Browse content similar to John Simpson and Martha Kearney. Check below for episodes and series from the same categories and more!
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-The nation's favourite celebrities... -We've got some proper bling 'ere! | 0:00:02 | 0:00:05 | |
..paired up with an expert... | 0:00:05 | 0:00:07 | |
..and a classic car. | 0:00:07 | 0:00:09 | |
BOTH SHOUT AT ONCE | 0:00:09 | 0:00:11 | |
Their mission, to scour Britain for antiques. | 0:00:11 | 0:00:14 | |
All breakages must be paid for. | 0:00:14 | 0:00:16 | |
This is a good find, is it not? | 0:00:16 | 0:00:18 | |
The aim, to make the biggest profit at auction. But it's no easy ride. | 0:00:18 | 0:00:23 | |
Who will find a hidden gem? Who will take the biggest risks? | 0:00:23 | 0:00:27 | |
Got my antiques head on. | 0:00:27 | 0:00:29 | |
Will anybody follow expert advice? | 0:00:29 | 0:00:32 | |
I think it's horrible! | 0:00:32 | 0:00:34 | |
-There will be worthy winners... -This is better than Christmas! | 0:00:34 | 0:00:37 | |
..and valiant losers. | 0:00:37 | 0:00:39 | |
Time to put your pedal to the metal. | 0:00:40 | 0:00:42 | |
This is Celebrity Antiques Road Trip. | 0:00:42 | 0:00:45 | |
Yeah! | 0:00:47 | 0:00:49 | |
Breaking news - today's road trip | 0:00:51 | 0:00:54 | |
features two heavyweights of British broadcasting, | 0:00:54 | 0:00:58 | |
fearless journalists Martha Kearney and John Simpson. | 0:00:58 | 0:01:02 | |
Are you terrified, Martha, to be with me? | 0:01:02 | 0:01:04 | |
I'd be more terrified if I were doing the driving. | 0:01:04 | 0:01:07 | |
We haven't stalled yet. | 0:01:07 | 0:01:09 | |
Famous last words, John? | 0:01:09 | 0:01:11 | |
-Oh, you found the indicator! -I found the indicator. | 0:01:11 | 0:01:15 | |
-No need for hand signals. -No... | 0:01:15 | 0:01:18 | |
-ENGINE REVS -Reverse... -Reverse. | 0:01:18 | 0:01:20 | |
-OK, that was good. -MARTHA CHUCKLES | 0:01:20 | 0:01:22 | |
TIM CHUCKLES | 0:01:22 | 0:01:24 | |
Oh, dear, their dashing 1961 Ford Zephyr was manufactured before | 0:01:24 | 0:01:29 | |
seatbelts were mandatory, which is why our celebs aren't wearing any. | 0:01:29 | 0:01:33 | |
And with two veterans of front-line reporting hitting the road, | 0:01:36 | 0:01:39 | |
there's no room for small talk. | 0:01:39 | 0:01:41 | |
What were you doing in Kabul? | 0:01:41 | 0:01:42 | |
The first time I went I presented a Woman's Hour from there, | 0:01:42 | 0:01:45 | |
which is very... | 0:01:45 | 0:01:47 | |
-Really? -Yeah, yeah. -God, that's really good stuff. -Yeah. | 0:01:47 | 0:01:51 | |
-Where do you stay when you're there? -I stay in the... | 0:01:51 | 0:01:55 | |
What's it called, | 0:01:55 | 0:01:56 | |
the big hotel, the one that's always getting attacked? | 0:01:56 | 0:01:59 | |
-Oh, yes. Is it Serena? -Serena. | 0:01:59 | 0:02:01 | |
John and Martha are old friends from the BBC newsroom. | 0:02:01 | 0:02:04 | |
I followed in your footsteps and put on a burka, but I always | 0:02:04 | 0:02:07 | |
wondered how you got away with it, because you are quite a tall man. | 0:02:07 | 0:02:10 | |
-Yes, I was. -You in a burka must have been quite a sight. | 0:02:10 | 0:02:13 | |
I was the tallest woman in Afghanistan. With the biggest feet. | 0:02:13 | 0:02:18 | |
Speaking of which, multi-award-winning journalist | 0:02:21 | 0:02:24 | |
John Simpson really will go to any lengths to get a story. | 0:02:24 | 0:02:28 | |
He's been at the forefront of breaking news | 0:02:28 | 0:02:31 | |
throughout his career, spanning the last five decades. | 0:02:31 | 0:02:33 | |
Well, this is it. | 0:02:33 | 0:02:36 | |
We're walking into Kabul city. | 0:02:36 | 0:02:39 | |
Fearlessly confronting the world's most terrifying dictators. | 0:02:39 | 0:02:43 | |
It's amazing the company you keep on trips like this. | 0:02:43 | 0:02:46 | |
And reporting from the depths of war zones as events unfold. | 0:02:46 | 0:02:50 | |
EXPLOSIONS | 0:02:50 | 0:02:52 | |
He's in good company today, | 0:02:52 | 0:02:53 | |
for Martha herself is no stranger to danger. | 0:02:53 | 0:02:56 | |
I'll be reporting from Afghanistan. | 0:02:56 | 0:02:58 | |
She was nominated for a Bafta for her work | 0:02:58 | 0:03:01 | |
reporting on the Troubles in Northern Ireland. | 0:03:01 | 0:03:03 | |
The guns are out and blast bombs are being used | 0:03:03 | 0:03:05 | |
in places like here in Carrickfergus. | 0:03:05 | 0:03:08 | |
Known for her fearless approach | 0:03:08 | 0:03:11 | |
whilst asking probing questions. | 0:03:11 | 0:03:13 | |
In essence, aren't you losing the propaganda war? | 0:03:13 | 0:03:16 | |
I don't think we're losing it, but I think we've got to go out and fight it. Of course we have. | 0:03:16 | 0:03:20 | |
Huh! Today, she's well-known for the incredibly popular | 0:03:20 | 0:03:23 | |
World At One on Radio Four. | 0:03:23 | 0:03:25 | |
Your programme is one of my absolute favourites. | 0:03:25 | 0:03:29 | |
When I'm not travelling, I'm home mostly, | 0:03:29 | 0:03:32 | |
so I can listen to whatever I want to listen to. | 0:03:32 | 0:03:34 | |
Oh, well, that's lovely to hear. | 0:03:34 | 0:03:36 | |
Armed with £400 each, | 0:03:36 | 0:03:39 | |
how will this pair cope battling it out on the antiquing trail? | 0:03:39 | 0:03:43 | |
Do you want to beat the bejesus out of me? | 0:03:43 | 0:03:46 | |
-Well, you know, journalists are very competitive. -We are a bit, aren't we? | 0:03:46 | 0:03:51 | |
But in a way you have to have that competitive spirit. | 0:03:51 | 0:03:54 | |
You have to want to be the first with the story... | 0:03:54 | 0:03:57 | |
-You do in our business. -Yes. | 0:03:57 | 0:03:59 | |
Two such intellectual titans deserve only the most cerebral of experts. | 0:03:59 | 0:04:05 | |
Auctioneers Natasha Raskin... | 0:04:05 | 0:04:08 | |
We have got some erudite guests. | 0:04:08 | 0:04:10 | |
..and, um, Phil Serrell. | 0:04:10 | 0:04:13 | |
-What did you just say? -Erudite. | 0:04:13 | 0:04:16 | |
Astute, clever, intelligent... | 0:04:16 | 0:04:19 | |
Come on, Phil, keep up! | 0:04:19 | 0:04:21 | |
Yeah, keep up, Phil. | 0:04:21 | 0:04:23 | |
They're powering along in a 1965 MG Midget. | 0:04:26 | 0:04:30 | |
These are tiptop BBC journalists we're dealing with here. | 0:04:30 | 0:04:34 | |
I'm in awe of people like that, seriously, because they are... | 0:04:34 | 0:04:38 | |
-Risk-takers. -Yeah, you know. | 0:04:38 | 0:04:40 | |
You think of all the different things they've had to report on. | 0:04:40 | 0:04:43 | |
-Martha for the peace process in Ireland... -Your driving... | 0:04:43 | 0:04:47 | |
SHE LAUGHS | 0:04:47 | 0:04:48 | |
Watch out! | 0:04:48 | 0:04:50 | |
SHE LAUGHS | 0:04:50 | 0:04:52 | |
On this Road Trip we're travelling through Jane Austen country, | 0:04:52 | 0:04:56 | |
otherwise known as Hampshire, | 0:04:56 | 0:04:57 | |
ending up at an auction in the village of Itchen Stoke. | 0:04:57 | 0:05:00 | |
Today's journey begins in Hartley Wintney. | 0:05:03 | 0:05:06 | |
That's a cool car. I want to drive that car. | 0:05:06 | 0:05:08 | |
I'm going to go and let Martha out. I'm going to get my partner. | 0:05:08 | 0:05:12 | |
-Hello! -Hello! -Hi, John! | 0:05:12 | 0:05:14 | |
I feel as though I've been in a can of beans or something. | 0:05:14 | 0:05:17 | |
-Very nice to meet you. -You, too. -I'm looking forward to this. | 0:05:17 | 0:05:20 | |
-How are you? This is exciting! -Very. | 0:05:20 | 0:05:25 | |
-Any tips? -Well, the only tip I've got is to try and beat these two. | 0:05:25 | 0:05:29 | |
He usually does! | 0:05:29 | 0:05:31 | |
It looks like we've decided who is working with whom. | 0:05:31 | 0:05:34 | |
Yeah, we naturally migrated towards the opposite sex. | 0:05:34 | 0:05:37 | |
Boy, girl, boy, girl, yeah. | 0:05:37 | 0:05:39 | |
-It's got to be done. -We need to sort these cars out. | 0:05:39 | 0:05:41 | |
-Yes. I quite like the one you're leaning on. -Do you? | 0:05:41 | 0:05:44 | |
I think that's quite cool. What do you reckon? | 0:05:44 | 0:05:46 | |
Well, this was the first car I ever owned. | 0:05:46 | 0:05:49 | |
I wanted an MGB but I couldn't afford it. | 0:05:49 | 0:05:51 | |
-Are you going to be able to fit into it, John? -I'm not sure I can. | 0:05:51 | 0:05:55 | |
This could be good! | 0:05:55 | 0:05:56 | |
-Only because you're so tall, that's all I'm saying. -How nice you are! | 0:05:56 | 0:06:00 | |
-NATASHA: -Oh, no... -I'm going to... -It's happening! -Aaagh! | 0:06:00 | 0:06:04 | |
-Yay! -Oh, man! | 0:06:04 | 0:06:07 | |
ENGINE STARTS | 0:06:07 | 0:06:09 | |
-Hey! -REVVING | 0:06:09 | 0:06:11 | |
You never lose it! | 0:06:11 | 0:06:12 | |
MARTHA LAUGHS | 0:06:12 | 0:06:13 | |
He's off! He's off! | 0:06:13 | 0:06:15 | |
-He's dumped you! -Yeah. -That's not a very good start, is it? | 0:06:16 | 0:06:19 | |
He's back! | 0:06:19 | 0:06:20 | |
No, he's off again. | 0:06:20 | 0:06:22 | |
-Shall we just sneak off? Let's steal the march. -It's Brands Hatch! | 0:06:22 | 0:06:26 | |
-Yes, let's steal a march on them. -Don't leave me alone! | 0:06:26 | 0:06:29 | |
If John ever comes back, our celebs are sharing the shop floor | 0:06:29 | 0:06:32 | |
this morning in White Lion Antiques Centre. | 0:06:32 | 0:06:36 | |
So, Martha, what's floats the Martha boat? | 0:06:36 | 0:06:39 | |
I've got very wide-ranging tastes, actually. | 0:06:39 | 0:06:43 | |
-I love Arts and Crafts furniture. -Right. | 0:06:43 | 0:06:46 | |
I've got a few things by the mouse man... | 0:06:46 | 0:06:50 | |
-Yeah? Robert Thompson of Kilburn. -Yeah. I love those. | 0:06:50 | 0:06:54 | |
I quite like kitschy '50s things. | 0:06:54 | 0:06:57 | |
So what we want is something vintagey kitschy | 0:07:01 | 0:07:03 | |
that's Art Nouveau with a mouse on it. | 0:07:03 | 0:07:06 | |
Exactly! That'll sum it up pretty well. | 0:07:06 | 0:07:09 | |
Good luck with that, Phil! | 0:07:09 | 0:07:12 | |
I wonder if John has such a clear game plan. | 0:07:14 | 0:07:17 | |
Are you looking for anything in particular or are we just | 0:07:17 | 0:07:19 | |
going to amble along and see what strikes us? | 0:07:19 | 0:07:23 | |
That sounds terribly kind of purposeless, doesn't it, but it's | 0:07:23 | 0:07:27 | |
my way of approaching everything, really - just see what there is. | 0:07:27 | 0:07:31 | |
-Without purpose. -Without any purpose whatever. | 0:07:31 | 0:07:34 | |
