Browse content similar to Bernard Cribbins and Barry Cryer. Check below for episodes and series from the same categories and more!
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The nation's favourite celebrities. | 0:00:02 | 0:00:03 | |
-We are special, then, are we? -That's excellent. | 0:00:03 | 0:00:06 | |
Paired up with an expert. | 0:00:06 | 0:00:08 | |
We're a very good team, you and me. | 0:00:08 | 0:00:09 | |
And a classic car. | 0:00:09 | 0:00:11 | |
Their mission, to scour Britain for antiques. | 0:00:11 | 0:00:14 | |
-I've no idea what it is. -Oh, I love it. | 0:00:14 | 0:00:17 | |
The aim, to make the biggest profit at auction. | 0:00:17 | 0:00:20 | |
-Yes! -But it's no easy ride. | 0:00:20 | 0:00:22 | |
THEY GASP | 0:00:22 | 0:00:23 | |
There's no accounting for taste! | 0:00:23 | 0:00:25 | |
Who will find a hidden gem? | 0:00:25 | 0:00:28 | |
Who will take the biggest risks? | 0:00:28 | 0:00:30 | |
Will anybody follow expert advice? | 0:00:30 | 0:00:33 | |
-Do you like it? -No. -No. | 0:00:33 | 0:00:35 | |
There will be worthy winners and valiant losers. | 0:00:35 | 0:00:38 | |
-Are you happy? -Yes, ecstatic!? | 0:00:38 | 0:00:40 | |
Time to put your pedal to the metal. | 0:00:40 | 0:00:42 | |
This is Celebrity Antiques Road Trip. | 0:00:42 | 0:00:44 | |
Yeah! | 0:00:47 | 0:00:48 | |
On this Celebrity Antiques Road Trip, we'll be having a chuckle with | 0:00:53 | 0:00:57 | |
two venerable legends of comedy, Bernard Cribbins and Barry Cryer. | 0:00:57 | 0:01:01 | |
When they asked me about this, and they said, | 0:01:02 | 0:01:04 | |
"Who would you like to do it with?" I thought of a few people. | 0:01:04 | 0:01:09 | |
-And 34 people turn me down, and then I rang you. -Yeah, | 0:01:09 | 0:01:12 | |
-Yeah, I knew I wasn't first. -BERNARD LAUGHS | 0:01:12 | 0:01:14 | |
You jest, Bernard. These two go way back. | 0:01:14 | 0:01:16 | |
Someone asked me how long we'd known each other. | 0:01:16 | 0:01:18 | |
-1962, wasn't it? -Yes, over 50 years. | 0:01:18 | 0:01:22 | |
-It'll be an extremely cordial competition. -Cordial. | 0:01:22 | 0:01:26 | |
And, hopefully, amusing. | 0:01:26 | 0:01:28 | |
Glad to hear it. | 0:01:28 | 0:01:30 | |
Ah, another lane. | 0:01:30 | 0:01:32 | |
-That was a swallow that went over there, then. -Was it? -Yes, a swallow. | 0:01:32 | 0:01:36 | |
You're a bit of an ornithologist as well. | 0:01:36 | 0:01:39 | |
-And birds! -Yes, and birds! | 0:01:39 | 0:01:42 | |
MUSIC: The Wombling Song by Mike Batt | 0:01:42 | 0:01:44 | |
In his nearly 70 years in the biz, | 0:01:45 | 0:01:47 | |
Bernard Cribbins has earned his stripes as a true national treasure | 0:01:47 | 0:01:52 | |
of acting and comedy, delighting audiences in everything | 0:01:52 | 0:01:55 | |
from his early stage work, to modern-day Doctor Who | 0:01:55 | 0:01:58 | |
and, of course, he was the voice of beloved '70s kids' TV treat, | 0:01:58 | 0:02:02 | |
The Wombles. | 0:02:02 | 0:02:04 | |
# Making good use of the things that we find... # | 0:02:04 | 0:02:07 | |
Oh! Who's that? | 0:02:07 | 0:02:09 | |
Thank you, ladies! Thank you. | 0:02:09 | 0:02:12 | |
I thought we'd pulled there, Barry. | 0:02:12 | 0:02:14 | |
-BARRY CHUCKLES -Reverse, reverse! | 0:02:14 | 0:02:16 | |
Gentlemen! | 0:02:16 | 0:02:17 | |
Barry Cryer is a towering titan of British comedy. | 0:02:19 | 0:02:23 | |
As a writer and performer, | 0:02:23 | 0:02:24 | |
he's worked with every great legend of laughter | 0:02:24 | 0:02:26 | |
from the late '50s onwards, and has written gags for everyone, | 0:02:26 | 0:02:29 | |
from Bob Hope, to Morecambe and Wise. | 0:02:29 | 0:02:33 | |
And spent a full four fun-packed decades on the panel of | 0:02:33 | 0:02:37 | |
Radio 4 chuckle-fest I'm Sorry, I Haven't A Clue. | 0:02:37 | 0:02:41 | |
This fine and fragrant morn, | 0:02:44 | 0:02:45 | |
we're driving a classy 1984 Mercedes 280SL. | 0:02:45 | 0:02:49 | |
-What do you reckon to the car, Barry? -Very smart. | 0:02:50 | 0:02:53 | |
Used to say about David Frost, he had an open-top car, | 0:02:53 | 0:02:56 | |
I said, if it started raining, he'd press the button on the dashboard, | 0:02:56 | 0:02:59 | |
-and it stopped raining! -BERNARD LAUGHS | 0:02:59 | 0:03:02 | |
I like it, I like it. | 0:03:02 | 0:03:04 | |
Guiding these two greats on their voyage of antique discovery will be | 0:03:06 | 0:03:10 | |
two strapping young auctioneers at the top of their game, | 0:03:10 | 0:03:13 | |
Charles Hanson and Will Axon. | 0:03:13 | 0:03:15 | |
-I'm really excited about today. -It's going to be good. | 0:03:17 | 0:03:20 | |
-The sun is out. -Yeah. -The roof is down. -Yes, yeah. | 0:03:20 | 0:03:24 | |
-The socks are pulled up. -Good man. | 0:03:24 | 0:03:26 | |
Charles and Will are piloting | 0:03:27 | 0:03:28 | |
a charming little 1963 Morris Minor convertible. | 0:03:28 | 0:03:33 | |
Obviously, our two big men today are big names, aren't they? | 0:03:33 | 0:03:36 | |
They are, big names. When I heard I was working with you... | 0:03:36 | 0:03:40 | |
CHARLES LAUGHS | 0:03:40 | 0:03:41 | |
-The word "legend" popped into my mind. -Get out of here! | 0:03:41 | 0:03:44 | |
When you talk about Barry Cryer and the Crib meister, well, | 0:03:44 | 0:03:48 | |
-they are legends, aren't they? -They are. | 0:03:48 | 0:03:50 | |
With £400 to spend each, | 0:03:51 | 0:03:54 | |
our pairs will journey from sunny St Albans in Hertfordshire, | 0:03:54 | 0:03:58 | |
and circumnavigate the byways around our nation's capital, | 0:03:58 | 0:04:03 | |
aiming for auction in the well-heeled London area | 0:04:03 | 0:04:05 | |
of Twickenham. | 0:04:05 | 0:04:06 | |
It's almost time for celebrities to greet experts. | 0:04:08 | 0:04:12 | |
-BARRY: -Should have brought my binoculars. | 0:04:13 | 0:04:15 | |
I didn't know you had them. | 0:04:15 | 0:04:16 | |
-Scan the horizon for an expert. -BERNARD LAUGHS | 0:04:16 | 0:04:20 | |
And here they are! | 0:04:20 | 0:04:21 | |
-I'm twitching. I get nervous. -About what? | 0:04:21 | 0:04:24 | |
Meeting these legends. | 0:04:24 | 0:04:26 | |
Don't blow your cool before we've even started, Carlos. | 0:04:26 | 0:04:28 | |
-I think I hear the dulcet tones of... -They're here, they're here! | 0:04:28 | 0:04:33 | |
Heads up, salute. | 0:04:33 | 0:04:35 | |
Hello, there. Good morning, gentlemen. | 0:04:35 | 0:04:38 | |
-BERNARD: -Stand easy. -BARRY: -Good morning, good morning. | 0:04:38 | 0:04:40 | |
You take the left side. I'll go the right. | 0:04:40 | 0:04:43 | |
-BERNARD: Two sugars in mine, please! -Good morning. -How are you? | 0:04:43 | 0:04:46 | |
The name's Hanson, Charles Hanson. | 0:04:46 | 0:04:47 | |
-I'm Bernard. -Good to see you, Bernard. | 0:04:47 | 0:04:49 | |
-Do you prefer Bernard, or Mr Cribbins? -No, Bernard, please. | 0:04:49 | 0:04:52 | |
Or, hey, you, there's money involved. | 0:04:52 | 0:04:54 | |
CHARLES LAUGHS | 0:04:54 | 0:04:55 | |
-Barry, I'm Will, anyway. -Good morning, Will, I'm Barry. Hello. | 0:04:55 | 0:04:59 | |
They've already agreed that Bernard will pair with Charles, | 0:04:59 | 0:05:02 | |
and Barry with Will. | 0:05:02 | 0:05:04 | |
-All the best. -Yeah. -Take care. | 0:05:04 | 0:05:07 | |
CHARLES CHUCKLES | 0:05:07 | 0:05:08 | |
-BERNARD: -There we are. | 0:05:08 | 0:05:09 | |
And they're off. | 0:05:13 | 0:05:14 | |
Both teams are heading to the same shop in St Albans | 0:05:17 | 0:05:19 | |
to kick off their buying. | 0:05:19 | 0:05:21 | |
-What is this? -Excuse me! | 0:05:21 | 0:05:22 | |
-What? -It's this way, Charles! | 0:05:25 | 0:05:27 | |
Where on Earth are you going, Charles? Honestly! | 0:05:27 | 0:05:31 | |
-So, here we go. Off to our first shop. -I know. | 0:05:31 | 0:05:35 | |
It is a learning curve, this, I shall be fascinated. | 0:05:35 | 0:05:38 | |
Barry doesn't drive, so Will will be chauffeuring him. | 0:05:38 | 0:05:42 | |
I'm a very placid, unnervous passenger. | 0:05:42 | 0:05:45 | |
So, you won't have any aggravation. | 0:05:45 | 0:05:47 | |
Oh, my God! | 0:05:47 | 0:05:49 | |
-Look out, it's a... Hedgehog!? -BARRY CHUCKLES | 0:05:49 | 0:05:53 | |
Hey, road safety's no joshing matter on the road trip, chaps. | 0:05:53 | 0:05:56 | |
Meanwhile, on the scenic route, | 0:05:56 | 0:05:59 | |
Charles is coming out as something of a fan. | 0:05:59 | 0:06:01 | |
MUSIC: The Wombling Song by Mike Batt | 0:06:01 | 0:06:03 | |
To me, you are a very precious and priceless gentleman. | 0:06:03 | 0:06:08 | |
-Oh, dear, really? -Yes. | 0:06:08 | 0:06:11 | |
My childhood was summed up by The Wombles. | 0:06:11 | 0:06:13 | |
You made my childhood. | 0:06:13 | 0:06:14 | |
Oh, don't gush, Charles, you'll embarrass the man. | 0:06:14 | 0:06:17 | |
But they're still in search of their bearings. | 0:06:17 | 0:06:21 | |
Now, around here is a shop, hopefully. | 0:06:21 | 0:06:23 | |
So, eyes peeled. | 0:06:23 | 0:06:25 | |
Try the next turning. | 0:06:25 | 0:06:28 | |
I don't know why. | 0:06:28 | 0:06:29 | |
I think that's our shop, you know? | 0:06:32 | 0:06:33 | |
-This'll do me. -It looks busy enough. And, I think... Do you know what? | 0:06:35 | 0:06:39 | |
I think we've beaten the other ones here, Barry. | 0:06:39 | 0:06:42 | |
-Go on, in you go. Get in. -Yeah, get in, get in. | 0:06:42 | 0:06:45 | |
Maybe if I lock the door, we won't let them in. | 0:06:45 | 0:06:48 | |
-Look, oh, boy. -It goes on, doesn't it? | 0:06:48 | 0:06:50 | |
Time for a good, old-fashioned browse, boys. | 0:06:54 | 0:06:57 | |
-You've always got to remember to look up. -Yes, that's true. | 0:07:00 | 0:07:03 | |
-Not really into Picasso. Nothing personal, Pablo. -Yes?! | 0:07:03 | 0:07:06 | |
WILL CHUCKLES | 0:07:06 | 0:07:08 | |
What sort of loot does Barry fancy picking up today? | 0:07:08 | 0:07:13 | |
At my age, now, it would be lovely to see coming that I'd go, | 0:07:13 | 0:07:16 | |
-"Oh! Memories." -Well, that is perfect. | 0:07:16 | 0:07:19 | |
You can relate to it. | 0:07:19 | 0:07:21 | |
In a shop like this, it's likely to happen, because there's so much. | 0:07:21 | 0:07:24 | |
