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-The nation's favourite celebrities... -I've got some proper bling here. | 0:00:02 | 0:00:05 | |
-..paired up with an expert... -What? What? | 0:00:05 | 0:00:07 | |
..and a classic car. | 0:00:07 | 0:00:09 | |
Pick your legs up, girls! | 0:00:09 | 0:00:11 | |
Their mission - to scour Britain for antiques. | 0:00:11 | 0:00:14 | |
All breakages must be paid for. | 0:00:14 | 0:00:16 | |
This is a good find, is it not? | 0:00:16 | 0:00:18 | |
The aim - to make the biggest profit at auction. | 0:00:18 | 0:00:21 | |
But it's no easy ride. Who will find a hidden gem? | 0:00:21 | 0:00:25 | |
Who will take the biggest risks? | 0:00:25 | 0:00:27 | |
Put on my antiques head on. | 0:00:27 | 0:00:29 | |
Will anybody follow expert advice? | 0:00:29 | 0:00:32 | |
I think it's horrible! | 0:00:32 | 0:00:34 | |
There will be worthy winners... | 0:00:34 | 0:00:35 | |
This is better than Christmas! | 0:00:35 | 0:00:37 | |
..and valiant losers. | 0:00:37 | 0:00:39 | |
Time to put your pedal to the metal. | 0:00:40 | 0:00:42 | |
This is Celebrity Antiques Road Trip. | 0:00:42 | 0:00:45 | |
Yeah! | 0:00:47 | 0:00:48 | |
On today's Road Trip, two titans of British acting - | 0:00:50 | 0:00:53 | |
Clive Russell and Tim Healy - are braving the elements. | 0:00:53 | 0:00:57 | |
It's getting quite spooky, isn't it? It's almost misty. | 0:00:57 | 0:01:00 | |
Good weather for a horror movie. | 0:01:02 | 0:01:05 | |
It's actually getting darker. | 0:01:07 | 0:01:09 | |
It's not normally like this, the road trip, is it? | 0:01:09 | 0:01:11 | |
They are usually in summer frocks and shorts. | 0:01:11 | 0:01:13 | |
Fear not, chaps. | 0:01:14 | 0:01:16 | |
The tranquil world of antiquing will be a walk in the park for such | 0:01:16 | 0:01:19 | |
a hardy pair. | 0:01:19 | 0:01:20 | |
Cracking hair, boys. | 0:01:23 | 0:01:24 | |
Tim and Clive first met on the set of British sitcom Heartburn Hotel. | 0:01:24 | 0:01:29 | |
I think it was 1999. | 0:01:29 | 0:01:31 | |
We did two series and we did a Christmas special. | 0:01:31 | 0:01:34 | |
-Are you into antiques, are you? -It fascinates me in a way. -Yeah. | 0:01:36 | 0:01:40 | |
-There's a clutch on the left-hand side. -All right, all right. | 0:01:40 | 0:01:42 | |
Left-hand side's the clutch. | 0:01:42 | 0:01:45 | |
THEY LAUGH | 0:01:45 | 0:01:46 | |
CHUCKLING: Yeah. Remember, it's a left-hand drive, Clive. | 0:01:46 | 0:01:49 | |
They are burning rubber and gears in a 1964 Mustang. Oh, yeah. | 0:01:49 | 0:01:53 | |
# Mustang Sally. # | 0:01:53 | 0:01:56 | |
The Mustang was manufactured before seatbelts were mandatory, | 0:01:56 | 0:01:59 | |
which is why our celebs aren't wearing any. | 0:01:59 | 0:02:01 | |
From humble beginnings as a welder in a factory, | 0:02:02 | 0:02:05 | |
Tim shot to fame in the '80s hit Auf Wiedersehen, Pet. | 0:02:05 | 0:02:10 | |
He worked with Clive again when the series returned in the noughties. | 0:02:10 | 0:02:14 | |
He's since taken on many roles, | 0:02:14 | 0:02:16 | |
for example, Still Open All Hours and as transvestite Lesley | 0:02:16 | 0:02:19 | |
in hit comedy Benidorm. | 0:02:19 | 0:02:21 | |
Clive too has had a colourful career, starring as Blackfish | 0:02:23 | 0:02:26 | |
in international phenomenon Game Of Thrones. | 0:02:26 | 0:02:29 | |
He's also featured in British classics such as Great Expectations, | 0:02:29 | 0:02:33 | |
national favourites like Corrie, and cult drama Ripper Street. | 0:02:33 | 0:02:37 | |
Armed with £400 each, they are going head-to-head. | 0:02:38 | 0:02:41 | |
But after 16 years of friendship, I wonder how competitive they are. | 0:02:41 | 0:02:45 | |
-Are you a good haggler? -I am used to haggling a bit when I'm abroad. | 0:02:45 | 0:02:49 | |
-Yeah. -I've just come back from Spain, from Benidorm. | 0:02:49 | 0:02:52 | |
You know, you never pay the price they ask for. | 0:02:52 | 0:02:55 | |
It's sort of really, really, really doesn't matter who wins, | 0:02:55 | 0:02:58 | |
-as long as it's me. -As long as it's me, pal. | 0:02:58 | 0:03:00 | |
I'm a little bit nervous about your international experience. | 0:03:00 | 0:03:05 | |
-The international haggler. -Haggling. -The haggler. -Haggler Healy. | 0:03:05 | 0:03:08 | |
-Healy the Haggler. -Healy the Haggler. | 0:03:08 | 0:03:10 | |
Crikey! Haggler Healy, hey? | 0:03:10 | 0:03:13 | |
Don't worry, Clive, here to even out the playing field are dealers | 0:03:13 | 0:03:17 | |
David Harper and Margie Cooper. | 0:03:17 | 0:03:19 | |
We've only worked once together. | 0:03:19 | 0:03:21 | |
Why do I sense I've worked with you for 48 years? | 0:03:21 | 0:03:24 | |
-Why? -Because I talk a lot. I pack a lot in. -Who is winning so far then? | 0:03:24 | 0:03:28 | |
-Uh, you. -So you need to get me on this trip. | 0:03:28 | 0:03:30 | |
Oh, I will. I will, definitely. | 0:03:30 | 0:03:32 | |
This is going to be one competitive Road Trip. | 0:03:32 | 0:03:35 | |
David and Margie are eating up the miles in a 1974 Jensen Interceptor, | 0:03:35 | 0:03:41 | |
and very much looking forward to meeting their celebs. | 0:03:41 | 0:03:44 | |
-So, we've got two pretty cool characters today. -Yeah, we have. | 0:03:44 | 0:03:48 | |
They seem to know each other well, don't they? | 0:03:48 | 0:03:51 | |
Auf Wiedersehen, Pet, which I remember really well with Tim. | 0:03:51 | 0:03:53 | |
-I don't remember that. -I loved that series. Never missed it. | 0:03:53 | 0:03:56 | |
I can't resist a Geordie. | 0:03:56 | 0:03:58 | |
Uh-oh. Look out, Tim. | 0:03:58 | 0:03:59 | |
On today's Road Trip, we are travelling through Tim's home county, | 0:04:01 | 0:04:04 | |
Northumberland, and across the border into Scotland... | 0:04:04 | 0:04:07 | |
..ending up at an auction in Leith, in Edinburgh. | 0:04:08 | 0:04:11 | |
Our journey starts by the beautiful walled city of Berwick-upon-Tweed. | 0:04:13 | 0:04:17 | |
I can hear a crunch. I can hear... That is a... | 0:04:18 | 0:04:22 | |
-Oh, it's a Mustang not going very quickly. -Whey! | 0:04:22 | 0:04:27 | |
Margie, you are dripping all over me. Go and get your Geordie fellow. | 0:04:27 | 0:04:30 | |
Go on. Off you go. | 0:04:30 | 0:04:32 | |
Go on! | 0:04:32 | 0:04:33 | |
Hey, good morning! | 0:04:33 | 0:04:36 | |
Good morning! | 0:04:36 | 0:04:38 | |
Clive, come under my umbrella. Good to meet you too. | 0:04:38 | 0:04:40 | |
Can we go somewhere warm? | 0:04:40 | 0:04:41 | |
It's a quick hotfoot into the nice | 0:04:41 | 0:04:43 | |
and dry shop called Auction House Berwick. | 0:04:43 | 0:04:45 | |
Ha, that's confusing. | 0:04:45 | 0:04:47 | |
Are you into any antiques in any way? | 0:04:47 | 0:04:50 | |
-Well, my lady, Jo, actually, she's the antique fanatic. -Oh, right. | 0:04:50 | 0:04:54 | |
-She collects these little pigs. -Oh, right. -Porcelain pigs. | 0:04:54 | 0:04:58 | |
-Right, all different types. -Yeah, got hundreds of them. -Oh, right. | 0:04:58 | 0:05:01 | |
-Yeah. But... -Let's see if we can find one. | 0:05:01 | 0:05:03 | |
Will they find what they are looking for? | 0:05:09 | 0:05:12 | |
-What? That's a nice-looking box. -Yeah. -Look at that. | 0:05:14 | 0:05:17 | |
Right. Lovely mahogany box. Beautifully made. Look at that. | 0:05:18 | 0:05:21 | |
Yeah. | 0:05:21 | 0:05:22 | |
-Ooh. -Oh. -Some kind of early printing press. -Right. -£28. | 0:05:24 | 0:05:29 | |
Cheap. | 0:05:29 | 0:05:30 | |
This mahogany box was used to store items for printing purposes, | 0:05:30 | 0:05:34 | |
such as movable type. | 0:05:34 | 0:05:35 | |
It's a lovely bit of mahogany. Try making that... | 0:05:35 | 0:05:37 | |
What do you think, made in '30s? | 0:05:37 | 0:05:39 | |
-No, it's earlier than that. -Earlier than that. -Yeah. | 0:05:39 | 0:05:41 | |
-I reckon that's tipping into late Victorian, Edwardian. -Really? | 0:05:41 | 0:05:46 | |
Well, look, shall we just get it... Let's tuck it away. | 0:05:46 | 0:05:49 | |
-We are in the shop with those two. -OK. -So let's tuck it away. | 0:05:49 | 0:05:52 | |
-Should we hide it? -Yeah. -Hide it. | 0:05:52 | 0:05:54 | |
SHE GIGGLES | 0:05:54 | 0:05:56 | |
