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The nations' favourite celebrities... | 0:00:02 | 0:00:03 | |
-We're special, then, are we? -Well, that's excellent. | 0:00:03 | 0:00:06 | |
..paired up with an expert... | 0:00:06 | 0:00:08 | |
We're a very good team, you and me. | 0:00:08 | 0:00:09 | |
..and a classic car. | 0:00:09 | 0:00:11 | |
Their mission? To scour Britain for antiques. | 0:00:12 | 0:00:15 | |
I have no idea what it is. | 0:00:15 | 0:00:16 | |
Oh, I love it! | 0:00:16 | 0:00:17 | |
The aim? To make the biggest profit at auction. | 0:00:17 | 0:00:20 | |
Yes! | 0:00:20 | 0:00:21 | |
But it's no easy ride. | 0:00:21 | 0:00:23 | |
There's no accounting for taste. | 0:00:23 | 0:00:25 | |
Who will find a hidden gem? Who will take the biggest risks? | 0:00:25 | 0:00:30 | |
Will anybody follow expert advice? | 0:00:30 | 0:00:33 | |
-Do you like them? -No. | 0:00:33 | 0:00:35 | |
There will be worthy winners and valiant losers. | 0:00:35 | 0:00:38 | |
-Are you happy? -Yes, ecstatic... | 0:00:38 | 0:00:40 | |
Time to put your pedal to the metal. | 0:00:40 | 0:00:42 | |
This is Celebrity Antiques Road Trip. | 0:00:42 | 0:00:45 | |
Yeah! | 0:00:47 | 0:00:48 | |
Today's celebrities are two top-notch actors | 0:00:50 | 0:00:53 | |
who also happen to be a married couple. | 0:00:53 | 0:00:56 | |
-Ooh! -If you keep doing showing me how to drive, darling, | 0:00:56 | 0:00:59 | |
I'm going to slap that hand. | 0:00:59 | 0:01:01 | |
Can you tell? | 0:01:01 | 0:01:02 | |
You're almost driving the car in front. | 0:01:02 | 0:01:04 | |
You keep doing this - "Up, up! Down, down! | 0:01:04 | 0:01:07 | |
Meet Phyllis Logan and Kevin McNally. | 0:01:07 | 0:01:10 | |
I'm not really, as you know, competitive by nature. | 0:01:10 | 0:01:13 | |
But... | 0:01:13 | 0:01:15 | |
"Silent guffaw." | 0:01:15 | 0:01:17 | |
I want to win. | 0:01:17 | 0:01:19 | |
Not only do I want to win, I want to destroy you | 0:01:19 | 0:01:21 | |
and I want to break all records in terms of profit. | 0:01:21 | 0:01:24 | |
What kind of talk is that to your wife? | 0:01:24 | 0:01:27 | |
"I want to destroy you" - | 0:01:27 | 0:01:29 | |
you have already have, darling. | 0:01:29 | 0:01:31 | |
Hee-hee! Our celebrity couple | 0:01:31 | 0:01:33 | |
have certainly got today's experts in a bit of a lather - | 0:01:33 | 0:01:35 | |
auctioneers Mark Stacey and Thomas Plant. | 0:01:35 | 0:01:37 | |
-Pirates! We're very lucky. -Very lucky. | 0:01:37 | 0:01:40 | |
To get to meet proper Hollywood stars. | 0:01:40 | 0:01:44 | |
-I know. -HOLLYWOOD stars. Red carpet stars. -A-listers. | 0:01:44 | 0:01:48 | |
No wonder, because Kevin, | 0:01:49 | 0:01:51 | |
who's more usually seen these days wearing humungous sideburns | 0:01:51 | 0:01:55 | |
as Mr Gibbs in the Pirates Of The Caribbean movies | 0:01:55 | 0:01:58 | |
and BAFTA-winning Phyllis, who starred in such powerful dramas | 0:01:58 | 0:02:02 | |
as Secrets And Lies, | 0:02:02 | 0:02:03 | |
are also very familiar from our TV screens. | 0:02:03 | 0:02:06 | |
-I LOVE Downton Abbey. -I bet you do. | 0:02:08 | 0:02:11 | |
I love Downton Abbey, I'm there with my slice of toast | 0:02:11 | 0:02:14 | |
and cup of tea in the evening, watching Downton. | 0:02:14 | 0:02:17 | |
And, of course, she played Lady Felsham in Lovejoy. | 0:02:17 | 0:02:20 | |
Yes - as well as being TV's Mrs Hughes on Sunday evenings, | 0:02:20 | 0:02:24 | |
Phyllis played alongside Ian McShane | 0:02:24 | 0:02:27 | |
in the 1980s series about a naughty but nice antique dealer, | 0:02:27 | 0:02:30 | |
do you remember? | 0:02:30 | 0:02:31 | |
Should we have a wee bet on the side, just between us? | 0:02:31 | 0:02:33 | |
I think we should, yeah. | 0:02:33 | 0:02:35 | |
Right, so if you don't double your money, | 0:02:35 | 0:02:37 | |
you're putting the bins out for the next six months. | 0:02:37 | 0:02:40 | |
All right, it's a deal. | 0:02:40 | 0:02:42 | |
-And if I DO double my money... -Yeah? | 0:02:42 | 0:02:44 | |
-What? -You make breakfast every day for the next six months. | 0:02:45 | 0:02:49 | |
What about when I'm working, darling? | 0:02:50 | 0:02:52 | |
You have to get up especially early. | 0:02:52 | 0:02:54 | |
How do you think your experiences in Lovejoy will help you? | 0:02:54 | 0:02:57 | |
Probably not at all. | 0:02:57 | 0:02:59 | |
THEY LAUGH | 0:02:59 | 0:03:00 | |
Ha-ha! The stakes are already high on this road trip. | 0:03:00 | 0:03:05 | |
Celebrities and experts are deep in the Kent countryside | 0:03:05 | 0:03:08 | |
of the Garden of England, | 0:03:08 | 0:03:09 | |
driving a 1960s Mark II Jaguar | 0:03:09 | 0:03:12 | |
and a 1990s TVR Chimaera. | 0:03:12 | 0:03:15 | |
They will be armed with £400 per side, | 0:03:15 | 0:03:18 | |
but what will those pairings be? | 0:03:18 | 0:03:20 | |
-Good morning! -Good morning. | 0:03:20 | 0:03:22 | |
-Good morning? Isn't this lovely? -You brought the sun. -We did, didn't we? | 0:03:22 | 0:03:26 | |
- How are you? Good to see you. - Hi! Hello! | 0:03:26 | 0:03:30 | |
-Lovely to meet you. -You, too. | 0:03:30 | 0:03:32 | |
THOMAS: Right - who's going to go with who? | 0:03:32 | 0:03:35 | |
-I have this car... -Oh, well, I'm going with him. | 0:03:36 | 0:03:39 | |
LAUGHTER | 0:03:39 | 0:03:40 | |
PHYLLIS: You've got me, I'm afraid. | 0:03:40 | 0:03:42 | |
- Do you want the TVR? - It's too low down for me. | 0:03:42 | 0:03:44 | |
I'd never get in there with my lumbago! | 0:03:44 | 0:03:46 | |
I think we'll go for classic beauty | 0:03:46 | 0:03:49 | |
and we'll leave the nouveau brashness to them. | 0:03:49 | 0:03:52 | |
GASPING | 0:03:52 | 0:03:53 | |
Mark, are you going to be driving and Phyllis can sit in the back? | 0:03:53 | 0:03:56 | |
Yes, shall we do that? | 0:03:56 | 0:03:58 | |
-Come along, my lady. -Have you got your chauffer's hat on? | 0:03:58 | 0:04:01 | |
So, that'll keep Downton fan Mark happy | 0:04:01 | 0:04:04 | |
whilst Thomas is in for a right pirate's knees-up. | 0:04:04 | 0:04:08 | |
And what an adventure awaits. | 0:04:08 | 0:04:09 | |
Our route starts in Barham, Kent. | 0:04:11 | 0:04:13 | |
Then we take a trip to the coast | 0:04:13 | 0:04:15 | |
before heading over the border into Sussex, | 0:04:15 | 0:04:17 | |
finally making for an auction by the Thames at Greenwich. | 0:04:17 | 0:04:21 | |
This little village with three bears passant on its coat of arms | 0:04:24 | 0:04:28 | |
was the home of one of the four knights | 0:04:28 | 0:04:30 | |
who murdered Thomas a Becket | 0:04:30 | 0:04:32 | |
at nearby Canterbury Cathedral in 1170. | 0:04:32 | 0:04:35 | |
Lord Kitchener of recruitment poster fame | 0:04:35 | 0:04:38 | |
once lived near Barham, too. | 0:04:38 | 0:04:41 | |
What is Kevin going to be like? Is he quite competitive? | 0:04:41 | 0:04:44 | |
-Oh...yes. -Is he? -Completely. | 0:04:44 | 0:04:47 | |
See playing games with him? He's got to win. | 0:04:47 | 0:04:49 | |
So we need to win. | 0:04:49 | 0:04:51 | |
-Well, I'd really like to win. I'd really like to. -So would I. | 0:04:51 | 0:04:55 | |
I think those two will do all right. | 0:04:55 | 0:04:58 | |
Oh, Mark, look - shall I give it a pull? | 0:04:58 | 0:05:00 | |
BELL RINGS | 0:05:00 | 0:05:01 | |
-Wow! -Loud ring - well, it's worked. -It's worked indeed. | 0:05:01 | 0:05:06 | |
-Hello. -I'm Mark. -I'm Christian. Nice to meet you. | 0:05:06 | 0:05:08 | |
-Hi, I'm Phyllis. -Hi, Phyllis, nice to meet you. | 0:05:08 | 0:05:11 | |
You've got some antiques, I gather. | 0:05:11 | 0:05:12 | |
Yes, we've got one or two around the corner. | 0:05:12 | 0:05:14 | |
-We're dying to see them. -We are, we can't wait. -Which way? | 0:05:14 | 0:05:17 | |
-That way to the showroom. -Shall we? -Yes, we shall. Come on! | 0:05:17 | 0:05:21 | |
He's not wrong - there are at least one or two. | 0:05:21 | 0:05:24 | |
Good quality as well, which could put of a strain on the old funds. | 0:05:24 | 0:05:29 | |
-It's not £16.50, is it? -Unfortunately not. | 0:05:29 | 0:05:33 | |
-That's for the table, of course. -I wonder...look. | 0:05:33 | 0:05:35 | |
-I like this. -Really? | 0:05:35 | 0:05:36 | |
SHE LAUGHS | 0:05:36 | 0:05:38 | |
Don't tell me our co-stars are falling out already. | 0:05:38 | 0:05:41 | |
Fancy a duel? | 0:05:41 | 0:05:42 | |
-We got taught this at drama school, actually. -Did you? -Yes. | 0:05:42 | 0:05:45 | |
En garde! | 0:05:47 | 0:05:48 | |
MARK LAUGHS It's even got the rapier, too. | 0:05:49 | 0:05:52 | |
-Oh! -Take that! | 0:05:53 | 0:05:56 | |
-Oh, you've remembered it. -Yes. -Very professional. | 0:05:56 | 0:05:59 | |
Conservatoire-trained. | 0:05:59 | 0:06:01 | |
If you're ever in The Scarlet Pimpernel or something, | 0:06:01 | 0:06:04 | |
that would be wonderful. | 0:06:04 | 0:06:05 | |
Now, those look cheap and familiar. | 0:06:06 | 0:06:08 | |
-A load of old keys. -Yes. Well, that's what I wear. | 0:06:08 | 0:06:12 | |
Very Mrs Hughes. A bit rusty, though. | 0:06:12 | 0:06:16 | |
Now, that might suit a pirate film, don't you think? | 0:06:17 | 0:06:20 | |
-Can you see anything? -No. | 0:06:20 | 0:06:22 | |
Take the lid off - that's it. | 0:06:22 | 0:06:24 | |
-Ho-ho! -PIRATE'S VOICE: Ship ahoy, Cap'n. | 0:06:24 | 0:06:26 | |
The ticket price is £175, whatever they see in it... | 0:06:28 | 0:06:31 | |
Yes, I can. | 0:06:31 | 0:06:32 | |
..which is quite a bit. | 0:06:33 | 0:06:35 | |
Just what did the actor say to the auctioneer? | 0:06:35 | 0:06:37 | |
-Now, are you a good haggler? -Yes. A very good haggler. | 0:06:37 | 0:06:41 | |
Because I'm a Bristolian. | 0:06:41 | 0:06:43 | |
-Ah! I was born in Bristol myself. -Were you? | 0:06:43 | 0:06:46 | |
-It's a lovely part of the world. -It is. And, of course, | 0:06:46 | 0:06:48 | |
