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-The nation's favourite celebrities... -Some proper bling, here. | 0:00:02 | 0:00:04 | |
..paired up with an expert... | 0:00:04 | 0:00:06 | |
What? What? | 0:00:06 | 0:00:07 | |
..and a classic car. | 0:00:07 | 0:00:09 | |
-Pick your legs up! -Hello, girls! | 0:00:09 | 0:00:11 | |
Their mission - to scour Britain for antiques. | 0:00:11 | 0:00:14 | |
All breakages must be paid for. | 0:00:14 | 0:00:16 | |
This is a good find, is it not? | 0:00:16 | 0:00:18 | |
The aim - to make the biggest profit at auction. | 0:00:18 | 0:00:21 | |
But it's no easy ride. | 0:00:21 | 0:00:23 | |
Who will find a hidden gem? Who will take the biggest risks? | 0:00:23 | 0:00:27 | |
Got to have my antiques head on. | 0:00:27 | 0:00:29 | |
Will anybody follow expert advice? | 0:00:29 | 0:00:32 | |
I think it's horrible! | 0:00:32 | 0:00:34 | |
There will be worthy winners... | 0:00:34 | 0:00:35 | |
This is better than Christmas! | 0:00:35 | 0:00:37 | |
..and valiant losers. | 0:00:37 | 0:00:39 | |
Time to put your pedal to the metal. | 0:00:40 | 0:00:42 | |
This is Celebrity Antiques Road Trip. | 0:00:42 | 0:00:45 | |
Yeah! | 0:00:47 | 0:00:48 | |
Today's road trip has all the ingredients | 0:00:50 | 0:00:52 | |
of a right old carry-on, | 0:00:52 | 0:00:54 | |
as comedy icons Helen Lederer and Hardeep Singh Kohli | 0:00:54 | 0:00:57 | |
hit the antiques trail. | 0:00:57 | 0:00:59 | |
I've got my motor running. We are heading on the highway. | 0:00:59 | 0:01:02 | |
-Yes. -We are searching for adventure and whatever comes our way. | 0:01:02 | 0:01:06 | |
-BOTH: -# Born to be wild... # | 0:01:06 | 0:01:10 | |
Cor! They are in a cheery mood. | 0:01:11 | 0:01:13 | |
We haven't seen each other since we shared a couch on breakfast telly. | 0:01:13 | 0:01:16 | |
Yeah, sharing the couch was good. | 0:01:16 | 0:01:18 | |
I thought we rocked it. | 0:01:18 | 0:01:19 | |
Nice. | 0:01:19 | 0:01:22 | |
These old friends from the comedy circuit | 0:01:22 | 0:01:24 | |
will be competing against each other, armed with £400 each. | 0:01:24 | 0:01:28 | |
-Are you excited about today? -Yeah, yeah. | 0:01:31 | 0:01:33 | |
But I know you're going to be quite competitive. I just know it. | 0:01:33 | 0:01:37 | |
-Look, the only winner... -Yeah. | 0:01:37 | 0:01:39 | |
The only winner ought to be me. | 0:01:39 | 0:01:42 | |
Well, someone is confident. | 0:01:42 | 0:01:44 | |
I was telling a friend I was coming to work with you and they said, | 0:01:44 | 0:01:47 | |
"Oh, I've always liked her. What's she like?" | 0:01:47 | 0:01:49 | |
-"What's she like?" -I found an honest moment | 0:01:49 | 0:01:51 | |
and I'll tell you what I said - | 0:01:51 | 0:01:52 | |
I said, "She's as mad as a box of frogs. | 0:01:52 | 0:01:54 | |
"But without the box." | 0:01:54 | 0:01:56 | |
-Do you know what I mean? -That's quite an interesting analogy. | 0:01:56 | 0:01:58 | |
-I'm going to think on that. -It's a complement. | 0:01:58 | 0:02:01 | |
If you say so. | 0:02:01 | 0:02:03 | |
Wordsmith Hardeep Singh Kohli | 0:02:03 | 0:02:05 | |
is a comedian, broadcaster and journalist. | 0:02:05 | 0:02:08 | |
He can be seriously serious. | 0:02:08 | 0:02:10 | |
I think we've lost that sense of accountability, | 0:02:10 | 0:02:13 | |
of knowing our politicians. | 0:02:13 | 0:02:15 | |
But also seriously funny. | 0:02:15 | 0:02:17 | |
Oh, yes, did I mention he cooks? | 0:02:17 | 0:02:19 | |
What are you going to do for us? | 0:02:19 | 0:02:20 | |
Well, I thought a braised oxtail curry. | 0:02:20 | 0:02:23 | |
It's kind of combines you as a chef, doesn't it? | 0:02:23 | 0:02:26 | |
It's kind of Scottish-Indian. | 0:02:26 | 0:02:29 | |
And quite fatty. | 0:02:29 | 0:02:31 | |
A finalist on Celebrity MasterChef, | 0:02:31 | 0:02:33 | |
he has recently opened a restaurant in Edinburgh. | 0:02:33 | 0:02:36 | |
Heating up the passenger seat next to him is comedy royalty. | 0:02:38 | 0:02:41 | |
Hello! | 0:02:41 | 0:02:43 | |
Actress, writer and performer, | 0:02:43 | 0:02:45 | |
the "Absolutely Fabulous" Helen Lederer. | 0:02:45 | 0:02:47 | |
After breaking into the scene | 0:02:47 | 0:02:49 | |
at the iconic Comedy Store in the 1980s, | 0:02:49 | 0:02:52 | |
Helen became a regular face on cult comedy sketch show Naked Video. | 0:02:52 | 0:02:57 | |
So, I'm going to see my shrink. He's very trendy. | 0:02:57 | 0:03:01 | |
He's just moved in above the greengrocers. | 0:03:01 | 0:03:04 | |
Well, he's just starting out in mental health. | 0:03:04 | 0:03:06 | |
But he has got a lot of practical experience. | 0:03:06 | 0:03:08 | |
I'm told he used to be a patient, so... | 0:03:08 | 0:03:12 | |
She's also starred in some of Britain's best-loved comedies, | 0:03:12 | 0:03:15 | |
such as Bottom, Ab Fab, and more recently branched out | 0:03:15 | 0:03:18 | |
into children's entertainment on Old Jack's Boat. | 0:03:18 | 0:03:21 | |
We'll race you there. | 0:03:21 | 0:03:22 | |
Very well. But let me warn you, you will lose. | 0:03:22 | 0:03:26 | |
I'm very fast on my bike. | 0:03:26 | 0:03:28 | |
-Oh, yeah. -Busy, busy! | 0:03:28 | 0:03:31 | |
Yeah, here she goes, yeah. With the speed of light. | 0:03:31 | 0:03:34 | |
Today, thankfully, Helen's ditched the bike | 0:03:34 | 0:03:37 | |
in favour of the Triumph Herald 1967. | 0:03:37 | 0:03:40 | |
My dad had one of those. | 0:03:40 | 0:03:41 | |
You've got funny bones. Do people know that expression? | 0:03:41 | 0:03:44 | |
Right there, Hardeep. | 0:03:44 | 0:03:45 | |
-No - I... -CAR THUDS | 0:03:45 | 0:03:47 | |
You see, this is what happens, which is fine. It's fine. | 0:03:47 | 0:03:51 | |
-That's not my fault. -No. It's just making its presence felt. | 0:03:51 | 0:03:54 | |
-It's the sort of car you would go courting in, isn't it? -Yes. | 0:03:54 | 0:03:58 | |
Are we on the right side of the road? | 0:03:58 | 0:04:01 | |
-Yeah. -OK. | 0:04:01 | 0:04:03 | |
HELEN LAUGHS | 0:04:03 | 0:04:04 | |
Thankfully, help is at hand | 0:04:04 | 0:04:06 | |
in the form of auctioneers Catherine Southon and Mark Stacey, | 0:04:06 | 0:04:09 | |
who are enjoying life in a left-hand drive 1974 Saab Sonett. | 0:04:09 | 0:04:15 | |
-Do you feel like we are on a hot date? -Do you think so? | 0:04:15 | 0:04:18 | |
-Do you feel like I'm your chick? -You're a hot chick. | 0:04:18 | 0:04:21 | |
Easy, now... | 0:04:21 | 0:04:23 | |
Are we excited about meeting some new travel companions, then? | 0:04:23 | 0:04:27 | |
Of course, I remember Helen Lederer from the '80s. | 0:04:27 | 0:04:31 | |
Well, yeah - you go back as far. Even further, don't you? | 0:04:31 | 0:04:35 | |
Oh, whatever! | 0:04:35 | 0:04:36 | |
I'm with lovely Hardeep Singh Kohli. | 0:04:36 | 0:04:39 | |
We are going to have such fun today. He is going to make me laugh. | 0:04:39 | 0:04:43 | |
He is indeed. | 0:04:43 | 0:04:44 | |
I think Helen and I will have fun as well, actually. | 0:04:44 | 0:04:46 | |
I think...I think she might be quite wacky. | 0:04:46 | 0:04:49 | |
You guys will get on, then! | 0:04:49 | 0:04:51 | |
On today's trip, we are doing a good old tour of old London town, | 0:04:57 | 0:05:01 | |
ending up at an auction | 0:05:01 | 0:05:03 | |
in Stansted Mountfitchet in Essex. | 0:05:03 | 0:05:06 | |
But we begin in South Woodford, east London. | 0:05:06 | 0:05:10 | |
-Oh. -Colourful, how colourful. | 0:05:11 | 0:05:14 | |
-How are you? -I'm very well. Let me help you. | 0:05:14 | 0:05:18 | |
Yeah, we lost the roof on the way, sorry. | 0:05:18 | 0:05:20 | |
-You're looking very smart. -You really are. | 0:05:20 | 0:05:22 | |
Difficult to get out. Well, I thought I'd best dress up. | 0:05:22 | 0:05:25 | |
-How are you, sir? -You look fabulous. -Thank you very much. | 0:05:25 | 0:05:27 | |
-Very nice to meet you. -Nice to meet you, too. | 0:05:27 | 0:05:29 | |
-HELEN: -Nice to meet you. -Lovely to meet you. | 0:05:29 | 0:05:31 | |
We've decided we're going to go boy-girl, if that's all right. | 0:05:31 | 0:05:34 | |
If he is for it, I'm for it. | 0:05:34 | 0:05:36 | |
Shall we nip in? We've got to go shopping. | 0:05:36 | 0:05:38 | |
-Left-hand drive, is that all right? -It's beautiful, isn't it? | 0:05:38 | 0:05:40 | |
We can't hang around, I'm afraid. We've got shopping to do. | 0:05:40 | 0:05:43 | |
Remember, buy high, sell low. | 0:05:43 | 0:05:46 | |
I've watched you a lot on television, | 0:05:46 | 0:05:48 | |
-I've never had you down as a delusionalist. -Oh! | 0:05:48 | 0:05:51 | |
I'm Scottish. It's in our DNA. | 0:05:51 | 0:05:54 | |
-HELEN: -Enjoy, but not too much. | 0:05:54 | 0:05:56 | |
Bye! | 0:05:56 | 0:05:57 | |
-Are you loving this car? -This is James Bond, isn't it? | 0:05:57 | 0:06:00 | |
Oh, yes. Every boy... It's got corduroy seats! | 0:06:00 | 0:06:03 | |
You've got moleskin on. That could be... | 0:06:03 | 0:06:06 | |
It's low down, that's for sure. | 0:06:06 | 0:06:08 | |
It's not designed for a turban-wearing man, is it? | 0:06:08 | 0:06:11 | |
No, no, it's really not, actually. | 0:06:11 | 0:06:13 | |
Not the most elegant of entries. | 0:06:13 | 0:06:15 | |
But, without further ado, they are off. | 0:06:15 | 0:06:17 | |
Do you have anything in mind? | 0:06:17 | 0:06:19 | |
Do you have any ideas of the sort of thing you would like to buy? | 0:06:19 | 0:06:22 | |
Really, I'm in love with Deco. | 0:06:22 | 0:06:24 | |
I'm in love with... the in-between the wars period. | 0:06:24 | 0:06:29 | |
I'm also quite obsessed with drinks paraphernalia now, | 0:06:29 | 0:06:32 | |
since...we opened the restaurant. | 0:06:32 | 0:06:34 | |
I think this is going to be great. | 0:06:34 | 0:06:36 | |
Catherine and Hardeep's first shop | 0:06:36 | 0:06:38 | |