And has Barry already spotted something | 0:07:28 | 0:07:31 | |
that might get the synapses firing? | 0:07:31 | 0:07:34 | |
Brains? Oh, no, dear, dear, dear! Brains. Snail, dogfish, frog, | 0:07:34 | 0:07:39 | |
-pigeon and rat! -Oh, that's a must, he said, as in "not"! | 0:07:39 | 0:07:43 | |
BARRY CHUCKLES | 0:07:43 | 0:07:45 | |
Slightly macabre. | 0:07:45 | 0:07:47 | |
Yeah, pass the sick bag. | 0:07:47 | 0:07:49 | |
Elsewhere in the shop, there's something rather more jolly. | 0:07:49 | 0:07:53 | |
-Look at that! -What is that? | 0:07:53 | 0:07:55 | |
-I tell you what that is, Barry. -What is it? | 0:07:55 | 0:07:57 | |
That is the Rolls-Royce of deckchairs. | 0:07:57 | 0:07:59 | |
I just thought, deckchair. But it's deckchair-plus. | 0:07:59 | 0:08:01 | |
"Oh, I do like to be beside the seaside." | 0:08:01 | 0:08:04 | |
-Vintage deckchair. -Oh, oh, yes. | 0:08:04 | 0:08:06 | |
Shall I... Ooh, hang on! | 0:08:06 | 0:08:09 | |
Oh, ooh, I think it's got built-in suspension. | 0:08:09 | 0:08:13 | |
Yeah, you get in it, and it goes boom! And this comes up. | 0:08:13 | 0:08:16 | |
-Shall I try it? -Yeah. Give it a test drive. | 0:08:16 | 0:08:19 | |
Oh, dear. | 0:08:19 | 0:08:21 | |
Ooh... Oh. Careful, Barry. | 0:08:21 | 0:08:24 | |
Ooh. | 0:08:24 | 0:08:25 | |
It's a one-off. It's got an individual quality about it. | 0:08:25 | 0:08:29 | |
Do you know what? It's not very dear. | 0:08:29 | 0:08:31 | |
On the ticket they've had 58, crossed out. 48. | 0:08:31 | 0:08:35 | |
So they're going down in tenners. I think if we get that for, say, | 0:08:35 | 0:08:39 | |
-£20, £25. -Yes, yeah. | 0:08:39 | 0:08:41 | |
They're keen on it. So best ask dealer George what she can do. | 0:08:41 | 0:08:45 | |
-I think that's George over there. -Here's George. George! | 0:08:45 | 0:08:48 | |
-Hello, Will. -You've met my friend? | 0:08:48 | 0:08:50 | |
I have indeed. | 0:08:50 | 0:08:52 | |
Brad Pitt. THEY LAUGH | 0:08:52 | 0:08:54 | |
On a bad day! | 0:08:54 | 0:08:55 | |
Ooh, I feel like a bit of a gooseberry. | 0:08:57 | 0:08:58 | |
GEORGE LAUGHS | 0:08:58 | 0:09:00 | |
We've spotted an item which we'd like to talk to you about. | 0:09:00 | 0:09:03 | |
I would like to offer you £20 for the deckchair. | 0:09:03 | 0:09:06 | |
Oh, Will! Oh, dear. | 0:09:06 | 0:09:09 | |
Moment of... Shall we have some dramatic music now? | 0:09:09 | 0:09:11 | |
Da-doon, da-doon, da-doon.. | 0:09:11 | 0:09:13 | |
Diddle-diddle-diddle ddrrmm! | 0:09:13 | 0:09:15 | |
-It has been here for a while, I do grant you that. -Yeah. | 0:09:16 | 0:09:20 | |
But I do think that 30 would be a really good deal. | 0:09:20 | 0:09:24 | |
£30? | 0:09:24 | 0:09:27 | |
-Do we meet in the middle, is that how the old trick goes? -25? | 0:09:27 | 0:09:29 | |
Do we meet in the middle at £25? | 0:09:29 | 0:09:31 | |
-25, George? -If you give me a kiss on the cheek, I'll do 25. -Yay! | 0:09:31 | 0:09:36 | |
-I'll do more than that. -Ooh! | 0:09:36 | 0:09:38 | |
-OK. Done. -Best £25 I've ever had. -Perfect. | 0:09:38 | 0:09:42 | |
Barry's proving to be something of a charmer. | 0:09:42 | 0:09:45 | |
And that pair have their first buy, for a bargain £25. | 0:09:45 | 0:09:48 | |
Now, Bernard and Charles seem to have finally caught up. | 0:09:50 | 0:09:54 | |
Come along now, chaps. | 0:09:54 | 0:09:55 | |
-I think they're in there, you know. -You reckon? -I think they're in there. | 0:09:55 | 0:09:59 | |
Does that mean they've snatched up all the good stuff? Where are they? | 0:09:59 | 0:10:02 | |
Now, I wonder how Bernard will fare in the vintage and retro shop? | 0:10:04 | 0:10:08 | |
-It's what you call shabby chic. Do you like it? -No, no. | 0:10:09 | 0:10:13 | |
If I said to you, what style is that, what would you say?, | 0:10:17 | 0:10:20 | |
-Um. Jacobean. -Yeah, absolutely. | 0:10:20 | 0:10:23 | |
-But, um, done last week. -Absolutely. | 0:10:23 | 0:10:27 | |
Hm, you've been hiding a light under a bushel, Bernard. | 0:10:27 | 0:10:31 | |
-I think you're on fire. -Am I on fire? -You're on fire. | 0:10:32 | 0:10:35 | |
For God's sake, put me out, it's getting warm in here. | 0:10:35 | 0:10:37 | |
CHARLES CHUCKLES | 0:10:37 | 0:10:39 | |
-They're reproductions. -Is there a name? -No. | 0:10:39 | 0:10:42 | |
They wouldn't fit you, don't look at those. | 0:10:42 | 0:10:44 | |
CHARLES LAUGHS | 0:10:44 | 0:10:46 | |
But soon, they're reflecting on something that might be a contender. | 0:10:46 | 0:10:50 | |
That's quite nice. It is. | 0:10:50 | 0:10:52 | |
-That is nice. -It is nice, yeah. | 0:10:52 | 0:10:55 | |
Why does that appeal to you? | 0:10:55 | 0:10:58 | |
Well, it's got "theatre" on it, which is where I come from. | 0:10:58 | 0:11:02 | |
It's a decorative mirror in the Edwardian Art Nouveau style. | 0:11:02 | 0:11:06 | |
I love almost these very organic and florid Art Nouveau borders. | 0:11:06 | 0:11:09 | |
-I like that. -It's quite pretty. | 0:11:09 | 0:11:11 | |
You couldn't comb your hair in it, mind. | 0:11:11 | 0:11:14 | |
-What would you pay for it in a saleroom? -£60? -Yes, I would say | 0:11:14 | 0:11:18 | |
it's worth between 40 and 60. | 0:11:18 | 0:11:20 | |
-If it's below that... -Have a look. | 0:11:20 | 0:11:24 | |
-Have a guess. -Go on. -Look at me. -38. -Have a guess. | 0:11:24 | 0:11:26 | |
Oh, my God. 28. | 0:11:27 | 0:11:30 | |
-Buy it. -Hey? -Buy it. | 0:11:30 | 0:11:31 | |
So, they're very keen on that. | 0:11:31 | 0:11:35 | |
-Right. Put it back, quick. -OK, OK. Mental note, yes? -Yes, indeed. | 0:11:35 | 0:11:39 | |
-I'll sit down here on my shooting stick until you're ready. -Well done. | 0:11:39 | 0:11:43 | |
Jackanory, Jackanory, Jackanory. | 0:11:45 | 0:11:48 | |
I'd like to tell you a little story about a man called Charles. | 0:11:48 | 0:11:52 | |
I could tell you stories about Charles, Bernard! | 0:11:52 | 0:11:55 | |
-I've just seen an upside-down gorilla out there, look. -Oh, yes. | 0:11:55 | 0:11:58 | |
-On the roof. -Where did he come from? -I've no idea. | 0:11:58 | 0:12:00 | |
-He looks like he's had a nasty fall. -Yeah. | 0:12:00 | 0:12:03 | |
There's a tag on his right ear. | 0:12:03 | 0:12:05 | |
-That would be a laugh. -It would be a laugh. Shall we find out? -Yes. | 0:12:05 | 0:12:08 | |
Charles will be Bernard's personal shopper, | 0:12:08 | 0:12:10 | |
and fetch the fine fellow. Go on, Charles. | 0:12:10 | 0:12:13 | |
I'm going to pull him down. I'm going to jump and pull it down. | 0:12:13 | 0:12:15 | |
-We want a taller auctioneer. -Ready? Three, two... | 0:12:15 | 0:12:18 | |
-Go on, jump. -Be careful. | 0:12:18 | 0:12:19 | |
Well done. Very good. | 0:12:22 | 0:12:24 | |
-I've got him. -Oh, yes! Rather large, isn't it? | 0:12:24 | 0:12:27 | |
Let's have a look, bring it down. | 0:12:27 | 0:12:30 | |
-Ah, he's lovely. -Bernard. | 0:12:30 | 0:12:33 | |
How sweet. | 0:12:33 | 0:12:35 | |
Hello, baby. How are you? | 0:12:35 | 0:12:38 | |
Yes. Are you all right? Yeah, give us a wave? Hello. | 0:12:38 | 0:12:41 | |
Give us a kiss. | 0:12:41 | 0:12:43 | |
Rargh! | 0:12:43 | 0:12:44 | |
MUSIC: Mr Benn Theme Tune | 0:12:44 | 0:12:46 | |
I think he's more orang-utan than gorilla, you know. | 0:12:46 | 0:12:48 | |
And, as if by magic... | 0:12:48 | 0:12:50 | |
He's thrown in a banana! | 0:12:50 | 0:12:52 | |
-Does that come with him as well? -Yeah. -Excellent, that comes with it. | 0:12:52 | 0:12:57 | |
Do you want a banana? No, I'm giving them up, make you deaf. | 0:12:57 | 0:12:59 | |
Huh, dealer Ricardo can help with the mirror and gorilla. | 0:12:59 | 0:13:03 | |
What's your very, very best price on this one? | 0:13:03 | 0:13:06 | |
-It says 35 on it. -Erm, 25. -Will 20 do? | 0:13:06 | 0:13:10 | |
20? | 0:13:10 | 0:13:13 | |
-Yeah, OK. -Could you manage 20? -Yeah. -Thank you, sir, deal. | 0:13:13 | 0:13:18 | |
-Thank you very much. -Thank you. | 0:13:18 | 0:13:21 | |
Brilliant. I'm over the moon. BERNARD CHUCKLES | 0:13:21 | 0:13:24 | |
-He's ours. -Me and my buddy. | 0:13:24 | 0:13:27 | |
They've landed the beast. And the mirror? | 0:13:27 | 0:13:30 | |
The mirror belongs to George, and she said she would take 25. | 0:13:30 | 0:13:33 | |
-That's the very best? -Yeah. | 0:13:33 | 0:13:35 | |
I would say yes to that. | 0:13:35 | 0:13:38 | |
-We'll take the mirror. -We'll take the mirror. -£25. | 0:13:38 | 0:13:40 | |
Thanks a lot. Good job. | 0:13:40 | 0:13:41 | |
Deal done. | 0:13:41 | 0:13:43 | |
Meanwhile, Barry and Will have alighted on something | 0:13:43 | 0:13:46 | |
that looks a bit of a laugh. | 0:13:46 | 0:13:48 | |
-Oh, oh. -What have you found? -Mr Pickwick. -I think it is. | 0:13:48 | 0:13:52 | |
And it's a teapot. | 0:13:52 | 0:13:54 | |
Are you a tea drinker? | 0:13:54 | 0:13:56 | |
Heavily. | 0:13:56 | 0:13:57 | |
It's modelled as the character Mr Pickwick | 0:13:57 | 0:14:00 | |
from Charles Dickens' classic comic novel, The Pickwick Papers. | 0:14:00 | 0:14:04 | |
It dates from the 1920s or 1930s. | 0:14:04 | 0:14:07 | |
Oh, that would cheer me up in the morning. | 0:14:07 | 0:14:10 | |
Not keen, Will? | 0:14:10 | 0:14:12 | |
-Oh, I know what you're thinking. -You're the boss. | 0:14:12 | 0:14:14 | |
-I know what you're thinking. -It's only 12 quid. | 0:14:14 | 0:14:17 | |
A Lingard teapot. | 0:14:17 | 0:14:18 | |
I've got this liking for things that cheer me up when I look at them. | 0:14:18 | 0:14:23 | |
Can I go for Mr Pickwick? | 0:14:23 | 0:14:26 | |
Listen, who am I to tell you what you can and can't buy? | 0:14:26 | 0:14:30 | |
Barry loves it, even if Will's not convinced. | 0:14:31 | 0:14:34 | |
I'm sold on it. | 0:14:34 | 0:14:35 | |
-Are you all right with him? -Yeah. | 0:14:35 | 0:14:37 | |
Shall we take him out and meet George? | 0:14:37 | 0:14:40 | |
Other way, Barry! | 0:14:40 | 0:14:42 | |
I need sat nav here! | 0:14:42 | 0:14:43 | |
-It's this way, mate. -You see, I'm proving it! | 0:14:43 | 0:14:46 | |
THEY LAUGH | 0:14:46 | 0:14:48 | |
Oh, yes, there's daylight. | 0:14:48 | 0:14:50 | |
-Mind the steps. -Steps, steps, steps. | 0:14:50 | 0:14:52 | |
-Well, George... -What have you there? | 0:14:54 | 0:14:57 | |