So, with two very distinct approaches in play, | 0:07:34 | 0:07:37 | |
let the shopping commence. | 0:07:37 | 0:07:39 | |
Nice tache! | 0:07:39 | 0:07:40 | |
How are you on boxes and trunks, Martha? | 0:07:42 | 0:07:45 | |
-Yes, I do like trunks very much. -Do you? | 0:07:45 | 0:07:48 | |
Shall we have a look at that one over there? | 0:07:48 | 0:07:50 | |
-Oh, and I like this, actually. -Do you? | 0:07:50 | 0:07:52 | |
What I love is the idea that somebody has stored things in this. | 0:07:52 | 0:07:58 | |
And look at this beautiful, beautiful wood. | 0:07:58 | 0:08:01 | |
The thing with trunks and boxes is, you get two types of trunks | 0:08:01 | 0:08:04 | |
and boxes - dome-top trunks | 0:08:04 | 0:08:06 | |
and you get flat-top trunks, and by and large a flat-top trunk is | 0:08:06 | 0:08:09 | |
always worth more than a dome-top trunk, | 0:08:09 | 0:08:11 | |
because you can't put anything on top of a dome top trunk. | 0:08:11 | 0:08:14 | |
Oh, so this could be a coffee table or something as well as a... | 0:08:14 | 0:08:17 | |
I can see that as a coffee table, a TV table... | 0:08:17 | 0:08:19 | |
-Is it all the same piece? -You're good, aren't you? | 0:08:19 | 0:08:22 | |
-If you open that up... -Because this seems much older. | 0:08:22 | 0:08:25 | |
Well, what do you think that would make at auction? | 0:08:25 | 0:08:28 | |
HE KNOCKS | 0:08:28 | 0:08:30 | |
I would think about... 60, 70 quid? | 0:08:30 | 0:08:34 | |
I think you're on the money. | 0:08:34 | 0:08:36 | |
Its ticket price is £125, though. | 0:08:36 | 0:08:38 | |
-So it's at least half, we need to get it down to. -Yeah. | 0:08:40 | 0:08:43 | |
It's the kind of thing I would buy for myself... | 0:08:43 | 0:08:45 | |
Martha, if you would buy this for yourself, then I think... | 0:08:45 | 0:08:49 | |
Let's just...leave that there. | 0:08:49 | 0:08:53 | |
Let's go and have a quick look around and we'll come back. | 0:08:53 | 0:08:57 | |
I like this girl, she speed-shops. | 0:08:57 | 0:09:00 | |
Well, this is going swimmingly so far. How are their rivals getting on? | 0:09:00 | 0:09:05 | |
I mean, this is my kind of stuff. | 0:09:08 | 0:09:10 | |
This is a Candara carving. | 0:09:10 | 0:09:12 | |
-So a Shia deity. -Yes. | 0:09:12 | 0:09:15 | |
And it's from Afghanistan. | 0:09:15 | 0:09:18 | |
It may be, but it's also way out of budget. | 0:09:18 | 0:09:23 | |
Natasha? | 0:09:23 | 0:09:25 | |
I did clock something over here. | 0:09:25 | 0:09:27 | |
And forgive me if I'm wrong, | 0:09:27 | 0:09:30 | |
but I have a sort of vision in my mind... | 0:09:30 | 0:09:32 | |
-What, this? -I thought isn't that a very 1970s - a diplomat's item? | 0:09:32 | 0:09:37 | |
-Did you encounter a lot of diplomats? -I did! | 0:09:37 | 0:09:40 | |
And this makes me think of diplomats maybe on their beautiful dresser | 0:09:40 | 0:09:44 | |
they would have had this filled with ice, and a decanter by the side... | 0:09:44 | 0:09:47 | |
-It's actually quite nice. -It is quite nice, yeah. | 0:09:47 | 0:09:50 | |
If my wife came back from a sale | 0:09:50 | 0:09:52 | |
with that I'd be full of congratulations, | 0:09:52 | 0:09:55 | |
instead of the usual, "Where did you get that tosh from?" | 0:09:55 | 0:09:58 | |
I'd say that's a pretty big thumbs up. | 0:09:58 | 0:10:02 | |
The ticket price is £55. | 0:10:02 | 0:10:05 | |
-Nice and thick. -They are nice and thick, yeah. They look good. | 0:10:05 | 0:10:08 | |
-I quite like the set. -I think you're absolutely right | 0:10:08 | 0:10:11 | |
and I trust your instinct on this, if we can get them down | 0:10:11 | 0:10:15 | |
to the kind of level that, you know, where we can sell them. | 0:10:15 | 0:10:21 | |
Now, what's Martha up to? | 0:10:22 | 0:10:24 | |
Load of cobblers? | 0:10:28 | 0:10:30 | |
Straight from the serious business of shopping, eh? | 0:10:30 | 0:10:34 | |
Perhaps dealer Jerry can help. | 0:10:34 | 0:10:36 | |
What about that? | 0:10:36 | 0:10:39 | |
-A blowtorch! -It's a VINTAGE blowtorch! | 0:10:39 | 0:10:44 | |
It's a blowtorch, Martha, it's a blowtorch. | 0:10:44 | 0:10:48 | |
What does it say there? Primus or something? | 0:10:48 | 0:10:51 | |
So presumably this is from the same maker as the Primus stove. | 0:10:51 | 0:10:54 | |
-Yeah. -And you pump it up... -And then it blows up! -Yeah. | 0:10:54 | 0:10:59 | |
It's priced at £38. | 0:10:59 | 0:11:01 | |
I think these are very fashionable. | 0:11:01 | 0:11:05 | |
These kinds of things are coming into their own now. | 0:11:05 | 0:11:07 | |
Worryingly, I'm not going to argue with you. | 0:11:07 | 0:11:10 | |
It's the sort of thing that I would buy, but you've got to buy that. | 0:11:10 | 0:11:14 | |
-It's only 15 quid. You want to bring that with you? -Yes. | 0:11:14 | 0:11:19 | |
Martha knows exactly what she likes. | 0:11:19 | 0:11:21 | |
As does our Natasha. | 0:11:21 | 0:11:23 | |
I don't know how you feel about jewellery, but I absolutely | 0:11:23 | 0:11:27 | |
love this micro mosaic brooch - the bar brooch style. | 0:11:27 | 0:11:31 | |
Really intricate, isn't it? Really lovely. | 0:11:31 | 0:11:34 | |
And trying to theme it with your career, | 0:11:34 | 0:11:36 | |
-it's got a sort of Moorish appeal to it. -It has, yes, you're right! | 0:11:36 | 0:11:39 | |
I know nothing about these whatsoever. | 0:11:39 | 0:11:43 | |
I mean, who...who makes it? Where does it come from? | 0:11:43 | 0:11:46 | |
Well, they tend to have been tourist items made in Italy. | 0:11:46 | 0:11:49 | |
-Made for the tourist trade. -Made for the tourists. | 0:11:49 | 0:11:52 | |
And the Brits going over to Italy and coming back with | 0:11:52 | 0:11:55 | |
-wee trinkets. Look how wearable that is today. -Yes! | 0:11:55 | 0:11:58 | |
That would jazz up this outfit instantly. Even yours, even yours. | 0:11:58 | 0:12:02 | |
I think it would be good on both of us at three quid. | 0:12:02 | 0:12:05 | |
-Yeah? Good on anyone. -Three quid. | 0:12:05 | 0:12:09 | |
-You think I'm a bit of a dreamer. -Let's get that. | 0:12:09 | 0:12:11 | |
Ticket price is just £6. | 0:12:13 | 0:12:16 | |
This is the first test of John's haggling skills. | 0:12:16 | 0:12:19 | |
Stand by. | 0:12:19 | 0:12:20 | |
There's a sort of '70s glass set of six glasses and an ice bucket, | 0:12:22 | 0:12:27 | |
and then there's a little brooch, very small brooch. Nothing. | 0:12:27 | 0:12:31 | |
-You could throw that in and not even notice. -Yes. | 0:12:31 | 0:12:35 | |
Hm, smoothly done, John! | 0:12:35 | 0:12:36 | |
The two items have a combined ticket price of £61. | 0:12:36 | 0:12:40 | |
What would be great for us would be half price. | 0:12:40 | 0:12:43 | |
30 for the two? | 0:12:43 | 0:12:45 | |
Can't do 30. | 0:12:46 | 0:12:48 | |
I could take a chance at 40, to help you out. | 0:12:48 | 0:12:53 | |
Well, I would have said 34. | 0:12:53 | 0:12:55 | |
36? | 0:12:55 | 0:12:57 | |
-Well, let's say 35. -35 sounds great. Thanks, John. Nice to meet you. | 0:12:57 | 0:13:01 | |
John is no stranger to haggling, it seems, so that's two items | 0:13:01 | 0:13:04 | |
in the bag - 30 for the drinks set and £5 for the brooch. | 0:13:04 | 0:13:09 | |
Now, what has Martha unearthed? | 0:13:09 | 0:13:11 | |
Goodness knows! | 0:13:11 | 0:13:13 | |
-What have you found? -It's this old...chair. | 0:13:13 | 0:13:18 | |
It's a little bit... | 0:13:18 | 0:13:20 | |
rickety, but there's something about the wood that I rather like. | 0:13:20 | 0:13:26 | |
-You can feel that somebody has sat in that chair over time. -Yes. | 0:13:26 | 0:13:30 | |
Well, very often if you have a look at the back of these things | 0:13:33 | 0:13:37 | |
it tells you more than the front. | 0:13:37 | 0:13:39 | |
-And if you look there... -It's been mended. -That's been broken. -Right. | 0:13:39 | 0:13:44 | |
-And that bit of wood has been let in there. -Mm. | 0:13:44 | 0:13:46 | |
But this thing just wants a polish and some love, really. | 0:13:46 | 0:13:49 | |
So, that's now three items of interest for Martha - | 0:13:49 | 0:13:53 | |
the chair, the trunk and the blowtorch. | 0:13:53 | 0:13:57 | |
Their combined ticket price is £338. Time for some serious negotiation. | 0:13:58 | 0:14:03 | |
Is there any possibility | 0:14:03 | 0:14:05 | |
we can buy the thing somewhere between £100 and £140? | 0:14:05 | 0:14:09 | |
-What, all of them? -Yeah. -I could probably deal at 180. | 0:14:09 | 0:14:13 | |
Hm... That's quite hard for us, isn't it? | 0:14:13 | 0:14:16 | |
No, because we'd lose on that. | 0:14:16 | 0:14:18 | |
I'd really like to buy three things here if we possibly could. | 0:14:18 | 0:14:22 | |
It would be nice, wouldn't it? | 0:14:22 | 0:14:23 | |
-I don't want you to buy things from here and not earn a profit. -OK. | 0:14:23 | 0:14:27 | |
-So, let's do the deal... -Yay! -..and let's get it done. | 0:14:27 | 0:14:32 | |
-Thank you so much. -You've been really kind to us, thank you. -OK. | 0:14:32 | 0:14:34 | |
-That's really nice. Thank you so much. -Thank you so much. | 0:14:34 | 0:14:37 | |
I'm delighted. We won't use the blowtorch on you now. | 0:14:37 | 0:14:40 | |
-No! -That was our secret weapon. | 0:14:40 | 0:14:42 | |
Fantastic! Thank you so much. Pay the man, Martha, pay the man. | 0:14:42 | 0:14:46 | |
Well, thankfully, Martha's charming smile | 0:14:46 | 0:14:48 | |
and Jerry's generosity were enough to secure the blowtorch for £20, | 0:14:48 | 0:14:53 | |
the trunk for 50 and the saddle chair for £70. | 0:14:53 | 0:14:57 | |
Their rivals, though, have once again hit the open road. | 0:14:57 | 0:15:01 | |
Is there one moment in your career | 0:15:02 | 0:15:04 | |
that really sticks out as a particularly proud scene? | 0:15:04 | 0:15:07 | |
There's one, which I've never really told anybody about. | 0:15:07 | 0:15:10 | |
After Nelson Mandela got let out of jail in 1990, | 0:15:10 | 0:15:15 | |
I started to get to know him a bit | 0:15:15 | 0:15:17 | |
and he was very friendly and very, very nice. | 0:15:17 | 0:15:20 | |
And then he was, of course, in 1994, he was elected president. | 0:15:20 | 0:15:24 | |
And we were allowed onto the platform, | 0:15:24 | 0:15:27 | |
-right beside him. -Wow. | 0:15:27 | 0:15:28 | |
And... | 0:15:28 | 0:15:30 | |
Oh! I mean... I'm... | 0:15:30 | 0:15:32 | |
It's a wonderful memory of a wonderful man. | 0:15:32 | 0:15:35 | |
He looked at me... | 0:15:35 | 0:15:37 | |
