Browse content similar to Episode 8. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
'Some of the nation's favourite celebrities.' Why have I got such expensive taste? | 0:00:02 | 0:00:06 | |
'One antiques expert each.' THEY LAUGH | 0:00:07 | 0:00:11 | |
Now, that is what I call a good shopping experience. | 0:00:11 | 0:00:13 | |
'One big challenge. Who can seek out and buy the best antiques at the very best prices?' | 0:00:13 | 0:00:20 | |
Answers on a postcard. HAMMER BANGS | 0:00:20 | 0:00:22 | |
Ohh! 'And auction for a big profit further down the road?' | 0:00:22 | 0:00:26 | |
I like to try on the wares. | 0:00:26 | 0:00:28 | |
'Who will spot the good investments? Who will listen to advice?' | 0:00:28 | 0:00:32 | |
Do you like it? No, I think it's horrible. | 0:00:32 | 0:00:34 | |
'And who will be the first to say, "Don't you know who I am?"' | 0:00:34 | 0:00:38 | |
Well done, us. 'Time to put your peddle to the metal. | 0:00:38 | 0:00:43 | |
'This is Celebrity Antiques Road Trip! | 0:00:43 | 0:00:46 | |
'Yeah! | 0:00:48 | 0:00:49 | |
'Today's fight for the antique crown begins in the ceremonial county of Hampshire. | 0:00:50 | 0:00:56 | |
'A new pair of TV faves sporting ?400 each | 0:00:56 | 0:01:00 | |
'enter the sphere of oddities and curiosity. | 0:01:00 | 0:01:03 | |
'They're no strangers to an auction. | 0:01:03 | 0:01:05 | |
'It's telly presenters Lucy Alexander and Martin Roberts.' | 0:01:05 | 0:01:09 | |
Wow. I am so excited! That is a beautiful baby! | 0:01:09 | 0:01:13 | |
This is my dream car. Really? Yeah, it's an MG TF, | 0:01:13 | 0:01:17 | |
probably from about 1950s... Can we stop the showing off already? I'm not showing off. | 0:01:17 | 0:01:21 | |
Can you drive it? You know what? I've got the key! | 0:01:21 | 0:01:23 | |
I hope you've got the picnic rug and lashings of ginger ale in the boot. | 0:01:25 | 0:01:28 | |
Strapped on the back, darling. Love it! Right, tally-ho! | 0:01:28 | 0:01:31 | |
'Martin's right, they're off in this 1954 MG TF. | 0:01:31 | 0:01:34 | |
'It's pre-seat-belt era, which is why they're not wearing any. | 0:01:34 | 0:01:38 | |
'And isn't it a British beauty, eh? Hip-hip!' | 0:01:38 | 0:01:42 | |
So what is the oldest thing you've got in your house? A dinosaur fossil. | 0:01:44 | 0:01:47 | |
Lots of old-fashioned scientific equipment, some art. | 0:01:47 | 0:01:50 | |
The oldest thing I've got in my house is the photograph of you hanging on my wall. | 0:01:50 | 0:01:54 | |
That's really sweet. Thanks, darling. SHE LAUGHS | 0:01:54 | 0:01:57 | |
'This double act began their on-screen relationship | 0:01:57 | 0:02:00 | |
'a decade ago on the BBC's hugely successful Homes Under The Hammer.' | 0:02:00 | 0:02:06 | |
There are peaches but there are also rotten apples. Absolutely. | 0:02:06 | 0:02:10 | |
'But for Lucy, it all began by studying drama and dance in her youth. | 0:02:11 | 0:02:16 | |
'A stint at Nickelodeon as a children's presenter | 0:02:16 | 0:02:19 | |
'was just the thing to set her up for a long and prosperous career working with Martin Roberts.' | 0:02:19 | 0:02:25 | |
Even I couldn't fit all my shoes and handbags in there. | 0:02:25 | 0:02:29 | |
I am rather nervous because you know I have got to win. | 0:02:29 | 0:02:32 | |
I promised my kids. That is very sad, cos even for your children, I'm not going to let you win. | 0:02:32 | 0:02:37 | |
'Ready for the clash is Martin Roberts. | 0:02:38 | 0:02:40 | |
'His career began on BBC Merseyside radio in the 80s | 0:02:40 | 0:02:44 | |
'before hitting our screens as a travel presenter.' | 0:02:44 | 0:02:46 | |
# If I had a hammer | 0:02:46 | 0:02:49 | |
Looks like the front is about to fall off the house to me. | 0:02:49 | 0:02:53 | |
'For the last ten years, he's been an expert in all things property | 0:02:54 | 0:02:57 | |
'alongside Lucy in Homes Under The Hammer.' | 0:02:57 | 0:03:01 | |
Mirror, mirror, on the table, | 0:03:01 | 0:03:03 | |
tell me what this will fetch at auction if you are able. | 0:03:03 | 0:03:06 | |
I wonder what the experts are going to be like. If there's somebody with facial hair, I'll have him. | 0:03:06 | 0:03:10 | |
Why? I don't know, I quite like facial hair. | 0:03:10 | 0:03:12 | |
A good antique expert should have facial hair. That's what I think. | 0:03:12 | 0:03:16 | |
'Well, one of them does.' | 0:03:16 | 0:03:18 | |
Antiques Roadshow! Oh, Thursday! We've missed it! | 0:03:18 | 0:03:23 | |
'And expert number one is the spruce James Lewis.' | 0:03:23 | 0:03:27 | |
I was thinking around 45, 50 quid. | 0:03:27 | 0:03:29 | |
That's very cheeky. I know. That's very cheeky. I know. | 0:03:29 | 0:03:32 | |
'This cheeky chappy's been antique crazy, man and boy, | 0:03:32 | 0:03:36 | |
'buying and bidding from the age of six, no less.' | 0:03:36 | 0:03:39 | |
Do you know how you know it's summer? How? | 0:03:40 | 0:03:44 | |
Because the people of Portsmouth are half-naked, look. | 0:03:44 | 0:03:47 | |
Excellent! Get in there! Half-naked people! | 0:03:47 | 0:03:51 | |
'Highly qualified for the job of admiring the view | 0:03:53 | 0:03:55 | |
'is surveyor James Braxton.' | 0:03:55 | 0:03:57 | |
How much have you got on this fellow? 15 or something? | 0:03:57 | 0:04:00 | |
You haven't come for a deal, you've come to have a row! | 0:04:00 | 0:04:04 | |
'A sophisticated bon viveur, | 0:04:04 | 0:04:07 | |
'he loves fine wine and fine food just as much as fine art and furniture.' | 0:04:07 | 0:04:11 | |
Have you got any ideas of who you'd like to go with? | 0:04:11 | 0:04:16 | |
Why don't I go for the girl? You normally go with the guys. | 0:04:16 | 0:04:19 | |
I normally go with the guys. Why don't we do a swap? | 0:04:19 | 0:04:23 | |
'I think James Braxton's been doing his homework. | 0:04:23 | 0:04:27 | |
'Cutting a fine path to the rendezvous, the experts are in a 1980s model Mercedes SL | 0:04:27 | 0:04:33 | |
'and they're still admiring the birds.' Lots of fabulous birds. | 0:04:33 | 0:04:37 | |
So many woodpeckers. Oh, lovely! | 0:04:37 | 0:04:41 | |
Have you got green woodpeckers? Green ones. Lots of greens. | 0:04:41 | 0:04:44 | |
Lots of black and reds. Lots of thrushes, lots of blackbirds. Lovely. | 0:04:44 | 0:04:48 | |
Robins. | 0:04:49 | 0:04:51 | |
'Appropriately, the battle for antique excellence | 0:04:53 | 0:04:57 | |
'starts in Hampshire, the home of the British Army and Royal Navy, | 0:04:57 | 0:05:00 | |
'but finishes 218 miles away at auction | 0:05:00 | 0:05:04 | |
'in the Cathedral city of Lincoln. | 0:05:04 | 0:05:06 | |
'First stop is the historic naval port of Portsmouth.' | 0:05:07 | 0:05:11 | |
Hey-hey! Whoo-hoo! | 0:05:13 | 0:05:16 | |
Hi, guys! Hi. James. Nice to meet you. I'm Lucy. | 0:05:16 | 0:05:19 | |
Very good to meet you. Now, what about antiques? You're big homes people. | 0:05:19 | 0:05:24 | |
Well, I personally love antiques and I've got a house that's full of | 0:05:24 | 0:05:27 | |
an eclectic mix of everything I've collected over the years. | 0:05:27 | 0:05:30 | |
And I don't have any antiques in my house whatsoever. No! | 0:05:30 | 0:05:34 | |
I'm a modern, contemporary person. | 0:05:34 | 0:05:36 | |
Lucy, I'm going to have to teach you the way of antiques. Are you? | 0:05:36 | 0:05:39 | |
James, show me the light. Right, come on. Which car are we taking? | 0:05:39 | 0:05:43 | |
No choice, guys. I'm keeping the MG. I think you'll find you're not. | 0:05:43 | 0:05:46 | |
THEY LAUGH | 0:05:46 | 0:05:48 | |
James! Hurray! | 0:05:48 | 0:05:51 | |
You're my TV husband. I've got a new one now. You're so fickle! | 0:05:53 | 0:05:57 | |
Bye! The winners are off! Whoo! | 0:05:57 | 0:06:01 | |
'Lucy's traded in her old model for a new one already.' | 0:06:02 | 0:06:06 | |
Every time you step into any of your houses, | 0:06:06 | 0:06:09 | |
you're going, "Oh, look at the period features, look at the doors, original panelling." | 0:06:09 | 0:06:14 | |
So does that mean that you're a passionate furniture collector? | 0:06:14 | 0:06:19 | |
Erm, not so much. I mean, I love old furniture. | 0:06:19 | 0:06:22 | |
Whether I'll be able to spot a Chipperfield... Chippendale? Chippendale. | 0:06:22 | 0:06:28 | |
'Well, you wouldn't want to get those two mixed up.' | 0:06:28 | 0:06:31 | |
As much as I love Lucy, we've got to beat her. We have! | 0:06:31 | 0:06:35 | |
'Fierce competition between our celebs, then. This is going to be a lot of fun. | 0:06:35 | 0:06:39 | |
'The chaps' treasure hunt begins in a historic naval store house. | 0:06:42 | 0:06:47 | |
'Martin's already inside, but James, keen to find a fresh bargain, | 0:06:47 | 0:06:51 | |
'is chatting to a dealer who's just dropped off a ship's lamp in the shop.' | 0:06:51 | 0:06:54 | |
How much is that? Er, here and now, 120. It's a big one. | 0:06:54 | 0:06:58 | |
Lovely. OK. We'll have a wander. But thank you very much. Thank you. | 0:06:58 | 0:07:02 | |
'Now he's got the scoop, it's time to jump aboard the good ship rummage for plunder! And lee ho!' | 0:07:02 | 0:07:09 | |
Where do we start, then? It's just a matter of looking at almost everything | 0:07:09 | 0:07:14 | |
and just finding the one thing that is priced lower than it's worth. | 0:07:14 | 0:07:19 | |
'He's like a Zen master. | 0:07:19 | 0:07:21 | |
'Ready to splice the mainbrace is Andrew.' | 0:07:21 | 0:07:25 | |
Look at this. I love this clock. Why isn't this for sale? Because it's a fake. | 0:07:25 | 0:07:29 | |
