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-The nation's favourite celebrities... -Got some proper bling here. | 0:00:02 | 0:00:05 | |
-..paired up with an expert.... -Want! Want! | 0:00:05 | 0:00:07 | |
..and a classic car. | 0:00:07 | 0:00:09 | |
Get your legs up, girls! | 0:00:09 | 0:00:11 | |
Their mission, to scour Britain for antiques. | 0:00:11 | 0:00:14 | |
All breakages must be paid for. | 0:00:14 | 0:00:16 | |
This is a good find, is it not? | 0:00:16 | 0:00:18 | |
The aim, to make the biggest profit at auction. But it's no easy ride. | 0:00:18 | 0:00:23 | |
Who will find a hidden gem? Who will take the biggest risks? | 0:00:23 | 0:00:27 | |
Have my antiques head on. | 0:00:27 | 0:00:29 | |
Will anybody follow expert advice? | 0:00:29 | 0:00:32 | |
I think it's horrible! | 0:00:32 | 0:00:34 | |
-There will be worthy winners... -This is better than Christmas! | 0:00:34 | 0:00:37 | |
..and valiant losers. | 0:00:37 | 0:00:39 | |
Time to put your pedal to the metal. | 0:00:40 | 0:00:42 | |
This is Celebrity Antiques Road Trip. | 0:00:43 | 0:00:45 | |
Yeah! | 0:00:47 | 0:00:48 | |
Today's celebrities come with a pair of IQs that you can barely | 0:00:50 | 0:00:55 | |
-squeeze into a tiny MG. -I'm still a bit confused really. | 0:00:55 | 0:00:58 | |
When they said, "Do you want to be on Celebrity Antiques Road Trip?", | 0:00:58 | 0:01:01 | |
-I thought I was the celebrity and you were the antique! -Ha-ha! | 0:01:01 | 0:01:04 | |
Apparently, we've got to buy stuff as well. | 0:01:04 | 0:01:06 | |
Yes, Eggheads Lisa Thiel and Barry Simmons | 0:01:06 | 0:01:10 | |
have temporarily swapped TV quizzing for the open road. | 0:01:10 | 0:01:13 | |
I just love the walnut steering wheel | 0:01:13 | 0:01:15 | |
and all the walnut fascia and all the nobs and twiddles. | 0:01:15 | 0:01:19 | |
I'm a great one for liking nobs and twiddles on things. | 0:01:19 | 0:01:22 | |
There are so many things I could say to that. | 0:01:22 | 0:01:24 | |
-None of which are appropriate. -Ha-ha! | 0:01:24 | 0:01:27 | |
Brain of Britain and veteran of a bevy of top tricky quizzes... | 0:01:27 | 0:01:31 | |
What collective name is given to those chemical elements whose | 0:01:31 | 0:01:34 | |
-atomic number is greater than 92? -Transuranic. -Yes. | 0:01:34 | 0:01:37 | |
..Barry has been an Egghead for seven years... | 0:01:37 | 0:01:40 | |
I believe it was Joan Fontaine. | 0:01:40 | 0:01:42 | |
..while young Lisa made her TV debut on The Weakest Link... | 0:01:42 | 0:01:46 | |
Which American president delivered the arsenal of democracy speech | 0:01:46 | 0:01:49 | |
-in December 1940? -Roosevelt. -Correct. | 0:01:49 | 0:01:52 | |
..is that all-conquering Eggheads' newest bright recruit. | 0:01:52 | 0:01:56 | |
I'll say Bret Easton Ellis. | 0:01:56 | 0:01:58 | |
Bret Easton Ellis is correct. | 0:01:58 | 0:02:00 | |
But do big brains find big bargains? | 0:02:00 | 0:02:03 | |
I'm going to work on an adage of William Morris. | 0:02:03 | 0:02:05 | |
William Morris said, "Have nothing in your house | 0:02:05 | 0:02:07 | |
"that you do not know to be useful or believe to be beautiful." | 0:02:07 | 0:02:10 | |
Nice theory, Barry! | 0:02:10 | 0:02:11 | |
But you might want to run it past our expert pairing of Paul Laidlaw | 0:02:11 | 0:02:16 | |
and Christina Trevanion. | 0:02:16 | 0:02:17 | |
They are going to be uber-competitive, aren't they? | 0:02:17 | 0:02:21 | |
Totally. Quizzing has like a league table, doesn't it? | 0:02:21 | 0:02:24 | |
-Oh, gosh! Does it? -Yes. -Is it very, very serious? | 0:02:24 | 0:02:27 | |
-Yeah. -Ooh. -Yeah, yeah. | 0:02:27 | 0:02:29 | |
And as all good Eggheads surely know, the 1957 Morris Traveller | 0:02:29 | 0:02:33 | |
dates from a time before seatbelts were mandatory. | 0:02:33 | 0:02:36 | |
The biggest problem is if they think we're as good at what we do | 0:02:36 | 0:02:40 | |
as they are - imagine if they were like, | 0:02:40 | 0:02:42 | |
"This is clearly Arts and Crafts". | 0:02:42 | 0:02:44 | |
"Yeah, but who designed it?" What do you mean?! How do I know? | 0:02:44 | 0:02:49 | |
Fortunately, our self-deprecating auctioneers are actually | 0:02:49 | 0:02:54 | |
rather good at this lark. | 0:02:54 | 0:02:55 | |
And with £400 for each pairing, there's every prospect of profits. | 0:02:55 | 0:03:00 | |
Hang on, this isn't part of the plan. | 0:03:00 | 0:03:03 | |
What do you think happened to it? | 0:03:03 | 0:03:05 | |
I think the clutch was slipping and it just decided it had enough. | 0:03:05 | 0:03:09 | |
It's a shame. I do hope it gets well again, quickly. | 0:03:09 | 0:03:12 | |
-Well, there is a bright side, Lisa. -Yeah? -It's not raining. | 0:03:12 | 0:03:15 | |
Well, the path to Road Trip glory is rarely a smooth one. | 0:03:15 | 0:03:19 | |
-How far is it to Shipley? -THEY LAUGH | 0:03:19 | 0:03:22 | |
Must make a pleasant change from the comfy TV studio. | 0:03:22 | 0:03:25 | |
I'm going to test them. | 0:03:25 | 0:03:27 | |
Grand National 1965. Who came third? | 0:03:27 | 0:03:30 | |
-Who came third? -THEY LAUGH | 0:03:30 | 0:03:32 | |
Padlock! | 0:03:32 | 0:03:33 | |
Looks like you're going to have that opportunity | 0:03:33 | 0:03:35 | |
rather sooner than you thought, Paul. | 0:03:35 | 0:03:37 | |
-Hello. -Hi! | 0:03:37 | 0:03:38 | |
What on earth are you doing? Are you not supposed to be in a vehicle? | 0:03:38 | 0:03:41 | |
Well, we are, but it couldn't quite make it up the hill, | 0:03:41 | 0:03:44 | |
so we decided to walk and see if we could get there on our own steam. | 0:03:44 | 0:03:47 | |
Bless you. You must be Lisa. | 0:03:47 | 0:03:49 | |
-That's right, hello. -Nice to meet you. | 0:03:49 | 0:03:51 | |
I'm Christina. Hello. You must be Barry. | 0:03:51 | 0:03:53 | |
I'm Paul, lovely to see you. | 0:03:53 | 0:03:55 | |
-Barry, how are you doing? I'm Paul. Good to see you. -Barry, Paul. | 0:03:55 | 0:03:58 | |
-So we sort of rather need to find an antiques shop. -Need a lift then? | 0:03:58 | 0:04:01 | |
Want to come with us? | 0:04:01 | 0:04:02 | |
How are we pairing up? How are we doing this? | 0:04:02 | 0:04:04 | |
That's a good question. | 0:04:04 | 0:04:05 | |
I think clearly if Christina and I were to pair up, | 0:04:05 | 0:04:07 | |
there would be a massive overload of beauty and glamour on one side. | 0:04:07 | 0:04:11 | |
So Barry, you pair up with Christina, | 0:04:11 | 0:04:13 | |
I'll go with Paul. | 0:04:13 | 0:04:14 | |
We'll add some gravitas. | 0:04:14 | 0:04:16 | |
Absolutely. I love you dearly already, but I'm driving. | 0:04:16 | 0:04:19 | |
HE LAUGHS | 0:04:19 | 0:04:20 | |
So, now, with just the one car, | 0:04:22 | 0:04:24 | |
our trip starts out in the Yorkshire town of Keighley | 0:04:24 | 0:04:28 | |
and zigzags over to Lancashire, taking in the city of Liverpool, | 0:04:28 | 0:04:31 | |
before an auction back in Yorkshire at Thurcroft. | 0:04:31 | 0:04:34 | |
First out of the traps are Lisa and Paul. | 0:04:34 | 0:04:37 | |
-All right, we'll see you later. -OK, folks. -Have fun. | 0:04:37 | 0:04:40 | |
-We'd wish you luck, but we'd be insincere. -Indeed. | 0:04:40 | 0:04:44 | |
Keighley was the birthplace of Molly Sugden, TV's Mrs Slocombe. | 0:04:44 | 0:04:49 | |
I wonder if the proprietor's free! | 0:04:49 | 0:04:52 | |
-Hello. -Hello. -They're in luck. | 0:04:52 | 0:04:54 | |
-How are you doing? You are...? -Simon. -Simon. Paul. -Paul. | 0:04:54 | 0:04:58 | |
-I'm Lisa. -Lisa. Simon. -Wow, Simon! It is impressive in its scale. | 0:04:58 | 0:05:03 | |
The work's cut out for us. | 0:05:03 | 0:05:04 | |
There's going to be a lot to do here. | 0:05:04 | 0:05:06 | |
-Best take my coat off, I think. -I'll take your coat, if you want. | 0:05:06 | 0:05:10 | |
-Is this yours, Simon? -Family business. -Wow! | 0:05:10 | 0:05:13 | |
Yes, this place looks a lot more interesting than Grace Brothers too. | 0:05:13 | 0:05:17 | |
Can't see any wigs, but... | 0:05:17 | 0:05:18 | |
You can't ever pass up the chance to try on a hat. | 0:05:18 | 0:05:21 | |
No! You have an awful lot smaller head than I do! | 0:05:21 | 0:05:24 | |
One of the perils of being an Egghead. | 0:05:24 | 0:05:26 | |
You try getting a hat that fits! | 0:05:26 | 0:05:29 | |
Let's leave those two to their dressing up, shall we? | 0:05:29 | 0:05:32 | |
Because their rivals are about to arrive in Saltaire, | 0:05:32 | 0:05:37 | |
the model village that was created | 0:05:37 | 0:05:39 | |
by the great Victorian Sir Titus Salt. | 0:05:39 | 0:05:41 | |
-Hello. You must be Alan. -Pleased to meet you. I am, yes. | 0:05:42 | 0:05:45 | |
Nice to meet you. | 0:05:45 | 0:05:47 | |
-Are you all right? -This looks wonderful. | 0:05:47 | 0:05:49 | |
It's our little emporium. | 0:05:49 | 0:05:51 | |
Well, we're honoured, I'm sure, | 0:05:51 | 0:05:53 | |
but what's our Barry's antique knowledge like? | 0:05:53 | 0:05:56 | |
-Oh, Lalique. -Oh, la-la! What's more, Barry has given this some thought. | 0:05:56 | 0:06:01 | |
I came across this mnemonic for finding antiques called RADAR | 0:06:01 | 0:06:04 | |
and it stands for rare, aesthetic, desirable, authentic, | 0:06:04 | 0:06:08 | |
and in really good condition, | 0:06:08 | 0:06:11 | |
which seemed to fit the task perfectly. | 0:06:11 | 0:06:13 | |
So it's just a matter of looking around here | 0:06:13 | 0:06:14 | |
and seeing what there is. | 0:06:14 | 0:06:16 | |
Blimey! Our lot usually just buy what they like. | 0:06:16 | 0:06:20 | |
Just in this cabinet up here, I saw this little knife, just in here. | 0:06:20 | 0:06:25 | |
So, this is a little silver bladed | 0:06:25 | 0:06:26 | |
-and mother-of-pearl handled fruit knife. -Mm-hm. | 0:06:26 | 0:06:29 | |
-And you've got this lovely little hallmark on the side. -Ah, yes. | 0:06:29 | 0:06:33 | |
H&T, Hilliard & Thomason, Birmingham assay mark, | 0:06:33 | 0:06:37 | |
and an A, probably about 1870. | 0:06:37 | 0:06:39 | |
-The thing that attracted this to me was the price. -Oh! | 0:06:39 | 0:06:45 | |
It's got a lovely little cartouche which has got some initials on it. | 0:06:45 | 0:06:48 | |
B for Barry. There we go. | 0:06:48 | 0:06:49 | |
Oh, what could be better? | 0:06:49 | 0:06:51 | |
Blooming brilliant! | 0:06:51 | 0:06:52 | |
One of the hang-ups of quizzers, having to remember | 0:06:52 | 0:06:55 | |
all the assay marks for the various different places. | 0:06:55 | 0:06:57 | |
-Really? -Yes, Edinburgh is a castle and a leopard for London. | 0:06:57 | 0:07:01 | |
-Absolutely, yes. -Top marks, Barry. | 0:07:01 | 0:07:03 | |
Potentially, it could be a first purchase. | 0:07:03 | 0:07:05 | |
I would agree with that. I think that is lovely. | 0:07:05 | 0:07:07 | |
We'll try and get the price down a bit though. | 0:07:07 | 0:07:09 | |
-Yes, see what we can do. -How are you at haggling? | 0:07:09 | 0:07:12 | |
Well, we shall see, won't we? | 0:07:12 | 0:07:14 | |
