Browse content similar to Colin Jackson and Jonathan Edwards. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
-The nation's favourite celebrities... -Got some proper bling here. | 0:00:02 | 0:00:04 | |
-..paired up with an expert... -What? What? | 0:00:04 | 0:00:07 | |
..and a classic car. | 0:00:07 | 0:00:09 | |
Pick your legs up! | 0:00:09 | 0:00:11 | |
Their mission, to scour Britain for antiques. | 0:00:11 | 0:00:14 | |
All breakages must be paid for. | 0:00:14 | 0:00:16 | |
This is a good find, is it not? | 0:00:16 | 0:00:18 | |
The aim, to make the biggest profit at auction. | 0:00:18 | 0:00:21 | |
But it's no easy ride. | 0:00:21 | 0:00:23 | |
Who will find a hidden gem, who will take the biggest risks? | 0:00:23 | 0:00:28 | |
Get my antiques head on. | 0:00:28 | 0:00:29 | |
Will anybody follow expert advice? | 0:00:29 | 0:00:32 | |
I think it's horrible! | 0:00:32 | 0:00:34 | |
There will be worthy winners... | 0:00:34 | 0:00:36 | |
This is better than Christmas! | 0:00:36 | 0:00:37 | |
..and valiant losers. | 0:00:37 | 0:00:40 | |
Time to put your pedal to the metal, | 0:00:40 | 0:00:42 | |
this is Celebrity Antiques Road Trip. | 0:00:42 | 0:00:45 | |
Yeah! | 0:00:47 | 0:00:48 | |
MUSIC: Jump by Van Halen | 0:00:48 | 0:00:52 | |
Today's trip features two great British athletes who also | 0:00:53 | 0:00:57 | |
happen to be great friends. | 0:00:57 | 0:00:59 | |
-'88... '98-2008. That's 20... -That's 20 years. | 0:00:59 | 0:01:03 | |
-..7 years. -27 years! That is kind of scary. -It is! | 0:01:03 | 0:01:07 | |
-I mean, I've known you nearly as long as I've known my wife. -LAUGHTER | 0:01:07 | 0:01:11 | |
Yes, hurdler Colin Jackson | 0:01:11 | 0:01:13 | |
and triple jumper Jonathan Edwards are back in training. | 0:01:13 | 0:01:16 | |
For a different sort of gold. | 0:01:18 | 0:01:20 | |
We both like drinking coffee. | 0:01:20 | 0:01:22 | |
-I wonder if we could get any antique coffee stuff? -Yeah, or tea. -Or tea. | 0:01:22 | 0:01:26 | |
-A bit trendy as well, I guess. -Yeah, I like a nice infuser. | 0:01:26 | 0:01:29 | |
-I'll be honest, mine will be worth more. -You think? -Yeah, of course. | 0:01:29 | 0:01:32 | |
There's no doubt about it. I don't do cheap. | 0:01:32 | 0:01:35 | |
You're going to struggle to buy. | 0:01:35 | 0:01:37 | |
No, because I can bargain. | 0:01:37 | 0:01:38 | |
Welshman Colin hurdled his way to world records and multiple medals. | 0:01:40 | 0:01:45 | |
And when he hung up his spikes, he became a TV commentator. | 0:01:45 | 0:01:48 | |
Although, as Strictly Come Dancing proved, | 0:01:48 | 0:01:50 | |
he can certainly still kick it. | 0:01:50 | 0:01:53 | |
That's not bad. | 0:01:53 | 0:01:54 | |
Jonathan was equally dominant in triple jumping, | 0:01:55 | 0:01:58 | |
and in 1995, he set a world record that still stands today. | 0:01:58 | 0:02:03 | |
Voted BBC Sports Personality that year, he too is now a presenter. | 0:02:03 | 0:02:08 | |
-WHISTLE -Aw! | 0:02:08 | 0:02:10 | |
Not that all that will be much use | 0:02:10 | 0:02:12 | |
when the chaps get inside an antique shop. | 0:02:12 | 0:02:15 | |
So, you don't have any real prior, good knowledge? | 0:02:15 | 0:02:17 | |
-No, I don't really know what I'm doing. -OK! | 0:02:17 | 0:02:20 | |
So exactly how sporty are the antiques experts | 0:02:22 | 0:02:25 | |
they'll be teaming up with? | 0:02:25 | 0:02:27 | |
Are you going to lie about how much you go to gym...? | 0:02:27 | 0:02:29 | |
Yeah, I am going to lie. I'm going to say I do SO much. | 0:02:29 | 0:02:32 | |
-I avoid the gym like the plague. -Do you do any exercise at all? | 0:02:32 | 0:02:35 | |
I think hanging paintings is the most exercise I get. | 0:02:35 | 0:02:38 | |
Auctioneers Natasha Raskin and Catherine Southon | 0:02:38 | 0:02:40 | |
might know their antiques stuff, | 0:02:40 | 0:02:42 | |
but when it comes to track and field, they're more armchair aficionados. | 0:02:42 | 0:02:45 | |
-I can't believe we're in this car. -I'm really holding on here. | 0:02:45 | 0:02:48 | |
My mum absolutely loves Colin Jackson. | 0:02:48 | 0:02:52 | |
I remember her cheering him on when I was a kid. | 0:02:52 | 0:02:55 | |
He just seemed like such a happy, nice guy. | 0:02:55 | 0:02:58 | |
Aw, how can I take that away from you, Natasha? | 0:02:58 | 0:03:01 | |
I shall wave my magic wand - ta-dah! | 0:03:01 | 0:03:04 | |
I'm secretly very happy to be with Jonathan Edwards, | 0:03:04 | 0:03:08 | |
because he's fabulous. | 0:03:08 | 0:03:10 | |
So, with that sorted and £400 for each couple, | 0:03:10 | 0:03:13 | |
it's about time the Morgan met up with the Elva Courier. | 0:03:13 | 0:03:16 | |
-This feels very Thelma and Louise. -OK! | 0:03:16 | 0:03:20 | |
Come on, I'll drive us over the edge. | 0:03:20 | 0:03:23 | |
Would that be Alderley Edge? | 0:03:23 | 0:03:24 | |
Because we're starting out in Cheshire. | 0:03:24 | 0:03:27 | |
-Help! -Hello! | 0:03:28 | 0:03:30 | |
-Hello, Colin! -Thank you very much! Am I with you? | 0:03:33 | 0:03:36 | |
-Bit of a squeeze, bit of a squeeze! -Lovely to meet you! | 0:03:36 | 0:03:39 | |
Look at this, this is a love-in. | 0:03:39 | 0:03:41 | |
This is a natural pairing off. | 0:03:41 | 0:03:43 | |
It's been decided! | 0:03:43 | 0:03:45 | |
-Raskin and Jackson. -Nice to meet you. | 0:03:45 | 0:03:48 | |
-And you and me, Catherine. -We're together. -We've got it won already. | 0:03:48 | 0:03:51 | |
-We're the A-Team. -We're the A-Team. | 0:03:51 | 0:03:53 | |
A stands for aged. | 0:03:53 | 0:03:54 | |
-Aged... -Oh! | 0:03:54 | 0:03:56 | |
-..antiques. -Ah! | 0:03:56 | 0:03:58 | |
Let's get inside because we're getting soaked! | 0:03:59 | 0:04:03 | |
Shopping sides scientifically selected, what are the tactics? | 0:04:03 | 0:04:07 | |
I'm happy to buy things which are on the trend now, | 0:04:07 | 0:04:10 | |
which means that we'll get a good price and we'll be able to | 0:04:10 | 0:04:14 | |
off-load it, sell it quite quickly at a good price. | 0:04:14 | 0:04:17 | |
-You talk a good game. -Yeah, sounds like a keen viewer. | 0:04:17 | 0:04:20 | |
Something I would buy for myself, something that I like the look of. | 0:04:20 | 0:04:24 | |
And then I will look at you, and you will make a face at me | 0:04:24 | 0:04:28 | |
and say, "That is tat. Don't buy it because you're going to lose money." | 0:04:28 | 0:04:32 | |
Yeah, that happens a lot too. | 0:04:32 | 0:04:34 | |
So, it's chocks away in Cheshire, at Knutsford, | 0:04:34 | 0:04:37 | |
before cycling east towards Nottinghamshire | 0:04:37 | 0:04:39 | |
and then heading south to an auction in Bedford. | 0:04:39 | 0:04:42 | |
Looks quiet now, doesn't it? | 0:04:43 | 0:04:46 | |
You should see it here | 0:04:46 | 0:04:47 | |
when they host the slightly alarming Knutsford Penny Farthing Race. | 0:04:47 | 0:04:51 | |
I'm sure that a cycling enthusiast like Jonathan would love it. | 0:04:51 | 0:04:54 | |
-Hi, I'm Jonathan. -Hi, Jonathan, I'm Lizzie. -Pleased to meet you. | 0:04:54 | 0:04:58 | |
-Hi, Lizzie, lovely to meet you. Catherine, hi. -Nice to meet you. | 0:04:58 | 0:05:01 | |
Wow, there's quite a lot to look at. Is this everything here? | 0:05:01 | 0:05:06 | |
No, we have 13 rooms over three floors. | 0:05:06 | 0:05:09 | |
-There's a medal! -A medal? -A medal! -There is! | 0:05:09 | 0:05:12 | |
-Oh, that's mine. -Is that yours?! | 0:05:12 | 0:05:14 | |
-I did the London Marathon. -This year? -Yes. -Well done. | 0:05:14 | 0:05:17 | |
-Ever done the marathon, Jonathan? -No, and I never will. -Really? | 0:05:17 | 0:05:21 | |
I hate running. | 0:05:21 | 0:05:22 | |
Well, you might need to do a bit here. | 0:05:22 | 0:05:24 | |
-There's quite a lot of ground to cover. -Come on, then. | 0:05:24 | 0:05:27 | |
Sue Stirling, what does that stand for? | 0:05:27 | 0:05:28 | |
-No, that's just whose cabinet it is. -Oh, it's her stuff! | 0:05:28 | 0:05:32 | |
Lordy. What about Colin and Natasha, also in Knutsford? | 0:05:34 | 0:05:37 | |
Hello. | 0:05:37 | 0:05:39 | |
-Hi, I'm Colin. -Colin, hi, Colin. Natasha, hi. -Hi! Lovely to meet you. | 0:05:39 | 0:05:43 | |
-And to meet you as well. -Where would you recommend that we start? | 0:05:43 | 0:05:46 | |
-Upstairs or downstairs? -I think you can start either. | 0:05:46 | 0:05:48 | |
Here has got the smaller items, upstairs is furniture | 0:05:48 | 0:05:51 | |
and some more pictures. | 0:05:51 | 0:05:53 | |
Sounds like upstairs is a bit pricier, | 0:05:53 | 0:05:56 | |
and that is exactly where they've made for. Ha! | 0:05:56 | 0:05:59 | |
But despite what's on offer here, | 0:05:59 | 0:06:01 | |
they're already wondering what the others are up to. | 0:06:01 | 0:06:04 | |
So are they going to come back, Catherine and Jonathan, | 0:06:04 | 0:06:06 | |
with £300 and change? Are they going to buy five things for nothing? | 0:06:06 | 0:06:09 | |
-Possibly. -Is he shrewd? -He's shrewd. -Oh, no. | 0:06:09 | 0:06:13 | |
But don't worry about that. | 0:06:13 | 0:06:15 | |
Well, he's already on the scent of something. | 0:06:15 | 0:06:17 | |
-That is pretty. -The scent bottle holder? | 0:06:17 | 0:06:20 | |
I guess it's Continental, probably about 1850-1860. | 0:06:20 | 0:06:24 | |
-Is it leather? Looks leather, doesn't it? -Yeah, it does. | 0:06:24 | 0:06:27 | |
Oh, no, Victorian. | 0:06:27 | 0:06:29 | |
£95. | 0:06:29 | 0:06:31 | |
Original bottles, do you think? | 0:06:31 | 0:06:32 | |
This is the thing, are they the original? | 0:06:32 | 0:06:34 | |
-They don't fit in very snug. -No. | 0:06:34 | 0:06:37 | |
Yeah, I mean, you took the bottles out, | 0:06:37 | 0:06:39 | |
you'd halve the price, I'd have thought. | 0:06:39 | 0:06:41 | |
Oh, I love your bargaining skills! | 0:06:41 | 0:06:43 | |
He's SO shrewd! | 0:06:43 | 0:06:45 | |
Over to Colin. What can he sniff out? | 0:06:45 | 0:06:48 | |
Bizarrely enough, I kind of like that. It's a pair. | 0:06:49 | 0:06:53 | |
"20th century, East Asian, painted on wood panel." | 0:06:53 | 0:06:58 | |
-Let's have a look at the back. -Good thinking. | 0:06:58 | 0:07:01 | |
Definitely is a panel, eh? | 0:07:01 | 0:07:03 | |
£145! | 0:07:03 | 0:07:06 | |
Wonder if I can get it down to, like, 100 for the pair? | 0:07:06 | 0:07:12 | |