-and gave me a big wink and a thumbs up. -Oh, wow! | 0:15:37 | 0:15:40 | |
And I just thought, "Oh, life holds nothing better than this." | 0:15:40 | 0:15:44 | |
That's quite a story. | 0:15:44 | 0:15:46 | |
John and Natasha are on their way to Keogh Barracks in Ash Vale. | 0:15:48 | 0:15:53 | |
John's no stranger to being a civilian on the battlefield | 0:15:55 | 0:15:57 | |
and he's here to learn about some very different non-combatants, | 0:15:57 | 0:16:02 | |
who played a decisive role in winning the war. | 0:16:02 | 0:16:05 | |
OK, shall we? | 0:16:05 | 0:16:07 | |
Let's do it. | 0:16:07 | 0:16:08 | |
Today, they're meeting with Captain Pete Starling. | 0:16:08 | 0:16:11 | |
Well, Natasha, John, welcome to the Army Medical Services Museum. | 0:16:14 | 0:16:18 | |
Preparing for war involves a huge amount of planning. | 0:16:20 | 0:16:23 | |
Incredibly, it was only after General Haig suffered toothache | 0:16:23 | 0:16:26 | |
at the start of the First World War, | 0:16:26 | 0:16:28 | |
that any provision was made for our soldiers' teeth. | 0:16:28 | 0:16:30 | |
Prior to this, huge numbers of soldiers were withdrawn from battle | 0:16:30 | 0:16:34 | |
due to teeth issues, so this wasn't a problem | 0:16:34 | 0:16:37 | |
they could afford to ignore any more. | 0:16:37 | 0:16:40 | |
There were thousands of soldiers suffering from toothache, | 0:16:40 | 0:16:43 | |
broken dentures and were ineffective as infantrymen. | 0:16:43 | 0:16:48 | |
And this happened right throughout the war. | 0:16:48 | 0:16:50 | |
In the early days of the war, almost all dental treatment | 0:16:50 | 0:16:53 | |
for British soldiers was carried out by civilian practitioners. | 0:16:53 | 0:16:57 | |
By 1918, there were 850 dental officers in the Army. | 0:16:57 | 0:17:01 | |
By the outbreak of the Second World War, | 0:17:01 | 0:17:03 | |
the Army Dental Corps had been established. | 0:17:03 | 0:17:06 | |
So 1939, then, the Army mobilises again, but there have been | 0:17:06 | 0:17:10 | |
great developments in the Army Dental Corps. | 0:17:10 | 0:17:13 | |
We had this organisation called The Field Ambulance. | 0:17:13 | 0:17:15 | |
This was the unit that treated the casualties, | 0:17:15 | 0:17:18 | |
as they came back from the front line. | 0:17:18 | 0:17:20 | |
Being at the heart of the action | 0:17:20 | 0:17:21 | |
left them vulnerable to attack and capture. | 0:17:21 | 0:17:24 | |
Like their Medical Corps counterparts, | 0:17:24 | 0:17:26 | |
a substantial number ended up as prisoners of war, | 0:17:26 | 0:17:29 | |
because they remained with the sick and wounded. | 0:17:29 | 0:17:31 | |
One such military dentist was Captain Julian Green. | 0:17:31 | 0:17:35 | |
One of those captured in northwest Europe | 0:17:36 | 0:17:38 | |
was this dental officer, Julius Green. | 0:17:38 | 0:17:41 | |
And he was captured at St Valery, | 0:17:41 | 0:17:44 | |
with 152nd Field Ambulance. | 0:17:44 | 0:17:47 | |
And, throughout the war, he remained in captivity. | 0:17:47 | 0:17:50 | |
As well as surviving the perils of the prisoner of war camps, | 0:17:50 | 0:17:54 | |
Green played a vital role in the war after a meeting | 0:17:54 | 0:17:57 | |
with a British commando that would change his life forever. | 0:17:57 | 0:18:01 | |
Now, in one camp he was in, he was taken to see a commando, | 0:18:01 | 0:18:05 | |
who was very seriously ill. | 0:18:05 | 0:18:07 | |
And this chap was working for the intelligence services. | 0:18:07 | 0:18:10 | |
And what he was doing, or what he had been doing, | 0:18:10 | 0:18:13 | |
is he had been sending letters back to his parents with code in them. | 0:18:13 | 0:18:17 | |
Green was asked to take over from the commando and become a spy. | 0:18:18 | 0:18:23 | |
He was taught a secret code to communicate with MI9, | 0:18:23 | 0:18:26 | |
who were responsible for aiding Allied resistance fighters | 0:18:26 | 0:18:30 | |
in occupied territories. | 0:18:30 | 0:18:32 | |
The code was hidden within letters to his parents. | 0:18:32 | 0:18:35 | |
The letters were then intercepted by the British intelligence service. | 0:18:35 | 0:18:39 | |
We've got here on the table a translation of how you interpret | 0:18:39 | 0:18:43 | |
the code here, which is quite difficult to understand, | 0:18:43 | 0:18:46 | |
because it's all to do with so many words in one line | 0:18:46 | 0:18:50 | |
and then you take the second word or the third word. | 0:18:50 | 0:18:54 | |
The code consisted of a grid system, | 0:18:54 | 0:18:56 | |
where individual letters or words could be picked out of | 0:18:56 | 0:18:59 | |
specific sentences to make up phrases. | 0:18:59 | 0:19:02 | |
Oh, wow. It's amazing. And quite interesting that you say that. | 0:19:02 | 0:19:05 | |
-It's... Yeah. -It says "decoding the letters is quite simple". | 0:19:05 | 0:19:07 | |
-LAUGHTER -And that's what happens. | 0:19:07 | 0:19:09 | |
But then, tellingly, "Once you know how". | 0:19:09 | 0:19:11 | |
-"Once you know how", yeah. -LAUGHTER | 0:19:11 | 0:19:13 | |
Green proved to be the ideal candidate to spy on people. | 0:19:13 | 0:19:16 | |
As a dentist, he was asked to treat German officers, | 0:19:16 | 0:19:19 | |
as well as other prisoners. | 0:19:19 | 0:19:20 | |
And, as he wasn't a fighting soldier and had an affable bedside manner, | 0:19:20 | 0:19:25 | |
people spoke surprisingly openly to him. | 0:19:25 | 0:19:28 | |
The smaller one is a letter from the intelligence services. | 0:19:28 | 0:19:32 | |
-Oh. -It's to his father, | 0:19:32 | 0:19:35 | |
telling him to ignore certain phrases in the letter. | 0:19:35 | 0:19:38 | |
that he won't understand anyway, but please don't question them. | 0:19:38 | 0:19:41 | |
Yes, yes. | 0:19:41 | 0:19:42 | |
So "please pay no attention to the reference | 0:19:42 | 0:19:45 | |
"to letters from Lorder and Philippa Outram | 0:19:45 | 0:19:49 | |
"and do not mention them in letters to your son." | 0:19:49 | 0:19:51 | |
It's quite a lot of pressure on his family. Saying here, | 0:19:51 | 0:19:54 | |
"You will no doubt appreciate the necessity for maintaining | 0:19:54 | 0:19:57 | |
-"absolute secrecy in this matter." -Yeah. -Yes. | 0:19:57 | 0:19:59 | |
You can just imagine how he would have felt. | 0:19:59 | 0:20:01 | |
He would have been shaking reading that letter, | 0:20:01 | 0:20:03 | |
thinking people were watching him. | 0:20:03 | 0:20:05 | |
-Yes. -But, more importantly, what happened if his son was... | 0:20:05 | 0:20:07 | |
-you know, caught. -Mm! -Yeah. -What would happen? | 0:20:07 | 0:20:10 | |
Incredibly, after all Green had been through, | 0:20:10 | 0:20:13 | |
he survived and returned home at the end of the war. | 0:20:13 | 0:20:17 | |
And, amazingly, went on to play yet another pivotal role | 0:20:17 | 0:20:20 | |
much closer to home. | 0:20:20 | 0:20:21 | |
I have a little bit of a secret to tell you. | 0:20:21 | 0:20:23 | |
-This is the man that my father used to call Uncle Julie. -Oh, God! | 0:20:23 | 0:20:27 | |
There's no blood relation, but he was the best man | 0:20:27 | 0:20:30 | |
at my father's wedding and my father was the best man at his wedding | 0:20:30 | 0:20:34 | |
and Julius' son Alan was also a dentist in Glasgow. | 0:20:34 | 0:20:38 | |
-Completely bizarre! -You've kept very quiet about that. -An amazing story! | 0:20:38 | 0:20:42 | |
I didn't think it could be true, to be honest with you. It's just... | 0:20:42 | 0:20:45 | |
It's too bizarre, but my dad tells a nice story of, every morning, | 0:20:45 | 0:20:48 | |
Uncle Julie used to come down and do militarily inspection | 0:20:48 | 0:20:51 | |
-before they went to school! -LAUGHTER | 0:20:51 | 0:20:54 | |
So, he must have been through | 0:20:54 | 0:20:56 | |
-so much in these prisoner of war camps... -Yes. -Yes. | 0:20:56 | 0:20:58 | |
..and remained a really light-hearted gentleman, | 0:20:58 | 0:21:01 | |
-which is an amazing story in itself. -Lovely! | 0:21:01 | 0:21:04 | |
What an incredible man, whose bravery will have saved countless lives, | 0:21:04 | 0:21:08 | |
both on the battlefield and at home. | 0:21:08 | 0:21:10 | |
Back with Martha and Phil, | 0:21:12 | 0:21:14 | |
who are driving just under a mile down the road from their first shop. | 0:21:14 | 0:21:19 | |
Out of all the people you've met and talked to and interviewed, | 0:21:19 | 0:21:22 | |
were there any that you really felt nervous about beforehand? | 0:21:22 | 0:21:25 | |
When I was a junior reporter, I was sent to interview Margaret Thatcher. | 0:21:25 | 0:21:29 | |
-Yeah. -She was visiting a craft fair. -Yeah. | 0:21:29 | 0:21:32 | |
And my editor said, "Go there, ask a few questions about the craft... | 0:21:32 | 0:21:36 | |
"and then ask her about the teachers' strike," so I went, "OK!" | 0:21:36 | 0:21:40 | |
She was very nice to me at first and explained to me | 0:21:40 | 0:21:42 | |
-why she liked the Dartford Crystal or whatever it was. -Yeah. | 0:21:42 | 0:21:45 | |
And then, I said, "And what do you think about the teachers' strike?" | 0:21:45 | 0:21:48 | |
And she GLARED at me with those bright eyes | 0:21:48 | 0:21:52 | |
and turned on her heel and walked off! | 0:21:52 | 0:21:54 | |
And I remember, I felt absolutely, you know, awful that I'd, er... | 0:21:54 | 0:21:59 | |
I felt I'd done something very wrong. | 0:21:59 | 0:22:02 | |
Something tells me Martha's going to have no problem | 0:22:02 | 0:22:05 | |
keeping Phil in check today. | 0:22:05 | 0:22:07 | |
HE SHIVERS | 0:22:09 | 0:22:11 | |
-Let's go. -Oh, this is rather pretty, isn't it? -It's lovely, isn't it? | 0:22:11 | 0:22:15 | |
Looks promising, doesn't it? | 0:22:15 | 0:22:17 | |
Talking about the shop? | 0:22:17 | 0:22:18 | |
Hopefully so, as they still have £260 left to spend. | 0:22:18 | 0:22:22 | |
-And how much is that? -20 quid. | 0:22:24 | 0:22:27 | |
We can leave that there a bit longer, I think. | 0:22:27 | 0:22:29 | |
What about this vicious-looking fellow? | 0:22:29 | 0:22:32 | |
I can't imagine having him around the house. | 0:22:32 | 0:22:34 | |
-Well, that's 950 quid. -SHE GASPS | 0:22:34 | 0:22:36 | |
I'm not sure there's anything in here for us. | 0:22:36 | 0:22:38 | |
-£950 for a stuffed fish?! -Yeah. | 0:22:38 | 0:22:42 | |
So far, it's not looking good. | 0:22:42 | 0:22:45 | |
Now, I'm a keen cook, so I like these. | 0:22:45 | 0:22:48 | |