is the eclectic Victoria Antiques - looks nice. | 0:06:38 | 0:06:42 | |
-Oh... -Come. Enter the world of antiques with me. | 0:06:42 | 0:06:47 | |
Oh, yeah. Enter the Galleria. | 0:06:47 | 0:06:49 | |
Hello! | 0:06:51 | 0:06:53 | |
They are meeting with dealer Michael. | 0:06:53 | 0:06:55 | |
So, Hardeep, what will you focus on first? | 0:06:55 | 0:06:59 | |
-Can I have a look at that? -He's off already. -Sorry. | 0:06:59 | 0:07:02 | |
The clock? Deco clock? | 0:07:02 | 0:07:04 | |
Can you tell me about these paintings, out of interest? | 0:07:04 | 0:07:07 | |
-They're prints. -Prints? -Yeah. | 0:07:07 | 0:07:09 | |
-Oh, fine, forget that. -Forget that. | 0:07:09 | 0:07:11 | |
And what's this? | 0:07:11 | 0:07:13 | |
And that's an indenture dated... about 1870. | 0:07:13 | 0:07:18 | |
Perhaps not as focused as Catherine had hoped. | 0:07:18 | 0:07:21 | |
-Can read that? I don't have my glasses. -I will need my glasses. | 0:07:21 | 0:07:25 | |
-Those at auction are £20 - £30... -Ah, these are interesting... | 0:07:25 | 0:07:28 | |
He's not even listening. I don't know why I'm bothering. | 0:07:28 | 0:07:30 | |
Catherine, how much? I think we might get 20 quid for these. | 0:07:30 | 0:07:33 | |
I think Catherine might have her work cut out here. | 0:07:34 | 0:07:37 | |
Cocktail-y things, you've got... Ooh, and a coffee things, as well. | 0:07:37 | 0:07:41 | |
-Tshh-tshh, tshh-tshh. -You've got the moves. | 0:07:41 | 0:07:43 | |
It's like Tom Cruise in Cocktail, watching you do that. | 0:07:43 | 0:07:45 | |
This is plate, though. This is quite fun, though, | 0:07:45 | 0:07:48 | |
because this is actually a sugar shaker, | 0:07:48 | 0:07:51 | |
so it's for putting your sugar on your strawberries and whatever, | 0:07:51 | 0:07:55 | |
but in the form of a cocktail shaker, | 0:07:55 | 0:07:57 | |
because I suppose that was all the rage in the '30s. | 0:07:57 | 0:08:00 | |
And it's by Mappin & Webb. | 0:08:00 | 0:08:02 | |
-Ooh! -Ooh! Good name. -Interesting. | 0:08:02 | 0:08:04 | |
BUT it's just plate. | 0:08:04 | 0:08:07 | |
And nobody wants plate, | 0:08:07 | 0:08:09 | |
but then they might want plate if it's a bit of fun. | 0:08:09 | 0:08:12 | |
How much is it anyway, out of interest? | 0:08:12 | 0:08:14 | |
-£18. -This is exactly what Hardeep said he wanted. | 0:08:14 | 0:08:17 | |
Could Catherine have found an object that could hold his attention for more than two ticks? | 0:08:17 | 0:08:21 | |
There's nice wee glasses here. | 0:08:21 | 0:08:22 | |
Nope, spoke too soon. He's off again. | 0:08:22 | 0:08:25 | |
You're not interested in that, are you? | 0:08:25 | 0:08:27 | |
No, I can't buy something I don't aesthetically engage with. | 0:08:27 | 0:08:30 | |
OK. | 0:08:30 | 0:08:32 | |
Yet, strangely, I bought this overcoat, | 0:08:32 | 0:08:34 | |
so make sense of that, viewers. | 0:08:34 | 0:08:36 | |
-I'm with you. -Is there much point in me actually having a look, | 0:08:36 | 0:08:39 | |
-cos you're not going to take any notice, are you? -Yes, I am! | 0:08:39 | 0:08:42 | |
Maybe try the sugar shaker again, eh? | 0:08:42 | 0:08:45 | |
-I think that was good. -I like it. | 0:08:45 | 0:08:48 | |
I'm fulfilling your needs. You said Deco, you wanted cocktails... | 0:08:48 | 0:08:52 | |
In the words of Karen Carpenter, we've only just begun. | 0:08:52 | 0:08:55 | |
In the words of Catherine Southon, focus, Hardeep. | 0:08:55 | 0:08:59 | |
I do like this though. | 0:08:59 | 0:09:01 | |
It's a bit of fun and people will be drawn into that. | 0:09:01 | 0:09:04 | |
I couldn't give you 18 quid for it though. | 0:09:04 | 0:09:06 | |
I will take this if we can agree a price. | 0:09:06 | 0:09:08 | |
15. | 0:09:08 | 0:09:10 | |
-I heard 13 in my own internal dialogue. -I see. | 0:09:10 | 0:09:13 | |
-That's unlucky for some. -14? | 0:09:13 | 0:09:15 | |
-Shall we agree on 14? -14. -14. | 0:09:15 | 0:09:18 | |
Brilliant. Nice one, sir. Thank you. | 0:09:19 | 0:09:21 | |
-You do like it? -Don't you think? -No, I love it! | 0:09:21 | 0:09:23 | |
Well, I listen to what you say. | 0:09:23 | 0:09:25 | |
Well, Catherine managed to keep Hardeep focused. | 0:09:25 | 0:09:28 | |
So, for just £14 that's one item in the old bag. Phew. | 0:09:28 | 0:09:32 | |
-Shake my sugar. -# Shaking your sugar. # | 0:09:32 | 0:09:34 | |
Helen and Mark, meanwhile, take a route further into London | 0:09:36 | 0:09:39 | |
to Finsbury Park, where they're bonding over a biscuit. | 0:09:39 | 0:09:43 | |
Oh, go on, then. | 0:09:43 | 0:09:45 | |
It's the last one. Last one. | 0:09:45 | 0:09:48 | |
Mm. | 0:09:48 | 0:09:50 | |
They do pick you up, don't they, a good Bourbon? | 0:09:50 | 0:09:52 | |
-Are you good at negotiating? -You see, I don't think I am. | 0:09:55 | 0:09:59 | |
I think what we should do, we've got a good cop, bad cop. | 0:09:59 | 0:10:02 | |
-OK, cool, yeah. -You can be the people-pleasing cop. | 0:10:02 | 0:10:04 | |
-I'm the people pleaser. -And I can be the not-people-pleasing cop. | 0:10:04 | 0:10:07 | |
OK, and I praise the person's clothes and things like that. | 0:10:07 | 0:10:10 | |
-Absolutely. -I say, "Gosh, I love your shoes." | 0:10:10 | 0:10:12 | |
-I wonder if we're going to get jewellery. -I don't know. | 0:10:12 | 0:10:14 | |
I don't know what the shops are going to be like. Would you like to find a piece of jewellery? | 0:10:14 | 0:10:18 | |
-You know the magpie element of life? -Yes. -Anything that glitters. | 0:10:18 | 0:10:23 | |
-Ah. -I like glitter. -Good to know. | 0:10:23 | 0:10:26 | |
They're visiting Regent Antiques, | 0:10:26 | 0:10:28 | |
a veritable treasure trove of all things old. | 0:10:28 | 0:10:32 | |
-Can I just say something? -You can. | 0:10:32 | 0:10:34 | |
I think we should ask about that because it's in vogue. | 0:10:34 | 0:10:40 | |
There's so much in here. I mean, look at it all. | 0:10:40 | 0:10:43 | |
Good sidestep there, Mark. | 0:10:44 | 0:10:46 | |
-I have spotted something here, Helen. -Yeah. | 0:10:46 | 0:10:49 | |
-Walking sticks. -Yeah. | 0:10:49 | 0:10:51 | |
Perhaps not the height of fashion but very collectable. | 0:10:51 | 0:10:54 | |
The nice thing with walking sticks is you have such a nice variety | 0:10:54 | 0:10:57 | |
-of handles. They can be very simple, just rustic carved handles. -Yeah. | 0:10:57 | 0:11:02 | |
-Are they collector's items? -Very much so. Look at this one. | 0:11:02 | 0:11:06 | |
There are several to choose from. | 0:11:06 | 0:11:08 | |
Very nice qualities. Nice decoration to the head. | 0:11:08 | 0:11:11 | |
You've got the feathering. | 0:11:11 | 0:11:12 | |
Yes, Helen seems to be a willing student. | 0:11:12 | 0:11:15 | |
-See, that's... -It hasn't got any silver on it. | 0:11:15 | 0:11:18 | |
-Well, that's not necessarily a bad thing. -But it looks like a totem. | 0:11:18 | 0:11:22 | |
-Well, this is what I would call Colonial. -Yeah. | 0:11:22 | 0:11:26 | |
Should I go and find out the price of those three items? | 0:11:26 | 0:11:28 | |
Yes, and everything comes in threes. | 0:11:28 | 0:11:30 | |
-Excuse me a second. Keep browsing. -And you don't want the cake trays? | 0:11:30 | 0:11:34 | |
-No, I don't want the cake trays. -Oh, so strict. | 0:11:34 | 0:11:36 | |
SULKILY: Oh. | 0:11:36 | 0:11:38 | |
So, whilst Mark struts his stuff, Helen's left to her own devices. | 0:11:38 | 0:11:42 | |
Look out. | 0:11:42 | 0:11:43 | |
I'm interested in the bling, I suppose. It's a shiny, pretty thing. | 0:11:43 | 0:11:47 | |
I could see it in, like, a Soho house, you know, | 0:11:47 | 0:11:51 | |
like trendy, just on a shelf and then somebody just goes up and goes, | 0:11:51 | 0:11:55 | |
"Hey, anyone fancy a tune? An Italian folk tune?" | 0:11:55 | 0:11:59 | |
And then they'd just play it on this. | 0:11:59 | 0:12:01 | |
But I think Mark might be agin it. | 0:12:01 | 0:12:03 | |
Nice. | 0:12:04 | 0:12:06 | |
Helen's certainly got her own ideas. | 0:12:08 | 0:12:11 | |
Luckily, Mark's back with some sage advice. | 0:12:11 | 0:12:14 | |
-Helen, I'm trying to advise you. -OK. | 0:12:14 | 0:12:16 | |
All that glitters isn't necessarily gold. | 0:12:16 | 0:12:20 | |
Well, I'm quite superficial. | 0:12:20 | 0:12:22 | |
-You don't say. -SHE LAUGHS | 0:12:22 | 0:12:25 | |
Ouch! | 0:12:25 | 0:12:26 | |
Mark's also discounted the two silver-topped walking sticks | 0:12:26 | 0:12:30 | |
as they're over £200 each, but the tribal one is still in play. | 0:12:30 | 0:12:35 | |
-Have you found something? -Well, the thing is, | 0:12:35 | 0:12:37 | |
I think this is a really beautiful thing. | 0:12:37 | 0:12:39 | |
This, you can't escape the 1920s, '30s, the jazz era. | 0:12:39 | 0:12:44 | |
You've got these wonderful birthday cake designs Chrysler Building, | 0:12:44 | 0:12:49 | |
and even around here you've got this, what we call, engine turning. | 0:12:49 | 0:12:53 | |
-OK. -Now you mentioned this other box as well, | 0:12:53 | 0:12:56 | |
which is more of a lady's box. | 0:12:56 | 0:12:59 | |
Gosh, this is heavy, isn't it? | 0:12:59 | 0:13:01 | |
You said "lady's". I thought that was quite plain, quite gentlemanly. | 0:13:01 | 0:13:05 | |
-What, with that sort of decoration there? -Well, yeah. | 0:13:05 | 0:13:08 | |
Now, Helen, which one do you prefer? | 0:13:08 | 0:13:10 | |
Well, I think... | 0:13:10 | 0:13:13 | |
there's more to this in that it's stylish, | 0:13:13 | 0:13:17 | |
although, as you say, that's heavier. | 0:13:17 | 0:13:19 | |
-Oh, so heavy. -You've got some potential purchases here. | 0:13:19 | 0:13:22 | |
-All right, don't overact it. -SHE GIGGLES | 0:13:22 | 0:13:24 | |
Spot the actress. Perhaps time to call in dealer Tino. | 0:13:24 | 0:13:28 | |
Tino, I'm wavering between the two boxes. | 0:13:28 | 0:13:32 | |
