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Some of the nation's favourite celebrities... | 0:00:02 | 0:00:04 | |
Why have I got such expensive taste? | 0:00:04 | 0:00:06 | |
..one antiques expert each... | 0:00:07 | 0:00:09 | |
..and one big challenge - who can seek out and buy | 0:00:12 | 0:00:16 | |
the best antiques at the very best prices... | 0:00:16 | 0:00:18 | |
Answers on a postcard. | 0:00:19 | 0:00:21 | |
..and auction for a big profit further down the road? | 0:00:22 | 0:00:25 | |
I love them. I think they're beautiful. | 0:00:25 | 0:00:27 | |
Who will spot the good investment? Who will listen to advice? | 0:00:27 | 0:00:31 | |
-Do you like it? -No, I think it's horrible. | 0:00:31 | 0:00:33 | |
And who will be the first to say, "Don't you know who I am?!" | 0:00:33 | 0:00:37 | |
Well done, us. | 0:00:38 | 0:00:39 | |
Time to put your pedal to the metal. | 0:00:39 | 0:00:41 | |
This is Celebrity Antiques Road Trip. | 0:00:42 | 0:00:44 | |
Yeah! | 0:00:47 | 0:00:48 | |
Ready to do battle across Britain today | 0:00:52 | 0:00:55 | |
in a stylish 1979 Triumph Spitfire are Eve Pollard and Edwina Currie, | 0:00:55 | 0:01:00 | |
two forthright female high flyers who fought on the frontline for equality. | 0:01:00 | 0:01:04 | |
Chocks away. | 0:01:04 | 0:01:06 | |
-Are you an antiques buff? -First of all, I AM an antique, so I should... | 0:01:06 | 0:01:11 | |
Ha ha! Piloting the path ahead at a steady 20 miles an hour | 0:01:11 | 0:01:15 | |
is pioneering politician Edwina Currie | 0:01:15 | 0:01:18 | |
whose salmonella in eggs claims caused her cabinet career to crack. | 0:01:18 | 0:01:23 | |
As famous for the affairs of the heart as affairs of state, | 0:01:23 | 0:01:26 | |
she's sure to give us some MAJOR eggs-citement. | 0:01:26 | 0:01:30 | |
OK, Edwina, how keen are you to beat me? | 0:01:30 | 0:01:33 | |
Well, I want to make as much money as possible. | 0:01:33 | 0:01:37 | |
-And that implies - -So, in a word, yes. -I would hope so. | 0:01:37 | 0:01:41 | |
And in the co-pilot's seat is the first lady of Fleet Street, Lady Lloyd. | 0:01:43 | 0:01:47 | |
Sorry, I forgot to turn my phone off. | 0:01:47 | 0:01:50 | |
Or, as she's known to postmen, Eve Pollard, OBE. | 0:01:50 | 0:01:54 | |
The former newspaper editor is more than used to breaking up male monopolies. | 0:01:54 | 0:01:59 | |
The male world of journalism is still pretty male. | 0:01:59 | 0:02:02 | |
I mean, I think men let a few of us in, | 0:02:02 | 0:02:05 | |
and then they thought, "Oh, my gosh, they can do this job. | 0:02:05 | 0:02:08 | |
We don't want their tanks parked on our lawn." | 0:02:08 | 0:02:11 | |
And on their way to meet them in a tank - I mean, a classic 1960 Morris Minor Convertible - | 0:02:11 | 0:02:16 | |
are our antiques experts and veteran trippers, | 0:02:16 | 0:02:19 | |
the preppy Paul Laidlaw, and the dapper David Harper. | 0:02:19 | 0:02:22 | |
Can our no-nonsense dynamic dames | 0:02:24 | 0:02:26 | |
keep these kings of the road on the straight and narrow? | 0:02:26 | 0:02:28 | |
GRINDING | 0:02:28 | 0:02:30 | |
Did you go back for that gear box? | 0:02:30 | 0:02:32 | |
If you can't find it, grind it. | 0:02:32 | 0:02:34 | |
David Harper is an antiques expert and writer | 0:02:35 | 0:02:38 | |
who bought his first antique at the age of ten, | 0:02:38 | 0:02:41 | |
which is about the same time he started fancying the Conservative Junior Health Minister. | 0:02:41 | 0:02:45 | |
There was a time, I will admit, | 0:02:45 | 0:02:48 | |
many years ago, when I'd watch the news, and I wouldn't mind wrestling with Edwina Currie. | 0:02:48 | 0:02:53 | |
LAUGHS | 0:02:53 | 0:02:54 | |
-I've said it. -Oh, crikey. Let's hope they're not paired together. | 0:02:54 | 0:02:57 | |
# You're my sex bomb | 0:02:57 | 0:02:59 | |
# And baby you can turn me on... # | 0:02:59 | 0:03:02 | |
His fellow expert auctioneer and Jerry Lewis lookalike Paul Laidlaw | 0:03:02 | 0:03:06 | |
is more likely to get hot under the collar about hearing our celebs are in a Spitfire | 0:03:06 | 0:03:11 | |
as he is an expert in militaria. | 0:03:11 | 0:03:14 | |
He's going to be disappointed when he finds out it's a car, not a plane. | 0:03:14 | 0:03:18 | |
With £400 each to spend, our gender-balanced teams | 0:03:20 | 0:03:23 | |
will be travelling from Knutsford up north, meandering through Cheshire, Merseyside and Lancashire, | 0:03:23 | 0:03:28 | |
before going up a gear and romping 200 miles across England | 0:03:28 | 0:03:32 | |
to the auction down south in Stansted. | 0:03:32 | 0:03:35 | |
But first, time to find out who's partnering who. | 0:03:36 | 0:03:39 | |
Oh, my Lord. | 0:03:40 | 0:03:42 | |
Steady on, Edwina. David's pulse won't take it. | 0:03:43 | 0:03:47 | |
-Hello. -Hi. | 0:03:47 | 0:03:48 | |
You could probably hear us coming a mile away. | 0:03:48 | 0:03:50 | |
-You two do look very glamorous. Edwina, hello. David. -Hello. | 0:03:50 | 0:03:54 | |
-Paul. -Eve. Very nice to meet you, Paul. | 0:03:54 | 0:03:56 | |
I'm not sure David can be trusted with Edwina, | 0:03:56 | 0:03:59 | |
so thankfully he's been paired up with Eve. | 0:03:59 | 0:04:01 | |
Oh, lovely, OK. | 0:04:01 | 0:04:03 | |
You are my god, and I will listen to you for at least five minutes. | 0:04:03 | 0:04:07 | |
Oh, dear Lord. | 0:04:07 | 0:04:09 | |
We've got a five-minute walk, which is the time you've got to listen to me. | 0:04:09 | 0:04:12 | |
Five minutes to our shop. | 0:04:12 | 0:04:14 | |
As David and Eve head off on foot to see what Knutsford has to offer... | 0:04:14 | 0:04:18 | |
I was born in the Summer of Love. | 0:04:18 | 0:04:20 | |
..Edwina and Paul get first dibs on cars. | 0:04:20 | 0:04:23 | |
Being a military man, Paul chooses the Spitfire. | 0:04:23 | 0:04:25 | |
We're hoping it's not just the car that will be a Triumph. | 0:04:25 | 0:04:29 | |
It's not that funny, Paul. | 0:04:32 | 0:04:34 | |
With £400 burning a hole in their pockets, | 0:04:34 | 0:04:36 | |
David and Eve have hit the heart of Knutsford. | 0:04:36 | 0:04:39 | |
Don't they look nice? | 0:04:39 | 0:04:41 | |
Knutsford was first mentioned in the Doomsday Book in 1086 | 0:04:41 | 0:04:45 | |
as Canutesford after King Canute | 0:04:45 | 0:04:47 | |
the Danish king of England. | 0:04:47 | 0:04:49 | |
Knutsford was also the model for Cranford, the Elizabeth Gaskell novel | 0:04:49 | 0:04:53 | |
dramatised by the BBC, | 0:04:53 | 0:04:55 | |
so bagging a bargain might be a bit of a drama for Eve and David. | 0:04:55 | 0:04:58 | |
-Hello. How do you do? -How nice to see you. | 0:04:58 | 0:05:00 | |
-David. -I'm David too. That makes life much easier for me. | 0:05:00 | 0:05:04 | |
-And how long have you had this? -We've been here since '95. | 0:05:04 | 0:05:08 | |
-Oh, gosh, so a long time? -Yeah. | 0:05:08 | 0:05:11 | |
At my first sight, there are so many things I want to look at. | 0:05:11 | 0:05:14 | |
-I'll let you lead the way. -OK, I'll have a little look. | 0:05:14 | 0:05:18 | |
The wonderful thing about having an expert on hand | 0:05:18 | 0:05:20 | |
is to educate and guide you through potential purchases. | 0:05:20 | 0:05:23 | |
It's positively Chinese. | 0:05:23 | 0:05:25 | |
The lesson is let's look at the base. | 0:05:25 | 0:05:27 | |
Niente. | 0:05:27 | 0:05:29 | |
-Exactly. Was that Chinese? -That was actually Italian, very bad. | 0:05:29 | 0:05:33 | |
Oops, but he's still keen to educate Eve some more. | 0:05:33 | 0:05:37 | |
We have Art Nouveau, Arts and Crafts, | 0:05:37 | 0:05:40 | |
Art Deco. | 0:05:40 | 0:05:42 | |
This is 1910, somewhere around there. | 0:05:42 | 0:05:44 | |
-Arts and Crafts. -It's very beautiful. | 0:05:44 | 0:05:47 | |
You went straight into them because you've got a designer's eye. | 0:05:47 | 0:05:50 | |
-You have, you have. -The fiver will be in the post. -Thanks very much. Works every time. | 0:05:50 | 0:05:55 | |
Don't let him charm you, Eve. It's Edwina he really fancies. | 0:05:55 | 0:05:59 | |
The winning mark for me is that on the underside. | 0:05:59 | 0:06:03 | |
-Ah. -It says Tudric. | 0:06:03 | 0:06:05 | |
It's a well-known brand of another, even more important and interesting and well-known brand. | 0:06:05 | 0:06:12 | |
-Which was? -Liberty. -Oh, right. | 0:06:12 | 0:06:14 | |
-So, £88, then. -OK. -Well, if you could get it for...£50? | 0:06:14 | 0:06:20 | |
The famous shop Liberty's of London has sold Arts and Crafts forever. | 0:06:20 | 0:06:25 | |
Its Regent Street store even had a recent exhibition on the movement, and its founder William Morris, | 0:06:25 | 0:06:30 | |
so this teaset should be a winner, but first they've got to hammer out a deal. | 0:06:30 | 0:06:35 | |
Can Eve get it for her target of £50? | 0:06:35 | 0:06:37 | |
Now, this is the first time I've done this, so I'm going to be really awful, | 0:06:37 | 0:06:42 | |
and say we wanted to offer you £40 for it. | 0:06:42 | 0:06:45 | |
£40? Oh, Eve, that was a low blow. | 0:06:45 | 0:06:48 | |
I'll tell you what I'll do - I'll give Kim a ring, and just... Let's just see. | 0:06:48 | 0:06:51 | |
-OK. -Just give me a moment. | 0:06:51 | 0:06:53 | |
That didn't go down nearly as badly as I was expecting. | 0:06:53 | 0:06:57 | |
That's why I wanted YOU to do it. | 0:06:57 | 0:06:59 | |
Hello, Kim? Hello, Kim, this is David here from the antique shop in Knutsford. | 0:06:59 | 0:07:04 | |
Kim's the owner of the teaset, so David is giving her a call to see what price she'll sell it for. | 0:07:04 | 0:07:09 | |
Yes. Bye-bye. | 0:07:09 | 0:07:11 | |
Well, Kim very obligingly reduced the price to £60. | 0:07:11 | 0:07:15 | |
And because you're such a charming couple | 0:07:15 | 0:07:17 | |
