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Some of the nation's favourite celebrities. | 0:00:01 | 0:00:04 | |
Why have I got such expensive taste? | 0:00:04 | 0:00:06 | |
One antiques expert each. | 0:00:07 | 0:00:09 | |
And one big challenge. | 0:00:12 | 0:00:14 | |
Who can seek out and buy the best antiques at the very best prices? | 0:00:14 | 0:00:19 | |
Answers on a post card. | 0:00:19 | 0:00:21 | |
And auction for a big profit further down the road. | 0:00:22 | 0:00:26 | |
Phil... Whoosh! | 0:00:26 | 0:00:27 | |
Who will spot the good investments? Who will listen to advice? | 0:00:27 | 0:00:31 | |
-Do you like it? -No. It's horrible. | 0:00:31 | 0:00:33 | |
And who will be the first to say, "Don't you know who I am?!" | 0:00:33 | 0:00:38 | |
Well done, us. | 0:00:38 | 0:00:39 | |
Time to put your pedal to the metal. | 0:00:39 | 0:00:42 | |
This is Celebrity Antiques Road Trip! | 0:00:42 | 0:00:45 | |
Yeah! | 0:00:47 | 0:00:49 | |
We're in 1066 country for another epic battle. | 0:00:49 | 0:00:53 | |
Two fresh celebrities each with £400 to spend | 0:00:53 | 0:00:56 | |
and making their first foray into the world of oddities and curiosities. | 0:00:56 | 0:01:00 | |
It's fellow actors and buddies Phil Davis and Frances Barber. | 0:01:01 | 0:01:06 | |
So, Phil, do you think Battle was named before or after the Battle of Hastings? | 0:01:06 | 0:01:11 | |
Well, my guess would be it was named after the Battle of Hastings. | 0:01:11 | 0:01:16 | |
Unless they thought, "Let's attack there because it's already called Battle, | 0:01:16 | 0:01:20 | |
-"and that would be convenient!" -Job done! | 0:01:20 | 0:01:23 | |
We've known each other ever since the Battle of Hastings, haven't we? | 0:01:23 | 0:01:27 | |
Shortly after the Battle of Hastings. Late '70s. | 0:01:27 | 0:01:30 | |
A friendship forged on the set of numerous TV shows, | 0:01:31 | 0:01:35 | |
this award-winning duo most recently shared the screen | 0:01:35 | 0:01:39 | |
in the BBC's gritty courtroom drama, Silk. | 0:01:39 | 0:01:42 | |
But it all started in the '70s for Phil, | 0:01:43 | 0:01:45 | |
when he landed the role of teenage mod Chalkie in cult movie Quadrophenia. | 0:01:45 | 0:01:50 | |
He's since carved a career playing the sneering villain, | 0:01:51 | 0:01:53 | |
the Dickensian baddy and the not-to-be-messed-with cop. | 0:01:53 | 0:01:56 | |
Everybody says to me, "Did you keep the parka you wore in Quadrophenia?" | 0:01:56 | 0:02:00 | |
I wish I had. It would be worth a fortune. | 0:02:00 | 0:02:02 | |
-I know nothing about antiques. -I don't know anything about antiques, either. | 0:02:02 | 0:02:06 | |
Except I am one! | 0:02:06 | 0:02:08 | |
Frances got her break in the '80s movie Sammy and Rosie Get Laid. | 0:02:08 | 0:02:12 | |
In her lengthy stage and screen career, | 0:02:12 | 0:02:15 | |
she's famous for playing fabulous, feisty females | 0:02:15 | 0:02:17 | |
as everything from Cleopatra to Doctor Who's eye-patch-toting Madame Kovarian, | 0:02:17 | 0:02:22 | |
hell-bent on his destruction. | 0:02:22 | 0:02:24 | |
# The female of the species | 0:02:24 | 0:02:27 | |
# Is more deadly than the male... # | 0:02:27 | 0:02:29 | |
-Do you have a strategy? Tactics? -I think high camp. It's all I know! | 0:02:29 | 0:02:34 | |
Yes. Well, I'd better go for farm implements. | 0:02:34 | 0:02:38 | |
Working men's stuff! | 0:02:39 | 0:02:41 | |
Unless I could try and contact my feminine side! | 0:02:41 | 0:02:44 | |
You've got a feminine side. | 0:02:44 | 0:02:46 | |
I have, yes. It's at the back! | 0:02:46 | 0:02:48 | |
Frances looks every bit the glamorous leading lady | 0:02:50 | 0:02:53 | |
being driven around in this 1974 MGB convertible. | 0:02:53 | 0:02:56 | |
Our thespians are on their way to rendezvous with two treasure super-sleuths, | 0:02:56 | 0:03:01 | |
Thomas Plant and Catherine Southon. | 0:03:01 | 0:03:04 | |
I'm taking you to the seaside! | 0:03:04 | 0:03:06 | |
A very famous part of the world. | 0:03:06 | 0:03:08 | |
The Battle of Hastings. | 0:03:08 | 0:03:10 | |
It's a bit like us, really, together these next two days. | 0:03:10 | 0:03:13 | |
-You have got no chance. -I don't think I've got any chance at all. | 0:03:13 | 0:03:17 | |
They've gone all continental in their 1985 Citroen Deux Chevaux, | 0:03:17 | 0:03:22 | |
or 2CV, to you and me. | 0:03:22 | 0:03:24 | |
But it's proving to be a bit of a handful. | 0:03:24 | 0:03:26 | |
I think I'm in fourth. | 0:03:26 | 0:03:28 | |
That's first! | 0:03:28 | 0:03:30 | |
You can drive it, it's easy. | 0:03:30 | 0:03:32 | |
Don't make out it's easy, Thomas. | 0:03:32 | 0:03:34 | |
I know what's going on in that mind! | 0:03:34 | 0:03:36 | |
What? My mind is simple! | 0:03:36 | 0:03:38 | |
I know that! | 0:03:38 | 0:03:40 | |
Check out this dashing young man. | 0:03:40 | 0:03:43 | |
At home on the rostrum with a gavel in hand is Thomas Plant. | 0:03:43 | 0:03:46 | |
With an eye for sparkle, he knows a thing or two about silver and jewellery. | 0:03:46 | 0:03:49 | |
I'm like a pig in the proverbial, when it comes to things like that. | 0:03:49 | 0:03:53 | |
But he can be a bit of a fuddy-duddy. | 0:03:53 | 0:03:55 | |
I really like mother-of-pearl. | 0:03:55 | 0:03:58 | |
It's sometimes a bit old-fashioned. | 0:03:58 | 0:03:59 | |
Are you saying I'm a fusty old-fashioned man? | 0:03:59 | 0:04:02 | |
The blonde bombshell is Catherine Southon. | 0:04:02 | 0:04:05 | |
She knows exactly how to get her own way. | 0:04:05 | 0:04:08 | |
You've got lovely eyes. Has anyone ever told you that? | 0:04:08 | 0:04:10 | |
One of her specialities is maritime works of art. | 0:04:10 | 0:04:13 | |
If she can ever make up her mind! | 0:04:13 | 0:04:16 | |
I'm a ditherer. I really like something that you look at | 0:04:16 | 0:04:19 | |
and you've got absolutely no idea what it is. | 0:04:19 | 0:04:21 | |
You can't go wrong with a bit of novelty silver. | 0:04:21 | 0:04:24 | |
Well, this should be interesting! | 0:04:24 | 0:04:26 | |
The forage for fortune takes a route | 0:04:26 | 0:04:28 | |
from Hastings on the coast of East Sussex | 0:04:28 | 0:04:31 | |
through the home county of Kent, | 0:04:31 | 0:04:33 | |
finishing at an auction in Chiswick, | 0:04:33 | 0:04:35 | |
nestled on the meander of the Thames | 0:04:35 | 0:04:37 | |
in the London borough of Hounslow. | 0:04:37 | 0:04:40 | |
They're kicking off in the historic seaside town of Hastings. | 0:04:40 | 0:04:43 | |
I think Frances is going to be hot. | 0:04:43 | 0:04:45 | |
She's going to go in there and see what she wants and she'll buy it. | 0:04:45 | 0:04:49 | |
-So what about Phil? -He's a lad, isn't he? He's a bloke. | 0:04:49 | 0:04:52 | |
-He might not be so into... -I wouldn't call Phil Davis a lad. | 0:04:52 | 0:04:56 | |
-He's a gentleman. You're a lad! -Thank you! | 0:04:56 | 0:04:59 | |
I'm just going to go with what I think I might buy someone who I thought liked antiques. | 0:04:59 | 0:05:06 | |
-Yes. -So, Derek Jacobi and his partner, they love antiques. | 0:05:06 | 0:05:11 | |
Her Christmas card list must read like the credits of a Hollywood movie! | 0:05:11 | 0:05:15 | |
If I was buying them a present, I'd go, "Derek would like that." | 0:05:15 | 0:05:18 | |
You see, you're already up on me! | 0:05:18 | 0:05:21 | |
Not only do I know nothing about antiques, | 0:05:21 | 0:05:23 | |
I don't even know people who do know things about antiques! | 0:05:23 | 0:05:27 | |
I'm at a severe disadvantage, here. | 0:05:27 | 0:05:29 | |
ENGINE SPLUTTERS | 0:05:29 | 0:05:32 | |
Oh, dear! Did someone say disadvantage? | 0:05:32 | 0:05:35 | |
The Deux Chevaux is misbehaving already! | 0:05:35 | 0:05:37 | |
Go on, give it some welly. | 0:05:37 | 0:05:39 | |
-Oh! -Rubbish! | 0:05:39 | 0:05:41 | |
See what's wrong. | 0:05:42 | 0:05:44 | |
Ouch! | 0:05:45 | 0:05:46 | |
Oh, Thomas! | 0:05:46 | 0:05:48 | |
Oh, blow on it. That'll do the trick. | 0:05:48 | 0:05:51 | |
Frankly, they haven't got a clue. | 0:05:53 | 0:05:55 | |
-Come on. We'll have to walk. -Walk?! | 0:05:55 | 0:05:58 | |
Yes, walk. You've got flat soles on. | 0:05:58 | 0:06:00 | |
Which way? | 0:06:00 | 0:06:02 | |
They've found out who we are! | 0:06:04 | 0:06:05 | |
Yeah, they've done a runner! | 0:06:05 | 0:06:07 | |
-Hello! -Hello! -Hello! | 0:06:07 | 0:06:09 | |
What time do you call this? | 0:06:09 | 0:06:11 | |
-Sorry! -Very nice to meet you. -Lovely to meet you, too. | 0:06:11 | 0:06:16 | |
Sorry for being late! Thomas killed the car. | 0:06:16 | 0:06:18 | |
So I think we're going to do battle of the sexes. | 0:06:18 | 0:06:20 | |
-Right. -The girls are going to stick together? | 0:06:20 | 0:06:22 | |
I'm very happy to be with Frances. I think she'll be very feisty | 0:06:22 | 0:06:25 | |
and she'll be fabulous. | 0:06:25 | 0:06:27 | |
The problem is, I don't know much about antiques. | 0:06:27 | 0:06:29 | |
-We're antique virgins. -That's fine. | 0:06:29 | 0:06:31 | |
We ARE antique virgins! | 0:06:31 | 0:06:33 | |
-Let's get in. Come on. -They're cheating already! | 0:06:33 | 0:06:37 | |
-That's not on. -You wait. | 0:06:37 | 0:06:39 | |
We're going to find the biggest antiques, the bestest antiques, cos of that! | 0:06:39 | 0:06:42 | |
Not very chivalrous of our gents, | 0:06:42 | 0:06:45 | |
who are making a quick getaway in the only car that works. | 0:06:45 | 0:06:47 | |
Philip, is this your first foray into the antiques world? | 0:06:47 | 0:06:51 | |
I'm a junk shop aficionado, | 0:06:51 | 0:06:53 | |
but I don't know the value of anything. | 0:06:53 | 0:06:56 | |
But you do, so between us, we'll have it all covered. | 0:06:56 | 0:06:58 | |
-There'll be a good cop/bad cop thing going on, I think. -Yes. | 0:06:58 | 0:07:01 | |
How do you think the girls will get on? | 0:07:01 | 0:07:03 | |
I think they'll get on famously. | 0:07:03 | 0:07:05 | |
-They had their arms around each other when they walked off! -Did they? | 0:07:05 | 0:07:08 | |
They did. It was very moving. | 0:07:08 | 0:07:10 | |
