. | 0:27:15 | 0:27:16 | |
Hermione's graduated to the eye glass. | 0:27:16 | 0:27:19 | |
Our little girl is all grown up. How close do you have to get? | 0:27:19 | 0:27:22 | |
Sorry, I think I've got something in my eye. | 0:27:22 | 0:27:24 | |
Oh, you are looking through the glass bit, aren't you? | 0:27:24 | 0:27:26 | |
It's quite, crude, isn't it? | 0:27:26 | 0:27:28 | |
Which suggests it might be provincial. Yes. | 0:27:28 | 0:27:31 | |
You're getting the hang of this. | 0:27:31 | 0:27:33 | |
Rookie to expert in less than a day. | 0:27:33 | 0:27:36 | |
Hermione and I would love to purchase something here today. | 0:27:36 | 0:27:40 | |
We really would. | 0:27:40 | 0:27:42 | |
Would say what a lovely place Charlestown is. | 0:27:42 | 0:27:45 | |
And we love round numbers. | 0:27:45 | 0:27:47 | |
We love round numbers. | 0:27:47 | 0:27:48 | |
We would love to say around 40. | 0:27:48 | 0:27:51 | |
I was going to say 35. Were you? | 0:27:53 | 0:27:55 | |
But I'm odd. | 0:27:56 | 0:27:57 | |
Should we split in the middle and say 38? 38? | 0:27:57 | 0:28:01 | |
It would help us a lot. | 0:28:01 | 0:28:05 | |
Yes, it really would. | 0:28:05 | 0:28:06 | |
Yes, I will go to 40, but no lower. | 0:28:06 | 0:28:09 | |
Now Hermione's found her feet, there's no stopping this team. | 0:28:09 | 0:28:13 | |
That's a silver punch ladle with an embossed bowl | 0:28:13 | 0:28:16 | |
and horn handle for ?40. | 0:28:16 | 0:28:18 | |
What a day, eh? | 0:28:18 | 0:28:20 | |
Hermione's such a good student she's really getting the hang of this. | 0:28:20 | 0:28:23 | |
Tweed man John certainly looks the part and he seems to know his stuff. | 0:28:23 | 0:28:27 | |
Both teams finding treasures, striking deals. | 0:28:27 | 0:28:30 | |
Oh, exhausting though. | 0:28:30 | 0:28:32 | |
Big day tomorrow. | 0:28:32 | 0:28:33 | |
Early to bed, you lot. Night-night. | 0:28:33 | 0:28:35 | |
It's the dawn of a new day. | 0:28:39 | 0:28:40 | |
John and Hermione have both done a cracking job of | 0:28:40 | 0:28:43 | |
navigating their way through the world of antiques | 0:28:43 | 0:28:45 | |
and they're both eager to find out how the other has done. | 0:28:45 | 0:28:48 | |
The things that I were personally drawn to | 0:28:48 | 0:28:50 | |
were just things that I were drawn to, | 0:28:50 | 0:28:52 | |
that wouldn't necessarily make any money, and I went, | 0:28:52 | 0:28:55 | |
"I like this, but I know...that it wouldn't make back | 0:28:55 | 0:28:59 | |
"the same money that we bought it for." | 0:28:59 | 0:29:01 | |
She went, "You're right." So we put it back. | 0:29:01 | 0:29:04 | |
What about you? | 0:29:04 | 0:29:06 | |
Mark's amazing. | 0:29:06 | 0:29:07 | |
He honestly picks up everything and just knows | 0:29:07 | 0:29:10 | |
if it's an engraving, who's made it, | 0:29:10 | 0:29:13 | |
what date things are. It's really impressive. | 0:29:13 | 0:29:17 | |
The experts are also assessing their eager acolytes. | 0:29:17 | 0:29:20 | |
How was your day yesterday? | 0:29:20 | 0:29:22 | |
Hermione was a bit challenging to begin with, I think. | 0:29:22 | 0:29:25 | |
She was a bit unsure of what she was doing. | 0:29:25 | 0:29:29 | |
But actually... You warmed her up, did you? | 0:29:29 | 0:29:32 | |
Well, I hope so. And she certainly warmed me up. | 0:29:32 | 0:29:34 | |
Oh, did she? Yeah, she did. | 0:29:34 | 0:29:37 | |
Warmed up and ready to go, we're restarting proceedings | 0:29:37 | 0:29:40 | |
in Cornwall's historic town of Lostwithiel. | 0:29:40 | 0:29:44 | |
And what a setting. | 0:29:44 | 0:29:46 | |
A 12th-century bridge, the River Fowey | 0:29:46 | 0:29:48 | |
and four very competitive road trippers. | 0:29:48 | 0:29:51 | |
You've got a lot of shopping to do. | 0:29:51 | 0:29:52 | |
We've got a lot of shopping. You haven't bought very much. | 0:29:52 | 0:29:55 | |
Just go. Let's go this way. Come on. | 0:29:55 | 0:29:58 | |
Good luck. They're going to need it. | 0:29:58 | 0:30:00 | |
Oh! Fighting talk, eh? | 0:30:00 | 0:30:03 | |
Yesterday, our teams stormed out of the blocks. | 0:30:05 | 0:30:08 | |
John and Catherine spent ?130 of their ?400 | 0:30:08 | 0:30:11 | |
on two brooches and a cigar cutter. | 0:30:11 | 0:30:13 | |
Hermione and Mark topped that, spending a whopping ?290 on a | 0:30:13 | 0:30:17 | |
stamp dispenser, a consulting couch, a punch label and a cot. | 0:30:17 | 0:30:21 | |
Hello. Hello. Good morning, welcome. | 0:30:24 | 0:30:28 | |
Opened ten years ago, Uzella Court Antiques has cabinets | 0:30:28 | 0:30:32 | |
housing items from over a dozen dealers. | 0:30:32 | 0:30:34 | |
If Hermione and Mark want to go on a spending spree, this is the place. | 0:30:34 | 0:30:38 | |
How much have we got left, Hermione? 110. 110. | 0:30:38 | 0:30:42 | |
Do we want to try and blow the budget? Yes, shall we? | 0:30:42 | 0:30:45 | |
We might as well. Yes. | 0:30:45 | 0:30:46 | |
We only get one chance. | 0:30:46 | 0:30:48 | |
After first day at school nerves yesterday, | 0:30:48 | 0:30:51 | |
Hermione graduated into a confident antiques hunter. | 0:30:51 | 0:30:54 | |
Now could be the moment for her to go it alone. | 0:30:54 | 0:30:57 | |
What's that? | 0:30:57 | 0:30:58 | |
"A coloured pen and ink of a musical pair... | 0:31:00 | 0:31:04 | |
"by painter, watercolourist and illustrator Edmund Joseph Sullivan. | 0:31:04 | 0:31:08 | |