Listen, as this is your baby, as it were, | 0:14:57 | 0:14:59 | |
-I'm going to let you take the lead. -Oh, dear. | 0:14:59 | 0:15:02 | |
-WHISPERS: -I would start at half. | 0:15:02 | 0:15:04 | |
-Well, you said... Back off. -Oh, yes, sorry, I did say this wasn't... | 0:15:04 | 0:15:09 | |
I didn't hear what he said. | 0:15:09 | 0:15:11 | |
Well... | 0:15:11 | 0:15:13 | |
Nothing personal, nothing insulting, George but it's lovely. | 0:15:13 | 0:15:16 | |
-A fiver. -Oh! | 0:15:16 | 0:15:18 | |
He's harsher than I am, you know. | 0:15:18 | 0:15:20 | |
-I think he is. I think I'd rather you did it. -No. | 0:15:20 | 0:15:24 | |
-WHISPERS: -You've got it, good work. | 0:15:24 | 0:15:26 | |
OK, how about six? | 0:15:26 | 0:15:28 | |
You have fallen in love with it, you want to pour your tea out of it. | 0:15:30 | 0:15:34 | |
-I've fallen in love with you, George, not Mr Pickwick. -Oh! | 0:15:34 | 0:15:38 | |
It's a deal. | 0:15:38 | 0:15:40 | |
Now Barry might be a haggling novice, | 0:15:40 | 0:15:43 | |
but his charms won out again. | 0:15:43 | 0:15:45 | |
They get Mr Pickwick for £6. | 0:15:45 | 0:15:48 | |
While Will's paying up... | 0:15:48 | 0:15:50 | |
-Hello! -Oh, look out. -Hat alert. | 0:15:50 | 0:15:54 | |
Stop spying on the opposition, Charles. | 0:15:54 | 0:15:56 | |
-It's our man in Havana! -Gosh. -It's our man... | 0:15:56 | 0:16:00 | |
-Charles, nice to see you again. -How have you been, Charles? | 0:16:00 | 0:16:03 | |
-Very well, I've left your wing man, Bernard... -Where is he? | 0:16:03 | 0:16:06 | |
We're just negotiating on some big objects. | 0:16:06 | 0:16:09 | |
WILL GASPS | 0:16:09 | 0:16:10 | |
-Are you big spending? -We are big spending. -We're spending. | 0:16:10 | 0:16:13 | |
-We're spending, yes. -We are popping our chest out. | 0:16:13 | 0:16:15 | |
-Oh, well... -Fighting talk. -You know your own business best. | 0:16:15 | 0:16:18 | |
See you later. | 0:16:18 | 0:16:19 | |
-You never can tell with that boy. -No... -He's like a Labrador puppy. | 0:16:21 | 0:16:25 | |
-He's either going to lick you to death, or wet the carpet. -Yes. | 0:16:25 | 0:16:28 | |
You never know quite where you are. | 0:16:28 | 0:16:30 | |
What about that? | 0:16:31 | 0:16:33 | |
Bernard's found something. | 0:16:33 | 0:16:35 | |
-Is it West German? -Yeah. | 0:16:35 | 0:16:37 | |
That is where the market has really picked up. | 0:16:37 | 0:16:40 | |
If there's one aspect of the sector I'm in | 0:16:40 | 0:16:43 | |
where the market has taken off, | 0:16:43 | 0:16:45 | |
it's for these West German pots from the 1970s. | 0:16:45 | 0:16:48 | |
It's rather handsome. | 0:16:48 | 0:16:50 | |
Because the design is very much about... | 0:16:50 | 0:16:52 | |
What do you call this type of, it was that time and that era... | 0:16:52 | 0:16:55 | |
Psychedelia? | 0:16:55 | 0:16:57 | |
-Not flower power, what do you call it? The psychedelic influence. -Yeah. | 0:16:57 | 0:17:01 | |
Didn't I just say that? | 0:17:01 | 0:17:02 | |
-It in good shape, isn't it? -Down here it could do quite well. | 0:17:02 | 0:17:06 | |
That is a big lump. It's big, it's chunky... | 0:17:06 | 0:17:09 | |
Then you'd better speak to Ricardo. | 0:17:09 | 0:17:10 | |
There's no ticket price on the Germanic jug. | 0:17:10 | 0:17:13 | |
-What do you reckon? -Well, we've enjoyed your company | 0:17:13 | 0:17:16 | |
and you've made our day. You can have it for £1. | 0:17:16 | 0:17:18 | |
-Really? Quick, quick. -100 pence. -Come on, quick. | 0:17:19 | 0:17:23 | |
Blimey! That's the deal of the century. | 0:17:23 | 0:17:25 | |
That's most kind, thank you very much. | 0:17:25 | 0:17:28 | |
We've enjoyed ourselves and that is the cherry on the cake. | 0:17:28 | 0:17:31 | |
-It is. -Oops! -It is. | 0:17:31 | 0:17:33 | |
-Don't do things like that! -It WAS our pot of gold. -Honestly. | 0:17:33 | 0:17:36 | |
Where's the monkey? | 0:17:36 | 0:17:37 | |
Smashing! | 0:17:37 | 0:17:39 | |
See you, bye. | 0:17:39 | 0:17:40 | |
A quid! | 0:17:41 | 0:17:42 | |
After that dashing deal, time for a well earned sit down. | 0:17:42 | 0:17:45 | |
-I quite fancy... -Well, they've got chilli con carne. | 0:17:45 | 0:17:48 | |
-WILL: -We are on a roll. -OK. | 0:17:48 | 0:17:51 | |
I recognise those... I recognise. | 0:17:51 | 0:17:54 | |
-There they are. -Boys. You must be feeling confident. | 0:17:54 | 0:17:57 | |
-Time for a sit down and a chat. -I think we are very content. | 0:17:57 | 0:18:00 | |
-Barry, are you enjoying yourself? -I'm delirious. -He's delirious! | 0:18:00 | 0:18:05 | |
We will see you later. | 0:18:07 | 0:18:09 | |
-He can teach us all something, Charles. -Absolutely. | 0:18:09 | 0:18:12 | |
Try and stay awake, Barry! | 0:18:12 | 0:18:14 | |
Have you had your tablets? | 0:18:14 | 0:18:15 | |
BARRY CHUCKLES | 0:18:15 | 0:18:17 | |
There's nothing like a bit of healthy competition | 0:18:17 | 0:18:20 | |
and this is nothing like it. | 0:18:20 | 0:18:22 | |
Now, this afternoon, Charles and Bernard are driving | 0:18:26 | 0:18:28 | |
off to the environs of the village of Duxford in Cambridgeshire. | 0:18:28 | 0:18:32 | |
They're on their way to the Imperial War Museum's site at RAF Duxford, | 0:18:34 | 0:18:39 | |
a complex of armed services' museums where they are going to spend | 0:18:39 | 0:18:42 | |
the afternoon exploring a subject close to Bernard's heart. | 0:18:42 | 0:18:46 | |
Do you know I have always wanted to come to Duxford. | 0:18:48 | 0:18:51 | |
I was in the Parachute Regiment for my National Service | 0:18:51 | 0:18:54 | |
from '47 to '49. I absolutely loved it. | 0:18:54 | 0:18:59 | |
I served in Palestine and went out to Germany. | 0:18:59 | 0:19:02 | |
My National Service was memorable, to say the least. | 0:19:02 | 0:19:06 | |
I'll say. Although he is known as the cuddly voice of The Wombles, | 0:19:06 | 0:19:09 | |
Bernard, indeed, served in one of the toughest | 0:19:09 | 0:19:13 | |
regiments in the British Armed Forces. | 0:19:13 | 0:19:15 | |
DRUMS BEAT | 0:19:15 | 0:19:17 | |
Oh, dear. | 0:19:17 | 0:19:19 | |
-We could be in for a long walk. -OK, get on with it. | 0:19:19 | 0:19:21 | |
MUSIC: 633 Squadron Theme composed by Ron Goodwin | 0:19:21 | 0:19:24 | |
He and Charles are heading into Airborne Assault, | 0:19:24 | 0:19:26 | |
the museum of the Parachute Regiment and airborne forces where | 0:19:26 | 0:19:30 | |
they're meeting assistant curator, Bob Hilton. | 0:19:30 | 0:19:33 | |
-Are you Bob? -I'm Bob. | 0:19:33 | 0:19:35 | |
-Hello Bob, I'm Bernard. -Nice to meet you. -This is Charles. | 0:19:35 | 0:19:37 | |
Hi, Bob, Charles Hanson, good to see you. | 0:19:37 | 0:19:39 | |
-Right, where are we going to go, Bob? -Down here. -Thank you. | 0:19:39 | 0:19:43 | |
Bernard's time in the Parachute Regiment began in 1947, | 0:19:45 | 0:19:48 | |
just after the end of the Second World War | 0:19:48 | 0:19:51 | |
but it was only during that conflict that the idea of forming | 0:19:51 | 0:19:54 | |
a British Army regiment, designed to be deployed by air, was first conceived. | 0:19:54 | 0:19:58 | |
The German army had pioneered an elite fighting, | 0:19:58 | 0:20:02 | |
who were sent into battle by parachute, paratroopers | 0:20:02 | 0:20:06 | |
and they had proved devastatingly effective. | 0:20:06 | 0:20:10 | |
-What were they called, Fallschirmjager. -Fallschirmjager. | 0:20:10 | 0:20:14 | |
Their stunning action on the 10th May 1940, | 0:20:14 | 0:20:18 | |
where they landed by glider and parachute at various bridges | 0:20:18 | 0:20:21 | |
and fortresses along the French and Belgian border | 0:20:21 | 0:20:23 | |
and overrun the garrisons in a very, very short space of time. | 0:20:23 | 0:20:27 | |
Prime Minister Winston Churchill took note of the enemy's success. | 0:20:27 | 0:20:31 | |
It was those reports that got back to Churchill that led him | 0:20:31 | 0:20:35 | |
to call for a force of 5,000 men | 0:20:35 | 0:20:40 | |
and that's a copy of the original letter | 0:20:40 | 0:20:43 | |
that he wrote to the chiefs of staff. | 0:20:43 | 0:20:45 | |
-"..pray let me have a note from the War Office on the subject." -Yes. | 0:20:45 | 0:20:49 | |
That means, quick, now. | 0:20:49 | 0:20:51 | |
One of the legendary figures of the early days of British paratroops | 0:20:51 | 0:20:55 | |
was Regimental Sergeant Major J C Lord, | 0:20:55 | 0:20:59 | |
whose exemplary World War II service, | 0:20:59 | 0:21:02 | |
included the brave protection of his troops | 0:21:02 | 0:21:04 | |
while a prisoner of war in a German prisoner of war camp. | 0:21:04 | 0:21:07 | |
He took over the camp Stalag XIB at Fallingbostel | 0:21:07 | 0:21:11 | |
and he ended up running it and the German commandant | 0:21:11 | 0:21:14 | |
-used to have to knock on his door before he came in. -He was terrific. | 0:21:14 | 0:21:18 | |
After the war RSM Lord was posted to the Parachute Regiment's | 0:21:18 | 0:21:22 | |
training facilities where Bernard himself was trained. | 0:21:22 | 0:21:26 | |
I actually spoke with him. | 0:21:26 | 0:21:28 | |
He was the RSM of the training and holding battalion when I was in Aldershot. | 0:21:28 | 0:21:32 | |
One day I had been naughty on parade and, you know, picked my nose, | 0:21:32 | 0:21:36 | |
or whatever it was, and I was told by my Corporal Drake. | 0:21:36 | 0:21:39 | |
He said, "Rifle over your head, double round the square." | 0:21:39 | 0:21:41 | |
The square was about 18 miles long. | 0:21:41 | 0:21:44 | |
I am going bing-bong, bing-bong. | 0:21:44 | 0:21:46 | |
I hear that very high voice that Mr Lord had. | 0:21:46 | 0:21:49 | |
I went over, in front of him. | 0:21:49 | 0:21:51 | |
"What have you been doing?" "Idle on parade, sir." | 0:21:51 | 0:21:53 | |
"Carry on!" And off I went. | 0:21:53 | 0:21:55 | |
Those were the words I had with him. | 0:21:55 | 0:21:57 | |
What a memory, that was, where did that come from? | 0:21:57 | 0:21:59 | |
Excellent. Oh, dear. | 0:21:59 | 0:22:01 | |
That's not the only trip down memory lane that Bob has in store today. | 0:22:01 | 0:22:05 | |