That's one possible purchase squirreled away. | 0:05:56 | 0:05:59 | |
How are Clive and David getting on? | 0:06:03 | 0:06:05 | |
Do you have any interests in antiques? | 0:06:05 | 0:06:08 | |
-I think on the broader side, it's really fascinating. -Yeah. | 0:06:08 | 0:06:11 | |
The history of objects and what they represent and stuff like that. | 0:06:11 | 0:06:14 | |
As far as being in any way knowledgeable, no. | 0:06:14 | 0:06:19 | |
Not to worry, Clive. Our David loves a challenge. | 0:06:19 | 0:06:22 | |
Let's see if we're on the same wavelength | 0:06:22 | 0:06:24 | |
-when it comes to things that we like. -Yeah. | 0:06:24 | 0:06:26 | |
So, I'm stood next to this sofa. | 0:06:26 | 0:06:29 | |
I absolutely love it, for a number of reasons. But what do you think? | 0:06:29 | 0:06:33 | |
-It's a delicate, feminine sofa, I'd say. -Yeah, it is. | 0:06:33 | 0:06:37 | |
And that's very pleasing. | 0:06:37 | 0:06:38 | |
I like to go to sleep on a sofa. | 0:06:38 | 0:06:40 | |
I think that means he likes it. | 0:06:40 | 0:06:42 | |
And if you like sleeping on sofas, | 0:06:42 | 0:06:43 | |
-can I just demonstrate something? As tall as you are... -Yeah, go on. | 0:06:43 | 0:06:47 | |
-..you could sleep on this. Let me show you. -Go ahead. | 0:06:47 | 0:06:49 | |
-One arm. -One arm, yeah. -This, Clive... | 0:06:49 | 0:06:52 | |
..is a double-armed drop-arm sofa. You could recumbent on that. | 0:06:54 | 0:06:58 | |
-I'm now going to lie on this. -Please do. | 0:06:58 | 0:07:00 | |
-One moment, please. I'll do it this way. -Yep. | 0:07:01 | 0:07:03 | |
So you've got the pillow ready. | 0:07:03 | 0:07:06 | |
-Oh, my God, that fantastic. -How tall are you? -Somewhere... | 0:07:06 | 0:07:09 | |
6'5", 6'6". | 0:07:09 | 0:07:10 | |
Just a bit taller than David, then. | 0:07:10 | 0:07:13 | |
Normally they drop-arm just one, but this, with a double drop-arm, | 0:07:13 | 0:07:16 | |
is a really good feature. | 0:07:16 | 0:07:17 | |
-I'm assuming it's a Victorian, Edwardian. -Yeah, absolutely. | 0:07:17 | 0:07:22 | |
Bang on. Yeah, I think safe to say described as Edwardian. | 0:07:22 | 0:07:25 | |
A sofa of this quality nowadays could cost you thousands of pounds. | 0:07:25 | 0:07:29 | |
Yeah, I think... I think we should go for this. | 0:07:29 | 0:07:32 | |
Time to call on dealer Steve. | 0:07:32 | 0:07:34 | |
Nice trousers, Steve. | 0:07:38 | 0:07:41 | |
-You look so good with what you are wearing. -It's colour-blindness. | 0:07:41 | 0:07:44 | |
I'm colour-blind too. | 0:07:44 | 0:07:45 | |
THEY LAUGH | 0:07:45 | 0:07:47 | |
Now then. Edwardian sofa. | 0:07:47 | 0:07:50 | |
-Yeah. -Is it cheap? | 0:07:50 | 0:07:51 | |
I've spoken to the vendor | 0:07:51 | 0:07:53 | |
and he would be happy with somewhere around the £200 mark. | 0:07:53 | 0:07:57 | |
Ah, right. | 0:07:57 | 0:07:58 | |
Yeah, it's going to kill us, Clive. | 0:07:58 | 0:08:00 | |
It needs to be 50 quid and I don't want to be cruel. | 0:08:00 | 0:08:03 | |
No, no, no, I fully understand. | 0:08:03 | 0:08:04 | |
It needs to be that for us to get it into sale. | 0:08:04 | 0:08:07 | |
I'll see the best I can do. I mean, you said £50. | 0:08:07 | 0:08:10 | |
You haven't moved upwards yet. | 0:08:10 | 0:08:11 | |
50 to 70, tell him that sort of range. | 0:08:11 | 0:08:14 | |
And it's a sale today. | 0:08:14 | 0:08:15 | |
It might go... In auction, you might not get a bid on it. | 0:08:15 | 0:08:18 | |
David's taken the lead on this one, so it is now a waiting game. | 0:08:18 | 0:08:22 | |
Back with their rivals, Margie is onto something. | 0:08:22 | 0:08:25 | |
-That is a coronation chair. -All right. | 0:08:25 | 0:08:27 | |
-The coronation chair, it's in Westminster Abbey. -Yep. -And if it... | 0:08:27 | 0:08:32 | |
Oh, look, if it were silver, they fetch about 100, 120 quid. | 0:08:32 | 0:08:36 | |
But it's not silver. | 0:08:36 | 0:08:37 | |
Which is why its ticket price is just £10. | 0:08:37 | 0:08:40 | |
But what about the box Margie's secreted away? Busy man today, Steve. | 0:08:40 | 0:08:44 | |
We're just thinking, but we haven't decided about that box down there. | 0:08:44 | 0:08:48 | |
The one with the printing thing, bit of a useless thing, actually. | 0:08:48 | 0:08:52 | |
-Awful. Nobody's going to want it. -Is that you trying to get a discount? | 0:08:52 | 0:08:55 | |
SHE LAUGHS Oh, yes. Stand by. | 0:08:55 | 0:08:57 | |
-It's a lovely box. -It is, yeah. | 0:08:57 | 0:08:59 | |
-How much is it? -It's on at 28. -Yeah. | 0:08:59 | 0:09:02 | |
-It's a lot of money, isn't it? -What are you looking at me for? | 0:09:03 | 0:09:06 | |
Is the notorious Haggler Healy about to reveal himself? | 0:09:06 | 0:09:09 | |
-I would've thought about...14. -14? | 0:09:09 | 0:09:13 | |
-You can't manage 14 quid? -What a team. | 0:09:13 | 0:09:15 | |
Anything you see in Benidorm, you say, "How much is that?" | 0:09:15 | 0:09:18 | |
It's half price. | 0:09:18 | 0:09:19 | |
Certainly a tactic you could try. | 0:09:19 | 0:09:22 | |
-I can do 20. -See you at 16. | 0:09:22 | 0:09:25 | |
16? Well, that's fair. | 0:09:25 | 0:09:27 | |
-Are you sure you want it? -Yeah, I'll have it for 16. | 0:09:27 | 0:09:30 | |
-Cash. Good lad. -Our first... -Thank you so much. -You got a deal. | 0:09:30 | 0:09:33 | |
-Our first... Well done. -That's one thing we've got. That's good Right. | 0:09:33 | 0:09:36 | |
We are on the way. | 0:09:36 | 0:09:37 | |
Well, that was quick. | 0:09:37 | 0:09:38 | |
So, that's one in the old bag. | 0:09:38 | 0:09:41 | |
Ooh, look out. Margie's on the warpath. | 0:09:41 | 0:09:43 | |
-"No access." -No access. | 0:09:43 | 0:09:45 | |
We're not going to bother about that. Right? | 0:09:45 | 0:09:47 | |
-No access. Let's go. -SHE LAUGHS | 0:09:47 | 0:09:50 | |
Quick! | 0:09:50 | 0:09:52 | |
I feel like a naughty schoolboy. | 0:09:52 | 0:09:54 | |
Maverick Margie is leading Tim astray here. | 0:09:54 | 0:09:56 | |
-Oh, crikey, Denise. -That's Denise, my ex-wife, yes. -Oh, your ex? | 0:09:58 | 0:10:02 | |
And one of her scripts. | 0:10:02 | 0:10:04 | |
In typical soap fashion, you just never know | 0:10:04 | 0:10:06 | |
when an ex-wife is going to pop up in a basement. Ha! | 0:10:06 | 0:10:09 | |
It's nice to see the old face. | 0:10:09 | 0:10:11 | |
-LAUGHING: -You'll get into trouble for that! | 0:10:11 | 0:10:14 | |
-I don't mean the 'old' face. -The familiar face. -Familiar. | 0:10:14 | 0:10:18 | |
Watch it! | 0:10:18 | 0:10:19 | |
Clive and David are on the move again. | 0:10:21 | 0:10:24 | |
-What period is that? -I think that's 1950s. | 0:10:24 | 0:10:26 | |
It reminds me of my childhood. | 0:10:26 | 0:10:28 | |
-Does it? -These boxes, particularly. | 0:10:28 | 0:10:31 | |
Dad comes home from work at six and we say, | 0:10:31 | 0:10:32 | |
-"Come on, let's go have a picnic on the beach." -Yeah. | 0:10:32 | 0:10:35 | |
"And have sandwiches." | 0:10:35 | 0:10:36 | |
It's funny, isn't it, how an item, an object, can suddenly just | 0:10:36 | 0:10:39 | |
-take you back in time, what, 50 years to when you were a kid? -Yeah. | 0:10:39 | 0:10:42 | |
I think it's got you, hasn't it? | 0:10:42 | 0:10:43 | |
-It's grabbed you, this thing, hasn't it? -Mm, absolutely. | 0:10:43 | 0:10:46 | |
Clive's found another item he loves. Now all he needs to find is Steve. | 0:10:46 | 0:10:51 | |
What on earth has happened to you? | 0:10:51 | 0:10:53 | |
The face of a grandfather clock has just knocked me on the nose. | 0:10:53 | 0:10:56 | |
Oh. Well, see, the dangers of the antiques business. | 0:10:56 | 0:10:59 | |
But I've been the auctioneer, I'm still standing here. | 0:10:59 | 0:11:01 | |
Well, we want to talk about this thing. | 0:11:01 | 0:11:03 | |
-But first of all, let's cover the sofa. -Would you do it at 80? | 0:11:03 | 0:11:06 | |
Yes. | 0:11:07 | 0:11:08 | |
-Sorry, I didn't consult you there. -DAVID LAUGHS | 0:11:08 | 0:11:10 | |
-Quick, quick. -You've done it. You've done it. That's fine. | 0:11:10 | 0:11:13 | |
Clive is quick to take control, but perhaps a bit quick to say yes. | 0:11:13 | 0:11:16 | |
Let's see if you can improve on the picnic hamper. How much is it? | 0:11:16 | 0:11:20 | |