"RWS." | 0:31:08 | 0:31:10 | |
Edmund Joseph Sullivan was a prolific illustrator | 0:31:10 | 0:31:14 | |
between 1890 and 1920. | 0:31:14 | 0:31:16 | |
In 1900, he illustrated Tennyson's A Dream Of Fair Women. | 0:31:16 | 0:31:20 | |
I think what we'll have to do is ask the lady to get it down for us... | 0:31:20 | 0:31:25 | |
Yes. ..and have a proper look. | 0:31:25 | 0:31:26 | |
Shall I go and get her? Do you mind, Hermione? | 0:31:26 | 0:31:28 | |
Hermione seems really taken. | 0:31:28 | 0:31:30 | |
She said, "I really like that." So I think if we can get it | 0:31:30 | 0:31:34 | |
within our remaining budget, we should go for it, really. | 0:31:34 | 0:31:38 | |
The Edwardian watercolour is ticketed at ?175. | 0:31:38 | 0:31:41 | |
They only have ?110 left. | 0:31:41 | 0:31:45 | |
We've only got a certain amount of money left. | 0:31:45 | 0:31:47 | |
Yes, cos we...cos Mark made me buy all these things yesterday. | 0:31:47 | 0:31:50 | |
HE GASPS | 0:31:50 | 0:31:52 | |
And this is...I've been left with a meagre budget. | 0:31:52 | 0:31:56 | |
OK. You tell me what you've got. | 0:31:56 | 0:31:58 | |
I'm afraid, literally the top - | 0:31:58 | 0:32:00 | |
literally, literally, every single penny is 110. | 0:32:00 | 0:32:04 | |
That's what we've got left. That is all we have. | 0:32:04 | 0:32:07 | |
And this is the thing that lit up in the room, | 0:32:07 | 0:32:10 | |
as soon as you saw this. Yes. | 0:32:10 | 0:32:11 | |
It is beautiful. It's very different. I don't know the artist, | 0:32:11 | 0:32:14 | |
it's a very eclectic taste, it's not... | 0:32:14 | 0:32:16 | |
It is, it's rough and ready... | 0:32:16 | 0:32:18 | |
It's not something everybody's going to want. No. | 0:32:18 | 0:32:20 | |
But I really like it as well. | 0:32:20 | 0:32:22 | |
I love the colours. | 0:32:22 | 0:32:24 | |
I love the earthiness of it. I say yes. | 0:32:24 | 0:32:28 | |
Yes to 110 if you'd really like it. Vicky, thank you very much. | 0:32:28 | 0:32:32 | |
Yes, it is lovely. We'll shake hands. | 0:32:32 | 0:32:34 | |
Do you think? I think so. You really like it. | 0:32:34 | 0:32:37 | |
We haven't looked at anything else. | 0:32:37 | 0:32:39 | |
I'm with you, honestly. | 0:32:39 | 0:32:41 | |
Honestly? Promise. | 0:32:41 | 0:32:42 | |
I think that might be a disaster. | 0:32:46 | 0:32:47 | |
Courage, Hermione. | 0:32:49 | 0:32:51 | |
You've come so far, don't lose your nerve now, girl. | 0:32:51 | 0:32:54 | |
With Mark and Hermione all bought up, | 0:32:55 | 0:32:58 | |
Catherine and John have got some catching up to do. | 0:32:58 | 0:33:00 | |
Good morning! Hi, nice to meet you. Hello, I'm Catherine. | 0:33:00 | 0:33:02 | |
Nice to meet you. | 0:33:02 | 0:33:04 | |
Mark Royle Antiques has been trading for nine years, | 0:33:04 | 0:33:06 | |
since the man himself left the London advertising scene | 0:33:06 | 0:33:09 | |
for something more tranquil. | 0:33:09 | 0:33:11 | |
He specialises in individual decorative interior items. | 0:33:11 | 0:33:15 | |
It's a lot of interior pieces, is that what you...? | 0:33:15 | 0:33:17 | |
It is, I'm not traditional antiques, | 0:33:17 | 0:33:19 | |
I am more interior dressing pieces, really, one-off pieces. | 0:33:19 | 0:33:23 | |
Lovely. Well, your wife's an interior designer. | 0:33:23 | 0:33:25 | |
She is. So you must have an eye. I do have an eye. | 0:33:25 | 0:33:28 | |
Yeah? I do, yeah. | 0:33:28 | 0:33:29 | |
Cos she used to go propping quite a lot, so I do know a little bit. | 0:33:29 | 0:33:33 | |
I've inherited a bit of an eye. | 0:33:33 | 0:33:35 | |
I've got a good eye for colour, apparently. | 0:33:35 | 0:33:38 | |
But what you need now, John, is an eye for a bargain. | 0:33:38 | 0:33:41 | |
Oh, we could spend a fortune in here. | 0:33:41 | 0:33:43 | |
You've only got ?270 left, remember. | 0:33:43 | 0:33:46 | |
I like your horse. | 0:33:46 | 0:33:47 | |
The horse is lovely, isn't it? A fairground horse. | 0:33:47 | 0:33:50 | |
2,225. How's that in your budget? | 0:33:50 | 0:33:54 | |
Definitely more than ?270, eh? | 0:33:54 | 0:33:57 | |
I can imagine you doing a bit of morris dancing. | 0:33:58 | 0:34:01 | |
I'm a professional drummer. | 0:34:01 | 0:34:02 | |
Oh, are you? Yes. Are you? Yeah. I didn't know that. Mm. I am. | 0:34:02 | 0:34:06 | |
Ooh! So, you know I do jazz club on Fast Show. "Great." | 0:34:06 | 0:34:10 | |
I actually love jazz, genuinely. Right. | 0:34:10 | 0:34:13 | |
People are really shocked that I'm actually into jazz. Yeah. | 0:34:13 | 0:34:16 | |
But jazz-funk and jazz fusion's really my kind of music. Right. | 0:34:16 | 0:34:20 | |
Yeah, I bet your neighbours love you. | 0:34:20 | 0:34:22 | |
Time to see if John's wife's talents really have rubbed off on him. | 0:34:22 | 0:34:26 | |
Is decoupage where they cut it out and paste it? Yes. | 0:34:26 | 0:34:29 | |
Ah, she will be proud. | 0:34:29 | 0:34:31 | |
Why, what are you thinking? | 0:34:31 | 0:34:33 | |
Is that...is that that? Yeah. It is, isn't it? | 0:34:33 | 0:34:36 | |
So, is the decoupage screen cut out to make a profit? | 0:34:36 | 0:34:39 | |
No, I don't like that, obviously. It looks late Victorian, doesn't it? | 0:34:39 | 0:34:42 | |
Looks a bit... Maybe a bit too much. | 0:34:42 | 0:34:45 | |
Hang on... | 0:34:45 | 0:34:46 | |