We have got a bit of a surprise. | 0:22:05 | 0:22:08 | |
Really? I'm not jumping, I've got bad knees. | 0:22:08 | 0:22:11 | |
This is the report on Course No 221, | 0:22:11 | 0:22:15 | |
19th of July 1947 to 13th August 1947. | 0:22:15 | 0:22:20 | |
-On page number two... -I don't believe it. | 0:22:20 | 0:22:23 | |
Here we have... | 0:22:23 | 0:22:25 | |
Private Cribbins. | 0:22:25 | 0:22:27 | |
-"Good performer." -That's you. | 0:22:27 | 0:22:29 | |
"Well disciplined, a likely NCO." | 0:22:29 | 0:22:32 | |
Golly, top marks, Cribbins. | 0:22:32 | 0:22:35 | |
So you were really, what, ten out of ten, Bernard. | 0:22:35 | 0:22:37 | |
-Well, nine out of ten. -OK. | 0:22:37 | 0:22:39 | |
Nobody is ten out of ten, unless you are very, very good. | 0:22:39 | 0:22:43 | |
Well, that's lovely. Can I steal that? | 0:22:43 | 0:22:45 | |
-I think we have done a copy. -Oh, that's brilliant. | 0:22:45 | 0:22:48 | |
-That amazing, isn't it? -I shall put it on my CV. -Absolutely! | 0:22:48 | 0:22:51 | |
"Good performer." What, him? | 0:22:51 | 0:22:54 | |
"Well disciplined?" Get out of it. | 0:22:54 | 0:22:55 | |
MUSIC: 633 Squadron Theme composed by Ron Goodwin | 0:22:55 | 0:22:57 | |
Hey, the report card proves you were, Bernard. | 0:22:57 | 0:23:00 | |
I think it's time you imparted some of that military discipline | 0:23:00 | 0:23:04 | |
to the next generation, don't you? | 0:23:04 | 0:23:06 | |
SHOUTS: Come on, Charles, what do you think you're doing? | 0:23:06 | 0:23:08 | |
Left, right, left right. | 0:23:08 | 0:23:10 | |
You're waddling, you look like a duck. Get a move on! | 0:23:10 | 0:23:13 | |
I've never seen such a sloppy effort in my life. | 0:23:13 | 0:23:16 | |
The front view is awful but the back view is even worse. | 0:23:16 | 0:23:19 | |
Left, right, left, right... Come on, move your sorry backside! | 0:23:19 | 0:23:23 | |
You tell 'em, Bernard. | 0:23:23 | 0:23:25 | |
Left, right, left, right, left, right, left, right... | 0:23:25 | 0:23:29 | |
Meanwhile, Barry and Will are driving onwards. | 0:23:31 | 0:23:34 | |
-So, Barry, I'm intrigued to know... -Yes. | 0:23:35 | 0:23:38 | |
..how you first got into, shall we call it, show business? | 0:23:38 | 0:23:43 | |
I had no plan and blue eyes got to university and blew it. | 0:23:43 | 0:23:48 | |
What you mean, you blew it? | 0:23:48 | 0:23:49 | |
I chased girls | 0:23:49 | 0:23:51 | |
and was not unknown in the bar and my first year results showed it. | 0:23:51 | 0:23:56 | |
I felt ashamed and let everybody down. | 0:23:56 | 0:23:59 | |
We did this charity show called the Rag Review and a guy saw me | 0:23:59 | 0:24:03 | |
-and offered me work. -Wow! -Lucky, or what? | 0:24:03 | 0:24:07 | |
I've had this thing happenstance, serendipity or whatever, | 0:24:07 | 0:24:10 | |
of being in the right place at the right time. | 0:24:10 | 0:24:12 | |
Let's hope Barry carries some of the good fortune on to the next shop, | 0:24:13 | 0:24:16 | |
as they head for the town of Berkhamsted in Hertfordshire. | 0:24:16 | 0:24:21 | |
-Well, here we are. -This is all very pleasant, isn't it? | 0:24:21 | 0:24:24 | |
Barry and Will are heading into Home & Colonial, | 0:24:24 | 0:24:27 | |
a shop that deals in antiques and interior design. | 0:24:27 | 0:24:31 | |
They still have a generous £369 left to spend. | 0:24:31 | 0:24:35 | |
This is all very... This is the 20th century. | 0:24:35 | 0:24:37 | |
I think half of this stuff is younger than you are, Barry. | 0:24:37 | 0:24:41 | |
Everything's younger than me! What are you talking about? | 0:24:41 | 0:24:44 | |
Are you into all this sort of 20th century stuff? | 0:24:44 | 0:24:46 | |
-Were you a man of the '60s? -Yes. They say If you can't remember the... | 0:24:46 | 0:24:53 | |
If you remember the... You weren't there. What was that quote? | 0:24:53 | 0:24:55 | |
-What are you going to say? -THEY LAUGH | 0:24:55 | 0:24:58 | |
Soon enough they've spotted something. | 0:24:59 | 0:25:03 | |
-What are these? You said you wanted something ceramic-y. -Yeah. | 0:25:03 | 0:25:07 | |
Bit of sort of French faience, I would have said. | 0:25:07 | 0:25:11 | |
Faience is the French type of tin glazed pottery. | 0:25:11 | 0:25:15 | |
-They've got something about them, haven't they? -Yeah. | 0:25:15 | 0:25:18 | |
-Nice pair of candlesticks. -Oh, yeah. | 0:25:18 | 0:25:21 | |
They're marked up at £49, which I don't think it's a huge amount. | 0:25:21 | 0:25:25 | |
So that's one distinct possibility but they're browsing on. | 0:25:25 | 0:25:28 | |
If they can get past lovely shopkeepers, Eileen and Jenny. | 0:25:30 | 0:25:33 | |
We've been rumbled. We would make rubbish shoplifters, wouldn't we? | 0:25:33 | 0:25:38 | |
-Keep walking. Keep walking, Will. -You distract them, Barry! | 0:25:38 | 0:25:42 | |
-Oh, by the way... -That shaggy dog story you told me earlier! | 0:25:42 | 0:25:45 | |
THEY LAUGH | 0:25:45 | 0:25:48 | |
A truncheon. "Bucks Police". | 0:25:48 | 0:25:52 | |
You need a truncheon voucher with that. | 0:25:52 | 0:25:56 | |
WILL LAUGHS Dear, oh, dear. Have I no shame? | 0:25:56 | 0:25:59 | |
Nothing wrong with a lovely pun, I always say. | 0:25:59 | 0:26:03 | |
What is this? | 0:26:03 | 0:26:05 | |
Looks like some sort of oversized candle box of sorts. | 0:26:05 | 0:26:09 | |
-Let me have a look on this, Will. -What does it say? | 0:26:10 | 0:26:13 | |
-You're not going to believe this. -Tell me. -"Baguette box". | 0:26:15 | 0:26:18 | |
-A baguette box? I don't believe it! -Oh, boy. | 0:26:18 | 0:26:24 | |
-A baguette box. -That's a bit singular. | 0:26:24 | 0:26:27 | |
-HE SNIFFS -It doesn't smell of baguette. | 0:26:27 | 0:26:30 | |
BARRY LAUGHS | 0:26:30 | 0:26:32 | |
And it's French. And so we realised we've got a theme emerging. | 0:26:32 | 0:26:35 | |
We've got a theme going with the French. | 0:26:35 | 0:26:37 | |
Mais, oui. | 0:26:37 | 0:26:39 | |
Ticket price on the second piece of Gallic je ne sais quoi is £45. | 0:26:39 | 0:26:44 | |
-Allons-y. -OK. | 0:26:44 | 0:26:47 | |
Let's see what Eileen and Jenny have to say. | 0:26:47 | 0:26:49 | |
Of course, the boys are looking for a discount. | 0:26:49 | 0:26:52 | |
-Well, let's say we'll do 10% for you. -Come, come! | 0:26:52 | 0:26:56 | |
10%! We're not regular trade! This is Barry Cryer! | 0:26:56 | 0:27:02 | |
Barry, I beg your pardon. | 0:27:02 | 0:27:04 | |
In that case, Barry, we'll do 5%. Is that OK? | 0:27:04 | 0:27:07 | |
-THEY LAUGH -Touche! | 0:27:07 | 0:27:09 | |
Ticket price on both lots combined is £94. | 0:27:09 | 0:27:12 | |
We're going to come in with a cheeky offer of... | 0:27:12 | 0:27:16 | |
-Shall I do the dirty work? -Go on, do the dirty work. -£50 for both. | 0:27:18 | 0:27:23 | |
85. | 0:27:23 | 0:27:25 | |
Shall we say £80? A nice round number? £80. | 0:27:25 | 0:27:28 | |
And then we stand a chance at 80 quid, I think, almost. | 0:27:28 | 0:27:31 | |
-We stand a chance. -Come on, 80. -And you get the candlesticks. | 0:27:31 | 0:27:33 | |
It's been great. No, it's been good fun. | 0:27:33 | 0:27:35 | |
I think that's a fair discount. Thank you. | 0:27:35 | 0:27:39 | |
£80 for two lots and more kisses all round. How terribly continental! | 0:27:39 | 0:27:43 | |
-But as an encore... -They're going out for dinner | 0:27:43 | 0:27:47 | |
and she's in the bathroom trying on a new dress. | 0:27:47 | 0:27:49 | |
She came out and said to her husband, "Does my bum look big in this?" | 0:27:49 | 0:27:52 | |
He said, "Be fair, it's quite a small bathroom!" | 0:27:52 | 0:27:55 | |
THEY LAUGH | 0:27:55 | 0:27:57 | |
As they say, always leave them laughing. | 0:27:57 | 0:28:01 | |
-Or at least, leave them... -THEY HUM | 0:28:01 | 0:28:05 | |
-I feel very French all of a sudden. -Lovely. Gallic mood. | 0:28:07 | 0:28:11 | |
And with that last daring buy it's the end of a jam-packed | 0:28:11 | 0:28:14 | |
first day on the trip. Night-night, chaps. | 0:28:14 | 0:28:18 | |
But before you know it, the summer sun has arisen and Charles | 0:28:19 | 0:28:23 | |
and Will are back in the car and ready to rumble. | 0:28:23 | 0:28:26 | |
When the going gets tough, the tough gets going. | 0:28:26 | 0:28:29 | |
If the tough know where they're going. | 0:28:29 | 0:28:31 | |
-I don't know where we're going. -Ha-ha! Hang on, where's me map? | 0:28:31 | 0:28:37 | |
-I've lost me map. -Situation normal here, then. | 0:28:39 | 0:28:42 | |
Meanwhile, our celebrities are miles ahead | 0:28:44 | 0:28:46 | |
of the whippersnappers and reflecting on the trip so far. | 0:28:46 | 0:28:51 | |
Funny job, this, isn't it? | 0:28:51 | 0:28:53 | |
Looking at old stuff and making fortunes out of it? | 0:28:53 | 0:28:57 | |
I spend my life looking at old jokes. | 0:28:57 | 0:29:00 | |
-Yes! -Evaluating old jokes. | 0:29:00 | 0:29:02 | |
Antique humour. | 0:29:02 | 0:29:04 | |
"This was first used by Oliver Cromwell!" | 0:29:04 | 0:29:06 | |
And just slightly more late than him... | 0:29:08 | 0:29:12 | |
They're already here. | 0:29:12 | 0:29:14 | |
-That's their car. -Where are they? | 0:29:14 | 0:29:16 | |
Morning. Oh, and this is Will. | 0:29:16 | 0:29:19 | |
-Hello, Will. Good morning. -You know how to live, don't you? | 0:29:19 | 0:29:22 | |
-Good morning. He's MY expert. -Morning, skipper, how are you? | 0:29:22 | 0:29:27 | |
How are you, skipper? Good to see you. | 0:29:27 | 0:29:30 | |
-Is that the time? -It is. Best get on the road. | 0:29:30 | 0:29:33 | |
So far Bernard and Charles have spent £46 on three items. | 0:29:34 | 0:29:39 | |
The Art Nouveau mirror, the German jug and the stuffed gorilla. | 0:29:39 | 0:29:43 | |
So, they've got a whopping £354 left to spend today. | 0:29:43 | 0:29:48 | |
Barry and Will have spent £111 on four lots. | 0:29:48 | 0:29:51 | |
The deckchair, the Pickwickian teapot, French candlesticks | 0:29:51 | 0:29:56 | |
and the baguette box. | 0:29:56 | 0:29:58 | |
So they have £289 still in hand. | 0:29:58 | 0:30:00 | |
Now, Will and Barry are back in the Morris Minor. | 0:30:02 | 0:30:06 | |
So, Barry, today we've got a bit of a treat for you. | 0:30:06 | 0:30:09 | |