Left without wheels, the girls are hot-footing it to their first shopping stop. | 0:07:10 | 0:07:14 | |
But as Hastings is packed with antiques shops up these little cobbled streets, | 0:07:14 | 0:07:18 | |
they've got the advantage. | 0:07:18 | 0:07:20 | |
Feeling confident? | 0:07:20 | 0:07:22 | |
No, not in the least. I'm just going to be led by you, Catherine. | 0:07:22 | 0:07:25 | |
I was hoping to be led by you, cos I thought you'd have a very strong idea of what you wanted. | 0:07:25 | 0:07:30 | |
The shop is aptly named Browsers | 0:07:30 | 0:07:33 | |
and with £400 burning a hole in their pockets, | 0:07:33 | 0:07:35 | |
the girls are ready to spend. The owner Pete has a couple of assistants on hand | 0:07:35 | 0:07:40 | |
to help sniff out the best deals. | 0:07:40 | 0:07:42 | |
-Hello! -This one is Hugo, and this is Hattie. -Beautiful. | 0:07:42 | 0:07:46 | |
Let the ladies in. | 0:07:46 | 0:07:48 | |
Let the bargain buying bonanza commence! | 0:07:48 | 0:07:50 | |
Gosh! Where do we start? | 0:07:50 | 0:07:53 | |
This is where you'll see I'm not very good at bartering. | 0:07:53 | 0:07:56 | |
I once was held hostage in Morocco | 0:07:56 | 0:07:59 | |
and they held me hostage to buy a carpet! | 0:07:59 | 0:08:01 | |
They wouldn't let me go until we bought the carpet! | 0:08:01 | 0:08:04 | |
-Oh, crikey! -I hate Persian carpets, as a result! | 0:08:04 | 0:08:07 | |
Darling, how awful! | 0:08:08 | 0:08:10 | |
My nan had something like this. | 0:08:10 | 0:08:12 | |
It's quite ugly, actually. It's depressing, isn't it? | 0:08:12 | 0:08:15 | |
There's something about the colour that makes me feel it's not authentic. | 0:08:15 | 0:08:19 | |
It's just too... | 0:08:19 | 0:08:21 | |
As soon as you go in, she's, "I like this, I like that." | 0:08:21 | 0:08:24 | |
And I knew she was going to be like that. | 0:08:24 | 0:08:26 | |
She's really looking and finding some fantastic pieces. | 0:08:26 | 0:08:30 | |
Looks like a death trap! | 0:08:30 | 0:08:32 | |
That looks nice, Catherine. | 0:08:33 | 0:08:35 | |
Look out! Frances has spotted another little thing of interest. | 0:08:35 | 0:08:39 | |
You've got good taste. | 0:08:39 | 0:08:41 | |
It's an Edwardian oak roll-top stationery holder. | 0:08:41 | 0:08:44 | |
It's like, you know like one of those roll-top bureaux? | 0:08:44 | 0:08:48 | |
-Does this work? -The timber front, yes. | 0:08:48 | 0:08:50 | |
It works lovely. | 0:08:50 | 0:08:52 | |
That's very sweet, isn't it? | 0:08:52 | 0:08:54 | |
It is nice. Would you put your stationery in there? | 0:08:54 | 0:08:57 | |
Do you get a lot of fan mail? | 0:08:57 | 0:08:59 | |
Yes, I do, from Doctor Who, actually. | 0:08:59 | 0:09:01 | |
So I don't think I could fit those in. | 0:09:01 | 0:09:04 | |
But as a piece of furniture, I think it's really pretty. | 0:09:04 | 0:09:08 | |
There's no ticket price on it, so what kind of money is Peter talking? | 0:09:09 | 0:09:13 | |
-I could do it for... -Could you be very kind? | 0:09:13 | 0:09:15 | |
50. | 0:09:15 | 0:09:17 | |
Not very kind, then! | 0:09:17 | 0:09:19 | |
What about if you did that for 40, | 0:09:19 | 0:09:21 | |
and then the other one for free? | 0:09:21 | 0:09:24 | |
Crikey! She's added a Georgian table top desk to the deal, | 0:09:24 | 0:09:28 | |
but she hasn't even looked at it! She's keen! | 0:09:28 | 0:09:31 | |
Both of them for 40. | 0:09:31 | 0:09:33 | |
-Look at her... -Go on! | 0:09:33 | 0:09:34 | |
She's got such a cheeky smile! | 0:09:34 | 0:09:36 | |
Keep smiling, cos it's working! | 0:09:36 | 0:09:38 | |
I think she's one of these ladies that gets what she wants! | 0:09:38 | 0:09:41 | |
I don't think we ever argue with a woman like this! | 0:09:41 | 0:09:45 | |
I don't think Peter's going to even put up a fight! | 0:09:45 | 0:09:47 | |
-OK. -Brilliant. | 0:09:47 | 0:09:50 | |
-She's good, isn't she? -You're a very good man. | 0:09:50 | 0:09:54 | |
Here we go. There we go. | 0:09:54 | 0:09:55 | |
She's very, very good. | 0:09:55 | 0:09:57 | |
Two for the price of one, eh? Top dealing, and they've not finished yet. | 0:09:57 | 0:10:01 | |
Catherine's now spotted something that floats her boat. | 0:10:01 | 0:10:05 | |
A beautiful ship's clock. | 0:10:05 | 0:10:07 | |
-Does it work? It's like a bulkhead clock. -Definitely works. | 0:10:07 | 0:10:10 | |
-Definitely works. -He's got a smile on his face! | 0:10:10 | 0:10:13 | |
Never trust a dealer when they say it definitely works! | 0:10:13 | 0:10:17 | |
This brass ship's bulkhead clock is circa 1920. | 0:10:17 | 0:10:22 | |
I wonder who might buy a timepiece like this at auction? | 0:10:22 | 0:10:25 | |
I know someone who'd love that. Tim Spall, for his boat. | 0:10:25 | 0:10:28 | |
Have you seen his programme where he goes round in a barge? | 0:10:28 | 0:10:31 | |
-But we're not selling to him! -I know we're not selling to him! | 0:10:31 | 0:10:34 | |
Wind him up, then. Give me a demo. | 0:10:34 | 0:10:36 | |
The clock has a ticket price of £170 on it, | 0:10:36 | 0:10:39 | |
but it's seen better days and Catherine knows it. | 0:10:39 | 0:10:42 | |
It is working. If this was in tip-top condition, | 0:10:42 | 0:10:46 | |
it would be worth about £200. | 0:10:46 | 0:10:49 | |
It's not in tip-top condition. | 0:10:49 | 0:10:51 | |
This is like a mould. | 0:10:51 | 0:10:53 | |
-And this has all been repainted. -OK. | 0:10:53 | 0:10:56 | |
A horrid green colour. | 0:10:56 | 0:10:57 | |
So you'd have to strip all this back. | 0:10:57 | 0:11:00 | |
I can feel a really bad bid coming on! | 0:11:03 | 0:11:05 | |
You're not the only one! | 0:11:05 | 0:11:07 | |
So, with that in mind, | 0:11:07 | 0:11:09 | |
I'm going to let you have a go, because you're quite feisty. | 0:11:09 | 0:11:12 | |
What about 99? | 0:11:13 | 0:11:15 | |
No! | 0:11:15 | 0:11:17 | |
-No? -No! -I thought I was doing really well! -No, you're not! | 0:11:17 | 0:11:21 | |
It seems not! | 0:11:21 | 0:11:22 | |
25 and I'll walk your dogs! | 0:11:22 | 0:11:24 | |
Oh, cripes! | 0:11:24 | 0:11:26 | |
I'm not happy about that, and they're definitely not happy! | 0:11:26 | 0:11:29 | |
Try the cheeky smile again! | 0:11:29 | 0:11:31 | |
What is your very best price you can do on that? | 0:11:31 | 0:11:33 | |
I'll do £100 and you give the dogs a walk. | 0:11:33 | 0:11:36 | |
Well, I never! | 0:11:36 | 0:11:38 | |
-Come on! -Come on! | 0:11:38 | 0:11:40 | |
Hold on, who's taking who for a walk, then? | 0:11:40 | 0:11:42 | |
I've got the wrong shoes on! | 0:11:42 | 0:11:44 | |
Take care of them - they're priceless! | 0:11:44 | 0:11:47 | |
With the help of man's - or in this case, woman's - best friend, | 0:11:47 | 0:11:50 | |
they've secured three items of treasure for their truck, | 0:11:50 | 0:11:53 | |
purchased for the princely sum of £140. | 0:11:53 | 0:11:55 | |
Now, if Frances would only return the prized pooches, | 0:11:55 | 0:11:59 | |
they can get on their way! | 0:11:59 | 0:12:01 | |
Bucking up at their first shop, | 0:12:03 | 0:12:06 | |
it's time for Thomas and Phil's antiquarian "bromance" to begin. | 0:12:06 | 0:12:10 | |
They're in London Road, where shopkeepers Nick and Jill are ready to do a roaring trade. | 0:12:10 | 0:12:15 | |
Is there anything you're passionate about, you two? | 0:12:15 | 0:12:18 | |
-Making money! -Making money! | 0:12:19 | 0:12:22 | |
Touche, Jill! | 0:12:22 | 0:12:24 | |
Phil, relaxing into his latest role as an antiques expert | 0:12:24 | 0:12:27 | |
has already got something in his sights. | 0:12:27 | 0:12:29 | |
-Do you know the way to tell if these are in good condition? -I don't. | 0:12:29 | 0:12:33 | |
Look down each monocular the wrong way round | 0:12:33 | 0:12:36 | |
to see if they're all in line. | 0:12:36 | 0:12:38 | |
Yeah, they're both in line. | 0:12:40 | 0:12:42 | |
Lieberman and Gortz. | 0:12:42 | 0:12:44 | |
Lieberman and Gortz was a brand name used by a Brixton-based company | 0:12:44 | 0:12:48 | |
called H&G - Headquarter & General Supplies. | 0:12:48 | 0:12:51 | |
Successful in the late '40s to '60s, | 0:12:51 | 0:12:53 | |
they sold optical items and army surplus gear. | 0:12:53 | 0:12:56 | |
Got 22 quid on it. | 0:12:56 | 0:12:58 | |
-That's a possibility, isn't it? -Yeah. | 0:12:58 | 0:13:00 | |
We could build up quite a nice lot, actually. | 0:13:00 | 0:13:02 | |
This is quite a nifty thing. | 0:13:04 | 0:13:06 | |
Oh! I like that. | 0:13:06 | 0:13:09 | |
You could buy the binoculars and put it with them as a little lot. | 0:13:09 | 0:13:13 | |
What for the racing? | 0:13:13 | 0:13:15 | |
It's midway between a seat and a shooting stick. | 0:13:15 | 0:13:17 | |
Are you going to try it out? | 0:13:17 | 0:13:19 | |
-Well, you know... -You could do that. | 0:13:22 | 0:13:25 | |
The buttocks are not suffering unduly! | 0:13:25 | 0:13:27 | |
It's always a worry! | 0:13:27 | 0:13:29 | |
Do you want to do some negotiation? | 0:13:29 | 0:13:31 | |
-No, you do it. I bet you're really hard. -I'm not. I'm not at all, I promise! | 0:13:31 | 0:13:35 | |
It's all an act. He's a pussy cat, really. | 0:13:37 | 0:13:39 | |
The twitching or racing set have a combined ticket price of £37. | 0:13:39 | 0:13:45 | |
But Thomas is only offering £25. | 0:13:45 | 0:13:47 | |
I have to say 25. | 0:13:47 | 0:13:49 | |
-25 is absolutely fine. -Is that all right? | 0:13:49 | 0:13:51 | |
First deal of the day done in double-quick fashion. | 0:13:51 | 0:13:54 | |
But this shop is full of enticing items, | 0:13:56 | 0:13:58 | |
so the men are browsing on. | 0:13:58 | 0:14:00 | |
-Do you play cribbage? -Yeah, I used to. | 0:14:00 | 0:14:02 | |
It's quite a nice collection. | 0:14:02 | 0:14:04 | |
This one is rosewood with satinwood in there. | 0:14:04 | 0:14:07 | |
-Yes. -And it's on a mahogany base. | 0:14:07 | 0:14:10 | |
-That's where the pegs would live. -Yeah. | 0:14:10 | 0:14:13 | |
This is a 19th-century one. | 0:14:13 | 0:14:16 | |
And that one is fantastic. Look at that. | 0:14:16 | 0:14:18 | |
You've got the suits. I think they're rather fun. | 0:14:18 | 0:14:22 | |