Whether she'd allow me to buy it? | 0:07:12 | 0:07:14 | |
Well, "she" is an art and picture specialist, Colin. | 0:07:14 | 0:07:18 | |
Elsewhere, while dear Lizzie makes a call | 0:07:18 | 0:07:20 | |
about the scent bottles and box... | 0:07:20 | 0:07:22 | |
OK, so, leave it with me. OK. | 0:07:22 | 0:07:26 | |
-..Jonathan wants more. -I like these. | 0:07:26 | 0:07:29 | |
-What? -The candelabras. -They're beautiful! | 0:07:29 | 0:07:32 | |
I love the shape of those, they're really stylish. | 0:07:32 | 0:07:35 | |
-I've got a big feeling they're going to be expensive. -And they're heavy! | 0:07:35 | 0:07:39 | |
Oh, look, and you can change it! | 0:07:39 | 0:07:42 | |
-Oh, they're really stylish. -It's got a mechanism. | 0:07:42 | 0:07:44 | |
Oh, that's beautiful. | 0:07:44 | 0:07:45 | |
So they're articulated, aren't they? | 0:07:45 | 0:07:47 | |
-Yeah, I really like those. -How much is on them? -265 for the pair. | 0:07:47 | 0:07:52 | |
-(That's a lot of money, Jonathan.) -Is it? | 0:07:52 | 0:07:54 | |
It's got to be way below 200, hasn't it? Don't you think? | 0:07:54 | 0:07:58 | |
Well, it's what you think that matters. | 0:07:58 | 0:08:01 | |
I've never been in an auction before! | 0:08:01 | 0:08:03 | |
Better have a good think about those. | 0:08:03 | 0:08:06 | |
Anything else a bit cheaper? | 0:08:06 | 0:08:07 | |
I am so impressed with how much he's looking at. | 0:08:07 | 0:08:12 | |
Because sometimes the celebrities just stand there and dither | 0:08:12 | 0:08:15 | |
and think, "Oh, I don't know what to do." | 0:08:15 | 0:08:17 | |
He looks sad. | 0:08:17 | 0:08:18 | |
He's got a really, really good eye. Those candlesticks, for example, | 0:08:18 | 0:08:23 | |
he's picked up, they're so stylish. | 0:08:23 | 0:08:24 | |
That's good. | 0:08:24 | 0:08:26 | |
But when is somebody actually going to buy something? | 0:08:26 | 0:08:28 | |
I love, love a good blazer. | 0:08:28 | 0:08:30 | |
OK, so 1935-1936, you've got a very early 20th-century blazer | 0:08:30 | 0:08:35 | |
from the University College of North Wales! | 0:08:35 | 0:08:39 | |
What price is it? It's £95. | 0:08:39 | 0:08:41 | |
That could just be worn today and look awesome. | 0:08:41 | 0:08:44 | |
I think that's a great thing. I'm going to take that to Colin, | 0:08:44 | 0:08:47 | |
-because how could he resist this? -We'll see. | 0:08:47 | 0:08:49 | |
It seems our other pair are about to take the plunge. | 0:08:49 | 0:08:53 | |
Lizzie's best price on the box and bottles is £50. | 0:08:53 | 0:08:57 | |
We love these, | 0:08:57 | 0:08:58 | |
-we like the way they're really beautifully made, don't we? -Yep. | 0:08:58 | 0:09:02 | |
However, to be perfectly honest with you, I think | 0:09:02 | 0:09:05 | |
if these were in auction, they'd be more sort of 100-150. | 0:09:05 | 0:09:10 | |
We usually say 10%, the rule of thumb. | 0:09:10 | 0:09:15 | |
So that's £26 off that, so that would be 240. | 0:09:15 | 0:09:20 | |
-But we could round it off to 200 for the pair. -For the two. | 0:09:20 | 0:09:25 | |
Generous. | 0:09:25 | 0:09:26 | |
You said 50, didn't you, for this? | 0:09:26 | 0:09:29 | |
Is 30 a very cheeky offer? | 0:09:29 | 0:09:32 | |
Well, it's £95, so... | 0:09:32 | 0:09:34 | |
-Yes! -It is cheeky. -Cheeky! | 0:09:34 | 0:09:38 | |
I could knock another £10 off. | 0:09:38 | 0:09:40 | |
-90 for the pair. -Getting better. | 0:09:40 | 0:09:43 | |
Time for Jonathan to leap in... | 0:09:43 | 0:09:45 | |
So, 230? | 0:09:45 | 0:09:47 | |
That's going to fall and break. | 0:09:51 | 0:09:53 | |
-OK, go for that. -Are we? | 0:09:53 | 0:09:56 | |
-Are we the maddest people on the Road Trip? -Is it mad? -Yes! | 0:09:56 | 0:10:00 | |
-We're it going to go... Shall we go for it? -Let's go for it. -OK. | 0:10:00 | 0:10:03 | |
-Thank you very much. -That is a bold move. | 0:10:03 | 0:10:06 | |
-These are YOUR candlesticks. -My candlesticks, are they? | 0:10:06 | 0:10:08 | |
-OK, I will take... -No, no, I shall take one. | 0:10:08 | 0:10:11 | |
-Half the blame! -Come on, then. | 0:10:11 | 0:10:13 | |
Meanwhile, back at Digby Antiques - | 0:10:13 | 0:10:16 | |
named after the dog, not Graham the proprietor - | 0:10:16 | 0:10:19 | |
Colin is showing his. | 0:10:19 | 0:10:21 | |
They're quite quirky. | 0:10:21 | 0:10:23 | |
Oh, right, OK. They're really decorative, aren't they? | 0:10:23 | 0:10:26 | |
-I'm thinking so. -What do you reckon, age-wise? | 0:10:26 | 0:10:28 | |
-They can't be a huge amount of age, can they? -20th-century, it says. | 0:10:28 | 0:10:30 | |
Oh, right, OK. | 0:10:30 | 0:10:32 | |
First of all, what I know about this kind of stuff is | 0:10:32 | 0:10:34 | |
they're in the style of what is knowing as Indian Mughal painting, | 0:10:34 | 0:10:37 | |
which is usually on a very nice parchment paper, | 0:10:37 | 0:10:39 | |
and it's usually in almost this exact style of decoration | 0:10:39 | 0:10:42 | |
but very small. Very small scale. They are very modern. | 0:10:42 | 0:10:45 | |
When they say 20th century, I think we could look at the back... | 0:10:45 | 0:10:48 | |
-It could be 1980. -Exactly! | 0:10:48 | 0:10:50 | |
I think they're very vague with the 20th century. | 0:10:50 | 0:10:52 | |
But they are, I think, entirely hand-painted. | 0:10:52 | 0:10:55 | |
They probably are, I would imagine - although they're Tibetan | 0:10:55 | 0:10:58 | |
in their subject matter - they're probably Chinese. | 0:10:58 | 0:11:01 | |
Right, now it's Natasha's time. | 0:11:01 | 0:11:03 | |
A University College North Wales varsity jacket for | 0:11:03 | 0:11:08 | |
not only just going to the college, but for football achievement. | 0:11:08 | 0:11:13 | |
-So it's a sporting, Welsh blazer! -It's a sporting one! | 0:11:13 | 0:11:16 | |
-It's super-chic. -It is very rare. | 0:11:16 | 0:11:17 | |
Does that make you feel far from home right now? | 0:11:17 | 0:11:21 | |
-It makes me want to be home, yeah! -Oh, my goodness! | 0:11:21 | 0:11:24 | |
-But it looks good, right? -Absolutely. -Is that in Welsh? | 0:11:24 | 0:11:27 | |
-Yes, it is. -And what does it mean? | 0:11:27 | 0:11:29 | |
I should really know what that means, but unfortunately I don't. | 0:11:29 | 0:11:33 | |
"Knowledge is the best gift." I looked it up. | 0:11:33 | 0:11:36 | |
Let's go for the panels and the blazer. | 0:11:36 | 0:11:39 | |
So, what's the retail price? 145, plus 95. | 0:11:39 | 0:11:43 | |
-It's 200 and... -40. | 0:11:43 | 0:11:46 | |
So I want to walk out with both items at... | 0:11:46 | 0:11:51 | |
150. | 0:11:51 | 0:11:53 | |
-Max, max. -Oh, at the very max. | 0:11:53 | 0:11:55 | |
Oh, I was thinking cheaper. | 0:11:55 | 0:11:58 | |
I'm naughty! I was thinking 120. | 0:11:58 | 0:12:00 | |
-Are you leading the way? -Yeah. | 0:12:00 | 0:12:02 | |
My goodness, I'm going to watch a man in action. | 0:12:02 | 0:12:05 | |
Gird your loins, then. | 0:12:05 | 0:12:06 | |
-Hello, hi! -Hi there. -Natasha found this thing and brought it up to me | 0:12:06 | 0:12:11 | |
and I absolutely do adore it. It's a lovely little fashion piece as well. | 0:12:11 | 0:12:16 | |
Do you want to try it on for us? | 0:12:16 | 0:12:17 | |
Absolutely, I thought you would never ask! I'm itching! | 0:12:17 | 0:12:20 | |
I'm itching to try on the itchy jacket. | 0:12:20 | 0:12:22 | |
What do you guys think? I don't have a mirror, | 0:12:22 | 0:12:24 | |
-but you're nodding and smiling politely. -No, I can see, yeah. | 0:12:24 | 0:12:27 | |
-It looks quite cool? -I think it does look really cool. | 0:12:27 | 0:12:30 | |
This may be something we're really, | 0:12:30 | 0:12:31 | |
-seriously interested in purchasing from you. -OK. -But! | 0:12:31 | 0:12:37 | |
Before you say anything... | 0:12:37 | 0:12:39 | |
We also have these two wonderful pictures here, | 0:12:39 | 0:12:42 | |
so I'm hoping you would be happy to be relieved of them. | 0:12:42 | 0:12:46 | |
-I'm going to make you an offer that I'm hoping you will take. -OK. | 0:12:46 | 0:12:50 | |
I'm not expecting you to, but I'm hoping that you will. | 0:12:50 | 0:12:54 | |
-Let's see if it's a major hurdle. -Boom-boom! -Oh, come on! -I like that. | 0:12:54 | 0:12:58 | |
I'm hoping that I can get these two items... | 0:12:58 | 0:13:02 | |
Since my event was 110, I'd like to start at 110. | 0:13:02 | 0:13:09 | |
Oh, come on. | 0:13:09 | 0:13:10 | |
That's a good pitch! That's a good pitch! | 0:13:10 | 0:13:12 | |
It is a good pitch, but I want you to get past the finishing line | 0:13:12 | 0:13:15 | |
-and not... -I'm not quite on there, OK. | 0:13:15 | 0:13:17 | |
Well, you know what? My coach always told me | 0:13:17 | 0:13:20 | |
to run at least five metres past the line. Always think about that. | 0:13:20 | 0:13:24 | |
So that takes us to 115. | 0:13:24 | 0:13:27 | |
Digby's staying out of it. | 0:13:27 | 0:13:29 | |
I was thinking more 150. | 0:13:29 | 0:13:33 | |
-Ooh! -I think that's a good price. | 0:13:33 | 0:13:36 | |
If we can do 135, 140, I'd be really happy. | 0:13:36 | 0:13:40 | |
I'll do it 135 for both of them. | 0:13:40 | 0:13:42 | |
-And we've got a deal. -Oh! -That sounds very good. -It's a deal! | 0:13:42 | 0:13:46 | |
Thank you very much, that's very kind of you. Thank you. | 0:13:46 | 0:13:48 | |
Well done. I don't know about you but I'm perspiring, | 0:13:48 | 0:13:51 | |
and we're not even on the track! | 0:13:51 | 0:13:52 | |
Yep, spending money is an excellent way to keep fit. | 0:13:52 | 0:13:56 | |
Meanwhile, taking a brief break from all that | 0:13:57 | 0:13:59 | |
tricky bargain-hunting, are Catherine and her world-record holder. | 0:13:59 | 0:14:04 | |
-And nobody's beat that? -No, still no. 20 years this year. | 0:14:04 | 0:14:08 | |
I mean, if it gets broken, it gets broken. | 0:14:08 | 0:14:10 | |
You wouldn't want somebody to break your record. | 0:14:10 | 0:14:12 | |
Oh, that's amazing, though. | 0:14:12 | 0:14:14 | |
That would be like me winning the Road Trip by thousands and | 0:14:14 | 0:14:19 | |
thousands and thousands of pounds - which is never going to happen! | 0:14:19 | 0:14:22 | |
Their next stop is just up the road in the fair city of Manchester, | 0:14:22 | 0:14:26 | |
at a sporting venue that cycling fan | 0:14:26 | 0:14:28 | |