-I hope it's a bit of a treat for you. -What is this treat? | 0:30:09 | 0:30:12 | |
We are going to a museum. | 0:30:12 | 0:30:14 | |
But not any old museum, the Museum of Comedy. | 0:30:14 | 0:30:17 | |
Oh, boy! I'm looking forward to this. | 0:30:17 | 0:30:20 | |
I'm looking forward to it and I must say, what a great... | 0:30:20 | 0:30:24 | |
-What a legend to turn up with, as well! -Who? | 0:30:24 | 0:30:29 | |
I don't know. I think we're picking someone up on the way. | 0:30:29 | 0:30:32 | |
You're learning from the comedy master, Will. | 0:30:32 | 0:30:35 | |
-I've got a joke for you. -Go on, then. | 0:30:35 | 0:30:38 | |
-Who's the most relaxed bloke in the hospital? -I have no idea. | 0:30:38 | 0:30:41 | |
-Who is the most relaxed bloke in the hospital? -The ultrasound guy. | 0:30:41 | 0:30:45 | |
THEY LAUGH | 0:30:45 | 0:30:47 | |
Actually, that wasn't that bad! | 0:30:47 | 0:30:49 | |
They're driving to the central London district of Bloomsbury. | 0:30:49 | 0:30:53 | |
This is a lovely day. Lovely day. Oh, what have we here? | 0:30:54 | 0:30:59 | |
They are indeed strolling off towards the Museum of Comedy. | 0:30:59 | 0:31:04 | |
You two don't half walk funnililily! | 0:31:05 | 0:31:08 | |
-They're meeting assistant curator, David. -Hello. | 0:31:09 | 0:31:12 | |
-Hi. -Hi, there. I'm Will. | 0:31:12 | 0:31:14 | |
-I don't need to introduce this man to you, do I? -You do not, sir. | 0:31:14 | 0:31:18 | |
Barry and Will are visiting the Museum of Comedy on the very | 0:31:19 | 0:31:22 | |
week it first opens to the public. How's that for VIP access? | 0:31:22 | 0:31:27 | |
It houses costumes, scripts, props and all manner of memorabilia | 0:31:27 | 0:31:30 | |
relating to the serious history of silly old comedy. | 0:31:30 | 0:31:33 | |
Incongruously, it's also housed in the former crypt of a church. | 0:31:35 | 0:31:40 | |
I've died in bigger places than this! THEY LAUGH | 0:31:40 | 0:31:43 | |
But this is where comedy legends live on. | 0:31:44 | 0:31:47 | |
They are going to see some schmutter which belonged to comedy star | 0:31:47 | 0:31:51 | |
of the early 20th century, Max Miller. | 0:31:51 | 0:31:53 | |
Ah! Miller! Recreated! This is a sort of coat and outfit he used to wear. | 0:31:55 | 0:32:02 | |
That's actually in the photos there. Wearing it while he's performing. | 0:32:02 | 0:32:06 | |
The white hat. | 0:32:06 | 0:32:08 | |
Miller was the brightest star in music hall comedy | 0:32:08 | 0:32:11 | |
between the 1930s and 1950s. | 0:32:11 | 0:32:13 | |
Beloved by millions for his cheeky gags and sartorial flair. | 0:32:13 | 0:32:18 | |
Miller was so distinctive, coming on the stage. | 0:32:18 | 0:32:22 | |
Full technicolour act coming on. It was terrific. | 0:32:22 | 0:32:25 | |
You wouldn't have forgotten him, would you, if you went to see him? | 0:32:25 | 0:32:28 | |
And Barry himself has an early memory of seeing Miller's | 0:32:28 | 0:32:31 | |
gleeful and risque act. | 0:32:31 | 0:32:33 | |
My mother took me to see him and I was astonished. | 0:32:33 | 0:32:36 | |
He was at Leeds Empire Theatre and even then, | 0:32:36 | 0:32:40 | |
I was getting a flavour of the double entendre. | 0:32:40 | 0:32:43 | |
He was a naughty boy, you know? The awful twinkling blue eyes. | 0:32:43 | 0:32:46 | |
My mother was loving it. | 0:32:46 | 0:32:48 | |
She was twinkling away because he was the bad boy. | 0:32:48 | 0:32:52 | |
From one pioneering comedy rebel to another, they're now going to | 0:32:53 | 0:32:57 | |
check out some items that belonged to another hero of Barry's. | 0:32:57 | 0:33:02 | |
He's a legend of television comedy from a slightly earlier era | 0:33:02 | 0:33:05 | |
and one he actually worked with, Tommy Cooper. | 0:33:05 | 0:33:08 | |
-Who made these? -Tommy Cooper made them himself. -He made them? | 0:33:10 | 0:33:13 | |
Yeah, he was a carpenter so he made the majority of his own props. | 0:33:13 | 0:33:17 | |
-I never knew that! -I remember this prop from his sketch. | 0:33:17 | 0:33:21 | |
-Shall we practice? -Yes. -So, you walk on stage. | 0:33:21 | 0:33:26 | |
Ta-da! | 0:33:26 | 0:33:28 | |
Cooper's act often disguised his great skills | 0:33:29 | 0:33:32 | |
as a magician behind the laugh-baiting premise | 0:33:32 | 0:33:35 | |
of failed tricks or unexpected transformations. | 0:33:35 | 0:33:39 | |
-This looks like a proper magician's prop. -This is a magician's prop. | 0:33:39 | 0:33:42 | |
But I'm not entirely sure what it does, apart from the fact | 0:33:42 | 0:33:45 | |
we're not really supposed to use it cos it breaks, like... | 0:33:45 | 0:33:48 | |
-Oh! -Ah! And is this another prop here? | 0:33:48 | 0:33:52 | |
A magic trick where things suddenly appear out of nowhere. | 0:33:52 | 0:33:54 | |
Which is... It's all very nice. It's all very easy. | 0:33:54 | 0:33:58 | |
THEY LAUGH AND CLAP Oh, yeah! | 0:33:58 | 0:34:00 | |
-Great. Wonderful. -Perfect. | 0:34:00 | 0:34:03 | |
-This could be good. -OK. | 0:34:03 | 0:34:06 | |
-Way-hey! -Tommy would be proud. | 0:34:07 | 0:34:10 | |
Having had their last laugh, | 0:34:10 | 0:34:12 | |
it's time for Barry and Will to hit the road, Jack. | 0:34:12 | 0:34:15 | |
Terrific. He's in the room. It's wonderful. | 0:34:15 | 0:34:20 | |
Meanwhile, Bernard and Charles are heading for the town | 0:34:20 | 0:34:23 | |
of East Molesey in Surrey. | 0:34:23 | 0:34:25 | |
And Charles is a bit starstruck, bless him. | 0:34:25 | 0:34:29 | |
Could you, just now, just for my golden age of being a young boy, | 0:34:29 | 0:34:33 | |
-give me some Womble narrative. -Ha-ha! | 0:34:33 | 0:34:36 | |
AS ORINOCO: I must tell Uncle Bulgaria when I get back to the burrow. | 0:34:36 | 0:34:39 | |
AS UNCLE BULGARIA: Yes, Orinoco, I can see you and you're not working. | 0:34:39 | 0:34:43 | |
You're being lazy again. | 0:34:43 | 0:34:45 | |
AS ORINOCO: Oh, no. Sorry, Uncle Bulgaria. | 0:34:45 | 0:34:49 | |
And then Madame Cholet will come in, you know... | 0:34:49 | 0:34:51 | |
AS CHOLET: Monsieur Bulgaria, what would you like for lunch today? | 0:34:51 | 0:34:55 | |
Glorious! | 0:34:55 | 0:34:57 | |
They are strolling off into Bridge Road Antiques | 0:34:59 | 0:35:02 | |
with £354 still in hand and meeting dealer, Sue. | 0:35:02 | 0:35:06 | |
-I'm Bernard. -Hello. Nice to meet you. Hi. | 0:35:06 | 0:35:09 | |
Nice to get out of that sun. It's quite warm out there. | 0:35:09 | 0:35:12 | |
-Wow, look at this! Wonderful! -It's an emporium, isn't it? | 0:35:15 | 0:35:19 | |
In contrast to yesterday's Bernard way of buying, | 0:35:19 | 0:35:22 | |
Charles is determined to take the reins and find some real antiques. | 0:35:22 | 0:35:27 | |
I've been showing off all the time you see, and now it's his turn. | 0:35:27 | 0:35:30 | |
Believe me, Bernard, Charles never lacks a chance to show off. | 0:35:30 | 0:35:35 | |
-Where are we going now? -Let's go... Follow me. -Forwards. -Follow me. | 0:35:35 | 0:35:39 | |
Look at that! | 0:35:39 | 0:35:42 | |
Look at that! This is highbrow Edwardian silver. | 0:35:42 | 0:35:45 | |
-What we call neo-rococo art. -I knew him actually. | 0:35:45 | 0:35:49 | |
-I was in a play with him once. -Neo-rococo? | 0:35:49 | 0:35:51 | |
-Yeah. He's a lovely clown. -Never heard of him. -A very funny man. | 0:35:51 | 0:35:54 | |
And so are you, Bernard, even if Charles is a bit slow on the uptake! | 0:35:54 | 0:35:58 | |
They found an Edwardian solid silver bonbon basket, as you do. | 0:35:58 | 0:36:03 | |
-Sheffield hallmarked, the year... -1905. | 0:36:04 | 0:36:08 | |
-Made by James Dixon and Sons. -Yes. Are they well-known? -Yeah, they are. | 0:36:08 | 0:36:13 | |
Ticket price is a hefty £220 but it is the kind of quality | 0:36:13 | 0:36:18 | |
-antique that Charles wanted to buy. -That is extraordinary, isn't it? | 0:36:18 | 0:36:22 | |
-Isn't it? -It's owned by a dealer off-site. | 0:36:22 | 0:36:24 | |
-Do you want me to give him a ring? -Yeah, why not? | 0:36:24 | 0:36:27 | |
Give him a ring and ask for his very, very best price. | 0:36:27 | 0:36:30 | |
Just tell him I've got a bad leg and I need help. | 0:36:30 | 0:36:32 | |
All right, then. I'll tell them that. OK. Bye. | 0:36:34 | 0:36:38 | |
He said 170. | 0:36:38 | 0:36:41 | |
I'm leaving it entirely in your hands because you're the expert. | 0:36:42 | 0:36:45 | |
Do you know, I'm really happy, based on the quality, Sue, | 0:36:45 | 0:36:48 | |
and with my mate, to take a chance on this. | 0:36:48 | 0:36:51 | |
-I think 170, we're going to say going, going... -Thank you. Deal. | 0:36:51 | 0:36:54 | |
-Gone. Thank you very much, Sue, we're over the moon. -I like it. | 0:36:54 | 0:36:59 | |
It's a nice item but it's almost half of their total budget. Crumbs! | 0:36:59 | 0:37:04 | |
Are you impressed with me now? Are you impressed? | 0:37:04 | 0:37:07 | |
I'm more than impressed. I'm deafened. | 0:37:07 | 0:37:10 | |
You and me both, Bernard. | 0:37:12 | 0:37:14 | |
Bernard. There's one thing over here as well. | 0:37:14 | 0:37:17 | |
-You're a dog lover, aren't you? -Yes, indeed, yes. | 0:37:17 | 0:37:20 | |
I quite like this here. The Victorian alabaster carved box. | 0:37:20 | 0:37:23 | |
-Do you like that? -With a spaniel on top. -Yes. | 0:37:23 | 0:37:25 | |
-It's quite sweet, isn't it? -What would you use that for? | 0:37:25 | 0:37:29 | |
Probably you might use it as a jewellery box or maybe | 0:37:29 | 0:37:31 | |
a little dressing table box. | 0:37:31 | 0:37:34 | |
-Give me a date on that. -Thursday. -Thursday! | 0:37:34 | 0:37:38 | |
Ha-ha! Spot on, Bernard! | 0:37:38 | 0:37:40 | |
It dates from any Thursday you care to mention in the 1880s. | 0:37:40 | 0:37:44 | |
-Ticket price is £23. What's he like? -I quite like that. -Go on. Do a deal. | 0:37:44 | 0:37:49 | |
-Go on. -I quite like it. -If you can get that for £20, I say buy it. | 0:37:49 | 0:37:54 | |
-Would you really? -Yes. | 0:37:54 | 0:37:56 | |
I would knock three off it just because I'm mean and horrid. | 0:37:56 | 0:37:59 | |