Oh, it's a fake, is it? I just leave it there to remind myself | 0:07:29 | 0:07:32 | |
to be a bit more cautious next time. | 0:07:32 | 0:07:34 | |
Really? That's why it's not for sale. I only sell originals. | 0:07:34 | 0:07:37 | |
'Ha-ha! So stick that in your pipe and smoke it!' | 0:07:38 | 0:07:42 | |
What about this? 'Martin's beady eye has alighted on a signed menu | 0:07:43 | 0:07:48 | |
'from a dinner that would've had the paparazzi in a frenzy back in their day.' | 0:07:48 | 0:07:53 | |
Look at this. This is the sort of thing I really love. | 0:07:53 | 0:07:55 | |
This is the Lady Taverners, a celebratory Italian evening, but look at the people who were there. | 0:07:55 | 0:07:59 | |
Robert Powell, Bill Tidy, Willie Rushton, | 0:07:59 | 0:08:02 | |
Frazer Hines, Nicholas Parsons... | 0:08:02 | 0:08:04 | |
'Ooh! Frenzy was perhaps an exaggeration.' | 0:08:04 | 0:08:07 | |
That's got to be worth something. Let's have a look. How do you price that? | 0:08:07 | 0:08:11 | |
You get the right person in the room who's a Willie Rushton fan... | 0:08:11 | 0:08:14 | |
Nicholas Parsons signed it. 'All the greats, eh?' | 0:08:14 | 0:08:17 | |
25 quid. 1988. | 0:08:17 | 0:08:21 | |
I think we've got a chance with that. They're fairly modern signatures. | 0:08:21 | 0:08:24 | |
The autograph is far more sought-after when the person dies. | 0:08:24 | 0:08:28 | |
I once had somebody ask me, their father said, | 0:08:28 | 0:08:31 | |
"Go and get his autograph, it'll be worth something when he's dead." That's what they said to me! | 0:08:31 | 0:08:36 | |
'Yeah, a bit drastic. But this is for charity. | 0:08:36 | 0:08:39 | |
'They're searching on, taking the menu with them. | 0:08:41 | 0:08:45 | |
'Shopkeeper Andrew, keen to help, has something to show the boys. | 0:08:45 | 0:08:49 | |
'He recently bought a collection of maritime artist | 0:08:49 | 0:08:52 | |
'William Wyllie's sketches and watercolours at Christie's.' What's the appeal of Wyllie? | 0:08:52 | 0:08:56 | |
Well, he's got a strong Portsmouth connection. | 0:08:56 | 0:08:58 | |
He lived here for about the last 30 years of his life. | 0:08:58 | 0:09:02 | |
And I've just ingrained on him, basically. | 0:09:02 | 0:09:05 | |
'Wyllie is best known for his maritime-themed paintings and etchings | 0:09:05 | 0:09:10 | |
'which sometimes fetch thousands. | 0:09:10 | 0:09:12 | |
'These aren't classic Wyllie and the auction is in Lincoln, | 0:09:12 | 0:09:16 | |
'where maritime is unlikely to be as popular, so they could be taking a risk here.' | 0:09:16 | 0:09:21 | |
They'd maybe do theatrical studies at the beginning, so you've got a lot of bizarre creatures and so forth, | 0:09:21 | 0:09:26 | |
which you wouldn't see in his normal work. Like this long-nosed... | 0:09:26 | 0:09:29 | |
That's not a great commercial piece. | 0:09:29 | 0:09:32 | |
A William Wyllie collector will not go for that. | 0:09:32 | 0:09:35 | |
Yeah, you want something classical maritime. | 0:09:35 | 0:09:37 | |
No, but, it still has the interest of it being Wyllie. | 0:09:37 | 0:09:41 | |
'Andrew's put ?20 on the Wyllie sketch, | 0:09:41 | 0:09:44 | |
'but Martin's keen to do some negotiating and has an offer in mind for it, | 0:09:44 | 0:09:48 | |
'plus the celebrity menu, which is priced at ?25.' | 0:09:48 | 0:09:52 | |
What could that be? I'll do it for 20. | 0:09:52 | 0:09:54 | |
Would you do the two for 30? Yeah, that's fine. I would've said two for 20. | 0:09:54 | 0:09:58 | |
No. Would you? | 0:09:58 | 0:10:01 | |
How about two for 25? Two for 25, go on. Yeah? OK. | 0:10:01 | 0:10:05 | |
'James's bare-faced cheek has saved them a fiver | 0:10:05 | 0:10:10 | |
'and they've started their treasure trove for auction. Bravo, chaps.' | 0:10:10 | 0:10:14 | |
Marvellous. Thank you. Thank you very much. You're welcome. | 0:10:14 | 0:10:18 | |
'With so much to choose from, the browsing continues. | 0:10:18 | 0:10:22 | |
'James is still hoping to find the ship's lamp | 0:10:22 | 0:10:25 | |
'dropped off by the dealer he met outside.' | 0:10:25 | 0:10:27 | |
I'm desperate to sort of buy something vaguely maritime. | 0:10:27 | 0:10:31 | |
Look at that! A lighthouse binnacle. | 0:10:31 | 0:10:33 | |
The guy outside... Yes? 120 quid he said he could do that for. | 0:10:33 | 0:10:37 | |
Who? Just outside here there was a guy with a bundle of weapons. | 0:10:37 | 0:10:42 | |
What? Yeah. He was leaving. | 0:10:42 | 0:10:44 | |
Did you call the police? No. Antique weapons. OK. | 0:10:44 | 0:10:48 | |
And I said, "What are you doing?" He said, "I've just done a big deal | 0:10:48 | 0:10:51 | |
"but I've just put something in there that you might like. It's a great big steel binnacle." | 0:10:51 | 0:10:56 | |
He said 120 quid, but that's 380. It's different. | 0:10:56 | 0:11:00 | |
Do you like it, though? It's a bit rusty. Bit of Hammerite on there. | 0:11:00 | 0:11:03 | |
So is somebody really going to buy that? | 0:11:03 | 0:11:06 | |
Cos it's 120 quid, it's a big slice of our budget. It is. | 0:11:06 | 0:11:10 | |
'Time to get the mystery weapon-wielding man on the phone | 0:11:11 | 0:11:15 | |
'and straighten out the price.' | 0:11:15 | 0:11:17 | |
I've spoken to the owner, he says fine. | 0:11:17 | 0:11:19 | |
'Nicely done! It's decision time.' | 0:11:19 | 0:11:22 | |
A little bit of, erm, what's that word, serendipity. | 0:11:22 | 0:11:26 | |
You genuinely happened to bump into that bloke who you accosted cos he had a load of weapons | 0:11:26 | 0:11:31 | |
and then you happened, in this maze of a place, to have found the exact bit. Go on, shake his hand. | 0:11:31 | 0:11:38 | |
Thank you very much. Deal. Thank you. I love the whole story. | 0:11:38 | 0:11:42 | |
'A serendipitous deal done at 120 indeed! Down from 380.' | 0:11:42 | 0:11:48 | |
You can roll it home. You can. 'They've collected three trophies for their trunk. | 0:11:48 | 0:11:52 | |
'The Wyllie sketch, a signed menu and the ship's lamp thingamajig, | 0:11:52 | 0:11:57 | |
'spending ?145 of their ?400 budget. Time to get rolling!' | 0:11:57 | 0:12:02 | |
Cheerio. Bye. Bye. | 0:12:02 | 0:12:05 | |
'James and Lucy are motoring to the beach at Southsea | 0:12:09 | 0:12:12 | |
'and Lucy's still smirking about half-inching the MG.' | 0:12:12 | 0:12:15 | |
I am so pleased that we got that car | 0:12:15 | 0:12:18 | |
because Martin was just loving it too much! | 0:12:18 | 0:12:21 | |
I've got to say, I do feel a little bit guilty | 0:12:21 | 0:12:23 | |
about trading in my telly husband for you. Telly husband! | 0:12:23 | 0:12:27 | |
Well, ten years is a long time! We are close. | 0:12:27 | 0:12:30 | |
But he does go mad and buy everything, so I know he's going to get over-excited. Excellent. | 0:12:30 | 0:12:34 | |
I'm very good with bartering. I like to get a good deal. Good. | 0:12:34 | 0:12:37 | |
But I need you to guide me. Shoes and handbags, Martin was joking, | 0:12:37 | 0:12:41 | |
but I do love a bit of trying on, I have to say! | 0:12:41 | 0:12:43 | |
That's where your expertise lies, does it? Shoes and handbags. | 0:12:43 | 0:12:46 | |
'That's a different shopping trip altogether, Lucy. | 0:12:46 | 0:12:49 | |
'James and Lucy are dropping anchor at Roberts of Southsea. | 0:12:50 | 0:12:55 | |
'And the man himself is ready and waiting to deal. | 0:12:55 | 0:12:58 | |
'Once more into the breach!' | 0:12:58 | 0:13:00 | |
Now, Robbie, how long have you been here for? Ten years in this shop. | 0:13:00 | 0:13:05 | |
Ten years? In the trade, 30 years. | 0:13:05 | 0:13:07 | |
30 years? Yep, as a boy. You must have started early. Yes. | 0:13:07 | 0:13:11 | |
Dad in this, as well? And grandfather. That's dad. Hello, dad. Hi. | 0:13:11 | 0:13:15 | |
'Crikey! Three generations of Roberts' in the trade. | 0:13:15 | 0:13:20 | |
'He's not going to be a pushover.' | 0:13:20 | 0:13:22 | |
What do you think you've got here... | 0:13:22 | 0:13:25 | |
Everything. No, come on. What is your favourite piece in this whole shop? | 0:13:25 | 0:13:29 | |
What do you love in here that you think... Whatever someone buys and goes out of that door with. | 0:13:29 | 0:13:35 | |
'Told you!' We'll have a good look round. 'Chocks away! | 0:13:35 | 0:13:38 | |
'Lucy's interest has been captured by some tin trunks.' | 0:13:43 | 0:13:47 | |
These are fantastic trunks. Look at these. Both of them. | 0:13:47 | 0:13:50 | |
Lieutenant Colonel Buckland. | 0:13:50 | 0:13:53 | |
I see a lovely hat box. Lovely. | 0:13:53 | 0:13:56 | |
It's quite a nice, stylish item. I would use that in my home | 0:13:56 | 0:13:59 | |
to put bits and pieces in. Yeah. That's fantastic. Yeah. | 0:13:59 | 0:14:03 | |
We should buy lots in here. I think we will. SHE LAUGHS | 0:14:03 | 0:14:07 | |
'They like the tin trunk and hat case, but they're playing it cool until they've had a look around. | 0:14:07 | 0:14:12 | |
'Suits you, madam.' | 0:14:12 | 0:14:14 | |
Lucy, what about pictures? That picture down there has a slightly naive charm to it. | 0:14:14 | 0:14:20 | |
Is that what you call it? That's The Quadrant in Brighton. | 0:14:20 | 0:14:23 | |
'The Quadrant is a well-known drinking establishment, | 0:14:23 | 0:14:26 | |
'serving the thirsty of Brighton for over 150 years. | 0:14:26 | 0:14:30 | |
'This large oil on canvas is by a Brighton artist and has a ticket price of ?20.' | 0:14:31 | 0:14:37 | |