Well, with the thermos missing, erm... | 0:11:21 | 0:11:25 | |
I would be looking for about £40, £50. | 0:11:25 | 0:11:27 | |
-That's a little bit scrubby, isn't it? -It is. It needs a wiping. | 0:11:27 | 0:11:30 | |
This damage. Down there, a little bit down there. | 0:11:30 | 0:11:32 | |
-I can't see it down there. -Yeah. | 0:11:32 | 0:11:34 | |
-You don't hang about, you, Clive, do you? -No, I like it. | 0:11:34 | 0:11:36 | |
You're learning here. | 0:11:36 | 0:11:38 | |
Mr Nice Guy has gone. | 0:11:38 | 0:11:41 | |
So, can you come down to something like 25 for that? | 0:11:41 | 0:11:44 | |
£25... There's a missing thermos. | 0:11:44 | 0:11:48 | |
-And a bit scrubby. -Yeah, I think that's reasonable. -Yeah? | 0:11:48 | 0:11:50 | |
-Have you done another deal, have you? -Yeah. -Well, I'm just... | 0:11:50 | 0:11:53 | |
-Superfluous to demand. -Totally, totally. | 0:11:53 | 0:11:55 | |
Yeah. It's the Clive show. | 0:11:55 | 0:11:57 | |
Well, that's two things I really like we've got. That's terrific. | 0:11:57 | 0:12:00 | |
They are on a roll with two items in the bag for a grand total of £105. | 0:12:00 | 0:12:05 | |
Tim and Margie are still out of bounds, though. | 0:12:09 | 0:12:11 | |
Any bargains in the basement? | 0:12:11 | 0:12:13 | |
Ahh. | 0:12:13 | 0:12:15 | |
-Oh, those look nice. -They're silver? -Those are those... | 0:12:15 | 0:12:18 | |
Well, there's no silver mark but it feels like silver to me. | 0:12:18 | 0:12:20 | |
There's a maker's mark. | 0:12:20 | 0:12:22 | |
It's a traditional Scottish brooch that would hold tartan | 0:12:22 | 0:12:24 | |
fabric in place. | 0:12:24 | 0:12:26 | |
-We're going to be in Edinburgh, of course. -Yeah. | 0:12:26 | 0:12:28 | |
-So it may be quite popular, might it? -Yeah. | 0:12:28 | 0:12:31 | |
-Yeah, it's got... It looks like silver. -Yeah. | 0:12:31 | 0:12:34 | |
-There's no marks telling us it is. -Right. | 0:12:34 | 0:12:37 | |
Let's just find out. | 0:12:37 | 0:12:38 | |
Time to call on Steve again. | 0:12:38 | 0:12:40 | |
We quite like these. | 0:12:40 | 0:12:42 | |
I'm a bit worried that there's no silver mark, Steve. | 0:12:42 | 0:12:44 | |
Do you know if this...? | 0:12:44 | 0:12:46 | |
-They are definitely silver. -Are they? -I've had them tested. | 0:12:46 | 0:12:48 | |
The owner is looking for around £100 for the two brooches. | 0:12:48 | 0:12:52 | |
I was thinking 25 each. | 0:12:52 | 0:12:55 | |
Would be about right, wouldn't it? | 0:12:56 | 0:12:59 | |
-Oh, wow. -25 quid each. | 0:12:59 | 0:13:01 | |
Look out, Haggler Healy is back in action! | 0:13:01 | 0:13:04 | |
30 quid, then. There, we've gone up by five. | 0:13:04 | 0:13:07 | |
Well, look, they should be £100. | 0:13:07 | 0:13:09 | |
-Erm... They should be. -Hm. | 0:13:09 | 0:13:11 | |
-I'll go to 80. -80... -You're still in with a good shout there. | 0:13:15 | 0:13:18 | |
-Do you remember upstairs... -Mm-hm. | 0:13:18 | 0:13:20 | |
..when we saw that cheap little throne... | 0:13:20 | 0:13:22 | |
-Oh, yeah. -..that was like a money box. -Yeah. | 0:13:22 | 0:13:25 | |
£80 and I'll throw the chair in. | 0:13:25 | 0:13:27 | |
I did you a real good deal on the box. Go on. | 0:13:30 | 0:13:32 | |
-Well, let's say 75. -Oh! | 0:13:32 | 0:13:34 | |
-You see, I haven't primed him. -£75. | 0:13:34 | 0:13:36 | |
I think it's only worth a fiver, that chair. | 0:13:36 | 0:13:38 | |
-75 and then we're happy, aren't we? -£77.50. -77.50. Done. OK. | 0:13:40 | 0:13:45 | |
Well done, sir. | 0:13:45 | 0:13:47 | |
Steve, you deserve a kiss for that. | 0:13:47 | 0:13:50 | |
You're not getting one. | 0:13:52 | 0:13:53 | |
Oh, lordy. Tim strikes a hard bargain. | 0:13:53 | 0:13:56 | |
That's three items snapped up. | 0:13:56 | 0:13:58 | |
£21 for the box and throne and £72.50 for the brooches, | 0:13:58 | 0:14:04 | |
making Tim's total spend £93.50. | 0:14:04 | 0:14:07 | |
-Nice doing business with you. -Fingers crossed. | 0:14:07 | 0:14:09 | |
-Hey! -Ey! Ey, big fella. -How's it going? -How are you getting on? | 0:14:09 | 0:14:12 | |
-Very good. We are very relaxed. How about you two? -How many items? | 0:14:12 | 0:14:15 | |
-Yeah, we had a great morning, haven't we? -Yeah, we have. -Have you? | 0:14:15 | 0:14:17 | |
-Yeah, we've got the star purchase, haven't we? -Good fun. | 0:14:17 | 0:14:20 | |
Don't look at me like that. | 0:14:20 | 0:14:21 | |
You've just got that overconfident look in you. | 0:14:21 | 0:14:24 | |
-Ha, has he? -He used to be so likable. | 0:14:24 | 0:14:26 | |
Things have never changed, have they? | 0:14:26 | 0:14:29 | |
-Come on, let's go. -Nice seeing you guys. | 0:14:29 | 0:14:31 | |
-We'll follow you out. -See you. | 0:14:31 | 0:14:32 | |
Clive and David are back in the car. Thankfully, it has brightened up. | 0:14:38 | 0:14:42 | |
I'm competing against somebody I know rather well, | 0:14:50 | 0:14:53 | |
who beat me at golf. He's heading for a fall. | 0:14:53 | 0:14:56 | |
So, we'll try to beat him, then, Clive, is that what you're...? | 0:14:56 | 0:14:59 | |
I think there's no point in coming out in second place. | 0:14:59 | 0:15:01 | |
Sounds like a man on a mission to me. | 0:15:03 | 0:15:05 | |
Now, in such a show like Game Of Thrones, that's a phenomena, | 0:15:06 | 0:15:09 | |
-isn't it? -Yeah. That is a completely one-off in my life. | 0:15:09 | 0:15:12 | |
I've never been involved in anything with quite that visibility. | 0:15:12 | 0:15:17 | |
When I was chosen, the blogs were, "Who the... Who? | 0:15:17 | 0:15:21 | |
"Who is this?" | 0:15:21 | 0:15:22 | |
Clive and David have crossed the border into Scotland | 0:15:24 | 0:15:27 | |
and are heading to the small coastal town of Eyemouth, | 0:15:27 | 0:15:30 | |
a seemingly tranquil fishing port. | 0:15:30 | 0:15:33 | |
But Clive and David have come to learn about the brave community | 0:15:33 | 0:15:36 | |
whose rebellious nature and fearless fishing practices lead them to fall | 0:15:36 | 0:15:41 | |
victim to one of the worst British fishing disasters of all time. | 0:15:41 | 0:15:45 | |
-Hi. Hello, hi! I'm Peter. -Hi, Peter. I'm Clive. -Hi, Clive. | 0:15:45 | 0:15:48 | |
Hello Peter. David. Nice to meet you. | 0:15:48 | 0:15:50 | |
Thank you very much for coming. Welcome to Eyemouth Museum. | 0:15:50 | 0:15:53 | |
In the 19th century, Eyemouth was a thriving fishing town. | 0:15:53 | 0:15:57 | |
Home to a fleet of 45 boats, | 0:15:57 | 0:15:59 | |
the whole community was involved in the industry. | 0:15:59 | 0:16:02 | |
This was the booming fishing port in Scotland. | 0:16:06 | 0:16:09 | |
And so through the 1860s and 1870s in particular, | 0:16:09 | 0:16:12 | |
almost in every tide you had families from the Buchan headlands | 0:16:12 | 0:16:16 | |
to the Cornish inlets arriving at Eyemouth to make a living. | 0:16:16 | 0:16:19 | |
The fishermen of Eyemouth were notorious for braving the seas | 0:16:19 | 0:16:21 | |
in all weathers. | 0:16:21 | 0:16:23 | |
There were at least one dozen occasions in the 1860s, | 0:16:23 | 0:16:25 | |
1870s, leading up to 1881, when the Eyemouth fleet alone were | 0:16:25 | 0:16:30 | |
the only fleet out that day. | 0:16:30 | 0:16:32 | |
They then came back, with good catches, | 0:16:32 | 0:16:34 | |
there was high prices because the market was empty of fish. | 0:16:34 | 0:16:37 | |
So they became used to taking risks. | 0:16:37 | 0:16:39 | |
They also had a reputation for being a rebellious, unruly bunch. | 0:16:39 | 0:16:43 | |
People wouldn't go to church. People didn't get married so much. | 0:16:43 | 0:16:46 | |
They didn't really care. Children were born out of wedlock. | 0:16:46 | 0:16:49 | |
Why did that matter? Children didn't go to school. | 0:16:49 | 0:16:51 | |
"Why would we send children to school when we need them | 0:16:51 | 0:16:54 | |
"on the boats? We don't want to do that." | 0:16:54 | 0:16:56 | |
They're like rebels. It's a town of rebels. | 0:16:56 | 0:16:57 | |
-The Wild East. -The Wild East. | 0:16:57 | 0:16:59 | |
The ministers and the local council and the laird, | 0:16:59 | 0:17:04 | |
they were virtually tearing their hair out. | 0:17:04 | 0:17:06 | |
