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'Some of the nation's favourite celebrities.' Why have I got such expensive taste? | 0:00:03 | 0:00:07 | |
'One antiques expert each.' HE LAUGHS | 0:00:08 | 0:00:12 | |
Do you want me to cry? 'And one big challenge. | 0:00:12 | 0:00:15 | |
'Who can seek out and buy the best antiques at the very best prices?' | 0:00:15 | 0:00:20 | |
Answers on a postcard. HAMMER BANGS | 0:00:20 | 0:00:23 | |
Ohh! 'And auction for a big profit further down the road?' | 0:00:23 | 0:00:27 | |
Good evening, viewers! | 0:00:27 | 0:00:29 | |
'Who will spot the good investments? Who will listen to advice?' | 0:00:29 | 0:00:32 | |
Do you like it? No, I think it's horrible. | 0:00:32 | 0:00:35 | |
'And who will be the first to say, "Don't you know who I am?"' | 0:00:35 | 0:00:39 | |
Well done, us. 'Time to put your peddle to the metal. | 0:00:39 | 0:00:43 | |
'This is Celebrity Antiques Road Trip! | 0:00:43 | 0:00:46 | |
'Yeah! | 0:00:48 | 0:00:50 | |
'Today's Celebrity Road Trip is a battle of the soaps. | 0:00:53 | 0:00:56 | |
'Yes, it's north versus south, | 0:00:56 | 0:00:57 | |
'tripe versus jellied eels, Weatherfield versus Walford.' | 0:00:57 | 0:01:02 | |
How do I open the door? | 0:01:02 | 0:01:04 | |
'Starring EastEnders' Shaun Williamson...' | 0:01:04 | 0:01:06 | |
Well, there's no door handle. '..and Coronation Street's Vicky Entwistle.' | 0:01:06 | 0:01:10 | |
Hey, we could do like a Starsky and Hutch and just jump over. | 0:01:10 | 0:01:14 | |
20 years ago... HE LAUGHS | 0:01:14 | 0:01:16 | |
Well, I'll push you. ..I'd have taken you up on that. | 0:01:16 | 0:01:19 | |
'And just getting in this stunning 1998 TVR Chimaera | 0:01:19 | 0:01:23 | |
'has already got them into a bit of a lather.' | 0:01:23 | 0:01:26 | |
Ahh! Hey! Well done! It's under the wing mirror! | 0:01:27 | 0:01:31 | |
Hey, that's posh. Why? | 0:01:31 | 0:01:34 | |
Oh, it's very low, isn't it? Yeah, it's very low. | 0:01:34 | 0:01:37 | |
Right, now, don't mess my hair up cos I've got loads of hairspray on. | 0:01:39 | 0:01:43 | |
'Shaun spent ten years in Albert Square | 0:01:43 | 0:01:45 | |
'playing lovable loser and everyone's favourite fall guy, Barry Evans.' | 0:01:45 | 0:01:50 | |
You can have it all. I don't care. Take it. | 0:01:50 | 0:01:53 | |
Get off me! | 0:01:54 | 0:01:56 | |
HE SCREAMS | 0:01:56 | 0:02:00 | |
'But he had no problem getting in character for his next big role, | 0:02:02 | 0:02:06 | |
'playing himself in Ricky Gervais's Extras, | 0:02:06 | 0:02:09 | |
'a role he reprised for Life's Too Short. | 0:02:09 | 0:02:12 | |
'He also played himself when he won Celebrity Mastermind.' | 0:02:12 | 0:02:15 | |
I've got my... some breakfast for us. Oh! | 0:02:15 | 0:02:17 | |
'No rush, Shaun. There's only TV gold to make.' | 0:02:17 | 0:02:20 | |
Two pieces of toast, one with raspberry jam on and one with Marmite. | 0:02:20 | 0:02:24 | |
Can I have the jam? Yes. I hate Marmite. | 0:02:24 | 0:02:27 | |
It's one of them, isn't it? You either like it or you don't. | 0:02:27 | 0:02:30 | |
'You could be onto something there, Vicky. Star of the north, | 0:02:30 | 0:02:34 | |
'Ms Entwistle spent 13 years in Coronation Street | 0:02:34 | 0:02:37 | |
'playing the tart with a heart Janice Battersby, | 0:02:37 | 0:02:40 | |
'the matriarch of Weatherfield's neighbours from hell. | 0:02:40 | 0:02:43 | |
'But she's now gone from up north to the West End | 0:02:43 | 0:02:47 | |
'and a starring role as Madame Thenardier in Les Mis.' | 0:02:47 | 0:02:51 | |
I wish I had dark sunglasses on. | 0:02:51 | 0:02:54 | |
We're like Thelma and Louise. Yes! HE LAUGHS | 0:02:54 | 0:02:57 | |
Who was who? I never knew. I hope we find our Brad Pitt, that's all I can say. | 0:02:57 | 0:03:02 | |
'Well, look no further, Vicky. You can take your pick | 0:03:02 | 0:03:05 | |
'from either of these two fine specimens of manhood | 0:03:05 | 0:03:09 | |
'in a fine 1971 TR6, | 0:03:09 | 0:03:11 | |
'the racy Mark Stacey...' | 0:03:11 | 0:03:13 | |
You're a bit soap fan, aren't you? | 0:03:13 | 0:03:15 | |
'..and the rugged Paul Laidlaw.' | 0:03:15 | 0:03:18 | |
Which leads on, awkwardly... I can see you through the week | 0:03:18 | 0:03:23 | |
with your onesie and your one big slipper on | 0:03:23 | 0:03:25 | |
with a cup of cocoa. Have you been stalking me? | 0:03:25 | 0:03:28 | |
Do you know, I've got a webcam. THEY LAUGH | 0:03:28 | 0:03:31 | |
'Paul Laidlaw was an amateur collector for years | 0:03:31 | 0:03:34 | |
'before becoming an auctioneer and an expert in militaria. | 0:03:34 | 0:03:37 | |
'And he just loves shooting from the lip.' | 0:03:37 | 0:03:40 | |
Shaun, Celebrity Mastermind winner, I believe. | 0:03:40 | 0:03:44 | |
Oh, so you and him will have a lot in common. HE LAUGHS | 0:03:44 | 0:03:48 | |
Anorak central, is it? Well, I wasn't saying that, Paul, | 0:03:48 | 0:03:52 | |
but I think a lot of people just nodded in agreement at home. | 0:03:52 | 0:03:56 | |
Knowingly, mm. And I think Tim's listening and having a good giggle at that one. | 0:03:56 | 0:04:00 | |
'I couldn't possibly comment, Mark. | 0:04:00 | 0:04:02 | |
'But what I will tell the viewers is that you're an independent consultant, valuer and dealer | 0:04:02 | 0:04:07 | |
'with 25 years experience who simply loves Coronation Street. And we used to work together.' | 0:04:07 | 0:04:12 | |
I love Coronation Street. 'See?' | 0:04:12 | 0:04:14 | |
And I know you're a huge fan of Shaun's now | 0:04:14 | 0:04:17 | |
and I love Coronation Street, so we know where we're going. Yeah, yeah. | 0:04:17 | 0:04:21 | |
It don't get better than this, all right? 'Here, here! | 0:04:21 | 0:04:24 | |
'But Shaun and Vicky might be a while yet. They're having some slight bubble with the car.' | 0:04:24 | 0:04:29 | |
So the one on the left is a clutch. | 0:04:29 | 0:04:32 | |
Oh. Right, we're in gear. Right. | 0:04:33 | 0:04:36 | |
Thunderbirds are go. SHE LAUGHS | 0:04:36 | 0:04:39 | |
THUNDERBIRDS THEME PLAYS | 0:04:39 | 0:04:42 | |
'Thank goodness for that! It would've been a short show otherwise. | 0:04:42 | 0:04:45 | |
'So how do our actors think they might cope with the world of antiques?' | 0:04:45 | 0:04:50 | |
Is it Chipperfield, or was that a circus? That's a circus, isn't it? | 0:04:50 | 0:04:53 | |
Is it? God, we're going to be useless. Oh, it's going to be grim. | 0:04:53 | 0:04:57 | |
Yeah, is this a genuine David Chipperfield table? SHE LAUGHS | 0:04:57 | 0:05:02 | |
'Both of today's soap-soaked teams | 0:05:02 | 0:05:05 | |
'have ?400 to spend on their road trip, | 0:05:05 | 0:05:07 | |
'which will take them from Hemingfield, across South Yorkshire, | 0:05:07 | 0:05:11 | |
'before going up and round the beautiful North Yorkshire Dales | 0:05:11 | 0:05:14 | |
'and then taking the long road back down south to auction, | 0:05:14 | 0:05:17 | |
'140 miles away in Birmingham.' | 0:05:17 | 0:05:20 | |
This looks rather nice. | 0:05:20 | 0:05:22 | |
Hello there! Hello! | 0:05:22 | 0:05:25 | |
There we go. That's some chariot you've brought. It is. | 0:05:25 | 0:05:28 | |
Oh, this is very nice, isn't it? We've only just learnt how to open the doors. | 0:05:28 | 0:05:32 | |
THEY LAUGH So have we gravitated into teams, by any chance? | 0:05:32 | 0:05:36 | |
I think we... I... Yes. We might've done. | 0:05:36 | 0:05:40 | |
Mark, see you there. Good luck. We're going to the same shop! Oh, we are! | 0:05:40 | 0:05:43 | |
I'm going to see you soon! Get in the car. | 0:05:43 | 0:05:46 | |
They've got the fast car. We need to go first. | 0:05:46 | 0:05:48 | |
'With the teams decided and Paul and Shaun just about fitting in the Triumph, | 0:05:48 | 0:05:53 | |
'it leaves me to say...' Oh, I've never seen a knob do that before. | 0:05:53 | 0:05:58 | |
'Hm. ..ladies and gentlemen, start your engines!' | 0:05:58 | 0:06:01 | |
It's like the Blues Brothers. | 0:06:01 | 0:06:04 | |
'First out into the stunning South Yorkshire countryside are Vicky and Mark.' | 0:06:05 | 0:06:08 | |
Are you competitive, Vicky? I even get competitive in Cluedo. | 0:06:08 | 0:06:13 | |
No! Yeah, I try and look in the envelope when no-one's looking. | 0:06:13 | 0:06:17 | |
Oh, you... Oh, that's cheating. Well, yeah. | 0:06:17 | 0:06:19 | |
That's not competitive. But I'm liking it. | 0:06:19 | 0:06:22 | |
SHE LAUGHS 'Cheeky! | 0:06:22 | 0:06:24 | |
'Not too far behind are Shaun and Paul.' | 0:06:24 | 0:06:27 | |
Right then, Shaun, it's me and you in a classic car | 0:06:27 | 0:06:31 | |
on a mission to buy antiques. | 0:06:31 | 0:06:33 | |
Is this uncharted territory or... | 0:06:33 | 0:06:37 | |
Just when I thought life couldn't get any stranger. | 0:06:37 | 0:06:39 | |
THEY LAUGH | 0:06:39 | 0:06:41 | |
But I think what we'll do is try and work as a pair. | 0:06:41 | 0:06:45 | |
Yeah. And I will be blunt. | 0:06:45 | 0:06:47 | |
If you pick up things that are signed by a well-known artist | 0:06:47 | 0:06:51 | |
that I refer to called C Rap... SHE LAUGHS | 0:06:51 | 0:06:55 | |
..I will be telling you that that is not acceptable. | 0:06:55 | 0:06:59 | |
'That's her told, then. The teams are going just over a mile down the road | 0:06:59 | 0:07:03 | |
'to Elsecar, home to Elsecar Heritage Centre. First through the doors are Vicky and Mark.' | 0:07:03 | 0:07:09 | |