-Well, they're both Art Deco. -They're both Art Deco? | 0:13:32 | 0:13:34 | |
This one's 1933 and I think that one's 1938. | 0:13:34 | 0:13:37 | |
And so what kind of price were you thinking of? | 0:13:37 | 0:13:41 | |
-Well, this one is going to be 170. -Oh, my Gordon Bennett. | 0:13:42 | 0:13:46 | |
And that one is going to be probably 300. | 0:13:46 | 0:13:48 | |
300?! You see, I was right to go for this one, was I not? | 0:13:48 | 0:13:52 | |
I have to say that both those prices are very reasonable | 0:13:52 | 0:13:56 | |
-for a retail price. -Look at my face. -TINO LAUGHS | 0:13:56 | 0:13:59 | |
She's not happy. BUT they are both silver. | 0:13:59 | 0:14:02 | |
I think we can rule this one out cos I think that's... | 0:14:02 | 0:14:05 | |
And it's the wrong year. | 0:14:05 | 0:14:06 | |
-It's SO not in the fashion. -It's not working for me. | 0:14:06 | 0:14:09 | |
And I think, Helen, | 0:14:09 | 0:14:11 | |
-you were quite interested in that piano accordion, weren't you? -I was. | 0:14:11 | 0:14:14 | |
-I was drawn to it. -It's interesting, isn't it? | 0:14:14 | 0:14:17 | |
-Very decorative. -Decorative. | 0:14:17 | 0:14:19 | |
The accordion has a ticket price of £250 | 0:14:19 | 0:14:22 | |
and Mark still has his eye on the tribal walking stick. | 0:14:22 | 0:14:25 | |
How can we meet? How can we even meet in the middle? | 0:14:25 | 0:14:29 | |
Well, how about 200 for both? | 0:14:31 | 0:14:35 | |
-200 for the...? -The box and the accordion. -And the stick. | 0:14:36 | 0:14:40 | |
-All right, and the stick. -There's a lot of unknowns. | 0:14:40 | 0:14:43 | |
We'd have to go down to 150 for three. | 0:14:43 | 0:14:46 | |
-Well... -Tops. Or bottoms. | 0:14:46 | 0:14:49 | |
I can go to 180. I can't go to 150. | 0:14:49 | 0:14:51 | |
What about 160? | 0:14:51 | 0:14:54 | |
165 and that's it. That's it, honestly. | 0:14:54 | 0:14:56 | |
-What do you think? -I'm closing my eyes till somebody says something. | 0:14:58 | 0:15:01 | |
-WHISPERS: -I think you've got to say yes. | 0:15:02 | 0:15:04 | |
So I'm now opening my eyes and I'm saying deal. | 0:15:04 | 0:15:08 | |
-Done. -Tino, you're a gentleman. | 0:15:08 | 0:15:10 | |
-Thank you, Tino. -Your walking stick. | 0:15:10 | 0:15:13 | |
-Thank you. -Wonderful. | 0:15:13 | 0:15:15 | |
Wonderful indeed. Helen's not as bad at haggling as she thought. | 0:15:15 | 0:15:18 | |
So that's £70 for the Art Deco cigarette box, | 0:15:19 | 0:15:22 | |
25 for the walking stick | 0:15:22 | 0:15:24 | |
and 70 again for the accordion, totalling £165 for the three items. | 0:15:24 | 0:15:28 | |
-This pair make quite a team. -Thank you very much, Tino. | 0:15:28 | 0:15:32 | |
-Thank you very much. -Thank you. | 0:15:32 | 0:15:33 | |
Back with Hardeep and Catherine as they head to Tottenham now | 0:15:35 | 0:15:39 | |
in the borough of Haringey. | 0:15:39 | 0:15:41 | |
You're a director, you're a chef, you work on the radio, | 0:15:42 | 0:15:47 | |
you work on the TV. Is there no end to your talents? | 0:15:47 | 0:15:50 | |
There's no beginning to my talents, in the words of Mrs Merton. | 0:15:50 | 0:15:53 | |
During the First World War, | 0:15:57 | 0:15:59 | |
this particular area had a high concentration | 0:15:59 | 0:16:01 | |
of conscientious objectors, | 0:16:01 | 0:16:03 | |
people who refused to be conscripted for military service | 0:16:03 | 0:16:07 | |
on moral grounds. | 0:16:07 | 0:16:09 | |
This almost taboo topic should appeal to politically minded Hardeep, | 0:16:09 | 0:16:14 | |
so they've come to Bruce Castle Museum to find out more. | 0:16:14 | 0:16:18 | |
They're meeting with curator Ben Copsey. | 0:16:18 | 0:16:21 | |
-Catherine. Hello, nice to meet you. -Hi. -Hi. Hardeep. How are you? | 0:16:21 | 0:16:24 | |
At the start of the First World War, | 0:16:24 | 0:16:26 | |
a wave of patriotic fervour swept the UK and men rushed to sign up. | 0:16:26 | 0:16:32 | |
The casualty rate, however, was much higher than expected | 0:16:32 | 0:16:35 | |
and it became necessary to introduce conscription in 1916, | 0:16:35 | 0:16:39 | |
which deemed all men between 18 and 41 to be a soldier. | 0:16:39 | 0:16:44 | |
It was a criminal offence to refuse to serve, | 0:16:44 | 0:16:47 | |
and those who faced formal tribunals became known | 0:16:47 | 0:16:51 | |
as conscientious objectors. | 0:16:51 | 0:16:54 | |
These men were not just socially ostracised | 0:16:54 | 0:16:57 | |
but some were also imprisoned for several years. | 0:16:57 | 0:17:01 | |
So, why were they refusing? | 0:17:01 | 0:17:03 | |
Was it mainly on moral grounds or religious grounds or a mixture? | 0:17:03 | 0:17:07 | |
-Class grounds. -Oh, it was all three, really. | 0:17:07 | 0:17:10 | |
For a lot of men, whether they were religious or political | 0:17:10 | 0:17:13 | |
or socialist, Communist, anarchist, | 0:17:13 | 0:17:16 | |
whether they were artists or for any number of reasons, | 0:17:16 | 0:17:20 | |
thought that war, and all the death and killing that went along with it, was unacceptable. | 0:17:20 | 0:17:24 | |
We studied this at school in Glasgow | 0:17:24 | 0:17:26 | |
and a lot of these conscientious objectors were simply... | 0:17:26 | 0:17:29 | |
Their moral position wasn't understood | 0:17:29 | 0:17:32 | |
and they were just described as cowards, | 0:17:32 | 0:17:34 | |
and it's almost a little bit like the witch-hunts, in a sense. | 0:17:34 | 0:17:37 | |
Absolutely. They faced a huge amount of discrimination. | 0:17:37 | 0:17:40 | |
Not just discrimination but essentially criminalisation | 0:17:40 | 0:17:45 | |
because of their pacifism. | 0:17:45 | 0:17:47 | |
We have these images in 1914 of hundreds of thousands of men | 0:17:47 | 0:17:51 | |
all over the world wanting to join the Army, | 0:17:51 | 0:17:53 | |
and instead we have these 18,000 British people who said, "No." | 0:17:53 | 0:17:57 | |
It put them in a minority position, | 0:17:57 | 0:17:59 | |
a really, very difficult one to hold up to. | 0:17:59 | 0:18:03 | |
Of the estimated 20,000 conscientious objectors in the UK | 0:18:03 | 0:18:08 | |
it was not all bad. | 0:18:08 | 0:18:10 | |
Thousands were in the Home Office Scheme | 0:18:10 | 0:18:12 | |
and in the Non-Combat Corps, but not all were so lucky. | 0:18:12 | 0:18:17 | |
Several thousand conscientious objectors were court-martialled | 0:18:17 | 0:18:20 | |
and imprisoned for lengthy periods. | 0:18:20 | 0:18:22 | |
Here, they endured both physical and mental hardship. | 0:18:22 | 0:18:26 | |
One of these men was Charles Walker. | 0:18:26 | 0:18:29 | |
Charles Walker was one of a set of CO brothers who lived in Hornsey. | 0:18:29 | 0:18:34 | |
And they were some of the first conscientious objectors | 0:18:34 | 0:18:37 | |
from the area to be arrested for refusing to turn up to barracks. | 0:18:37 | 0:18:41 | |
Just the brutality here. | 0:18:41 | 0:18:43 | |
It says, "Dear Annie, This morning we were taken on parade | 0:18:43 | 0:18:47 | |
"and as we could not of course obey military orders | 0:18:47 | 0:18:50 | |
"we were pushed, punched, and hit on the hand and legs with a cane." | 0:18:50 | 0:18:55 | |
At least 100 conscientious objectors are known to have died | 0:18:55 | 0:18:59 | |
as a result of their brutal treatment in prison. | 0:18:59 | 0:19:02 | |
In spite of such hardship, they still found ways to continue to rebel. | 0:19:02 | 0:19:07 | |
This is interesting. There is an allusion here to hunger strikes. | 0:19:07 | 0:19:13 | |
Was that common amongst conscientious objectors? | 0:19:13 | 0:19:16 | |
It did become quite common, yeah. | 0:19:16 | 0:19:18 | |
It started off quite sporadically where some men would refuse | 0:19:18 | 0:19:22 | |
to eat, just as the suffragettes had done in the decade before. | 0:19:22 | 0:19:27 | |
And it became quite a widespread tactic but, unfortunately, | 0:19:27 | 0:19:31 | |
the British Government had practised how to deal with hunger striking | 0:19:31 | 0:19:34 | |
on the suffragettes, and used exactly the same tactics. | 0:19:34 | 0:19:37 | |
-They used the same...? -Tubes down the throat. -Force-feeding. | 0:19:37 | 0:19:40 | |
As well as the physical hardship they endured in prison, | 0:19:41 | 0:19:44 | |
they were forbidden from speaking to each other, | 0:19:44 | 0:19:47 | |
which was a particularly cruel form of punishment. | 0:19:47 | 0:19:50 | |
In a Winchester prison, however, the inmates found | 0:19:52 | 0:19:55 | |
an ingenious way to continue communicating. | 0:19:55 | 0:19:58 | |
That is probably the best piece of conscientious objector material. | 0:19:58 | 0:20:04 | |
It's 1916 or 1917 and it's a prison newspaper. | 0:20:04 | 0:20:09 | |
It's actually made by conscientious objectors in prison. | 0:20:09 | 0:20:13 | |
So it's all written on the only things that conscientious | 0:20:13 | 0:20:16 | |
objectors had available to them in prison, which is toilet paper. | 0:20:16 | 0:20:19 | |
My word! | 0:20:19 | 0:20:21 | |
-That's incredible! -So it's very, very delicate. | 0:20:21 | 0:20:25 | |
It's written with tiny stubs of pencils and with home-made ink, | 0:20:25 | 0:20:30 | |
all made out of Bible covers. | 0:20:30 | 0:20:32 | |
You put a bit of water on your Bible cover and push out the dye. | 0:20:32 | 0:20:36 | |
Or with a pen. It's called the Winchester Whisperer. | 0:20:36 | 0:20:40 | |
Prisoners would hide the newspaper on their bodies | 0:20:40 | 0:20:43 | |
and pass it round to other inmates. | 0:20:43 | 0:20:45 | |
Just looking at that sketch there, | 0:20:45 | 0:20:47 | |
there is a kind of dynamism, a movement in it. | 0:20:47 | 0:20:50 | |
There's real penmanship just with the simplest of tools. | 0:20:50 | 0:20:55 | |
The most vivid of images. It's quite incredible, isn't it? | 0:20:55 | 0:21:00 | |
