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The nation's favourite celebrities. | 0:00:02 | 0:00:03 | |
We've got some proper bling here. | 0:00:03 | 0:00:05 | |
Paired up with an expert. | 0:00:05 | 0:00:06 | |
What? What? | 0:00:06 | 0:00:07 | |
And a classic car. | 0:00:07 | 0:00:09 | |
Put your hands up, girls! | 0:00:09 | 0:00:11 | |
Their mission? | 0:00:11 | 0:00:12 | |
To scour Britain for antiques. | 0:00:12 | 0:00:14 | |
All breakages must be paid for. | 0:00:14 | 0:00:16 | |
This is a good find, is it not? | 0:00:16 | 0:00:18 | |
The aim? | 0:00:18 | 0:00:19 | |
To make the biggest profit at auction. | 0:00:19 | 0:00:21 | |
But it's no easy ride. | 0:00:21 | 0:00:23 | |
Who will find a hidden gem? | 0:00:23 | 0:00:25 | |
Who will take the biggest risks? | 0:00:25 | 0:00:27 | |
I've got to have my antiques head on. | 0:00:27 | 0:00:29 | |
Will anybody follow expert advice? | 0:00:29 | 0:00:32 | |
It's horrible! | 0:00:32 | 0:00:34 | |
There will be worthy winners... | 0:00:34 | 0:00:35 | |
This is better than Christmas! | 0:00:35 | 0:00:37 | |
..and valiant losers. | 0:00:37 | 0:00:39 | |
Sorry. | 0:00:39 | 0:00:40 | |
Time to put your pedal to the metal, | 0:00:40 | 0:00:42 | |
this is Celebrity Antiques Road Trip. | 0:00:42 | 0:00:45 | |
Yeah! | 0:00:47 | 0:00:48 | |
On today's show, we have a prized pair of gardening gurus | 0:00:52 | 0:00:55 | |
of British TV and radio, | 0:00:55 | 0:00:57 | |
Christine Walkden and Matthew Biggs. | 0:00:57 | 0:01:00 | |
So how long have we known each other? | 0:01:00 | 0:01:02 | |
Well, I've known ABOUT you for years and years. | 0:01:02 | 0:01:06 | |
People used to talk about Christine Walkden the compost queen. | 0:01:06 | 0:01:10 | |
Christine and Matthew will zoom about town and country | 0:01:13 | 0:01:16 | |
in a 1974 Rover P6. | 0:01:16 | 0:01:18 | |
Being in a car like this, you can smell the leather | 0:01:20 | 0:01:24 | |
and the sound of the engine. | 0:01:24 | 0:01:26 | |
I mean, she's sweet, though, isn't she? | 0:01:26 | 0:01:28 | |
She is, she's very, very good. | 0:01:28 | 0:01:29 | |
Christine is a regular gardening expert on TV and radio. | 0:01:31 | 0:01:34 | |
She famously opened her back garden to | 0:01:34 | 0:01:37 | |
millions of viewers on the BBC series Christine's Garden. | 0:01:37 | 0:01:41 | |
For a lot of people, when a plant goes absolutely down, | 0:01:41 | 0:01:44 | |
they pour gallons and gallons of water on it. It doesn't need it. | 0:01:44 | 0:01:49 | |
Now the temperature's cooler, | 0:01:49 | 0:01:52 | |
up she comes again. | 0:01:52 | 0:01:53 | |
Daredevil Christine has even taken to the skies in a hot-air balloon | 0:01:53 | 0:01:57 | |
for Glorious Gardens From Above. | 0:01:57 | 0:02:00 | |
Look at the walled garden. | 0:02:00 | 0:02:02 | |
Oh, the colour! | 0:02:02 | 0:02:03 | |
Matthew is a regular on Radio 4's Gardeners' Question Time | 0:02:03 | 0:02:08 | |
and trained at Kew's Royal Botanic Gardens. | 0:02:08 | 0:02:11 | |
Matthew first graced our screens back in the '90s | 0:02:11 | 0:02:14 | |
on The Really Useful Show. | 0:02:14 | 0:02:17 | |
Hot, sunny spaces, people often think you can't grow anything there | 0:02:17 | 0:02:20 | |
that's decent, but you can. | 0:02:20 | 0:02:22 | |
Lovely aromatic plants, because not only do you get a good shape, | 0:02:22 | 0:02:24 | |
say, from these lavenders... | 0:02:24 | 0:02:26 | |
-You must touch them. You must always stroke those plants. -Can I have a feel? | 0:02:26 | 0:02:29 | |
And he's appeared with Christine at the Hampton Court Flower Show. | 0:02:29 | 0:02:34 | |
What do you have to do to become a collection holder? | 0:02:34 | 0:02:36 | |
You have to be absolutely passionate about the group of plants that you're growing. | 0:02:36 | 0:02:41 | |
In this competition, they'll be armed with £400 each | 0:02:41 | 0:02:44 | |
but how long will these good chums stay friendly? | 0:02:44 | 0:02:49 | |
How competitive do think we're going to be, Christine? | 0:02:49 | 0:02:52 | |
-I'm going to beat you. -Are you? | 0:02:52 | 0:02:54 | |
I'm going to beat you, Biggsy! | 0:02:54 | 0:02:56 | |
Are you, now? Oh, really, really, really. | 0:02:56 | 0:02:59 | |
Watch out, Biggsy! | 0:02:59 | 0:03:00 | |
Keeping an eye on proceedings are today's experts, | 0:03:02 | 0:03:05 | |
auctioneer James Braxton and dealer David Harper. | 0:03:05 | 0:03:08 | |
They're behind the wheel of the 1965 Sunbeam Tiger. | 0:03:10 | 0:03:13 | |
-This is a throaty beast, isn't it, James? -It is, listen. | 0:03:17 | 0:03:20 | |
ENGINE ROARS | 0:03:20 | 0:03:21 | |
I'm still in second. | 0:03:23 | 0:03:24 | |
Easy, tiger. | 0:03:24 | 0:03:26 | |
Do you know about Matt and Christine? | 0:03:27 | 0:03:30 | |
I do. They're very well-known gardeners. | 0:03:30 | 0:03:32 | |
-Are you into gardening? -I do, I love gardening. | 0:03:32 | 0:03:35 | |
-Do you? -I do. -Tell me about your gardening. | 0:03:35 | 0:03:38 | |
Well, it's green and brown. | 0:03:38 | 0:03:40 | |
-Is that all right? -That's exactly... That's where I am with gardening. | 0:03:40 | 0:03:43 | |
Whilst over in the sedate Rover... | 0:03:43 | 0:03:46 | |
I'm going to use my intuitive female skills! | 0:03:46 | 0:03:50 | |
To outdo you. | 0:03:52 | 0:03:54 | |
You've got your work cut out, Matt. | 0:03:54 | 0:03:56 | |
Our trip begins in the Northamptonshire town of Brackley, | 0:03:57 | 0:04:00 | |
moving northwards to the town of Northampton, | 0:04:00 | 0:04:03 | |
snaking south through central Bedfordshire, | 0:04:03 | 0:04:06 | |
towards that decisive auction in Greenwich, Greater London. | 0:04:06 | 0:04:10 | |
Good morning, hello, Matt. | 0:04:18 | 0:04:19 | |
We got here safely! Look. | 0:04:19 | 0:04:21 | |
I'm in one piece. | 0:04:21 | 0:04:23 | |
-It's nice, nice to meet you. -James, how are you? -Hi. | 0:04:23 | 0:04:27 | |
Christine's a self-confessed petrolhead. | 0:04:27 | 0:04:30 | |
It's inspection time. | 0:04:30 | 0:04:32 | |
Look at this! | 0:04:32 | 0:04:33 | |
ENGINE STARTS | 0:04:33 | 0:04:36 | |
'Ey, what a beast! | 0:04:44 | 0:04:45 | |
That is a proper engine. | 0:04:45 | 0:04:46 | |
Come on, let's have a look at this one. | 0:04:46 | 0:04:48 | |
This is unusual. | 0:04:48 | 0:04:50 | |
That's it. | 0:04:50 | 0:04:52 | |
-DAVID: -Are we ever going to buy some antiques, or what? -In a bit. | 0:04:52 | 0:04:55 | |
ENGINE STARTS | 0:04:55 | 0:04:57 | |
-She's smooth. Listen to that. -MATTHEW: -This is very smooth. | 0:04:59 | 0:05:03 | |
Quite a different sound, isn't it? | 0:05:03 | 0:05:04 | |
-I've already made my mind up. -OK. | 0:05:04 | 0:05:07 | |
I am going with a classic racing-car green. | 0:05:07 | 0:05:10 | |
Ah... | 0:05:10 | 0:05:12 | |
Looks like they've chosen their experts too. | 0:05:12 | 0:05:15 | |
And your jacket matches! | 0:05:15 | 0:05:18 | |
Good man. | 0:05:18 | 0:05:20 | |
And them with their trousers. | 0:05:20 | 0:05:22 | |
Team Trousers. We're... | 0:05:22 | 0:05:24 | |
Classics. | 0:05:24 | 0:05:26 | |
Cheeky! | 0:05:26 | 0:05:27 | |
-JAMES: -Come on, let's go and find something. | 0:05:27 | 0:05:29 | |
Ahem... The bonnet? | 0:05:29 | 0:05:31 | |
Our excitable road-trippers are sharing their first shop of the day. | 0:05:33 | 0:05:36 | |
Brackley Antiques Seller is perhaps the largest | 0:05:36 | 0:05:39 | |
antiques centre in the Midlands. | 0:05:39 | 0:05:41 | |
Good luck dealing with this foursome! | 0:05:41 | 0:05:43 | |
-Look at this. -Here we go, look at this. | 0:05:43 | 0:05:46 | |
-Goodness. -It's vast, isn't it? | 0:05:46 | 0:05:48 | |
-We should be able to buy something here. -Well, we should hope so! | 0:05:48 | 0:05:52 | |
Hello, welcome to Brackley Antiques. | 0:05:52 | 0:05:55 | |
-Hi, I'm Christine. -James. | 0:05:55 | 0:05:57 | |
I'm Matt, nice to meet you. Lovely to see you. | 0:05:57 | 0:06:00 | |
-I like your jacket, very resplendent in colour. -Yeah. | 0:06:00 | 0:06:02 | |
-Fuchsia, isn't it? -It's fuchsia. | 0:06:02 | 0:06:04 | |
And what do we have behind? The best pair of trousers in the building. | 0:06:04 | 0:06:08 | |
-CHRISTINE: -Look at this. | 0:06:08 | 0:06:10 | |
This is a man with style! Good to meet you. | 0:06:10 | 0:06:13 | |
-CHRISTINE: -It's a shame you haven't got green on, then you could be a traffic... | 0:06:13 | 0:06:16 | |
You must be Marigold. | 0:06:16 | 0:06:17 | |
Manners, James. | 0:06:19 | 0:06:20 | |
James and Christine are first out of the starting blocks. | 0:06:22 | 0:06:25 | |
Any Braxton top tips? | 0:06:25 | 0:06:27 | |
So the cheaper items are very often in the cheap seats in the back row. | 0:06:27 | 0:06:32 | |
OK, right. You're in the know. | 0:06:32 | 0:06:34 | |
Yeah, I am in the know. I've done it before. | 0:06:34 | 0:06:36 | |
Yeah, just a few times! | 0:06:36 | 0:06:38 | |
Here we are, look. | 0:06:38 | 0:06:40 | |
You could plant that up! | 0:06:40 | 0:06:42 | |
Perfection! | 0:06:42 | 0:06:44 | |
It would make a great hanging basket! | 0:06:44 | 0:06:46 | |
THEY LAUGH | 0:06:46 | 0:06:48 | |
-Hang somewhere else, as well. -Absolutely! | 0:06:48 | 0:06:51 | |
Can Debbie point them in the right direction? | 0:06:51 | 0:06:54 | |
-I spotted it this morning. -No. | 0:06:54 | 0:06:56 | |
It's got a floral theme to it. | 0:06:56 | 0:06:58 | |
-Floral? -Look. | 0:06:58 | 0:07:01 | |
-Look at that. -Papier-mache. | 0:07:01 | 0:07:02 | |
What is that, papier-mache? | 0:07:02 | 0:07:05 | |
It's £20. I mean... | 0:07:05 | 0:07:07 | |
-Quite a few years ago... -What, for all that? | 0:07:07 | 0:07:09 | |
Now, papier-mache, Christine, is generally made in Birmingham. | 0:07:09 | 0:07:14 | |
-OK. -So you know Birmingham was the sort of workshop of the world? -Yeah. | 0:07:14 | 0:07:18 | |
The Victorians loved papier-mache | 0:07:18 | 0:07:21 | |
and one of the top manufacturers | 0:07:21 | 0:07:23 | |
of the time was Birmingham-based factory Jennens and Bettridge. | 0:07:23 | 0:07:27 | |
I'll tell you what's nice about that, | 0:07:27 | 0:07:30 | |