These are for kind of making little sauces and things. | 0:22:48 | 0:22:51 | |
I think they're probably French and you can pick them up, really, | 0:22:51 | 0:22:54 | |
for next to nothing in the markets. | 0:22:54 | 0:22:56 | |
-Have you done any of the celebrity cooking programmes? -I have. | 0:22:56 | 0:23:00 | |
-How did you get on? -I did Great British Bake Off. -And? | 0:23:00 | 0:23:04 | |
-Won it. -Ooh-hoo-hoo! -Ooh! -So what sort of cake have we got tomorrow? | 0:23:04 | 0:23:07 | |
-Ha-ha! -Presumably, you've rattled something up for you? -Yeah! | 0:23:07 | 0:23:10 | |
It's back in the car! | 0:23:10 | 0:23:11 | |
There are many lovely objects on offer here, | 0:23:11 | 0:23:14 | |
but there's nothing that tickles their fancy. | 0:23:14 | 0:23:18 | |
Ooh, lordy, where's Phil off to now? | 0:23:18 | 0:23:20 | |
The butcher's? | 0:23:21 | 0:23:22 | |
OK, the baker's. | 0:23:24 | 0:23:25 | |
HE SIGHS | 0:23:25 | 0:23:27 | |
And now the pub! | 0:23:29 | 0:23:30 | |
-Yeah. -Really, Phil! | 0:23:30 | 0:23:32 | |
-I wasn't after a quick pint... -SHE LAUGHS | 0:23:32 | 0:23:35 | |
-You say that! -Well, yeah. I just sneaked off. -He said he wasn't after | 0:23:35 | 0:23:38 | |
-a quick pint, but do we believe him? I dunno! -Sort of moderately quick. | 0:23:38 | 0:23:42 | |
He does look a bit rosy-cheeked, the old rogue! | 0:23:44 | 0:23:48 | |
They picked up some great items earlier, | 0:23:49 | 0:23:51 | |
so rest up, chaps, there'll be more shopping tomorrow. | 0:23:51 | 0:23:54 | |
And nighty-night! | 0:23:55 | 0:23:57 | |
It's a new day and today's headliners are bright-eyed, bushy-tailed | 0:24:01 | 0:24:04 | |
and all set for reporting for duty. | 0:24:04 | 0:24:07 | |
-So how are you enjoying the shopping? -Well, very...very much. | 0:24:07 | 0:24:10 | |
I mean, the thing is, I never go shopping for that kind of stuff, | 0:24:10 | 0:24:14 | |
so it's a bit of a mystery to me. I imagine you're more used to that? | 0:24:14 | 0:24:18 | |
I do like, um, poking about in old junk shops and antique shops, | 0:24:18 | 0:24:23 | |
but I've really enjoyed doing it with Phil. | 0:24:23 | 0:24:26 | |
I mean, he tells it like it is. | 0:24:26 | 0:24:27 | |
I go over and say, "Oh, these lovely saucepans!" | 0:24:27 | 0:24:30 | |
He said, "20 quid in France, don't bother!" | 0:24:30 | 0:24:32 | |
-Oh, good! -So he's very direct. -Yes. -Doesn't try and nurture my feelings. | 0:24:32 | 0:24:37 | |
Yeah, that's our Phil! | 0:24:37 | 0:24:39 | |
With Natasha, she spots things that are just | 0:24:39 | 0:24:42 | |
sort of hidden by other things that I'd never even noticed. | 0:24:42 | 0:24:46 | |
Our celebs aren't the only ones enamoured with their pairings. | 0:24:46 | 0:24:50 | |
What I think is interesting about these two, | 0:24:50 | 0:24:52 | |
of all the people we've worked with and the rest of it, | 0:24:52 | 0:24:55 | |
-they've put themselves on the edge, haven't they? -On the line, yeah. | 0:24:55 | 0:24:58 | |
-Martha in Ireland... -Yeah. -..John across the world. | 0:24:58 | 0:25:00 | |
But, yeah, they really... | 0:25:00 | 0:25:02 | |
-They know no fear. -You know... -Until they met you(!) | 0:25:02 | 0:25:04 | |
You know, being shot at, and all that sort of stuff, | 0:25:04 | 0:25:08 | |
-it just pales into insignificance... -When you get into the saleroom! | 0:25:08 | 0:25:12 | |
-..to a mahogany chest of drawers. -Ha-ha! -Doesn't it? | 0:25:12 | 0:25:15 | |
Speaking of which, yesterday, Martha and Phil made a great team. | 0:25:15 | 0:25:19 | |
She showed a keen eye for antiques, knowing exactly the style she wanted. | 0:25:20 | 0:25:24 | |
I think these are very fashionable. | 0:25:24 | 0:25:27 | |
They spent £140 on three items in their first shop - | 0:25:27 | 0:25:31 | |
a brass blowtorch, a pine trunk and a Victorian saddle-seat chair. | 0:25:31 | 0:25:36 | |
John was mostly interested | 0:25:36 | 0:25:38 | |
in historical artefacts from his travels. | 0:25:38 | 0:25:41 | |
-I mean, this is... -OK. -..my kind of stuff. | 0:25:41 | 0:25:43 | |
He let Natasha take the lead on his two purchases, spending just | 0:25:43 | 0:25:47 | |
£35 on an Italian micro mosaic bar brooch and a 1970s hi-ball drink set. | 0:25:47 | 0:25:53 | |
-Good morning! -Look at that! | 0:25:53 | 0:25:55 | |
MARTHA: I'll try not to crash into your car! | 0:25:55 | 0:25:57 | |
Ooh, I've stalled. Well, that's a good way of stopping, isn't it? | 0:25:57 | 0:26:00 | |
-You go and get... -It's the only way to stop! | 0:26:00 | 0:26:02 | |
-MARTHA LAUGHS -The only way to stop! | 0:26:02 | 0:26:03 | |
-Good morning, John. -Good morning! -How are you, my love? -I'm very well. | 0:26:03 | 0:26:06 | |
-How are you? -Lovely to see you. -Isn't this gorgeous? | 0:26:06 | 0:26:09 | |
-This is exciting! -Very! -Yes! | 0:26:09 | 0:26:11 | |
-We're going to win! -Let's go tease these two. -Yeah. | 0:26:11 | 0:26:14 | |
-Good morning, sir. -Hello, how are you? | 0:26:14 | 0:26:16 | |
-Very nice to see you. -Hi, Tash, how are you? | 0:26:16 | 0:26:17 | |
-Are you well? -I'm very well indeed. -Good! -Can I just say, | 0:26:17 | 0:26:20 | |
don't get too close to the enemy. | 0:26:20 | 0:26:22 | |
-The enemy? -We're not the enemy. Look at us! We're all friends here. | 0:26:22 | 0:26:25 | |
This... This is a war zone. | 0:26:25 | 0:26:27 | |
Psych 'em out. Well, we...we've got the most amazing "objet", haven't we? | 0:26:27 | 0:26:32 | |
-Oh, yeah, stunning! -Objet?! Oh, my goodness! | 0:26:32 | 0:26:35 | |
-We've just got a couple of objects. -LAUGHTER | 0:26:35 | 0:26:37 | |
-'A bit more competitive this morning, I see.' -Absolutely. | 0:26:37 | 0:26:41 | |
Back on the road, heading to Wickham, | 0:26:41 | 0:26:43 | |
and John is telling Natasha about his own fallout with a prime minister. | 0:26:43 | 0:26:47 | |
It was my very, very first day as a reporter. | 0:26:47 | 0:26:52 | |
My boss said, er, "There's a lot of stuff in the paper, | 0:26:52 | 0:26:55 | |
"Harold Wilson's going to call a general election" - it was 1970 - | 0:26:55 | 0:26:58 | |
"Why don't you go down to Euston station...? | 0:26:58 | 0:27:01 | |
"He's going to travel to his constituency. ..and just ask him?" | 0:27:01 | 0:27:05 | |
He comes down the platform, smiling at everybody, | 0:27:05 | 0:27:07 | |
everybody's smiling back, | 0:27:07 | 0:27:08 | |
so I stepped forward with my trusty microphone | 0:27:08 | 0:27:11 | |
and said, "Excuse me, Prime Minister, | 0:27:11 | 0:27:12 | |
"but, you know, I've heard of rumours that you might be going to | 0:27:12 | 0:27:15 | |
"call an election - is there any truth in it?" | 0:27:15 | 0:27:18 | |
I got as far as saying, "Excuse me, Prime..." | 0:27:18 | 0:27:22 | |
when he...went berserk, punched me in the stomach... | 0:27:22 | 0:27:26 | |
SHE GASPS AND LAUGHS | 0:27:26 | 0:27:27 | |
..and tried to wrestle the microphone out of my hand. | 0:27:27 | 0:27:30 | |
Hopefully, there'll be no such conflict at Warwick Lane antiques. | 0:27:30 | 0:27:35 | |
The money's burning a hole in my pocket! | 0:27:38 | 0:27:40 | |
Yes, me too, let's go spend it. | 0:27:40 | 0:27:42 | |
They've still got £365 left, so where to first? | 0:27:45 | 0:27:50 | |
-Shall we separate and, er...? -Keen for a separation this early? | 0:27:50 | 0:27:54 | |
-Oh, no, no, it's.... -THEY LAUGH | 0:27:54 | 0:27:56 | |
-I'm up for that, OK, you go one way, I'll go the other... -OK. | 0:27:56 | 0:27:59 | |
..and see what we come up with. | 0:27:59 | 0:28:00 | |
Natasha took the lead on day one, | 0:28:00 | 0:28:02 | |
but it looks like John's keen to branch out by himself today. | 0:28:02 | 0:28:07 | |
Lordy, what's he gone and found? | 0:28:09 | 0:28:11 | |
SIREN WAILS | 0:28:11 | 0:28:14 | |
IT WINDS DOWN | 0:28:20 | 0:28:23 | |
How about that? | 0:28:26 | 0:28:27 | |
I've started my own air raid. | 0:28:30 | 0:28:32 | |
-This is great! -Isn't it? | 0:28:34 | 0:28:36 | |
Absolutely lovely. No home should be without one. | 0:28:36 | 0:28:38 | |
SHOPKEEPER LAUGHS | 0:28:38 | 0:28:40 | |
I'm not sure about that, but John certainly seems right at home. | 0:28:40 | 0:28:44 | |
It's kind of my... natural habitat, this, you know, | 0:28:44 | 0:28:49 | |
stuff from the Second World War, shell cases... | 0:28:49 | 0:28:53 | |
Actually, to be really honest, I don't have this kind of stuff | 0:28:53 | 0:28:56 | |
at home very much, but, um, it's the sort of thing I'm interested in. | 0:28:56 | 0:29:01 | |
Natasha's back to see how he's getting on. | 0:29:01 | 0:29:05 | |
-Mm-hm. -There's a thing there, which is just up my street - | 0:29:05 | 0:29:09 | |
a letter to the German people from the British occupying forces... | 0:29:09 | 0:29:14 | |
-Mm-hm. -..about how bad the war was | 0:29:14 | 0:29:16 | |
and how good the Brits are going to be to them | 0:29:16 | 0:29:18 | |
and how the Germans ought to be quiet from now on, | 0:29:18 | 0:29:20 | |
-handed out to, you know, hundreds of thousands of locals. -Wow! | 0:29:20 | 0:29:24 | |
-That's just my cup of tea. I love documents... -Yeah! -..that are real. | 0:29:24 | 0:29:29 | |
John has found a British propaganda pamphlet - | 0:29:29 | 0:29:32 | |
translated into English from a German one - | 0:29:32 | 0:29:35 | |
that would've been airdropped during World War II. | 0:29:35 | 0:29:38 | |
Ticket price - £35. | 0:29:38 | 0:29:40 | |
I can't believe anybody else in the world would be interested in it, | 0:29:40 | 0:29:44 | |
-but, er... -Oh, no, I think you might be wrong. | 0:29:44 | 0:29:46 | |
I have another letter to show you, if you want to have a look. | 0:29:46 | 0:29:48 | |
I think you'll find it interesting. | 0:29:48 | 0:29:50 | |
It sort of mixes wartime with decadent living? | 0:29:50 | 0:29:53 | |
-Quite interesting. Shall we have a look. -That sounds like my life! | 0:29:53 | 0:29:57 | |
Nothing decadent about the letter's price tag, though, as it's just £12. | 0:29:57 | 0:30:02 | |
-It's such an unassuming little brown envelope, isn't it? -It is, isn't it? | 0:30:02 | 0:30:06 | |
-And it's been sent to this hotel in a Yorkshire address. -Yes. | 0:30:06 | 0:30:09 | |
-And the first telling sign of... -From France? From Reims, yes. -..excitement is "Lanson". | 0:30:09 | 0:30:15 | |
House of Lanson Champagne has been around since 1760. | 0:30:15 | 0:30:19 | |