I will...help you with this, and I'll go... | 0:07:17 | 0:07:24 | |
..to £50 for you. | 0:07:25 | 0:07:27 | |
Bingo. Eve's happy with her first successful haggle, but David reckons he can get it even lower than that. | 0:07:27 | 0:07:33 | |
But we're going into the murderous, ruthless environment that a saleroom is, | 0:07:33 | 0:07:38 | |
and we're going against Edwina Currie and Paul Laidlaw. | 0:07:38 | 0:07:43 | |
-Not Edwina and Paul? -Yes. | 0:07:44 | 0:07:46 | |
Yes, Edwina and Paul. | 0:07:46 | 0:07:48 | |
We're not normally as awful as this. | 0:07:48 | 0:07:50 | |
But we need to stick to the £40, David... | 0:07:51 | 0:07:53 | |
to give us any sort of chance. | 0:07:54 | 0:07:56 | |
I'll have to sit down for a moment. | 0:07:57 | 0:07:59 | |
So will I. | 0:08:00 | 0:08:02 | |
So will I. | 0:08:02 | 0:08:04 | |
Take it with the complements of Knutsford Antiques. | 0:08:04 | 0:08:07 | |
Oh, you're so kind. Thank you so much. | 0:08:07 | 0:08:09 | |
Oh, what a kind man. So with more than 50 per cent off the ticket price | 0:08:09 | 0:08:12 | |
that's a great start, and David's spotted something else. | 0:08:12 | 0:08:16 | |
What about these Victorian dumb bells? | 0:08:16 | 0:08:18 | |
This is man-tique. | 0:08:19 | 0:08:21 | |
Thank you. This is mantique. | 0:08:21 | 0:08:24 | |
Bodybuilding started in the Victorian era, | 0:08:24 | 0:08:26 | |
and cast iron dumb bells like this | 0:08:26 | 0:08:28 | |
would have helped the macho man of the day | 0:08:28 | 0:08:31 | |
fill out their swimsuits. | 0:08:31 | 0:08:33 | |
These apparently were 1884. | 0:08:33 | 0:08:35 | |
1884... | 0:08:36 | 0:08:37 | |
-It says here. -Dumb bells... -There's a price here. | 0:08:37 | 0:08:39 | |
-It would have to be cheap. -They're £58. -Oh! | 0:08:39 | 0:08:43 | |
David would struggle to lift the skin off a mug of hot cocoa, | 0:08:43 | 0:08:47 | |
but can he use his brain rather than his brawn | 0:08:47 | 0:08:49 | |
to get a bargain? | 0:08:49 | 0:08:51 | |
£45. Absolute best. | 0:08:51 | 0:08:53 | |
What do you feel? I love them. | 0:08:53 | 0:08:55 | |
I love them. I think they're beautiful, and I think they are special. | 0:08:55 | 0:08:59 | |
We've never seen anything like it. | 0:08:59 | 0:09:01 | |
I mean, do we dare take the risk? | 0:09:01 | 0:09:03 | |
-Can we trim it a bit? -£40. -Brilliant. | 0:09:03 | 0:09:06 | |
Well done. Brilliant. | 0:09:06 | 0:09:08 | |
Thank you very much indeed. You're a very, very sweet man. I'd be here every day. | 0:09:08 | 0:09:13 | |
That's £40 each for the teaset and the dumb bells. Ding dong! | 0:09:13 | 0:09:17 | |
Well, I've learned so much already. | 0:09:17 | 0:09:19 | |
-Have you? -I have. -Have you been with somebody else? | 0:09:19 | 0:09:22 | |
SHE LAUGHS | 0:09:22 | 0:09:24 | |
-Ooh, what a noise. We have lift-off. -Teamwork. | 0:09:24 | 0:09:26 | |
While Team Pollard has successfully changed into a unisex outfit, | 0:09:28 | 0:09:32 | |
who is going to be wearing the trousers in Team Currie? | 0:09:32 | 0:09:34 | |
Well, at the moment Edwina is definitely in the driving seat | 0:09:34 | 0:09:37 | |
as she and Paul drive 30 miles up the road from Knutsford | 0:09:37 | 0:09:41 | |
to Edwina's birthplace - Liverpool. | 0:09:41 | 0:09:43 | |
# I'm going down to Liverpool... # | 0:09:43 | 0:09:48 | |
Tell you what, it looks a lot prettier than when I was a child. | 0:09:48 | 0:09:50 | |
The trees are grown, and... | 0:09:50 | 0:09:52 | |
..they're all looking after the houses. | 0:09:54 | 0:09:56 | |
It's lovely. | 0:09:56 | 0:09:58 | |
One of Britain's great Victorian cities, Liverpool owed its wealth to transatlantic trade | 0:09:58 | 0:10:03 | |
in the 18th and 19th Centuries. | 0:10:03 | 0:10:05 | |
Products like cotton and tobacco all helped local businessmen become millionaires, | 0:10:06 | 0:10:10 | |
but in the 1960s Liverpool had an export of its own | 0:10:10 | 0:10:14 | |
that created four millionaires - | 0:10:14 | 0:10:16 | |
Beatlemania. | 0:10:16 | 0:10:18 | |
As another famous Scouse export, Edwina remembers the '60s | 0:10:18 | 0:10:22 | |
which means she probably wasn't really there. | 0:10:22 | 0:10:24 | |
I won a scholarship to Oxford. | 0:10:24 | 0:10:27 | |
And the day I won my scholarship, I went and sat in the bathroom, | 0:10:27 | 0:10:30 | |
and cried! | 0:10:30 | 0:10:32 | |
I've got my ticket to ride. | 0:10:32 | 0:10:34 | |
Anywhere in the world. | 0:10:35 | 0:10:37 | |
-The Beatles had become really famous. -Of course. | 0:10:38 | 0:10:41 | |
And we wanted to do the same as them. | 0:10:41 | 0:10:45 | |
We wanted to travel the world. | 0:10:45 | 0:10:47 | |
Proud of our city, proud of being Scousers. | 0:10:47 | 0:10:50 | |
I've always been proud of being a Scouser. | 0:10:50 | 0:10:52 | |
It's going to be interesting, going into an antique shop in Liverpool, | 0:10:53 | 0:10:56 | |
because I've never done that before. | 0:10:56 | 0:10:58 | |
Well, there's a first time for everything, Edwina, | 0:10:58 | 0:11:00 | |
and with £400 to spend, your first time is going to be | 0:11:00 | 0:11:03 | |
in Wayne Colquhoun Antiques and Fine Arts | 0:11:03 | 0:11:06 | |
owned by none other than Wayne Colquhoun. | 0:11:06 | 0:11:09 | |
He spent ages thinking up that shop name. | 0:11:09 | 0:11:11 | |
-Hello. -Wayne. -Hello, Wayne. | 0:11:11 | 0:11:14 | |
Wayne. Good to see you. I'm Paul. | 0:11:14 | 0:11:16 | |
Wayne, yeah, just in case you missed it. His name is Wayne. | 0:11:16 | 0:11:18 | |
It's not long before an item catches Paul's well-trained eye. | 0:11:24 | 0:11:27 | |
A little Chatelaine notepad. | 0:11:28 | 0:11:33 | |
Yeah. | 0:11:33 | 0:11:35 | |
Waistband or belt hook... | 0:11:35 | 0:11:37 | |
The pad itself closed ingeniously. It springs open. | 0:11:37 | 0:11:43 | |
It's not in a precious medium. I think that's an anodised finish. Maybe silver-plated. | 0:11:43 | 0:11:49 | |
But what draws me to it, aside from novelty, | 0:11:49 | 0:11:53 | |
is the Jugendstil - the youth style aesthetic | 0:11:53 | 0:12:00 | |
which is, for my money, rather smart. | 0:12:00 | 0:12:03 | |
Just highlit with this pink and white enamelling. | 0:12:03 | 0:12:07 | |
-And it's all complete. -Looks it to me. | 0:12:07 | 0:12:09 | |
I rather like that. | 0:12:09 | 0:12:11 | |
Secessionist and Jugendstil were the Austro-Hungarian and German versions | 0:12:11 | 0:12:16 | |
of Art Nouveau. | 0:12:16 | 0:12:18 | |
It was all the rage from the 1890s, when enamel metal items with floral details like these were produced, | 0:12:18 | 0:12:23 | |
but this one would be worth more than its £65 price tag | 0:12:23 | 0:12:27 | |
if it was made of silver. | 0:12:27 | 0:12:29 | |
I think I'd be... | 0:12:29 | 0:12:31 | |
There's a bit more in the shop on it, but I think...£55 would be a nice price | 0:12:31 | 0:12:37 | |
which would give you a chance to sell it at auction. | 0:12:37 | 0:12:41 | |
Possible that someone could actually just like that, you know. | 0:12:42 | 0:12:46 | |
Are you worried about the fact that it's not silver? | 0:12:46 | 0:12:49 | |
In Essex? Not sure. | 0:12:51 | 0:12:54 | |
Edwina's worried that tastes at the Essex auction might be more bling than those in Liverpool, | 0:12:54 | 0:12:58 | |
but then she spots something familiar. | 0:12:58 | 0:13:00 | |
Are those stays down there? | 0:13:00 | 0:13:02 | |
That's a corset. For goodness' sake, man, what ARE you doing?! | 0:13:03 | 0:13:08 | |
Where did you find this? I threw it away years ago. | 0:13:09 | 0:13:12 | |
Probably the same place you left these garters, Edwina. | 0:13:12 | 0:13:15 | |
These are actually quite interesting, because - | 0:13:15 | 0:13:17 | |
That's garters! | 0:13:17 | 0:13:19 | |
These are the old-fashioned garters that the flapper girls would have worn. | 0:13:19 | 0:13:23 | |
-Oh, my word. -Look at the decoration on that. I think they've lost their elastic. | 0:13:23 | 0:13:26 | |
-How old are these? -I think they're '20s and '30s. | 0:13:26 | 0:13:29 | |
They sort of go in an era where something like... | 0:13:29 | 0:13:31 | |
..a cigarette holder would be... | 0:13:32 | 0:13:35 | |
For my money, that's a pretty seductive little combination. | 0:13:35 | 0:13:39 | |
It's painting a picture that I shall treasure. | 0:13:39 | 0:13:41 | |
Moving swiftly on, the Roaring Twenties style from The Great Gatsby | 0:13:43 | 0:13:47 | |
might be worth a punt at the moment, thanks to the recent movie. | 0:13:47 | 0:13:51 | |
I could see the cigarette holder making £65 on its own. | 0:13:52 | 0:13:55 | |
Oh! Not in any auction I've been in! | 0:13:55 | 0:13:59 | |
I think in the spirit of a charity event, | 0:14:00 | 0:14:04 | |
I think I would be prepared to sell them for £35. | 0:14:04 | 0:14:09 | |
My eyebrows spoke volumes there. | 0:14:11 | 0:14:13 | |
That's a lot for a lot, and for just £35. | 0:14:13 | 0:14:17 | |
Edwina is still finding her feet in the world of antiques, | 0:14:17 | 0:14:21 | |
so she's left Paul to do the first deal, but what about the notebook? | 0:14:21 | 0:14:24 | |
I think we said £55, did we? | 0:14:25 | 0:14:27 | |
I think we said £45, and I'm thinking we could get a bit off. | 0:14:27 | 0:14:30 | |
I think we need even more than that. | 0:14:30 | 0:14:32 | |
Edwina is showing a bit of interest now, but it's left to Paul to close the deal. | 0:14:32 | 0:14:36 | |
On the way out the door. Another £35, and we shake hands, and... | 0:14:36 | 0:14:41 | |
-That's enough for dinner tonight. -I'm going to do that. | 0:14:41 | 0:14:44 | |
-Yes! -Wayne, pleasure. | 0:14:44 | 0:14:46 | |