and now commentator Jonathan is very familiar with. | 0:14:28 | 0:14:31 | |
-Home of British Cycling! -And welcome. | 0:14:31 | 0:14:34 | |
-Bob Howden, president of British Cycling. -Nice to see you again. | 0:14:34 | 0:14:36 | |
-Good to see you again. -All right? | 0:14:36 | 0:14:38 | |
-Welcome, indeed. Please, come in. -Old friends? -Old friends, indeed. | 0:14:38 | 0:14:42 | |
The National Cycling Centre, and its pacey boards, | 0:14:42 | 0:14:44 | |
where several world records have ready been set... | 0:14:44 | 0:14:48 | |
-Look at the speed! It's incredible! -Aren't they just phenomenal? | 0:14:48 | 0:14:51 | |
..became Britain's first indoor Olympic cycling track | 0:14:51 | 0:14:54 | |
when it was opened in 1994. | 0:14:54 | 0:14:56 | |
So, what exactly have we got here? | 0:14:56 | 0:14:58 | |
This is our velodrome. Next door we have the BMX track as well. | 0:14:58 | 0:15:03 | |
Basically, it's where British cycling's world domination | 0:15:03 | 0:15:06 | |
has been created. | 0:15:06 | 0:15:07 | |
How many medals did they get in the last Olympics? | 0:15:07 | 0:15:09 | |
For the last two Olympics, we've had eight gold medals. | 0:15:09 | 0:15:13 | |
But the other success that we've got is that we've gone from a membership | 0:15:13 | 0:15:16 | |
where we had 12,000 members - we've now got 108,000 members. | 0:15:16 | 0:15:20 | |
So, really very successful, not just in competition | 0:15:20 | 0:15:24 | |
but really across the whole leisure spectrum. | 0:15:24 | 0:15:27 | |
People wanting to ride bikes. | 0:15:27 | 0:15:28 | |
But the recent achievements of the likes of Boardman, Hoy, | 0:15:28 | 0:15:32 | |
Obree, Pendleton and Wiggins can sometimes obscure | 0:15:32 | 0:15:35 | |
the fact that the British have always been pretty good at cycling. | 0:15:35 | 0:15:39 | |
Take Beryl Burton, the Yorkshire lass who, during the '60s and '70s, | 0:15:39 | 0:15:43 | |
was one of the giants of the sport. | 0:15:43 | 0:15:45 | |
Beryl was a fantastic bike rider, true Yorkshire grit, | 0:15:45 | 0:15:48 | |
which obviously, as a Yorkshireman, I empathise with. | 0:15:48 | 0:15:51 | |
She was seven times world champion, both on the track and on the road, | 0:15:51 | 0:15:55 | |
but she also amassed nearly 100 national titles in her career. | 0:15:55 | 0:16:00 | |
Bob, a former champion himself, | 0:16:00 | 0:16:02 | |
even has Beryl to thank for his involvement in cycling. | 0:16:02 | 0:16:06 | |
Beryl caught me one day riding home from playing football | 0:16:06 | 0:16:09 | |
-and as a 14-year-old, you... -You started racing her! | 0:16:09 | 0:16:12 | |
You started racing her. | 0:16:12 | 0:16:15 | |
And we got into Wakefield and got stopped by the traffic. | 0:16:15 | 0:16:18 | |
And her encouragement to me was, | 0:16:18 | 0:16:20 | |
"Well, if you think you're that good, you should join a cycling club," | 0:16:20 | 0:16:23 | |
and the rest is history, really. | 0:16:23 | 0:16:25 | |
An all-rounder of enormous stamina, | 0:16:25 | 0:16:27 | |
Beryl once set a time trial world record which not only exceeded | 0:16:27 | 0:16:31 | |
the men's, but remains unbeaten by any other woman to this day. | 0:16:31 | 0:16:35 | |
Beautiful jersey, Bob. She got more than one though, didn't she? | 0:16:35 | 0:16:39 | |
Yes, she had seven of those - | 0:16:39 | 0:16:41 | |
two for the road and then five for the track. | 0:16:41 | 0:16:44 | |
In addition to that, she had British national titles | 0:16:44 | 0:16:48 | |
going across a whole range of disciplines. | 0:16:48 | 0:16:51 | |
But in time trialling, ranging from ten miles right up to 12 hours, | 0:16:51 | 0:16:56 | |
so she was phenomenal. | 0:16:56 | 0:16:58 | |
Although she'd been a somewhat sickly child, Beryl was | 0:16:58 | 0:17:01 | |
coached by her husband Charlie to become an all-conquering champion, | 0:17:01 | 0:17:04 | |
whilst also working full time. | 0:17:04 | 0:17:07 | |
-What was her job? -She worked in the rhubarb sheds. | 0:17:07 | 0:17:10 | |
-Rhubarb sheds? -Rhubarb sheds. | 0:17:10 | 0:17:12 | |
And work would be hard. | 0:17:12 | 0:17:14 | |
It was 12-hour shifts. | 0:17:14 | 0:17:16 | |
One of the benefits with rhubarb is it's a spring crop. | 0:17:16 | 0:17:20 | |
So you get the crop out of the way in March... | 0:17:20 | 0:17:24 | |
And then you can concentrate on your cycling? | 0:17:24 | 0:17:26 | |
You can concentrate on your cycling. | 0:17:26 | 0:17:27 | |
Although Beryl's achievements are now often overlooked, | 0:17:27 | 0:17:30 | |
back in the '60s, she was much more of a household name. | 0:17:30 | 0:17:33 | |
"Daily Express National Sportswoman Of The Year." | 0:17:33 | 0:17:36 | |
In the same year she was runner-up in the Sports Personality to | 0:17:36 | 0:17:40 | |
Henry Cooper. So she was very iconic. | 0:17:40 | 0:17:43 | |
But she never raced in the Olympics, is that right? | 0:17:43 | 0:17:46 | |
Back then, we really only had the World Championships for women | 0:17:46 | 0:17:49 | |
to showcase. So had there been the Olympics, who knows... | 0:17:49 | 0:17:52 | |
What she would have achieved. | 0:17:52 | 0:17:55 | |
Sadly, there were no women's cycling events at the Olympics | 0:17:55 | 0:17:58 | |
until 1984 - well after Beryl's era. | 0:17:58 | 0:18:02 | |
She passed away in 1996, but her legacy lives on. | 0:18:02 | 0:18:05 | |
So, what's this award here? | 0:18:05 | 0:18:07 | |
That's the Freedom Of The City of Leeds, which really goes | 0:18:07 | 0:18:10 | |
to recognise the impact that Beryl's had | 0:18:10 | 0:18:13 | |
on cycling in Yorkshire as a whole, but recently brought to light | 0:18:13 | 0:18:17 | |
with the coming of the Tour de France to Yorkshire. | 0:18:17 | 0:18:20 | |
What strikes me, Bob, is that she'd have been a superstar today. | 0:18:20 | 0:18:24 | |
I mean, such was her talent - we've got Sir Brad, Lady Beryl. | 0:18:24 | 0:18:29 | |
Absolutely. | 0:18:29 | 0:18:30 | |
Meanwhile, back on four wheels, our other sporting celebrity | 0:18:34 | 0:18:38 | |
and his slightly sporty expert - | 0:18:38 | 0:18:41 | |
came third in the 200m Scottish Schools, no less - | 0:18:41 | 0:18:44 | |
are making for the Manchester suburb of Levenshulme | 0:18:44 | 0:18:49 | |
and what was once the town hall. | 0:18:49 | 0:18:51 | |
Oh, look at the mosaic floor! Is this not gorgeous? | 0:18:51 | 0:18:55 | |
Oh, we're truly in Victorian England now, aren't we? | 0:18:55 | 0:18:58 | |
Antiques Village, don't you know? So, a huge choice. | 0:18:58 | 0:19:01 | |
But should they find something they like, | 0:19:01 | 0:19:04 | |
then there may well be a phone call involved. | 0:19:04 | 0:19:07 | |
-Oh, it's a bit more retro here, isn't it? -It is very retro indeed. | 0:19:07 | 0:19:11 | |
-Tell me about these two chairs. -Well, they're cool. | 0:19:11 | 0:19:13 | |
They certainly look like ercol. | 0:19:13 | 0:19:15 | |
Well, that one's marked as ercol on the label. | 0:19:15 | 0:19:17 | |
What ercol is, it's an English brand of furniture that still exists, | 0:19:17 | 0:19:21 | |
and so popular in the 1950s and '60s | 0:19:21 | 0:19:23 | |
because it's really got a sort of Scandinavian look, doesn't it? | 0:19:23 | 0:19:27 | |
It's very design-led, very minimalist | 0:19:27 | 0:19:30 | |
and very, very, very cheap at the time. | 0:19:30 | 0:19:33 | |
But ercol furniture at auction, | 0:19:33 | 0:19:35 | |
that's from the original period, has become awfully trendy. | 0:19:35 | 0:19:38 | |
So, sometimes it's cheap and sometimes it goes for lots of money. | 0:19:38 | 0:19:42 | |
But what's nice about this is it's a rocker. | 0:19:42 | 0:19:44 | |
Is that a child's chair? Is it a lady's chair? | 0:19:44 | 0:19:48 | |
-Or is it a chair just to look at? -Not a rocking chair, surely. | 0:19:48 | 0:19:53 | |
You've got to get in a rocking chair! | 0:19:53 | 0:19:55 | |
-I've two rocking chairs at home that I never go in. -Really? | 0:19:55 | 0:19:59 | |
That's odd. | 0:19:59 | 0:20:00 | |
You are dealing with me. | 0:20:00 | 0:20:02 | |
(60 quid!) | 0:20:02 | 0:20:04 | |
If we got this for something like 20, would it be worth it? | 0:20:04 | 0:20:06 | |
-He's not going to give it to us for £20. -Why not? | 0:20:06 | 0:20:10 | |
-Because it's marked at 60! -And?! | 0:20:10 | 0:20:14 | |
It's marked at 60, that doesn't say anything. | 0:20:14 | 0:20:16 | |
Nothing is impossible, right? Well, nothing is. | 0:20:16 | 0:20:19 | |
-If man can walk on the moon... -Exactly. | 0:20:19 | 0:20:21 | |
One giant leap, eh? | 0:20:21 | 0:20:23 | |
-Let's mark it as a possible. -A possible? OK. | 0:20:23 | 0:20:27 | |
-Our Col is definitely enjoying this. -How about this? | 0:20:27 | 0:20:30 | |
How about something like this little...? | 0:20:30 | 0:20:32 | |
What is it? That's like a medal. | 0:20:32 | 0:20:34 | |
-It does look like a medal. -That is like a medal. | 0:20:34 | 0:20:36 | |
It's difficult to tell you without holding it, but it cannot be gold, | 0:20:36 | 0:20:40 | |
although it has the appearance of gold, because it is 27 quid, OK? | 0:20:40 | 0:20:44 | |
So we cannot say it's gold. | 0:20:44 | 0:20:46 | |
What's fine about this is the fact that it's really nicely enamelled, | 0:20:46 | 0:20:50 | |
so we've got a kind of embossed element, it's raised. | 0:20:50 | 0:20:53 | |
And then the enamel has been poured in around the letters, | 0:20:53 | 0:20:55 | |
around the crest, so it fills in that void | 0:20:55 | 0:20:58 | |
and just creates that beautiful ground. | 0:20:58 | 0:21:00 | |
So we have these lovely pastelly colours, | 0:21:00 | 0:21:02 | |
a raspberry and a lovely duck-egg blue. | 0:21:02 | 0:21:05 | |
So, actually, visually... | 0:21:05 | 0:21:07 | |
-It's quite attractive. -Appealing, yeah. | 0:21:07 | 0:21:09 | |
Now, what's interesting about it is this is a badge of the steward | 0:21:09 | 0:21:12 | |
for the Royal Masonic Institution. | 0:21:12 | 0:21:15 | |
I think that is an excellent spot, genuinely. | 0:21:15 | 0:21:18 | |
Because that is already quite a good price, by the bye, | 0:21:18 | 0:21:21 | |
so if we can knock off something we're onto a winner. | 0:21:21 | 0:21:24 | |
What do you think I could knock him down? Give me a price. | 0:21:24 | 0:21:27 | |