Let me ask you a question. | 0:21:00 | 0:21:01 | |
Was life in prison any more taxing than life in the front line? | 0:21:01 | 0:21:06 | |
I think that's very difficult to answer. | 0:21:06 | 0:21:09 | |
Conscientious objectors were supposed to go through | 0:21:09 | 0:21:12 | |
what was called the principle of equal sacrifice, | 0:21:12 | 0:21:15 | |
where they had to suffer just as much as a soldier on the front line. | 0:21:15 | 0:21:18 | |
The issue of course is, there's no bullets flying around | 0:21:18 | 0:21:22 | |
and no shelling and no gas in prison. | 0:21:22 | 0:21:25 | |
Some of these men had sentences of ten years hard labour. | 0:21:25 | 0:21:30 | |
So facing ten years in complete silence is what ended up | 0:21:30 | 0:21:34 | |
with things like this newspaper. | 0:21:34 | 0:21:36 | |
Many remained imprisoned even after the war. | 0:21:38 | 0:21:41 | |
The last conscientious objectors were released in 1920, | 0:21:41 | 0:21:45 | |
two years after the war was over. | 0:21:45 | 0:21:47 | |
Shunned by society, imprisoned in inhumane conditions, | 0:21:48 | 0:21:53 | |
all for refusing to kill | 0:21:53 | 0:21:55 | |
or help others kill during the First World War. | 0:21:55 | 0:21:57 | |
Back with Helen and Mark... | 0:22:05 | 0:22:07 | |
Helen, I can't be in the car with you without asking | 0:22:07 | 0:22:12 | |
about one of the best-loved comedy programmes, Ab Fab. | 0:22:12 | 0:22:15 | |
I knew you were going to say Ab Fab even before you said it. | 0:22:15 | 0:22:18 | |
It was such a good role for you | 0:22:18 | 0:22:20 | |
and the characters you played before. | 0:22:20 | 0:22:22 | |
Yes, it was just a fun character to play. | 0:22:22 | 0:22:26 | |
A lot of people quote that line, "Chairs, some lovely chairs." | 0:22:26 | 0:22:31 | |
I go out and about and people suddenly go... How amazing! | 0:22:31 | 0:22:35 | |
That that is known, has been known to people, and cheered them up. | 0:22:35 | 0:22:40 | |
They're travelling to Stoke Newington. | 0:22:40 | 0:22:44 | |
It's only been a morning together but they're already best buddies. | 0:22:44 | 0:22:49 | |
Carol... | 0:22:49 | 0:22:50 | |
Who's Carol? | 0:22:50 | 0:22:52 | |
Yes, because my name is Carol, that's handy! | 0:22:52 | 0:22:55 | |
A bit awkward, that! Best distract Helen with The Cobbled Yard shop. | 0:22:55 | 0:23:01 | |
Looky, looky! | 0:23:01 | 0:23:03 | |
Helen, this is such a contrast to the last shop we were in. | 0:23:03 | 0:23:07 | |
A lot of furniture. | 0:23:07 | 0:23:09 | |
All of this, it's much more, how can you say... | 0:23:09 | 0:23:13 | |
Retro? | 0:23:13 | 0:23:14 | |
Retro. | 0:23:14 | 0:23:15 | |
A little bit more cutting edge, a little bit sort of hip-hop. | 0:23:15 | 0:23:19 | |
-It's like things have been chosen. -Hip-hop, modern. | 0:23:19 | 0:23:22 | |
Needless to say, Mark is feeling right at home(!) | 0:23:22 | 0:23:25 | |
You could imagine some grungy teenagers coming in here | 0:23:28 | 0:23:31 | |
wanting something for their bedroom. | 0:23:31 | 0:23:33 | |
-OK, a pander. -It's a radio. | 0:23:33 | 0:23:36 | |
-Are we allowed to buy these chairs? -No, we're not. | 0:23:38 | 0:23:41 | |
-You haven't even given me a chance. -Move on! | 0:23:41 | 0:23:43 | |
-But these chairs are... -Move on, Helen! | 0:23:43 | 0:23:45 | |
He's so bossy with her! | 0:23:45 | 0:23:47 | |
-Oh, idea, idea. Mark, Mark, hello! -Yes? | 0:23:49 | 0:23:53 | |
If we're looking at strange, funky, | 0:23:53 | 0:23:55 | |
-you know, like, those posters of the weeping child... -Yes. | 0:23:55 | 0:23:59 | |
..that used to be in Woolworths? | 0:23:59 | 0:24:01 | |
You're sighing and he's looking away. I'm getting the impression... | 0:24:01 | 0:24:04 | |
But that is kind of so off kilter. | 0:24:04 | 0:24:08 | |
You see, I was so impressed with you in the last shop. | 0:24:08 | 0:24:11 | |
I thought, "Helen's grasped this." | 0:24:11 | 0:24:13 | |
Moving swiftly on, please. | 0:24:13 | 0:24:15 | |
Ta-da! | 0:24:15 | 0:24:17 | |
Red and wood, it's that kind of school thing. No? | 0:24:19 | 0:24:24 | |
You're not happy with the chairs? You don't like the chairs? | 0:24:24 | 0:24:28 | |
He doesn't like the chairs. OK. | 0:24:28 | 0:24:31 | |
Obviously not a fan of lovely chairs, then, Mark. | 0:24:31 | 0:24:35 | |
I'm sure there's something in here. | 0:24:41 | 0:24:43 | |
-It is a lovely, eclectic mix, isn't it? -Yes, I love it. | 0:24:43 | 0:24:46 | |
-Is that a drum? -No, I think it's a heater. -OK. | 0:24:46 | 0:24:50 | |
SHE CHUCKLES | 0:24:50 | 0:24:52 | |
Gosh, it's tough going today. | 0:24:52 | 0:24:55 | |
What's she found now? | 0:24:55 | 0:24:57 | |
Well, it's a tin box. | 0:24:57 | 0:24:59 | |
"Tattis Potato Crisps, please replace lid. | 0:24:59 | 0:25:02 | |
"This is the property of..." | 0:25:02 | 0:25:05 | |
-Oh. -But I've never heard of Tattis Crisps, have you? -No. | 0:25:05 | 0:25:10 | |
-There's nothing in it. -That's a shame. | 0:25:10 | 0:25:13 | |
I could do with a bag of crisps right now. | 0:25:13 | 0:25:16 | |
-If one had that as a kind of lot. -I think it's great fun. | 0:25:16 | 0:25:19 | |
Finally! Phew! | 0:25:19 | 0:25:21 | |
It's not a make of crisps, I think. Do you recognise it? | 0:25:24 | 0:25:26 | |
Never heard of it. | 0:25:26 | 0:25:27 | |
You see, it's had a bit of wear and things on it | 0:25:27 | 0:25:30 | |
so one would hope it was 1950s. | 0:25:30 | 0:25:33 | |
Time to call on dealer Carol, methinks. | 0:25:34 | 0:25:39 | |
40s, I would say. | 0:25:39 | 0:25:41 | |
-But you're the expert. -Do you think it is? | 0:25:41 | 0:25:43 | |
Because it's got a great look to it, hasn't it? | 0:25:43 | 0:25:46 | |
I can see that in somebody's kitchen. Oh, yes. | 0:25:46 | 0:25:50 | |
Its ticket price is £20 but can Helen work her charm again? | 0:25:51 | 0:25:56 | |
-So basically, it's 10 or nothing. -Naughty. | 0:25:56 | 0:25:59 | |
Helen seems to be bad cop. | 0:25:59 | 0:26:02 | |
But has it worked? | 0:26:03 | 0:26:04 | |
Do you know, I've had it for a few weeks | 0:26:04 | 0:26:07 | |
-so, OK, you've got a deal. -Yes! | 0:26:07 | 0:26:09 | |
-Carol, we love you. -Oh, Carol. Thank you. | 0:26:09 | 0:26:13 | |
It's the right decision. | 0:26:13 | 0:26:14 | |
Well, you would say that. | 0:26:14 | 0:26:16 | |
Apparently tough love does work and for a mere £10, | 0:26:16 | 0:26:20 | |
Helen is now the proud owner of a 1940s crisp box. | 0:26:20 | 0:26:24 | |
They'll be ready for a snack themselves as it's curtains down now | 0:26:24 | 0:26:27 | |
on our first day's buying and night-night. | 0:26:27 | 0:26:30 | |
A new day has dawned and our celebs are raring to go. | 0:26:33 | 0:26:37 | |
Hardeep, tell me, how was your day? | 0:26:37 | 0:26:40 | |
Did you get anything really amazing, like strange? | 0:26:40 | 0:26:44 | |
No, do you know what was quite nice about my day yesterday? | 0:26:44 | 0:26:47 | |
-I sort of got something close to what I was hoping to get. -Oh. | 0:26:47 | 0:26:51 | |
Yet unusual at the same time. | 0:26:51 | 0:26:54 | |
We have had a laugh, I tell you what. | 0:26:54 | 0:26:56 | |
We have had a laugh and we're quite strict with each other, | 0:26:56 | 0:27:00 | |
which we quite like. | 0:27:00 | 0:27:02 | |
Is he actively guiding you and encouraging you? | 0:27:02 | 0:27:05 | |
Because I feel I'm not making the most of Catherine. | 0:27:05 | 0:27:07 | |
But how does Catherine feel? | 0:27:07 | 0:27:10 | |
-He's only buying things he likes and that's it. -Really? -Yes. | 0:27:10 | 0:27:14 | |
-How do you put your input in? -He doesn't care about me! | 0:27:14 | 0:27:20 | |
Oh, well, he's not all bad then! | 0:27:20 | 0:27:22 | |
Mark! Such a charmer! | 0:27:22 | 0:27:24 | |
Yesterday Helen and Mark worked well together | 0:27:24 | 0:27:27 | |
with Helen discovering a new-found skill. | 0:27:27 | 0:27:29 | |
-I became quite bad. -Really? | 0:27:29 | 0:27:31 | |
-Quite sort of ruthless. -Did you end up being a bit hard-core? | 0:27:31 | 0:27:35 | |
I wouldn't want to mess with you, | 0:27:35 | 0:27:37 | |
I wouldn't want to lock horns with you. | 0:27:37 | 0:27:39 | |
No. But it was only playing, I was only playing with the person. | 0:27:39 | 0:27:43 | |
It worked, though. | 0:27:44 | 0:27:46 | |
As Helen and Mark spent £175 yesterday... | 0:27:46 | 0:27:50 | |
Looky, looky! | 0:27:50 | 0:27:52 | |
On four items. | 0:27:52 | 0:27:53 | |
We should ask about that because it's in vogue. | 0:27:53 | 0:27:58 | |
An Art Deco silver cigarette box, a tribal walking stick, | 0:27:58 | 0:28:02 | |
a 1930s Italian piano accordion and a 1940s crisp box called Tattis. | 0:28:02 | 0:28:09 | |
They also competed in the ultimate face-off. | 0:28:09 | 0:28:11 | |
Helen won! | 0:28:13 | 0:28:15 | |
Hardeep and Catherine had a less successful day. | 0:28:15 | 0:28:18 | |
Oh, these are really interesting. | 0:28:18 | 0:28:20 | |
He's not listening, I don't know why I'm bothering! | 0:28:20 | 0:28:22 | |
They spent just £14 on one item that Hardeep loved, | 0:28:22 | 0:28:25 | |
a novelty 1920s silver-plated sugar shaker. | 0:28:25 | 0:28:28 | |
Our couples are meeting up this morning | 0:28:28 | 0:28:30 | |
in central London near Regent's Park. | 0:28:30 | 0:28:33 | |
-Oh, hello! -Tally Ho! | 0:28:34 | 0:28:38 | |
-My lovely friends! -How are you? Very well. | 0:28:38 | 0:28:44 | |
-How are you? -Good, good, good. Allow me. | 0:28:44 | 0:28:47 | |
-Are you stuck? -No, I can't get it open, I'm afraid. Mind the car. | 0:28:49 | 0:28:54 | |
I can just have a conversation like this. | 0:28:54 | 0:28:56 | |
You could do, you could sit there elegantly. | 0:28:56 | 0:29:00 | |
Yes, I'm trying to look sophisticated. | 0:29:00 | 0:29:03 | |