Seems our grand dame of the dispatch box might be happier | 0:14:46 | 0:14:49 | |
at the backbenches when it comes to antiques. | 0:14:49 | 0:14:51 | |
With both lots secured for £70, | 0:14:51 | 0:14:54 | |
our pair are more than happy to see what other sights Liverpool can offer. | 0:14:54 | 0:14:58 | |
# On the road again | 0:14:58 | 0:15:00 | |
# Just can't wait to get on the road again... # | 0:15:01 | 0:15:03 | |
Back in Cheshire, David is finding out more about his trading and travelling partner, | 0:15:03 | 0:15:08 | |
the national institution that is Eve Pollard. | 0:15:08 | 0:15:11 | |
What drew you to journalism? | 0:15:11 | 0:15:13 | |
Women's pages were changing, and women's pages were educating women. | 0:15:13 | 0:15:17 | |
And then, once I was in, I was keen to get to the top | 0:15:17 | 0:15:22 | |
because I thought that's where the power lies. | 0:15:22 | 0:15:25 | |
The thing is, I do think women at that time, and maybe still, | 0:15:25 | 0:15:27 | |
have to work harder than men. | 0:15:27 | 0:15:29 | |
-But is it easier now for a woman... -I don't think so. | 0:15:29 | 0:15:32 | |
I mean, I think the interesting thing is there are | 0:15:32 | 0:15:35 | |
very few dull, grey women who just hang on to their jobs. | 0:15:35 | 0:15:40 | |
And quite a few dull, grey men. | 0:15:40 | 0:15:42 | |
Eve didn't let those dull, grey men get the better of her, | 0:15:42 | 0:15:45 | |
so all I can say is, good luck, Edwina. | 0:15:45 | 0:15:49 | |
-Do I want to beat Edwina? -Yes, that's the question. | 0:15:49 | 0:15:51 | |
-Oh, definitely. -Do you? -Fond as I am of our competitor, | 0:15:51 | 0:15:56 | |
I want to beat her fair and square. | 0:15:56 | 0:16:00 | |
OK, well, I feel the same about Paul. | 0:16:00 | 0:16:02 | |
Great pal of mine, love him to bits, but I want to thrash him. | 0:16:02 | 0:16:05 | |
-Is that me being too competitive? -No. | 0:16:05 | 0:16:07 | |
So with the picturesque thought of thrashing Paul in mind, | 0:16:08 | 0:16:11 | |
Team Pollard are heading eight miles up the road to Hale. | 0:16:11 | 0:16:14 | |
Hale was formerly a farming village until the arrival of the railways | 0:16:14 | 0:16:18 | |
in the mid-19th Century, and now it's a haven for wealthy Mancunian commuters. | 0:16:18 | 0:16:23 | |
Eve and David are heading to Porcupine Antiques | 0:16:23 | 0:16:25 | |
owned by Val Martin. | 0:16:25 | 0:16:27 | |
I've heard she can be a bit prickly. Ha! | 0:16:27 | 0:16:29 | |
Hello. Nice to see you. | 0:16:29 | 0:16:31 | |
-Nice to see you. -You're...? -Eve. | 0:16:31 | 0:16:34 | |
Val doesn't seem to quite know who the celebrity is. | 0:16:34 | 0:16:36 | |
-I've seen you somewhere. -Have you really? -On TV, I think. | 0:16:36 | 0:16:39 | |
Yes, probably. | 0:16:39 | 0:16:40 | |
Val's a fan of Crimewatch, then... | 0:16:40 | 0:16:42 | |
It could have been Crimewatch, I don't know. | 0:16:42 | 0:16:44 | |
We've done that gag, David. | 0:16:45 | 0:16:47 | |
There's a lot of Rococo going on in Val's place. | 0:16:47 | 0:16:50 | |
The glass drop chandeliers, painted furniture | 0:16:51 | 0:16:53 | |
and the ornate mirrors are all inspired by the 18th Century style, | 0:16:53 | 0:16:57 | |
but some of these items are much more modern. | 0:16:57 | 0:16:59 | |
Now, Eve, what do you think about that wall light there? | 0:16:59 | 0:17:01 | |
-I like that. -Because that's got a little bit of age. | 0:17:01 | 0:17:04 | |
-That's very nice, isn't it? -Can I... | 0:17:04 | 0:17:06 | |
Val, do you mind if I have a look? | 0:17:06 | 0:17:08 | |
That looks very sort of '50s, doesn't it? | 0:17:08 | 0:17:11 | |
-It's got... Yeah... -Am I wrong? | 0:17:11 | 0:17:13 | |
No, I think you're right. I think I was hoping it was going to be earlier, | 0:17:13 | 0:17:17 | |
like '20s, but it isn't - you are absolutely right. | 0:17:17 | 0:17:19 | |
-It's very sexy. -Absolutely. | 0:17:19 | 0:17:21 | |
She means the light, not you, David. | 0:17:21 | 0:17:24 | |
-Imagine that lit in the right - -I'd rather have it turned off at my age. | 0:17:24 | 0:17:28 | |
HE LAUGHS | 0:17:28 | 0:17:30 | |
-It's glamour. -It feels naughty. -It does. | 0:17:30 | 0:17:32 | |
Naughty but nice. | 0:17:32 | 0:17:34 | |
The pair of lights are naughty, but nice. But what about Val? | 0:17:34 | 0:17:37 | |
100 quid. | 0:17:37 | 0:17:39 | |
That's nice, Val. But will David be naughty? | 0:17:39 | 0:17:42 | |
-I'm going to hand that back to you, then. -Right. | 0:17:42 | 0:17:44 | |
But tell me what the absolute death is. | 0:17:44 | 0:17:46 | |
The absolute death...for you, and I wouldn't do this for anybody else, | 0:17:46 | 0:17:49 | |
is fifty quid. | 0:17:49 | 0:17:51 | |
So, they are very 19th Century in their style. | 0:17:51 | 0:17:54 | |
Never seen the 19th Century in their lives. | 0:17:54 | 0:17:56 | |
They look like they're bronze ormolu. They've never seen bronze ormolu. | 0:17:56 | 0:17:59 | |
They're tinny. Sorry, are you... | 0:17:59 | 0:18:03 | |
-I'm not. -I agree, but they're nice. | 0:18:03 | 0:18:05 | |
They have a glamorous look. | 0:18:05 | 0:18:07 | |
And there's two of them. | 0:18:07 | 0:18:09 | |
Only you know, will they do all right at auction? | 0:18:09 | 0:18:14 | |
(WHISPERS) £25 each... He's got a gift. | 0:18:14 | 0:18:17 | |
Why are we whispering? | 0:18:17 | 0:18:19 | |
Can we go £35? | 0:18:19 | 0:18:21 | |
-I started off at £100. -I know. | 0:18:23 | 0:18:25 | |
No, you're taking absolute liberties. | 0:18:25 | 0:18:28 | |
-Don't swear. -I didn't. | 0:18:28 | 0:18:31 | |
But he does do it very nicely. | 0:18:31 | 0:18:34 | |
No, listen, £25 each. That's a snip. | 0:18:34 | 0:18:37 | |
-They're not expensive. -No, they're not. | 0:18:37 | 0:18:39 | |
It looks like stalemate, until David produces his trump card. | 0:18:39 | 0:18:43 | |
Do you want us to beat Edwina Currie? | 0:18:43 | 0:18:45 | |
Oh, £42.50. | 0:18:48 | 0:18:50 | |
Ooh, it's getting underhand now. | 0:18:51 | 0:18:53 | |
I bet they won't tell Edwina about that later. | 0:18:53 | 0:18:57 | |
With their shopping for the day complete, | 0:18:57 | 0:18:59 | |
Edwina is taking Paul to discover the secrets of Liverpool's caverns. | 0:18:59 | 0:19:02 | |
No, not where the Beatles first played, | 0:19:02 | 0:19:04 | |
but the site of one of her native city's biggest mysteries, | 0:19:04 | 0:19:08 | |
and one, despite her growing up nearby, Edwina knows nothing about - | 0:19:08 | 0:19:12 | |
the Williamson Tunnels. | 0:19:12 | 0:19:14 | |
Taking them underground is Les Coe of the Friends of Williamson Tunnels Project. | 0:19:14 | 0:19:20 | |
-Hiya. -My name's Les. | 0:19:20 | 0:19:22 | |
Welcome to Williamson's Tunnels. | 0:19:22 | 0:19:24 | |
Joseph Williamson was a wealthy local tobacco merchant | 0:19:24 | 0:19:27 | |
who meticulously built miles of tunnels under Liverpool's suburbs | 0:19:27 | 0:19:31 | |
between 1800 and 1840, but no-one knows quite why, | 0:19:31 | 0:19:35 | |
so our intrepid duo are about to find out for themselves | 0:19:35 | 0:19:38 | |
what lies below. | 0:19:38 | 0:19:40 | |
Goodbye, cruel world. | 0:19:40 | 0:19:42 | |
Holy Moses! | 0:19:43 | 0:19:45 | |
The most likely theory for building the tunnels | 0:19:46 | 0:19:48 | |
is that it was to provide work for unemployed soldiers returning from the Napoleonic Wars. | 0:19:48 | 0:19:53 | |
There are more fanciful theories about the tunnels, like they were used to hide contraband, | 0:19:53 | 0:19:58 | |
or that Williamson was preparing a shelter for the end of the world. | 0:19:58 | 0:20:02 | |
BUT there isn't enough evidence to support any of these stories. | 0:20:02 | 0:20:06 | |
It's like being inside somewhere in ancient Egypt. | 0:20:07 | 0:20:10 | |
Yes. | 0:20:10 | 0:20:12 | |
Do you know what? I have this nightmare | 0:20:12 | 0:20:15 | |
that there's going to be a grinding noise, and these walls are going to come closer, | 0:20:15 | 0:20:21 | |
and I'm going to have to run, and do an Indiana Jones, | 0:20:21 | 0:20:24 | |
and... | 0:20:24 | 0:20:25 | |
Oh, my word. | 0:20:25 | 0:20:27 | |
The tunnels vary in size and shape, | 0:20:28 | 0:20:31 | |
from four feet by six feet | 0:20:31 | 0:20:33 | |
to twenty-five high and twenty feet wide. | 0:20:33 | 0:20:36 | |
But no-one really knows either how many tunnels there are, | 0:20:36 | 0:20:38 | |
or where they go. | 0:20:38 | 0:20:41 | |
What do you make of the mentality of the man | 0:20:41 | 0:20:43 | |
that will take on what must have been some size of workforce, | 0:20:43 | 0:20:48 | |
and produced this that we don't understand? | 0:20:48 | 0:20:50 | |
Absolutely astonishing. You can't help but admire Mr Williamson. | 0:20:51 | 0:20:55 | |
They should pay him tribute, to take on people who were in desperate need | 0:20:55 | 0:21:01 | |
long before there was assistance to look after them, and put them to work here | 0:21:01 | 0:21:06 | |
in this astonishing enterprise. | 0:21:07 | 0:21:09 | |
After Williamson's death in 1840, the tunnels became neglected, | 0:21:10 | 0:21:15 | |
and were either filled in for safety reasons, | 0:21:15 | 0:21:17 | |
or were used as a dumping ground by the residents of the rapidly expanding city, | 0:21:17 | 0:21:22 | |
but 150 years later, amateur enthusiasts began to excavate, | 0:21:22 | 0:21:27 | |
and found a time capsule of discarded objects, and the mysterious tunnels | 0:21:27 | 0:21:32 | |
began to reveal some secrets about the city's past. | 0:21:32 | 0:21:35 | |
-I'm dying to see some of the material that you've uncovered. -OK. | 0:21:35 | 0:21:39 | |
-We can arrange that. -Lead on, MacDuff. | 0:21:39 | 0:21:41 | |
Thank you. | 0:21:41 | 0:21:42 | |