On that note, I wonder where Lisa and Paul have got to. | 0:07:14 | 0:07:17 | |
Mechanical bellows, in oak. | 0:07:17 | 0:07:20 | |
I love these, I do like a gadget. | 0:07:20 | 0:07:23 | |
And this for me... I wonder, does that still work? | 0:07:23 | 0:07:25 | |
I think it does. | 0:07:25 | 0:07:27 | |
Sorry about the dust. | 0:07:27 | 0:07:29 | |
You will be sneezing till the end of the day. | 0:07:29 | 0:07:32 | |
As long as it is not Granny's ashes, you are all right. | 0:07:32 | 0:07:35 | |
Do they do anything for you, or do they just...? | 0:07:35 | 0:07:37 | |
-So they are mechanical, why exactly? -Good question. | 0:07:37 | 0:07:40 | |
-In the interest of efficiency. -Right. | 0:07:40 | 0:07:43 | |
Because your bellows are single action. | 0:07:43 | 0:07:47 | |
It is puff, puff, puff. | 0:07:47 | 0:07:49 | |
Because you have got a gear in here which drives paddles in here | 0:07:49 | 0:07:53 | |
with some velocity, you get a constant flow of air. | 0:07:53 | 0:07:56 | |
So it is just more efficient. £135. | 0:07:56 | 0:07:59 | |
Back in the day - Arthur Negus time - | 0:07:59 | 0:08:03 | |
these were highly desirable. | 0:08:03 | 0:08:04 | |
Now, a cautious auctioneer would probably go 50 to 100. | 0:08:04 | 0:08:08 | |
-Sounds like no to those. -They are interesting but they are not sexy. | 0:08:08 | 0:08:12 | |
-No, sexy bellows, it does not work as a phrase, does it? Sexy bellows. -PAUL LAUGHS | 0:08:12 | 0:08:17 | |
Christina and Barry seemed to have got off to a better start. | 0:08:17 | 0:08:22 | |
A bust of Charlie Chaplin. How wonderful. | 0:08:22 | 0:08:25 | |
-What's on the RADAR now, I wonder? -What's your thoughts about that? | 0:08:25 | 0:08:30 | |
The more I look at that, the more I like it. | 0:08:30 | 0:08:32 | |
I think it has a George IV Brighton Pavilion look about it. | 0:08:32 | 0:08:36 | |
Not cheap though. | 0:08:37 | 0:08:39 | |
Sugar sifters, are they that popular now? | 0:08:39 | 0:08:42 | |
Probably not. | 0:08:42 | 0:08:43 | |
But this one is very different. It is still usable, isn't it? Yes. | 0:08:43 | 0:08:46 | |
-Imagine having on your strawberries. -That is beautiful. | 0:08:46 | 0:08:49 | |
What have we got on that? | 0:08:49 | 0:08:51 | |
We have got Arts & Crafts, silver-plated... | 0:08:51 | 0:08:53 | |
-Even better, Arts & Crafts. -Circa 1920. It has got £55 on it. | 0:08:53 | 0:08:57 | |
How does that rate RADAR-wise? | 0:08:57 | 0:08:59 | |
I have not seen this before, | 0:08:59 | 0:09:01 | |
so I think it would tick the rare box. | 0:09:01 | 0:09:02 | |
-Brilliant. -It is certainly aesthetically very beautiful. | 0:09:02 | 0:09:05 | |
-Very. -For me, this is desirable. | 0:09:05 | 0:09:07 | |
It wants to be held, it wants to be shaken, it is crying out for that. | 0:09:07 | 0:09:10 | |
Yes, it is authentic. And it is in perfect condition. | 0:09:10 | 0:09:14 | |
It is in excellent condition. So this ticks all five. | 0:09:14 | 0:09:17 | |
-Oh, my goodness. -So I just have to have it. -Five out of five? | 0:09:17 | 0:09:19 | |
-Yes, absolutely. -At a certain price. | 0:09:19 | 0:09:23 | |
"Oh, it does not tick any. It is terrible." | 0:09:23 | 0:09:25 | |
What's more, Barry's also found a little something all by himself. | 0:09:25 | 0:09:29 | |
Ooh, it has a quotation from Kipling. I love Kipling. | 0:09:29 | 0:09:33 | |
"A woman is only a woman, but a good cigar is a smoke". | 0:09:33 | 0:09:37 | |
-A little chauvinist sentiment. -I don't know how to take that. | 0:09:37 | 0:09:40 | |
Yes, steady on. You do want to win this, don't you, Barry? | 0:09:40 | 0:09:43 | |
You'd put your little matchbox in there | 0:09:43 | 0:09:45 | |
and it was slightly smaller on this end, to keep the matchbox... | 0:09:45 | 0:09:49 | |
And you push your matchbox there, take your match there, | 0:09:49 | 0:09:51 | |
and it has a facility to show the striker on there. | 0:09:51 | 0:09:54 | |
So a little vesta case holder. And of course, pre-electricity, | 0:09:54 | 0:09:57 | |
you needed matches all the time, didn't you? | 0:09:57 | 0:10:00 | |
-Still do. I still use matches. -Light the fire, light your oil lamp. | 0:10:00 | 0:10:03 | |
Everything. | 0:10:03 | 0:10:04 | |
Everybody that could afford a vesta case would have had one at the time. | 0:10:04 | 0:10:07 | |
And they are collectable now, | 0:10:07 | 0:10:09 | |
especially when they are that beautiful. | 0:10:09 | 0:10:11 | |
-And I am partial to the occasional cigar, I must admit. -Are you? | 0:10:11 | 0:10:14 | |
-I'm afraid I am. -Good spot, Barry. Well done. | 0:10:14 | 0:10:17 | |
Yes, he's doing well. Now, how about those haggling skills? | 0:10:17 | 0:10:21 | |
-Hello, hello, hello. -Hello. We've found something. Hello. | 0:10:21 | 0:10:24 | |
-This is Molly. -Hello, Molly. | 0:10:24 | 0:10:27 | |
-So, what have we found? -What can we do on these? | 0:10:27 | 0:10:29 | |
-Can I hold Molly at the same time? -Of course you can. -Hello, Molly. | 0:10:29 | 0:10:32 | |
Hope she doesn't bite. | 0:10:32 | 0:10:34 | |
That one, Amanda will probably do that for...40. | 0:10:34 | 0:10:39 | |
And the knife and the matchbox. | 0:10:39 | 0:10:41 | |
What have we got there? 36. | 0:10:41 | 0:10:43 | |
We'll get them two down to 20. | 0:10:43 | 0:10:45 | |
That sounds... 20... | 0:10:45 | 0:10:47 | |
-And that might help a little bit with that 40. -So 50 for the three? | 0:10:47 | 0:10:51 | |
How do you feel about that? It's cash. | 0:10:51 | 0:10:53 | |
And we give you back Molly as well! | 0:10:53 | 0:10:56 | |
Molly's a million. We'll do them for 50. | 0:10:56 | 0:10:59 | |
-£50. I think that seems incredibly generous. -I think that is lovely. | 0:10:59 | 0:11:02 | |
-I think we'll shake on that. -Thank you. -Splendid. | 0:11:02 | 0:11:04 | |
You're an angel. Thank you so much. | 0:11:04 | 0:11:06 | |
-Barry, there's your money. -Good work. | 0:11:06 | 0:11:08 | |
Don't forget to give the dog back. | 0:11:08 | 0:11:10 | |
Meanwhile, back in Keighley, the search goes on. | 0:11:10 | 0:11:13 | |
Simon, I see you've got your work in progress next-door. | 0:11:13 | 0:11:17 | |
Have you got material fresh in there? | 0:11:17 | 0:11:20 | |
-Yeah, come and have a look. -Paul loves anywhere out-of-bounds. | 0:11:20 | 0:11:24 | |
Regularly finds bargains behind doors marked "private". | 0:11:24 | 0:11:27 | |
This place is full of nice things, but nice is not what we need. | 0:11:27 | 0:11:30 | |
Sexy is what we need. Arguably, she's sexy. | 0:11:30 | 0:11:33 | |
-If you like that sort of thing. -PAUL LAUGHS | 0:11:33 | 0:11:36 | |
I'll not pass comment. | 0:11:36 | 0:11:38 | |
-Royal Dux, period piece. About 1900? -Yeah. -Yeah. | 0:11:38 | 0:11:43 | |
And we've got... | 0:11:43 | 0:11:44 | |
I'd love to say demure, but I think she's anything but. | 0:11:44 | 0:11:47 | |
Scantily draped, admiring herself, | 0:11:47 | 0:11:50 | |
-sat on the mother of all trumpet shells. -I don't know. | 0:11:50 | 0:11:53 | |
That's pretty demure today, but you know, 1900... | 0:11:53 | 0:11:56 | |
-She is a Page 3 hussy! -LISA LAUGHS | 0:11:56 | 0:11:59 | |
-That's just come through the door? -Just come through the door. | 0:11:59 | 0:12:03 | |
I do like her, actually. | 0:12:03 | 0:12:04 | |
-Do you? -I love that Art Nouveau aesthetic | 0:12:04 | 0:12:06 | |
that's quite, sort of, full-on. | 0:12:06 | 0:12:08 | |
I like anything like that. So she's pretty and again, | 0:12:08 | 0:12:11 | |
you can see that there would be a practical use for her as well. | 0:12:11 | 0:12:14 | |
She... I can see her sat in somebody's bathroom | 0:12:14 | 0:12:17 | |
and she's got all the beauty samples or toothbrushes, | 0:12:17 | 0:12:21 | |
or you can stash your sponge in there - anything like that. | 0:12:21 | 0:12:23 | |
Steady, Lisa. Steady. | 0:12:23 | 0:12:25 | |
-Help us here. What can that be? -Today? | 0:12:25 | 0:12:30 | |
-A really good price... -Yeah. | 0:12:30 | 0:12:33 | |
-125 quid. -That was a really good price. | 0:12:35 | 0:12:39 | |
I think that's all about whether we bought her for that, | 0:12:39 | 0:12:41 | |
what she'd make...at an auction. | 0:12:41 | 0:12:44 | |
I'd say that's worth 150 to 250 quid. | 0:12:44 | 0:12:48 | |
It is, as you say, | 0:12:48 | 0:12:50 | |
the foxiest little cotton bud holder in Christendom. | 0:12:50 | 0:12:53 | |
-Yep. -I'm not going to clown about. | 0:12:53 | 0:12:56 | |
If you'll sell it to us for that, I'd be delighted to shake your hand | 0:12:56 | 0:12:59 | |
and Lisa will too, I'm sure. | 0:12:59 | 0:13:00 | |
-I will. -Thank you, sir. -Thank you very much. -Thank you. | 0:13:00 | 0:13:03 | |
Blimey! One buy and they're the golden eggheads. | 0:13:03 | 0:13:06 | |
-Just check out the quality of the mirror. -That is heavy, which is | 0:13:06 | 0:13:09 | |
normally an immediate sign that something is worth something. | 0:13:09 | 0:13:13 | |
I hear you. So, what are you telling me? | 0:13:13 | 0:13:16 | |
Oh, my word! | 0:13:16 | 0:13:20 | |
It's an easel mirror. | 0:13:20 | 0:13:21 | |
An easel toilet mirror would be the term back in the day. | 0:13:21 | 0:13:25 | |
And when is that going to be? Mid-19th century, 1850, | 0:13:25 | 0:13:28 | |
-maybe a wee bit later than that. -Yeah. | 0:13:28 | 0:13:30 | |
-What's the knack? Give it a press? -Yeah. | 0:13:30 | 0:13:32 | |
Press it with one hand and clip it with the other. | 0:13:32 | 0:13:35 | |
-A little latch there. -Yeah. Press down. | 0:13:35 | 0:13:37 | |
Oh, the leg extends and locks at various settings. | 0:13:37 | 0:13:41 | |
Keeps the angle right for you to look into. | 0:13:41 | 0:13:44 | |
Again, from a feminine shopper's point of view, | 0:13:44 | 0:13:47 | |
you cannot buy something like that. | 0:13:47 | 0:13:49 | |
I've just moved house. | 0:13:49 | 0:13:50 | |
I had terrible trouble finding a mirror to go on my dressing table. | 0:13:50 | 0:13:53 | |
That adjustable thing is an absolute gift, | 0:13:53 | 0:13:55 | |
as many women will tell you. | 0:13:55 | 0:13:57 | |
Sometimes, the light just doesn't strike right | 0:13:57 | 0:13:59 | |
when you're putting on your make-up. | 0:13:59 | 0:14:01 | |
You would be dangerous to go shopping with. | 0:14:01 | 0:14:03 | |
You would sell me stuff I was dithering about. | 0:14:03 | 0:14:06 | |
You would reel me in. You're brilliant! | 0:14:06 | 0:14:09 | |
-You want to hear me when I don't like something! -PAUL LAUGHS | 0:14:09 | 0:14:12 | |
Now, I don't know whether that's a duke or a baronet's coronet, | 0:14:12 | 0:14:16 | |
but that came from landed family. | 0:14:16 | 0:14:19 | |
-Yeah. -That's silver. | 0:14:19 | 0:14:21 | |
-We've got no doubt about that. -No. | 0:14:21 | 0:14:23 | |
There's the family monogram. | 0:14:23 | 0:14:26 | |
Can we afford that, Simon, is the question? | 0:14:26 | 0:14:31 | |