It's one of Champagne's oldest houses | 0:30:19 | 0:30:21 | |
and has been the official supplier of the British court since 1900. | 0:30:21 | 0:30:26 | |
So a little touch of class and fizz. | 0:30:26 | 0:30:28 | |
"For the first time since many years..." Nice French English. | 0:30:28 | 0:30:32 | |
"..we find again the opportunity of writing to England | 0:30:32 | 0:30:35 | |
"and telling you how thankful we are to your armies | 0:30:35 | 0:30:38 | |
"for their magnificent efforts." Isn't that lovely? | 0:30:38 | 0:30:42 | |
And now, he's saying, "Despite the numerous and terrible bombardments | 0:30:42 | 0:30:45 | |
"of your towns, you and the members of your house are safe and well... | 0:30:45 | 0:30:49 | |
"Wines are in good condition. Stocks pretty fair. | 0:30:49 | 0:30:52 | |
"Vintages 1941, '42, will be very good." | 0:30:52 | 0:30:55 | |
The letter was written on Boxing Day, 1944, to a hotel in Yorkshire, | 0:30:55 | 0:30:59 | |
encouraging them to start buying Lanson Champagne again, | 0:30:59 | 0:31:02 | |
in preparation of the liberation. | 0:31:02 | 0:31:04 | |
-So, I thought to myself, as soon as you showed me that letter... -Mm-hm? | 0:31:04 | 0:31:07 | |
..maybe we could put them together? | 0:31:07 | 0:31:09 | |
I think World War II ephemera, surely! | 0:31:09 | 0:31:12 | |
The two letters are owned by different dealers. | 0:31:12 | 0:31:14 | |
First up, it's Julia. | 0:31:14 | 0:31:16 | |
-Isn't this lovely? -It's gorgeous, isn't it? | 0:31:16 | 0:31:19 | |
-It's just such a fascinating letter. -Sort of a moment of history. | 0:31:19 | 0:31:22 | |
-Yeah. -France just opening up again. -Yeah. | 0:31:22 | 0:31:25 | |
-Did you have a figure in mind? -We had £12 on it. I can... | 0:31:25 | 0:31:28 | |
-You wouldn't take eight, would you? -Nine. | 0:31:28 | 0:31:31 | |
-Can we afford nine? -NATASHA LAUGHS | 0:31:33 | 0:31:36 | |
-I'd be lying if I said no! -OK. -LAUGHTER | 0:31:36 | 0:31:39 | |
-I would be lying. What do you reckon? -Yeah. | 0:31:39 | 0:31:41 | |
-I'd be happy with that. -Well, thank you. | 0:31:41 | 0:31:43 | |
-Thank you. Thank you. -That's all right. -I'm really happy with that. | 0:31:43 | 0:31:46 | |
-I'm really pleased. -It's a delight. -Thank you so much. | 0:31:46 | 0:31:49 | |
So, that's one letter signed, sealed and delivered. | 0:31:49 | 0:31:53 | |
And one more to go. | 0:31:53 | 0:31:56 | |
Gil, I'm really interested in that little document there. | 0:31:56 | 0:31:59 | |
I love documents, I love this kind of thing. | 0:31:59 | 0:32:02 | |
Always, whenever I've been in the places where air forces have | 0:32:02 | 0:32:05 | |
dropped the leaflets, I'm always out there, | 0:32:05 | 0:32:08 | |
if I can be, you know, chasing around, picking them up. | 0:32:08 | 0:32:11 | |
Strong pitch, John, but how low is Gil willing to go? | 0:32:11 | 0:32:15 | |
I'll do it for 22. | 0:32:15 | 0:32:18 | |
I suppose, I ought to say, would you take 21? | 0:32:18 | 0:32:22 | |
I'll take 20. | 0:32:22 | 0:32:24 | |
-You're a great gentleman... -Oh, really? -..and I love you for it. | 0:32:24 | 0:32:27 | |
Good man, Gil! And, with that, their shopping here is complete. | 0:32:27 | 0:32:31 | |
Isn't it? | 0:32:31 | 0:32:33 | |
I have to say, I'm very sad to be walking away from the siren. | 0:32:33 | 0:32:37 | |
-You'd be amazed how many people have looked at that. -I bet! | 0:32:37 | 0:32:40 | |
And it's only been in about four days. | 0:32:40 | 0:32:43 | |
I could do a very good price on that. | 0:32:43 | 0:32:45 | |
OK, so what was your full price? Ticket price is 290? | 0:32:45 | 0:32:48 | |
I could knock nearly a third off that price. | 0:32:48 | 0:32:51 | |
OK, so we're talking...? | 0:32:51 | 0:32:53 | |
-I'd knock £80 off for you. -OK, so we're still over 200. | 0:32:53 | 0:32:58 | |
-And there's no scope for sort of £150? -Oh... | 0:32:58 | 0:33:01 | |
I would do two for you, because I like John. | 0:33:01 | 0:33:04 | |
-LAUGHTER -And I'll throw that letter in. | 0:33:04 | 0:33:07 | |
-Oh! -Oh, so that's all in? | 0:33:07 | 0:33:09 | |
OK... | 0:33:09 | 0:33:10 | |
And that was originally 20? | 0:33:10 | 0:33:12 | |
-So he's... -We could be saying 180? -So essentially asking 180. -Mm-hm! | 0:33:12 | 0:33:16 | |
-It's a gamble! It's a big gamble! -It is a gamble. | 0:33:16 | 0:33:20 | |
Surely not for the man who's regularly in warzones?! | 0:33:20 | 0:33:23 | |
-Are you going to try it? -Go on. -I think you've got a sale! -OK. | 0:33:24 | 0:33:28 | |
-Yeah! -Brilliant, thank you. | 0:33:28 | 0:33:29 | |
-That's so kind! -Brilliant. -Thank you very much! -Thank you. | 0:33:29 | 0:33:31 | |
John really has come into his own this morning | 0:33:31 | 0:33:34 | |
and found three items of historic interest for £209. | 0:33:34 | 0:33:39 | |
Meanwhile, Martha and Phil are back on the road again | 0:33:41 | 0:33:43 | |
and heading to Lyndhurst. | 0:33:43 | 0:33:45 | |
So you're an apiarist, aren't you? | 0:33:45 | 0:33:47 | |
That's a beekeeper to you and me! | 0:33:47 | 0:33:49 | |
Yeah, I was, I was given, um, | 0:33:49 | 0:33:52 | |
a beehive as a wedding present about 15 years ago | 0:33:52 | 0:33:56 | |
-and I built up to seven hives over the years... -Really? | 0:33:56 | 0:34:00 | |
..and I, you know, I love bees! | 0:34:00 | 0:34:02 | |
I've got many, many bee-related items in my house! | 0:34:02 | 0:34:06 | |
-Old beehives, old skeps... -Have you? -..tablecloths! | 0:34:06 | 0:34:10 | |
Nature lover Martha is in for a treat, | 0:34:10 | 0:34:13 | |
as they're visiting a jewel in the crown of the south-west. | 0:34:13 | 0:34:17 | |
Covering more than 90,000 acres, the New Forest is | 0:34:18 | 0:34:22 | |
Britain's smallest national park and famed for its iconic ponies. | 0:34:22 | 0:34:27 | |
Ruthlessly cleared of its local population, | 0:34:27 | 0:34:29 | |
to create a playground for royalty, it is still governed by a unique set | 0:34:29 | 0:34:34 | |
of ancient laws handed down over the last 1,000 years. | 0:34:34 | 0:34:38 | |
To tell them more is Jonathan Gerrelli. | 0:34:38 | 0:34:41 | |
-Hi there. -Hello! -How are you doing? | 0:34:41 | 0:34:43 | |
What a fantastic day to be in the New Forest, isn't it? | 0:34:43 | 0:34:46 | |
-Welcome to the forest. Yes, it's lovely. -And the ponies as well! | 0:34:46 | 0:34:49 | |
Yes, we have ponies here. They're here grazing away quite happily, | 0:34:49 | 0:34:52 | |
catching a bit of breeze and keeping the flies off. | 0:34:52 | 0:34:54 | |
Now, it's called the New Forest, but obviously, it's not at all new? | 0:34:54 | 0:34:58 | |
No, "Nova Foresta", um, but of course, it's not very new, | 0:34:58 | 0:35:01 | |
as you say, um... It was designated, created, became | 0:35:01 | 0:35:05 | |
a royal hunting forest made by William the Conqueror in about 1079. | 0:35:05 | 0:35:09 | |
With his royal capital in nearby Winchester, | 0:35:11 | 0:35:14 | |
the king made a controversial land grab, | 0:35:14 | 0:35:17 | |
declaring 150 square miles of land as his own personal hunting ground. | 0:35:17 | 0:35:22 | |
What happened to the people who were living here | 0:35:22 | 0:35:25 | |
when William the Conqueror decided that this was going to be | 0:35:25 | 0:35:28 | |
his very own playground, a hunting forest? | 0:35:28 | 0:35:30 | |
When he came here, there were already people living, | 0:35:30 | 0:35:32 | |
working, farming, keeping animals on the forest. | 0:35:32 | 0:35:36 | |
These once-peaceful lands became scenes of carnage and destruction | 0:35:36 | 0:35:41 | |
as the King systematically cleared villages | 0:35:41 | 0:35:43 | |
and burnt down churches to make way for his new royal hunting ground. | 0:35:43 | 0:35:48 | |
All he was interested in was protecting his deer | 0:35:48 | 0:35:51 | |
and protecting the habitat that the deer lived in. | 0:35:51 | 0:35:54 | |
Strict laws were enforced | 0:35:54 | 0:35:56 | |
and illegal poaching was punishable by mutilation or death. | 0:35:56 | 0:36:00 | |
After much discontent, it was eventually recognised that the | 0:36:01 | 0:36:05 | |
forest folk must be allowed some use of the land in order to survive. | 0:36:05 | 0:36:10 | |
So he created a number of very Draconian forest laws to help | 0:36:12 | 0:36:15 | |
control those people, manage this area. | 0:36:15 | 0:36:18 | |
A system of rights were established, which remain in place today, | 0:36:18 | 0:36:23 | |
allowing commoners to graze their animals on the land | 0:36:23 | 0:36:25 | |
but under strict supervision. | 0:36:25 | 0:36:28 | |
Whilst the majority of the New Forest is still referred to as Crown land, | 0:36:28 | 0:36:32 | |
it has not been used to hunt deer since 1997. | 0:36:32 | 0:36:35 | |
To carry out, and make sure those rules and regulations were | 0:36:35 | 0:36:38 | |
adhered to, he created the Verderers and the Verderers' Court. | 0:36:38 | 0:36:42 | |
They employed Agisters to go out and do the work on the ground. | 0:36:42 | 0:36:45 | |
And, because I'm a top-notch journalist, | 0:36:45 | 0:36:47 | |
I can see that you yourself are an Agister. | 0:36:47 | 0:36:49 | |
What does that involve? | 0:36:49 | 0:36:50 | |
Well, an Agister... If you look up the word "agist" in the dictionary | 0:36:50 | 0:36:54 | |
it means to take in animals for payment. | 0:36:54 | 0:36:57 | |
All these animals are owned by individuals. | 0:36:57 | 0:36:59 | |
We refer to them as commoners, | 0:36:59 | 0:37:01 | |
but they pay a fee to put these animals out here. | 0:37:01 | 0:37:03 | |
The Agisters collect that fee on behalf of the Verderers. | 0:37:03 | 0:37:06 | |
It helps pay the running costs of the Verderers' Court, pays my wages, | 0:37:06 | 0:37:09 | |
so I'm always very keen to make sure we get all that money in. | 0:37:09 | 0:37:12 | |
It all sounds still quite medieval. | 0:37:12 | 0:37:15 | |
It very much is, yeah. | 0:37:15 | 0:37:17 | |
Yes, it is very much a medieval system, | 0:37:17 | 0:37:20 | |
but it is very much relevant today and still in practice today. | 0:37:20 | 0:37:23 | |
It is these ancient rules that protect the forest | 0:37:23 | 0:37:27 | |
and manage the livestock, including the world-famous ponies, | 0:37:27 | 0:37:31 | |
whose ancestors have been roaming free here since the last ice age. | 0:37:31 | 0:37:35 | |