Is that a crazed kitten dismembering a doll? | 0:34:46 | 0:34:49 | |
It looks like the work of a madman. | 0:34:49 | 0:34:51 | |
Maybe something more traditional is closer to his taste. | 0:34:51 | 0:34:55 | |
Shaped basket? Is it... What? | 0:34:55 | 0:34:57 | |
A cobbler's last made out of a 17th-century carved oak bedpost. | 0:34:57 | 0:35:03 | |
Looks like Frankenstein, kind of stitched together, doesn't it? | 0:35:03 | 0:35:06 | |
Yes, that's very you, isn't it? | 0:35:06 | 0:35:08 | |
Catherine, I'm not sure that's a compliment. | 0:35:08 | 0:35:10 | |
So what is it? A cobbler's last? | 0:35:10 | 0:35:12 | |
Can you tell us about this? | 0:35:12 | 0:35:14 | |
A last is a foot-shaped brace used by cobblers | 0:35:14 | 0:35:17 | |
and cordwainers to repair or make shoes. | 0:35:17 | 0:35:20 | |
This one's made of cast iron | 0:35:20 | 0:35:22 | |
and fixed to a piece of 17th-century carved oak bedpost. | 0:35:22 | 0:35:25 | |
As you do. | 0:35:25 | 0:35:27 | |
I just like it cos it's odd. | 0:35:27 | 0:35:28 | |
I don't know. It's just weird, isn't it? It's just weird, isn't it? | 0:35:28 | 0:35:31 | |
But is it TOO weird? | 0:35:31 | 0:35:34 | |
We've gone... I don't know anyone with a collection of these. | 0:35:34 | 0:35:36 | |
So we think this would be good at the right price. | 0:35:39 | 0:35:42 | |
Yeah. | 0:35:42 | 0:35:43 | |
Possibly. It's a bit of fun. It's a bit of fun, isn't it? | 0:35:43 | 0:35:45 | |
I can't guarantee that's going to raise... | 0:35:45 | 0:35:47 | |
It won't raise a lot of money, | 0:35:47 | 0:35:49 | |
but it'll certainly raise an eyebrow. | 0:35:49 | 0:35:51 | |
Yeah, it will. And a few legs, probably. Probably. | 0:35:51 | 0:35:54 | |
SHE LAUGHS | 0:35:54 | 0:35:55 | |
What have you got on it, Mark? 55. | 0:35:55 | 0:35:57 | |
Right. | 0:35:57 | 0:35:59 | |
OK. And what could you do on that? | 0:36:00 | 0:36:02 | |
I could let you have it for 30, | 0:36:03 | 0:36:05 | |
and I think it'd do well at auction for that. | 0:36:05 | 0:36:07 | |
Could you pinch it a little bit more, Mark? | 0:36:07 | 0:36:10 | |
How much more? 25? | 0:36:10 | 0:36:12 | |
Ooh, John. | 0:36:12 | 0:36:14 | |
Go on. | 0:36:14 | 0:36:15 | |
Nicely played, eh? | 0:36:15 | 0:36:16 | |
Thank you. It's OK. | 0:36:16 | 0:36:17 | |
Thank you so much. A pleasure. I think it's lovely, I really do. | 0:36:17 | 0:36:20 | |
There we go, one, two, three. | 0:36:20 | 0:36:22 | |
Super. | 0:36:22 | 0:36:23 | |
There we are. It's a deal. | 0:36:23 | 0:36:24 | |
Thank you very much. Thank you very much indeed. | 0:36:24 | 0:36:27 | |
Antiques apprentice John earning his wings, there. Great work. | 0:36:27 | 0:36:31 | |
But when it comes to flying high, | 0:36:31 | 0:36:33 | |
Hermione's on her way to see | 0:36:33 | 0:36:35 | |
a collection that just might take her breath away. | 0:36:35 | 0:36:39 | |
MUSIC: "Take My Breath Away" by Berlin | 0:36:39 | 0:36:41 | |
# Take my breath away... # | 0:36:48 | 0:36:52 | |
OK, well, welcome to the hangar of the Classic Air Force. | 0:36:53 | 0:36:57 | |
Wow! | 0:36:57 | 0:36:58 | |
These are the ones in the post-Second World War, Cold War era, | 0:36:58 | 0:37:02 | |
the ones that really set the scene | 0:37:02 | 0:37:05 | |
and helped to develop aviation as it is today. | 0:37:05 | 0:37:07 | |
Hermione and Mark are with Trevor Bailey at Classic Air | 0:37:07 | 0:37:11 | |
in Newquay, which houses Europe's largest collection | 0:37:11 | 0:37:14 | |
of post-war classic aircraft. | 0:37:14 | 0:37:16 | |
# Take my breath away... # | 0:37:17 | 0:37:20 | |
Classic Air have over 40 British-built aircraft, | 0:37:20 | 0:37:22 | |
transporting visitors back to the '40s, '50s and '60s, | 0:37:22 | 0:37:26 | |
when flying was all about glamour and romance. | 0:37:26 | 0:37:29 | |
They are very evocative, aren't they? | 0:37:29 | 0:37:31 | |
Of that sort of more gentler age of flying, | 0:37:31 | 0:37:33 | |
without all the security measures we have today. | 0:37:33 | 0:37:36 | |
Well, it's become much more less romantic than it was, | 0:37:36 | 0:37:39 | |
and we're trying to get a bit of the romanticism back into it, | 0:37:39 | 0:37:42 | |
if you like. Or at least give you the experience. | 0:37:42 | 0:37:44 | |
Trevor, how rare is something like this biplane now? | 0:37:44 | 0:37:47 | |
You'd be stretching it, probably, to take it to double figures. | 0:37:47 | 0:37:50 | |
Yes, so it's a rare item, isn't it? Mm. | 0:37:50 | 0:37:53 | |
But it looks... Beautiful. ..it looks so wonderful, doesn't it? | 0:37:53 | 0:37:55 | |
Beautiful. So, when you're sat inside that, | 0:37:55 | 0:37:58 | |
and you're flying along the beaches of Cornwall, | 0:37:58 | 0:38:00 | |
every seat has a panoramic window, and you're looking out | 0:38:00 | 0:38:03 | |
through those wings, those long, tapering, elliptical wings. | 0:38:03 | 0:38:07 | |
It really is quite unique. Yes. And memorable. It just looks wonderful. | 0:38:07 | 0:38:12 | |
You'll see people come off the aircraft today, perhaps, | 0:38:12 | 0:38:14 | |
while you're here, and you don't see many broader grins. | 0:38:14 | 0:38:16 | |
No, I bet. | 0:38:16 | 0:38:18 | |
So taking to the air is the way to see these fantastic flying machines | 0:38:18 | 0:38:23 | |
at their best. And guess what - Hermione and Mark | 0:38:23 | 0:38:26 | |