After you, my dear. Oh, thank you, you gentleman. | 0:07:09 | 0:07:11 | |
Oh, well, I try, you know? Oh, God, I feel lost already. | 0:07:11 | 0:07:15 | |
Cabinets everywhere. | 0:07:15 | 0:07:18 | |
'With dozens of dealers over two huge floors, | 0:07:18 | 0:07:21 | |
'getting lost is going to be easy, Mark. | 0:07:21 | 0:07:23 | |
'Vicky and Mark will need to be quick round the cabinets | 0:07:23 | 0:07:26 | |
'to exploit their head start over the boys.' | 0:07:26 | 0:07:29 | |
And they're on our tail here. | 0:07:29 | 0:07:31 | |
'They certainly are.' | 0:07:31 | 0:07:33 | |
They're bric-a-brac and then buy more. Exactly. | 0:07:36 | 0:07:39 | |
What's this here? 'Vicky spots something sweet.' | 0:07:39 | 0:07:42 | |
That's a sugar caster, I think. | 0:07:42 | 0:07:44 | |
'And so does Mark.' Oh, I don't think it's quite my colour. | 0:07:44 | 0:07:48 | |
Do you know... They could've done very well in Brighton. | 0:07:48 | 0:07:50 | |
I thought that was an old one but it isn't. That's another sugar shaker. I'm into my sugar shakers. | 0:07:50 | 0:07:55 | |
I can see that! I can see you're... Shake your sugar. | 0:07:55 | 0:07:59 | |
That's quite fun, isn't it? It's a little Meissen dish. | 0:08:00 | 0:08:05 | |
'In 1710, the Meissen company was the first European firm | 0:08:05 | 0:08:08 | |
'to successfully copy the Chinese method of producing porcelain. | 0:08:08 | 0:08:11 | |
'It's still in business today and its famous trademark of two crossed swords | 0:08:11 | 0:08:16 | |
'is believed to be one of the oldest in existence.' | 0:08:16 | 0:08:19 | |
That's rather nice, you know? Let's get that. | 0:08:19 | 0:08:22 | |
And if nobody buys it, we can just put olives in it and... | 0:08:22 | 0:08:25 | |
Oh, hark at you! | 0:08:25 | 0:08:27 | |
'Ticketed at ?34, that's one item put aside | 0:08:27 | 0:08:30 | |
'before Shaun and Paul even get there. | 0:08:30 | 0:08:33 | |
'They might even manage a second before the boys arrive.' | 0:08:33 | 0:08:37 | |
I love that. 'Vicky loves visiting churches, | 0:08:40 | 0:08:43 | |
'so this stained glass is right up her street.' | 0:08:43 | 0:08:46 | |
It's really pretty, isn't it? I think it's gorgeous. | 0:08:46 | 0:08:49 | |
I love stained glass. I just think it's so pretty, | 0:08:49 | 0:08:52 | |
and the way that it's made, it's such an art form. | 0:08:52 | 0:08:56 | |
Are they here or not? They're here. | 0:08:56 | 0:08:58 | |
Can you see them? They're here. | 0:08:58 | 0:09:01 | |
How much is it? Well, it's... 135, was it? | 0:09:01 | 0:09:05 | |
135. It's a lot of money, isn't it? It's quite a lot of money. | 0:09:05 | 0:09:09 | |
HE LAUGHS | 0:09:09 | 0:09:11 | |
It looks like it could be a painting. HE LAUGHS | 0:09:11 | 0:09:13 | |
If that was going into the auction we're going to, | 0:09:13 | 0:09:16 | |
they'd probably estimate it something like ?80 to ?120. Really? | 0:09:16 | 0:09:20 | |
So we'll need to get it down a bit. Yeah. | 0:09:20 | 0:09:22 | |
But you don't see a lot of them. I think it's really nice, actually. | 0:09:22 | 0:09:26 | |
'This glass dates from the late 19th century. | 0:09:26 | 0:09:29 | |
'It's Pre-Raphaelite in style. They were a Victorian art movement | 0:09:29 | 0:09:33 | |
'who took their inspiration from the early Renaissance.' | 0:09:33 | 0:09:36 | |
I love it. I like the fact that your eyes lit up when you saw it. | 0:09:36 | 0:09:41 | |
Yeah, I think she's really bonny, really sweet. | 0:09:41 | 0:09:44 | |
There they are. Are they carrying... Look at that. | 0:09:44 | 0:09:47 | |
Let's sneak up and see what they're talking about. | 0:09:47 | 0:09:50 | |
Can you pop that with our other items? Certainly, yes. Thank you very much. | 0:09:50 | 0:09:54 | |
Hello. Oh! Quick, hide it! | 0:09:54 | 0:09:57 | |
Have you spent any money? We're being very tactful. | 0:09:57 | 0:10:00 | |
We've got a few things on hold. | 0:10:00 | 0:10:03 | |
Five or six at least, at the moment. What? | 0:10:03 | 0:10:05 | |
Is that because you got here an hour before us cos you put sugar in our petrol tank? | 0:10:05 | 0:10:10 | |
Now, off with you! Carry on! Good luck. Have fun. Good luck. | 0:10:10 | 0:10:14 | |
You're going to need it. | 0:10:14 | 0:10:16 | |
'But will they need it? | 0:10:16 | 0:10:18 | |
'Boxing fan Shaun seems a bit of an expert on one of the items.' | 0:10:18 | 0:10:23 | |
I can spy Frank Bruno and Henry Cooper. There's boxing stuff up here. | 0:10:23 | 0:10:26 | |
Tell me about it. I mean, there's some lovely stuff of Henry Cooper. | 0:10:26 | 0:10:30 | |
Unfortunately, I've got a lot of stuff like this, so it's beautiful | 0:10:30 | 0:10:34 | |
and it's worth what someone's wanting to pay for it, but I think there's so much of it, | 0:10:34 | 0:10:38 | |
you'd only make a fiver profit. OK. Tenner profit. | 0:10:38 | 0:10:41 | |
But I'd love to get hold of a piece of boxing memorabilia to auction. | 0:10:41 | 0:10:45 | |
'A nice bit of expertise from our celeb there. | 0:10:45 | 0:10:48 | |
'But it still leaves them empty-handed. | 0:10:48 | 0:10:51 | |
'Over in the other corner, it's Mark and Vicky's final round. Ding-ding, seconds out. | 0:10:51 | 0:10:57 | |
'They're going for the Meissen dish and the stained glass. | 0:10:57 | 0:11:00 | |
'Both items belong to local dealer Carl Masters. | 0:11:00 | 0:11:04 | |
'Can they box clever and get a knock-down on the glass?' | 0:11:04 | 0:11:06 | |
Erm, you've got a reasonable-ish sum on it. What could you do on that one? | 0:11:06 | 0:11:11 | |
Purely because my beautiful daughters are massive fans... Oh! ..of the street | 0:11:11 | 0:11:18 | |
and they'd murder me if the other team win. Ooh! This is looking hopeful. | 0:11:18 | 0:11:22 | |
Oh, I knew that programme would come in handy one day. So I'll treat you. | 0:11:22 | 0:11:25 | |
'The Corrie connection is coming up trumps already.' | 0:11:25 | 0:11:28 | |
A price of 135. | 0:11:28 | 0:11:31 | |
I'll do that at ?80 for you. Ooh! | 0:11:31 | 0:11:34 | |
'Stay calm, Vicky. You're supposed to negotiate, girl!' | 0:11:34 | 0:11:37 | |
And what about the little dish? | 0:11:37 | 0:11:40 | |
Er, the little Meissen dish, | 0:11:40 | 0:11:42 | |
er, 34 the price. | 0:11:42 | 0:11:45 | |
I'll do it at 20. So 100 for the two? 100 for the two. | 0:11:45 | 0:11:49 | |
So that stands a reasonable chance. Mm. | 0:11:51 | 0:11:54 | |
If I was very cheeky, Carl, and said 90, would that be possible or not? | 0:11:54 | 0:11:59 | |
I don't want to push you unnecessarily, | 0:11:59 | 0:12:02 | |
but if we could get it for 90, we'd be over the moon, wouldn't we? | 0:12:02 | 0:12:05 | |
What about if I said I'll give you that lovely little anointing spoon brooch? | 0:12:05 | 0:12:11 | |
Oh, gosh. Solid silver. I've not dated it, but it's clearly hallmarked at the back. | 0:12:11 | 0:12:16 | |
'And a freebie, too. Carl's daughter must be a big fan.' | 0:12:16 | 0:12:20 | |
Yeah, that's sweet. And it is hallmarked, actually. | 0:12:20 | 0:12:23 | |
And it's a little brooch. Yeah. It's quite unusual. It is. | 0:12:23 | 0:12:26 | |
This is the Jubilee mark, 1935. | 0:12:26 | 0:12:30 | |
Shall we do that? ?100 including that. | 0:12:30 | 0:12:33 | |
I love you. Thank you very much, Carl. | 0:12:33 | 0:12:36 | |
Thanks, Carl. My daughters will love me if you win. Give him a little hug. | 0:12:36 | 0:12:39 | |
They'll love this. Ohh! | 0:12:39 | 0:12:41 | |
'There's one for the Masters' family album.' We're so going to win! | 0:12:41 | 0:12:46 | |
'So, that's the dish, spoon and the stained glass for 100 smackers | 0:12:46 | 0:12:49 | |
'and one big smacker from Vicky.' Ooh. Ooh! | 0:12:49 | 0:12:53 | |
Mwah! Honestly, it's like Blind Date here. | 0:12:53 | 0:12:56 | |
Hey, sod the antiques! | 0:12:56 | 0:12:58 | |
'Shaun and Paul are still on the hunt for their first item | 0:13:01 | 0:13:04 | |
'and Paul's spotted something that's definitely got legs.' | 0:13:04 | 0:13:07 | |
Where is Shaun? Yeah? | 0:13:07 | 0:13:10 | |
I'm going to blow your mind. 'There's a promise.' OK. | 0:13:12 | 0:13:15 | |
A turnover-top tea table. Very gentile. | 0:13:15 | 0:13:20 | |
Ta-da! OK? | 0:13:22 | 0:13:24 | |
And I'll wager this turns... Yeah. | 0:13:24 | 0:13:27 | |
So you turn that 90 degrees and open it out. | 0:13:27 | 0:13:31 | |
So it closes up, that can sit at the side of the room. | 0:13:31 | 0:13:35 | |
Period, William IV, 1830, 1840. | 0:13:35 | 0:13:40 | |
Yeah? Proper antique. | 0:13:40 | 0:13:42 | |
But this... Well, at this period, many are on columns, little pillars, | 0:13:42 | 0:13:47 | |
and platform bases. | 0:13:47 | 0:13:50 | |
This, with this wonderful horseshoe-like support... | 0:13:50 | 0:13:55 | |
Does that do anything? In any way, is that... | 0:13:55 | 0:13:58 | |
I really love it and I love when it folds out. It's beautiful. | 0:13:58 | 0:14:04 | |
'I'm not sure a turnover-top table constitutes mind-blowing, but Shaun is impressed. | 0:14:04 | 0:14:09 | |
'Can they reduce the already reduced ticket price of ?250?' | 0:14:09 | 0:14:14 | |
I'm wondering if the guy wants to see the back of that. | 0:14:14 | 0:14:16 | |
I wonder if they're slacking that price yet. | 0:14:17 | 0:14:22 | |
'Only one way to find out. Ask the dealer. Yes, it's Corrie fan Carl.' | 0:14:22 | 0:14:26 | |