It's slightly domestic realism. | 0:14:37 | 0:14:39 | |
It's sort of ordinary people. | 0:14:39 | 0:14:42 | |
It's quite unglamorous. | 0:14:42 | 0:14:45 | |
It's got brightness. That's why I don't really like it. It's got a naive charm. | 0:14:45 | 0:14:49 | |
Give me the date. Look at those! 70s. | 0:14:49 | 0:14:52 | |
70s. It is, isn't it? It's all... The denim jacket, the denim jeans. | 0:14:52 | 0:14:56 | |
I like the fact that it's on a canvas and it's got some nice, bright colours. | 0:14:56 | 0:15:00 | |
And I like the lady there with the pram and the flowers. Yeah. | 0:15:00 | 0:15:04 | |
Cos I remember my mother having a pram like that, actually. Yeah. | 0:15:04 | 0:15:08 | |
I think I even was in a pram like that. | 0:15:08 | 0:15:10 | |
For eight quid... 'Hello!' For eight quid, you can have it. | 0:15:10 | 0:15:13 | |
Can we have that for eight quid? Shake the man's hand! | 0:15:13 | 0:15:16 | |
Robbie, it is lovely doing business with you. That is really lovely. | 0:15:16 | 0:15:20 | |
You're a very clever lady. Oh, great, yes! Thank you. Ooh, mind that light! | 0:15:20 | 0:15:25 | |
'Oh! Disaster averted and the first deal done. Lovely. | 0:15:25 | 0:15:29 | |
'They have one item of booty banked, but look out, Lucy's on a roll.' | 0:15:29 | 0:15:33 | |
What is that? I think you put it in the water, suck it up, | 0:15:33 | 0:15:37 | |
then you... Ohh! So it's like a large syringe. | 0:15:37 | 0:15:41 | |
'It might look like a giant syringe, but it's a brass rose-sprayer with no price attached.' | 0:15:42 | 0:15:48 | |
That's something that I can see somebody having in their house | 0:15:48 | 0:15:52 | |
and somebody coming in and saying, "What's that?" and you say, "Ooh, well..." and you have a little story. | 0:15:52 | 0:15:56 | |
So I think that could be quite a fun object to have. | 0:15:56 | 0:15:59 | |
And it's quite country up in Lincoln so they might grow roses up there. | 0:15:59 | 0:16:02 | |
Like it! He's on it. | 0:16:02 | 0:16:05 | |
'He's a pro.' | 0:16:05 | 0:16:07 | |
Do you think that we could add much value to something like that? | 0:16:07 | 0:16:11 | |
Listen, that was ?8, ?15 the two, then you can't lose. All right? | 0:16:11 | 0:16:16 | |
You can't lose then. Give the man a big kiss. I'm going to do that. | 0:16:17 | 0:16:20 | |
After we have bought all the purchases. | 0:16:20 | 0:16:23 | |
I'm not going to kiss him yet. No. He can look forward to that. | 0:16:23 | 0:16:27 | |
'I'm sure he will, too! So, smackers aside, | 0:16:27 | 0:16:30 | |
'they've just purchased another piece of precious plunder. And they're not finished yet. | 0:16:30 | 0:16:34 | |
'Having thoroughly perused the premises, the pair are drawn back to the trunks. | 0:16:37 | 0:16:41 | |
'But things are afoot. I wouldn't want to be in Robbie's shoes. Watch out.' | 0:16:41 | 0:16:47 | |
I've just sold that one to a customer. | 0:16:47 | 0:16:49 | |
When? They came to the door. What, just then? Yeah. | 0:16:49 | 0:16:51 | |
You took too long! You can't do that! I'm sorry. That's not allowed! | 0:16:51 | 0:16:55 | |
You can't lose on that one underneath. No, I want that one. | 0:16:55 | 0:16:59 | |
If we can't have that trunk, what about that trunk? | 0:16:59 | 0:17:01 | |
I like your style. | 0:17:01 | 0:17:03 | |
We don't want a Lieutenant Colonel, we want a General! That's what we want! | 0:17:03 | 0:17:08 | |
What we really, really want! General Burnaby. 'Girl power.' | 0:17:08 | 0:17:11 | |
Can we shut the door in case anyone comes in and buys it, please? | 0:17:11 | 0:17:16 | |
'They're inspecting another tin trunk with the higher ranking of General Burnaby. | 0:17:16 | 0:17:21 | |
'But they're still not convinced.' | 0:17:21 | 0:17:23 | |
Right, what about this trunk underneath here? That's a lovely one. | 0:17:23 | 0:17:26 | |
It's got quite a lot of intricate little bits and pieces going on. | 0:17:26 | 0:17:30 | |
Does it come with all the bits? No. THEY LAUGH | 0:17:30 | 0:17:34 | |
Go on, best price. No bids. 20 quid. And I'll chuck that one in. | 0:17:34 | 0:17:37 | |
And you can't lose on that. | 0:17:37 | 0:17:40 | |
'James and Lucy like the trunk and Robbie's thrown in the hat tin | 0:17:40 | 0:17:44 | |
'for a knock-down price of ?20. | 0:17:44 | 0:17:47 | |
'But they're not ready to pack up their troubles just yet.' | 0:17:48 | 0:17:51 | |
You don't think we should have the general in with this, as well, Lucy? | 0:17:51 | 0:17:54 | |
Oh, that would be lovely, a stack. | 0:17:54 | 0:17:56 | |
A stack. Cos they would look nice together, wouldn't they? | 0:17:56 | 0:17:59 | |
'With a little brute strength from James...' I think it's got gold coins in there. | 0:17:59 | 0:18:03 | |
'..and artistic flare from Lucy...' | 0:18:03 | 0:18:06 | |
That actually works with the black on top of the tan. | 0:18:06 | 0:18:09 | |
It does. It's a sort of lovely tableau | 0:18:09 | 0:18:11 | |
or a natural window-dresser. | 0:18:11 | 0:18:13 | |
Come on, Robbie, it is a package. It's a package deal. 30 quid. | 0:18:13 | 0:18:18 | |
30 quid, come on. Now you're going to get that kiss! Mwah! Mwah! | 0:18:18 | 0:18:22 | |
'Whether you like it or not.' It's the nicest day today! | 0:18:22 | 0:18:25 | |
JAMES LAUGHS I'm feeling an ice cream and a Flake coming on. Yeah. | 0:18:25 | 0:18:29 | |
'Go on, then, you deserve it! Make mine a 99, eh?' Thank you very much. | 0:18:29 | 0:18:33 | |
'Only ?45 of their ?400 budget spent and what spoils. | 0:18:33 | 0:18:39 | |
'A selection of trunks, a brass rose-sprayer and an oil painting of Brighton. Top dealing, duo!' | 0:18:39 | 0:18:45 | |
Oh! | 0:18:45 | 0:18:47 | |
Do you collect? I do. I collect antiques. | 0:18:48 | 0:18:51 | |
Not so much furniture. More objet d'art, more sort of curios. | 0:18:51 | 0:18:55 | |
My biggest problem is I can't bear to get rid of things. | 0:18:55 | 0:18:59 | |
Do you know... That's going to be the problem today. | 0:18:59 | 0:19:02 | |
Cos I'll find things and go, "I'm not going to sell that!" | 0:19:02 | 0:19:05 | |
'Successful antique experts are often part great detectives, part obsessive collectors, | 0:19:06 | 0:19:12 | |
'and here in Portsmouth there's a collection that combines the two. | 0:19:12 | 0:19:16 | |
'Portsmouth Central Library houses arguably the largest collection | 0:19:16 | 0:19:21 | |
'of Sherlock Holmes and Sir Arthur Conan Doyle-related material in the world. | 0:19:21 | 0:19:27 | |
'Obsessively collected over a lifetime by Richard Lancelyn Green, | 0:19:27 | 0:19:32 | |
'it consists of 16,000 books, | 0:19:32 | 0:19:34 | |
'40,000 documents and 3,000 objects. Wow!' | 0:19:34 | 0:19:38 | |
Hello. I'm James. Nice to see you. Hello. | 0:19:38 | 0:19:42 | |
'Laura Weston is showing them round.' Come with me. | 0:19:42 | 0:19:46 | |
'Richard Lancelyn Green was generally considered | 0:19:48 | 0:19:51 | |
'the world's foremost scholar on the subject of Sherlock Holmes | 0:19:51 | 0:19:55 | |
'and Sir Arthur Conan Doyle. | 0:19:55 | 0:19:58 | |
'Richard bequeathed his collection to Portsmouth Central Library | 0:19:58 | 0:20:01 | |
'as it was here that Sir Arthur Conan Doyle | 0:20:01 | 0:20:04 | |
'wrote his first Sherlock Holmes story.' | 0:20:04 | 0:20:07 | |
The first book was A Study In Scarlet. And that's where Sherlock Holmes was born. | 0:20:07 | 0:20:11 | |
Yeah. And it just took off from there, really. | 0:20:11 | 0:20:14 | |
'The collection contains some very rare items, | 0:20:14 | 0:20:17 | |
'including original magazines in which Sherlock Holmes stories were published.' | 0:20:17 | 0:20:21 | |
What we have here is the Strand magazine. | 0:20:21 | 0:20:24 | |
Now, magazines were not magazines as we know it. | 0:20:24 | 0:20:28 | |
They were actually books. So this one here dates from 1892. | 0:20:28 | 0:20:33 | |
'There are also some first-edition books.' | 0:20:33 | 0:20:37 | |
The Hound Of The Baskervilles. I love the fact that it's got an advert | 0:20:37 | 0:20:41 | |
for Fry's pure cocoa on the front of Hound Of The Baskervilles! | 0:20:41 | 0:20:46 | |
When you can't sleep at night because you've read the book, | 0:20:46 | 0:20:48 | |
you can have your cup of cocoa and you'll go to sleep. | 0:20:48 | 0:20:51 | |
'Richard's fanatical collecting | 0:20:51 | 0:20:54 | |
'let him into a lengthy legal wrangling | 0:20:54 | 0:20:57 | |
'to obtain personal paperwork of Sir Arthur Conan Doyle's.' | 0:20:57 | 0:21:00 | |
This is an original letter from Conan Doyle to his son | 0:21:00 | 0:21:05 | |
basically saying to his son, "You cannot have any more money, | 0:21:05 | 0:21:08 | |
"your allowance should be enough. Darling Daddy." Darling? Oh, no! | 0:21:08 | 0:21:13 | |
'On Richard's death in 2004, he'd been collecting veraciously for 40 years. | 0:21:13 | 0:21:19 | |
'Laura's taking the chaps to the basement for a closer look at the extent of the archives.' | 0:21:19 | 0:21:25 | |
He literally had piles and piles and piles of objects and items that he just lived with. | 0:21:28 | 0:21:32 | |
It's interesting because collectors are often quite strange individuals. | 0:21:32 | 0:21:37 | |
People now believe that the collector's gene is more in males than females. | 0:21:37 | 0:21:41 | |
And if we have a collectors' sale at the auction | 0:21:41 | 0:21:43 | |
for cigarette cards, postcards, coins, stamps, medals, | 0:21:43 | 0:21:47 | |