-the colours are very bright. -Mmm. | 0:07:30 | 0:07:33 | |
I would say, Debbie, you have found us a winner. | 0:07:33 | 0:07:36 | |
Lovely hand-painted... Are these chrysanthemums? | 0:07:36 | 0:07:38 | |
-Yeah. -Yeah, come on... | 0:07:38 | 0:07:40 | |
No, Christine, we only want Latin, please. | 0:07:40 | 0:07:43 | |
-POSH ACCENT: -Yes... Oh, chrysanthemum. | 0:07:43 | 0:07:45 | |
THEY LAUGH | 0:07:45 | 0:07:46 | |
That's what it is, mate! | 0:07:48 | 0:07:50 | |
On this occasion, it's chrysanthemum. | 0:07:50 | 0:07:53 | |
That shuts me up, doesn't it? | 0:07:53 | 0:07:55 | |
That shuts me up. | 0:07:55 | 0:07:56 | |
That'll be a first! | 0:07:56 | 0:07:58 | |
I think, are we going to... | 0:07:58 | 0:08:00 | |
I think we want to haggle. | 0:08:00 | 0:08:03 | |
Yeah, I think we could haggle. | 0:08:03 | 0:08:05 | |
Yeah, I could ask the dealer for you. | 0:08:05 | 0:08:07 | |
If you speak to John and say you've got this interesting | 0:08:07 | 0:08:10 | |
Northerner that's as tight as hell | 0:08:10 | 0:08:12 | |
that would like to sort of make an offer, | 0:08:12 | 0:08:15 | |
but it needs to be a really good, low offer. | 0:08:15 | 0:08:18 | |
Right, will do. | 0:08:18 | 0:08:20 | |
What will they talk about while they wait for Debbie to return? | 0:08:22 | 0:08:26 | |
Though we identify plants via the sexual part of the flower, | 0:08:26 | 0:08:30 | |
-we need... -Steady, Christine. | 0:08:30 | 0:08:32 | |
Hey, no, a bit of sex in the garden, mate. | 0:08:32 | 0:08:35 | |
You need to pull all the bits | 0:08:35 | 0:08:37 | |
and have a look at their sexy bits to really help get it right. | 0:08:37 | 0:08:40 | |
Blimey! | 0:08:40 | 0:08:42 | |
-You have to look. -I'm blushing. | 0:08:42 | 0:08:44 | |
That's good. How often does a female make you blush, these days? | 0:08:44 | 0:08:48 | |
Thankfully, here comes Debbie. | 0:08:48 | 0:08:51 | |
Here's our lady. | 0:08:51 | 0:08:52 | |
-I've had a word with the lovely John. -Good. | 0:08:52 | 0:08:55 | |
Does he appreciate he's got a tight-fisted Northerner? | 0:08:55 | 0:08:57 | |
-He does, yes. -Excellent, good! | 0:08:57 | 0:08:59 | |
He's come down to 15, which I think is... | 0:08:59 | 0:09:03 | |
-15, yeah, I think that's... -I think that's fair. | 0:09:03 | 0:09:06 | |
-I think you've got a deal. -Okey-doke. | 0:09:06 | 0:09:08 | |
-Well done. -First lot. -You are really kind. | 0:09:08 | 0:09:11 | |
-Good. -Well done. | 0:09:11 | 0:09:13 | |
The first item is in the bag. | 0:09:13 | 0:09:15 | |
The 1890s papier-mache dressing set for £15. | 0:09:15 | 0:09:19 | |
What about David and Matthew? | 0:09:22 | 0:09:24 | |
I love the way things just jump out at you. | 0:09:24 | 0:09:26 | |
-It is quite extraordinary, isn't it? -I don't know what you're looking at here. | 0:09:26 | 0:09:30 | |
A mass of artefacts but I'm looking at this. | 0:09:30 | 0:09:33 | |
-It's quite heavy. -OK. -I'm not even quite sure... | 0:09:33 | 0:09:36 | |
Depending on which angle you look at it, is it a flattened hippo? | 0:09:36 | 0:09:41 | |
You feel the weight of that. | 0:09:41 | 0:09:43 | |
-I see. -It's hollow. -It's soapstone. | 0:09:43 | 0:09:45 | |
Soapstone being a stone but it is quite soft and | 0:09:45 | 0:09:48 | |
so it's very easily chipped and damaged. | 0:09:48 | 0:09:52 | |
That's the thing with it. | 0:09:52 | 0:09:54 | |
But easy to work. | 0:09:54 | 0:09:56 | |
Is it a hippo? Are you a hippo? | 0:09:56 | 0:09:59 | |
A don't think he speaks, you know. | 0:09:59 | 0:10:02 | |
It's actually stone, it's probably African. | 0:10:02 | 0:10:04 | |
Southern African. | 0:10:04 | 0:10:06 | |
The Shona people, particularly in Zimbabwe, | 0:10:06 | 0:10:09 | |
are incredible carvers. | 0:10:09 | 0:10:11 | |
I like it. | 0:10:11 | 0:10:13 | |
It's a very interesting thing. Shall we go and see the guys? | 0:10:13 | 0:10:15 | |
-You carry, because you're responsible. -Thank you. | 0:10:15 | 0:10:19 | |
-I think it ought to have a name, as well. -We'll definitely name him! | 0:10:19 | 0:10:23 | |
First let's find Jim to talk money. | 0:10:23 | 0:10:25 | |
Jim with the pants. Hello, Jim. | 0:10:25 | 0:10:27 | |
-Hello. -Good to see you again. -And you. | 0:10:27 | 0:10:30 | |
-Right. -Now, Jim, when I was walking through, | 0:10:30 | 0:10:33 | |
this beauty caught my eye. | 0:10:33 | 0:10:35 | |
He's lovely. | 0:10:35 | 0:10:37 | |
Don't say too many nice things about him. | 0:10:37 | 0:10:39 | |
The ticket price is £28. | 0:10:39 | 0:10:41 | |
I noticed the price has been knocked down already | 0:10:41 | 0:10:45 | |
so you've done it already. I want you to knock it down again for me. | 0:10:45 | 0:10:48 | |
Can you do that, Jim? | 0:10:48 | 0:10:49 | |
I may have to ring the dealer and see what the best... offer we can get on it. | 0:10:49 | 0:10:52 | |
Matthew, have you done this before? | 0:10:52 | 0:10:56 | |
And, as for that all-important name, | 0:10:56 | 0:10:58 | |
Matthew's favourite tree, of course. | 0:10:58 | 0:11:01 | |
-So this is Jacaranda. -Jacaranda, perfect. | 0:11:01 | 0:11:04 | |
He says, for you, he will do it for £15. | 0:11:04 | 0:11:07 | |
Oh... | 0:11:07 | 0:11:09 | |
15, you can't negotiate. | 0:11:09 | 0:11:11 | |
That's fantastic. Thank you very much. | 0:11:11 | 0:11:13 | |
Thank you very much, that's great. | 0:11:13 | 0:11:15 | |
Come on, Jacaranda, my first purchase. | 0:11:15 | 0:11:17 | |
-And my favourite tree. -Oh, lovely. -A jacaranda tree. | 0:11:17 | 0:11:20 | |
It takes me back, happy days. | 0:11:20 | 0:11:22 | |
Jacaranda the soapstone hippo for £15. Well done, Matthew. | 0:11:22 | 0:11:26 | |
Now, dare we go back to Christine and James? | 0:11:29 | 0:11:33 | |
Ho, ho, ho, ho, ho... | 0:11:33 | 0:11:34 | |
Hi-ho, hi-ho... | 0:11:34 | 0:11:37 | |
-Look at that. -Is that any good? Robust fellow. | 0:11:37 | 0:11:40 | |
Look at that. You can't buy them like this, you know. | 0:11:40 | 0:11:43 | |
It's something we do professionally but that... | 0:11:43 | 0:11:45 | |
I mean... | 0:11:45 | 0:11:47 | |
Beautiful. | 0:11:47 | 0:11:49 | |
I think we need a bit of focus. | 0:11:49 | 0:11:52 | |
James, any ideas? | 0:11:52 | 0:11:54 | |
I like the bus-stop sign, as well. | 0:11:54 | 0:11:55 | |
That's nice. | 0:11:55 | 0:11:56 | |
We're going to London. | 0:11:58 | 0:12:00 | |
You've got to think trendy. | 0:12:00 | 0:12:02 | |
Oh, OK. | 0:12:02 | 0:12:04 | |
What have they got on it? | 0:12:04 | 0:12:05 | |
67 quid? | 0:12:05 | 0:12:06 | |
It might be somebody's lucky bus, mightn't it? | 0:12:08 | 0:12:10 | |
Does that do...? You've gone quiet, Christine. | 0:12:10 | 0:12:13 | |
Does that do anything for you? | 0:12:13 | 0:12:14 | |
Do you think we're going to make anything on it? | 0:12:14 | 0:12:17 | |
Not at 65. | 0:12:17 | 0:12:19 | |
If we spoke to the powers that be, | 0:12:19 | 0:12:21 | |
what do you think? | 0:12:21 | 0:12:23 | |
-I'll try for you. -Cheeky offer. | 0:12:23 | 0:12:25 | |
What sort of price were you thinking? | 0:12:25 | 0:12:27 | |
Well, you know me. | 0:12:27 | 0:12:29 | |
You know me. I'm going to be cheeky and say 35. | 0:12:29 | 0:12:34 | |
I can put the question. | 0:12:34 | 0:12:37 | |
Do you think? | 0:12:37 | 0:12:38 | |
Or should I be bidding 45? | 0:12:38 | 0:12:40 | |
-I'll ask them first what their best price is and then... -Yeah. | 0:12:40 | 0:12:44 | |
Debbie finds out the best price from the dealer for the sign. | 0:12:45 | 0:12:49 | |
Have you spoken to the people? | 0:12:49 | 0:12:51 | |
Yes. | 0:12:51 | 0:12:53 | |
And how does 45 sound? | 0:12:53 | 0:12:54 | |
45, how does that sound? | 0:12:54 | 0:12:56 | |
That sounds good to me. Yeah. | 0:12:56 | 0:12:58 | |
-45? -Done. | 0:12:58 | 0:13:00 | |
A pleasure doing a deal with you, madam. | 0:13:00 | 0:13:03 | |
60 quid. | 0:13:03 | 0:13:04 | |
The bus-stop sign for £45 | 0:13:05 | 0:13:07 | |
and the papier-mache dressing-table set for 15. | 0:13:07 | 0:13:10 | |
-Look at that. -There you are. | 0:13:10 | 0:13:13 | |
Careful with that, James. | 0:13:13 | 0:13:15 | |
David and Matthew are still having a scout around. | 0:13:18 | 0:13:21 | |
I saw this box and I think I noticed it because it says "corned beef". | 0:13:21 | 0:13:26 | |
What's the connection? | 0:13:26 | 0:13:27 | |
-I love corned beef, that's all. -Is that what...? Right. | 0:13:27 | 0:13:30 | |
To me, my idea of a decent meal is corned beef or haslet sandwiches. | 0:13:30 | 0:13:34 | |
I also think people might buy a box with a bit of character. | 0:13:34 | 0:13:37 | |
Everybody has wine boxes, don't they? | 0:13:37 | 0:13:40 | |
There are lots of wine boxes around, | 0:13:40 | 0:13:42 | |
not many people have a corned-beef box and they might like it. | 0:13:42 | 0:13:45 | |
There might be a reason for that. | 0:13:45 | 0:13:47 | |
Date-wise, how old is it? | 0:13:47 | 0:13:49 | |
I don't... | 0:13:49 | 0:13:51 | |
-It could be... -Look at the text. | 0:13:51 | 0:13:53 | |
-That's true, isn't it? -I think that's a bit of a giveaway. | 0:13:53 | 0:13:56 | |
I'm guessing '50s or '60s. | 0:13:56 | 0:13:58 | |
It's actually stamped into the wood. OK... | 0:13:58 | 0:14:01 | |
Have a look at the price label. | 0:14:01 | 0:14:03 | |
You've got to guess, how much do you think it is? What would you pay? | 0:14:03 | 0:14:05 | |
I'd probably say this is £20. | 0:14:05 | 0:14:08 | |
OK, it's priced at 25. | 0:14:08 | 0:14:09 | |
Now, where's Jim? | 0:14:09 | 0:14:11 | |
-Hello, Jim. -Hello, again. | 0:14:13 | 0:14:15 | |
We bring a box. | 0:14:15 | 0:14:17 | |
How cheap is the box? | 0:14:17 | 0:14:19 | |
The best price we could do on this box would be £15. | 0:14:19 | 0:14:22 | |
That's a good deal, I think. | 0:14:24 | 0:14:26 | |
15 from 25. | 0:14:26 | 0:14:28 | |
It's a pretty good deal. | 0:14:28 | 0:14:29 | |
-Actually, that's all right. -Are we happy with that? Shake his hand. | 0:14:29 | 0:14:32 | |
Jim, thank you very much. | 0:14:32 | 0:14:34 | |
It's a first, I can tell you. | 0:14:34 | 0:14:36 | |
