Browse content similar to Dame Diana Rigg and Neil Dudgeon. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
The nation's favourite celebrities... | 0:00:02 | 0:00:04 | |
-We are special then, are we? -Oh, that's excellent. | 0:00:04 | 0:00:06 | |
..paired up with an expert... | 0:00:06 | 0:00:08 | |
We're a very good team, you and me. | 0:00:08 | 0:00:10 | |
..and a classic car. | 0:00:10 | 0:00:11 | |
Their mission - to scour Britain for antiques. | 0:00:11 | 0:00:15 | |
I've no idea what it is. | 0:00:15 | 0:00:16 | |
Oh, I love it. | 0:00:16 | 0:00:17 | |
The aim - to make the biggest profit at auction. | 0:00:17 | 0:00:20 | |
Yes! | 0:00:20 | 0:00:21 | |
But it's no easy ride. | 0:00:21 | 0:00:22 | |
THEY GASP | 0:00:22 | 0:00:23 | |
There's no accounting for taste. | 0:00:23 | 0:00:25 | |
Who will find a hidden gem? | 0:00:25 | 0:00:28 | |
Who will take the biggest risks? | 0:00:28 | 0:00:30 | |
Will anybody follow expert advice? | 0:00:30 | 0:00:33 | |
-Do you like them? -No. | 0:00:33 | 0:00:35 | |
There will be worthy winners and valiant and losers. | 0:00:35 | 0:00:38 | |
-Are you happy? -Yes. -Promise? -Ecstatic. | 0:00:38 | 0:00:40 | |
Time to put your pedal to the metal. | 0:00:40 | 0:00:42 | |
This is Celebrity Antiques Road Trip. | 0:00:42 | 0:00:45 | |
Yeah. | 0:00:47 | 0:00:49 | |
Today's Celebrity Road Trip brings together two acting titans. | 0:00:50 | 0:00:54 | |
-Well done. Good change. -There you are. | 0:00:54 | 0:00:56 | |
-That's a nice gear change, wasn't it? -Absolutely seamless. | 0:00:56 | 0:01:00 | |
I'll stop now before it all goes horribly wrong. | 0:01:00 | 0:01:03 | |
We're in the presence of a Dame. | 0:01:03 | 0:01:05 | |
Legendary actress Dame Diana Rigg is back in the country of her birth. | 0:01:05 | 0:01:11 | |
-Hello, Yorkshire. -Yorkshire. | 0:01:11 | 0:01:13 | |
She's joined by fellow actor Neil Dudgeon, | 0:01:13 | 0:01:16 | |
another native Yorkshireman. | 0:01:16 | 0:01:18 | |
God's own country. | 0:01:18 | 0:01:20 | |
-GEARS CRUNCH -Oh! | 0:01:20 | 0:01:22 | |
Oh, not so good. There we are. That's it. | 0:01:22 | 0:01:24 | |
You're giving the car stomach ache every time that happens. | 0:01:26 | 0:01:29 | |
Diana Rigg has been a screen icon for almost 50 years, | 0:01:31 | 0:01:34 | |
bursting onto the scene as secret agent Emma Peel | 0:01:34 | 0:01:38 | |
in the 1960s television series The Avengers. | 0:01:38 | 0:01:41 | |
Whether she's playing a glamorous Bond girl, | 0:01:44 | 0:01:47 | |
a Doctor Who baddie or, more recently, her Emmy award-nominated | 0:01:47 | 0:01:51 | |
part in the global phenomenon Game Of Thrones, | 0:01:51 | 0:01:55 | |
she's used to playing strong leading roles. | 0:01:55 | 0:01:58 | |
She's also no stranger to antiques. | 0:01:58 | 0:02:00 | |
I imagine you have a lovely few antiques of your own, Diana. | 0:02:00 | 0:02:04 | |
If I happen to be in a place, for example, on tour, | 0:02:04 | 0:02:07 | |
I'll seek out antiques shops and such | 0:02:07 | 0:02:10 | |
and it's a wonderful way of, you know, spending your afternoon off. | 0:02:10 | 0:02:13 | |
Yes. Yes. | 0:02:13 | 0:02:14 | |
Neil is behind the wheel of a 1964 Rover 110. | 0:02:15 | 0:02:19 | |
A distinguished character actor, his most notable role to date is | 0:02:19 | 0:02:23 | |
Inspector Barnaby in Midsomer Murders. | 0:02:23 | 0:02:26 | |
But will he be able to use his detective skills | 0:02:29 | 0:02:32 | |
to procure some purchases and negotiate some deals? | 0:02:32 | 0:02:35 | |
How are you at bargaining? | 0:02:35 | 0:02:37 | |
I do quite like to haggle. I'm always surprised... | 0:02:37 | 0:02:39 | |
You see, I think it's one of those things where people | 0:02:39 | 0:02:42 | |
offer at a price, thinking, "We'll say, I don't know, 200 quid," | 0:02:42 | 0:02:45 | |
and then you say, "20 quid," | 0:02:45 | 0:02:47 | |
everybody snorts and leaves the room, they come back and go, "100 quid," | 0:02:47 | 0:02:50 | |
and you think, "You've already knocked off more than I'd have asked | 0:02:50 | 0:02:53 | |
-"for if I'd suggested another price." -I see. | 0:02:53 | 0:02:55 | |
So I think it's always worth... | 0:02:55 | 0:02:57 | |
It's always worth trying it on, isn't it? | 0:02:57 | 0:02:59 | |
It certainly is. | 0:02:59 | 0:03:00 | |
Diana and Neil are no stranger to each other in the roles | 0:03:00 | 0:03:03 | |
they're playing today. | 0:03:03 | 0:03:04 | |
In the BBC series The Mrs Bradley Mysteries... | 0:03:04 | 0:03:08 | |
The quintessential English village. | 0:03:08 | 0:03:11 | |
..Neil was chauffeur to Diana's lady detective. | 0:03:11 | 0:03:14 | |
Did you know, a gentleman always escorts a lady on the street side | 0:03:14 | 0:03:18 | |
to protect her from splashes, foot pads and marauders? | 0:03:18 | 0:03:21 | |
Yes. More to the point, | 0:03:21 | 0:03:22 | |
-did you manage to pick pocket that key from Miss Bunting? -Mm. | 0:03:22 | 0:03:25 | |
Well done, George. | 0:03:27 | 0:03:29 | |
Although chauffeuring Dame Diana is not coming as easily to Neil today. | 0:03:29 | 0:03:33 | |
Not sure that anything I'm doing with my feet or hands is having any | 0:03:33 | 0:03:36 | |
effect on this car. | 0:03:36 | 0:03:38 | |
-Uncoordinated. -It's like Chitty Chitty Bang Bang. | 0:03:38 | 0:03:41 | |
Our celebs aren't alone in their quest. | 0:03:42 | 0:03:45 | |
Heading to meet up with our acting royalty are antiques experts | 0:03:45 | 0:03:49 | |
and auctioneers Paul Laidlaw and Catherine Southon. | 0:03:49 | 0:03:53 | |
We are on a mission. | 0:03:53 | 0:03:54 | |
And anticipation is mounting in the 1992 Alfa Romeo Spider. | 0:03:54 | 0:03:59 | |
Diana Rigg. Now, she is sensational. | 0:03:59 | 0:04:01 | |
I mean, she's just an icon. | 0:04:01 | 0:04:04 | |
-Beautiful. Avengers, leaping over the car. -James Bond's wife. | 0:04:04 | 0:04:09 | |
-Vault. -I'm not expecting a catsuit, though. -Aren't you? | 0:04:09 | 0:04:14 | |
-That would be wrong, wouldn't it? -Well... | 0:04:14 | 0:04:17 | |
I'd say a step too far, yes. | 0:04:17 | 0:04:20 | |
Our experts are also intrigued about screen super-sleuth Neil's | 0:04:20 | 0:04:24 | |
antique buying capabilities. | 0:04:24 | 0:04:26 | |
He's good things like murders and, you know, investigating. | 0:04:26 | 0:04:30 | |
I think he'll be great at hunting down the antiques. | 0:04:30 | 0:04:33 | |
The teams have £400 to spend on their trip, which, | 0:04:35 | 0:04:38 | |
over the next couple of days, takes them through the heart of Yorkshire, | 0:04:38 | 0:04:42 | |
ending up at an auction in Stansted, Essex. | 0:04:42 | 0:04:44 | |
Wow. | 0:04:44 | 0:04:46 | |
Our experts and celebrities are meeting at Brodsworth Hall, | 0:04:46 | 0:04:50 | |
a country house just outside the town of Doncaster. | 0:04:50 | 0:04:53 | |
Do either of you come with the experience of our world, antiques? | 0:04:53 | 0:04:57 | |
First of all, you've got to base it on instinct, haven't you? | 0:04:57 | 0:05:00 | |
-You have. Absolutely. -Guts take you a long way. | 0:05:00 | 0:05:02 | |
Isn't that nice to hear? | 0:05:02 | 0:05:04 | |
-I'm not sure. My strongest instinct is never to trust my instinct. -Oh. | 0:05:04 | 0:05:10 | |
-Darling! -What? Is that wrong? -Oh! | 0:05:10 | 0:05:13 | |
-All these years! -So, you can't be spontaneous. -Hang on. | 0:05:13 | 0:05:18 | |
Yes, I can. | 0:05:18 | 0:05:20 | |
So, two contrasting approaches from our celebrities. | 0:05:20 | 0:05:24 | |
Diana trusting her well-honed instincts and Neil, well, | 0:05:24 | 0:05:29 | |
not trusting himself at all. | 0:05:29 | 0:05:31 | |
For this little adventure, Diana is teaming up with Paul | 0:05:31 | 0:05:33 | |
and Neil with Catherine. | 0:05:33 | 0:05:35 | |
If you're going to be in that, you need a beret. | 0:05:35 | 0:05:37 | |
That would be lovely. My hair has been going haywire. | 0:05:37 | 0:05:40 | |
-Guess what I've got. -Fantastic. | 0:05:40 | 0:05:42 | |
-A spangly beret. -I do love a bit of sparkle. | 0:05:42 | 0:05:45 | |
-Do you think I could sell this, actually... -No. -..at the auction? | 0:05:45 | 0:05:48 | |
-Could you autograph this? -PAUL: Steady, Catherine. | 0:05:48 | 0:05:51 | |
-I don't want to look like Frank Spencer. -No, you don't. | 0:05:51 | 0:05:55 | |
-You look Francaise. -Do I? -Yes. | 0:05:55 | 0:05:59 | |
-Oh, hello. -Let's go to France. -Bonjour. Excuse-moi. -Au revoir! | 0:05:59 | 0:06:04 | |
Oh-la-la, eh? | 0:06:04 | 0:06:05 | |
Neil and Diana were both born in nearby Doncaster | 0:06:05 | 0:06:09 | |
so this is a bit of a local derby. | 0:06:09 | 0:06:11 | |
Whoo-hoo! Bye-bye! | 0:06:12 | 0:06:14 | |
-I just love antiques. -What's your taste? -Well, you'll find out. | 0:06:14 | 0:06:20 | |
-I'm sure I will. But you're not going to be shy, are you? -No. | 0:06:20 | 0:06:24 | |
Follow your instinct, your taste, we're in there. | 0:06:24 | 0:06:27 | |
Dame Diana, shy? Somehow I don't think so. | 0:06:27 | 0:06:32 | |
Their first shop takes them to the town of Rotherham, | 0:06:32 | 0:06:35 | |
to Harrisons Antiques. | 0:06:35 | 0:06:37 | |
-So, here we go, Diana. -Looks really exciting. | 0:06:37 | 0:06:41 | |
-It's a huge, by the looks of things. -Huge! -SCOTTISH ACCENT: -Huge! | 0:06:41 | 0:06:44 | |
HE LAUGHS | 0:06:44 | 0:06:46 | |
Right, then, your destiny awaits. | 0:06:46 | 0:06:49 | |
I think it's Christine who actually awaits, and her vast | 0:06:49 | 0:06:53 | |
array of stock will surely satisfy Diana's thirst for antiques. | 0:06:53 | 0:06:57 | |
-I'm Paul. -Are you the queen of all we survey? -I'd like to be. | 0:06:57 | 0:07:02 | |
A dame and a queen, eh? You're a lucky boy, Paul. | 0:07:02 | 0:07:05 | |
-OK, can we have a quick look around? -You certainly can, yes. | 0:07:05 | 0:07:08 | |
-Thanks a lot. -Browse at your leisure. | 0:07:08 | 0:07:10 | |