there's not a woman in the audience. Wow. It's all men. | 0:21:47 | 0:21:51 | |
It's something strange about us. I'm not sure what it is. | 0:21:51 | 0:21:54 | |
There's lots of women watching going, "Yeah, that's my husband. Why does he collect that rubbish?" | 0:21:54 | 0:21:58 | |
'Richard's death was in some ways attributed to his obsession with his collection. | 0:21:58 | 0:22:04 | |
'He was distraught at being unable to stop the private sale of Conan Doyle papers | 0:22:04 | 0:22:10 | |
'which he suspected the late daughter of the author | 0:22:10 | 0:22:13 | |
'had bequeathed the National Library. | 0:22:13 | 0:22:16 | |
'His behaviour became erratic | 0:22:17 | 0:22:19 | |
'and he was later found by police garrotted on his bed. | 0:22:19 | 0:22:24 | |
'All clues pointed to murder, | 0:22:24 | 0:22:27 | |
'but the coroner returned an open verdict | 0:22:27 | 0:22:29 | |
'and relatives claimed he took his own life | 0:22:29 | 0:22:32 | |
'in the manner of a Sherlock Holmes plot. Well, well. | 0:22:32 | 0:22:36 | |
'Another investigation complete, | 0:22:36 | 0:22:38 | |
'so it's time for our own super-sleuthing duo | 0:22:38 | 0:22:42 | |
'to continue with their search for antique supremacy.' | 0:22:42 | 0:22:45 | |
I am laughing inside because we've got the picture in the boot! | 0:22:46 | 0:22:51 | |
It is, really. See, we've got a long-lasting friendship. Yeah. | 0:22:51 | 0:22:55 | |
I bet Martin and James haven't. HE LAUGHS | 0:22:55 | 0:22:59 | |
We are for life, not just for Christmas. Ahh! | 0:22:59 | 0:23:03 | |
Here we go. I am excited! Shop number two! | 0:23:03 | 0:23:06 | |
Can we leave the picture here? Yep. No-one's going to take it. | 0:23:06 | 0:23:09 | |
No-one's going to take it? They're not going to take it! | 0:23:09 | 0:23:12 | |
'The next port of call on their race for riches | 0:23:13 | 0:23:16 | |
'is Parminter's Antiques, and dressed and ready for the occasion is the very dapper Ian.' | 0:23:16 | 0:23:22 | |
You look the part! You work in this shop. It's working! | 0:23:22 | 0:23:27 | |
Thank you very much. You've got a fabulous shop here. | 0:23:27 | 0:23:30 | |
And we've got a dog. And you've got a dog! | 0:23:30 | 0:23:32 | |
Is he head of security? Yes, he is. Head of security. | 0:23:32 | 0:23:35 | |
'And as he guards one painting, | 0:23:35 | 0:23:38 | |
'Lucy's spotted another.' | 0:23:38 | 0:23:40 | |
I notice something over here. Now, I went straight to that as I walked in | 0:23:40 | 0:23:45 | |
and I thought that was absolutely endearing. | 0:23:45 | 0:23:48 | |
I love that. Look, the little kids in bed, mum and dad. | 0:23:48 | 0:23:52 | |
It has a certain elegance. Some people condemn these things as being sentimental. | 0:23:52 | 0:23:57 | |
But it is quite sweet, isn't it? | 0:23:57 | 0:24:00 | |
I really like that. | 0:24:00 | 0:24:02 | |
'But they've already got one painting, so that one's staying put.' | 0:24:02 | 0:24:06 | |
I prefer that than the print you made me buy. | 0:24:06 | 0:24:09 | |
'And you do have impeccable taste, Lucy.' | 0:24:09 | 0:24:11 | |
Ian, this looks like Royal Doulton to me. | 0:24:11 | 0:24:14 | |
Yeah, they are Doulton. Concentrate, Lucy. Sorry! | 0:24:14 | 0:24:17 | |
Sorry, I like to try on the wares. | 0:24:17 | 0:24:20 | |
'She doesn't half! | 0:24:20 | 0:24:22 | |
'Debonair dealer Ian is always keen to help a lady with cash to splash. | 0:24:24 | 0:24:28 | |
'Hello, hello, hello.' | 0:24:28 | 0:24:31 | |
We need a biggie. We need to buy a big something. I've got something for you. | 0:24:31 | 0:24:35 | |
Have a look at that clock. Let's have a look. | 0:24:35 | 0:24:38 | |
If it comes in cheap, it can go out cheap. But it's got a nice, | 0:24:38 | 0:24:41 | |
very attractive look. It'll appeal to anyone, I think. | 0:24:41 | 0:24:43 | |
'It's priced at ?75.' | 0:24:43 | 0:24:46 | |
I'm just going to get my glasses. And it does actually go. | 0:24:46 | 0:24:49 | |
'Crikey! James really means business!' | 0:24:49 | 0:24:52 | |
So, here we are. We've got the clock. It's got an architectural element going on. Yes. | 0:24:52 | 0:24:57 | |
So you've got these Ionic columns, white onyx from the Atlas Mountains above Marrakech. | 0:24:57 | 0:25:01 | |
And it's got a mechanism on the back. | 0:25:01 | 0:25:04 | |
And it's nice that it strikes on a bell. | 0:25:04 | 0:25:06 | |
Does this leave you cold, Lucy? | 0:25:06 | 0:25:09 | |
'In a word.' Er, yeah. | 0:25:09 | 0:25:11 | |
It just looks a bit sort of old and like it wouldn't work, though. | 0:25:11 | 0:25:15 | |
I know that's part and parcel of antique-buying. Yeah. It's old. But do you know what I mean? | 0:25:15 | 0:25:19 | |
I just think it's a little over-budget for what we were looking to pay for it. | 0:25:19 | 0:25:23 | |
Gosh. What about 60 quid? Gosh. | 0:25:23 | 0:25:26 | |
I was thinking more 50 quid. 'You go, girl!' | 0:25:26 | 0:25:29 | |
You can have it for ?50 cos it's... ?50! Is that all right? | 0:25:30 | 0:25:34 | |
?50. OK. Well done, Lucy. 50 quid. Thank you. | 0:25:34 | 0:25:37 | |
'Cor, she's a top negotiator, that one. | 0:25:37 | 0:25:40 | |
'Lucy's scored them another piece of bargain booty. | 0:25:40 | 0:25:43 | |
'And there's no stopping her.' | 0:25:43 | 0:25:45 | |
I quite like that, as well, actually. | 0:25:45 | 0:25:48 | |
I... You don't like that. | 0:25:50 | 0:25:53 | |
Whenever I say that and you pause for a long time afterwards, | 0:25:53 | 0:25:56 | |
I know you're like, "That's not going to make any money!" No, it's got some age. | 0:25:56 | 0:25:59 | |
'They're bickering like an old married couple.' Does this come off? | 0:25:59 | 0:26:03 | |
Very unusual, that. That's so heavy. Feel that. | 0:26:03 | 0:26:06 | |
It's a real nice piece. That's a nice piece. | 0:26:06 | 0:26:09 | |
So what is it? What metal? It's silver plate. | 0:26:09 | 0:26:12 | |
I would put that on my table and put some candles... I like that. | 0:26:12 | 0:26:16 | |
Asking 100. That could be ?70. | 0:26:16 | 0:26:18 | |
And it's a lovely thing. | 0:26:19 | 0:26:21 | |
'Hello. What's going on here? | 0:26:21 | 0:26:24 | |
'I think she's got this nailed, James.' | 0:26:24 | 0:26:26 | |
I like that for 50 quid. Cos then we've got 50 and 50, 100 quid. | 0:26:26 | 0:26:29 | |
50 quid. I'm not even going to haggle. You're too easy-going! | 0:26:29 | 0:26:33 | |
'Ha! Lucy does it again, stashing a candelabra and an onyx clock for ?100. | 0:26:33 | 0:26:40 | |
'Their bag of swag is full and they've only spent ?145. | 0:26:40 | 0:26:44 | |
'What a triumph, eh?' | 0:26:44 | 0:26:46 | |
I like that picture. CJ Fox. Yeah, let's move on. HE LAUGHS | 0:26:46 | 0:26:51 | |
'So, with their cache of curiosity mounting, | 0:26:51 | 0:26:54 | |
'it's been a good day all round | 0:26:54 | 0:26:56 | |
'and the teams can rest easy. Night-night, you lot. | 0:26:56 | 0:27:00 | |
'It's a bright and shiny new day but the teams are dishing the dirt.' | 0:27:04 | 0:27:08 | |
So, did you have a fabulous day yesterday? Yeah, we had great fun. | 0:27:08 | 0:27:11 | |
I'm letting you into a little secret. James did choose something that I am not quite sure about. | 0:27:11 | 0:27:15 | |
Really? So it will be quite funny on auction day to see how much that makes. | 0:27:15 | 0:27:19 | |
How's Martin at the old haggle? He's on a learning curve with the haggling. | 0:27:19 | 0:27:23 | |
We bought three things yesterday, | 0:27:23 | 0:27:26 | |
and of the three things, he picked out two of them. Really? Yeah. | 0:27:26 | 0:27:30 | |
'Martin did indeed pick out two quirky items, | 0:27:31 | 0:27:34 | |
'an autographed menu and a Willey sketch. | 0:27:34 | 0:27:38 | |
'James chose a so-called steel ship's lamp. | 0:27:38 | 0:27:42 | |
'And that collection cost them ?145, leaving them ?255 for today.' Marvellous. Thank you. | 0:27:42 | 0:27:48 | |
'James and Lucy bought five pieces, the Brighton painting, | 0:27:49 | 0:27:53 | |
'the rose-sprayer, some tin trunks, | 0:27:53 | 0:27:57 | |
'a clock and a candelabra, also spending ?145.' | 0:27:57 | 0:28:01 | |
Now you're going to get that kiss! Mwah! Mwah! | 0:28:01 | 0:28:04 | |
'So they, too, have ?255 left to spend.' | 0:28:04 | 0:28:08 | |
I'm having a fabulous time with Lucy. She's great fun. | 0:28:08 | 0:28:13 | |
Many things started off at 100 | 0:28:13 | 0:28:15 | |
and then miraculously they got down to 50. | 0:28:15 | 0:28:17 | |
I think she's going to go back from this experience | 0:28:17 | 0:28:20 | |
and look at things with very different eyes. | 0:28:20 | 0:28:23 | |
I really, really love antiques now. | 0:28:23 | 0:28:25 | |
My James is brilliant, as well. His knowledge is unbelievable! Isn't it amazing? It's, like, anything! | 0:28:25 | 0:28:30 | |
This little bit of pottery and he goes, "Oh, that's from 1930 by Brian Smith." | 0:28:30 | 0:28:36 | |
It's like, "What?" | 0:28:36 | 0:28:38 | |
'My James is better than your James!' | 0:28:38 | 0:28:41 | |
What are those cows doing in the middle of the road? Morning. | 0:28:42 | 0:28:44 | |
'Moooove over, cows.' | 0:28:44 | 0:28:48 | |
Here we go. Whey! Hello, boys! | 0:28:48 | 0:28:52 | |
Ting-ting! Ting-ting, off we go! | 0:28:52 | 0:28:55 | |
You've got no idea what you're up against here, guys. Losers! | 0:28:55 | 0:28:59 | |
We haven't even started yet! That is so inappropriate! Hi. How are you? | 0:28:59 | 0:29:03 | |
I've missed you so much! | 0:29:03 | 0:29:05 | |
