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-The nation's favourite celebrities... -Got some proper bling here. | 0:00:02 | 0:00:04 | |
..paired up with an expert... | 0:00:04 | 0:00:06 | |
What? What? | 0:00:06 | 0:00:07 | |
..and a classic car. | 0:00:07 | 0:00:09 | |
Put your hands up, girls! | 0:00:09 | 0:00:11 | |
Their mission - to scour Britain for antiques. | 0:00:11 | 0:00:13 | |
-CRACKING -All breakages must be paid for. | 0:00:13 | 0:00:16 | |
This is a good find, is it not? | 0:00:16 | 0:00:18 | |
The aim? To make the biggest profit at auction... | 0:00:18 | 0:00:21 | |
but it's no easy ride. | 0:00:21 | 0:00:23 | |
Who will find a hidden gem? | 0:00:23 | 0:00:25 | |
Who will take the biggest risks? | 0:00:25 | 0:00:28 | |
Turn my antiques head on. | 0:00:28 | 0:00:29 | |
Will anybody follow expert advice? | 0:00:29 | 0:00:32 | |
I think it's horrible! | 0:00:32 | 0:00:34 | |
There'll be worthy winners.... | 0:00:34 | 0:00:35 | |
This is better than Christmas! | 0:00:35 | 0:00:37 | |
..and valiant losers. | 0:00:37 | 0:00:39 | |
Time to put your pedal to the metal, | 0:00:39 | 0:00:42 | |
this is Celebrity Antiques Road Trip. | 0:00:42 | 0:00:45 | |
Yeah! | 0:00:47 | 0:00:48 | |
Welcome to a rocking good trip in the company of a couple of music icons. | 0:00:50 | 0:00:55 | |
-I just like being on the road, don't you? -I do actually. | 0:00:55 | 0:00:58 | |
It's just the feeling of freedom. | 0:00:58 | 0:01:00 | |
-It's not the destination so much as the journey. -Yeah. | 0:01:00 | 0:01:04 | |
Today's celebrities are Johnnie Walker and Bob Harris, | 0:01:04 | 0:01:07 | |
esteemed DJs and friends who, between them, | 0:01:07 | 0:01:10 | |
have been spinning records for almost a century. | 0:01:10 | 0:01:13 | |
How groovy's that? | 0:01:13 | 0:01:15 | |
-You know what this reminds me of a lot? -What? | 0:01:15 | 0:01:19 | |
When I first joined you on Radio 1, John Peel and I used to go off | 0:01:19 | 0:01:23 | |
on trips round local junk shops and... | 0:01:23 | 0:01:27 | |
looking for second-hand records. | 0:01:27 | 0:01:30 | |
Meeting their heroes has certainly got antiques experts David Harper | 0:01:30 | 0:01:34 | |
and Phil Serrell giddy with excitement. | 0:01:34 | 0:01:36 | |
We're seeing these guys today, I mean, they're musical legends. | 0:01:36 | 0:01:40 | |
-Truly, truly, yeah. -Had influence on our taste. -Completely. -Yeah. | 0:01:40 | 0:01:44 | |
These two super fans are driving a 1957 Ford Zephyr | 0:01:44 | 0:01:48 | |
which dates from a time before seat belts were mandatory. | 0:01:48 | 0:01:51 | |
-Uber cool. -So cool it's unbelievable. | 0:01:51 | 0:01:54 | |
Are they really going to be as cool as they seem in real life? | 0:01:54 | 0:01:57 | |
-This is going to be interesting. -Cooler. | 0:01:57 | 0:01:58 | |
He may be right, you know. | 0:01:58 | 0:02:00 | |
Johnnie was a budding racing driver | 0:02:02 | 0:02:04 | |
before he began rocking the boat as a pirate DJ. | 0:02:04 | 0:02:07 | |
'Johnnie Walker!' | 0:02:07 | 0:02:09 | |
I think it's very important to have a personality. | 0:02:09 | 0:02:11 | |
People want to hear somebody in the studio playing records | 0:02:11 | 0:02:14 | |
and reacting to them. | 0:02:14 | 0:02:15 | |
He eventually came back on dry land to join BBC Radio 1 | 0:02:15 | 0:02:20 | |
but he's been a bit of a rebel his entire career, | 0:02:20 | 0:02:23 | |
always championing good music over playlists and formats. | 0:02:23 | 0:02:27 | |
My older brother used to collect all these 78s, | 0:02:27 | 0:02:30 | |
he'd forbid me from playing them when he was out. | 0:02:30 | 0:02:33 | |
-He had Singing The Blues by Guy Mitchell. -Right. -And I sat on it. | 0:02:33 | 0:02:36 | |
-Sat on it. Broke into bits. -It broke! | 0:02:36 | 0:02:39 | |
Bob played his very first Radio 1 record just over 45 years ago, | 0:02:39 | 0:02:44 | |
although he soon became much better known as the face | 0:02:44 | 0:02:47 | |
and voice of the ground-breaking Old Grey Whistle Test. | 0:02:47 | 0:02:50 | |
Oh, that was terrific. | 0:02:52 | 0:02:54 | |
His intimate style earning him the nickname Whispering Bob. | 0:02:54 | 0:02:58 | |
Now that's heavy. | 0:02:58 | 0:02:59 | |
So, who do you want to work with? | 0:03:00 | 0:03:01 | |
I'm fascinated with the pirate radio of the 1960s, what about you? | 0:03:01 | 0:03:05 | |
Well, see, for me, the Old Grey Whistle Test was just, you know. | 0:03:05 | 0:03:09 | |
I love the pirate thing, you love the Grey Whistle Test. | 0:03:09 | 0:03:12 | |
-Shall we do that? -Let's do it. | 0:03:12 | 0:03:15 | |
As well as their biggest fans, our celebrities will each have £400. | 0:03:15 | 0:03:19 | |
-How are you? -Hello. -Great to meet you. Very good to meet you. | 0:03:22 | 0:03:25 | |
-What do you think about this? -This is really nice. | 0:03:25 | 0:03:27 | |
-I think it's beautiful. -But that, actually, that's the coolest motor. | 0:03:27 | 0:03:30 | |
-Given Philip's slim stature... -Yeah. | 0:03:30 | 0:03:32 | |
-..you might be more comfortable in that one. -I need a transit! | 0:03:32 | 0:03:35 | |
THEY LAUGH | 0:03:35 | 0:03:36 | |
-So we've got the cool car. -We've got the cool car. | 0:03:36 | 0:03:39 | |
Yeah, we'll rock it in here while you two go... | 0:03:39 | 0:03:42 | |
Johnnie and David grab the MGB GT and Bob and Phil the Zephyr | 0:03:42 | 0:03:47 | |
and once they've got past the autographs, | 0:03:47 | 0:03:49 | |
I'm sure there'll be a lot of serious talk about tactics. | 0:03:49 | 0:03:52 | |
When this comes out you're going to phone up Elton, Robert, you know... | 0:03:52 | 0:03:57 | |
-And get them watching! -..Macca. -They watch anyway. -Oh, good, excellent. | 0:03:57 | 0:04:01 | |
Naughty! | 0:04:01 | 0:04:03 | |
Today's trip starts in Crewkerne, Somerset | 0:04:03 | 0:04:06 | |
and takes a rock'n'roll ramble around the southwest | 0:04:06 | 0:04:08 | |
before arriving at an auction in Salisbury, Wiltshire. | 0:04:08 | 0:04:13 | |
Back in 1700, this delightful town was the birthplace of Joshua Fry, | 0:04:13 | 0:04:18 | |
the American soldier and adventurer who, | 0:04:18 | 0:04:20 | |
along with Thomas Jefferson's father, | 0:04:20 | 0:04:23 | |
was responsible for the first mapping of Virginia. | 0:04:23 | 0:04:26 | |
Now, rock legends first. | 0:04:27 | 0:04:29 | |
-It's huge. -I know. | 0:04:33 | 0:04:34 | |
How do you feel knowing that you've got to buy some stuff? | 0:04:34 | 0:04:37 | |
-Does it make you feel a bit, "Oh, what am I going to do?" -Yeah. | 0:04:37 | 0:04:40 | |
Good, we're in the same boat, then! | 0:04:40 | 0:04:42 | |
Just relax. Take it all in. | 0:04:42 | 0:04:45 | |
John Peel used to have these in the studio, you know, | 0:04:47 | 0:04:50 | |
-called his show the perfume garden. -No, did he? | 0:04:50 | 0:04:52 | |
Always had candles in the studio | 0:04:52 | 0:04:54 | |
-and a few joss sticks burning for that effect. -Oh, wow! | 0:04:54 | 0:04:56 | |
-We're not going to buy any of those, are we? -We're not, no. | 0:04:56 | 0:04:59 | |
Hey, man, peace. | 0:04:59 | 0:05:00 | |
Now enter Bob and Phil. | 0:05:00 | 0:05:02 | |
We need something that says Bob Harris, don't we? | 0:05:02 | 0:05:05 | |
Sounds like a plan to me. | 0:05:05 | 0:05:07 | |
I like old signs. | 0:05:07 | 0:05:08 | |
I was producing an album by a guy called John Golding in the '70s | 0:05:08 | 0:05:12 | |
and when it was completed, to thank me, he bought me | 0:05:12 | 0:05:15 | |
this big ticket sign which I've got outside my, er, my studio. | 0:05:15 | 0:05:19 | |
-So anything that's kind of like that but vintage. -I think that's new. | 0:05:19 | 0:05:23 | |
If you look there... | 0:05:23 | 0:05:25 | |
-Can you just see that that bit of cast is still in the hole? -Yes. | 0:05:25 | 0:05:29 | |
If that's been screwed to something that would've been knocked off. | 0:05:29 | 0:05:32 | |
-That is absolutely right. -Well, that's a pity, isn't it? -It is. | 0:05:32 | 0:05:35 | |
Meanwhile, the others are busy sorting out strategy. | 0:05:35 | 0:05:38 | |
-Just have to knock them down a bit. -Are you experienced with that? | 0:05:38 | 0:05:41 | |
-Well, the car salesman years could come in handy, you see. -Of course. | 0:05:41 | 0:05:44 | |
And then I got the chance to go on the pirate ships. | 0:05:44 | 0:05:46 | |
The garage manager, he said, "You must decide. | 0:05:46 | 0:05:49 | |
-"Are you going to be a proper car salesman or a disc jockey?" -Ooh. | 0:05:49 | 0:05:53 | |
"I'll give you two weeks to think about it." | 0:05:53 | 0:05:55 | |
I said, "I don't need two weeks, I'll give you the answer now." | 0:05:55 | 0:05:58 | |
He said, What's that?" "I'll be a DJ, thanks very much." | 0:05:58 | 0:06:00 | |
So far, they're not looking at much but that might be about to change. | 0:06:00 | 0:06:03 | |
Do you know what it is? | 0:06:03 | 0:06:05 | |
It's a cartridge case which my original assumption | 0:06:05 | 0:06:08 | |
would be that this is for cassettes. | 0:06:08 | 0:06:10 | |
No, no, I can tell you now if you were a big country land owner, | 0:06:10 | 0:06:14 | |
massive estate, shooting hundreds and hundreds of pheasants, | 0:06:14 | 0:06:18 | |
you would arrive on the day with a case like this | 0:06:18 | 0:06:22 | |
to put your cartridges in. | 0:06:22 | 0:06:23 | |
-OK. -You put your cartridges in there like that. -Right. | 0:06:23 | 0:06:27 | |
And then as the day went on, you pull that leather up | 0:06:27 | 0:06:29 | |
-and it brings the cartridges to the top. -Wow! | 0:06:29 | 0:06:31 | |
Now, there's a big but with this, OK? | 0:06:31 | 0:06:34 | |
-In all these things, condition is imperative. -Yeah. -OK? | 0:06:34 | 0:06:37 | |
This has been repaired along there... | 0:06:37 | 0:06:40 | |
-it's got new corners on it. -Yes. | 0:06:40 | 0:06:42 | |
-And these straps aren't quite as old as me. -No, quite! -Right? | 0:06:42 | 0:06:46 | |
If you look really, really closely at this, | 0:06:46 | 0:06:48 | |
-look at the stitching there. -Yeah. -And look at that stitching there. | 0:06:48 | 0:06:52 | |
-Completely different. -Yeah. | 0:06:52 | 0:06:53 | |
In perfect nick, without any problems or faults, | 0:06:53 | 0:06:56 | |
-these things are worth 300-500... -Right. | 0:06:56 | 0:07:00 | |