Carl, good to see you. It is in the sale at 250. | 0:14:26 | 0:14:30 | |
But I'll do it at 150. 150? Yep. | 0:14:31 | 0:14:35 | |
And that's the death? I don't want this Coronation Street nonsense | 0:14:35 | 0:14:38 | |
to sway you. My daughters are avid fans, so... | 0:14:38 | 0:14:42 | |
'But don't count Shaun out yet.' | 0:14:43 | 0:14:45 | |
He's going to make a play. Carl, there's... | 0:14:45 | 0:14:48 | |
There's seven crisp 20s there. PAUL LAUGHS | 0:14:49 | 0:14:53 | |
I'm not even going to argue. Really? 140? 140. | 0:14:53 | 0:14:56 | |
Oh, thank you very much. I'm a traitor to Coronation Street now. | 0:14:56 | 0:15:00 | |
My daughters will murder me. | 0:15:00 | 0:15:03 | |
PAUL LAUGHS Thank you very much indeed. | 0:15:03 | 0:15:05 | |
You've got us off to a great start. Thank you very much, Carl. Bless you. | 0:15:05 | 0:15:10 | |
'Vicky and Mark are already on their way to their next shop, | 0:15:10 | 0:15:14 | |
'just two and a half miles up the road in Wentworth. | 0:15:14 | 0:15:17 | |
'But for Corrie fanatic Mark, | 0:15:17 | 0:15:19 | |
'it's still a chance to find out more about one of his favourite characters, Janice Battersby.' | 0:15:19 | 0:15:24 | |
How much of Janice is in Vicky? | 0:15:24 | 0:15:28 | |
Well, when I first started, I used to think very little, | 0:15:29 | 0:15:33 | |
you know, we're completely different people. | 0:15:33 | 0:15:36 | |
But then after a while of playing her, | 0:15:36 | 0:15:39 | |
I kind of started merging into her, which I didn't like. | 0:15:39 | 0:15:41 | |
HE LAUGHS You know? And became, according to my husband, very argumentative, | 0:15:41 | 0:15:47 | |
very opinionated, erm, and loud. | 0:15:47 | 0:15:52 | |
And we'd watch it and he'd go, "Oh, I recognise that tone of voice." | 0:15:52 | 0:15:56 | |
You know what I mean? And I think he's much happier | 0:15:56 | 0:15:58 | |
that Janice has kind of been put to bed. | 0:15:58 | 0:16:02 | |
'Ah, we love you as you are, Vicky. | 0:16:02 | 0:16:04 | |
'And so, hopefully, will the people at Wentworth Antiques, | 0:16:04 | 0:16:07 | |
'Jan Sweeting and David Smith.' | 0:16:07 | 0:16:09 | |
Now, if you see anything that you like, don't be frightened to tell me, will you? Right. | 0:16:11 | 0:16:17 | |
More cabinets. | 0:16:22 | 0:16:25 | |
Not quite so crammed this time, are they? | 0:16:25 | 0:16:27 | |
'Mark spots something that might just raise the spirits when they go to auction in Birmingham.' | 0:16:27 | 0:16:32 | |
Ooh, now, that's interesting. | 0:16:33 | 0:16:35 | |
It says there something from Birmingham. | 0:16:35 | 0:16:38 | |
1872. We're selling in Birmingham. | 0:16:38 | 0:16:41 | |
They might like it. They might like that. Let's have a look. | 0:16:41 | 0:16:44 | |
This here? Yes, please. What have we got here? | 0:16:47 | 0:16:51 | |
A keepsake from Birmingham. | 0:16:51 | 0:16:54 | |
May 5th, 1872. Wow. | 0:16:55 | 0:16:59 | |
'This neat little hip flask used to be silver-plated, | 0:16:59 | 0:17:02 | |
'but it's worn away over the years.' | 0:17:02 | 0:17:04 | |
Leather embossed. ?45. Hm. | 0:17:04 | 0:17:08 | |
It's quite a bit, really. So that comes off. | 0:17:08 | 0:17:11 | |
Ah! So then when you pour your nip in there, | 0:17:11 | 0:17:15 | |
you can use it as a glass. Really? That's got to be worth ?40 on its own. Yes. | 0:17:15 | 0:17:20 | |
Even without the top flask. SHE YAWNS | 0:17:20 | 0:17:23 | |
HE SIGHS Can you put it at the counter? | 0:17:23 | 0:17:27 | |
You see, I like this. 'I like it, too. | 0:17:37 | 0:17:40 | |
'It's a very fetching three-piece Art Deco tea set.' | 0:17:40 | 0:17:43 | |
Yeah, I like that. Cos you like a cup of tea, don't you? | 0:17:43 | 0:17:46 | |
Mm, I do like a cup of tea. This is silver plate. | 0:17:46 | 0:17:49 | |
But isn't... Now, what shape is that? | 0:17:49 | 0:17:52 | |
Art Deco? That's why I like it. I'm leaving. | 0:17:52 | 0:17:56 | |
You don't need me. My work here is done. Bye, Mark. | 0:17:56 | 0:17:59 | |
SHE LAUGHS | 0:17:59 | 0:18:01 | |
'The Art Deco style dates from the 20s, | 0:18:01 | 0:18:03 | |
'and like this tea set, uses straight lines and geometric shapes.' | 0:18:03 | 0:18:07 | |
But it is really nice, isn't it? It's a pretty shape, isn't it? | 0:18:07 | 0:18:12 | |
And this is faux ivory. 'Also known as Bakelite.' | 0:18:12 | 0:18:16 | |
But, again, I think it would probably be estimated at ?40 to ?60. How much is it? | 0:18:16 | 0:18:21 | |
85. 85. Oh, gosh. | 0:18:21 | 0:18:23 | |
Expensive, isn't it? Do you like it, though? | 0:18:23 | 0:18:26 | |
Ah. I don't know if I like it that much. Really? | 0:18:27 | 0:18:29 | |
Well, I do like it, but I think if we're not going to get the 85 back, | 0:18:29 | 0:18:33 | |
we can't go there, can we? Well, it's only an estimate of 40 to 60. | 0:18:33 | 0:18:38 | |
It might well... And then if I went round kissing everybody again... | 0:18:38 | 0:18:41 | |
We might get 20 or 30. SHE LAUGHS | 0:18:41 | 0:18:44 | |
'Nothing else seems to be tickling their fancy, | 0:18:44 | 0:18:47 | |
'so it's down to business on the spirit flask and the tea set.' | 0:18:47 | 0:18:51 | |
Hello, we're back. Hello! | 0:18:51 | 0:18:53 | |
'First up, it's the flask, and Mark is using Vicky | 0:18:53 | 0:18:56 | |
'as his excuse for a cheeky offer of ?10.' | 0:18:56 | 0:18:59 | |
This is Coronation Street versus EastEnders. Is it? Yeah. | 0:18:59 | 0:19:03 | |
We need to know where your loyalties lie. OK. So it's... North versus south. | 0:19:03 | 0:19:08 | |
'And now they're appealing to their northern loyalty. Shameless! | 0:19:08 | 0:19:12 | |
'Wait, that's a different show, isn't it?' What do you think? | 0:19:12 | 0:19:15 | |
If we were going to buy this, as well... | 0:19:15 | 0:19:18 | |
I mean, it is a very striking piece. | 0:19:18 | 0:19:21 | |
At ?85... Look at me when I'm talking to you. | 0:19:21 | 0:19:24 | |
That is a great price. It is. Because it's for Vicky... | 0:19:24 | 0:19:28 | |
Ohh! You big meanie! | 0:19:28 | 0:19:31 | |
Coronation Street. That's right, for Corrie, yeah. | 0:19:31 | 0:19:34 | |
?55. THEY GASP | 0:19:36 | 0:19:39 | |
You can't believe how cheap it is. Did he actually say what I thought he said? | 0:19:39 | 0:19:43 | |
Yeah. I think if we said 55 for the two, that'd be lovely. | 0:19:43 | 0:19:48 | |
Oh, that would be great. | 0:19:48 | 0:19:50 | |
I would love you. Cos I think there's a chance of a profit. | 0:19:50 | 0:19:52 | |
And there'll be a cuddle all round, really. Yeah, and a kiss. | 0:19:52 | 0:19:55 | |
Yeah. Yeah. And even one from Vicky. | 0:19:55 | 0:20:00 | |
THEY LAUGH Have we got any tablets here? | 0:20:00 | 0:20:04 | |
THEY LAUGH Are you feeling ill? | 0:20:04 | 0:20:06 | |
'Wait a minute! Is that Jim Bowen behind the counter?' | 0:20:06 | 0:20:09 | |
We would be happy with that. | 0:20:09 | 0:20:12 | |
Thank you. Go on. | 0:20:12 | 0:20:15 | |
Let me give you a cuddle. Cos she's going to give him one. | 0:20:16 | 0:20:18 | |
'So, with another big smacker dished out, | 0:20:18 | 0:20:22 | |
'it's time to dish out the big smackers. | 0:20:22 | 0:20:24 | |
'?10 for the spirit flask and ?45 for the Art Deco tea set.' | 0:20:24 | 0:20:28 | |
Thank you very much. | 0:20:28 | 0:20:30 | |
I don't know about you, but I need a sit down and a cup of tea. So do I. | 0:20:30 | 0:20:33 | |
Thank you very much. Thank you! You're welcome. | 0:20:33 | 0:20:36 | |
Wasn't that amazing? | 0:20:36 | 0:20:39 | |
'The boys have now finished up in Elsecar | 0:20:39 | 0:20:42 | |
'and are heading 11 miles east | 0:20:42 | 0:20:44 | |
'to Cusworth Hall outside Doncaster | 0:20:44 | 0:20:46 | |
'where there's a special surprise for boxing fan Shaun.' | 0:20:46 | 0:20:49 | |
And you've boxed in your youth? I boxed for the Royal Navy. | 0:20:49 | 0:20:53 | |
I just felt that I needed to find out what it was like to get into a boxing ring | 0:20:53 | 0:20:58 | |
if I was going to watch other people beating each other up. Yeah. | 0:20:58 | 0:21:00 | |
So you can feel the punches yourself now when you're watching it. | 0:21:00 | 0:21:03 | |
Yeah. And when people say to me now, "Do you get nervous before you go on the stage?" | 0:21:03 | 0:21:08 | |
it's nothing compared to waiting to go into a boxing ring. | 0:21:08 | 0:21:11 | |
The worst thing that can happen in the theatre | 0:21:11 | 0:21:15 | |
is that somebody rustles a bag of sweets on the front row. PAUL LAUGHS | 0:21:15 | 0:21:19 | |
'The majestic Cusworth Hall is an 18th century Grade-I listed building | 0:21:20 | 0:21:25 | |
'which now hosts the Museum of South Yorkshire Life. | 0:21:25 | 0:21:29 | |
'Paul and Shaun have come here to meet local historian Giles Brearley | 0:21:29 | 0:21:33 | |
'who managed to track down a lost piece of art featuring a hero of the noble art.' | 0:21:33 | 0:21:39 | |
I understand you're very interested in a very famous Yorkshire heavyweight boxer. | 0:21:39 | 0:21:43 | |
I am indeed. The great Iron Hague. | 0:21:43 | 0:21:46 | |
Well, we've actually got a few little treats in store | 0:21:46 | 0:21:48 | |
regarding Iron and his career, if you want to follow me. Can't wait. Thank you very much. | 0:21:48 | 0:21:53 | |
'Over 100 years ago, | 0:21:53 | 0:21:55 | |
'James William "Iron" Hague | 0:21:55 | 0:21:57 | |