The first corned-beef box I've ever bought. | 0:14:36 | 0:14:39 | |
A corned-beef box and Jacaranda the soapstone hippo | 0:14:39 | 0:14:42 | |
for a total of £30. | 0:14:42 | 0:14:45 | |
As for Christine and James... | 0:14:50 | 0:14:53 | |
I'm curious to know what that Biggsy has done. | 0:14:53 | 0:14:56 | |
-That Biggsy. -Biggsy? -Yeah. | 0:14:56 | 0:14:59 | |
Our Biggs. Our Matthew. | 0:14:59 | 0:15:01 | |
-Oh, Biggsy, sorry. -That Biggsy. | 0:15:01 | 0:15:04 | |
OK, I thought you were referring to an antique, then. | 0:15:04 | 0:15:07 | |
No, no... Well, he might be, but let's be kind! | 0:15:07 | 0:15:11 | |
Leave Matthew alone! | 0:15:11 | 0:15:13 | |
Our happy duo are having a rest from shopping | 0:15:14 | 0:15:16 | |
and heading to the village of Lamport in Northamptonshire. | 0:15:16 | 0:15:21 | |
Christine and James are stopping off at the splendid Lamport Hall. | 0:15:21 | 0:15:24 | |
This 450-year-old estate is a place Christine has always wanted to visit, | 0:15:24 | 0:15:29 | |
as it has some fascinating and quite peculiar stories to tell. | 0:15:29 | 0:15:33 | |
-Well, it's palatial, isn't it? -It is very palatial. | 0:15:39 | 0:15:43 | |
-Shall we go and see who lives here? -Absolutely, yeah. | 0:15:43 | 0:15:47 | |
Assistant property manager Neil Lyon is here to share the magic. | 0:15:51 | 0:15:55 | |
-Neil, how nice to meet you. -Welcome to Lamport, Christine. -Hi. | 0:15:55 | 0:15:58 | |
-Hello, James, hi. -Welcome, welcome. -Look at this! | 0:15:58 | 0:16:01 | |
Lamport Hall has been home to the Isham family since the 16th century. | 0:16:04 | 0:16:09 | |
The eccentric Victorian baronet Sir Charles Isham, | 0:16:09 | 0:16:13 | |
who was born and bred on the estate, | 0:16:13 | 0:16:15 | |
was fascinated by the trend for fantasy and follies. | 0:16:15 | 0:16:18 | |
A passionate and innovative gardener, | 0:16:18 | 0:16:20 | |
he began work on one of England's first rockeries in 1847. | 0:16:20 | 0:16:24 | |
This garden, this alpine garden, is famous because of its time period. | 0:16:26 | 0:16:30 | |
We don't see rock gardens like this any more. | 0:16:30 | 0:16:32 | |
You can see some really nice plants on there. | 0:16:32 | 0:16:35 | |
I'm itchy, itchy, itchy! There's a fence. | 0:16:35 | 0:16:38 | |
When does a fence ever stop me? | 0:16:38 | 0:16:40 | |
But it was what inhabited the rockery that really took the world by storm. | 0:16:42 | 0:16:47 | |
We know that Sir Charles went on holiday, the 1850s. | 0:16:47 | 0:16:51 | |
He went to Nuremberg and he saw German miners taking little | 0:16:51 | 0:16:55 | |
terracotta figures down the mines as good-luck symbols. | 0:16:55 | 0:16:58 | |
He thought, "This is fantastic. | 0:16:58 | 0:17:00 | |
"They're just the thing I need to populate my rockery." | 0:17:00 | 0:17:03 | |
He brought a large number over | 0:17:03 | 0:17:06 | |
and they would inhabit the rockery behind us. | 0:17:06 | 0:17:09 | |
These little figures became known as garden gnomes. | 0:17:14 | 0:17:18 | |
Charles was the first to bring their like to Britain | 0:17:18 | 0:17:21 | |
and is responsible for creating a worldwide craze. | 0:17:21 | 0:17:24 | |
Today there are an estimated 15 million gnomes across Europe. | 0:17:24 | 0:17:29 | |
So why don't we see more of them today? | 0:17:29 | 0:17:31 | |
Well, I'm afraid there's a story to that. | 0:17:31 | 0:17:34 | |
They were all assassinated. | 0:17:34 | 0:17:36 | |
-What?! -All bar one, in 1903. | 0:17:36 | 0:17:38 | |
Sir Charles, you see, spent more time with his gnomes | 0:17:38 | 0:17:41 | |
than he did with his family. | 0:17:41 | 0:17:43 | |
Oh, great! | 0:17:43 | 0:17:45 | |
And the story goes that as soon as he died the daughters went out | 0:17:45 | 0:17:49 | |
with their rifles and had a good old pop at them. | 0:17:49 | 0:17:51 | |
Fortunately for us, one hid. | 0:17:51 | 0:17:53 | |
One managed to escape, his name's Lampy | 0:17:53 | 0:17:55 | |
and he's still in the Hall today. | 0:17:55 | 0:17:57 | |
Lampy was one of the original 21 gnomes brought back from Germany. | 0:18:00 | 0:18:04 | |
He's made Lamport Hall his home for over 150 years | 0:18:04 | 0:18:08 | |
and is considered to be the oldest garden gnome in the world. | 0:18:08 | 0:18:11 | |
He's now kept under lock and key | 0:18:11 | 0:18:13 | |
as he has an estimated worth of around £2 million. | 0:18:13 | 0:18:17 | |
So here we are, here is Lampy. | 0:18:19 | 0:18:21 | |
This is Lampy. | 0:18:21 | 0:18:22 | |
-The world's oldest garden gnome. -Wow! | 0:18:22 | 0:18:26 | |
-Perhaps not as tall as most people think gnomes are. -No. | 0:18:26 | 0:18:29 | |
And no plastic. | 0:18:29 | 0:18:31 | |
Thank goodness for that. | 0:18:31 | 0:18:32 | |
But the detail is quite amazing. | 0:18:32 | 0:18:35 | |
It is, and sculpturally it's quite good, isn't it? | 0:18:35 | 0:18:37 | |
He's leaning forward. | 0:18:37 | 0:18:39 | |
It's a beautiful piece of work but the thing about Lampy is | 0:18:39 | 0:18:42 | |
that Sir Charles actually believed he came alive at night. | 0:18:42 | 0:18:46 | |
During the 19th century there was a growing obsession with fairies | 0:18:48 | 0:18:52 | |
and gnomes and a belief that they really did exist. | 0:18:52 | 0:18:54 | |
-The colour's stayed quite well, as well. -It has. | 0:18:57 | 0:19:01 | |
Was Lampy out? Presumably he was out on the garden for quite some time? | 0:19:01 | 0:19:05 | |
He must've been. Perhaps he was in one of the caves that Sir Charles | 0:19:05 | 0:19:08 | |
-built for the miners. -Right. | 0:19:08 | 0:19:10 | |
But he's a very, very lucky survivor and I always say to people | 0:19:10 | 0:19:13 | |
he's a great icon of gardening history. | 0:19:13 | 0:19:16 | |
Well, indeed he is, | 0:19:16 | 0:19:17 | |
because we haven't got many around, have we? | 0:19:17 | 0:19:19 | |
-Christine, would you like to hold Lampy? -I would love to hold. | 0:19:19 | 0:19:24 | |
-I promise not to drop him. -Well, thank you. | 0:19:24 | 0:19:27 | |
Look at his little happy face. | 0:19:27 | 0:19:29 | |
James, would you like to do the honours, as well? | 0:19:29 | 0:19:32 | |
Go on. | 0:19:32 | 0:19:34 | |
-Don't drop him. -Talk about being aesthetically compromised. | 0:19:34 | 0:19:38 | |
Here I am holding Lampy. | 0:19:38 | 0:19:40 | |
He's a very fine fellow. | 0:19:40 | 0:19:42 | |
-He is, indeed. -It's been really interesting. -Yeah. | 0:19:42 | 0:19:46 | |
I think he's rather enjoyed being with you as well. | 0:19:46 | 0:19:48 | |
THEY LAUGH | 0:19:48 | 0:19:50 | |
I think it's time for Lampy to go to bed. He's getting a bit tired. | 0:19:50 | 0:19:53 | |
Goodnight, God bless, sweet dreams. | 0:19:53 | 0:19:55 | |
Keep thinking of plants and keep that rock garden in order, mate. | 0:19:55 | 0:19:58 | |
Lampy lives on as a very famous resident of Lamport Hall | 0:19:58 | 0:20:02 | |
and keeps Sir Charles's passion for magical gardening very much alive. | 0:20:02 | 0:20:06 | |
Meanwhile, David and Matthew have also travelled northwards. | 0:20:10 | 0:20:14 | |
They're in the town of Northampton. | 0:20:14 | 0:20:16 | |
This smell, with the sort of leather and the...is it oil or... | 0:20:18 | 0:20:22 | |
-It's my aftershave, Matt. -Just for me! Thank you so much. | 0:20:22 | 0:20:26 | |
The Old Bakehouse Antiques is their next shopping destination. | 0:20:29 | 0:20:34 | |
-Look at this. -The TARDIS. Straight into the TARDIS. How lovely is that! | 0:20:34 | 0:20:39 | |
Let's see how Team Trousers get on in here. | 0:20:39 | 0:20:41 | |
What an extraordinary place. It goes back and back. | 0:20:43 | 0:20:46 | |
I think Matthew likes this antiques caper. | 0:20:46 | 0:20:49 | |
It's quite overwhelming, to be honest with you. | 0:20:49 | 0:20:52 | |
Stay there, stay there. I've just seen something. | 0:20:52 | 0:20:54 | |
-Move forward and wait there. OK, don't look. -All right. | 0:20:54 | 0:20:57 | |
-What are you up to, David? -One hand out. | 0:20:57 | 0:20:59 | |
That's it. Oh. Have to feel the... | 0:21:02 | 0:21:05 | |
Feel the ends. It's... | 0:21:05 | 0:21:08 | |
It's an old garden sprayer. | 0:21:08 | 0:21:10 | |
-Ha-ha! -Yeah! | 0:21:10 | 0:21:12 | |
-How on earth did you guess that? -Marvellous! | 0:21:12 | 0:21:15 | |
It was either going to be that or a bicycle pump. | 0:21:15 | 0:21:18 | |
-But isn't it beautiful? -Isn't that a gorgeous piece of kit? | 0:21:18 | 0:21:23 | |
-My! That is lovely! -What exactly would that be used for? | 0:21:23 | 0:21:27 | |
They would have used it for spraying for insects. | 0:21:27 | 0:21:30 | |
To get rid of pests and diseases. | 0:21:30 | 0:21:32 | |
Generally, yes. Anything like this, particularly that was made... | 0:21:32 | 0:21:36 | |
-This is copper. -Yeah. | 0:21:36 | 0:21:38 | |
Copper with brass fittings. And it was just made to... | 0:21:38 | 0:21:41 | |
In the days when they made things to last. | 0:21:41 | 0:21:44 | |
The Victorians were proud of seemingly every piece of | 0:21:44 | 0:21:48 | |
handiwork, everything they made was made for the Queen and the Empire. | 0:21:48 | 0:21:51 | |
-Exactly. -And made to last. | 0:21:51 | 0:21:53 | |
-And made to last. -They sound keen on the Victorian garden sprayer. | 0:21:53 | 0:21:57 | |
If you don't want that, there's something drastically wrong here. | 0:21:57 | 0:22:00 | |
-Do you want that, desperately? -Absolutely. Desperately. | 0:22:00 | 0:22:04 | |
How much is it? | 0:22:04 | 0:22:06 | |
It's £22, it's no money. It's no money. | 0:22:06 | 0:22:09 | |
And whatever he says, we're having it. | 0:22:09 | 0:22:12 | |
-Aren't we? -Too right! -We're going to have to have it. -Too right. | 0:22:12 | 0:22:16 | |
My heart is just going crazy. | 0:22:16 | 0:22:17 | |
It's wonderful! | 0:22:17 | 0:22:19 | |
Matthew's giddy with excitement. | 0:22:19 | 0:22:21 | |
Their beloved Victorian water pump spray is a possible. What's next? | 0:22:21 | 0:22:25 | |
-Wow! -And there is more. | 0:22:28 | 0:22:29 | |
Oh, yes. There's more to explore outside. | 0:22:29 | 0:22:32 | |