-..£400-600. -Right. -Massively collectable. | 0:07:00 | 0:07:03 | |
This has got quite an expensive tag on it anyway at £160. | 0:07:03 | 0:07:07 | |
Well, we might be able to do a lot, lot better than that. | 0:07:07 | 0:07:10 | |
-Do you really think so? -Yeah, I do. | 0:07:10 | 0:07:11 | |
There's a great thing in this business about upcycling | 0:07:11 | 0:07:15 | |
and I'm just wondering if we can turn | 0:07:15 | 0:07:17 | |
an Edwardian leather cartridge case | 0:07:17 | 0:07:21 | |
into the Bob Harris bespoke cassette holder. | 0:07:21 | 0:07:25 | |
Cassette holder, that would be good, wouldn't it? | 0:07:25 | 0:07:27 | |
Let's consult our shopkeeper, Anthony. | 0:07:27 | 0:07:29 | |
At auction, I think that's going to make 80 to 120, | 0:07:29 | 0:07:31 | |
which is half the price you've got on it. | 0:07:31 | 0:07:33 | |
-Mm. -Is there going to be any room for negotiation? | 0:07:33 | 0:07:35 | |
I can certainly contact the trader. I can't halve the price | 0:07:35 | 0:07:38 | |
but that's probably what he paid for it at auction in the first place. | 0:07:38 | 0:07:41 | |
If you can find out what the very best is, tell him we've got | 0:07:41 | 0:07:44 | |
-a musical legend here. -A musical legend, yes. -A musical legend here. | 0:07:44 | 0:07:47 | |
Strangely, our other legend has his eye on something similar. | 0:07:47 | 0:07:52 | |
-Are you into shooting? -Yeah, I am. -Are you? -Yeah. -That is a good label. | 0:07:52 | 0:07:56 | |
-"The Right Honourable Lord Raglan." -Yeah. -Wow. | 0:07:56 | 0:07:59 | |
That's the original ticket, isn't it? "Pall Mall, SW1." | 0:07:59 | 0:08:04 | |
-Yes, it is. -A lot of money though. -How much? -140. -140. | 0:08:04 | 0:08:07 | |
Yeah, but you said you were brilliant at negotiating, | 0:08:07 | 0:08:09 | |
I'm absolutely confident that you will get that, | 0:08:09 | 0:08:12 | |
harking back to your wheeler dealer days, for a song. | 0:08:12 | 0:08:16 | |
Get it? | 0:08:16 | 0:08:17 | |
-What sort of shooting do you do? -Clays. -Right. | 0:08:17 | 0:08:20 | |
-Don't like killing anything. -No. | 0:08:20 | 0:08:22 | |
-You any good? -Yeah, I have my moments. | 0:08:22 | 0:08:26 | |
-I was on one trap, when the clays go away from you... -Yeah. | 0:08:26 | 0:08:29 | |
..and I was borrowing my friend's gun and we were just having a go. | 0:08:29 | 0:08:32 | |
And I go, "Pull." Blew the first one out. | 0:08:32 | 0:08:36 | |
"Pull." Second. Third. | 0:08:36 | 0:08:38 | |
By the fifth and sixth, I hadn't missed yet. | 0:08:38 | 0:08:41 | |
There's people standing behind me thinking, | 0:08:41 | 0:08:43 | |
"Who the hell's this geezer?" I got ten out of ten. My God. | 0:08:43 | 0:08:47 | |
Impressive! | 0:08:47 | 0:08:48 | |
-What do you know about Lord Raglan, anything? -I don't know. | 0:08:48 | 0:08:51 | |
I'd like to know more about him. He must be a local guy. | 0:08:51 | 0:08:54 | |
Could it be THE Lord Raglan - | 0:08:54 | 0:08:56 | |
the man who ordered the Charge of the Light Brigade? Time to talk to Tina. | 0:08:56 | 0:09:00 | |
-I'm slightly drawn to this. -Right. -Not in a big way. -OK. -Yeah. | 0:09:00 | 0:09:05 | |
Would you like me to ring the dealer, | 0:09:05 | 0:09:06 | |
-see if I can get any more information? -Yeah, why not? | 0:09:06 | 0:09:08 | |
-And a price, a best trade price. -A best trade price. -Yeah, please. | 0:09:08 | 0:09:11 | |
Meanwhile, we're still a-waiting news | 0:09:11 | 0:09:13 | |
on the Bob Harris bespoke cassette case. | 0:09:13 | 0:09:16 | |
Fancy anything else? | 0:09:16 | 0:09:17 | |
-What I collect is buses. -Buses? | 0:09:17 | 0:09:20 | |
-Toy buses. -Toy buses? -Yeah, Dinkys... -And you love those? | 0:09:20 | 0:09:24 | |
..tin toys. Oh, absolutely. Yeah. | 0:09:24 | 0:09:27 | |
I've still got some of the buses that I bought as a child. | 0:09:27 | 0:09:30 | |
-So if we can find some toy buses, that's us. -Oh, I'm there. | 0:09:30 | 0:09:34 | |
Ah, wait a minute, wait a minute, wait a minute. | 0:09:34 | 0:09:36 | |
Do you like those? | 0:09:36 | 0:09:38 | |
The Routemasters - not very nice, | 0:09:38 | 0:09:39 | |
but the two in the box at the back there... | 0:09:39 | 0:09:42 | |
Are they nice, are they? | 0:09:42 | 0:09:43 | |
The Original Omnibus Company buses, those two are sweet. | 0:09:43 | 0:09:48 | |
But, I mean, I just like them, | 0:09:48 | 0:09:50 | |
but I don't think they're of any value particularly. | 0:09:50 | 0:09:52 | |
I think if they went in an auction, | 0:09:52 | 0:09:54 | |
they'd probably get less than the ticket price there, to be honest. | 0:09:54 | 0:09:57 | |
Oh, well. Tina's spoken to the chap who owns the gun case | 0:09:57 | 0:10:01 | |
and he's come down to £100, | 0:10:01 | 0:10:03 | |
but Johnnie's keen to exercise his car salesman skills. | 0:10:03 | 0:10:06 | |
His name's Gordon Smith. | 0:10:06 | 0:10:08 | |
Gordon. | 0:10:08 | 0:10:09 | |
How are you? | 0:10:09 | 0:10:11 | |
I'm kind of drawn to, you know, I love the number nine. | 0:10:12 | 0:10:16 | |
So I've got 90 sort of in my mind. | 0:10:16 | 0:10:18 | |
You've gone very quiet there, Gordon. | 0:10:18 | 0:10:21 | |
Yeah. | 0:10:21 | 0:10:22 | |
(95. It's 45 quid off.) | 0:10:22 | 0:10:25 | |
-I do like it, I must say. -Yeah. -I do like it. | 0:10:25 | 0:10:28 | |
We'll go for it, Gordon. | 0:10:28 | 0:10:30 | |
I think they're GUNNA go for it. | 0:10:30 | 0:10:33 | |
Now, anyone not on the phone? | 0:10:33 | 0:10:35 | |
Tina, point us in the direction of a living antiques dealer. | 0:10:35 | 0:10:37 | |
There's a lady here, her name's Jane, down the bottom. | 0:10:37 | 0:10:40 | |
Right, Jane, we're coming to get you! | 0:10:40 | 0:10:42 | |
It's all happening. | 0:10:42 | 0:10:44 | |
Let's go and get Jane. Hello, Jane. I'm David, nice to meet you. | 0:10:44 | 0:10:48 | |
-Hello, Jane. I'm Johnnie. -How do you do? | 0:10:48 | 0:10:49 | |
-So, Jane, what do you know about Scamp there? -Not very much at all. | 0:10:49 | 0:10:53 | |
-I think it's a pastel. -Yeah. | 0:10:53 | 0:10:55 | |
-So it's not a print? -I don't think so. | 0:10:55 | 0:10:58 | |
-He's quite a little character, isn't he? -What a great name- Scamp. -Yeah. | 0:10:58 | 0:11:02 | |
-How much is he? -It's gotta be worth a fiver, isn't it? | 0:11:02 | 0:11:04 | |
The ticket price, however, is eight. | 0:11:04 | 0:11:06 | |
Seven quid would do it nicely. | 0:11:06 | 0:11:08 | |
You said a fiver a moment ago, he keeps going up. | 0:11:08 | 0:11:10 | |
-I'm going up two quid. -Seven sounds good to me. | 0:11:10 | 0:11:12 | |
-Unbelievable! -Yeah. | 0:11:12 | 0:11:14 | |
-Have we bought it? -Er, I think we have. | 0:11:14 | 0:11:18 | |
I think we have. | 0:11:18 | 0:11:20 | |
So it seems. Jane has something else, too. | 0:11:20 | 0:11:23 | |
That is something I could put out for you quite reasonably. | 0:11:23 | 0:11:28 | |
In other words you want to get rid of it. It's been around a long time. | 0:11:28 | 0:11:31 | |
-No, I've only just brought it in, actually. -Hmm! | 0:11:31 | 0:11:33 | |
It's a bit of a lump. | 0:11:33 | 0:11:34 | |
-Yeah. -Needs rewiring which would be 100 quid. -Made out of? -Brass. | 0:11:34 | 0:11:38 | |
No label on it yet, you haven't priced it up yet. | 0:11:38 | 0:11:41 | |
-Date-wise, Johnnie, I'm guessing that's mid-20th century. -Yeah. | 0:11:42 | 0:11:46 | |
-So it looks like it's a 17th century piece... -Yeah. | 0:11:46 | 0:11:48 | |
..it's a reproduction. | 0:11:48 | 0:11:50 | |
-Was it a good weight? -It's very heavy. | 0:11:50 | 0:11:52 | |
Yeah, sounds like he's introducing a record. | 0:11:52 | 0:11:55 | |
If you used your fantastic negotiating skills, | 0:11:55 | 0:11:58 | |
I reckon we'd bag that at a bargain. Over to you. | 0:11:58 | 0:12:01 | |
Over to me. Starting about 12 quid? | 0:12:01 | 0:12:04 | |
Er... | 0:12:04 | 0:12:06 | |
-Say 15. -15? | 0:12:06 | 0:12:07 | |
-Could do 15. -You reckon? | 0:12:09 | 0:12:11 | |
-You've got to give me secret signals here, mate. -OK, OK. | 0:12:11 | 0:12:15 | |
OK, well, I'll have that, thanks. So we'll take that and Scamp. | 0:12:15 | 0:12:18 | |
-Brilliant! Brilliant! -OK. -Johnnie, we're proper dealers... | 0:12:18 | 0:12:22 | |
You're not supposed to be shaking each other's hands. | 0:12:22 | 0:12:25 | |
-Jane, thank you. -Thank you very much, Jane. -This is more like it. | 0:12:25 | 0:12:27 | |
Let's fill the MG up! | 0:12:27 | 0:12:30 | |
After a slowish start, they've got three in the bag for £117. | 0:12:30 | 0:12:35 | |
-£3 change there. -Thank you very much. -Thank you, Tina. | 0:12:35 | 0:12:38 | |
Now, viewers with a keen memory may recall that the ticket price | 0:12:38 | 0:12:40 | |
on this was £160. | 0:12:40 | 0:12:43 | |
I have had a chat with him since we spoke earlier | 0:12:43 | 0:12:46 | |
and he said 120 would be, you know, round about his bottom. | 0:12:46 | 0:12:50 | |
-It's a round-about bit. -Yeah, that's... | 0:12:50 | 0:12:52 | |
Can you do any round-about bit...? | 0:12:52 | 0:12:54 | |
-Can we meet you halfway? -At? -100. | 0:12:54 | 0:12:58 | |
-100 feels right to me if that's... -OK, all right. I mean, I... | 0:12:58 | 0:13:01 | |
Between us, we have that leeway so, yes, I can do that. | 0:13:01 | 0:13:05 | |
-You happy with that? -I think we're there, aren't we? -Yeah, I mean. | 0:13:05 | 0:13:08 | |
Sorry, I was a bit quick. | 0:13:08 | 0:13:10 | |
Ha! There's a whole lot of shaking going wrong this morning, you know. | 0:13:10 | 0:13:13 | |
-The deal is done. -That's fabulous. I've even got some money for you. | 0:13:13 | 0:13:16 | |
-Oh, do you? -Pay the man. -Yeah. | 0:13:16 | 0:13:18 | |
-I think we've done well with that. -I think this is pretty good. | 0:13:20 | 0:13:23 | |
And out on the long and winding road are rivals Johnnie and David. | 0:13:25 | 0:13:30 | |
The swinging '60s was definitely true, | 0:13:31 | 0:13:34 | |
but I missed two thirds of it because I was out on the boat | 0:13:34 | 0:13:36 | |
-on the North Sea. -Of course, bobbing about in the ocean! | 0:13:36 | 0:13:39 | |
Yeah, but we made up for it on our week on shore. | 0:13:39 | 0:13:41 | |
Clubs like the Bag O' Nails | 0:13:41 | 0:13:43 | |
and the Cromwellian Club where you'd see the Beatles and Clapton | 0:13:43 | 0:13:47 | |