are about to get the chance to find out for themselves. | 0:38:26 | 0:38:29 | |
Lucky dogs. | 0:38:29 | 0:38:30 | |
How about flying in one of our planes this afternoon? | 0:38:30 | 0:38:34 | |
Ooh, I'd love to. | 0:38:34 | 0:38:35 | |
Wouldn't you? Is it safe? | 0:38:35 | 0:38:37 | |
Of course it's safe! Trevor's maintained it. Is it, Trevor? | 0:38:37 | 0:38:42 | |
What sort of plane, Trevor? | 0:38:42 | 0:38:44 | |
Well, how about one like this one here, | 0:38:44 | 0:38:46 | |
that you enjoyed looking at earlier? MARK GASPS | 0:38:46 | 0:38:49 | |
Well, it's very... Oh, yes, come on! | 0:38:49 | 0:38:52 | |
Come on. Are you serious? Really? | 0:38:52 | 0:38:55 | |
Oh, come on, we must. | 0:38:55 | 0:38:57 | |
Don't worry, Hermione, these planes are lovingly restored | 0:38:57 | 0:39:01 | |
and maintained in tiptop condition. | 0:39:01 | 0:39:03 | |
There's nothing to fear. | 0:39:03 | 0:39:04 | |
We hope. | 0:39:04 | 0:39:05 | |
They're taking to the air in this classic de Havilland Dragon Rapide. | 0:39:05 | 0:39:10 | |
These World War II eight-seater RAF biplanes | 0:39:10 | 0:39:13 | |
became one of the first commercial airliners after the war. | 0:39:13 | 0:39:16 | |
And there's less than ten flying today. Safety first, eh? | 0:39:16 | 0:39:21 | |
Oh, there we are, look. | 0:39:22 | 0:39:24 | |
And I've just noticed our escape hatch as well. | 0:39:24 | 0:39:26 | |
And Hermione looks as though she's about to climb through it. | 0:39:26 | 0:39:29 | |
Ohh... Oh, God! | 0:39:29 | 0:39:31 | |
Are we good to go, then, Trevor? When you're ready, John. OK. | 0:39:31 | 0:39:35 | |
Look at the propeller! | 0:39:36 | 0:39:38 | |
Oh, my God! We are going up! | 0:39:49 | 0:39:51 | |
Well, that's what planes do, guys. | 0:39:51 | 0:39:53 | |
The sound of a twin-prop de Havilland Rapide | 0:39:56 | 0:39:59 | |
takes some time to get used to. | 0:39:59 | 0:40:01 | |
Feels like it's struggling a bit. | 0:40:01 | 0:40:03 | |
Does it feel like it's struggling to you? No. | 0:40:03 | 0:40:06 | |
No? No, we're fine. | 0:40:06 | 0:40:08 | |
Should we get out and push? | 0:40:08 | 0:40:09 | |
Don't worry, Hermione, in a minute it will all be worth it. | 0:40:09 | 0:40:12 | |
Passing over Watergate Bay... | 0:40:16 | 0:40:17 | |
Oh, my... Oh, that's amazing. | 0:40:17 | 0:40:20 | |
Next stop, west. New York. | 0:40:20 | 0:40:23 | |
It's all so rugged, the coastline. | 0:40:23 | 0:40:26 | |
The Cornish coastline. Spectacular. | 0:40:26 | 0:40:29 | |
And Hermione's finally enjoying herself. | 0:40:30 | 0:40:33 | |
That is amazing. | 0:40:33 | 0:40:35 | |
Oh-ho! | 0:40:48 | 0:40:50 | |
Touchdown! | 0:40:50 | 0:40:51 | |
Thank the Lord. | 0:40:51 | 0:40:52 | |
That was amazing. We made it. | 0:40:52 | 0:40:54 | |
That was so smooth. | 0:40:54 | 0:40:56 | |
Wonderful. This little black one here's the one to go in next. | 0:40:58 | 0:41:01 | |
MARK GASPS | 0:41:01 | 0:41:02 | |
Go in that one and we'll take you up and loop the loop. | 0:41:02 | 0:41:05 | |
Oh, yes, please! HERMIONE LAUGHS | 0:41:05 | 0:41:07 | |
Wouldn't you love to do that? | 0:41:07 | 0:41:08 | |
Keeping their feet firmly on the ground, | 0:41:12 | 0:41:15 | |
this is John and Catherine's last chance to buy, | 0:41:15 | 0:41:18 | |
and John's feeling quite at home. | 0:41:18 | 0:41:20 | |
I like it here. Do you? | 0:41:20 | 0:41:21 | |
Yeah, it's got a bit of an old curiosity shop kind of... Ooh. | 0:41:21 | 0:41:25 | |
I like... Yeah, I can have a good mooch. | 0:41:25 | 0:41:27 | |
Can you? Yes. Yeah, he's comfortable. I'm very comfortable here. | 0:41:27 | 0:41:32 | |
This is going to take hours. | 0:41:32 | 0:41:34 | |
Yeah, this is an Aladdin's cave, proper. | 0:41:34 | 0:41:36 | |
All this Road Trip, | 0:41:36 | 0:41:38 | |
John's been turning his considerable acting skills | 0:41:38 | 0:41:41 | |
to playing the antiques expert. | 0:41:41 | 0:41:43 | |
I can feel you're getting into this. | 0:41:43 | 0:41:45 | |
So, now for some improvisation. | 0:41:45 | 0:41:47 | |
I know who that's made by. Go on, then. Wade. | 0:41:47 | 0:41:49 | |
Not quite. | 0:41:49 | 0:41:51 | |
It's Withernsea Eastgate Pottery, but it looks like... | 0:41:51 | 0:41:54 | |
It looks like Wade, doesn't it? | 0:41:54 | 0:41:56 | |
Very convincing performance, though. | 0:41:56 | 0:41:58 | |
What John needs are a few tricks up his sleeve. | 0:41:58 | 0:42:01 | |
What you look for are the tickets that are faded, | 0:42:01 | 0:42:04 | |
and have been here a long time. | 0:42:04 | 0:42:06 | |
So they want to just get rid of it. | 0:42:06 | 0:42:08 | |
Catherine, you'll have him passing for an expert in no time. | 0:42:08 | 0:42:11 | |
Snuffbox. | 0:42:11 | 0:42:13 | |
That monkey, has it got a little scent bottle inside it? | 0:42:18 | 0:42:22 | |
I know that look. Catherine's onto something. | 0:42:22 | 0:42:25 | |
Yes, I've seen the teddy bears of these, with the scent bottles in. | 0:42:25 | 0:42:29 | |
But I haven't seen a monkey, I must admit. | 0:42:29 | 0:42:31 | |
Well, let me just show it to my friend. | 0:42:31 | 0:42:33 | |
Cos he likes toys. | 0:42:33 | 0:42:34 | |
John? Yes? | 0:42:34 | 0:42:36 | |
Travelling companion. Let's have a see. | 0:42:36 | 0:42:38 | |
What do you think of this little man? | 0:42:38 | 0:42:41 | |
Oh, I love him. | 0:42:41 | 0:42:42 | |