Fresh to the market. Just come in. | 0:14:31 | 0:14:34 | |
75 quid. | 0:14:34 | 0:14:36 | |
What?! | 0:14:36 | 0:14:37 | |
I know... | 0:14:40 | 0:14:43 | |
Spit it out, Paul! | 0:14:43 | 0:14:44 | |
-His little face! His little face! -Can we? -Course we can. Go on. | 0:14:44 | 0:14:49 | |
Oh... I don't know what to say. | 0:14:49 | 0:14:51 | |
There are some prices it would be embarrassing to haggle over. | 0:14:51 | 0:14:55 | |
-I thank you, sir. -Thank you, both, very much. -Thank you. | 0:14:55 | 0:14:58 | |
So, £200 for their first couple of buys. | 0:14:58 | 0:15:00 | |
Paul's picks, but Lisa seems happy enough. | 0:15:00 | 0:15:03 | |
Not a bad bit of shopping, that, was it? | 0:15:03 | 0:15:06 | |
Loving it! | 0:15:06 | 0:15:07 | |
Well, you can now relax | 0:15:10 | 0:15:11 | |
and take our route over the Pennines towards Burnley, the Lancashire town | 0:15:11 | 0:15:15 | |
that was at the heart of Britain's industrial revolution. | 0:15:15 | 0:15:19 | |
There were once almost 1,000 cotton looms in Burnley | 0:15:19 | 0:15:22 | |
and amongst the many reminders of her weaving heritage | 0:15:22 | 0:15:26 | |
is the last surviving steam-powered mill in the world. | 0:15:26 | 0:15:31 | |
-Graham Myers is the museum's weaving supervisor. -Nice to meet you. | 0:15:31 | 0:15:34 | |
-Welcome to Queen Street Mill Textile Museum. -Thank you. | 0:15:34 | 0:15:37 | |
You may remember Anita Manning visiting this mill a few years ago, | 0:15:37 | 0:15:42 | |
but today, Lisa and Paul are learning about the mill's unique past, | 0:15:42 | 0:15:46 | |
starting with how the mill's 990 looms | 0:15:46 | 0:15:49 | |
were originally funded by selling 4,000 £5 shares. | 0:15:49 | 0:15:53 | |
It's fairly unique. It was loosely termed a cooperative. | 0:15:53 | 0:15:58 | |
There were other companies that tried to do this | 0:15:58 | 0:16:01 | |
and they had failed. | 0:16:01 | 0:16:02 | |
Burnley came along with a self-help sort of group, | 0:16:02 | 0:16:06 | |
run by the shareholders. | 0:16:06 | 0:16:08 | |
Now, later on, they had other share issues | 0:16:08 | 0:16:12 | |
and actually the people that worked here were eligible to buy shares, | 0:16:12 | 0:16:16 | |
so they became part of the mill. They took ownership. | 0:16:16 | 0:16:20 | |
So, just give us an idea then? If it's a £5 share, how much work | 0:16:20 | 0:16:24 | |
would a worker be doing to sort of pay for that kind of share? | 0:16:24 | 0:16:28 | |
Looking about a weaver, a pound a week would be a decent wage. | 0:16:28 | 0:16:34 | |
What they were feeding the families on. | 0:16:34 | 0:16:36 | |
Yes. So, it was quite a big expense to raise £5. | 0:16:36 | 0:16:41 | |
But it's not insurmountable to do that. | 0:16:41 | 0:16:45 | |
As the machinery reveals, | 0:16:45 | 0:16:46 | |
the cotton business was a real Lancashire affair, | 0:16:46 | 0:16:49 | |
with several ancillary trades keeping the looms turning. | 0:16:49 | 0:16:53 | |
Although the raw material came from India, it was | 0:16:53 | 0:16:55 | |
turned into thread at local spinning mills before arrival at Queen Street. | 0:16:55 | 0:17:01 | |
That is a cop and that is the package that it comes to us. | 0:17:01 | 0:17:05 | |
We have to transfer that, so we can use that thread, | 0:17:05 | 0:17:08 | |
using this machine here. | 0:17:08 | 0:17:10 | |
Once we've made these cones, | 0:17:10 | 0:17:12 | |
they were used to create the warp and the weft. | 0:17:12 | 0:17:15 | |
So the warp threads are the ones that go up and down | 0:17:15 | 0:17:18 | |
and the weft is the one that goes this way. Is that right? | 0:17:18 | 0:17:21 | |
-Yes, the weft is what goes into the shuttle. -Right. | 0:17:21 | 0:17:26 | |
And the way to remember that is it goes from weft to right. | 0:17:26 | 0:17:29 | |
-In front of you. -I like that. | 0:17:29 | 0:17:31 | |
But whatever the theory, | 0:17:31 | 0:17:32 | |
nothing can quite prepare you for the pandemonium of a weaving shed. | 0:17:32 | 0:17:36 | |
Although working conditions had been much improved | 0:17:40 | 0:17:43 | |
by the late 19th century, | 0:17:43 | 0:17:45 | |
this was clearly still a very tough place to work | 0:17:45 | 0:17:48 | |
and remained so until Queen Street closed in 1982. | 0:17:48 | 0:17:53 | |
-A little bit quieter in here now... -Thank goodness. | 0:17:53 | 0:17:56 | |
..than the weaving shed. | 0:17:56 | 0:17:57 | |
I can understand you without lip-reading. | 0:17:57 | 0:17:59 | |
It was partly because of the mill's unique ownership that investment | 0:17:59 | 0:18:03 | |
was often lacking at Queen Street, | 0:18:03 | 0:18:05 | |
but when it was transformed into a museum in the mid '80s, | 0:18:05 | 0:18:09 | |
that outdated equipment turned out to be a very good thing. | 0:18:09 | 0:18:14 | |
This mill is almost exactly the same as it was in 1895 when it opened. | 0:18:14 | 0:18:18 | |
It's the same machinery, which is testimony to the machinery itself | 0:18:18 | 0:18:23 | |
and the way the mill was run that they kept it going so long. | 0:18:23 | 0:18:27 | |
Now, our Lisa hails from the rival county of Yorkshire, | 0:18:27 | 0:18:31 | |
where weaving has always been more about wool than cotton. | 0:18:31 | 0:18:35 | |
So let's see how she fares on a Lancashire loom. | 0:18:35 | 0:18:38 | |
Right arm down there, left hand ready... As you push, you pull. | 0:18:38 | 0:18:42 | |
OK. | 0:18:42 | 0:18:44 | |
And away it goes. | 0:18:46 | 0:18:49 | |
-So, right... -OK, here we go. One, two, three... -Mind your fingers! | 0:18:49 | 0:18:53 | |
There you go. | 0:18:53 | 0:18:55 | |
-Look at that! -You've done it. Well done! -Yeah! Ha-ha! | 0:18:55 | 0:18:58 | |
Yet another Egghead triumph. | 0:18:58 | 0:19:00 | |
Back in Yorkshire, I wonder how our opposing auctioneer | 0:19:03 | 0:19:06 | |
and clever clogs pairing is progressing. | 0:19:06 | 0:19:08 | |
Mastermind comes on and I think "Oh, I'm never going to be able to answer any of these." | 0:19:08 | 0:19:12 | |
I bet you sit there and just answer every single one. | 0:19:12 | 0:19:14 | |
Mastermind comes on and I think, "Oh, God! These are so easy!" | 0:19:14 | 0:19:17 | |
-Seriously? -I do. I like the harder quizzes. | 0:19:17 | 0:19:20 | |
I like University Challenge or Only Connect, | 0:19:20 | 0:19:22 | |
-the ones that really push you. -Oh, my goodness! | 0:19:22 | 0:19:24 | |
OK, fingers on your buzzers, you two, as you approach your next challenge | 0:19:24 | 0:19:29 | |
in the Old West Riding at the little village of Cullingworth. | 0:19:29 | 0:19:32 | |
Yup, there's antiques at 'mill. | 0:19:32 | 0:19:36 | |
Thank you. Most kind. | 0:19:36 | 0:19:38 | |
-Hello. -Hello. -Hi, hello. You must be Steve. -I am. | 0:19:38 | 0:19:42 | |
Steve, have you been painting today? | 0:19:42 | 0:19:43 | |
-I have been painting. -THEY LAUGH | 0:19:43 | 0:19:46 | |
-Nice to meet you. -Hi, Steve. -This is Barry, my Egghead. | 0:19:46 | 0:19:49 | |
-Mind if we had a look around? Would that be all right? -Sure. | 0:19:49 | 0:19:52 | |
If there's anything we like the look of, | 0:19:52 | 0:19:54 | |
-can we give you a holler? -Sure. -Brilliant. Thank you. | 0:19:54 | 0:19:56 | |
Veritable cornucopia. | 0:19:56 | 0:19:58 | |
That's Latin, that is. Means "horn of plenty". | 0:19:58 | 0:20:00 | |
Clearly still in Yorkshire though. | 0:20:00 | 0:20:02 | |
I'm reminded of my favourite saying from Socrates actually. | 0:20:02 | 0:20:06 | |
The first time he walked into a market and he had | 0:20:06 | 0:20:09 | |
a look around everything and said, "So many things I don't need." | 0:20:09 | 0:20:12 | |
Well, I don't need many things here, | 0:20:12 | 0:20:14 | |
but there's a few that I would like to have though! | 0:20:14 | 0:20:16 | |
We never got any Socrates from any of our previous celebrities, | 0:20:16 | 0:20:20 | |
that's for certain. | 0:20:20 | 0:20:21 | |
Look at the size. | 0:20:21 | 0:20:22 | |
It's all about teamwork, though, in this game. | 0:20:22 | 0:20:25 | |
I think Socrates might have said that too. Or Confucius. | 0:20:25 | 0:20:27 | |
-What do you think of this screen, Christina? -Mm? | 0:20:27 | 0:20:30 | |
The colours are quite vibrant on this. | 0:20:30 | 0:20:33 | |
OK, going back to our mantra - | 0:20:33 | 0:20:36 | |
how many homes do you think had a fire screen in them? | 0:20:36 | 0:20:39 | |
-Every one. -BARRY LAUGHS | 0:20:39 | 0:20:41 | |
All right, point taken. | 0:20:41 | 0:20:42 | |
Not rare, not scarce. | 0:20:42 | 0:20:44 | |
She knows. Whereas one of those... | 0:20:44 | 0:20:47 | |
A little oven for heating up samples in test tubes. | 0:20:47 | 0:20:50 | |
I think it's called an autoclave. £45. | 0:20:50 | 0:20:54 | |
How do you know that, just by looking at it? | 0:20:54 | 0:20:55 | |
I've never seen one of these before in my life. | 0:20:55 | 0:20:58 | |
My first degree was in chemistry. | 0:20:58 | 0:20:59 | |
I've seen equipment like this in the flesh. | 0:20:59 | 0:21:01 | |
-Your first degree? -Yes. -How many degrees do you have? | 0:21:01 | 0:21:03 | |
-Well, I've got two and a half. -Oh, my goodness! | 0:21:03 | 0:21:05 | |
I wasn't very good as a chemistry student. | 0:21:05 | 0:21:07 | |
-I have got a good degree, but I blew myself up once. -What?! | 0:21:07 | 0:21:11 | |
Well, I'm very glad he sticks to quizzing nowadays then. | 0:21:11 | 0:21:15 | |
Christina, meanwhile, has spotted something a tad less off-the-wall. | 0:21:15 | 0:21:19 | |
Made in the People's Republic of China. | 0:21:19 | 0:21:22 | |
-Ah. -When does that date it to? Not very old. -1948. | 0:21:22 | 0:21:25 | |
-Obvs! -What's your thoughts? -I like it. -You like it? -I like it. | 0:21:25 | 0:21:28 | |
-Yes. -Framed Chinese watercolour. £55, it's got on it. | 0:21:28 | 0:21:31 | |
-What's your thoughts about your...? -Oven? -Oven. Cooker. -Oh, the cooker. | 0:21:31 | 0:21:36 | |
-Let's go for the oven! -Well, let's see what... | 0:21:36 | 0:21:39 | |
Calm down. Calm down, Barry. | 0:21:39 | 0:21:41 | |
Sage advice. How would Socrates play it then? | 0:21:41 | 0:21:44 | |
Let's see what they can do price wise on them. You grab that. | 0:21:44 | 0:21:47 | |
-I'll grab this. -OK. -And let's go and see. | 0:21:47 | 0:21:49 | |
There are a couple of things we potentially might be interested in. | 0:21:49 | 0:21:53 | |
-Ah, Chinese reverse painting. -Yeah, little Chinese painting there. | 0:21:53 | 0:21:57 | |
-And... -And a wonderful copper oven. | 0:21:57 | 0:21:59 | |
-A not-so-wonderful copper oven. -Oh, sorry. A terrible copper oven. | 0:21:59 | 0:22:03 | |
You'd be glad to have somebody take it off your hands. | 0:22:03 | 0:22:05 | |
Better, Barry. | 0:22:05 | 0:22:07 | |
-I would have to telephone those dealers. -All right. | 0:22:07 | 0:22:10 | |
But what are you offering? | 0:22:10 | 0:22:12 | |
Well, as little as possible, really, to be perfectly honest. | 0:22:12 | 0:22:15 | |