'was a real-life Rocky who came from nothing | 0:21:57 | 0:22:00 | |
'to become English heavyweight champion | 0:22:00 | 0:22:03 | |
'and to fight the best in the world. | 0:22:03 | 0:22:05 | |
'He was a local hero to the thousands of ordinary people who lived in South Yorkshire | 0:22:05 | 0:22:09 | |
'and earned a fortune before giving much of it away and returning to obscurity.' | 0:22:09 | 0:22:14 | |
And there he is. This is the man himself. | 0:22:14 | 0:22:17 | |
Wow. It's a great picture, isn't it? Yeah, lovely picture. | 0:22:17 | 0:22:21 | |
So who would've commissioned this picture? | 0:22:21 | 0:22:23 | |
Er, National Sporting Club would commission the picture. | 0:22:23 | 0:22:28 | |
Every heavyweight champion that they had had their portrait done. | 0:22:28 | 0:22:32 | |
'Due to a dispute in the boxing world, this painting of him | 0:22:32 | 0:22:35 | |
'by H Lancaster was thought to be lost forever | 0:22:35 | 0:22:38 | |
'until Giles started doing some research into Hague's life for a book. | 0:22:38 | 0:22:42 | |
'And what a life it was. Hague came from Mexborough, | 0:22:42 | 0:22:45 | |
'a nearby mining town when mining was one of the worst paid | 0:22:45 | 0:22:49 | |
'and most dangerous jobs in the country. | 0:22:49 | 0:22:51 | |
'But boxing offered a way out. First fighting for his colliery | 0:22:51 | 0:22:56 | |
'and then in a travelling fair before becoming town champ | 0:22:56 | 0:22:59 | |
'and then county champ, he was offered a crack at the English heavyweight title in London | 0:22:59 | 0:23:04 | |
'against Gunner Moir in 1909 | 0:23:04 | 0:23:07 | |
'and was given a tremendous local send-off.' | 0:23:07 | 0:23:09 | |
And, of course, in those days when there wasn't this instant... | 0:23:09 | 0:23:12 | |
You know, you couldn't watch it on telly, there was no mobile phone use... | 0:23:12 | 0:23:17 | |
What the people did, as the fight was on the next day, | 0:23:17 | 0:23:22 | |
the people went up to the telegraph office on the high street, | 0:23:22 | 0:23:26 | |
and at ten o'clock at night, the street was full of people | 0:23:26 | 0:23:29 | |
all round the telegraph office waiting for the telegraph to come up | 0:23:29 | 0:23:33 | |
with the result, and when the result came up, | 0:23:33 | 0:23:35 | |
the whole town cheered. | 0:23:35 | 0:23:38 | |
Can I... pick those gloves up? | 0:23:38 | 0:23:41 | |
Of course. Am I allowed to? Of course. | 0:23:41 | 0:23:43 | |
Don't tell me these are the actual ones... These are the actual gloves | 0:23:43 | 0:23:47 | |
that put Gunner Moir down in 1909. | 0:23:47 | 0:23:50 | |
'Hague lost his title in 1911, | 0:23:50 | 0:23:53 | |
'having earned over ?1 million in today's currency. | 0:23:53 | 0:23:56 | |
'He spent his fortune on his family and on good causes. | 0:23:56 | 0:23:59 | |
'It's said he bought shoes for barefoot children he saw in the street. | 0:23:59 | 0:24:03 | |
'In 1914, he joined the Grenadier Guards | 0:24:03 | 0:24:06 | |
'but was gassed at the Somme. | 0:24:06 | 0:24:08 | |
'His later years were dogged by ill health, | 0:24:08 | 0:24:10 | |
'but he did, however, live to be a grandfather, as this picture shows. | 0:24:10 | 0:24:15 | |
'And Giles has a surprise in store for Shaun.' | 0:24:15 | 0:24:18 | |
Are any of the grandchildren still alive. | 0:24:18 | 0:24:20 | |
Erm, yes. Actually, Jeanette. I would like to take you to meet Jeanette. | 0:24:20 | 0:24:25 | |
What, now? Yeah, yeah, come on. Really? | 0:24:25 | 0:24:28 | |
Yes. This baby? This baby, yes. | 0:24:28 | 0:24:31 | |
Jeanette's here. She's sat outside. We'll go and have a natter with her. | 0:24:31 | 0:24:35 | |
Yes, please. THEY LAUGH | 0:24:35 | 0:24:38 | |
Wow. Is that them there? Yeah, over here. | 0:24:38 | 0:24:42 | |
I've just seen a picture of you as a baby and you haven't changed a bit. THEY LAUGH | 0:24:43 | 0:24:47 | |
Have you got any memories of him? Oh, yeah! Really? Yeah. | 0:24:47 | 0:24:51 | |
I've got memories of him giving us threepence and saying, | 0:24:51 | 0:24:53 | |
"Go get some chips." That's a proper granddad, that is. | 0:24:53 | 0:24:56 | |
'But what about that painting? Well, Iron Hague might have remained | 0:24:56 | 0:24:59 | |
'only in the memory of his family and local boxing fans | 0:24:59 | 0:25:03 | |
'if it weren't for that detective work by Giles.' | 0:25:03 | 0:25:06 | |
We lost the portrait | 0:25:06 | 0:25:09 | |
many, many years ago | 0:25:09 | 0:25:11 | |
and it was only by speaking to Giles | 0:25:11 | 0:25:14 | |
that I said it was down London and we couldn't find it | 0:25:14 | 0:25:18 | |
and he said, "Do you want it back?" and I said, "Yes." | 0:25:18 | 0:25:21 | |
And he did all the spade work | 0:25:21 | 0:25:23 | |
to get that portrait back. Where did you trace it to? | 0:25:23 | 0:25:27 | |
I tracked it down... Barry McGuigan was a great help in tracking it down | 0:25:27 | 0:25:31 | |
and we found him in storage in Croydon. | 0:25:31 | 0:25:34 | |
So I managed to, erm, persuade the people | 0:25:34 | 0:25:38 | |
that it was still the family property, | 0:25:38 | 0:25:41 | |
it wanted to be returned back to South Yorkshire, to his home and to the museum, so they agreed. | 0:25:41 | 0:25:47 | |
'Cusworth Hall was only too happy to give the painting pride of place | 0:25:47 | 0:25:51 | |
'and ensure future generations of visitors | 0:25:51 | 0:25:53 | |
'will now know the story of Iron Hague.' | 0:25:53 | 0:25:55 | |
You've got that beautiful portrait hanging up in that beautiful house, | 0:25:55 | 0:25:59 | |
so what can you say? The Iron Hague, gone but never forgotten. | 0:25:59 | 0:26:03 | |
Never. Thank you so much. You're welcome. | 0:26:03 | 0:26:06 | |
'It's been an opening day of purchases and pugilism here is South Yorkshire, | 0:26:06 | 0:26:11 | |
'and with both our teams feeling a bit punch drunk, | 0:26:11 | 0:26:13 | |
'it's time to say nighty-night. | 0:26:13 | 0:26:15 | |
'It's another day in paradise, well, Yorkshire, actually, | 0:26:23 | 0:26:26 | |
'for our soap-studded, star-studded duos, | 0:26:26 | 0:26:29 | |
'and Shaun seems quite taken by the antiques game.' | 0:26:29 | 0:26:32 | |
Do you think you could do it full-time? I'd like to | 0:26:32 | 0:26:36 | |
because it's just a lovely life, isn't it? | 0:26:36 | 0:26:39 | |
The life of the antique dealer. It'd be nice mincing around the Yorkshire Dales. | 0:26:39 | 0:26:44 | |
A bit of a Lovejoy? In an open-top sports car. | 0:26:44 | 0:26:46 | |
SHE LAUGHS Yeah, a Cockney Lovejoy. | 0:26:46 | 0:26:50 | |
I suppose, like anything, it's a lifetime of knowledge and expertise. | 0:26:50 | 0:26:54 | |
'And with Paul's lifetime of knowledge and expertise to rely upon, | 0:26:55 | 0:26:59 | |
'team Williamson spent a hefty ?140 on one item, | 0:26:59 | 0:27:03 | |
'a William IV mahogany tea table. | 0:27:03 | 0:27:06 | |
'Vicky and Mark spent a miserly ?155 on four items, | 0:27:06 | 0:27:10 | |
'a 19th Pre-Raphaelite-style stained-glass panel | 0:27:10 | 0:27:14 | |
'depicting winter at ?80, | 0:27:14 | 0:27:17 | |
'a Victorian silver-plated and leather spirit flask for ?10, | 0:27:17 | 0:27:22 | |
'a 19th century spoon tray costing ?20 | 0:27:22 | 0:27:25 | |
'and a lovely little Art Deco three-piece tea set for a very agreeable ?45.' | 0:27:25 | 0:27:31 | |
Mark is a right case. It's like Carry On Antiques when we get together. | 0:27:31 | 0:27:35 | |
He's Kenneth Williams, I'm Babs Windsor. HE LAUGHS | 0:27:35 | 0:27:39 | |
But, no, he is fun. | 0:27:39 | 0:27:41 | |
'So, our teams are getting on well. | 0:27:41 | 0:27:43 | |
'But with only one item purchased yesterday, the pressure is on Paul and Shaun. | 0:27:43 | 0:27:47 | |
'Having crossed South Yorkshire yesterday, | 0:27:48 | 0:27:50 | |
'today will take both our teams through the beautiful Dales of North Yorkshire, | 0:27:50 | 0:27:54 | |
'starting off in the historic spa town of Harrogate. | 0:27:54 | 0:27:57 | |
'Harrogate's health-giving waters were discovered in the 16th century | 0:27:57 | 0:28:01 | |
'and it's been a popular tourist destination for over 300 years. | 0:28:01 | 0:28:05 | |
'In 1982, it hosted the Eurovision Song Contest | 0:28:05 | 0:28:08 | |
'and the winner that year was German teenager Nicole with A Little Peace. | 0:28:08 | 0:28:14 | |
'All together now!' # Just a little loving, a little giving | 0:28:14 | 0:28:20 | |
# For our tomorrow, a little peace | 0:28:20 | 0:28:24 | |
'Vicky and Mark picked up a few little pieces yesterday, | 0:28:26 | 0:28:29 | |
'so they can relax. But Paul and Shaun need to get going.' | 0:28:29 | 0:28:33 | |
You all right? How are you? Are you all fixed? Yeah. | 0:28:33 | 0:28:36 | |
They seem quietly confident. Yeah! | 0:28:36 | 0:28:39 | |
We had a very successful day yesterday. We were happy. | 0:28:39 | 0:28:43 | |
We managed to bag a few items, didn't we? | 0:28:43 | 0:28:45 | |
And, of course, they absolutely... I'm amazed, they love Coronation Street up here. | 0:28:45 | 0:28:50 | |
THEY LAUGH We're up north, you see? My manor. | 0:28:50 | 0:28:54 | |
We're going to have to film a rematch in the East End. | 0:28:54 | 0:28:56 | |
THEY LAUGH | 0:28:56 | 0:28:58 | |
All right, have a good one. Yes! | 0:28:58 | 0:29:01 | |
We're not in a panic, are we? Are we heck! We're chilled. | 0:29:01 | 0:29:03 | |