When I was a kid, my favourite soft toys were monkeys | 0:42:42 | 0:42:46 | |
and it sort of stayed. | 0:42:46 | 0:42:48 | |
Really? Well, yeah. Take the top off. | 0:42:48 | 0:42:50 | |
Oh, wow! | 0:42:53 | 0:42:55 | |
This is a little scent bottle. | 0:42:55 | 0:42:56 | |
I've never seen anything like that before. | 0:42:58 | 0:43:00 | |
German toymaker Schuco was founded in 1912, | 0:43:00 | 0:43:04 | |
and is best known for its bears, | 0:43:04 | 0:43:05 | |
some of which concealed perfume bottles. | 0:43:05 | 0:43:08 | |
This Schuco monkey is brown mohair on a tin body. | 0:43:08 | 0:43:11 | |
Sweet. | 0:43:11 | 0:43:12 | |
It's been through it. It's been through the mill. | 0:43:12 | 0:43:14 | |
He has, hasn't he? Yeah, I think... He's only got one ear. | 0:43:14 | 0:43:17 | |
Yeah. | 0:43:17 | 0:43:18 | |
It's kind of like...the Van Gogh of the monkey world. | 0:43:18 | 0:43:23 | |
Be great if you made Van Gogh money on it. | 0:43:23 | 0:43:27 | |
Could I possibly ask you if you could have a word with the owner, | 0:43:27 | 0:43:30 | |
perhaps call them up, and see what we could get on that? | 0:43:30 | 0:43:33 | |
I'll try and see if I can catch her straight away. | 0:43:33 | 0:43:36 | |
That's great, thank you. | 0:43:36 | 0:43:38 | |
Have you seen anything else? What's that? Little snuffbox. | 0:43:38 | 0:43:41 | |
It's a snuffbox, but it's the detail on it that I absolutely love. | 0:43:41 | 0:43:46 | |
This is a bust of the gentleman here, who was called Charles JA Fox. | 0:43:46 | 0:43:52 | |
Could be James, could be sort of short for James. | 0:43:52 | 0:43:55 | |
And then it says, "This illustrious patriot departed this life | 0:43:55 | 0:44:00 | |
"September the 13th AD 1806," right? | 0:44:00 | 0:44:05 | |
And then on the base, it says... Hang on. | 0:44:05 | 0:44:09 | |
"Intrepid champion of freedom, enlightened advocate of peace. | 0:44:09 | 0:44:14 | |
"Not born for himself but for the universe." | 0:44:14 | 0:44:18 | |
So he must have been quite a significant character in his time. | 0:44:18 | 0:44:21 | |
Like some social reformer... | 0:44:21 | 0:44:22 | |
Let me help you out here. | 0:44:22 | 0:44:24 | |
Charles James Fox, born in 1749, was Britain's first Foreign Secretary, | 0:44:24 | 0:44:29 | |
noted for his support of the American and French revolutions. | 0:44:29 | 0:44:33 | |
These commemorative bronze snuffboxes were produced | 0:44:33 | 0:44:36 | |
after his death in 1806, but some of the boxes are later reproductions. | 0:44:36 | 0:44:41 | |
You know when you retire and they give you a carriage clock? | 0:44:41 | 0:44:44 | |
Did they give you one? I haven't retired yet, love. | 0:44:44 | 0:44:47 | |
Someone said to me, "Do you think you'll ever retire?" | 0:44:47 | 0:44:51 | |
I said, "No, I'll die on stage." Right. | 0:44:51 | 0:44:53 | |
"And it won't be the first time." | 0:44:53 | 0:44:54 | |
I love that. | 0:44:55 | 0:44:57 | |
Vicky's got news on the Schuco monkey. | 0:44:57 | 0:45:00 | |
Good news. Oh! | 0:45:00 | 0:45:01 | |
And bad news. Oh. | 0:45:01 | 0:45:02 | |
Um, she would like to try and get 110 for it. | 0:45:02 | 0:45:08 | |
I think that's too much. | 0:45:08 | 0:45:09 | |
Ticket price is ?165, remember. | 0:45:09 | 0:45:12 | |
The good news is that she has said if, you know, | 0:45:12 | 0:45:15 | |
that she would go to 100. Right. | 0:45:15 | 0:45:18 | |
But we've got a bit of a proposition for you, | 0:45:18 | 0:45:21 | |
cos John's now found this little snuffbox. | 0:45:21 | 0:45:25 | |
I could do them both for 150. | 0:45:25 | 0:45:29 | |
115? No, 150. | 0:45:29 | 0:45:32 | |
So, will she do the pair for 125? Or so, we'll say. | 0:45:32 | 0:45:35 | |
What they would like to do is do a deal and have them both for 125. | 0:45:35 | 0:45:40 | |
Not possible. No. | 0:45:41 | 0:45:44 | |
I'm sure she wants to... 140 for them both. | 0:45:44 | 0:45:46 | |
140? Final offer. | 0:45:46 | 0:45:49 | |
Time to ask the question that we all ask | 0:45:49 | 0:45:51 | |
when faced with a difficult decision. | 0:45:51 | 0:45:53 | |
If Mark Stacey was here, what would he do? | 0:45:53 | 0:45:55 | |
Come on, give me your Mark Stacey impression. | 0:45:55 | 0:45:57 | |
IMITATES MARK: Well, you see, I don't know, darling. | 0:45:57 | 0:46:00 | |
I really don't know. | 0:46:00 | 0:46:01 | |
I wouldn't know what to say. | 0:46:01 | 0:46:03 | |
Well, he couldn't do me! | 0:46:03 | 0:46:05 | |
Can you do Tim? | 0:46:05 | 0:46:06 | |
IMITATES TIM: Oh, I say, it's an absolute shower. | 0:46:06 | 0:46:09 | |
Let's go over here and see if we can negotiate down to about 135. | 0:46:09 | 0:46:13 | |
Let's go! | 0:46:13 | 0:46:15 | |
Great! He sounds more like me than I do. | 0:46:16 | 0:46:18 | |
Come on, 135 for both of them. No, can't do it. | 0:46:18 | 0:46:21 | |
That's it, Vicky. You hold your ground, girl. | 0:46:21 | 0:46:24 | |
Go on, just... No! No, 140. Absolutely... Final offer? | 0:46:24 | 0:46:28 | |
Final offer. And it's two magnificently wonderful pieces. | 0:46:28 | 0:46:34 | |
I think our master hagglers have met their match here. | 0:46:34 | 0:46:37 | |
It's a deal. There we go. | 0:46:37 | 0:46:38 | |
Thank you very much. We have one monkey and snuffbox. | 0:46:38 | 0:46:41 | |
Thank you very much. Thank you very much. | 0:46:41 | 0:46:43 | |