What would you feel if we bought the lot? | 0:14:22 | 0:14:24 | |
How much will it come to? | 0:14:24 | 0:14:26 | |
About 100 quid? | 0:14:26 | 0:14:27 | |
Nice try, Phil. More like £128. | 0:14:27 | 0:14:31 | |
They are interested, but they're searching on. | 0:14:31 | 0:14:33 | |
I think he's pretty hot. | 0:14:35 | 0:14:36 | |
He seems to know his stuff, and this idea of taking disparate items and putting them together in a lot | 0:14:38 | 0:14:43 | |
I think it is a good one. | 0:14:43 | 0:14:44 | |
I feel like I'm in a foreign land! | 0:14:47 | 0:14:49 | |
Where I don't speak the language! | 0:14:49 | 0:14:52 | |
Thomas has trotted off around the shop and found not one but two more items. | 0:14:52 | 0:14:56 | |
A 20th-century riding crop and a tribal leather swish, no less. | 0:14:59 | 0:15:03 | |
-That is lovely. -It is lovely. | 0:15:04 | 0:15:07 | |
Hmm, lovely. | 0:15:07 | 0:15:09 | |
Good antler handle, here. | 0:15:09 | 0:15:12 | |
In the right sort of shop, | 0:15:12 | 0:15:13 | |
that would be 50, £60. | 0:15:13 | 0:15:17 | |
-What's it on for? -12. | 0:15:18 | 0:15:20 | |
And then the tribal fly swat for your chief. | 0:15:20 | 0:15:23 | |
This is probably zebra. Look at the leather in there. | 0:15:23 | 0:15:26 | |
-Yeah. -The toolmanship. That's a good thing. | 0:15:26 | 0:15:29 | |
-And together? -Together I think that's a good lot, actually. | 0:15:29 | 0:15:32 | |
The lads are quite taken with the whip and the swish. Ooh, I say! | 0:15:32 | 0:15:36 | |
And they also want the cribbage boards. | 0:15:36 | 0:15:38 | |
So it's time to find Jill and strike another deal. | 0:15:38 | 0:15:41 | |
-We'd like the lot. -Have we worked out how much they are adding them up? -No! | 0:15:41 | 0:15:46 | |
A dealer owns the boards, | 0:15:46 | 0:15:48 | |
so Jill will need to make a call. | 0:15:48 | 0:15:50 | |
But the whip and swish are hers to negotiate. | 0:15:50 | 0:15:52 | |
They have a combined ticket price of £27 | 0:15:52 | 0:15:55 | |
but what will she let them go for? | 0:15:55 | 0:15:57 | |
-I thought 20 for those two would be all right. -Yeah. | 0:15:57 | 0:15:59 | |
-And ask her about the cribbage... -I'll call her on the cribbage boards. | 0:15:59 | 0:16:03 | |
Let's hope Jill's back with good news | 0:16:03 | 0:16:04 | |
that won't make muggins out of them. | 0:16:04 | 0:16:06 | |
What's the news? | 0:16:06 | 0:16:08 | |
£60 buys them. | 0:16:08 | 0:16:10 | |
-The lot? -The lot. | 0:16:10 | 0:16:12 | |
-Well, let's do it, yeah? -Yes, do it for 60. | 0:16:12 | 0:16:14 | |
Do it for 60. Thank you very much. | 0:16:14 | 0:16:16 | |
-Thank you very much. -I think our shopping's done, here. | 0:16:16 | 0:16:18 | |
The chaps have kicked off their shopping spree in spectacular style | 0:16:18 | 0:16:22 | |
on the sporty set of treasures. | 0:16:22 | 0:16:24 | |
Field glasses, a folding stool, a plethora of cribbage boards, | 0:16:24 | 0:16:27 | |
a riding crop and swish, all for £105 of their £400 budget. | 0:16:27 | 0:16:32 | |
-Thank you very much. -Thank you very much! | 0:16:32 | 0:16:34 | |
We're along here, somewhere. | 0:16:34 | 0:16:36 | |
Catherine's taking our leading lady off the beaten track | 0:16:36 | 0:16:39 | |
to a museum and working shop | 0:16:39 | 0:16:41 | |
internationally renowned for producing artificial flowers and leaves | 0:16:41 | 0:16:45 | |
for multi-million-pound movies and theatrical productions. | 0:16:45 | 0:16:48 | |
So this should be right up Frances's street. | 0:16:54 | 0:16:56 | |
Hello, ladies! | 0:16:56 | 0:16:58 | |
-And you are? -Brenda. | 0:16:58 | 0:17:00 | |
Brenda, nice to meet you. | 0:17:00 | 0:17:02 | |
Hello. This is Frances? | 0:17:02 | 0:17:04 | |
Brenda has one of the largest collections of flower moulds in the UK, | 0:17:04 | 0:17:08 | |
consisting of 10,000 different species, | 0:17:08 | 0:17:11 | |
so it's no wonder she's in high demand. | 0:17:11 | 0:17:13 | |
I'm a bit mesmerised at the moment, by all of these flowers! | 0:17:13 | 0:17:17 | |
-Lovely. -This is incredible! | 0:17:17 | 0:17:20 | |
Her flowery creations adorn the sets and costumes of West End and Broadway shows. | 0:17:20 | 0:17:25 | |
She works regularly with Mamma Mia, | 0:17:26 | 0:17:28 | |
not to mention Andrew Lloyd Webber. | 0:17:28 | 0:17:30 | |
We're known in this country that we produce the best leaves in the world. | 0:17:30 | 0:17:35 | |
So what stage production is this for? | 0:17:35 | 0:17:37 | |
That's for Love Never Dies, Andrew Lloyd Webber's. | 0:17:37 | 0:17:40 | |
I bet you've done The Winter's Tale a few times! | 0:17:40 | 0:17:43 | |
-Yes! -Midsummer Night's Dream and Madame Butterfly, we specialise in. | 0:17:43 | 0:17:47 | |
-Of course! -How amazing. | 0:17:47 | 0:17:50 | |
Some of Brenda's film credits include The Iron Lady, | 0:17:52 | 0:17:55 | |
Reign of Fire, and Kingdom of Heaven. | 0:17:55 | 0:17:58 | |
But there's one spectacular scene in Ridley Scott's Gladiator | 0:17:58 | 0:18:01 | |
that most fans of the movie will recall. | 0:18:01 | 0:18:04 | |
Somebody told me that you did all the flowers for Gladiator, | 0:18:04 | 0:18:08 | |
when all the rose petals went into the gladiatorial ring. | 0:18:08 | 0:18:12 | |
And the brief for that was that we had to cover 38,000 square feet with petals! | 0:18:12 | 0:18:19 | |
And it was filmed in Malta, I believe. | 0:18:19 | 0:18:21 | |
-I was there. -Oh, you were there! -Were you? | 0:18:21 | 0:18:23 | |
A friend of mine was in it, and I saw that scene being filmed. | 0:18:23 | 0:18:27 | |
-You saw them with all the... -I certainly did. | 0:18:27 | 0:18:29 | |
I was trying to be one of the Vestal Virgins, but they wouldn't have me! | 0:18:29 | 0:18:32 | |
They wouldn't have you! | 0:18:32 | 0:18:34 | |
Brenda owns one of the largest collections of archive samples | 0:18:36 | 0:18:41 | |
and tools of the trade preserved in this working shop and museum. | 0:18:41 | 0:18:44 | |
Downstairs is where the magic happens | 0:18:44 | 0:18:46 | |
and where Brenda's extraordinary working collection of cutting moulds and machinery | 0:18:46 | 0:18:51 | |
are used and displayed. | 0:18:51 | 0:18:53 | |
-Wow! -I'm sort of speechless, really. -So am I! | 0:18:53 | 0:18:56 | |
Your faces are amazing, actually. Yes, it's lovely. | 0:18:56 | 0:19:00 | |
I had no idea these things existed. | 0:19:00 | 0:19:02 | |
Why would you? You wear costumes all the time, | 0:19:02 | 0:19:06 | |
-and you probably don't even give it a thought where some of these leaves have come from. -Indeed I don't. | 0:19:06 | 0:19:12 | |
Brenda and her assistant Loretta | 0:19:12 | 0:19:15 | |
use the cutting machine and the various moulds, | 0:19:15 | 0:19:18 | |
some of which are over 100 years old, to cut out the leaves. | 0:19:18 | 0:19:21 | |
This is only part of the process. | 0:19:21 | 0:19:23 | |
Next door is a room dedicated to embossing or veining the many species Brenda recreates. | 0:19:23 | 0:19:29 | |
That's the job we've just finished. It's gone to the Met in New York. | 0:19:29 | 0:19:33 | |
They're so real, aren't they? | 0:19:33 | 0:19:34 | |
So the operator puts it in there. That's the top that goes on it. | 0:19:34 | 0:19:39 | |
It goes under there... | 0:19:39 | 0:19:41 | |
..and out it comes. | 0:19:43 | 0:19:44 | |
That is incredible. | 0:19:44 | 0:19:46 | |
-God! -And that absolutely does look real, now. | 0:19:46 | 0:19:50 | |
So you can be a worker, and you can vein some leaves. | 0:19:50 | 0:19:54 | |
Have you looked to see it's going in the right way? | 0:19:54 | 0:19:57 | |
You haven't, have you? | 0:19:57 | 0:19:59 | |
But she's got it in there! | 0:19:59 | 0:20:01 | |
Now, I failed my Art O Level, I'm here to tell you! | 0:20:04 | 0:20:07 | |
-And then I put it back... -That's it. | 0:20:09 | 0:20:11 | |
Hooray! | 0:20:11 | 0:20:13 | |
-Look at that, your first... -My first veiny leaf! | 0:20:13 | 0:20:17 | |
Now, when you see these in the National Theatre... | 0:20:17 | 0:20:21 | |
I will know how much work and effort and love went into it. | 0:20:21 | 0:20:24 | |
It's been wonderful. Thank you so much. | 0:20:24 | 0:20:26 | |
And now I think we should drift off like leaves! | 0:20:26 | 0:20:29 | |
-Go and have a glass of wine. -Ooh, lovely! | 0:20:31 | 0:20:34 | |
-Thank you! -Bye! | 0:20:34 | 0:20:35 | |
Bravo, girls. | 0:20:35 | 0:20:37 | |
Ambling to the next antique emporium are the chaps. | 0:20:38 | 0:20:42 | |
And, boy, are they starting to feel the pressure of the competition. | 0:20:42 | 0:20:45 | |
-I do want to win, don't you? -We've got to beat the girls, yeah. | 0:20:45 | 0:20:49 | |
-They beat you at everything else in life! -Indeed! | 0:20:49 | 0:20:52 | |
Definitely! So this is our one chance! | 0:20:52 | 0:20:55 | |
This is our one chance to say who's boss. | 0:20:55 | 0:20:58 | |
Anyway, King's Road Antiques. | 0:20:58 | 0:21:00 | |
Feeling a little inferior, perhaps? Time to man up. | 0:21:00 | 0:21:03 | |
-I'm Charles. -Nice to meet you. -Hello, Charles. | 0:21:04 | 0:21:06 | |
-Can we have a look round? -Please do. | 0:21:06 | 0:21:08 | |
What's this? | 0:21:11 | 0:21:13 | |
How much is the croquet set? | 0:21:13 | 0:21:14 | |
Another game? Oh, boys! | 0:21:14 | 0:21:17 | |
-150. -150 on that. | 0:21:17 | 0:21:19 | |
Never played croquet. They say it's a terrifically good game. | 0:21:19 | 0:21:23 | |
-Let's check we've got everything. -So you've got to get through the hoops. | 0:21:23 | 0:21:26 | |
And then you've got to end up almost like the flat. | 0:21:26 | 0:21:30 | |
-Four balls. -They're plastic. | 0:21:30 | 0:21:33 | |
-It's not the oldest thing in the world. -No. | 0:21:33 | 0:21:34 | |
It's not an antique. | 0:21:34 | 0:21:36 | |
Do you know what the best is on that? | 0:21:36 | 0:21:38 | |
-It's only just arrived in. -OK. -I need to have a chat with the trader. | 0:21:38 | 0:21:42 | |
-See what I can do. -We'll look down here, as well. | 0:21:42 | 0:21:44 | |
The croquet set is made by Jaques of London, | 0:21:44 | 0:21:46 | |
one of the oldest manufacturers of games in the world. | 0:21:46 | 0:21:49 | |