I think we need to go and find a cup of tea, you know? Let's go to Betty's Tea Room. Should we? | 0:29:03 | 0:29:09 | |
In the bag, they think? Yeah. Well, it ain't over yet! | 0:29:09 | 0:29:12 | |
We're going to prove them wrong, buddy! | 0:29:12 | 0:29:14 | |
We've got a leisurely day ahead. | 0:29:14 | 0:29:16 | |
I'm going to read the papers, have a nice cup of tea | 0:29:16 | 0:29:19 | |
and a fondant fancy. | 0:29:19 | 0:29:22 | |
Ooh, I do like a nice fondant fancy. SHE LAUGHS | 0:29:22 | 0:29:26 | |
'After they've sampled the local cakes, | 0:29:26 | 0:29:28 | |
'Mark and Vicky don't have far to go for their first shop, | 0:29:28 | 0:29:32 | |
'just a couple of miles up the road to Pannal and the Harrogate Antiques Centre.' | 0:29:32 | 0:29:35 | |
I love this job. You've got the best job in the world. | 0:29:35 | 0:29:39 | |
At times it's wonderful, isn't it? | 0:29:39 | 0:29:41 | |
I must admit, driving a luxury car with a leg end... | 0:29:41 | 0:29:46 | |
SHE LAUGHS With a leg end! | 0:29:46 | 0:29:48 | |
I tend to say icon. | 0:29:50 | 0:29:52 | |
Here we are, antiques and vintage. | 0:29:52 | 0:29:55 | |
'And here to meet them at Harrogate Antiques is David Wilding.' | 0:29:55 | 0:30:00 | |
I'm Mark. I'm David. Nice to meet you, David. | 0:30:00 | 0:30:02 | |
This is Vicky. Hi, Vicky. How are you? You all right? | 0:30:02 | 0:30:05 | |
'It's a big space with a lot to look at.' | 0:30:05 | 0:30:08 | |
Keep looking and shout if you see anything. I will. | 0:30:08 | 0:30:12 | |
SHE GASPS That'd be wonderful! | 0:30:12 | 0:30:15 | |
There's so much in here that I want to look at it all, | 0:30:15 | 0:30:19 | |
but I can't see the wood for the trees. What do you think of this? | 0:30:19 | 0:30:22 | |
'Oh, I don't think it's his colour, unfortunately, Vicky. | 0:30:22 | 0:30:26 | |
'Or his size.' Yeah. | 0:30:26 | 0:30:28 | |
Goes with your complexion. And you can put these round, you know, | 0:30:29 | 0:30:33 | |
to tie you a little bit tighter. 'I told you so.' Yes. | 0:30:33 | 0:30:37 | |
Where have you gone? Oh, there you are. Oh, aren't you little? | 0:30:39 | 0:30:43 | |
'Stop messing about, you two! There's antiques to buy and the clock is ticking.' | 0:30:43 | 0:30:47 | |
There's a little, erm, a little dish round here. | 0:30:49 | 0:30:52 | |
There it is. Where? It's like a little love 'art. | 0:30:53 | 0:30:56 | |
Yeah. A love 'art? It's ?76, though. Yeah, but it doesn't mean we have to pay that. | 0:30:56 | 0:31:01 | |
Birmingham, 1898. Birmingham, you see? It's the Birmingham theme. | 0:31:01 | 0:31:06 | |
But a lot of... It's the Brummie theme. I like it. Do you like it? I love it. | 0:31:06 | 0:31:11 | |
David, could I have a look at this little dish, please? The love 'art. The love 'art. | 0:31:11 | 0:31:16 | |
SHE LAUGHS | 0:31:16 | 0:31:18 | |
Erm... I really like that. I think it's dead sweet. OK. | 0:31:18 | 0:31:21 | |
Well, then give it to Dave and let's see what we can get. | 0:31:21 | 0:31:25 | |
'David phones Roman, the dish's owner, to do a deal.' | 0:31:25 | 0:31:29 | |
Tell him it's Janice Battersby. It's Janice Battersby. | 0:31:29 | 0:31:32 | |
'And Mark's keen to exploit Vicky's home ground.' | 0:31:32 | 0:31:35 | |
Have a word with her and see what you can negotiate. | 0:31:35 | 0:31:38 | |
Roman. Hello! | 0:31:39 | 0:31:41 | |
I'm all right, Roman, thanks. Are you? | 0:31:43 | 0:31:45 | |
I'm in love with this little tray. I think it's gorgeous. Er, ?76 you've got it on for. | 0:31:46 | 0:31:52 | |
'Mark's told Vicky to go for an ambitious ?20 to ?30.' | 0:31:52 | 0:31:57 | |
You've shocked him. We have to make a profit and beat EastEnders. | 0:31:57 | 0:32:01 | |
35? | 0:32:01 | 0:32:03 | |
But I like even numbers. | 0:32:03 | 0:32:06 | |
He's saying he likes even numbers. | 0:32:06 | 0:32:08 | |
I mean.... 36, he says. | 0:32:08 | 0:32:11 | |
THEY LAUGH | 0:32:11 | 0:32:14 | |
Right, 32. | 0:32:15 | 0:32:17 | |
Right, I will. 32, that's lovely. We'll have that. | 0:32:17 | 0:32:20 | |
Thank you. | 0:32:20 | 0:32:22 | |
Have a great day. See you later. Bye! | 0:32:22 | 0:32:26 | |
Ahh! 32 quid. And that is less than half price. Give me a hug. | 0:32:26 | 0:32:31 | |
'Result! Well done, Vicky! She's secured a bon-bon dish for ?32, | 0:32:31 | 0:32:36 | |
'a possible companion for the silver spoon brooch Carl gave them yesterday.' | 0:32:36 | 0:32:40 | |
Well... I'm really pleased with what we've got. | 0:32:40 | 0:32:44 | |
Yeah, I'm really pleased we found that last item. | 0:32:44 | 0:32:46 | |
We? Yeah. I found that, I. | 0:32:46 | 0:32:50 | |
Oh, you're playing that game, are you? All right. Thanks. | 0:32:50 | 0:32:53 | |
Don't take the credit for all my hard work. It's unbelievable. | 0:32:53 | 0:32:56 | |
I thought we were a team. Priceless, honestly. | 0:32:56 | 0:32:59 | |
Vicky Entwistle. Priceless. | 0:32:59 | 0:33:01 | |
'It wasn't priceless, it was ?32. | 0:33:01 | 0:33:04 | |
'Meanwhile, Paul and Shaun are heading from Harrogate | 0:33:04 | 0:33:07 | |
'all through the Dales to Pateley Bridge, 16 miles away. | 0:33:07 | 0:33:11 | |
'And it's a chance for Paul to find out more about Shaun's career post-EastEnders.' | 0:33:11 | 0:33:16 | |
Being in a soap opera for ten years, it does typecast you. | 0:33:16 | 0:33:19 | |
So when Ricky Gervais phoned me up and said, "Do you want to be in my new series, Extras?" | 0:33:19 | 0:33:23 | |
"Yes, I'd love to. What's the name of my character?" "Barry from EastEnders." | 0:33:23 | 0:33:27 | |
PAUL LAUGHS | 0:33:27 | 0:33:29 | |
But everybody who agreed to be in that show did it with very good grace. | 0:33:29 | 0:33:32 | |
Some very famous people. Yeah! Yeah. | 0:33:32 | 0:33:36 | |
Ben Stiller, Samuel L Jackson. | 0:33:36 | 0:33:38 | |
Astonishing. You know, er... Kate Winslet! | 0:33:38 | 0:33:41 | |
Kate Winslet. Robert De Niro. | 0:33:41 | 0:33:45 | |
'Yep, we had all of them on standby if you and Vicky weren't available, Shaun. | 0:33:45 | 0:33:50 | |
'Maybe next series, eh? But before then, | 0:33:50 | 0:33:52 | |
'there's the sweet little town of Pateley Bridge to visit. | 0:33:52 | 0:33:55 | |
'It's home to the oldest sweet shop in England, | 0:33:55 | 0:33:58 | |
'conveniently named The Oldest Sweet Shop In England. | 0:33:58 | 0:34:02 | |
'Whoever took a gamble on that name is a genius. Or psychic. | 0:34:02 | 0:34:05 | |
'With no time to waste, the boys hit the streets.' | 0:34:05 | 0:34:08 | |
I'm looking forward to this. I've got the bit between my teeth. | 0:34:08 | 0:34:11 | |
'Crows Nest Antiques is run by the lovely Linda Hanby | 0:34:11 | 0:34:15 | |
'and her rather quiet husband, Chris.' You OK? I'm Shaun. | 0:34:15 | 0:34:18 | |
Hi, I'm Linda. Pleased to meet you. I'm Paul. Hi, I'm Linda. Good to see you. | 0:34:18 | 0:34:23 | |
'With no time to waste, can Linda point them in the right direction?' | 0:34:23 | 0:34:27 | |
Are you looking for something big or something small? | 0:34:27 | 0:34:30 | |
A big purchase? I'm looking for something with profit in it. | 0:34:30 | 0:34:34 | |
What about something like this? | 0:34:34 | 0:34:37 | |
This is a lovely gentleman's case. | 0:34:37 | 0:34:40 | |
Yeah. These are silver. Silver-topped. Mm-hm. | 0:34:40 | 0:34:44 | |
Here, this has got the original... Yep. ..inkwells. Yep. | 0:34:44 | 0:34:50 | |
Wow. That's the original. That's incredible. | 0:34:50 | 0:34:52 | |
'This stylish and ingenious Edwardian gentleman's case | 0:34:52 | 0:34:56 | |
'was designed with compartments to contain all a gent may need on his travels, | 0:34:56 | 0:35:01 | |
'from toiletry bottles to some boot hooks to help you get your boots on.' | 0:35:01 | 0:35:05 | |
I can do that probably for... Let me see. | 0:35:05 | 0:35:09 | |
Erm... 130. What does your heart tell you abut that? | 0:35:09 | 0:35:12 | |
I think it's a beautiful thing and I can see why somebody would want it. | 0:35:12 | 0:35:16 | |
And it's just in a fabulous leather case. | 0:35:16 | 0:35:20 | |
So you've got some really nice... For me to sleep easy... | 0:35:20 | 0:35:24 | |
..it'd have to be 80. | 0:35:25 | 0:35:27 | |
Cos it's got to make 100 under the hammer, | 0:35:27 | 0:35:30 | |
and that's what it might do at auction. | 0:35:30 | 0:35:32 | |
I think if you shook my hand at 90, | 0:35:32 | 0:35:37 | |
then we'd have a deal. Over to you, boss. | 0:35:37 | 0:35:40 | |
Yeah, I'd like to buy it at 90. | 0:35:40 | 0:35:43 | |
I think we've a deal! HE LAUGHS | 0:35:43 | 0:35:46 | |
Thank you very much. Smiles all round. Thanks, Linda. | 0:35:46 | 0:35:50 | |
'?90 for the travel case and now Linda's got a handle on her customers' tastes.' | 0:35:50 | 0:35:54 | |
Following the sort of gentleman's route, how about something like this? | 0:35:54 | 0:35:59 | |
I've got a weakness for vintage spectacles. | 0:35:59 | 0:36:03 | |
19th century. Ring terminals, telescopic arms. | 0:36:03 | 0:36:08 | |
Come on, big man! Good evening, viewers! | 0:36:08 | 0:36:12 | |
THEY LAUGH 'The boys are keen to make spectacles of themselves | 0:36:12 | 0:36:16 | |
'and Linda has a few more for them to try.' So, I've got these. | 0:36:16 | 0:36:20 | |
And then if you are into will.i.am... | 0:36:20 | 0:36:25 | |
HE LAUGHS | 0:36:25 | 0:36:27 | |
..then, erm, look at those. | 0:36:27 | 0:36:30 | |