Be very, very careful with that man. | 0:29:07 | 0:29:09 | |
Mwah, mwah, mwah. Remember who your husband is! | 0:29:09 | 0:29:12 | |
THEY LAUGH | 0:29:12 | 0:29:14 | |
'James and Martin are scooting nearly 40 miles northwest of Portsmouth, | 0:29:16 | 0:29:20 | |
'through the New Forest, to Burley, a picturesque little village | 0:29:20 | 0:29:24 | |
'where folklore says there once lived a dragon. No sign of it now, though.' | 0:29:24 | 0:29:28 | |
Today's really important. I want to feel like we've found something really special. | 0:29:28 | 0:29:33 | |
Yeah. Like, nobody else has spotted it. | 0:29:33 | 0:29:36 | |
I mean, the dream is to be rummaging around in a box or at the back of the shop | 0:29:36 | 0:29:41 | |
and you find that thing and you almost don't want to go, "Aghhh!" | 0:29:41 | 0:29:44 | |
because it's going to give the game away, but actually, that's what you feel. | 0:29:44 | 0:29:48 | |
'The chaps have parked up off the beaten track. | 0:29:49 | 0:29:53 | |
'They've been tipped off about an antique fair, but they're having difficulty finding it.' | 0:29:53 | 0:29:57 | |
Do you know where the antiques thing is? Yes, down the road. Village hall. | 0:29:57 | 0:30:01 | |
Village hall where? Down, end of the road. | 0:30:01 | 0:30:04 | |
Hello. Do you know where the village hall is? | 0:30:04 | 0:30:06 | |
Burley village. It's got to be round here somewhere. | 0:30:06 | 0:30:09 | |
Burley Village is a different place. 'Who said that?' | 0:30:10 | 0:30:13 | |
Is it? What do you mean? What's this? This is Burley. Right. | 0:30:13 | 0:30:17 | |
Down that road there's another village called Burley Village. | 0:30:17 | 0:30:20 | |
'Hello! Where's that voice coming from?' | 0:30:20 | 0:30:22 | |
So this is Burley village but not Burley Village. This is a village called Burley. | 0:30:22 | 0:30:26 | |
Right. Down there, there's another village called Burley Village. | 0:30:26 | 0:30:30 | |
'Obviously.' So this is a village called Burley, | 0:30:30 | 0:30:33 | |
but that's a village called Burley Village? Yes. | 0:30:33 | 0:30:36 | |
That's not complicated at all, then. | 0:30:36 | 0:30:38 | |
So how far's Burley Village? Less than a mile that way. | 0:30:38 | 0:30:42 | |
And why is the sign for Burley Village pointing this way? | 0:30:42 | 0:30:44 | |
Oh, well, I don't know that. I'm sorry. | 0:30:44 | 0:30:47 | |
Oh, right. Have you ever thought you've walked into the Twilight Zone? | 0:30:47 | 0:30:50 | |
THEY LAUGH 'You're the ones taking directions from a bush! | 0:30:50 | 0:30:55 | |
'And finally, they find someone to point them in the right direction. And ta-da!' | 0:30:55 | 0:31:01 | |
That's Burley Village hall rather village hall. | 0:31:01 | 0:31:04 | |
'Finally, the bargaining can begin, | 0:31:04 | 0:31:06 | |
'if they can tear themselves away from their fan club, that is.' | 0:31:06 | 0:31:10 | |
All right, my dear. It's for my mum's Christmas card. | 0:31:10 | 0:31:13 | |
Your mum's Christmas card? I knew it was Lovejoy. 'Ahem! | 0:31:13 | 0:31:17 | |
'Martin's keen to get back on track | 0:31:19 | 0:31:21 | |
'and has weeded out a little regal novelty.' | 0:31:21 | 0:31:23 | |
James, this is from the Coronation. Very timely this year. | 0:31:23 | 0:31:27 | |
A paper-opener thing. | 0:31:27 | 0:31:30 | |
'So, the chaps are hoping to cut a deal for the letter-opener with Anita.' | 0:31:30 | 0:31:34 | |
What price is it? Eight. Eight? | 0:31:34 | 0:31:37 | |
Could you do it for five for us? No. | 0:31:37 | 0:31:39 | |
Six? Erm... | 0:31:39 | 0:31:42 | |
Seven. Seven? ?7? | 0:31:42 | 0:31:46 | |
'Despite Anita's hard sell, the men aren't convinced and decide to continue browsing. | 0:31:47 | 0:31:52 | |
'They're not discovering the hidden riches they'd hoped for, | 0:31:52 | 0:31:56 | |
'but James thinks combining a few pieces into a commemoration theme might be the answer.' | 0:31:56 | 0:32:01 | |
The paper knife that you found... Yes. ..if we link it with this, | 0:32:01 | 0:32:05 | |
and I know it's not exciting, but it just adds something else. | 0:32:05 | 0:32:10 | |
It's the same, "Honi soit qui mal y pense". What does that mean? | 0:32:10 | 0:32:13 | |
"Evil be to he who evil thinks." Ah. Windsor. | 0:32:13 | 0:32:16 | |
Same period, '53, go with it, | 0:32:16 | 0:32:20 | |
it might add a bit of something to the lot. | 0:32:20 | 0:32:23 | |
And then we've got a model of Shakespeare's house by WH Goss. | 0:32:23 | 0:32:28 | |
Goss was a manufacturer of this very fine bisque porcelain. | 0:32:28 | 0:32:34 | |
I'm not taking the Mickey here, but really? You've got to be kidding. | 0:32:34 | 0:32:38 | |
In its day, that was worth 90 to 100 quid. | 0:32:38 | 0:32:41 | |
This? Yeah. Why? Because Goss is a very collectable factory | 0:32:41 | 0:32:45 | |
and that's quite a rare one. But... | 0:32:45 | 0:32:48 | |
I just imagine putting this on the table in front of Lucy and James and going, "There." | 0:32:48 | 0:32:53 | |
'Small can be beautiful, though. | 0:32:53 | 0:32:56 | |
'Time to get dealing with Eileen, who owns the Goss piece. | 0:32:56 | 0:32:59 | |
'It has a ticket price of ?20.' | 0:32:59 | 0:33:03 | |
Would you throw that commemorative beaker in with it? Yes, OK. | 0:33:03 | 0:33:07 | |
So that and that. Well done. Oh, OK. That's brilliant, then. | 0:33:07 | 0:33:10 | |
Thank you. Come on, then. Paper knife. Let's have a go. OK. | 0:33:10 | 0:33:15 | |
'Now, if you can get the letter-opener for less than ?7, | 0:33:15 | 0:33:18 | |
'you've got the beginnings of a commemorative collection.' | 0:33:18 | 0:33:21 | |
Would you do it at a fiver so that we can have that and that for ?10? | 0:33:21 | 0:33:25 | |
You're a wonderful human being. Thank you so much! | 0:33:25 | 0:33:28 | |
That's really kind. Thank you. | 0:33:28 | 0:33:30 | |
Well, all I'd say is, it wasn't quite what I was anticipating. | 0:33:30 | 0:33:34 | |
But at least we got something. | 0:33:34 | 0:33:36 | |
'You should've traded your autograph. It'll be worth a fortune one day, remember? | 0:33:36 | 0:33:40 | |
'The boys are leaving Burley Village Hall. Or is that the village hall in Burley? | 0:33:40 | 0:33:44 | |
'They've acquired another clutch of curios for auction.' | 0:33:44 | 0:33:47 | |
So, Lucy, are you feeling... Hair blowing in the... I'm just trying to see you through the mop. Look. | 0:33:50 | 0:33:55 | |
Hello, darling. Do the Grace Kelly. Shall I do the look? | 0:33:55 | 0:33:59 | |
Hold on a minute, it's gone wrong. 'Not very graceful.' | 0:34:00 | 0:34:02 | |
I can't see! Seriously. SHE LAUGHS | 0:34:02 | 0:34:05 | |
# She's a lady | 0:34:05 | 0:34:08 | |
# Whoa, whoa, whoa, she's a lady | 0:34:08 | 0:34:11 | |
# Talking about that little lady | 0:34:12 | 0:34:15 | |
'James and Lucy uncovered plenty of hidden treasure yesterday | 0:34:16 | 0:34:20 | |
'and today they're on yet another voyage of discovery, | 0:34:20 | 0:34:23 | |
'to Beaulieu in the New Forest.' | 0:34:23 | 0:34:25 | |
Look at this! Look at the ponies! | 0:34:25 | 0:34:28 | |
I just love the way all the horses roam freely, there's donkeys everywhere. | 0:34:28 | 0:34:33 | |
Yeah. Look, this house looks amazing! | 0:34:33 | 0:34:35 | |
So, how long have you worked on Homes Under The Hammer? For ten years. | 0:34:35 | 0:34:39 | |
Does anybody ever tire of property? | 0:34:39 | 0:34:42 | |
Weirdly, no. Even when property dipped, | 0:34:42 | 0:34:45 | |
people were still really interested in watching Homes Under The Hammer, | 0:34:45 | 0:34:48 | |
because they wanted to see how people were buying, what they were doing, what bargains they were getting. | 0:34:48 | 0:34:53 | |
Because, you know, some of the properties were flying out. | 0:34:53 | 0:34:55 | |
Martin's one of those lovely people who you can read. He's like a little open book. | 0:34:55 | 0:35:00 | |
He really is, and he will sulk. | 0:35:00 | 0:35:03 | |
If he likes my candelabra a little bit more than whatever he's bought, | 0:35:03 | 0:35:07 | |
it will show on his face. Really? Yeah. | 0:35:07 | 0:35:09 | |
We're nearly there. I don't know whether we're going to make the last hundred yards. | 0:35:09 | 0:35:14 | |
If we're downhill, we've got a chance. | 0:35:14 | 0:35:16 | |
'Ha-ha! They're spluttering their way to the Beaulieu Estate | 0:35:17 | 0:35:21 | |
'to visit a beautiful home | 0:35:21 | 0:35:23 | |
'on a property which has been in the Montague family since 1538. | 0:35:23 | 0:35:27 | |
'Unfortunately for Lucy, it's definitely not under the hammer. | 0:35:27 | 0:35:30 | |
'The estate holds one of the best-kept secrets ever. | 0:35:32 | 0:35:36 | |
'Who'd have thought this sleepy, scenic Hampshire village | 0:35:36 | 0:35:39 | |
'was once a base for sabotage and subversion?' | 0:35:39 | 0:35:43 | |
Isn't it glorious? | 0:35:43 | 0:35:45 | |
Let's get inside. Let's got on an adventure. | 0:35:45 | 0:35:48 | |
'During World War II, Beaulieu was the finishing school for the SOE, | 0:35:48 | 0:35:53 | |
'Churchill's Special Operations Executive, | 0:35:53 | 0:35:56 | |
'a plucky bunch of volunteers employed to sabotage the German war effort. | 0:35:56 | 0:36:02 | |
'Margaret Rolls has the history of these unsung heroes.' | 0:36:02 | 0:36:06 | |
Secret agents. Do we look like them? | 0:36:06 | 0:36:08 | |
Too noisy! So lovely to meet you, Margaret. I'm Lucy. | 0:36:08 | 0:36:11 | |