Their anti-authoritarian attitude can be linked to a fallout with | 0:17:06 | 0:17:10 | |
the church dating back to the 1840s. | 0:17:10 | 0:17:13 | |
The Church of Scotland suddenly realised that only in Eyemouth | 0:17:13 | 0:17:16 | |
they were entitled to demand a full 10% of the fishermen's | 0:17:16 | 0:17:19 | |
earnings in something called the fish tithe. | 0:17:19 | 0:17:21 | |
And over the next 20 years or so, a row erupted. | 0:17:21 | 0:17:25 | |
At times, it was a violent row. | 0:17:25 | 0:17:26 | |
There were riots on the streets. There was also quite | 0:17:26 | 0:17:28 | |
sophisticated political pamphleting. | 0:17:28 | 0:17:31 | |
Eventually, the Lord Advocate intervened. | 0:17:31 | 0:17:34 | |
The church surrendered its claim to their catch and in return, | 0:17:34 | 0:17:37 | |
a one-off payment of £2,000 was issued. | 0:17:37 | 0:17:39 | |
That loan, which they had to borrow money from the bank, | 0:17:39 | 0:17:42 | |
doesn't expire until 1878. | 0:17:42 | 0:17:44 | |
So that lost 30 years when other ports - Anstruther, Wick, | 0:17:44 | 0:17:49 | |
Peterhead, Fraserburgh - all these other places got | 0:17:49 | 0:17:51 | |
substantial government money, Eyemouth got nothing. | 0:17:51 | 0:17:54 | |
This meant that plans to improve the treacherous harbour entrance | 0:17:55 | 0:17:59 | |
to make it accessible at all tides were never implemented. | 0:17:59 | 0:18:03 | |
Something that would have dire consequences on that fateful day | 0:18:03 | 0:18:07 | |
on 14 October 1881. | 0:18:07 | 0:18:10 | |
If you have a look at the stonework, you can | 0:18:10 | 0:18:12 | |
see the original harbour wall. | 0:18:12 | 0:18:13 | |
It was deeply unsuited to the needs of the fishing industries, | 0:18:13 | 0:18:16 | |
but it's what they had on October 14. | 0:18:16 | 0:18:18 | |
So on that fatal day, where did it all go wrong? | 0:18:18 | 0:18:21 | |
Everybody knew that there was a storm coming. | 0:18:21 | 0:18:24 | |
One crew decided they wanted to go off. | 0:18:24 | 0:18:26 | |
Now, the important thing about the fleet here in Eyemouth was, if one | 0:18:26 | 0:18:29 | |
boat decides to go, the entire fleet goes by honour, | 0:18:29 | 0:18:32 | |
duty-bound to follow. | 0:18:32 | 0:18:33 | |
And that's what happened. | 0:18:33 | 0:18:35 | |
What they didn't know was that Eyemouth was about to be | 0:18:35 | 0:18:37 | |
hit by one of the worst storms of the 19th century. | 0:18:37 | 0:18:40 | |
The main boats had gone out roundabout 12, 12.15. | 0:18:40 | 0:18:44 | |
The others were just making up there. | 0:18:44 | 0:18:46 | |
They started to play out their lines to fish for the haddock | 0:18:46 | 0:18:50 | |
when everything seemed to stop for a moment. | 0:18:50 | 0:18:53 | |
And then suddenly, the hurricane broke with amazing rapidity. | 0:18:53 | 0:18:57 | |
Those boats which had sails up, | 0:18:57 | 0:18:59 | |
the sails were ripped to shreds within minutes. | 0:18:59 | 0:19:01 | |
The others which hadn't got sails up, they'd bare poles, | 0:19:01 | 0:19:04 | |
they were rocked and tossed about and the entire fleet was scattered. | 0:19:04 | 0:19:08 | |
The skippers of the boats had a choice - | 0:19:08 | 0:19:10 | |
try and get through the perilous rocks back to harbour | 0:19:10 | 0:19:13 | |
or head out to sea and enter the eye of the storm. | 0:19:13 | 0:19:16 | |
For 19 boats, for 129 men, it was the wrong choice. | 0:19:16 | 0:19:21 | |
Most boats that try to re-enter the harbour were | 0:19:21 | 0:19:24 | |
destroyed on the rocks in full view of the men's families. | 0:19:24 | 0:19:28 | |
And how long before the whole thing about who had died was resolved? | 0:19:28 | 0:19:32 | |
-Was that weeks or days? -It did take several days. | 0:19:32 | 0:19:35 | |
The bulk of the boats which survived that day - 26 boats did survive - | 0:19:35 | 0:19:39 | |
didn't attempt Eyemouth harbour, so boats were landing in Bridlington | 0:19:39 | 0:19:42 | |
for a couple of days after and other parts of Yorkshire. | 0:19:42 | 0:19:44 | |
And other boats, one boat in particular - | 0:19:44 | 0:19:47 | |
a boat called the Ariel Gazelle - two days after the disaster | 0:19:47 | 0:19:50 | |
it managed to sail home into Eyemouth Bay. | 0:19:50 | 0:19:52 | |
The skipper of the Ariel Gazelle | 0:19:52 | 0:19:54 | |
said he felt heart sorrow as he climbed up | 0:19:54 | 0:19:57 | |
the pier railings and onto the quayside | 0:19:57 | 0:19:59 | |
because he knew all the women that were looking at him | 0:19:59 | 0:20:02 | |
were going to be disappointed except for one - his own wife. | 0:20:02 | 0:20:05 | |
It was a terrible, terrible tragedy. | 0:20:05 | 0:20:07 | |
129 men were killed, yes, but there were 73 women widowed | 0:20:07 | 0:20:11 | |
and there were 263 children left without a father. | 0:20:11 | 0:20:14 | |
As somebody who's obviously got a direct family connection, | 0:20:14 | 0:20:18 | |
how do you go forward with it? | 0:20:18 | 0:20:19 | |
How has that taken on? | 0:20:19 | 0:20:21 | |
As a child growing up and being given stories of Black Friday, | 0:20:21 | 0:20:25 | |
which is what people in Eyemouth would refer to the disaster day as, | 0:20:25 | 0:20:28 | |
I became fascinated with the story | 0:20:28 | 0:20:31 | |
but also quite angry that history didn't accord a single | 0:20:31 | 0:20:33 | |
footnote to this dreadful, dreadful thing. | 0:20:33 | 0:20:35 | |
It's important that people are aware of what happened, why it happened, | 0:20:35 | 0:20:39 | |
and how this community won through against all that adversity. | 0:20:39 | 0:20:42 | |
It took over a century for the population | 0:20:42 | 0:20:45 | |
levels of the community to recover. | 0:20:45 | 0:20:47 | |
Tourism has now taken over from fishing as Eyemouth's primary | 0:20:47 | 0:20:52 | |
industry, and the town is once again a thriving hub. | 0:20:52 | 0:20:55 | |
The memory of the brave and maverick fishermen, however, | 0:20:56 | 0:21:00 | |
is still strong with those who live or have connections to the town, | 0:21:00 | 0:21:04 | |
just like Peter. | 0:21:04 | 0:21:05 | |
Tim and Margie are travelling 15 miles west to visit | 0:21:09 | 0:21:13 | |
the picturesque town of Duns. | 0:21:13 | 0:21:15 | |
This is your world, isn't it, this area? Is it a bit north for you? | 0:21:15 | 0:21:19 | |
This is what I call God's allotment. | 0:21:19 | 0:21:22 | |
Which is Northumberland. I mean, it's just... | 0:21:23 | 0:21:27 | |
It's beautiful. | 0:21:27 | 0:21:29 | |
-So, Benidorm. -Yeah. -My word. -It's my sixth year. -Sixth year? | 0:21:29 | 0:21:34 | |
Just finished. Oh, it's the best job. | 0:21:34 | 0:21:37 | |
The word Duns is derived from the Gaelic word dun, | 0:21:37 | 0:21:41 | |
meaning fortress or hilltop. | 0:21:41 | 0:21:43 | |
-Nice to meet you. -Pleased to meet you. | 0:21:43 | 0:21:44 | |
-Thanks for having us. -It's a pleasure. | 0:21:44 | 0:21:46 | |
They're visiting Duns Antique Centre | 0:21:46 | 0:21:48 | |
where they are meeting dealer John | 0:21:48 | 0:21:50 | |
who's got a wealth of interesting wares on offer. | 0:21:50 | 0:21:53 | |
Speaking of which... | 0:21:53 | 0:21:55 | |
-This came from a very, very old village just outside Duns. -Yeah. | 0:21:55 | 0:21:59 | |
We just got it yesterday. | 0:21:59 | 0:22:01 | |
Tim and Margie still have just over £300 left to spend. | 0:22:01 | 0:22:04 | |
-Quite interesting. Because garden ornaments do sell. -Do they? -They do. | 0:22:04 | 0:22:08 | |
They do. As long as they are old. | 0:22:08 | 0:22:09 | |
-But there's no price on it, is there? -No, there's no price on it. | 0:22:09 | 0:22:12 | |
-It's just literally in. I was looking for £65 on it. -What?! | 0:22:12 | 0:22:16 | |
-65 for a lump of rock? -But it's a carved lump of old rock! | 0:22:16 | 0:22:20 | |
Old rock, 65 quid? No. | 0:22:20 | 0:22:23 | |
Well, I was going to suggest 12 quid when I first saw it. | 0:22:23 | 0:22:27 | |
65, 12... | 0:22:27 | 0:22:29 | |
-Well, look, shall we have a little... -I'll think on it. | 0:22:29 | 0:22:32 | |
-We'll have a wander. -We'll have a powwow in the back. | 0:22:32 | 0:22:35 | |