it's where pirates come from. | 0:06:48 | 0:06:49 | |
It is where pirates come from. | 0:06:49 | 0:06:51 | |
-Pieces of eight. -Pieces of eight - it's a Bristol thing. | 0:06:51 | 0:06:54 | |
-A Bristol phrase. -A Bristol thing. | 0:06:54 | 0:06:56 | |
And also to have the meanness of a Bristolian. | 0:06:56 | 0:06:59 | |
-Won't spend a penny. -They're so tight with money. | 0:06:59 | 0:07:01 | |
-Was your mother tight with money? -She was careful. | 0:07:01 | 0:07:03 | |
She always said to me, "No, no, you hold on to your money." | 0:07:03 | 0:07:07 | |
They seem like shipmates already. Does that make Tom the cabin boy? | 0:07:08 | 0:07:12 | |
Time for a trip to the seaside, as we go looking for a deal... | 0:07:12 | 0:07:16 | |
in Deal. | 0:07:16 | 0:07:17 | |
Just off of Dover and a mere 25 miles from the French coast, | 0:07:19 | 0:07:23 | |
Deal has a bit of a reputation for smuggling. | 0:07:23 | 0:07:26 | |
Seems the perfect port of call for a pair of pirates to land up in...arr! | 0:07:26 | 0:07:31 | |
Canute Road - that's where King Canute lived. | 0:07:31 | 0:07:33 | |
He lived there - Canute Road. | 0:07:33 | 0:07:35 | |
-Number 46, I think. -THOMAS LAUGHS | 0:07:35 | 0:07:37 | |
Well, Vikings were pirates, too, weren't they? | 0:07:37 | 0:07:39 | |
-Hello - I'm Kevin, nice to meet you. -Nice to meet you. How you doing? | 0:07:39 | 0:07:43 | |
-Thomas. -Hi, Thomas. Mick. | 0:07:43 | 0:07:44 | |
-PIRATE VOICE: -Plenty of loot in 'ere, maties. | 0:07:45 | 0:07:47 | |
(Ghastly!) | 0:07:47 | 0:07:49 | |
And Kevin certainly knows what he doesn't like. | 0:07:49 | 0:07:53 | |
-My nickname on Pirates Of The Caribbean was Badger. -Yes. | 0:07:53 | 0:07:56 | |
Though I wouldn't want to buy that, cos I can't stand stuffed animals. | 0:07:56 | 0:07:59 | |
-My grandmother's house was full of them - dogs. -Pottery dogs. | 0:07:59 | 0:08:03 | |
Yeah...never saw the point. | 0:08:03 | 0:08:06 | |
Strangely enough, Phyllis has other ideas. | 0:08:06 | 0:08:08 | |
-Oh, he's quite heavy. Not very old. -Hm. | 0:08:09 | 0:08:13 | |
It's produced by a factory called Winstanley. | 0:08:13 | 0:08:15 | |
They're more known, actually, for their cats. | 0:08:15 | 0:08:20 | |
Oh, right. So that's quite unusual. | 0:08:20 | 0:08:22 | |
I've never seen a bulldog by them. | 0:08:22 | 0:08:24 | |
-Well...how much...? -Oh, dear. | 0:08:24 | 0:08:27 | |
-150. -Oh. | 0:08:27 | 0:08:29 | |
But I think bulldogs are very popular subjects. | 0:08:29 | 0:08:33 | |
-People like bulldogs. British bulldog. -Yes. Yes. | 0:08:33 | 0:08:36 | |
-Fighting spirit. -That's true. -And we are in a battle. | 0:08:36 | 0:08:39 | |
Time to see what Christian can do. | 0:08:39 | 0:08:41 | |
How are you getting on? | 0:08:41 | 0:08:42 | |
We quite like, funnily enough, the bulldog. | 0:08:42 | 0:08:45 | |
-Shall we just be bold? -I think we should be bold. | 0:08:45 | 0:08:47 | |
They can only ask us to leave. | 0:08:47 | 0:08:48 | |
-I know. -And we've got the car ready, haven't we? | 0:08:48 | 0:08:50 | |
SHE LAUGHS | 0:08:50 | 0:08:51 | |
-I'm sure he won't do that. -We don't want to insult you, but... | 0:08:51 | 0:08:54 | |
But we do, really. | 0:08:54 | 0:08:56 | |
..but we are on a very tight budget. | 0:08:56 | 0:08:59 | |
We thought around, sort of, £30, really. | 0:08:59 | 0:09:02 | |
And then I thought we might make a reasonable profit on it. | 0:09:02 | 0:09:05 | |
-I'm going to go a bit more. What about 60? -Oh, gosh... | 0:09:05 | 0:09:09 | |
-What do you think? -It's not a Crufts winner, is it? | 0:09:09 | 0:09:12 | |
Oh! | 0:09:12 | 0:09:13 | |
So, maybe 40? | 0:09:13 | 0:09:15 | |
-55? -Oh, gosh, he's going down in fives! | 0:09:16 | 0:09:20 | |
Come on, Phyllis! This is definitely a speaking part. | 0:09:20 | 0:09:23 | |
I think Phyllis and I would be delighted | 0:09:23 | 0:09:25 | |
if we could get it for 45, wouldn't we? | 0:09:25 | 0:09:28 | |
I mean, if we could just do that... | 0:09:28 | 0:09:30 | |
Cos I think it'll be estimated at £40-£60. | 0:09:30 | 0:09:33 | |
What about meeting me in the middle? | 0:09:33 | 0:09:35 | |
£2.50 each and make him 50. | 0:09:35 | 0:09:37 | |
-Are you happy with 50? -Yes. | 0:09:38 | 0:09:41 | |
-Let's shake his hand, then. -Thank you very much. | 0:09:41 | 0:09:43 | |
Quite a reduction, Mark. | 0:09:43 | 0:09:45 | |
But now Phyllis has spotted something else, it seems. | 0:09:45 | 0:09:48 | |
We're rather intrigued by this, | 0:09:48 | 0:09:49 | |
-which we couldn't find a price on, could we? -No. | 0:09:49 | 0:09:52 | |
It's part of the display, I'm afraid. | 0:09:52 | 0:09:54 | |
-Oh! We like it. -Yes. | 0:09:54 | 0:09:58 | |
That appealed as a piece of, sort of, like an occasional table, almost. | 0:09:58 | 0:10:02 | |
-Kind of modernist in a way, isn't it? -Yeah. | 0:10:02 | 0:10:04 | |
Obviously, the glass is a later top, | 0:10:04 | 0:10:07 | |
but I loved that sinuousness - it's Art Nouveau, isn't it? | 0:10:07 | 0:10:11 | |
-1900, 1905, something like that. -But it's not for sale. | 0:10:11 | 0:10:16 | |
Don't give up so easily. Christian, I know, wants to help us. | 0:10:16 | 0:10:20 | |
-Anything is for sale for the right price, my dear. -Oh, I see! | 0:10:20 | 0:10:23 | |
What if we started again at, say, around £40? | 0:10:23 | 0:10:27 | |
What if I said about £70? | 0:10:29 | 0:10:32 | |
MARK SIGHS Ooh... | 0:10:32 | 0:10:34 | |
Phyllis is not looking happy about that. | 0:10:34 | 0:10:37 | |
I mean, we like it, but you know, in the auction, | 0:10:37 | 0:10:39 | |
it might not appeal to anybody. | 0:10:39 | 0:10:41 | |
One of your finest performances, Phyllis. | 0:10:41 | 0:10:43 | |
I feel another BAFTA coming on. | 0:10:43 | 0:10:45 | |
Why don't we say 50 again, and then it's a round 100, isn't it? | 0:10:45 | 0:10:48 | |
-Can we do that? -A round 100 for the bulldog and the pedestal. | 0:10:49 | 0:10:53 | |
Well, I would say a lot more than that, really, but... | 0:10:53 | 0:10:56 | |
Make it 60? | 0:10:56 | 0:10:57 | |
-Shall we say, "yay"...? -To 60? -Mm. | 0:10:57 | 0:11:00 | |
-So it's 110 for the two. -Yeah. | 0:11:00 | 0:11:03 | |
It's all right, isn't it? | 0:11:03 | 0:11:04 | |
-110? -Yeah? -Yes. | 0:11:04 | 0:11:07 | |
-Sound like a deal? -It does. Thank you very much. | 0:11:07 | 0:11:11 | |
-Thank you, Christian. -Thank you so much. | 0:11:11 | 0:11:13 | |
Team Phyllis is off the mark, purchasing the bulldog | 0:11:13 | 0:11:16 | |
and the lamp table for £110. | 0:11:16 | 0:11:19 | |
With that deal done, | 0:11:19 | 0:11:21 | |
what about Deal? | 0:11:21 | 0:11:22 | |
The place, that is, where Kevin is taking charge - here we go. | 0:11:22 | 0:11:25 | |
-I like the look of these. -What, the scales? | 0:11:25 | 0:11:28 | |
-The butchers' scales, yeah. -They're rather good, aren't they? | 0:11:28 | 0:11:30 | |
-Does he have the weights with it? -With weights... | 0:11:30 | 0:11:34 | |
Oh, there we are - "with brass weights". | 0:11:34 | 0:11:37 | |
-I do think they're rather handsome. That has... -Yes, that has to go. | 0:11:37 | 0:11:40 | |
We're not having that. | 0:11:40 | 0:11:41 | |
He's made an impressive start. | 0:11:41 | 0:11:43 | |
Still needs a guiding hand, though. | 0:11:44 | 0:11:47 | |
Where the lack of experience comes in. | 0:11:47 | 0:11:49 | |
-HE PLAYS "TUBULAR BELLS" ON ORGAN -He can play a bit, too. | 0:11:51 | 0:11:54 | |
Spooky! | 0:11:55 | 0:11:56 | |
Tubular Bells is fine, but definitely no Stairway. | 0:11:56 | 0:11:59 | |
So, you've got to keep on pumping. | 0:11:59 | 0:12:01 | |
Yeah, if you don't pump, it won't make a noise. | 0:12:01 | 0:12:03 | |
It's like...Georgian aerobics. | 0:12:03 | 0:12:05 | |
Fantastic it works - shame it's got that little wheeze in it, but... | 0:12:05 | 0:12:09 | |
I think if you were 150 years old, you might have a bit of a wheeze. | 0:12:09 | 0:12:12 | |
I'd have a wheeze, yeah! | 0:12:12 | 0:12:13 | |
The harmonium, or pump organ, was once very popular in the home | 0:12:15 | 0:12:19 | |
and in small churches and chapels | 0:12:19 | 0:12:21 | |
where huge pipe organs would have been impractical. | 0:12:21 | 0:12:25 | |
-So, yes. -What do you think that would do? | 0:12:25 | 0:12:28 | |
I think it's...it's quite fun. It's small enough to be... | 0:12:28 | 0:12:31 | |
-It is small enough, isn't it? -Yeah. | 0:12:31 | 0:12:33 | |
Shall we put that in our memory banks and come back to it? | 0:12:33 | 0:12:36 | |
-That's a good idea. -Because it's... | 0:12:36 | 0:12:38 | |
Quite a price. | 0:12:38 | 0:12:39 | |
Not exactly going for a song - ha! | 0:12:39 | 0:12:41 | |
We can't buy everything, can we? | 0:12:41 | 0:12:42 | |
You can't, but you've picked out some amazing things. | 0:12:42 | 0:12:45 | |
I'm quite impressed with your eye. Is there anything you're looking for? | 0:12:45 | 0:12:48 | |
-No. -No. | 0:12:48 | 0:12:49 | |
KEVIN LAUGHS | 0:12:49 | 0:12:50 | |
I'm sure Thomas can come up with something. | 0:12:50 | 0:12:52 | |
I've never seen this before, ever, in my working career. | 0:12:53 | 0:12:57 | |
What is...? Oh, it's to hold a pipe. | 0:12:57 | 0:12:59 | |
Clay pipes, you used to buy them in packs of 20. | 0:12:59 | 0:13:02 | |
-Right, cos they break easily. -But this is for travelling. | 0:13:02 | 0:13:06 | |
-Ah... -To keep them safe. | 0:13:06 | 0:13:09 | |
The ticket says £45. | 0:13:09 | 0:13:11 | |
-It's mahogany. -Lovely. -And comes with its own pipe. -Yeah. | 0:13:11 | 0:13:15 | |
Well, I think that's a lovely little item. | 0:13:15 | 0:13:17 | |
-Imagine just slipping it in your breeches. -Absolutely. | 0:13:17 | 0:13:20 | |
The great thing on the day, with it being one of my lots, | 0:13:20 | 0:13:24 | |
is it's darn piratey. | 0:13:24 | 0:13:25 | |