Hello. Hello. James. Hello, James. | 0:36:11 | 0:36:13 | |
'Over 3,000 agents passed through Beaulieu, coming from all over Europe, | 0:36:14 | 0:36:18 | |
'where they'd learn skills such as cryptography, navigation | 0:36:18 | 0:36:23 | |
'and how to survive off the land. | 0:36:23 | 0:36:26 | |
'Over three weeks, they finished their training here. | 0:36:27 | 0:36:30 | |
'They were given new identities and final instructions, | 0:36:30 | 0:36:34 | |
'all in utter secrecy.' | 0:36:34 | 0:36:36 | |
So, why Beaulieu? Well, it was a remote part of the country | 0:36:36 | 0:36:41 | |
and one of the administrators who was brought in | 0:36:41 | 0:36:44 | |
to help set up the SOE actually lived in the village | 0:36:44 | 0:36:47 | |
and he knew that there were a lot of large houses on the estate | 0:36:47 | 0:36:51 | |
that would be absolutely perfect to house these agents. | 0:36:51 | 0:36:54 | |
It was known as the Hush-Hush Operation here | 0:36:54 | 0:36:57 | |
and nobody in the village | 0:36:57 | 0:37:00 | |
or the Montague family had any idea. | 0:37:00 | 0:37:02 | |
Really? No. That is incredible! | 0:37:02 | 0:37:05 | |
That's the best-kept secret ever! | 0:37:05 | 0:37:07 | |
People during the war, they do say they were told what to say and if they didn't need to know, | 0:37:07 | 0:37:12 | |
they weren't told, they didn't ask. | 0:37:12 | 0:37:14 | |
'It was a massive secret to keep with some 175 staff and instructors running the operation.' | 0:37:16 | 0:37:23 | |
They were known as a shoal of pretty old fish. | 0:37:23 | 0:37:25 | |
You had some very intelligent, clever people | 0:37:25 | 0:37:27 | |
who taught things like coding and ciphers, | 0:37:27 | 0:37:30 | |
and then at the other end of the spectrum, you had people like Nobby Clark, | 0:37:30 | 0:37:34 | |
who was actually a gamekeeper on the Sandringham estate, | 0:37:34 | 0:37:37 | |
and he taught people how to live off the land and how to skin a rabbit, | 0:37:37 | 0:37:41 | |
the real basics of keeping themselves alive. | 0:37:41 | 0:37:43 | |
There was another rather handsome gentleman | 0:37:45 | 0:37:48 | |
called Captain Paul Dehn and he taught things like secret codes, | 0:37:48 | 0:37:53 | |
and he went on to become quite a famous scriptwriter in Hollywood. Really? | 0:37:53 | 0:37:58 | |
And some of his screenplays included Goldfinger, a Bond film. | 0:37:58 | 0:38:02 | |
'Once trained, agents were parachuted into occupied Europe. | 0:38:04 | 0:38:08 | |
'Their main task was to help resistance groups become more professional as working units, | 0:38:08 | 0:38:14 | |
'efficient in sabotage and intelligence gathering. | 0:38:14 | 0:38:18 | |
'To help agents with their dangerous job while remaining undetected, | 0:38:19 | 0:38:23 | |
'all manner of ingenious pieces of equipment were thought up | 0:38:23 | 0:38:27 | |
'by a very clever chap called Charles Fraser-Smith.' | 0:38:27 | 0:38:30 | |
He was the Q of his day. He was the Mr Fix-It. | 0:38:30 | 0:38:34 | |
He might get a phone call that said, "We want 600 cameras but they've got to be very, very small." | 0:38:34 | 0:38:39 | |
He was constantly thinking of ways in which is could conceal useful things | 0:38:39 | 0:38:44 | |
for the agents so that they could have them with them | 0:38:44 | 0:38:46 | |
and if they were caught, it wouldn't be noticed | 0:38:46 | 0:38:50 | |
that it wasn't actually a real hairbrush. Yes! | 0:38:50 | 0:38:54 | |
Or that there's a compass at the end of a pen | 0:38:54 | 0:38:56 | |
or something hidden in a domino. | 0:38:56 | 0:38:59 | |
Ian Fleming, who wrote all the James Bond books, | 0:38:59 | 0:39:02 | |
he was in naval intelligence during the Second World War, | 0:39:02 | 0:39:05 | |
and it's commonly believed that he got a lot of his ideas for James Bond's gadgets | 0:39:05 | 0:39:10 | |
from the original Q... | 0:39:10 | 0:39:12 | |
Really? ..Mr Charles Fraser-Smith. | 0:39:12 | 0:39:15 | |
'World War II was the first time women were recruited | 0:39:17 | 0:39:20 | |
'into strategic positions of danger in a war situation.' | 0:39:20 | 0:39:24 | |
They were incredibly brave. They could've walked away at any time, | 0:39:24 | 0:39:28 | |
yet they volunteered to do this really, really dangerous work | 0:39:28 | 0:39:32 | |
knowing that they might not come home again. | 0:39:32 | 0:39:35 | |
'Many of the women became radio operators, | 0:39:37 | 0:39:40 | |
'one of the most dangerous jobs in the SOE | 0:39:40 | 0:39:43 | |
'with the added risk of carrying a very obvious piece of equipment with them.' | 0:39:43 | 0:39:47 | |
It looks very heavy. You've hit the nail on the head, Lucy. | 0:39:47 | 0:39:51 | |
It was such a dangerous occupation to have | 0:39:51 | 0:39:53 | |
because all the time that you were sending messages back to England, | 0:39:53 | 0:39:56 | |
there was a chance that the Germans had managed to track you | 0:39:56 | 0:40:00 | |
and pick up your signal. | 0:40:00 | 0:40:02 | |
So the average lifespan of a wireless operator | 0:40:02 | 0:40:06 | |
was actually six weeks. Really? Really? Yes. | 0:40:06 | 0:40:10 | |
Wow! Just six weeks. So... That is unbelievable. | 0:40:10 | 0:40:15 | |
And they would've known this. Yes, they weren't under any illusion. | 0:40:15 | 0:40:18 | |
One that a lot of people will have heard of was Violette Szabo. | 0:40:20 | 0:40:23 | |
She completed one very successful mission | 0:40:23 | 0:40:26 | |
and she was offered the opportunity to stand down because she had a young daughter, | 0:40:26 | 0:40:31 | |
but she chose to go back. | 0:40:31 | 0:40:34 | |
Unfortunately, damaged her ankle landing from her parachute jump, | 0:40:34 | 0:40:37 | |
the Germans were waiting for them, she couldn't get away. | 0:40:37 | 0:40:40 | |
This is so sad. This is making me feel very sad. | 0:40:40 | 0:40:44 | |
I mean, how tough were these women? | 0:40:44 | 0:40:46 | |
They were amazing. How tough were they to put themselves in these positions? | 0:40:46 | 0:40:50 | |
They really did. | 0:40:50 | 0:40:52 | |
Margaret, I have thoroughly enjoyed these stories. | 0:40:57 | 0:41:00 | |
It's just been amazing meeting you. | 0:41:00 | 0:41:02 | |
Thank you so much. You're very welcome. It's been a real pleasure. | 0:41:02 | 0:41:06 | |
'With one final piece of plunder left to procure, | 0:41:07 | 0:41:10 | |
'it's James and Martin's last shop, | 0:41:10 | 0:41:14 | |
'The Magpie's Nest, overflowing with the shiny stuff. | 0:41:14 | 0:41:17 | |
'James's attention has been caught by a creepy-crawly beastie of a brooch with no price on it.' | 0:41:20 | 0:41:26 | |
I like that. It's nine-carat. | 0:41:26 | 0:41:29 | |
Gold at an all-time high. Probably 1930s. | 0:41:29 | 0:41:32 | |
Generally, insects and that type of brooches are actually very, very fashionable at the moment. | 0:41:32 | 0:41:36 | |
And do you reckon these are real stones? Yeah, that's amber. And it's got a peridot. | 0:41:36 | 0:41:40 | |
A peridot. A what? A peridot. Like a citrine. | 0:41:40 | 0:41:44 | |
Amber, which is a resin, basically a tree resin. | 0:41:44 | 0:41:46 | |
Yeah, that's the thing you get mosquitoes in and you get dinosaurs off them. | 0:41:46 | 0:41:49 | |
'This is not Jurassic Park.' | 0:41:49 | 0:41:52 | |
If you get a mosquito in one, it's worth a fortune, it's worth a lot more. | 0:41:52 | 0:41:56 | |
It's just gone up. There isn't a mosquito in it. | 0:41:56 | 0:41:59 | |
'More's the pity.' What could the best on that be? | 0:41:59 | 0:42:03 | |
45. I could do that for 40 for you. | 0:42:03 | 0:42:05 | |
Permission to make an offer? Yes, sir. | 0:42:05 | 0:42:08 | |
30? 35? | 0:42:08 | 0:42:11 | |
30 would make a big difference to us. | 0:42:11 | 0:42:13 | |
Please? You drive a hard bargain. HE LAUGHS | 0:42:13 | 0:42:17 | |
Shake the lady's hand, you've got a deal. Thank you very much. Lovely. | 0:42:17 | 0:42:21 | |
'Caught in a web of delight with the brooch, | 0:42:21 | 0:42:24 | |
'Martin fancies a little box to present it in, too.' | 0:42:24 | 0:42:27 | |
I want to make it look as posh as possible. | 0:42:27 | 0:42:29 | |
What he's asking for is | 0:42:29 | 0:42:32 | |
a 1905 Faberge box. | 0:42:32 | 0:42:37 | |
Can we be really cheeky? 'Probably.' | 0:42:37 | 0:42:39 | |
That's more like it. Look. | 0:42:39 | 0:42:41 | |
That's... Oh, that's a necklace box. It doesn't matter! | 0:42:41 | 0:42:44 | |
No, no, no. Look! Shush! Look, how beautiful is that? | 0:42:44 | 0:42:48 | |
'Oh, just pick a box, already! | 0:42:48 | 0:42:50 | |
'Now, there's one sure way of getting them out of the shop.' | 0:42:54 | 0:42:58 | |
Now, that is what I call a good shopping experience. Oh, yes. | 0:42:58 | 0:43:01 | |
THEY LAUGH | 0:43:01 | 0:43:03 | |
'Plus, they've amassed a super stash of treasures, | 0:43:03 | 0:43:05 | |
'spending only ?195 of their ?400 budget. | 0:43:05 | 0:43:09 | |
'It's time for our kings and queens of curiosity | 0:43:11 | 0:43:14 | |
'to unveil their secret stashes.' | 0:43:14 | 0:43:17 | |
Go on. What? Ta-da! Do you like our trendy picture? | 0:43:17 | 0:43:22 | |
Well, sort of. What you mean? Do you like it or not? | 0:43:22 | 0:43:25 | |
No, no, it's great, they produce a lot in the Far East these days. | 0:43:25 | 0:43:28 | |
That is stylish. It's just awful. How much? 30 quid. | 0:43:28 | 0:43:32 | |
Would you give 30 quid for that? Well, no. | 0:43:32 | 0:43:35 | |