So how do you keep track of how many ponies there are here? | 0:37:35 | 0:37:39 | |
Well, all the ponies have owners, as we've said. | 0:37:39 | 0:37:42 | |
They all carry their individual owner's mark. | 0:37:42 | 0:37:45 | |
Every autumn we conduct what we in the forest refer to as drifts, | 0:37:45 | 0:37:49 | |
round-ups, if you like. | 0:37:49 | 0:37:51 | |
During drifts, the ponies are rounded up | 0:37:51 | 0:37:53 | |
and checked over for any health problems. | 0:37:53 | 0:37:56 | |
This annual event is governed by the laws of the forest, | 0:37:56 | 0:37:59 | |
all of which are upheld in the Verderers' Court. | 0:37:59 | 0:38:03 | |
-Right, come on into the hall. -This is a very nice space, isn't it? | 0:38:05 | 0:38:09 | |
Looks pretty ancient. | 0:38:09 | 0:38:11 | |
You've got quite a few antlers on the walls here. | 0:38:11 | 0:38:14 | |
You don't have any spare ones, do you? | 0:38:14 | 0:38:17 | |
-She's good, honestly. -Yes, very good. | 0:38:17 | 0:38:19 | |
Not on me at the moment, but I might be able to track some down. | 0:38:19 | 0:38:22 | |
Has Phil met his soul mate in Martha? | 0:38:22 | 0:38:24 | |
True to his word, John has managed to hunt down some antlers... | 0:38:26 | 0:38:30 | |
..so they're off to see a man about a deer head. | 0:38:32 | 0:38:35 | |
Just 30 minutes down the road near Sway, they're meeting Martin. | 0:38:35 | 0:38:40 | |
-Hi, there. -Hello, how are you? -How are you doing? -All right. | 0:38:40 | 0:38:43 | |
-I'm afraid we've been calling you "Antler Man". -You are, yes. | 0:38:43 | 0:38:48 | |
-This is Phil. -Nice to meet you. -Hi, there. I'm Martha. This is Phil. | 0:38:48 | 0:38:52 | |
-How are you? -Good to see you. | 0:38:52 | 0:38:54 | |
-So you sell these things? -Yes, yes. | 0:38:54 | 0:38:57 | |
They're cool, aren't they? | 0:38:57 | 0:38:59 | |
It's all deer by-products. Natural. | 0:38:59 | 0:39:02 | |
Obviously some of the deer have been culled | 0:39:02 | 0:39:04 | |
humanely as part of population management. | 0:39:04 | 0:39:08 | |
Unfortunately, the big one was hit by a car and we had to put her down. | 0:39:08 | 0:39:12 | |
Yeah, obviously a lovely set so we kept the head, basically. | 0:39:12 | 0:39:16 | |
We'd probably be more interested in the antlers, rather... | 0:39:16 | 0:39:18 | |
I think more interested in the antlers. | 0:39:18 | 0:39:21 | |
The skins are very pretty but, yeah, these are big antlers, aren't they? | 0:39:21 | 0:39:24 | |
Yeah, these are two fallow deer. | 0:39:24 | 0:39:25 | |
One big one and a medium-sized one and some little roe deer. | 0:39:25 | 0:39:28 | |
And how much do you sell these for? | 0:39:28 | 0:39:31 | |
The roe deer go for £10 each, | 0:39:31 | 0:39:33 | |
the medium for 30 and the big one for 60. | 0:39:33 | 0:39:38 | |
-60. -What do you think? | 0:39:38 | 0:39:40 | |
There's choice at least. | 0:39:40 | 0:39:43 | |
This is clearly the most impressive one, isn't it? | 0:39:43 | 0:39:47 | |
I don't know what that would make at auction. | 0:39:47 | 0:39:49 | |
-Would that make £40-£60? -I'd have thought. -Would it make more? | 0:39:49 | 0:39:54 | |
I would say so, yes. I don't know. | 0:39:54 | 0:39:57 | |
-I should think you should get £100 for it or so at auction. -Really? | 0:39:57 | 0:40:00 | |
-Yes, I would say so, yes. -What about if we gave you 60 quid for those? | 0:40:00 | 0:40:04 | |
Say 65, yes? Is that a deal? | 0:40:04 | 0:40:07 | |
-I think so, don't you? -I think that's a deal. -Super. | 0:40:07 | 0:40:09 | |
-Thank you very much. -Antler Man, put it there. | 0:40:09 | 0:40:12 | |
Thank you very much. Very good. | 0:40:12 | 0:40:15 | |
It may not be everyone's cup of tea, | 0:40:15 | 0:40:17 | |
but Martha and Phil are leaving with three of the four deer heads. | 0:40:17 | 0:40:21 | |
Back with John and Natasha, | 0:40:22 | 0:40:24 | |
and they're making their way to Winchester, England's ancient capital | 0:40:24 | 0:40:27 | |
and the former seat of King Alfred the Great. | 0:40:27 | 0:40:30 | |
I reckon we'll find it here. | 0:40:30 | 0:40:32 | |
John's got just over £150 left to spend in the Jay's Nest. | 0:40:32 | 0:40:36 | |
That, John, is bang on trend. | 0:40:36 | 0:40:39 | |
Even the colour of the upholstery, which is so ghastly, | 0:40:39 | 0:40:43 | |
is bang on trend, because it's Scandinavian, it's simple. | 0:40:43 | 0:40:47 | |
The chair? | 0:40:47 | 0:40:49 | |
No, I think it's horrible! | 0:40:49 | 0:40:52 | |
-Is that a fiver, yes? -All you do is persuade me of two things. | 0:40:52 | 0:40:54 | |
One, I shouldn't be involved in furniture in any way. | 0:40:54 | 0:40:57 | |
And, two, I'm not really suited to the modern world any more. | 0:40:57 | 0:41:01 | |
Fear not, John, there's plenty more in here. | 0:41:01 | 0:41:04 | |
So we found this lovely wood block. | 0:41:09 | 0:41:11 | |
The Japanese are right into their wood block prints, aren't they? | 0:41:11 | 0:41:14 | |
-Mmm. -I've been collecting. | 0:41:14 | 0:41:16 | |
We have about 50 at home | 0:41:16 | 0:41:17 | |
and I keep bringing them down but the best ones are at home. | 0:41:17 | 0:41:21 | |
-And this is one of your husband's ones? -My husband's, yes. | 0:41:21 | 0:41:23 | |
It's another object of historic interest to John. | 0:41:23 | 0:41:27 | |
An early 19th-century Japanese wood block print | 0:41:27 | 0:41:29 | |
depicting a new year's ritual. | 0:41:29 | 0:41:32 | |
Got that lovely lacquered furniture | 0:41:32 | 0:41:33 | |
-presenting that lovely motif in the background. -Mmm. | 0:41:33 | 0:41:36 | |
We've got these gorgeous girls. | 0:41:36 | 0:41:38 | |
We've got all these nice motifs, | 0:41:38 | 0:41:40 | |
so it all must have an auspicious meaning, doesn't it? | 0:41:40 | 0:41:43 | |
Mmm, a new year's meaning, I think, yes. | 0:41:43 | 0:41:45 | |
We know who the artist is, which is so important. | 0:41:45 | 0:41:48 | |
Its ticket price is £75, but will Jocelyn be tempted to take an offer? | 0:41:48 | 0:41:53 | |
-It's £50. -I mean, that is a good price. | 0:41:53 | 0:41:55 | |
-Is there any scope for a wee bit of haggling? -No, not on that. | 0:41:55 | 0:41:58 | |
I've given you the bottom straight away | 0:41:58 | 0:42:00 | |
because I know he had about 75 on him. | 0:42:00 | 0:42:03 | |
-Yeah, what do you think, John? -Well, I love it. | 0:42:03 | 0:42:07 | |
It's the period before anybody had, kind of, quotes, discovered Japan. | 0:42:07 | 0:42:12 | |
It was a closed society | 0:42:12 | 0:42:14 | |
and would remain that way for another 50 years or something. | 0:42:14 | 0:42:19 | |
-Everything about it is beautiful. Jocelyn, 50 quid? -50 quid. | 0:42:19 | 0:42:22 | |
-50 quid, OK. -My husband will be delighted. -Let's do it. | 0:42:22 | 0:42:25 | |
Thank you so much. | 0:42:25 | 0:42:27 | |
So that's their final item in the bag. | 0:42:27 | 0:42:30 | |
I'm really, really chuffed. | 0:42:30 | 0:42:32 | |
-Am I allowed a kiss? -Yes. | 0:42:32 | 0:42:34 | |
What a smooth operator, John! | 0:42:34 | 0:42:37 | |
Thank you so much. Take care. | 0:42:37 | 0:42:39 | |
Back with Martha and Phil, on their way to Southampton, | 0:42:40 | 0:42:43 | |
the departure port for the Titanic. | 0:42:43 | 0:42:46 | |
They are visiting Cobwebs Antiques and meeting dealer, Peter. | 0:42:46 | 0:42:49 | |
The Ship Shop. | 0:42:49 | 0:42:51 | |
Do I have a sinking feeling or what? | 0:42:51 | 0:42:54 | |
-Hello. -Hello there. -Hi. | 0:42:54 | 0:42:57 | |
-Nice to meet you. -I'm Peter. -I'm Martha. | 0:42:57 | 0:42:59 | |
-I love all this marine stuff. It's terribly romantic. -It is. | 0:43:03 | 0:43:07 | |
I went on an ocean liner when I was a little girl | 0:43:07 | 0:43:10 | |
and, ever since then, I really enjoy these things. | 0:43:10 | 0:43:14 | |
Martha still has £195 left to spend. | 0:43:14 | 0:43:18 | |
But what has she spotted? | 0:43:20 | 0:43:22 | |
Would this be called like a bulk-head light? | 0:43:22 | 0:43:26 | |
-Yeah, it's a ship's navigation lamp. -Why do you like that, Martha? | 0:43:26 | 0:43:29 | |
I like these heavy industrial-feeling things. | 0:43:29 | 0:43:35 | |
I don't know, there's something very strong and interesting about it. | 0:43:35 | 0:43:40 | |
Martha is once again quick to find something of her own personal taste. | 0:43:40 | 0:43:44 | |
-So how old is that? -Probably 1950s, 1960s. | 0:43:44 | 0:43:49 | |
-Peter, what's the ticket price on that? -£45. | 0:43:49 | 0:43:52 | |
SHE INHALES DEEPLY | 0:43:52 | 0:43:53 | |
She's good, isn't she? She's absolutely on the money. | 0:43:53 | 0:43:56 | |
She knows very quickly. | 0:43:56 | 0:43:58 | |
She's also quick to spy another item of interest. | 0:43:58 | 0:44:01 | |
This I rather like. What period would that be from? | 0:44:01 | 0:44:04 | |
That's Edwardian. It's a desk lamp. | 0:44:04 | 0:44:07 | |
I had that on my own desk actually for a while. | 0:44:07 | 0:44:09 | |
My own taste, I prefer this one, | 0:44:09 | 0:44:11 | |
but I don't know which you think would do better at auction. | 0:44:11 | 0:44:14 | |
Well, like everything else, it's down to price, isn't it? | 0:44:14 | 0:44:17 | |
That one would be 35 and the other one would be 70. | 0:44:17 | 0:44:21 | |
If we offered you 50 quid for that one, you'd tell us to go away, | 0:44:21 | 0:44:24 | |
-would you? -Very politely, yes. | 0:44:24 | 0:44:26 | |
-And what would you tell us to go away on this one? -30 quid. | 0:44:26 | 0:44:30 | |
-For me, that's ticked the number one box. -Yeah. | 0:44:30 | 0:44:34 | |
The number two box is I think that's a better buy. | 0:44:34 | 0:44:37 | |
-Lovely, OK, I'm going to go for that. -OK. | 0:44:37 | 0:44:39 | |
-Is that a deal, 30 quid? -Yes. -Thank you very much indeed. | 0:44:39 | 0:44:42 | |
Swift business, eh? | 0:44:44 | 0:44:47 | |
So, with her final purchase sorted, | 0:44:47 | 0:44:49 | |
time now to hotfoot it over and join John and Natasha for the big reveal. | 0:44:49 | 0:44:53 | |
-NATASHA: -What have we got here? -Golly! | 0:44:54 | 0:44:56 | |
-MARTHA: -This is a ship's navigation lantern | 0:44:56 | 0:44:59 | |
and this is a vintage blowtorch. | 0:44:59 | 0:45:01 | |
Oh! | 0:45:01 | 0:45:02 | |
-Yes. -For waking your husband up in the morning? | 0:45:02 | 0:45:05 | |
-Yes, exactly! -NATASHA: -Toast. | 0:45:05 | 0:45:06 | |
-MARTHA: -Attacking the opposition. | 0:45:06 | 0:45:08 | |