The company may be old, but this set is definitely not. | 0:21:49 | 0:21:53 | |
What is his very best? | 0:21:53 | 0:21:55 | |
Can we do 130? | 0:21:55 | 0:21:57 | |
Oh, no! | 0:21:57 | 0:21:58 | |
No, a bit less. | 0:21:58 | 0:22:00 | |
Let's get it down to about 120, then. | 0:22:00 | 0:22:02 | |
I was thinking more like a two-figure price. | 0:22:02 | 0:22:04 | |
That would be my preferred figure. | 0:22:04 | 0:22:07 | |
I'll have another word and see what the rock bottom price is that we can do for you. | 0:22:07 | 0:22:11 | |
It's a good thing, a wonderful thing, | 0:22:11 | 0:22:13 | |
but we're trying to make a bit of profit on it as well. | 0:22:13 | 0:22:16 | |
We would do, too. | 0:22:16 | 0:22:18 | |
Yes, I can see that. It does make two of us. | 0:22:18 | 0:22:20 | |
Actually, that makes three of them. | 0:22:20 | 0:22:22 | |
The dealer who owns the set is in the shop, now, | 0:22:22 | 0:22:24 | |
so Charles can consult him directly. | 0:22:24 | 0:22:26 | |
It's only just come in today. I always sell them. | 0:22:26 | 0:22:30 | |
-It's a lot of money. -They should easily get that. -Easily get it. | 0:22:30 | 0:22:34 | |
-There's a margin in it for them. -Yeah. | 0:22:34 | 0:22:37 | |
-He's a tough-looking cookie! -He's a tough-looking... | 0:22:37 | 0:22:39 | |
-That's leather, that pork pie. I'm not going to mess with him. You'll have to negotiate. -Think so? | 0:22:41 | 0:22:46 | |
Got something against hats? | 0:22:46 | 0:22:47 | |
See what you can do, Chas. | 0:22:47 | 0:22:50 | |
Chas, have you got bad news for us? | 0:22:50 | 0:22:51 | |
Bad news? No, I can move a little bit more. | 0:22:51 | 0:22:55 | |
-It's not going to be the two figures. -No? What's it going to be? | 0:22:55 | 0:22:58 | |
-£100? -I can do 110. | 0:22:58 | 0:23:00 | |
-110. -If you can't make a good profit on that, change the day job! | 0:23:00 | 0:23:05 | |
Cheeky monkey! | 0:23:05 | 0:23:07 | |
It's time to hammer home a deal, | 0:23:07 | 0:23:09 | |
and Thomas sees a final opportunity to try his luck with Charles. | 0:23:09 | 0:23:12 | |
And this is sure to work. | 0:23:13 | 0:23:15 | |
After all, us men have got to stick together. | 0:23:15 | 0:23:17 | |
WHISPERS: Charles, we've got to beat the girls! | 0:23:18 | 0:23:21 | |
£100. Come on. | 0:23:21 | 0:23:23 | |
-Everything at stake, is it? -Bring back that... -If they beat us, we'll be so humiliated. | 0:23:23 | 0:23:28 | |
-They win everything. Don't they? -In life. -Yeah. -Except giving birth. | 0:23:28 | 0:23:34 | |
-Yeah. Well, they can keep that one. -They can keep that one! | 0:23:34 | 0:23:37 | |
100 quid. | 0:23:37 | 0:23:39 | |
100 quid? | 0:23:40 | 0:23:41 | |
All right. 100 quid. Done. | 0:23:42 | 0:23:44 | |
-Thank you, Charles. -We appreciate this. | 0:23:44 | 0:23:46 | |
A man's got to do what a man's got to do. | 0:23:46 | 0:23:49 | |
And that's another item of swag bagged. | 0:23:49 | 0:23:51 | |
Leaving them with £195 left to splurge before auction. | 0:23:51 | 0:23:55 | |
Meanwhile, these two treasure-seeking trail-blazers | 0:23:57 | 0:24:00 | |
are tripping the light fantastic | 0:24:00 | 0:24:02 | |
to their next port of call, | 0:24:02 | 0:24:03 | |
pondering their performance thus far. | 0:24:03 | 0:24:06 | |
-I'm happy with what we've bought. -Good. | 0:24:08 | 0:24:10 | |
-I wonder how they're getting on? -Oh, I hope terribly! | 0:24:10 | 0:24:13 | |
I hope they've broken down. | 0:24:13 | 0:24:15 | |
No such luck, lovey. The girls are here today at a shop called Gone Tomorrow, | 0:24:15 | 0:24:20 | |
hoping to discover more precious oddities. | 0:24:20 | 0:24:23 | |
-This was my dog! -Oh, no! | 0:24:24 | 0:24:26 | |
Ruff! Down, boy! | 0:24:26 | 0:24:28 | |
-Really? What was he called? -Smack. | 0:24:28 | 0:24:30 | |
Smack? Why Smack? | 0:24:30 | 0:24:32 | |
Louis Spence named him. I was in a show with Louis. | 0:24:32 | 0:24:36 | |
A man about a dog. A dog called Smack. | 0:24:36 | 0:24:38 | |
Oh, he's lovely. But I wouldn't have anywhere to put him. | 0:24:38 | 0:24:41 | |
-We're not buying for you! -I know! I forgot! | 0:24:41 | 0:24:44 | |
Right. I shall shut up. | 0:24:44 | 0:24:46 | |
Just a matter of the silly old auction to bear in mind, darling. | 0:24:46 | 0:24:50 | |
So you might just want to put that saucy little thing down, too. | 0:24:50 | 0:24:53 | |
One of the pictures is of somebody spanking another person's bottom. | 0:24:53 | 0:24:57 | |
-Oh, how fabulous. -One of the reasons I bought it! | 0:24:57 | 0:24:59 | |
A woman after my own heart! | 0:25:03 | 0:25:05 | |
A-hem! The less said about that, the better! | 0:25:05 | 0:25:08 | |
These are nice. Aren't they beautiful? | 0:25:08 | 0:25:10 | |
Catherine's attention is on something far more appropriate. | 0:25:10 | 0:25:14 | |
A pair of wooden clubs with a ticket price of £100. | 0:25:14 | 0:25:18 | |
Why are they so much money, though? | 0:25:18 | 0:25:20 | |
Because a local businessman told me he thought they were used in the original Schweppes advert. | 0:25:20 | 0:25:28 | |
There was some guy in a suit, juggling these things. | 0:25:28 | 0:25:31 | |
Hmm. Likely story! | 0:25:31 | 0:25:33 | |
It reminds me of one of the pictures of a strongman in a circus. | 0:25:33 | 0:25:38 | |
In early Victoriana doing that kind of thing. | 0:25:38 | 0:25:43 | |
-Do you know what I mean? -Show me. | 0:25:43 | 0:25:45 | |
Give me a pose. Show me what they do! | 0:25:45 | 0:25:50 | |
When they used to do those kind of things with their legs, | 0:25:50 | 0:25:53 | |
the strongmen in the circus. | 0:25:53 | 0:25:54 | |
-But what does that do? -I don't know. I've seen photos of things like that. | 0:25:54 | 0:25:58 | |
-People holding things like this? -I think so. | 0:25:58 | 0:26:01 | |
That's my best bet! | 0:26:03 | 0:26:05 | |
She's such a thespian! | 0:26:05 | 0:26:07 | |
-What would you do on those? -Go on, offer me. | 0:26:07 | 0:26:10 | |
We'd probably go about 20, I think. | 0:26:10 | 0:26:12 | |
Cos it's a gamble. They're things that you just don't know about. | 0:26:13 | 0:26:17 | |
-25? -I'm not getting any feedback from my partner. | 0:26:17 | 0:26:21 | |
-No, I'm thinking... -She's being a silent partner! | 0:26:21 | 0:26:23 | |
No, I'm thinking that... | 0:26:23 | 0:26:25 | |
..that's very interesting. | 0:26:27 | 0:26:28 | |
Very interesting indeed. | 0:26:28 | 0:26:30 | |
Frances's theatrics have obviously left an impression on Catherine, | 0:26:30 | 0:26:35 | |
as she's desperate for more background to the unusual clubs. | 0:26:35 | 0:26:38 | |
-Who was the gentleman who... -It was his great-uncle. | 0:26:38 | 0:26:42 | |
He was an engineer on the Titanic. | 0:26:42 | 0:26:44 | |
This is all I know, but I believe it to be true. | 0:26:44 | 0:26:47 | |
It's certainly a romantic notion, | 0:26:47 | 0:26:50 | |
but why let the truth get in the way of a good story, eh? | 0:26:50 | 0:26:52 | |
What's the magic number? | 0:26:52 | 0:26:54 | |
-Would you do 20? -22.50 and I'll do it. | 0:26:54 | 0:26:59 | |
-I think that's very attractive. -It is. -Jolly fair. | 0:26:59 | 0:27:03 | |
Incredibly fair. | 0:27:03 | 0:27:04 | |
Thank you very much indeed. | 0:27:04 | 0:27:06 | |
The girls' collection of curiosities is mounting. | 0:27:06 | 0:27:09 | |
And they still have over half their budget left. Good work. | 0:27:09 | 0:27:13 | |
The battle of the sexes has begun! | 0:27:13 | 0:27:16 | |
I know you want to beat the boys, but that's taking it too far! | 0:27:17 | 0:27:20 | |
So, with two bulging bags of swag, | 0:27:21 | 0:27:23 | |
our dedicated followers of fortune can wrap up today's buying blitz. | 0:27:23 | 0:27:28 | |
I think the girls may be off "clubbing"! | 0:27:28 | 0:27:31 | |
Night-night, teams. | 0:27:31 | 0:27:32 | |
It's curtains up on a new day in sunny East Sussex. | 0:27:34 | 0:27:36 | |
The Deux Chevaux is back on the road | 0:27:36 | 0:27:38 | |
and before our teams take sides, | 0:27:38 | 0:27:41 | |
they're reflecting on their progress. | 0:27:41 | 0:27:43 | |
-How was your day? -It was brilliant. Absolutely brilliant. | 0:27:43 | 0:27:47 | |
We bought some fabulous items! | 0:27:47 | 0:27:48 | |
Oh, we're gonna beat you! | 0:27:48 | 0:27:51 | |
You're trying to bluff, aren't you? | 0:27:51 | 0:27:53 | |
How mature, Thomas! | 0:27:53 | 0:27:55 | |
How did you get on yesterday? | 0:27:55 | 0:27:57 | |
As an antique virgin, I actually think we did really well. | 0:27:57 | 0:28:02 | |
I think we got three lots. | 0:28:02 | 0:28:05 | |
-We got four. -You did not! | 0:28:05 | 0:28:07 | |
We got three in the first shop. I don't want to boast. | 0:28:07 | 0:28:10 | |
-Three in the first shop?! -And I found one of them. -Huh! | 0:28:10 | 0:28:13 | |
So, looking good for the boys. | 0:28:13 | 0:28:16 | |
Don't get too cocky, chaps! | 0:28:16 | 0:28:17 | |
Our foraging females have so far spent £162.50, | 0:28:21 | 0:28:25 | |
picking up a brass bulkhead clock, | 0:28:25 | 0:28:27 | |
a couple of table-top stationery desks, | 0:28:27 | 0:28:29 | |
and a pair of Edwardian exercise clubs. | 0:28:29 | 0:28:32 | |
They have £237.50 left to spend before auction. | 0:28:32 | 0:28:36 | |
Phil... Whoosh! | 0:28:36 | 0:28:38 | |
So far, the wheeling-dealing men | 0:28:39 | 0:28:41 | |
have forked out £205 on field glasses, a stool, | 0:28:41 | 0:28:45 | |
a crop and tribal swish, | 0:28:45 | 0:28:47 | |
a Jaques croquet set | 0:28:47 | 0:28:49 | |
plus enough cribbage boards to choke a horse, | 0:28:49 | 0:28:52 | |
leaving them £195 to splash out today. | 0:28:52 | 0:28:55 | |
The buttocks are not suffering unduly. | 0:28:55 | 0:28:57 | |
Staying in East Sussex, | 0:28:57 | 0:28:59 | |
the troops are heading north-west | 0:28:59 | 0:29:01 | |
to a little market town called Heathfield | 0:29:01 | 0:29:03 | |
which has its very own Doctor Who. | 0:29:03 | 0:29:06 | |
Tom Baker lives here. | 0:29:06 | 0:29:08 | |
-Morning! -Morning! | 0:29:08 | 0:29:10 | |
What time do you call this? | 0:29:10 | 0:29:12 | |