Is there something calling you somewhere? | 0:22:32 | 0:22:35 | |
I'm just seeing if I'm getting the urge. | 0:22:35 | 0:22:38 | |
Blimey! | 0:22:38 | 0:22:39 | |
-Ooh. -What a treasure trove this is. | 0:22:42 | 0:22:44 | |
-It's amazing. As a decorative object... -That is great, actually. | 0:22:44 | 0:22:49 | |
-Do you like the camera? -I do. I do. -I do. It's a mantique. | 0:22:49 | 0:22:54 | |
-Have you heard the term? -No. | 0:22:54 | 0:22:55 | |
-I love it! -Mantique? -It's a mantique. | 0:22:55 | 0:22:57 | |
Every man has to have a man cave, doesn't he? | 0:22:57 | 0:23:00 | |
That's the kind of thing that falls into the mantique area | 0:23:00 | 0:23:02 | |
-for the man cave. -Yeah. -It's something that... | 0:23:02 | 0:23:05 | |
It's never going to work, you don't know anything about it, | 0:23:05 | 0:23:08 | |
but you just love the way it looks, it's leather and it's wood. | 0:23:08 | 0:23:11 | |
-Incredible. I love that. -Dare we look at the price tag? -Yeah. | 0:23:11 | 0:23:14 | |
It might be too expensive for us. | 0:23:14 | 0:23:17 | |
-What's it say? -Circa 1890s, plate camera, £95. | 0:23:17 | 0:23:22 | |
£95. | 0:23:22 | 0:23:23 | |
It's starting to be one of those pieces that I've just got to buy, | 0:23:23 | 0:23:26 | |
because you look at it, you think about the history, | 0:23:26 | 0:23:29 | |
but the engineering in it and the brass... | 0:23:29 | 0:23:32 | |
The way the brass slider there... | 0:23:32 | 0:23:34 | |
And the combination of wood, crafted wood, lens... | 0:23:34 | 0:23:39 | |
It's just a magnificent piece of equipment. | 0:23:39 | 0:23:41 | |
I think in auction that's going to be £50 to £70, as an estimate. | 0:23:41 | 0:23:45 | |
If we can get it for 50 quid or thereabouts, | 0:23:45 | 0:23:47 | |
-we're going to stand a chance. -One way to find out. | 0:23:47 | 0:23:50 | |
Shall we go and find a human being who can tell us | 0:23:50 | 0:23:53 | |
how much it's going to be? Yeah, come on. | 0:23:53 | 0:23:55 | |
That would be helpful. How about owner Steve? | 0:23:55 | 0:23:58 | |
-Are you the owner? -I am. | 0:23:58 | 0:23:59 | |
-I'm Steven. -Steven, David Harper. Lovely to meet you. -I'm Matt. | 0:23:59 | 0:24:03 | |
-Pleased to meet you. -Nice to meet you too. | 0:24:03 | 0:24:05 | |
-Marvellous. What a great, fabulous place. -Thank you. | 0:24:05 | 0:24:08 | |
-I love the idea of all the sheds. -Yeah. -Very clever. | 0:24:08 | 0:24:11 | |
Now, something has caught my eye and it is absolutely beautiful. | 0:24:11 | 0:24:14 | |
-It's a concertina camera, about 1890s, in the sheds. -Beautiful. | 0:24:14 | 0:24:19 | |
It is a lovely piece, but it's £95. | 0:24:19 | 0:24:23 | |
-I think it's a designer's piece. -That's what we were saying. Yeah. | 0:24:23 | 0:24:27 | |
As an interior... | 0:24:27 | 0:24:28 | |
If we were interior designers, and I think we could be, Matt... | 0:24:28 | 0:24:31 | |
-We're on our way. -With trousers like this! -We've got the trousers. -We're halfway there at least! | 0:24:31 | 0:24:35 | |
Enough about the trousers. What about striking a deal? | 0:24:35 | 0:24:39 | |
-What do you reckon? -50. | 0:24:39 | 0:24:41 | |
Oof. It has been around for a while and I know the dealer well, | 0:24:41 | 0:24:46 | |
so I think that's a fair price. | 0:24:46 | 0:24:48 | |
-50. -That would give you a bit of movement. | 0:24:48 | 0:24:50 | |
-Have we done it? -Yeah. -Yeah. -OK. First deal. -Deal, 50. | 0:24:50 | 0:24:53 | |
-You're welcome. 50, done. -Great. | 0:24:53 | 0:24:55 | |
Now, Steve, we want to run something else past you here. | 0:24:55 | 0:24:58 | |
-There is a Victorian gardener's spray pump. -Yeah. -Do you know it? | 0:24:58 | 0:25:02 | |
Yeah. | 0:25:02 | 0:25:03 | |
Priced at £22. We've seen it. Matt is a bit of a gardener. | 0:25:03 | 0:25:07 | |
I've done a bit of gardening. | 0:25:07 | 0:25:08 | |
In his time. | 0:25:08 | 0:25:10 | |
And it's an interesting piece | 0:25:10 | 0:25:12 | |
and I know it wouldn't appeal to everyone, a gardener maybe, but... | 0:25:12 | 0:25:17 | |
-What can that be? -15? | 0:25:17 | 0:25:19 | |
-Normally, it would be 10%, but I think you're getting there. -15? | 0:25:19 | 0:25:24 | |
-Yeah... -Have we done it? | 0:25:24 | 0:25:25 | |
Again, they are, as you said, popular at the moment. | 0:25:25 | 0:25:29 | |
-But you've got to take it to auction, haven't you, so... -Yeah. | 0:25:29 | 0:25:31 | |
-I think it'll be a fighting chance at that. -Have we done that? -I think we're done. -15, you've done it. | 0:25:31 | 0:25:36 | |
-All done. You've done it. -Thank you. That's great. | 0:25:36 | 0:25:39 | |
-Thank you very much. -You're welcome. -Too easy. This is too easy. | 0:25:39 | 0:25:43 | |
That's £15 for the gardener's pump spray | 0:25:43 | 0:25:46 | |
and 50 for the 19th-century camera. | 0:25:46 | 0:25:49 | |
After all that, I think | 0:25:49 | 0:25:51 | |
you deserve a bit of a rest before you do it all again tomorrow. | 0:25:51 | 0:25:55 | |
Ha! Nighty-night. | 0:25:55 | 0:25:56 | |
How are our gardeners feeling this morning? | 0:26:02 | 0:26:05 | |
I'm not telling you what I bought. | 0:26:05 | 0:26:07 | |
-Are you going to tell me what you bought? -Absolutely not! | 0:26:07 | 0:26:11 | |
I just don't know. A couple of flying pigs and a white elephant. | 0:26:11 | 0:26:15 | |
Fine. | 0:26:15 | 0:26:16 | |
I bought a giraffe. | 0:26:16 | 0:26:17 | |
You bought a giraffe?! | 0:26:17 | 0:26:19 | |
Fibber! What about our experts? | 0:26:19 | 0:26:22 | |
Did you have a classic buying day yesterday? | 0:26:22 | 0:26:25 | |
Yeah, we bought really well. Bought two good bargains. | 0:26:25 | 0:26:28 | |
-How are you finding Matt? -Matt's lovely. | 0:26:28 | 0:26:30 | |
Matt has an infectious character and personality. | 0:26:30 | 0:26:33 | |
He's got such a warm aura. | 0:26:33 | 0:26:35 | |
Yesterday, our giddy gardeners went in all guns blazing. | 0:26:38 | 0:26:42 | |
James and the dizzy-with-excitement Christine spent £60 on two items - | 0:26:42 | 0:26:47 | |
the Victorian papier-mache dressing-table set | 0:26:47 | 0:26:50 | |
and the London bus-stop sign. | 0:26:50 | 0:26:52 | |
David and Matthew, the tough negotiator, | 0:26:52 | 0:26:55 | |
dished out £95 on the soapstone hippo, the corned-beef box, | 0:26:55 | 0:27:01 | |
the 19th-century camera and the gardener's pump spray. | 0:27:01 | 0:27:06 | |
The troops have assembled | 0:27:07 | 0:27:09 | |
now in the town of Kettering in Northamptonshire. | 0:27:09 | 0:27:12 | |
-Wa-hey. -Here they are. | 0:27:14 | 0:27:15 | |
-Good morning. -Morning! | 0:27:15 | 0:27:17 | |
-Morning, Christine. How are you? -How are you? | 0:27:17 | 0:27:21 | |
-Good, good. -This is arriving in style! | 0:27:21 | 0:27:24 | |
-How are you? -Look at that shirt! That is so cool! -Thank you. | 0:27:24 | 0:27:27 | |
-It's very horticultural. -Yes, how many of the flowers can you name? | 0:27:27 | 0:27:32 | |
Very good, very good. | 0:27:32 | 0:27:33 | |
-Are you well? -I will name none. | 0:27:33 | 0:27:36 | |
You will name none. | 0:27:36 | 0:27:37 | |
Now then. Yeah. Look at this. | 0:27:37 | 0:27:39 | |
That is marvellous. | 0:27:39 | 0:27:41 | |
-We've got shopping to do. -We have got shopping to do. | 0:27:41 | 0:27:44 | |
We'll join David and Matthew later, but for now | 0:27:44 | 0:27:47 | |
James and Christine are powering towards their next shopping | 0:27:47 | 0:27:50 | |
destination in the town of Wellingborough. | 0:27:50 | 0:27:52 | |
Did you have a garden at home? How did you get into gardening? | 0:27:56 | 0:27:59 | |
I got into gardening by starting with a crocus bulb | 0:27:59 | 0:28:02 | |
and I started growing carrot tops on my bedroom window and mustard | 0:28:02 | 0:28:06 | |
and cress on flannels, which I made my dad eat. | 0:28:06 | 0:28:09 | |
And then I took over the wall between our house and next-door. | 0:28:09 | 0:28:12 | |
-I just thought this was Alice In Wonderland. -Magic. | 0:28:12 | 0:28:16 | |
Absolute Alice In Wonderland. | 0:28:16 | 0:28:17 | |
What can James and Christine find in here for that all-important | 0:28:20 | 0:28:24 | |
-Greenwich auction? -So, what have we got in here? | 0:28:24 | 0:28:28 | |
I don't know, hopefully antiques. Hopefully bargains. | 0:28:28 | 0:28:31 | |
Ha-ha! Come on. Let's hope. | 0:28:31 | 0:28:34 | |
Thankfully, Hunter's Emporium is fit to burst with all shapes | 0:28:34 | 0:28:37 | |
and sizes of curios. | 0:28:37 | 0:28:38 | |
-Hi, nice to meet you. -Hi, I'm Nick. -Hi. | 0:28:38 | 0:28:41 | |
-I hope you've got lots of goodies. -There's a few bits knocking around, I think. | 0:28:41 | 0:28:45 | |
Have a good look round, see what you can find, cos there's all sorts everywhere. | 0:28:45 | 0:28:48 | |
-I can't keep track of everything. -Come on, let's go and have a shufti. | 0:28:48 | 0:28:51 | |
Christine doesn't hang about and James is keeping the focus | 0:28:51 | 0:28:55 | |
laser sharp. | 0:28:55 | 0:28:56 | |
I walked past this room | 0:28:59 | 0:29:01 | |
-and I saw something on the shelf that I think is London all over. -OK. | 0:29:01 | 0:29:06 | |
Where we're going. It's a very sort of decorator's thing and it's these. | 0:29:06 | 0:29:10 | |
-Oh, right. Stencils. -Stencils. | 0:29:10 | 0:29:14 | |
-Right. -But great for... | 0:29:14 | 0:29:17 | |
You could polish them up, spell the name of a restaurant, | 0:29:17 | 0:29:20 | |
-kitchens, whatever. Or even possibly use them. -Right. | 0:29:20 | 0:29:24 | |
-Right. Well, quite. -Now, I was slow at school. How many should there be? | 0:29:24 | 0:29:27 | |
-26... -JAMES LAUGHS | 0:29:27 | 0:29:30 | |
-..and a half. -THEY LAUGH | 0:29:30 | 0:29:33 | |
-Right, shall we count them? -Shall we count them? | 0:29:33 | 0:29:36 | |
-So I've got two, three... -We'll be here all day. | 0:29:36 | 0:29:39 | |
-26. -26. | 0:29:39 | 0:29:41 | |
The encouraging thing is it has no price on it either. | 0:29:41 | 0:29:45 | |
-I think this has got London written all over it. -OK. OK. | 0:29:45 | 0:29:48 | |