Edwina and David are off to another tunnel to meet Stephen, | 0:21:42 | 0:21:46 | |
who's going to show them just some of the hidden treasure, | 0:21:46 | 0:21:49 | |
and talk codswallop - literally. | 0:21:49 | 0:21:51 | |
Sir Hiram Codd's patent, from whence we get the term codswallop. | 0:21:51 | 0:21:55 | |
That's right. Yeah, yeah. | 0:21:55 | 0:21:57 | |
Hiram Codd was a soda salesman | 0:21:58 | 0:22:00 | |
who came up with a unique replacement for corks | 0:22:00 | 0:22:03 | |
for the newly fashionable soft drinks industry in the 19th Century. | 0:22:03 | 0:22:06 | |
The olive falls onto a rubber ring. | 0:22:06 | 0:22:08 | |
Gas pressure kept it in, ready for distribution straight off the machine. | 0:22:08 | 0:22:12 | |
You just press it down to... | 0:22:12 | 0:22:14 | |
-Get a special little cap... -Use a plunger. | 0:22:15 | 0:22:17 | |
That's right, and give it a whack. Codswallop. | 0:22:17 | 0:22:20 | |
Mm, that's another story that's hard to prove. | 0:22:20 | 0:22:23 | |
But there's some other unusual finds down here. | 0:22:23 | 0:22:26 | |
It's a toy toilet! | 0:22:27 | 0:22:29 | |
Fantastic! | 0:22:29 | 0:22:31 | |
Everything from corkscrews to lighting fittings, | 0:22:31 | 0:22:34 | |
shovels... | 0:22:34 | 0:22:36 | |
I love the ironwork. Look at the quality. | 0:22:36 | 0:22:38 | |
This is... When we actually clean this up | 0:22:38 | 0:22:41 | |
we're going to actually black-lead it because it's such intricate work. | 0:22:41 | 0:22:45 | |
You know, it's top form. | 0:22:45 | 0:22:47 | |
All the finds we've got, we want to put them on display, | 0:22:48 | 0:22:50 | |
and it's our social history of Liverpool. | 0:22:50 | 0:22:53 | |
It really is. | 0:22:53 | 0:22:55 | |
I was born and grew up in this city, not a million miles from where we're standing now. | 0:22:55 | 0:22:59 | |
I never knew any of this was here. | 0:22:59 | 0:23:01 | |
It's absolutely fabulous. | 0:23:01 | 0:23:03 | |
Although Joseph Williamson's intentions might always remain secret, | 0:23:03 | 0:23:07 | |
his tunnels have provided some intriguing answers to questions about | 0:23:07 | 0:23:11 | |
how his fellow Liverpudlians have lived for the past 170 years. | 0:23:11 | 0:23:15 | |
It's a shame Team Currie can't buy any of the items down there. | 0:23:15 | 0:23:18 | |
They might have fetched a few quid. | 0:23:18 | 0:23:20 | |
Well, that is the end of the long first day of antique roadtripping. | 0:23:22 | 0:23:26 | |
Time for our teams to retire for the night. | 0:23:26 | 0:23:28 | |
That's all, folks. | 0:23:28 | 0:23:30 | |
Well, not really. | 0:23:30 | 0:23:33 | |
It's another day, and another dollar to be haggled over by our antique-hunting celebrities. | 0:23:33 | 0:23:38 | |
What did you buy? | 0:23:38 | 0:23:40 | |
I don't think I can tell you what, but I can tell you we bought three things. | 0:23:40 | 0:23:44 | |
So far, Eve and David have splashed out £122.50 | 0:23:45 | 0:23:48 | |
on three items - the teaset, | 0:23:48 | 0:23:50 | |
the Victorian dumb bells, and the Rococo-style gilt wall lamps. | 0:23:51 | 0:23:55 | |
Do you want us to beat Edwina Currie? | 0:23:55 | 0:23:57 | |
£42.50. | 0:23:59 | 0:24:01 | |
That leaves a healthy £277.50 for the day ahead. | 0:24:02 | 0:24:06 | |
Edwina and Paul meanwhile handed over £70 for two lovely lots - | 0:24:07 | 0:24:11 | |
the Gatsby lot of cigarette holder, garters, and a stay... | 0:24:11 | 0:24:15 | |
That is a pretty seductive little combination. | 0:24:15 | 0:24:19 | |
..and the Art Nouveau Chatelaine notebook holder. | 0:24:19 | 0:24:22 | |
That leaves them with a stash of £330 to spend today. | 0:24:22 | 0:24:27 | |
But what did our experts think of their celebrity charges yesterday? | 0:24:28 | 0:24:31 | |
After spending a day with Eve Pollard, | 0:24:31 | 0:24:34 | |
I can tell you that she is pretty much | 0:24:34 | 0:24:39 | |
the model of the perfect woman. | 0:24:39 | 0:24:41 | |
Get off that fence, Harper. | 0:24:41 | 0:24:43 | |
You're wading in kind of heavy there! | 0:24:43 | 0:24:45 | |
She's highly intelligent, but doesn't make you feel stupid, | 0:24:45 | 0:24:50 | |
which is a bit of a worry, seriously. | 0:24:50 | 0:24:52 | |
She's interested, she's interesting. | 0:24:52 | 0:24:55 | |
She does interesting things. She is the perfect woman. | 0:24:55 | 0:24:58 | |
Wow! David has switched his romantic allegiances from Edwina to Eve, | 0:24:58 | 0:25:03 | |
but is this reciprocal? | 0:25:03 | 0:25:05 | |
I think David is a genius, and I'm thinking of fitting out a room at home | 0:25:05 | 0:25:10 | |
he can come and live in. | 0:25:10 | 0:25:12 | |
My word, this relationship has moved quickly. | 0:25:12 | 0:25:15 | |
I live near Church Street antiques, Portobello... | 0:25:15 | 0:25:18 | |
I mean, I can imagine taking him down there would be fabulous. | 0:25:18 | 0:25:23 | |
Oh, I see - Eve is more interested in shopping than settling down, | 0:25:23 | 0:25:28 | |
but what about Paul and Edwina? | 0:25:28 | 0:25:30 | |
-Well, Edwina and I... -You're getting married? | 0:25:30 | 0:25:33 | |
Moving in. | 0:25:34 | 0:25:36 | |
Trump that, doughnut. | 0:25:37 | 0:25:39 | |
Mind you, who cares? We're both beautiful, and worth a lot of money. | 0:25:39 | 0:25:42 | |
Get ready to jump. | 0:25:43 | 0:25:45 | |
You loved that! | 0:25:46 | 0:25:48 | |
Stop flirting. It's time to swap partners, and hit the road | 0:25:49 | 0:25:53 | |
as both teams are heading to the same shop - the race is on. | 0:25:53 | 0:25:56 | |
Way! | 0:25:56 | 0:25:58 | |
So, after spending yesterday in Knutsford, | 0:25:58 | 0:26:01 | |
Liverpool and Hale, our two teams set off | 0:26:01 | 0:26:03 | |
from the lovely Greater Manchester town of Cheadle | 0:26:03 | 0:26:06 | |
for the also lovely town of Sale, just seven miles up the road. | 0:26:06 | 0:26:09 | |
How appropriate that our bargain buyers are heading for a town called Sale. | 0:26:09 | 0:26:13 | |
However, the town takes its name from Old English meaning "at the sallow tree". | 0:26:13 | 0:26:18 | |
It can trace its origins back to the 7th Century AD, | 0:26:18 | 0:26:21 | |
and has survived the Jacobite uprising, the Manchester Blitz, | 0:26:21 | 0:26:24 | |
and post-war planning, | 0:26:24 | 0:26:26 | |
but how will it cope with the arrival of Team Pollard and Team Currie? | 0:26:26 | 0:26:30 | |
First to try and get a sale in Sale | 0:26:30 | 0:26:33 | |
are Edwina and David, who are meeting Wayne Long of Manchester Antiques. | 0:26:33 | 0:26:37 | |
Wow! | 0:26:38 | 0:26:39 | |
Wow indeed. | 0:26:39 | 0:26:41 | |
Fantastic stuff here. Look. | 0:26:41 | 0:26:43 | |
-I'm Edwina, and you are? -Wayne. -Hello, Wayne. | 0:26:43 | 0:26:45 | |
-I'm Paul. -Wayne. | 0:26:45 | 0:26:47 | |
Heavy on furniture. What are you like for smalls? | 0:26:47 | 0:26:50 | |
Smalls?! Is Paul trying to buy underwear? Again. | 0:26:50 | 0:26:54 | |
Shall we start at the top, work our way down? | 0:26:54 | 0:26:56 | |
Works for me. As good a plan as any. | 0:26:56 | 0:26:58 | |
There's an old man with a goose. | 0:27:01 | 0:27:03 | |
Rather sweet. | 0:27:03 | 0:27:05 | |
It is a goose, and yours will be cooked soon unless you find something to put your hands on. | 0:27:05 | 0:27:10 | |
It's a fine thing. It sits very well on that marquetry side cabinet. | 0:27:10 | 0:27:14 | |
It would sit well on a desk, it would sit well on the telephone table in the hall. | 0:27:14 | 0:27:19 | |
Does it do anything for you? | 0:27:19 | 0:27:21 | |
-Would I have it my house? -Would you? -Probably not. | 0:27:22 | 0:27:25 | |
Something's not quite right about that clock, if only I could put my finger on it... | 0:27:25 | 0:27:29 | |
It hasn't got any hands. | 0:27:30 | 0:27:32 | |
A clock without hands? What's next? | 0:27:32 | 0:27:34 | |
A chocolate teapot? An ashtray for a motorbike? | 0:27:34 | 0:27:38 | |
If that wasn't expensive, I think that's still got legs. | 0:27:39 | 0:27:45 | |
It might have legs, Paul, but it ain't got no hands. | 0:27:45 | 0:27:48 | |
-Oh, no, they're here! -They'll have the best deal. | 0:27:49 | 0:27:51 | |
Outside, the enemy has landed. | 0:27:52 | 0:27:54 | |
-David Harper. -Wayne. -Eve Pollard. | 0:27:54 | 0:27:56 | |
Hello. Nice to see you, Wayne. | 0:27:56 | 0:27:58 | |
Wasting no time, Eve and David spot a little bit of what they fancy. | 0:27:58 | 0:28:02 | |
-That's rather pretty, isn't it? -That's quite a pretty thing. | 0:28:02 | 0:28:04 | |
-What do you think of that? -Lovely little boite. | 0:28:04 | 0:28:08 | |
And what was this for? Tea? | 0:28:09 | 0:28:11 | |
This, I think, is more of a games box. | 0:28:11 | 0:28:14 | |
Ah, yes, of course. | 0:28:14 | 0:28:16 | |
So, looking at the decoration, I think that's... | 0:28:16 | 0:28:19 | |
late 19th, early 20th Century, so let's say 1890. | 0:28:19 | 0:28:22 | |
-But look - it's rather beautiful. -Do you like it? | 0:28:22 | 0:28:25 | |
I do think it's a beautiful object. Look at the little tigery things in the corner. Look. | 0:28:25 | 0:28:30 | |
-Excellent detail. -Do you know what they are? That's a dragon. | 0:28:30 | 0:28:33 | |
It's a dragon. That's what you always see at Chinese New Year. | 0:28:33 | 0:28:37 | |
I handle and buy objects like this. | 0:28:37 | 0:28:40 | |
Fifty a month, probably, Chinese boxes. | 0:28:41 | 0:28:43 | |
-And what do you think of it? -I think it's absolutely gorgeous. | 0:28:43 | 0:28:46 | |
Do you? I'm so glad you like it too. | 0:28:46 | 0:28:48 | |
It looks like Eve's eye for an item has got it right again. | 0:28:48 | 0:28:51 | |
Is it cheapy-cheapy? | 0:28:53 | 0:28:55 | |
The price is £375, but can be £290. | 0:28:55 | 0:28:58 | |