-Nobody is listening, are they? -She's over there. -Oh. Hello, Sue! | 0:37:59 | 0:38:03 | |
Are you all right? Yes. Would you do a 20 on that for me? | 0:38:03 | 0:38:07 | |
-I think she would definitely do 20. -She would? | 0:38:09 | 0:38:12 | |
We're very happy with that. £20. Thank you. | 0:38:12 | 0:38:15 | |
-We'll take that as well. -Thank you. -Lovely. | 0:38:15 | 0:38:17 | |
Another deal sealed on a real antique. | 0:38:17 | 0:38:20 | |
But they're not finished yet. | 0:38:20 | 0:38:22 | |
-It's just lurking over there. -Having a lurk. | 0:38:22 | 0:38:25 | |
-Having a lurk. -Picture? -It's got four legs. | 0:38:25 | 0:38:28 | |
-It's a chair. -Yes. | 0:38:28 | 0:38:30 | |
Good guess. | 0:38:30 | 0:38:32 | |
-If you're browsing, Charles, I shall sit down. -Fine. | 0:38:32 | 0:38:35 | |
HE WHISTLES Yes. | 0:38:35 | 0:38:37 | |
I've got a good view here. It is pretty, isn't it? | 0:38:37 | 0:38:40 | |
-Mind the top. -Oops. Sorry, Sue. -Mind the bottom. -Sorry, Sue. | 0:38:40 | 0:38:43 | |
You're terribly clumsy. It is pretty. | 0:38:43 | 0:38:46 | |
Isn't that a gorgeous chair? | 0:38:46 | 0:38:48 | |
That really is a spectacular bit of furniture. | 0:38:49 | 0:38:54 | |
It's an Edwardian mahogany bedroom chair, dating from around 1905. | 0:38:54 | 0:38:59 | |
But the quality is superb. So good, in fact... | 0:38:59 | 0:39:01 | |
-Beautifully done. -Not to everyone's taste. -Beautifully done. Look at it. | 0:39:01 | 0:39:06 | |
-We checked the construction. -It's knockout. | 0:39:06 | 0:39:09 | |
HE KNOCKS ON WOOD Oh! | 0:39:09 | 0:39:11 | |
So, they definitely want the chair. But at what price? | 0:39:12 | 0:39:14 | |
On the ticket is £80. | 0:39:14 | 0:39:17 | |
Do your stuff. Come on, negotiate. | 0:39:17 | 0:39:20 | |
-Sue, what's your best price? -I could have said that! | 0:39:20 | 0:39:23 | |
-It's got to be worth 60. -Look at me! Look at me! -60? | 0:39:23 | 0:39:28 | |
-No? -No. It's got to be more than that. -61? | 0:39:28 | 0:39:31 | |
-Keep going. Keep going. -65. | 0:39:32 | 0:39:35 | |
-I would think she would probably do 65. -Really? | 0:39:36 | 0:39:39 | |
Success! Three real antiques in the bag. Good work, chaps. | 0:39:39 | 0:39:43 | |
Now, having spent the morning larking about, | 0:39:46 | 0:39:49 | |
Barry and Will are still on the hunt for another item | 0:39:49 | 0:39:52 | |
but they are feeling confident. | 0:39:52 | 0:39:54 | |
Do you think we've already got this in the bag? | 0:39:54 | 0:39:57 | |
Well, I won't say it again. Yes, I will. Yes, we have. | 0:39:57 | 0:40:00 | |
They're travelling to the London district of Battersea, | 0:40:02 | 0:40:05 | |
where they're off to Northcote Road antiques market. | 0:40:05 | 0:40:08 | |
We'll do a quick circuit, Barry, and just see if there's anything. | 0:40:11 | 0:40:14 | |
-Sure. -Gramophone. | 0:40:14 | 0:40:16 | |
Hang on a minute. | 0:40:16 | 0:40:18 | |
-Oh! Oh, I say! -Do you quite like that? | 0:40:20 | 0:40:23 | |
Do you like that? I love these. I know exactly what it is. | 0:40:23 | 0:40:27 | |
This is called a gull vase made for Holmegaard. | 0:40:28 | 0:40:32 | |
And it's very fashionable and trendy at the moment. | 0:40:32 | 0:40:36 | |
This Danish glass vase probably dates from the 1960s. | 0:40:36 | 0:40:40 | |
Ticket price is £55. Time to speak to dealer, Sue. | 0:40:40 | 0:40:43 | |
They're all called Sue, actually. | 0:40:43 | 0:40:47 | |
-Sue, love. First thought is 30. -40. Do it for 40? | 0:40:47 | 0:40:52 | |
55 down to 40. I think that's a fair discount in the circumstances. | 0:40:52 | 0:40:57 | |
-Will, I just had a thought. -Tell me. -We should accept it. | 0:40:57 | 0:41:01 | |
THEY LAUGH | 0:41:01 | 0:41:03 | |
-TRAY CLATTERS -Barry...that was a drum roll. | 0:41:03 | 0:41:05 | |
Barry, shake on it. | 0:41:05 | 0:41:07 | |
-You got the kiss for free. -Thank you. -Thank you very much. | 0:41:07 | 0:41:12 | |
The tag team haggling approach has won | 0:41:12 | 0:41:15 | |
another deal around and everyone is all bought up. | 0:41:15 | 0:41:19 | |
-Yes! -Yes! -We're done! | 0:41:19 | 0:41:22 | |
And what does that mean? | 0:41:22 | 0:41:24 | |
Time for both teams to unveil their purchases, of course. | 0:41:24 | 0:41:28 | |
I've done my hamstring. | 0:41:28 | 0:41:30 | |
Bernard and Charles are up first. | 0:41:30 | 0:41:33 | |
This, I reckon, is the exciting bit, isn't it? | 0:41:33 | 0:41:36 | |
THEY SING SUSPENSEFUL TUNE | 0:41:36 | 0:41:39 | |
You were both out of tune there, do you know that? | 0:41:39 | 0:41:41 | |
-We were meant to be. -Are we going first? | 0:41:41 | 0:41:43 | |
Yes. Ta-da! | 0:41:43 | 0:41:47 | |
Look at that! | 0:41:47 | 0:41:48 | |
They combined the German jug and Art Nouveau mirror | 0:41:48 | 0:41:51 | |
-into one lot for the auction. -Which we like. | 0:41:51 | 0:41:54 | |
-A lot of jug for your money. -Absolutely. 1970s. | 0:41:54 | 0:41:58 | |
Next item, what I thrive on is the lovely silver pierced basket. | 0:41:58 | 0:42:03 | |
-Barry, that's from Sheffield, 1905. -Yes, indeed. Very close to me. | 0:42:03 | 0:42:07 | |
-Hallmarked. -It smacks of quality. | 0:42:07 | 0:42:09 | |
-And then this very lovely... -Alabaster casket. Victorian. | 0:42:09 | 0:42:12 | |
-I love Alabaster. -I love the sheep on top. | 0:42:12 | 0:42:15 | |
-It's not, it's a spaniel. -It's a spaniel! It's not a sheep! -Thanks for coming! | 0:42:15 | 0:42:20 | |
A sheep! Honestly! But there is one final beast. | 0:42:20 | 0:42:24 | |
-Here, he's down there. -He's having a kip cos he's bored with everything. | 0:42:24 | 0:42:29 | |
-Saying hello to you as well. -What a face! -Isn't he nice? | 0:42:29 | 0:42:32 | |
He knows who the winners are. | 0:42:32 | 0:42:34 | |
Barry, I'm going to ask you, are you impressed with our wares? | 0:42:34 | 0:42:37 | |
-Yes, in a sense. -Don't get carried away there, Barry! | 0:42:37 | 0:42:41 | |
-Are we going to reveal? -Was it a good partnership buying? | 0:42:41 | 0:42:44 | |
We had fun. We agreed on everything. | 0:42:44 | 0:42:46 | |
I'm going to watch this from a sitting position | 0:42:46 | 0:42:48 | |
-because I know it's going to be extraordinary. -I'll give you a hand. | 0:42:48 | 0:42:51 | |
-Oh, I say! -I'll give you a hand. -I say! | 0:42:51 | 0:42:54 | |
-Hang on, I haven't finished yet. -Now, this is the bit. | 0:42:56 | 0:42:58 | |
Da-da-da-da... The weather's right for it. | 0:42:58 | 0:43:01 | |
Oh, that's great. Oh, yes. | 0:43:02 | 0:43:04 | |
And it elevates when you get in, and sit in it. | 0:43:04 | 0:43:07 | |
What are we talking about, elevating? | 0:43:07 | 0:43:09 | |
Oh, I see! A chaise short. | 0:43:09 | 0:43:12 | |
What about this camp gentleman with his hand on his hip? | 0:43:12 | 0:43:15 | |
Now, who is that camp gentleman? | 0:43:15 | 0:43:17 | |
-Turn him round have a good look. -Let's have a look. | 0:43:17 | 0:43:19 | |
-Mr Pickwick. -Correct. -Oh, well done, sir! | 0:43:19 | 0:43:21 | |
I'm intrigued by this. What is it? | 0:43:21 | 0:43:23 | |
-Now, one thing at a time, are we doing...? -No, we've done Mr Pickwick. | 0:43:23 | 0:43:26 | |
He's out of it. What is this? | 0:43:26 | 0:43:28 | |
-This is what I want to see. -Ah, yes! This is what intrigued us. | 0:43:28 | 0:43:31 | |
-Do you know what it was marked up as? -What? | 0:43:31 | 0:43:33 | |
-A baguette box. -Really? -Baguette box! Isn't that wonderful? | 0:43:33 | 0:43:36 | |
Have you ever heard of such a thing? | 0:43:36 | 0:43:38 | |
-I think it's for carrying ferrets about... No. -Wrong. -It is. | 0:43:38 | 0:43:42 | |
-No. A ferret box? No, sorry. -Do you think it's French? | 0:43:42 | 0:43:44 | |
It must be, mustn't it? | 0:43:44 | 0:43:45 | |
-Yeah. -Baguette. -Yeah. | 0:43:45 | 0:43:46 | |
I've had enough of this - I'm having a drink. | 0:43:46 | 0:43:48 | |
Get it down you, lad! | 0:43:48 | 0:43:49 | |
Yeah, help yourself, Bernard. | 0:43:49 | 0:43:51 | |
-CHARLES: -I think, guys, all I can say is, | 0:43:51 | 0:43:53 | |
the competition is brewing, | 0:43:53 | 0:43:55 | |
I'm really excited - Barry, good luck. | 0:43:55 | 0:43:58 | |
And to you, Charles. | 0:43:58 | 0:43:59 | |
You might need it. | 0:43:59 | 0:44:00 | |
Charles, may I say thank you? | 0:44:00 | 0:44:03 | |
Pleasure. | 0:44:03 | 0:44:04 | |
-Well done, Will. -Bernie. | 0:44:04 | 0:44:07 | |
But while the other team's backs are turned, | 0:44:07 | 0:44:09 | |
what do they really think? | 0:44:09 | 0:44:10 | |
I thought they pursued a rather good mediocre standard, quite frankly. | 0:44:10 | 0:44:15 | |
I'm so sorry to sound smug. | 0:44:15 | 0:44:17 | |
Who wants a baguette box? | 0:44:17 | 0:44:18 | |
-Er, people with a lot of baguettes that they want to forget. -Yeah... | 0:44:18 | 0:44:22 | |
-Let the battle commence in the saleroom. -Let the battle commence. | 0:44:22 | 0:44:25 | |
May the best team win. | 0:44:25 | 0:44:26 | |
I'm feeling rather emotional! | 0:44:26 | 0:44:28 | |
-SOBS: -Me too, Barry! | 0:44:28 | 0:44:30 | |
On this Road Trip, they've sniggered all the way from St Albans | 0:44:30 | 0:44:34 | |
to end up tittering here in Twickenham, London. | 0:44:34 | 0:44:37 | |
Will and Charles are motoring to auction... | 0:44:37 | 0:44:39 | |
-Welcome to Twickenham. -Thank you very much. | 0:44:39 | 0:44:41 | |
Thanks for having me. | 0:44:41 | 0:44:43 | |
..as are Bernard and Barry. | 0:44:43 | 0:44:45 | |
-BERNARD MIMICS CHAUFFEUR: -These are the back streets of Twickenham, sir. | 0:44:45 | 0:44:48 | |
Yes, Cribbins, yes. | 0:44:48 | 0:44:50 | |
Just off the High Street. | 0:44:50 | 0:44:52 | |
Get your act together. | 0:44:52 | 0:44:55 | |
Twickenham's famed as the home of the England rugby team, | 0:44:55 | 0:44:58 | |
and the site of the largest rugby union stadium in the world. | 0:44:58 | 0:45:02 | |
I think we're nearly there now, Barry. | 0:45:02 | 0:45:04 | |
-Nearly-nearly. -Nearly. | 0:45:04 | 0:45:06 | |
-They're not here yet, are they? -Do you think they've got lost? | 0:45:08 | 0:45:11 | |
Oh, here they are, look. | 0:45:11 | 0:45:14 | |
THEY CHUCKLE | 0:45:14 | 0:45:15 | |
Good evening! | 0:45:15 | 0:45:17 | |