-I think we might have found something. -Yeah, Nick. | 0:29:48 | 0:29:51 | |
I was just walking through that room, | 0:29:51 | 0:29:53 | |
we were looking in the cabinet and I thought, "I quite like those." | 0:29:53 | 0:29:56 | |
-They're fun, aren't they? -Yeah. -Interesting little things. | 0:29:56 | 0:29:59 | |
You could do a lot with them. | 0:29:59 | 0:30:01 | |
-Yeah. I think we were thinking 15. -How many of them did you want? | 0:30:01 | 0:30:05 | |
-All of them! -All of them. All of them. -The alphabet. | 0:30:05 | 0:30:08 | |
-Got to be worth a pound each. -A pound each?! -They've got to be. | 0:30:08 | 0:30:12 | |
-I don't think you could lose on that. -A pound each. | 0:30:12 | 0:30:15 | |
That's quite a lot, isn't it? | 0:30:15 | 0:30:17 | |
Are you prepared to sort of, you know... | 0:30:17 | 0:30:19 | |
Bearing in mind that I'm a thrifty Northerner and I've got... | 0:30:19 | 0:30:24 | |
Look where my pockets are and look where my hand is. | 0:30:24 | 0:30:26 | |
It's a long way away and, if I've got to go digging, | 0:30:26 | 0:30:29 | |
it needs to be worth digging! So, now then, come on. | 0:30:29 | 0:30:33 | |
Erm...I suppose 20 would be the sensible number, wouldn't it? | 0:30:33 | 0:30:37 | |
-20. -I don't think we go much better than that. -Rings true, doesn't it? -Yeah, yeah. | 0:30:37 | 0:30:41 | |
-I think that's good. -Deal done, sir. | 0:30:41 | 0:30:43 | |
£20 for the complete alphabet of brass stencils. | 0:30:43 | 0:30:48 | |
-That was all right. -Another bargain. | 0:30:48 | 0:30:50 | |
-Now, what of their competition? -What about you, then, Matt? | 0:30:54 | 0:30:57 | |
Are you more of a specialist or do you have a general knowledge | 0:30:57 | 0:31:00 | |
-with your gardening? -I consider myself as a GP. -A GP. | 0:31:00 | 0:31:05 | |
-If your apples have got a cold or problems with the lawn... -Right. | 0:31:05 | 0:31:09 | |
..or you need to know how to prune your roses, | 0:31:09 | 0:31:12 | |
then I HOPE I can help you. | 0:31:12 | 0:31:14 | |
They're still in Kettering and taking a break from shopping to hear | 0:31:18 | 0:31:21 | |
the incredible story of an inventor and pioneer. | 0:31:21 | 0:31:24 | |
They're meeting Charlotte Widgery to find out more. | 0:31:24 | 0:31:28 | |
-Good morning, Charlotte. -Hello, hi, nice to meet you. | 0:31:28 | 0:31:31 | |
-Hello. David Harper. -I'm Charlotte, lovely to meet you. | 0:31:31 | 0:31:33 | |
Charlotte, hello. I'm Matt. Nice to meet you. I used to come here as a child. | 0:31:33 | 0:31:36 | |
That's amazing. So many people say that. | 0:31:36 | 0:31:39 | |
Wicksteed Park was one of the first leisure parks in the UK. | 0:31:41 | 0:31:46 | |
It was the brainchild of Charles Wicksteed, | 0:31:46 | 0:31:49 | |
a 19th-century inventor, | 0:31:49 | 0:31:51 | |
largely responsible for inventing the children's playground, | 0:31:51 | 0:31:54 | |
which in turn has evolved into | 0:31:54 | 0:31:56 | |
the multi-billion-pound leisure-park business of today. | 0:31:56 | 0:31:59 | |
Charlotte, who was Wicksteed? | 0:32:02 | 0:32:04 | |
Wicksteed was Mr Charles Wicksteed and he was a local gentleman. | 0:32:04 | 0:32:09 | |
Not originally - he grew up in Leeds | 0:32:09 | 0:32:11 | |
and then moved down here to start his engineering company. | 0:32:11 | 0:32:15 | |
So, he was very much a mechanically minded sort of person. | 0:32:15 | 0:32:18 | |
He was one of these people that sees a problem and then thinks, | 0:32:18 | 0:32:22 | |
"Well, how can I fix it?" So his brain was always going. | 0:32:22 | 0:32:24 | |
Before Charles invented the world of playgrounds, he created | 0:32:24 | 0:32:29 | |
many everyday objects that we still use today, | 0:32:29 | 0:32:31 | |
like the automatic gearbox and the power drill. | 0:32:31 | 0:32:34 | |
Charles was well ahead of his time and, when his immense success | 0:32:34 | 0:32:38 | |
brought him great fortune, he wanted to give it back to the town he loved. | 0:32:38 | 0:32:43 | |
In 1913, he purchased some beautiful meadowland with | 0:32:43 | 0:32:47 | |
the intention of creating a green space for families to enjoy. | 0:32:47 | 0:32:51 | |
So Kettering was a very industrial town, | 0:32:51 | 0:32:55 | |
we had a lot of the shoe manufacturing here. So there was a lot of industry going on | 0:32:55 | 0:32:59 | |
and a lot of people on those low incomes who didn't really have very much green space, | 0:32:59 | 0:33:03 | |
but there was space for adults to play - | 0:33:03 | 0:33:05 | |
there were tennis courts, bowling greens, cricket pitches, | 0:33:05 | 0:33:07 | |
but Charles Wicksteed could see this was not fair on the children. | 0:33:07 | 0:33:11 | |
So, what was play like for children before he started the park? | 0:33:11 | 0:33:14 | |
Children obviously did play, but very much with | 0:33:14 | 0:33:16 | |
bits of equipment, with toys, with tricycles, with spinning tops. | 0:33:16 | 0:33:20 | |
There was no such thing as play parks prior to this. | 0:33:20 | 0:33:23 | |
There were no playgrounds. They simply didn't exist. | 0:33:23 | 0:33:26 | |
So Charles Wicksteed, again, | 0:33:26 | 0:33:27 | |
this was his inventor side of things - as he bought the land, | 0:33:27 | 0:33:31 | |
he immediately opened it up and said to children and families, | 0:33:31 | 0:33:35 | |
"Come here, come and use the land." | 0:33:35 | 0:33:37 | |
It's now impossible to think of a childhood without a playground, and | 0:33:37 | 0:33:42 | |
Charles wanted to make the children's time at his park as fun as possible. | 0:33:42 | 0:33:46 | |
So he put some bits and pieces together, | 0:33:46 | 0:33:50 | |
which then stayed up for a few days. | 0:33:50 | 0:33:52 | |
And so all the other local children came and played on them | 0:33:52 | 0:33:55 | |
and it became more popular, | 0:33:55 | 0:33:56 | |
so then he thought, "Right, let's see what we can do." | 0:33:56 | 0:33:59 | |
I've got some photos here. | 0:33:59 | 0:34:01 | |
-He put in some of these early bits of equipment. -That's a slide. | 0:34:01 | 0:34:03 | |
And that is the slide there. | 0:34:03 | 0:34:05 | |
-With planks of wood down a hill! -It's very simple. | 0:34:05 | 0:34:07 | |
I think I made something similar as a kid. | 0:34:07 | 0:34:10 | |
So these are teak, and they were polished to make it slippery. | 0:34:10 | 0:34:14 | |
Wow, brilliant! | 0:34:14 | 0:34:15 | |
But I can see adults playing here as well, which I think is brilliant. | 0:34:15 | 0:34:19 | |
One of the things that Charles Wicksteed really wanted | 0:34:19 | 0:34:22 | |
was for everybody to play together - young, old, boys, girls... | 0:34:22 | 0:34:24 | |
-It was amazing. -He was so enlightened, wasn't he? | 0:34:24 | 0:34:28 | |
What an enlightened man he was. | 0:34:28 | 0:34:29 | |
But he changed the face of play. | 0:34:29 | 0:34:31 | |
The chutes and swings were a great hit. | 0:34:32 | 0:34:35 | |
In 1921, the park officially opened and became the very first playground. | 0:34:35 | 0:34:41 | |
It has now evolved into what we see today. | 0:34:41 | 0:34:44 | |
# Woo-hoo | 0:34:44 | 0:34:46 | |
# Woo-hoo... # | 0:34:47 | 0:34:49 | |
The park was so successful that Charles became the first | 0:34:49 | 0:34:52 | |
manufacturer of play equipment. | 0:34:52 | 0:34:55 | |
Wicksteed Playscapes still operates to this day. | 0:34:55 | 0:34:59 | |
In 1926, he added a watery whoosh by creating the first water ride | 0:34:59 | 0:35:03 | |
in the world, which nearly 90 years later is still in working order. | 0:35:03 | 0:35:08 | |
Charles' legacy is, not only did he begin a new chapter | 0:35:11 | 0:35:14 | |
in the history of children's play | 0:35:14 | 0:35:17 | |
but he set up the first of millions of playgrounds worldwide. | 0:35:17 | 0:35:22 | |
Christine and James have snaked their way south to the village of Woburn. | 0:35:24 | 0:35:29 | |
I was selling stuff. I mean, from the plot, I used to | 0:35:29 | 0:35:31 | |
sell it to me schoolteachers, and the headmaster, | 0:35:31 | 0:35:34 | |
-I always used to put a penny mark-up on every single item. -JAMES LAUGHS | 0:35:34 | 0:35:39 | |
One time, he got me in the office and he said to me, "You are charging | 0:35:39 | 0:35:43 | |
"me a penny more on every single item than the rest of the staff." | 0:35:43 | 0:35:47 | |
-And in a flash I said, "My dad reckons you can afford it." -THEY BOTH LAUGH | 0:35:47 | 0:35:51 | |
Very shrewd, Christine. | 0:35:51 | 0:35:54 | |
The Antiques Association has been formed by over 30 dealers | 0:35:54 | 0:35:58 | |
and is housed in a rather lovely five-storey Georgian townhouse. | 0:35:58 | 0:36:02 | |
Oh, let's have a look in here, then. | 0:36:02 | 0:36:05 | |
-Hi. -Hello. -Hi, Christine. -I'm Anna. | 0:36:05 | 0:36:08 | |
-Hi, Anna. -Hello, James, hi. | 0:36:08 | 0:36:10 | |
-This is very splendid, isn't it? An old townhouse? -It is. | 0:36:10 | 0:36:14 | |
It was a family house at one time | 0:36:14 | 0:36:16 | |
but it's been apartments and a shop for probably 40 years. | 0:36:16 | 0:36:20 | |
-Really, really? -Oh. | 0:36:20 | 0:36:21 | |
-So, Anna, will you show us the lay of the land? -Absolutely. | 0:36:21 | 0:36:24 | |
-Come this way. -Lovely, thank you. | 0:36:24 | 0:36:26 | |
Looks like a suitable room for Christine. | 0:36:29 | 0:36:33 | |
Ah, now, there, now, look here. | 0:36:33 | 0:36:36 | |
-What on earth is that? -Hey. | 0:36:36 | 0:36:37 | |
Careful, Christine. | 0:36:39 | 0:36:41 | |
-So, what do you reckon? -What, shears? | 0:36:41 | 0:36:43 | |
-Hedging shears. -Hedging shears. -Grass-cutting shears. | 0:36:43 | 0:36:47 | |
-Really? -You know, these days, that a lot of people go for these, | 0:36:47 | 0:36:50 | |
-and they'll trim... -Yeah, for the box, yeah. | 0:36:50 | 0:36:52 | |
For the box, or for trimming. It's one-handed. | 0:36:52 | 0:36:55 | |
Right, you're taking one cut, one cut, one cut. | 0:36:55 | 0:36:59 | |
-Yeah. -Right. -Sounds very painful. | 0:36:59 | 0:37:00 | |