and people just used to go there and hang out together. | 0:13:47 | 0:13:50 | |
It was a really great scene. | 0:13:50 | 0:13:51 | |
Those two are taking a bit of a break from the shops | 0:13:53 | 0:13:56 | |
and tootling from Crewkerne to Sparkford. | 0:13:56 | 0:13:59 | |
Radio 1 DJs, people like Gary Davies and Bruno Brookes, | 0:13:59 | 0:14:04 | |
-were all having their Porsches and stuff. -Yeah, yeah. | 0:14:04 | 0:14:06 | |
So I bought a Citroen 2CV. | 0:14:06 | 0:14:08 | |
Well, our fans of cool cars should have a fine old time | 0:14:10 | 0:14:13 | |
at our next destination where they've come to find out more | 0:14:13 | 0:14:16 | |
about a diminutive British beauty. | 0:14:16 | 0:14:19 | |
-Good bit of driving there, Johnnie. -Thank you. -Hello, Johnnie. | 0:14:19 | 0:14:22 | |
-How very nice to meet you. -Nice to meet you. | 0:14:22 | 0:14:24 | |
Welcome both of you to the Haynes International Motor Museum. | 0:14:24 | 0:14:27 | |
If you'd like to come with me. | 0:14:27 | 0:14:28 | |
The Haynes Company made their name | 0:14:33 | 0:14:34 | |
with their trademark Owners Workshop Manuals | 0:14:34 | 0:14:37 | |
and opened this fine collection in 1985. | 0:14:37 | 0:14:40 | |
But that is one of the most beautiful cars ever made. | 0:14:40 | 0:14:43 | |
Indeed. But they've come to find out how the evolution of the small car | 0:14:43 | 0:14:48 | |
changed motoring and gave birth to a British icon. | 0:14:48 | 0:14:51 | |
Our story starts with this quirky classic. | 0:14:51 | 0:14:54 | |
-I'm sure you probably know what it is. -Messerschmitt. | 0:14:54 | 0:14:57 | |
It is a Messerschmitt. It's a Kabineroller 200, | 0:14:57 | 0:15:00 | |
a KR 200 and just in case you were going to ask, it's got... | 0:15:00 | 0:15:05 | |
No parts from this car have come from a Messerschmitt plane. | 0:15:05 | 0:15:09 | |
-Cos the canopy looks like... -It does. | 0:15:09 | 0:15:11 | |
It does, it's the same Messerschmitt, it's the same company | 0:15:11 | 0:15:14 | |
that during the Second World War made all the fighter planes. | 0:15:14 | 0:15:17 | |
Based on an invalid carriage, | 0:15:17 | 0:15:19 | |
the keenly priced Kabineroller was an immediate hit, | 0:15:19 | 0:15:23 | |
thanks in part to world events. | 0:15:23 | 0:15:25 | |
Is this a result of the Suez fuel crisis, 1956? | 0:15:25 | 0:15:29 | |
Yes, oil and then petrol, of course, was in very short supply | 0:15:29 | 0:15:33 | |
-and we were looking at rationing again. -Right. | 0:15:33 | 0:15:36 | |
You know, relatively soon after the Second World War | 0:15:36 | 0:15:39 | |
and so onto the market from the Continent, | 0:15:39 | 0:15:42 | |
from countries like Germany and Italy came these very small cars | 0:15:42 | 0:15:46 | |
which were essentially driven with motorcycle engines | 0:15:46 | 0:15:50 | |
and because of that a lot of them didn't have a reverse gear | 0:15:50 | 0:15:54 | |
but also you didn't need car tax to drive it, | 0:15:54 | 0:15:57 | |
-you didn't need a car licence. -So I guess in a way | 0:15:57 | 0:15:59 | |
that is the forerunner of the Smart car we know today. | 0:15:59 | 0:16:02 | |
-Yeah. -It is. -And, of course, there's one just there. -Right. | 0:16:02 | 0:16:05 | |
-Mr Walker, would you like to try it? -Please do. | 0:16:05 | 0:16:08 | |
Now, this is before health and safety | 0:16:08 | 0:16:09 | |
so if I can just keep my hand over that rather than... | 0:16:09 | 0:16:12 | |
-Just kick him in. -I'd never drive one on the road. | 0:16:12 | 0:16:15 | |
Can we squeeze David in too? | 0:16:15 | 0:16:17 | |
-Ooh, hello. Are you all right? -Don't worry, it's fine. | 0:16:17 | 0:16:21 | |
-Right... -It's supposed to do that. | 0:16:21 | 0:16:23 | |
-It's even got more room than our little MGB GT. -Yes. | 0:16:23 | 0:16:26 | |
-You've got enough air for about 30 seconds. -OK. | 0:16:26 | 0:16:29 | |
But the windows are open anyway so there you are, | 0:16:29 | 0:16:31 | |
this is the full micro car, the bubble car experience. | 0:16:31 | 0:16:34 | |
The British Motor Corporation soon decided that they too | 0:16:37 | 0:16:41 | |
could make a little 'un. | 0:16:41 | 0:16:43 | |
One that was capable of carrying four adults and their luggage | 0:16:44 | 0:16:47 | |
and in 1959 their top designer came up with a Mini. | 0:16:47 | 0:16:51 | |
Alec Issigonis, he was given a very tight brief. | 0:16:51 | 0:16:55 | |
He had to produce a car that could fit in a box no longer | 0:16:55 | 0:16:59 | |
than 10ft, no wider than four and no taller than four. | 0:16:59 | 0:17:03 | |
The biggest thing that he did was turn the engine sideways. | 0:17:03 | 0:17:06 | |
-Yes, transverse. -Yes. -Why? -Which had never, ever been done before. | 0:17:06 | 0:17:10 | |
-To save space. -So everything about this car is designed to save space. | 0:17:10 | 0:17:15 | |
-And a very revolutionary constant velocity joint. -Yes. | 0:17:15 | 0:17:19 | |
Oh, that was...! Are you called Malcolm? | 0:17:19 | 0:17:22 | |
I thought we were just going to talk about music! | 0:17:22 | 0:17:24 | |
Thanks to its enormous influence on car design, | 0:17:24 | 0:17:27 | |
Alec Issigonis's Austin Power-ed classic | 0:17:27 | 0:17:30 | |
has been voted second only to the Model T. | 0:17:30 | 0:17:33 | |
This car when it first came on the road was actually called | 0:17:33 | 0:17:36 | |
wizardry on wheels because everything in it was so clever. | 0:17:36 | 0:17:40 | |
Now, Johnnie, do you remember the day the Mini was released? | 0:17:40 | 0:17:43 | |
I do, I remember all the newspaper headlines. | 0:17:43 | 0:17:45 | |
It was a really big thing because it was such a revolutionary car | 0:17:45 | 0:17:49 | |
that nobody had ever made a car that was that small. | 0:17:49 | 0:17:52 | |
I mean, we've seen bubble cars, | 0:17:52 | 0:17:53 | |
hardly you can't really call it a car, | 0:17:53 | 0:17:55 | |
you know, you need a wheel at each corner. | 0:17:55 | 0:17:58 | |
Yes, and unlike its continental forerunners, | 0:17:58 | 0:18:00 | |
the Mini, with its nimble handling, | 0:18:00 | 0:18:02 | |
would dominate motorsport in the '60s. | 0:18:02 | 0:18:05 | |
-I mean, you could drive them really fast, couldn't you? -Yes, you could. | 0:18:05 | 0:18:08 | |
-Look at Paddy Hopkirk, Monte Carlo rally. -Absolutely. Several wins. | 0:18:08 | 0:18:12 | |
Sporting chic, bags of swinging endorsement | 0:18:13 | 0:18:17 | |
and even a starring role in a movie - it's no wonder the humble Mini | 0:18:17 | 0:18:21 | |
became a style icon | 0:18:21 | 0:18:23 | |
as well as one of the bestselling British cars in history. | 0:18:23 | 0:18:26 | |
So, if I was to say that I had the keys to a 1965 Mini Deluxe outside. | 0:18:26 | 0:18:33 | |
-Thank you very much, Matt. -You're very welcome. | 0:18:33 | 0:18:35 | |
It's a lovely present, we really do appreciate it. | 0:18:35 | 0:18:38 | |
-Thanks a lot, mate. -I hope the trustees aren't watching. | 0:18:38 | 0:18:41 | |
Johnnie, go for it. Yeah, great seeing you, Matt. | 0:18:42 | 0:18:44 | |
-We'll see you again sometime. -Yeah, cheers, Matt. | 0:18:44 | 0:18:46 | |
-Do bring the car back. -Yeah, bye! | 0:18:46 | 0:18:48 | |
Shall we have it? | 0:18:48 | 0:18:50 | |
-Let's leave the MG. Yeah, happy? -Yeah. -Good. | 0:18:50 | 0:18:52 | |
-Yeah, bye! -Bye! | 0:18:52 | 0:18:54 | |
-DAVID LAUGHS -We've got a little Mini. | 0:18:54 | 0:18:56 | |
I hope they're joking. | 0:18:56 | 0:18:58 | |
Meanwhile Bob and Phil are on their own journey through the past. | 0:19:00 | 0:19:04 | |
My dad had a Zephyr | 0:19:04 | 0:19:05 | |
and the thing I loved, I remember at the time, about this car | 0:19:05 | 0:19:10 | |
was the Americanisation of it that little bit. | 0:19:10 | 0:19:13 | |
You know, with the fins, you've got a bit of chrome on it, | 0:19:13 | 0:19:16 | |
the style, the two-tone. | 0:19:16 | 0:19:18 | |
-Yeah, Whitewall tyres. -Yeah, beautiful car. | 0:19:18 | 0:19:21 | |
These two are making their own sweet way to their next shop. | 0:19:23 | 0:19:27 | |
The Dorset village of Yetminster was home to | 0:19:27 | 0:19:30 | |
Benjamin Jesty in the 18th century, a local farmer who | 0:19:30 | 0:19:33 | |
administered the world's first recorded smallpox vaccination. | 0:19:33 | 0:19:38 | |
-Hello, there. -Hi, Philip. | 0:19:38 | 0:19:40 | |
We've got Whispering Bob Harris and Miserable Phil Serrell. | 0:19:40 | 0:19:43 | |
On the Dorset leg of their world tour, complete with bus. | 0:19:44 | 0:19:49 | |
-I like the sign up there. -I love the sign up there. -Nice. | 0:19:49 | 0:19:52 | |
-Could you carry that off? -I don't think so, do you? | 0:19:52 | 0:19:57 | |
-They are always too small. -They are, aren't they? | 0:19:57 | 0:20:00 | |
Suits you, sir. | 0:20:00 | 0:20:01 | |
-Ah! -Also promising. | 0:20:01 | 0:20:03 | |
What do you think about this? | 0:20:03 | 0:20:04 | |
Yeah, clarinet, could you play that? | 0:20:04 | 0:20:06 | |
-No, no, I couldn't. -Are you sure? I couldn't either. | 0:20:06 | 0:20:09 | |
-I wouldn't even know how to put it together. -That might make two of us. | 0:20:09 | 0:20:12 | |
The greatest exponent of this for me was Acker Bilk. | 0:20:12 | 0:20:15 | |
-Stranger On The Shore. -Yeah. | 0:20:15 | 0:20:17 | |
Ah, yes, the clarinet classic. | 0:20:17 | 0:20:19 | |
It's interesting because you can get really good versions of these | 0:20:19 | 0:20:22 | |
that are quite old, but this is plastic and it's made in China. | 0:20:22 | 0:20:26 | |
Oh, is it? Oh, it's still quite... It's substantial, isn't it? | 0:20:26 | 0:20:29 | |
I wouldn't rule this out at all. | 0:20:29 | 0:20:31 | |
-I like the musical theme for you. -Yeah. | 0:20:31 | 0:20:33 | |
Well, it's £30. | 0:20:33 | 0:20:35 | |
It'll be almost embarrassing to try and get some discount on that, | 0:20:36 | 0:20:39 | |
won't it? We'll give it a go. | 0:20:39 | 0:20:41 | |
You could always threaten to play it, Phil. | 0:20:41 | 0:20:43 | |
I've just noticed, Phil, this rather lovely picnic set. | 0:20:43 | 0:20:48 | |
-We could have that in the Zephyr. -We could have that in the Zephyr! | 0:20:48 | 0:20:51 | |
-It's the same colour scheme. -It is, isn't it? | 0:20:51 | 0:20:53 | |
What, every colour scheme?! | 0:20:53 | 0:20:55 | |