You may joke, Barry, but it IS royalty. | 0:45:17 | 0:45:19 | |
The driver's very good. | 0:45:19 | 0:45:21 | |
-Hello. -How are you, sir? | 0:45:22 | 0:45:24 | |
-Well, I'm better now I'm out of that car. -Very good! | 0:45:24 | 0:45:27 | |
They're all piling into High Road Auctions, | 0:45:27 | 0:45:30 | |
where auctioneer David Holmes will today be presiding. | 0:45:30 | 0:45:34 | |
But before first gavel-strike, | 0:45:34 | 0:45:36 | |
what does he think of the two teams' lots? | 0:45:36 | 0:45:39 | |
Deck chair - nice thing. | 0:45:40 | 0:45:42 | |
Early 20th century, I think this one's made out of beech. | 0:45:42 | 0:45:46 | |
We've got the weather for it today - let's hope somebody loves it. | 0:45:46 | 0:45:49 | |
Er, a gorilla cushion... | 0:45:49 | 0:45:51 | |
If there's any...perhaps three to five-year-olds | 0:45:51 | 0:45:53 | |
with a bank account in Twickenham, we're home and dry. | 0:45:53 | 0:45:56 | |
Bernard and Charles started this Road Trip with £400 | 0:45:58 | 0:46:01 | |
and spent £301 exactly on five lots, | 0:46:01 | 0:46:05 | |
while Barry and Will spent £151 exactly, | 0:46:05 | 0:46:10 | |
and also have five lots to show for it. | 0:46:10 | 0:46:13 | |
Come on, guys. | 0:46:13 | 0:46:14 | |
We're on the front row tonight... | 0:46:14 | 0:46:15 | |
-Good evening, how do you do? -..for the big night. | 0:46:15 | 0:46:18 | |
-Excellent! -There ought to be a stand-up before the start. | 0:46:19 | 0:46:22 | |
What time's the show start? | 0:46:22 | 0:46:23 | |
-Time the ice creams arrived. -The ice creams are coming round! | 0:46:23 | 0:46:26 | |
So, how are you feeling? Are you feeling confident? | 0:46:26 | 0:46:28 | |
What a silly question! | 0:46:30 | 0:46:31 | |
Of course not. | 0:46:31 | 0:46:32 | |
I refuse to be complacent. | 0:46:32 | 0:46:35 | |
Arrogant, yes. Complacent, never. | 0:46:35 | 0:46:38 | |
Well, wake me up when it's finished, will you? | 0:46:38 | 0:46:40 | |
Good luck, big man. | 0:46:40 | 0:46:41 | |
-Thanks for coming. -Thank you very much. | 0:46:41 | 0:46:43 | |
-Good luck. -Good luck, Baz. | 0:46:43 | 0:46:44 | |
You're not Baz, you're Will! | 0:46:44 | 0:46:46 | |
The auction's about to begin. Oh, the excitement! | 0:46:46 | 0:46:48 | |
Enjoy it. | 0:46:48 | 0:46:49 | |
First up is Bernard and Charles' alabaster box... | 0:46:49 | 0:46:54 | |
mit spaniel. | 0:46:54 | 0:46:56 | |
Come on! Let's go. | 0:46:56 | 0:46:57 | |
Exactly, come along. £20, the maiden bid. | 0:46:57 | 0:46:59 | |
Take five again. | 0:46:59 | 0:47:01 | |
I've got a maiden bid with the gentleman there at 20. Five again? | 0:47:01 | 0:47:04 | |
-25. -Yes! -£30. | 0:47:04 | 0:47:05 | |
-Five again. -Yes! -40. | 0:47:05 | 0:47:07 | |
Oh, it IS into profit! | 0:47:07 | 0:47:08 | |
Gentleman's bid on my right, at £40 only. | 0:47:08 | 0:47:12 | |
Five. 50. 45, the lady's bid. | 0:47:12 | 0:47:16 | |
50 the gentleman's bid. Five again. | 0:47:16 | 0:47:18 | |
-£50. -50 earth pounds? | 0:47:18 | 0:47:21 | |
-Calm down. -It's going at 50, isn't it? | 0:47:21 | 0:47:23 | |
Done at 50. GAVEL BANGS | 0:47:23 | 0:47:25 | |
-Give me a high-five. -BERNARD WHISTLES | 0:47:25 | 0:47:28 | |
"Calm down," he says! | 0:47:28 | 0:47:30 | |
That's top dog. | 0:47:30 | 0:47:31 | |
And it puts Bernard and Charles in the lead. | 0:47:31 | 0:47:34 | |
Give me a handshake. | 0:47:34 | 0:47:36 | |
Well done. | 0:47:38 | 0:47:39 | |
We'll give them one, Barry. We'll give them one. | 0:47:39 | 0:47:41 | |
Lull them into a false sense of security. | 0:47:41 | 0:47:44 | |
Next, it's the Danish glass vase for Barry and Will. | 0:47:45 | 0:47:48 | |
-Very nice. -Very nice. -Very nice. | 0:47:48 | 0:47:50 | |
-We have a comment in the front row. Thank you, sir. -Get it sold. | 0:47:50 | 0:47:54 | |
£10, get it started. Where's the bid? Thank you. | 0:47:54 | 0:47:56 | |
15 on it. | 0:47:56 | 0:47:58 | |
-Come on, the internet. -£20, sir. | 0:47:58 | 0:48:00 | |
£20 is bid. | 0:48:00 | 0:48:01 | |
Five again. It's the gentleman in the doorway at £20 only. | 0:48:01 | 0:48:05 | |
I'll take five on this lot. | 0:48:05 | 0:48:06 | |
Any further bids? Your bid, sir. Any bids online? Are we done at 20? | 0:48:06 | 0:48:11 | |
I'm going to get my coat, Barry. | 0:48:11 | 0:48:13 | |
I know. GAVEL BANGS | 0:48:13 | 0:48:14 | |
-Oh, dear! -Wow, that's a disappointment. | 0:48:14 | 0:48:16 | |
That IS a disappointment. | 0:48:16 | 0:48:17 | |
Unlucky, but both everything to play for. | 0:48:17 | 0:48:20 | |
Never mind. I enjoyed owning it briefly. | 0:48:21 | 0:48:25 | |
It's our gorilla, isn't it? | 0:48:25 | 0:48:26 | |
Um...yeah, the gorilla. | 0:48:26 | 0:48:28 | |
Your funky gibbon. | 0:48:28 | 0:48:30 | |
It's not a gibbon. | 0:48:32 | 0:48:33 | |
What is a gibbon? | 0:48:33 | 0:48:34 | |
For goodness' sake. Much bigger than a gibbon. | 0:48:34 | 0:48:37 | |
And it's the wrong colour. | 0:48:37 | 0:48:39 | |
-It's an orang-utan. -I think you might be right. | 0:48:39 | 0:48:41 | |
Indeed, it's the funky orang-utan next. | 0:48:41 | 0:48:45 | |
This lady seems to like it. | 0:48:45 | 0:48:47 | |
Go on, hug it. | 0:48:47 | 0:48:48 | |
BERNARD WHISTLES | 0:48:48 | 0:48:50 | |
Star lot of the show. | 0:48:50 | 0:48:52 | |
Lot number 73. | 0:48:52 | 0:48:53 | |
Sit! Sit! | 0:48:53 | 0:48:55 | |
Star lot of the show. | 0:48:55 | 0:48:57 | |
He's complete with his banana. | 0:48:57 | 0:48:59 | |
Somebody suggested a dog bed, thought it was a fantastic idea. | 0:48:59 | 0:49:03 | |
-Yep. -"Somebody"? | 0:49:03 | 0:49:04 | |
Bid me £30 for it. | 0:49:04 | 0:49:06 | |
I'm sure you know where this one comes from. £30, only. | 0:49:06 | 0:49:09 | |
Thank you, £30, sir. 35 on that lot. | 0:49:09 | 0:49:12 | |
Yes, yes! | 0:49:12 | 0:49:13 | |
Anybody else want to join in with this lot? The orang-utan. | 0:49:13 | 0:49:17 | |
LAUGHTER | 0:49:17 | 0:49:18 | |
-Come on! -£30. I have a maiden bid. | 0:49:18 | 0:49:21 | |
Don't listen to a word of it. | 0:49:21 | 0:49:22 | |
It'd be a lovely dog bed! Absolutely marvellous as a dog bed, | 0:49:22 | 0:49:25 | |
whether you've got a St Bernard or a Cairn Terrier. Beautiful. | 0:49:25 | 0:49:28 | |
Who WAS that? | 0:49:29 | 0:49:31 | |
-Would you like the hammer? -No, I wouldn't. No, no. | 0:49:31 | 0:49:33 | |
£30, the maiden bid. Take five on that lot. | 0:49:33 | 0:49:35 | |
I promised the judge I would never use a hammer again. | 0:49:35 | 0:49:37 | |
Fair enough. £30 the maiden bid. Are we done? | 0:49:37 | 0:49:40 | |
£30 the maiden bid. | 0:49:40 | 0:49:41 | |
One more. | 0:49:41 | 0:49:43 | |
Sh! | 0:49:43 | 0:49:44 | |
Done at 30... GAVEL BANGS | 0:49:44 | 0:49:46 | |
£10 profit. | 0:49:46 | 0:49:47 | |
Well done, chaps. | 0:49:47 | 0:49:48 | |
Grudgingly, but, yes. | 0:49:48 | 0:49:49 | |
He's the king of the swingers. | 0:49:49 | 0:49:51 | |
Thanks in part to Bernard's showmanship, | 0:49:51 | 0:49:54 | |
they're building a solid advantage. | 0:49:54 | 0:49:57 | |
Where does a 20-stone gorilla sleep? | 0:49:57 | 0:49:59 | |
Don't know, where? | 0:49:59 | 0:50:00 | |
BOTH: Anywhere he likes. | 0:50:00 | 0:50:01 | |
The old ones - hah! - are the best, boys. | 0:50:02 | 0:50:05 | |
Now it's Bernard and Charles' Edwardian mahogany chair. | 0:50:05 | 0:50:09 | |
Start me at 50 for this one. | 0:50:09 | 0:50:10 | |
Lovely side chair for your bedroom. | 0:50:10 | 0:50:12 | |
-£50 for it. -Beautiful chair. -Super chair. | 0:50:12 | 0:50:14 | |
-Oh... -£20, it's no money. Get it started. | 0:50:14 | 0:50:16 | |
Thank you, sir. Five again. | 0:50:16 | 0:50:18 | |
25. 30. Five again. | 0:50:18 | 0:50:20 | |
£40. Five again. | 0:50:20 | 0:50:21 | |
-WILL: -It's only got three legs, Charles. | 0:50:21 | 0:50:23 | |
Standing there - I'll take five on this lot. | 0:50:23 | 0:50:25 | |
-That's cheap. -Any bids for the internet? | 0:50:25 | 0:50:27 | |
-Your bid, sir, at 40. -That's a shame. | 0:50:27 | 0:50:29 | |
-Final time, fair warning... WILL: -Bang that hammer. | 0:50:29 | 0:50:32 | |
Done at 40... GAVEL BANGS | 0:50:32 | 0:50:34 | |
-Oh, no! -Upset him... | 0:50:34 | 0:50:36 | |
-Sorry. -It's all right. | 0:50:36 | 0:50:38 | |
£40. It's their first loss, Barry. First loss. | 0:50:38 | 0:50:40 | |
-That chair threatens to unseat them. -HE CHUCKLES | 0:50:40 | 0:50:45 | |
One for Barry and Will, now. | 0:50:45 | 0:50:47 | |
Their Mr Pickwick teapot. | 0:50:47 | 0:50:49 | |
But will it be the crowd's pick? | 0:50:49 | 0:50:51 | |
£20 for the Lingard. I'm tempted myself. | 0:50:51 | 0:50:54 | |
-Novelty teapot. -Are we tempted, guys? | 0:50:54 | 0:50:56 | |
Bid me £10 for it. £10 is bid. | 0:50:56 | 0:50:58 | |
15 on this one. | 0:50:58 | 0:50:59 | |
£10 only. | 0:50:59 | 0:51:00 | |
That's cheap, Barry. | 0:51:00 | 0:51:02 | |
15 on that? 15, thank you, sir. | 0:51:02 | 0:51:04 | |
20, new buyer. | 0:51:04 | 0:51:06 | |
Five again, sir. | 0:51:06 | 0:51:07 | |
£25. We're not asking the earth, are we? £20 the bid there. | 0:51:07 | 0:51:11 | |
Mr Cryer chose this. | 0:51:11 | 0:51:13 | |
£25, sir? | 0:51:13 | 0:51:15 | |
-Thank you very much. -Oh, yes, well done, sir. | 0:51:15 | 0:51:17 | |
Who was that? | 0:51:17 | 0:51:18 | |
20, 30. Five again, sir? | 0:51:18 | 0:51:20 | |
It's only money. | 0:51:20 | 0:51:21 | |
£30 the bid. I'll take five again. | 0:51:21 | 0:51:23 | |
Are we done? | 0:51:23 | 0:51:25 | |
-Are you sure? -Absolutely. | 0:51:25 | 0:51:27 | |
£30, final time. Done at 30... | 0:51:27 | 0:51:28 | |
GAVEL BANGS | 0:51:28 | 0:51:29 | |
Wow. | 0:51:29 | 0:51:30 | |
May I say thank you? | 0:51:30 | 0:51:32 | |
He's a little teapot, | 0:51:36 | 0:51:38 | |
and he's put Barry and Will firmly back in the game. | 0:51:38 | 0:51:41 | |
Good pick, Barry. | 0:51:41 | 0:51:43 | |
Are we pleased with that? | 0:51:43 | 0:51:44 | |
Pleased? That's the world record price for a Mr Pickwick teapot. | 0:51:44 | 0:51:48 | |
It's French faience candlesticks now for Baz and Will. | 0:51:50 | 0:51:54 | |
£20, get them started. Who's going to bid on these? | 0:51:54 | 0:51:57 | |