-And holler when we find something, yeah? -Hopefully. | 0:07:10 | 0:07:12 | |
-There's plenty to go at for you. -Tremendous. -Okey-cokey. Let's go-key. | 0:07:12 | 0:07:18 | |
With so much to choose from, where to start? | 0:07:18 | 0:07:22 | |
Stand-by - Diana's gone straight for the kill. | 0:07:22 | 0:07:24 | |
-Oh, look, can I see the lady playing on the violin? -That one. | 0:07:24 | 0:07:30 | |
-Does he work? -I believe it does. | 0:07:30 | 0:07:32 | |
Schuco piece. German affair. | 0:07:32 | 0:07:34 | |
There he goes. | 0:07:34 | 0:07:36 | |
Slightly scary, really, don't you think? | 0:07:36 | 0:07:38 | |
It's the stuff that nightmares are made of. | 0:07:38 | 0:07:41 | |
Schuco, mid-20th century? Is that reasonable? | 0:07:41 | 0:07:43 | |
You're so clever. I would never have known that. | 0:07:43 | 0:07:47 | |
Have you got a price tag on that? | 0:07:47 | 0:07:48 | |
Right. You're looking on... | 0:07:51 | 0:07:55 | |
You're looking at £45. | 0:07:55 | 0:07:58 | |
My instinct tells me, if we can get it for less... | 0:07:58 | 0:08:03 | |
-What sort of price are you...? -I was thinking... | 0:08:03 | 0:08:06 | |
Steady, steady. Can we do this in a double act? | 0:08:06 | 0:08:09 | |
Let me introduce ourselves. We are hard-bitten, hard-faced trade buyers. | 0:08:09 | 0:08:16 | |
-He's the hard sell, I'm the soft sell. -Good cop, bad cop. | 0:08:16 | 0:08:20 | |
OK, I'm happy to be the bad cop. | 0:08:20 | 0:08:22 | |
-Can you be as gentle on us as possible? -Good cop, bad cop. | 0:08:22 | 0:08:26 | |
-£30? -That's the number. | 0:08:26 | 0:08:29 | |
-25? -Oh, my word. Now you're bad cop. -25. -Role reversal. | 0:08:29 | 0:08:33 | |
25. You look 25. | 0:08:33 | 0:08:37 | |
-You sold me. -DIANA CHEERS | 0:08:37 | 0:08:39 | |
Look at that! | 0:08:39 | 0:08:40 | |
I am really grateful because I think he's absolutely charming. | 0:08:40 | 0:08:45 | |
Isn't that heavenly? | 0:08:45 | 0:08:47 | |
A bold start for our dame. | 0:08:47 | 0:08:49 | |
The first item of the trip for £25. | 0:08:49 | 0:08:51 | |
Looks like Paul's going to have his hands full here. | 0:08:51 | 0:08:54 | |
Meanwhile, Neil and Catherine are getting acquainted. | 0:08:58 | 0:09:01 | |
-Tell me about you, Neil. Antiques. -Yes. -What do you know? | 0:09:01 | 0:09:05 | |
-I know virtually nothing about antiques. -Well, that's a great start. | 0:09:05 | 0:09:09 | |
It's going to be a huge, great voyage of discovery for me. | 0:09:09 | 0:09:12 | |
-Well, we're on a mission. -Yes. | 0:09:12 | 0:09:14 | |
-We've got to find some good, good, eye-catching objects. -OK. | 0:09:14 | 0:09:18 | |
And, if all else fails, we'll sell the hat. | 0:09:18 | 0:09:22 | |
I don't think Diana's going to be very pleased about that. | 0:09:23 | 0:09:27 | |
I'm not sure she would either, Neil. | 0:09:27 | 0:09:29 | |
Neil and Catherine's first foray takes them to the town of Barnsley, | 0:09:29 | 0:09:34 | |
to Cawthorne Antiques. | 0:09:34 | 0:09:36 | |
Whoo-hoo, this is us. | 0:09:36 | 0:09:38 | |
SHE CHUCKLES | 0:09:38 | 0:09:40 | |
I'm going to leave Diana's hat here. | 0:09:40 | 0:09:43 | |
I hope it doesn't get stolen. | 0:09:43 | 0:09:45 | |
It had better not. Upsetting a dame is never a good idea. | 0:09:45 | 0:09:49 | |
-Ready for this? -I'm ready. | 0:09:49 | 0:09:51 | |
-I'm ready. Let's go. -OK. -Show me the way. -Hello. -Hello. | 0:09:51 | 0:09:56 | |
-First tip. -Yes. | 0:09:56 | 0:09:58 | |
-Make friends with... -Hello, Karen. -..the boss. -How are you? | 0:09:58 | 0:10:01 | |
How lovely to see you. Are you having a nice day? | 0:10:01 | 0:10:03 | |
Can I get you a tea or anything? Am I overdoing it? | 0:10:03 | 0:10:06 | |
-No, you're doing brilliantly! -And Holly, hello. | 0:10:06 | 0:10:09 | |
I'm looking for... | 0:10:09 | 0:10:11 | |
some antiques. | 0:10:11 | 0:10:13 | |
I don't know whether you've got anything... Oh, look! | 0:10:13 | 0:10:16 | |
He's very quick to catch on. | 0:10:16 | 0:10:19 | |
-How long have we got? -About half an hour. -OK. | 0:10:19 | 0:10:22 | |
Let's buy that clock and go to the pub, come on. | 0:10:22 | 0:10:25 | |
Mmm, perhaps I spoke too soon. | 0:10:25 | 0:10:27 | |
I'm just looking for something that makes me go, | 0:10:27 | 0:10:30 | |
-"Oh, that's rather nice." -Yeah. -And then you say, "That's horrible." | 0:10:30 | 0:10:33 | |
Might this little elephant be to Neil's taste? | 0:10:33 | 0:10:36 | |
-It's 75 quid! -I know but that's not bad. | 0:10:36 | 0:10:40 | |
It's a Vesta case, a small, portable box used to keep matches dry. | 0:10:40 | 0:10:45 | |
Named after the Roman goddess of fire and the hearth, | 0:10:45 | 0:10:48 | |
they were very popular in the late 19th and early 20th centuries. | 0:10:48 | 0:10:52 | |
-It's tiny. -The matches then, in those days, in the olden days... | 0:10:52 | 0:10:57 | |
The people were much smaller. And they only smoked little cigarettes. | 0:10:57 | 0:11:00 | |
-Exactly! But that's quite unusual, isn't it? -Now, Karen, | 0:11:00 | 0:11:04 | |
I want you to be honest about this. | 0:11:04 | 0:11:06 | |
Originally, would this have had eyes and tusks? | 0:11:06 | 0:11:10 | |
I'm sure it would have, yes. | 0:11:10 | 0:11:12 | |
The eyes would have been little glass eyes, probably, | 0:11:12 | 0:11:15 | |
and we would have had little ivory tusks. | 0:11:15 | 0:11:17 | |
But it's unusual. It's quite nicely modelled, though, isn't it? | 0:11:17 | 0:11:19 | |
I think they're considering it. | 0:11:19 | 0:11:21 | |
-Shall we...? -Mm... | 0:11:21 | 0:11:25 | |
I don't want to rush into anything. | 0:11:25 | 0:11:27 | |
Self-doubt creeping in there, Neil. | 0:11:27 | 0:11:29 | |
Go on, trust your instincts for once. | 0:11:29 | 0:11:31 | |
We would be interested. Our problem is that there's tusks missing. | 0:11:31 | 0:11:35 | |
The glass eyes are missing. | 0:11:35 | 0:11:37 | |
Can we find out what's the very, very best price? | 0:11:37 | 0:11:41 | |
-That would be lovely. Yeah? -Yeah, well, if you can talk about prices. | 0:11:41 | 0:11:44 | |
-I'm quite interested in... -He's just so blase about the whole thing. | 0:11:44 | 0:11:48 | |
No, I... Well, you're used to this, you see. I don't get out much. | 0:11:48 | 0:11:52 | |
As Neil takes the more relaxed approach, | 0:11:52 | 0:11:54 | |
back in Rotherham, Diana's full steam ahead. | 0:11:54 | 0:11:57 | |
I suspect this isn't going to be a problem, do you? | 0:11:57 | 0:12:00 | |
First stall we went to, first cabinet - "Oh, I love that." | 0:12:00 | 0:12:04 | |
And then straight in. | 0:12:04 | 0:12:05 | |
Decisive. She lived up to her promise. | 0:12:05 | 0:12:09 | |
She said, "I don't know what I'm going to buy but I will know it | 0:12:09 | 0:12:12 | |
"when I see it. I will run with my instinct." | 0:12:12 | 0:12:15 | |
She's got some instinct thus far! And she delivers. | 0:12:15 | 0:12:18 | |
Fantastic! | 0:12:18 | 0:12:20 | |
Now, what's she on to here? | 0:12:20 | 0:12:23 | |
I love glitz. | 0:12:23 | 0:12:25 | |
And...nowadays vintage costume - oh, pretty - | 0:12:25 | 0:12:32 | |
does frightfully well. | 0:12:32 | 0:12:35 | |
Still on a jewellery mission. | 0:12:35 | 0:12:37 | |
-You're not to keen on this but you're a fella. -What do I know? | 0:12:37 | 0:12:41 | |
But Diana has her heart set on some sort of sparkle, Paul, | 0:12:41 | 0:12:46 | |
unsurprisingly, it's not long before she finds | 0:12:46 | 0:12:48 | |
a collection of costume jewellery. | 0:12:48 | 0:12:50 | |
Oh, yes, there's something. | 0:12:50 | 0:12:53 | |
-This is extremely... -Volume speaks to me. | 0:12:53 | 0:12:57 | |
Because you're probably a greedy man. Are you a greedy man? | 0:12:57 | 0:13:00 | |
I think the girth tells us a lot about that. | 0:13:00 | 0:13:03 | |
-What I'll do, everything on there... -Everything here? | 0:13:03 | 0:13:07 | |
-Everything on there. -For how much? | 0:13:07 | 0:13:11 | |
All chips in. No coming back to me and saying... | 0:13:11 | 0:13:16 | |
No, we wouldn't do that. | 0:13:16 | 0:13:18 | |
-Much cheapness here. -£15. -Perfect! -It's a deal. | 0:13:18 | 0:13:21 | |
I'm going to shake your hand this time. | 0:13:21 | 0:13:23 | |
You're something else, are you not? | 0:13:23 | 0:13:26 | |
Not just a pretty face. | 0:13:26 | 0:13:28 | |
As Diana continues at a rate of knots, Neil and Catherine | 0:13:28 | 0:13:32 | |
continue to deliberate over the elephant Vesta case. | 0:13:32 | 0:13:35 | |
They're really thinking this one through. | 0:13:35 | 0:13:38 | |
Are we thinking a reasonable price is... | 0:13:38 | 0:13:41 | |
-in the sort of...30s. -30s. | 0:13:41 | 0:13:45 | |
Is that the start? | 0:13:45 | 0:13:46 | |
It is a low start but if we started at, say, 30 and then I said, | 0:13:46 | 0:13:51 | |
"All right, 35" then that would be... | 0:13:51 | 0:13:55 | |
I think that would be tops. | 0:13:55 | 0:13:57 | |
What about 45? | 0:13:57 | 0:13:59 | |
All right, 40. | 0:13:59 | 0:14:01 | |
39 - 40! Oh, I could have got 39! | 0:14:02 | 0:14:05 | |
-40? Brilliant. -£40. | 0:14:05 | 0:14:08 | |
All right, go on, we'll have that. | 0:14:08 | 0:14:11 | |
£40 of the realm. | 0:14:11 | 0:14:13 | |
Neil and Catherine are finally off the mark with the elephant | 0:14:13 | 0:14:16 | |
Vesta case for £40. | 0:14:16 | 0:14:18 | |
But they're not done here yet. | 0:14:18 | 0:14:21 | |
It's a pig. But it looks to me like the pig is wearing a bowler hat. | 0:14:21 | 0:14:26 | |
He's holding something and then we've got smoke | 0:14:26 | 0:14:29 | |
-coming out of there but what is that? -Is it a pipe? | 0:14:29 | 0:14:32 | |
I don't think it's a pipe or anything. | 0:14:32 | 0:14:34 | |
Looks like it's got an umbrella in the other hand. | 0:14:34 | 0:14:36 | |
Oh, he's a city gent. He's a pig with his nose in the trough. | 0:14:36 | 0:14:40 | |
-How much do you want for that? -Don't! -What? | 0:14:40 | 0:14:43 | |