OK. Eight pounds. Yeah, you can paint over it. It's cheaper than wallpaper, that. | 0:43:35 | 0:43:39 | |
That is on trend. 'It's on something.' | 0:43:39 | 0:43:43 | |
CLOCK DINGS 'Saved by the bell!' | 0:43:43 | 0:43:46 | |
How prophetic. It works! Put it there! | 0:43:46 | 0:43:49 | |
White onyx from the Atlas Mountains. ?50 for that. That's all right. | 0:43:49 | 0:43:54 | |
Candelabra? Is that silver plated? | 0:43:54 | 0:43:57 | |
It's amazing, yes. It's lost its shades. It should have big storm shades on the outside ones. | 0:43:57 | 0:44:01 | |
Right. Very, very heavy. That was quite funny. It started off at 100 | 0:44:01 | 0:44:06 | |
and James kind of just did that, and I went, "?50!" And he went for it. Bargain. | 0:44:06 | 0:44:10 | |
Come on, then, let's have a look. JAMES MIMICS FANFARE A mighty ball. | 0:44:10 | 0:44:15 | |
Oh, my God! Is that how much you paid for it? ?380? No, that was the starting price. | 0:44:15 | 0:44:20 | |
Lighthouse binnacle? | 0:44:20 | 0:44:22 | |
It's probably off a sailing ship from the 19th century, not a lighthouse, we think. | 0:44:22 | 0:44:27 | |
A lighthouse wouldn't need to be gimballed because it's stationary. 'He's brilliant, that boy.' | 0:44:27 | 0:44:32 | |
Put your candle in there. Two candles in there. | 0:44:32 | 0:44:34 | |
I like that, actually. And you can imagine this out of Pirates Of The Caribbean, can't you? | 0:44:34 | 0:44:39 | |
You can. You can. 120. | 0:44:39 | 0:44:41 | |
It's a weird thing. It's a weird thing. | 0:44:41 | 0:44:43 | |
This is from the private collection, this is the artist's studio of William Lionel Wyllie, | 0:44:43 | 0:44:50 | |
who was well-known as a marine artist. | 0:44:50 | 0:44:55 | |
And this came from Portsmouth dockyard. Oh! | 0:44:55 | 0:44:57 | |
And a Wyllie engraving makes 1,000 quid sometimes. | 0:44:57 | 0:45:00 | |
How much did you pay for that? How much do you think? Around 200? 150? | 0:45:00 | 0:45:04 | |
The pen and ink was a fiver. Oh! | 0:45:04 | 0:45:08 | |
And we bought a print in a frame for another fiver. Very good. And we put that in there in the pub car park. | 0:45:08 | 0:45:13 | |
Oh, so you have created, you have created that. A tenner. A tenner. | 0:45:13 | 0:45:17 | |
I just thought of you guys. It's a Homes Under The Hammer house! It's a Homes Under The Hammer! | 0:45:17 | 0:45:22 | |
You've got William Shakespeare's home under the hammer now! | 0:45:22 | 0:45:26 | |
But the thing we're most pleased with, | 0:45:26 | 0:45:28 | |
most pleased with... Is the brooch? ..nine-carat gold. Solid gold. Solid gold. | 0:45:28 | 0:45:34 | |
With an amber there and what was it? Peridot. | 0:45:34 | 0:45:37 | |
I think that should make 100. | 0:45:37 | 0:45:40 | |
Really? We paid 30. OK. | 0:45:40 | 0:45:43 | |
Double your money! | 0:45:43 | 0:45:46 | |
So, there we go. Good luck. Well done. Good luck to us. MARTIN LAUGHS | 0:45:46 | 0:45:50 | |
'A little bit cocky, Martin. | 0:45:50 | 0:45:52 | |
'It's all smiles and backslapping while they're in each other's company, | 0:45:52 | 0:45:56 | |
'but what do they really think about each other's lots?' | 0:45:56 | 0:46:00 | |
James will be going, "I'm not worried. It's all a load of junk. Ours is better." | 0:46:00 | 0:46:05 | |
I'm a little bit worried that you look a bit worried. | 0:46:05 | 0:46:07 | |
No, I just... It was quite an unusual selection, that sort of gimballed affair. | 0:46:07 | 0:46:12 | |
The swinging light. I did instantly go, "Wow! I like that." | 0:46:12 | 0:46:16 | |
I'm not jealous at all of anything they've got. | 0:46:16 | 0:46:19 | |
The picture's cheap. | 0:46:19 | 0:46:21 | |
You know, it's the sort of thing you'd see on a high street. | 0:46:21 | 0:46:24 | |
The clock? The clock's horrible! | 0:46:24 | 0:46:26 | |
I think we've got the better lot. I think we're going to win. | 0:46:26 | 0:46:29 | |
If there's any justice in the world, we're going to win. Oh, yeah. | 0:46:29 | 0:46:33 | |
Exactly. Is there justice in the world? No. | 0:46:33 | 0:46:35 | |
'Everything goes under the hammer, including the tiny house, at auction. So, off we go. | 0:46:35 | 0:46:42 | |
'The treasured troops are pushing around 200 miles northeast to Lincoln. | 0:46:43 | 0:46:48 | |
'Lincoln's Cathedral is a fine example of English Gothic architecture. | 0:46:50 | 0:46:54 | |
'The city sits on the River Witham.' | 0:46:54 | 0:46:57 | |
This is the big one. The day when you have to face defeat. | 0:46:57 | 0:47:00 | |
I don't think so. I'm feeling pretty confident. | 0:47:00 | 0:47:03 | |
Enjoy this moment. | 0:47:03 | 0:47:05 | |
Do you really think you're going to win? Yeah. Stop it! | 0:47:05 | 0:47:08 | |
My only concern is... | 0:47:08 | 0:47:10 | |
ENGINE SPLUTTERS ..er, is... | 0:47:10 | 0:47:12 | |
Is that you've forgotten how to drive! | 0:47:12 | 0:47:15 | |
'Cor, I hope they make it!' I love the picture I bought. | 0:47:16 | 0:47:19 | |
You don't love that picture. I do. It's got 70s written all over it. | 0:47:19 | 0:47:24 | |
It has that lovely integrity of time. | 0:47:24 | 0:47:26 | |
Integrity of time, what are you talking about? | 0:47:26 | 0:47:29 | |
It was a halcyon time | 0:47:29 | 0:47:32 | |
of beards, flares and platform shoes. | 0:47:32 | 0:47:34 | |
I don't remember it. I'm too young. Are you sure this is the road the auction room's on? | 0:47:34 | 0:47:38 | |
'Unique Auctions is a very busy auction house indeed | 0:47:41 | 0:47:44 | |
'in the hotbed of antiques that is Lincolnshire.' | 0:47:44 | 0:47:47 | |
Hello, hello, hello. | 0:47:48 | 0:47:51 | |
James! Good to see you. Are you feeling like you're going to have a good day? | 0:47:51 | 0:47:54 | |
We were actually saying it's going to be a close call, | 0:47:54 | 0:47:57 | |
but shall we go inside? It looks like the weather is not with us. | 0:47:57 | 0:48:00 | |
There we go. There we go. | 0:48:00 | 0:48:02 | |
And 30. And 5. | 0:48:02 | 0:48:04 | |
'Today's Master of Ceremonies is Terry Woodcock.' Well done, 17. | 0:48:04 | 0:48:10 | |
The tin trunks are the most saleable thing, they're the ones I've got the most confidence in today. | 0:48:10 | 0:48:15 | |
The spray pump, that will struggle. | 0:48:15 | 0:48:17 | |
Because we normally sell those in big boxes. | 0:48:17 | 0:48:19 | |
With the Wyllie sketch, a very, very rare sketch, a good investment picture. | 0:48:19 | 0:48:24 | |
It could be ?100, it could be ?200. | 0:48:24 | 0:48:27 | |
'Our shop-smart pair, Lucy and James, only spent ?145 of their ?400 budget on five lots.' | 0:48:29 | 0:48:36 | |
Oh, mind that light. | 0:48:36 | 0:48:38 | |
'Martin and James forked out a smidgen more, spending ?200 of their ?400. | 0:48:38 | 0:48:44 | |
'They also have five lots.' | 0:48:44 | 0:48:46 | |
That is what I call a good shopping experience. Oh, yeah. | 0:48:46 | 0:48:49 | |
'Lucy and Martin have seen their fair share of auctions, | 0:48:49 | 0:48:53 | |
'but usually there's more than ?400 at stake.' | 0:48:53 | 0:48:56 | |
People aren't spending tens of thousands of thousands of pounds, which they normally do, | 0:48:56 | 0:49:01 | |
which I normally do at a property auction. | 0:49:01 | 0:49:03 | |
There is still a buzz in the room, though, isn't there? Yeah, yeah, yeah, yes. It's a calmer buzz. | 0:49:03 | 0:49:08 | |
'Let's hope the calm buzz turns to a mild hum of excitement | 0:49:08 | 0:49:11 | |
'for James and Lucy's rose sprayer, up first.' | 0:49:11 | 0:49:15 | |
?7. It's got to make over seven. It won't make five. | 0:49:15 | 0:49:19 | |
Will anyone start me at ?20? Who'll start me at ?10, then? | 0:49:19 | 0:49:22 | |
Come on, surely. 10. 5 I've got there, 5. | 0:49:22 | 0:49:25 | |
5. 6. 6. At 6, ?6. | 0:49:25 | 0:49:28 | |
7, fresh bid. 8 I've got. | 0:49:28 | 0:49:30 | |
9 I've got. At ?9. You'll regret it when you do the garden. | 0:49:30 | 0:49:34 | |
10 I've got. 11 I've got. Well done. | 0:49:34 | 0:49:36 | |
You've got the garden to do. 11 I've got, the lady here. | 0:49:36 | 0:49:39 | |
It's not exactly rocketing, is it? Let's face it. | 0:49:39 | 0:49:41 | |
?11 and going at 11. 11 it is. | 0:49:41 | 0:49:44 | |
They didn't give it away. I told you it was rubbish. | 0:49:44 | 0:49:46 | |
'Not a terribly promising start for James and Lucy | 0:49:46 | 0:49:49 | |
'but it's still all to play for. | 0:49:49 | 0:49:51 | |
'Hoping to start a bidding frenzy with the ?5 Wyllie picture | 0:49:51 | 0:49:56 | |
'and ?5 frame, it's Martin and James's turn.' | 0:49:56 | 0:49:59 | |
It's original, as opposed to a print. In inverted commas. | 0:49:59 | 0:50:02 | |
What do you mean in inverted commas? It's got no signature. | 0:50:02 | 0:50:05 | |
It came from his studio! | 0:50:05 | 0:50:07 | |
Charles Lionel Wyllie. We have the provenance, as well. | 0:50:07 | 0:50:10 | |
It was sold by Christie's in 2010. Smoke and mirrors. | 0:50:10 | 0:50:13 | |
Who'll start me at ?100? | 0:50:13 | 0:50:15 | |
Start me at 50, then. I'll take it. 55. 60. 5. | 0:50:15 | 0:50:20 | |
Some people are buying it. 70. | 0:50:20 | 0:50:22 | |
75, fresh bid. 80. | 0:50:22 | 0:50:25 | |
85. How much did you pay for it? 10. | 0:50:25 | 0:50:28 | |
100. At 100. | 0:50:28 | 0:50:30 | |
At 100 I've got. 110. | 0:50:30 | 0:50:33 | |
120. 120. I don't believe it. Out. | 0:50:33 | 0:50:36 | |
120 in the room here. I am stunned. Selling it in the room at 120. | 0:50:36 | 0:50:40 | |