I'm going. OK. I'm going before I change my mind about that monkey. | 0:46:43 | 0:46:46 | |
Right. Well, I've done it now. | 0:46:46 | 0:46:47 | |
You certainly have. No going back. | 0:46:47 | 0:46:49 | |
That's a commemorative Charles Fox box for ?45, | 0:46:49 | 0:46:53 | |
and a Schuco monkey perfume bottle for ?95. | 0:46:53 | 0:46:57 | |
Time for our teams to get together and reveal their hauls. | 0:46:57 | 0:47:00 | |
Shall we have a look? Because we're desperate. | 0:47:00 | 0:47:02 | |
I'm not going to do a whip, I'm going to slowly shimmy off. Yes. | 0:47:02 | 0:47:04 | |
This is it? Mm? | 0:47:04 | 0:47:07 | |
What do you mean? We've been working hard! | 0:47:07 | 0:47:09 | |
I like the box. Do you like the box? Yeah, I do, I like the box. | 0:47:09 | 0:47:12 | |
HERMIONE: I'm afraid that monkey looks dreadful! | 0:47:12 | 0:47:14 | |
It's ghastly, isn't it? JOHN: It's more than a monkey. | 0:47:14 | 0:47:17 | |
It's a scent bottle. He's right. | 0:47:17 | 0:47:19 | |
HERMIONE: Oh, you see? This is what I've had. | 0:47:19 | 0:47:22 | |
JOHN: That is a cigar cutter. Oh, no, that's lovely. | 0:47:22 | 0:47:24 | |
It's a rose gold cigar cutter. | 0:47:24 | 0:47:26 | |
A lucky horseshoe. Lucky monkey, lucky horseshoe. | 0:47:26 | 0:47:28 | |
Do you like the leg, by the way? No. | 0:47:28 | 0:47:30 | |
Say what you mean, Mark. | 0:47:30 | 0:47:32 | |
This is our lucky leg. You've got an awful lot of luckies. | 0:47:32 | 0:47:35 | |
Sorry. Come on, then. Show us yours. | 0:47:35 | 0:47:37 | |
Ready? Yes. | 0:47:37 | 0:47:38 | |
So, that's our first little collection. | 0:47:40 | 0:47:43 | |
Our "first" collection?! | 0:47:43 | 0:47:44 | |
And then we've also got this. | 0:47:44 | 0:47:47 | |
Which I absolutely love. | 0:47:47 | 0:47:49 | |
Now, that I like. | 0:47:50 | 0:47:52 | |
I think that's amazing. Yeah, it reminds me of Rosemary's Baby. | 0:47:52 | 0:47:55 | |
Not a fan, then, John? | 0:47:55 | 0:47:57 | |
Nice. This is nothing but a wonderful quality drawing. | 0:47:57 | 0:48:03 | |
Did you pay lots for it? | 0:48:03 | 0:48:04 | |
She's just trying to wind you up, H, honestly. | 0:48:05 | 0:48:08 | |
No, that's real. | 0:48:08 | 0:48:09 | |
JOHN: I'm loving the cot, I think that's my favourite thing. | 0:48:09 | 0:48:12 | |
This is completely down to Hermione. | 0:48:12 | 0:48:14 | |
You can't sell second-hand cots for love nor money. | 0:48:14 | 0:48:16 | |
That's the problem. That IS the problem, Catherine, | 0:48:16 | 0:48:18 | |
you're quite right. Um... | 0:48:18 | 0:48:20 | |
And everybody's going to want a lump of old wood with an iron foot on it. | 0:48:20 | 0:48:23 | |
Aren't they? I mean, let's be honest. | 0:48:23 | 0:48:26 | |
Everyone's certainly being honest, Mark. | 0:48:26 | 0:48:28 | |
This is our fifth item. Piece de la resistance. | 0:48:28 | 0:48:32 | |
Which is a lovely turn-of-the-century consulting room table... | 0:48:32 | 0:48:36 | |
Er, bench. I like that. With the maker's mark on it. | 0:48:36 | 0:48:39 | |
Oh, I really like that. | 0:48:39 | 0:48:40 | |
Wow, some praise. Finally. | 0:48:40 | 0:48:42 | |
What do we think, then? Not sure! | 0:48:42 | 0:48:46 | |
I'm kind of a bit speechless, really. I think the letter... Yeah. | 0:48:46 | 0:48:49 | |
I mean, it might sell, but I just saw it and thought, | 0:48:49 | 0:48:52 | |
what a bit of junk, really. | 0:48:52 | 0:48:54 | |
I told you they'd go safe, didn't I? Little things. | 0:48:54 | 0:48:57 | |
I don't know how safe that was. I don't think it is. | 0:48:57 | 0:49:00 | |
I mean, they didn't say, actually, | 0:49:00 | 0:49:01 | |
what they paid for the little monkey thing. | 0:49:01 | 0:49:03 | |
That monkey was dreadful, Mark. I hate it. | 0:49:03 | 0:49:05 | |
I love the cot, but like you say, I don't know how saleable it is. | 0:49:05 | 0:49:08 | |
I don't know how saleable that is. I think that might struggle. | 0:49:08 | 0:49:12 | |
HERMIONE: My picture. | 0:49:12 | 0:49:14 | |
I watched Catherine's face, and she was horrified. | 0:49:14 | 0:49:17 | |
But can I just say one thing to you, H? Yes. | 0:49:17 | 0:49:20 | |
Look at what she bought. | 0:49:20 | 0:49:22 | |
Could that judge a picture? No. | 0:49:22 | 0:49:24 | |
Whatever happens, it's been an experience. | 0:49:24 | 0:49:27 | |
It's been an adventure. I've loved it. Give us a hug. | 0:49:27 | 0:49:30 | |
Ooh! Romantic. | 0:49:30 | 0:49:32 | |
Time for our Road-Trippers to hit the tarmac again, | 0:49:32 | 0:49:34 | |
bid farewell to Cornwall and hello to our nation's capital, London. | 0:49:34 | 0:49:39 | |
It's the all-important auction showdown in Wandsworth. | 0:49:39 | 0:49:43 | |
Criterion auction house is the venue for our final battle, specialising | 0:49:43 | 0:49:47 | |
in everything from interesting furniture to collectibles. | 0:49:47 | 0:49:52 | |
This should be the place to shift our eclectic mix of items. | 0:49:52 | 0:49:56 | |
So, time for a hearty hello and a pep talk. | 0:49:56 | 0:49:59 | |
Hello. Hello! Nice to see you. Are you all right? Yes. | 0:49:59 | 0:50:02 | |
Ready for today? I think so. Ready for some action? Yeah, absolutely. | 0:50:02 | 0:50:06 | |
I'm not nervous, are you nervous? No! You're biting your nails! | 0:50:06 | 0:50:09 | |
You are! I am! MARK CHUCKLES | 0:50:09 | 0:50:11 | |