Ouch! | 0:28:58 | 0:28:59 | |
-A million miles away. -A million miles. | 0:28:59 | 0:29:01 | |
Hundreds of pounds away, sadly. | 0:29:01 | 0:29:03 | |
Nothing to do with the box. It's to do with going into a saleroom. | 0:29:03 | 0:29:07 | |
Now, what's Edwina up to? Is she hoping to pick up some tips? | 0:29:07 | 0:29:11 | |
This is the bottom... This is the beginning of the Chinese market. | 0:29:11 | 0:29:14 | |
But it's proper antique. | 0:29:14 | 0:29:16 | |
60 quid. It would be...estimated £80, £120. | 0:29:16 | 0:29:19 | |
It could make a bit of money. But Wayne is... | 0:29:19 | 0:29:22 | |
I'll let you just look into Eve's eyes, and consider that. | 0:29:22 | 0:29:26 | |
Wayne stands no chance against the eyes of Eve. | 0:29:26 | 0:29:29 | |
How about £67.50? | 0:29:29 | 0:29:31 | |
-Nice complicated number. -Is that with the wink, or...? | 0:29:32 | 0:29:35 | |
That's with the wink. | 0:29:35 | 0:29:37 | |
And with the saucy wink, the deal is done. Cheeky. | 0:29:37 | 0:29:39 | |
Where did you get those eyelashes from? | 0:29:39 | 0:29:41 | |
Now, that, Edwina, is how you make a deal. | 0:29:41 | 0:29:44 | |
It's the heart behind the eyes. | 0:29:44 | 0:29:46 | |
I'm going to take you out with me more often when I'm going buying for ME. | 0:29:46 | 0:29:49 | |
That's a terrible excuse for taking someone out, David. | 0:29:51 | 0:29:53 | |
You romantic fool. | 0:29:53 | 0:29:55 | |
Upstairs, Edwina and Paul are putting the world to rights. | 0:29:55 | 0:29:58 | |
-I like that. -Ooh, good reaction. | 0:29:58 | 0:30:00 | |
-I like that. -Good reaction. | 0:30:00 | 0:30:02 | |
We had one, we had a big one, at home. | 0:30:02 | 0:30:05 | |
-The two hemispheres are coming adrift. -Yes. | 0:30:05 | 0:30:07 | |
What's this? | 0:30:07 | 0:30:09 | |
-Push it together. -Not bad, and that may be a lead in | 0:30:09 | 0:30:14 | |
to negotiating a price. | 0:30:14 | 0:30:17 | |
Right, well... | 0:30:18 | 0:30:19 | |
But before they decide on the globe, Edwina is talking a load of old balsa. | 0:30:19 | 0:30:23 | |
It's quite nice, actually, with the palm trees. | 0:30:23 | 0:30:27 | |
It's still got all its pinnacles. | 0:30:27 | 0:30:29 | |
They're not even... They're only very slightly wonky. | 0:30:30 | 0:30:33 | |
-Somebody's looked after that. -They have. | 0:30:33 | 0:30:35 | |
-That's an original top. -It fits a treat. | 0:30:35 | 0:30:38 | |
When that goes, you're doomed. | 0:30:38 | 0:30:40 | |
What do you reckon? Let's say...1880s? | 0:30:40 | 0:30:42 | |
I'm entirely comfortable with that. | 0:30:42 | 0:30:44 | |
Could be as early as 1850. | 0:30:44 | 0:30:46 | |
But let's say comfortably third quarter of the 19th Century. | 0:30:46 | 0:30:49 | |
-Would anybody want to buy it, that's the question? -If we said £80 | 0:30:49 | 0:30:52 | |
I'd be saying we've got a purchase on our hands. | 0:30:52 | 0:30:54 | |
Back down below, Eve and David are still looking for an elusive final item. | 0:30:55 | 0:31:00 | |
-The harp. -Yes. | 0:31:00 | 0:31:02 | |
-Isn't it beautiful? -It is. | 0:31:02 | 0:31:04 | |
I think utterly delicious. | 0:31:04 | 0:31:07 | |
-But... -It's ruined. | 0:31:07 | 0:31:09 | |
Let's see the maker... | 0:31:09 | 0:31:11 | |
-It's 1860. -I love all this... | 0:31:11 | 0:31:14 | |
It's a lesson to say to people - if you've got stuff in old, wet, damp sheds | 0:31:14 | 0:31:19 | |
-take them out, clean them up... -Please, please. | 0:31:19 | 0:31:21 | |
Because this thing, when it was new... Can you see that gold paint there? | 0:31:21 | 0:31:25 | |
That gilding? It was absolutely vibrant. | 0:31:25 | 0:31:27 | |
This is gesso on top of wood. It would have been a fortune, this, when it was new. | 0:31:27 | 0:31:32 | |
And if it was completely mint it would be worth a couple of thousand quid. | 0:31:32 | 0:31:36 | |
But to restore it, it's going to take a couple of thousand quid and more. | 0:31:36 | 0:31:40 | |
But I've seen these in that state sell for a few hundred pounds. | 0:31:40 | 0:31:46 | |
For what reason I've absolutely no idea at all. | 0:31:46 | 0:31:48 | |
The 19th Century harp is plucking at their heart strings, | 0:31:48 | 0:31:53 | |
but what does Wayne want for it? | 0:31:53 | 0:31:55 | |
They're £325. People will just want it for parts. | 0:31:55 | 0:32:00 | |
-Feet, or... -OK. | 0:32:00 | 0:32:02 | |
-Nice try. I love it. -I might put you on the job, though. | 0:32:02 | 0:32:06 | |
Oh, hello. | 0:32:07 | 0:32:09 | |
It's just as if you were both filming a programme about antiques. | 0:32:09 | 0:32:11 | |
Are you ever going to come down so we can go up? | 0:32:11 | 0:32:13 | |
-In a minute. -In a minute? You've been up there for hours. | 0:32:13 | 0:32:17 | |
-What have you been doing upstairs? -We've been spreading our germs up there. | 0:32:17 | 0:32:20 | |
So you can't go up there just yet. | 0:32:20 | 0:32:22 | |
What germs would they be, Edwina? | 0:32:23 | 0:32:25 | |
Don't answer that. Team Pollard must wait their turn while Edwina and Paul try to do a deal. | 0:32:26 | 0:32:31 | |
It's £140. | 0:32:31 | 0:32:33 | |
Ooh, that earns Wayne the silent treatment. | 0:32:36 | 0:32:38 | |
Can they do any better on the clock? | 0:32:38 | 0:32:40 | |
As a clock, movement might be skew-whiff, but decorative. | 0:32:40 | 0:32:45 | |
Decorative, and not expensive. | 0:32:45 | 0:32:47 | |
-It shouldn't be. -I don't think it's expensive at all. | 0:32:47 | 0:32:50 | |
It's £35. | 0:32:50 | 0:32:52 | |
The globe. The Philips globe. | 0:32:54 | 0:32:56 | |
Yeah. There's damage on that. | 0:32:56 | 0:32:58 | |
Without the damage it would have been an awful lot more. That's £140. | 0:32:58 | 0:33:03 | |
Mm. | 0:33:04 | 0:33:06 | |
I think there's work needs to be done on your prices by a bit, | 0:33:06 | 0:33:10 | |
and I'm not cheeky, I'm not talking double digits, but I'm talking right on the cusp. | 0:33:10 | 0:33:14 | |
Paul's trying to do a deal on the globe, but Team Currie still can't decide if the temple is a better buy. | 0:33:14 | 0:33:20 | |
But Wayne's about to make them both a lot more attractive. | 0:33:20 | 0:33:23 | |
You could have either of the two things for £100. | 0:33:23 | 0:33:27 | |
-And now you have to make the decision. -Right! | 0:33:27 | 0:33:31 | |
Great move, Wayne. Back at ya, Team Currie. | 0:33:31 | 0:33:34 | |
Is it going to be the globe or the temple for £100? | 0:33:34 | 0:33:37 | |
And the little decorative clock, you said £35? | 0:33:37 | 0:33:40 | |
£30. | 0:33:40 | 0:33:42 | |
So that would be £130 would give us two items. | 0:33:42 | 0:33:44 | |
Edwina has been quietly learning, though, and comes back with a classic move. | 0:33:44 | 0:33:49 | |
By including the earlier clock, can she get the price down? | 0:33:49 | 0:33:53 | |
£120. | 0:33:53 | 0:33:55 | |
That's £120 in your pocket which is good, isn't it? | 0:33:55 | 0:33:59 | |
-OK. -We're done. | 0:33:59 | 0:34:01 | |
Gotcha. Edwina's sealed her first deal - £120 for the clock, and either the globe or the temple. | 0:34:01 | 0:34:07 | |
But who is doing the choosing? | 0:34:07 | 0:34:09 | |
I think the lady should pick. | 0:34:09 | 0:34:11 | |
Thanks, Wayne. It takes the pressure off. | 0:34:12 | 0:34:16 | |
Let's go for the flamboyant. We'll go for the Indian item. | 0:34:16 | 0:34:19 | |
That's what I would have gone for. | 0:34:19 | 0:34:21 | |
I bet you say that to all your buyers, Wayne. | 0:34:21 | 0:34:23 | |
But that's a neat bit of business for Paul and Edwina, | 0:34:23 | 0:34:26 | |
and they can now high-tail it out of there. | 0:34:26 | 0:34:28 | |
-Absolutely clear. -I've got a perfect behind. | 0:34:28 | 0:34:31 | |
HE LAUGHS | 0:34:31 | 0:34:33 | |
Right, which way am I going when I come out of here, laddies? | 0:34:35 | 0:34:37 | |
Well, perhaps not. | 0:34:37 | 0:34:39 | |
With Team Currie out of the way, Team Pollard are going back to the harp. | 0:34:44 | 0:34:49 | |
Can they pull a few strings, and get a bargain? | 0:34:49 | 0:34:51 | |
If the harp can come to 50 quid, it's a bizarre, risky thing. | 0:34:51 | 0:34:57 | |
-I'm putting my life in your hands. -I know, and I'm going to apologise - | 0:34:57 | 0:35:00 | |
There'll be sobbing if Edwina wins. | 0:35:00 | 0:35:02 | |
-I'll be heard across the nation. -Don't, don't. | 0:35:02 | 0:35:05 | |
That's why we need... Do you really want us to be beaten by a politician? | 0:35:05 | 0:35:08 | |
Ooh, they're going for the anti-Currie vote again. | 0:35:08 | 0:35:11 | |
Most undemocratic. | 0:35:11 | 0:35:13 | |
-Look at Wayne. Wayne. -You've got the money. | 0:35:13 | 0:35:16 | |
Can the harp be... Look into Eve's eyes. I'm going to ask you a question. | 0:35:16 | 0:35:21 | |
Eve's going for the magic stare. Will the eyes have it? | 0:35:22 | 0:35:25 | |
Look in there. Will you take... | 0:35:25 | 0:35:27 | |
Will you take £50 for the harp? | 0:35:27 | 0:35:32 | |
-How's that? -A lot of people would pay not to! | 0:35:32 | 0:35:37 | |
Are we done? Yes! | 0:35:37 | 0:35:39 | |
The eyes to the right have won the vote. | 0:35:40 | 0:35:43 | |
Motion carried, and the harp sold for £50. | 0:35:43 | 0:35:46 | |
We will see whether we were right or mad. | 0:35:46 | 0:35:49 | |
Oh, I think we could be mad. | 0:35:49 | 0:35:51 | |
I'm saying nothing. I'll sit on the fence. | 0:35:51 | 0:35:53 | |
Wayne must be a Liberal, then. | 0:35:53 | 0:35:56 | |
From Sale, Eve and David travel six miles back up the road | 0:35:56 | 0:35:59 | |
to the other Victorian metropolis of northwest England, | 0:35:59 | 0:36:02 | |
Manchester, | 0:36:02 | 0:36:03 | |
a city famous for its tradition of political reform, | 0:36:03 | 0:36:05 | |