-Give you 25 quid for it. What? -Don't get too excited. | 0:14:43 | 0:14:47 | |
I'm not excited, you're the one jumping up and down | 0:14:47 | 0:14:49 | |
telling me not to get excited. | 0:14:49 | 0:14:51 | |
No, but we've got... We're, you know... | 0:14:51 | 0:14:53 | |
Yeah, we don't like it, we don't like it. | 0:14:53 | 0:14:55 | |
Neil's keen but what about expert Catherine? | 0:14:55 | 0:14:59 | |
-I mean, it's quite rough. -It is. | 0:14:59 | 0:15:03 | |
We'd like to pay about £10 for it. | 0:15:03 | 0:15:05 | |
HE SCOFFS | 0:15:05 | 0:15:06 | |
Sorry, I'm on your side! Yeah, £10. Way over the top! | 0:15:06 | 0:15:11 | |
Because of the state it's in, yeah, I'm not going to argue with that. | 0:15:11 | 0:15:15 | |
£10. Done. Thank you very much. | 0:15:15 | 0:15:17 | |
A deal at £10 for the butcher's shop pig sign. | 0:15:17 | 0:15:21 | |
Catherine's managing to keep her celebrity under control, | 0:15:21 | 0:15:23 | |
but what about Paul? | 0:15:23 | 0:15:25 | |
I'm here on my own. | 0:15:25 | 0:15:26 | |
Obviously not. | 0:15:26 | 0:15:28 | |
She's away buying something. | 0:15:28 | 0:15:29 | |
I'll get there and she'll say, "I've got the ten lots." | 0:15:29 | 0:15:32 | |
Heel! | 0:15:32 | 0:15:34 | |
Yes, Boss. | 0:15:34 | 0:15:36 | |
Ah, there she is. | 0:15:36 | 0:15:37 | |
What have you done? | 0:15:37 | 0:15:39 | |
He's obedient. | 0:15:39 | 0:15:40 | |
This gentleman, who is the husband of this lovely lady, | 0:15:40 | 0:15:45 | |
has...something that I... | 0:15:45 | 0:15:47 | |
Have a look at it. | 0:15:47 | 0:15:50 | |
-OK, is it the whistle with the compass? -It's the whistle. | 0:15:50 | 0:15:54 | |
An original one there. | 0:15:54 | 0:15:56 | |
How interesting. Girl Guide piece. OK, I get it. | 0:15:56 | 0:16:00 | |
It's uncommon, it's quirky, but it's not substantial in quality. | 0:16:00 | 0:16:05 | |
Do we know the price? Have you bought this? | 0:16:05 | 0:16:09 | |
Not yet. But she likes it. | 0:16:09 | 0:16:11 | |
And I guess she normally gets her way, don't you? | 0:16:11 | 0:16:14 | |
-What are we asking? -£20. | 0:16:16 | 0:16:18 | |
I think people would go for that, if you could just lower it a tiny bit. | 0:16:18 | 0:16:23 | |
What do you think? | 0:16:23 | 0:16:25 | |
-I'd say... -I'm a very poor man, so... | 0:16:25 | 0:16:29 | |
-Half it. -Half. | 0:16:29 | 0:16:31 | |
-£10. -Perfect. -Yes. | 0:16:31 | 0:16:33 | |
-Thank you. -It's a bargain. -Really, really kind. Both of you. | 0:16:33 | 0:16:37 | |
You're a kind couple. | 0:16:37 | 0:16:40 | |
-A good couple. -That's why we're poor. | 0:16:40 | 0:16:43 | |
You look shell-shocked. Welcome to my world. | 0:16:43 | 0:16:46 | |
THEY LAUGH | 0:16:46 | 0:16:49 | |
Shell-shocked but three items purchased for a total of £50. | 0:16:51 | 0:16:55 | |
£25 for the Schuco clown toy, | 0:16:55 | 0:16:58 | |
£15 for the generous bunch of costume jewellery, | 0:16:58 | 0:17:01 | |
and £10 for the Girl Guide whistle and compass. | 0:17:01 | 0:17:04 | |
With Diana and Paul's shop done and dusted in next to no time... | 0:17:04 | 0:17:10 | |
Takes me a bit of time to get in. | 0:17:10 | 0:17:12 | |
..Neil and Catherine's more considered approach to | 0:17:12 | 0:17:15 | |
antiques purchasing continues. | 0:17:15 | 0:17:17 | |
-You could use the chimney pots. Do you not like those? -Yeah, I do. | 0:17:17 | 0:17:21 | |
I like them and I'm sure somebody else would like them. | 0:17:21 | 0:17:24 | |
I think if you saw two of those together you might think you want | 0:17:24 | 0:17:27 | |
to buy those and have them in your back garden or something. | 0:17:27 | 0:17:31 | |
You know, they'd be a pair. You have them priced here at £28 each. | 0:17:31 | 0:17:37 | |
But if we were to say... | 0:17:39 | 0:17:42 | |
£20 the pair, you might say...? | 0:17:42 | 0:17:44 | |
Go on, then. You've twisted my arm. | 0:17:45 | 0:17:47 | |
Bit more decisive there. Neil's warming up nicely. | 0:17:47 | 0:17:51 | |
Thank you very much. | 0:17:51 | 0:17:52 | |
Anything else out here? | 0:17:52 | 0:17:54 | |
What do we like about it? | 0:17:54 | 0:17:57 | |
-The sheer tactility of it. -How old is this, though? | 0:17:57 | 0:18:00 | |
This is what worries me. | 0:18:03 | 0:18:05 | |
It's been made more recently. | 0:18:05 | 0:18:06 | |
You'd feel better about buying it and selling it | 0:18:06 | 0:18:10 | |
if you thought this is from some lovely old moorland farm | 0:18:10 | 0:18:14 | |
that we cleared and it's 200 years old. | 0:18:14 | 0:18:17 | |
But we've got a pretty strong sense that it's not. | 0:18:17 | 0:18:20 | |
You can't say that Neil's not giving this all proper thought. | 0:18:20 | 0:18:24 | |
Well...if in doubt, leave it out. | 0:18:24 | 0:18:29 | |
-Yeah? -Or... | 0:18:29 | 0:18:32 | |
It seems as though they sell. | 0:18:32 | 0:18:34 | |
One for later perhaps? A successful bit of shopping, though. | 0:18:34 | 0:18:38 | |
They bough the brass elephant Vesta case for £40, | 0:18:38 | 0:18:42 | |
the iron pig butcher's shop sign for £10, | 0:18:42 | 0:18:46 | |
and the pair of chimney pots for £20. | 0:18:46 | 0:18:48 | |
And the trough is still under consideration. | 0:18:48 | 0:18:52 | |
-That was marvellous. -Pretty nice place. Lots of nice stuff. | 0:18:54 | 0:18:59 | |
-Three items. -Three. | 0:18:59 | 0:19:01 | |
Dame Diana's one of Yorkshire's most celebrated former residents and is | 0:19:01 | 0:19:05 | |
en route to the town of Wakefield to find out all about another. | 0:19:05 | 0:19:10 | |
Barbara Hepworth was one of the greatest artists | 0:19:13 | 0:19:15 | |
and sculptors of the 20th century. | 0:19:15 | 0:19:17 | |
Born here in 1903, she went from modest beginnings to achieve | 0:19:17 | 0:19:22 | |
international acclaim for her work. | 0:19:22 | 0:19:25 | |
And our duo's next stop is the Hepworth Wakefield Gallery | 0:19:25 | 0:19:30 | |
to find out more about the artist's extraordinary life. | 0:19:30 | 0:19:34 | |
-Hi, there. -Hello. -Nice to meet you. -And to meet you. -Hi, is it Frances? | 0:19:34 | 0:19:37 | |
-That's right. -Pleased to meet you. | 0:19:37 | 0:19:39 | |
-And to meet you. -This is some structure, is it not? | 0:19:39 | 0:19:42 | |
Fantastic building. This is the Hepworth Wakefield. | 0:19:42 | 0:19:45 | |
Welcome to Wakefield, and to Hepworth's birthplace. | 0:19:45 | 0:19:48 | |
-Terrif! Let's go. -OK. | 0:19:48 | 0:19:50 | |
THEY LAUGH | 0:19:50 | 0:19:52 | |
Hepworth is best known for her iconic sculptures, becoming one of | 0:19:52 | 0:19:56 | |
only a handful of internationally famous female artists. | 0:19:56 | 0:20:01 | |
But she also produced outstanding paintings and sketches, | 0:20:01 | 0:20:04 | |
which now form part of the gallery's unique collection. | 0:20:04 | 0:20:07 | |
She went to school in Wakefield. She went to Wakefield Girls High School. | 0:20:07 | 0:20:11 | |
And she was really encouraged to pursue her artistic | 0:20:11 | 0:20:14 | |
and her creative side. And she won a scholarship | 0:20:14 | 0:20:17 | |
to go and pursue her studies at Leeds College of Art. | 0:20:17 | 0:20:21 | |
But she went to Leeds and she met Henry Moore there. | 0:20:21 | 0:20:25 | |
Who, although Henry Moore is five years older, | 0:20:25 | 0:20:27 | |
he was also born in Wakefield, | 0:20:27 | 0:20:29 | |
and he was studying at the same time. And together they had | 0:20:29 | 0:20:33 | |
this real artistic inclination towards sculpture. | 0:20:33 | 0:20:36 | |
And in the end they ended up going to the Royal College of Art | 0:20:36 | 0:20:40 | |
together in London to study sculpture. | 0:20:40 | 0:20:42 | |
One of the most famous and notable British artists of the 20th century, | 0:20:42 | 0:20:47 | |
Henry Moore and Barbara were friends, | 0:20:47 | 0:20:50 | |
taking trips to Paris together. | 0:20:50 | 0:20:52 | |
In her 20s, Barbara continued to travel and study in Europe, | 0:20:52 | 0:20:55 | |
exhibiting work with, and later marrying, | 0:20:55 | 0:20:59 | |
fellow artist John Skeaping. | 0:20:59 | 0:21:01 | |
Her second marriage to artist to Ben Nicholson | 0:21:01 | 0:21:04 | |
resulted in the birth of triplets. | 0:21:04 | 0:21:07 | |
The family settled in St Ives in Cornwall and the events | 0:21:07 | 0:21:10 | |
around this time in Barbara's life had a profound effect on her work. | 0:21:10 | 0:21:15 | |
One of the triplets, during the Second World War, was very ill. | 0:21:15 | 0:21:18 | |
She was treated by a surgeon called Norman Capener. | 0:21:18 | 0:21:21 | |
He extended an invitation to Hepworth | 0:21:21 | 0:21:24 | |
to go to the operating theatres and make drawings, | 0:21:24 | 0:21:27 | |
and she found it really stimulating | 0:21:27 | 0:21:29 | |
because she saw this real correspondence between her work | 0:21:29 | 0:21:32 | |
as a sculptor and the work of the surgeons. | 0:21:32 | 0:21:34 | |
-It's absolutely ravishing. -Beautiful drawings. | 0:21:34 | 0:21:38 | |
-So personal as well. -Yes. | 0:21:38 | 0:21:40 | |
Whilst her prodigious talent was formed in her native Yorkshire, | 0:21:40 | 0:21:44 | |
her close connection with Cornwall, where she continued to hone | 0:21:44 | 0:21:48 | |
her skills as a world-renowned sculptor, | 0:21:48 | 0:21:50 | |
continued for the rest of her life. | 0:21:50 | 0:21:52 | |
What was she like as a person? What was her nature? | 0:21:52 | 0:21:55 | |
I think she was very focused, very ambitious. | 0:21:55 | 0:21:59 | |
But she had a family | 0:21:59 | 0:22:01 | |
and she managed to combine both that role as a mother with her ambition | 0:22:01 | 0:22:07 | |
and obviously working on commissions that were hugely important. | 0:22:07 | 0:22:10 | |
I think she was a humanist at heart. | 0:22:10 | 0:22:13 | |
She really believed in the kind of ideals of, say, the United Nations. | 0:22:13 | 0:22:19 | |
So, it's all about the commonality of human kind and doing good | 0:22:19 | 0:22:23 | |