-And then that's an old desk chair. -Oh, yes. | 0:45:08 | 0:45:10 | |
Which is surprisingly comfortable, | 0:45:10 | 0:45:12 | |
and I thought that was almost like an old newspaper man's chair. | 0:45:12 | 0:45:15 | |
Yes, it is a bit, isn't it? Yeah, lovely. | 0:45:15 | 0:45:17 | |
And then, of course, the piece de resistance... | 0:45:17 | 0:45:20 | |
-Yes. -..the biggest one | 0:45:20 | 0:45:23 | |
-was actually killed in a road accident. -Oh. | 0:45:23 | 0:45:26 | |
They took the horns from it, and it's just magnificent, isn't it? | 0:45:26 | 0:45:29 | |
Yeah. | 0:45:29 | 0:45:30 | |
John, what's your sort of reaction to this stuff? It's quite different to ours. | 0:45:30 | 0:45:33 | |
-Really impressive, and I think... -Mm. | 0:45:33 | 0:45:35 | |
..and I'm pretty certain they're going to win. | 0:45:35 | 0:45:37 | |
We went the kooky way, didn't we? | 0:45:37 | 0:45:39 | |
-NATASHA: -Yes, you do the honours. -There we go. | 0:45:39 | 0:45:41 | |
-LAUGHTER MARTHA: -God, this is quite a range. | 0:45:41 | 0:45:43 | |
This is the propaganda leaflet that the British dropped over Germany | 0:45:43 | 0:45:49 | |
to say, "We're going to win the war." | 0:45:49 | 0:45:51 | |
-NATASHA: -It's accompanied by this really interesting letter. | 0:45:51 | 0:45:54 | |
-Oh, this was sent in 1944... -MARTHA: -Oh, yes. | 0:45:54 | 0:45:57 | |
..to say, "Thanks to your wonderful armies, | 0:45:57 | 0:46:01 | |
"France is now liberated and we should let you know | 0:46:01 | 0:46:05 | |
-"that the latest..." -NATASHA: -Vintage. | 0:46:05 | 0:46:07 | |
"Vintage of champagne is really good, so any time you want it..." | 0:46:07 | 0:46:10 | |
-Oh. -"..yours sincerely, Monsieur Lanson." | 0:46:10 | 0:46:13 | |
-How much was that? -£29 all in for the two letters. | 0:46:13 | 0:46:15 | |
That is cheap. | 0:46:15 | 0:46:16 | |
I'm intrigued to know about your woodcut, | 0:46:16 | 0:46:18 | |
cos they can make a lot of money. | 0:46:18 | 0:46:20 | |
It's a beautiful little thing, about 1810, 1820. | 0:46:20 | 0:46:25 | |
Wow. | 0:46:25 | 0:46:26 | |
But then, our piece de... | 0:46:26 | 0:46:28 | |
-Can I just tell you? -Can I do it? | 0:46:28 | 0:46:30 | |
-I love that. How much was it? -NATASHA: -It was 180... | 0:46:30 | 0:46:33 | |
-I'll give you 190. -190? Deal! | 0:46:33 | 0:46:35 | |
-I'll give you 190. -You love it. | 0:46:35 | 0:46:36 | |
I do, I think it's absolutely... | 0:46:36 | 0:46:37 | |
John thought it would be a good way to call his son to dinner. | 0:46:37 | 0:46:40 | |
-LAUGHTER -It's the absolute business, I love it. | 0:46:40 | 0:46:42 | |
Do you know what we should do? | 0:46:42 | 0:46:43 | |
-NATASHA: -What should we do? OK. -Oh, yes. | 0:46:43 | 0:46:45 | |
-Let's go and... -Yeah. | 0:46:45 | 0:46:46 | |
-..fill these somewhere. -Shall we have a toast? | 0:46:46 | 0:46:48 | |
-Let's have a wee toast. -MARTHA: -OK. To the auction. | 0:46:48 | 0:46:51 | |
-NATASHA: -To the auction, best of luck to you both. | 0:46:51 | 0:46:53 | |
-MARTHA: -May the best team win. -NATASHA: -Yes! Thank you! | 0:46:53 | 0:46:56 | |
Hang on, chaps, before you start celebrating, | 0:46:56 | 0:46:58 | |
what do you think of each other's items? | 0:46:58 | 0:47:00 | |
-I love the range of the things they've got. -Oh, yeah. | 0:47:00 | 0:47:03 | |
Especially the air-raid siren, hilarious! | 0:47:03 | 0:47:05 | |
Well, who could not of thought, "I want to own that"? | 0:47:05 | 0:47:07 | |
I could write a novel in that chair, I think it's absolutely gorgeous. | 0:47:07 | 0:47:11 | |
I'm not sure I would swap anything... | 0:47:11 | 0:47:12 | |
I like what we've picked, I do like what we've picked. | 0:47:12 | 0:47:15 | |
That'll do me. | 0:47:15 | 0:47:16 | |
-SHE LAUGHS -Come on. | 0:47:16 | 0:47:17 | |
How very cordial! | 0:47:19 | 0:47:20 | |
Will the competitive juices | 0:47:20 | 0:47:22 | |
start flowing | 0:47:22 | 0:47:23 | |
en route to the auction | 0:47:23 | 0:47:25 | |
in Itchen Stoke? | 0:47:25 | 0:47:26 | |
-I don't think I'm going to beat you at the auction... -Well... | 0:47:26 | 0:47:29 | |
..I think you're going to win. | 0:47:29 | 0:47:30 | |
I think those stags' heads are absolute winners... | 0:47:30 | 0:47:34 | |
I do think you probably had the most beautiful thing | 0:47:34 | 0:47:36 | |
-out of all our objects and that's the... -Japanese... | 0:47:36 | 0:47:39 | |
Japanese woodcut. I, you know... I would like that. | 0:47:39 | 0:47:41 | |
That's something I can imagine at home. | 0:47:41 | 0:47:44 | |
Today we're visiting Andrew Smith & Son Auction Rooms, | 0:47:44 | 0:47:47 | |
where our celebs' wares are going for sale online, on the phone | 0:47:47 | 0:47:52 | |
and in the room. | 0:47:52 | 0:47:53 | |
Our guy with the gavel is Andrew Smith. | 0:47:53 | 0:47:55 | |
GAVEL BANGS | 0:47:56 | 0:47:58 | |
The deer antlers are quite magnificent. | 0:47:58 | 0:48:00 | |
Some people find them a bit gruesome, | 0:48:00 | 0:48:02 | |
but the actual antlers themselves are good quality items | 0:48:02 | 0:48:07 | |
and really of much interest to interior design people these days. | 0:48:07 | 0:48:11 | |
So, they should do well. | 0:48:11 | 0:48:12 | |
I think my favourite item must be the air-raid saxon. | 0:48:12 | 0:48:16 | |
It's a fun item and it's of local interest as well, | 0:48:16 | 0:48:19 | |
being a Hamble item. | 0:48:19 | 0:48:20 | |
-PHIL: -How are you? -I'm very well. | 0:48:20 | 0:48:22 | |
-Good to see you, Martha. -Thank you. | 0:48:22 | 0:48:24 | |
-Door-opening service. -Hello, my darling, how are you? | 0:48:24 | 0:48:27 | |
-It's all go, I'm very well. Mwah! How are you? -Yeah, fine. | 0:48:27 | 0:48:31 | |
-Are you nervous? -Uh... I think I am. | 0:48:31 | 0:48:33 | |
Despite having NO game plan, John did unearth items he loved. | 0:48:33 | 0:48:38 | |
He spent a total of £294 on five lots. | 0:48:38 | 0:48:42 | |
Martha, however, knew exactly what she wanted | 0:48:43 | 0:48:45 | |
and bought five lots that reflected her own personal style. | 0:48:45 | 0:48:49 | |
She spent £235. | 0:48:49 | 0:48:51 | |
-MARTHA: -Good luck. -NATASHA: -Front-row seats. | 0:48:51 | 0:48:53 | |
Yes, good luck to you, yes. | 0:48:53 | 0:48:54 | |
Good luck indeed. | 0:48:54 | 0:48:56 | |
The first item is the brooch that Natasha found | 0:48:56 | 0:48:58 | |
and John fell in love with. | 0:48:58 | 0:49:00 | |
£20? | 0:49:00 | 0:49:02 | |
A tenner? £10, surely? | 0:49:02 | 0:49:03 | |
£10 I have, thank you. | 0:49:03 | 0:49:05 | |
At 12. At £10. | 0:49:05 | 0:49:06 | |
15. 17 we have now. 20. | 0:49:06 | 0:49:08 | |
At £20? Anyone else coming in? | 0:49:08 | 0:49:11 | |
-At £20, going the last time... -GAVEL BANGS | 0:49:11 | 0:49:14 | |
-NATASHA: -Yes! -Oh, well, that wasn't bad. | 0:49:14 | 0:49:16 | |
-MARTHA: -Good, well done. That is fantastic. That's very good. | 0:49:16 | 0:49:18 | |
-That's very, very good. -MARTHA: -That's you... | 0:49:18 | 0:49:20 | |
-quadrupled your investment. -Yes. | 0:49:20 | 0:49:22 | |
-NATASHA: -Yeah! | 0:49:22 | 0:49:23 | |
Cracking start. | 0:49:23 | 0:49:25 | |
Up next is Martha's blowtorch. | 0:49:27 | 0:49:30 | |
£20. | 0:49:31 | 0:49:32 | |
£20. A tenner? | 0:49:32 | 0:49:34 | |
-PHIL: -Start the car, Martha, start the car. | 0:49:34 | 0:49:36 | |
£10, well done, sir. | 0:49:36 | 0:49:38 | |
15, yes? | 0:49:38 | 0:49:39 | |
-PHIL: -That's good money, he's worked hard, hasn't he? | 0:49:39 | 0:49:42 | |
17. 17, is there any more? | 0:49:42 | 0:49:44 | |
All done at £17, | 0:49:44 | 0:49:45 | |
the very last time... | 0:49:45 | 0:49:47 | |
-MARTHA: -At least somebody paid money for it, | 0:49:47 | 0:49:49 | |
I'm quite relieved about that. | 0:49:49 | 0:49:50 | |
-NATASHA: -He did well for you there. | 0:49:50 | 0:49:52 | |
That's the spirit, Martha! Only a small loss. | 0:49:52 | 0:49:55 | |
Let's hope John's 1970s drinks set, a la diplomat, fares better. | 0:49:55 | 0:50:01 | |
I'm going to start the bidding at £25, is there seven in the room? | 0:50:01 | 0:50:05 | |
-Nearly there. -At £25 and selling... | 0:50:05 | 0:50:07 | |
It does seem cheap, doesn't it? 27. | 0:50:07 | 0:50:09 | |
30, 32. | 0:50:09 | 0:50:11 | |
-PHIL: -These people are blind! -ANDREW: -Is there five? At £32. | 0:50:11 | 0:50:14 | |
Come on. | 0:50:14 | 0:50:15 | |
All done at £32 then? | 0:50:15 | 0:50:17 | |
Last time at £32... | 0:50:17 | 0:50:19 | |
-Aw, there's no profit in that. -Can I suggest? | 0:50:21 | 0:50:22 | |
-Can I suggest that on the way home you get a lottery ticket? -No! | 0:50:22 | 0:50:25 | |
NATASHA LAUGHS | 0:50:25 | 0:50:27 | |
It's a profit! | 0:50:27 | 0:50:28 | |
-You're on a winner. -They've got a bargain, though, they've got a bargain! | 0:50:28 | 0:50:31 | |
-NATASHA: -You have! | 0:50:31 | 0:50:32 | |
-Martha, you're on my side! -Oh, sorry, sorry. | 0:50:32 | 0:50:35 | |
Easy, Phil. | 0:50:36 | 0:50:37 | |
Will Lady Luck be shining down on Martha's bit of maritime nostalgia? | 0:50:37 | 0:50:41 | |
-I'm going to start the bidding at £50. -Oh, yeah! -50? | 0:50:41 | 0:50:45 | |
At £50 and selling. Is there five? | 0:50:45 | 0:50:48 | |
At £50. 55. | 0:50:48 | 0:50:50 | |
-Hey! There you go. -60. And five. -(Come on, come on!) | 0:50:50 | 0:50:53 | |
At £70, any more? | 0:50:53 | 0:50:55 | |
Last time then at £70... | 0:50:55 | 0:50:57 | |
-NATASHA: -Oh, Martha! -What a girl! | 0:50:58 | 0:51:01 | |
-MARTHA: -Yes! Brilliant. Very pleased. | 0:51:01 | 0:51:03 | |
-Fantastic. -Yeah, very pleased about that. | 0:51:03 | 0:51:05 | |
With good reason. Martha's more than doubled her money there. Good job. | 0:51:05 | 0:51:10 | |
I can see Martha developing a new career here. | 0:51:10 | 0:51:12 | |
LAUGHTER | 0:51:12 | 0:51:13 | |
Look out, Phil, the next lot is John's Japanese wood block print, | 0:51:13 | 0:51:16 | |
which he adored! | 0:51:16 | 0:51:18 | |
£40? | 0:51:18 | 0:51:20 | |
£40? 20 then? | 0:51:20 | 0:51:21 | |
-£20? -What's happening? | 0:51:21 | 0:51:22 | |
-£20. -Why... | 0:51:22 | 0:51:24 | |
-£20? £10 then to get it going? -Oh! | 0:51:24 | 0:51:26 | |
-John! -£10 we have, thank you. Eye for a bargain there, sir. | 0:51:26 | 0:51:28 | |
At £10, is there a 12? | 0:51:28 | 0:51:30 | |
At £10, and we will sell, make no mistake, at £10... 12. | 0:51:30 | 0:51:34 | |
-NATASHA: -Oh! -15. Suddenly we have an auction! | 0:51:34 | 0:51:37 | |