-I think maybe 25? 30? -£25, £30, see what the dealer thinks about that. | 0:22:15 | 0:22:19 | |
And maybe the same-ish on that. Do your best for us, darling. | 0:22:19 | 0:22:22 | |
Do your best. | 0:22:22 | 0:22:23 | |
All right? No pressure. | 0:22:23 | 0:22:25 | |
It's 45. They're offering 25. | 0:22:25 | 0:22:28 | |
Normally, we go for 10%. but you're the dealer. It's your choice. | 0:22:28 | 0:22:35 | |
-25 does seem a little bit cheap to me. -Cheers, Steve(!) | 0:22:35 | 0:22:39 | |
35. That's it. | 0:22:39 | 0:22:41 | |
-Can I have a chat with Jane? -You can, I'll just pass you over. | 0:22:41 | 0:22:44 | |
Hi, Jane. How are you? It's Christina here. | 0:22:44 | 0:22:47 | |
It's certainly interesting, yes. | 0:22:47 | 0:22:49 | |
But I think £30 really would be our maximum on it. | 0:22:49 | 0:22:53 | |
Would that be all right? | 0:22:53 | 0:22:54 | |
Splendid. Thank you so much. Brilliant. | 0:22:54 | 0:22:57 | |
You've been really, really kind. | 0:22:57 | 0:22:59 | |
Thank you, Jane. | 0:22:59 | 0:23:00 | |
-I appreciate that. -All right, take care now. Bye. | 0:23:00 | 0:23:03 | |
Jane's a legend. So, Jane says potentially £30 on that. | 0:23:03 | 0:23:05 | |
So, what's your thoughts about that now? | 0:23:05 | 0:23:08 | |
-I want to go with this. -Yeah? -Yes, let's go with this. -So, forget that completely... | 0:23:08 | 0:23:12 | |
Jane has been so accommodating, let's go with this. | 0:23:12 | 0:23:14 | |
-£30 on your oven. -Yes. -It's a deal. There we go. | 0:23:14 | 0:23:16 | |
-£30, there we go. Thank you so much for all your help. -Thank you for your help. -You're a star. | 0:23:16 | 0:23:20 | |
Barry's choice and Christina's charm, not bad. | 0:23:20 | 0:23:24 | |
Nice to see you. | 0:23:24 | 0:23:25 | |
Bye-bye. | 0:23:25 | 0:23:27 | |
I've never seen you so happy. | 0:23:27 | 0:23:28 | |
THEY LAUGH | 0:23:28 | 0:23:30 | |
Now, everyone, back in the Morris, who fancies a quiz? | 0:23:30 | 0:23:34 | |
Nighty-night. | 0:23:34 | 0:23:36 | |
-Another day, another car. -Oh, look! | 0:23:38 | 0:23:41 | |
What a delightful car. This reminds me of you, Lisa. | 0:23:41 | 0:23:45 | |
It's cute, it's well designed and it's got a very bright interior. | 0:23:45 | 0:23:48 | |
Well said! Let's just hope this one's up to it. | 0:23:48 | 0:23:51 | |
-Who is driving? Why am I even asking who's driving? -It can only be you. | 0:23:51 | 0:23:55 | |
Yes, exactly. Get in the passenger seat. | 0:23:55 | 0:23:58 | |
I will indeed. | 0:23:58 | 0:24:00 | |
Lisa, Barry and their original Fiat Cinquecento are off to meet Paul | 0:24:00 | 0:24:05 | |
and Christina in Liverpool. | 0:24:05 | 0:24:06 | |
My boss is a Scouser. He's also your biggest fan. | 0:24:06 | 0:24:09 | |
-Oh, how wonderful! -I know. There's no accounting for taste. | 0:24:09 | 0:24:12 | |
Have I had your best fact about Liverpool yet, Barry? | 0:24:12 | 0:24:14 | |
-Have you got a really brilliant fact? -Oh, gosh. | 0:24:14 | 0:24:17 | |
I do believe they have a football team of some note. | 0:24:17 | 0:24:20 | |
I think they might even have two. | 0:24:20 | 0:24:22 | |
Well said, Lisa. Now, what about our pair of experts? | 0:24:22 | 0:24:25 | |
-How are they coping with all that brain power? -They're the same as us. | 0:24:25 | 0:24:30 | |
They're not the same as me. They are very clever people! | 0:24:30 | 0:24:34 | |
-What's Barry like? -The man is an absolute delight. | 0:24:34 | 0:24:37 | |
-He doesn't sort of intimidate you with his cleverness. -Fight! | 0:24:37 | 0:24:41 | |
Yesterday, our teams adopted very different strategies, | 0:24:41 | 0:24:46 | |
with Lisa and Paul splashing out £200 on a dressing table mirror | 0:24:46 | 0:24:51 | |
and a Royal Dux maiden figurine. | 0:24:51 | 0:24:53 | |
Arguably, she's sexy. | 0:24:53 | 0:24:55 | |
If you like that sort of thing. | 0:24:55 | 0:24:58 | |
Whilst Barry and Christina parted with a mere £80 for a sugar sifter, | 0:24:58 | 0:25:03 | |
a fruit knife, a copper oven and a vesta case. | 0:25:03 | 0:25:06 | |
Beautiful worked elephant. | 0:25:06 | 0:25:07 | |
Good spot, Barry! Well done! | 0:25:07 | 0:25:09 | |
So he has this really interesting mnemonic. | 0:25:09 | 0:25:13 | |
He's got a bad, chesty cough? | 0:25:13 | 0:25:15 | |
Oh, that's pneumonia, sorry. | 0:25:15 | 0:25:17 | |
-His mnemonic is RADAR. -OK. | 0:25:17 | 0:25:19 | |
-Which... I can't really remember it. -RADAR. | 0:25:19 | 0:25:22 | |
But everything we've bought so far has scored above a four out of five. | 0:25:22 | 0:25:26 | |
-RADAR is an acronym, isn't it? -Barry called it a mnemonic. | 0:25:26 | 0:25:29 | |
-And he would know. -It's a mnemonic. | 0:25:29 | 0:25:31 | |
Later, they'll all be making for a South Yorkshire auction at Thurcroft, | 0:25:31 | 0:25:37 | |
but our next stop | 0:25:37 | 0:25:38 | |
is over the water in Liverpool. | 0:25:38 | 0:25:40 | |
-Oh, my goodness. Good morning! -Oh, hello! How are you? | 0:25:40 | 0:25:44 | |
We're stripes today, aren't we? | 0:25:44 | 0:25:47 | |
-Check it out. -Look at this! -Isn't this beautiful? | 0:25:47 | 0:25:51 | |
Well, I think this could be huge entertainment value watching | 0:25:51 | 0:25:54 | |
you get in, so let's stand back, Barry, and watch Paul get in. | 0:25:54 | 0:25:57 | |
-THEY LAUGH -Oh, yes! | 0:25:57 | 0:25:59 | |
-Who's driving? -I got it here in one piece. You take over. | 0:25:59 | 0:26:02 | |
Go on, give it your best shot. | 0:26:02 | 0:26:04 | |
At finishing school, they showed me how to do this with some style. | 0:26:04 | 0:26:07 | |
Are you going to do it? | 0:26:07 | 0:26:09 | |
Do you want me to open the roof? | 0:26:09 | 0:26:10 | |
Oh! | 0:26:10 | 0:26:12 | |
What?! Why is it moving backwards? | 0:26:12 | 0:26:15 | |
Well, it sounds well. | 0:26:15 | 0:26:16 | |
Whoa! | 0:26:16 | 0:26:18 | |
So long, suckers! | 0:26:18 | 0:26:20 | |
So, while Barry and Christina take a stroll by the Mersey, | 0:26:23 | 0:26:26 | |
Lisa and Paul are getting to know their Fiat, which, | 0:26:26 | 0:26:30 | |
I think you'll find, stands for Fabrica Italiana Automobili Torino. | 0:26:30 | 0:26:36 | |
-So, is Barry one of the ones to beat in this game? -Yes, absolutely. | 0:26:36 | 0:26:41 | |
Barry is one of the titans of the quizzing world. | 0:26:41 | 0:26:45 | |
-You will find him at the top of the game. -All right. | 0:26:45 | 0:26:48 | |
Am I right in thinking it's very black and white, quizzing? You either know or you don't. | 0:26:48 | 0:26:53 | |
There are actually slightly more shades of grey than that | 0:26:53 | 0:26:56 | |
because the more you know, the more educated a guess you can make. | 0:26:56 | 0:26:59 | |
-I see, yeah. -What do you reckon? | 0:26:59 | 0:27:02 | |
Bargains within? | 0:27:02 | 0:27:03 | |
-A hole in the wall. -It's like a cave, isn't it? | 0:27:03 | 0:27:06 | |
It is called Tunnel Antiques. | 0:27:06 | 0:27:07 | |
How are you doing? Are you the bouncer or are you the man? | 0:27:07 | 0:27:11 | |
-I'm Paul, I'm the owner. -Paul, another one. | 0:27:11 | 0:27:13 | |
Hi, I'm Lisa. Nice to meet you. | 0:27:13 | 0:27:15 | |
-Cavernous is the word. -We're all underground. We've got lots of it. | 0:27:15 | 0:27:19 | |
You certainly have. | 0:27:19 | 0:27:20 | |
Leave a trail of breadcrumbs, you two, whatever you do. | 0:27:20 | 0:27:24 | |
I mean, this place is either an Aladdin's cave or | 0:27:24 | 0:27:28 | |
the stuff of nightmares, depending on your point of view. | 0:27:28 | 0:27:31 | |
Certainly a test for our Paul's compulsive tendencies. | 0:27:31 | 0:27:35 | |
Perhaps Lisa will see the bigger picture. | 0:27:35 | 0:27:37 | |
Where else can you go and find Zippy living with polar bears? | 0:27:37 | 0:27:40 | |
That's the attitude, girl! | 0:27:40 | 0:27:42 | |
I always shop this way. Don't know what it is, but I want to see it. | 0:27:42 | 0:27:46 | |
Well, I just hope she does, then. | 0:27:46 | 0:27:48 | |
Yesterday, we fell on those pieces. Found a couple of gems. | 0:27:48 | 0:27:53 | |
But they were spoon fed. | 0:27:53 | 0:27:55 | |
I'd like to see what she comes up with. | 0:27:55 | 0:27:57 | |
-And in a place like this, it could be anything. -Argh! | 0:27:57 | 0:28:01 | |
I'm guessing an R on its own doesn't really say a lot. | 0:28:01 | 0:28:04 | |
Unless you're a pirate. | 0:28:04 | 0:28:05 | |
Quite. Now, what's she seen? | 0:28:05 | 0:28:08 | |
Some sort of specimen-carrying bag or such. | 0:28:08 | 0:28:12 | |
But you see, actually, | 0:28:12 | 0:28:14 | |
such bags are quite fashionable. | 0:28:14 | 0:28:16 | |
Now, here is Lisa's quick guide to buying a handbag. | 0:28:16 | 0:28:19 | |
Always make sure you have a variety of carrying options. | 0:28:19 | 0:28:23 | |
Strap, handles. | 0:28:23 | 0:28:24 | |
Look for something in a nice neutral colour, goes with everything. | 0:28:24 | 0:28:27 | |
Needs lots and lots of space because you know the gag about women's | 0:28:27 | 0:28:30 | |
bags being the repositories of everything but the kitchen sink. | 0:28:30 | 0:28:33 | |
It's basically true. | 0:28:33 | 0:28:34 | |
But if you can get the kitchen sink in as well, that's a good thing. | 0:28:34 | 0:28:37 | |
And additional pocketing for those small items like pens and stuff that | 0:28:37 | 0:28:41 | |
are always at the bottom of the bag when you want to find something. | 0:28:41 | 0:28:45 | |
-There you go. -Time to sell it to Paul. | 0:28:45 | 0:28:48 | |
Oh, hello. | 0:28:48 | 0:28:49 | |
-How is it going? -I thought I wasn't going to find you again. | 0:28:49 | 0:28:53 | |
I was looking at this fella. | 0:28:53 | 0:28:54 | |
Quite a nice size bag for all sorts of things. | 0:28:54 | 0:28:58 | |
-Camera bag. -It is... How did I not spot that? | 0:28:58 | 0:29:02 | |
How did I not spot that? | 0:29:02 | 0:29:04 | |
You wouldn't have to use it as a camera bag is the thing. There's... | 0:29:04 | 0:29:07 | |
It's got a lot of uses. Actually, satchel | 0:29:07 | 0:29:09 | |
and box bags like that are coming back into general fashion. | 0:29:09 | 0:29:13 | |
-Mm-hm. -It's nice to have the pocket and everything. It is leather. | 0:29:13 | 0:29:16 | |
There's appeal to that for more than camera enthusiasts, I reckon. | 0:29:16 | 0:29:21 | |
So that was my thinking. | 0:29:21 | 0:29:23 | |
See this? | 0:29:24 | 0:29:26 | |
-Stony ground. -I know. | 0:29:26 | 0:29:29 | |
I get everything that you say. | 0:29:29 | 0:29:30 | |
But to get a result on that, we need you selling it | 0:29:30 | 0:29:35 | |
and that we're not going to have. | 0:29:35 | 0:29:37 | |
It's going to go into a smart auction, | 0:29:37 | 0:29:39 | |
auctioneer's going to go - old camera bag, | 0:29:39 | 0:29:42 | |
vintage camera bag, if he's upselling it, and we're doomed. | 0:29:42 | 0:29:46 | |
Yeah. | 0:29:46 | 0:29:47 | |
But that works if it costs you next to nicht. | 0:29:47 | 0:29:52 | |