-Sounds very painful. -Would you like to hold those, please? | 0:37:00 | 0:37:03 | |
Yeah, I'm with you there, James. | 0:37:03 | 0:37:04 | |
-Now, with this... -Yeah? | 0:37:04 | 0:37:06 | |
Four at a time! | 0:37:06 | 0:37:08 | |
-Four choppers. -Really? -Yeah. | 0:37:08 | 0:37:11 | |
-So the labour... -Is reduced considerably. -Very good. | 0:37:11 | 0:37:14 | |
And, actually, as a tool, that's quite nicely balanced. | 0:37:14 | 0:37:17 | |
You feel that, how nicely balanced that is. | 0:37:17 | 0:37:20 | |
You don't use hand tools do you? | 0:37:23 | 0:37:24 | |
Give it me back. | 0:37:24 | 0:37:26 | |
That's kind of obvious, Christine. | 0:37:27 | 0:37:29 | |
At 75 quid. | 0:37:29 | 0:37:31 | |
£75? | 0:37:31 | 0:37:33 | |
You got that out...the right way? | 0:37:33 | 0:37:34 | |
Do you think I'm mad, looking at this? | 0:37:34 | 0:37:36 | |
I think it's very interesting and I think you can add something to it, | 0:37:36 | 0:37:40 | |
because of your connection to gardening. | 0:37:40 | 0:37:42 | |
You know, bearing in mind, I'm a tight Northerner, | 0:37:42 | 0:37:44 | |
and I've got very deep pockets... | 0:37:44 | 0:37:46 | |
We've heard this before. | 0:37:46 | 0:37:48 | |
Now, are you prepared to chat to me, please? | 0:37:48 | 0:37:52 | |
£60. | 0:37:52 | 0:37:54 | |
£60... | 0:37:54 | 0:37:57 | |
Christine, I hate to seem to be wanting here, | 0:37:57 | 0:38:00 | |
-but I... -Right. | 0:38:00 | 0:38:03 | |
£45? | 0:38:03 | 0:38:04 | |
-No. -No? | 0:38:04 | 0:38:06 | |
-£55? -£55, I would maybe be pushed to, yes. | 0:38:06 | 0:38:11 | |
Can I push? | 0:38:11 | 0:38:13 | |
Can I seriously push hard? | 0:38:13 | 0:38:16 | |
Yes, you can. | 0:38:16 | 0:38:17 | |
-Done. -£55. | 0:38:17 | 0:38:19 | |
-What a woman! -Well done, well done. Hero. | 0:38:19 | 0:38:22 | |
-Thank you, Anna. -Are you happy? -Thank you. | 0:38:22 | 0:38:24 | |
That is good. That is well engineered. | 0:38:24 | 0:38:26 | |
-Absolutely. -I see what you mean about the balance. -I like that. | 0:38:26 | 0:38:28 | |
-It's like a sort of crocodile of the garden, isn't it? -I like it. | 0:38:28 | 0:38:31 | |
I'm not sure it'll sell | 0:38:31 | 0:38:33 | |
-but I think I like that. -Don't tell me that now. | 0:38:33 | 0:38:36 | |
Best to keep that to yourself, Christine. | 0:38:36 | 0:38:38 | |
Can the lovely Anna tempt them with anything else? | 0:38:38 | 0:38:41 | |
Here's something that might be of interest. | 0:38:43 | 0:38:45 | |
-It still has its original price on. -OK. | 0:38:45 | 0:38:48 | |
Five shillings and ninepence. | 0:38:48 | 0:38:49 | |
Wow. | 0:38:49 | 0:38:51 | |
Has its own key. Totally unused. | 0:38:51 | 0:38:54 | |
-There's a cash-book and a notebook. -Oh, hey, cash-book. | 0:38:54 | 0:38:58 | |
Come on, profit and loss accounts. | 0:38:58 | 0:39:00 | |
Yes. | 0:39:00 | 0:39:02 | |
There's one compartment for silver with its purse... | 0:39:02 | 0:39:05 | |
-Look at this. -..inside, and one for gold. | 0:39:05 | 0:39:10 | |
It's a pretty box, isn't it? | 0:39:10 | 0:39:12 | |
I think, you know... What money? | 0:39:12 | 0:39:15 | |
Well, on the ticket price, it's 68 on, | 0:39:15 | 0:39:18 | |
but I think we could do a much better price on that. | 0:39:18 | 0:39:22 | |
-Let me go and ask the dealer to see if I could get... -That'd be kind. | 0:39:22 | 0:39:25 | |
-Thank you. -Just remind them they're dealing with a Northerner. | 0:39:25 | 0:39:28 | |
-Yes. -Yeah, Northerner. | 0:39:28 | 0:39:29 | |
-And you're very mean. -Very mean. -Incredibly mean. | 0:39:29 | 0:39:32 | |
You're not that bad. | 0:39:33 | 0:39:35 | |
-Right, now I've had a word... -Good news? | 0:39:35 | 0:39:39 | |
-Well, in my eyes, very good news. -Really? -Really? | 0:39:39 | 0:39:42 | |
He's willing to do it for £40. | 0:39:42 | 0:39:44 | |
Would you compromise on £35? | 0:39:47 | 0:39:52 | |
Yeah. | 0:39:52 | 0:39:53 | |
Done. You're a star, madam. | 0:39:53 | 0:39:55 | |
You're a star. Excellent. | 0:39:55 | 0:39:58 | |
The lethal-looking shears for £55, | 0:39:59 | 0:40:02 | |
and the red moneybox for £35. | 0:40:02 | 0:40:06 | |
-Really happy with these. -Go on, have a... | 0:40:06 | 0:40:08 | |
I'm really... Hey, look. | 0:40:08 | 0:40:10 | |
Have a go at those prongs. | 0:40:10 | 0:40:12 | |
Christine's very handy. | 0:40:12 | 0:40:14 | |
Yeah. Yeah, I like them. | 0:40:14 | 0:40:16 | |
Back to Matthew and David, | 0:40:20 | 0:40:22 | |
making their way south to | 0:40:22 | 0:40:23 | |
the town of Ampthill in Bedfordshire. | 0:40:23 | 0:40:25 | |
So, do you think this antique bug might have bitten? | 0:40:27 | 0:40:30 | |
It has, look, I can show you the marks. I've got the fever. | 0:40:30 | 0:40:33 | |
-Have you? -I've got the fever big-time. | 0:40:33 | 0:40:36 | |
The chaps are descending upon Ampthill Antiques. | 0:40:36 | 0:40:40 | |
-This looks very exciting. -Shall I just let them know we're here? | 0:40:40 | 0:40:43 | |
-ENGINE ROARS -Yes. -We're here. | 0:40:43 | 0:40:45 | |
Boys and their toys. | 0:40:45 | 0:40:47 | |
-Hello, hello, hello. -Hello, darling. | 0:40:50 | 0:40:52 | |
Hello, darling. | 0:40:52 | 0:40:54 | |
Whoa, look at this. | 0:40:54 | 0:40:56 | |
It's fantastic. How many dealers have you got? | 0:40:56 | 0:40:59 | |
I think there's about 56. | 0:40:59 | 0:41:01 | |
Lot of options, then, here, David. | 0:41:01 | 0:41:03 | |
-Yes. -Lots of options. -Yeah. -Can we go? Let's go. | 0:41:03 | 0:41:05 | |
And you've got exactly one hour to do your shop. | 0:41:05 | 0:41:09 | |
Blimey, Libby runs a tight ship. | 0:41:09 | 0:41:11 | |
-Oh, no! We might get shut in. We'll get shut in! -Off you go. | 0:41:11 | 0:41:15 | |
Try to keep calm, Matthew. | 0:41:15 | 0:41:17 | |
-David, we're going to go big, right. -Go big. | 0:41:17 | 0:41:20 | |
-I want something in your face, different, curious, wild. -Right. | 0:41:20 | 0:41:24 | |
-This is it. This is the big moment. -OK. | 0:41:24 | 0:41:28 | |
They've got just over £300 to play with, so... | 0:41:28 | 0:41:30 | |
shop, boys, shop. | 0:41:30 | 0:41:33 | |
David, David, over here, mate. Quick, come here, look. | 0:41:33 | 0:41:36 | |
Steady there, Matthew. | 0:41:36 | 0:41:38 | |
-Look at this. -Oh, my gosh. OK. | 0:41:38 | 0:41:40 | |
This is right up my street. Tell me about it. | 0:41:41 | 0:41:44 | |
It's certainly very large. | 0:41:44 | 0:41:46 | |
Well, one of the things I like about it is that it's... | 0:41:46 | 0:41:49 | |
In one way, you could look at it as a great big pot. | 0:41:49 | 0:41:52 | |
-Yes. -Yeah. | 0:41:52 | 0:41:53 | |
But even though it's quite, sort of, chunky and robust, | 0:41:53 | 0:41:56 | |
-you've got this added elegance in the curves. -Yes. | 0:41:56 | 0:41:59 | |
And those kind of curves, you would want in a garden as well. | 0:41:59 | 0:42:02 | |
-Yes. -When you're cutting your borders, you would want those. | 0:42:02 | 0:42:04 | |
-Yeah. -And I like curves. | 0:42:04 | 0:42:06 | |
-I like curves. -I'm seeking the perfect curve. | 0:42:06 | 0:42:08 | |
Are you? I think you might just have found the perfect curve. | 0:42:08 | 0:42:12 | |
But what exactly is it? | 0:42:12 | 0:42:14 | |
It's an exceptionally big wine pot. | 0:42:14 | 0:42:16 | |
-It's a wine pot? -It's a wine pot. | 0:42:16 | 0:42:18 | |
We like a little bit of wine don't we, on occasion? | 0:42:18 | 0:42:20 | |
You can have a little lot of wine in there! | 0:42:20 | 0:42:22 | |
We could have a month's supply in there, you and I. | 0:42:22 | 0:42:24 | |
But that's feasting. That's proper feasting. | 0:42:24 | 0:42:27 | |
Feasting, celebrations - that kind of thing. | 0:42:27 | 0:42:29 | |
Huge weddings, huge parties - that's what it is. | 0:42:29 | 0:42:33 | |
This super-sized wine vessel is of Chinese origin, | 0:42:33 | 0:42:37 | |
and with a bit of muscle we can investigate further. | 0:42:37 | 0:42:40 | |
Blinking heck, that is monstrous. | 0:42:40 | 0:42:43 | |
Now, Chinese pieces are very often not marked. | 0:42:43 | 0:42:46 | |
I can tell there is some age to it. | 0:42:46 | 0:42:48 | |
It has no character mark, which is fine, | 0:42:48 | 0:42:50 | |
-because very often you can't believe a Chinese character mark. -Right. | 0:42:50 | 0:42:53 | |
They're often paying homage to old, past potters from earlier... | 0:42:53 | 0:42:58 | |
OK, David, but remember, it's heavy. | 0:42:58 | 0:43:00 | |
It might have been made in the 1920s or in the 1980s. | 0:43:00 | 0:43:03 | |
-Poor Matthew. -It's got no fantastic age to it... | 0:43:03 | 0:43:06 | |
-No provenance, or...? -..but it's a lump. | 0:43:06 | 0:43:08 | |
-It's a lump. -I can tell you that. -You want me to help you? | 0:43:08 | 0:43:11 | |
-Finally. -Right. -I like it. | 0:43:11 | 0:43:15 | |
-OK. -God, I think that this is the one for me. -I love it. | 0:43:15 | 0:43:18 | |
Well, I tell you what, thing is, we need to see how much it is. | 0:43:18 | 0:43:21 | |
It's not worth a lot of money, Matt, it really isn't. | 0:43:21 | 0:43:24 | |
-Yeah, but, as a feature piece, somebody might pay for it. -Yeah. | 0:43:24 | 0:43:28 | |
OK, let's get Libby. Let's get a price. Where is our lovely Libby? | 0:43:28 | 0:43:31 | |
Libby! | 0:43:31 | 0:43:32 | |
And as if by magic... | 0:43:32 | 0:43:34 | |
-Libby, what do you think about that old pot? -I think it's very nice. | 0:43:35 | 0:43:39 | |
It's a nice decorative piece. | 0:43:39 | 0:43:41 | |
-Erm... -There's no great age to it. | 0:43:41 | 0:43:43 | |
Have you been filling that with wine and trying it out? | 0:43:43 | 0:43:45 | |
-Cos the handle's been broken. -That's right. -Was it you? | 0:43:45 | 0:43:48 | |
No, not at all. No, it wouldn't be me. | 0:43:48 | 0:43:50 | |
Mind your manners, David. | 0:43:50 | 0:43:52 | |
Ticket price is £125. | 0:43:54 | 0:43:56 | |
So, Libby, how much is it to us, trade? | 0:43:56 | 0:43:59 | |
-That would be 110 trade. -110, trade. | 0:43:59 | 0:44:01 | |
I would say, for this... | 0:44:01 | 0:44:04 | |
90. | 0:44:04 | 0:44:05 | |
I was going to say 70. | 0:44:05 | 0:44:07 | |