Was that a bid, sir? I'll take 20 on these. | 0:51:57 | 0:51:59 | |
-Surely! -French faience candlesticks, a pair of them in a lot?! | 0:51:59 | 0:52:02 | |
-What?! -£20 only. | 0:52:02 | 0:52:03 | |
-Well done. -Shut up, you! | 0:52:03 | 0:52:05 | |
I'll take five on this one. | 0:52:05 | 0:52:07 | |
I have a maiden bid. 25. | 0:52:07 | 0:52:09 | |
30. | 0:52:09 | 0:52:10 | |
£30, sir? | 0:52:10 | 0:52:11 | |
Don't lose them for a fiver. | 0:52:11 | 0:52:13 | |
£25 the gentleman there. Take 30 on them. | 0:52:13 | 0:52:15 | |
£25. | 0:52:15 | 0:52:17 | |
Oh, dear, oh, dear. | 0:52:17 | 0:52:18 | |
I think I'd better just leave it to you, Barry. | 0:52:18 | 0:52:20 | |
25... | 0:52:20 | 0:52:21 | |
That was the excitement. | 0:52:21 | 0:52:23 | |
-GAVEL BANGS -Oh, I felt that. Through the heart! | 0:52:23 | 0:52:26 | |
Oh, quel dommage. | 0:52:26 | 0:52:27 | |
Next up, it's the job lot of jug and Art Nouveau mirror | 0:52:28 | 0:52:32 | |
for Bernard and Charles. | 0:52:32 | 0:52:33 | |
And it comes with an Art Nouveau style mirror as well. | 0:52:33 | 0:52:37 | |
Bid me £50 for it. | 0:52:37 | 0:52:38 | |
Super. The large ewer, the vase, there. Bid me £50, guys. | 0:52:38 | 0:52:41 | |
£20, get it started. Who's got a bid in it? | 0:52:41 | 0:52:44 | |
The German pottery. £20, thank you, madam. | 0:52:44 | 0:52:46 | |
-Five again. 25. -Come on. -30. | 0:52:46 | 0:52:49 | |
Are we done, guys? £30. | 0:52:49 | 0:52:50 | |
Last chance - any bids online? | 0:52:50 | 0:52:52 | |
Done at 30... | 0:52:52 | 0:52:53 | |
GAVEL BANGS | 0:52:53 | 0:52:55 | |
I think you might have wiped your mouth with that lot. | 0:52:55 | 0:52:57 | |
Exactly. | 0:52:57 | 0:52:58 | |
Another profit. | 0:52:58 | 0:53:00 | |
Lovely juggly. | 0:53:00 | 0:53:01 | |
HE CHUCKLES | 0:53:01 | 0:53:03 | |
But will the baguette box bag a profit for Barry and Will? | 0:53:03 | 0:53:07 | |
20. Who's going to bid? | 0:53:07 | 0:53:09 | |
Oh, dear, oh, dear. | 0:53:09 | 0:53:10 | |
Nobody like it? | 0:53:10 | 0:53:11 | |
-£20 only. -Show me another one! -Exactly. | 0:53:11 | 0:53:13 | |
-You ever heard of one before? -Show me another one! | 0:53:13 | 0:53:16 | |
Maiden bid. Take five on that lot. | 0:53:16 | 0:53:18 | |
25. 30. | 0:53:18 | 0:53:20 | |
Thank you very much. Five again, sir. BARRY: Oh, dear. | 0:53:20 | 0:53:23 | |
-35. 40. -Go on! | 0:53:23 | 0:53:25 | |
£35 at the back, there. | 0:53:25 | 0:53:26 | |
Take 40 on it. | 0:53:26 | 0:53:27 | |
The baguette box, final time, I'm selling. | 0:53:27 | 0:53:30 | |
35... | 0:53:30 | 0:53:31 | |
GAVEL BANGS | 0:53:31 | 0:53:33 | |
Thank you, sir. Well done. | 0:53:33 | 0:53:34 | |
Well done. 35... | 0:53:34 | 0:53:36 | |
Who bought it? | 0:53:38 | 0:53:39 | |
Well done, sir. | 0:53:39 | 0:53:41 | |
Saved from disaster. | 0:53:42 | 0:53:43 | |
The auctioneer thought it shone, but will the crowd take a shine? | 0:53:45 | 0:53:49 | |
It's the deckchair. | 0:53:49 | 0:53:50 | |
£25 was a bargain. | 0:53:51 | 0:53:53 | |
It was. | 0:53:53 | 0:53:54 | |
We had to work hard for it. | 0:53:54 | 0:53:56 | |
Barry was giving kisses away like there was no tomorrow. | 0:53:56 | 0:53:59 | |
What? | 0:53:59 | 0:54:00 | |
And it also comes rather handily | 0:54:02 | 0:54:04 | |
with a beside-the-seaside postcard | 0:54:04 | 0:54:06 | |
signed and inscribed by Mr Barry Cryer. | 0:54:06 | 0:54:09 | |
Oh, does it, now?! | 0:54:09 | 0:54:10 | |
That was sneaky. | 0:54:10 | 0:54:11 | |
The heavyweight champion of the world! | 0:54:11 | 0:54:13 | |
I like it. I think it's a fun object, I really like it. | 0:54:13 | 0:54:16 | |
-£50, get it started. -Surely! | 0:54:16 | 0:54:18 | |
Take it home. This is the evening to enjoy it. | 0:54:18 | 0:54:20 | |
£20, it's cheap. | 0:54:20 | 0:54:21 | |
Bid, five again. | 0:54:21 | 0:54:23 | |
£20. Five, 30. | 0:54:23 | 0:54:24 | |
Five again. | 0:54:24 | 0:54:25 | |
35. 40. Five again. | 0:54:25 | 0:54:27 | |
£50 for it. | 0:54:27 | 0:54:28 | |
£45 only? | 0:54:28 | 0:54:30 | |
Well done, you've done it. | 0:54:30 | 0:54:32 | |
£60, sir. | 0:54:32 | 0:54:34 | |
-The postcard's worth that. -Yes. | 0:54:34 | 0:54:36 | |
£55 only? | 0:54:36 | 0:54:37 | |
Take 60 on that lot. | 0:54:37 | 0:54:39 | |
-60, five again. -Oh! | 0:54:39 | 0:54:40 | |
Back of the room. £70, sir? | 0:54:40 | 0:54:43 | |
It's no money at 65 at the back. | 0:54:43 | 0:54:45 | |
I'll 70 from you, gentleman bid. | 0:54:45 | 0:54:46 | |
Squeezing every penny out of them, he's earning his commission. | 0:54:46 | 0:54:50 | |
I'll take five - with the postcard signed by Mr Cryer. | 0:54:50 | 0:54:53 | |
He's doing well for us here, Barry. | 0:54:53 | 0:54:55 | |
£70, I have a bid on my left. | 0:54:55 | 0:54:56 | |
-I'll take five on it. -Good bid. | 0:54:56 | 0:54:58 | |
It's only £5, sir. | 0:54:58 | 0:55:00 | |
-It's your last chance. -Come on! | 0:55:00 | 0:55:02 | |
What a warm day. I can see you reclining with your Pimm's. | 0:55:02 | 0:55:05 | |
£70 only. It's your last chance, I'm going to sell it. | 0:55:05 | 0:55:09 | |
-Are we done at 70? -He's done us proud. | 0:55:09 | 0:55:10 | |
You'll regret this for the rest of your life. | 0:55:10 | 0:55:12 | |
Done at 70... GAVEL BANGS | 0:55:12 | 0:55:13 | |
He's done us proud. Well done, thank you, sir. | 0:55:13 | 0:55:16 | |
-Brilliant. -Thank you. | 0:55:16 | 0:55:18 | |
Yes! | 0:55:18 | 0:55:19 | |
A smashing profit on that means happy days for Barry and Will. | 0:55:19 | 0:55:24 | |
Well, it comes down to this. | 0:55:24 | 0:55:25 | |
Impeccable lack of taste. | 0:55:25 | 0:55:27 | |
Thanks a lot. | 0:55:27 | 0:55:28 | |
-Charles... -Who is that? | 0:55:28 | 0:55:30 | |
I don't know, he's just... | 0:55:30 | 0:55:32 | |
So, everything hangs on Bernard and Charles' most costly punt - | 0:55:32 | 0:55:36 | |
the solid silver bowl. | 0:55:36 | 0:55:38 | |
Bid me £100 for it. | 0:55:40 | 0:55:43 | |
It's dead. | 0:55:43 | 0:55:44 | |
The room's dead. | 0:55:44 | 0:55:45 | |
£50, get it started. | 0:55:45 | 0:55:47 | |
Charles, put your hand up, Charles. Put your hand up. | 0:55:47 | 0:55:49 | |
£50 for it. | 0:55:49 | 0:55:51 | |
Crumbs. | 0:55:51 | 0:55:52 | |
-Oh, frightening. -This is frightening. | 0:55:52 | 0:55:54 | |
It is. | 0:55:54 | 0:55:55 | |
Thank you very much. £50 the maiden bid. Bid me 60 on it. | 0:55:55 | 0:55:58 | |
-£50... -Well, that's life. You win some, you lose some. | 0:55:58 | 0:56:01 | |
Take 60 on it. | 0:56:01 | 0:56:02 | |
Charles... | 0:56:02 | 0:56:03 | |
I'll get me hat. | 0:56:03 | 0:56:04 | |
Has everybody gone to sleep? Is it the heat? | 0:56:04 | 0:56:06 | |
60 bid. 70? | 0:56:06 | 0:56:08 | |
80. 90. | 0:56:08 | 0:56:11 | |
Five? | 0:56:11 | 0:56:12 | |
Sir, this is the bargain of probably, I think, five years. | 0:56:12 | 0:56:17 | |
£85. 90 I'll take on it. | 0:56:17 | 0:56:20 | |
This is worth £150 every day. | 0:56:20 | 0:56:23 | |
I have £85 only. | 0:56:23 | 0:56:25 | |
I'll take 90 on it. | 0:56:25 | 0:56:26 | |
The Dixon bowl. | 0:56:26 | 0:56:28 | |
It makes you want to give up, | 0:56:28 | 0:56:30 | |
and do something else for a living. | 0:56:30 | 0:56:31 | |
Don't give Charles ideas. | 0:56:31 | 0:56:33 | |
Are we done at £85 only? | 0:56:33 | 0:56:35 | |
Oh, yes! | 0:56:35 | 0:56:36 | |
90. Five again. | 0:56:36 | 0:56:38 | |
It's very cheap, sir. | 0:56:38 | 0:56:39 | |
95. 100. | 0:56:39 | 0:56:41 | |
-100. Five again. -Come on, sir. | 0:56:41 | 0:56:44 | |
105. 110? | 0:56:44 | 0:56:45 | |
Was that a bid, sir? | 0:56:45 | 0:56:47 | |
110. 115? | 0:56:47 | 0:56:48 | |
115. 120? | 0:56:48 | 0:56:51 | |
£115. It's your last chance. | 0:56:51 | 0:56:54 | |
It's the bargain of the year. | 0:56:54 | 0:56:55 | |
-At £115 only... -Bing, bang, bosh. | 0:56:55 | 0:56:57 | |
GAVEL BANGS | 0:56:57 | 0:56:59 | |
-Auctioneer, thank you. -Well done. -Brilliant auctioneering. | 0:56:59 | 0:57:01 | |
Brilliant, yep. | 0:57:01 | 0:57:03 | |
I think you've cleaned us. | 0:57:04 | 0:57:05 | |
An emotional moment. | 0:57:05 | 0:57:07 | |
I haven't done the maths - Charles, may I say, well done, sir. | 0:57:07 | 0:57:10 | |
It's time out. Good night. | 0:57:10 | 0:57:13 | |
A sterling performance from our auctioneer | 0:57:13 | 0:57:16 | |
drives a more respectable price. | 0:57:16 | 0:57:17 | |
Shall we go and work out the figures? | 0:57:17 | 0:57:19 | |
Yes, I think so. | 0:57:19 | 0:57:20 | |
Over a nice cup of tea. | 0:57:20 | 0:57:21 | |
A stiff drink. | 0:57:21 | 0:57:22 | |
Bend down - bend down walking out. | 0:57:22 | 0:57:25 | |
Go on, after you, sir. | 0:57:25 | 0:57:26 | |
-Thank you very much. -Come on, Charles. | 0:57:26 | 0:57:29 | |
Age before beauty. | 0:57:29 | 0:57:30 | |
You're quite right. Well done, gents. Thank you. | 0:57:30 | 0:57:32 | |
And these consummate showmen get a hand from the crowd. | 0:57:32 | 0:57:35 | |
-Oh, no! -Well done. | 0:57:35 | 0:57:37 | |
Thanks a lot. | 0:57:37 | 0:57:39 | |
We was robbed. | 0:57:39 | 0:57:40 | |
Bernard and Charles started with £400. | 0:57:40 | 0:57:43 | |
After auction costs they made an unlucky loss of £83.70 | 0:57:43 | 0:57:47 | |
and end today with... | 0:57:47 | 0:57:49 | |
..while Barry and Will also started with £400. | 0:57:54 | 0:57:57 | |
They made a small loss of £3.40, ending with... | 0:57:57 | 0:58:01 | |
They are truly today's victors. | 0:58:04 | 0:58:06 | |
So, congratulations, Baz and Will. | 0:58:06 | 0:58:09 | |
It was all Barry's lots that made the money. | 0:58:10 | 0:58:12 | |
It's my round, now. | 0:58:12 | 0:58:13 | |
-Quite right! -THEY CHEER | 0:58:13 | 0:58:15 | |
-Well, gents, I hope you've had fun. -I did enjoy it. -Yes. | 0:58:15 | 0:58:18 | |
-I hope you enjoyed yourselves. -More than we expected. | 0:58:18 | 0:58:20 | |
I always find that, too, Barry. | 0:58:20 | 0:58:22 | |
HORNS HONK | 0:58:22 | 0:58:24 | |
-Listen, Baz. -Yes, Boz. | 0:58:26 | 0:58:28 | |
It's been lovely seeing you for these few days. | 0:58:28 | 0:58:30 | |
I couldn't agree more. | 0:58:30 | 0:58:32 | |
THEY CHUCKLE | 0:58:32 | 0:58:34 |