-NATASHA LAUGHS -20. -It's all go. | 0:51:37 | 0:51:39 | |
22. | 0:51:39 | 0:51:40 | |
-At £20, any more? -It's beautiful, it's beautiful! | 0:51:40 | 0:51:42 | |
-At 20... -HE LAUGHS | 0:51:42 | 0:51:44 | |
Eye of the beholder! At £20, any more? | 0:51:44 | 0:51:46 | |
All done at £20... Last time? | 0:51:46 | 0:51:49 | |
I think that was very unlucky, I think that was really unlucky. | 0:51:50 | 0:51:54 | |
-NATASHA: -Uch, do you know what? -Oh, well. | 0:51:54 | 0:51:56 | |
We put our name to something beautiful and with age to it... | 0:51:56 | 0:52:00 | |
I can't believe that people can't recognise quality | 0:52:00 | 0:52:04 | |
when they see it, no matter what... | 0:52:04 | 0:52:06 | |
-You know, it's... -MARTHA: -Yeah. | 0:52:06 | 0:52:08 | |
-But I mean, I suppose you see this all the time? -It does happen. | 0:52:08 | 0:52:11 | |
Bad luck, John, somebody really did get that for a steal. | 0:52:11 | 0:52:15 | |
Next up, Martha and Phil went slightly off-piste | 0:52:15 | 0:52:18 | |
and came back with some antlers. | 0:52:18 | 0:52:20 | |
I'm going to start the bidding at £50, | 0:52:20 | 0:52:22 | |
is there five in the room? | 0:52:22 | 0:52:24 | |
At £50 and selling, is there five? | 0:52:24 | 0:52:26 | |
55, 60 and five? | 0:52:26 | 0:52:29 | |
70. And five. 80. | 0:52:29 | 0:52:32 | |
And five? 90. | 0:52:33 | 0:52:35 | |
-Yes. -Yeah, you are doing... I knew it! | 0:52:35 | 0:52:36 | |
MARTHA AND NATASHA LAUGH | 0:52:36 | 0:52:38 | |
And £85. Still a good buy at £85. Are you sure? | 0:52:38 | 0:52:40 | |
At £85, and selling... | 0:52:40 | 0:52:42 | |
If you're all done? At £85, very last time... | 0:52:42 | 0:52:46 | |
-We're in profit. -NATASHA: -You still made a profit! | 0:52:47 | 0:52:49 | |
-MARTHA: -I'm very pleased with that. | 0:52:49 | 0:52:51 | |
-NATASHA: -That is two pretty healthy profits. | 0:52:51 | 0:52:53 | |
John, do you think you appeared with the wrong experts? | 0:52:53 | 0:52:55 | |
No, my dear, no, no, no, never! | 0:52:55 | 0:52:57 | |
Can I just get this in? Can I just get this in? | 0:52:57 | 0:52:59 | |
You don't think they were a little DEAR? | 0:52:59 | 0:53:02 | |
-NATASHA: -Oh! -MARTHA: -Ooh! | 0:53:02 | 0:53:03 | |
He's on fire today. Good result, though. | 0:53:03 | 0:53:06 | |
John and Natasha loved their World War II letters, | 0:53:06 | 0:53:10 | |
fingers crossed the buyers do too. | 0:53:10 | 0:53:13 | |
Interesting lot. | 0:53:13 | 0:53:14 | |
Start me at £50. | 0:53:14 | 0:53:16 | |
£50? £50? 20 if you like. | 0:53:16 | 0:53:19 | |
-MARTHA: -Who's bidding? Someone's got to bid. | 0:53:19 | 0:53:21 | |
£20? A tenner? £12, well done, thank you, and 15? | 0:53:21 | 0:53:23 | |
At £12 and selling, any more? At £12. | 0:53:23 | 0:53:27 | |
-At £12. 15 on the net. -Oh! | 0:53:27 | 0:53:30 | |
-17. At £15 on the net... -No, that was a no. | 0:53:30 | 0:53:33 | |
..is there 17? At £15 then. | 0:53:33 | 0:53:36 | |
The last time at £15... | 0:53:36 | 0:53:39 | |
Someone online has got a wee bit of history there... | 0:53:41 | 0:53:43 | |
-MARTHA: -Yeah. -NATASHA: -..for nothing. For nothing! | 0:53:43 | 0:53:46 | |
Do you know, I... | 0:53:46 | 0:53:47 | |
They were two incredible finds of John's... | 0:53:47 | 0:53:50 | |
But there's still time for a comeback. | 0:53:50 | 0:53:52 | |
Next on the agenda is Martha's pine trunk. | 0:53:52 | 0:53:55 | |
I'm going to start the bidding off at £60, | 0:53:55 | 0:53:59 | |
-is there five in the room? -Are you in profit? | 0:53:59 | 0:54:01 | |
-Come on! -At £60 and selling, 65 at the back there. | 0:54:01 | 0:54:04 | |
-There we are. -Yeah. -70 and five. | 0:54:04 | 0:54:06 | |
80 and five. | 0:54:06 | 0:54:08 | |
At £80, commission bid, is there a five? | 0:54:08 | 0:54:10 | |
-At £80, any more? -Martha, you are the cat that got the cream! | 0:54:10 | 0:54:14 | |
Look at that face! | 0:54:14 | 0:54:16 | |
£80, last time... | 0:54:16 | 0:54:17 | |
-Well done, yeah, yeah, yeah. -NATASHA: -Yes! | 0:54:19 | 0:54:21 | |
-Well done you, well done you, well done you! -Love it! | 0:54:21 | 0:54:23 | |
-MARTHA: -That's great, isn't it? | 0:54:23 | 0:54:24 | |
Martha's on a roll today! | 0:54:24 | 0:54:27 | |
But auctions can be won or lost on just one item. | 0:54:28 | 0:54:31 | |
Next it's her Victorian saddle seat chair. | 0:54:31 | 0:54:33 | |
I'm going to start the bidding at £20, is there two in the room? | 0:54:33 | 0:54:39 | |
-Yes, of course there is. -At 22... | 0:54:39 | 0:54:40 | |
-Yeah. -..25, 27, 30, 32. | 0:54:40 | 0:54:44 | |
-What? Who leaves £30 on commission for that? -Here we go. | 0:54:44 | 0:54:47 | |
32 in the room, is there a five? 35, 37... 40, 42, 45, 47, 50... | 0:54:47 | 0:54:52 | |
Are you sure? 50. | 0:54:52 | 0:54:55 | |
-Yeah! -And five. | 0:54:55 | 0:54:56 | |
At £55 and selling then, if you're all done? | 0:54:56 | 0:55:00 | |
-ANDREW: -And it's 007 again. -007! Bond! | 0:55:00 | 0:55:04 | |
-MARTHA: -Oh, we love you... We love you, Mr Bond! | 0:55:04 | 0:55:06 | |
-NATASHA: -He stole your blowtorch and he stole your seat, how dare he?! | 0:55:06 | 0:55:09 | |
I thought it was BLOFELD, not blowtorch, isn't it? | 0:55:09 | 0:55:12 | |
LAUGHTER | 0:55:12 | 0:55:13 | |
That small loss for Martha is good news for John. | 0:55:13 | 0:55:17 | |
It's the final lot of the competition, John's big gamble, | 0:55:17 | 0:55:20 | |
his World War II air-raid siren. | 0:55:20 | 0:55:23 | |
He could be up for a big loss, but equally, a big win | 0:55:23 | 0:55:27 | |
to put him back in the running. | 0:55:27 | 0:55:28 | |
No bidding from you now, Phil. | 0:55:28 | 0:55:31 | |
-Can I give it a whirl? -You can give it a whirl. | 0:55:31 | 0:55:33 | |
Can I... | 0:55:33 | 0:55:34 | |
But I have to say this is... | 0:55:34 | 0:55:36 | |
This is only a practice, don't evacuate the room. | 0:55:36 | 0:55:39 | |
-NATASHA: -Here he goes! | 0:55:39 | 0:55:40 | |
SIREN WHIRS AND BLARES | 0:55:40 | 0:55:44 | |
How good is that? I think a round of applause... | 0:55:45 | 0:55:48 | |
-The sound of the Blitz. -NATASHA LAUGHS | 0:55:48 | 0:55:51 | |
Yes! | 0:55:51 | 0:55:52 | |
Well done! Well done. | 0:55:54 | 0:55:57 | |
Air-raid siren as ably demonstrated there... | 0:55:57 | 0:55:59 | |
-NATASHA LAUGHS -We have a commission bid. | 0:55:59 | 0:56:02 | |
NATASHA GASPS | 0:56:02 | 0:56:03 | |
I'm going to start the bidding at £50, is there a five in the room? | 0:56:03 | 0:56:06 | |
-NATASHA LAUGHS -At £50, 55, 60... -Ah! | 0:56:06 | 0:56:09 | |
..60 and five. 70 and five. 80 and five. | 0:56:09 | 0:56:13 | |
-Commission bid's out. -It's got a long way to go, | 0:56:13 | 0:56:15 | |
-it's got a long way to go, John. -£80, £85... And 90? 90, and five. | 0:56:15 | 0:56:19 | |
-MARTHA: -Ooh! -100. -We have three figures! | 0:56:19 | 0:56:22 | |
-And ten. -Yes! | 0:56:22 | 0:56:24 | |
-120. -Yes! | 0:56:24 | 0:56:25 | |
Ooh, this is tense, come on, John! | 0:56:25 | 0:56:27 | |
That's £110, is there 120? At £110, in the room then, and selling... | 0:56:27 | 0:56:32 | |
At £110... | 0:56:32 | 0:56:34 | |
-I love that. -John! | 0:56:37 | 0:56:38 | |
-I'd have bought that. -You did so well! | 0:56:38 | 0:56:40 | |
I really thought that that was going to go higher, | 0:56:41 | 0:56:44 | |
but at least you bought something you loved, John. | 0:56:44 | 0:56:46 | |
We probably need to go and do the sums, don't we, to see who's won? | 0:56:46 | 0:56:49 | |
-Um, yeah, it might take... -I don't think we need to worry too much about... | 0:56:49 | 0:56:52 | |
-I'll get the abacus, you get the calculator... -Come on, let's... | 0:56:52 | 0:56:55 | |
-MARTHA: -I'll take my shoes off, count on my toes. | 0:56:55 | 0:56:57 | |
Let's go and have a look. | 0:56:57 | 0:56:58 | |
No need for that, chaps, that's my job. | 0:56:58 | 0:57:00 | |
Both couples started this trip with £400 each. | 0:57:00 | 0:57:04 | |
John and Natasha made a loss of £132.46, | 0:57:04 | 0:57:08 | |
leaving them after auction costs with £267.54. | 0:57:08 | 0:57:13 | |
Doesn't sound too bad if you say it quickly. | 0:57:13 | 0:57:16 | |
Martha and Phil, however, are the victors of this road trip, | 0:57:16 | 0:57:19 | |
making a profit - ha-hah! - | 0:57:19 | 0:57:21 | |
after costs, of £16.74, | 0:57:21 | 0:57:24 | |
leaving them with a grand total of £416.74. | 0:57:24 | 0:57:28 | |
All profits, of course, go to Children In Need. | 0:57:28 | 0:57:31 | |
-NATASHA: -That was great. -It was fantastic fun, wasn't it? | 0:57:31 | 0:57:33 | |
Well, it was real fun. | 0:57:33 | 0:57:35 | |
And, actually, I have to say, without being smarmy I hope, | 0:57:35 | 0:57:37 | |
that the most fun was being with you three. | 0:57:37 | 0:57:40 | |
-NATASHA AND MARTHA: -Aw! -That's really kind. | 0:57:40 | 0:57:41 | |
-MARTHA: -We did have a laugh, didn't we? | 0:57:41 | 0:57:43 | |
Let's face it, I just lost money on the rest, | 0:57:43 | 0:57:45 | |
so there's bound to be more fun... | 0:57:45 | 0:57:47 | |
-John... -Great pleasure. | 0:57:47 | 0:57:48 | |
-You are a gentleman, sir, gentleman. -Great pleasure. | 0:57:48 | 0:57:50 | |
Thank you, Martha, it's been a pleasure. | 0:57:50 | 0:57:52 | |
-MARTHA: -An absolute laugh. | 0:57:52 | 0:57:53 | |
-NATASHA: -And thank you for your great company! | 0:57:53 | 0:57:55 | |
-Can I have a kiss? -Of course you can. Mwah! | 0:57:55 | 0:57:57 | |
-John, thank you so much, that was wonderful. -I'll not be left out. | 0:57:57 | 0:57:59 | |
-NATASHA: -We're good at losing money together. | 0:57:59 | 0:58:01 | |
-MARTHA: -Aren't we a bunch of luvvies? | 0:58:01 | 0:58:03 | |
-MARTHA: -Cos it's not like this in the newsroom, is it? | 0:58:03 | 0:58:05 | |
-No! -NATASHA: -"Darling, darling!" | 0:58:05 | 0:58:07 | |
-MARTHA: -Don't tell them! -Who's driving? | 0:58:07 | 0:58:08 | |
No, when I see you next I shall blank you and walk straight past. | 0:58:08 | 0:58:11 | |
Yeah. | 0:58:11 | 0:58:12 | |
Really enjoyed it, I mean, | 0:58:14 | 0:58:15 | |
it's been such a wonderful contrast with the day job. | 0:58:15 | 0:58:19 | |
In three days' time, | 0:58:20 | 0:58:22 | |
I'll be in Libya covering the civil war there | 0:58:22 | 0:58:26 | |
and I'll look back on this with real nostalgia, actually. | 0:58:26 | 0:58:30 | |
I'm sure you will. Safe travels to the pair of you. | 0:58:30 | 0:58:35 |