'I'm not sure who this will.i.am is, | 0:36:30 | 0:36:33 | |
'but I can tell you these glasses were designed for shooting.' | 0:36:33 | 0:36:35 | |
What can the three sets of spectacles be? | 0:36:35 | 0:36:38 | |
How about ?55? | 0:36:38 | 0:36:42 | |
You're going to shake my hand on that, you really are. | 0:36:43 | 0:36:46 | |
'Paul not haggling? Is that some kind of mind trick Linda has just pulled? | 0:36:46 | 0:36:51 | |
'They've still got money to spend, though. So, can he get his haggling mojo back on some other items?' | 0:36:51 | 0:36:56 | |
That is really a pleasing decanter. | 0:36:57 | 0:37:01 | |
It's the silver collar that does it for me. | 0:37:01 | 0:37:04 | |
It has a problem and it's this. | 0:37:05 | 0:37:09 | |
Blooming. And that's actually there forever. | 0:37:09 | 0:37:14 | |
Oh, really? It's a chemical reaction. It's not dust. | 0:37:14 | 0:37:17 | |
'Blooming is a discolouration which can occur | 0:37:17 | 0:37:20 | |
'on the inside surface of decanters | 0:37:20 | 0:37:22 | |
'and it becomes invisible when the glass has water in it, | 0:37:22 | 0:37:25 | |
'which Linda is just about to help demonstrate. | 0:37:25 | 0:37:28 | |
'And, as if by magic, ta-da!' | 0:37:28 | 0:37:31 | |
Tell me it worked. There you go, look at that. | 0:37:31 | 0:37:34 | |
Et voila! Wow. It did! | 0:37:34 | 0:37:36 | |
What a transformation! What do you think of that? All gone. | 0:37:37 | 0:37:41 | |
Extraordinary. Price went up again. HE LAUGHS | 0:37:41 | 0:37:44 | |
Er, I have no idea what I've got on this. 85. | 0:37:45 | 0:37:49 | |
So I think, erm... | 0:37:49 | 0:37:51 | |
..60. I'm going to haggle on this. I didn't with the glasses. | 0:37:53 | 0:37:57 | |
SHE SIGHS I am. Erm, I'm going to offer you 45. | 0:37:57 | 0:38:01 | |
Hm. 50? | 0:38:01 | 0:38:03 | |
I'd be happy paying 50 for it. Lovely. | 0:38:03 | 0:38:07 | |
Fantastic. There you go, Linda. | 0:38:07 | 0:38:10 | |
Thank you. Thank you very much. PAUL LAUGHS | 0:38:10 | 0:38:13 | |
'So, with the temporarily blemish-free decanter for ?50...' | 0:38:13 | 0:38:16 | |
There we go, there's that. Lovely. Thank you very much. Thank you very much indeed. | 0:38:16 | 0:38:20 | |
'..that means the boys have given Linda ?195 in total, | 0:38:20 | 0:38:24 | |
'leaving ?65 for the final item. | 0:38:24 | 0:38:27 | |
'Vicky and Mark are now all done shopping, | 0:38:27 | 0:38:29 | |
'and as Vicky is a big fan of churches, | 0:38:29 | 0:38:32 | |
'they've come 19 miles down the road to Ripon. | 0:38:32 | 0:38:34 | |
'They're visiting one of the area's most stunning chapels | 0:38:34 | 0:38:38 | |
'which has a tragic story behind its construction. | 0:38:38 | 0:38:41 | |
'Christ The Consoler Church was commissioned in 1871 | 0:38:42 | 0:38:45 | |
'by Lady Mary Vyner as a tribute to her son Frederick, | 0:38:45 | 0:38:50 | |
'who was kidnapped and killed by Greek bandits before a ransom could be paid. | 0:38:50 | 0:38:54 | |
'The ransom money was then used to help build the church | 0:38:54 | 0:38:58 | |
'and here to explain more is Rosie Lister of the church's conservation trust.' | 0:38:58 | 0:39:03 | |
Freddie was 23, he was at Oxford, he was a member of the Bullingdon Club, | 0:39:03 | 0:39:08 | |
he was a very elegant young man, having the time of his life | 0:39:08 | 0:39:12 | |
and he went with quite a notable group of friends, | 0:39:12 | 0:39:17 | |
including Lord and Lady Muncaster, | 0:39:17 | 0:39:20 | |
across to Greece as tourists | 0:39:20 | 0:39:23 | |
and they were captured by Greek brigands... Ooh. ..and held hostage. | 0:39:23 | 0:39:28 | |
Can I show you his picture? Yes. Yeah. | 0:39:28 | 0:39:30 | |
So, there he is. Oh, he looks very dapper. | 0:39:32 | 0:39:35 | |
Isn't he wonderful, wearing his sort of white linen summer suit? | 0:39:35 | 0:39:40 | |
'Freddie's mother, Lady Mary Vyner, raised over ?1 million ransom in today's money. | 0:39:40 | 0:39:45 | |
'But the story goes political negotiations faltered | 0:39:45 | 0:39:48 | |
'and Freddie also refused to be exchanged for a servant who offered to take his place.' | 0:39:48 | 0:39:53 | |
The really heart-rending thing is that this was his last diary entry, | 0:39:53 | 0:39:57 | |
so he was sitting there with his friends knowing what was going to happen and he writes, | 0:39:57 | 0:40:02 | |
"We must trust to God that we may die bravely as Englishmen should do." | 0:40:02 | 0:40:08 | |
Gosh. I think I'm going to cry. 'So as a tribute to Lady Vyner's murdered son, | 0:40:08 | 0:40:12 | |
'the money was used to commission Cardiff Castle's architect, William Burgess, | 0:40:12 | 0:40:17 | |
'to build a chapel in the same Victorian high-Gothic style. | 0:40:17 | 0:40:20 | |
'The churchyard was designed by Burgess as a memorial garden | 0:40:20 | 0:40:24 | |
'and dozens of weeping birches and willows surround it. | 0:40:24 | 0:40:27 | |
'Even Freddie's old dog appears in the sculptures, waiting for his master to return. | 0:40:27 | 0:40:33 | |
'But it's inside the building that the real splendour of Burgess's design appears. | 0:40:33 | 0:40:39 | |
'The beauty of the church and the sadness of the story are proving too much for Vicky.' | 0:40:39 | 0:40:43 | |
Hey, why are you being so weepy? I don't know. | 0:40:43 | 0:40:46 | |
I just think it's lovely. | 0:40:46 | 0:40:48 | |
'Burgess's design is full of visual references inspired by Freddie's fate.' | 0:40:50 | 0:40:55 | |
Do you think, you know, with it being birds and butterflies, | 0:40:57 | 0:41:00 | |
that they're saying that he's free, that he's flown away? | 0:41:00 | 0:41:03 | |
I think there is that whole kind of nature and heaven and otherworldliness, | 0:41:03 | 0:41:08 | |
I think that's all to do with that. And there is a message along here, | 0:41:08 | 0:41:13 | |
which is basically, the story is that it's in code, | 0:41:13 | 0:41:18 | |
and we are led to believe Lady Mary actually wanted to have it put here | 0:41:18 | 0:41:23 | |
as a private message to her son. Oh. The ultimate, sort of, goodbye from her. Gosh. | 0:41:23 | 0:41:28 | |
Vicky, why are you so emotional in these churches? | 0:41:28 | 0:41:33 | |
I don't know. It's not a religious thing at all. I'm not religious. | 0:41:34 | 0:41:39 | |
I just feel... I mean, I know I might look sad but I feel really happy. | 0:41:39 | 0:41:44 | |
I just love stained-glass windows, I love the architecture and the carvings and the stonemasonry. | 0:41:44 | 0:41:49 | |
I just find it so loving, | 0:41:49 | 0:41:53 | |
and this story is particularly... Poignant, I think, | 0:41:53 | 0:41:56 | |
because a young man in the prime of his life died. Yeah. | 0:41:56 | 0:41:59 | |
But then, this is a lasting testimony to it. | 0:41:59 | 0:42:02 | |
And it's wonderful that you're carrying on the work | 0:42:02 | 0:42:04 | |
of protecting and keeping this open so we can all come and look at it. | 0:42:04 | 0:42:09 | |
Thank you so much for showing us around. Thank you very much for coming. | 0:42:09 | 0:42:12 | |
Thank you. I'm really happy. I think. THEY LAUGH | 0:42:12 | 0:42:17 | |
Thank you. Thank you very much. | 0:42:17 | 0:42:19 | |
Thank you so much. Bye-bye. Bye. | 0:42:19 | 0:42:21 | |
'So, there you are, a church that is both a colourful celebration of life and a testament to tragedy. | 0:42:22 | 0:42:28 | |
'On that rather sombre note, it's time for a gear change. | 0:42:28 | 0:42:32 | |
'Let's see how Paul and Shaun are getting on.' | 0:42:32 | 0:42:34 | |
I've got the trunk, the spectacles and the decanter. | 0:42:34 | 0:42:39 | |
And do you know what? I'm really, really confident now. | 0:42:39 | 0:42:43 | |
Happy and confident. We're on fire, Shaun. We're on fire! | 0:42:43 | 0:42:48 | |
'There's still time for another item so it's 14 miles back up the road to Pannal, | 0:42:48 | 0:42:53 | |
'and, yes, Harrogate Antiques and David Wilding again.' | 0:42:53 | 0:42:57 | |
Here we go. Last stop. | 0:42:57 | 0:42:59 | |
No pressure. No pressure. | 0:42:59 | 0:43:02 | |
Other than I expect you to find the next amazing buy. Ah. | 0:43:02 | 0:43:07 | |
'And as the other team found out, a shop this big can be overwhelming. | 0:43:07 | 0:43:12 | |
'But thankfully, David is still on hand to help out.' | 0:43:12 | 0:43:15 | |
It looks like a happy hunting ground, this. It's a nice place. | 0:43:15 | 0:43:18 | |
Yeah, there's certainly plenty of stuff here. | 0:43:18 | 0:43:21 | |
We've got 65 quid to spend. There's got to be something in here | 0:43:21 | 0:43:25 | |
that can we get for 65 that we can auction for 100. | 0:43:25 | 0:43:28 | |
Can you hear that? | 0:43:30 | 0:43:32 | |
What is it? It's a clock ticking. | 0:43:32 | 0:43:34 | |
Don't. Thank you. | 0:43:35 | 0:43:38 | |
I think the time is right for Shaun to... | 0:43:38 | 0:43:41 | |
..put to good use the good training he's had over the last day and a half. | 0:43:42 | 0:43:46 | |
His apprenticeship is served. HE LAUGHS | 0:43:46 | 0:43:49 | |
I want something different. I want something different from anything that we've got. | 0:43:49 | 0:43:53 | |
You can tell instantly with Paul if you've picked up something of interest, | 0:43:53 | 0:43:58 | |
and it's not a mean thing that these experts do, | 0:43:58 | 0:44:02 | |