The first thing to do with these is check | 0:20:55 | 0:20:58 | |
that the old Thermos is still... | 0:20:58 | 0:21:00 | |
-Oh, look at those. That's all there, look. -Yeah. | 0:21:00 | 0:21:03 | |
Oh, yeah. It looks as if it's hardly ever been used. | 0:21:03 | 0:21:07 | |
Joking apart, we've got the Zephyr. | 0:21:07 | 0:21:09 | |
You know, there are people who collect classic cars | 0:21:09 | 0:21:12 | |
and this is a great thing to put in the boot | 0:21:12 | 0:21:13 | |
-if you're going out for your day in your classic car... -Absolutely. | 0:21:13 | 0:21:16 | |
You know, take your tartan rug with you and picnic set. | 0:21:16 | 0:21:19 | |
That's good. | 0:21:19 | 0:21:21 | |
-Look, Sirram. -Yeah. -Sirram. | 0:21:21 | 0:21:24 | |
-Yeah. -You're pretty much sure | 0:21:24 | 0:21:26 | |
this would be the original cup and saucers for it, which is nice. | 0:21:26 | 0:21:28 | |
Will it be both items? | 0:21:28 | 0:21:30 | |
However much I like the clarinet, | 0:21:30 | 0:21:32 | |
to me, this has got a much greater potential. | 0:21:32 | 0:21:35 | |
-Shall I leave the clarinet there? -I think so, yeah. | 0:21:35 | 0:21:38 | |
So this is now a number one possibility. | 0:21:38 | 0:21:41 | |
It's getting there, isn't it, yeah. | 0:21:41 | 0:21:43 | |
Somehow I think those two will be doing quite | 0:21:43 | 0:21:45 | |
a bit of business in here. | 0:21:45 | 0:21:47 | |
-Actually, I must say, it rather suits you, yeah. -Toulouse Serrell? | 0:21:47 | 0:21:50 | |
Please don't encourage him, Bob. | 0:21:50 | 0:21:53 | |
This is rather nice, look. | 0:21:53 | 0:21:54 | |
Oh, look. | 0:21:54 | 0:21:57 | |
-This is a fly-fishing box with flies. -I think that's lovely. | 0:21:57 | 0:22:01 | |
Oh, it's beautiful, isn't it? | 0:22:01 | 0:22:02 | |
When would you say this was manufactured? | 0:22:02 | 0:22:06 | |
I would think that's probably 1920s. | 0:22:06 | 0:22:09 | |
It's that great British field sports age. | 0:22:09 | 0:22:11 | |
It's got a second little compartment here as well. | 0:22:12 | 0:22:16 | |
"Crawford McFall. April." | 0:22:16 | 0:22:19 | |
This is telling you the flies. | 0:22:19 | 0:22:21 | |
These are all the names of the flies. So you've got a Dark Olive, | 0:22:21 | 0:22:24 | |
a Gold Nibbled Hare's Ear. How does that grab you? | 0:22:24 | 0:22:26 | |
You know, I really would love to get this. | 0:22:26 | 0:22:29 | |
-I would as well. -I think this has got potential. | 0:22:29 | 0:22:31 | |
How much is it? 140 quid. Whoa! | 0:22:31 | 0:22:34 | |
That is quite expensive, isn't it, £140. | 0:22:34 | 0:22:36 | |
That is casting your bread upon the water, that is, isn't it? | 0:22:36 | 0:22:38 | |
We're going to Salisbury for the auction, that is | 0:22:38 | 0:22:41 | |
a good sort of fishing area. I would kind of hope that it would work. | 0:22:41 | 0:22:45 | |
If we could perhaps just try and put a group of things together. | 0:22:45 | 0:22:51 | |
-So we've got this. -Yeah. | 0:22:51 | 0:22:52 | |
We've got the picnic hamper. | 0:22:52 | 0:22:54 | |
We could perhaps find something else. | 0:22:54 | 0:22:56 | |
What though? | 0:22:56 | 0:22:58 | |
Something old? Something grey? | 0:22:58 | 0:22:59 | |
We've already said no to the whistle. | 0:22:59 | 0:23:02 | |
-I think it's probably from the '60s. -I would say. | 0:23:02 | 0:23:04 | |
Not only can you drink from these cups, you can actually play them. | 0:23:04 | 0:23:09 | |
Well, sort of. | 0:23:09 | 0:23:10 | |
You've got six cups, sugar bowl and milk jug. | 0:23:10 | 0:23:15 | |
I think they are rather attractive. I don't know what it is about them. | 0:23:15 | 0:23:19 | |
And the price... £40. | 0:23:19 | 0:23:21 | |
That's, erm... | 0:23:21 | 0:23:23 | |
I could imagine somebody at an auction | 0:23:23 | 0:23:25 | |
really taking a fancy to these. | 0:23:25 | 0:23:27 | |
Portmeirion Pottery wasn't made in the famous | 0:23:27 | 0:23:30 | |
Welsh tourist village, but it was sold there. | 0:23:30 | 0:23:33 | |
The important thing is damage. | 0:23:33 | 0:23:35 | |
And if you just run your fingers, | 0:23:35 | 0:23:37 | |
very often, you know, fingers will feel damage before eyes see them. | 0:23:37 | 0:23:41 | |
-I don't think there's any damage to these at all. -That's a good tip. | 0:23:41 | 0:23:45 | |
Does that mean we might be talking to Mark soon? | 0:23:45 | 0:23:48 | |
-We've got a £40 coffee set, we've got a £34 picnic set... -Yep. | 0:23:48 | 0:23:53 | |
..and we've got a £140 fly box. | 0:23:53 | 0:23:56 | |
In my eyes we've got to try and buy them | 0:23:56 | 0:23:59 | |
for somewhere between, well, £80-100 if we can. | 0:23:59 | 0:24:01 | |
That is the cold light of day. | 0:24:01 | 0:24:03 | |
Whether he will or not, I don't know. | 0:24:03 | 0:24:05 | |
-What, all of them together, you mean? -Yes. -Blimey. | 0:24:05 | 0:24:08 | |
Gird your loins. | 0:24:08 | 0:24:09 | |
It would be lovely to buy them for somewhere between £80-90. | 0:24:09 | 0:24:12 | |
If we bought them for 90, we've got to sell them for about 110-115 | 0:24:12 | 0:24:17 | |
-just to get our money back. -Yeah. | 0:24:17 | 0:24:20 | |
I've got 210 on sale. | 0:24:20 | 0:24:22 | |
I can't really go that low, I'm afraid. | 0:24:22 | 0:24:25 | |
I couldn't see us going much over 100 quid for them, in truth. | 0:24:25 | 0:24:28 | |
-I'll do 110. -OK. -Yeah. -Yeah, all right, then. | 0:24:28 | 0:24:32 | |
-All right? -Yeah. You've got a deal. Good one, Mark. | 0:24:32 | 0:24:36 | |
-Thank you. -Thank you. | 0:24:36 | 0:24:39 | |
So that's £55 for the fly-fishing box, 30 for the Portmeirion | 0:24:39 | 0:24:43 | |
and £25 for the picnic set. Not bad. | 0:24:43 | 0:24:46 | |
And now approaching fast at the end of side one... | 0:24:47 | 0:24:51 | |
Does it feel safe, Bob, with me driving? | 0:24:51 | 0:24:54 | |
-I do, Johnnie, yeah. -Are you sure? -Yeah, completely. | 0:24:54 | 0:24:58 | |
-Why, are you going to scare me any minute? -I might just try. | 0:24:58 | 0:25:01 | |
THEY LAUGH | 0:25:01 | 0:25:03 | |
Night-night. | 0:25:03 | 0:25:04 | |
Next day, we're in Devon, down by the seaside, how lovely. | 0:25:07 | 0:25:11 | |
Look at that, Phil, the English Riviera, eh? | 0:25:11 | 0:25:14 | |
I know that Torquay is just seen as that | 0:25:14 | 0:25:17 | |
-but it is something else really as well. -What is it? | 0:25:17 | 0:25:19 | |
-Basil! -Of course it is! | 0:25:19 | 0:25:21 | |
Later, they'll be making for that Wiltshire auction. | 0:25:21 | 0:25:24 | |
But first, they're about to meet up in Torquay. | 0:25:24 | 0:25:26 | |
So, Philip, when I first saw him, I thought, | 0:25:27 | 0:25:30 | |
"There's a bit of an Elton John going on there." | 0:25:30 | 0:25:33 | |
-So now I call him Rocket Man. -Yes! | 0:25:33 | 0:25:35 | |
You are right, though. Put a piano in front of Phil. | 0:25:36 | 0:25:40 | |
He could turn up and do gigs, couldn't he? | 0:25:40 | 0:25:42 | |
Nobody would know the difference. | 0:25:42 | 0:25:44 | |
Until he opened his mouth, presumably, Bob. | 0:25:44 | 0:25:47 | |
Fortunately he knows a bit about antiques though | 0:25:47 | 0:25:49 | |
and together the two of them have spent £210 on a fly-fishing case, | 0:25:49 | 0:25:54 | |
a picnic set, a leather cartridge case and coffee set. | 0:25:54 | 0:25:58 | |
Not only can you drink from these cups, you can actually play them. | 0:25:58 | 0:26:03 | |
Leaving them with just under £200 still to spend. | 0:26:03 | 0:26:06 | |
While Johnnie and David have parted with £117 for a chandelier, | 0:26:07 | 0:26:12 | |
a portrait of Scamp and a leather gun case... | 0:26:12 | 0:26:16 | |
-Are you any good? -Yeah, I have my moments. | 0:26:16 | 0:26:18 | |
..meaning they have almost £300 at their disposal. | 0:26:18 | 0:26:22 | |
Right, are you off in yours and we're off in ours? | 0:26:22 | 0:26:24 | |
Yes, we seem to have wrong partners. | 0:26:24 | 0:26:27 | |
Bob, I'm going to deliver you over here. | 0:26:27 | 0:26:29 | |
Just over this way, Johnnie. There you are. | 0:26:29 | 0:26:32 | |
I'm driving today. | 0:26:32 | 0:26:34 | |
-I'm driving, right. -I like being chauffeur driven. | 0:26:34 | 0:26:37 | |
-Well, well. -We're off, we're off. | 0:26:37 | 0:26:40 | |
Whoa! | 0:26:40 | 0:26:42 | |
After that getaway, Johnnie and David are following the coast road. | 0:26:42 | 0:26:46 | |
Johnny, you're going to have to forgive me for quite possibly | 0:26:46 | 0:26:49 | |
a stupid question, but is your name really Johnnie Walker? | 0:26:49 | 0:26:53 | |
No, it's not. When I joined my first radio station, run by Americans, | 0:26:53 | 0:26:57 | |
they brought a lot of jingles from their station in America | 0:26:57 | 0:27:01 | |
and they said, "We want you to be called Johnnie Walker because | 0:27:01 | 0:27:04 | |
"we've got a lot of jingles." | 0:27:04 | 0:27:05 | |
I had a great one that goes | 0:27:05 | 0:27:07 | |
# Johnnie Walker... # | 0:27:07 | 0:27:09 | |
-So that was that, really. -Dare I ask what your real name is? | 0:27:09 | 0:27:12 | |
-Peter Dingley. -Peter Dingley's got a great cool ring to it. | 0:27:12 | 0:27:15 | |
-Really?! -Yeah. | 0:27:15 | 0:27:17 | |
Whoever they are, they're heading for the delightful resort of Paignton. | 0:27:17 | 0:27:21 | |
-There we go. -After you. | 0:27:21 | 0:27:23 | |
-Thank you. -Not that they've got time for a dip. | 0:27:23 | 0:27:26 | |
-Hello, Pete. -Hello, Johnnie. -How are you? | 0:27:26 | 0:27:29 | |
-Nice to meet you. Very well, thank you. Peter. -David. | 0:27:29 | 0:27:32 | |
Really good to meet you. | 0:27:32 | 0:27:33 | |
What have you got, then? Anything fantastic? | 0:27:33 | 0:27:36 | |
We've got a treasure trove for you here. | 0:27:36 | 0:27:38 | |
It's got to be cheap, mind. | 0:27:38 | 0:27:40 | |
Well, I'm sure a bit of the old charm would help with that, Johnnie. | 0:27:40 | 0:27:43 | |
-We want something special. -Something unusual. | 0:27:43 | 0:27:46 | |
Where is your special, unusual stuff, Peter? | 0:27:46 | 0:27:49 | |
Well, if you don't ask. | 0:27:49 | 0:27:51 | |
What's your connection with cameras then? | 0:27:51 | 0:27:54 | |
I've just always loved photography. | 0:27:54 | 0:27:56 | |
You know, collected cameras over the years. Kodak Jr. | 0:27:57 | 0:28:01 | |
What's nice about that is we've got the original case with that one. | 0:28:01 | 0:28:04 | |