Yes! I am shocked! | 0:50:41 | 0:50:45 | |
'The Wyllie sketch has drawn them a healthy lead.' | 0:50:45 | 0:50:48 | |
Excuse me, did I get the wrong James? | 0:50:48 | 0:50:50 | |
You did. No, you didn't. Of course you didn't. | 0:50:50 | 0:50:54 | |
'Lucy and James are hoping for more than a flicker of interest | 0:50:54 | 0:50:57 | |
'from the crowd with their silver-plated candelabra.' | 0:50:57 | 0:51:00 | |
He's getting his jacket off. 'He can sell it, too, if he gets stuck.' | 0:51:00 | 0:51:04 | |
At 25 I've got. 30. 35. 40. | 0:51:04 | 0:51:08 | |
45. 50 fresh bid. | 0:51:08 | 0:51:11 | |
55. Come on! And 60, fresh bid. Yes! | 0:51:11 | 0:51:14 | |
At ?60. At 60, you're all out? | 0:51:14 | 0:51:16 | |
At ?60. I'm selling at 60. HAMMER BANGS | 0:51:16 | 0:51:20 | |
Profit. Profit. | 0:51:20 | 0:51:23 | |
'Their hope of a large profit is snuffed out. | 0:51:23 | 0:51:26 | |
'Another disappointment.' Could've been a lot worse. | 0:51:26 | 0:51:29 | |
'Can Martin and James continue creeping ahead | 0:51:29 | 0:51:32 | |
'with little Incy-Wincy here?' | 0:51:32 | 0:51:34 | |
I love this brooch. If someone else buys it... You'll buy it off them. | 0:51:34 | 0:51:37 | |
You're not allowed. I've had that chat. | 0:51:37 | 0:51:40 | |
I've already had that chat cos I want to buy it. | 0:51:40 | 0:51:42 | |
I think it's beautiful. Who'll start me at ?70? | 0:51:42 | 0:51:45 | |
30 then? 30 I've got. | 0:51:45 | 0:51:47 | |
35. 40. 45. 50. | 0:51:47 | 0:51:49 | |
55. 60. | 0:51:49 | 0:51:52 | |
Oh, well done. At 60. 65, fresh bid. | 0:51:52 | 0:51:54 | |
70. I've got 70 in the corner. | 0:51:54 | 0:51:57 | |
Are you all done? At ?70, selling at ?70. No! Are you all finished? | 0:51:57 | 0:52:01 | |
70 it is. Thank you, at 70. That's still very good. | 0:52:01 | 0:52:05 | |
'They more than doubled their money on the spider brooch, | 0:52:05 | 0:52:08 | |
'stretching them well into the lead.' | 0:52:08 | 0:52:10 | |
Look at these boys, they're never satisfied, are they? | 0:52:10 | 0:52:13 | |
'Will the clock chime success for James and Lucy? | 0:52:13 | 0:52:16 | |
'It's time they got into the game.' | 0:52:16 | 0:52:19 | |
You don't like the clock? It is horrible. | 0:52:19 | 0:52:22 | |
They used to make ?300, ?400. I'm starting this one with me at 70. | 0:52:22 | 0:52:27 | |
I'm now looking for 80. 80. | 0:52:27 | 0:52:30 | |
90. 100. 110. Go on! | 0:52:30 | 0:52:33 | |
115. 120. | 0:52:33 | 0:52:36 | |
Keep going! 130. Come on. | 0:52:36 | 0:52:38 | |
140. At 140. 140 it is. Come on! | 0:52:38 | 0:52:43 | |
140, are you all done? Selling at 140. 140 it is. | 0:52:43 | 0:52:47 | |
Well done. Dong! | 0:52:47 | 0:52:51 | |
'Ding-dong, eh? Now we've got a real competition on our hands.' | 0:52:51 | 0:52:55 | |
There is no accounting for taste. | 0:52:55 | 0:52:58 | |
Ugly from behind. Ugly from behind. Yeah, well. | 0:52:58 | 0:53:02 | |
'Who's ugly from behind? | 0:53:02 | 0:53:04 | |
'It's Martin and James's lamp up next. | 0:53:07 | 0:53:09 | |
'Will it float the crowd's boat or will it have them all at sea?' | 0:53:09 | 0:53:13 | |
I'm excited about this next one. I'm excited. | 0:53:13 | 0:53:16 | |
Why? To see it go down! | 0:53:16 | 0:53:18 | |
They did put it on the front cover of their auction catalogue. | 0:53:18 | 0:53:21 | |
Martin, that's the first time you've ever got front cover. Thank you. | 0:53:21 | 0:53:25 | |
Who'll start me at ?100? Who'll start me at 50, then? | 0:53:25 | 0:53:29 | |
Start me at 30, then? What? 30 I've got here. At ?30. At ?30. | 0:53:29 | 0:53:33 | |
?40. ?40. 50. 60. | 0:53:33 | 0:53:35 | |
70. 80. 90. 100. | 0:53:35 | 0:53:38 | |
110. 120. At 130. I'm looking for 140 now. | 0:53:38 | 0:53:43 | |
Go on! 130 it is. | 0:53:43 | 0:53:46 | |
'A tiny profit, which keeps them slightly in front. | 0:53:46 | 0:53:49 | |
'But hold onto your hats, it's the 70s Brighton painting next. | 0:53:49 | 0:53:55 | |
'Can James prove them all wrong and cash in on the canvas?' | 0:53:55 | 0:53:58 | |
My daughter's done better than that, stuck on the fridge. | 0:53:58 | 0:54:02 | |
There it is. Beautiful picture there. | 0:54:02 | 0:54:04 | |
I personally like it. I'm with you. | 0:54:04 | 0:54:07 | |
Who'll start me at ?20? 15. 20. | 0:54:07 | 0:54:10 | |
25. 30. This is a cheap, cheap picture. | 0:54:10 | 0:54:14 | |
That's cos it's rubbish! | 0:54:14 | 0:54:17 | |
34. Thank you. Somebody knows taste. | 0:54:17 | 0:54:19 | |
38. 42. Keep going, sir. 44. At 46. | 0:54:19 | 0:54:23 | |
At 48. At 48. | 0:54:23 | 0:54:26 | |
At ?48. 48 it is, thank you. Yeah! | 0:54:26 | 0:54:29 | |
'One in the eye for the doubters, | 0:54:29 | 0:54:32 | |
'and that includes you, Lucy. | 0:54:32 | 0:54:34 | |
'There's not much between them now.' | 0:54:34 | 0:54:37 | |
That is insane! That is bonkers! | 0:54:37 | 0:54:40 | |
Who bid that? THEY LAUGH | 0:54:40 | 0:54:42 | |
'Bonkers or brilliant? | 0:54:42 | 0:54:45 | |
'Next is Martin and James's celebrity-signed menu.' | 0:54:45 | 0:54:48 | |
On the back, it's signed by Elvis Presley, | 0:54:48 | 0:54:51 | |
by Gandhi... Sure, sure. ..Muhammad Ali. | 0:54:51 | 0:54:57 | |
Someone starts me at 20. What? | 0:54:57 | 0:55:00 | |
22 I've got. 24. | 0:55:00 | 0:55:03 | |
26. 28. | 0:55:03 | 0:55:06 | |
And 30. 32. 34. 36. | 0:55:06 | 0:55:10 | |
40. 44. | 0:55:10 | 0:55:12 | |
This is great! 46. Still at 46, are we all done? | 0:55:12 | 0:55:17 | |
Whoo! | 0:55:17 | 0:55:19 | |
Hey, hang on, where's mine? | 0:55:21 | 0:55:23 | |
'A tidy profit for the chaps. | 0:55:23 | 0:55:26 | |
'Only two more items to go, so anything could happen. | 0:55:26 | 0:55:29 | |
'And Lucy and James's trunks | 0:55:29 | 0:55:31 | |
'are the most saleable items here, according to Terry.' | 0:55:31 | 0:55:34 | |
Lovely. Who will start me at ?50? | 0:55:34 | 0:55:37 | |
No! Come on. At 30. I'll take 35. | 0:55:37 | 0:55:40 | |
And 40. And 45. And 55. And 65. | 0:55:40 | 0:55:44 | |
And 75. And 80. What? | 0:55:44 | 0:55:47 | |
And 85. And 85. And selling at ?85. | 0:55:47 | 0:55:51 | |
85 it is. What? | 0:55:51 | 0:55:53 | |
'The tin trunks triumphed | 0:55:53 | 0:55:56 | |
'and there's literally only a few pounds between them.' | 0:55:56 | 0:55:58 | |
Well done, you two. Hey, boys, it's all on the Goss now. | 0:55:58 | 0:56:04 | |
'Martin and James's final hope is their commemorative collection. | 0:56:04 | 0:56:07 | |
'Could this be their crowning glory?' | 0:56:07 | 0:56:09 | |
I knew you would take the Mickey out of me for my house. | 0:56:09 | 0:56:12 | |
But it is the cheapest house we've ever sold on Homes Under The Hammer. | 0:56:12 | 0:56:15 | |
Who'll start me at ?30? Who'll start me at ?20? | 0:56:15 | 0:56:18 | |
10. 10. ?10, then. | 0:56:18 | 0:56:21 | |
Oh, no! No! Come on! | 0:56:21 | 0:56:24 | |
?5, then. Oh, no! I've got ?2 bid. | 0:56:24 | 0:56:28 | |
And I have ?3 bid at the back. You are having a laugh! | 0:56:28 | 0:56:31 | |
?8. ?10. | 0:56:31 | 0:56:33 | |
?11 I have here. | 0:56:33 | 0:56:36 | |
This is really bad. We need 20. We need 20. | 0:56:36 | 0:56:38 | |
14. 16. | 0:56:38 | 0:56:41 | |
17 I've got. At ?17 at the back, at 17 selling. | 0:56:41 | 0:56:46 | |
Well done, 17. | 0:56:46 | 0:56:47 | |
How can we possibly be let down at the end | 0:56:47 | 0:56:50 | |
by a house at the auction? That's just ironic! | 0:56:50 | 0:56:53 | |
'The commemorative lot sealed Martin and James's fate. | 0:56:53 | 0:56:57 | |
'It will only serve as a memory they'd rather forget.' | 0:56:57 | 0:57:00 | |
Let's go and console ourselves. Have a little add up our sums. | 0:57:00 | 0:57:04 | |
'They haven't done the maths, but we have. | 0:57:04 | 0:57:07 | |
'The celebs each had ?400. | 0:57:07 | 0:57:09 | |
'Martin and James cashed in on four out of five of their items. | 0:57:09 | 0:57:14 | |
'After auction costs, they made a profit of ?114.06. | 0:57:14 | 0:57:19 | |
'So despite losing, they finish with | 0:57:19 | 0:57:21 | |
'a healthy ?514.06. | 0:57:21 | 0:57:26 | |
'Winning by a nose are Lucy and James, | 0:57:26 | 0:57:28 | |
'who racked up cash on all their lots, and after costs, | 0:57:28 | 0:57:32 | |
'made a profit of ?137.08, | 0:57:32 | 0:57:35 | |
'making their final total ?537.08. Well done! | 0:57:35 | 0:57:41 | |
'All profits, large and small, go to Children In Need.' | 0:57:41 | 0:57:45 | |
# But she always knows her place, she's got style, she's got grace | 0:57:45 | 0:57:48 | |
# She's a winner | 0:57:48 | 0:57:51 | |
# Talking about that little lady | 0:57:51 | 0:57:55 | |
Great fun. Great fun, really great fun. | 0:57:55 | 0:57:58 | |
Thank you for all that expert advice. Parting is such... | 0:57:58 | 0:58:01 | |
Come on, then. Bye, guys! Well done. It was brilliant! | 0:58:01 | 0:58:04 | |
Bye-bye. Well done, you. | 0:58:04 | 0:58:06 | |
I think somebody forgot to put the roof on. I'm feeling a wet bottom. | 0:58:06 | 0:58:11 | |
'Nobody likes a soggy bottom. | 0:58:11 | 0:58:14 | |
'But it's a small price to pay for victory.' | 0:58:14 | 0:58:17 | |
That was so much fun! Wasn't that brilliant? | 0:58:17 | 0:58:19 | |
And my other husband gave me superb advice, which was spot-on. | 0:58:19 | 0:58:22 | |
Don't get jealous. He took my woman and he took my car! | 0:58:22 | 0:58:26 | |
Oh, well, I'm back again, look, here I am. | 0:58:26 | 0:58:28 | |
Subtitles by Red Bee Media Ltd | 0:58:28 | 0:58:32 | |
. | 0:58:32 | 0:58:32 |