-It is, isn't it? -Yeah. And someone might like to say, | 0:13:25 | 0:13:28 | |
-"I got this from a real pirate." -Hm! | 0:13:28 | 0:13:31 | |
I think that might be taking it a bit far. | 0:13:31 | 0:13:33 | |
Method actors, eh? | 0:13:33 | 0:13:35 | |
Worth talking to Mick about that and the harmonium. | 0:13:35 | 0:13:39 | |
We need to speak to you, quite severely. | 0:13:39 | 0:13:41 | |
We'd need a very, very good deal from you, | 0:13:41 | 0:13:43 | |
cos it's a lot of my bank. | 0:13:43 | 0:13:45 | |
I'll come straight to the point - I can take £100 off that. | 0:13:45 | 0:13:48 | |
Oh, you'd have to take more than £100 off it, mate. | 0:13:48 | 0:13:50 | |
-That would still be half my money. -My heart bleeds(!) | 0:13:50 | 0:13:53 | |
I know! I can see how sympathetic you are to my plight. | 0:13:53 | 0:13:57 | |
OK, bottom line, £150. | 0:13:57 | 0:14:00 | |
150... | 0:14:00 | 0:14:01 | |
And the pipe holder - and you haven't cleaned it out - | 0:14:01 | 0:14:06 | |
what can that be? | 0:14:06 | 0:14:08 | |
Again, bottom line would be 30 on that. | 0:14:08 | 0:14:10 | |
With negotiations at a bit of a lull, | 0:14:10 | 0:14:13 | |
it's time to refocus. | 0:14:13 | 0:14:14 | |
Close your ears, Michael. | 0:14:14 | 0:14:15 | |
We could take the two for 150? | 0:14:15 | 0:14:19 | |
KEVIN GASPS | 0:14:19 | 0:14:20 | |
-Offer him that. -You know what's coming, don't you? | 0:14:20 | 0:14:23 | |
MICK SNORTS WITH LAUGHTER | 0:14:23 | 0:14:24 | |
The harmonium and the pipe for 150. | 0:14:24 | 0:14:26 | |
This is your last opportunity, Mick. It's not going to happen again. | 0:14:26 | 0:14:30 | |
He's good - hardly needs an agent, I'd say. | 0:14:30 | 0:14:32 | |
-165. -Oh! -I've got to make a little bit, haven't I? | 0:14:32 | 0:14:37 | |
160 and you've got a deal. | 0:14:38 | 0:14:39 | |
-OK. -I like your style! I'd say that myself. -Excellent. | 0:14:41 | 0:14:44 | |
-I step in with my sweaty paw. -Go on, then. | 0:14:44 | 0:14:47 | |
-And give you the dosh. -Excellent. | 0:14:47 | 0:14:49 | |
Oh, after all that effort, it's time for a pirate time-out. | 0:14:49 | 0:14:53 | |
-Oh! -Three! | 0:14:54 | 0:14:56 | |
Although I'm not sure skimming stones | 0:14:56 | 0:14:58 | |
is very Treasure Island, are you? | 0:14:58 | 0:15:00 | |
I've never been to Deal before. Of course, like you, | 0:15:00 | 0:15:03 | |
being a Bristol boy, it's Weston-super-Mud. | 0:15:03 | 0:15:05 | |
Weston-super-Mud. | 0:15:05 | 0:15:07 | |
-My grandmother used to take me there, loads. -It's great. | 0:15:07 | 0:15:10 | |
One year we went there and the tide was in. It was really exciting. | 0:15:10 | 0:15:14 | |
But while Kevin and Thomas have been making a bit of a splash in Deal... | 0:15:16 | 0:15:20 | |
Phyllis and Mark have temporarily suspended all purchases, | 0:15:23 | 0:15:27 | |
motoring to another part of the Kent coast at | 0:15:27 | 0:15:31 | |
Birchington-on-Sea at Quex House, once the Regency home of hunter | 0:15:31 | 0:15:35 | |
and collector, Percy Powell-Cotton. | 0:15:35 | 0:15:37 | |
-Hello. You're Keith, yeah? -I am. -Hi, I'm Phyllis. | 0:15:37 | 0:15:42 | |
-I'm Mark, very nice to meet you. -Good to meet you both. | 0:15:42 | 0:15:45 | |
-Spectacular house. -It's amazing, isn't it? -Lead on. | 0:15:45 | 0:15:48 | |
MUSIC | 0:15:48 | 0:15:50 | |
I feel as though I'm back in the Masai Mara. | 0:15:54 | 0:15:56 | |
This impressive, if slightly disconcerting museum, | 0:15:59 | 0:16:02 | |
was first established in 1896 by Major Powell-Cotton | 0:16:02 | 0:16:05 | |
to house the specimens and cultural artefacts | 0:16:05 | 0:16:08 | |
he collected whilst exploring the globe. | 0:16:08 | 0:16:11 | |
He collected animals, he shot them. | 0:16:13 | 0:16:16 | |
It was a very different world to the world that we're in now | 0:16:16 | 0:16:20 | |
and he was collecting with this scientific purpose. | 0:16:20 | 0:16:24 | |
There was always this drive to understand the world he was in. | 0:16:24 | 0:16:28 | |
Africa was the continent Powell-Cotton fell in love with, | 0:16:29 | 0:16:32 | |
making 28 expeditions over the course of 50 years, | 0:16:32 | 0:16:35 | |
but although he slaughtered many thousands of animals, | 0:16:35 | 0:16:38 | |
the meticulous records that Powell-Cotton kept of each kill | 0:16:38 | 0:16:42 | |
can now play an important role in conservation. | 0:16:42 | 0:16:45 | |
-This is one of the specimens. -A warthog. | 0:16:45 | 0:16:50 | |
This gives a breakdown of what he brought back, but also we have | 0:16:50 | 0:16:55 | |
the latitude and longitude of every specimen he brought back. | 0:16:55 | 0:16:59 | |
-Very useful. -Really is. | 0:16:59 | 0:17:01 | |
The latitude and longitude today can be used to help protect | 0:17:01 | 0:17:05 | |
areas of Africa and species. | 0:17:05 | 0:17:08 | |
Someone was recently working with bush babies | 0:17:08 | 0:17:11 | |
and they were identifying where they used to be found, | 0:17:11 | 0:17:14 | |
using that information to say, well, they were here once, | 0:17:14 | 0:17:18 | |
so protect this space and there's a chance they'll be back. | 0:17:18 | 0:17:22 | |
As well as the 500 creatures on display in the museum's dioramas, | 0:17:23 | 0:17:28 | |
there are over 4,000 skeletons and 6,000 skins, | 0:17:28 | 0:17:31 | |
a huge DNA database which has helped breeding programmes designed | 0:17:31 | 0:17:36 | |
to save species from extinction. | 0:17:36 | 0:17:38 | |
In the collection, we have this type of thing. | 0:17:40 | 0:17:45 | |
-Every time you find a red label... -A Diana monkey. | 0:17:45 | 0:17:49 | |
It's just behind you. | 0:17:49 | 0:17:51 | |
Percy brought some back that have not been identified | 0:17:51 | 0:17:55 | |
-to science before. -That's amazing. Can I touch it? -Please do. | 0:17:55 | 0:17:59 | |
Again, used by researchers looking at primates. | 0:18:00 | 0:18:05 | |
So, was the Major a misunderstood conservationist or just | 0:18:07 | 0:18:11 | |
a big game hunter who kept good books? | 0:18:11 | 0:18:13 | |
Like many Victorians, he had the urge to educate | 0:18:13 | 0:18:16 | |
and didn't always use his gun to do the shooting. | 0:18:16 | 0:18:19 | |
His 16mm films of his expeditions | 0:18:20 | 0:18:22 | |
depict tribal ceremonies as well as wildlife. | 0:18:22 | 0:18:25 | |
His daughters also followed in the family tradition, | 0:18:25 | 0:18:28 | |
contributing to a huge archive. | 0:18:28 | 0:18:30 | |
In 1905, he wrote a book, In Unknown Africa. | 0:18:31 | 0:18:35 | |
In that book, he talks about how, if we don't protect the wild | 0:18:35 | 0:18:40 | |
places of Africa, we'll start to lose species in special areas. | 0:18:40 | 0:18:45 | |
He even goes as far as to say it might reach a point where | 0:18:46 | 0:18:49 | |
the only place you'll see these animals is in the museum. | 0:18:49 | 0:18:53 | |
Good Lord. | 0:18:53 | 0:18:54 | |
Whatever his methods, Powell-Cotton certainly had | 0:18:54 | 0:18:56 | |
a genuine love of Africa, even getting married there in 1905. | 0:18:56 | 0:19:01 | |
One of the most striking displays at the museum results from that | 0:19:01 | 0:19:05 | |
-same expedition. -That is amazing. | 0:19:05 | 0:19:09 | |
The buffalo is yet another example of a previously unknown species | 0:19:09 | 0:19:13 | |
which the Major soon had his name appended to | 0:19:13 | 0:19:16 | |
and the lion has an even closer connection to the museum's | 0:19:16 | 0:19:19 | |
founder, having nearly killed him. | 0:19:19 | 0:19:22 | |
If you look at his clothing, | 0:19:22 | 0:19:24 | |
you'll see the major wound he suffered was on his back. | 0:19:24 | 0:19:27 | |
He thought he had killed the lion, went over to it and it leapt up, | 0:19:27 | 0:19:32 | |
dragged him to the ground. He suffered this major wound here. | 0:19:32 | 0:19:35 | |
The thing that saved him was, | 0:19:35 | 0:19:37 | |
tucked in his trousers, was a copy of Punch. | 0:19:37 | 0:19:41 | |
That saved his life? | 0:19:41 | 0:19:42 | |
Saved his life and when he got back to Britain, Punch magazine | 0:19:42 | 0:19:47 | |
had published the story of the lion. | 0:19:47 | 0:19:50 | |
Time to find out what our other pair of antique explorers are up to | 0:19:55 | 0:19:59 | |
in darkest Kent, heading to the famous resort of Margate. | 0:19:59 | 0:20:03 | |
Painter, Turner, described these skies as the loveliest in all Europe | 0:20:05 | 0:20:09 | |
and there is now an art gallery here in the great man's name. | 0:20:09 | 0:20:12 | |
No point in locking it. It hasn't got a top. | 0:20:17 | 0:20:21 | |
-There is the door here. -Is it? -Let's walk in the door. | 0:20:21 | 0:20:25 | |
-It's a big place. -Hi there, Kevin. | 0:20:25 | 0:20:27 | |
-Hi, welcome to sunny Margate. I'm Ron. -Ron, nice to see you. | 0:20:27 | 0:20:30 | |
-Thomas. -A lot of clocks, I see. -I'm a clock fancier myself. | 0:20:30 | 0:20:35 | |
They're not very good business at the moment, to be honest. | 0:20:35 | 0:20:38 | |
Thanks for the advice. We won't be looking at clocks them, thank you. | 0:20:38 | 0:20:41 | |
Decisive, Kevin. He continues to impress. | 0:20:41 | 0:20:43 | |
A TU-95, very nice. | 0:20:43 | 0:20:46 | |
-Soviet, of course. -Perhaps they'll pick up a piece of militaria then. | 0:20:48 | 0:20:52 | |
M85 helmet. First Gulf War. | 0:20:52 | 0:20:54 | |
Hoorah! | 0:20:57 | 0:21:00 | |
I wish I hadn't had my fish and chips at lunchtime. | 0:21:00 | 0:21:02 | |
You look lovely, but could we please press on? | 0:21:02 | 0:21:05 | |
I don't think I could take it off. I'm stuck. | 0:21:05 | 0:21:09 | |
Ron's huge establishment is very different from the shop | 0:21:09 | 0:21:12 | |
-they were in earlier. -This is overwhelming. | 0:21:12 | 0:21:15 | |