and the kind of sense of a common purpose. | 0:22:23 | 0:22:27 | |
This affinity with humanity greatly inspired her work and led to | 0:22:27 | 0:22:31 | |
a commission to create her most iconic and famous sculpture, | 0:22:31 | 0:22:35 | |
Single Form, which stands proudly | 0:22:35 | 0:22:37 | |
outside the United Nations building in New York. | 0:22:37 | 0:22:41 | |
In this photograph you can clearly see the origins | 0:22:41 | 0:22:46 | |
of this enormous sculpture and there she is, | 0:22:46 | 0:22:49 | |
diminutive Barbara Hepworth in her boiler suit and head scarf. | 0:22:49 | 0:22:52 | |
Lovely to see this womanly figure against something enormous. | 0:22:52 | 0:22:56 | |
Absolutely. It's quite inspirational, isn't it? | 0:22:56 | 0:22:59 | |
Enormous belief in herself, which is great. | 0:22:59 | 0:23:03 | |
Hepworth continued to work prolifically in Cornwall | 0:23:03 | 0:23:06 | |
until her death in 1975, | 0:23:06 | 0:23:09 | |
and she leaves behind a truly amazing legacy. | 0:23:09 | 0:23:12 | |
Wonderful. I hope she knows her work resonates everywhere. | 0:23:12 | 0:23:18 | |
Back on the road, Neil and Catherine are heading west to the market town | 0:23:24 | 0:23:29 | |
of Penistone, to J&B Antiques. | 0:23:29 | 0:23:31 | |
Ooh, got a bit of class here. | 0:23:34 | 0:23:37 | |
-John. -John. -Hello, John. -Neil. | 0:23:37 | 0:23:41 | |
What are we looking for now, do you think? Cos we've gone... | 0:23:44 | 0:23:47 | |
three sort of unusual, quirky, bit different. | 0:23:47 | 0:23:50 | |
Do we want to stick on the quirky theme or go for something | 0:23:50 | 0:23:53 | |
a little bit more... | 0:23:53 | 0:23:55 | |
-Say, more traditional things. -Something like that or... | 0:23:55 | 0:23:58 | |
Do we want to carry on with the way we're going? | 0:23:58 | 0:24:00 | |
Cos we're doing pretty well. | 0:24:00 | 0:24:02 | |
The quirky thing's quite interesting, isn't it? | 0:24:02 | 0:24:04 | |
With an elephant and a pig already in their possession, | 0:24:04 | 0:24:07 | |
might there be room for one more bit of wildlife | 0:24:07 | 0:24:10 | |
to complete the hat-trick? | 0:24:10 | 0:24:11 | |
I love the badger. Think he's amazing. How much is the badger? | 0:24:11 | 0:24:14 | |
-245. -245? -Yeah. | 0:24:14 | 0:24:18 | |
-That was the first thing I saw. -Budget gone on a badger, isn't it? | 0:24:18 | 0:24:21 | |
-How old is it? -It's dead. | 0:24:21 | 0:24:24 | |
Well spotted, Neil(!) | 0:24:24 | 0:24:26 | |
Preserving animals, or taxidermy, goes back centuries. | 0:24:26 | 0:24:29 | |
Explorers such as James Cook and Charles Darwin also used it | 0:24:29 | 0:24:33 | |
as a method of preserving newly-discovered species. | 0:24:33 | 0:24:37 | |
But it's not everybody's cup of tea. | 0:24:37 | 0:24:40 | |
Or badger, for that matter. | 0:24:40 | 0:24:42 | |
I think he's brilliant. | 0:24:43 | 0:24:45 | |
I don't think I could bring myself to buy one of these, though. | 0:24:45 | 0:24:49 | |
What do you think? | 0:24:49 | 0:24:51 | |
And it's a heck of a lot of money in one go. | 0:24:51 | 0:24:54 | |
We haven't got that much left in the budget. | 0:24:54 | 0:24:57 | |
I can't even touch it, actually. | 0:24:57 | 0:24:59 | |
So, despite the undoubted admiration for the badger, | 0:24:59 | 0:25:03 | |
he's left on the shelf. | 0:25:03 | 0:25:04 | |
Neil looks like he's got his eye on a bit of retro. | 0:25:04 | 0:25:08 | |
-Do people collect tie clips? -Do you wear a tie clip? | 0:25:08 | 0:25:11 | |
I don't... I haven't got a tie clip. | 0:25:11 | 0:25:14 | |
It's more of a '70s, '80s thing, isn't it? | 0:25:14 | 0:25:17 | |
It's ripe for coming back, then. You've got to be ahead of the curve. | 0:25:17 | 0:25:21 | |
That's one way of putting it. But I'm not sure Catherine's on board. | 0:25:21 | 0:25:26 | |
Men of England, are you with me? | 0:25:26 | 0:25:28 | |
-The tie clip is coming back. -I'm not sure they are. | 0:25:28 | 0:25:31 | |
-Do you want it? -There's two. | 0:25:31 | 0:25:34 | |
This is a slightly bygone era, isn't it, of people buying... | 0:25:34 | 0:25:37 | |
Bygone era? It's antiques, it's all a bygone era by definition. | 0:25:37 | 0:25:42 | |
I mean people wearing... | 0:25:42 | 0:25:45 | |
would somebody go to an auction | 0:25:45 | 0:25:46 | |
and get as excited as you about two tie clips? | 0:25:46 | 0:25:49 | |
I was thinking about buying this for myself, to be honest. | 0:25:49 | 0:25:52 | |
So, obviously I'd get quite excited. When we turn up at this thing... | 0:25:52 | 0:25:56 | |
-They'd make very nice hairclips. -Do you think? Is it me? -Yes. | 0:25:56 | 0:26:00 | |
Erm...if we turn up | 0:26:00 | 0:26:03 | |
and there's a job lot of tie clips going for a fortune... | 0:26:03 | 0:26:06 | |
you'll be cursing. Can I take that, please, for my own personal use? | 0:26:06 | 0:26:11 | |
Come on, Neil, this isn't a personal shopping trip. | 0:26:11 | 0:26:14 | |
At least he's gone with his expert's advice and will be wearing | 0:26:14 | 0:26:17 | |
the tie clips himself, rather than selling them at auction. | 0:26:17 | 0:26:20 | |
-Ben, thank you very much for showing us your lovely wares. -Thank you. | 0:26:20 | 0:26:24 | |
Lovely tie clips. Watch out for them. Get more of them. | 0:26:24 | 0:26:28 | |
-Honestly, they're going to be big. -He'll be back. | 0:26:28 | 0:26:31 | |
I'm just off to put a tie on, actually. | 0:26:31 | 0:26:33 | |
I might wear both of them at the same time. | 0:26:33 | 0:26:35 | |
That could be it - multiple tie clips. | 0:26:35 | 0:26:38 | |
With nothing leaping out at them, I'd say our antique-acquiring | 0:26:38 | 0:26:41 | |
adventurers have earned a well-deserved rest. So, night-night. | 0:26:41 | 0:26:46 | |
It's the start of day two | 0:26:49 | 0:26:51 | |
and Neil has taken on the familiar role of chauffeur to Dame Diana. | 0:26:51 | 0:26:55 | |
I feel like Toad driving his car going, "Whoop-whoop." | 0:26:55 | 0:26:59 | |
Did you have a nice day yesterday? | 0:27:01 | 0:27:03 | |
I had a lovely day. I absolutely adore it, it's my idea of heaven. | 0:27:03 | 0:27:06 | |
Really nice having somebody like Paul there to explain stuff to you. | 0:27:06 | 0:27:11 | |
Yes. GEARS GRIND | 0:27:11 | 0:27:14 | |
Mind how you go there, Neil. | 0:27:14 | 0:27:17 | |
I wonder if Paul agrees with Diana's version of yesterday's events? | 0:27:17 | 0:27:20 | |
-How did you get on? -Um... | 0:27:20 | 0:27:24 | |
Um... | 0:27:24 | 0:27:26 | |
SHE LAUGHS | 0:27:26 | 0:27:28 | |
-I felt like a bit of a passenger yesterday. -Did you? | 0:27:28 | 0:27:31 | |
Look, Diana, you talk about getting in there, like a Terminator. | 0:27:31 | 0:27:37 | |
Oh, Lordy. | 0:27:37 | 0:27:38 | |
Yesterday Diana did keep Paul on his toes, | 0:27:38 | 0:27:42 | |
picking up the Schuco clown toy for £25, | 0:27:42 | 0:27:45 | |
the costume jewellery for £15, | 0:27:45 | 0:27:48 | |
and the girl guide whistle and compass for £10. | 0:27:48 | 0:27:50 | |
You look shell-shocked. | 0:27:50 | 0:27:52 | |
Spending a total of 50, they still have £350 left. | 0:27:52 | 0:27:56 | |
I don't want to rush into anything. | 0:27:56 | 0:27:58 | |
Catherine and Neil's more equal partnership brought out | 0:27:58 | 0:28:01 | |
the antiques enthusiast in Mr Dudgeon... | 0:28:01 | 0:28:03 | |
I was thinking about just buying this for myself, to be honest. | 0:28:03 | 0:28:06 | |
I was totally amazed at how Neil was. | 0:28:06 | 0:28:09 | |
-He really got into the whole thing. -Excellent. | 0:28:09 | 0:28:12 | |
We are going to find him at antiques shops | 0:28:12 | 0:28:14 | |
and antique markets for ever more. | 0:28:14 | 0:28:17 | |
Neil and Catherine bought the brass elephant Vesta case for £40, | 0:28:17 | 0:28:22 | |
the iron pig shop sign for £10, | 0:28:22 | 0:28:25 | |
and the two square stone chimney pots for £20. | 0:28:25 | 0:28:28 | |
They're also considering a pine salt trough. | 0:28:28 | 0:28:31 | |
But that's on the back burner for now. | 0:28:31 | 0:28:34 | |
Overall, they've spent £70, leaving them with £330 still to play with. | 0:28:34 | 0:28:38 | |
Our refreshed celebrities and experts are reconvening | 0:28:41 | 0:28:44 | |
in the town of Ossett, just outside Wakefield. | 0:28:44 | 0:28:48 | |
The meeting place is Spa Farm Antiques, | 0:28:48 | 0:28:51 | |
which is also Diana and Paul's first shop. | 0:28:51 | 0:28:54 | |
Good morning, hello. | 0:28:54 | 0:28:56 | |
And our demanding Dame is keen to get shopping. | 0:28:56 | 0:28:58 | |
WHISTLE BLOWS | 0:28:58 | 0:29:00 | |
Seems like she's found a practical use for that whistle. | 0:29:00 | 0:29:02 | |
-Don't you get one of those. -That's not a bad idea, is it? | 0:29:02 | 0:29:05 | |
Chop, chop, Paul. Best not keep her waiting. | 0:29:05 | 0:29:08 | |
-Hello. -Hello, lovely to meet you. I'm Diana. This is Paul. | 0:29:08 | 0:29:12 | |
-Hi. -Hello, Paul, lovely to meet you. | 0:29:12 | 0:29:14 | |
Can we... | 0:29:14 | 0:29:16 | |
-have a look round? -Please do. -Thanks. | 0:29:16 | 0:29:18 | |
I like what they've done. | 0:29:20 | 0:29:23 | |
You wish to discuss tactics. | 0:29:23 | 0:29:25 | |
I do cos we've got good tidgy things | 0:29:25 | 0:29:28 | |
and we need one zonking great thing | 0:29:28 | 0:29:31 | |
-which is going to make a zonking great profit. -OK. | 0:29:31 | 0:29:34 | |
And I kind of... | 0:29:34 | 0:29:36 | |
I'm good at the tidgies and you're good at the zonking. | 0:29:36 | 0:29:39 | |
-Tidgies and zonking? -Yeah. | 0:29:39 | 0:29:41 | |
-Between us we've got the tidgies and zonking covered. -Perfect. | 0:29:41 | 0:29:45 | |
So that's settled - Diana's looking after the tidgies | 0:29:45 | 0:29:49 | |
and Paul's in charge of the zonking. | 0:29:49 | 0:29:51 | |
-It's only six quid. -What have you got there? | 0:29:51 | 0:29:54 | |