Lovely. Thank you very much. | 0:22:35 | 0:22:36 | |
-Have you fallen out with us? -Not at all. -HE LAUGHS | 0:22:36 | 0:22:39 | |
Honestly, we are not in Benidorm now, Tim. | 0:22:39 | 0:22:42 | |
Luckily, John is thick-skinned. | 0:22:42 | 0:22:45 | |
-Is this for...fishermen? -It is. | 0:22:45 | 0:22:50 | |
-Yeah, for salmon fishing, probably. -Yes. | 0:22:50 | 0:22:52 | |
-It's a wading staff. -Yeah. -Yes. With some good age to it as well. | 0:22:52 | 0:22:56 | |
Is it? How old is it? | 0:22:56 | 0:22:58 | |
Probably sort of around 1900. | 0:22:58 | 0:23:00 | |
It's a bamboo and steel wading stick used to help | 0:23:00 | 0:23:04 | |
fishermen across slippery surfaces and to check the water depth. | 0:23:04 | 0:23:07 | |
You can also remove the end to put a landing net on it. | 0:23:07 | 0:23:10 | |
Any names on it or anything that gives it anything special? | 0:23:10 | 0:23:13 | |
No, but I think the top could possibly be Hardy. | 0:23:13 | 0:23:16 | |
Has it got a price on it? | 0:23:16 | 0:23:18 | |
That might see something like £18 on it. | 0:23:18 | 0:23:20 | |
-18 quid. -Which, you know, for fishing... | 0:23:20 | 0:23:22 | |
Last of the big spenders, aren't we? And you've got something here. | 0:23:22 | 0:23:25 | |
That's a Hardy rod, yes. | 0:23:25 | 0:23:27 | |
I know that things like this can be interesting. | 0:23:27 | 0:23:29 | |
Hardy's is a prestigious brand of fishing equipment | 0:23:29 | 0:23:33 | |
that has been around since the 19th century. | 0:23:33 | 0:23:36 | |
The fishing rod is priced at £40, and the wading stick is 18. | 0:23:36 | 0:23:41 | |
And there's also that stone birdbath, remember? | 0:23:41 | 0:23:43 | |
So, what would be the absolute minimum on that? | 0:23:43 | 0:23:46 | |
I could do 35. | 0:23:46 | 0:23:49 | |
-I'm going to hit you with 30. -We'll carry on. We'll carry on. | 0:23:49 | 0:23:51 | |
-I'll be happy with 30. -You'll be happy with 30, would you? -30. | 0:23:51 | 0:23:54 | |
-Shake my hand. -Oh, go on, then. -Good lad. -That's a bargain now. | 0:23:54 | 0:23:58 | |
-30 quid for a lump of rock. -THEY LAUGH | 0:23:58 | 0:24:01 | |
With a bird on it. | 0:24:01 | 0:24:03 | |
And not the right type of bird. | 0:24:03 | 0:24:05 | |
Tim is yet again focused on the deal. His method seems to be working. | 0:24:07 | 0:24:11 | |
-Well, we bought one thing. -That's good, yes. Fine. | 0:24:13 | 0:24:15 | |
So we're going to carry on, are we? | 0:24:15 | 0:24:17 | |
Excuse me. Those are my sunglasses. | 0:24:17 | 0:24:20 | |
-I thought they were mine. Sorry. -No, I just put them on there. | 0:24:21 | 0:24:24 | |
Do you want your watch back? | 0:24:24 | 0:24:26 | |
SHE LAUGHS | 0:24:26 | 0:24:27 | |
Honestly, you can't take him anywhere. | 0:24:27 | 0:24:29 | |
What has Margie spotted now? | 0:24:29 | 0:24:32 | |
We've got a horse's hoof. | 0:24:32 | 0:24:34 | |
Some dear horse that somebody has decided to take his hoof off | 0:24:34 | 0:24:37 | |
and make it into an ink well, which is quite common. | 0:24:37 | 0:24:40 | |
-It's Edinburgh silver, and it's 1891. -Yeah. | 0:24:40 | 0:24:42 | |
-Horsey people would go for that, wouldn't they? -They would. | 0:24:43 | 0:24:46 | |
Usually they have the name of the horse or pony on it. | 0:24:46 | 0:24:48 | |
-It's a memory. -It's a memory. -And with it being Edinburgh silver. | 0:24:48 | 0:24:51 | |
-I've never seen anything like that. -No? | 0:24:51 | 0:24:53 | |
-And with it being Edinburgh silver. -Yeah. | 0:24:53 | 0:24:54 | |
-We are going to Edinburgh, aren't we? -So, shall we get John back? | 0:24:54 | 0:24:57 | |
-Yeah. -Give him another...headache. | 0:24:57 | 0:24:59 | |
Give him another... | 0:24:59 | 0:25:01 | |
Its ticket price is a hefty £125. | 0:25:01 | 0:25:04 | |
John, are you... Are you free? | 0:25:04 | 0:25:06 | |
But is John willing to do another discount? | 0:25:06 | 0:25:09 | |
Do want to make an offer or do you want me...? | 0:25:09 | 0:25:12 | |
What would you like to do? | 0:25:12 | 0:25:13 | |
Lordy, don't ask Tim that. | 0:25:13 | 0:25:15 | |
Well, what can you give it us for...if I take that spike? | 0:25:15 | 0:25:20 | |
Wading stick. | 0:25:20 | 0:25:21 | |
Well, what about... | 0:25:21 | 0:25:24 | |
Well, what about the... | 0:25:24 | 0:25:26 | |
-Yeah. -The inkwell, the rod, Hardy rod and the wading stick... | 0:25:26 | 0:25:31 | |
Oh, no. Yeah. | 0:25:31 | 0:25:32 | |
..for 110? | 0:25:32 | 0:25:34 | |
It does seem like a lot of money to me. I was thinking about 70. | 0:25:34 | 0:25:38 | |
80. | 0:25:38 | 0:25:39 | |
-77.50 -SHE LAUGHS | 0:25:40 | 0:25:42 | |
-OK, then. -Done! -I have been. | 0:25:42 | 0:25:45 | |
-We'll take the lot. Thank you very much. -Thank you very much. | 0:25:45 | 0:25:48 | |
-We got there in the end. -We did. We did. | 0:25:48 | 0:25:50 | |
Haggler Healy strikes again. | 0:25:50 | 0:25:52 | |
£40 for the inkwell and £18.75 each for the wading stick | 0:25:52 | 0:25:57 | |
and the fishing rod. | 0:25:57 | 0:25:58 | |
That makes Tim's total spend £107.50. Cor! | 0:25:58 | 0:26:03 | |
After all that wheeler-dealering, it must be time for some shuteye, | 0:26:03 | 0:26:06 | |
so nighty-night. | 0:26:06 | 0:26:07 | |
A new day has dawned, but has Clive finally mastered the left-hand drive? | 0:26:12 | 0:26:17 | |
-CLUTCH GRINDS TIM: -Ooh. | 0:26:17 | 0:26:19 | |
Ooh-ooh-ooh! | 0:26:19 | 0:26:21 | |
Apparently not. | 0:26:21 | 0:26:23 | |
-Your own chauffeur in a classic car. -Classic car. | 0:26:23 | 0:26:26 | |
-Only a few inches from the end of your life. -Terrified. | 0:26:26 | 0:26:29 | |
I'm really looking forward to today. | 0:26:31 | 0:26:32 | |
I'm assuming that you are feeling very confident after your buying. | 0:26:32 | 0:26:35 | |
-Well, I am, actually. -Yeah. You've got that look. | 0:26:35 | 0:26:38 | |
-I am, actually. Yeah. -Just on the edge of overconfidence. | 0:26:38 | 0:26:40 | |
Well, we'll have to wait and see, won't we? | 0:26:40 | 0:26:42 | |
I'm in good hands with David, though. | 0:26:42 | 0:26:44 | |
-He's really, really good. -Yeah. | 0:26:44 | 0:26:46 | |
Well, so is Margie. | 0:26:47 | 0:26:48 | |
Gosh, they're even competitive over whose expert is best. | 0:26:48 | 0:26:52 | |
Speaking of which... | 0:26:52 | 0:26:53 | |
-How's Tim? -Oh, he's lovely. He really is. | 0:26:53 | 0:26:56 | |
He's lovely, and he's pretty good. | 0:26:56 | 0:26:58 | |
-He's got this tough north, you know, Geordie bit. -Yeah, yeah. -He goes... | 0:26:58 | 0:27:02 | |
-IMITATES TIM: -Well, no, I was thinking £77.50. | 0:27:02 | 0:27:05 | |
-You know, if it's 80 quid. -Sorry... -We've got two deals at £77.50. | 0:27:05 | 0:27:09 | |
Clive is loving it, and Clive is lovely. Incredibly clever. | 0:27:11 | 0:27:15 | |
And has a great sophistication. | 0:27:15 | 0:27:17 | |
That comes out when he's looking at objects. | 0:27:17 | 0:27:20 | |
Aw, a budding bromance. | 0:27:20 | 0:27:23 | |
Yesterday, Clive was a winning student | 0:27:23 | 0:27:25 | |
and bought two items he loved - | 0:27:25 | 0:27:27 | |
an Edwardian double drop-arm sofa and a 1950s picnic box. | 0:27:27 | 0:27:31 | |
-It reminds me of my childhood. -Does it? | 0:27:31 | 0:27:34 | |
They spent £105. | 0:27:34 | 0:27:36 | |
Tim unveiled more of a love of haggling than antiques... | 0:27:36 | 0:27:40 | |
Anything you see in Benidorm you say, "How much is that?" | 0:27:41 | 0:27:43 | |
It's half price. | 0:27:43 | 0:27:45 | |
..and picked up six items for £201 - | 0:27:45 | 0:27:48 | |
a mahogany printing box and miniature coronation throne, | 0:27:48 | 0:27:52 | |
two silver brooches, a bird in a bath... | 0:27:52 | 0:27:55 | |
30 quid for a lump of rock. | 0:27:55 | 0:27:57 | |
..and finally, a Victorian hoof inkwell | 0:27:57 | 0:28:00 | |
and fishing rod with wading stick. | 0:28:00 | 0:28:02 | |
I hear a Mustang. That is a Mustang. Oh, look at that. | 0:28:04 | 0:28:07 | |
-Oh, look at these two. -Looking cool. -Hey, very cool. | 0:28:07 | 0:28:10 | |
-Good morning! -Good morning, Clive. -What a day. -Gorgeous, isn't it? | 0:28:10 | 0:28:13 | |