-But Kevin still seems intent on following his instincts. -Tom? | 0:21:15 | 0:21:22 | |
-Tom? -Coming. What have you got...? Is this a dentist chair or a barbers? | 0:21:22 | 0:21:27 | |
-It's a dentist. -It's a dentist chair. | 0:21:27 | 0:21:29 | |
People associate these things with pain. | 0:21:31 | 0:21:34 | |
Remember Larry and Dustin in Marathon Man? | 0:21:34 | 0:21:36 | |
-Put your head back, let's have a look. -But is it safe? | 0:21:36 | 0:21:40 | |
That'll have to come out, for a start. | 0:21:40 | 0:21:42 | |
I think Thomas's advice plus the £300 price tag might deter | 0:21:43 | 0:21:47 | |
a splurge. More pain. | 0:21:47 | 0:21:49 | |
It's a cat and nine tails. Is this something you use on your films. | 0:21:49 | 0:21:54 | |
Yes, yes. The lashings will continue until morale improves. | 0:21:54 | 0:21:59 | |
-It seems that Ron has always got a bit more shop to explore. -Oh, look. | 0:22:01 | 0:22:06 | |
-Do you remember Steptoe And Son? -Yeah. -I think it was shot here. | 0:22:11 | 0:22:16 | |
I'm not sure the warehouse is actually open to the public, Kevin. | 0:22:16 | 0:22:20 | |
My sideburns. Oh, look, big old tuba there. | 0:22:20 | 0:22:25 | |
Big old tuba, but there's nothing there. Wouldn't be able to play it. | 0:22:25 | 0:22:30 | |
-That doesn't matter. -Really? -These are converted to lamps now. | 0:22:30 | 0:22:35 | |
I love it. | 0:22:36 | 0:22:37 | |
It's a Boosey and so pre-dates 1930 when the company merged | 0:22:37 | 0:22:41 | |
with the other great British musical dynasty of Hawkes. | 0:22:41 | 0:22:45 | |
BBC television, Tony Hancock... | 0:22:45 | 0:22:49 | |
-Hey, look, look, look, Boosey. It's a Boosey one. -Really? | 0:22:51 | 0:22:56 | |
-Yes. -Slipped up there then. -You've slipped up there. | 0:22:56 | 0:22:59 | |
Ron is asking £50 for this battered bit of brass. | 0:22:59 | 0:23:03 | |
Could this be better than the 50? | 0:23:03 | 0:23:05 | |
-I think 50 is a gift, to be honest with you. -Do you think so? | 0:23:05 | 0:23:09 | |
-I didn't know it was Boosey. -40. There's a lot of work on here. | 0:23:09 | 0:23:14 | |
You've wheedled your way into my warehouse. | 0:23:14 | 0:23:16 | |
-You don't like that, do you? -I don't mind, but you can't come in here | 0:23:16 | 0:23:19 | |
and nail me to the floor for things in the warehouse, I'm afraid. | 0:23:19 | 0:23:23 | |
If I could take that away with me | 0:23:23 | 0:23:24 | |
and still have 200 quid left for tomorrow, I'd be such a happy bunny. | 0:23:24 | 0:23:28 | |
But once we give him 50, I'm under the 200 and I've got no negotiation. | 0:23:29 | 0:23:33 | |
-I've got no leverage, you see. -£40 and Kevin will take it away. | 0:23:33 | 0:23:39 | |
No, no, sorry, thank you very much for the interest | 0:23:39 | 0:23:43 | |
but honest truth, I think it's a steal at 50 quid. | 0:23:43 | 0:23:46 | |
-Boosey is better than Boosey and Hawkes. -It's earlier. | 0:23:46 | 0:23:49 | |
-I've had a little practice. -You're good, you're good. | 0:23:51 | 0:23:56 | |
-45 quid and we'll have a deal. -Go on. -Go on, absolutely, got it. | 0:23:56 | 0:24:02 | |
Yes, the thrill, the adrenaline. I'm becoming a junkie. | 0:24:02 | 0:24:06 | |
-Never a script, darlings. Improv, every time. -Let's go. | 0:24:07 | 0:24:12 | |
After quite a day, Kevin and Phyllis are together again. | 0:24:16 | 0:24:20 | |
Is that a squirrel? It's a rabbit! Oh, we really are in the countryside. | 0:24:20 | 0:24:24 | |
-We really are in the depths. -A bunny rabbit, there. -I think we're lost. | 0:24:24 | 0:24:31 | |
-We should have brought a map. -Well. Hasn't his not got any Sat Nav? | 0:24:31 | 0:24:36 | |
-Afraid not. -I do hope they find their way. Nighty night. | 0:24:39 | 0:24:44 | |
Next morning, we're in Sussex where it's raining. | 0:24:46 | 0:24:49 | |
Do you need your wipers on? | 0:24:49 | 0:24:51 | |
-Do you know where they are? -Have a look there, see if it says wipers. | 0:24:51 | 0:24:54 | |
-Here we are, look. -Wipers. -Lovely. | 0:24:54 | 0:24:57 | |
That is what marriage is all about, teamwork | 0:24:59 | 0:25:02 | |
and betting on household chores of course. | 0:25:02 | 0:25:05 | |
I think we should forget about that whole breakfast thing | 0:25:05 | 0:25:08 | |
and just make it totally about the bins. | 0:25:08 | 0:25:10 | |
Exactly. Bins and recycling. What a chore. | 0:25:12 | 0:25:15 | |
-See, that's you for the next six months. -So cocky. | 0:25:17 | 0:25:21 | |
No, Mark's got me sorted, well sorted. | 0:25:21 | 0:25:24 | |
I love to see you confident, darling, | 0:25:26 | 0:25:29 | |
but I'm sad to see it's so misplaced. | 0:25:29 | 0:25:32 | |
Phyllis and Mark were the cautious couple yesterday, | 0:25:32 | 0:25:34 | |
spending a mere £110 on a bulldog and a lamp table, as you do. | 0:25:34 | 0:25:38 | |
-I don't want to insult you, but... -But we do, really. | 0:25:39 | 0:25:43 | |
..leaving just under £300 to spend today, | 0:25:43 | 0:25:46 | |
while Kevin and Thomas splurged out on a tuba, a pipe holder | 0:25:46 | 0:25:50 | |
and a harmonium... | 0:25:50 | 0:25:51 | |
You be careful with that now, because it belongs to me. | 0:25:51 | 0:25:54 | |
..for a total cost of £205, meaning they've almost £200 in their wallet. | 0:25:55 | 0:26:02 | |
-I'm feeling a little bit of insecurity from you. -From me? | 0:26:02 | 0:26:05 | |
-Yeah, you're cracking. -No, darling, no. | 0:26:05 | 0:26:08 | |
Later, they'll be ending up in the capital for a Greenwich auction | 0:26:08 | 0:26:12 | |
but in the meantime, we're in Sussex at Eastbourne. | 0:26:12 | 0:26:15 | |
The comedian, Charlie Chester, was born in Eastbourne | 0:26:18 | 0:26:21 | |
and political theorist Friedrich Engels who co-wrote | 0:26:21 | 0:26:25 | |
the Communist Manifesto with Karl Marx. | 0:26:25 | 0:26:27 | |
He has his ashes scattered at nearby Beachy Head. Handy. | 0:26:27 | 0:26:31 | |
-Are we going to the same place? -I think we are. | 0:26:31 | 0:26:33 | |
Let's get there before them. | 0:26:33 | 0:26:35 | |
I wonder if there'll be much chitchat about the theory | 0:26:36 | 0:26:40 | |
of surplus value as our gang of four shop together. | 0:26:40 | 0:26:43 | |
Yesterday, Phyllis took a bit of a supporting role | 0:26:48 | 0:26:50 | |
when it came to the choosing, so she's keen to play her part today. | 0:26:50 | 0:26:54 | |
-Do it like this? -This? -Well, it's nice. It's Art Deco...ish. | 0:26:55 | 0:27:01 | |
-It's French, probably 1940s. They don't do terribly well. -Maybe not. | 0:27:01 | 0:27:07 | |
Kevin is after a new career. | 0:27:07 | 0:27:09 | |
Do you want to go over and do Pirates Of The Caribbean 5 | 0:27:09 | 0:27:12 | |
-and I'll do this? -Yes. -Shall we do that? -Yeah, great. | 0:27:12 | 0:27:16 | |
I know Thomas quite well and you obviously know Kevin very well. | 0:27:16 | 0:27:20 | |
-What do you think they're going for? -Toys. | 0:27:20 | 0:27:22 | |
-It's a model aeroplane. -It's an actual flying aeroplane. | 0:27:22 | 0:27:26 | |
They are going for blokey things as well. | 0:27:26 | 0:27:28 | |
-Yes, train sets and stuff, soldiers. -That lives there. -Uncanny. | 0:27:28 | 0:27:34 | |
Here's something you'd like. | 0:27:36 | 0:27:37 | |
-A Lancaster or Wellington bomber cockpit compass. -Let me in there. | 0:27:37 | 0:27:44 | |
-Can you see that? -Oh, that is great. That could be my military thing. | 0:27:44 | 0:27:48 | |
Let's have a closer look with shopkeeper, Damian. | 0:27:50 | 0:27:54 | |
-Tell him we hate it. -The price of the compass is £85. | 0:27:54 | 0:27:58 | |
-Not sure they can see that though. -I want to see the date. | 0:27:58 | 0:28:03 | |
-Very interesting. -You like that? -It works, which is great. | 0:28:03 | 0:28:07 | |
I love the fact that it's got that box. | 0:28:07 | 0:28:09 | |
-We should wash our hands after this. -Why? | 0:28:09 | 0:28:12 | |
-If this is luminescent, there will be some radiation. -Will there? | 0:28:12 | 0:28:16 | |
Crikey, step away from the antique. | 0:28:16 | 0:28:18 | |
Meanwhile, Phyllis has taken Mark outside. | 0:28:18 | 0:28:21 | |
-What about these chairs? -These are what I would call nursing chairs. | 0:28:21 | 0:28:26 | |
-Nursing chairs? -Yes, for a mother to sit on. | 0:28:26 | 0:28:30 | |
They probably date to 1890, 1900. They're antique. | 0:28:30 | 0:28:35 | |
They're asking 155 for the pair but again, | 0:28:35 | 0:28:39 | |
if they are outside, maybe the dealer wants to get rid of them, | 0:28:39 | 0:28:42 | |
maybe they bought them with some other stuff. | 0:28:42 | 0:28:45 | |
Actually, they'd be glad to see the back of them. | 0:28:45 | 0:28:47 | |
Everybody watching at home would be saying, "Don't buy them, | 0:28:47 | 0:28:50 | |
-"don't buy them." -There'll be some lively discussion, for certain. | 0:28:50 | 0:28:53 | |
-Have a go, see what you think. -Yes. -What does it feel like? | 0:28:53 | 0:28:58 | |
It feels lovely, actually. You could put your feet up. | 0:28:58 | 0:29:02 | |
I think you should. | 0:29:02 | 0:29:03 | |
I'll tell you what, it's hard work all this, isn't it? | 0:29:03 | 0:29:06 | |
-I know, it's exhausting. -If you like them, we can maybe... | 0:29:06 | 0:29:11 | |
-Knock them down a bit. -Knock them down a bit. -Yes. -Shall we? | 0:29:11 | 0:29:14 | |
-I'm feeling like... -You're feeling like you really want it. | 0:29:14 | 0:29:17 | |
-I was so wussy yesterday. -You weren't wussy. | 0:29:17 | 0:29:21 | |
Prepare yourself, Paul, she means business. | 0:29:21 | 0:29:24 | |
We're on quite a tight budget here and, of course, going to try | 0:29:24 | 0:29:28 | |
and knock you down a bit. | 0:29:28 | 0:29:30 | |
We need these at a really special Downton Abbey price, don't we? | 0:29:30 | 0:29:35 | |