and in the early 20th Century the birthplace of the Suffragette movement. | 0:36:05 | 0:36:10 | |
A bit of a trailblazer herself, | 0:36:10 | 0:36:13 | |
Eve has brought David to the People's History Museum | 0:36:13 | 0:36:16 | |
to find out more about the ups and downs of the women who inspired her, | 0:36:16 | 0:36:20 | |
and how they used marketing and merchandising to get their message heard. | 0:36:21 | 0:36:25 | |
On hand to show them around is museum registrar Phil Dunn. | 0:36:25 | 0:36:29 | |
-Phil, David Harper. -Pleased to meet you, David. | 0:36:29 | 0:36:32 | |
At the start of the 20th Century, women couldn't own property | 0:36:32 | 0:36:36 | |
unless they were married, had little access to education, | 0:36:36 | 0:36:38 | |
and few rights in the workplace. | 0:36:38 | 0:36:40 | |
But most importantly, they didn't have the universal right to vote. | 0:36:40 | 0:36:44 | |
The movement dubbed the Suffragettes believed in direct action to get women the vote. | 0:36:44 | 0:36:50 | |
The founder of the campaign was Manchester lass Emmeline Pankhurst. | 0:36:50 | 0:36:55 | |
As a layman, when was it founded, the Suffragette movement? | 0:36:55 | 0:36:57 | |
The Suffragette movement was founded in Manchester in 1903. | 0:36:57 | 0:37:01 | |
-'03. -By the household of Mrs Pankhurst, | 0:37:01 | 0:37:05 | |
and her husband Richard Pankhurst in Nelson Street in south Manchester. | 0:37:05 | 0:37:08 | |
Her husband was involved as well? | 0:37:08 | 0:37:10 | |
-He was sympathetic. -It's good to know that men are involved here. | 0:37:10 | 0:37:13 | |
-I want some credit. -It's very good. | 0:37:13 | 0:37:15 | |
It wasn't you personally, David, but shortly after forming | 0:37:15 | 0:37:19 | |
the media-savvy Suffragettes soon picked up on the very modern technique | 0:37:19 | 0:37:23 | |
of merchandising their message. | 0:37:23 | 0:37:25 | |
This is the Pankasquith game, | 0:37:25 | 0:37:28 | |
again showing the commercial nous of the Suffragettes. | 0:37:28 | 0:37:32 | |
It was produced in 1909. It's obviously pro-Suffragette. | 0:37:32 | 0:37:36 | |
The term is a hybrid term combining the surname of Emily Pankhurst | 0:37:36 | 0:37:41 | |
and Asquith, who was the Liberal leader. | 0:37:41 | 0:37:45 | |
-The Prime Minister. -The Liberal Prime Minister who personally opposed women's suffrage, | 0:37:45 | 0:37:50 | |
but he kind of washed his hands of it, said, "I'll leave the decision to the House of Commons." | 0:37:50 | 0:37:54 | |
They had an advantage in the fact that Sylvia Pankhurst was a very gifted artist. | 0:37:54 | 0:38:00 | |
These progressive designs on this Women's Social and Political Union saucer and cup | 0:38:00 | 0:38:06 | |
are designs by Sylvia Pankhurst. | 0:38:06 | 0:38:09 | |
She was influenced in her art and politics by the socialist Walter Crane, | 0:38:09 | 0:38:13 | |
himself a discipline of William Morris. | 0:38:13 | 0:38:15 | |
William Morris was a friend of the Pankhursts, | 0:38:16 | 0:38:18 | |
and also the father of the Arts and Crafts movement | 0:38:18 | 0:38:21 | |
which produced wonderful items like the Tudric teaset Eve and David bought yesterday. | 0:38:21 | 0:38:26 | |
It's odd, you know, because in all my time handling objects | 0:38:26 | 0:38:29 | |
I can honestly say I've never come across anything | 0:38:29 | 0:38:32 | |
ever related to the Suffragette movement. | 0:38:32 | 0:38:35 | |
-None of these cups, plates - -But there are very, very famous posters. | 0:38:35 | 0:38:39 | |
It's no surprise that as a pioneer of women's issues in the media, | 0:38:39 | 0:38:43 | |
Eve loves the propaganda posters, | 0:38:43 | 0:38:45 | |
like this one from 1908 designed by Emily Ford. | 0:38:45 | 0:38:50 | |
This is the one I remember. It's an amazing poster. | 0:38:50 | 0:38:53 | |
There's a girl looking at the factory door, | 0:38:53 | 0:38:57 | |
and it says, "Factory Acts. Regulations for women." | 0:38:57 | 0:39:01 | |
And underneath, the caption says, | 0:39:01 | 0:39:03 | |
"They have a cheek. I've never been asked." | 0:39:03 | 0:39:06 | |
One of the things I have to say, how slowly all this moves. | 0:39:06 | 0:39:11 | |
About 40 years ago I gave birth to Claudia Winkleman, | 0:39:11 | 0:39:14 | |
and in my contract, nothing about maternity leave, nothing at all. | 0:39:14 | 0:39:20 | |
That's how much we've come on. | 0:39:20 | 0:39:22 | |
The poster is underscoring the fact that then, certainly, working class women were largely ignored. | 0:39:22 | 0:39:26 | |
Totally. | 0:39:26 | 0:39:28 | |
Like Eve, the Suffragettes knew the value of a good headline, | 0:39:28 | 0:39:31 | |
and would often choose prison over fines | 0:39:31 | 0:39:34 | |
to ensure publicity for the cause. | 0:39:34 | 0:39:36 | |
This was a certificate of recognition | 0:39:36 | 0:39:39 | |
or gratitude towards one of the many Suffragettes | 0:39:39 | 0:39:43 | |
who ended up in prison. | 0:39:43 | 0:39:45 | |
These certificates would be given in recognition of the sacrifices they made for the cause. | 0:39:45 | 0:39:50 | |
-These are badges of honour, then, aren't they? -Correct. | 0:39:50 | 0:39:53 | |
Women finally got the equal vote in 1928, | 0:39:53 | 0:39:56 | |
the same year the former radical Emmeline Pankhurst died, | 0:39:56 | 0:39:59 | |
but not before she'd become a Tory. | 0:39:59 | 0:40:02 | |
A female Tory? I wonder how Edwina is getting on. | 0:40:02 | 0:40:06 | |
Well, she and Paul have travelled five miles through sunny Sale and Hulme to the outskirts of Manchester, | 0:40:08 | 0:40:13 | |
and Edwina is getting really fired up. | 0:40:13 | 0:40:15 | |
Am I right to feel quite pleased with...that. | 0:40:16 | 0:40:20 | |
I think that was a good shop. | 0:40:20 | 0:40:22 | |
If you are feeling pleased with that shop, that'll make two of us. | 0:40:22 | 0:40:26 | |
If I were a gambling man, I'd take a punt on turning a little profit. | 0:40:26 | 0:40:30 | |
It would really be great to win this. | 0:40:30 | 0:40:32 | |
Fighting talk, but they're running out of time, | 0:40:34 | 0:40:36 | |
so perhaps the shop in-situ might help them end their journey in style. | 0:40:36 | 0:40:41 | |
Classy joint. I like it. | 0:40:41 | 0:40:43 | |
Edwina's getting warmed up in the fireplace aisle. | 0:40:51 | 0:40:54 | |
We can't afford this! | 0:40:54 | 0:40:56 | |
Well, um, maybe we can. | 0:40:56 | 0:40:58 | |
Has Edwina got a secret stash up a chimney, someone? | 0:40:59 | 0:41:02 | |
Oh, it's a belter, isn't it? | 0:41:02 | 0:41:05 | |
How much would something like that go for? | 0:41:05 | 0:41:07 | |
£200 or £300. | 0:41:07 | 0:41:09 | |
Their chances of getting a bargain are rapidly going down the pan. | 0:41:09 | 0:41:12 | |
Paul thinks he might have found a bargain at £60, | 0:41:19 | 0:41:22 | |
and Laura Gaither is on hand to tell him more. | 0:41:22 | 0:41:24 | |
How are you doing? | 0:41:24 | 0:41:26 | |
They're a first for me, these candleholders. | 0:41:27 | 0:41:30 | |
-They're amazing! -They're pretty interesting, aren't they? | 0:41:30 | 0:41:33 | |
These late '60s design gems are German candelabrum, | 0:41:33 | 0:41:37 | |
and they were designed by Fritz Nagel of the Bayerische Metall Fabrik, | 0:41:37 | 0:41:41 | |
or BMF Company. | 0:41:41 | 0:41:43 | |
It's all vorsprung durch technik to me, don't you know? | 0:41:43 | 0:41:46 | |
It seems like enough money, in all honesty, for... | 0:41:46 | 0:41:49 | |
for what I've got in front of me. | 0:41:49 | 0:41:51 | |
Have you got much margin to play with? | 0:41:51 | 0:41:53 | |
What are you thinking? | 0:41:53 | 0:41:55 | |
I am just going to kick off with... | 0:41:57 | 0:42:00 | |
a £30 offer. | 0:42:01 | 0:42:03 | |
With a what? | 0:42:03 | 0:42:05 | |
-£30. -That is probably going to be a little too low. | 0:42:05 | 0:42:07 | |
The best I could probably do is £60. | 0:42:07 | 0:42:09 | |
Edwina, help me here. | 0:42:09 | 0:42:11 | |
£45. | 0:42:12 | 0:42:14 | |
Straight in with a killer. I think that would be it. | 0:42:14 | 0:42:17 | |
-Say yes, go on. -Yes, OK. | 0:42:17 | 0:42:19 | |
I want to get to my garden. | 0:42:19 | 0:42:21 | |
Edwina's getting the hang of this now - straight in there to get the price down. | 0:42:21 | 0:42:25 | |
-But Paul's spotted something else. -Did something else catch your eye? | 0:42:25 | 0:42:28 | |
-I saw your other set. -I know. There's another set. | 0:42:28 | 0:42:31 | |
-Did you spot those in the window? -Just as you sealed the deal... | 0:42:31 | 0:42:33 | |
For my money, they're dead to me now. | 0:42:35 | 0:42:38 | |
I prefer those. | 0:42:38 | 0:42:40 | |
-I think that that's fine. -Wunderbar. -That's right. OK. | 0:42:40 | 0:42:43 | |
Thank you. Magic. It is Laura, isn't it? | 0:42:43 | 0:42:46 | |
It's always important to know the names of the people who are taking your money, Paul. | 0:42:46 | 0:42:50 | |
-Compadre? -Yes. | 0:42:50 | 0:42:51 | |
Compadre? Paul's language skills know no beginnings! | 0:42:51 | 0:42:54 | |
Well, with £45 paid for the £60 candleholders | 0:42:54 | 0:42:58 | |
it's adios, and auf wiedersehen to you. | 0:42:58 | 0:43:01 | |
I was slightly disappointed that we didn't spend all our money. | 0:43:01 | 0:43:04 | |
I feel that we kind of didn't fulfil our full potential. | 0:43:04 | 0:43:09 | |
Indeed. | 0:43:09 | 0:43:10 | |
BUT you can't buy it if it's not there. | 0:43:10 | 0:43:13 | |
Yes, Paul. | 0:43:13 | 0:43:14 | |
But if an antique falls in a forest, and there's no-one there, | 0:43:14 | 0:43:17 | |
does it make any noise, and are you about to hear the sound | 0:43:17 | 0:43:20 | |
of one hand clapping when you show Team Pollard your purchases? | 0:43:20 | 0:43:24 | |