they just instantly know that you've picked up a piece of old tat, really. | 0:44:02 | 0:44:05 | |
Collars. | 0:44:05 | 0:44:07 | |
Sorry? | 0:44:08 | 0:44:11 | |
I'll take that as a no. It doesn't matter. | 0:44:11 | 0:44:13 | |
My interest in this is I haven't got a clue what it is. | 0:44:13 | 0:44:16 | |
'Come on, Shaun, you're an EastEnder. Where's that Blitz spirit gone?' | 0:44:16 | 0:44:20 | |
Tick, tick, tick, tick, tick. | 0:44:22 | 0:44:25 | |
'Shaun's failed in his search, so it's up to Paul to save the day. | 0:44:25 | 0:44:28 | |
'Our military expert has spotted some crested China.' | 0:44:28 | 0:44:32 | |
Dead in the water. | 0:44:32 | 0:44:34 | |
So why am I telling you about these? There's one area in particular that's picked up. | 0:44:34 | 0:44:38 | |
Military. We've got the military thing here. | 0:44:38 | 0:44:41 | |
We're looking at... | 0:44:41 | 0:44:43 | |
..an artillery shell. | 0:44:45 | 0:44:47 | |
And they're really picking up in value. I'm seeing some great results. | 0:44:47 | 0:44:50 | |
Now, granted, this isn't rare, this is entry-level, it's not a rare thing. | 0:44:50 | 0:44:55 | |
Arguably military, just at a push, is a bell tent. Yes. | 0:44:55 | 0:45:00 | |
That's the standard camping tent of the British Army for a century, the 19th. | 0:45:00 | 0:45:05 | |
Maybe we could put a little cluster together and squeeze something out of it. | 0:45:05 | 0:45:09 | |
'The owner of the china is David himself. | 0:45:09 | 0:45:12 | |
'Sports fan Shaun has seen another small piece he'd like.' The Hambledon Cricket jug. | 0:45:12 | 0:45:17 | |
'But Paul's not convinced.' Do we need the cricket? | 0:45:17 | 0:45:19 | |
Does that muddy the water? Do we just go in and say, | 0:45:19 | 0:45:22 | |
"Two pieces of First World War period crested china" and that's it? | 0:45:22 | 0:45:26 | |
All about the military angle. This muddies the water. | 0:45:26 | 0:45:30 | |
'David's going to help you make that decision.' | 0:45:30 | 0:45:32 | |
If you buy those, you can have that free. | 0:45:32 | 0:45:35 | |
How much are those? That's ?8, and that's ?5 free. | 0:45:36 | 0:45:39 | |
'That's a very generous offer, David. | 0:45:39 | 0:45:41 | |
'But can the boys squeeze any more out of the deal?' | 0:45:41 | 0:45:44 | |
It's up to you. | 0:45:45 | 0:45:47 | |
OK, well, we'll go with that, then, thank you. Job done. 'That'll be a no, then.' | 0:45:47 | 0:45:52 | |
Thank you. There's some money for you. | 0:45:52 | 0:45:55 | |
Get some change and thank you, there's the money. Thank you. Cheers. | 0:45:56 | 0:45:59 | |
'So that's three pieces of crested china for ?8 and a freebie each for both teams. | 0:45:59 | 0:46:05 | |
'That's Paul and Shaun now done for the day. | 0:46:05 | 0:46:08 | |
'It's time to meet up with Vicky and Mark by the river for a reveal.' | 0:46:08 | 0:46:11 | |
Come on, let's have a look. Ready? | 0:46:12 | 0:46:15 | |
BOTH: Ohhhhh! | 0:46:15 | 0:46:18 | |
Oh! 'Mark doesn't exactly seem swept away.' | 0:46:18 | 0:46:22 | |
Well, there's some job lots. Job lots! | 0:46:22 | 0:46:26 | |
You're going to have to open this. Shall I? Please. Quick shufti. | 0:46:26 | 0:46:29 | |
Oh, good Lord. Edwardian. Yeah, absolutely. | 0:46:30 | 0:46:34 | |
Everything the travelling gentleman would need. That pulls out. Oh, wonderful. | 0:46:34 | 0:46:38 | |
Very impressed. Expensive? | 0:46:38 | 0:46:40 | |
I don't think so. What would be expensive? I don't know. A couple of hundred. 90. | 0:46:40 | 0:46:44 | |
Oh, well, 90 is all right, isn't it? That's great, actually. And your table... | 0:46:44 | 0:46:50 | |
No? It does have a nice base. But if you paid more than... | 0:46:50 | 0:46:55 | |
..more then 150 for it, you're straggling. HE LAUGHS | 0:46:57 | 0:47:00 | |
140. 140. Oh, so there might be a ?10 profit in it, then. And the other bits are quite fun. | 0:47:00 | 0:47:07 | |
'Paul and Shaun think they might have some profits in their sights. | 0:47:07 | 0:47:10 | |
'But what do they think of the items Mark and Vicky have targeted?' | 0:47:10 | 0:47:13 | |
I love... I saw the leaded glass. That is a gorgeous object anywhere. | 0:47:13 | 0:47:19 | |
How much did you get off? Well, actually, we paid 80 for it. | 0:47:19 | 0:47:22 | |
I think it's a magic thing. | 0:47:22 | 0:47:25 | |
Erm, I've got to ask, the Deco, is that silver? | 0:47:25 | 0:47:29 | |
I would love to say they were silver, and you would be worrying, you would be panicking. | 0:47:29 | 0:47:33 | |
I've been worrying! No, they are very good quality plate. | 0:47:33 | 0:47:37 | |
Great style. Great style, and I think there's a decorative arts theme in this sale, as well. | 0:47:37 | 0:47:41 | |
So maybe they'll fit in. Yeah, yeah. I think it's too close to call. I don't know how you feel. | 0:47:41 | 0:47:47 | |
'But how close are their overall spends?' | 0:47:47 | 0:47:49 | |
?343. Well done. We waded in. PAUL LAUGHS | 0:47:49 | 0:47:54 | |
I take my hat off to you. | 0:47:54 | 0:47:57 | |
'Vicky and Mark didn't quite match that.' | 0:47:57 | 0:47:59 | |
?187. Jessies! Oh! | 0:47:59 | 0:48:03 | |
Wusses! The next time I'm up against you, I'm going to remember that. | 0:48:03 | 0:48:09 | |
'Let's have some honest appraisals on the items, then.' | 0:48:09 | 0:48:12 | |
You sort of seemed to agree that they were all... I am polite by nature. ..contenders. | 0:48:12 | 0:48:17 | |
Really? Really? HE LAUGHS | 0:48:17 | 0:48:19 | |
I think... Do you think that suitcase is going to stitch us up? | 0:48:19 | 0:48:22 | |
That is a real winner. But I'm still pleased. He loves your stained-glass panel. | 0:48:22 | 0:48:27 | |
The glass pane has got to do ?100 to make anything, hasn't it? | 0:48:27 | 0:48:32 | |
I wouldn't swap. HE LAUGHS | 0:48:32 | 0:48:35 | |
How are you feeling now? I feel great. | 0:48:36 | 0:48:40 | |
'So at the end of day two, Vicky and Mark don't seem quite as confident as they did this morning. | 0:48:40 | 0:48:47 | |
'With the reveals done, both teams are now heading over 140 miles south | 0:48:47 | 0:48:51 | |
'to the halfway point between the street and the square. | 0:48:51 | 0:48:55 | |
'You could even call it a Crossroads. | 0:48:55 | 0:48:58 | |
'Ha! It's Birmingham.' | 0:48:58 | 0:49:00 | |
I'll tell you what's going to be the dazzler today. | 0:49:00 | 0:49:03 | |
It's the reaction. Oh, yes. Vicky and Shaun. I think we'll have a ball. | 0:49:03 | 0:49:08 | |
There's two of us walking in the auction house, only one walking out. | 0:49:08 | 0:49:11 | |
I mean, you know, if this was medieval times, we'd have to have a duel. | 0:49:11 | 0:49:14 | |
Or you could nominate someone. | 0:49:15 | 0:49:18 | |
If you were a coward, you can actually go up... I'd nominate Mark. | 0:49:18 | 0:49:21 | |
Yeah, and I nominate Paul, there you go. Yeah, there you go. | 0:49:21 | 0:49:24 | |
It's going to be a fabulous day. I'm really looking forward to it. | 0:49:24 | 0:49:27 | |
Yeah, absolutely. And may the best soap win. | 0:49:27 | 0:49:29 | |
THEY LAUGH | 0:49:29 | 0:49:32 | |
'Today's auctioneers are Biddle Webb, | 0:49:32 | 0:49:35 | |
'who've been carrying out auctions in Birmingham since the late 50s. | 0:49:35 | 0:49:39 | |
'Today's auctioneer is Liz Winnicott. Good name. | 0:49:39 | 0:49:43 | |
'Has she seen anything from our teams that she thinks might do some good business?' | 0:49:43 | 0:49:47 | |
I think most of the items they've chosen are very good. | 0:49:47 | 0:49:50 | |
We really like the stained-glass window item, it's very pretty, it's very much in genre at the moment. | 0:49:50 | 0:49:56 | |
The suitcase is actually one of my personal favourite items. | 0:49:56 | 0:49:59 | |
I think it's good fun, I love the labels on the outside of it, | 0:49:59 | 0:50:02 | |
giving it its provenance, where it's been, imagining where it's travelled around the world. | 0:50:02 | 0:50:06 | |
I think generally, overall, they've done well. | 0:50:06 | 0:50:09 | |
Possibly Paul Laidlaw may sneak a win. | 0:50:09 | 0:50:12 | |
'Obviously an EastEnders fan.' | 0:50:12 | 0:50:15 | |
Good morning. Hello. Hello! Let me help you. | 0:50:15 | 0:50:19 | |
Oh! Are you all right? | 0:50:19 | 0:50:21 | |
How are you doing? You're such a gent, Mark. I know. | 0:50:21 | 0:50:24 | |
I thought I'd better show it on camera. Shall we do this thing? I think we should. | 0:50:24 | 0:50:28 | |
'So, to recap, both teams started the trip with ?400, | 0:50:28 | 0:50:32 | |
'and team Williamson has spent a substantial ?343 on five lots. | 0:50:32 | 0:50:37 | |
'Team Entwistle, however, have hedged their bets. | 0:50:37 | 0:50:41 | |
'They've spent a much smaller ?187 also buying five lots. | 0:50:41 | 0:50:46 | |
'So with both teams well scrubbed-up and phone and internet bidders ready to go, | 0:50:46 | 0:50:50 | |
'it's time for the battle of the soaps! | 0:50:50 | 0:50:53 | |
'First item is Mark and Vicky's Meissen porcelain spoon tray. | 0:50:53 | 0:50:57 | |
'Is it going to serve up a profit or stir up trouble?' | 0:50:57 | 0:51:00 | |
Lovely thing. ?30, then. ?30. Who'll start me off at ?30? | 0:51:00 | 0:51:04 | |
?20? Who's at ?20? | 0:51:04 | 0:51:08 | |
Oh, I've got ?20 on the internet. Pay attention. ?20 on the internet. | 0:51:08 | 0:51:11 | |
22 anywhere? I've got ?20 on the internet. ?22 anywhere? | 0:51:11 | 0:51:14 | |