-I'm emphasising the word, down. -Subtle, Mark. | 0:29:35 | 0:29:40 | |
-How does 110 sound? -No. -Much too much. | 0:29:40 | 0:29:42 | |
No, I'm sorry, we can't do that. | 0:29:42 | 0:29:44 | |
-How does £90 sound? -We're heading in the right direction. | 0:29:46 | 0:29:50 | |
-We're going down. -In order for the better team to win... | 0:29:50 | 0:29:54 | |
-I like that. -I like your style. | 0:29:54 | 0:29:57 | |
The pair of chairs for £70. | 0:29:57 | 0:29:59 | |
-We are so close. -We ARE so close. | 0:30:00 | 0:30:02 | |
I was thinking maybe around the figure of 60 | 0:30:02 | 0:30:05 | |
and we could shake your hand. | 0:30:05 | 0:30:07 | |
-Go on, have them for 60. -Shake his hand, before he changes his mind. | 0:30:07 | 0:30:10 | |
-I hope you win this one. -Thank you very much! -Thanks so much, Paul. We're thrilled with those. | 0:30:10 | 0:30:14 | |
Well done, Phyllis. | 0:30:14 | 0:30:16 | |
How are the boys getting on with their much-loved compass? | 0:30:16 | 0:30:20 | |
Regarding the compass, the gentleman who owns it is currently in Europe. | 0:30:20 | 0:30:24 | |
I can't get hold of him on the phone. | 0:30:24 | 0:30:26 | |
What could you do that for normally? | 0:30:26 | 0:30:28 | |
We could do it for 65. | 0:30:28 | 0:30:29 | |
With £195 still in the kitty, it's affordable - | 0:30:30 | 0:30:33 | |
but the pirates go back on the prowl for more treasure. | 0:30:33 | 0:30:37 | |
He's doing that walking away thing - I really like that! | 0:30:37 | 0:30:39 | |
The rivals, however, look altogether more relaxed. | 0:30:39 | 0:30:43 | |
-Have you ever worked together? -Er...not for ages. | 0:30:43 | 0:30:46 | |
Well, mind you, having said that, he did come on to Downton Abbey. | 0:30:46 | 0:30:49 | |
-Oh, did he? -Yes, it was horrible. | 0:30:49 | 0:30:52 | |
-No, it wasn't! -It must be quite fun. | 0:30:52 | 0:30:55 | |
It was quite fun, I must say, and this is nice. | 0:30:55 | 0:30:57 | |
I mean, this is...like being on a little holiday. | 0:30:57 | 0:31:00 | |
Yes, it is, coming around and having a look. | 0:31:00 | 0:31:02 | |
The boys, though, are keeping their minds on the game. | 0:31:02 | 0:31:06 | |
-I like that Iraqi silver. -At the back? That is nice. I do like that. | 0:31:06 | 0:31:11 | |
A 19th-century Islamic dish for Turkish delights or sweets - | 0:31:11 | 0:31:15 | |
baklava or something like that. | 0:31:15 | 0:31:17 | |
This is on copper with silver. | 0:31:17 | 0:31:19 | |
Is there any interest? I mean, I think it's lovely. | 0:31:19 | 0:31:22 | |
A huge amount of interest. Because you're thinking of the | 0:31:22 | 0:31:24 | |
emerging economies of the Middle East and this is a near Middle East piece. | 0:31:24 | 0:31:28 | |
And they do like to buy back their works of art, which will create it. | 0:31:28 | 0:31:32 | |
So you have got a possibility with something like this. | 0:31:32 | 0:31:35 | |
The price is at 161, so it's got to be... | 0:31:35 | 0:31:38 | |
100 quid, really, hasn't it, or 80? Go and talk to them about that, yeah? | 0:31:38 | 0:31:43 | |
What can Damian do? | 0:31:43 | 0:31:45 | |
I asked him to make my day. He's come in at £110. | 0:31:45 | 0:31:50 | |
He wouldn't do it for... | 0:31:53 | 0:31:54 | |
-..95? -He actually paid 110 for it. | 0:31:55 | 0:31:58 | |
And you want 65 for the... | 0:31:58 | 0:32:00 | |
Well, I could come down to 60, | 0:32:00 | 0:32:02 | |
-so that gives you 170 for the two items. -Yeah, yeah. | 0:32:02 | 0:32:05 | |
That's all right. OK. | 0:32:05 | 0:32:07 | |
I think we're almost there. Almost all the cash gone, too. | 0:32:07 | 0:32:10 | |
-Well, I think it's these two, isn't it? -We going to do it? | 0:32:10 | 0:32:12 | |
-Yes. -Leaves us a little bit of money left but we didn't spend it all. | 0:32:12 | 0:32:16 | |
Well, we'll spend it down the pub. Thank you. | 0:32:16 | 0:32:18 | |
-Good idea. -Thank you very much. | 0:32:18 | 0:32:20 | |
-Better give you some money. -Pay the man! -Yeah, I will. -Absolutely, yes. | 0:32:20 | 0:32:24 | |
Cor, they're going out with a bang, | 0:32:24 | 0:32:26 | |
wrapping up their shopping with the World War II compass | 0:32:26 | 0:32:29 | |
and the Middle Eastern silver-on-laid-copper plate for a total of £170. | 0:32:29 | 0:32:34 | |
Time for a parting of the ways, | 0:32:34 | 0:32:37 | |
with one side still hot to shop and the other aiming for the stars. | 0:32:37 | 0:32:42 | |
-You're quite into astrology, aren't you? -Astronomy. -Astronomy? -Astronomy. | 0:32:42 | 0:32:46 | |
Really, Thomas! They may sound the same, but astronomy, | 0:32:47 | 0:32:50 | |
the study of the stars and planets, | 0:32:50 | 0:32:52 | |
is really quite different from looking at horoscopes, or astrology. | 0:32:52 | 0:32:56 | |
When I was a kid, I took one of the first astronomy O-levels. | 0:32:57 | 0:33:02 | |
-Astrology? -I... Astronomy. | 0:33:02 | 0:33:04 | |
-Astronomy? -Astronomy. | 0:33:04 | 0:33:06 | |
Oh, Thomas! | 0:33:06 | 0:33:08 | |
They're making for Herstmonceux, East Sussex. | 0:33:08 | 0:33:10 | |
The Greenwich Royal Observatory moved their telescopes here | 0:33:10 | 0:33:15 | |
after the war and, although they've since gone further abroad | 0:33:15 | 0:33:18 | |
to escape this weather, much remains. | 0:33:18 | 0:33:21 | |
-Are you like a boy in a sweetie shop? -Oh, absolutely! | 0:33:21 | 0:33:24 | |
I can't express how excited I am. | 0:33:24 | 0:33:27 | |
-Hi, I'm Kevin. -Good afternoon. I'm Helen. -Helen, nice to meet you. -I'm Thomas. | 0:33:27 | 0:33:30 | |
-Hi, Thomas. Come on in. -This is Tom, but don't mind him! | 0:33:30 | 0:33:34 | |
Some regular viewers may recognise these domes | 0:33:34 | 0:33:37 | |
from a previous pitstop by Charlie Ross. | 0:33:37 | 0:33:40 | |
Today, however, Thomas and Kevin are here to learn | 0:33:40 | 0:33:43 | |
about an outlandish experiment using two telescope lenses that turned | 0:33:43 | 0:33:48 | |
an unknown Austrian physicist into one of the world's most famous men. | 0:33:48 | 0:33:53 | |
In 1919, two of the lenses that are on this site now were taken | 0:33:53 | 0:33:56 | |
to Africa and Brazil respectively and they were instrumental | 0:33:56 | 0:33:59 | |
in proving Einstein's theory of relativity. | 0:33:59 | 0:34:01 | |
One of the key points of Albert Einstein's famous theory | 0:34:01 | 0:34:06 | |
was that even light is affected by gravity. | 0:34:06 | 0:34:09 | |
To prove this, he predicted that if you could see | 0:34:09 | 0:34:12 | |
stars in the daytime, any stars hidden behind the sun | 0:34:12 | 0:34:15 | |
would appear to have moved position, | 0:34:15 | 0:34:18 | |
but it was actually the sun's gravity bending the stars' light. | 0:34:18 | 0:34:21 | |
Deep stuff, eh? You keeping up? | 0:34:21 | 0:34:23 | |
And the way it worked was that they proved that | 0:34:23 | 0:34:27 | |
the gravity of a big object like the sun would bend light, | 0:34:27 | 0:34:29 | |
which is a central core of special relativity, isn't it? | 0:34:29 | 0:34:33 | |
-Absolutely. -That's what I was going to ask - what is the theory of relativity? | 0:34:33 | 0:34:37 | |
-I'll tell you later. -Will you? -We don't have the time. | 0:34:37 | 0:34:40 | |
Well, we've all heard of E = mc2, | 0:34:42 | 0:34:45 | |
but fear not, Thomas - even the world's best scientists | 0:34:45 | 0:34:49 | |
at the time couldn't wrap their minds around Einstein's ideas. | 0:34:49 | 0:34:53 | |
The only chap who saw the vast potential | 0:34:53 | 0:34:55 | |
was British physicist Arthur Eddington. | 0:34:55 | 0:34:58 | |
With the help of the Royal Astronomical Society, | 0:34:58 | 0:35:02 | |
Eddington set out on a grand global expedition | 0:35:02 | 0:35:05 | |
to get observational proof of part of Einstein's theory. | 0:35:05 | 0:35:10 | |
They knew they'd need a solar eclipse | 0:35:15 | 0:35:17 | |
to view the stars and sun together, | 0:35:17 | 0:35:20 | |
so a ship carrying two huge telescopes | 0:35:20 | 0:35:23 | |
was sent along the route of the next eclipse. | 0:35:23 | 0:35:26 | |
The goal was to photograph the position of the stars | 0:35:26 | 0:35:29 | |
-during the eclipse, to prove Einstein was right. -TIM WHISTLES | 0:35:29 | 0:35:34 | |
That's why the eclipse is so important - | 0:35:34 | 0:35:36 | |
because the sky goes dark and you can take the photograph, | 0:35:36 | 0:35:39 | |
the stars come out... | 0:35:39 | 0:35:41 | |
Because they're always there, but, | 0:35:41 | 0:35:44 | |
obviously, we just see the blue sky of the atmosphere. | 0:35:44 | 0:35:46 | |
It's a brilliant experiment! | 0:35:46 | 0:35:48 | |
Actually, when you break it down, it's an extremely simple experiment. | 0:35:48 | 0:35:51 | |
Yes, and that's the genius of it, I think. | 0:35:51 | 0:35:53 | |
But the task was far from easy. | 0:35:55 | 0:35:57 | |
Weather clouded their six-minute window, | 0:35:57 | 0:36:00 | |
obscuring all but a few seconds of the eclipse. | 0:36:00 | 0:36:03 | |
They had one usable picture but it was all that was needed. | 0:36:03 | 0:36:08 | |
The stars were shown to be out of position, | 0:36:08 | 0:36:10 | |
Einstein was proved right and science was changed for ever. | 0:36:10 | 0:36:15 | |
He became an overnight celebrity, | 0:36:15 | 0:36:16 | |
thanks to the team of intrepid British pioneers | 0:36:16 | 0:36:19 | |
and two telescope lenses, both of which are now housed on this site. | 0:36:19 | 0:36:23 | |
This is an actual lens from the telescope? | 0:36:27 | 0:36:29 | |
-The actual lens that was taken to Africa. -It's a mighty lens, isn't it? | 0:36:29 | 0:36:33 | |
And to think they were hand ground at the time, as well. | 0:36:33 | 0:36:35 | |
-Where's the rest of the telescope? -Your guess is as good as mine. | 0:36:35 | 0:36:39 | |