Now, let's get the lowdown on what the man with the gavel, | 0:50:14 | 0:50:17 | |
auctioneer Daniel Webster, thinks of our team's buys. | 0:50:17 | 0:50:20 | |
There's a pretty little gold cigar cutter, horseshoe shaped, | 0:50:20 | 0:50:24 | |
that's a nice popular shape people usually go for, so, again, | 0:50:24 | 0:50:28 | |
hopefully that's going to appeal to somebody out there. | 0:50:28 | 0:50:30 | |
The Schuco monkey, that's quite an interesting thing. | 0:50:30 | 0:50:34 | |
In good condition, they can make a few hundred pounds. | 0:50:34 | 0:50:36 | |
That one's not great condition, unfortunately. | 0:50:36 | 0:50:39 | |
Overall, it's sort of a good eclectic mix. | 0:50:39 | 0:50:42 | |
They've bought quite wisely overall, | 0:50:42 | 0:50:43 | |
with maybe a couple of errors here and there. | 0:50:43 | 0:50:46 | |
Well, that sounds promising. | 0:50:46 | 0:50:48 | |
Both teams started this Road Trip with ?400. | 0:50:51 | 0:50:53 | |
Joan and Catherine bought five items and came in under budget, | 0:50:53 | 0:50:56 | |
spending ?295. | 0:50:56 | 0:50:58 | |
Hermione and Mark also picked up five items, | 0:51:01 | 0:51:03 | |
but they managed to blow the whole ?400. | 0:51:03 | 0:51:06 | |
Let's see who can pump the profits, | 0:51:06 | 0:51:08 | |
and who will be left weeping over their wares. | 0:51:08 | 0:51:11 | |
Now, before proceedings start, there's some unfortunate news. | 0:51:14 | 0:51:19 | |
John and Catherine's two silver brooches were sadly lost | 0:51:19 | 0:51:22 | |
just before the auction, but to put things right, | 0:51:22 | 0:51:25 | |
Team Thomson will get an insurance payout on both. | 0:51:25 | 0:51:28 | |
Yes, I've looked at the photos, | 0:51:28 | 0:51:29 | |
and we'll give an insurance valuation of ?100. | 0:51:29 | 0:51:32 | |
So, with ?100 in the bag for Team Thomson | 0:51:34 | 0:51:37 | |
and internet bidding in the offing, let's get this auction under way. | 0:51:37 | 0:51:42 | |
This is you. This is it. | 0:51:42 | 0:51:44 | |
First up, can Hermione | 0:51:44 | 0:51:46 | |
and Mark post a profit on with their stamp machine and letter box? | 0:51:46 | 0:51:49 | |
There you go, neat little things just over there, | 0:51:49 | 0:51:52 | |
good and collectible for ?20. | 0:51:52 | 0:51:54 | |
20. Come on. | 0:51:54 | 0:51:56 | |
Ten. Ten, surely? | 0:51:56 | 0:51:57 | |
Five if you like. No money at five, surely? | 0:51:57 | 0:52:01 | |
Five is bid. | 0:52:01 | 0:52:03 | |
?5 now, at five, are we all done? | 0:52:03 | 0:52:05 | |
At five, eight just behind, sir. Eight now. | 0:52:05 | 0:52:09 | |
At ?8, are we all done, then? At ?8, are we all sure for eight? | 0:52:09 | 0:52:13 | |
Not a great start. | 0:52:15 | 0:52:17 | |
But there's still plenty to play for. | 0:52:17 | 0:52:19 | |
That is terrible. | 0:52:19 | 0:52:20 | |
True. | 0:52:20 | 0:52:22 | |
The auctioneer loved this lot, though. | 0:52:22 | 0:52:24 | |
So can John and Catherine's horseshoe cigar cutter | 0:52:24 | 0:52:27 | |
make a slice of profit? | 0:52:27 | 0:52:28 | |
Interest ten, 15 got. | 0:52:28 | 0:52:31 | |
At ?15, the money's here at 15, 20 if you like. | 0:52:31 | 0:52:34 | |
20 in the room. | 0:52:34 | 0:52:36 | |
At ?20, are we done? | 0:52:36 | 0:52:39 | |
At 20, we're in the room. Yes or no, internet? | 0:52:39 | 0:52:41 | |
Come on, internet. 22 front row. | 0:52:41 | 0:52:44 | |
25. | 0:52:44 | 0:52:46 | |
27 and creeping along. | 0:52:46 | 0:52:49 | |
30. At ?30 now. | 0:52:49 | 0:52:52 | |
At ?30, we left at 30. Are we all done? | 0:52:52 | 0:52:55 | |
Looks like the bidders are sitting on their hands. | 0:52:57 | 0:53:00 | |
Is that a profit? No. | 0:53:00 | 0:53:02 | |
What did you pay for it? 60. | 0:53:02 | 0:53:05 | |
Oh! | 0:53:05 | 0:53:07 | |
Up next is Hermione's beloved watercolour. | 0:53:07 | 0:53:09 | |
Will it be music to our ears? | 0:53:09 | 0:53:12 | |
Good artist and good thing, and with interest. | 0:53:12 | 0:53:14 | |
45, 50 is bid. | 0:53:14 | 0:53:16 | |
?50, the money's here with me at 50, are we sure? | 0:53:16 | 0:53:19 | |
At ?50, are we all done? 55. Ooh! | 0:53:19 | 0:53:22 | |
55, internet, now, at 55. | 0:53:22 | 0:53:25 | |
At ?55, are we done at 55? | 0:53:25 | 0:53:29 | |
Oh, bad luck. | 0:53:31 | 0:53:32 | |
There was internet interest, but it just wasn't enough. | 0:53:32 | 0:53:35 | |
It's just not our day. It's just not our day. | 0:53:35 | 0:53:38 | |
It's a bit shabby, | 0:53:38 | 0:53:39 | |
but can the bidders see the chic in Team Thomson's Schuco monkey? | 0:53:39 | 0:53:43 | |
30 in the room. Five if you like, internet. | 0:53:43 | 0:53:45 | |
35. 40. | 0:53:45 | 0:53:48 | |
At 40, are we done? Don't stop. | 0:53:48 | 0:53:50 | |
At ?40, are we all sure at 40? | 0:53:50 | 0:53:52 | |
Come on! | 0:53:52 | 0:53:54 | |
At 40, we're in the room at 40... | 0:53:54 | 0:53:56 | |
Oh, dear. Well, at least the poor thing's got a home to go to. | 0:53:58 | 0:54:02 | |
Well, the internet is relieved that when he gets that in the post, | 0:54:02 | 0:54:05 | |
anyway. He'll be... HE GASPS | 0:54:05 | 0:54:09 | |
So, will Hermione | 0:54:09 | 0:54:10 | |
and Mark's consulting couch be just what the doctor ordered? | 0:54:10 | 0:54:13 | |
I mean, it's just silly. | 0:54:13 | 0:54:14 | |
It could have the potential to make a couple of hundred pounds. | 0:54:14 | 0:54:18 | |