-There's no better, isn't it? -Beautiful day. Mwah! | 0:28:13 | 0:28:16 | |
-Nice to see you. -You are with me. -I'm with you. -Yep. | 0:28:16 | 0:28:18 | |
Our couples are heading north this morning to Scotland's capital, | 0:28:18 | 0:28:21 | |
the beautiful city of Edinburgh. | 0:28:21 | 0:28:23 | |
Go, David, go! | 0:28:23 | 0:28:24 | |
Clive and David are travelling to the suburb of Newington. | 0:28:26 | 0:28:30 | |
I'm really looking forward to today. | 0:28:30 | 0:28:32 | |
-But Haggler Healy has... -DAVE LAUGHS | 0:28:32 | 0:28:34 | |
I've heard about Haggler Healy. He works in 50p. | 0:28:34 | 0:28:37 | |
THEY LAUGH | 0:28:37 | 0:28:39 | |
Hackler Healy inevitably has kind of spooked me. | 0:28:39 | 0:28:41 | |
You're not the only one, Clive. | 0:28:41 | 0:28:43 | |
You are 6'6", and you are an imposing figure, | 0:28:44 | 0:28:48 | |
so that's something to celebrate. | 0:28:48 | 0:28:50 | |
I think the truth is that my physicality has been | 0:28:50 | 0:28:53 | |
the secret to my longevity in the same way that Tim's is being | 0:28:53 | 0:28:57 | |
a small, pugnacious-looking animal. | 0:28:57 | 0:28:59 | |
Yeah. | 0:28:59 | 0:29:01 | |
Don't let Tim hear you say that. | 0:29:01 | 0:29:03 | |
Clive and David are visiting Anteaques, | 0:29:03 | 0:29:06 | |
a traditional teahouse, which also specialises in antiques. | 0:29:06 | 0:29:09 | |
Meeting them today is notre cher ami Cedric. | 0:29:09 | 0:29:13 | |
-This is a very posh tea room. -Oh, good morning. -Good morning. | 0:29:13 | 0:29:17 | |
Clive's still got just under £300 left to spend. | 0:29:17 | 0:29:20 | |
Any tactics today, boys? | 0:29:20 | 0:29:22 | |
Now, we are going into an auction, | 0:29:23 | 0:29:24 | |
so we want to be taking something that... | 0:29:24 | 0:29:27 | |
That people want to buy. | 0:29:27 | 0:29:28 | |
What a good idea(!) | 0:29:28 | 0:29:30 | |
..and that maybe they haven't seen, | 0:29:30 | 0:29:32 | |
so we need to be finding the extraordinarily different. | 0:29:32 | 0:29:36 | |
You're doing very well as my big brother. | 0:29:36 | 0:29:38 | |
I'm not sure 'big' is the correct word. | 0:29:38 | 0:29:41 | |
-WHISPERS: -I don't want to lose. -No. -Do I? -No! -No. -No, you don't. No. | 0:29:41 | 0:29:46 | |
I mustn't show it. I don't want to lose. | 0:29:46 | 0:29:48 | |
Don't tell anybody, but I don't want to lose either. Right? OK? | 0:29:48 | 0:29:51 | |
I won't tell a soul. | 0:29:51 | 0:29:53 | |
Not that anyone has been particularly quiet about wanting to win. | 0:29:53 | 0:29:57 | |
I spotted something that I quite like. | 0:29:57 | 0:29:59 | |
-Are they aesthetically pleasing? -They are. | 0:29:59 | 0:30:02 | |
I'll have to try. I'm going to quiz you here. | 0:30:02 | 0:30:04 | |
What do you think they might be? | 0:30:04 | 0:30:06 | |
-Does it hold something down? -It's a rest. | 0:30:07 | 0:30:10 | |
-For... -Cutlery. -You're kidding. -No, it's a knife rest. -Seriously? -Yeah. | 0:30:10 | 0:30:14 | |
-We've got a full set there. -Full set there. | 0:30:14 | 0:30:16 | |
But I can just see the name on the box, which is very exciting. | 0:30:16 | 0:30:19 | |
-Daum. -Ah. -French glass makers. Incredibly up-market. Very posh. | 0:30:19 | 0:30:25 | |
It's quite rare to find this object in its original packaging, | 0:30:25 | 0:30:29 | |
and that will add to the value significantly. | 0:30:29 | 0:30:31 | |
-I'm getting ridiculously excited about this. -Time to call on Cedric. | 0:30:31 | 0:30:34 | |
We are very interested in these. I think they are very, very lovely. | 0:30:34 | 0:30:38 | |
-You have good taste. -What kind of price are you talking for this? | 0:30:38 | 0:30:41 | |
The best price I could do for you on the set of 12, it's complete | 0:30:41 | 0:30:45 | |
and they are all in perfect condition... | 0:30:45 | 0:30:48 | |
-That's a big build-up, by the way. -..is £90. | 0:30:48 | 0:30:51 | |
Sacrebleu! | 0:30:51 | 0:30:53 | |
-I was thinking 60. -You were thinking 60? -I was. | 0:30:53 | 0:30:57 | |
-Hm. Right, OK. -OK, thank you very much. -That's it. You've done it. | 0:30:58 | 0:31:03 | |
Clive, I think that was beautifully done. | 0:31:03 | 0:31:06 | |
I would have given you 80, but I'm sorry about him. Honestly. | 0:31:06 | 0:31:09 | |
-He's awful. I can't take him anywhere. -You complete ratbag! | 0:31:09 | 0:31:13 | |
For £60, Clive is now the proud owner of 12 Daum crystal knife holders | 0:31:13 | 0:31:19 | |
in their original box. | 0:31:19 | 0:31:21 | |
There's still plenty more to uncover, cher Cedric. | 0:31:21 | 0:31:24 | |
I've spotted this box here. | 0:31:24 | 0:31:27 | |
Most people watching this will be screaming, | 0:31:27 | 0:31:29 | |
"Well, that's just a boring old plain black box." | 0:31:29 | 0:31:32 | |
-But to me, actually, I find that incredibly exciting. -Because? | 0:31:32 | 0:31:37 | |
Because it is a late-19th-century piano box, | 0:31:37 | 0:31:40 | |
there's no doubt about it. | 0:31:40 | 0:31:42 | |
Very Sherlock Holmes, you know, from that kind of period. | 0:31:42 | 0:31:45 | |
But the most exciting thing for me is the fact that that material, | 0:31:45 | 0:31:49 | |
without any shadow of a doubt, is original. | 0:31:49 | 0:31:53 | |
If you bend down and have a feel of that and look at that, | 0:31:53 | 0:31:55 | |
it's a fake leather, something called Rexine that was | 0:31:55 | 0:31:58 | |
invented during the 19th century. | 0:31:58 | 0:32:00 | |
And most pieces of furniture that were made in Rexine | 0:32:00 | 0:32:03 | |
have been reupholstered several times. | 0:32:03 | 0:32:06 | |
It also has a maker's mark from Morrison & Co of Edinburgh, | 0:32:06 | 0:32:09 | |
who were a very high-end cabinet-making company | 0:32:09 | 0:32:11 | |
in the 19th century. | 0:32:11 | 0:32:13 | |
As a historic thing, it's...it's | 0:32:13 | 0:32:16 | |
of museum quality because | 0:32:16 | 0:32:18 | |
it's in its original material. | 0:32:18 | 0:32:20 | |
But you know what? Ruthlessly, it has to be cheap. | 0:32:20 | 0:32:22 | |
Got to be 20, 30 quid. | 0:32:22 | 0:32:24 | |
Cedric! | 0:32:24 | 0:32:25 | |
-You found something else? -We have. | 0:32:25 | 0:32:28 | |
I told you you've got good taste. | 0:32:28 | 0:32:29 | |
Do you like it? | 0:32:29 | 0:32:31 | |
-Oh, yeah, I love it. -Do you? -It actually used to be mine. | 0:32:31 | 0:32:33 | |
-Is it cheap? -It's affordable. | 0:32:33 | 0:32:35 | |
Ah. | 0:32:35 | 0:32:37 | |
-OK. -How affordable? -How affordable? | 0:32:37 | 0:32:40 | |
I could do £100 for you. | 0:32:40 | 0:32:42 | |
What do you think, Clive? Over to you. | 0:32:42 | 0:32:44 | |
-40. -Oh, he's gone up! -40?! | 0:32:46 | 0:32:48 | |
He's gone up! | 0:32:48 | 0:32:49 | |
-40?! -I know it's ridiculous... -Up from what? -Ridiculous! | 0:32:50 | 0:32:54 | |
Well, at least Cedric is still laughing. | 0:32:54 | 0:32:57 | |
-I said 20, he goes 40. -20! | 0:32:57 | 0:33:01 | |
-LAUGHING: -No chance. | 0:33:01 | 0:33:02 | |
Is that what you say in Leith then? Nae chance. | 0:33:04 | 0:33:06 | |
That's right, very good! Nae chance. | 0:33:06 | 0:33:09 | |
We like you, Cedric. | 0:33:09 | 0:33:11 | |
Cedric, can I ask? | 0:33:11 | 0:33:13 | |
There's bits and pieces of old silver-plate and stuff, | 0:33:13 | 0:33:15 | |
is the box complete? | 0:33:15 | 0:33:17 | |
-Do we get everything that's in it? -It's getting worse and worse. | 0:33:17 | 0:33:19 | |
CEDRIC LAUGHS | 0:33:19 | 0:33:22 | |
-And everything else around it? -THEY LAUGH | 0:33:22 | 0:33:25 | |
CEDRIC SIGHS | 0:33:25 | 0:33:27 | |
Can you not make it 50? | 0:33:27 | 0:33:29 | |
I'd like to do a deal at 50. | 0:33:29 | 0:33:32 | |
It's yours. | 0:33:32 | 0:33:33 | |
Clive, beautifully done. | 0:33:33 | 0:33:35 | |
You are so tall! | 0:33:36 | 0:33:38 | |
That's been noted. | 0:33:38 | 0:33:39 | |
Clive, good bit of negotiating. | 0:33:39 | 0:33:42 | |
Yep, he's certainly getting better. | 0:33:42 | 0:33:44 | |
For £110, Clive now has two more items under his belt | 0:33:44 | 0:33:48 | |
and a cuddle from an incredibly charming Frenchman. | 0:33:48 | 0:33:51 | |
-Thanks very much. -Pleasure doing business with you. -Likewise. | 0:33:51 | 0:33:54 | |