That'll be a tidgy, then. | 0:29:54 | 0:29:56 | |
Little golfer's hip flask and scorecard. | 0:29:56 | 0:29:59 | |
I don't think it's an auctionable lot because of its youth. | 0:29:59 | 0:30:02 | |
Give it another 60 years, it's a collector's item. Right now, | 0:30:02 | 0:30:05 | |
i'ts... | 0:30:05 | 0:30:08 | |
I don't know, it's not me. | 0:30:08 | 0:30:10 | |
-It's not you but it's me. -Golfers abound. -Yeah, exactly. | 0:30:10 | 0:30:14 | |
And they've generally got a budget. | 0:30:14 | 0:30:16 | |
They generally need something along the line when they just, | 0:30:16 | 0:30:19 | |
you know, lobbed it into the water. | 0:30:19 | 0:30:22 | |
HE LAUGHS | 0:30:22 | 0:30:23 | |
They might need a gulp of something! | 0:30:23 | 0:30:26 | |
Paul's not keen on the hip flask, but Diana's tactics are consistent - | 0:30:26 | 0:30:31 | |
ignore your expert and carry on regardless. | 0:30:31 | 0:30:33 | |
But is there a deal to be done? | 0:30:33 | 0:30:35 | |
What can you do? | 0:30:35 | 0:30:37 | |
OK, I'll just speak to the lady who that belongs to and I'll be back. | 0:30:37 | 0:30:40 | |
OK, thanks so much. | 0:30:40 | 0:30:41 | |
Well, it doesn't take Judith long to come back with an answer. | 0:30:41 | 0:30:45 | |
-The good news is... -£4. -Perfect! | 0:30:45 | 0:30:48 | |
Wonderful woman, thank you. | 0:30:48 | 0:30:51 | |
-Was that a purchase? -Yup. -One down. | 0:30:51 | 0:30:55 | |
Ah, yes, that was a purchase, Paul, despite your reluctance. | 0:30:55 | 0:30:59 | |
At least it was only £4. | 0:30:59 | 0:31:01 | |
Neil and Catherine are on their way to the Yorkshire market town | 0:31:04 | 0:31:07 | |
of Otley and they're in a bullish mood. | 0:31:07 | 0:31:10 | |
I think we've got it in the bag. We've already won. | 0:31:10 | 0:31:14 | |
Well, I wouldn't go that far. | 0:31:14 | 0:31:16 | |
That Dame Diana Rigg knows a thing or two. | 0:31:17 | 0:31:20 | |
I get the impression that Diana was leading it, totally, | 0:31:20 | 0:31:25 | |
and Paul was the chauffeur. | 0:31:25 | 0:31:28 | |
-I've been there. It's s good role but you need to know your place. -Yeah. | 0:31:28 | 0:31:32 | |
-And I think he knew his place yesterday. -Yeah. | 0:31:32 | 0:31:35 | |
-Whereas, I think we were partners in crime. -Oh, I think so. | 0:31:35 | 0:31:38 | |
They're heading to Rummage, | 0:31:38 | 0:31:40 | |
owned by husband and wife team Denise and Dave. | 0:31:40 | 0:31:43 | |
-Well, Rummage. Are you ready for a rummage? -I like a rummage. | 0:31:43 | 0:31:47 | |
Come on, then, let's go and have a rummage. | 0:31:47 | 0:31:50 | |
Good morning. Catherine. Hello, hi. | 0:31:50 | 0:31:53 | |
It's not long before Neil's making a beeline for an old favourite. | 0:31:53 | 0:31:57 | |
-Are these tie clips? -Yes, it's a tie clip and... | 0:31:57 | 0:32:01 | |
-Oh, don't get him started. -There's a theme developing. | 0:32:01 | 0:32:03 | |
I think Neil needs to move on from his tie clip obsession | 0:32:03 | 0:32:07 | |
and concentrate on the competition. | 0:32:07 | 0:32:10 | |
What I've got here is a... | 0:32:10 | 0:32:12 | |
Oh, yeah, any thoughts? | 0:32:12 | 0:32:14 | |
I've no idea what it is. It's some sort of... It's for displaying... | 0:32:14 | 0:32:17 | |
Or it could be... Is it...? No. | 0:32:17 | 0:32:19 | |
Would it originally have been a printer's thing? | 0:32:19 | 0:32:21 | |
Do printers use these and keep their letters in them? | 0:32:21 | 0:32:24 | |
I'd say you might possibly be right. | 0:32:24 | 0:32:26 | |
Catherine, my expert friend, are you busy? | 0:32:26 | 0:32:28 | |
-Oh, I saw that outside. -Isn't this a printer's...? | 0:32:28 | 0:32:31 | |
-You put your letters in here. -yeah, could be. | 0:32:31 | 0:32:35 | |
This is for really big letters, obviously. | 0:32:35 | 0:32:38 | |
-Have you got any thimbles? -I have. | 0:32:38 | 0:32:39 | |
OK, we buy some thimbles, put them in here, | 0:32:39 | 0:32:41 | |
say it's a bespoke thimble collection. | 0:32:41 | 0:32:43 | |
SHE LAUGHS Your tie clips will go in here. | 0:32:43 | 0:32:46 | |
Yeah, but nobody wants thimbles now. What could you use it for now? | 0:32:46 | 0:32:49 | |
Think about what we could use it for now. | 0:32:49 | 0:32:51 | |
Tiny little shot glasses. Buttons. | 0:32:51 | 0:32:53 | |
-Don't mind doing a deal. Can't pay the bills with stock. -No. | 0:32:53 | 0:32:58 | |
But would you mind a very low offer? | 0:32:58 | 0:33:00 | |
-Very low. -Ooh, what are we thinking of? | 0:33:00 | 0:33:04 | |
To be perfectly honest with you, I'd offer £5. | 0:33:04 | 0:33:07 | |
-I need to make a profit. -Yes. | 0:33:07 | 0:33:10 | |
And your offering me what I've paid. | 0:33:10 | 0:33:12 | |
-Not five? -No, I would have started at ten. | 0:33:12 | 0:33:17 | |
-Done! -Hello! She's quick, isn't she? | 0:33:17 | 0:33:20 | |
I think she likes that. | 0:33:20 | 0:33:23 | |
-She's doubled... -I seem to have made an offer. | 0:33:23 | 0:33:26 | |
She's doubled her money. You did that without blinking. | 0:33:26 | 0:33:31 | |
Looks like Neil's just getting started in here. | 0:33:31 | 0:33:34 | |
The top people have one of these. | 0:33:36 | 0:33:38 | |
Very professional-looking, Neil. | 0:33:38 | 0:33:41 | |
There's an antiques expert hiding in there somewhere. | 0:33:41 | 0:33:44 | |
I'll make you an offer for that little whatever-it-is boat. | 0:33:44 | 0:33:47 | |
It's too small to be a gravy boat. | 0:33:47 | 0:33:48 | |
-It's like a mint sauce boat. -It could be, yeah. | 0:33:48 | 0:33:52 | |
I think it's quite a nice little thing, it's a nice weight | 0:33:52 | 0:33:55 | |
and a nice pourer. It's got a lovely shape. | 0:33:55 | 0:33:58 | |
-Quality. -It says quality to me. And for that reason... | 0:33:58 | 0:34:04 | |
I'd like to slip you a fiver for it. | 0:34:04 | 0:34:06 | |
For me, £5 would be a very good deal. | 0:34:06 | 0:34:09 | |
There you are. Thank you very much. That's a lovely piece. | 0:34:09 | 0:34:13 | |
-There's your...and there's my... -I'll get you some change. -Thank you. | 0:34:13 | 0:34:16 | |
Bold move, Neil. He's bought the sauce boat for £5 | 0:34:18 | 0:34:22 | |
to add to his vintage printer's drawer for £10. | 0:34:22 | 0:34:25 | |
While Neil's been flying solo, | 0:34:27 | 0:34:29 | |
his expert is getting on the phone | 0:34:29 | 0:34:31 | |
and is trying to negotiate a deal on the salt trough they saw yesterday. | 0:34:31 | 0:34:35 | |
Now, remind me again on the price? | 0:34:35 | 0:34:38 | |
35. Right, OK. | 0:34:38 | 0:34:40 | |
Do you think you'd do it for a cheeky 30? | 0:34:40 | 0:34:42 | |
That would be really, really kind. Thank you very much. | 0:34:44 | 0:34:47 | |
-£35. -OK. -30. | 0:34:50 | 0:34:53 | |
-30 - you got it for 30? -£30. | 0:34:53 | 0:34:55 | |
You rang Carolyn and knocked her down? | 0:34:55 | 0:34:57 | |
Well, no, she was more than happy. | 0:34:57 | 0:34:59 | |
She was delighted. | 0:34:59 | 0:35:00 | |
How many objects have we got? Six. | 0:35:00 | 0:35:03 | |
Three, four, five, six... | 0:35:03 | 0:35:04 | |
Six lovely things for £115. | 0:35:04 | 0:35:06 | |
I can't wait t see what they got. | 0:35:06 | 0:35:08 | |
Come to Yorkshire, where your money goes further. | 0:35:08 | 0:35:11 | |
-Thank you. -It's been great fun. Thank you. Bye-bye! | 0:35:11 | 0:35:14 | |
With Neil and Catherine's shopping now complete... | 0:35:14 | 0:35:17 | |
I love that! | 0:35:17 | 0:35:18 | |
..back in Ossett, | 0:35:18 | 0:35:20 | |
Paul is still trying to keep up with his dame. | 0:35:20 | 0:35:23 | |
This is what I'm looking for. | 0:35:23 | 0:35:25 | |
It's the Anglo-Indian thing, isn't it? | 0:35:25 | 0:35:28 | |
-I tell you what - to put me jewels in. -Indeed. | 0:35:28 | 0:35:31 | |
They'll fall out. But that's the way they... | 0:35:31 | 0:35:33 | |
-It's a tea chest we need. -Yes. -Not a trinket box. | 0:35:33 | 0:35:35 | |
No, no, they'll fall out, but in the way it should happen. | 0:35:35 | 0:35:38 | |
-Yeah. -Do you see what I mean? -I hear what you are saying. | 0:35:38 | 0:35:41 | |
I think it's looking pretty. | 0:35:41 | 0:35:43 | |
-I think another decision's been made, hasn't it, Diana? -Yeah, it has. | 0:35:43 | 0:35:46 | |
THEY LAUGH | 0:35:46 | 0:35:47 | |
-Diana... I trust you. -Goody-good. | 0:35:47 | 0:35:50 | |
I defer to you! | 0:35:50 | 0:35:52 | |
Shall I do the carrying? | 0:35:52 | 0:35:53 | |
(Best idea yet.) | 0:35:53 | 0:35:55 | |
The ticket price is £8, | 0:35:55 | 0:35:56 | |
but Judith is off to see if a better deal can be agreed. | 0:35:56 | 0:36:00 | |
Would £4 be all right for you? | 0:36:00 | 0:36:02 | |
That would be perfect. Thank you so much! | 0:36:02 | 0:36:04 | |
-You are very welcome. -Wonderful. | 0:36:04 | 0:36:07 | |
Diana's charm has done the trick. | 0:36:07 | 0:36:09 | |
Another great discount. | 0:36:09 | 0:36:11 | |
To get the trinket box for £4. | 0:36:11 | 0:36:14 | |
DOG WHISTLE | 0:36:14 | 0:36:15 | |
Oh, that blasted whistle's back. Poor old, Paul. | 0:36:15 | 0:36:18 | |
-Heel. -Woof(!) | 0:36:18 | 0:36:20 | |
Diana, I feel like Pavlov's dog. | 0:36:20 | 0:36:22 | |
Every time you blow the whistle, I sweat. Rather than salivate. | 0:36:22 | 0:36:26 | |
THEY LAUGH | 0:36:26 | 0:36:27 | |
Show me, show me, your...your... | 0:36:27 | 0:36:30 | |
-First reaction. -I saw that. I saw it. -Yes! And you liked? | 0:36:31 | 0:36:35 | |
Yes, I did. | 0:36:35 | 0:36:36 | |
Tell me why you like it. You sell this to ME. | 0:36:36 | 0:36:39 | |
I like it because of the wood. | 0:36:39 | 0:36:40 | |
I like it because the hinges are of the period. | 0:36:40 | 0:36:44 | |
-I like it because it's capacious. -Mm-hmm. | 0:36:44 | 0:36:47 | |
That is...18th century timber, | 0:36:47 | 0:36:50 | |
it's been loved, | 0:36:50 | 0:36:52 | |
waxed once a year | 0:36:52 | 0:36:54 | |
dusted thereafter. | 0:36:54 | 0:36:55 | |
It's got a lovely honest, untouched patina. | 0:36:55 | 0:36:58 | |