Oh, the little leather pouch? | 0:28:04 | 0:28:06 | |
Were you out and about in the '60s taking pictures of all the celebs? | 0:28:06 | 0:28:10 | |
Yeah, and I had a Nikkormat, which was like the poor man's Nikon. | 0:28:10 | 0:28:13 | |
I used to take photographs at gigs | 0:28:13 | 0:28:15 | |
and had a few photographs published in New Musical Express. | 0:28:15 | 0:28:19 | |
Tell me, how would that do in a auction, do you think? | 0:28:19 | 0:28:22 | |
Not well. | 0:28:22 | 0:28:23 | |
Because that brand, great brand, but they were the prolific makers. | 0:28:23 | 0:28:28 | |
This was the camera for everybody. | 0:28:28 | 0:28:30 | |
It is probably under £3, I'd guess, Peter. | 0:28:30 | 0:28:33 | |
In which universe?! | 0:28:35 | 0:28:37 | |
I'm not sure that went down well. | 0:28:37 | 0:28:40 | |
I could do that for £15. | 0:28:40 | 0:28:42 | |
7.50 would be quite good, wouldn't it? | 0:28:42 | 0:28:45 | |
It's so easy to make Peter laugh, isn't it? | 0:28:45 | 0:28:48 | |
Yes, exactly. Just hammer his prices, he loves it. | 0:28:48 | 0:28:51 | |
Or I'll cry, let's be honest. | 0:28:51 | 0:28:54 | |
-What did we get to? -7.50. That's over double what you offered. | 0:28:54 | 0:28:57 | |
-He's offered over double what I offered. -We've doubled our offer. | 0:28:57 | 0:29:00 | |
-I can't believe we did that. -No, neither can Peter. | 0:29:00 | 0:29:03 | |
-We're getting close to being ejected here. -You are, yeah. | 0:29:03 | 0:29:06 | |
-Do you think? -Yeah. | 0:29:06 | 0:29:08 | |
I tell you what might be interesting, | 0:29:08 | 0:29:11 | |
you get closer to Peter. | 0:29:11 | 0:29:12 | |
-Johnnie's offer was 7.50. -I can't do it. | 0:29:14 | 0:29:17 | |
What could you do? | 0:29:17 | 0:29:19 | |
Because you're such a legend... | 0:29:20 | 0:29:23 | |
Yeah. | 0:29:24 | 0:29:26 | |
I suppose I could do it for 12.50. | 0:29:26 | 0:29:28 | |
All right, then, 12 quid. | 0:29:28 | 0:29:31 | |
12.50! | 0:29:32 | 0:29:34 | |
-That's it. -You got to give him his 50p. | 0:29:34 | 0:29:37 | |
I'm sure I can find 50p. | 0:29:37 | 0:29:39 | |
Shall we do that. Peter, I'm so sorry about Johnnie Walker. | 0:29:39 | 0:29:43 | |
I think Peter's given them a very good deal there. | 0:29:45 | 0:29:47 | |
Quick, pay the man before he changes his mind. | 0:29:47 | 0:29:50 | |
Johnnie Walker, quickly! | 0:29:50 | 0:29:53 | |
Jump in. I'll throw you the camera. | 0:29:54 | 0:29:56 | |
Meanwhile, with Whispering Bob and the Rocket Man, | 0:30:02 | 0:30:05 | |
the grilling goes on. | 0:30:05 | 0:30:07 | |
Where does Whispering Bob come from? | 0:30:07 | 0:30:10 | |
It was coined by a journalist, on Melody Maker, | 0:30:10 | 0:30:13 | |
when I first started doing the Old Grey Whistle Test. | 0:30:13 | 0:30:15 | |
-Are you proud of it? -I am. It's distinctive, you know? | 0:30:15 | 0:30:18 | |
-There are millions of Bobs in the world. -There is only | 0:30:18 | 0:30:20 | |
-one Whispering Bob. -There are not many Whispering Bobs. | 0:30:20 | 0:30:22 | |
Only one Whispering Bob. | 0:30:22 | 0:30:24 | |
Those two are journeying towards Dartington | 0:30:24 | 0:30:27 | |
where, in the 1920s, an American heiress began a revolution | 0:30:27 | 0:30:31 | |
in both farming and education. | 0:30:31 | 0:30:33 | |
Philip, Bob, | 0:30:35 | 0:30:36 | |
-welcome to Dartington. -And you are Celia. -I am Celia. | 0:30:36 | 0:30:40 | |
-Celia, this is very special. -It's very beautiful, isn't it? | 0:30:40 | 0:30:43 | |
This is the medieval courtyard, 15th century. | 0:30:43 | 0:30:46 | |
But completely transformed by Dorothy Elmhirst. | 0:30:46 | 0:30:48 | |
Would you be kind enough to show us around? | 0:30:48 | 0:30:51 | |
-I'd love to. -OK. | 0:30:51 | 0:30:54 | |
Dorothy Whitney was fabulously wealthy and determined to | 0:30:55 | 0:30:59 | |
spend her fortune on furthering the progressive causes she believed in. | 0:30:59 | 0:31:03 | |
She met her second husband, Leonard, the farmer son | 0:31:03 | 0:31:07 | |
of an English parson in 1919. | 0:31:07 | 0:31:10 | |
Together they established a centre for their ideas | 0:31:10 | 0:31:13 | |
and moved to the Devon countryside. | 0:31:13 | 0:31:15 | |
He realised there were different ways that you could do agriculture. | 0:31:15 | 0:31:19 | |
There was something lacking in the British education system. | 0:31:19 | 0:31:22 | |
She knew that the things needed to move on from Victoriana, | 0:31:22 | 0:31:26 | |
if you like. | 0:31:26 | 0:31:27 | |
So they then discover they had an opportunity together to make | 0:31:27 | 0:31:31 | |
something very special and they came here to do it. | 0:31:31 | 0:31:34 | |
What condition was the estate in when they got here? | 0:31:34 | 0:31:36 | |
It was completely ruined. There was one farmer living here. | 0:31:36 | 0:31:41 | |
The courtyard was a farmyard and they restored the building | 0:31:41 | 0:31:46 | |
and added to it. | 0:31:46 | 0:31:48 | |
If you want to come with me, I'll show you some of it. | 0:31:48 | 0:31:50 | |
Oh, yes, we really would. | 0:31:50 | 0:31:52 | |
The couple spent millions over the next few years, | 0:31:52 | 0:31:55 | |
providing a huge boost to the local economy. | 0:31:55 | 0:31:58 | |
They set up farming and forestry products | 0:31:58 | 0:32:00 | |
and in 1926 established a co-educational boarding school. | 0:32:00 | 0:32:04 | |
What would it have been like | 0:32:04 | 0:32:06 | |
building this up from the ground, really? | 0:32:06 | 0:32:09 | |
It was a busy and building community | 0:32:09 | 0:32:13 | |
of so many different kinds of people and interests. | 0:32:13 | 0:32:15 | |
That is what they fostered. | 0:32:15 | 0:32:17 | |
They started a new school because they knew that schooling | 0:32:17 | 0:32:20 | |
methods that existed didn't work for all children. | 0:32:20 | 0:32:23 | |
They just got on with it and | 0:32:23 | 0:32:25 | |
started a school that transformed the way that we are all taught now. | 0:32:25 | 0:32:30 | |
With no prefects, uniforms or punishment, | 0:32:30 | 0:32:33 | |
the Dartington School was extremely advanced. | 0:32:33 | 0:32:36 | |
The children here spent less time in the classroom | 0:32:36 | 0:32:39 | |
and learnt instead whilst working on the estate. | 0:32:39 | 0:32:42 | |
That belief that you could teach people of the future, | 0:32:42 | 0:32:46 | |
that you could welcome the writers of the welfare state here to | 0:32:46 | 0:32:51 | |
write the Labour Party manifesto in 1945, that you could mix | 0:32:51 | 0:32:56 | |
work on the land with art. | 0:32:56 | 0:32:58 | |
And all of those things melded together. | 0:32:58 | 0:33:01 | |
The arts were at the core of the Dartington experiment. | 0:33:01 | 0:33:05 | |
Many outstanding figures were attracted to the hall. | 0:33:05 | 0:33:08 | |
That influx was given greater impetus during the '30s and '40s. | 0:33:08 | 0:33:12 | |
Some of the most famous artists of the time came | 0:33:12 | 0:33:16 | |
and inhabited rooms around the courtyard and did their work. | 0:33:16 | 0:33:20 | |
In particular it attracted artists from Europe who are being | 0:33:20 | 0:33:24 | |
persecuted prior to the Second World War. | 0:33:24 | 0:33:28 | |
These were people who were dancers, painters, sculptors | 0:33:28 | 0:33:32 | |
and they were welcomed in here by the Elmhirsts, | 0:33:32 | 0:33:34 | |
but also by the local community. | 0:33:34 | 0:33:37 | |
They brought with them a whole new way of being | 0:33:37 | 0:33:41 | |
and that legacy lasts today. | 0:33:41 | 0:33:44 | |
Nowadays, Dartington is famous for its international summer school - | 0:33:44 | 0:33:47 | |
a unique music event - | 0:33:47 | 0:33:50 | |
as well as hosting several other educational programmes. | 0:33:50 | 0:33:53 | |
They had a big vision, | 0:33:53 | 0:33:55 | |
but I think they would have been surprised and largely impressed | 0:33:55 | 0:33:59 | |
to see that, 40-odd years later, | 0:33:59 | 0:34:01 | |
it was still doing so many of the things that they had started, | 0:34:01 | 0:34:05 | |
still experimenting and still trying to be relevant, | 0:34:05 | 0:34:08 | |
still trying to do things differently. | 0:34:08 | 0:34:11 | |
The Elmhirsts' vision has become a charitable trust, | 0:34:11 | 0:34:15 | |
specialising in the arts, sustainable agriculture and social justice. | 0:34:15 | 0:34:19 | |
I think towards the end of their lives, they could also see | 0:34:19 | 0:34:22 | |
that they had created something which might not be able to continue | 0:34:22 | 0:34:27 | |
because it needed too much money. | 0:34:27 | 0:34:29 | |
It needed too much of the money that Dorothy brought with her, | 0:34:29 | 0:34:33 | |
which was now running out. | 0:34:33 | 0:34:35 | |
That has been the constant challenge ever since, | 0:34:35 | 0:34:37 | |
to maintain the legacy but to find a way to do it | 0:34:37 | 0:34:40 | |
that will work for today and for future generations. | 0:34:40 | 0:34:45 | |
Now, this is the sort of place a pirate might warm to. | 0:34:50 | 0:34:54 | |
Johnnie and David have returned the route towards Torbay | 0:34:54 | 0:34:58 | |
and the harbour town of Brixham, famed for fishing, | 0:34:58 | 0:35:01 | |
smuggling and also an annual pirate festival. | 0:35:01 | 0:35:04 | |
Probably very few of them as authentic as our Johnnie. | 0:35:04 | 0:35:08 | |
David, I've got to say, | 0:35:08 | 0:35:10 | |
I'm not feeling hugely confident in what we've got. | 0:35:10 | 0:35:14 | |
I'm hoping this final shop, | 0:35:14 | 0:35:16 | |
we're going to find something really special. | 0:35:16 | 0:35:18 | |
You want to go for the killer object. | 0:35:18 | 0:35:21 | |
Blimey, pirates lacking confidence, surely not. | 0:35:21 | 0:35:27 | |
-I love this. -I love that. | 0:35:27 | 0:35:29 | |
-It's very trendy. -Hello, John. -Hello, there. | 0:35:29 | 0:35:32 | |
-How are you? -I'm all right, fine. How are you? | 0:35:32 | 0:35:35 | |
-Very well indeed. -David Harper. -Hello, David. | 0:35:35 | 0:35:38 | |
I'm liking the pirate scarf there. | 0:35:38 | 0:35:41 | |
It's a nautical look. | 0:35:41 | 0:35:42 | |
Yes, the captain has plenty of cargo in here. | 0:35:42 | 0:35:46 | |
Johnnie, did you use telescopes on Radio Caroline? | 0:35:46 | 0:35:49 | |