Frances is still in the car. What's going on? | 0:29:12 | 0:29:14 | |
I'm not getting out. The girls are having this car. | 0:29:14 | 0:29:17 | |
I don't look good in that car. It's going to clash with my outfit. I'm not getting out. | 0:29:17 | 0:29:23 | |
You'd look good in anything, darling! | 0:29:23 | 0:29:24 | |
All right. OK. The women win. | 0:29:24 | 0:29:27 | |
This is the last time you're going to win! Bye! | 0:29:27 | 0:29:30 | |
Go, girls! Go, girls! | 0:29:30 | 0:29:32 | |
-Good luck, Phil! -Thanks. And you, Frances! | 0:29:32 | 0:29:35 | |
They've won the battle, but they'll lose the war. | 0:29:35 | 0:29:37 | |
I think the girls might beg to differ. | 0:29:38 | 0:29:41 | |
The thing is, we've won a sort of moral victory anyway, because we've got the car. | 0:29:41 | 0:29:46 | |
-Which I think is only right because... -They had it yesterday. | 0:29:46 | 0:29:50 | |
It's as simple as that. | 0:29:50 | 0:29:52 | |
But my worry is that when I get into the auction, | 0:29:52 | 0:29:54 | |
I will be very competitive. | 0:29:54 | 0:29:57 | |
-That's OK. -I'm not happy with that trait in my personality, | 0:29:57 | 0:30:00 | |
but I just know it'll be there. | 0:30:00 | 0:30:02 | |
Oh, crikey! Watch out, boys, this lady means business! | 0:30:02 | 0:30:06 | |
Right. Here we go. | 0:30:08 | 0:30:10 | |
Time for the men's pursuit of riches to continue. | 0:30:10 | 0:30:14 | |
By the look of things, they've come to the right place. | 0:30:14 | 0:30:16 | |
Oh, my God. This is like the Tardis! | 0:30:16 | 0:30:18 | |
Frances would be right at home! | 0:30:18 | 0:30:21 | |
Shopminder Caroline is on hand | 0:30:21 | 0:30:23 | |
to help with all Thomas's unusual queries. | 0:30:23 | 0:30:26 | |
-Is that a rollock? -'Excuse me?' | 0:30:26 | 0:30:28 | |
-To put your oar in? Called rollocks, are they? -Yes, possibly! | 0:30:28 | 0:30:32 | |
They usually come in pairs! | 0:30:33 | 0:30:34 | |
Rollocks, of course. | 0:30:34 | 0:30:36 | |
It's the chaps' final shopping destination, | 0:30:36 | 0:30:39 | |
and with plenty of plunder already purchased, | 0:30:39 | 0:30:41 | |
they can browse at their leisure. | 0:30:41 | 0:30:43 | |
What on earth has Caroline got there? | 0:30:43 | 0:30:45 | |
It's a sherry engine. | 0:30:45 | 0:30:47 | |
A what? | 0:30:47 | 0:30:49 | |
Obviously it does the job it's meant to do. | 0:30:49 | 0:30:51 | |
-It pours the sherry. -Yeah. | 0:30:51 | 0:30:53 | |
It's a very good price. I just thought you might want to think about it. | 0:30:53 | 0:30:57 | |
-I don't fancy this sherry pourer. -I hate the sherry thing. | 0:30:59 | 0:31:02 | |
You could just pour it yourself with your hand! | 0:31:02 | 0:31:04 | |
Absolutely! | 0:31:04 | 0:31:06 | |
I couldn't agree more, Phil. | 0:31:06 | 0:31:07 | |
Thomas loves a bit of silver, and he's homed in on a cabinet stacked with the shiny stuff. | 0:31:07 | 0:31:12 | |
Napkin rings. Silver-topped cut glass jar. | 0:31:12 | 0:31:16 | |
This is silver. | 0:31:16 | 0:31:17 | |
Not worth a great deal just as a piece of silver. Probably about 13 quid. | 0:31:17 | 0:31:21 | |
But as a glass jar, it's actually rather delightful. | 0:31:21 | 0:31:25 | |
Toasting fork, is it? | 0:31:25 | 0:31:27 | |
A toasting fork, quite right. | 0:31:27 | 0:31:29 | |
This is a Staffordshire porcelain handle. | 0:31:29 | 0:31:32 | |
Probably by Derby or somebody like that. | 0:31:32 | 0:31:35 | |
-Silver plate. Lovely handle. -Lovely handle pattern. -Yeah. | 0:31:35 | 0:31:39 | |
I can feel a lot coming on. | 0:31:42 | 0:31:44 | |
I thought it was just the way you were standing. | 0:31:44 | 0:31:46 | |
You could put the cake basket with it. This is silver plate. | 0:31:46 | 0:31:49 | |
£65. | 0:31:49 | 0:31:51 | |
Too pricey, by far. | 0:31:52 | 0:31:53 | |
Get Caroline on the line to the dealer to negotiate for the whole lot. | 0:31:53 | 0:31:57 | |
The 19th-century silver cake basket, silver-topped glass bottles and toasting fork | 0:31:57 | 0:32:02 | |
have a combined ticket price of £116 | 0:32:02 | 0:32:05 | |
but the chaps are pleading poverty. | 0:32:05 | 0:32:07 | |
As usual. | 0:32:07 | 0:32:09 | |
-Explain the dire situation. -We're very poor. | 0:32:09 | 0:32:13 | |
Oh, please! | 0:32:13 | 0:32:14 | |
-That's quite a good lot. -Yeah. -Happy with that? -Yeah, I am. | 0:32:14 | 0:32:18 | |
I love especially the fork. | 0:32:18 | 0:32:21 | |
The fork is good. | 0:32:21 | 0:32:23 | |
I think we've established that they like the fork. | 0:32:23 | 0:32:26 | |
So what's the damage, Caroline? | 0:32:26 | 0:32:28 | |
It comes to 116, and his bottom dollar, I'm afraid there's no bartering, £65. | 0:32:28 | 0:32:34 | |
-Oh! -I think that's really fair. | 0:32:34 | 0:32:36 | |
-That is quite nice. What do you think? -I think we should go for it. | 0:32:36 | 0:32:39 | |
-I think it's a good lot. -We'll go for it. Thank you, Caroline. -Appreciate it. | 0:32:39 | 0:32:42 | |
-Thank your friend. -Right, we're done. | 0:32:42 | 0:32:44 | |
Hoorah! What a knock-out price! | 0:32:44 | 0:32:47 | |
And with that, the men's whistle-stop shopping trip is over | 0:32:47 | 0:32:50 | |
and they've £130 of their budget left unspent. | 0:32:50 | 0:32:53 | |
-I fell in love with the fork. -You did love the fork! | 0:32:55 | 0:32:57 | |
It's the first time it's ever happened to me. | 0:32:57 | 0:32:59 | |
I'm a bit overwhelmed! | 0:32:59 | 0:33:00 | |
Come on, let's go. | 0:33:04 | 0:33:05 | |
There's no rest for the wicked, though, | 0:33:05 | 0:33:08 | |
which means Catherine and Frances better get cracking. | 0:33:08 | 0:33:11 | |
So do you have a particular strategy for today? | 0:33:11 | 0:33:14 | |
I'm thinking slightly smaller, value things. | 0:33:14 | 0:33:18 | |
-Unless we do see something that is so... -A whopper. | 0:33:18 | 0:33:21 | |
..so fabulous that we can't walk away. | 0:33:21 | 0:33:23 | |
I'm going to let you negotiate, because you are the best negotiator in the country. | 0:33:23 | 0:33:29 | |
-I've never been able to negotiate in my life before! -You're brilliant. | 0:33:29 | 0:33:32 | |
I'm a showing off pill, because I've never been able to do it. | 0:33:32 | 0:33:36 | |
Oh, I don't know. For a novice, you seem to have taken the lead role. | 0:33:36 | 0:33:40 | |
They've arrived at the treasure trove, and hopefully, Aunty's got a treat in store. | 0:33:40 | 0:33:45 | |
For the auction, Frances, for the auction. | 0:33:45 | 0:33:48 | |
You've caught me! I'm not supposed... It's rather marvellous. | 0:33:48 | 0:33:50 | |
That's lovely, isn't it? | 0:33:50 | 0:33:53 | |
She just can't help herself! | 0:33:53 | 0:33:55 | |
Right. I'll get something and then come back and buy it. | 0:33:55 | 0:33:58 | |
Right. Um... | 0:33:58 | 0:34:00 | |
Off you go, then! | 0:34:00 | 0:34:02 | |
Catherine's drawn to a mahogany snuff box, circa 1800. | 0:34:02 | 0:34:05 | |
But these tiny bellows have an over-inflated price tag of £265. | 0:34:05 | 0:34:12 | |
So much for going for smaller value items! | 0:34:12 | 0:34:14 | |
Look at that. Miniature bellows. This is Georgian. | 0:34:14 | 0:34:19 | |
And it's just divine. | 0:34:19 | 0:34:22 | |
It's actually a little snuff box. | 0:34:22 | 0:34:23 | |
-Oh, it's a snuff box? -On the back, that slides open, and you put your snuff in. -How amazing! | 0:34:23 | 0:34:30 | |
-That's just fabulous, isn't it? -That is beautiful. | 0:34:30 | 0:34:34 | |
But who uses snuff boxes these days? Frances? | 0:34:34 | 0:34:38 | |
I know Pete Townshend from The Who. He's a friend of mine. | 0:34:38 | 0:34:41 | |
-I don't know if he still does it, but he takes snuff all the time. -Does he? | 0:34:41 | 0:34:45 | |
-Would he have something like that? -In the shape of a guitar, he might. | 0:34:45 | 0:34:48 | |
-It's beautifully made. -It's gorgeous. | 0:34:48 | 0:34:51 | |
And it's got on it, "Forget me not". | 0:34:51 | 0:34:52 | |
It's the sort of thing you'd give to your loved one. | 0:34:52 | 0:34:55 | |
It's a proper love gift. All I ever got was a travel kettle as a love gift! | 0:34:55 | 0:35:00 | |
-Did you? That's quite sad, isn't it? -From a French man. | 0:35:00 | 0:35:03 | |
But he did say, "The kettle is a love gift", but it didn't make it any better! | 0:35:03 | 0:35:08 | |
Sacre bleu! With such a hefty price tag of £265, | 0:35:08 | 0:35:13 | |
Catherine needs to get her negotiating head on | 0:35:13 | 0:35:16 | |
and speak to the dealer direct. | 0:35:16 | 0:35:18 | |
210? You wouldn't go to 200? | 0:35:18 | 0:35:20 | |
Thank you very much. Thank you. Bye. | 0:35:21 | 0:35:23 | |
I think 210 was her best. | 0:35:25 | 0:35:27 | |
-210 is too much, isn't it? -It is, isn't it? | 0:35:27 | 0:35:30 | |
£210 is a huge sum of money. Too much to risk. | 0:35:30 | 0:35:34 | |
Upstairs, Frances spots a set of decorative horse brasses, called hames, | 0:35:34 | 0:35:39 | |
priced at £90 for the pair. | 0:35:39 | 0:35:41 | |
These are the weirdest things. They're vintage harnesses. | 0:35:41 | 0:35:44 | |
For a carthorse with a mark from the manufacturer, I suppose. | 0:35:44 | 0:35:48 | |
-Where? -There. | 0:35:48 | 0:35:50 | |
-No, it says "solid brass". -I haven't got my glasses on! | 0:35:50 | 0:35:55 | |
At least one of you can see what's going on. | 0:35:55 | 0:35:58 | |
There's an incomplete pair of hames downstairs at only £26 | 0:35:58 | 0:36:02 | |
and owner Nigel is happy to be drawn into a discussion over the price. | 0:36:02 | 0:36:06 | |
Frances is throwing in some familiar moves. Look out! | 0:36:06 | 0:36:09 | |
-I can hold them like the Indian clubs. -You're amazing! Amazing. | 0:36:09 | 0:36:14 | |
How much are they? | 0:36:14 | 0:36:16 | |
Smile at me nicely. | 0:36:16 | 0:36:18 | |
She's got the best smile on television! | 0:36:18 | 0:36:21 | |
Go for 15 quid for them. | 0:36:21 | 0:36:23 | |
He "hames" to please! Sorry. | 0:36:23 | 0:36:26 | |
-Happy with that? -Yes, I am. | 0:36:26 | 0:36:28 | |
She's really got the hang of this negotiating lark, | 0:36:28 | 0:36:31 | |