-And an elegantly simple object. -Yeah. | 0:36:58 | 0:37:01 | |
But it is a proper antique! | 0:37:01 | 0:37:03 | |
Remind me the price. Is it 120? | 0:37:03 | 0:37:06 | |
I'm going to leave you to buy it. I've done most of the buying. | 0:37:06 | 0:37:09 | |
-OK. -Your turn. -However, I've got a bigger task ahead of me than you. | 0:37:09 | 0:37:13 | |
-Why's that? -Because I've got to get that down by 50%. | 0:37:13 | 0:37:17 | |
Well, it's a big deal. Go, go, go. | 0:37:17 | 0:37:20 | |
The pressure's on to prove yourself, Paul. | 0:37:20 | 0:37:23 | |
The clerk's desk has a ticket price of £120, | 0:37:23 | 0:37:26 | |
but Paul's hoping to negotiate a deal for 60. | 0:37:26 | 0:37:29 | |
Judith's back on that phone to see if the owner will do business. | 0:37:29 | 0:37:33 | |
Here she comes. | 0:37:33 | 0:37:34 | |
-You could do that? -Valerie's just said that. | 0:37:34 | 0:37:38 | |
-Which is really kind of her. -Really kind of her! | 0:37:38 | 0:37:40 | |
-We want you to succeed. -Oh, how nice! | 0:37:40 | 0:37:43 | |
I have got to shake your hand. | 0:37:43 | 0:37:45 | |
And it's pleasure to shake yours. | 0:37:45 | 0:37:46 | |
Wonderful! Thank you very much. | 0:37:46 | 0:37:48 | |
We have got to be happy now, Diana. | 0:37:48 | 0:37:50 | |
I'm thrilled. | 0:37:50 | 0:37:52 | |
That is a relief... and a very generous discount. | 0:37:52 | 0:37:56 | |
The clerk's desk for £60, which along with the trinket box | 0:37:57 | 0:38:00 | |
and golfer's hip flask for £4 each, is a grand total of £68, | 0:38:00 | 0:38:05 | |
leaving them with £282 still to play with. | 0:38:05 | 0:38:08 | |
Back in the spider, Neil and Catherine are en route | 0:38:12 | 0:38:14 | |
to one of Yorkshire's most architecturally stunning landmarks. | 0:38:14 | 0:38:19 | |
Situated between Harrogate and Leeds, | 0:38:19 | 0:38:22 | |
Harewood House is a stately home | 0:38:22 | 0:38:24 | |
which was the location for the Grand Depart | 0:38:24 | 0:38:28 | |
of the 2014 Tour de France. | 0:38:28 | 0:38:31 | |
The house was built by the Lascelles family in the 18th century. | 0:38:31 | 0:38:35 | |
They were local landowners | 0:38:35 | 0:38:36 | |
who made their fortune in West Indian plantations. | 0:38:36 | 0:38:40 | |
Keen to demonstrate that status of the family, | 0:38:40 | 0:38:43 | |
the house was built, finished and landscaped | 0:38:43 | 0:38:45 | |
by the very best craftsmen of the day. | 0:38:45 | 0:38:48 | |
The family have long been patrons of the arts, | 0:38:48 | 0:38:51 | |
and over the generations | 0:38:51 | 0:38:52 | |
have amassed a stunning collection of treasures. | 0:38:52 | 0:38:55 | |
-The Lascelles bought Harewood in 1730...? -38. | 0:38:55 | 0:39:00 | |
1738. They bought the land... | 0:39:00 | 0:39:02 | |
-They bought the land. -There wasn't a house here, at all, then? -No, no. | 0:39:02 | 0:39:05 | |
They built this house. | 0:39:05 | 0:39:07 | |
They wanted the very best. | 0:39:07 | 0:39:08 | |
They bought a huge estate | 0:39:08 | 0:39:10 | |
and this was the one that they put all their focus in. | 0:39:10 | 0:39:12 | |
New house, new interiors - | 0:39:12 | 0:39:14 | |
the very best of everything of the day. | 0:39:14 | 0:39:17 | |
And I think that tradition just continued. | 0:39:17 | 0:39:19 | |
Harewood is just known for having the very best collections. | 0:39:19 | 0:39:21 | |
The house was built under the supervision of Edwin Lascelles. | 0:39:23 | 0:39:28 | |
Work started in 1759 taking 12 years to build. | 0:39:28 | 0:39:33 | |
With expansions and additions continuing | 0:39:33 | 0:39:36 | |
well into the 19th century. | 0:39:36 | 0:39:38 | |
Only the best was good enough for Harewood House | 0:39:38 | 0:39:40 | |
and Edwin made sure that from inside to out | 0:39:40 | 0:39:44 | |
it was created to the highest standards. | 0:39:44 | 0:39:46 | |
He was also a great lover of art, | 0:39:46 | 0:39:48 | |
and he started the outstanding collection of masterpieces | 0:39:48 | 0:39:51 | |
that adorn the walls of the house. | 0:39:51 | 0:39:54 | |
So into the gallery, | 0:39:54 | 0:39:55 | |
which is a pretty impressive room. | 0:39:55 | 0:39:57 | |
The house is very much as it originally was, | 0:39:57 | 0:40:01 | |
so this is the original scheme for this room. | 0:40:01 | 0:40:03 | |
What was this room used for originally? | 0:40:03 | 0:40:06 | |
-It was always a gallery. -To sit and admire your pictures? | 0:40:06 | 0:40:09 | |
Well, yes. And the ladies could promenade. | 0:40:09 | 0:40:11 | |
Or they could be entertained in here. | 0:40:11 | 0:40:13 | |
So it was used for social gatherings. | 0:40:13 | 0:40:17 | |
Don't say I don't take you to the best places. | 0:40:17 | 0:40:19 | |
You do! You put on a good spread! | 0:40:19 | 0:40:21 | |
When Edwin died in 1795, | 0:40:21 | 0:40:23 | |
the house passed down to his cousin Edward, | 0:40:23 | 0:40:26 | |
who continued the tradition of filling the place | 0:40:26 | 0:40:29 | |
with the finest artwork of the day. | 0:40:29 | 0:40:32 | |
He was buying and acquiring an awful lot of very fine pieces, | 0:40:32 | 0:40:35 | |
but he's also got a bank balance to support it, | 0:40:35 | 0:40:37 | |
so he's a really fashionable young Regency dandy, | 0:40:37 | 0:40:40 | |
in a very fashionable set which is being led by the Prince Regent - | 0:40:40 | 0:40:44 | |
later George IV - | 0:40:44 | 0:40:46 | |
Edwin Lascelles was moving in the highest of circles, | 0:40:46 | 0:40:50 | |
and started to model himself on the Prince Regent - | 0:40:50 | 0:40:52 | |
even adopting his look. | 0:40:52 | 0:40:54 | |
However this copycat behaviour did not sit well with the future king - | 0:40:54 | 0:40:59 | |
a contemporary society diary entry notes that | 0:40:59 | 0:41:02 | |
the Prince viewed him as a pretender! Hah! | 0:41:02 | 0:41:05 | |
There's a lovely bit where it actually says | 0:41:05 | 0:41:08 | |
on January 25, 1796, | 0:41:08 | 0:41:10 | |
where the young Mr Lascelles of Harewood House | 0:41:10 | 0:41:12 | |
is reckoned very much like the Prince of Wales. | 0:41:12 | 0:41:14 | |
The Prince is not pleased, at all. | 0:41:14 | 0:41:16 | |
He calls Lascelles "the pretender", | 0:41:16 | 0:41:19 | |
making a remark on a portrait painted by Hoppner | 0:41:19 | 0:41:22 | |
he desires an alteration, so... | 0:41:22 | 0:41:24 | |
And there's these references later on in the diary - | 0:41:24 | 0:41:27 | |
it he goes on to say there was a party at Brighton Pavilion - | 0:41:27 | 0:41:30 | |
the wonderful extravagant home of the Prince Regent - | 0:41:30 | 0:41:34 | |
about how he was actually struck on the shoulder - | 0:41:34 | 0:41:37 | |
the Prince of Wales was mistaken for Lascelles - | 0:41:37 | 0:41:40 | |
and he wasn't very impressed, at all. | 0:41:40 | 0:41:42 | |
He was the future king of England, | 0:41:42 | 0:41:44 | |
he didn't want to be mistaken for this... | 0:41:44 | 0:41:47 | |
for this...young chap. | 0:41:47 | 0:41:50 | |
Edwin's patronage of artists was a great help | 0:41:50 | 0:41:53 | |
to some notable painters of the age, | 0:41:53 | 0:41:55 | |
and in particular watercolourist Turner, | 0:41:55 | 0:41:58 | |
who was a frequent visitor to Harewood to paint pictures | 0:41:58 | 0:42:01 | |
of the house and surrounding countryside. | 0:42:01 | 0:42:04 | |
So there's a few small pieces here. | 0:42:04 | 0:42:07 | |
These are his cheque-books. | 0:42:07 | 0:42:08 | |
They're really lovely because they say - | 0:42:08 | 0:42:10 | |
this is in his hand - | 0:42:10 | 0:42:12 | |
"April 8, 1806, £63 to Mr Turner." | 0:42:12 | 0:42:15 | |
One of the paintings he was paid for. | 0:42:15 | 0:42:17 | |
We know they came to Harewood in the late 1790s | 0:42:17 | 0:42:20 | |
and continued to come right the way through. | 0:42:20 | 0:42:23 | |
They continued this friendship, | 0:42:23 | 0:42:25 | |
and he was buying and acquiring pieces from a number of artists. | 0:42:25 | 0:42:28 | |
Here in his account books you can see he was paying Wedgwood... | 0:42:28 | 0:42:32 | |
-What a super record! -Absolutely. | 0:42:32 | 0:42:34 | |
So lovely to have. Just... Oh! | 0:42:34 | 0:42:37 | |
And to have so many pieces from his original - | 0:42:37 | 0:42:40 | |
or from THEIR original visit, and their friendship, as well. | 0:42:40 | 0:42:42 | |
-I think that's really wonderful. -It's great. Fabulous. -Fantastic. | 0:42:42 | 0:42:45 | |
Thank you very much. It's been lovely to meet you. | 0:42:45 | 0:42:47 | |
-Thank you for having us here. -Come again some time! -Thank you. | 0:42:47 | 0:42:50 | |
-Fascinating. -Thank you very much. | 0:42:50 | 0:42:52 | |
Back on the open road with Diana and Paul. | 0:42:54 | 0:42:59 | |
Your gear changes are considerably smoother, I may say, | 0:42:59 | 0:43:03 | |
then the adorable Mr Dudgeon's. | 0:43:03 | 0:43:06 | |
Don't say that, you'll jinx me! | 0:43:06 | 0:43:09 | |
They're travelling to the village of Gomersal. | 0:43:10 | 0:43:13 | |
They have a healthy £282 to spend, | 0:43:13 | 0:43:16 | |
but will anything catch their eye in the Old Silk Mill? | 0:43:16 | 0:43:19 | |
I love dogs. | 0:43:21 | 0:43:22 | |
You love dog... Do you love this dog? | 0:43:22 | 0:43:26 | |
-You know what, it's a... -Knee jerk reaction? -I... | 0:43:26 | 0:43:28 | |
I'd say it's a setter, wouldn't you? | 0:43:28 | 0:43:30 | |
Because of that fluffy tail. | 0:43:30 | 0:43:32 | |
Yeah, yeah..... | 0:43:32 | 0:43:34 | |
-Now, you know the name of what this is? -Tunbridge ware. | 0:43:34 | 0:43:37 | |
Why? Because they made a lot of it in Tunbridge? | 0:43:37 | 0:43:39 | |
Indeed. The body is actually rosewood. | 0:43:39 | 0:43:43 | |
They were sold as novelty objects, | 0:43:43 | 0:43:45 | |
and it's a wee souvenir trinket box. | 0:43:45 | 0:43:47 | |
And - at circa 1860 - it's 150-year-old. | 0:43:47 | 0:43:51 | |