?20 on the internet will have it. HAMMER BANGS | 0:51:14 | 0:51:17 | |
That was what you picked. Oh, thank you very much, Vicky. | 0:51:17 | 0:51:21 | |
'Already the blame game has started. It's only just broken even, | 0:51:21 | 0:51:25 | |
'and when auction costs come off, it'll actually be a loss. | 0:51:25 | 0:51:27 | |
'Not a great start, eh? First up, though, for Shaun and Mark | 0:51:27 | 0:51:31 | |
'is their military and sporting trio of small china items. | 0:51:31 | 0:51:34 | |
'But is three going to be their magic number?' | 0:51:34 | 0:51:37 | |
Pretty little lot. ?15? ?15? Who'll have a bit of memorabilia for ?15? | 0:51:37 | 0:51:42 | |
?10 then? 5? ?5? Who'll go for ?5? | 0:51:42 | 0:51:46 | |
It is bombing. 'Well, you'd know, Paul, you're the military expert.' | 0:51:46 | 0:51:50 | |
?5 at the back. Thank you. Yes! ?5 I have, ?5. | 0:51:50 | 0:51:54 | |
We're ?3 behind you. Ha, see, you laughed at me. | 0:51:54 | 0:51:59 | |
'Oh, dear, that's an even worse start than Mark and Vicky. | 0:51:59 | 0:52:02 | |
'Well, the only way is up. | 0:52:02 | 0:52:05 | |
'Is the Victorian hip flask from Birmingham | 0:52:05 | 0:52:07 | |
'going to raise the spirits of the locals?' | 0:52:07 | 0:52:09 | |
?20 for this one, then. Any interest at ?20? | 0:52:09 | 0:52:12 | |
?10, then? ?10. Keep you warm at night. | 0:52:12 | 0:52:15 | |
?10? 12 I've got now on the internet. ?12 on the internet. | 0:52:15 | 0:52:18 | |
15 anywhere? ?12 I have. Are we all done at ?12? | 0:52:18 | 0:52:22 | |
15. 15 behind me. 15 takes. 15 against the internet now. | 0:52:22 | 0:52:25 | |
What? ?15 behind me and I'll sell at 15. | 0:52:25 | 0:52:30 | |
Have you been bribing the staff? What do you mean? | 0:52:30 | 0:52:32 | |
It's a staff bid. 'Well, staff are allowed to bid, | 0:52:32 | 0:52:36 | |
'but it's hardly worth a bribe. | 0:52:36 | 0:52:38 | |
'By the time the auction costs come off that fiver profit, | 0:52:38 | 0:52:41 | |
'Vicky and Mark won't have enough for a dash of soda. | 0:52:41 | 0:52:44 | |
'Let's see if the Victorian decanter is worth raising a glass to.' | 0:52:45 | 0:52:48 | |
?50 to go. ?50. Any interest at ?50? | 0:52:48 | 0:52:51 | |
?50 I have. Thank you, sir. Come on! ?50 I have. 55 anywhere? | 0:52:53 | 0:52:55 | |
?50 I have. 55. | 0:52:55 | 0:52:57 | |
55 on the internet it is, then. ?55 on the internet. | 0:52:57 | 0:53:01 | |
I will sell at 55 if we're all done at 55. | 0:53:01 | 0:53:04 | |
It's hard work, this, Paul. | 0:53:05 | 0:53:08 | |
'Sadly, the decanter hasn't performed any better than the flask. | 0:53:08 | 0:53:11 | |
'They won't be toasting those items tonight. | 0:53:11 | 0:53:14 | |
'Next for Vicky and Mark, it's the bon-bon tray from Brum | 0:53:14 | 0:53:17 | |
'and the George V spoon brooch.' | 0:53:17 | 0:53:20 | |
That bon-bon dish is your item. I know. Let's see. | 0:53:20 | 0:53:24 | |
There we go, ?20 for this little lot. ?20? Any interest at 20? | 0:53:24 | 0:53:27 | |
20 I have. Thank you. 22. 25. 28. 30? | 0:53:27 | 0:53:32 | |
?28 with you. ?28 there. Looking for 30 now. | 0:53:32 | 0:53:36 | |
I have ?28 against the internet now in the room. | 0:53:36 | 0:53:39 | |
HE LAUGHS | 0:53:39 | 0:53:41 | |
She said, "Told you," I said, "We paid ?28!" | 0:53:41 | 0:53:43 | |
I thought we'd paid 22. | 0:53:43 | 0:53:46 | |
'Another loss. Not so much bon-bon as bad-bad. | 0:53:46 | 0:53:49 | |
'Whatever happened to local interest, eh? | 0:53:49 | 0:53:52 | |
'Next it's the gentleman's travelling case. | 0:53:52 | 0:53:54 | |
'The boys have high hopes of packing up a big profit on this one.' | 0:53:54 | 0:53:59 | |
?80. ?80 I have. ?80 I have. | 0:53:59 | 0:54:02 | |
85 anywhere? ?80 I have. 85? | 0:54:02 | 0:54:05 | |
85 with you now, sir. 85 with you. | 0:54:05 | 0:54:07 | |
85, it's back in the room, and selling at ?85, then. | 0:54:07 | 0:54:10 | |
The only consolation we've got is it's happening to us both. Yeah. | 0:54:10 | 0:54:15 | |
'It's left luggage for Paul and Shaun, | 0:54:15 | 0:54:17 | |
'but a great bargain for the buyer, eh? Right! | 0:54:17 | 0:54:20 | |
'Come on! Surely the lovely Art Deco tea set has got to make money.' | 0:54:20 | 0:54:26 | |
?40 for this one. ?40. Any interest at 40? | 0:54:26 | 0:54:29 | |
?40 for the tea set. | 0:54:29 | 0:54:31 | |
?30 then. Who'll give me ?30? It's Art Deco, it's stylish, ?30. | 0:54:31 | 0:54:35 | |
20 then. ?20? | 0:54:35 | 0:54:38 | |
Take you at... ?20 I have on the internet. Thank you. ?20. | 0:54:38 | 0:54:42 | |
22 now on the internet. ?22 on the internet. | 0:54:42 | 0:54:44 | |
25 I've got. 22 on the internet. | 0:54:44 | 0:54:46 | |
I'll sell at ?22 if we're all done? | 0:54:46 | 0:54:49 | |
I need a bloody Mary! 'I don't know about a bloody Mary. | 0:54:50 | 0:54:54 | |
'Anyway, that's the biggest loss of the day so far. | 0:54:54 | 0:54:57 | |
'Both teams are in desperate need of some profit now. | 0:54:57 | 0:55:00 | |
'Paul and Shaun are aiming for a profit | 0:55:00 | 0:55:02 | |
'with the shooting spectacles and the two sets of Georgian glasses.' | 0:55:02 | 0:55:05 | |
Here we go! Come on! | 0:55:05 | 0:55:07 | |
?40, any interest at 40? ?40? | 0:55:07 | 0:55:11 | |
A bit of social history. ?30? | 0:55:11 | 0:55:13 | |
?30 I have. 32 anywhere? | 0:55:13 | 0:55:15 | |
32. 35. 38. | 0:55:15 | 0:55:18 | |
40. 42. 45. | 0:55:18 | 0:55:20 | |
48. Are we finished now at ?45? | 0:55:20 | 0:55:24 | |
'Well, they didn't see that coming! | 0:55:24 | 0:55:26 | |
'Is anything from our teams going to get these Brummie bidders biting? | 0:55:26 | 0:55:31 | |
'Last for Vicky and Mark is the Pre-Raphaelite stained-glass panel | 0:55:32 | 0:55:35 | |
'of a wintery lady. Can it freeze their losses?' | 0:55:35 | 0:55:39 | |
I'm going to start this one at ?120. 120. Looking for 130. | 0:55:39 | 0:55:45 | |
I've got 120. 130. 140. 150. 'That's more like it! | 0:55:45 | 0:55:49 | |
'Straight in at 120 and shooting up the numbers!' | 0:55:49 | 0:55:52 | |
?180 on commission. Looking for 190 now. | 0:55:52 | 0:55:55 | |
I've got 180. 190 is back. | 0:55:55 | 0:55:57 | |
Listen to that. It's music to my ears. | 0:55:57 | 0:56:00 | |
200 still with me. | 0:56:00 | 0:56:02 | |
?200. Still with me on commission. Are we all done? | 0:56:02 | 0:56:06 | |
Well done. I was so glad I found that. | 0:56:07 | 0:56:09 | |
You can get lost! I found that. | 0:56:09 | 0:56:11 | |
'Ah, united in victory as well as defeat. | 0:56:11 | 0:56:15 | |
'That stunning profit has shot Mark and Vicky into the lead.' | 0:56:15 | 0:56:18 | |
Well done. I begrudgingly... | 0:56:18 | 0:56:20 | |
Don't thank him! It's me! | 0:56:20 | 0:56:23 | |
'By my calculations, Mark and Shaun's turnover table | 0:56:24 | 0:56:28 | |
'needs to make about ?150 profit to turn the tables on Vicky and Mark.' | 0:56:28 | 0:56:33 | |
What should we start at? ?300. Any interest at ?300? | 0:56:33 | 0:56:37 | |
250 to start. 250. Any interest at 250? | 0:56:37 | 0:56:41 | |
200, then. 'Oh, dear. Those numbers should be going up the other way.' | 0:56:41 | 0:56:45 | |
150. Shall we go 150? ?150 I have. | 0:56:45 | 0:56:50 | |
?150 I have. 160. 170. 180. | 0:56:50 | 0:56:53 | |
Now we're rocking! 190. Come on! 200. | 0:56:53 | 0:56:57 | |
No. 190 next to me. | 0:56:58 | 0:57:01 | |
200 anywhere before I sell at ?190? | 0:57:01 | 0:57:04 | |
'Is that too little too late?' | 0:57:04 | 0:57:07 | |
It's a profit. Well, you made a jolly good profit, | 0:57:07 | 0:57:10 | |
which I didn't think you were going to. Well done. | 0:57:10 | 0:57:13 | |
Does this mean we've won? | 0:57:13 | 0:57:15 | |
'Allow me, Vicky. Both teams started today with a fighting fund of ?400. | 0:57:15 | 0:57:20 | |
'Shaun and Paul spent nearly all of it and made a loss after auction fees of ?31.40, | 0:57:20 | 0:57:26 | |
'leaving them with a grand total of ?368.60. | 0:57:26 | 0:57:30 | |
'The more cautious Vicky and Mark spent less than half theirs, | 0:57:30 | 0:57:34 | |
'but that great profit on the stained glass | 0:57:34 | 0:57:37 | |
'meant that after auction costs they made an overall profit of ?46.70, | 0:57:37 | 0:57:42 | |
'leaving them, and Coronation Street, | 0:57:42 | 0:57:44 | |
'the battle of the soap winners on ?446.70.' | 0:57:44 | 0:57:50 | |
Right. | 0:57:50 | 0:57:52 | |
That was emotionally draining. | 0:57:52 | 0:57:55 | |
I'm exhausted, actually. I'm on a bit of a high, I'd say. | 0:57:55 | 0:57:59 | |
We were so close. I have every admiration for you and your skills. There's a lot of bad luck there. | 0:57:59 | 0:58:04 | |
Do you know what? I think we've had a hard, tough time with these two. | 0:58:04 | 0:58:09 | |
Oh, darling, it's been awful. And with my profits, I'll take you for lunch. | 0:58:09 | 0:58:13 | |
'What Vicky means to say is that all profits will, of course, be going to Children In Need.' | 0:58:13 | 0:58:18 | |
See you later. 'So they'll be toasting victory in the Rovers Return, | 0:58:18 | 0:58:22 | |
'and drowning their sorrows in the Queen Vic tonight. | 0:58:22 | 0:58:25 | |
'Me? I'll be down the Woolpack.' | 0:58:25 | 0:58:27 | |
'See you next time. Ta-ra.' | 0:58:27 | 0:58:30 | |
EASTENDERS THEME PLAYS | 0:58:30 | 0:58:32 | |
Subtitles by Red Bee Media Ltd | 0:58:32 | 0:58:36 | |
. | 0:58:36 | 0:58:36 |