but there's still a little something playing on their minds. | 0:36:31 | 0:36:34 | |
The snuff box. | 0:36:34 | 0:36:36 | |
-Your very shrewd instincts. -I don't like the way you call them "your". | 0:36:36 | 0:36:40 | |
-Only because... -It means you're having nothing to do with them! | 0:36:42 | 0:36:45 | |
I'll tell you exactly why. You've never seen one like that. | 0:36:45 | 0:36:48 | |
-And I think that is a very shrewd... -I love novelty things like that. -Exactly. | 0:36:48 | 0:36:54 | |
-I think we should do it. -It shouldn't... It should not make a loss. It shouldn't. | 0:36:54 | 0:36:59 | |
The dealer wants £210 for it. To be sure of a profit, they need a considerable discount. | 0:36:59 | 0:37:05 | |
Stop umming and ah-ing, and make your mind up, girls. | 0:37:05 | 0:37:07 | |
If it all goes wrong... | 0:37:07 | 0:37:10 | |
I'm not going to blame you in the least. Not at all. | 0:37:10 | 0:37:14 | |
Go on, Catherine. Knock 'em down on price, girl! | 0:37:14 | 0:37:16 | |
200? | 0:37:17 | 0:37:18 | |
No, it has got to be 210. | 0:37:18 | 0:37:20 | |
Or not. | 0:37:20 | 0:37:22 | |
Yes, go on, go on. | 0:37:23 | 0:37:25 | |
-Go for it. -That was quick! | 0:37:25 | 0:37:27 | |
Blimey! What a big price for such a tiny object. | 0:37:27 | 0:37:30 | |
They've really taken a risk on that snuff box! | 0:37:30 | 0:37:32 | |
Oh, my gosh. Look. | 0:37:33 | 0:37:34 | |
Oh, Lord, what now? | 0:37:34 | 0:37:36 | |
Oh, they're lovely! | 0:37:37 | 0:37:39 | |
You're terrible, aren't you? | 0:37:39 | 0:37:42 | |
-Nigel... -Yes, love? | 0:37:42 | 0:37:44 | |
Watch out, Nigel. She's fixing you with that winning smile! | 0:37:44 | 0:37:48 | |
These 1930s nickel-plated binoculars | 0:37:48 | 0:37:50 | |
are 13.50. | 0:37:50 | 0:37:52 | |
The girls have £12.50 left. | 0:37:52 | 0:37:54 | |
I'll do them for nine for you. How's that? | 0:37:54 | 0:37:57 | |
-Shake on nine. Thank you very much. -You're a lovely man, Nigel. -Thank you. | 0:37:57 | 0:38:01 | |
Hey presto, they've spent almost their entire £400 budget. | 0:38:01 | 0:38:05 | |
They've got £3.50 left to get them to the auction. | 0:38:05 | 0:38:09 | |
I can't believe we've spent so much money. | 0:38:09 | 0:38:11 | |
I always spend everything I've got! | 0:38:11 | 0:38:13 | |
-You're a bad influence! -I've never gone shopping and come home with change! -Really? Right. | 0:38:13 | 0:38:17 | |
Now she tells us! | 0:38:17 | 0:38:19 | |
Not sparing any horses, | 0:38:21 | 0:38:23 | |
the chaps are taking the Deux Chevaux north into Kent. | 0:38:23 | 0:38:25 | |
They're heading to Chiddingstone Castle. | 0:38:25 | 0:38:28 | |
Phil, how did you become an actor? | 0:38:28 | 0:38:30 | |
I've wanted to become an actor from a very young age | 0:38:30 | 0:38:33 | |
when I was about eight or nine. | 0:38:33 | 0:38:35 | |
Before I'd ever seen a play or been to the theatre or anything like that. | 0:38:35 | 0:38:39 | |
It's been a long haul. | 0:38:39 | 0:38:42 | |
But as I've got older, the range of parts that I've played have spread. | 0:38:42 | 0:38:45 | |
But the first film that was a big success | 0:38:45 | 0:38:49 | |
was Quadrophenia. | 0:38:49 | 0:38:51 | |
This was a film that everybody wanted to be in. | 0:38:51 | 0:38:54 | |
We were all great Who fans. | 0:38:54 | 0:38:56 | |
Riding round Brighton on the scooters. Absolutely hoot. | 0:38:56 | 0:38:59 | |
The shopping trip is at an end, | 0:38:59 | 0:39:01 | |
but the learning curve for Phil continues here | 0:39:01 | 0:39:04 | |
at Chiddingstone Castle. | 0:39:04 | 0:39:05 | |
It was once home to eccentric bank clerk turned antique collector | 0:39:05 | 0:39:10 | |
Denys Bower. | 0:39:10 | 0:39:11 | |
Jailed for attempted murder, | 0:39:11 | 0:39:13 | |
his unusual story tells like a gritty drama that Phil might play the lead in. | 0:39:13 | 0:39:18 | |
-Hello! -I'm Thomas. -I'm Phil. -Hi, Phil. Very nice to see you. | 0:39:18 | 0:39:22 | |
-Come on in. -Thank you. | 0:39:22 | 0:39:23 | |
The castle still houses his eclectic collection | 0:39:25 | 0:39:28 | |
of Japanese, Egyptian, Buddhist and Jacobean artefacts | 0:39:28 | 0:39:31 | |
and trustee Margaret knows a thing or two about them | 0:39:31 | 0:39:34 | |
and the extraordinary man who lived here. | 0:39:34 | 0:39:36 | |
Did he have plenty of money? | 0:39:36 | 0:39:38 | |
He didn't. That was the amazing thing. | 0:39:38 | 0:39:41 | |
He began life, his working life, as a bank clerk. | 0:39:41 | 0:39:45 | |
And he used to go from branch to branch because he was always slipping off to auctions | 0:39:45 | 0:39:51 | |
and so they kept moving him on! | 0:39:51 | 0:39:53 | |
Bower left banking, opened an antiques shop in London | 0:39:54 | 0:39:57 | |
and became a very successful dealer. | 0:39:57 | 0:40:00 | |
In the 1950s, his shop lease ran out, | 0:40:00 | 0:40:02 | |
so he decided to buy a castle | 0:40:02 | 0:40:05 | |
where he could house and exhibit his collection. | 0:40:05 | 0:40:07 | |
His Japanese collection is one of the largest outside Japan | 0:40:07 | 0:40:12 | |
and includes an extensive range of lacquer objects, armour, helmets and swords. | 0:40:12 | 0:40:16 | |
Look at this - a Samurai outfit. | 0:40:18 | 0:40:19 | |
That's so rare, isn't it? | 0:40:19 | 0:40:21 | |
-It's not metal, is it? -It's probably a lacquer. | 0:40:21 | 0:40:24 | |
A papier mache with lacquer built up and fabric and silks. | 0:40:24 | 0:40:28 | |
They were meant to stop an arrow, all those layers in there. | 0:40:28 | 0:40:33 | |
-He's got swords coming out of his ears! -He has, hasn't he? | 0:40:33 | 0:40:35 | |
Bower was a Buddhist and believed he was the reincarnation of Bonnie Prince Charlie. | 0:40:35 | 0:40:40 | |
Which was one of the reasons for his keen interest in the Jacobites | 0:40:40 | 0:40:44 | |
and the history of the Stuart line. | 0:40:44 | 0:40:46 | |
He wasn't completely mad, was he? | 0:40:46 | 0:40:48 | |
No... I mean an eccentric. | 0:40:48 | 0:40:52 | |
So extensive and intimate is Bower's Jacobean collection, | 0:40:52 | 0:40:56 | |
he actually acquired the "parts" of King James II. | 0:40:56 | 0:41:01 | |
The little heart here, silver heart, | 0:41:01 | 0:41:03 | |
that holds some of James II's heart. | 0:41:03 | 0:41:06 | |
A piece of it, which apparently was quite common in those days | 0:41:06 | 0:41:11 | |
that after the death of a king, people would be able to take a little bit of it | 0:41:11 | 0:41:16 | |
as a souvenir. | 0:41:16 | 0:41:18 | |
Rather gruesome, picking up little bits of the king! | 0:41:18 | 0:41:20 | |
-Bits of his heart. -His hair. -A bit of liver. -Liver! | 0:41:20 | 0:41:24 | |
-A bit of pancreas! -No, just heart, actually! | 0:41:24 | 0:41:27 | |
Oh, right. | 0:41:27 | 0:41:28 | |
Bower was an obsessive collector | 0:41:30 | 0:41:32 | |
and somewhat obsessive in life. | 0:41:32 | 0:41:34 | |
To learn more about the man, Margaret's taking them to Denys's study | 0:41:34 | 0:41:39 | |
for an extraordinary tale. | 0:41:39 | 0:41:41 | |
He was something of a womaniser. | 0:41:41 | 0:41:43 | |
He had been married twice, briefly, | 0:41:43 | 0:41:45 | |
and then when he was 50, he met a young woman of 19 | 0:41:45 | 0:41:50 | |
who purported to be a countess from Monaco. | 0:41:50 | 0:41:54 | |
And she kept up this pretence for over a year | 0:41:54 | 0:41:58 | |
and he became engaged to her. | 0:41:58 | 0:41:59 | |
She wasn't actually a countess from Monaco. | 0:41:59 | 0:42:02 | |
She was the daughter of either a Peckham bus driver or cab driver! | 0:42:02 | 0:42:08 | |
-A good actor! -A very good actress. -A woman in my line. | 0:42:08 | 0:42:11 | |
What became of them? | 0:42:11 | 0:42:13 | |
Well, she broke off the engagement and he was devastated. | 0:42:13 | 0:42:19 | |
Denys took a revolver from one of his collections, | 0:42:19 | 0:42:22 | |
went to the woman's lodgings | 0:42:22 | 0:42:24 | |
and told her, "If you're going to leave me, | 0:42:24 | 0:42:26 | |
"I'm going to shoot myself." | 0:42:26 | 0:42:28 | |
I don't know exactly what ensued, | 0:42:28 | 0:42:30 | |
but she got shot and he then attempted suicide. | 0:42:30 | 0:42:34 | |
He was obviously a lousy shot or it was a lousy gun, not sure which, | 0:42:34 | 0:42:37 | |
but he ended up in hospital for a couple of weeks. | 0:42:37 | 0:42:40 | |
He was arrested for attempted murder | 0:42:40 | 0:42:45 | |
and attempted suicide. | 0:42:45 | 0:42:48 | |
-Must have been a big scandal at the time. -A big scandal in the 1950s. | 0:42:48 | 0:42:52 | |
He went to prison. He was tried and given a life sentence. | 0:42:52 | 0:42:55 | |
In the end, he spent only four years in Wormwood Scrubs. | 0:42:56 | 0:42:59 | |
The sensationalist press coverage | 0:42:59 | 0:43:02 | |
caught the interest of a solicitor | 0:43:02 | 0:43:04 | |
who'd met Bower once in London | 0:43:04 | 0:43:07 | |
and considered there to have been a miscarriage of justice. | 0:43:07 | 0:43:10 | |
He took up his case and won. | 0:43:10 | 0:43:12 | |
-What a story! -Isn't it? -Thank you very much, Margaret. | 0:43:12 | 0:43:16 | |
-Thank you very much. -Fascinating. | 0:43:16 | 0:43:18 | |
Denys was released and returned to the castle. | 0:43:18 | 0:43:20 | |
On his death in 1977, | 0:43:20 | 0:43:22 | |
he bequeathed his life's work to the nation. | 0:43:22 | 0:43:26 | |
The ladies are also on their way to Chiddingstone Castle for the grand unveiling, | 0:43:26 | 0:43:31 | |
giving them time to chat about Frances's glittering career. | 0:43:31 | 0:43:34 | |
This girl's worked with everyone who's anyone. | 0:43:34 | 0:43:38 | |
Gosh. I went to university with Danny Boyle. | 0:43:38 | 0:43:42 | |
Whatever happened to him? | 0:43:42 | 0:43:43 | |
We were girlfriend and boyfriend, actually, at Bangor University. | 0:43:43 | 0:43:49 | |
And I worked for Mike Leigh. | 0:43:49 | 0:43:51 | |
Then I did quite a lot of movies with Stephen Frears and Peter Greenaway. | 0:43:51 | 0:43:55 | |
Do you know, they're going to need a longer journey! | 0:43:55 | 0:43:57 | |