Shall we put them out of their misery? | 0:43:25 | 0:43:27 | |
I think we should do that. Right. | 0:43:27 | 0:43:29 | |
We tried very hard to be a team, we did. | 0:43:29 | 0:43:32 | |
Ooh, look, they bought that. | 0:43:32 | 0:43:34 | |
-We saw that. -This is a bit like your house, is it, Paul? | 0:43:34 | 0:43:38 | |
No, Paul's house is a bit bigger than that. | 0:43:39 | 0:43:41 | |
Well, it's very spottable in Carlisle, I'll give you that. | 0:43:41 | 0:43:44 | |
Do you like Granny's knickers? | 0:43:45 | 0:43:47 | |
Who doesn't? | 0:43:47 | 0:43:48 | |
Did I say that out loud...? | 0:43:48 | 0:43:50 | |
As I said, I wore those in 1942, | 0:43:50 | 0:43:53 | |
and General Eisenhower liked them then. | 0:43:53 | 0:43:55 | |
Do you remember how horrible those garments were?! | 0:43:55 | 0:43:57 | |
No, I don't, actually, but if you're telling me you used to wear them, I believe you. | 0:43:57 | 0:44:02 | |
Just about. | 0:44:02 | 0:44:03 | |
That's rather pretty Art Deco stuff, isn't it? | 0:44:03 | 0:44:06 | |
It's Art Nouveau, that one. Which is very nice, I must say. | 0:44:06 | 0:44:09 | |
I do think that's very pretty. | 0:44:09 | 0:44:11 | |
-Is it hallmarked? -It's not. | 0:44:11 | 0:44:13 | |
Thank the Lord for that. | 0:44:13 | 0:44:15 | |
We didn't go to an Art Deco shop, did we? | 0:44:15 | 0:44:17 | |
I like the bit of pink in it. It's very pretty. | 0:44:17 | 0:44:20 | |
£40. | 0:44:20 | 0:44:22 | |
It was a tasty bargain. | 0:44:24 | 0:44:26 | |
£30? | 0:44:27 | 0:44:29 | |
-Yes. -It's all right. | 0:44:29 | 0:44:31 | |
I mean, that is £30 to £50, £40 to £60. | 0:44:31 | 0:44:34 | |
Mind you, you've got to have a very small shopping list. | 0:44:34 | 0:44:36 | |
-Dare we reveal? -I'm afraid we'll have to. | 0:44:37 | 0:44:41 | |
-Teamwork. -Teamwork. | 0:44:41 | 0:44:43 | |
That's it, get your excuses in, David. | 0:44:43 | 0:44:45 | |
The first bit of the reveal. Do you want the second bit, or do you want to absorb that first? | 0:44:45 | 0:44:49 | |
What on earth could that be underneath there? | 0:44:49 | 0:44:52 | |
Is it a wardrobe? | 0:44:52 | 0:44:54 | |
No, it's a mint-condition harp. | 0:44:54 | 0:44:57 | |
Mint? As in, it's got a hole in the middle. | 0:44:57 | 0:45:00 | |
What in Heaven's name did you pay for that? | 0:45:01 | 0:45:04 | |
Give it a twang. | 0:45:04 | 0:45:06 | |
Angels play this. | 0:45:08 | 0:45:10 | |
Did someone shotgun it? | 0:45:12 | 0:45:14 | |
Someone get Paul an inhaler, quick. His asthma's playing up. | 0:45:14 | 0:45:17 | |
Take no notice of these two. They haven't got a clue. | 0:45:17 | 0:45:20 | |
They can't see a good quality item in good condition. | 0:45:20 | 0:45:23 | |
They're just jealous, David. | 0:45:23 | 0:45:25 | |
What would you like to talk about? | 0:45:27 | 0:45:29 | |
-What's this? -I saw this. I saw this! | 0:45:29 | 0:45:33 | |
This I adore. | 0:45:33 | 0:45:35 | |
Look at the serpentine front. | 0:45:35 | 0:45:37 | |
Then you open it. | 0:45:37 | 0:45:39 | |
Delivers. | 0:45:39 | 0:45:40 | |
What was that clicking noise? | 0:45:40 | 0:45:42 | |
That was just my knee. | 0:45:42 | 0:45:44 | |
That's for probably your cards, or whatever. | 0:45:45 | 0:45:48 | |
-£67. -Wonderful. | 0:45:48 | 0:45:51 | |
Wonderful. | 0:45:51 | 0:45:53 | |
Appealing to the hottest market in the world, arguably. | 0:45:53 | 0:45:56 | |
It's a great thing. | 0:45:57 | 0:45:59 | |
How did they manage to knock nearly £200 off the price? | 0:45:59 | 0:46:02 | |
It's time to reveal the eyes of Eve technique. | 0:46:02 | 0:46:05 | |
I'm just going to try it on Paul. | 0:46:05 | 0:46:07 | |
David, how can I help? | 0:46:07 | 0:46:09 | |
I can't go a bit less than... | 0:46:09 | 0:46:11 | |
You can just have it. | 0:46:11 | 0:46:13 | |
I can't believe it, I can't believe it! | 0:46:13 | 0:46:15 | |
But you weren't offering money, then. | 0:46:15 | 0:46:17 | |
That doesn't matter. If I want his jacket, I just go like this. | 0:46:17 | 0:46:20 | |
-That's it. -It's amazing. | 0:46:24 | 0:46:26 | |
And that face will haunt me in my dreams. | 0:46:26 | 0:46:28 | |
I'll take a picture of it, and email it to you. | 0:46:29 | 0:46:31 | |
-Let battle commence. -Lovely. | 0:46:31 | 0:46:34 | |
Edwina, thank you very much. | 0:46:34 | 0:46:36 | |
It's been great fun, hasn't it? | 0:46:37 | 0:46:39 | |
With the niceties over, let's find out what they really think. | 0:46:40 | 0:46:44 | |
I did like the Maharajah's sort of palace. | 0:46:44 | 0:46:48 | |
I know you're going to say it's in balsa wood, but it's very interior-decor attractive. | 0:46:48 | 0:46:56 | |
That is their best item, their best hope for profit. | 0:46:56 | 0:46:59 | |
It could make a couple of hundred quid. | 0:46:59 | 0:47:01 | |
Those wall lights, they can be tricky. | 0:47:01 | 0:47:04 | |
You've got to hack through your plaster to wire them, | 0:47:04 | 0:47:08 | |
you've got to get an electrician in. | 0:47:08 | 0:47:10 | |
Arguably, they're pretty naff. | 0:47:10 | 0:47:15 | |
Do you think their reaction on the harp was real? | 0:47:15 | 0:47:17 | |
Yes, I'm afraid I do think! | 0:47:17 | 0:47:20 | |
And listen, Paul, he's not entirely sure that it's wrong. | 0:47:20 | 0:47:26 | |
-He's just hoping, isn't he? -Of course he is. | 0:47:26 | 0:47:28 | |
I would like the box, but I don't know that I'd rush to part with any of our purchases. | 0:47:28 | 0:47:33 | |
Not even the girdle? | 0:47:33 | 0:47:35 | |
Not even that sexy lot. | 0:47:35 | 0:47:39 | |
Would you swap all of their purchases for all of ours? | 0:47:39 | 0:47:41 | |
-Definitely not. -Good. | 0:47:41 | 0:47:43 | |
With business all done for the day | 0:47:43 | 0:47:45 | |
oop north it's time to travel a whopping 200 miles | 0:47:45 | 0:47:49 | |
to Stansted in Essex. | 0:47:49 | 0:47:51 | |
We have got some good things. Nothing to worry about. | 0:47:51 | 0:47:54 | |
I suspect, however, in the other car, | 0:47:54 | 0:47:58 | |
do you reckon there's a wee bit more competition between these two ladies? | 0:47:58 | 0:48:00 | |
I think so. | 0:48:00 | 0:48:02 | |
I have a feeling our castle, our Indian temple... | 0:48:02 | 0:48:06 | |
wood thing, it's going to compete hard with your harp. | 0:48:06 | 0:48:11 | |
Whoever wins this today will be put on a pedestal, he's going to be a god. | 0:48:11 | 0:48:16 | |
I think your harp is in a terrible state. | 0:48:17 | 0:48:19 | |
The auction listing just says it's in need of restoration. | 0:48:19 | 0:48:24 | |
It's in need of a kiss of life, that harp. | 0:48:24 | 0:48:27 | |
If I were in charge of the auction, I wouldn't let your harp into the auction room. | 0:48:27 | 0:48:30 | |
It's full of woodworm. It'll infect everything in the room. | 0:48:30 | 0:48:34 | |
You and I... La la la la la la! | 0:48:34 | 0:48:36 | |
It's like another day at work. | 0:48:36 | 0:48:38 | |
Living the dream, brother, living the dream. | 0:48:38 | 0:48:40 | |
Yeah. I just hope it doesn't turn into some nightmare. | 0:48:40 | 0:48:44 | |
The ladies are also living the dream. | 0:48:44 | 0:48:46 | |
But at a somewhat sleepier pace. | 0:48:46 | 0:48:48 | |
This feels a little bit like the early days of motoring, you know. | 0:48:48 | 0:48:52 | |
Bobbing along on the turnpike road... | 0:48:52 | 0:48:56 | |
You've got an excellent memory, Edwina. | 0:48:56 | 0:48:58 | |
The only thing that tells you it isn't is the long queue of traffic behind! | 0:48:58 | 0:49:01 | |
Here they are. At last! | 0:49:02 | 0:49:04 | |
I've never complained about long legs... | 0:49:04 | 0:49:07 | |
Come on, you two. We've got an auction to do. | 0:49:08 | 0:49:10 | |
-Eve. -Have you had a nice drive? | 0:49:10 | 0:49:12 | |
Lovely. | 0:49:12 | 0:49:14 | |
-Had a nice drive in the country? -Lovely. | 0:49:15 | 0:49:17 | |
Oh, good grief, stop being such luvvies and just get in. | 0:49:18 | 0:49:21 | |
In, in, in. Never mind all this kissy-kissy thing. | 0:49:21 | 0:49:25 | |
We've got some antiques to sell. | 0:49:25 | 0:49:27 | |
Sworders Auctioneers have been in business since 1782, | 0:49:27 | 0:49:30 | |
which makes John Black our auctioneer a very youthful-looking 231-year-old. | 0:49:30 | 0:49:35 | |
He must moisturize. | 0:49:35 | 0:49:37 | |
Today he's wielding the hammer for the antiques and collectibles sale. | 0:49:37 | 0:49:41 | |
What are his thoughts on today's lots? | 0:49:41 | 0:49:43 | |
The Chatelaine enamelled notebook holder and pencil, | 0:49:44 | 0:49:47 | |
I think we've estimated that at between £50 and £100. | 0:49:47 | 0:49:51 | |
Games box - this is a lovely box. It's lacquer, | 0:49:51 | 0:49:54 | |
it's 19th Century, it's Chinese. | 0:49:54 | 0:49:56 | |
All the hallmarks of a good sale item. | 0:49:56 | 0:49:58 | |
I would have thought this is going to make £150, £200. | 0:49:58 | 0:50:01 | |
I think the harp is probably the most interesting item you've got today. | 0:50:01 | 0:50:05 | |
I mean, it should make between £200 and £300. | 0:50:05 | 0:50:08 | |
Good ones should make sort of over £1,000. | 0:50:08 | 0:50:11 | |
In good condition. But this hasn't got the strings, but a really good, interesting lot. | 0:50:11 | 0:50:16 | |
Oh. So the harp might not quite hit the bum notes we expected, then. | 0:50:16 | 0:50:21 | |
Both teams started the trip with £400. | 0:50:22 | 0:50:25 | |
Eve and David spent £240 on five auction lots. | 0:50:25 | 0:50:29 | |
Brilliant. | 0:50:29 | 0:50:31 | |
Team Currie spent a marginally smaller sum of £235, | 0:50:31 | 0:50:35 | |
and also bought five lots. | 0:50:35 | 0:50:37 | |
-It's good, isn't it? -We're done. | 0:50:37 | 0:50:39 | |