Oh, I'm thinking sort of 15, 18? | 0:21:27 | 0:21:29 | |
-I'm thinking 12. -OK. Of course you are! | 0:21:29 | 0:21:32 | |
Well, let's take a closer look first. | 0:21:32 | 0:21:34 | |
Lovely, thank you. | 0:21:34 | 0:21:36 | |
Really nice enamel. That's, for me, the key. | 0:21:38 | 0:21:40 | |
So if we flip it over, we have a maker - G Kenning & Son - | 0:21:40 | 0:21:45 | |
and what we don't have is a hallmark. | 0:21:45 | 0:21:48 | |
What we DO have is a few nicks out of the border, | 0:21:48 | 0:21:52 | |
which means people have been testing this to see if it is gold. | 0:21:52 | 0:21:55 | |
So it's gilt metal, is how we have to describe it. | 0:21:55 | 0:21:58 | |
It just all looks good. | 0:21:58 | 0:22:00 | |
Underneath the glass it looked nice, | 0:22:00 | 0:22:02 | |
but in the flesh it's good! | 0:22:02 | 0:22:04 | |
Time to see if you can MEDAL, Colin. | 0:22:04 | 0:22:07 | |
My event was the 110m hurdles | 0:22:07 | 0:22:09 | |
and I ran at 12-point-something seconds for it, | 0:22:09 | 0:22:12 | |
so I'm going to offer £12 for it | 0:22:12 | 0:22:16 | |
because I'm that type of guy. | 0:22:16 | 0:22:18 | |
Well, let me try and chase up the fellow that does own it | 0:22:18 | 0:22:21 | |
-and I will get back to you in two seconds. -OK. -You're mad. | 0:22:21 | 0:22:25 | |
You're so bold, I like it. | 0:22:25 | 0:22:27 | |
That was quick, Ronnie. | 0:22:27 | 0:22:29 | |
Yeah, I've got good news. He said yes to the 12 quid. | 0:22:29 | 0:22:32 | |
Perfect. Absolutely. | 0:22:32 | 0:22:33 | |
-Are you happy with that? -SHE BURSTS OUT LAUGHING | 0:22:33 | 0:22:36 | |
That is the best sales pitch... I am dumbstruck. | 0:22:36 | 0:22:39 | |
Ronnie, between the two of you, you're geniuses. | 0:22:39 | 0:22:42 | |
That's amazing. Well, there's 20 quid. | 0:22:42 | 0:22:44 | |
If you wouldn't mind terribly grabbing us some change, | 0:22:44 | 0:22:47 | |
-then I will stand here with my jaw hitting the floor. -Thank you. | 0:22:47 | 0:22:50 | |
And that is the end of a long and busy day. | 0:22:50 | 0:22:54 | |
-They are so infectious with their company, are they not? -Yep. | 0:22:54 | 0:22:57 | |
-All I've done is laugh. -Absolutely. | 0:22:57 | 0:22:59 | |
It has been a ball. Bring on Day Two. | 0:22:59 | 0:23:01 | |
Look at those beautiful rape fields. | 0:23:01 | 0:23:03 | |
I could go running through there, naked. | 0:23:03 | 0:23:05 | |
-There's a thought! -COLIN LAUGHS | 0:23:05 | 0:23:08 | |
Night-night. | 0:23:08 | 0:23:09 | |
Next morning, the Olympian mind games have already begun. | 0:23:11 | 0:23:15 | |
Have you still got a lot to spend? | 0:23:15 | 0:23:17 | |
We've got a lot to spend. | 0:23:17 | 0:23:19 | |
We haven't got so much! | 0:23:19 | 0:23:21 | |
Well, if you need a loan, you know where I'll be. | 0:23:21 | 0:23:24 | |
With cunning like that, Colin is already a hurdle ahead. | 0:23:25 | 0:23:29 | |
We've bought quality, though - with a "K"! | 0:23:29 | 0:23:32 | |
COLIN LAUGHS | 0:23:32 | 0:23:33 | |
Yesterday Jonathan and Catherine parted with £230 | 0:23:34 | 0:23:38 | |
for a pair of candelabra and a case and some bottles. | 0:23:38 | 0:23:42 | |
-Are we the maddest people on the Road Trip? -Is it mad? | 0:23:42 | 0:23:44 | |
Yes! | 0:23:44 | 0:23:45 | |
So they still have £170 left to spend today, | 0:23:45 | 0:23:49 | |
while Colin and Natasha picked up a Masonic medal, some painted panels | 0:23:49 | 0:23:54 | |
and a blazer. | 0:23:54 | 0:23:55 | |
I think it does look really cool. | 0:23:55 | 0:23:57 | |
These cost £147, | 0:23:57 | 0:23:59 | |
leaving them with over 250 for today's purchases. | 0:23:59 | 0:24:02 | |
Colin drives a hard bargain. | 0:24:04 | 0:24:06 | |
-No... -Come on, I mean, "£100? I'll offer you five." | 0:24:06 | 0:24:10 | |
-One of the things, I got over 50% off. -That's not bad. | 0:24:11 | 0:24:15 | |
-The other one was like 35% off. -That's not bad. | 0:24:15 | 0:24:17 | |
-It's not terrible, when I think about it. -No, that's not too bad. | 0:24:17 | 0:24:20 | |
I'd have been bitterly disappointed myself, only getting 50% off, | 0:24:20 | 0:24:23 | |
but that's each to their own, isn't it? | 0:24:23 | 0:24:25 | |
Well, I think they all did awfully well! | 0:24:25 | 0:24:28 | |
And they'll soon be heading for an auction | 0:24:28 | 0:24:30 | |
in the county town of Bedfordshire. | 0:24:30 | 0:24:32 | |
But their next stop is in Newark-on-Trent. | 0:24:32 | 0:24:34 | |
You won't be clapping when you see my parking! | 0:24:37 | 0:24:40 | |
We're just glad that you're here! Hey, that's not bad. | 0:24:40 | 0:24:43 | |
Our foursome are here to share a shop in the marketplace | 0:24:43 | 0:24:46 | |
where King John of Magna Carta fame | 0:24:46 | 0:24:49 | |
passed away back in 1216. | 0:24:49 | 0:24:51 | |
THEY ALL EXCHANGE GREETINGS | 0:24:51 | 0:24:54 | |
Yes, I'm Vicky. | 0:24:54 | 0:24:55 | |
Hello, Jonathan. | 0:24:55 | 0:24:57 | |
Is there scope for us to split up? Is there plenty of space | 0:24:57 | 0:25:00 | |
for Colin and I go one way and these guys to go another? | 0:25:00 | 0:25:03 | |
Yes, there's upstairs and downstairs. | 0:25:03 | 0:25:04 | |
As always, I think we should start...upstairs. | 0:25:04 | 0:25:07 | |
You know, when you start at the top, there's only one way... | 0:25:07 | 0:25:10 | |
-ALL: Down! -Aw, that's fighting talk! | 0:25:10 | 0:25:13 | |
Let's hope Vicky and Savvas have taken a shine to our lot, | 0:25:13 | 0:25:17 | |
because they'll soon be asking | 0:25:17 | 0:25:19 | |
some of the several dealers in here for their very, very best. | 0:25:19 | 0:25:23 | |
Hi! | 0:25:23 | 0:25:24 | |
Hello, bonjour! | 0:25:24 | 0:25:25 | |
It's plain to see which of our celebrities is feeling | 0:25:25 | 0:25:28 | |
the more confident this morning. | 0:25:28 | 0:25:30 | |
I think we don't need to be safe | 0:25:30 | 0:25:32 | |
-because I think we can kind of... -Why do you say that? | 0:25:32 | 0:25:35 | |
-Some of our purchases are already quite safe. -You reckon? -Mm! | 0:25:35 | 0:25:38 | |
-Wow. I don't know if I agree with you. -Good. | 0:25:38 | 0:25:42 | |
THEY LAUGH | 0:25:42 | 0:25:43 | |
Blimey. I wonder if Colin's bluffing has backfired a bit. | 0:25:43 | 0:25:47 | |
He's loosening his purse strings yet further! | 0:25:47 | 0:25:50 | |
I like this big old vase here. | 0:25:50 | 0:25:52 | |
-Oh, you do want to splash the cash today. It's the biggest one. -I do. | 0:25:52 | 0:25:55 | |
It's the biggest and the most expensive in the cabinet. | 0:25:55 | 0:25:58 | |
It does have a price tag on it of £210! | 0:25:58 | 0:26:00 | |
On the bottom of Moorcroft you can sort of age it | 0:26:00 | 0:26:04 | |
if we look at the base, which we can do, because this is handy. | 0:26:04 | 0:26:07 | |
-Oh! -Oh! They've got "trial". | 0:26:07 | 0:26:09 | |
Yes, so it's not actually signed, | 0:26:09 | 0:26:11 | |
so this is a trial piece. OK, that's quite cool. | 0:26:11 | 0:26:13 | |
What this is, is painted by the decorator | 0:26:13 | 0:26:16 | |
as a trial to take to the sort of higher echelons | 0:26:16 | 0:26:19 | |
in Moorcroft to say, you know, we've trialled this design... | 0:26:19 | 0:26:22 | |
BOTH: What do you think? | 0:26:22 | 0:26:23 | |
Vicky, Colin is quite attracted to the Moorcroft. | 0:26:23 | 0:26:26 | |
Yes. No problem. | 0:26:26 | 0:26:28 | |
Right, OK. | 0:26:28 | 0:26:30 | |
-Looks pretty good to me. -Looks pretty good. | 0:26:30 | 0:26:32 | |
It's got a real touch of Vienna about it, or something. | 0:26:32 | 0:26:35 | |
It's so continental Art Nouveau, which is called Jugendstil. | 0:26:35 | 0:26:37 | |
-The Jugendstil. -Jugendstil. -It's just really good. | 0:26:37 | 0:26:40 | |
But do you like it, now it's in your hands? | 0:26:40 | 0:26:42 | |
Really do. | 0:26:42 | 0:26:43 | |
Now, what will inspire Colin's opening gambit this time? | 0:26:43 | 0:26:47 | |
My favourite distance in training to run | 0:26:47 | 0:26:50 | |
was about 150m. | 0:26:50 | 0:26:52 | |
-So I'm looking at perhaps £150. -£150. Right. | 0:26:52 | 0:26:56 | |
-He's so good. I mean, that's just so good. -The logic to it! | 0:26:56 | 0:26:59 | |
THEY LAUGH | 0:26:59 | 0:27:01 | |
Time for an anxious wait while Vicky finds out if the dealer concurs. | 0:27:01 | 0:27:05 | |
Meanwhile, Jonathan's going all misty-eyed. | 0:27:05 | 0:27:08 | |
Oh, I remember this! | 0:27:08 | 0:27:10 | |
-Oh, bagatelle. -Oh, I love this. -Aw... | 0:27:10 | 0:27:14 | |
Do you have to do it like this? | 0:27:14 | 0:27:16 | |
Hang on... That's not how you play it. | 0:27:16 | 0:27:19 | |
-Oh, the concentration! -Oh, 50! | 0:27:19 | 0:27:21 | |
-Will you have a go? -That's not bad. -SHE CLAPS | 0:27:21 | 0:27:24 | |
No, because I'll get ten. | 0:27:24 | 0:27:25 | |
And here you go, "As supplied to His Majesty the King, | 0:27:25 | 0:27:28 | |
"His Royal Highness the Prince of Wales | 0:27:28 | 0:27:30 | |
"and many members of the Royal Family." | 0:27:30 | 0:27:32 | |
I like this old box. | 0:27:32 | 0:27:34 | |
£7. Oh, £7, I mean... | 0:27:35 | 0:27:37 | |
-Is it 7 or 17? -17. | 0:27:37 | 0:27:38 | |
-You like this, don't you? -Yeah. | 0:27:38 | 0:27:40 | |
-Well, we've got to have it. -Got no money, but we've got to have it. | 0:27:40 | 0:27:43 | |
-It's all about timing. -This is a great toy. | 0:27:43 | 0:27:47 | |
JONATHAN LAUGHS | 0:27:48 | 0:27:50 | |
-I'm just the champion! -You are the champion. | 0:27:50 | 0:27:53 | |
There's just no getting away from it. | 0:27:53 | 0:27:55 | |
I've never ever been good | 0:27:55 | 0:27:56 | |
at anything like that in my life, and now... | 0:27:56 | 0:27:58 | |
-But it's beautiful, isn't it? -Is there a gold medal for bagatelle? | 0:27:58 | 0:28:02 | |
No. I'm not sure it will make the games any time soon, anyway. | 0:28:02 | 0:28:06 | |
But that one's looks to be in the bag. | 0:28:06 | 0:28:08 | |
Hey up! Vicky's back. | 0:28:08 | 0:28:09 | |
What's the verdict? | 0:28:09 | 0:28:11 | |
I've had a word, she's looked at the price and she's said | 0:28:11 | 0:28:14 | |
-she could do it for 160. -160? | 0:28:14 | 0:28:17 | |
So that's not quite what you'd... | 0:28:17 | 0:28:19 | |
How often did you run 160m? | 0:28:19 | 0:28:22 | |