-Yes. -Now, for the other Paul. | 0:29:52 | 0:29:55 | |
-Hiya. -Hiya. -Just been having a little chat with my man about this. | 0:29:55 | 0:29:59 | |
-We're having a special sale today. -Right. -That can be £30. | 0:29:59 | 0:30:03 | |
You see, I don't know | 0:30:03 | 0:30:05 | |
if that special sale is quite special enough. | 0:30:05 | 0:30:07 | |
I was thinking more in the ballpark of like £15. | 0:30:07 | 0:30:11 | |
I couldn't do it for that. I tell you what I'll do for you, £25. | 0:30:11 | 0:30:15 | |
It's a lovely handbag. | 0:30:15 | 0:30:16 | |
20 quid. | 0:30:16 | 0:30:18 | |
Go on, that's all right. | 0:30:18 | 0:30:20 | |
That is genius, thank you so much, my friend. | 0:30:20 | 0:30:22 | |
Yeah, I'm not sure Paul would define £20 as "next to nicht". | 0:30:22 | 0:30:26 | |
What's the craic? | 0:30:26 | 0:30:28 | |
We have got ourselves a splendid multipurpose camera bag for 20 quid. | 0:30:28 | 0:30:32 | |
-We've got?! We've bought?! -It's paid for. | 0:30:32 | 0:30:34 | |
-It's paid for?! -Yeah. -THEY LAUGH | 0:30:34 | 0:30:37 | |
You said you could shop. You were off! I turned my back for a minute! | 0:30:37 | 0:30:42 | |
Get used to it, Paul, because the deal is done. | 0:30:42 | 0:30:45 | |
-We'd better pray for some hipsters out there. -Yeah. | 0:30:45 | 0:30:48 | |
I'm sure Thurcroft will be thick with them. | 0:30:48 | 0:30:51 | |
Meanwhile, back at the river, | 0:30:51 | 0:30:54 | |
Barry and Christina are down by the city's historic | 0:30:54 | 0:30:57 | |
Albert Dock to find out how modern art was used to save lives at sea. | 0:30:57 | 0:31:02 | |
-Meeting them is senior curator Rosie Cooper. -Hello, you must be Rosie. Hi. | 0:31:02 | 0:31:08 | |
-Lovely to meet you. -Nice to meet you. -Welcome to the museum. | 0:31:08 | 0:31:12 | |
-Thank you. -Shall we go inside? -Of course. -Perfect. | 0:31:12 | 0:31:14 | |
The museum has recently commissioned an artist to design a paint scheme | 0:31:14 | 0:31:19 | |
for this 1950s Mersey pilot cutter, | 0:31:19 | 0:31:23 | |
In tribute to the way that thousands of ships were spectacularly | 0:31:23 | 0:31:27 | |
transformed during World War I, | 0:31:27 | 0:31:29 | |
with something called "dazzle camouflage". | 0:31:29 | 0:31:32 | |
At that time, record numbers of naval vessels | 0:31:32 | 0:31:35 | |
-were being sunk by German U-boats... -Yes. | 0:31:35 | 0:31:38 | |
..around the coast of Britain, so a solution to this | 0:31:38 | 0:31:41 | |
really, really needed to be found. | 0:31:41 | 0:31:43 | |
Their unlikely would-be saviour was Norman Wilkinson, | 0:31:43 | 0:31:46 | |
a British marine artist, who decided that, | 0:31:46 | 0:31:49 | |
rather than attempt the impossible and hide each ship | 0:31:49 | 0:31:52 | |
from an enemy submarine, it would be better to boggle the brain | 0:31:52 | 0:31:56 | |
of the man at the periscope instead. | 0:31:56 | 0:31:58 | |
He came up with this idea, which was...a lot of which was | 0:31:58 | 0:32:01 | |
based around the Vorticist art movement. | 0:32:01 | 0:32:04 | |
And they were experimenting with bold, graphic shapes and colours | 0:32:04 | 0:32:08 | |
that would confuse the eye of the viewer, | 0:32:08 | 0:32:10 | |
making it hard to know exactly what you were looking at. | 0:32:10 | 0:32:14 | |
So Wilkinson realised that this optical effect might actually be | 0:32:14 | 0:32:18 | |
incredibly useful, if you painted it on the surface of the ship. | 0:32:18 | 0:32:23 | |
So, through this optical illusion, | 0:32:23 | 0:32:26 | |
the enemy U-boats would really find it very difficult | 0:32:26 | 0:32:28 | |
to realise the target, speed, range and direction of the vessel. | 0:32:28 | 0:32:33 | |
In those days, they used a rangefinder, | 0:32:33 | 0:32:35 | |
called a coincidence rangefinder. | 0:32:35 | 0:32:37 | |
That took half images of the ship, which you had to merge together. | 0:32:37 | 0:32:41 | |
Well, that was fine if it was painted all grey, but if they were | 0:32:41 | 0:32:43 | |
painted all these obscure colours and different shapes, | 0:32:43 | 0:32:46 | |
you didn't know which bit of the ship fitted to which other bit | 0:32:46 | 0:32:48 | |
of the ship. So how did you know where to find the torpedo? | 0:32:48 | 0:32:51 | |
Like Barry says. And so desperate was the situation, | 0:32:51 | 0:32:54 | |
that even those at the Admiralty, | 0:32:54 | 0:32:55 | |
who might have preferred their ships grey, | 0:32:55 | 0:32:58 | |
agreed to the transformation of almost 4,000 vessels. | 0:32:58 | 0:33:02 | |
-Oh, wow! -Aren't they beautiful? -They are stunning. -They're amazing. | 0:33:02 | 0:33:05 | |
-Look at that one! -Yeah. -It looks like a zebra. | 0:33:05 | 0:33:08 | |
Was that in black and white? | 0:33:08 | 0:33:09 | |
I think this one probably would have been black and white, | 0:33:09 | 0:33:11 | |
but contemporary paintings and accounts at the time | 0:33:11 | 0:33:14 | |
make it very clear that, actually, colour was used quite a lot | 0:33:14 | 0:33:19 | |
in dazzle camouflage. | 0:33:19 | 0:33:20 | |
And this one. I'm only a few feet away from this picture, but even | 0:33:20 | 0:33:23 | |
I'm having trouble determining where the start of the ship is. | 0:33:23 | 0:33:26 | |
-And the bow, because of the striking shapes that they've used. -Mm. | 0:33:26 | 0:33:30 | |
Each artist's individual design was tested on a periscope in the studio | 0:33:30 | 0:33:35 | |
before it progressed to the real thing. | 0:33:35 | 0:33:37 | |
Soon other navies adopted the idea | 0:33:37 | 0:33:40 | |
and, in America, they dubbed it "razzle-dazzle". | 0:33:40 | 0:33:43 | |
But did it work? | 0:33:43 | 0:33:45 | |
Whilst it actually can't be proved that dazzle technology | 0:33:45 | 0:33:48 | |
-was really effective in preventing U-boat targets... -Mm-hm. | 0:33:48 | 0:33:52 | |
...the number of ships that were hit | 0:33:52 | 0:33:55 | |
did actually go down after the implementation of dazzle. | 0:33:55 | 0:33:58 | |
But there are so many variables that it is hard to tell. | 0:33:58 | 0:34:00 | |
But it is remarkable that a lot of people who were working on board | 0:34:00 | 0:34:04 | |
-the dazzled ships felt a great upsurge in morale. -Oh, important. | 0:34:04 | 0:34:08 | |
-And a lot of people were reported feeling safer. -Mm. | 0:34:08 | 0:34:10 | |
Even if it's not that clear whether they were or not. | 0:34:10 | 0:34:13 | |
I'm not surprised, they look so fab, don't they? | 0:34:13 | 0:34:15 | |
I mean, it certainly does raise a smile on your face, | 0:34:15 | 0:34:17 | |
looking at quite a jazzy ship. | 0:34:17 | 0:34:19 | |
I think so, yeah, definitely. | 0:34:19 | 0:34:21 | |
-Going to sea in a Cubist painting. -Yes, exactly. -Yeah, exactly. | 0:34:21 | 0:34:23 | |
Quite. And Picasso even claimed that the Cubists invented it. | 0:34:23 | 0:34:28 | |
Even though the advent of radar meant | 0:34:28 | 0:34:30 | |
that, in an avant-garde Navy, it was no longer much use, | 0:34:30 | 0:34:33 | |
the dazzle ships have continued to inspire artists, | 0:34:33 | 0:34:36 | |
like Carlos Cruz-Diez. | 0:34:36 | 0:34:38 | |
-It's phenomenal. -Oh, wow. -Isn't it amazing? -Yeah. | 0:34:38 | 0:34:40 | |
-How unusual! -I'm going to need dark glasses to look at that. | 0:34:40 | 0:34:43 | |
-I know what you mean! Exactly. -LAUGHTER | 0:34:43 | 0:34:44 | |
It's really very dazzling indeed. | 0:34:44 | 0:34:46 | |
Carlos Cruz-Diez has been, for many years now, | 0:34:46 | 0:34:49 | |
experimenting with the effects of colour on the eye, | 0:34:49 | 0:34:52 | |
so, of course, we felt that he was absolutely the right artist | 0:34:52 | 0:34:55 | |
-to bring... -Mm, very appropriate. -..to this commission. | 0:34:55 | 0:34:58 | |
-Eat your heart out, Banksy. -Yeah! | 0:34:58 | 0:35:01 | |
And, when your periscope recovers from the Edmund Gardner, | 0:35:01 | 0:35:04 | |
there's always Tobias Rehberger's transformation | 0:35:04 | 0:35:08 | |
of the HMS President in London. | 0:35:08 | 0:35:10 | |
Or Sir Peter Blake's dazzling redesign | 0:35:10 | 0:35:12 | |
of a humble Mersey ferry to feast upon. | 0:35:12 | 0:35:15 | |
Well, you've opened our eyes in every way conceivable. | 0:35:15 | 0:35:18 | |
LAUGHTER | 0:35:18 | 0:35:19 | |
Thank you so much for showing us. It's been an absolute delight. | 0:35:19 | 0:35:22 | |
-You're very welcome. -It has. You've been very informative. | 0:35:22 | 0:35:24 | |
-I've really enjoyed talking to you. -Yeah. | 0:35:24 | 0:35:26 | |
-Do you think you've got some new quiz questions? -Oh, definitely. | 0:35:26 | 0:35:29 | |
-Or answers there? -I've got some... | 0:35:29 | 0:35:31 | |
-I've got a lot of new facts, I know that. -LAUGHTER | 0:35:31 | 0:35:34 | |
I think Barry's a bit of a dazzler himself, in that pullover. | 0:35:34 | 0:35:37 | |
ITALIAN MUSIC | 0:35:40 | 0:35:41 | |
Now, dove e Paul, Lisa | 0:35:41 | 0:35:44 | |
and their alto piccolo? | 0:35:44 | 0:35:46 | |
Somewhere in the wilds of Lancashire. | 0:35:46 | 0:35:49 | |
Find me, off the top of your head, | 0:35:49 | 0:35:51 | |
a random fact that you know I'm going to go, "No!" | 0:35:51 | 0:35:54 | |
The Tyrannosaurus rex actually lived closer to the time of humans | 0:35:54 | 0:35:59 | |
than it did to the time of the stegosaurus. | 0:35:59 | 0:36:02 | |
Oh, man! | 0:36:02 | 0:36:04 | |
They'll be quizzing all the way to the village of Eccleston, | 0:36:04 | 0:36:08 | |
based in yet another former mill. | 0:36:08 | 0:36:10 | |
Inside, it shows it, too. | 0:36:10 | 0:36:12 | |
This place is huge! | 0:36:12 | 0:36:14 | |
I think Lisa is feeling overwhelmed. | 0:36:14 | 0:36:17 | |
-WHISPERING: -It's like an aircraft hangar in this place. | 0:36:17 | 0:36:20 | |
And there's all and sundry. | 0:36:20 | 0:36:22 | |
Vintage, retro, | 0:36:22 | 0:36:23 | |
antique, fine, bric-a-brac. | 0:36:23 | 0:36:26 | |
Everything in between. | 0:36:26 | 0:36:28 | |
Lisa, brain the size of a planet, | 0:36:28 | 0:36:30 | |
crammed full of facts, but... | 0:36:30 | 0:36:34 | |
maybe not...maybe not helping her here. | 0:36:34 | 0:36:36 | |
Well, good taste goes a long way. | 0:36:36 | 0:36:39 | |
Ah, apparently, this is an ornament. | 0:36:39 | 0:36:42 | |
An ornament to what, I'm not entirely sure. | 0:36:42 | 0:36:45 | |
It's like half a hedgehog. | 0:36:45 | 0:36:48 | |
Eugh. | 0:36:48 | 0:36:49 | |
And just to make things a bit more interesting... | 0:36:49 | 0:36:52 | |
look who's turned up. | 0:36:52 | 0:36:53 | |
-In we go. -Let's go. -After you. | 0:36:53 | 0:36:55 | |
Ooh, thank you, my darling. Right! | 0:36:55 | 0:36:58 | |
At least they won't be treading on each other's toes. | 0:36:58 | 0:37:01 | |
-We must find something here. -Absolutely. No, it's huge! | 0:37:01 | 0:37:04 | |
That's just what the others said. | 0:37:04 | 0:37:06 | |