Let's get this auction started. | 0:50:40 | 0:50:42 | |
We're up first. | 0:50:42 | 0:50:44 | |
Which one is it? | 0:50:44 | 0:50:45 | |
-The Tudric. -What did you pay for it? | 0:50:45 | 0:50:47 | |
-£40. -Good buy. | 0:50:47 | 0:50:49 | |
First up is the Tudric Arts and Crafts teaset. Anyone for a cuppa? | 0:50:49 | 0:50:54 | |
We start at £40 to bid. | 0:50:54 | 0:50:57 | |
If you wish. £30? | 0:50:57 | 0:51:00 | |
Any bids now at £30? | 0:51:00 | 0:51:02 | |
£30 I'm bid. £32, £35. | 0:51:02 | 0:51:05 | |
£38, £40. £45. | 0:51:05 | 0:51:08 | |
£50. £5. | 0:51:08 | 0:51:10 | |
£55 in the centre. | 0:51:10 | 0:51:12 | |
At £55. Selling to the lady in the room. | 0:51:12 | 0:51:15 | |
A solid start with a profit for Team Pollard, | 0:51:16 | 0:51:19 | |
but there's no time to put the kettle on. | 0:51:19 | 0:51:22 | |
Next up is Edwina's find - | 0:51:23 | 0:51:25 | |
the Gatsby lot of the stay, the cigarette holder, and the garters. | 0:51:25 | 0:51:29 | |
Here we go. | 0:51:29 | 0:51:30 | |
£20 to bid. | 0:51:30 | 0:51:32 | |
Any bids now at £20? | 0:51:32 | 0:51:34 | |
Cigarette holder. All very Great Gatsby. | 0:51:34 | 0:51:36 | |
'20s. | 0:51:36 | 0:51:38 | |
£20 to bid. £10 if you must. | 0:51:38 | 0:51:40 | |
Any bids now at £10? £12. | 0:51:40 | 0:51:42 | |
£15 now? £15. | 0:51:43 | 0:51:45 | |
At £15 only. | 0:51:45 | 0:51:47 | |
We're crashing and burning! | 0:51:47 | 0:51:49 | |
£18. £20. | 0:51:49 | 0:51:51 | |
£22, sir? £22. | 0:51:52 | 0:51:54 | |
£22. Gentleman's bid. | 0:51:54 | 0:51:56 | |
Say no more. £22. | 0:51:56 | 0:51:58 | |
A gentleman's bid?! | 0:52:00 | 0:52:02 | |
Well, there was nothing great about the Gatsby lot, | 0:52:02 | 0:52:05 | |
and it's a loss for Team Currie. | 0:52:05 | 0:52:07 | |
I should have modelled those things. | 0:52:07 | 0:52:09 | |
-If you'd have modelled them, they'd have made a lot more money. -Yeah. | 0:52:09 | 0:52:12 | |
Onto 1170, we now have the unusual pair of Victorian cast iron exercising dumb bells. | 0:52:13 | 0:52:19 | |
Eve called them mantique, but is something that heavy bound to sink? | 0:52:19 | 0:52:24 | |
Any bids at £20? £20 I have now. | 0:52:24 | 0:52:27 | |
Thank you. At £20. | 0:52:27 | 0:52:29 | |
Any advance on £20? | 0:52:29 | 0:52:31 | |
Go on! | 0:52:31 | 0:52:32 | |
£22. £25. | 0:52:32 | 0:52:34 | |
£28 in the doorway. £28. | 0:52:34 | 0:52:36 | |
£30 anywhere else? | 0:52:36 | 0:52:38 | |
At £28... | 0:52:38 | 0:52:40 | |
In the doorway. I'm selling to you, sir, at £28. | 0:52:40 | 0:52:43 | |
Oh! | 0:52:43 | 0:52:45 | |
Too early. We're just...ahead of fashion. | 0:52:45 | 0:52:49 | |
Oh, dear. A heavy loss for Team Pollard. | 0:52:50 | 0:52:53 | |
Small but perfectly formed, | 0:52:54 | 0:52:57 | |
it's the Art Nouveau Chatelaine notebook holder that Paul spotted. | 0:52:57 | 0:53:00 | |
We can start the bidding straight in at £50. | 0:53:00 | 0:53:03 | |
£50 I'm bid. | 0:53:03 | 0:53:05 | |
Any advance on £50? | 0:53:05 | 0:53:07 | |
I'll take £5 to bid if you wish. | 0:53:07 | 0:53:09 | |
At £50. £55. | 0:53:09 | 0:53:11 | |
£60. | 0:53:11 | 0:53:13 | |
£65? | 0:53:13 | 0:53:15 | |
No? All done? Then I'll sell. | 0:53:15 | 0:53:18 | |
Well done, you. | 0:53:18 | 0:53:20 | |
It might not have been silver, Edwina, | 0:53:21 | 0:53:23 | |
but it's got you some gold today. | 0:53:23 | 0:53:25 | |
But all that glitters is not gold | 0:53:26 | 0:53:28 | |
in the case of these '50s Rococo-style gilt wall lights. | 0:53:28 | 0:53:32 | |
Where shall we start that lot? £30 for them. | 0:53:32 | 0:53:34 | |
-£20. -What did you pay for this? £42. | 0:53:35 | 0:53:37 | |
At £20. Lady's bid. | 0:53:37 | 0:53:39 | |
Any advance on £22? £25. | 0:53:39 | 0:53:41 | |
£28, madam? £28. £30. | 0:53:42 | 0:53:45 | |
£32. | 0:53:45 | 0:53:46 | |
£35. £38. | 0:53:46 | 0:53:48 | |
£40. £5. | 0:53:48 | 0:53:50 | |
£50. £5. | 0:53:50 | 0:53:52 | |
£60. | 0:53:52 | 0:53:53 | |
£5. | 0:53:53 | 0:53:54 | |
£65. | 0:53:54 | 0:53:56 | |
£65... | 0:53:56 | 0:53:58 | |
That's all right, that's all right. | 0:53:58 | 0:54:00 | |
It's better than all right. It's a glittering profit. | 0:54:00 | 0:54:03 | |
It's time for Edwina and Paul's next item. | 0:54:04 | 0:54:07 | |
The clock with no hands. This should be interesting. | 0:54:07 | 0:54:10 | |
£50 to start if you wish. | 0:54:10 | 0:54:12 | |
£30 I'm bid. | 0:54:12 | 0:54:13 | |
Any advance on £30? | 0:54:13 | 0:54:15 | |
£32 I'll take if you wish, anywhere. | 0:54:15 | 0:54:17 | |
£30 only. Sell for £30. | 0:54:17 | 0:54:21 | |
In no time at all, it's a £10 profit. | 0:54:22 | 0:54:25 | |
BUT it still leaves them narrowly behind Team Pollard. | 0:54:25 | 0:54:29 | |
Enter the dragon. It's the Chinese lacquer box | 0:54:29 | 0:54:32 | |
that Eve's eyes secured the deal on. | 0:54:32 | 0:54:34 | |
We can start the bidding here at £80. | 0:54:34 | 0:54:37 | |
Any advance on £80? | 0:54:37 | 0:54:39 | |
I have on commission. | 0:54:39 | 0:54:41 | |
Any advance? £90. £100. | 0:54:41 | 0:54:43 | |
And £10. £120. | 0:54:43 | 0:54:44 | |
£130. £140. | 0:54:44 | 0:54:45 | |
£140 in the room. | 0:54:45 | 0:54:47 | |
Selling, make no mistake. | 0:54:47 | 0:54:49 | |
That's a good earner. | 0:54:50 | 0:54:52 | |
-You knew it was. -It's a good earner. | 0:54:52 | 0:54:54 | |
Jeepers creepers, that's the power of Eve's peepers, | 0:54:54 | 0:54:58 | |
and the biggest profit so far. | 0:54:58 | 0:55:00 | |
That pushes her and David into a storming lead. | 0:55:00 | 0:55:02 | |
It's the German modular candles next. | 0:55:04 | 0:55:06 | |
£30. £20 I have now. | 0:55:06 | 0:55:08 | |
£20. £22. | 0:55:08 | 0:55:11 | |
£25. | 0:55:11 | 0:55:12 | |
£28. £30. | 0:55:12 | 0:55:14 | |
£32. £35. | 0:55:14 | 0:55:15 | |
£38. £40. | 0:55:15 | 0:55:17 | |
£45. | 0:55:17 | 0:55:18 | |
Gentleman's bid this time. £50. | 0:55:18 | 0:55:21 | |
£55. | 0:55:21 | 0:55:22 | |
£55. | 0:55:22 | 0:55:24 | |
£60. | 0:55:24 | 0:55:25 | |
At £60. £65. | 0:55:25 | 0:55:28 | |
Comes in again. At £65. | 0:55:28 | 0:55:30 | |
£70. £5. | 0:55:32 | 0:55:34 | |
£75, and I'll sell. | 0:55:34 | 0:55:36 | |
-Oh! -Modern design delivered. | 0:55:37 | 0:55:39 | |
It's delivered Paul and Edwina ein klein profit. | 0:55:40 | 0:55:44 | |
I'm the only one here, between us and probably the whole room, | 0:55:45 | 0:55:48 | |
that really rates this harp. | 0:55:48 | 0:55:50 | |
Apparently not. The angel of the auction does too, | 0:55:50 | 0:55:53 | |
although I'm not sure she's entirely serious. | 0:55:53 | 0:55:56 | |
In need of a little bit of restoration. | 0:55:56 | 0:55:58 | |
Who'd like to start? £100 for this, the harp. | 0:55:59 | 0:56:02 | |
It's a lovely lot. | 0:56:02 | 0:56:04 | |
Breaking even would constitute a success for this lot, I reckon. | 0:56:04 | 0:56:07 | |
£50 I'm bid. Thank you. | 0:56:07 | 0:56:09 | |
It's not going to make a profit, is it? | 0:56:09 | 0:56:11 | |
-£55. -It is... | 0:56:11 | 0:56:13 | |
£65? £65. | 0:56:13 | 0:56:15 | |
£70. £5. | 0:56:15 | 0:56:17 | |
£80. | 0:56:18 | 0:56:19 | |
£5. | 0:56:19 | 0:56:21 | |
£85, on the pillar now. | 0:56:21 | 0:56:23 | |
My word. | 0:56:23 | 0:56:25 | |
Heavens above! | 0:56:29 | 0:56:31 | |
People really will buy anything. | 0:56:31 | 0:56:33 | |
And that surprise profit puts Team Pollard into a commanding lead with only one lot left. | 0:56:33 | 0:56:37 | |
By my reckoning, Edwina and Paul's heavenly little temple needs to sell | 0:56:37 | 0:56:42 | |
for over £180 for them to win. | 0:56:42 | 0:56:44 | |
£80 I'm bid. £5. | 0:56:45 | 0:56:46 | |
£90. | 0:56:46 | 0:56:48 | |
£95. £100. | 0:56:48 | 0:56:50 | |
And £10. Your bid, sir, at £110. | 0:56:50 | 0:56:52 | |
£120. | 0:56:52 | 0:56:54 | |
£120. Lady's bid this time. £130. Thank you. | 0:56:55 | 0:56:58 | |
All done? £130. | 0:56:58 | 0:57:00 | |
I'm selling now, £130. | 0:57:01 | 0:57:03 | |
Yes! | 0:57:05 | 0:57:07 | |
Oh, dear - the sweet smell of success has turned out to be the dismal dome of doom. | 0:57:07 | 0:57:13 | |
Well done, guys. | 0:57:13 | 0:57:15 | |
-Great auction. -Very, very close, wasn't it? | 0:57:15 | 0:57:17 | |
It was good fun. | 0:57:17 | 0:57:19 | |
Thanks, Edwina. | 0:57:19 | 0:57:20 | |
-Thank you very much. -Well done. | 0:57:20 | 0:57:22 | |
Both teams started this trip with £400 in their hands. | 0:57:23 | 0:57:27 | |
After paying auction costs, Edwina and Paul walked away with a modest profit of £24.94, | 0:57:27 | 0:57:33 | |
giving them a grand total of... | 0:57:33 | 0:57:35 | |
But today's winners, on a wing and a prayer, | 0:57:38 | 0:57:42 | |
were Eve and David, who made a heavenly profit of £65.86, | 0:57:42 | 0:57:46 | |
and a winning total of... | 0:57:46 | 0:57:48 | |
Well done all round, folks. | 0:57:51 | 0:57:53 | |
All the profits our teams make will go to Children in Need. | 0:57:53 | 0:57:55 | |
Now it's time for the farewells. | 0:57:57 | 0:57:59 | |
Is David going to declare his undying love for Eve, | 0:57:59 | 0:58:03 | |
and is Paul going to give Edwina a hug? | 0:58:03 | 0:58:05 | |
It appears not. | 0:58:06 | 0:58:08 | |
-You've been marvellous. Thank you very much. -It's been a pleasure. | 0:58:08 | 0:58:11 | |
-I wish you well. -I wish you too. | 0:58:11 | 0:58:13 | |
Come, come, boys. Stop showing off to the girls. | 0:58:16 | 0:58:18 | |
Lucky we're women. We don't fight about things like that. | 0:58:18 | 0:58:21 | |
Not much. | 0:58:21 | 0:58:23 | |
Bye-bye. | 0:58:25 | 0:58:26 | |
Our road trip is over, but the battle of the sexes continues. | 0:58:26 | 0:58:29 | |
Cheerio until next time. | 0:58:29 | 0:58:32 | |
Subtitles by Red Bee Media Ltd | 0:58:33 | 0:58:35 |