Glad to see you again, Cedric. | 0:33:54 | 0:33:55 | |
MUSIC: Johnny B Goode by Chuck Berry | 0:33:55 | 0:33:57 | |
Tim and Margie are back on the road, chatting about Tim's time | 0:33:57 | 0:34:01 | |
as part of the Parachute Regiment in the Territorial Army. | 0:34:01 | 0:34:04 | |
What made you want to do that? | 0:34:05 | 0:34:06 | |
I was working as an apprentice welder, | 0:34:06 | 0:34:09 | |
and I hated every minute of it. | 0:34:09 | 0:34:10 | |
And I got so bored that I joined the TA. | 0:34:10 | 0:34:13 | |
And it gave me the confidence to throw the gear down at work one day. | 0:34:13 | 0:34:17 | |
-And I just walked out.... -Oh! | 0:34:17 | 0:34:18 | |
I walked out and I went to Durham Technical College | 0:34:18 | 0:34:21 | |
and said, "I'm going to be an actor." | 0:34:21 | 0:34:22 | |
And of course, in those days, everybody thought you were mad. | 0:34:22 | 0:34:25 | |
There weren't any working-class actors. | 0:34:25 | 0:34:27 | |
Right. God, that is brilliant. | 0:34:27 | 0:34:29 | |
And the rest, as they say, is history. | 0:34:29 | 0:34:32 | |
Tim and Margie are also en route to Edinburgh | 0:34:32 | 0:34:36 | |
and the area of Craiglockhart. | 0:34:36 | 0:34:38 | |
This was once home to the Craiglockhart War Hospital, | 0:34:38 | 0:34:42 | |
which during the First World War, pioneered the treatment | 0:34:42 | 0:34:45 | |
of shell shock, an undiagnosed mental illness similar to PTSD. | 0:34:45 | 0:34:50 | |
Given his military training, | 0:34:52 | 0:34:53 | |
this should be of particular interest to Tim. | 0:34:53 | 0:34:57 | |
-It's nice to see you. -Nice to see you. -I'm Catherine Walker. -I'm Tim. | 0:34:57 | 0:35:00 | |
-Hi. -Hi, Margie Cooper. -Hi. Good morning. | 0:35:00 | 0:35:02 | |
-What a wonderful building! -It's beautiful. | 0:35:02 | 0:35:04 | |
Craiglockhart was built in 1880 and was originally a hydropathic, | 0:35:04 | 0:35:09 | |
a sort of spa hotel. | 0:35:09 | 0:35:10 | |
It was taken over by the War Office as a hospital for shell-shocked | 0:35:10 | 0:35:14 | |
officers in 1916. | 0:35:14 | 0:35:16 | |
Shell shock, as it was commonly known, | 0:35:16 | 0:35:18 | |
was a term that the military didn't really like, | 0:35:18 | 0:35:20 | |
so in their admissions book, it is always neurasthenia, | 0:35:20 | 0:35:23 | |
which is like a kind of a war...a war exhaustion, a war neurosis. | 0:35:23 | 0:35:28 | |
Bombs, tanks and machine guns changed the machinery of war | 0:35:28 | 0:35:32 | |
and the injuries they inflicted, not just physically but also mentally. | 0:35:32 | 0:35:37 | |
Shell shock had never been formally treated or even recognised | 0:35:37 | 0:35:41 | |
before the First World War. | 0:35:41 | 0:35:43 | |
So what were actually all the symptoms of shell shock, | 0:35:43 | 0:35:48 | |
as it was called then? | 0:35:48 | 0:35:49 | |
The symptoms were quite unique in some cases. | 0:35:49 | 0:35:54 | |
There's walking against an imaginary wind, mutism, | 0:35:54 | 0:35:58 | |
where people just wouldn't speak, | 0:35:58 | 0:36:00 | |
paralysis sometimes of legs or arms. | 0:36:00 | 0:36:04 | |
Sometimes there was stammering, | 0:36:04 | 0:36:07 | |
bad dreams, hallucinations, migraines... | 0:36:07 | 0:36:10 | |
-So there was quite a variety of symptoms. -Oh, dear. | 0:36:10 | 0:36:12 | |
Another fact of shell shock were nightmares and insomnia. | 0:36:12 | 0:36:16 | |
At night, the men would pace the hallways, smoking. | 0:36:16 | 0:36:19 | |
These were found up a chimney. | 0:36:19 | 0:36:22 | |
So for example, there's the cigarette packet which dates | 0:36:22 | 0:36:25 | |
back to the time of the war hospital. | 0:36:25 | 0:36:27 | |
It's very typical of the men's reactions at night. | 0:36:27 | 0:36:31 | |
Smoking was actually banned in the building, even then. | 0:36:31 | 0:36:33 | |
The number of the people leaving the front with symptoms of shell | 0:36:33 | 0:36:36 | |
shock increased, but it was still not classified as a serious illness. | 0:36:36 | 0:36:40 | |
The military were anxious to ensure that they were returned to | 0:36:40 | 0:36:44 | |
combat as soon as possible. | 0:36:44 | 0:36:46 | |
As a result, hospitals like Craiglockhart were created. | 0:36:46 | 0:36:49 | |
What treatments were they doing to these guys to get them | 0:36:49 | 0:36:53 | |
back on the front line? | 0:36:53 | 0:36:54 | |
Well, at Craiglockhart, there were two distinctly different treatments. | 0:36:54 | 0:36:58 | |
One was by Dr Brock. And his treatment was called ergo therapy. | 0:36:58 | 0:37:03 | |
And what he wanted to do was reconnect the officers | 0:37:03 | 0:37:06 | |
to things they would've been familiar with and comfortable with. | 0:37:06 | 0:37:09 | |
So he would send you out, perhaps, to the town and you could | 0:37:09 | 0:37:13 | |
teach at a school or help in an engineering work or help on a farm. | 0:37:13 | 0:37:19 | |
The other practice, used by Dr Rivers, | 0:37:19 | 0:37:21 | |
specialised more in psychoanalysis and dream therapies. | 0:37:21 | 0:37:25 | |
I suppose this was a very new thing at the time. | 0:37:25 | 0:37:29 | |
Because it sounds almost like a treatment that we would advise | 0:37:29 | 0:37:33 | |
nowadays, this far ahead. | 0:37:33 | 0:37:35 | |
So it must've been the very start of that then. | 0:37:35 | 0:37:41 | |
Yes, I suppose it must have been. | 0:37:41 | 0:37:43 | |
Another thing Dr Brock encouraged was creative writing. | 0:37:43 | 0:37:47 | |
A magazine was founded here, allowing patients a creative, | 0:37:47 | 0:37:50 | |
cathartic outlet. | 0:37:50 | 0:37:52 | |
So, it was quite a professional publication, wasn't it? | 0:37:52 | 0:37:55 | |
-Yes, it was. -Was it done in-house? | 0:37:55 | 0:37:57 | |
It was published by Pillans and Wilson, | 0:37:57 | 0:37:58 | |
who are based in Edinburgh. | 0:37:58 | 0:38:00 | |
Yeah, it was put together very professionally. | 0:38:00 | 0:38:02 | |
The magazine's success was greatly aided by the presence | 0:38:02 | 0:38:05 | |
of two very famous writers. | 0:38:05 | 0:38:07 | |
Wilfred Owen, the great poet, edited six copies of the Hydra. | 0:38:07 | 0:38:11 | |
-He was here? -And Siegfried Sassoon was here at the same time. | 0:38:11 | 0:38:14 | |
-Really? They made friends here. -Yes. | 0:38:14 | 0:38:17 | |
Decorated war hero Sassoon ended up at Craiglockhart after | 0:38:17 | 0:38:21 | |
he wrote his statement against the war. | 0:38:21 | 0:38:24 | |
It was read out in Parliament. | 0:38:24 | 0:38:25 | |
To avoid being court-martialled, | 0:38:25 | 0:38:27 | |
his friend convinced the review board that Sassoon had shell shock. | 0:38:27 | 0:38:30 | |
"I am a soldier convinced that I am acting on behalf of soldiers. | 0:38:30 | 0:38:34 | |
"I believe that this war, | 0:38:34 | 0:38:36 | |
"upon which I entered as a war of defence | 0:38:36 | 0:38:38 | |
"and liberation, has now become a war of aggression and conquest. | 0:38:38 | 0:38:42 | |
"I believe..." This is a bit upsetting to read. | 0:38:42 | 0:38:45 | |
Owen was admitted, as he was traumatised from fierce fighting | 0:38:45 | 0:38:49 | |
and had been trapped for days next to the dead body of a fellow officer. | 0:38:49 | 0:38:53 | |
It was really important for these men to talk about what they'd seen | 0:38:53 | 0:38:57 | |
and to communicate their feelings through their poetry. | 0:38:57 | 0:38:59 | |
Here's a modern edition of Wilfred Owen's poetry, | 0:38:59 | 0:39:02 | |
which includes Dulce Et Decorum Est, one of the very famous poems | 0:39:02 | 0:39:07 | |
-written by him while he was actually at Craiglockhart. -Yeah. | 0:39:07 | 0:39:09 | |
Let's have a read of it. | 0:39:11 | 0:39:12 | |
Hm. | 0:39:12 | 0:39:13 | |
My friend, you would not tell with such high zest | 0:39:13 | 0:39:17 | |
To children ardent for some desperate glory | 0:39:17 | 0:39:22 | |
The old lie | 0:39:22 | 0:39:24 | |
Dolce et decorum est pro patria mori. | 0:39:24 | 0:39:28 | |
Which means? | 0:39:29 | 0:39:31 | |
It is sweet and meet to die for one's country. | 0:39:31 | 0:39:33 | |
It is sweet and meet to die for one's country. | 0:39:33 | 0:39:36 | |