-Never. -Never? | 0:28:22 | 0:28:24 | |
Oh, well, there's a first time. | 0:28:24 | 0:28:26 | |
I've got my arms folded, you see? Which is not a good sign. | 0:28:26 | 0:28:29 | |
Will you meet halfway? | 0:28:29 | 0:28:30 | |
What about yes? | 0:28:30 | 0:28:32 | |
155. How about that? | 0:28:32 | 0:28:34 | |
If I got it for 155... | 0:28:34 | 0:28:36 | |
I'll go for 155. 160, no. | 0:28:36 | 0:28:39 | |
All right, 155, then. | 0:28:39 | 0:28:41 | |
How's that? Deal? | 0:28:41 | 0:28:42 | |
-Deal. -Are you quite happy to do it? -Yes, yes. All right. | 0:28:42 | 0:28:45 | |
-155. -155. Thank you very much. | 0:28:45 | 0:28:47 | |
Huge reduction, but still a big spend. | 0:28:47 | 0:28:51 | |
At the other end of the scale, can Savvas spring a deal? | 0:28:51 | 0:28:54 | |
This is from my childhood. | 0:28:54 | 0:28:57 | |
Oh, not only yours. | 0:28:57 | 0:28:59 | |
-Yours too? -Yeah. | 0:28:59 | 0:29:00 | |
And these are all plates, aren't they? They're not actually stickers. | 0:29:00 | 0:29:03 | |
-No. -And this lovely thing here. | 0:29:03 | 0:29:06 | |
-But you see them all the time, Jonathan. -Do you? -Yeah. | 0:29:06 | 0:29:08 | |
-Yeah. You do, don't you? -Yeah. | 0:29:10 | 0:29:12 | |
-You like it. -I like it. | 0:29:15 | 0:29:18 | |
-So then we have to have it. -Yes. | 0:29:18 | 0:29:20 | |
-It's all about price. -Ten. | 0:29:20 | 0:29:23 | |
Eight. | 0:29:23 | 0:29:24 | |
Well, don't look at me. | 0:29:25 | 0:29:27 | |
Go nine? | 0:29:27 | 0:29:28 | |
Nine. | 0:29:28 | 0:29:29 | |
Yeah. | 0:29:29 | 0:29:31 | |
-Deal. -Deal. | 0:29:31 | 0:29:33 | |
-Thank you very much. -Pleasure. -You've made him very happy. | 0:29:33 | 0:29:35 | |
-I'm very pleased with that. -I am happy with happy. | 0:29:35 | 0:29:38 | |
Well, we're all happy. | 0:29:38 | 0:29:40 | |
Meanwhile, Colin and Natasha have discovered the jewellery section. | 0:29:40 | 0:29:43 | |
Look out! | 0:29:43 | 0:29:44 | |
That's quite nice, actually. | 0:29:44 | 0:29:46 | |
That brooch there is Victorian. It's SO fashionable, | 0:29:46 | 0:29:50 | |
and I think that is a real joy. | 0:29:50 | 0:29:52 | |
It's an amethyst. | 0:29:52 | 0:29:53 | |
I think that's my birthstone. | 0:29:53 | 0:29:56 | |
-Really? -Aquarian - I think it is. | 0:29:56 | 0:29:58 | |
-So what month is that? -February. | 0:29:58 | 0:30:01 | |
I'm quite keen on that. 11 quid! | 0:30:01 | 0:30:03 | |
-Yeah. -It's pretty cool. | 0:30:03 | 0:30:05 | |
And my birthstone's on it. | 0:30:05 | 0:30:07 | |
And I see a price tag of three quid coming. | 0:30:07 | 0:30:10 | |
Oh, my...! | 0:30:10 | 0:30:11 | |
Any particular reason, Colin? | 0:30:11 | 0:30:14 | |
It's the 0.3 of my existing world indoor record, | 0:30:14 | 0:30:18 | |
so I'm thinking... | 0:30:18 | 0:30:19 | |
The world record is 7.30, so I'm thinking, | 0:30:19 | 0:30:23 | |
forget the seven because that's way too much. | 0:30:23 | 0:30:25 | |
I want to go for the three. | 0:30:25 | 0:30:26 | |
Do you know what that could potentially be? | 0:30:26 | 0:30:28 | |
Our most antique item yet. | 0:30:28 | 0:30:30 | |
Aye aye! | 0:30:30 | 0:30:31 | |
It's quite difficult to tell if it's rolled gold or not. | 0:30:31 | 0:30:33 | |
I think it probably is actually brass or something. | 0:30:33 | 0:30:36 | |
-You like? -What are you doing? | 0:30:38 | 0:30:41 | |
What is wrong with you?! | 0:30:41 | 0:30:42 | |
I just thought it would go with the brooch. | 0:30:42 | 0:30:45 | |
Very tasteful, I'm sure. | 0:30:45 | 0:30:47 | |
Now, what does Vicky make of it all? | 0:30:47 | 0:30:48 | |
I absolutely adore this. | 0:30:48 | 0:30:50 | |
-It's Victorian, as we know. -Yep. | 0:30:50 | 0:30:52 | |
I love the stone. | 0:30:52 | 0:30:54 | |
The problem is, it's got a little bit of a... | 0:30:54 | 0:30:57 | |
-Well, it's quite a big chunk that's taken out of it. -OK. | 0:30:57 | 0:31:00 | |
But I do like it, so I'm happy to offer three quid for that. | 0:31:00 | 0:31:06 | |
-If you give me a few minutes, I'll go and see what I can do. -Thank you. | 0:31:06 | 0:31:10 | |
While Vicky heads off to find out, the others are a bit stuck. | 0:31:10 | 0:31:14 | |
It would be really good to find something Olympic-related. | 0:31:14 | 0:31:17 | |
It would be. A medal, maybe. | 0:31:17 | 0:31:20 | |
-Possibly. -If we get desperate, can we sell yours? | 0:31:21 | 0:31:25 | |
Steady on! | 0:31:25 | 0:31:26 | |
What about Colin's latest cheeky bid? | 0:31:26 | 0:31:29 | |
-£3. -£3! It's your lucky day. | 0:31:29 | 0:31:32 | |
It is very much my lucky day. That is fantastic. | 0:31:32 | 0:31:34 | |
My goodness, Vicky! | 0:31:34 | 0:31:36 | |
So, £158 for two items, | 0:31:36 | 0:31:38 | |
one risky and one cheap. | 0:31:38 | 0:31:40 | |
But at least with their shopping done, these two can now relax. | 0:31:40 | 0:31:44 | |
Let's get out of here. This is my first time driving this Morgan. | 0:31:44 | 0:31:48 | |
You'll enjoy this. | 0:31:48 | 0:31:50 | |
Whoo! | 0:31:50 | 0:31:52 | |
Back inside, Catherine has made a find. | 0:31:53 | 0:31:56 | |
-This is lovely. -What is it? | 0:31:56 | 0:31:58 | |
This is really nice. It's actually a sewing accessory. | 0:31:58 | 0:32:01 | |
You put this on your table, clamp it up here. | 0:32:01 | 0:32:05 | |
-You put your pins in there. -You put your little pins in there. | 0:32:05 | 0:32:08 | |
People collect sewing accessories but the thing is about this, | 0:32:08 | 0:32:10 | |
this is ivory but we don't need to worry because it's pre-1947. | 0:32:10 | 0:32:15 | |
Date-wise, we're looking at about 1860, 1870. This is Cantonese. | 0:32:15 | 0:32:20 | |
Look how well that is carved there on the top. | 0:32:20 | 0:32:23 | |
I think that might be a potential. | 0:32:23 | 0:32:25 | |
The ticket price, however, is £68, | 0:32:25 | 0:32:28 | |
while Jonathan has designs on this tie press for a mere £8. | 0:32:28 | 0:32:33 | |
-Do you wear ties? -Sometimes, yeah. | 0:32:33 | 0:32:35 | |
And they do get crushed, especially when you travel. | 0:32:35 | 0:32:38 | |
-Yes, so every man needs a tie press. -Look at the mechanical thing. | 0:32:38 | 0:32:43 | |
That is a definite possibility. | 0:32:43 | 0:32:45 | |
It's certainly a lot cheaper. | 0:32:45 | 0:32:47 | |
Hello! | 0:32:47 | 0:32:48 | |
-Hello. -We are calling on you again. -Yes? | 0:32:48 | 0:32:51 | |
-The tie press? -Smile sweetly. Best price for this? | 0:32:52 | 0:32:57 | |
I really like it. | 0:32:57 | 0:32:59 | |
-It's good, it's functional. -It's functional. | 0:32:59 | 0:33:01 | |
£1 for you, Jonathan. | 0:33:02 | 0:33:05 | |
-Quick work! -Oh! OK, that's done. -That's done! -That's done. | 0:33:05 | 0:33:09 | |
-Let's try and see if we could do this one. -He's in a good mood. | 0:33:09 | 0:33:13 | |
-If you could do that for £1... -No, unfortunately. | 0:33:13 | 0:33:17 | |
Price-wise, for you guys, 28. | 0:33:17 | 0:33:20 | |
My hand is there. Sorry. | 0:33:23 | 0:33:25 | |
You just did a deal, so I'm just doing a deal. | 0:33:25 | 0:33:27 | |
-I'm happy. -Partner. | 0:33:27 | 0:33:29 | |
Phew! | 0:33:29 | 0:33:31 | |
With Savvas' help, they've really reined things in. | 0:33:31 | 0:33:34 | |
Now, elsewhere in Nottinghamshire, Natasha is at the wheel. | 0:33:36 | 0:33:39 | |
I'm dressed to drive you today. I've sort of put on a bit of a... | 0:33:39 | 0:33:42 | |
This is the equivalent of a clip-on bow tie. | 0:33:42 | 0:33:45 | |
Well, it's very effective. | 0:33:45 | 0:33:46 | |
It does the trick and it's actually improved your driving. | 0:33:46 | 0:33:49 | |
-Do you reckon? -Yes. | 0:33:49 | 0:33:51 | |
I feel like I'm driving Miss Daisy. Slow and steady here. | 0:33:51 | 0:33:54 | |
You're trying to say I'm Daisy? | 0:33:54 | 0:33:56 | |
They have successfully tootled the short distance to Upton | 0:33:58 | 0:34:02 | |
where our watch collector, Colin, is keen to visit this fine mansion. | 0:34:02 | 0:34:07 | |
Neoclassical, beautiful. | 0:34:07 | 0:34:09 | |
Also the home of good timekeeping. | 0:34:09 | 0:34:11 | |
-Hello! Hi, there, you must be Robert. -Hi, how do you do? | 0:34:11 | 0:34:15 | |
-I'm Natasha, nice to meet you. -Hi, Colin, pleased to meet you. | 0:34:15 | 0:34:18 | |
Colin, hi, how do you do? | 0:34:18 | 0:34:19 | |
Welcome to Upton Hall, the home of the British Horological Institute. | 0:34:19 | 0:34:22 | |
-Thank you for having us. -Do come in. -Thank you. | 0:34:22 | 0:34:25 | |
The Institute and its unique collection has been based | 0:34:25 | 0:34:29 | |
at the hall since 1972, although its founding dates back | 0:34:29 | 0:34:32 | |
to the Industrial Revolution. | 0:34:32 | 0:34:35 | |
The Institute started in the 1850s because most British clock | 0:34:35 | 0:34:40 | |
and watchmakers perceived the Swiss and American attempts | 0:34:40 | 0:34:44 | |
at mass manufacturing were lowering standards. | 0:34:44 | 0:34:47 | |
So those indignant craftsmen at the Institute set about keeping | 0:34:47 | 0:34:51 | |
British standards high and the companies small, with some success. | 0:34:51 | 0:34:56 | |
To such an extent that when one big company was halfway through | 0:34:56 | 0:35:00 | |
being set up, it acquired something like £20,000, £30,000 | 0:35:00 | 0:35:04 | |
worth of capital for investment. | 0:35:04 | 0:35:06 | |
The BHI deliberately put their broomstick in the spokes | 0:35:06 | 0:35:11 | |
of the bicycle and wrecked the company rather than allow it | 0:35:11 | 0:35:15 | |
to set up mass-producing what they saw as inferior goods. | 0:35:15 | 0:35:19 | |
-There was that much snobbery? -Yes. | 0:35:19 | 0:35:21 | |
So at the time of its foundation, who would have had access to these | 0:35:21 | 0:35:23 | |
fabulous clocks that were being produced? | 0:35:23 | 0:35:26 | |
Frankly, it was only for the very wealthy. | 0:35:26 | 0:35:28 | |
Clocks had traditionally been the toys of princes, | 0:35:28 | 0:35:31 | |
noblemen and wealthy merchants. | 0:35:31 | 0:35:33 | |
Ordinary people couldn't possibly afford to have a clock. | 0:35:33 | 0:35:36 | |
They would know the time perhaps from a sundial, | 0:35:36 | 0:35:39 | |
perhaps from a church clock. | 0:35:39 | 0:35:41 | |
They might be able to see or hear a clock but other than that, | 0:35:41 | 0:35:44 | |