-I think it was left. -Left? -All we have is the lens now. | 0:36:39 | 0:36:44 | |
That's where the money is, the lenses. | 0:36:44 | 0:36:46 | |
Talking of which, just shut that because he'll have that auctioned by the end of the week. | 0:36:46 | 0:36:50 | |
"Lot one, a very famous lens. £5 million." | 0:36:50 | 0:36:53 | |
Make sure it's locked up. Get out! | 0:36:53 | 0:36:55 | |
Incredibly, the lens from the second telescope | 0:36:56 | 0:36:59 | |
used in the experiment is still in use here in Sussex. | 0:36:59 | 0:37:02 | |
-Well, this on top is the viewfinder, right? -Yes, that's the guider scope. | 0:37:03 | 0:37:07 | |
The guider scope. But this is the telescope with its original Brazilian lens? | 0:37:07 | 0:37:12 | |
Yeah, this is the lens that was taken to Brazil. | 0:37:12 | 0:37:14 | |
-It's like you're some sort of mad professor. -I am a mad professor. | 0:37:14 | 0:37:18 | |
I feel like it. I just need my hair up a little bit more and start talking like Patrick Moore! | 0:37:18 | 0:37:22 | |
And Helen and I are your, sort of, pupils. | 0:37:22 | 0:37:24 | |
And you know so much! I'm so impressed! | 0:37:24 | 0:37:26 | |
Well, I know so little compared to these guys. | 0:37:26 | 0:37:29 | |
Could I move this telescope? | 0:37:29 | 0:37:31 | |
-Yeah, I can take the clamps off for you and you can move it yourself. -OK. | 0:37:31 | 0:37:35 | |
Oh, I'm so excited! Are the clamps off? | 0:37:35 | 0:37:38 | |
HE GASPS Look at that! | 0:37:38 | 0:37:40 | |
The simplest touch - just move around the sky. | 0:37:42 | 0:37:46 | |
-I love the dial there. -Oh, yeah. | 0:37:48 | 0:37:51 | |
Boys and their toys, eh? | 0:37:51 | 0:37:52 | |
Oh, that's amazing! | 0:37:54 | 0:37:55 | |
Hang on! | 0:37:55 | 0:37:57 | |
Ah, we're doing that again, are we? There they are. | 0:37:57 | 0:38:01 | |
Meanwhile, back in Eastbourne... | 0:38:03 | 0:38:05 | |
This looks rather intriguing. | 0:38:05 | 0:38:06 | |
It does, doesn't it? | 0:38:06 | 0:38:08 | |
..Phyllis and Mark still have work to do. | 0:38:08 | 0:38:11 | |
Oh, it's nice and dry in here! | 0:38:11 | 0:38:13 | |
-It's good to see you again. -Pleased to meet you again. -And you. -Hello. | 0:38:13 | 0:38:17 | |
-I'm Phyllis. -Pleased to meet you. | 0:38:17 | 0:38:18 | |
Those two are looking for a couple more objects... | 0:38:21 | 0:38:24 | |
..although I think they're taking it in turns. | 0:38:26 | 0:38:29 | |
Well, we've got a dog. Maybe we should get a cat. | 0:38:29 | 0:38:33 | |
Mark's got a similar approach, it seems. | 0:38:33 | 0:38:35 | |
-I think this is Indian. Indian brass work. -Oh, yes, cowbell. | 0:38:35 | 0:38:39 | |
I think it's quite nicely made, actually. | 0:38:39 | 0:38:42 | |
It's all hand engraved there and the bells are quite nice. | 0:38:42 | 0:38:45 | |
So that would have been made when, do you think? | 0:38:45 | 0:38:48 | |
You'd think something like that was fairly modern, wouldn't you, really? | 0:38:48 | 0:38:51 | |
You know. But I think it's got a bit of age. If you look... | 0:38:51 | 0:38:55 | |
You know, this is all handmade nails here. | 0:38:55 | 0:38:59 | |
I don't think it's any later than around about 1920. | 0:38:59 | 0:39:03 | |
-So we're heading off to 100 years old. -Do you think it would do well? | 0:39:03 | 0:39:08 | |
These type of items are becoming more collectable. | 0:39:08 | 0:39:11 | |
You know, Chinese, Indian, Arabic items with a bit of age. | 0:39:11 | 0:39:16 | |
The ticket price is £30 - but are they agreed? | 0:39:16 | 0:39:20 | |
I mean, if we could get that really down, | 0:39:20 | 0:39:23 | |
I think it just might stand a chance. | 0:39:23 | 0:39:26 | |
-Not impressed with my old cow? -SHE CHUCKLES | 0:39:26 | 0:39:29 | |
You know, if people who go to auction don't appreciate | 0:39:29 | 0:39:32 | |
this type of art, you know, it could sell for a fiver. | 0:39:32 | 0:39:35 | |
-I know. I think it might. -Shall we leave it? -I think we should. | 0:39:35 | 0:39:38 | |
-We'll leave it. -But then... -You're not indecisive at all, are you? | 0:39:38 | 0:39:43 | |
-Look, shall we just ask what the best price is? -Yes, yes. -Phew! | 0:39:44 | 0:39:48 | |
We finally got there. | 0:39:48 | 0:39:50 | |
We might have a little something which intrigued us. | 0:39:50 | 0:39:54 | |
An old cow. | 0:39:54 | 0:39:55 | |
That's no way to speak to your guest! | 0:39:57 | 0:40:00 | |
-Well, I just think it's rather fun. -It is. Fire away. | 0:40:00 | 0:40:03 | |
£10? | 0:40:03 | 0:40:05 | |
HE SNORTS I heard you snorting there! | 0:40:05 | 0:40:08 | |
-11? -Oh, do try harder. | 0:40:08 | 0:40:10 | |
11.50? | 0:40:10 | 0:40:11 | |
-Come on! -15? | 0:40:12 | 0:40:15 | |
-£12? Yes, £12. £12? -15. -Well, 15's such an odd number, isn't it? | 0:40:15 | 0:40:20 | |
12 is pretty odd, as well! | 0:40:20 | 0:40:23 | |
Should we say 15? Are we being too mean? | 0:40:23 | 0:40:26 | |
-I think we should say 15. -15. 15? | 0:40:26 | 0:40:29 | |
-Thank you very much. -Deal. -Thank you. -Thank you very much. | 0:40:31 | 0:40:34 | |
-For a little cow and baby. -I do hope we can milk a profit on it! | 0:40:34 | 0:40:38 | |
Oh! | 0:40:38 | 0:40:39 | |
Quite! Time to move on. | 0:40:39 | 0:40:42 | |
-Moo! -Moo! | 0:40:42 | 0:40:44 | |
Now motoring towards the village of Hailsham | 0:40:46 | 0:40:49 | |
and their last chance to buy. | 0:40:49 | 0:40:51 | |
Oh, hello. You must be Rhoda. | 0:40:51 | 0:40:53 | |
-I am indeed. -Hello, I'm Phyllis. -Nice to meet you. -I'm Mark. | 0:40:53 | 0:40:56 | |
-Hello, Mark. -Lovely to meet you. | 0:40:56 | 0:40:58 | |
We've got to you in the nick of time but we have so little time. | 0:40:58 | 0:41:01 | |
Is there something here you think | 0:41:01 | 0:41:03 | |
you want to help two desperate people? | 0:41:03 | 0:41:06 | |
Interesting question - because, as well as quite a few traditional antiques on offer, | 0:41:06 | 0:41:11 | |
Rhoda has a bit of an eye-catching novelty item. | 0:41:11 | 0:41:15 | |
Anyone spotted it yet? | 0:41:15 | 0:41:16 | |
Oh, yes. Say hello to Diana! | 0:41:16 | 0:41:19 | |
DRAMATIC MUSIC | 0:41:19 | 0:41:21 | |
-Oh, Lordy Lord! -Oh, my gosh! It's scary, isn't it? | 0:41:21 | 0:41:26 | |
Sounds like a no to the lovely Diana. Anything a bit smaller? | 0:41:26 | 0:41:30 | |
This is quite interesting. | 0:41:30 | 0:41:32 | |
He looks like a military naval type, doesn't he? | 0:41:32 | 0:41:35 | |
-Is it a doorstop or something? -It is. It's filled with lead in the bottom. | 0:41:35 | 0:41:38 | |
It looks 19th century. | 0:41:38 | 0:41:40 | |
I mean, I thought it might have been Nelson. | 0:41:40 | 0:41:42 | |
-Unfortunately, it's not. -No. -It would be lovely if we could find something with Nelson on it. | 0:41:42 | 0:41:48 | |
Or we'd be absolutely ridiculous and if the doll in the box | 0:41:48 | 0:41:52 | |
is terribly cheap, we take that for a laugh. | 0:41:52 | 0:41:55 | |
Cos Thomas and Kevin will think we've gone completely | 0:41:55 | 0:41:58 | |
and utterly mad. And we have, haven't we? | 0:41:58 | 0:42:00 | |
SHE CHUCKLES | 0:42:00 | 0:42:02 | |
-Diana in the box? -Yes. Life-size. | 0:42:02 | 0:42:06 | |
-They won't be expecting that, will they? -They certainly will not. | 0:42:06 | 0:42:09 | |
-Cos you hate the doll, don't you? -Oh, absolutely. -And I hate the doll. | 0:42:09 | 0:42:12 | |
-Oh, I see. -And they'll hate the Doll. -Yes. | 0:42:12 | 0:42:15 | |
You don't have to buy it, Phyllis. | 0:42:15 | 0:42:18 | |
I'm not even sure I want to touch it. And she's wearing this... | 0:42:18 | 0:42:20 | |
-I don't want to touch it. -..plastic... | 0:42:20 | 0:42:22 | |
It's like a jockey's outfit or something. | 0:42:22 | 0:42:24 | |
-I just think she is so ridiculously hideous. -Yep. | 0:42:24 | 0:42:30 | |
-Could we appeal to your generous side, Rhoda... -Uh-huh? | 0:42:30 | 0:42:35 | |
-..and could you please let us have it for £10? -No. | 0:42:35 | 0:42:38 | |
-Well, I tried. -I'll do her for 20. | 0:42:39 | 0:42:43 | |
-Yes, go on, then. -Are you happy? | 0:42:43 | 0:42:45 | |
-Yes, ecstatic. -You won't shout at me at the auction? -No. | 0:42:45 | 0:42:49 | |
-Let's not put any naked flames near her. -Here you are, Rhoda. | 0:42:50 | 0:42:54 | |
-Thank you so much. -Goodbye, Diana. -Get back in your box! | 0:42:54 | 0:42:57 | |
-"Don't want to go back in the box!" -She's going back in the box. -"I don't want to go back in the box!" | 0:42:57 | 0:43:01 | |
# I love you, but do you love me? | 0:43:01 | 0:43:05 | |
# Oh, Diana, can't you see? # | 0:43:05 | 0:43:09 | |
Well, that rather unusual purchase completes their shopping. | 0:43:09 | 0:43:12 | |
So, what will they make of each other's offerings? | 0:43:12 | 0:43:15 | |
-I was going to let the lady reveal first. -I think we should. | 0:43:15 | 0:43:18 | |
- I think that was very sensible. - Oh, really? Yes. | 0:43:18 | 0:43:21 | |
-So, I'm going to take this off first. -Right. Oh, interesting! | 0:43:21 | 0:43:25 | |
He IS an actor! | 0:43:25 | 0:43:26 | |
-We've obviously got a doggie here. -A Winstanley bulldog. | 0:43:26 | 0:43:29 | |
I know, but I've seen the cat - I've never seen a bulldog. | 0:43:29 | 0:43:32 | |
-I've never seen a Winstanley bulldog. -And I think he's rather charming. | 0:43:32 | 0:43:36 | |
-OK, and the pair of chairs? -The pair of chairs, again. -Are they inlaid? | 0:43:36 | 0:43:39 | |
-Shall we walk round? Come on, Kevin. -Yeah, no, they're inlaid. | 0:43:39 | 0:43:42 | |
I did want a chair but we got a pair. | 0:43:42 | 0:43:45 | |
Inlaid. And I've just seen the horror show! | 0:43:45 | 0:43:48 | |
-Yes, yes. -Oh, my God Almighty! | 0:43:48 | 0:43:51 | |
-Do you know, that's the reaction I wanted! -What have we done? | 0:43:51 | 0:43:55 | |