But now it's time for our crusaders of curiosity | 0:43:57 | 0:44:00 | |
to unveil their wares. | 0:44:00 | 0:44:02 | |
Da-da-da! | 0:44:02 | 0:44:03 | |
-Oh, what a surprise! -Look at that! | 0:44:03 | 0:44:06 | |
-Are they for juggling? -No. -They're for beating people around the head? | 0:44:06 | 0:44:10 | |
Yes, we're going to beat you! | 0:44:10 | 0:44:12 | |
-They're actually Indian callisthenic things from a gymnasium for exercise. -Brilliant. | 0:44:12 | 0:44:19 | |
You've no idea what they are, have you, Thomas? | 0:44:19 | 0:44:21 | |
The most interesting thing on here which I want to pick up | 0:44:21 | 0:44:24 | |
is that lovely treen bellows. | 0:44:24 | 0:44:26 | |
So this is... Oh, it's a little snuff. | 0:44:27 | 0:44:29 | |
-It's a snuff box! -Isn't it sweet? | 0:44:29 | 0:44:31 | |
So this might have been made by a blacksmith going off to war. | 0:44:31 | 0:44:35 | |
-Except it's wooden. -I know, but still. | 0:44:35 | 0:44:38 | |
- £100? - Oh, shut up! | 0:44:38 | 0:44:41 | |
No! You know it's not worth that! | 0:44:41 | 0:44:44 | |
How much was it? £45? | 0:44:44 | 0:44:46 | |
You know exactly what it's worth. | 0:44:46 | 0:44:47 | |
We know what it's worth. But what did you pay for it! | 0:44:47 | 0:44:50 | |
That's worth a couple of hundred pounds. | 0:44:50 | 0:44:52 | |
- £120? - No. It was £200. | 0:44:52 | 0:44:54 | |
£200?! Whoosh! | 0:44:54 | 0:44:56 | |
Actually, Catherine, it was £210. | 0:44:56 | 0:44:59 | |
We've got to make a bit of a profit. | 0:44:59 | 0:45:00 | |
More than a bit! | 0:45:00 | 0:45:02 | |
Then you've got two writing slopes. | 0:45:02 | 0:45:04 | |
-Da-da-da! There you are. -Oh, you keep your envelopes and things in there. | 0:45:04 | 0:45:09 | |
Billet-doux. | 0:45:09 | 0:45:10 | |
Billy whose? | 0:45:10 | 0:45:12 | |
Absolutely. | 0:45:12 | 0:45:13 | |
-I couldn't agree more. -Very nice. Well done. -Congratulations. | 0:45:13 | 0:45:17 | |
Actually, not very girly. | 0:45:17 | 0:45:19 | |
-No. I expected glassware and jewellery. -Why should we go for girly things? | 0:45:19 | 0:45:23 | |
-Cos that's what we've got! -We've got girly things. | 0:45:23 | 0:45:25 | |
Underwear, lingerie... | 0:45:25 | 0:45:27 | |
Are you ready? | 0:45:27 | 0:45:29 | |
Ooh! | 0:45:29 | 0:45:31 | |
- This kind of has a theme. - A sporting theme. | 0:45:32 | 0:45:35 | |
-A bit of sport. -Guess what these are? | 0:45:35 | 0:45:37 | |
-They're matchstick "crabbage"... -Cribbage boards. | 0:45:37 | 0:45:41 | |
-You don't play cards, do you? -Cribbage. | 0:45:41 | 0:45:43 | |
-A game called cribbage. -Matchsticks. -This is a cribbage board. | 0:45:43 | 0:45:47 | |
And we seem to have acquired several hundred of them. | 0:45:47 | 0:45:51 | |
How much did you pay for that lot? | 0:45:51 | 0:45:53 | |
For the whole lot, £65. | 0:45:53 | 0:45:55 | |
There's a huge profit. Some of these, you'll pay £60 for on their own. | 0:45:55 | 0:45:59 | |
-Who did you rob? -We didn't rob anybody. We tied them up and gagged them. | 0:45:59 | 0:46:04 | |
-And we beat them. -We beat them. -Beat them with the horse-hair whip! | 0:46:04 | 0:46:08 | |
-It's a fly swatter. -A fly swatter. | 0:46:08 | 0:46:10 | |
-A fly swatter. -It's what Idi Amin used to use. -Absolutely. | 0:46:10 | 0:46:13 | |
They're all the rage with dictators! | 0:46:13 | 0:46:15 | |
-This is pretty rubbish, though. -No, it's not! | 0:46:15 | 0:46:17 | |
THOMAS: It's a good set of binoculars! | 0:46:17 | 0:46:19 | |
-So this is a cake... -Swing-handled cake basket. | 0:46:19 | 0:46:22 | |
What will they think of Phil's beloved tasting fork? | 0:46:22 | 0:46:26 | |
-It's a bit feminine. -'Oh, dear!' | 0:46:26 | 0:46:28 | |
- What do you think? - Do you think quality here... | 0:46:28 | 0:46:30 | |
- And... - Dross over this side? | 0:46:30 | 0:46:33 | |
I think you should be congratulated. You've done extremely well. | 0:46:33 | 0:46:37 | |
- Well done, Thomas. - Well done. | 0:46:37 | 0:46:39 | |
May the best team win! | 0:46:39 | 0:46:41 | |
I think they've been pretty honest, to be fair. | 0:46:41 | 0:46:45 | |
But it's amazing how a little privacy can bring out the truth! | 0:46:45 | 0:46:48 | |
I'm speechless. Catherine has spent all her money on those bellows. | 0:46:49 | 0:46:52 | |
That's the key thing, the snuff box. | 0:46:52 | 0:46:55 | |
I think they'll probably make their money, but it'll be really tight. | 0:46:55 | 0:47:00 | |
I wouldn't bother with the silver plate. Or the fly swatter thing. | 0:47:00 | 0:47:04 | |
I'm quietly confident. I think we've got our noses in front. | 0:47:04 | 0:47:08 | |
I hope so. | 0:47:08 | 0:47:10 | |
Do you think we're going to win? | 0:47:10 | 0:47:11 | |
There's an optimistic couple! | 0:47:14 | 0:47:16 | |
The battle lines are drawn and it's time to advance to the auction. | 0:47:16 | 0:47:19 | |
They're leaving behind the country for the big city. | 0:47:19 | 0:47:22 | |
Chiswick is a large suburb of London | 0:47:22 | 0:47:24 | |
and it's also seen its fair share of war. | 0:47:24 | 0:47:27 | |
The Battle of Turnham Green took place here in 1642. | 0:47:27 | 0:47:31 | |
So, Catherine, this is it. A very sad day. The finale. | 0:47:31 | 0:47:35 | |
No, it's not sad. It's going to be fantastic. | 0:47:35 | 0:47:38 | |
Whatever the result, we have had an amazing time. It's been a good giggle. | 0:47:38 | 0:47:43 | |
How are you feeling? Are you nervous? | 0:47:43 | 0:47:45 | |
Do you think you're in with a chance of making more money than you spent? | 0:47:45 | 0:47:49 | |
I have to admit that I'm slightly anxious | 0:47:49 | 0:47:53 | |
that we spent quite a lot of money on that little snuff box. | 0:47:53 | 0:47:57 | |
The snuff box is the dodgy thing. | 0:47:57 | 0:47:59 | |
-My croquet set, with weather like this... -No chance, Thomas. | 0:47:59 | 0:48:03 | |
-No chance. -But they may want to stay indoors and play cribbage! | 0:48:03 | 0:48:07 | |
The croquet set's not really an antique. It's younger than I am. | 0:48:07 | 0:48:11 | |
It's nowhere near 21, Phil! | 0:48:11 | 0:48:13 | |
We're going to walk out with our heads held high | 0:48:13 | 0:48:16 | |
holding our BAFTAs. | 0:48:16 | 0:48:18 | |
Or hopefully, plenty of cash! | 0:48:18 | 0:48:20 | |
Cash is more likely. | 0:48:20 | 0:48:22 | |
Busy Chiswick Auction is well established, | 0:48:26 | 0:48:28 | |
specialising in furniture, jewellery, toys and dolls | 0:48:28 | 0:48:31 | |
and Oriental art, to name a few. | 0:48:31 | 0:48:34 | |
They always draw a crowd. | 0:48:34 | 0:48:36 | |
-Here we go. -D-Day. | 0:48:36 | 0:48:39 | |
D-Day. | 0:48:39 | 0:48:40 | |
-Hello! -Hello! -How are you? | 0:48:41 | 0:48:44 | |
Hello, partner! | 0:48:44 | 0:48:46 | |
Mwa! Mwa! Darlings, it's time for auction. | 0:48:46 | 0:48:48 | |
-Are you quietly confident? -No! | 0:48:48 | 0:48:50 | |
I don't care. We'll be fine. It'll be fun. | 0:48:50 | 0:48:53 | |
The gavel-wielder at the helm, expertly steering today's sale is William Rowse. | 0:48:54 | 0:48:59 | |
Has he spotted anything amongst the lots to tickle his fancy? | 0:48:59 | 0:49:03 | |
There are some nice lots in terms of the quality. | 0:49:03 | 0:49:05 | |
There's a lovely little snuff box. | 0:49:05 | 0:49:08 | |
Whether it's necessarily going to make a big profit, I couldn't be sure. | 0:49:08 | 0:49:11 | |
There are some that perhaps won't get much excitement, | 0:49:11 | 0:49:14 | |
for example the pair of rather ordinary binoculars, | 0:49:14 | 0:49:17 | |
which I'm sure will sell, but won't get any hearts racing. | 0:49:17 | 0:49:21 | |
I think Frances and Catherine are probably going to win, | 0:49:21 | 0:49:23 | |
perhaps by a small margin. | 0:49:23 | 0:49:25 | |
They have some of the more interesting lots, | 0:49:25 | 0:49:27 | |
whereas the other team have got more, maybe the phrase to use is "pedestrian". | 0:49:27 | 0:49:32 | |
It's not the phrase they would use! | 0:49:32 | 0:49:34 | |
Catherine and Frances all but maxed out their £400 budget, | 0:49:35 | 0:49:39 | |
spending £396.50 to make five lots. | 0:49:39 | 0:49:43 | |
25 and I'll walk your dogs! | 0:49:43 | 0:49:45 | |
Whereas shrewd shoppers Thomas and Phil only spent £270 to make up their five lots for auction. | 0:49:47 | 0:49:53 | |
I fell in love with the fork. The first time it's ever happened to me! | 0:49:53 | 0:49:57 | |
The most hotly contested battle of the sexes the antique arena has ever witnessed | 0:49:57 | 0:50:02 | |
is about to commence. | 0:50:02 | 0:50:04 | |
-I'm feeling really nervous! -I am Mr Cool, me. | 0:50:04 | 0:50:07 | |
If we do really badly, I'm going to auction my ring! | 0:50:07 | 0:50:10 | |
Let's hope it doesn't come to that! | 0:50:10 | 0:50:13 | |
The men are first with the binoculars and stool. | 0:50:13 | 0:50:16 | |
Will this little sporty set get the bidders twitching? | 0:50:16 | 0:50:19 | |
What's it worth? £10 this lot. | 0:50:19 | 0:50:21 | |
-I'm bid ten. £10. 12. -They've all got their hands up! -16. 18. | 0:50:21 | 0:50:25 | |
20. 22. 25. £28 there. | 0:50:25 | 0:50:29 | |
30 in the red here. 32. | 0:50:29 | 0:50:31 | |
-35. 38. -You were lucky! -£40 in the red. | 0:50:31 | 0:50:35 | |
Are you all done for 40? | 0:50:35 | 0:50:37 | |
He's cocky, isn't he? | 0:50:37 | 0:50:39 | |
A neat little profit, despite earlier predictions. | 0:50:41 | 0:50:44 | |
It's time for the girls to get in the game | 0:50:44 | 0:50:47 | |
with the ship's bulkhead clock. | 0:50:47 | 0:50:49 | |
I think you should give them one of your stares if the clock doesn't do well. | 0:50:49 | 0:50:53 | |
Yes. | 0:50:53 | 0:50:54 | |
And I'm straight in at £40. | 0:50:54 | 0:50:57 | |
-Please, more than that. -45. | 0:50:57 | 0:50:59 | |
50. At £50. Anybody else? | 0:50:59 | 0:51:02 | |
Careful now. At £50. Anybody else want to bid? | 0:51:02 | 0:51:05 | |
£50. | 0:51:06 | 0:51:07 | |
Oh, dear. A rotten, stinking loss | 0:51:07 | 0:51:10 | |
and a disappointing start for the girls. | 0:51:10 | 0:51:12 | |
Don't you laugh! | 0:51:12 | 0:51:13 | |