-No, we didn't. -Looking for girls on shore. | 0:35:49 | 0:35:52 | |
No, they used to come out for us, we didn't need a telescope. | 0:35:52 | 0:35:57 | |
Hey, let's have a closer peek on the poop deck, eh? | 0:35:57 | 0:36:00 | |
This is off the camera from when she was broken up. | 0:36:00 | 0:36:03 | |
-So these are the real thing? -These are the real thing. | 0:36:03 | 0:36:06 | |
They've taken out the original glass that was in them | 0:36:06 | 0:36:09 | |
and now made them into good quality mirrors. | 0:36:09 | 0:36:11 | |
-How many portholes were taken off? -God knows. | 0:36:13 | 0:36:16 | |
-I like the fact it is all about recycling. -Yeah. | 0:36:16 | 0:36:19 | |
-That is very eco-friendly. -Yes, people like that. -Yes, it's good. | 0:36:19 | 0:36:22 | |
What worries me is the fact that we don't know how many | 0:36:22 | 0:36:25 | |
are on the market. How long have you been selling them for? | 0:36:25 | 0:36:28 | |
About two years. | 0:36:28 | 0:36:30 | |
-Does it open up as well? Is that what you're going to do? -Yeah. | 0:36:30 | 0:36:33 | |
Could a bit of ocean liner be the killer buy they're after? | 0:36:33 | 0:36:37 | |
The ticket price however is £195. | 0:36:37 | 0:36:40 | |
What is the trade in these? | 0:36:40 | 0:36:43 | |
-The very best, seriously, 120. -Wow. | 0:36:43 | 0:36:47 | |
What is the best, John? | 0:36:48 | 0:36:50 | |
-It's going to break my heart, this. -We'll be gentle with you. -£90. | 0:36:50 | 0:36:54 | |
-OK. -Right. -Very best. | 0:36:54 | 0:36:56 | |
Now, it's been a long time since we heard from their rivals. | 0:36:58 | 0:37:02 | |
If you could have played in any band, | 0:37:02 | 0:37:04 | |
which band would you have played in? | 0:37:04 | 0:37:06 | |
-Oh, wow. Probably Led Zeppelin. -Really? -What would you have done? | 0:37:06 | 0:37:10 | |
Guitar, drums? | 0:37:10 | 0:37:11 | |
Yeah, I would have replaced Jimmy Page. | 0:37:11 | 0:37:14 | |
-I would have been much better than him. -I have heard that. | 0:37:14 | 0:37:17 | |
Personally I'm more of a triangle or tambourine man myself. | 0:37:17 | 0:37:20 | |
-J Arthur Rank on gong. -Absolutely right. | 0:37:20 | 0:37:24 | |
Those two are breezing the Zephyr towards the coast | 0:37:24 | 0:37:27 | |
for a last look-see around the antique shops of Paignton. | 0:37:27 | 0:37:30 | |
-Good afternoon. -Good afternoon. -You must be Richard. -I am. | 0:37:30 | 0:37:34 | |
-I'm Bob. -Hello, Bob. Nice to meet you. -Good to meet you. | 0:37:34 | 0:37:37 | |
-This is Philip. -Philip. How are you? -Hello, Philip. -Good to see you. | 0:37:37 | 0:37:41 | |
-And you. -This looks as new as a pin here. The shop, I mean. | 0:37:41 | 0:37:44 | |
Yeah, thankfully not the contents. | 0:37:44 | 0:37:46 | |
-What's the cheapest thing in the shop? -Cheapest thing in the shop? | 0:37:46 | 0:37:49 | |
-Probably me. -Really? -Ha-ha! -I'm not sure that would be practical. | 0:37:49 | 0:37:54 | |
Anyway, Phil's spotted something a bit smaller. | 0:37:54 | 0:37:57 | |
That's interesting, Bob, look. | 0:37:57 | 0:37:59 | |
Hasn't travelled far either. | 0:37:59 | 0:38:01 | |
My mum had something very similar to this actually. | 0:38:01 | 0:38:05 | |
-Everybody's mum had something similar. -Yeah. -That is Torquay ware. | 0:38:05 | 0:38:10 | |
OK? So this is a mid-20th century equivalent of a stick of rock! | 0:38:10 | 0:38:14 | |
-This is rather attractive. -I think this is really, really undervalued. | 0:38:14 | 0:38:19 | |
I like the motto - may you live as long as you want, | 0:38:19 | 0:38:22 | |
and never want as long as you live. | 0:38:22 | 0:38:24 | |
-That'll do, won't it? -Or, as another famous Bob once sang, | 0:38:24 | 0:38:29 | |
# May you stay forever young. # | 0:38:29 | 0:38:31 | |
Meanwhile, back in Brixham... | 0:38:31 | 0:38:34 | |
-What about an original gunpowder barrel? -Really? | 0:38:34 | 0:38:38 | |
It's got the broad arrow on it. | 0:38:38 | 0:38:41 | |
-Oh, he's got the military stamp on there, look. -MoD stamp. | 0:38:41 | 0:38:45 | |
It's probably going to be about 1850. | 0:38:45 | 0:38:48 | |
So, what would you do with that now? The natural thing to do... | 0:38:48 | 0:38:51 | |
You could put a glass top on it. | 0:38:51 | 0:38:54 | |
-Make it into a coffee table. -Yeah. | 0:38:54 | 0:38:57 | |
-I'm a massive fan of Hornblower books. -Yeah. | 0:38:57 | 0:39:00 | |
I love all the stories about old, tall-masted sailing ships. | 0:39:00 | 0:39:03 | |
And look at the name. What is this? | 0:39:03 | 0:39:06 | |
The Fighting Temeraire Antique Shop, isn't it? | 0:39:06 | 0:39:08 | |
-Temeraire means brave and foolhardy. There he is. -Yeah. | 0:39:08 | 0:39:13 | |
-The ticket price is £160. -What sort of trade is that, John? | 0:39:13 | 0:39:17 | |
£75. | 0:39:17 | 0:39:18 | |
I like that. | 0:39:18 | 0:39:20 | |
I really like that. | 0:39:20 | 0:39:21 | |
-Yeah. -19th century gunpowder barrel. It's got a lot going for it. | 0:39:21 | 0:39:25 | |
-Yeah. That talks to me. -Time for John to make a tactical withdrawal, | 0:39:25 | 0:39:30 | |
while they make up their minds. | 0:39:30 | 0:39:32 | |
What I love about it is I think it's very rare. | 0:39:32 | 0:39:34 | |
It would be a talking point and it'd be something special. | 0:39:34 | 0:39:38 | |
-I agree. -And what about the rag? Obviously, it is what it is. | 0:39:38 | 0:39:41 | |
Some people might think it's a bit scruffy. | 0:39:41 | 0:39:44 | |
If it was me and I bought that, I'd remove the rag, polish it and glass | 0:39:44 | 0:39:47 | |
top it, but I think into auction, it gives it authenticity, doesn't it? | 0:39:47 | 0:39:51 | |
Yeah. | 0:39:51 | 0:39:52 | |
I mean, when you look at those, they might be real from a ship, | 0:39:52 | 0:39:56 | |
-but it just says repro really, doesn't it? -It does. | 0:39:56 | 0:39:59 | |
-So, do we want to try and knock him down? -A bit. -Yeah. -Just a bit. -Yeah. | 0:39:59 | 0:40:02 | |
Batten down the hatches, eh? | 0:40:02 | 0:40:04 | |
-It's kind of between the porthole mirror and the barrel. -Right. | 0:40:04 | 0:40:08 | |
-If I offered you £60 for the gun barrel... -I've got to get 70 for it. | 0:40:08 | 0:40:13 | |
-Have you? -Yeah. | 0:40:13 | 0:40:14 | |
-Do you like compromise? -65, you're going to say? -Yeah. -No, I can't. | 0:40:14 | 0:40:18 | |
This is where we walk out, pretend we're going to leave it. | 0:40:18 | 0:40:21 | |
Well, you've just given that one away. | 0:40:21 | 0:40:23 | |
-You might as well try it now, chaps. -Shall we give it a go? | 0:40:23 | 0:40:26 | |
Come on, come on. | 0:40:26 | 0:40:27 | |
See if he shouts us back. | 0:40:27 | 0:40:29 | |
Come back! | 0:40:29 | 0:40:30 | |
-It worked. -It worked! | 0:40:30 | 0:40:32 | |
-I think he's going to compromise. -Let's do it. 65. -65. | 0:40:32 | 0:40:36 | |
-There you are. Proper job. -Thank you, John. -Nice work, everyone. | 0:40:36 | 0:40:41 | |
-Now, is that it? -Hey, have you noticed these? -Aye-aye. | 0:40:41 | 0:40:45 | |
Warming pans, Johnnie. They used to sell well. 19th century. | 0:40:45 | 0:40:48 | |
People used to hang them on the walls. | 0:40:48 | 0:40:51 | |
They don't hang them on the walls any more. | 0:40:51 | 0:40:53 | |
You fill them full of coals and stick them in your bed. | 0:40:53 | 0:40:56 | |
Exactly right, but not really needed these days, eh? | 0:40:56 | 0:41:00 | |
I'm fed up with the sight of these. I really am. | 0:41:00 | 0:41:03 | |
You can have these for a pound. | 0:41:03 | 0:41:05 | |
-Really? -Take them away. Yeah, I'm fed up with them. | 0:41:05 | 0:41:07 | |
And all the dogs keep peeing on them. | 0:41:07 | 0:41:09 | |
Now, that's what you call patination. | 0:41:09 | 0:41:12 | |
-I'm going to give you £2 for it. -£2. Good man! | 0:41:12 | 0:41:15 | |
-Let's take these and we'll come back for the barrel. -You have one. | 0:41:15 | 0:41:18 | |
-I'll have two. -I'm sure someone will find a good home for those. | 0:41:18 | 0:41:22 | |
# Standing on the corner of... # | 0:41:22 | 0:41:24 | |
THEY LAUGH | 0:41:24 | 0:41:26 | |
Meanwhile in Paignton, the Torquay ware is back on the shelf | 0:41:26 | 0:41:30 | |
and there's a wall clock under consideration. | 0:41:30 | 0:41:33 | |
-I'm big on my clocks. -How much is that one? -35. | 0:41:33 | 0:41:36 | |
-And there's presumably a deal to be done on that? -Yeah. | 0:41:36 | 0:41:39 | |
-Is that a working clock, though? -It's a bit of a project, really. | 0:41:39 | 0:41:43 | |
Now, there's an euphemism, if I ever heard one! | 0:41:43 | 0:41:46 | |
This would require a certain amount of DIY skill and practical skill. | 0:41:46 | 0:41:49 | |
I have no practical skills whatsoever. | 0:41:49 | 0:41:52 | |
To me, this is already very daunting. | 0:41:52 | 0:41:55 | |
There's an expression in our business - if the only thing you have to | 0:41:55 | 0:41:57 | |
apologise for is the price... Well, with this, you have to start making hundreds of apologies. | 0:41:57 | 0:42:02 | |
So in my eyes, at auction, this is like £20 to 40, which means | 0:42:02 | 0:42:05 | |
we've got to try and buy it, if you'll let us, around the £15 mark. | 0:42:05 | 0:42:09 | |
One for Richard to ponder, | 0:42:09 | 0:42:10 | |
while Bob turns on and tunes in. | 0:42:10 | 0:42:13 | |
-What have you got there, Bob? -Well... | 0:42:13 | 0:42:16 | |
-FEEDBACK AND STATIC -Oh, there we go. | 0:42:16 | 0:42:19 | |
Now, we couldn't come into this shop and see a Marconi radio, | 0:42:19 | 0:42:23 | |
could we, Phil, and not discuss it and not consider it? | 0:42:23 | 0:42:25 | |
-Can I just stop you for one minute? -Yeah, go on. -There's the microphone. -OK. | 0:42:25 | 0:42:29 | |
I want you to give me the intro to the Bob Harris Show. | 0:42:29 | 0:42:31 | |
-All right, let me just turn on. -OK. -I'll count you down. | 0:42:31 | 0:42:34 | |
-Three, two, one... -This is Bob Harris Country on BBC Radio 2. | 0:42:34 | 0:42:38 | |
Ha-ha! | 0:42:38 | 0:42:41 | |
-What a great moment that was! -This is the kind of radio that my mum used to have in the '50s. | 0:42:41 | 0:42:45 | |
Bakelite case, isn't it? | 0:42:45 | 0:42:47 | |
Yeah, and it was my mum who was very responsible for me getting | 0:42:47 | 0:42:53 | |