the regulation of their lives was - is it day, is it night? | 0:35:44 | 0:35:48 | |
But beside their attempts to suppress the sort of mass-manufacturing | 0:35:48 | 0:35:52 | |
techniques that would one day enable us all to own a watch or clock, | 0:35:52 | 0:35:56 | |
the Institute's dedication to accuracy | 0:35:56 | 0:35:58 | |
produced several innovations. | 0:35:58 | 0:36:00 | |
This was the design for the mechanism for the clock | 0:36:00 | 0:36:04 | |
in the Palace of Westminster, | 0:36:04 | 0:36:06 | |
the great clock which we probably know as Big Ben. | 0:36:06 | 0:36:09 | |
This was the most accurate public clock in the world. | 0:36:10 | 0:36:13 | |
The inventor was Edmund Beckett Denison, | 0:36:13 | 0:36:16 | |
the Institute's second president, also a barrister and an architect. | 0:36:16 | 0:36:20 | |
What was it with this mechanism that made it so accurate? | 0:36:20 | 0:36:24 | |
The difference is - and it's quite fun when you watch it - | 0:36:24 | 0:36:27 | |
is that the wheels and the pendulum are separated | 0:36:27 | 0:36:30 | |
by these two little legs either side. | 0:36:30 | 0:36:33 | |
That just allows a little bit less interference with the pendulum | 0:36:33 | 0:36:37 | |
than on a traditional clock. | 0:36:37 | 0:36:40 | |
It works outstandingly well for a public clock to keep time | 0:36:40 | 0:36:44 | |
to better than a second a day. | 0:36:44 | 0:36:45 | |
Denison's design was soon adopted by other public buildings, | 0:36:45 | 0:36:49 | |
enabling everyone to keep better time. | 0:36:49 | 0:36:51 | |
You find this mechanism being used in some of the biggest town hall | 0:36:51 | 0:36:55 | |
clocks across the country. | 0:36:55 | 0:36:56 | |
So this really was the very first mechanism for the masses. | 0:36:56 | 0:37:00 | |
In a sense, yes. | 0:37:00 | 0:37:01 | |
But it wasn't until the 20th century that time was truly | 0:37:01 | 0:37:05 | |
democratised and this incredible-looking machine, | 0:37:05 | 0:37:08 | |
the Speaking Clock, played its historic part. | 0:37:08 | 0:37:11 | |
This is early 1930s in design. | 0:37:11 | 0:37:15 | |
It was first put into use in 1936 and essentially | 0:37:15 | 0:37:19 | |
it was a means of being able to put all the recordings you needed | 0:37:19 | 0:37:23 | |
on a series of four glass discs, just like modern CDs, and then | 0:37:23 | 0:37:27 | |
a series of regulators to broadcast only the relevant clips | 0:37:27 | 0:37:32 | |
of "the time is 3:30." | 0:37:32 | 0:37:35 | |
It all came about because the London Telephone Exchange | 0:37:35 | 0:37:38 | |
was becoming overwhelmed by calls from the public | 0:37:38 | 0:37:40 | |
asking for time checks to see if their mass-produced | 0:37:40 | 0:37:43 | |
watches and clocks were correct. | 0:37:43 | 0:37:45 | |
So a 1920s improvement on Denison's design | 0:37:45 | 0:37:48 | |
called the Shortt Free Pendulum Clock | 0:37:48 | 0:37:51 | |
was combined with the all-important human touch. | 0:37:51 | 0:37:53 | |
The London Telephone Exchange | 0:37:53 | 0:37:55 | |
employed thousands of charming young women | 0:37:55 | 0:37:59 | |
to work as exchange operators. | 0:37:59 | 0:38:02 | |
It was announced as a competition inside the exchange | 0:38:02 | 0:38:06 | |
-and I believe there were 15,000 applicants. -Wow! | 0:38:06 | 0:38:09 | |
Like a modern-day talent contest? | 0:38:09 | 0:38:10 | |
Like a modern-day talent contest. | 0:38:10 | 0:38:12 | |
The lucky winner was Ethel Cain | 0:38:12 | 0:38:15 | |
and pretty soon millions were dialling 846, | 0:38:15 | 0:38:18 | |
spelling out the letters T-I-M to hear the girl with the golden voice. | 0:38:18 | 0:38:25 | |
Not accurate now, obviously, but it was then - very. | 0:38:25 | 0:38:29 | |
Astonishingly, in the first year, they received 20 million | 0:38:29 | 0:38:34 | |
telephone calls to the Speaking Clock. | 0:38:34 | 0:38:37 | |
And technology in those days was good enough? | 0:38:37 | 0:38:39 | |
They could manage all those calls? | 0:38:39 | 0:38:41 | |
Yes, this machine will cope with pretty much | 0:38:41 | 0:38:43 | |
anything you throw at it. | 0:38:43 | 0:38:45 | |
The demand, funnily enough, is probably not dissimilar to today. | 0:38:45 | 0:38:48 | |
SPEAKING CLOCK: At the third stroke, it will be 8:34 precisely. | 0:38:48 | 0:38:53 | |
Oh, 8:34 precisely. | 0:38:53 | 0:38:55 | |
-Absolutely. And that means one thing. -What does that mean? | 0:38:55 | 0:38:58 | |
It means that we're late to meet Catherine and Jonathan. | 0:38:58 | 0:39:01 | |
Yes, we are, we'd better go. | 0:39:01 | 0:39:03 | |
In the meantime... Is that bargain meantime? | 0:39:06 | 0:39:10 | |
Anyway, these two want to win... | 0:39:11 | 0:39:13 | |
Colin always talks a good game, | 0:39:13 | 0:39:15 | |
but sometimes he just doesn't back it up. | 0:39:15 | 0:39:18 | |
I think they've spent about £100 in total. | 0:39:18 | 0:39:22 | |
They haven't gone risky, like us. | 0:39:22 | 0:39:24 | |
..while Jonathan and Catherine still have one shop left, | 0:39:28 | 0:39:31 | |
in Southwell, home of a very fine minster. | 0:39:31 | 0:39:34 | |
Since 1884, it's been a cathedral too, although, interestingly, | 0:39:34 | 0:39:39 | |
that hasn't turned the town into a city. | 0:39:39 | 0:39:42 | |
-Hello. Jonathan. -Hello, Jonathan. -Pleased to meet you. -Hiya. -Hello. | 0:39:44 | 0:39:50 | |
-And you are? -Terry. -So, what's it to be, | 0:39:50 | 0:39:52 | |
a canny Catherine-inspired purchase or something Jonathan | 0:39:52 | 0:39:56 | |
-would plump for? -Well, I like clocks. What do clocks do? | 0:39:56 | 0:39:59 | |
Well, at the risk of stating the blinking obvious... | 0:39:59 | 0:40:03 | |
Good 18th-century clocks can do extremely well, | 0:40:03 | 0:40:06 | |
but these are like Vienna wall clocks | 0:40:06 | 0:40:09 | |
and they are not the easiest to sell, I have to be honest with you. | 0:40:09 | 0:40:13 | |
-You can buy these all day long for 50 quid. -Really? -Yes. | 0:40:13 | 0:40:17 | |
Timely advice. Anything else? | 0:40:17 | 0:40:20 | |
It's a Tonka toy. | 0:40:20 | 0:40:22 | |
Now, it's seen better days... | 0:40:24 | 0:40:26 | |
-Oh, my goodness, it has seen better days. -I think it is fair to say. | 0:40:26 | 0:40:29 | |
-But you had one? -Yeah, I had a few. I had... | 0:40:29 | 0:40:33 | |
Not this very one, but this very model. | 0:40:33 | 0:40:36 | |
Quite nice. But it's not that nice. | 0:40:36 | 0:40:39 | |
And there's no interest there, at all. | 0:40:40 | 0:40:43 | |
Not a fan. Him, that is! | 0:40:43 | 0:40:46 | |
Now, what is Terry about to show them? | 0:40:46 | 0:40:49 | |
It's a little piece of Worcester. I can do you a price on those. | 0:40:49 | 0:40:52 | |
-Does this float your boat? -I mean, I don't like this stuff at all. -No. | 0:40:52 | 0:40:56 | |
But if you tell me I'm going to double our money... | 0:40:56 | 0:40:59 | |
Well, what's the ticket price? | 0:40:59 | 0:41:01 | |
So, this is 70 for this one and 75 for this one. | 0:41:01 | 0:41:04 | |
-Yeah, but don't worry about the prices. -Oh, OK. | 0:41:04 | 0:41:08 | |
-Don't worry about the prices. -Don't worry about them. Free. | 0:41:08 | 0:41:11 | |
-Worry a little bit. -Worry a little bit! | 0:41:11 | 0:41:14 | |
Terry has got them interested. | 0:41:14 | 0:41:16 | |
That's 65. Just pluck me a figure out of nowhere. | 0:41:16 | 0:41:19 | |
-What would that be? -25. | 0:41:19 | 0:41:21 | |
-Oh, gosh, that is a bit of a jump, isn't it? -That's a big jump, | 0:41:21 | 0:41:24 | |
-it's a good jump. -Not as good a jump as your jump. | 0:41:24 | 0:41:27 | |
-Oh, thank you, darling. -Catherine is on top form today. | 0:41:27 | 0:41:29 | |
-I should get about 40 for that. -I should've thought so. | 0:41:29 | 0:41:33 | |
-A profit is a profit. -You like it now, don't you? | 0:41:33 | 0:41:35 | |
I think it's beautiful. | 0:41:35 | 0:41:36 | |
Shall we go and have a little chat? We need to rethink. | 0:41:36 | 0:41:39 | |
-Fine, let's do that, then. -Excuse us while we have a little confab. | 0:41:39 | 0:41:43 | |
You are excused. | 0:41:43 | 0:41:44 | |
OK, team, time-out. What's the game plan, then? | 0:41:44 | 0:41:48 | |
We trade one of our items. | 0:41:48 | 0:41:50 | |
So we'd do a deal with Terry for one of our items | 0:41:52 | 0:41:55 | |
and hope he would give us whatever? | 0:41:55 | 0:41:58 | |
Yep, and maybe, sort of, swap it for what we've got. | 0:41:58 | 0:42:00 | |
-Make an early profit. -Make an early profit. -Does that count? -Yeah. | 0:42:00 | 0:42:05 | |
-That's like an extra deal. -Yeah. -OK. | 0:42:05 | 0:42:08 | |
She is thinking outside the box. | 0:42:08 | 0:42:09 | |
So, it's got to be the tie press, which, actually, got a great deal. | 0:42:09 | 0:42:14 | |
What? To swap it? Do you think he might be interested in swapping it? | 0:42:14 | 0:42:17 | |
Give it a try. | 0:42:17 | 0:42:18 | |
Well, I've got it in my bag. I'll go and fetch it. | 0:42:18 | 0:42:21 | |
Let's go and have a word. | 0:42:21 | 0:42:23 | |
Back in play. | 0:42:23 | 0:42:24 | |
-Terry... -Yes. -We have a proposition for you. | 0:42:24 | 0:42:28 | |
-I like propositions. -OK. -So, maybe a trade. | 0:42:28 | 0:42:32 | |
-What is your offer to me? -It's a tie press. | 0:42:32 | 0:42:35 | |
-The tie press of all tie presses. -It's a beautiful piece. | 0:42:35 | 0:42:38 | |
It's just the design which drew us because tie presses are... | 0:42:38 | 0:42:42 | |
-Tie presses aren't overly used now, though. -No. | 0:42:42 | 0:42:45 | |
Or obsolete. | 0:42:45 | 0:42:47 | |
-It's quite a pretty thing. -It's an unusual piece. | 0:42:47 | 0:42:50 | |
For the man who has everything. | 0:42:50 | 0:42:52 | |
-Yes. -We did wonder whether it might be a straight swap. | 0:42:52 | 0:42:58 | |
TERRY CLEARS HIS THROAT | 0:42:58 | 0:43:00 | |
Sharp intake. | 0:43:00 | 0:43:01 | |
-For easy, sort of, sake. -For easy sake. | 0:43:01 | 0:43:04 | |
We don't have to dirty our hands with money. | 0:43:04 | 0:43:06 | |
TERRY CHUCKLES | 0:43:06 | 0:43:08 | |
-No cash either way? -No cash either way. | 0:43:08 | 0:43:10 | |
-It's a bit of fun, isn't it? -Yes. Hmm. | 0:43:12 | 0:43:14 | |
-Go on, then. Why not? -Oh! | 0:43:15 | 0:43:17 | |