-70. -What do you say, Libby? | 0:44:07 | 0:44:10 | |
I would say 110. | 0:44:10 | 0:44:12 | |
Ha. Good on you, Libby. | 0:44:12 | 0:44:14 | |
I could do a phone call and I can ask. | 0:44:14 | 0:44:16 | |
-Go on, then, please. The bid is 80. -OK. | 0:44:16 | 0:44:18 | |
Hello, Alex, it's Lib. | 0:44:18 | 0:44:20 | |
They're interested in that great big blue... | 0:44:20 | 0:44:23 | |
teapot-cum-vase-cum-decorative piece. | 0:44:23 | 0:44:26 | |
They're offering you £80. Would you want to take that? | 0:44:26 | 0:44:30 | |
Hold on a minute. Could you do 90? | 0:44:30 | 0:44:32 | |
-We'll meet him halfway. 85. -85. | 0:44:32 | 0:44:35 | |
-What's he called? -Alex. -Alex. | 0:44:35 | 0:44:37 | |
Alex, hi, it's David Harper. Thanks very much. | 0:44:37 | 0:44:39 | |
I... | 0:44:39 | 0:44:40 | |
Would you... Can we meet you halfway at 85? | 0:44:40 | 0:44:43 | |
Good man. Thank you very much. | 0:44:43 | 0:44:46 | |
Cheers, bye. Bye. | 0:44:46 | 0:44:48 | |
-Oh, Libby, that's great. -Yes! -All right. -He said 20 quid, Libby. | 0:44:48 | 0:44:51 | |
-That's absolutely marvellous. -No, he did not. | 0:44:51 | 0:44:53 | |
-No, no? -No, no, no. | 0:44:53 | 0:44:55 | |
Honestly, David. £85 for the giant-sized Chinese wine vessel, | 0:44:55 | 0:45:02 | |
and that big beauty completes our shopping trip. | 0:45:02 | 0:45:05 | |
Now for a peek at one another's buys. | 0:45:05 | 0:45:09 | |
-Go on, look. Show us your things. -Come on. Yeah, yeah, go on. -Ready? | 0:45:09 | 0:45:13 | |
-Yeah. -Get it off. | 0:45:13 | 0:45:14 | |
Hey. | 0:45:14 | 0:45:16 | |
-Yeah. -Matthew Biggs, look at this. -Look at that. | 0:45:16 | 0:45:19 | |
-Hey, how's that for a collection? -Hey, a greenfly-killer. | 0:45:19 | 0:45:25 | |
I think she likes that. | 0:45:25 | 0:45:27 | |
It's a water cannon for greenflies. | 0:45:27 | 0:45:29 | |
-Absolutely. Wow. -I know, isn't it great? | 0:45:29 | 0:45:31 | |
-Isn't that lovely, James? What a tactile thing. -This is nice. | 0:45:31 | 0:45:34 | |
And that planted up with beautiful plants and that... | 0:45:34 | 0:45:37 | |
I was fascinated by the box, actually. | 0:45:37 | 0:45:39 | |
I didn't buy it for any aesthetic reasons | 0:45:39 | 0:45:41 | |
-other than the fact that I like corned beef. -OK. | 0:45:41 | 0:45:44 | |
-You must be the only person. -I like corned beef! | 0:45:44 | 0:45:47 | |
-All for me. -A little piggy, piggy, piggy. | 0:45:47 | 0:45:50 | |
Actually, he's a hippo. | 0:45:50 | 0:45:51 | |
-Look at this. -The pot. -It's a big pot. -Wow. | 0:45:51 | 0:45:54 | |
It's a big wine pot. That, full of wine, would be amazing. | 0:45:54 | 0:45:59 | |
Great. Great at a party. | 0:45:59 | 0:46:02 | |
Now, what about Christine and James's offerings? | 0:46:02 | 0:46:05 | |
-Well, just look what we've got... -One, two, three, go! | 0:46:05 | 0:46:09 | |
-Oh, my goodness. Oh, yes. -Whoa, I knew something... | 0:46:11 | 0:46:14 | |
What on earth are they? What do they do? | 0:46:14 | 0:46:16 | |
-Ah, well... -Hedges. | 0:46:16 | 0:46:17 | |
-Can I get short back and sides while I'm here? -Don't go too near. | 0:46:17 | 0:46:20 | |
Yeah, keep your distance. | 0:46:20 | 0:46:22 | |
-They're lovely, aren't they? -Aren't they lovely? | 0:46:22 | 0:46:25 | |
What did you pay for those? | 0:46:25 | 0:46:26 | |
-What did we pay for that? -Quite a lot of money. £55. | 0:46:26 | 0:46:28 | |
Oh, gosh, I'd never seen anything like it before. | 0:46:28 | 0:46:30 | |
-This is our masterstroke. -This is... -A London bus stop. | 0:46:30 | 0:46:33 | |
-Look at this! -Oh, I love that! | 0:46:33 | 0:46:35 | |
-Oh, my goodness. -1960s, enamel. -I love that. | 0:46:35 | 0:46:39 | |
-Na-na-na-na-na! -I love that. | 0:46:39 | 0:46:41 | |
I really love that. How much was that, James? | 0:46:41 | 0:46:44 | |
-£45. -That's for nothing. I love that. | 0:46:44 | 0:46:46 | |
-That's great. Amazing. -It's my favourite object. | 0:46:46 | 0:46:49 | |
And then we have this rather lovely... You look at... | 0:46:49 | 0:46:52 | |
Matthew, look at the detail. | 0:46:52 | 0:46:54 | |
Is it papier-mache or is it just...? | 0:46:54 | 0:46:55 | |
-Papier-mache, yeah. -Yeah. | 0:46:55 | 0:46:57 | |
So, you know, and the five items. | 0:46:57 | 0:47:00 | |
That was a stiffer price. | 0:47:00 | 0:47:02 | |
It was 15. | 0:47:02 | 0:47:04 | |
You see, you see. | 0:47:04 | 0:47:06 | |
Don't be laughing just yet. Anything can happen in auction. | 0:47:06 | 0:47:09 | |
I am sure anything can happen, but, you see, | 0:47:09 | 0:47:12 | |
market, establish a market. | 0:47:12 | 0:47:14 | |
My gosh, you are mega-confident. | 0:47:14 | 0:47:16 | |
-Let's get out of here. -See you tomorrow. -See you tomorrow. | 0:47:16 | 0:47:19 | |
But what do they really think? | 0:47:19 | 0:47:21 | |
I am slightly unnerved by the bus-stop sign. | 0:47:21 | 0:47:23 | |
I have to say, I think that might be their ace card. | 0:47:23 | 0:47:26 | |
-I love that aphid sprayer. -Do you? | 0:47:26 | 0:47:28 | |
-Would you swap it for the shears? -No, categorically not. -No. | 0:47:28 | 0:47:32 | |
-No. -OK. -I mean, there's much more workmanship | 0:47:32 | 0:47:34 | |
and elegance in my shears. | 0:47:34 | 0:47:36 | |
The two lots that will be the best for them - | 0:47:36 | 0:47:38 | |
the bus stop and the shears. | 0:47:38 | 0:47:40 | |
-OK. -The shears. I love the shears. | 0:47:40 | 0:47:41 | |
So, we'll just see if I should be, | 0:47:41 | 0:47:44 | |
you know, diversifying into antiques. | 0:47:44 | 0:47:46 | |
If not, I'll just run back to my little green plants. | 0:47:46 | 0:47:49 | |
It's auction time, so we're off to Greenwich in London. | 0:47:51 | 0:47:54 | |
Christine and Matthew were bursting with excitement, as usual. | 0:47:56 | 0:48:00 | |
-So what are you looking forward to today, then? -Winning. | 0:48:00 | 0:48:04 | |
No, you aren't. You haven't got a... | 0:48:04 | 0:48:06 | |
There's no way, with your lot. | 0:48:06 | 0:48:09 | |
James and David await their arrival at Greenwich auctions. | 0:48:09 | 0:48:13 | |
Good morning. | 0:48:13 | 0:48:14 | |
-Good morning, how are you? -Good morning. Very well. | 0:48:14 | 0:48:16 | |
You're looking very bright and cheerful. | 0:48:16 | 0:48:18 | |
-Wonderful to see you. -Did you have a good evening? | 0:48:18 | 0:48:20 | |
-Yeah, great. You? -I'm fine. | 0:48:20 | 0:48:22 | |
-Are you well? -Very good. -Are you? -We are, incredibly. | 0:48:22 | 0:48:24 | |
We're like little kids at Christmas. | 0:48:24 | 0:48:27 | |
Let's see if you're going to get what you ask for. Ha! | 0:48:27 | 0:48:31 | |
Today's auctioneer is Robert Dodd. What does he make of their offerings? | 0:48:31 | 0:48:35 | |
Are we all done on the bedroom suite? That's it! | 0:48:35 | 0:48:38 | |
My overall impression is they've bought some very, very | 0:48:38 | 0:48:40 | |
interesting lots. | 0:48:40 | 0:48:42 | |
Some good, some not so good. | 0:48:42 | 0:48:44 | |
I think the bus sign is a good lot. | 0:48:44 | 0:48:46 | |
The nice thing is that there's a lot of people who collect | 0:48:46 | 0:48:49 | |
anything to do with London transport. | 0:48:49 | 0:48:52 | |
I mean, it's a big teapot, | 0:48:52 | 0:48:54 | |
but it's far better to say "drinking vessel", rather than a teapot. | 0:48:54 | 0:48:59 | |
Matthew and David were today's biggest spenders. | 0:48:59 | 0:49:03 | |
Matthew plumped for buying with his heart, | 0:49:03 | 0:49:05 | |
and was carried away by many waves of excitement. | 0:49:05 | 0:49:09 | |
They spent £180 on five items. | 0:49:09 | 0:49:11 | |
Christine and James were very different. | 0:49:13 | 0:49:15 | |
"Get to know your market" was Christine's motto, | 0:49:15 | 0:49:18 | |
but she was an even bigger whirlwind of excitement. | 0:49:18 | 0:49:22 | |
They spent £170, also on five items. | 0:49:22 | 0:49:25 | |
All quiet, the auction is about to begin. | 0:49:26 | 0:49:28 | |
15, I'm out. 12. 15. | 0:49:28 | 0:49:30 | |
Are you feeling anxious? | 0:49:30 | 0:49:31 | |
-Yes, very, very anxious. -Mm-hm. | 0:49:31 | 0:49:34 | |
At 20! | 0:49:34 | 0:49:36 | |
First to tempt the Greenwich bidders is the papier-mache set | 0:49:36 | 0:49:40 | |
from Christine and James. | 0:49:40 | 0:49:42 | |
Lot 20. Absolutely stunning lot, this. | 0:49:42 | 0:49:46 | |
Papier-mache, five-piece dressing-table set, circa 1890. | 0:49:46 | 0:49:50 | |
Brightly painted with chrysanthemums, birds, butterflies.. | 0:49:50 | 0:49:53 | |
-Set included. -Lift 'em up! | 0:49:53 | 0:49:55 | |
Ooh, that's woken up the audience. | 0:49:55 | 0:49:58 | |
All of that. Straight in at £15. | 0:49:58 | 0:50:01 | |
Cheap at the price. | 0:50:01 | 0:50:03 | |
-Looking for 18. -Are we all done on the maiden bid? -At least. | 0:50:03 | 0:50:06 | |
-18, I want. Where? -Come on! | 0:50:06 | 0:50:08 | |
18, 22 I'm out. | 0:50:08 | 0:50:09 | |
What, for £2? You're having a laugh. | 0:50:09 | 0:50:12 | |
-Elegance, beauty. -You can't get a hamburger for that. | 0:50:12 | 0:50:15 | |
Come on, £22, I'm out. £22, there. | 0:50:15 | 0:50:17 | |
-Go on, go on! -Looking for 25. | 0:50:17 | 0:50:19 | |
All done at £22. | 0:50:19 | 0:50:21 | |
We made a profit. | 0:50:21 | 0:50:23 | |
Blimey. Well, Christine's happy. Good start. | 0:50:23 | 0:50:27 | |
We'll allow you that, | 0:50:27 | 0:50:28 | |
-just to give you a head start. -Allow that. Head start. | 0:50:28 | 0:50:31 | |
It's Jacaranda the hippo, next. Good luck, Matthew and David. | 0:50:31 | 0:50:35 | |
Lot 30, another stunning lot. | 0:50:35 | 0:50:38 | |
Jacaranda! Come on, Jacaranda. Do your thing. | 0:50:38 | 0:50:42 | |
Matthew's certainly full of excitement. | 0:50:42 | 0:50:44 | |
-Matthew, calm down. -It's called Jacaranda. Come on, baby. | 0:50:44 | 0:50:47 | |
It ain't going to help you, Matthew. | 0:50:47 | 0:50:50 | |
Jacaranda. | 0:50:50 | 0:50:52 | |
I would call it Eric. | 0:50:52 | 0:50:54 | |
Bid's with me, straight in at £15. | 0:50:54 | 0:50:58 | |
Good, good start. | 0:50:59 | 0:51:00 | |