There's a thing you do with this. Push down there, you see. | 0:29:03 | 0:29:06 | |
You automatically want to pull it up, don't you? | 0:29:06 | 0:29:08 | |
Well, darling, you want to pull it up, down, | 0:29:08 | 0:29:10 | |
-any which way you can to get the young lady rescued. -Thank you. | 0:29:10 | 0:29:13 | |
How are you? I've missed you so much. | 0:29:13 | 0:29:15 | |
We've got a lovely visit to go to and you need to shop | 0:29:15 | 0:29:18 | |
because you haven't bought very much, have you? | 0:29:18 | 0:29:20 | |
You've bought four items? | 0:29:20 | 0:29:21 | |
-I think you'll find... You've got how many items?! -Four. | 0:29:21 | 0:29:23 | |
Well, I didn't tell him because I didn't want to upset him. | 0:29:23 | 0:29:26 | |
-Uh-oh! -Let's leave them to it. | 0:29:26 | 0:29:29 | |
-You've only got one thing left to buy? -Yes. | 0:29:29 | 0:29:32 | |
Pick up some humility. Spend your money on humility. | 0:29:32 | 0:29:35 | |
We might buy a couple of items, you never know. | 0:29:35 | 0:29:37 | |
-Ignore him. -Let's go. | 0:29:37 | 0:29:39 | |
Hardeep and Catherine are travelling to the uber trendy area | 0:29:39 | 0:29:43 | |
of Marylebone. Bordering Oxford Street, | 0:29:43 | 0:29:45 | |
it's been at the height of fashion since the 17th century | 0:29:45 | 0:29:48 | |
and is a shopping Mecca which hopefully bodes well. | 0:29:48 | 0:29:53 | |
-So, I'm excited about this. -There's a lot to cover here. | 0:29:53 | 0:29:57 | |
I'm more casually dressed today. | 0:29:57 | 0:29:59 | |
Hardeep and Catherine are heading into Alfie's Antiques Market | 0:29:59 | 0:30:03 | |
where they're visiting Beth's shop this morning. | 0:30:03 | 0:30:06 | |
That looks familiar. | 0:30:06 | 0:30:08 | |
Oh, my God, this is exactly the one we bought yesterday. | 0:30:08 | 0:30:10 | |
Mappin and Webb? | 0:30:10 | 0:30:11 | |
-Yes. -Definitely silver plated? -Yes. How much is it? -Well, we paid 14. | 0:30:11 | 0:30:16 | |
-I'm not even joking. -What? -95 quid. | 0:30:18 | 0:30:21 | |
-What did I say to you? -You're so good! | 0:30:21 | 0:30:25 | |
Catherine's prowess proven again. They still have £386 left to spend. | 0:30:25 | 0:30:31 | |
-I love that purple glass. -It's Whitefriars. -What's Whitefriars? | 0:30:31 | 0:30:36 | |
-Is Whitefriars good? -Yeah. Oh, it's a ginger jar. | 0:30:36 | 0:30:40 | |
What's nice about it is, it can be used as a vase, | 0:30:40 | 0:30:43 | |
which it originally was used for. | 0:30:43 | 0:30:48 | |
-So that potentially could be two separate pieces? -Absolutely. | 0:30:48 | 0:30:51 | |
Have you looked this up? | 0:30:51 | 0:30:52 | |
I know its Whitefriars by the base, it's got a little ring round it | 0:30:52 | 0:30:55 | |
but it's also controlled bubbles. | 0:30:55 | 0:30:57 | |
Whitefriars is thought to be one of the most successful | 0:30:57 | 0:31:01 | |
and long-running glasshouses in the UK | 0:31:01 | 0:31:03 | |
although I'm not convinced this is the genuine artefact. | 0:31:03 | 0:31:07 | |
It could be in the style of. | 0:31:07 | 0:31:10 | |
-Shall I tell you what's interesting? -Right. -It's a beautiful colour. | 0:31:10 | 0:31:12 | |
It's got a smoky quality to it. | 0:31:12 | 0:31:14 | |
Its ticket price is £135 but there are more pieces to look at. | 0:31:14 | 0:31:19 | |
I like the bowl. | 0:31:19 | 0:31:21 | |
-The bowl is the same sort of thing. -I think the bowl is beautiful. | 0:31:21 | 0:31:23 | |
How much is the bowl? | 0:31:23 | 0:31:25 | |
A lovely shape. Unusual shape as well. | 0:31:25 | 0:31:28 | |
I love the shape of that, I really like the base of it. | 0:31:28 | 0:31:30 | |
They're very traditional Whitefriars colours | 0:31:30 | 0:31:33 | |
and all the really right vibrant yellows, the oranges, the turquoise. | 0:31:33 | 0:31:38 | |
The bowl is priced at £89 but which one will Hardeep go for? | 0:31:38 | 0:31:43 | |
-Is it too much to get two? -Could a deal be done? | 0:31:44 | 0:31:47 | |
-120 for the two. -Gosh! | 0:31:47 | 0:31:48 | |
-Could I kiss you? Would that be out of the question? -Hold on! | 0:31:48 | 0:31:51 | |
-120 for the two is pretty good. -Yes. | 0:31:51 | 0:31:53 | |
-Is there no way we could do 110 on these? -115. | 0:31:53 | 0:31:57 | |
-Only because it's you and you smiled earlier. -110? | 0:31:57 | 0:32:01 | |
-115. -110? | 0:32:01 | 0:32:03 | |
-115. -OK, 115. -It's going to go up if you carry on doing that. | 0:32:03 | 0:32:08 | |
So, for £115, Hardeep now adds what he hopes | 0:32:08 | 0:32:12 | |
is two pieces of Whitefriars glass to his collection. | 0:32:12 | 0:32:16 | |
I don't really care what anyone spends on them. | 0:32:16 | 0:32:18 | |
I just think it's such a beautiful thing. | 0:32:18 | 0:32:21 | |
You're a wee smasher! | 0:32:22 | 0:32:24 | |
Is there anything else for him in here? | 0:32:24 | 0:32:27 | |
It is rather quirky but it is a good name. | 0:32:27 | 0:32:29 | |
-It's a WMF set. It's a strawberry set. -Oh, is it? | 0:32:29 | 0:32:33 | |
What's nice is all the pieces are there. | 0:32:33 | 0:32:35 | |
You've got the tray, it's beautifully marked | 0:32:35 | 0:32:37 | |
and you've got the gilding. | 0:32:37 | 0:32:39 | |
-And the strawberries on it. -This is lovely. | 0:32:39 | 0:32:41 | |
I just think the idea of strawberries and cream | 0:32:41 | 0:32:43 | |
in June in kind of... rural south-east England... | 0:32:43 | 0:32:49 | |
I think that's beautiful. | 0:32:49 | 0:32:51 | |
It's silver plated and silver gilt. Ticket price, £135. | 0:32:51 | 0:32:56 | |
WMF is a great name. It's one that people know. Art Nouveau. | 0:32:56 | 0:33:00 | |
-It's beautifully gilded inside. What's the best on that? -85. | 0:33:00 | 0:33:04 | |
I'll do 80 because you've bought the other things. | 0:33:04 | 0:33:07 | |
-Your call, honey. -I think, yes, yes, yes, thrice yes. | 0:33:09 | 0:33:13 | |
Hardeep has found another item that he loves, | 0:33:13 | 0:33:16 | |
making his total spend in this market £195. | 0:33:16 | 0:33:20 | |
Helen and Mark are in the affluent area of Hampstead | 0:33:22 | 0:33:26 | |
where there are reportedly more millionaires | 0:33:26 | 0:33:29 | |
within its boundaries than anywhere else in the UK. | 0:33:29 | 0:33:32 | |
Once a small village on the outskirts of London, | 0:33:32 | 0:33:34 | |
the area is also rich in culture. | 0:33:34 | 0:33:37 | |
Helen and Mark are here to learn about the tragic story | 0:33:37 | 0:33:40 | |
of one of England's greatest poets, John Keats. | 0:33:40 | 0:33:43 | |
They're at Keats House to meet with curator Vicky Carroll. | 0:33:43 | 0:33:48 | |
-Hello. How nice to meet you. -Welcome to Keats House. | 0:33:48 | 0:33:51 | |
Thank you, I'm Mark. | 0:33:51 | 0:33:52 | |
-Nice to meet you. -Shall we go in? | 0:33:52 | 0:33:54 | |
As well as writing her own comedy, Helen has a couple of books | 0:33:54 | 0:33:57 | |
under her belt so can understand the plight of the writer. | 0:33:57 | 0:34:01 | |
Keats' short life was one of great sorrow. | 0:34:02 | 0:34:06 | |
He and his siblings were orphaned at a young age when they lost | 0:34:06 | 0:34:09 | |
their father in a riding accident, and later their mother to TB. | 0:34:09 | 0:34:13 | |
His parents weren't wealthy, | 0:34:15 | 0:34:17 | |
but they wanted their children to have the best education. | 0:34:17 | 0:34:20 | |
Whilst Keats had always loved writing, | 0:34:22 | 0:34:25 | |
this wasn't actually his original career path. | 0:34:25 | 0:34:28 | |
Poetry was something he was interested in | 0:34:28 | 0:34:30 | |
from an early age, while he was at school. | 0:34:30 | 0:34:32 | |
He was initially destined to become a doctor. | 0:34:32 | 0:34:35 | |
He was an apprentice to an apothecary for five years. | 0:34:35 | 0:34:38 | |
He studied surgery at Guy's Hospital as well. | 0:34:38 | 0:34:41 | |
That was his intended career. | 0:34:41 | 0:34:43 | |
-A really clever man... -Yeah. -..but then totally creative. | 0:34:43 | 0:34:46 | |
Yeah, absolutely. | 0:34:46 | 0:34:48 | |
He passed his exams first time, which was very unusual at the time. | 0:34:48 | 0:34:51 | |
-Wow, very unusual. -So he was a good student. | 0:34:51 | 0:34:53 | |
When Keats was studying to become a doctor, was he writing then as well? | 0:34:53 | 0:34:58 | |
Yes, he did start writing whilst he was studying | 0:34:58 | 0:35:01 | |
and he actually got a poem published in a magazine called The Examiner. | 0:35:01 | 0:35:05 | |
Keats loved living in Hampstead because it was a hotbed of artists, | 0:35:08 | 0:35:12 | |
musicians and actors. | 0:35:12 | 0:35:14 | |
He loved mixing with creative types. | 0:35:14 | 0:35:17 | |
He passed his final exams in 1816 but shocked his friends | 0:35:18 | 0:35:22 | |
by deciding he wanted to devote his life to poetry. | 0:35:22 | 0:35:26 | |
Crazy man. Crazy, crazy decision. | 0:35:26 | 0:35:29 | |
I mean, did he do well? | 0:35:29 | 0:35:32 | |
Did he get paid for his poetry while he was living here? | 0:35:32 | 0:35:35 | |
He never made an awful lot of money from being a poet. | 0:35:35 | 0:35:38 | |
His first work was really not particularly well noticed | 0:35:38 | 0:35:42 | |
outside of his circle of friends. | 0:35:42 | 0:35:44 | |
His second work was actually reviewed very badly by the press. | 0:35:44 | 0:35:48 | |
In spite of these knock backs, Keats persisted with his poetry. | 0:35:48 | 0:35:52 | |
Sadly, tragedy struck again | 0:35:52 | 0:35:54 | |
when his younger brother Tom passed away from TB aged just 17. | 0:35:54 | 0:35:59 | |
At the time, John lived nearby. | 0:35:59 | 0:36:01 | |
But to escape such painful memories, Keats moved into this house where | 0:36:01 | 0:36:05 | |
he went on to write some of his most famed works. | 0:36:05 | 0:36:09 | |