Do you know, I thought rather than go safe, we'd go hideous, didn't we? | 0:43:55 | 0:43:59 | |
-Yes, we did. -Well, that you achieved, let me tell you. -Thank you. | 0:43:59 | 0:44:03 | |
-How much is the horror show? -20 quid. | 0:44:03 | 0:44:05 | |
So, how much have you spent? | 0:44:05 | 0:44:07 | |
-Actually, I'm sorry. We didn't spend a lot. -20, 60, 80. -£205. | 0:44:07 | 0:44:13 | |
We spent that on the first day! | 0:44:13 | 0:44:15 | |
Yeah, well, they're playing a canny game that I would never have considered myself. | 0:44:15 | 0:44:19 | |
Let's have a look at your booty, then, chaps. | 0:44:19 | 0:44:22 | |
-Oh, my gosh! -So a pirate's pipe holder. | 0:44:22 | 0:44:26 | |
For travelling pipes. | 0:44:26 | 0:44:29 | |
-Cos you're pirates here! -I love it! | 0:44:29 | 0:44:32 | |
This is a compass from a World War II Lancaster or Wellington bomber. | 0:44:32 | 0:44:38 | |
-Oh! -Oh, wow! -Where did you get that? | 0:44:38 | 0:44:41 | |
We got that in one of the untidiest places I've ever been in my life | 0:44:41 | 0:44:44 | |
and, of course, this has a great relevance to me as | 0:44:44 | 0:44:46 | |
being the instrument upon which the theme tune for Hancock is played. | 0:44:46 | 0:44:50 | |
-I like that. -Mark and Phyllis definitely approve. | 0:44:50 | 0:44:53 | |
But the centrepiece, and the biggest gamble for us, is... | 0:44:53 | 0:44:57 | |
Whoosh! KEVIN IMITATES FANFARE | 0:44:57 | 0:45:00 | |
-Oh, wow! -Sweet! -Gosh! | 0:45:00 | 0:45:03 | |
Not the most practical thing. | 0:45:03 | 0:45:05 | |
Not the most practical, but a fun object. | 0:45:05 | 0:45:08 | |
I can't imagine our sets of objects being any more different. | 0:45:08 | 0:45:12 | |
But what do they really think? | 0:45:12 | 0:45:14 | |
I've never seen such a pile of tat in all my life! | 0:45:14 | 0:45:18 | |
I just thought it was all hideous. | 0:45:18 | 0:45:20 | |
Well, they managed to spend every last penny, practically. | 0:45:20 | 0:45:24 | |
I don't dislike any of their items at all. | 0:45:24 | 0:45:27 | |
That doll is the worst thing in the world. It's a horror show! | 0:45:27 | 0:45:31 | |
I love the little Islamic brass and silver tray. | 0:45:31 | 0:45:35 | |
We have definitely won the battle. But we could lose the war. | 0:45:35 | 0:45:40 | |
He loves all the wartime stuff, Kevin. | 0:45:40 | 0:45:42 | |
-The military thing I'm quite frightened of. -What, the compass? | 0:45:42 | 0:45:46 | |
-Thank you. -I'm proud that we have bought well, | 0:45:46 | 0:45:48 | |
like the true men that we are, the pirates. | 0:45:48 | 0:45:52 | |
Yes, we are the pirates! | 0:45:52 | 0:45:53 | |
SEA SHANTY PLAYS | 0:45:55 | 0:45:57 | |
# Sandbanks, windbags Camels with a hump | 0:46:02 | 0:46:04 | |
# Fat girls, thin girls Some a little plump | 0:46:04 | 0:46:07 | |
# Slave girls sold here, 50 bob a lump, in the old bazaar in Cairo. # | 0:46:07 | 0:46:12 | |
After starting out in the Kent countryside of Barham, | 0:46:16 | 0:46:19 | |
our celebrities and experts are making their way towards | 0:46:19 | 0:46:22 | |
an auction in Greenwich, | 0:46:22 | 0:46:23 | |
one of London's most internationally famous boroughs | 0:46:23 | 0:46:27 | |
with a fine and rich maritime history. | 0:46:27 | 0:46:30 | |
-Well, it's a lovely day for it. -Brilliant, isn't it? | 0:46:30 | 0:46:32 | |
It's nice, Greenwich, isn't it? | 0:46:32 | 0:46:34 | |
I feel like a bit of an East End villain in this car, though. | 0:46:34 | 0:46:37 | |
-COCKNEY: -I used to drive for the Krays, you know! -Did you? | 0:46:37 | 0:46:39 | |
How do you think you're going to fare at the auction? | 0:46:39 | 0:46:42 | |
I'm not terribly confident, Tom, to be honest. | 0:46:42 | 0:46:45 | |
I honestly think that because you've spent little, you might gain a lot. | 0:46:45 | 0:46:51 | |
I see what you mean. See, you're building up already for losing. | 0:46:51 | 0:46:55 | |
I am. | 0:46:55 | 0:46:56 | |
I really like your stuff but I don't think it's going to make any money. | 0:46:56 | 0:47:01 | |
I know, I think that's probably a very fair appraisal. | 0:47:01 | 0:47:04 | |
I really like it. I would, personally, have all your stuff, | 0:47:04 | 0:47:08 | |
-but I wouldn't pay that for it. -I wouldn't have yours in the house. | 0:47:08 | 0:47:11 | |
-A tight squeeze. -Good afternoon. | 0:47:15 | 0:47:17 | |
With everyone in the sparring mood, | 0:47:17 | 0:47:19 | |
this South-East Road Trip concludes at Greenwich Auctions. | 0:47:19 | 0:47:23 | |
-Ready for a trouncing? -They're the ones who should worry, aren't they? | 0:47:23 | 0:47:27 | |
-Come on, let's go in. -Shall we do it? -So, who will win the day? | 0:47:27 | 0:47:32 | |
Let's hear from auctioneer Robert Dodd. | 0:47:32 | 0:47:34 | |
It's an iconic piece, typical 1970s. | 0:47:34 | 0:47:37 | |
Lovely it's got its box with the illustration. | 0:47:37 | 0:47:41 | |
And let's hope we've got a Diana doll collector. | 0:47:41 | 0:47:45 | |
I think the one that's going to struggle is the harmonium. | 0:47:45 | 0:47:48 | |
I don't think you'd be happy if you lived next door to someone who played one of those things. | 0:47:48 | 0:47:52 | |
Yeah! | 0:47:52 | 0:47:53 | |
Kevin and Thomas bought five auction lots for a total cost of £375, | 0:47:53 | 0:47:58 | |
whilst Phyllis and Mark also bought five auction lots, | 0:47:58 | 0:48:01 | |
spending just £205. | 0:48:01 | 0:48:02 | |
Fasten your safety belts - it's going to be a bumpy ride! | 0:48:04 | 0:48:07 | |
First out of the traps, Phyllis and Mark's bulldog. | 0:48:07 | 0:48:11 | |
-It's going to make £65, £75. -Oh, Thomas, you don't know that! | 0:48:11 | 0:48:14 | |
-Stop trying to predict it. -He's an auctioneer. | 0:48:14 | 0:48:17 | |
-A really bad one! -Have you been to his sale room? -Will you please...? | 0:48:17 | 0:48:22 | |
A bid with me of £45 only on the bulldog. | 0:48:22 | 0:48:25 | |
Looking for 48. 50 with me. | 0:48:25 | 0:48:27 | |
-55 anywhere? -Come on. -I've got 50. Are we all done? -Come on! | 0:48:27 | 0:48:32 | |
The last time. At £50... | 0:48:32 | 0:48:34 | |
-You've broken even on that one. -It's a travesty! | 0:48:34 | 0:48:39 | |
-It's a travesty! -I'm so disappointed. | 0:48:39 | 0:48:42 | |
He doesn't look all that happy, either. | 0:48:42 | 0:48:44 | |
It's ours coming up and I want a bit of that 80, 85, 90. | 0:48:44 | 0:48:46 | |
-You like that, don't you? -Love a bit of that. | 0:48:46 | 0:48:48 | |
Hmm. That may well be a pipe dream. | 0:48:50 | 0:48:52 | |
It's a lovely lot and it's got to start with a bid with me | 0:48:52 | 0:48:56 | |
at £22 on this. Looking for 25. | 0:48:56 | 0:48:59 | |
I've got 22. Looking for 25. | 0:48:59 | 0:49:03 | |
28. 30 I want. | 0:49:03 | 0:49:05 | |
£30 I'm at. Looking for 32. I've got £30 on it. | 0:49:05 | 0:49:08 | |
-Looking for 32 anywhere. Are we all done? -It's a rare thing! | 0:49:08 | 0:49:12 | |
-Last time at £30. -Oh, gosh! | 0:49:12 | 0:49:16 | |
Looks like Kevin's pirate endorsement didn't pay off. | 0:49:16 | 0:49:19 | |
I just hope one of our items creates a bit of... | 0:49:20 | 0:49:23 | |
I don't even mind if it's Phyllis's any more. You know what I mean? | 0:49:23 | 0:49:26 | |
-That's very magnanimous of you! -It is magnanimous of me. | 0:49:26 | 0:49:29 | |
Now for Phyllis and Mark's table that wasn't even for sale. | 0:49:29 | 0:49:33 | |
And it's got to start with a bid with me of £38. | 0:49:33 | 0:49:36 | |
That's better than I thought, to be honest with you. | 0:49:36 | 0:49:38 | |
-It's worth all of that. -It's worth more than that. -I've got 38. | 0:49:38 | 0:49:41 | |
42 with me. Looking for 45. 45 on the phone. | 0:49:41 | 0:49:45 | |
-Oh, there's a phone bidder. Come on, a bit more. -Are we all done? 48. | 0:49:45 | 0:49:50 | |
50 I need. £50. | 0:49:50 | 0:49:51 | |
-What now? -48 at the back of the room. £50 only I need. | 0:49:51 | 0:49:57 | |
-50 I've got. I'll take 52. -Well done, madam. Someone with taste. | 0:49:57 | 0:50:00 | |
-We all done? Last time at 50. -Come on, a bit more! | 0:50:00 | 0:50:03 | |
-£50! -Well done. | 0:50:03 | 0:50:06 | |
Better than it might have been, but another loss, I'm afraid. | 0:50:06 | 0:50:10 | |
-It all changes from now on in. -Does it? -We start with our tuba. | 0:50:10 | 0:50:14 | |
-And this is it. -This is the game-changer. -Oh, is it? | 0:50:14 | 0:50:19 | |
This is when you get really trounced! | 0:50:19 | 0:50:21 | |
Yeah, can that thing play the Last Post? | 0:50:21 | 0:50:24 | |
Lovely lot this, quality. | 0:50:24 | 0:50:26 | |
Got to start with a with a bid with me of £35 only on that. | 0:50:26 | 0:50:30 | |
-Ooh. -I think it's worth all of that. Looking at 38. | 0:50:30 | 0:50:33 | |
I've got 35 on the Boosey & Co tuba, | 0:50:33 | 0:50:35 | |
I'm looking for 38. I've got 35. Look 38. | 0:50:35 | 0:50:39 | |
-40 with me. Looking for 42. I'm looking for 42 anywhere. -Go on. | 0:50:39 | 0:50:43 | |
Are we all done? | 0:50:43 | 0:50:45 | |
-No! No, more, more, more! -Last time on the tuba. At £40. | 0:50:45 | 0:50:49 | |
Oh, Thomas. | 0:50:49 | 0:50:51 | |
I think you were too "Boosey" when you bought that. | 0:50:51 | 0:50:54 | |
No, we weren't! | 0:50:54 | 0:50:56 | |
Someone's got a nice tuba for not very much money. | 0:50:56 | 0:51:00 | |
I wonder how Phyllis' chairs will fare. | 0:51:00 | 0:51:03 | |
I'm not sanguine, I'm not sanguine. But best of luck to you both. | 0:51:03 | 0:51:06 | |
-Thank you. Do you mean that? -I do mean it! | 0:51:06 | 0:51:09 | |
Do you know, that was said with such insincerity. | 0:51:09 | 0:51:12 | |
And it was! | 0:51:12 | 0:51:13 | |
-Bids with me at only £45 on these on the pair. -Oh, come on! | 0:51:13 | 0:51:17 | |