18, I want. 18. 19. £20 I'm out. £20 here. | 0:51:00 | 0:51:03 | |
Looking for £22. | 0:51:03 | 0:51:04 | |
I've got 20. I'm looking for 22. | 0:51:04 | 0:51:06 | |
-Come on, baby. -Are we all done? | 0:51:06 | 0:51:07 | |
Last time, at £20. | 0:51:07 | 0:51:09 | |
Oh, that's all right. | 0:51:09 | 0:51:11 | |
- That's OK. That's all right. - Well, you made a profit. | 0:51:11 | 0:51:14 | |
You made a profit. | 0:51:14 | 0:51:15 | |
A small profit for Jacaranda. | 0:51:15 | 0:51:17 | |
Maybe you should have called him Eric. | 0:51:17 | 0:51:19 | |
Next up is Christine and James's London bus-stop sign. | 0:51:21 | 0:51:25 | |
They hope this will appeal to the London bidders. | 0:51:25 | 0:51:28 | |
Lot 17. Stunning lot. | 0:51:28 | 0:51:30 | |
You know whose this one is, don't you? | 0:51:31 | 0:51:34 | |
Straight in at £35. | 0:51:34 | 0:51:38 | |
38, £40, 42, five with me. | 0:51:38 | 0:51:39 | |
Take 48. I've got 45. | 0:51:41 | 0:51:43 | |
Eight, 50 with me. Looking for 55. | 0:51:43 | 0:51:46 | |
-I've got 50 on it. -It's beautiful! | 0:51:46 | 0:51:48 | |
Are we all done at £50? | 0:51:48 | 0:51:51 | |
-Oh... -I thought it would make a lot more. | 0:51:51 | 0:51:53 | |
No, but it's a profit nonetheless. | 0:51:53 | 0:51:55 | |
Keep up the enthusiasm, guys. | 0:51:55 | 0:51:57 | |
We're sticking with Christine and James. | 0:52:00 | 0:52:03 | |
It's the luxurious Moroccan moneybox next. | 0:52:03 | 0:52:06 | |
And the bid's with me, straight in at £25 only on this. | 0:52:06 | 0:52:11 | |
Looking for 28. | 0:52:11 | 0:52:12 | |
-It's beautiful! -I've got 25. 28, £30. And two. | 0:52:12 | 0:52:16 | |
Five with me. Looking for 38. | 0:52:16 | 0:52:18 | |
£40 here. Looking for 42. | 0:52:18 | 0:52:21 | |
Are we all done on this box? Last time. | 0:52:21 | 0:52:23 | |
At £40... | 0:52:23 | 0:52:25 | |
-Well done. Wow. We got away with it. -Yeah. -That's very good. | 0:52:25 | 0:52:29 | |
It's still a profit, Christine. | 0:52:29 | 0:52:31 | |
You're ahead of Matthew, but only just. | 0:52:31 | 0:52:33 | |
And his corned-beef box is up next. | 0:52:35 | 0:52:38 | |
-Look at that. -Beautiful lettering. | 0:52:38 | 0:52:40 | |
Absolutely stunning, isn't it? | 0:52:40 | 0:52:42 | |
What the hell you'd use it for, God only knows. | 0:52:42 | 0:52:45 | |
-No. -Straight in at £10 only on this. Looking for 12. 15 here. | 0:52:45 | 0:52:50 | |
-Looking for 15. -Come on. | 0:52:50 | 0:52:51 | |
I've got 15. 18, 19, £20 I'm out. | 0:52:51 | 0:52:54 | |
-£20 here, looking for 22. Are we all done? -Come on, beef box. | 0:52:54 | 0:52:58 | |
Beef box, come on! | 0:52:58 | 0:52:59 | |
At £20... | 0:52:59 | 0:53:01 | |
A small profit, | 0:53:01 | 0:53:03 | |
but it helps you edge closer to leaders Christine and James. | 0:53:03 | 0:53:07 | |
-So, you made a 50%... -Yeah, thereabouts. | 0:53:07 | 0:53:10 | |
We need at least a 52% mark-up on the next item. | 0:53:10 | 0:53:14 | |
That's fast maths. | 0:53:14 | 0:53:17 | |
You'll have to wait, because it's Matthew and David again, | 0:53:17 | 0:53:20 | |
with the 19th-century camera. | 0:53:20 | 0:53:22 | |
We've got to start with a bid with me of £30. | 0:53:22 | 0:53:26 | |
32, I need. Anywhere on this? | 0:53:26 | 0:53:28 | |
I've got 32. Five with me. 38, I need. | 0:53:28 | 0:53:31 | |
-Come on. -Classic, beautiful. -It won't... | 0:53:31 | 0:53:33 | |
You're not meant to shout for the opposition, Christine. | 0:53:33 | 0:53:36 | |
When are you going to see one of these this year on holiday? | 0:53:36 | 0:53:40 | |
£40, looking for 42. | 0:53:40 | 0:53:42 | |
Five here, looking for 48. | 0:53:42 | 0:53:44 | |
-Oh, eight. -I've got 45 on this. | 0:53:44 | 0:53:46 | |
Are we all done? | 0:53:46 | 0:53:48 | |
Last time, at £45 on the camera... | 0:53:48 | 0:53:50 | |
-Don't worry. It's OK. -That is disappointing, I have to say. | 0:53:51 | 0:53:55 | |
And the team spirit didn't help. | 0:53:55 | 0:53:57 | |
Only a small loss for Matthew and David, though. | 0:53:57 | 0:53:59 | |
It's Christine's lethal weapon next - the gardening shears. | 0:54:01 | 0:54:05 | |
These are not just shears - | 0:54:05 | 0:54:07 | |
these are Astor shears. | 0:54:07 | 0:54:10 | |
-What does that mean, then, Bob? -A set of four blades. | 0:54:10 | 0:54:13 | |
Danger... Oh, where are they? Get them out. | 0:54:13 | 0:54:16 | |
-Shall I model them? -Can you get them out? -Oh, Lordy, she's off. | 0:54:16 | 0:54:19 | |
Seriously, you need to see these. | 0:54:19 | 0:54:20 | |
May I model my masterpiece, please? | 0:54:20 | 0:54:24 | |
Is this going to make a big difference? | 0:54:24 | 0:54:26 | |
-Go on, hold them up, girl. -No, it will make a difference. | 0:54:26 | 0:54:28 | |
And these have got to start with a bid with me of £28 on those. | 0:54:28 | 0:54:33 | |
Looking for 30. They're worth all of that. | 0:54:33 | 0:54:36 | |
-28, I've got. Looking for 30. -Come on. | 0:54:36 | 0:54:38 | |
-The engineering. -You can't pull it out | 0:54:38 | 0:54:41 | |
unless you're taking it down Deptford Market. | 0:54:41 | 0:54:43 | |
A little bit more decorum, girl. | 0:54:43 | 0:54:45 | |
28, looking for 30 on these. | 0:54:45 | 0:54:47 | |
Are we all done? Last time. | 0:54:47 | 0:54:49 | |
-30 quid? -At £28... | 0:54:49 | 0:54:51 | |
-28? -My money... -Oh... | 0:54:51 | 0:54:54 | |
-You come and collect them. -LAUGHTER | 0:54:54 | 0:54:57 | |
I think you may have frightened the room there. | 0:54:57 | 0:54:59 | |
That gives Matthew a chance to catch up. | 0:54:59 | 0:55:02 | |
Here comes his Victorian gardening sprayer. | 0:55:04 | 0:55:07 | |
-We've got international bids on this. -Really? | 0:55:07 | 0:55:10 | |
Yeah, Isle of Dogs. | 0:55:10 | 0:55:12 | |
It's got to start the bid with me on this pump at only £15, | 0:55:12 | 0:55:15 | |
and that is so cheap. | 0:55:15 | 0:55:17 | |
-15, looking for 18. 22, I need. -He's got a telephone bid. | 0:55:17 | 0:55:21 | |
£22 anywhere? £22 I'm out. | 0:55:21 | 0:55:24 | |
-It's on the telephone. -Come on. -I'm looking for 25. | 0:55:24 | 0:55:26 | |
Telephone bid - now, that's a bit glamorous, isn't it? | 0:55:26 | 0:55:29 | |
At £22... | 0:55:29 | 0:55:31 | |
Well done. Seven quid more. Well done, sunshine. | 0:55:31 | 0:55:34 | |
Another healthy profit. Hurrah! | 0:55:35 | 0:55:37 | |
It's the giant-sized drinking vessel next, from Matthew and David. | 0:55:41 | 0:55:45 | |
Look at this thing. Absolutely magnificent. | 0:55:45 | 0:55:48 | |
-Yeah, pick it up. -Absolutely magnificent. | 0:55:48 | 0:55:51 | |
Someone said it was a teapot, | 0:55:51 | 0:55:53 | |
and I said, "Well, if you're going to invite anyone round, | 0:55:53 | 0:55:55 | |
"you could invite Poland round with that teapot, couldn't you?" | 0:55:55 | 0:55:58 | |
Sorry, that's nothing against the Polish. They're lovely people. | 0:55:58 | 0:56:02 | |
Straight in at £60. | 0:56:02 | 0:56:04 | |
-It's a start. -Looking for 65. | 0:56:04 | 0:56:06 | |
-It's worth all of that. -All of that. | 0:56:06 | 0:56:09 | |
65, 75, I need. | 0:56:09 | 0:56:12 | |
80. Five, I need. | 0:56:12 | 0:56:13 | |
85 I'm out. | 0:56:15 | 0:56:16 | |
All done at £85. | 0:56:16 | 0:56:18 | |
Yes! | 0:56:18 | 0:56:20 | |
We've actually lost money. | 0:56:20 | 0:56:22 | |
That doesn't matter. | 0:56:22 | 0:56:23 | |
We've not lost as much as I thought we had. It's a result. | 0:56:23 | 0:56:26 | |
That's all right. | 0:56:26 | 0:56:28 | |
That's the spirit, Matthew. I admire your positivity. | 0:56:28 | 0:56:31 | |
It's their final lot of the day now. | 0:56:34 | 0:56:36 | |
Christine and James's brass stencils. | 0:56:36 | 0:56:39 | |
Good lot, this. | 0:56:39 | 0:56:41 | |
-It's got to start with a bid with me on the lot of £15. -Excellent lot. | 0:56:41 | 0:56:44 | |
18, I need on this lot. 20 with me, looking for 22. | 0:56:44 | 0:56:48 | |
-How much did you pay for them? -£20, we paid for them. | 0:56:48 | 0:56:51 | |
Five I'm out. 28, I need. | 0:56:51 | 0:56:53 | |
-28 there, £30, 32. 35. -Yeah. | 0:56:53 | 0:56:56 | |
-It's good. -Eight, I want. £38, I've got. | 0:56:56 | 0:56:58 | |
£40 there. | 0:56:58 | 0:57:00 | |
Looking for 42. All done? This time, with the lady... | 0:57:00 | 0:57:03 | |
Middle of the room at £40... | 0:57:03 | 0:57:05 | |
I think she liked that result. | 0:57:09 | 0:57:11 | |
Let's calculate the scores. | 0:57:11 | 0:57:13 | |
Who will be today's winner? | 0:57:13 | 0:57:15 | |
Matthew and David started out with £400. | 0:57:17 | 0:57:19 | |
After auction costs are deducted, they made a tiny loss of £22.56. | 0:57:19 | 0:57:24 | |
Their final total is £377.44. | 0:57:24 | 0:57:30 | |
Christine and James also began with £400, | 0:57:30 | 0:57:34 | |
and after paying auction costs they made a loss of £22.40. | 0:57:34 | 0:57:39 | |
Their final earnings are £377.60. | 0:57:39 | 0:57:44 | |
Incredibly, Christine and James are the winners by a mere 16p. | 0:57:44 | 0:57:49 | |
Oh, that was a close one. | 0:57:49 | 0:57:51 | |
-Go on, you two. -Right, we'll leave you to sob. | 0:57:51 | 0:57:53 | |
-Yeah. -Take care. Lovely to see you. | 0:57:53 | 0:57:55 | |
-You too. Drive safe. -Go on, Matthew, I'm going to drive. | 0:57:55 | 0:57:58 | |
Your doorman awaits. | 0:57:58 | 0:57:59 | |
-Come on, one last drive, Christine. -Oh, look at this! | 0:57:59 | 0:58:03 | |
Take care. Enjoy the last drive. | 0:58:03 | 0:58:06 | |
I will. Cheerio. Bye! | 0:58:06 | 0:58:08 | |
-Go on. Happy gardening. -Absolutely. | 0:58:08 | 0:58:10 | |
Do you think they'll stick to gardening or are they moving into antiques? | 0:58:10 | 0:58:13 | |
-No, I think they should stick to the gardening. -I agree. | 0:58:13 | 0:58:16 | |
LAUGHTER James! So long, Christine and Matthew. | 0:58:16 | 0:58:18 | |
You've been an absolute delight. | 0:58:18 | 0:58:21 | |
Do you know, Matthew, I have loved the last few days with you. | 0:58:22 | 0:58:26 | |
-It's been great. -Christine, it's been my privilege, pal. | 0:58:26 | 0:58:29 | |
It's been my privilege. | 0:58:29 | 0:58:31 |