-Is that Keats in this very room? -It is. | 0:36:09 | 0:36:11 | |
So that is Keats seated in this very room, studying | 0:36:11 | 0:36:14 | |
-and preparing probably to write one of his poems. -Oh, wonderful. | 0:36:14 | 0:36:19 | |
-And some of his best poetry was written here? -Absolutely. | 0:36:19 | 0:36:22 | |
He famously wrote Ode to a Nightingale here | 0:36:22 | 0:36:25 | |
in this house, seated under a plum tree in the garden, we're told. | 0:36:25 | 0:36:30 | |
He also wrote Ode on a Grecian Urn. | 0:36:30 | 0:36:31 | |
More happy love! More happy, happy love! | 0:36:33 | 0:36:37 | |
For ever warm And still to be enjoy'd | 0:36:37 | 0:36:40 | |
For ever panting And for ever young. | 0:36:40 | 0:36:44 | |
This is the house where Keats was happiest during his life. | 0:36:44 | 0:36:47 | |
One of the main reasons for that is it's where he fell in love. | 0:36:47 | 0:36:51 | |
-BOTH: Oh! -A certain Fanny Brawne actually lived | 0:36:51 | 0:36:54 | |
in the house next door and they met and a romance | 0:36:54 | 0:36:57 | |
between them blossomed. | 0:36:57 | 0:36:58 | |
Oh, how wonderful. | 0:36:58 | 0:36:59 | |
-But how convenient to have Fanny next door. -Exactly. -Wonderful. | 0:36:59 | 0:37:02 | |
Keats had first met Fanny when he was nursing Tom. | 0:37:05 | 0:37:09 | |
A relationship later blossomed. | 0:37:09 | 0:37:12 | |
So I am now looking at a very pretty ring which I want. | 0:37:12 | 0:37:16 | |
Who did it belong to? | 0:37:16 | 0:37:18 | |
That actually belonged to Fanny Brawne, | 0:37:18 | 0:37:21 | |
who was the love of Keats' life. | 0:37:21 | 0:37:23 | |
Keats gave that to Fanny for their secret engagements. | 0:37:23 | 0:37:27 | |
Wow. That has got to be a love letter, hasn't it? | 0:37:27 | 0:37:30 | |
I would have thought so. | 0:37:30 | 0:37:32 | |
Keats wrote this letter to Fanny when he was too sick to leave | 0:37:32 | 0:37:36 | |
the house and too sick to actually meet with her. | 0:37:36 | 0:37:39 | |
Sadly Keats had also fallen ill with TB, | 0:37:41 | 0:37:45 | |
the disease which had claimed the lives | 0:37:45 | 0:37:47 | |
of both his mother and brother. | 0:37:47 | 0:37:49 | |
You mentioned it was secret. Why was it secret? | 0:37:49 | 0:37:52 | |
Well, unfortunately Keats and Fanny didn't really have the resources | 0:37:52 | 0:37:56 | |
that they needed to get married. | 0:37:56 | 0:37:58 | |
Also because he was starting to become very ill. | 0:37:58 | 0:38:00 | |
Unable to provide Fanny with a stable future, | 0:38:02 | 0:38:05 | |
their relationship remained clandestine, but Keats | 0:38:05 | 0:38:09 | |
and Fanny couldn't resist getting secretly engaged. | 0:38:09 | 0:38:12 | |
-Oh! -Beautiful. It's so romantic, isn't it? | 0:38:13 | 0:38:16 | |
I fear the worst. What happened next, Vicky? | 0:38:16 | 0:38:18 | |
Well, unfortunately Keats' health continued to decline | 0:38:18 | 0:38:22 | |
and his friends decided what would be best for him | 0:38:22 | 0:38:25 | |
would be to travel somewhere with a warmer climate. | 0:38:25 | 0:38:28 | |
Keats went to Rome with his friend, the artist Joseph Severn. | 0:38:28 | 0:38:32 | |
-Very sad, isn't it? -It is, isn't it? | 0:38:32 | 0:38:34 | |
Sadly, he never saw Fanny again as he passed away | 0:38:34 | 0:38:37 | |
on the 23rd of February 1821, aged just 25. | 0:38:37 | 0:38:41 | |
-Oh! -I know. I feel quite sad, don't you? -Yes. | 0:38:43 | 0:38:47 | |
It's really quite sad. | 0:38:47 | 0:38:49 | |
During his short life, Keats wrote about 145 poems | 0:38:49 | 0:38:54 | |
but sadly died thinking himself unsuccessful. | 0:38:54 | 0:38:57 | |
In later years his work was rediscovered | 0:39:00 | 0:39:03 | |
by Pre-Raphaelite artists | 0:39:03 | 0:39:05 | |
who produced a number of paintings inspired by Keats' poetry. | 0:39:05 | 0:39:08 | |
He is now thought of as a key figure in the Romantic movement | 0:39:08 | 0:39:12 | |
and one of Britain's most famous poets. | 0:39:12 | 0:39:15 | |
-It is so glorious. -So we need, what, one or two more things? | 0:39:16 | 0:39:21 | |
Hardeep and Catherine are still in Marylebone | 0:39:21 | 0:39:23 | |
at Andrew Nebbett Antiques. | 0:39:23 | 0:39:26 | |
-I feel something special coming on. -Do you? In here? -Shall we? | 0:39:26 | 0:39:30 | |
-Shall we? -Let's go. | 0:39:30 | 0:39:32 | |
Hardeep has just under £200 left to spend. | 0:39:32 | 0:39:36 | |
Oh, look at that! | 0:39:36 | 0:39:37 | |
Let's hope there's something here to catch his eye. | 0:39:37 | 0:39:40 | |
-I would have that in my home. Would you? -Yeah. 750 quid. -How much?! | 0:39:43 | 0:39:47 | |
You can have it in yours, mate. I'll just come and visit. | 0:39:47 | 0:39:50 | |
HE MOUTHS | 0:39:50 | 0:39:51 | |
It's nice but perhaps | 0:39:51 | 0:39:53 | |
look for something more in keeping with your budget, eh? | 0:39:53 | 0:39:56 | |
-I know you told me it is incomplete. -Oh, the case. | 0:39:58 | 0:40:01 | |
-It is very much incomplete. -It is a vellum case from the '30s. | 0:40:01 | 0:40:05 | |
-This is perfect. -That is quite a large size, isn't it? -Yes. | 0:40:05 | 0:40:08 | |
That could have been a tissue. | 0:40:08 | 0:40:10 | |
-No, no, no. It wouldn't have been a tissue. -A sandwich. | 0:40:10 | 0:40:13 | |
-There would have been another thing here. -Very funny, Hardeep. | 0:40:13 | 0:40:17 | |
This is clearly for ladies. | 0:40:17 | 0:40:18 | |
A little vanity case, a travelling bag. | 0:40:18 | 0:40:20 | |
You say that but we've got no proof. | 0:40:20 | 0:40:22 | |
It is a ladies' one, absolutely. | 0:40:22 | 0:40:24 | |
-Look at this. -There is nothing in there I wouldn't use. | 0:40:24 | 0:40:27 | |
Nothing in there I wouldn't use. | 0:40:27 | 0:40:28 | |
-You wouldn't use those hairbrushes, for a start. -I would. | 0:40:28 | 0:40:31 | |
Catherine's demonstrating admirable patience today. | 0:40:31 | 0:40:35 | |
What I love about the deco era, the 1930s, | 0:40:35 | 0:40:39 | |
is how everyone used to personalise things. | 0:40:39 | 0:40:41 | |
They used to buy really special good-quality things, like this, | 0:40:42 | 0:40:45 | |
and then personalise it. | 0:40:45 | 0:40:48 | |
-Things like this would be treasured. -They would, wouldn't they? | 0:40:48 | 0:40:51 | |
-They really would. -Things lasted much longer then. -They really would. | 0:40:51 | 0:40:54 | |
Hm. It's ticket price is £95. | 0:40:54 | 0:40:57 | |
We just have this engine-turned enamel on the top. | 0:40:57 | 0:41:01 | |
I like enamel that's been turned by an engine. | 0:41:01 | 0:41:04 | |
It makes me feel part of the industrial age. | 0:41:04 | 0:41:06 | |
Nothing I say is taken seriously. | 0:41:06 | 0:41:09 | |
I'm going to speak to someone who has intelligence. | 0:41:09 | 0:41:12 | |
Oh, cue dealer Tiffany. | 0:41:12 | 0:41:16 | |
We very much like this box but clearly it has... | 0:41:16 | 0:41:19 | |
It's not in A1-perfect nick. | 0:41:19 | 0:41:20 | |
And also I feel it's cluttering up the shop | 0:41:20 | 0:41:24 | |
and we are prepared to do you a favour and take it away. | 0:41:24 | 0:41:27 | |
Can we make you an offer? 50 quid. | 0:41:27 | 0:41:32 | |
I think we could go to 80. | 0:41:32 | 0:41:34 | |
Shall we just be very candid? 65 is probably... | 0:41:34 | 0:41:37 | |
We can't really go much higher than 65 because | 0:41:37 | 0:41:40 | |
-we'll lose money, won't we? -Probably. | 0:41:40 | 0:41:42 | |
To go any lower, Tiffany needs to check with owner Andy. | 0:41:42 | 0:41:47 | |
Thank you, Andy. Thanks. Bye-bye. | 0:41:47 | 0:41:50 | |
£60. | 0:41:53 | 0:41:54 | |
Oh, that's fantastic. Well done! | 0:41:54 | 0:41:59 | |
-Oh, come here and shake my hand, Tiffany. -Tiffany, thank you. | 0:41:59 | 0:42:03 | |
-Bless you. -Thank you, Andy. I'm glad you've got it. | 0:42:03 | 0:42:06 | |
Gosh, I wish he was here. | 0:42:06 | 0:42:09 | |
Helen and Mark have also made their way to Marylebone | 0:42:09 | 0:42:11 | |
and Alfies Antiques Market with their remaining £225. | 0:42:11 | 0:42:16 | |
The lizard brooch. | 0:42:16 | 0:42:17 | |
It's quite fun, isn't it? It looks, sort of, '20s style to me. | 0:42:17 | 0:42:21 | |
This sort of glitzy jewellery now is quite popular, I think. | 0:42:21 | 0:42:25 | |
It's got that good look. | 0:42:25 | 0:42:27 | |
It's bling but it's made in the shape of a lizard | 0:42:27 | 0:42:30 | |
and people are constantly needing lapel wear. | 0:42:30 | 0:42:33 | |
Yeah, nobody likes an empty lapel. | 0:42:33 | 0:42:38 | |
It looks lovely on you, actually, I have to say. | 0:42:38 | 0:42:40 | |
-On a jacket like mine. -It's got a nice feel about it. | 0:42:40 | 0:42:44 | |
I like the fact you've got these three big stones in the middle here. | 0:42:44 | 0:42:47 | |
-It really is blingy, isn't it? -I think for a piece... | 0:42:47 | 0:42:51 | |
-And you did want bling. -The dealer does not want to be on camera | 0:42:51 | 0:42:54 | |
but informs Mark that the lowest she's willing to | 0:42:54 | 0:42:56 | |
take down the brooch is £25. | 0:42:56 | 0:42:58 | |
I don't think you're going to lose very much. | 0:42:58 | 0:43:01 | |
I personally don't think it is going to make that much, | 0:43:01 | 0:43:04 | |
but you don't know. | 0:43:04 | 0:43:06 | |
But Helen's inner magpie can't resist something glittery. | 0:43:06 | 0:43:09 | |
So that is one item down. | 0:43:09 | 0:43:10 | |
Mark is also keen to show Helen something else he's uncovered. | 0:43:10 | 0:43:14 | |
The thing I wanted to show you needs no introduction at all | 0:43:14 | 0:43:18 | |
to anybody who knows pottery. | 0:43:18 | 0:43:20 | |
-It's a vase. -It's a planter. | 0:43:20 | 0:43:22 | |
Oh, a planter. | 0:43:22 | 0:43:25 | |
-But I'll accept vase. -OK, good. | 0:43:25 | 0:43:27 | |