Wow, I've just seen a ship in a bottle. | 0:37:06 | 0:37:08 | |
They didn't say that, though. | 0:37:08 | 0:37:09 | |
-HE READS: -"Made by a German prisoner of war". -Oh, yeah. | 0:37:09 | 0:37:12 | |
A ship in a coffee bottle. | 0:37:12 | 0:37:13 | |
Oh, there's even a picture of the group of prisoners there. | 0:37:13 | 0:37:16 | |
-Oh, yeah. -They worked in road building. -Second World War years. | 0:37:16 | 0:37:19 | |
Oh, that's fantastic. | 0:37:19 | 0:37:21 | |
Bit pricey, mind. | 0:37:21 | 0:37:22 | |
More than you've splashed out so far. | 0:37:22 | 0:37:25 | |
-Lisa? -Hello! | 0:37:25 | 0:37:27 | |
-Do you like a cup of tea? -I do. | 0:37:27 | 0:37:29 | |
Let me show you something. | 0:37:29 | 0:37:31 | |
What do you make of that? | 0:37:31 | 0:37:33 | |
I really like it, actually. | 0:37:33 | 0:37:36 | |
This is a great reaction. I love this! | 0:37:36 | 0:37:38 | |
-Picquot ware. -Uh-huh. -Not rare. -No. | 0:37:38 | 0:37:41 | |
But once seen, never forgotten and highly regarded. | 0:37:41 | 0:37:44 | |
Apparently - and I don't drink tea - | 0:37:44 | 0:37:45 | |
but, apparently, it makes a cracking brew. | 0:37:45 | 0:37:49 | |
Those were manufactured by a Northampton vacuum cleaner company, | 0:37:49 | 0:37:53 | |
looking for other uses for its cast aluminium expertise, | 0:37:53 | 0:37:57 | |
with added magnesium to give it that silvery look. | 0:37:57 | 0:38:00 | |
-What you've got there... -Yep. | 0:38:00 | 0:38:02 | |
-..is a usable - box ticked... -Always important. | 0:38:02 | 0:38:05 | |
..design classic. | 0:38:05 | 0:38:08 | |
-Teapot, milk or cream. -Yep. | 0:38:08 | 0:38:10 | |
And sugar. Now, what do you think I'm going to ask you for that? | 0:38:12 | 0:38:15 | |
I would have thought, you know, 25 quid at least for these. | 0:38:15 | 0:38:18 | |
£16! | 0:38:20 | 0:38:22 | |
-Crazy money, isn't it? -Sold, kid. | 0:38:22 | 0:38:24 | |
It's not exciting. | 0:38:24 | 0:38:25 | |
-Now, we were talking yesterday morning. -Mm. | 0:38:25 | 0:38:28 | |
It seems like an eternity ago. | 0:38:28 | 0:38:30 | |
Pre-bag. | 0:38:30 | 0:38:31 | |
HE MIMICS COUGHING | 0:38:31 | 0:38:33 | |
I'm joking, I'm joking! | 0:38:33 | 0:38:34 | |
Leave it, Paul. | 0:38:34 | 0:38:35 | |
Meaty purchases, big spends | 0:38:35 | 0:38:38 | |
-versus safe. -Yes. | 0:38:38 | 0:38:41 | |
This is safe. It's not...it's not necessarily as exciting | 0:38:41 | 0:38:45 | |
as a fabulous Victorian rosewood dressing mirror, | 0:38:45 | 0:38:49 | |
with a landed provenance... | 0:38:49 | 0:38:51 | |
-But we've got one of those already. -You're so right! | 0:38:51 | 0:38:55 | |
That's better. Definitely on the shortlist. | 0:38:55 | 0:38:58 | |
Barry's got his eye on something, too. | 0:38:58 | 0:39:00 | |
Is that a little swagger stick? | 0:39:00 | 0:39:02 | |
It certainly is, yeah. | 0:39:03 | 0:39:05 | |
Well, I'm sure Raven can give us a closer look. | 0:39:05 | 0:39:09 | |
-There you go. -Ah, well done. Like it, like it. | 0:39:09 | 0:39:11 | |
So, Barry, that was your swagger stick | 0:39:11 | 0:39:14 | |
-that you're potentially interested in there. -Oh, yes. Yes. | 0:39:14 | 0:39:17 | |
Plus, something on the bottom shelf. | 0:39:17 | 0:39:19 | |
Oh, my good Lord! | 0:39:19 | 0:39:20 | |
-SHE WHISPERS: -I think that's... -Oh, my goodness. | 0:39:20 | 0:39:22 | |
What on earth is this? | 0:39:22 | 0:39:23 | |
It's a World War II Alvaro Anson aircraft propeller boss. | 0:39:23 | 0:39:27 | |
Early twin blade type. | 0:39:27 | 0:39:29 | |
HE CHUCKLES | 0:39:29 | 0:39:30 | |
If you wanted a military item... | 0:39:30 | 0:39:32 | |
-I wasn't thinking of something like that. -I'll put it on the glass top, | 0:39:32 | 0:39:35 | |
cos it is incredibly heavy. Feel the weight of that! | 0:39:35 | 0:39:37 | |
-Wow. Ooh, wow. It is heavy. -Yeah, very, very heavy. | 0:39:37 | 0:39:40 | |
Do you not like that? I think that's really cool! | 0:39:40 | 0:39:42 | |
No? | 0:39:42 | 0:39:43 | |
N... No, it doesn't... | 0:39:43 | 0:39:45 | |
-It's not floating your boat? -It doesn't, I'm afraid. -Oh! -Sorry. | 0:39:45 | 0:39:48 | |
Worth a try. Back to the stick. | 0:39:48 | 0:39:50 | |
I think it's a lovely little item. | 0:39:50 | 0:39:52 | |
It's got quite a lot of use, hasn't it? | 0:39:52 | 0:39:54 | |
-It certainly has a lot of use. -Yeah. | 0:39:54 | 0:39:55 | |
It must have swaggered quite extensively. | 0:39:55 | 0:39:57 | |
-Go on, swagger for us, Barry. -Oh! -HE SIGHS | 0:39:57 | 0:39:59 | |
-I already feel three inches taller. -LAUGHTER | 0:39:59 | 0:40:01 | |
Ooh, Lordy. | 0:40:01 | 0:40:03 | |
Is this silver? Let's have a little look. | 0:40:03 | 0:40:06 | |
There is no hallmark on there. | 0:40:06 | 0:40:07 | |
It's got that sort of pewtery look to it, | 0:40:07 | 0:40:09 | |
so it probably is silver plate. | 0:40:09 | 0:40:11 | |
What have we got on it? £35. | 0:40:11 | 0:40:14 | |
What are we like on prices, Raven? | 0:40:14 | 0:40:15 | |
We can do 10% straightaway on that price. | 0:40:15 | 0:40:18 | |
-Can I just have a little wander further? -Yeah, of course. Yeah. | 0:40:18 | 0:40:21 | |
Did you want to wonder and swagger? | 0:40:21 | 0:40:24 | |
Ooh, that would be wonderful. | 0:40:24 | 0:40:25 | |
LAUGHTER | 0:40:25 | 0:40:26 | |
-Now you're talking! -Just thinking. | 0:40:26 | 0:40:28 | |
I think he's keen. | 0:40:28 | 0:40:30 | |
You're looking terribly dapper with your swagger stick. | 0:40:30 | 0:40:33 | |
Thank you. | 0:40:33 | 0:40:34 | |
-Ooh. -Hey! -ALL TALK | 0:40:34 | 0:40:36 | |
Who's your friend with the swagger on? | 0:40:36 | 0:40:38 | |
LAUGHTER | 0:40:38 | 0:40:39 | |
Meet my little officer over here. | 0:40:39 | 0:40:41 | |
And what do you think of that, Paul? | 0:40:41 | 0:40:43 | |
LAUGHTER | 0:40:44 | 0:40:46 | |
Well, that's one way to shop, but Paul and Lisa | 0:40:46 | 0:40:48 | |
do need to find another item, preferably by legitimate means. | 0:40:48 | 0:40:53 | |
Is that perspiration? | 0:40:53 | 0:40:54 | |
Probably. Erm... | 0:40:54 | 0:40:57 | |
we are running out of time | 0:40:57 | 0:40:58 | |
and the close proximity of the relatively lax-looking opposition | 0:40:58 | 0:41:02 | |
isn't helping my blood pressure. | 0:41:02 | 0:41:05 | |
Especially as it looks like the test swagger went well. | 0:41:05 | 0:41:09 | |
Would you be open to offers on it? | 0:41:09 | 0:41:11 | |
OK, well, I have an offer at the moment of 15. | 0:41:11 | 0:41:15 | |
-Doesn't look likely. -Doesn't look like we'll get it. | 0:41:17 | 0:41:19 | |
Hold on a second. | 0:41:19 | 0:41:21 | |
The best he can do is 30. | 0:41:21 | 0:41:22 | |
-Can I chat to him? -Yeah. -Would you mind? | 0:41:22 | 0:41:24 | |
-What's his name? -Paul. | 0:41:24 | 0:41:26 | |
Hello, Paul, it's Christina Trevanion here. | 0:41:26 | 0:41:28 | |
What would be your absolute best on it, my darling? | 0:41:28 | 0:41:31 | |
28 is your absolute best? | 0:41:31 | 0:41:33 | |
OK, all right, well, we're really grateful. | 0:41:33 | 0:41:36 | |
Thank you so much. Bye-bye. | 0:41:36 | 0:41:37 | |
Thank you, Raven, you're a star. Right, so... | 0:41:37 | 0:41:40 | |
-That's a little more than we wanted to pay. -Yeah. It is the top end. | 0:41:40 | 0:41:43 | |
-Yes. -What's your thoughts, shall we go for it? -Let's go for it. | 0:41:43 | 0:41:46 | |
I've walked around all day, how can I not buy it? | 0:41:46 | 0:41:48 | |
-Brilliant, I think at £28 you've got a deal. -Wonderful. -Thank you. | 0:41:48 | 0:41:52 | |
-Thank you very much. -Thank you. | 0:41:52 | 0:41:54 | |
Barry and Christina's work here is done. | 0:41:54 | 0:41:57 | |
But their rivals are still after a final item. | 0:41:57 | 0:42:00 | |
There's one thing there. | 0:42:00 | 0:42:03 | |
An Art Deco Bakelite egg cup stand with | 0:42:03 | 0:42:08 | |
the four egg cups. Circa 1930s, | 0:42:08 | 0:42:12 | |
stylish thing, it is priced at £29. | 0:42:12 | 0:42:14 | |
If they can give you 10% off, it brings it down to £26. | 0:42:14 | 0:42:18 | |
-I say we panic buy. -HE LAUGHS | 0:42:18 | 0:42:21 | |
Sounds like they may be cutting their cloth a wee bit. | 0:42:21 | 0:42:24 | |
-I'll tell you what, how do you fancy boiled eggs with your cup of tea in the morning? -Always. | 0:42:24 | 0:42:29 | |
Raven will tell you that '40s revival's a big deal, isn't it? | 0:42:29 | 0:42:32 | |
-That is true. -It is a big thing at the moment. | 0:42:32 | 0:42:35 | |
-And that ticks the box, doesn't it? -It does, definitely. | 0:42:35 | 0:42:38 | |
-We don't know your policy on a wee bit of haggling. -OK. | 0:42:38 | 0:42:43 | |
That one doesn't need too much, to be honest with you - it's not expensive. | 0:42:43 | 0:42:46 | |
I'm happy to give you that. | 0:42:46 | 0:42:48 | |
-So, these little egg cups. -What do you think now in daylight? | 0:42:48 | 0:42:51 | |
They actually look better than they did from behind the glass, definitely. | 0:42:51 | 0:42:55 | |
She is coming round. | 0:42:55 | 0:42:56 | |
-Do you know what we can do on that? -I do know what he'll do on them. | 0:42:56 | 0:42:59 | |
-Instead of pricing them at 29... -Yeah. -He will go down to 19. | 0:42:59 | 0:43:03 | |
Ms Egghead, that is a no-brainer, as they say. We're in business. | 0:43:05 | 0:43:08 | |
-We're shaking hands, aren't we? -Definitely. | 0:43:08 | 0:43:10 | |
-We're happy to give you the money for that, fair discount on the other. -Yep. | 0:43:10 | 0:43:14 | |
They go well and we're delighted. | 0:43:14 | 0:43:15 | |
-I thank you, Raven. -Thank you very much. -Thank you so much. -Thank you. | 0:43:15 | 0:43:18 | |
Eggy soldiers and a cuppa for £35 in total, | 0:43:18 | 0:43:22 | |
and with our shopping complete, let's take a peek. | 0:43:22 | 0:43:25 | |
-CHRISTINA: -How did you get on? This looks very lumpy, doesn't it? My goodness. | 0:43:25 | 0:43:28 | |
-PAUL: -How are you feeling, Barry? -A bit nervous now, to be honest. | 0:43:28 | 0:43:31 | |
Looking at this I think you might have a Heath Robinson contraption underneath there. | 0:43:31 | 0:43:35 | |
-Shall we? -There we go. -PAUL: -There you go. | 0:43:35 | 0:43:38 | |
-CHRISTINA: -That is beautiful. | 0:43:38 | 0:43:40 | |
-PAUL: -Rosewood, Victorian. | 0:43:40 | 0:43:41 | |
But what seals it is inset silver monogram and ducal coronet. | 0:43:41 | 0:43:47 | |
It came from a landed household, and it's a joy. | 0:43:47 | 0:43:50 | |
This here, I believe, according to my learned friend, | 0:43:50 | 0:43:53 | |
is a piece of Royal Dux porcelain with a naked lady on it. | 0:43:53 | 0:43:58 | |
-LAUGHTER -Can't argue with that. | 0:43:58 | 0:44:00 | |
There's obviously a beautiful aesthetic going on there. | 0:44:00 | 0:44:02 | |
It actually is relatively practical, cos you could stash stuff | 0:44:02 | 0:44:05 | |
in the shell as well, which is what I liked about it. | 0:44:05 | 0:44:07 | |
What's that little thing at the front? | 0:44:07 | 0:44:10 | |