That's really amazing, isn't it? | 0:43:51 | 0:43:53 | |
Perfect condition. | 0:43:53 | 0:43:55 | |
-And the work in that! -It defies belief. -It really does. | 0:43:55 | 0:43:59 | |
Because that tiny pieces, aren't they? | 0:43:59 | 0:44:01 | |
It brings in another field of interest into this lot. | 0:44:01 | 0:44:05 | |
We could get a Tunbridge collector | 0:44:05 | 0:44:08 | |
alight on this little lot of costume jewellery - | 0:44:08 | 0:44:12 | |
"Ah, costume schmostume... Who knows! ..but I like the box!" | 0:44:12 | 0:44:15 | |
-Goody good. You're... Absolutely. -Yeah. | 0:44:15 | 0:44:18 | |
-Clever man! -But there's another problem. -What's that? | 0:44:18 | 0:44:21 | |
Don't know how much that is. | 0:44:21 | 0:44:23 | |
I think if we can get that for... £10 or £14 - | 0:44:23 | 0:44:27 | |
not a lot of money - | 0:44:27 | 0:44:29 | |
it's got legs. | 0:44:29 | 0:44:31 | |
Time to beckon owner - Tony. | 0:44:31 | 0:44:33 | |
Tony? Come-hither. | 0:44:33 | 0:44:35 | |
You're all right. She whistles at me! | 0:44:35 | 0:44:37 | |
You got the polite "Tony, come-hither." | 0:44:37 | 0:44:39 | |
DIANA LAUGHS | 0:44:39 | 0:44:41 | |
No price on box. | 0:44:41 | 0:44:43 | |
It's £12, that. | 0:44:44 | 0:44:47 | |
Sounds all right to me. However... | 0:44:47 | 0:44:49 | |
Of course, we're going to ask! | 0:44:49 | 0:44:52 | |
Yeah. Ask. | 0:44:52 | 0:44:54 | |
Toooony...? | 0:44:55 | 0:44:57 | |
For you, Diana... | 0:44:57 | 0:45:00 | |
Erm... | 0:45:00 | 0:45:01 | |
Look into the eyes. Not around the eyes, into the eyes. | 0:45:01 | 0:45:04 | |
What if I said... | 0:45:04 | 0:45:05 | |
Well, eight. | 0:45:05 | 0:45:07 | |
-DIANA GASPS -Oh, perfect...! -Would that be OK? | 0:45:07 | 0:45:10 | |
-Tony, your fantastic! -Thank you. -Thanks. A lot! | 0:45:10 | 0:45:12 | |
Ta-dun dah! | 0:45:12 | 0:45:14 | |
We're done. We're done. | 0:45:14 | 0:45:15 | |
Done indeed. With no messing about as usual, | 0:45:16 | 0:45:19 | |
Diana and Paul walk away with the Tunbridge trinket box for £8. Gosh. | 0:45:19 | 0:45:24 | |
-Off we go. -Off we go. -Follow. | 0:45:24 | 0:45:26 | |
With the shopping complete, Diana and Paul head to Harewood House | 0:45:26 | 0:45:29 | |
to meet up with Neil and Catherine for the big reveal. | 0:45:29 | 0:45:32 | |
It's terribly exciting. NEIL GASPS | 0:45:35 | 0:45:37 | |
Have a close look. | 0:45:38 | 0:45:40 | |
For any housewife | 0:45:40 | 0:45:41 | |
who wants to get rid of her husband for a good four hours, | 0:45:41 | 0:45:44 | |
a golf scoring pad. | 0:45:44 | 0:45:47 | |
And if he wants... You know, when he's lobbed it into the nearest lake | 0:45:47 | 0:45:53 | |
he can take a swig of something. Isn't that divine? | 0:45:53 | 0:45:55 | |
-A hip flask and score keeper. -Yeah. | 0:45:55 | 0:45:57 | |
For a golfer. Have you ever seen that before? | 0:45:57 | 0:46:00 | |
-I never have. -No. -Do you play golf? -I've led a very sheltered life. | 0:46:00 | 0:46:04 | |
-Do you play golf? -I wouldn't say I played, no. | 0:46:04 | 0:46:06 | |
-But have you ever seen that before? -No. | 0:46:06 | 0:46:08 | |
And you've got a whistle on the end. | 0:46:08 | 0:46:11 | |
Yes, but you have you seen the glory of the whistle? | 0:46:11 | 0:46:13 | |
-It's got a compass. -Yes. | 0:46:13 | 0:46:14 | |
And it's a Girl Guide whistle. | 0:46:14 | 0:46:16 | |
Have you seen that before? | 0:46:16 | 0:46:17 | |
That's quite interesting. | 0:46:17 | 0:46:19 | |
-"Quite"? -Sorry, VERY. | 0:46:19 | 0:46:21 | |
Really, really interesting. | 0:46:21 | 0:46:23 | |
Were you a Girl Guide yourself? | 0:46:23 | 0:46:25 | |
No, I was a Brownie sixer. | 0:46:25 | 0:46:27 | |
Certainly was. | 0:46:27 | 0:46:28 | |
Time to examine Neil and Catherine's wares. | 0:46:28 | 0:46:30 | |
So, boat... | 0:46:30 | 0:46:32 | |
Silver plate boat. | 0:46:32 | 0:46:34 | |
It has the letters PRHA on the side. | 0:46:34 | 0:46:38 | |
Pretty Hopeless and Risky Acquisition. | 0:46:38 | 0:46:41 | |
-Ooh, very good. -That's the one! | 0:46:41 | 0:46:44 | |
Forgive me, | 0:46:44 | 0:46:46 | |
I couldn't help it, gratuitous though it was. | 0:46:46 | 0:46:48 | |
Oh, no - don't take any notice. | 0:46:48 | 0:46:49 | |
Mm. What about the butcher's sign? | 0:46:49 | 0:46:51 | |
Got to see it to believe it, frankly. | 0:46:53 | 0:46:55 | |
We're very pleased with it. A very intriguing piece. | 0:46:55 | 0:46:57 | |
Do you know, I'm gobsmacked. What is it? | 0:46:57 | 0:47:00 | |
Well, clearly it's a pig - | 0:47:00 | 0:47:02 | |
it's a pork butcher's shop sign. | 0:47:02 | 0:47:05 | |
It's showing a pig | 0:47:06 | 0:47:09 | |
with an umbrella and a bowler hat smoking a cigar, clearly. | 0:47:09 | 0:47:12 | |
I don't get it at all. | 0:47:13 | 0:47:14 | |
I think it's a GCSE metalwork fail. | 0:47:14 | 0:47:18 | |
-No... -I'm being cruel! | 0:47:19 | 0:47:21 | |
Whose heart did that one quicken? | 0:47:21 | 0:47:23 | |
-We both liked that, actually. -Really? -Yes. | 0:47:23 | 0:47:26 | |
Oh, darlings, | 0:47:26 | 0:47:29 | |
where were you at when you got that? I mean, really! | 0:47:29 | 0:47:33 | |
It's a one-off. | 0:47:33 | 0:47:34 | |
Yup, you're right. | 0:47:34 | 0:47:36 | |
Nobody will make two of those, that's sure. | 0:47:36 | 0:47:40 | |
What on earth will they say in private? | 0:47:40 | 0:47:43 | |
Are you content? Do you think we're contenders? | 0:47:44 | 0:47:46 | |
Well, I think the worst thing that we can do is be complacent. | 0:47:46 | 0:47:50 | |
-Do you know what I mean? -OK. -So I think we go hoping. | 0:47:50 | 0:47:55 | |
And praying. | 0:47:55 | 0:47:57 | |
And let's do our best. | 0:47:57 | 0:47:59 | |
We've bought interesting, quirky things that are a little bit out there. | 0:47:59 | 0:48:03 | |
I'm really believing in my jewellery. | 0:48:03 | 0:48:06 | |
-We stand by our objects, don't we? -Yes. Yes. | 0:48:06 | 0:48:09 | |
-I believe in everything we've done. -Good. -We're contenders. -That's the main thing. | 0:48:09 | 0:48:13 | |
-You're the pro, and you believe in it. Da-daa! -Let's go. | 0:48:13 | 0:48:17 | |
Time to leave God's own country in Yorkshire, | 0:48:18 | 0:48:20 | |
and head down to Stansted in Essex | 0:48:20 | 0:48:23 | |
for that local all-important auction. | 0:48:23 | 0:48:26 | |
So, are our experts feeling confident? | 0:48:26 | 0:48:29 | |
So, come on then, Paul... It's D-Day. | 0:48:29 | 0:48:33 | |
It's Diana Day, that's what it is! | 0:48:33 | 0:48:36 | |
Don't up the ante any more than it already is. | 0:48:36 | 0:48:40 | |
-Oh, my... -When I saw your face when we revealed the items - | 0:48:40 | 0:48:44 | |
your items - | 0:48:44 | 0:48:46 | |
-you weren't pleased, come on. -Well, seriously...! How much can I say? | 0:48:46 | 0:48:51 | |
Sometimes it's best to say nothing, Paul. | 0:48:51 | 0:48:53 | |
And auctions are unpredictable, so it's anyone's guess. | 0:48:53 | 0:48:57 | |
Sworders Fine Art Auctioneers were established in 1782, | 0:49:00 | 0:49:04 | |
and we have auctioneer Helen Jonas to give us | 0:49:04 | 0:49:07 | |
her verdict on what our team's offerings are like. | 0:49:07 | 0:49:11 | |
It's quite an interesting mix. Quite fun, quirky things. | 0:49:11 | 0:49:14 | |
Also a few things that might struggle a bit, but we'll see how they'll do today. | 0:49:14 | 0:49:18 | |
I quite like the Schuco monkey with the violin. That's quite a fun lot, | 0:49:18 | 0:49:21 | |
I think that's the best of the bunch, really. | 0:49:21 | 0:49:24 | |
I'm less sure about the silver-plated sauce boat on its own, | 0:49:24 | 0:49:27 | |
but we'll see how the day progresses. | 0:49:27 | 0:49:29 | |
Both teams started with £400 each. | 0:49:31 | 0:49:33 | |
Neil and Catherine spent £115 on six items in total | 0:49:33 | 0:49:37 | |
organised into six auction lots. | 0:49:37 | 0:49:40 | |
Diana and Paul have ended up with five lots, | 0:49:42 | 0:49:44 | |
after spending £126 on this group of goodies. | 0:49:44 | 0:49:49 | |
Take your seats, | 0:49:49 | 0:49:51 | |
eyes forward and pay attention. The auction's about to begin. | 0:49:51 | 0:49:53 | |
Best of luck, everyone! | 0:49:53 | 0:49:55 | |
-I think it's looking positive. -The moment of truth. | 0:49:55 | 0:49:59 | |
First up, it's the silver-plated sauce boat that Neil bought | 0:49:59 | 0:50:03 | |
when Catherine wasn't supervising. | 0:50:03 | 0:50:05 | |
-£20, anywhere? -What did you pay? | 0:50:05 | 0:50:08 | |
10 to start me. Anyone tempted? | 0:50:08 | 0:50:10 | |
£5 to start me. A sauce boat there for £5, anyone interested? | 0:50:10 | 0:50:14 | |
No interest in that one. So we'll have to carry on. | 0:50:14 | 0:50:17 | |
Neil liked it, but sadly no-one else did! Not the strongest start. | 0:50:17 | 0:50:21 | |
-Oh, the shame! -I didn't even see it. | 0:50:21 | 0:50:23 | |
-I told you about it. -You've got to have it. | 0:50:23 | 0:50:26 | |
Diana purchased her golfer's hip flask, against expert advice, | 0:50:26 | 0:50:31 | |
but will it defy the doubters? | 0:50:31 | 0:50:33 | |
I think it's a thing of beauty and wonder. | 0:50:33 | 0:50:36 | |
And I'm sure it'll go for an absolute fortune | 0:50:36 | 0:50:38 | |
if the good people have any taste and discernment. | 0:50:38 | 0:50:41 | |
-£5 to start me. -Yes! | 0:50:41 | 0:50:44 | |
Ooh, I'm not sure you're meant to be bidding, I'm afraid. | 0:50:44 | 0:50:47 | |
Any interest at £5? | 0:50:47 | 0:50:49 | |
No? I'm afraid we're going to have to leave that one. | 0:50:49 | 0:50:52 | |
Another one left on the shelf! But still time to pull in a profit. | 0:50:52 | 0:50:56 | |
0-0. Well, that even things up. | 0:50:56 | 0:50:58 | |
Next, it's Neil and Catherine's pair of chimney pots. | 0:50:58 | 0:51:02 | |
I'm bid £10 at the back, any interest at £12? | 0:51:02 | 0:51:05 | |
£10, then, opening bid, any further interest? | 0:51:05 | 0:51:08 | |