into radio because it was listening to Listen With Mother with her... | 0:42:53 | 0:42:57 | |
Sounds like it belongs in the Bob Harris Collection. | 0:42:57 | 0:43:00 | |
-That's the first thing I see. -Oh, I see. | 0:43:00 | 0:43:02 | |
-It's got three bits missing from it, look. -Yes, it has. | 0:43:02 | 0:43:06 | |
The next thing the auctioneer is probably going to say is, | 0:43:06 | 0:43:10 | |
this is electrical, it's not been PAT tested, | 0:43:10 | 0:43:12 | |
-so you've got to cut the wire off. -Right. | 0:43:12 | 0:43:14 | |
When they cut the wire off, they don't cut it off down here to put | 0:43:14 | 0:43:17 | |
a plug on, they cut it off right at the back there, so it can't be used. | 0:43:17 | 0:43:20 | |
-So it disables it. -It disables it and you've then got to get it rewired. | 0:43:20 | 0:43:23 | |
But that's just me being miserable. | 0:43:23 | 0:43:26 | |
He's got a reputation to maintain, you know? | 0:43:26 | 0:43:28 | |
It could make 20 to £30. Ever so easily. | 0:43:28 | 0:43:32 | |
The price on it here is 65. | 0:43:32 | 0:43:34 | |
Richard? | 0:43:34 | 0:43:36 | |
-It's lovely, isn't it? -I love it and I want him to buy it. | 0:43:36 | 0:43:39 | |
-With the best will in the world, what could you do that for? -35, Phil. | 0:43:39 | 0:43:43 | |
-And that's the absolute finish? -That would be it, yeah. | 0:43:43 | 0:43:46 | |
If he offered you £30, would that buy that? | 0:43:46 | 0:43:48 | |
I think as it's for Whispering Bob Harris | 0:43:48 | 0:43:50 | |
-and Philip Serrell, I think I could do it for 30 quid. -OK. | 0:43:50 | 0:43:54 | |
-One last question, before we go any further... -Yeah. -The clock... -Yeah. | 0:43:54 | 0:43:57 | |
-What's the very best you could do that for? -20 quid. | 0:43:57 | 0:44:00 | |
So, 50 for the two. | 0:44:00 | 0:44:02 | |
-Well, I'm going to go yes, in that case. -That's great by me. | 0:44:02 | 0:44:05 | |
I think you've got yourself a deal. | 0:44:05 | 0:44:07 | |
Well, neither of them may work, but they do look nice. | 0:44:07 | 0:44:10 | |
Whispering Bob, you can become Smiling Bob, | 0:44:10 | 0:44:12 | |
cos that's the job done. | 0:44:12 | 0:44:13 | |
Well done, mate. Well done. | 0:44:13 | 0:44:15 | |
Yes, the shops are now shut. Time to share. | 0:44:15 | 0:44:18 | |
-Interesting collection. -It's quite a variety of things, isn't it? -Yeah. | 0:44:18 | 0:44:22 | |
-What's this? -These are the fisherman's flies. | 0:44:22 | 0:44:26 | |
It's by a London maker, Ogden Smith. | 0:44:26 | 0:44:29 | |
-That looks a bit charity shop, doesn't it? -Well, you're bang on. | 0:44:29 | 0:44:32 | |
It's charity shop 15 years ago. | 0:44:32 | 0:44:35 | |
-It's now cool and funky retro shop on Kensington -High Street. Really? | 0:44:35 | 0:44:38 | |
This is what I thought. This was my theory, David. | 0:44:38 | 0:44:40 | |
-Now, that makes it a bit more interesting. -Does it? | 0:44:40 | 0:44:43 | |
But I think if Bob tried to take that home, | 0:44:43 | 0:44:45 | |
Trudy wouldn't let him in the house. | 0:44:45 | 0:44:47 | |
-THEY LAUGH -Now, I thought one of us | 0:44:47 | 0:44:49 | |
-was either going to buy a record player or a radio. -Or a radio. | 0:44:49 | 0:44:52 | |
-It had to be. Well, this was just there and it's a Marconi. -Right. | 0:44:52 | 0:44:58 | |
It's really rather lovely and... | 0:44:58 | 0:45:00 | |
Does it have a fluorescent tuning tube? | 0:45:00 | 0:45:02 | |
You get little lights that light up... | 0:45:02 | 0:45:05 | |
I'm not sure our experts are on quite same wavelength. | 0:45:05 | 0:45:08 | |
I love the old radios. | 0:45:08 | 0:45:09 | |
You had to switch them on and wait for it to warm up. | 0:45:09 | 0:45:12 | |
It needs a bit of a conditioning. | 0:45:12 | 0:45:13 | |
-I'd give you a couple of quid for it. -Reconditioning, yeah. So... | 0:45:13 | 0:45:18 | |
-Oh, sorry... We haven't finished yet. -Have you finished? -Johnnie and David's turn. | 0:45:18 | 0:45:22 | |
-There you go. -Oh, wow! | 0:45:22 | 0:45:23 | |
It's not as packed a table as yours. | 0:45:23 | 0:45:25 | |
Can I just ask what drew you to the dog? | 0:45:25 | 0:45:28 | |
-This is Scamp. -OK. | 0:45:29 | 0:45:32 | |
Scamp is going to become very famous and he's going to make a few quid. | 0:45:32 | 0:45:37 | |
-Moving slightly away from Scamp... We've both bought sort of... -Yeah. | 0:45:37 | 0:45:42 | |
It's fascinating. We know this once belonged to Lord Raglan. | 0:45:42 | 0:45:45 | |
Well, we now know that this came from Lord Raglan as well. | 0:45:45 | 0:45:49 | |
-It never did! -It did now! -LAUGHTER | 0:45:49 | 0:45:51 | |
-Yeah, but does it have an R stamped on it? -It will have! | 0:45:51 | 0:45:55 | |
Give me a felt tip. Give me a felt tip. | 0:45:55 | 0:45:58 | |
Now, what do you think of this beautiful barrel? | 0:45:58 | 0:46:01 | |
Is that gunpowder plot? | 0:46:01 | 0:46:02 | |
-Gunpowder plot, yeah. Came from a ship in Plymouth. -Yeah. | 0:46:02 | 0:46:05 | |
We have reason to believe it was Nelson's, from HMS Victory. | 0:46:05 | 0:46:09 | |
It was from the pub, the Nelson! | 0:46:09 | 0:46:12 | |
That's where it was from! | 0:46:12 | 0:46:13 | |
-Well, good luck, Johnnie. -Good luck, Bob. | 0:46:13 | 0:46:16 | |
-We'll see you there. -OK. | 0:46:16 | 0:46:17 | |
But what did they really think? | 0:46:17 | 0:46:19 | |
-Philip's very rude about Scamp. I think it's jealousy. -Of course. | 0:46:19 | 0:46:23 | |
I tell you what I really do like of theirs, I like the barrel. | 0:46:23 | 0:46:26 | |
-Everything else has cost them nothing. -Yeah. | 0:46:26 | 0:46:28 | |
Whereas we've got jeopardy all the way down the line. | 0:46:28 | 0:46:30 | |
I like their picnic set. I think that's very sweet and charming. | 0:46:30 | 0:46:33 | |
Yeah, it's not going to make much money though. | 0:46:33 | 0:46:36 | |
I loved it, really. It's been fantastic, Phil. | 0:46:36 | 0:46:38 | |
-I'm going to go now. -BOB LAUGHS | 0:46:38 | 0:46:41 | |
After a whistle-stop tour of the south west, | 0:46:41 | 0:46:44 | |
our DJs are now in Wiltshire and heading for the auction | 0:46:44 | 0:46:47 | |
in Salisbury. | 0:46:47 | 0:46:49 | |
-How are you feeling about all this? -Little bit nervous. | 0:46:49 | 0:46:52 | |
Funnily enough, so am I. | 0:46:52 | 0:46:54 | |
I'm slightly apprehensive. | 0:46:54 | 0:46:55 | |
Cos when we started this thing, we both said to each other - | 0:46:55 | 0:46:58 | |
-ah, we don't care if we win, but I want to win! -Yeah. | 0:46:58 | 0:47:03 | |
Let's rock! | 0:47:03 | 0:47:05 | |
Salisbury, on the confluence of five rivers, is an ancient city, | 0:47:05 | 0:47:10 | |
also - hold tight - an old stomping ground | 0:47:10 | 0:47:13 | |
of Dave Dee, Dozy, Beaky, Mick and Tich. | 0:47:13 | 0:47:15 | |
Now then, the two coolest dudes in Britain... Are you nervous? | 0:47:16 | 0:47:20 | |
-We're going to do well. Confidence. -Shall we go and see? | 0:47:20 | 0:47:23 | |
-We're going to do well. -Lead the way. -Lead the way. | 0:47:23 | 0:47:26 | |
Has anything caught the eye of Netherhampton Saleroom | 0:47:26 | 0:47:29 | |
auctioneer Richard Petty? | 0:47:29 | 0:47:31 | |
The wall clock, we're quite excited about that. | 0:47:31 | 0:47:33 | |
Probably the most valuable piece we've got here today. | 0:47:33 | 0:47:37 | |
Hopefully, we'll see £100 for it. | 0:47:37 | 0:47:38 | |
Be very disappointed if we make any less than 80 for it. | 0:47:38 | 0:47:41 | |
The pastel and pen picture of Scamp the dog. | 0:47:41 | 0:47:44 | |
All I can say is I hope we've got somebody in here today who | 0:47:44 | 0:47:46 | |
has a little dog that looks similar to that. | 0:47:46 | 0:47:48 | |
Other than that, I don't know. | 0:47:48 | 0:47:50 | |
Marconi wireless is actually my favourite piece of all of them, | 0:47:50 | 0:47:53 | |
would hope to make somewhere between 50 and £70 on it. | 0:47:53 | 0:47:56 | |
If I was having a present from today's sale, | 0:47:56 | 0:47:59 | |
that's one I would like. | 0:47:59 | 0:48:01 | |
Bob and Phil spent £260 on six auction lots. | 0:48:01 | 0:48:04 | |
While Johnnie and David acquired the same number for £196.50. | 0:48:04 | 0:48:10 | |
But with the bidding about to commence, there's been a complaint. | 0:48:10 | 0:48:15 | |
-All the items we've got in the auction should be as is. -Yeah. | 0:48:15 | 0:48:18 | |
-As you bought it. -Yeah, yeah. -That's how it is in the auction. | 0:48:18 | 0:48:21 | |
-Of course, yeah. -But look at that - personally signed by music legend Bob Harris. -What?! | 0:48:21 | 0:48:26 | |
-We never said that about you, did we? -I'll sign all of my lots. -You were going to sign everything. -No. | 0:48:26 | 0:48:31 | |
We're talking about adding value. | 0:48:31 | 0:48:33 | |
Oh, Lordy! First up, that somewhat controversial wireless. | 0:48:33 | 0:48:37 | |
-I think we should make an official complaint. -Shall we do that? | 0:48:37 | 0:48:41 | |
-Shall we start writing it now? -Yeah. | 0:48:41 | 0:48:42 | |
I'll get Bob to sign it for you! | 0:48:42 | 0:48:45 | |
I'm going to start my bidding at £20. | 0:48:45 | 0:48:47 | |
He's never mentioned it. | 0:48:47 | 0:48:50 | |
..30. 35. 40. | 0:48:50 | 0:48:52 | |
45. 50. | 0:48:52 | 0:48:54 | |
-55. 60. -You're going well! | 0:48:54 | 0:48:56 | |
At 65, I'm out. | 0:48:56 | 0:48:57 | |
65. 65. 70. | 0:48:57 | 0:49:00 | |
75? 75. | 0:49:00 | 0:49:02 | |
80. 85. 90. 95. | 0:49:02 | 0:49:07 | |
100? 105. | 0:49:07 | 0:49:09 | |
105. You won't find any more of them. | 0:49:09 | 0:49:12 | |
You might start now! | 0:49:12 | 0:49:14 | |
At £105. | 0:49:14 | 0:49:17 | |
-Well done, well done. -Even though you cheated. -High five! | 0:49:17 | 0:49:21 | |
A great start. Now for Johnnie's leg-of-mutton gun case. | 0:49:22 | 0:49:27 | |
Shall we start with a tenner? | 0:49:27 | 0:49:28 | |
-I'll sign it on the back! -He'll sign it! | 0:49:28 | 0:49:31 | |
-LAUGHTER -I'll sign all my lots! | 0:49:31 | 0:49:33 | |
LAUGHTER DROWNS SPEECH | 0:49:33 | 0:49:36 | |
I've got a couple of bids in, will you sign those as well? | 0:49:36 | 0:49:40 | |
Right, anyway, 10 I've got. | 0:49:41 | 0:49:43 | |
-15. -20. -Get it going! | 0:49:43 | 0:49:44 | |
25. 30. 35. I've got 40. | 0:49:44 | 0:49:48 | |
45. 45 in the corner. 45. And 50. 55. | 0:49:48 | 0:49:53 | |