That is egg cuppery. For egg cups for the Egghead. | 0:44:10 | 0:44:13 | |
-Ah! -See what we did there? -Like it. | 0:44:13 | 0:44:15 | |
-Like it. Well done, you. -That is 1930s Bakelite. | 0:44:15 | 0:44:19 | |
-How am I doing? -You are on it! I'll go and sit down for a moment. | 0:44:19 | 0:44:24 | |
-CHRISTINA: -What is this? What's going on here? | 0:44:24 | 0:44:27 | |
-This was me going off on a giant tangent. -This is Prada! | 0:44:27 | 0:44:31 | |
Just because I love the bag. It is actually a camera bag | 0:44:31 | 0:44:34 | |
-and it's got the partitions inside to prove it. -Right. -But... | 0:44:34 | 0:44:37 | |
Did Paul advise you on that? | 0:44:37 | 0:44:40 | |
Only after I told him I'd paid for it. | 0:44:40 | 0:44:43 | |
Really? Wow. OK. | 0:44:43 | 0:44:46 | |
-CHRISTINA: -Want to see what we got? Ready? | 0:44:46 | 0:44:49 | |
-PAUL: -Can't wait. -Let's reveal all. | 0:44:49 | 0:44:51 | |
-There we go. -There we go. | 0:44:51 | 0:44:53 | |
-Do you bring magnifying glasses of your own? -LAUGHTER | 0:44:53 | 0:44:56 | |
-This is a matchbox holder. -Yeah. | 0:44:56 | 0:44:58 | |
-It has a beautiful bronze little elephant. -I see that, yeah. | 0:44:58 | 0:45:01 | |
-CHRISTINA: -Copper. Copper. | 0:45:01 | 0:45:02 | |
Copper, sorry. There's a little quotation from Kipling on the back | 0:45:02 | 0:45:06 | |
which might upset Lisa. | 0:45:06 | 0:45:08 | |
"A woman is only a woman, but a good cigar is a smoke." | 0:45:08 | 0:45:13 | |
A cigar will never belt you round the face for saying that, either! | 0:45:13 | 0:45:16 | |
I would just like to point out that the left-hand team's Egghead | 0:45:16 | 0:45:20 | |
remembered her script to perfection. | 0:45:20 | 0:45:22 | |
A little hiccup there with the bronze/copper issue. | 0:45:22 | 0:45:25 | |
-The fact that bronze and copper... -I think that is one-nil! | 0:45:25 | 0:45:27 | |
-PAUL: -We jest, Barry. We jest. | 0:45:27 | 0:45:29 | |
-CHRISTINA: -Come on, Barry - wow them. | 0:45:29 | 0:45:30 | |
-But we now have a lovely little penknife. -Er, fruit knife. | 0:45:30 | 0:45:33 | |
-PAUL: -Oh, two, two! -HE CLEARS THROAT | 0:45:33 | 0:45:36 | |
It has been a long day! | 0:45:36 | 0:45:39 | |
-Have you been listening to anything I've been telling you?! -LAUGHTER | 0:45:39 | 0:45:42 | |
-A lovely mother-of-pearl handle. -Well done. | 0:45:42 | 0:45:45 | |
-Which is in perfect condition. -Yeah. | 0:45:45 | 0:45:47 | |
-This is an oven. -An oven? | 0:45:47 | 0:45:49 | |
You put test tubes in there and heat things up. | 0:45:49 | 0:45:52 | |
It is made out of copper and it just is a most appealing shape. | 0:45:52 | 0:45:55 | |
-Is it copper or bronze? -This is definitely copper. -I'm sorry. | 0:45:55 | 0:45:59 | |
-You can go off people, you know. -LAUGHTER | 0:45:59 | 0:46:02 | |
Why the swagger stick, Barry? | 0:46:02 | 0:46:04 | |
-My father was a captain in the Royal Army Medical Corps... -Right. | 0:46:04 | 0:46:07 | |
And in one famous incident he was found | 0:46:07 | 0:46:10 | |
walking across the parade ground and the regimental RSM saw him, | 0:46:10 | 0:46:13 | |
and because he was such an unruly and unkempt soldier, | 0:46:13 | 0:46:16 | |
he gave him such a telling off, | 0:46:16 | 0:46:18 | |
and of course, then he saw the swagger stick, | 0:46:18 | 0:46:20 | |
and he saw he was an officer, | 0:46:20 | 0:46:21 | |
-and he ended this incredibly brutal telling off with the word, "Sir". -LAUGHTER | 0:46:21 | 0:46:25 | |
-So it just reminded me of that incident. -CHRISTINA: -Good luck. | 0:46:25 | 0:46:28 | |
-PAUL: -Well done. -Well done, Lisa. | 0:46:28 | 0:46:30 | |
-Well done. -Good luck. -Well done. | 0:46:30 | 0:46:32 | |
-Come on, let's slag them off. -LAUGHTER | 0:46:32 | 0:46:35 | |
Their items, they are big! One of them is rather ugly. | 0:46:35 | 0:46:38 | |
Oh, really? | 0:46:38 | 0:46:41 | |
-What did you think was ugly? -I think the naked lady. | 0:46:41 | 0:46:44 | |
-Oh, really? -I didn't like that at all. -Barry, really? -But I loved the mirror. | 0:46:44 | 0:46:48 | |
I actually was quite taken with some of them. | 0:46:48 | 0:46:50 | |
That little oven is actually pretty cool. | 0:46:50 | 0:46:52 | |
-They have spent a lot of money. -They have spent a lot. | 0:46:52 | 0:46:54 | |
They will have to work hard to get their money back. | 0:46:54 | 0:46:57 | |
They have clearly gone for spend small, hope to make a reasonable margin on it, | 0:46:57 | 0:47:01 | |
and that will be how you make your profit, which is fair enough. | 0:47:01 | 0:47:04 | |
It's a good tactic. | 0:47:04 | 0:47:06 | |
After setting off from Keighley, our celebrities and experts are now | 0:47:06 | 0:47:11 | |
heading for an auction | 0:47:11 | 0:47:12 | |
in South Yorkshire at Thurcroft. | 0:47:12 | 0:47:15 | |
Do you like my jacket, Lisa? | 0:47:15 | 0:47:17 | |
Seriously, Barry, where does one even buy a jacket like that, | 0:47:17 | 0:47:19 | |
and, more importantly, why? | 0:47:19 | 0:47:21 | |
My son got married a year ago and he wanted me | 0:47:21 | 0:47:23 | |
-to run a quiz the day before his wedding. -Right. | 0:47:23 | 0:47:25 | |
And he looked at my wardrobe and said, | 0:47:25 | 0:47:27 | |
"You can't wear anything of that, Dad, you're far too dowdy. | 0:47:27 | 0:47:30 | |
"I'll buy you a jacket." Took to it immediately! I rather liked it. | 0:47:30 | 0:47:34 | |
See, I bought my father a tie to wear to my wedding. | 0:47:34 | 0:47:36 | |
He wasn't impressed with that, but it didn't have sequins on it. | 0:47:36 | 0:47:41 | |
Well, watch out, auction - in what used to be the cinema. | 0:47:41 | 0:47:45 | |
-Wow! Look at you! -LAUGHTER | 0:47:45 | 0:47:48 | |
-You like? -I feel like I want to start dancing. Hello, darling. | 0:47:48 | 0:47:52 | |
-Right, come on, then, let's go! -Let's go. | 0:47:52 | 0:47:55 | |
I wonder what auctioneer Jody Beighton | 0:47:55 | 0:47:57 | |
makes of their little collection. | 0:47:57 | 0:47:58 | |
I think the rosewood mirror is probably the star of the lots that have been brought. | 0:47:58 | 0:48:02 | |
There has been quite a lot of interest in the viewing | 0:48:02 | 0:48:05 | |
and online as well. | 0:48:05 | 0:48:06 | |
So I expect that could bring us a surprise today. | 0:48:06 | 0:48:09 | |
The sugar caster, a nice pretty thing, nice and decorative. | 0:48:09 | 0:48:12 | |
I think it will sell but I don't think it will bring any great price today. | 0:48:12 | 0:48:16 | |
Lisa and Paul were our big spenders with £255 spent on five auction lots, | 0:48:16 | 0:48:22 | |
while Barry and Christina parted with a mere £108, | 0:48:22 | 0:48:27 | |
also on five auction lots. | 0:48:27 | 0:48:29 | |
Now, time for the main feature. | 0:48:29 | 0:48:31 | |
-Here we go, here we go, here we go. -Quite nervous. | 0:48:31 | 0:48:35 | |
First on screen is Lisa's controversial purchase. | 0:48:35 | 0:48:40 | |
-CHRISTINA: -Do we want to talk about this? | 0:48:40 | 0:48:42 | |
-PAUL: -Hermes. Was it Vuitton? | 0:48:42 | 0:48:44 | |
-Was that an early Mulberry, was it? -Canon, wasn't it? | 0:48:44 | 0:48:46 | |
You start me £10. 10 to start. £10 start. | 0:48:46 | 0:48:48 | |
-It's cleaned up all right. -5 if you wish. | 0:48:48 | 0:48:51 | |
5 bid. 6. 8, 10, 12. | 0:48:51 | 0:48:54 | |
-PAUL: -Come on, come on. | 0:48:54 | 0:48:55 | |
-CHRISTINA: -There we go. See? | 0:48:55 | 0:48:56 | |
14, 16, 18, 20. 2. 24. | 0:48:56 | 0:48:59 | |
At 22 in the seats, looking for 24. | 0:48:59 | 0:49:01 | |
-Made money on it! -24, 26. | 0:49:01 | 0:49:03 | |
It's at 24. 6, I'm looking for. | 0:49:03 | 0:49:06 | |
26 online. 28. | 0:49:06 | 0:49:08 | |
-30. -Paul Laidlaw, you know nothing! -SHE LAUGHS | 0:49:08 | 0:49:11 | |
Any more for it? At £28, if you're all done and sure... | 0:49:11 | 0:49:15 | |
-Last bid at 30 online. 35. -BARRY: -Well done! | 0:49:15 | 0:49:17 | |
£30 on the net, the internet's still in it. From the room. | 0:49:17 | 0:49:20 | |
-GAVEL FALLS -That's a 50% margin. | 0:49:20 | 0:49:24 | |
Can I get you a knife and fork and some ketchup | 0:49:24 | 0:49:26 | |
for those words you've now got to eat, Mr Laidlaw? | 0:49:26 | 0:49:28 | |
Loving your work, Lisa. | 0:49:28 | 0:49:31 | |
I don't care now, that's it. We can go home. | 0:49:31 | 0:49:34 | |
-BARRY: -I see a new career opening up for you, Lisa. | 0:49:34 | 0:49:37 | |
Can Paul's vacuum cleaner-related tea set clean up? | 0:49:37 | 0:49:41 | |
-Do you like the tea set, Barry? -Mmm. | 0:49:41 | 0:49:43 | |
Sell it to me, Barry, sell it to me. | 0:49:45 | 0:49:47 | |
£15. 15 to start. | 0:49:47 | 0:49:49 | |
-10 if you wish, then. -Oh, come on. | 0:49:49 | 0:49:51 | |
£10. No? 10 I'm bid online. Looking for 12. | 0:49:51 | 0:49:55 | |
-There we go. -I've got a simple rule - never buy anything you have to polish. | 0:49:55 | 0:49:58 | |
16, 18, 20, 22. | 0:49:58 | 0:50:02 | |
At £20 in the room. Against you online. Bid's at £20 in the room. | 0:50:02 | 0:50:06 | |
Any advance for 22? 22, another bid. 24. | 0:50:06 | 0:50:10 | |
26. In the room £24, then. 6, will you? Bid's at £24. | 0:50:10 | 0:50:15 | |
All done and sure? | 0:50:15 | 0:50:17 | |
GAVEL FALLS | 0:50:17 | 0:50:18 | |
-CHRISTINA: -A modest profit. | 0:50:18 | 0:50:19 | |
-PAUL: -Small step. Take it. | 0:50:19 | 0:50:21 | |
Well, it didn't suck. | 0:50:21 | 0:50:22 | |
Hey, this is our first lot! Bedazzle me, Barry. Come on! | 0:50:22 | 0:50:25 | |
Yes, it's Barry's shiny little oven. | 0:50:25 | 0:50:27 | |
It's good luck, this jacket. | 0:50:27 | 0:50:29 | |
If this jacket doesn't bring me good luck, I don't know what will. | 0:50:29 | 0:50:32 | |
-Exactly. -LISA: -Burning it, maybe? -BARRY: -Oh, Lisa! | 0:50:32 | 0:50:35 | |
-20 for that. Bottom estimate, £20 start. -Come on. | 0:50:35 | 0:50:38 | |
20 straight in, thank you, sir. 22 we're looking for. | 0:50:38 | 0:50:40 | |
-Good work. -Any advance now? I'm bid £20 in the room, take 2. | 0:50:40 | 0:50:43 | |
Any 2, we're looking for. It's stuck. | 0:50:43 | 0:50:45 | |
Any advance? 22 at the back, thank you. | 0:50:45 | 0:50:47 | |
-24, 26. 28. 30. -Yes! -Oh, yes! | 0:50:47 | 0:50:51 | |
-35. 40. -Ah, I'm in profit! | 0:50:51 | 0:50:54 | |
At 35 down the front. 40 we need. | 0:50:54 | 0:50:56 | |
At 35 and away... | 0:50:56 | 0:50:58 | |
GAVEL FALLS | 0:50:58 | 0:51:00 | |
-LISA: -Who knew it? -PAUL: -That did all right! | 0:51:00 | 0:51:02 | |
-BARRY: -I told you there were other people who would like it. | 0:51:02 | 0:51:06 | |
Who knew? Barry did. | 0:51:06 | 0:51:10 | |
Time for Lisa and Paul's mirror, the auctioneer's pick. | 0:51:10 | 0:51:14 | |
It is crying out for love, that mirror. | 0:51:14 | 0:51:16 | |
-I want people to love it, I really do. -I just want them to spend money. | 0:51:16 | 0:51:20 | |
-CHRISTINA: -Here it is. | 0:51:20 | 0:51:21 | |