Touchdown! | 0:43:17 | 0:43:19 | |
One Worcester spill jar for, effectively, £1. | 0:43:19 | 0:43:22 | |
-I've never had a tie press in before. -Never had one before? | 0:43:22 | 0:43:25 | |
Never had a tie press, no. | 0:43:25 | 0:43:26 | |
-May it bring you so much luck and happiness. -Thank you very much. | 0:43:26 | 0:43:31 | |
I hope so too. | 0:43:31 | 0:43:32 | |
After that bit of excitement, let's get them | 0:43:32 | 0:43:35 | |
-back together to see what's been acquired. -Are you ready? | 0:43:35 | 0:43:39 | |
Let's do this together, let's do this. Are you ready? | 0:43:39 | 0:43:42 | |
-Whose idea was this? -This was my idea. | 0:43:45 | 0:43:47 | |
I had one when I was a child and I saw it | 0:43:47 | 0:43:50 | |
and just immediately fell in love with it. | 0:43:50 | 0:43:52 | |
I mean, the balls are a bit ropey at the bottom | 0:43:52 | 0:43:54 | |
but it just evokes my childhood. It was an emotional purchase. | 0:43:54 | 0:43:58 | |
£9. I quite like that. | 0:43:58 | 0:44:01 | |
-I don't. -'Yes, moving on.' | 0:44:01 | 0:44:04 | |
The candlesticks. Let's have a look at those. | 0:44:04 | 0:44:06 | |
These are more interesting for me because I do like those. | 0:44:06 | 0:44:09 | |
-They were just a huge purchase. -Were they pricey? | 0:44:09 | 0:44:12 | |
-We paid a lot of money. -It hurts me to... -190. -Wow! OK. | 0:44:12 | 0:44:16 | |
-But I love them. -I do like that. | 0:44:16 | 0:44:18 | |
I think I would've got that for about 120, | 0:44:18 | 0:44:20 | |
-though, but it doesn't matter. -You wouldn't have. | 0:44:20 | 0:44:23 | |
You wouldn't have bought those, | 0:44:23 | 0:44:25 | |
but the cheapest of the cheap is a Worcester vase. | 0:44:25 | 0:44:29 | |
-Hand-painted Worcester. -And how much do you think that is worth, Natasha, | 0:44:29 | 0:44:33 | |
-if you are putting that in auction? -£30-£50. | 0:44:33 | 0:44:36 | |
We paid... £1. | 0:44:36 | 0:44:38 | |
-One of your pounds? -Wow! -Who made a good deal here, then, Colin? | 0:44:38 | 0:44:42 | |
-What would you have got that for, Mr Jackson? -50p. | 0:44:42 | 0:44:45 | |
-That's pure profit, right there. -That is pure profit. | 0:44:45 | 0:44:48 | |
-Look how smug you are! -And furious. | 0:44:48 | 0:44:51 | |
Don't worry, don't let it worry you. | 0:44:51 | 0:44:53 | |
-Go on. -It's only one item. | 0:44:53 | 0:44:55 | |
-'Time for Colin's little pile.' -Right, shall we do this together? | 0:44:55 | 0:44:58 | |
-Three, two, one. -OK. | 0:44:58 | 0:45:01 | |
-What catches your eye first? -The jacket. -The blazer! | 0:45:02 | 0:45:05 | |
THEY LAUGH | 0:45:05 | 0:45:07 | |
-Clock the Welsh vibe. -Yes. -University College North Wales. | 0:45:07 | 0:45:11 | |
Oh, I see. | 0:45:11 | 0:45:13 | |
Bangor tailor and it's a footballing blazer. It's a varsity blazer. | 0:45:13 | 0:45:17 | |
So we bought this blazer along with our two pictures here. | 0:45:17 | 0:45:21 | |
Yeah, pretty scary. Here we are. What do you think about these? | 0:45:21 | 0:45:25 | |
That's when you look repulsed. | 0:45:25 | 0:45:27 | |
'Catherine?' | 0:45:27 | 0:45:29 | |
No, you're speechless. | 0:45:29 | 0:45:30 | |
You're allowed to say you don't like them because I said... | 0:45:30 | 0:45:33 | |
I don't like them. | 0:45:33 | 0:45:34 | |
-You're fine. -I've seen this look over the last two days. Trust me. | 0:45:34 | 0:45:38 | |
Moving swiftly on, you've got a nice little pot | 0:45:40 | 0:45:43 | |
and we've got a nice big vase - a lovely bit of Moorcroft. | 0:45:43 | 0:45:45 | |
It's so gorgeous and on the bottom it says "trial", | 0:45:45 | 0:45:49 | |
so it's a trial piece, | 0:45:49 | 0:45:51 | |
and I just think it is really heady and delicious. | 0:45:51 | 0:45:54 | |
-I like that. -Yes. -No, that is lovely. | 0:45:54 | 0:45:57 | |
-Yeah, so, it was our most expensive purchase. -Really? | 0:45:57 | 0:46:02 | |
-Really? -We spent quite a lot of money on it. | 0:46:02 | 0:46:04 | |
All I can say is good luck. | 0:46:04 | 0:46:05 | |
It's going to be an interesting fight. | 0:46:05 | 0:46:07 | |
-See you at auction. -We will. | 0:46:07 | 0:46:09 | |
-See you at auction. Best of luck. -Catherine. | 0:46:09 | 0:46:11 | |
-We should shake hands. -We should. All is fair in love and war. | 0:46:11 | 0:46:14 | |
-Thank you very much. -See you at the auction. -Good luck. | 0:46:14 | 0:46:18 | |
Now, let's be even more brutally honest. | 0:46:18 | 0:46:21 | |
I think they quite liked our table and what we had on it. | 0:46:21 | 0:46:24 | |
They were very shocked by that £1... | 0:46:24 | 0:46:26 | |
-Worcester vase. -That Worcester vase. -It's got to be the Worcester vase. | 0:46:26 | 0:46:29 | |
£1? It is possibly the deal of the century. | 0:46:29 | 0:46:33 | |
Those paintings I thought were hideous. | 0:46:33 | 0:46:37 | |
-It just didn't look like Colin. -So no style there. -Exactly. | 0:46:37 | 0:46:40 | |
I cannot tell you, Colin, how many bagatelle boards | 0:46:40 | 0:46:43 | |
I have sold for a fiver. | 0:46:43 | 0:46:45 | |
I can't. | 0:46:45 | 0:46:46 | |
Nostalgia doesn't pay bills. | 0:46:46 | 0:46:48 | |
-Gold medal? -Yeah. -Gold medal. | 0:46:48 | 0:46:51 | |
-Your second gold medal. -My second gold medal. | 0:46:51 | 0:46:53 | |
After setting off from Knutsford in Cheshire, our celebrities | 0:46:53 | 0:46:57 | |
and experts are now heading for Bedford in Bedfordshire | 0:46:57 | 0:47:00 | |
for the auction that will decide both winners and losers. | 0:47:00 | 0:47:03 | |
Are you going to play the blame game? | 0:47:04 | 0:47:06 | |
That was your purchase as opposed to our purchase. | 0:47:06 | 0:47:09 | |
No, there's no blame there. Me and Natasha are a team, man. | 0:47:09 | 0:47:12 | |
There's no blame anywhere. How about you and Catherine? | 0:47:12 | 0:47:15 | |
Well, Catherine has always said to me, the candelabra, | 0:47:15 | 0:47:18 | |
if it does well, it's our candelabra. | 0:47:18 | 0:47:20 | |
If it does badly, it is my candelabra. | 0:47:20 | 0:47:23 | |
Bedford was the hometown of the Chariots Of Fire sprinter | 0:47:23 | 0:47:26 | |
Harold Abrahams. | 0:47:26 | 0:47:28 | |
He was born here in 1899, just a couple of years before auctioneers | 0:47:28 | 0:47:32 | |
W&H Peacock were established. | 0:47:32 | 0:47:35 | |
-They look nervous. Hello. Hello, again. -Welcome. | 0:47:35 | 0:47:39 | |
-Are you ready for this? -Thank you, of course. | 0:47:39 | 0:47:42 | |
I have to say hello to our rivals quickly. I really don't mean it. | 0:47:42 | 0:47:46 | |
-Hello. -Air kisses, air kisses. Hello. | 0:47:46 | 0:47:50 | |
Exciting, very exciting. | 0:47:50 | 0:47:52 | |
-We're going to get the gold medal. -Oh, she said it first. | 0:47:52 | 0:47:55 | |
-I was going to say that. -We've got it in the bag. | 0:47:55 | 0:47:58 | |
Are you going to buy this thing? | 0:47:58 | 0:48:00 | |
Because you're not going to earn it today, that's for sure. | 0:48:00 | 0:48:02 | |
Fighting talk, hey? | 0:48:02 | 0:48:04 | |
So, what does auctioneer Matt Baker think might pick up the laurels? | 0:48:04 | 0:48:08 | |
The Moorcroft vase. Moorcroft is really popular at the minute | 0:48:08 | 0:48:11 | |
and selling well. | 0:48:11 | 0:48:12 | |
The painted panels, they're decorative, | 0:48:12 | 0:48:14 | |
but there's not much else I could tell you about them, really. | 0:48:14 | 0:48:17 | |
The candelabra. Fantastic. They're probably my favourite lot. | 0:48:17 | 0:48:20 | |
I think they're functional, quite stylish. | 0:48:20 | 0:48:22 | |
The Steward's jewel. Probably one of the things I wouldn't have bought. | 0:48:22 | 0:48:25 | |
We've just put £5-£10 on that one. | 0:48:25 | 0:48:27 | |
After a bold start, Jonathan and Catherine ended up parting | 0:48:27 | 0:48:30 | |
with the least, with 268 spent on five auction lots. | 0:48:30 | 0:48:35 | |
Colin and Natasha, meanwhile, splashed out £305 on their five lots. | 0:48:36 | 0:48:41 | |
Now, get set... | 0:48:42 | 0:48:44 | |
-It's all very exciting. Are you nervous? -Yes. | 0:48:44 | 0:48:47 | |
You've gone a bit introverted. You've gone awfully shy. | 0:48:47 | 0:48:50 | |
It's nearly his race face, isn't it? | 0:48:50 | 0:48:53 | |
First off is Colin's amethyst brooch - their cheapest buy. | 0:48:53 | 0:48:58 | |
As long as we make something, I'm happy. | 0:48:58 | 0:49:00 | |
-Cos we've got plenty to lose after that. -We sure have. | 0:49:01 | 0:49:04 | |
-About £30. -That'd be nice. | 0:49:04 | 0:49:07 | |
£20 to get on. £20. Who is five, then? | 0:49:07 | 0:49:10 | |
He's looking for five. | 0:49:10 | 0:49:12 | |
He's only looking for five. | 0:49:12 | 0:49:14 | |
We'll take six. Six, we've got. And eight. | 0:49:14 | 0:49:16 | |
-Take it at ten. Thank you. -OK, that's all right. | 0:49:16 | 0:49:19 | |
14, 16, 18, 20. | 0:49:19 | 0:49:22 | |
Don't get too used to this feeling. Don't get too used to it. | 0:49:22 | 0:49:25 | |
At 24, 26. | 0:49:25 | 0:49:27 | |
£26. Looking for an eight. The bid is at 26. We'll sell at £26. | 0:49:27 | 0:49:33 | |
-Well done. -I was going to high five you! | 0:49:33 | 0:49:36 | |
'A fine profit to start with. Now what?' | 0:49:36 | 0:49:40 | |
What is up next? The bagatelle. | 0:49:40 | 0:49:42 | |
Why are you laughing? Why are you laughing? | 0:49:45 | 0:49:48 | |
It's nostalgic and wonderful. | 0:49:48 | 0:49:50 | |
I think the auctioneer will just take it and drop it in the bin. | 0:49:50 | 0:49:54 | |
'Despite Colin's cheek, | 0:49:54 | 0:49:56 | |
'it didn't cost much and Jonathan is very fond of it.' | 0:49:56 | 0:49:58 | |
-It's his childhood. -It's my childhood. | 0:49:58 | 0:50:01 | |
If they trample on my childhood here, I'm going | 0:50:01 | 0:50:03 | |
to have to storm out in tears. | 0:50:03 | 0:50:05 | |
Where do we see that? £30 for it. | 0:50:05 | 0:50:08 | |
-20. -Oh, no! -£20 we've got. £20, thank you. | 0:50:09 | 0:50:13 | |
20 bid. £20. I'll take two. At £20. | 0:50:13 | 0:50:18 | |
At two, four, 26, 28. | 0:50:18 | 0:50:22 | |
-The bid is online at 28. -Are you listening? | 0:50:22 | 0:50:26 | |
The bagatelle board, I'm going to sell. 28. | 0:50:26 | 0:50:29 | |
-Well done. -Good work. -Do you feel smug? -I think we'll leave. | 0:50:29 | 0:50:33 | |