60. 60. Your turn. | 0:49:53 | 0:49:56 | |
Go on! | 0:49:56 | 0:49:58 | |
I've GOT 60! You work here! | 0:49:58 | 0:50:00 | |
-LAUGHTER -62! | 0:50:00 | 0:50:01 | |
62?! | 0:50:01 | 0:50:03 | |
At 62. 62. 65. | 0:50:03 | 0:50:05 | |
65. Anybody else. At 65. | 0:50:07 | 0:50:09 | |
At £65... | 0:50:09 | 0:50:13 | |
Yours, sir. | 0:50:13 | 0:50:14 | |
Well, you can't always get what you want. How about this? | 0:50:14 | 0:50:18 | |
Ideal for a trip in a Zephyr, what? | 0:50:18 | 0:50:20 | |
-I'm starting the bidding at £15. -No, that is very pretty. | 0:50:20 | 0:50:23 | |
15, 15, 15, 15. 20. | 0:50:23 | 0:50:26 | |
25. 30. 35. | 0:50:26 | 0:50:29 | |
40. 45. 50. 55. | 0:50:29 | 0:50:33 | |
55. With me, with me, 55. Anybody else want to join in? | 0:50:33 | 0:50:37 | |
-55. Your last chance on this lot. -Unbelievable! | 0:50:37 | 0:50:41 | |
-£55. -Very good. -Well done! Well done! | 0:50:41 | 0:50:46 | |
Those two are our current chart toppers. | 0:50:46 | 0:50:49 | |
Can Johnnie and David's little camera close the gap? | 0:50:49 | 0:50:53 | |
40? 30? 10? Thank you. | 0:50:53 | 0:50:55 | |
-Oh! -£10, £10, £10, £10. | 0:50:55 | 0:50:58 | |
£10. £12. 15. 18. 20. 22. | 0:50:58 | 0:51:03 | |
Come on! Come on! | 0:51:03 | 0:51:04 | |
-22. -22. | 0:51:04 | 0:51:06 | |
Lovely case. Keep going! | 0:51:06 | 0:51:09 | |
Last chance. At £22. Being sold at £22. | 0:51:09 | 0:51:13 | |
-We nearly doubled our money. -Almost. | 0:51:13 | 0:51:15 | |
That is all right! That is all right! | 0:51:15 | 0:51:18 | |
It most certainly is. Now it's Bob's bits of Portmeirion. | 0:51:18 | 0:51:23 | |
Right, 50? 60? | 0:51:23 | 0:51:25 | |
40? 30? £20. Portmeirion coffee set 20. | 0:51:25 | 0:51:30 | |
Tenner? 5. £6. £8. £12. 15. 18. 20. | 0:51:30 | 0:51:36 | |
£20. On my right, £20. 22. | 0:51:36 | 0:51:38 | |
25. | 0:51:38 | 0:51:40 | |
28. £30. 32. | 0:51:40 | 0:51:43 | |
35. | 0:51:43 | 0:51:45 | |
35. On my right, 35. Anybody else? At £35. | 0:51:45 | 0:51:51 | |
It's a cheeky little fiver! It's a cheeky little fiver. | 0:51:51 | 0:51:55 | |
Still upbeat, and why not? | 0:51:55 | 0:51:57 | |
Next it's the turn of Johnnie's chandelier. | 0:51:57 | 0:52:01 | |
Who's got £50? 50? | 0:52:01 | 0:52:03 | |
40? 30? | 0:52:03 | 0:52:05 | |
Feel free to join in somewhere. | 0:52:05 | 0:52:07 | |
It's going to go for three quid! | 0:52:07 | 0:52:09 | |
A lot of people are looking at their feet! Shush! | 0:52:09 | 0:52:12 | |
£10, £10, £10... | 0:52:12 | 0:52:13 | |
£10, £10, £10. Don't go shy on this one, boys and girls. | 0:52:13 | 0:52:17 | |
At £10. Anybody else? 10? | 0:52:17 | 0:52:19 | |
Oh, no! No! | 0:52:19 | 0:52:21 | |
Sorry, did I say that out loud? | 0:52:21 | 0:52:25 | |
A £10 note! | 0:52:25 | 0:52:27 | |
Not the worst loss ever, but it doesn't help their cause. | 0:52:27 | 0:52:31 | |
-That's all down to you, son! -Is it? -Yeah, that was your call. | 0:52:31 | 0:52:34 | |
-See how it turns? -Yeah. But it's true! -It is true. | 0:52:34 | 0:52:38 | |
-ALL TALK AT ONCE -Coming apart at the seams. | 0:52:38 | 0:52:41 | |
Crumbling before our eyes. | 0:52:41 | 0:52:43 | |
I'm surprised Bob hasn't signed his cartridge or cassette case. | 0:52:43 | 0:52:47 | |
Start the bidding at £20. At £20. | 0:52:47 | 0:52:50 | |
-£20, £20... -Somebody over there, look. | 0:52:50 | 0:52:52 | |
25. 28. I've got 30. 32. 35. | 0:52:52 | 0:52:56 | |
40. | 0:52:56 | 0:52:57 | |
£40. £40. 45. 50. | 0:52:57 | 0:53:01 | |
55. | 0:53:01 | 0:53:03 | |
60. 65. 70. | 0:53:03 | 0:53:06 | |
-75. 80. -Well! -I know, yeah. -85. | 0:53:06 | 0:53:10 | |
90. | 0:53:10 | 0:53:12 | |
-Keep going, keep going. -90. 95. | 0:53:12 | 0:53:15 | |
100. | 0:53:15 | 0:53:17 | |
100. Another one? | 0:53:17 | 0:53:19 | |
100. 105. | 0:53:19 | 0:53:21 | |
-105 in the corner. 105. -You're going to get a fiver more! | 0:53:21 | 0:53:25 | |
At £105. | 0:53:25 | 0:53:28 | |
Almost wiped its face, but it's a small loss after auction costs. | 0:53:31 | 0:53:35 | |
Can they catch a fat profit with this little item, though? | 0:53:35 | 0:53:39 | |
50? 60? 40? 30? | 0:53:39 | 0:53:41 | |
£30 I have. | 0:53:41 | 0:53:42 | |
£30, £30, £30... | 0:53:42 | 0:53:45 | |
32. 35. | 0:53:45 | 0:53:46 | |
38. 40. 42. | 0:53:46 | 0:53:49 | |
45. | 0:53:49 | 0:53:51 | |
45. On my right, 45. | 0:53:51 | 0:53:53 | |
Anyone else want to join in? At 45. | 0:53:53 | 0:53:57 | |
Being sold this time at £45... | 0:53:57 | 0:54:01 | |
-ALL EXCLAIM -Oh, isn't that a shame(?) | 0:54:01 | 0:54:03 | |
Oh, what a shame, guys, you lost a bit of money there. | 0:54:03 | 0:54:06 | |
I think this is all about to kick off. | 0:54:06 | 0:54:08 | |
I didn't know I was competitive until right now. | 0:54:08 | 0:54:13 | |
You wait till Scamp! You wait! | 0:54:13 | 0:54:15 | |
Yeah, not yet, though, because next up is their pirate pick, | 0:54:15 | 0:54:19 | |
the powder barrel. | 0:54:19 | 0:54:20 | |
It's a kind of blank canvas, though, isn't it? | 0:54:20 | 0:54:23 | |
-Because you can do stuff with it. -That's what we thought. | 0:54:23 | 0:54:25 | |
-You could fill it full of gunpowder. -You could. | 0:54:25 | 0:54:28 | |
Johnnie, we might have to! | 0:54:28 | 0:54:30 | |
Start the bidding at £25? At 25? | 0:54:30 | 0:54:33 | |
At 25. 25 I have. 25. 30. | 0:54:33 | 0:54:35 | |
35. | 0:54:35 | 0:54:38 | |
35. Anybody else want to join in? | 0:54:38 | 0:54:40 | |
35. 40. | 0:54:40 | 0:54:42 | |
45. 50. | 0:54:42 | 0:54:44 | |
-55. -Come on! -55. | 0:54:44 | 0:54:47 | |
Anybody else? 55. Your last chance on this lot. | 0:54:47 | 0:54:50 | |
-Go on! -Sold this time, then, at £55. | 0:54:50 | 0:54:54 | |
-He should have given it a bit longer! -What, four weeks? | 0:54:54 | 0:54:59 | |
Yes, he definitely tried his best. | 0:54:59 | 0:55:01 | |
It's time for Bob and Phil's final lot, | 0:55:01 | 0:55:04 | |
the project. | 0:55:04 | 0:55:05 | |
Start the bidding at £25. | 0:55:07 | 0:55:09 | |
25 I have. 25, 25, 25... | 0:55:09 | 0:55:11 | |
25, 25, 25 with me. | 0:55:11 | 0:55:13 | |
30. 35. 40. | 0:55:13 | 0:55:15 | |
-All over the price, eh? -You're doing well, here. -Yeah. | 0:55:15 | 0:55:19 | |
50. 60. 65. | 0:55:19 | 0:55:21 | |
65 with me. With me, 65. | 0:55:21 | 0:55:24 | |
-Strong bid, isn't it? -65. Your last chance on this lot. | 0:55:24 | 0:55:27 | |
Being sold, going at £65. | 0:55:27 | 0:55:31 | |
-Well done, well done. -What do you think? -Time flies! | 0:55:31 | 0:55:34 | |
That's just about assured victory for those two, I'd say. | 0:55:35 | 0:55:39 | |
The figures don't look good, Johnnie. They just don't look good. | 0:55:39 | 0:55:42 | |
-Bob, what comes next? What comes next? -Well, it's Scamp. -Exactly! | 0:55:42 | 0:55:46 | |
Everything is on Scamp now. | 0:55:46 | 0:55:48 | |
He looks pretty cool under fire, doesn't he? | 0:55:48 | 0:55:51 | |
I'm going to take it up the front, cos it's so beautiful. | 0:55:51 | 0:55:54 | |
Huh! A celebrity endorsement! | 0:55:54 | 0:55:57 | |
I'm bringing this up the front! | 0:55:57 | 0:55:58 | |
Worth a try. | 0:55:58 | 0:56:00 | |
Who will start me at £30? | 0:56:00 | 0:56:01 | |
20? Who's got 10? 5. 6. | 0:56:01 | 0:56:03 | |
-Go on! -All over the place! 10. | 0:56:03 | 0:56:05 | |
12. 15. 18. | 0:56:05 | 0:56:08 | |
£20. | 0:56:08 | 0:56:09 | |
-Come on, Scamp! -22. 25. -Yes! | 0:56:09 | 0:56:12 | |
28. £30. 32. | 0:56:12 | 0:56:15 | |
-35. -Go on! -38. -I can't believe this! -£40. | 0:56:15 | 0:56:19 | |
42. 42. | 0:56:19 | 0:56:22 | |
Including delivery. At 42. Anybody else? Being sold this time at £42. | 0:56:22 | 0:56:28 | |
-Well done! -Well! | 0:56:28 | 0:56:31 | |
Scamp and Johnnie did good! | 0:56:31 | 0:56:34 | |
-I've got a sale next Thursday, do you want a job? -Yes! | 0:56:34 | 0:56:37 | |
Finally, their bargain warming pans. | 0:56:37 | 0:56:40 | |
You could always keep your discs in them. Well, maybe not. | 0:56:40 | 0:56:43 | |
Right, who will start me? Who's got £20. | 0:56:43 | 0:56:46 | |
10? 5? | 0:56:46 | 0:56:47 | |
-Is this each? -LAUGHTER | 0:56:47 | 0:56:50 | |
You'll be lucky! Who's got 3? | 0:56:50 | 0:56:53 | |
Thank you! £3 I have. | 0:56:53 | 0:56:55 | |
-That's profit, well done! -We're pound up. | 0:56:55 | 0:56:57 | |
4. 5. 6. | 0:56:57 | 0:57:00 | |
-8. -10. You're on a roll. You're on a roll. -Come on! | 0:57:00 | 0:57:04 | |
£12, £12, £12... | 0:57:04 | 0:57:06 | |
14. | 0:57:06 | 0:57:07 | |
14. A bit of history you're buying here. | 0:57:07 | 0:57:10 | |
-14. 14. 14. Anybody else? -Go on! | 0:57:10 | 0:57:13 | |
That's good, they've done well for us. | 0:57:13 | 0:57:16 | |
At £14. | 0:57:16 | 0:57:18 | |
Seven times... | 0:57:18 | 0:57:20 | |
-There's your profit, £14. -£14. Marvellous. | 0:57:20 | 0:57:23 | |
Nice to end on a positive note. | 0:57:23 | 0:57:25 | |
-Shall we go outside and work out the numbers? -Yeah, let's. | 0:57:25 | 0:57:28 | |
-That's a good idea. -Come on, then. | 0:57:28 | 0:57:30 | |
Johnnie and David started out with £400 | 0:57:30 | 0:57:33 | |
and made, after paying auction costs, a loss of £29.94. | 0:57:33 | 0:57:38 | |
Bob and Phil also began with £40, | 0:57:38 | 0:57:41 | |
but after auction costs they made a profit of £76.20. | 0:57:41 | 0:57:45 | |
So they are today's winners by over £100. | 0:57:45 | 0:57:50 | |
All profits go to Children In Need. | 0:57:50 | 0:57:52 | |
-It was an unfair fight. -LAUGHTER | 0:57:52 | 0:57:55 | |
-We should do it all again. -We have the moral victory. -We did. | 0:57:55 | 0:57:58 | |
-And we had Scamp! No-one else had a Scamp. -Yeah. | 0:57:58 | 0:58:02 | |
-We've got to go, Bob. -We should, yeah. | 0:58:02 | 0:58:05 | |
-Thank you very much. -See you, Bob. | 0:58:05 | 0:58:07 | |
See you, guys. | 0:58:07 | 0:58:08 | |
Go for it, Johnnie, put your foot down. | 0:58:10 | 0:58:13 | |
Now, there must be a second-hand record shop around here somewhere. | 0:58:13 | 0:58:16 | |
The moment they got in touch | 0:58:16 | 0:58:18 | |
and said, "Do you fancy doing the Antiques Road Trip? | 0:58:18 | 0:58:21 | |
"Bob Harris is doing it." I said, "OK, I'll do it." | 0:58:21 | 0:58:24 | |
It was exactly the same with me. | 0:58:24 | 0:58:26 | |
They said, "You'll be with Johnnie Walker." "Oh, yes!" | 0:58:26 | 0:58:29 | |
LAUGHTER | 0:58:29 | 0:58:30 |