And commission, start me on bottom estimate, for £30. Take 35. | 0:51:21 | 0:51:25 | |
-That's a long way off, that. -On commission at 30. 5. 40. 5. | 0:51:25 | 0:51:27 | |
-CHRISTINA: -Here we go. -50 I'm out. 5. | 0:51:27 | 0:51:29 | |
The lady wants it behind us, in the room. | 0:51:29 | 0:51:31 | |
I've got 50, you bid me 5? One more? 55. | 0:51:31 | 0:51:34 | |
60 we're looking for, now. £60 in the room, take 5. | 0:51:34 | 0:51:37 | |
-PAUL: -Come on, come on, come on. | 0:51:37 | 0:51:38 | |
-CHRISTINA: -Back in the room, you're getting there. | 0:51:38 | 0:51:41 | |
At £70, then. 75 we're looking for. | 0:51:41 | 0:51:44 | |
-Any more for it? We're in the room at £70, take 5. -I'd give you that for it. | 0:51:44 | 0:51:47 | |
At £70, If you're all done and sure... | 0:51:47 | 0:51:50 | |
GAVEL FALLS | 0:51:50 | 0:51:51 | |
Love obviously doesn't translate into cash, does it? | 0:51:51 | 0:51:54 | |
First loss of the day, then. | 0:51:54 | 0:51:57 | |
Next, another shiny Barry and Christina purchase, the sugar sifter. | 0:51:57 | 0:52:02 | |
-My favourite item. -Is it? -I would bid for this myself if I could. | 0:52:02 | 0:52:05 | |
-CHRISTINA: -If you could, yes. | 0:52:05 | 0:52:07 | |
-PAUL: -Sit on your hands, Barry, sit on your hands. | 0:52:07 | 0:52:09 | |
-I'd better sit on my hands. -I'm having nothing like that going on. | 0:52:09 | 0:52:12 | |
A sweet thing. Will there be £10 for it? | 0:52:12 | 0:52:14 | |
-10 to start, let's get straight in. -£10-20, is that all? | 0:52:14 | 0:52:16 | |
-10 to start. -My goodness. -10 at the back. Looking for 12 now. | 0:52:16 | 0:52:19 | |
Any advance? I'm bid 10, 12 online, 14, 16. | 0:52:19 | 0:52:21 | |
-Come on. -18, 20. Bid's at 18. 20. | 0:52:21 | 0:52:26 | |
It's what happened with the oven, though, slow build. There you are. | 0:52:26 | 0:52:29 | |
At 22 back in the room, looking for 24 now. 24 online. 26. | 0:52:29 | 0:52:32 | |
24. 26, new bidder, sir? Are you bidding at 26, sir? | 0:52:32 | 0:52:36 | |
Gentleman's bid in the room at 26, looking for 28 now. 28 bid. 30. | 0:52:36 | 0:52:40 | |
-There we go. -30, are you bidding, sir? At 30. | 0:52:40 | 0:52:44 | |
No? At £28. | 0:52:44 | 0:52:45 | |
All done and sure for £28... | 0:52:45 | 0:52:47 | |
-GAVEL FALLS -Number three. | 0:52:47 | 0:52:49 | |
Close enough. Close enough. It was a lovely thing. | 0:52:49 | 0:52:52 | |
One loss each. | 0:52:52 | 0:52:54 | |
Can Lisa and Paul's panic buy do better? | 0:52:54 | 0:52:58 | |
What about the Bakelite, AKA plastic? | 0:52:58 | 0:53:00 | |
-LISA: -I'll have you know that Bakelite's historical and cultural significance | 0:53:00 | 0:53:04 | |
far outweighs the fact it's made of plastic. | 0:53:04 | 0:53:07 | |
-BARRY: -Yes. You keep on believing that. | 0:53:07 | 0:53:09 | |
Barry, of its time, Bakelite was really cool. | 0:53:09 | 0:53:12 | |
You of all people should understand that at one time something | 0:53:12 | 0:53:15 | |
can be really cool and then all of a sudden be really naff. | 0:53:15 | 0:53:18 | |
10 to start. 5, then, if you wish. | 0:53:18 | 0:53:20 | |
5 in the doorway. 6 in the seats. | 0:53:20 | 0:53:23 | |
£8. 10. 12. 14, 16, | 0:53:23 | 0:53:26 | |
18, 20, 2. Bidding at 22, sir? | 0:53:26 | 0:53:28 | |
24 it's against. | 0:53:28 | 0:53:30 | |
-Yes! -22 in the seats, looking for £24. | 0:53:30 | 0:53:32 | |
Bid's at £22 in the seats. | 0:53:32 | 0:53:34 | |
All done and sure? For £22 if you're finished with it... | 0:53:34 | 0:53:37 | |
-GAVEL FALLS -Fair enough. | 0:53:37 | 0:53:39 | |
We are back in profit - just. | 0:53:39 | 0:53:42 | |
-Do you wear that whilst you're Egghead-ing? -No. -Aww. You should. | 0:53:42 | 0:53:46 | |
-This is its first outing on television. -Oh, really? -Yes. | 0:53:46 | 0:53:49 | |
-So it's a special moment for the jacket. -Yeah. | 0:53:49 | 0:53:51 | |
He should be up there giving it a swagger. | 0:53:51 | 0:53:54 | |
Here we go. Good one, Barry. | 0:53:54 | 0:53:56 | |
-£15 for it, bottom estimate. 15 to start. -Come on! -You can do it. | 0:53:56 | 0:54:00 | |
Thank you, 16 we're looking for. Any advance? | 0:54:00 | 0:54:03 | |
-It does look like a posh pencil. -CHRISTINA: -Online. | 0:54:03 | 0:54:05 | |
-PAUL: -Christina likes it. | 0:54:05 | 0:54:06 | |
20 in the room. 22, 24. | 0:54:06 | 0:54:09 | |
£24 in the room. 6 with you? | 0:54:09 | 0:54:10 | |
-Elsewhere, I've £24. -Come on! -Come on! | 0:54:10 | 0:54:12 | |
-At 28. 30. -I've made a profit. -35. | 0:54:12 | 0:54:17 | |
At £30, then. 35 we're looking for. | 0:54:17 | 0:54:20 | |
-Go on! -Yes! -35. Original bidder. 40, sir. | 0:54:20 | 0:54:22 | |
At £35, then, with the original bidder. | 0:54:22 | 0:54:24 | |
40, let's see. | 0:54:24 | 0:54:26 | |
£35, if you're all done and sure... | 0:54:26 | 0:54:28 | |
-GAVEL FALLS -Well done, Barry. | 0:54:28 | 0:54:30 | |
-Well... -Was it worth £35 of swaggering? | 0:54:30 | 0:54:33 | |
It was worth it for me cos I had so much fun with that swagger stick. | 0:54:33 | 0:54:36 | |
Well, that - and the profit - is what counts. | 0:54:36 | 0:54:40 | |
Next up, the saucy maiden they found out the back. | 0:54:40 | 0:54:43 | |
So, is this your favourite item? | 0:54:43 | 0:54:45 | |
I really did love the mirror, but look what that did for it, | 0:54:45 | 0:54:47 | |
so I'm going to say that I have warm affection for this, | 0:54:47 | 0:54:50 | |
and we'll just see how it goes. | 0:54:50 | 0:54:53 | |
Start me, bottom estimate, £60. 60 to start. | 0:54:53 | 0:54:55 | |
-Oh, you're joking. -60. 170, straight in online. Looking for 180. | 0:54:55 | 0:54:58 | |
-170 on the net. -Bid's at 170. 180. 190. | 0:54:58 | 0:55:01 | |
-CHRISTINA: -Brilliant. Well done. | 0:55:01 | 0:55:03 | |
180 I've got. 180. Top bid at 180. 190, sir. | 0:55:03 | 0:55:05 | |
200 we're looking for. | 0:55:05 | 0:55:07 | |
-There we go. -ALL TALK AT ONCE | 0:55:07 | 0:55:08 | |
-Looking for £200. -Come on! | 0:55:08 | 0:55:10 | |
At 190 in the room. 200. Another bidder online. 220, sir. 240. | 0:55:10 | 0:55:15 | |
-BARRY: -We are dead and buried. -We are dead and buried. | 0:55:15 | 0:55:18 | |
240 with you? | 0:55:18 | 0:55:19 | |
All done and sure at 220? Room bidder. | 0:55:19 | 0:55:22 | |
GAVEL FALLS | 0:55:22 | 0:55:23 | |
-CHRISTINA: -Well done! -PAUL: -Girl did good. | 0:55:23 | 0:55:25 | |
-BARRY: -Well done. | 0:55:25 | 0:55:27 | |
Naked lady in the shell, I love you so much! | 0:55:27 | 0:55:30 | |
Yes, it looks like she's won it for those two. | 0:55:30 | 0:55:33 | |
Has there ever been so much pressure on the auction of a fruit knife? | 0:55:33 | 0:55:37 | |
Well, this fruit knife's got a lot to do. | 0:55:37 | 0:55:39 | |
An awful lot to do. But it's small and perfectly formed. | 0:55:39 | 0:55:43 | |
Well, exactly. It needs to make about £100 profit, I think. | 0:55:43 | 0:55:46 | |
I reckon your best case scenario is someone turns up and goes, | 0:55:46 | 0:55:49 | |
"I need to do something with this grapefruit as fast as I can!" | 0:55:49 | 0:55:53 | |
£10. 10 start. £10 start. Thank you. | 0:55:53 | 0:55:55 | |
-£10. 12 we're looking for. -There you go! | 0:55:55 | 0:55:58 | |
12 bid on the net. 14, 16. | 0:55:58 | 0:56:00 | |
This is your moment for glory. To shine. | 0:56:00 | 0:56:03 | |
22, 22 at the back, 24 we're looking for. | 0:56:03 | 0:56:07 | |
24. 26. 28. | 0:56:07 | 0:56:09 | |
Good profit, though. That's brilliant. | 0:56:09 | 0:56:11 | |
I've got 26, back of the room. 28 we're looking for online. | 0:56:11 | 0:56:14 | |
28 bid. 30, sir. | 0:56:14 | 0:56:16 | |
This is great! Fantastic. | 0:56:16 | 0:56:18 | |
-PAUL: -Result! -£28 on the net. 30, let's see elsewhere. | 0:56:18 | 0:56:21 | |
-At 28 and done... -GAVEL FALLS | 0:56:21 | 0:56:24 | |
It didn't disappoint. | 0:56:24 | 0:56:25 | |
No. Did a fine job. | 0:56:25 | 0:56:27 | |
Now they just need Barry's Vesta case to light up proceedings. | 0:56:27 | 0:56:31 | |
If we do do it, you can wear this jacket. | 0:56:31 | 0:56:34 | |
-Can I? -Yes, absolutely. -LISA: -There's an incentive(!) | 0:56:34 | 0:56:37 | |
Let's see 10 for that. £10 for it. | 0:56:37 | 0:56:39 | |
-Any interest for £10? -Come on. For the collectors. | 0:56:39 | 0:56:42 | |
5 bid, there. 6, 8, 10. | 0:56:42 | 0:56:45 | |
-Come on. Come on. -12, 14, 16. 18? | 0:56:45 | 0:56:48 | |
£18 in the seats. | 0:56:48 | 0:56:49 | |
-20 at the back. -I think he needs 118. | 0:56:49 | 0:56:52 | |
24, 26, 28. | 0:56:52 | 0:56:54 | |
30? £28, back centre. | 0:56:54 | 0:56:56 | |
30, we're looking for. | 0:56:56 | 0:56:57 | |
-I have £28, back of the room, looking for 30. -Come on! | 0:56:57 | 0:57:01 | |
-Any advance now? £28 and done. -GAVEL FALLS | 0:57:01 | 0:57:04 | |
-Oh. Well, it didn't disappoint. -So close. -PAUL: -Another profit. | 0:57:04 | 0:57:08 | |
Great auction, with profits all round. | 0:57:08 | 0:57:11 | |
But there can only be one winner. | 0:57:11 | 0:57:12 | |
-Well, congratulations, guys. -PAUL: -Well done. | 0:57:12 | 0:57:15 | |
-CHRISTINA: -Yeah, well done. | 0:57:15 | 0:57:16 | |
-Worthy winners. -Well done to you. -LISA: -Well done. | 0:57:16 | 0:57:19 | |
I mean, defeated by a woman on a shell, I mean... | 0:57:19 | 0:57:23 | |
It was stiff competition, Barry. | 0:57:23 | 0:57:25 | |
Barry and Christina started out with £400 | 0:57:25 | 0:57:29 | |
and made, after paying auction costs, a profit of £18.28. | 0:57:29 | 0:57:34 | |
While Lisa and Paul also began with £400, | 0:57:34 | 0:57:37 | |
but after auction costs | 0:57:37 | 0:57:39 | |
they made a profit of £45.12, | 0:57:39 | 0:57:42 | |
so they are victorious today. | 0:57:42 | 0:57:45 | |
All profits go to Children In Need. | 0:57:45 | 0:57:47 | |
-LAUGHTER -That was an experience. Definitely. | 0:57:47 | 0:57:51 | |
-PAUL: -Never a truer word spoken. | 0:57:51 | 0:57:52 | |
Personally I feel like a winner | 0:57:52 | 0:57:54 | |
-because I got to be with Barry in his jacket. -Thank you! | 0:57:54 | 0:57:58 | |
Barry, my love, I can only say... | 0:57:58 | 0:58:01 | |
In your face! No, no, well done. | 0:58:01 | 0:58:04 | |
You needed some bragging rights anyway. I understand that. | 0:58:04 | 0:58:08 | |
Safe journey, folks. | 0:58:08 | 0:58:09 | |
-Yes, same to you. -Who's going to drive? | 0:58:09 | 0:58:11 | |
-I'll let you drive on the basis that I've already won once today. Go on! -LAUGHTER | 0:58:11 | 0:58:16 | |
Those two have definitely cracked the Antiques Road Trip, | 0:58:16 | 0:58:19 | |
but what about the other way around? | 0:58:19 | 0:58:21 | |
We'd love to have them on Eggheads. I hope they get a team together and come on. | 0:58:21 | 0:58:24 | |
Yeah, come and see how much we know. | 0:58:24 | 0:58:26 | |
Come and have a go if you think you're hard enough! | 0:58:26 | 0:58:29 | |
Couldn't put it better myself, Lisa! | 0:58:29 | 0:58:32 |