But this is by the Moorcroft factory. | 0:43:27 | 0:43:29 | |
Moorcroft has been running for over 100 years. | 0:43:29 | 0:43:32 | |
In 1928 they were appointed as potter to Queen Mary. | 0:43:32 | 0:43:36 | |
This is very typically Moorcroft. | 0:43:36 | 0:43:39 | |
It's two blind decoration with... | 0:43:39 | 0:43:40 | |
I don't know what flowers are those, hibiscus? | 0:43:40 | 0:43:42 | |
-Circa what? -This is a difficult one. | 0:43:42 | 0:43:46 | |
I think this is probably circa anywhere between 1920 and 1950. | 0:43:46 | 0:43:51 | |
-It is hand done and it has got the symbol on the bottom. -Yes, yes. | 0:43:51 | 0:43:55 | |
-So that is quite marketable. -It is quite big and | 0:43:55 | 0:43:57 | |
-marketable and it's Moorcroft and everybody knows Moorcroft. -Yes. | 0:43:57 | 0:44:01 | |
Perhaps not everybody, Mark. | 0:44:01 | 0:44:04 | |
It's ticket price is a whopping £220 | 0:44:04 | 0:44:06 | |
-but can Mark convince Helen it's worth a punt? -You don't... | 0:44:06 | 0:44:11 | |
I don't like it at all. | 0:44:11 | 0:44:12 | |
It does absolutely nothing for me aesthetically. | 0:44:12 | 0:44:15 | |
But I am interested in making a profit. | 0:44:15 | 0:44:17 | |
You know when I said be honest? I wasn't quite meaning that honest. | 0:44:17 | 0:44:21 | |
-Oh, sorry. -I would say, "What is the very best price on that?" | 0:44:21 | 0:44:27 | |
-And see where we stand. -I would concur with that view. | 0:44:27 | 0:44:31 | |
So, Chris, what would be the very best price, | 0:44:31 | 0:44:34 | |
-bearing in mind we've got to put this into auction. -No problem. | 0:44:34 | 0:44:37 | |
A good profit in that. £100. | 0:44:37 | 0:44:40 | |
Looking at the auctioneer, they would probably | 0:44:40 | 0:44:42 | |
estimate it at £80-£120. | 0:44:42 | 0:44:44 | |
So we are in the middle of the estimate. | 0:44:44 | 0:44:47 | |
I couldn't go above 80 for that. | 0:44:47 | 0:44:49 | |
Because that's what your beginning | 0:44:49 | 0:44:51 | |
-market was on the auction suggestion. -Ah. | 0:44:51 | 0:44:55 | |
So I couldn't do more. | 0:44:55 | 0:44:58 | |
You've convinced me but I'm not the one selling it to you, you know? | 0:44:58 | 0:45:01 | |
There is just no way of knowing. | 0:45:02 | 0:45:04 | |
Done. I like this gentleman. | 0:45:12 | 0:45:14 | |
-Well done. £80. -We got the Moorcroft for £80. | 0:45:15 | 0:45:18 | |
We got the Moorcroft. | 0:45:18 | 0:45:19 | |
That's an incredible discount from Chris. | 0:45:19 | 0:45:23 | |
For £105, then, that's Helen's final two items in the bag. | 0:45:23 | 0:45:28 | |
With their shopping complete, our couples reunite | 0:45:28 | 0:45:31 | |
on the roof to unveil their wares. | 0:45:31 | 0:45:33 | |
-Are you ready for this? -Yes. -We are going to reveal our items. | 0:45:33 | 0:45:36 | |
Helen, grab the end, lift it off. | 0:45:36 | 0:45:38 | |
Ta-da! | 0:45:38 | 0:45:39 | |
Oh, my goodness! You bought loads. | 0:45:39 | 0:45:41 | |
Oh, that's not what I thought you would buy! | 0:45:41 | 0:45:44 | |
-Helen loved this. -That is beautiful, though. -It's wonderful. | 0:45:45 | 0:45:47 | |
It's by Francesco's. It is all beaded. | 0:45:47 | 0:45:49 | |
I love this, sort of, marbled look on the side. | 0:45:49 | 0:45:53 | |
We have a lovely Art Deco solid silver cigarette box down there. | 0:45:53 | 0:45:55 | |
-Nice. -That is nice. | 0:45:55 | 0:45:57 | |
This lovely tin which Helen loves. | 0:45:57 | 0:45:59 | |
-That is the sort of thing I would have bought, Helen. -Lovely colours. | 0:45:59 | 0:46:03 | |
I love this walking cane and Helen absolutely wanted | 0:46:03 | 0:46:07 | |
a piece of bling, so we couldn't go | 0:46:07 | 0:46:10 | |
without buying a piece of bling, could we, Helen? | 0:46:10 | 0:46:12 | |
That is a lapel lizard, I call it. | 0:46:12 | 0:46:15 | |
It just curls around the lapel. | 0:46:15 | 0:46:18 | |
-It's wonderful. -Would you like to look at what we bought? | 0:46:18 | 0:46:20 | |
-We'd love to. -Absolutely. -We're dying to see them. | 0:46:20 | 0:46:24 | |
-Oh, wow! -Oh, nice! | 0:46:24 | 0:46:28 | |
-Oh, gosh. -Pretty. -We've gone for Whitefriars. | 0:46:28 | 0:46:31 | |
You've never, ever seen a piece of Whitefriars like that. | 0:46:31 | 0:46:34 | |
No, I haven't. | 0:46:34 | 0:46:35 | |
Maybe because it's not Whitefriars. | 0:46:35 | 0:46:37 | |
But this is quite interesting. | 0:46:37 | 0:46:40 | |
-I love it. -So pretty. | 0:46:40 | 0:46:41 | |
-We paid £14 for it. -Oh, it was cheap. That is a money-spinner. | 0:46:41 | 0:46:45 | |
You're going to make a lot of money on that. | 0:46:45 | 0:46:47 | |
What about your little travelling set? | 0:46:47 | 0:46:50 | |
This was... If you excuse the pun, a vanity purchase, wasn't it? | 0:46:50 | 0:46:53 | |
-You paid what, £20-30? -Huh! Mark! | 0:46:53 | 0:46:56 | |
-We paid 60. -Oh! | 0:46:56 | 0:46:58 | |
I think we should leave it there. | 0:46:58 | 0:47:00 | |
-OK. -Oh, listen, well done. | 0:47:00 | 0:47:02 | |
Yeah, probably for the best. | 0:47:02 | 0:47:05 | |
Helen's been unusually quiet. But is our favourite bad cop | 0:47:05 | 0:47:09 | |
-about to reappear? -The shambolic thing with the bits missing, | 0:47:09 | 0:47:11 | |
the suitcase... | 0:47:11 | 0:47:13 | |
I think that seems a lot of money to me because I don't | 0:47:13 | 0:47:15 | |
-think that's enamel. I didn't look at it. -Who'd want that? | 0:47:15 | 0:47:17 | |
I loved that tin. | 0:47:17 | 0:47:19 | |
I would have bought that for £10. You don't like it. | 0:47:19 | 0:47:21 | |
Who's going to give more than £10 for that? | 0:47:21 | 0:47:24 | |
No, I think that could do, sort of, 20. | 0:47:24 | 0:47:25 | |
It won't make a huge amount but it will do £20 or £30. | 0:47:25 | 0:47:29 | |
People like those sorts of tins. | 0:47:29 | 0:47:31 | |
The ginger jar is... I have to say, I've never seen, | 0:47:31 | 0:47:34 | |
but they did pay quite a lot of money for them. | 0:47:34 | 0:47:37 | |
Altogether it looked pretty except for the silly old suitcase. | 0:47:37 | 0:47:41 | |
The auction is taking place in the village of Stansted Mountfitchet, | 0:47:43 | 0:47:47 | |
in Essex, just a few miles from Stansted Airport. | 0:47:47 | 0:47:50 | |
How are our celebrities feeling? | 0:47:50 | 0:47:53 | |
Have you ever been to an auction before? | 0:47:53 | 0:47:55 | |
-I don't think I have. -Don't twitch. -Don't twitch! | 0:47:57 | 0:47:59 | |
-Don't wave at anyone across the room. -OK. | 0:47:59 | 0:48:02 | |
-And don't say, "5,000!" -Oh, right, as a, sort of, nervous tic. -Yeah. | 0:48:02 | 0:48:06 | |
-We have got such a mixed bag between us. -Very, very cornucopic. | 0:48:09 | 0:48:12 | |
-Yes, and eclectic. -Yes. | 0:48:12 | 0:48:15 | |
But more the word you said. | 0:48:15 | 0:48:18 | |
Yes, today at Sworders Fine Art Auctioneers, are lots | 0:48:19 | 0:48:23 | |
are for sale online, on the phone and in the room. | 0:48:23 | 0:48:26 | |
And our auctioneer is John Black. | 0:48:26 | 0:48:29 | |
Thank you very much. | 0:48:30 | 0:48:32 | |
The WMF strawberry set, good lot, well plated and well chosen. | 0:48:32 | 0:48:36 | |
The cigarette box, my favourite of the lots that were brought in. | 0:48:36 | 0:48:39 | |
I think that could do quite well. Up to £100 if we're lucky | 0:48:39 | 0:48:43 | |
but a good 1933 hallmarked... A good, sort of, deco lot. | 0:48:43 | 0:48:47 | |
High praise. | 0:48:47 | 0:48:49 | |
-ALL: Hello. -Here we are. | 0:48:49 | 0:48:52 | |
-Let me help you out. -Thank you, thank you. | 0:48:52 | 0:48:56 | |
-Are you ready? -I'm ready, I'm ready, I'm ready. | 0:48:56 | 0:48:58 | |
Helen and Mark formed their own comedy double act, | 0:48:58 | 0:49:02 | |
spending £280 on six items. | 0:49:02 | 0:49:05 | |
Hardeep and Catherine were also funny to watch, | 0:49:05 | 0:49:08 | |
but for entirely different reasons, | 0:49:08 | 0:49:10 | |
and forking out £269 on five lots. | 0:49:10 | 0:49:14 | |
Can Hardeep's heartfelt items prevail? Or will it be Helen | 0:49:14 | 0:49:19 | |
and Mark's teamwork that proves to be the winner today? | 0:49:19 | 0:49:22 | |
-First up is Helen's crisp box. -I am excited now. | 0:49:24 | 0:49:27 | |
I've got a really good feeling about this. | 0:49:27 | 0:49:30 | |
Who'd like to start me at £30? 20. | 0:49:30 | 0:49:33 | |
Any bids now at £20? I am looking around the room. 20 there. | 0:49:33 | 0:49:37 | |
-He has bid at £20. On my right. -Well done. -We've doubled our money. | 0:49:37 | 0:49:40 | |
At £20. That is the only bid. I'm going to sell. Make no mistake. | 0:49:42 | 0:49:47 | |
-We doubled our money. -We doubled our money. -You did well. | 0:49:47 | 0:49:50 | |
-Doubled our money. We got £20 for it. -They certainly did. | 0:49:50 | 0:49:53 | |
That's a great result and a great start to the auction. | 0:49:53 | 0:49:57 | |
Next it's another of Helen's items. | 0:49:57 | 0:49:59 | |
Her Moorcroft planter. | 0:49:59 | 0:50:01 | |
Oh, no. Here we go! Please, please! | 0:50:01 | 0:50:05 | |
We'll start the bidding here at £30. | 0:50:05 | 0:50:07 | |
-Oh, no! -No, you're fine. -Very low. | 0:50:07 | 0:50:10 | |
40 is bid on the net. 50, madam? At £50. | 0:50:10 | 0:50:15 | |
60 on the net if you wish now? At £50 the lady has bid in the room. | 0:50:15 | 0:50:20 | |
Are we all done? At £50. Make no mistake at 50. | 0:50:20 | 0:50:24 | |
-Thank you very much. -I think that's quite cheap. | 0:50:24 | 0:50:27 | |
It does seem a bit cheap to me. | 0:50:27 | 0:50:30 | |
It went too quickly. | 0:50:30 | 0:50:32 | |
Someone's got a bargain there today. | 0:50:32 | 0:50:34 | |
Let's hope Hardeep's possible Whitefriars glass bowl | 0:50:34 | 0:50:37 | |
will do better. | 0:50:37 | 0:50:40 | |
-Here we go. Good luck. -Good luck, you two. Yes, indeed. | 0:50:40 | 0:50:43 | |