-I'm trying not to smile, but I can't... -You're an actor. You can try! | 0:51:14 | 0:51:20 | |
Time to stop sniggering and get your game faces on, boys. | 0:51:21 | 0:51:25 | |
It's your cribbage collection next. | 0:51:25 | 0:51:27 | |
It's very boring. You didn't choose them, did you? | 0:51:27 | 0:51:30 | |
No, they're very interesting. | 0:51:30 | 0:51:32 | |
To someone, maybe. | 0:51:32 | 0:51:33 | |
What's the lot worth? Start me. £30 for the lot. | 0:51:33 | 0:51:36 | |
30 I'm bid. Thank you, Chris. 30 I'm bid. | 0:51:36 | 0:51:38 | |
32. | 0:51:38 | 0:51:39 | |
35. | 0:51:39 | 0:51:41 | |
Are you al done and finished? | 0:51:41 | 0:51:42 | |
-That is ridiculously cheap. -At £35. | 0:51:42 | 0:51:44 | |
I'm surprised. | 0:51:44 | 0:51:46 | |
Who's sniggering now, then? | 0:51:46 | 0:51:48 | |
The gamble didn't pay off and the chaps also take a nasty loss. | 0:51:48 | 0:51:52 | |
I thought they'd be worth a lot more. They were beautiful. | 0:51:52 | 0:51:57 | |
Next, it's the natty pair of table-top stationery desks. | 0:51:57 | 0:52:01 | |
The ladies really need a profit on these. | 0:52:01 | 0:52:04 | |
I'm nervous now cos we lost so much on the clock. | 0:52:04 | 0:52:07 | |
Don't worry. Don't worry about it. | 0:52:07 | 0:52:09 | |
This could be a bloodbath. | 0:52:09 | 0:52:11 | |
That's a way to raise the spirits, Thomas(!) | 0:52:11 | 0:52:13 | |
I've got two identical bids at £55. | 0:52:13 | 0:52:16 | |
-There. A £15 profit. -60 in the room against a commission bid. | 0:52:16 | 0:52:18 | |
In the room at £60 against commission. | 0:52:18 | 0:52:21 | |
Anybody else, then? AT £60. It can be sold for 60. | 0:52:21 | 0:52:24 | |
-Well done. Congratulations. -It's money. | 0:52:25 | 0:52:27 | |
- Yeah, but not enough! - Oh, shut up. | 0:52:27 | 0:52:30 | |
Not a profit to write home about, | 0:52:30 | 0:52:32 | |
but a profit, nevertheless. | 0:52:32 | 0:52:33 | |
Can the boys get a cracking price for the riding crop and swish? | 0:52:33 | 0:52:38 | |
I covet that myself. You're not allowed to bid for your own stuff? | 0:52:39 | 0:52:42 | |
No, you can't! | 0:52:42 | 0:52:43 | |
Not the done thing, old boy. | 0:52:43 | 0:52:45 | |
£20 for these two items. Surely worth £10 each. | 0:52:45 | 0:52:47 | |
22. 25. 28. | 0:52:47 | 0:52:50 | |
30. 32. 35. | 0:52:51 | 0:52:53 | |
£35 I'm bid there in the distance. | 0:52:53 | 0:52:56 | |
At 35. Anybody else, then? | 0:52:56 | 0:52:58 | |
-I can sell them. £35 and going. -Give it a swish! | 0:52:58 | 0:53:01 | |
Ker-ching! | 0:53:03 | 0:53:05 | |
And the chaps cash in, | 0:53:05 | 0:53:07 | |
increasing their lead, marginally. | 0:53:07 | 0:53:09 | |
-You buy cheap things, don't you? -We did. -Was that your idea, Phil? | 0:53:09 | 0:53:12 | |
Yeah. Keep it cheap and nasty, like me! | 0:53:12 | 0:53:15 | |
He's a big softie, really! | 0:53:15 | 0:53:18 | |
The girls are desperate to beat the boys, one way or the other, with these clubs. | 0:53:18 | 0:53:23 | |
-How do you feel about the clubs? -Have you ever done that form of exercise? | 0:53:23 | 0:53:28 | |
Of course, every morning! | 0:53:28 | 0:53:30 | |
I'm straight in here with a bid of £20. At 20. 22. | 0:53:30 | 0:53:34 | |
-25. 28. -A profit. -30. | 0:53:34 | 0:53:37 | |
32 in the room. | 0:53:37 | 0:53:38 | |
£32 in the distance. | 0:53:38 | 0:53:40 | |
Selling then, for 32. | 0:53:40 | 0:53:42 | |
We knew, you see. | 0:53:44 | 0:53:45 | |
We knew! | 0:53:45 | 0:53:47 | |
The chaps were close to getting one of those round the earhole | 0:53:47 | 0:53:50 | |
if they hadn't made a profit! | 0:53:50 | 0:53:52 | |
You didn't have any faith in those, did you? | 0:53:52 | 0:53:54 | |
No faith in them whatsoever. | 0:53:54 | 0:53:55 | |
-You liked them, though, Phil? -What, the clubs? | 0:53:55 | 0:53:58 | |
Can we not have a post-mortem on the clubs. You've sold them. Move on. | 0:53:58 | 0:54:01 | |
And on we move to the boys' dazzling array of silverware | 0:54:01 | 0:54:06 | |
and Phil's favourite fork! | 0:54:06 | 0:54:08 | |
We need a plant. | 0:54:08 | 0:54:10 | |
You've got a plant. Or is he a fruit cake? | 0:54:10 | 0:54:12 | |
I've got a mate who'd be perfect. | 0:54:12 | 0:54:14 | |
He's strange-looking, wears a straw hat. | 0:54:14 | 0:54:18 | |
Is he talking about me? | 0:54:18 | 0:54:20 | |
He'd fit in beautifully. | 0:54:20 | 0:54:22 | |
-Start me at £20, a mixed lot. -Oh, here we go! | 0:54:22 | 0:54:24 | |
20 I'm bid there, the lady. 22. 25. | 0:54:24 | 0:54:28 | |
28. 30. | 0:54:28 | 0:54:30 | |
32. 35. | 0:54:30 | 0:54:31 | |
-Just keep going. -38. -It's a good lot. -40. | 0:54:31 | 0:54:33 | |
-42. £42. -Come on! | 0:54:33 | 0:54:35 | |
-All done and finished. 42 it goes. -Oh, no! | 0:54:35 | 0:54:38 | |
-It's a disaster. -A disaster. All that hard work. -I know. | 0:54:38 | 0:54:43 | |
Naughty Frances. | 0:54:43 | 0:54:45 | |
The boys aren't laughing as they take another hit. | 0:54:45 | 0:54:48 | |
It's a complete... She's so pleased! | 0:54:48 | 0:54:52 | |
-Shut up! -So... | 0:54:52 | 0:54:54 | |
But will she still be smiling after this lot? | 0:54:55 | 0:54:57 | |
It's the brassy harness and leather-bound binoculars. | 0:54:57 | 0:55:00 | |
There we go. What's it worth? Start me at £20 for this lot. | 0:55:00 | 0:55:03 | |
20 I'm bid. Thank you, Chris. | 0:55:03 | 0:55:05 | |
22. Thank you. 25. | 0:55:05 | 0:55:07 | |
28. | 0:55:07 | 0:55:08 | |
30. | 0:55:08 | 0:55:10 | |
£30. With my original bidder at 30. | 0:55:10 | 0:55:12 | |
Wiped the smile off your face! | 0:55:12 | 0:55:14 | |
-Tiny profit. -£30. | 0:55:14 | 0:55:17 | |
£30, it's gone. | 0:55:17 | 0:55:18 | |
-Sees a profit. -It's very healthy. | 0:55:18 | 0:55:20 | |
Profits are small and losses are large for both teams. | 0:55:20 | 0:55:24 | |
With only two lots to go, it could go either way. | 0:55:24 | 0:55:27 | |
-It all lies on the last two lots. -It does. | 0:55:27 | 0:55:29 | |
The boys' big pricey lot is their last item. | 0:55:33 | 0:55:35 | |
Will they strike it lucky with the croquet set? | 0:55:35 | 0:55:37 | |
THOMAS: I've just seen the world's champion croquet player walk in. | 0:55:37 | 0:55:41 | |
If he is the world champion, he might already have his own set. | 0:55:41 | 0:55:45 | |
Yes. | 0:55:45 | 0:55:46 | |
I'm bid £75. | 0:55:46 | 0:55:48 | |
-With me at 75. -Already? | 0:55:48 | 0:55:50 | |
75. 80. 85. | 0:55:50 | 0:55:52 | |
90. 95. | 0:55:52 | 0:55:54 | |
-With me at 95. -Go on! | 0:55:54 | 0:55:56 | |
100. I've got 105 as the last bid. With you at 110. | 0:55:56 | 0:55:59 | |
-At £110. -There will be a sale. | 0:55:59 | 0:56:02 | |
Anybody else? At 110, it will be sold. | 0:56:02 | 0:56:04 | |
Bus fare home, then. | 0:56:05 | 0:56:07 | |
Are the bidders getting younger, or am I getting older? | 0:56:09 | 0:56:12 | |
With such a small profit, there's no clear leader. | 0:56:12 | 0:56:15 | |
Everything rests on the last lot. | 0:56:15 | 0:56:17 | |
The greatly anticipated snuff box. | 0:56:17 | 0:56:20 | |
-It's make or break. -As you love our little snuff box so much, | 0:56:21 | 0:56:26 | |
would you have spent £200 on it? | 0:56:26 | 0:56:28 | |
No. | 0:56:28 | 0:56:29 | |
It was £210, Catherine. | 0:56:29 | 0:56:31 | |
I'm bid £80 for this. Thank you. | 0:56:31 | 0:56:33 | |
-£80 I'm bid. -What do you think? -85. 90. | 0:56:33 | 0:56:36 | |
-95. -I can't bear to listen! | 0:56:36 | 0:56:38 | |
-£100 it is in the doorway. -It's got legs. -110 there. | 0:56:38 | 0:56:41 | |
-120. 130. -Come on! -140. 150. | 0:56:41 | 0:56:44 | |
-Come on! -160. | 0:56:44 | 0:56:46 | |
160 in the hall. | 0:56:46 | 0:56:47 | |
-Anybody else, then? -Come on! | 0:56:47 | 0:56:49 | |
£160 for the bellows. | 0:56:49 | 0:56:51 | |
160 all done? 160. | 0:56:51 | 0:56:53 | |
Oh, God. That is just so irritating! | 0:56:56 | 0:56:59 | |
The girls' chance of success snuffed out, in the end, | 0:56:59 | 0:57:04 | |
by the miniature bellows and the boys are rubbing it in! | 0:57:04 | 0:57:07 | |
Look at his face! | 0:57:07 | 0:57:09 | |
Not very sporting. | 0:57:09 | 0:57:11 | |
So smug! | 0:57:11 | 0:57:13 | |
So our celebrities started with £400 each. | 0:57:13 | 0:57:16 | |
Catherine and Frances shopped till they dropped | 0:57:18 | 0:57:20 | |
and after auction costs, they made a crashing loss of £124.26, | 0:57:20 | 0:57:25 | |
leaving them with only £275.74. | 0:57:25 | 0:57:29 | |
Thomas and Phil only did slightly better, | 0:57:31 | 0:57:33 | |
and after costs made a loss of £55.16, | 0:57:33 | 0:57:37 | |
leaving them with £344.84. | 0:57:37 | 0:57:40 | |
Any profit made on the Road Trip, no matter how large or small, goes to Children in Need. | 0:57:40 | 0:57:45 | |
Except there isn't any today. | 0:57:45 | 0:57:46 | |
We've both lost money, but we've lost slightly less. | 0:57:46 | 0:57:50 | |
Which means the boys are the winners! | 0:57:50 | 0:57:52 | |
But we both made three profits. | 0:57:52 | 0:57:55 | |
-Yes. -Absolutely. Let's look for the positives. | 0:57:55 | 0:57:57 | |
We had a moral victory. | 0:57:57 | 0:57:59 | |
I think Phil's quite a good dealer. You've got a good eye. | 0:57:59 | 0:58:02 | |
-I've got a wet head! -You're getting wet hair, yes. | 0:58:02 | 0:58:04 | |
-Go on, get in that car. -Let's go. -Bye! -Bye! | 0:58:04 | 0:58:08 | |
It's time for the final curtain. Take a bow, teams. | 0:58:09 | 0:58:12 | |
It's been wonderful, hasn't it? It's been great fun. | 0:58:12 | 0:58:15 | |
Do you want to get into acting, now? | 0:58:15 | 0:58:17 | |
No, I have done my bit. | 0:58:17 | 0:58:19 | |
I started off this thing saying I didn't know anything about antiques. | 0:58:19 | 0:58:23 | |
And I've just realised that I still know nothing! | 0:58:23 | 0:58:26 | |
I've really enjoyed it, though. Have you? | 0:58:26 | 0:58:28 | |
Yes, it's been fun, driving around in this lovely old car. | 0:58:28 | 0:58:31 | |
-We had a laugh, actually. -Yeah, so did we. | 0:58:31 | 0:58:34 | |
We had quite a good one. | 0:58:34 | 0:58:36 | |
Subtitles by Red Bee Media Ltd | 0:58:57 | 0:59:00 |