I'll sell for £10... | 0:51:08 | 0:51:11 | |
Surely that's £40, £50. Surely. | 0:51:11 | 0:51:15 | |
I'm afraid not, Catherine. It's only £10, and a loss. | 0:51:15 | 0:51:19 | |
Well, that's a swizz, isn't it? | 0:51:20 | 0:51:22 | |
It's a swizz. | 0:51:22 | 0:51:24 | |
It's an outrage, Neil, it's an outrage. | 0:51:24 | 0:51:26 | |
Next, we have Diana and Paul's combined lot | 0:51:26 | 0:51:29 | |
of the costume jewellery, trinket box and Tunbridge casket. | 0:51:29 | 0:51:32 | |
-Every reason to be confident. -OK, this is it. | 0:51:32 | 0:51:36 | |
£30, anywhere...? | 0:51:36 | 0:51:37 | |
£20 to start me. | 0:51:37 | 0:51:39 | |
20 I'm bid, 22 standing. | 0:51:39 | 0:51:40 | |
25, 28, | 0:51:40 | 0:51:42 | |
30, 32, 35, | 0:51:42 | 0:51:44 | |
38? It's 35... | 0:51:44 | 0:51:46 | |
Well done! That's a profit anyway at least. | 0:51:46 | 0:51:49 | |
35 by the tables then... | 0:51:49 | 0:51:51 | |
-It's a bidding war! -Well done. | 0:51:53 | 0:51:55 | |
Thank you, thank you, thank you. | 0:51:55 | 0:51:57 | |
Hurrah! A profit at last. | 0:51:57 | 0:52:00 | |
I have to say, whoever bought that for 35, | 0:52:00 | 0:52:03 | |
there were about 12 pairs of earrings in the Tunbridge box, | 0:52:03 | 0:52:09 | |
and all those necklaces in the other box. | 0:52:09 | 0:52:13 | |
It's nothing, though, is it, really? It's nothing. | 0:52:13 | 0:52:16 | |
-It's a profit! -It's a profit. | 0:52:16 | 0:52:18 | |
Neil's vintage printer's drawer is up next. | 0:52:18 | 0:52:21 | |
Good way to display the collectables. £10 anywhere? | 0:52:21 | 0:52:24 | |
-(What did it cost?) -(10.) | 0:52:24 | 0:52:27 | |
£10 in the centre, any further interest? | 0:52:27 | 0:52:30 | |
I'll sell to the lady in the centre | 0:52:30 | 0:52:32 | |
with no number at £10... | 0:52:32 | 0:52:35 | |
Got it away. | 0:52:35 | 0:52:36 | |
It could have been worse. I would take that. I would take that. | 0:52:36 | 0:52:40 | |
After commission, that will be a small loss. | 0:52:40 | 0:52:43 | |
-CATHERINE: -What do you think? -Erm... | 0:52:43 | 0:52:44 | |
-Happy? -I'm pleased that somebody else likes it, | 0:52:44 | 0:52:47 | |
I think somebody's got a bargain. | 0:52:47 | 0:52:49 | |
Hopefully they'll do something interesting with it. | 0:52:49 | 0:52:51 | |
Diana's Schuco clown toy is next. | 0:52:51 | 0:52:55 | |
It was first thing she saw, and the first thing she bought. | 0:52:55 | 0:52:58 | |
But how will it do? | 0:52:58 | 0:52:59 | |
Our favey. | 0:52:59 | 0:53:01 | |
-Favey-davey. -Now, I think this is | 0:53:01 | 0:53:05 | |
-our joint best yet. -Yeah. | 0:53:05 | 0:53:08 | |
It hangs on this. | 0:53:08 | 0:53:10 | |
22 and you're in the room. 22, 25, 28, commissions are out. | 0:53:10 | 0:53:14 | |
Is that 30 there, lady's bid? | 0:53:14 | 0:53:16 | |
-Otherwise it's 28 in front of the rostrum... -Going to wash its face. | 0:53:16 | 0:53:19 | |
32, 35, 38. | 0:53:19 | 0:53:21 | |
40... | 0:53:21 | 0:53:23 | |
No, 38 then, still near the rostrum at 38. | 0:53:23 | 0:53:25 | |
Any further interest? I'll sell... | 0:53:25 | 0:53:27 | |
Near the rostrum at £38... | 0:53:27 | 0:53:30 | |
Another profit - and things are looking up. | 0:53:30 | 0:53:33 | |
-DIANA: -That person's got a bargain. | 0:53:34 | 0:53:36 | |
-So come on, Diana - you have done pretty well. -We are doing all right. | 0:53:36 | 0:53:40 | |
You've got a profit on your jewellery... | 0:53:40 | 0:53:41 | |
Well, I'm not a greedy person, but I think it's worth more. | 0:53:41 | 0:53:45 | |
Do you know what I mean? | 0:53:45 | 0:53:47 | |
-I think we should be happy. -I'm happy. | 0:53:47 | 0:53:50 | |
A profit is a profit, Dame Diana, and you're in the lead. | 0:53:51 | 0:53:54 | |
Next up is Neil and Catherine's pig butcher's shop sign. | 0:53:54 | 0:54:00 | |
Your pig is going to save the day. | 0:54:00 | 0:54:03 | |
Yeah. The pig could save your bacon. | 0:54:03 | 0:54:06 | |
-Do you like that? -Right, here we go. This is it. Come on. | 0:54:06 | 0:54:08 | |
The pig sign, then, at £30 with commission. 35 anywhere in the room? | 0:54:08 | 0:54:12 | |
It's £30 then - any further interest? 35 there, 40. 45, sir. | 0:54:12 | 0:54:16 | |
The flying pig! | 0:54:17 | 0:54:20 | |
45, 50. 55, sir? No, it's with me then, | 0:54:20 | 0:54:23 | |
back with commission at 50. any further interest? | 0:54:23 | 0:54:26 | |
I'll sell to commission at £50... | 0:54:26 | 0:54:28 | |
-PAUL: -Well done! | 0:54:28 | 0:54:30 | |
Who has paid £50 for that pig?! | 0:54:30 | 0:54:33 | |
How do you feel about auctions now(?) | 0:54:34 | 0:54:36 | |
With that great profit, Neil and Catherine are back in business. | 0:54:36 | 0:54:41 | |
There's no accounting for taste! | 0:54:41 | 0:54:43 | |
Next we have Diana's command tool for Paul - | 0:54:45 | 0:54:48 | |
the Girl Guide whistle and compass. | 0:54:48 | 0:54:50 | |
I want somebody to wet my whistle! | 0:54:50 | 0:54:52 | |
£30 to start me, anywhere? | 0:54:52 | 0:54:54 | |
20 to start me? The Girl Guides whistle. | 0:54:54 | 0:54:57 | |
£10...? | 0:54:57 | 0:54:59 | |
God, they're not whistley people. | 0:54:59 | 0:55:01 | |
£12? | 0:55:01 | 0:55:03 | |
-It's £10 in the centre, any further interest? -What did we pay? -10. | 0:55:03 | 0:55:07 | |
For the opening bid of £10... And that's 207. | 0:55:07 | 0:55:10 | |
-Well, it could have been. -Well, you got it. | 0:55:10 | 0:55:13 | |
Ten quid is cheap. | 0:55:13 | 0:55:15 | |
Silver. And a compass. | 0:55:15 | 0:55:17 | |
After commission, that will be a small loss unfortunately. | 0:55:17 | 0:55:21 | |
Next - Neil and Catherine's backup buy, the salt trough. | 0:55:21 | 0:55:26 | |
The opening bid of £10... | 0:55:26 | 0:55:27 | |
It's the same woman that got my... | 0:55:27 | 0:55:29 | |
16. 18. | 0:55:29 | 0:55:30 | |
-DIANA: -They're off. Good. | 0:55:30 | 0:55:32 | |
£18, near the rostrum. Any further interest? | 0:55:32 | 0:55:35 | |
I'll sell... Oh, 20 there. 22. 25. | 0:55:35 | 0:55:39 | |
28. 28, 30. No? | 0:55:39 | 0:55:41 | |
Still on the rostrum, at £28, any further interest? | 0:55:41 | 0:55:44 | |
I'll sell for £28... | 0:55:44 | 0:55:46 | |
And that goes to 609. | 0:55:46 | 0:55:47 | |
-That's not bad. -CATHERINE: Disappointing. | 0:55:47 | 0:55:50 | |
-I thought you'd do well with that. -That was one of our best ones. | 0:55:50 | 0:55:54 | |
A loss of £2, and a bit more | 0:55:54 | 0:55:56 | |
when you take commission into account. | 0:55:56 | 0:55:58 | |
But - it's all yet to play for. | 0:55:58 | 0:56:00 | |
We've each got one lot to go, and you're £15 ahead of us. | 0:56:02 | 0:56:06 | |
Diana and Paul's final | 0:56:06 | 0:56:07 | |
and most expensive lot is the 18th-century oak portable desk. | 0:56:07 | 0:56:12 | |
Ta-dum! | 0:56:12 | 0:56:13 | |
£50, anywhere? Anyone interested? | 0:56:13 | 0:56:15 | |
50 I'm bid. £55... | 0:56:15 | 0:56:19 | |
It's £55 behind the counter. 55. | 0:56:19 | 0:56:21 | |
60, 65, 70. | 0:56:21 | 0:56:23 | |
75, 80, 85, 90... | 0:56:23 | 0:56:26 | |
(Somebody's determined.) | 0:56:26 | 0:56:28 | |
120, 130, 140... No? It's 130 on my left, seated. | 0:56:28 | 0:56:31 | |
Selling for 130, any further interest? | 0:56:31 | 0:56:35 | |
I'll sell for £130... | 0:56:35 | 0:56:38 | |
That fantastic profit for Diana and Paul means | 0:56:38 | 0:56:41 | |
the elephant vesta case really needs to come up trumps | 0:56:41 | 0:56:44 | |
or Neil and Catherine are out of the game. | 0:56:44 | 0:56:48 | |
And it's with me at £20 with commission, £22 in the room... | 0:56:48 | 0:56:51 | |
-22, 25, 28... -Good. | 0:56:51 | 0:56:54 | |
-28, 30, 32. -Yeah. | 0:56:54 | 0:56:56 | |
35, 38. | 0:56:56 | 0:56:58 | |
£38, the lady's bid. Any interest at £40? | 0:56:58 | 0:57:01 | |
It's 38 on my left, any further interest? | 0:57:01 | 0:57:04 | |
I'll sell for £38... | 0:57:04 | 0:57:06 | |
-Well done. -That's better than we thought. | 0:57:06 | 0:57:09 | |
I think that was all right! | 0:57:09 | 0:57:10 | |
That loss is the final nail in the coffin for Neil and Catherine. | 0:57:10 | 0:57:15 | |
But it's been a fantastic contest. | 0:57:15 | 0:57:17 | |
Well, I want to congratulate you two. | 0:57:17 | 0:57:18 | |
-Never mind. -Yes, congratulations. -I love you... | 0:57:18 | 0:57:22 | |
Congratulations, and well done. | 0:57:22 | 0:57:24 | |
-Paul, congratulations. -Well done. | 0:57:24 | 0:57:26 | |
-Good spot on the desk. -Always a pleasure. -Well done. | 0:57:26 | 0:57:30 | |
Our celebrities started with £400 each. | 0:57:30 | 0:57:33 | |
Neil and Catherine put up a valiant effort, but unfortunately | 0:57:33 | 0:57:37 | |
after auction fees they made a small loss, so they end up with £396.52. | 0:57:37 | 0:57:43 | |
Nice couple, though. | 0:57:43 | 0:57:45 | |
But claiming victory today - Dame Diana and Paul, finishing the trip | 0:57:45 | 0:57:48 | |
with £448.66, with all profits going to Children in Need. Well done. | 0:57:48 | 0:57:56 | |
Did we have fun? | 0:57:56 | 0:57:57 | |
-That's the main thing. -Absolutely. -It's been a ball. | 0:57:57 | 0:58:01 | |
-Compadre? -Compadre! -Fellow victor. | 0:58:01 | 0:58:04 | |
-We did, didn't we? -Loving your work. | 0:58:04 | 0:58:06 | |
-NEIL: -Thank you for a marvellous experience. -Thank you. | 0:58:06 | 0:58:08 | |
-Well done, Paul. -Always a joy. | 0:58:08 | 0:58:10 | |
-# I'll see you again... # -In all the old familiar places. -Great. | 0:58:10 | 0:58:15 | |
Safe journey, folks! | 0:58:15 | 0:58:17 | |
-You can drive this time. I've been driving for years. Give it a go. -Ohh! | 0:58:17 | 0:58:20 | |
-Oh, all right, then, come here. Come on. -OK, thanks. | 0:58:20 | 0:58:23 | |
-Come on, last time. -Lovely. -Till next time. | 0:58:23 | 0:58:26 | |
-Till the next time. -Madam... | 0:58:26 | 0:58:27 | |
I long to hear you crashing those gears for the last time! | 0:58:27 | 0:58:31 |