We can start the bidding here at £25. | 0:50:43 | 0:50:47 | |
28 to bid if you wish now. At £25. | 0:50:47 | 0:50:50 | |
28 anywhere now? 28. 30. At £30. | 0:50:50 | 0:50:54 | |
Any advance in the room or on the net? | 0:50:54 | 0:50:56 | |
-Gosh, no! -Still with us now on commission. £30 only. | 0:50:58 | 0:51:02 | |
-All done? -That is terrible. | 0:51:02 | 0:51:06 | |
There is no justice. | 0:51:06 | 0:51:09 | |
I think we know it's not Whitefriars. | 0:51:09 | 0:51:11 | |
I think we know it's not, no. | 0:51:11 | 0:51:13 | |
Maybe it's not Whitefriars. Oh, well. Things can only get better. | 0:51:13 | 0:51:16 | |
Something else nice and shiny | 0:51:19 | 0:51:20 | |
that Helen really liked was her Art Deco silver cigarette box. | 0:51:20 | 0:51:24 | |
You could use it as a jewellery casket on your bedside table. | 0:51:24 | 0:51:28 | |
A casket! | 0:51:28 | 0:51:29 | |
£50 is bid. Straight in 60, 70, 80. Here we go, here we go. | 0:51:29 | 0:51:33 | |
It's turning around. | 0:51:33 | 0:51:34 | |
Any advance in the room? | 0:51:34 | 0:51:36 | |
-100 on the internet. -We've got 100! | 0:51:36 | 0:51:38 | |
110. 120? | 0:51:40 | 0:51:43 | |
-120. -BOTH: 120! -That's amazing! | 0:51:43 | 0:51:45 | |
All done? 130. | 0:51:45 | 0:51:48 | |
ALL: Yes! 130. | 0:51:48 | 0:51:50 | |
Internet bid now for £140. | 0:51:50 | 0:51:53 | |
-Wow! -That's a really good... | 0:51:53 | 0:51:55 | |
Make no mistake at 140. | 0:51:55 | 0:51:57 | |
-Well done. -Well done. | 0:51:57 | 0:52:01 | |
-That's brilliant. -You did really well. -You doubled your money there. | 0:52:01 | 0:52:05 | |
Finally a decent profit and well-deserved for this lovely item. | 0:52:05 | 0:52:10 | |
Time for Hardeep's 1930s vanity case, | 0:52:12 | 0:52:15 | |
or sandwich holder, if you will. | 0:52:15 | 0:52:17 | |
-£20. Tempt you. Anyone for it? -20?! | 0:52:17 | 0:52:20 | |
Any bids now. I'm looking around the room. 20, thank you, sir. | 0:52:20 | 0:52:24 | |
Our saviour. | 0:52:24 | 0:52:26 | |
At £20 only. All done and we'll sell. | 0:52:26 | 0:52:29 | |
Oh, for heaven's sake. | 0:52:29 | 0:52:30 | |
The only bid. Thank you very much. | 0:52:30 | 0:52:33 | |
He looked quite sad when he said that, though. | 0:52:33 | 0:52:35 | |
-I think he was sad. -It was the only bid in a sad voice. | 0:52:35 | 0:52:38 | |
I think he recognised it was something a bit special | 0:52:38 | 0:52:40 | |
and I think it hurt him. | 0:52:40 | 0:52:42 | |
At least Hardeep loved it. | 0:52:42 | 0:52:43 | |
Now, surely someone will surely be | 0:52:46 | 0:52:48 | |
in the mood for strawberries and cream. | 0:52:48 | 0:52:50 | |
-This is us. -Here we go. -Is this it? | 0:52:50 | 0:52:52 | |
Oh, that's lovely! | 0:52:52 | 0:52:54 | |
30 is bid. Thank you. At £30. | 0:52:54 | 0:52:56 | |
35, 40, 45. The lady has bid in the room at £45. | 0:52:56 | 0:53:00 | |
-Here we go, here we go. -Come on! | 0:53:00 | 0:53:03 | |
Any advance at £45? I will sell. | 0:53:03 | 0:53:06 | |
Make no mistake. At £45 in the pink, there. | 0:53:06 | 0:53:09 | |
What do we think? Is that good? It's more than 30. | 0:53:11 | 0:53:14 | |
-I know but we paid 80. -Oh. | 0:53:14 | 0:53:17 | |
Yeah, good try there, Helen. Still, not a huge loss. | 0:53:19 | 0:53:25 | |
I've just done a quick calculation | 0:53:25 | 0:53:27 | |
and Greece are in better shape than we are. | 0:53:27 | 0:53:30 | |
Very good. | 0:53:30 | 0:53:31 | |
So I'm going to have to go and speak to the IMF | 0:53:31 | 0:53:34 | |
to get us out of this. | 0:53:34 | 0:53:35 | |
Yes. | 0:53:35 | 0:53:37 | |
Helen is certainly in the lead right now. | 0:53:37 | 0:53:40 | |
But all that can change on an item. | 0:53:40 | 0:53:43 | |
Time for her beloved Italian piano accordion. | 0:53:43 | 0:53:47 | |
There are accordion collectors out there. I'm sure there are. | 0:53:47 | 0:53:50 | |
And this is coming up now. | 0:53:50 | 0:53:53 | |
Who would like to start the bidding at £50 for the accordion? | 0:53:53 | 0:53:57 | |
Button accordion there. | 0:53:57 | 0:53:59 | |
-30 then to bid. -Oh, no! | 0:53:59 | 0:54:01 | |
I am lowering the bid. Any interest now? | 0:54:01 | 0:54:03 | |
We will have to lower it. 20. Come on, anyone. | 0:54:04 | 0:54:07 | |
-Oh, come on! -He can't sell it. | 0:54:07 | 0:54:08 | |
Thank you very much. At £20. Are we all done then? That's all we have. | 0:54:08 | 0:54:13 | |
At £20. I'm going to sell. | 0:54:13 | 0:54:15 | |
Make no mistake. | 0:54:15 | 0:54:16 | |
He's laughing. | 0:54:16 | 0:54:19 | |
With you, not at you, Helen. | 0:54:19 | 0:54:21 | |
I think this is a strong ukulele room. | 0:54:21 | 0:54:24 | |
That will certainly help Hardeep catch up. | 0:54:26 | 0:54:29 | |
Next up, it's his 1930s sugar shaker. Fingers crossed. | 0:54:31 | 0:54:35 | |
We need £2,000 on this one | 0:54:35 | 0:54:37 | |
to make up the money we lost on all the others. | 0:54:37 | 0:54:39 | |
£30 anywhere? | 0:54:39 | 0:54:41 | |
£30 on the net. Take it away at £30. | 0:54:41 | 0:54:44 | |
In the room or on the phone anyone? | 0:54:44 | 0:54:48 | |
The internet bid has it and I'm selling. It's a single bid. | 0:54:48 | 0:54:52 | |
-I'm going to sell at £30. -What?! -£30 only. There we go. | 0:54:52 | 0:54:55 | |
-Still a bargain. You should have made a profit. -£16 profit on that. | 0:54:55 | 0:55:00 | |
-That was such a good thing. -Very cheap. | 0:55:00 | 0:55:03 | |
It's Hardeep and Catherine's first win of the day | 0:55:04 | 0:55:07 | |
and they have over doubled their money. | 0:55:07 | 0:55:09 | |
Can Helen's lizard brooch do as well? Old slinky. | 0:55:11 | 0:55:14 | |
I had to have it. | 0:55:14 | 0:55:16 | |
-I know that's bossy but... -I liked it when you were bossy. | 0:55:16 | 0:55:19 | |
And we'll start the bidding here at £20. 20 is bid. | 0:55:21 | 0:55:25 | |
-Any advance on £20 now? I'll take 22 if you wish, madam? -Come on! | 0:55:25 | 0:55:28 | |
On the net. Anywhere? At £20 only. | 0:55:28 | 0:55:31 | |
All done and I will sell on commission at £20. | 0:55:31 | 0:55:35 | |
-I'm upset now. -Commission bid. -It's a shame, actually. -Yeah. | 0:55:35 | 0:55:38 | |
I expected that do a bit better. | 0:55:38 | 0:55:41 | |
That's only a small loss. | 0:55:41 | 0:55:43 | |
How will Hardeep's ginger jug get on? | 0:55:46 | 0:55:50 | |
£30 is bid. At £30 straight in. | 0:55:50 | 0:55:53 | |
We need more. We need a lot more. | 0:55:53 | 0:55:56 | |
Any further interest in the room or on the net? | 0:55:56 | 0:56:00 | |
At £30 then. All done and we'll sell. | 0:56:00 | 0:56:02 | |
£30 for 290. | 0:56:02 | 0:56:06 | |
I'm disappointed for you. It should have done a bit more than that. | 0:56:06 | 0:56:09 | |
I'm disappointed for you because you really liked it. | 0:56:09 | 0:56:12 | |
I really like them. I think they're really nice things. | 0:56:12 | 0:56:15 | |
Hardeep seems happy enough just to have bought something that he loved. | 0:56:15 | 0:56:19 | |
Up next is their final item of the auction, Helen's walking stick. | 0:56:19 | 0:56:23 | |
We can start the bidding here at £20. Any advance on 20 now? | 0:56:23 | 0:56:27 | |
Any advance of £20? 30, 40. | 0:56:27 | 0:56:30 | |
At £40 we have the internet commission bid. | 0:56:32 | 0:56:35 | |
-A commission bid. -We're in profit. We're in profit. | 0:56:35 | 0:56:37 | |
Anyone else if you wish. No? | 0:56:37 | 0:56:40 | |
£40 only. All done. | 0:56:40 | 0:56:42 | |
£50 anywhere in the room? Last chance. | 0:56:42 | 0:56:45 | |
-I thought it might be a bit more than that. -We got 50. | 0:56:45 | 0:56:48 | |
-Sold. -Did it make 50? | 0:56:48 | 0:56:51 | |
-It made 40. -I thought somebody said... -Congratulations. Well done. | 0:56:51 | 0:56:55 | |
£40 still means a decent profit. You can walk away happy with that one. | 0:56:55 | 0:57:00 | |
-I'm happy to take the profit. -I'm thrilled. | 0:57:00 | 0:57:03 | |
I'm absolutely beyond thrilled that thick... | 0:57:03 | 0:57:08 | |
-Overall it's not been a great performance. -It's been hard. | 0:57:08 | 0:57:11 | |
-It's been very hard. -Do you know what? It's been great fun. | 0:57:11 | 0:57:13 | |
-Oh, it has. -We've had a lovely time. | 0:57:13 | 0:57:15 | |
-We've massively enjoyed it. -Shall we go and get a cup of tea? -Yes. | 0:57:15 | 0:57:19 | |
Both teams started their trip with £400. | 0:57:19 | 0:57:22 | |
Hardeep and Catherine made a loss of £141.90, | 0:57:22 | 0:57:28 | |
leaving them after auction costs with £258.10. | 0:57:28 | 0:57:32 | |
Helen and Mark made a smaller loss of just £42.20, leaving them | 0:57:32 | 0:57:37 | |
after costs with a final tally of £357.80, | 0:57:37 | 0:57:42 | |
making them today's lesser loser. | 0:57:42 | 0:57:45 | |
I mean, overall winner! | 0:57:45 | 0:57:47 | |
-We won! -Yay! -Well done. -Well done to you. | 0:57:47 | 0:57:50 | |
-I can't believe it! -I think antiques was the winner. | 0:57:50 | 0:57:53 | |
It was! | 0:57:53 | 0:57:56 | |
Well done on your road trip and you've learnt so much. | 0:57:56 | 0:57:59 | |
-We are going to let you drive off. -Thank you, thank you. | 0:57:59 | 0:58:02 | |
Right, let's burn some rubber. | 0:58:04 | 0:58:05 | |
I'm going to burn some rubber, just as soon as I'm harnessed. Yes. | 0:58:05 | 0:58:09 | |
-Ciao. -Bye. | 0:58:09 | 0:58:11 | |
Bye! | 0:58:11 | 0:58:13 | |
-Amazing, amazing, amazing. -What a lovely way to spend a few days. | 0:58:15 | 0:58:19 | |
It's been a journey, hasn't it? It's been an odyssey. | 0:58:21 | 0:58:25 | |
-I wouldn't have missed it. -No. -I've had time out from my normal life. | 0:58:26 | 0:58:30 | |
-We've had a laugh. -We've had a great laugh. | 0:58:30 | 0:58:33 | |
And so have we. Cheerio, chaps! | 0:58:33 | 0:58:36 |