-I've got 45, I'm looking for 48 anywhere. -They're worth that each. | 0:51:17 | 0:51:20 | |
They are, at least. | 0:51:20 | 0:51:22 | |
48, 50. 55 I'm out if you want 'em. | 0:51:22 | 0:51:24 | |
-I'm out at 50. It's a fiver. -Go on. | 0:51:24 | 0:51:26 | |
-Yeah! -55, I'm out. | 0:51:26 | 0:51:29 | |
-At the back? -60. -Bid at the back. -£60. -Yes, come on. Bit more. | 0:51:29 | 0:51:32 | |
I'll take 62. Hello, stop shaking your head! 62. | 0:51:32 | 0:51:34 | |
Can't get an Happy Meal for that. Here, £60. 62. | 0:51:34 | 0:51:37 | |
-Come on, bit more. -68 I want. | 0:51:37 | 0:51:41 | |
68... No? 68 there, looking for 70. Are you sure? | 0:51:41 | 0:51:45 | |
Oh, they're a bargain. | 0:51:45 | 0:51:47 | |
-At £68. -Oh, well done! | 0:51:47 | 0:51:50 | |
Sadly that's a loss, after auction costs. | 0:51:50 | 0:51:53 | |
-KEVIN: -Our first profit, well done. | 0:51:53 | 0:51:55 | |
-Now it's "our". -Oh, yes, did you hear that? | 0:51:55 | 0:51:57 | |
-It's "our" profit now. -We're all in it together. | 0:51:57 | 0:51:59 | |
It's "our". No, it's not. It's OUR... | 0:51:59 | 0:52:02 | |
I'm going to call them the Coalition from now on - | 0:52:02 | 0:52:04 | |
"we're all in it together." | 0:52:04 | 0:52:07 | |
Kevin and Thomas's plate is up next. | 0:52:07 | 0:52:09 | |
I'm feeling bad it's over 100 quid now. | 0:52:09 | 0:52:12 | |
I'm feeling bad it's over 20 quid actually, but... | 0:52:12 | 0:52:15 | |
And it's got to start with a bid with me straight in at £32. | 0:52:15 | 0:52:19 | |
We've got a long way to go. | 0:52:19 | 0:52:21 | |
-Long way to go. -35 on this dish. Got 32. | 0:52:21 | 0:52:23 | |
35, 38, | 0:52:23 | 0:52:25 | |
40, 45, 50. | 0:52:25 | 0:52:26 | |
55, 65, 75, | 0:52:26 | 0:52:28 | |
80 I'm out. | 0:52:28 | 0:52:30 | |
Looking for 85. | 0:52:30 | 0:52:31 | |
I've got £80. I'm looking for 85 on this dish. | 0:52:31 | 0:52:35 | |
Are we all done? You sure? Got 80. | 0:52:35 | 0:52:37 | |
Last time at £80. | 0:52:37 | 0:52:39 | |
Bad luck. Bad luck. | 0:52:41 | 0:52:43 | |
That was like a knife in my heart. | 0:52:43 | 0:52:45 | |
Can you be "coppered off"? | 0:52:45 | 0:52:48 | |
At least Phyllis and Mark's figurines came cheap. | 0:52:48 | 0:52:51 | |
-Great lot, this. It's a late-19th... -PHONE RINGS | 0:52:51 | 0:52:55 | |
Somebody's on the phone for it already! | 0:52:55 | 0:52:57 | |
..An oval base. | 0:52:57 | 0:52:59 | |
And it's got to start with a bid with me of only... | 0:52:59 | 0:53:03 | |
£10 on this. | 0:53:03 | 0:53:04 | |
-Oh! -Looking for 12, | 0:53:04 | 0:53:06 | |
-it's worth all of that. The golden calf... -Come on. | 0:53:06 | 0:53:09 | |
I've got 10, 12, 15 with me. Looking fro 18. | 0:53:09 | 0:53:12 | |
I've got 15, I need 18 anywhere on this. Are we all done? You sure? | 0:53:12 | 0:53:16 | |
At £15. | 0:53:16 | 0:53:18 | |
-I'm sorry, Phyllis. -No, no, no. | 0:53:19 | 0:53:21 | |
-Cos I really loved them. -Can we have our money back? -No. | 0:53:21 | 0:53:24 | |
Could we go and do it again? | 0:53:24 | 0:53:25 | |
-This is just a dress rehearsal. -Can we do it next week? Yay! | 0:53:25 | 0:53:28 | |
-When we really do it, it's going to be much better, right? -It is. | 0:53:28 | 0:53:32 | |
Yeah, break a leg, everyone! | 0:53:32 | 0:53:34 | |
Tat. | 0:53:34 | 0:53:35 | |
Are you talking about us? | 0:53:36 | 0:53:38 | |
Talking about your doll, darling. | 0:53:38 | 0:53:40 | |
-Was that the last lot? -I think it's your last lot. | 0:53:40 | 0:53:43 | |
That's your piece de resistance. | 0:53:43 | 0:53:45 | |
Ignore him. I do. | 0:53:45 | 0:53:47 | |
They really are a pair of...pirates. | 0:53:47 | 0:53:48 | |
We are. | 0:53:48 | 0:53:50 | |
Penzance and Caribbean over there. | 0:53:50 | 0:53:52 | |
The compass which guides us to our golden doubloon. | 0:53:52 | 0:53:55 | |
Oh! | 0:53:55 | 0:53:56 | |
The Isle of Dogs, more like! | 0:53:56 | 0:53:59 | |
Got to start with a bid with me of only £45 on this. | 0:53:59 | 0:54:02 | |
Looking for 48. | 0:54:02 | 0:54:04 | |
Hello, is there anyone out there? | 0:54:04 | 0:54:07 | |
50, 55, 65 - I'm out. | 0:54:07 | 0:54:09 | |
62 I'll take. | 0:54:09 | 0:54:11 | |
For £2. | 0:54:11 | 0:54:13 | |
Yes? Geez, it's like pulling teeth! | 0:54:13 | 0:54:15 | |
-62. -Yeah, we got it over there. | 0:54:15 | 0:54:17 | |
65 there, 68 I need. | 0:54:17 | 0:54:19 | |
You can't pull out - you started it. 68 there, £70 over there. | 0:54:19 | 0:54:24 | |
Take 72. I need £72. Hello? | 0:54:24 | 0:54:27 | |
I've got 72 there. Looking for 75 there, | 0:54:27 | 0:54:30 | |
looking for 78. 78 I want. | 0:54:30 | 0:54:31 | |
I've got 75 with you, sir. | 0:54:31 | 0:54:33 | |
Last time! At £75... | 0:54:33 | 0:54:36 | |
-Well done. -Well done, sir. | 0:54:36 | 0:54:38 | |
Well done. You made a profit there. | 0:54:38 | 0:54:40 | |
You made a profit. | 0:54:40 | 0:54:42 | |
-Profit's a profit whichever way you slice it, right? -Exactly. | 0:54:42 | 0:54:45 | |
We've got to pamper him. | 0:54:45 | 0:54:47 | |
-Yes, yes. -Stroke his ego. | 0:54:47 | 0:54:50 | |
I'd almost given up hope. | 0:54:50 | 0:54:53 | |
-What's next? -It's the doll. | 0:54:53 | 0:54:55 | |
It's the doll from hell. | 0:54:55 | 0:54:57 | |
This is going to walk us right into profit. | 0:54:57 | 0:55:00 | |
Was that a joke, Mark? | 0:55:00 | 0:55:01 | |
There will be no justice if that is the case. | 0:55:01 | 0:55:05 | |
-I won't be able to show my face! -Oh, don't be so bitter! | 0:55:05 | 0:55:07 | |
What do you think this is anyway? No! | 0:55:07 | 0:55:10 | |
-You'll be known as The Doll Lady from now on, won't you? -Attention, please. | 0:55:10 | 0:55:13 | |
Absolutely cracking, stunning lot coming up here. | 0:55:13 | 0:55:18 | |
I've got to be honest with you, I want to start this at three grand. | 0:55:18 | 0:55:21 | |
It's got to start with a bid with me of only £18. | 0:55:24 | 0:55:26 | |
She's worth that, I want £20 on this. I've got 18. | 0:55:26 | 0:55:31 | |
I want 20 on the doll. | 0:55:31 | 0:55:33 | |
-Come on. -I'm not moving on. | 0:55:33 | 0:55:35 | |
Might as well stay here, I want £20. It's worth all of that. | 0:55:35 | 0:55:39 | |
£20 I've got. 22? | 0:55:39 | 0:55:41 | |
Did you bid? | 0:55:41 | 0:55:43 | |
I'll take 21. Our computer don't do 50ps. | 0:55:43 | 0:55:46 | |
I've got 20 there, I'll take £21. | 0:55:46 | 0:55:49 | |
We all done? 21 there! 22 I need, madam. | 0:55:49 | 0:55:54 | |
You can't pull out now, you started it. £22 I've got, | 0:55:54 | 0:55:57 | |
23 there. Looking for 24. | 0:55:57 | 0:55:59 | |
£24 I've got. 25 there, | 0:55:59 | 0:56:01 | |
-looking for 26. -Go on, go on. | 0:56:01 | 0:56:04 | |
Looking for 26. Are we all done? Last time. Are you all sure? | 0:56:04 | 0:56:07 | |
You'll kick yourself when you get home! | 0:56:07 | 0:56:09 | |
25, 26 - are we all done? | 0:56:09 | 0:56:11 | |
Last time for £25. | 0:56:11 | 0:56:14 | |
776. | 0:56:14 | 0:56:15 | |
Oh, Mark! | 0:56:15 | 0:56:17 | |
She'd make a good scarecrow for someone. | 0:56:17 | 0:56:20 | |
Now for our climax. | 0:56:20 | 0:56:21 | |
That man I hired with the sandwich board | 0:56:21 | 0:56:23 | |
saying "harmonium for sale" is obviously paying off. | 0:56:23 | 0:56:26 | |
Let's pull out all the stops - ha! | 0:56:26 | 0:56:28 | |
We tried to go online | 0:56:28 | 0:56:30 | |
and find out if there was a harmonium appreciation society. | 0:56:30 | 0:56:36 | |
But they closed in about 1795. | 0:56:36 | 0:56:40 | |
Let's get down to it. | 0:56:40 | 0:56:42 | |
Bids with me at only £70 on that harmonium table. | 0:56:42 | 0:56:45 | |
I want 75. I've got 70 for it, | 0:56:45 | 0:56:48 | |
I want 75. It's worth all of that. | 0:56:48 | 0:56:52 | |
-It is. -75, £80, 85, £90. | 0:56:52 | 0:56:55 | |
£95 I need. I want 95 anywhere. | 0:56:55 | 0:56:58 | |
It is working. | 0:56:58 | 0:57:00 | |
95 I need. I'll take 92. | 0:57:00 | 0:57:01 | |
-90, I'm looking for 92. Are we all done? -No. No! | 0:57:01 | 0:57:05 | |
Last time at £90? | 0:57:05 | 0:57:07 | |
-Oh! -Oh... That's it. | 0:57:07 | 0:57:10 | |
-It's all over. -£90. | 0:57:10 | 0:57:13 | |
That organ failure has almost certainly sunk the pirates, | 0:57:13 | 0:57:17 | |
but Thomas has the scores. | 0:57:17 | 0:57:19 | |
I've done my maths. | 0:57:19 | 0:57:21 | |
-PHYLLIS: Uh-huh? -Tell us. | 0:57:21 | 0:57:23 | |
I'm afraid, Kevin, | 0:57:23 | 0:57:25 | |
-you're taking out the recycling. -Oh! | 0:57:25 | 0:57:28 | |
Yes, oh, yes! | 0:57:28 | 0:57:30 | |
-Yes! -Well done. | 0:57:30 | 0:57:32 | |
-Nobody likes a gloater, Phyl. -Aw! | 0:57:32 | 0:57:35 | |
Kevin and Thomas began with £400 | 0:57:35 | 0:57:38 | |
and, after paying auction costs, | 0:57:38 | 0:57:41 | |
they made a loss of £116.70, | 0:57:41 | 0:57:44 | |
leaving them with just £283.30. | 0:57:44 | 0:57:48 | |
Whilst Phyllis and Mark, | 0:57:48 | 0:57:50 | |
who also started out with £400, | 0:57:50 | 0:57:52 | |
made, after paying auction costs, | 0:57:52 | 0:57:54 | |
a loss of £34.44. | 0:57:54 | 0:57:57 | |
So, they are today's victors | 0:57:57 | 0:57:59 | |
with £365.56. | 0:57:59 | 0:58:02 | |
-There's really nothing in it. -THEY LAUGH | 0:58:02 | 0:58:05 | |
-Cheeky. -We've had a great time. -It's been fantastic. | 0:58:05 | 0:58:08 | |
-I'm only sorry we didn't make any money. -I know. | 0:58:08 | 0:58:10 | |
-But it was really good fun and very exciting. -Tough luck! | 0:58:10 | 0:58:13 | |
Never mind. It's been fantastic. | 0:58:13 | 0:58:16 | |
-Well done, victor. -Thanks, Tom. Let's do it again some time. | 0:58:16 | 0:58:19 | |
-Well done, us. -See you later! -Bye-bye. | 0:58:19 | 0:58:22 | |
We'll flog the Jag and make some money. | 0:58:30 | 0:58:33 |