That's one just down now there, there now, there you go, adjustable | 0:54:18 | 0:54:21 | |
and all sorts, what more could you want? | 0:54:21 | 0:54:23 | |
?50 for it. 30. | 0:54:23 | 0:54:27 | |
Obviously more. A tenner. Ten is bid. Oh, come on. | 0:54:27 | 0:54:30 | |
At ?10 now, at ten, are we done? | 0:54:30 | 0:54:32 | |
I don't want to smile, cos it looks like I'm gloating. | 0:54:32 | 0:54:34 | |
For ten. | 0:54:34 | 0:54:35 | |
Oh, crikey Moses. Someone's got a real bargain, there. | 0:54:38 | 0:54:42 | |
On the right auction day, that should have made a lot more. | 0:54:42 | 0:54:45 | |
I don't know what to say, I'm sorry. | 0:54:45 | 0:54:47 | |
That was the piece de resistance. I mean, ?10. | 0:54:47 | 0:54:50 | |
But, Mark, hope springs eternal. | 0:54:50 | 0:54:52 | |
And with more bidders filing in, can the ladle serve up some good news? | 0:54:52 | 0:54:56 | |
And it's with interest at 35, 40 got. | 0:54:56 | 0:54:59 | |
At ?40, the money's here with me at 40, are we done? | 0:54:59 | 0:55:03 | |
At ?40, commissions money at 40, are we sure now? | 0:55:03 | 0:55:07 | |
Cheer up, kids. The punch ladle breaks even. | 0:55:10 | 0:55:13 | |
Could our teams fortunes be about to turn? | 0:55:13 | 0:55:15 | |
John and Catherine's commemorative box is next. | 0:55:17 | 0:55:20 | |
Neat little thing for ?20. | 0:55:20 | 0:55:23 | |
20's bid. 25. | 0:55:23 | 0:55:25 | |
30. Five. | 0:55:25 | 0:55:27 | |
(Come on. Come on.) | 0:55:27 | 0:55:30 | |
?35, and in the room. Are we done? | 0:55:30 | 0:55:32 | |
At 35, in the room and selling in the room, then. | 0:55:32 | 0:55:35 | |
That's a shame. | 0:55:38 | 0:55:39 | |
But, thankfully, not a devastating loss. | 0:55:39 | 0:55:41 | |
Next, Mark and Hermione's Victorian cot. | 0:55:42 | 0:55:45 | |
This will be interesting. | 0:55:45 | 0:55:47 | |
Good, collectible and smart for ?100 and bid. | 0:55:47 | 0:55:49 | |
At 100, 110. (Well done, well done!) | 0:55:49 | 0:55:52 | |
110. 120. | 0:55:52 | 0:55:54 | |
For 120, are we sure now at 120? | 0:55:56 | 0:55:59 | |
Well, it's a small loss after auction costs, | 0:56:02 | 0:56:05 | |
but I daresay that's a good result considering everything. | 0:56:05 | 0:56:09 | |
Finally, John and Catherine's cobbler's last is last. Hah! | 0:56:09 | 0:56:13 | |
There you go, unusual indeed. And ?30. 20. | 0:56:13 | 0:56:18 | |
Ten. Ten is bid. At ?10 now, at ten. 15. 20. | 0:56:18 | 0:56:24 | |
Five. At 25 away right. | 0:56:24 | 0:56:28 | |
You have. At ?25 right and away, then. | 0:56:28 | 0:56:30 | |
At the front! | 0:56:30 | 0:56:32 | |
Oh, well done, madam. There's bidding at the front. | 0:56:32 | 0:56:35 | |
30. New place now at 30. | 0:56:35 | 0:56:37 | |
And 30, are we all done? For ?30, then. | 0:56:37 | 0:56:41 | |
I think our leg was just bought by Dr Legg. | 0:56:43 | 0:56:45 | |
From EastEnders. | 0:56:45 | 0:56:47 | |
The leg just managed to get into its stride. | 0:56:47 | 0:56:50 | |
Well done for effort, boys and girls. | 0:56:50 | 0:56:53 | |
It's been good fun, though, hasn't it? Yeah. | 0:56:53 | 0:56:54 | |
That's the main thing. It has, actually. | 0:56:54 | 0:56:56 | |
Have we enjoyed ourselves? We have. Yes. We've had a great time. | 0:56:56 | 0:56:59 | |
It's not the losing, it's the taking part. Absolutely, John. | 0:56:59 | 0:57:02 | |
That's my motto. | 0:57:02 | 0:57:04 | |
Well, sadly the bidders just weren't there to today, | 0:57:04 | 0:57:07 | |
so forget winning, | 0:57:07 | 0:57:08 | |
this auction's been more about who's made the least losses. | 0:57:08 | 0:57:12 | |
So, let's get the headlines. | 0:57:12 | 0:57:13 | |
Hermione and Mark thought they'd shopped smart, | 0:57:13 | 0:57:16 | |
but when it came down to brass task, they made a loss of ?208.94 | 0:57:16 | 0:57:21 | |
after auction costs, giving them ?191.06 at the finishing line. | 0:57:21 | 0:57:28 | |
However, John and Catherine pipped them to the post. | 0:57:28 | 0:57:30 | |
Despite auction costs, | 0:57:30 | 0:57:32 | |
the insurance valuation on the brooches cut their losses | 0:57:32 | 0:57:35 | |
to a more conservative ?102.30, | 0:57:35 | 0:57:38 | |
leaving them with a respectable ?297.70. | 0:57:38 | 0:57:42 | |
That's not so bad, then. | 0:57:42 | 0:57:44 | |
I feel a bit sad! Oh, do you? | 0:57:44 | 0:57:46 | |
I do. I won't shed a tear on national television. | 0:57:46 | 0:57:49 | |
Anyway, it's been lovely. What can I say? | 0:57:49 | 0:57:51 | |
Really enjoyed it. I've had a lovely time. | 0:57:51 | 0:57:53 | |
I've had a fantastic time. Thank you so much. | 0:57:53 | 0:57:56 | |
Thank you. Thank you. | 0:57:56 | 0:57:58 | |
Go on, jump in, lady. | 0:57:58 | 0:57:59 | |
They can't wait to get away, look! I know. | 0:57:59 | 0:58:01 | |
Take care. Bye! Bye! Bye. | 0:58:01 | 0:58:03 | |
Any profits made from across the Road Trip | 0:58:05 | 0:58:07 | |
will go to Children In Need. | 0:58:07 | 0:58:09 | |
CAR BACKFIRES | 0:58:12 | 0:58:14 | |
What's happened to your hair? It's blowing in the wind. | 0:58:14 | 0:58:16 | |
I hope it doesn't come off! Yes! | 0:58:16 | 0:58:19 | |
I know a little bit about toys. Early Victorian automatons. | 0:58:19 | 0:58:23 | |
No, no, you're talking out of your... | 0:58:23 | 0:58:25 | |
Subtitles by Red Bee Media Ltd | 0:58:53 | 0:58:56 |