'Jonathan's nostalgia paid off. Bagatelle is back. | 0:50:36 | 0:50:40 | |
'Now for Colin's almost-as-cheap Masonic medal.' | 0:50:40 | 0:50:43 | |
£10. | 0:50:43 | 0:50:45 | |
£5 to start me off, then. | 0:50:45 | 0:50:47 | |
5 I'm bid. Thank you. 5 in the room. I'll take 6. | 0:50:47 | 0:50:51 | |
-I'm looking for... -6, 8... | 0:50:51 | 0:50:54 | |
10. £10 bid standing. 10 bid. I'm looking at 12. | 0:50:54 | 0:50:59 | |
12 online. | 0:50:59 | 0:51:01 | |
-14 I've got. -Washed its face. Wiped its face. | 0:51:01 | 0:51:03 | |
14. Bid at the back at 14. | 0:51:03 | 0:51:05 | |
-You've done well. -Oh, good! | 0:51:05 | 0:51:08 | |
-14... -We'll take it. | 0:51:08 | 0:51:10 | |
'A tiny profit for those two. | 0:51:10 | 0:51:13 | |
'But what can Catherine's little sewing clamp make?' | 0:51:13 | 0:51:16 | |
Where do we see this one, about £40? | 0:51:16 | 0:51:18 | |
-CATHERINE: -Oh... Come on! | 0:51:18 | 0:51:20 | |
Bid me 20 to get going. Thank you, 20 we're bid. | 0:51:20 | 0:51:23 | |
In the room at 20. | 0:51:23 | 0:51:25 | |
Oh, come on! Internet. | 0:51:25 | 0:51:26 | |
24. | 0:51:26 | 0:51:28 | |
26. 28. | 0:51:28 | 0:51:30 | |
-30. 35. -Well done! | 0:51:30 | 0:51:32 | |
40. 45. | 0:51:32 | 0:51:34 | |
50. | 0:51:34 | 0:51:36 | |
55. 55 bid now. 55. Quite sure, then? | 0:51:36 | 0:51:39 | |
£55... | 0:51:39 | 0:51:42 | |
-That's brilliant! -Well done! -That was... -That's brilliant! | 0:51:42 | 0:51:46 | |
'Yup, well done. They're off to a good start. | 0:51:46 | 0:51:49 | |
'Time for Colin and Natasha's first big buy, the Moorcroft.' | 0:51:49 | 0:51:54 | |
This is the big one. Once this is done and dusted I'll calm down. | 0:51:54 | 0:52:00 | |
Where do we see this? About 150 to start me. 150. | 0:52:00 | 0:52:03 | |
£100 to get on. | 0:52:04 | 0:52:06 | |
Start me at 100. | 0:52:06 | 0:52:08 | |
Who's 80 to start, then? Thank you. At 80 bid. | 0:52:08 | 0:52:10 | |
We've got 80. 80 bid. | 0:52:10 | 0:52:12 | |
The Moorcroft vase. 85 online. | 0:52:12 | 0:52:15 | |
And 90. | 0:52:15 | 0:52:17 | |
90 against you out there. At 90. 95. | 0:52:17 | 0:52:20 | |
100. 110. | 0:52:20 | 0:52:22 | |
-Well done! -120. -That's sounding better. | 0:52:22 | 0:52:25 | |
120. At 120. | 0:52:25 | 0:52:28 | |
-Keep going, keep going! -120. | 0:52:28 | 0:52:30 | |
120 bid. We all done? 130. | 0:52:30 | 0:52:32 | |
-Oh! -130 online. 140. -One more! -140. | 0:52:32 | 0:52:37 | |
-At 140. -Come on, online! | 0:52:37 | 0:52:40 | |
Well done! | 0:52:40 | 0:52:41 | |
140. | 0:52:41 | 0:52:42 | |
-No! So close. -Yeah, but that's really good! | 0:52:42 | 0:52:45 | |
-That's good. -140. It's all right, it's OK. | 0:52:45 | 0:52:49 | |
'Yeah, that could have been a lot, lot worse.' | 0:52:49 | 0:52:52 | |
We just had our most risky item | 0:52:52 | 0:52:53 | |
and here comes the world's least risky item. | 0:52:53 | 0:52:56 | |
£1. | 0:52:56 | 0:52:57 | |
'Quite! I don't think they'll be too worried about their Worcester | 0:52:57 | 0:53:00 | |
'making a profit, do you?' | 0:53:00 | 0:53:02 | |
Where do we see that? About 40? | 0:53:02 | 0:53:03 | |
20 to start me. | 0:53:03 | 0:53:06 | |
Someone's got to give £20 for it. | 0:53:06 | 0:53:09 | |
£20? 20? | 0:53:09 | 0:53:11 | |
-20. -Just like that! | 0:53:11 | 0:53:12 | |
Who's next at 20? 20 bid over here. Who's going to make it 22? | 0:53:12 | 0:53:16 | |
Come on! | 0:53:16 | 0:53:17 | |
22. 24. 24 bid now. 24 in the room. | 0:53:17 | 0:53:20 | |
Great! I was looking for 40. | 0:53:20 | 0:53:23 | |
Oh, come on, that's a huge profit! | 0:53:23 | 0:53:26 | |
£24. | 0:53:26 | 0:53:27 | |
-Bit disappointing. -Listen to these guys! | 0:53:28 | 0:53:32 | |
Only you two would be disappointed. | 0:53:32 | 0:53:34 | |
-It was worth more than that, wasn't it? -That's £23! | 0:53:34 | 0:53:36 | |
-It was worth more than that. -It wasn't. | 0:53:36 | 0:53:39 | |
'The profits keep rolling in.' | 0:53:39 | 0:53:41 | |
191. Driftwood Central. | 0:53:41 | 0:53:44 | |
'Yes, it's Colin's other slightly worrying purchase, | 0:53:45 | 0:53:48 | |
'from the 20th century.' | 0:53:48 | 0:53:50 | |
They did a dance and I was mesmerised. | 0:53:50 | 0:53:53 | |
40. I'll take 50. | 0:53:53 | 0:53:55 | |
Bid me 50. | 0:53:55 | 0:53:57 | |
-20 to get me started. -Let's get 20 going. | 0:53:58 | 0:54:01 | |
Answer came there none? 20 we've got. Thank you. £20. | 0:54:01 | 0:54:05 | |
-At 20. 20 bid. -Someone's got to give you 20! -Don't laugh. | 0:54:05 | 0:54:08 | |
At 20. 20 bid. The two panels at 20. 20 bid on these. 20. | 0:54:08 | 0:54:14 | |
-£20 bid. -He's really trying! | 0:54:14 | 0:54:17 | |
Quite sure at 20? | 0:54:17 | 0:54:18 | |
He's gutted. Not half as much as us. | 0:54:19 | 0:54:22 | |
Look at this guy! | 0:54:22 | 0:54:24 | |
You OK there? | 0:54:24 | 0:54:26 | |
'Jonathan can't believe his luck. That might just have sealed it. | 0:54:26 | 0:54:30 | |
'Next, the bottles in the box, | 0:54:30 | 0:54:32 | |
'a makeweight in Jonathan's candelabra deal.' | 0:54:32 | 0:54:35 | |
I've got plenty of commission bids. I'll start at 40. 40 bid. | 0:54:35 | 0:54:38 | |
45 online. | 0:54:38 | 0:54:40 | |
50 with me. 50 bid. 55. | 0:54:40 | 0:54:42 | |
AUCTIONEER DROWNS JONATHAN | 0:54:42 | 0:54:44 | |
No, you didn't! | 0:54:44 | 0:54:45 | |
£60. At 60. 65. 70. | 0:54:45 | 0:54:48 | |
-70 bid. -Yes! -70. | 0:54:48 | 0:54:51 | |
£70. Bid here at 70. 70 bid. | 0:54:51 | 0:54:54 | |
75 at the back. At 75. | 0:54:54 | 0:54:56 | |
-75 in the room! -75. | 0:54:56 | 0:54:59 | |
£75... | 0:54:59 | 0:55:00 | |
-Excellent! -Well done! -You're a star! | 0:55:02 | 0:55:05 | |
'Another sweet-smelling profit for those two.' | 0:55:05 | 0:55:08 | |
-It has gone well so far. -Yeah. | 0:55:08 | 0:55:10 | |
But we got the big-risk candelabra and candlesticks. | 0:55:10 | 0:55:14 | |
They're beautiful but we paid £190 for them. | 0:55:14 | 0:55:16 | |
-Yeah, but the momentum seems to be with you guys. -It's rolling well. | 0:55:16 | 0:55:19 | |
It's looking strong for you. I think you may do all right with them. | 0:55:19 | 0:55:22 | |
-Mind you, don't take what I think to be gospel. -I won't, actually! | 0:55:22 | 0:55:26 | |
'No, a pinch of salt, more like. How will Natasha's blazer fare?' | 0:55:26 | 0:55:30 | |
About £40 for it? | 0:55:30 | 0:55:32 | |
20 to start me off, then? | 0:55:33 | 0:55:35 | |
Thank you. At 20 bid. | 0:55:35 | 0:55:37 | |
-It's sold. -That's a good thing. | 0:55:37 | 0:55:39 | |
20. £20. | 0:55:39 | 0:55:40 | |
-Is 20 our unlucky number? -I know, we seem to just... | 0:55:40 | 0:55:43 | |
No! That's too cheap! | 0:55:43 | 0:55:45 | |
20. 20 bid. Nobody else in? 20. £20... | 0:55:45 | 0:55:49 | |
We made two profits out of five! Colin! | 0:55:51 | 0:55:55 | |
We're rubbish! | 0:55:55 | 0:55:58 | |
Don't rub it in. | 0:55:58 | 0:56:00 | |
'That may well be true, but it's not over yet.' | 0:56:00 | 0:56:03 | |
Listen, my event was hurdles. You could be in sixth place. | 0:56:03 | 0:56:07 | |
The leader's away in front of you. | 0:56:07 | 0:56:09 | |
If they collapse by hitting two, three, hurdles on the trot, | 0:56:09 | 0:56:12 | |
you beautifully drift through with a flawless finish and take the title. | 0:56:12 | 0:56:18 | |
-We may have finished... -It's not going to be flawless. | 0:56:18 | 0:56:21 | |
It may not be flawless but their big item is right at the end. | 0:56:21 | 0:56:26 | |
'It certainly is. A staggering loss here and it could be tight.' | 0:56:26 | 0:56:30 | |
Fingers crossed, because I like these. | 0:56:30 | 0:56:32 | |
£100? | 0:56:32 | 0:56:34 | |
100? | 0:56:34 | 0:56:35 | |
80 to start, then? | 0:56:35 | 0:56:37 | |
Oh, no, Jonathan. This is awful. | 0:56:37 | 0:56:39 | |
50 to get me going? | 0:56:39 | 0:56:41 | |
-50 bid. We've got £50. -Yes, we've got 50. We're starting. | 0:56:41 | 0:56:46 | |
60. 65. 70. | 0:56:46 | 0:56:49 | |
75. 80. 85. | 0:56:49 | 0:56:52 | |
85. Bid's online at 85. | 0:56:52 | 0:56:54 | |
Someone's going to pick them up. Someone's going to pick them up. | 0:56:54 | 0:56:57 | |
-At 85. -We need so much more. | 0:56:57 | 0:56:59 | |
Looking for 90. 90 in the room. | 0:56:59 | 0:57:01 | |
New bidder! | 0:57:01 | 0:57:02 | |
-100. 110. -You're in. New bidders. Good. | 0:57:02 | 0:57:05 | |
110. Bid at 110. 110 now. | 0:57:05 | 0:57:08 | |
110. Quite sure? 110. | 0:57:08 | 0:57:10 | |
110. 110... | 0:57:10 | 0:57:12 | |
£110... | 0:57:12 | 0:57:13 | |
-Oh, no! -110! | 0:57:15 | 0:57:16 | |
Hammer's gone down at 110. | 0:57:16 | 0:57:18 | |
There's silence! Silence! | 0:57:18 | 0:57:20 | |
-What can you say? -I think we're hurt! | 0:57:20 | 0:57:23 | |
'Well, it's bad. But it might just be enough to get them over the line.' | 0:57:23 | 0:57:28 | |
-I need a drink. -Go think about what we've done. -Come on, then. | 0:57:28 | 0:57:31 | |
Colin and Natasha started out with £400. | 0:57:31 | 0:57:34 | |
They made, after paying auction costs, | 0:57:34 | 0:57:36 | |
a loss of £124.60. | 0:57:36 | 0:57:39 | |
Jonathan and Catherine also began with £400, | 0:57:39 | 0:57:43 | |
but after auction costs they made a much smaller loss of £28.56. | 0:57:43 | 0:57:49 | |
So, podium, please! | 0:57:49 | 0:57:51 | |
-Have you done the maths? I've done the maths. -I think it was close. | 0:57:51 | 0:57:54 | |
How close? | 0:57:54 | 0:57:55 | |
-A fiver in it. -You reckon it was a fiver in it? -Yes. -It was 100 quid. | 0:57:55 | 0:57:58 | |
-No! -What?! -Yes. | 0:57:58 | 0:57:59 | |
Congratulations! | 0:57:59 | 0:58:01 | |
100 quid?! | 0:58:01 | 0:58:03 | |
Fantastic. It was all you, expert. | 0:58:03 | 0:58:05 | |
-We did so well. -We had such good fun. It was so good. -Come on, CJ. | 0:58:05 | 0:58:10 | |
-Goodbye! -Au revoir! | 0:58:10 | 0:58:12 | |
-We enjoyed it! -Goodbye! | 0:58:12 | 0:58:14 | |
-And I'm with the winner, so I haven't lost! -LAUGHTER | 0:58:14 | 0:58:17 | |
-JONATHAN: -It's been great fun. Beautiful sunny day. | 0:58:18 | 0:58:21 | |
-Beautiful car. -Absolutely. | 0:58:21 | 0:58:24 | |
And I've learnt a lot. | 0:58:24 | 0:58:26 | |
-Really? -Yeah, I have. | 0:58:26 | 0:58:28 | |
See, I don't think I've learnt anything. | 0:58:28 | 0:58:30 | |
LAUGHTER | 0:58:30 | 0:58:32 |