That says it all, doesn't it? | 0:39:38 | 0:39:40 | |
Wilfred Owen was sent back to the trenches. | 0:39:40 | 0:39:43 | |
He died one week before the end of the war. | 0:39:43 | 0:39:46 | |
Sassoon survived his return to fighting | 0:39:46 | 0:39:49 | |
and lived to a grand old age of 81. | 0:39:49 | 0:39:51 | |
Shell shock and the innovative treatments received here, | 0:39:51 | 0:39:55 | |
at Craiglockhart, were influential | 0:39:55 | 0:39:57 | |
in changing how mental illness was viewed and helped lay | 0:39:57 | 0:40:01 | |
the foundations for a more humane treatment of the mentally ill. | 0:40:01 | 0:40:06 | |
-Do you remember the old steam trains? -I do. -Do you? | 0:40:06 | 0:40:09 | |
Yeah, I grew up on steam trains. | 0:40:09 | 0:40:10 | |
Clive and David have made their way to South Queensferry, | 0:40:10 | 0:40:13 | |
on the southern banks of the Firth of Forth. | 0:40:13 | 0:40:16 | |
The Forth railway bridge, an iconic Scottish landmark, | 0:40:16 | 0:40:19 | |
was built between 1883 and 1890. | 0:40:19 | 0:40:22 | |
It has recently been named a UNESCO World Heritage Site. | 0:40:22 | 0:40:26 | |
Clive and David are visiting Sea Kist Antiques | 0:40:26 | 0:40:29 | |
and meeting owner Jenny. | 0:40:29 | 0:40:31 | |
-Hello. -Hi there. -Hi there. -I'm Clive, nice to meet you. | 0:40:31 | 0:40:33 | |
Clive's still got £185 left to spend, but where to first? | 0:40:33 | 0:40:38 | |
-Shall we go rummaging then? -Yeah. | 0:40:38 | 0:40:40 | |
I'll go rummaging there, you go rummaging there. | 0:40:40 | 0:40:42 | |
You are sending me packing, are you? | 0:40:42 | 0:40:44 | |
All right, we'll rummage together. | 0:40:44 | 0:40:46 | |
-All right, good, that's more like it. -Shall I go first? | 0:40:46 | 0:40:48 | |
-Do you want to go first? -No, you go first. -I'll go first. | 0:40:48 | 0:40:52 | |
They're like a comedy double act, these two. | 0:40:52 | 0:40:54 | |
We are not really on a nautical theme, are we? | 0:40:56 | 0:40:58 | |
No, we weren't thinking of being nautical. | 0:40:58 | 0:41:00 | |
We could be nautical but nice. | 0:41:00 | 0:41:02 | |
-I thought that was really good. -Really? | 0:41:05 | 0:41:07 | |
Let's scrap that double act idea, shall we? | 0:41:07 | 0:41:10 | |
Is there a market for these kind of things, like bits of boats? | 0:41:10 | 0:41:13 | |
Yeah, yeah, bits of boats are good news, I've got to say. | 0:41:13 | 0:41:16 | |
Architectural kind of things. | 0:41:16 | 0:41:18 | |
-What about that thing there? -The propeller? -The propeller. | 0:41:18 | 0:41:23 | |
I mean, feel the weight of that. | 0:41:23 | 0:41:26 | |
-Oh, my God. -Isn't that fantastic? | 0:41:26 | 0:41:29 | |
-It really is heavy. -It's amazing. And the shape... | 0:41:29 | 0:41:31 | |
-And it's worn as well. Bits knocked off it. -Yeah. | 0:41:31 | 0:41:34 | |
It is a functioning thing. | 0:41:34 | 0:41:35 | |
Look at the way it is constructed, that is not a mass-produced thing. | 0:41:35 | 0:41:38 | |
Look, it's so... It's almost raw, isn't it? | 0:41:38 | 0:41:40 | |
Ticket price is £55. | 0:41:40 | 0:41:42 | |
At an auction in Edinburgh's port, | 0:41:42 | 0:41:44 | |
a nautical-themed item could be a good bet. | 0:41:44 | 0:41:47 | |
I think that's bronze. | 0:41:47 | 0:41:49 | |
It rings like a bell, doesn't it? | 0:41:49 | 0:41:51 | |
He is getting excited here, Jenny, I can sense it. | 0:41:52 | 0:41:55 | |
This is a worrying situation. This is very worrying. | 0:41:55 | 0:41:58 | |
No, it's good. | 0:41:58 | 0:41:59 | |
Clive's been drawn in hook, line and sinker. | 0:41:59 | 0:42:01 | |
But is Jenny willing to do a deal? | 0:42:01 | 0:42:04 | |
Let's be honest, that was chucked away. | 0:42:04 | 0:42:06 | |
So it's value...is tricky. | 0:42:06 | 0:42:11 | |
I could let that go for 30. | 0:42:11 | 0:42:14 | |
I think that will give you a chance. | 0:42:14 | 0:42:16 | |
-Probably scrap value. -What would that go as an estimate at auction? | 0:42:16 | 0:42:21 | |
I think...20 to 30? | 0:42:21 | 0:42:23 | |
Possibly, possibly. Yeah. | 0:42:23 | 0:42:25 | |
I think at 20 quid-ish would be good. | 0:42:25 | 0:42:29 | |
And there's a possibility of a profit. But what do you feel? | 0:42:30 | 0:42:34 | |
20-ish? | 0:42:35 | 0:42:37 | |
-Only 20-ish... -Ish is sounding good, yeah. | 0:42:37 | 0:42:41 | |
-25? -That's a deal. | 0:42:41 | 0:42:43 | |
As always, Clive is quick to accept a deal. | 0:42:43 | 0:42:47 | |
Lovely, thank you very much. | 0:42:48 | 0:42:50 | |
Now, Tim would've asked to have the boat thrown in for free too. Ha! | 0:42:50 | 0:42:54 | |
Speaking of the devil... | 0:42:54 | 0:42:55 | |
Tim and Margie are still in Edinburgh, and in Newington. | 0:42:55 | 0:42:59 | |
They're visiting Courtyard Antiques, a real treasure trove. | 0:42:59 | 0:43:02 | |
-Good, isn't it? -Wow! | 0:43:02 | 0:43:05 | |
-A typical antiques shop. -Look at the stuff in here. | 0:43:05 | 0:43:07 | |
-That is the size of a real one, isn't it? -Yeah. | 0:43:07 | 0:43:10 | |
Tim's got £199 left to spend. | 0:43:10 | 0:43:12 | |
-Trying to win. Trying to beat that David and Clive team. -Ha-ha. | 0:43:14 | 0:43:19 | |
Does Lewis have anything to add to their previous purchases? | 0:43:19 | 0:43:23 | |
What is that? | 0:43:25 | 0:43:26 | |
You could use that for tying flies. | 0:43:26 | 0:43:28 | |
You would hold them in these, um... | 0:43:28 | 0:43:30 | |
-..grips here and then wrap them through. -Tie your fly. | 0:43:32 | 0:43:35 | |
Oh, gosh! | 0:43:35 | 0:43:37 | |
So, what would that...cost? | 0:43:37 | 0:43:41 | |
Normally, I would ask £25 for that. | 0:43:41 | 0:43:43 | |
-But you could have it for ten. -That is a thought. | 0:43:43 | 0:43:46 | |
That could go with our wading stick. | 0:43:46 | 0:43:48 | |
It certainly is a possibility. But there is more to scout. | 0:43:48 | 0:43:51 | |
-I'd like to go upstairs, if possible. -Yeah. | 0:43:52 | 0:43:55 | |
OK. You seem at home around here. | 0:43:55 | 0:43:57 | |
Hey, steady. | 0:43:57 | 0:44:00 | |
-Tim. -Yeah. | 0:44:00 | 0:44:01 | |
Feast your eyes. | 0:44:01 | 0:44:03 | |
-Blimey! -It's a good in here, isn't it? | 0:44:05 | 0:44:07 | |
-Huge, innit? -Really good in here. | 0:44:07 | 0:44:10 | |
With such a variety, perhaps a guiding hand is needed here. | 0:44:10 | 0:44:13 | |
-I know what we can look at - fishing scales. -Fishing scales? | 0:44:14 | 0:44:18 | |
-For weighing your catch. -Oh, yeah. -They are nice. | 0:44:18 | 0:44:20 | |
Well, how much is a little trifle like that? | 0:44:20 | 0:44:24 | |
-Um... -Lewis? -15. -15 quid? | 0:44:24 | 0:44:27 | |
Here we go. | 0:44:27 | 0:44:29 | |
If you could do that and the magnifying glass for 15 quid... | 0:44:29 | 0:44:33 | |
-Have we got you with that? -I thought you were going to say 20. | 0:44:33 | 0:44:36 | |
-No, I wouldn't. -That would have actually made sense. -No. | 0:44:36 | 0:44:40 | |
-I'm keeping out of this. -17? | 0:44:41 | 0:44:43 | |
-I'm keeping shtum. This is your deal. -17, and you got a deal. | 0:44:43 | 0:44:46 | |
Look out, Lewis, he is moving in for a handshake. | 0:44:46 | 0:44:49 | |
OK. Good man. | 0:44:49 | 0:44:51 | |
-Thank you. -Thank you very much. | 0:44:51 | 0:44:52 | |
-He doesn't mess about, does he? -No, a man of few words. | 0:44:52 | 0:44:56 | |
-I think that's... -Thanks, Lewis. -We've got a lot to win now. | 0:44:56 | 0:44:59 | |
And then some. | 0:44:59 | 0:45:01 | |
Tim adds this to his lot of fishing rod and wading stick. | 0:45:01 | 0:45:04 | |
And with that, their shopping is complete. | 0:45:04 | 0:45:06 | |
Time to catch up with the other team and reveal all their wares. | 0:45:06 | 0:45:10 | |
DAVID: Well, how are you two feeling? | 0:45:10 | 0:45:12 | |
-Very good, very good. -Quite happy? -A little nervous. | 0:45:12 | 0:45:14 | |
What are you nervous about? | 0:45:14 | 0:45:16 | |
Haggler Healy is what I'm nervous about. | 0:45:16 | 0:45:18 | |
'No need to be nervous, Clive.' | 0:45:18 | 0:45:20 | |
-There's quite a lot to reveal. -Oh, my gosh! | 0:45:21 | 0:45:24 | |
-There we go. -Are those knife rests? | 0:45:24 | 0:45:25 | |
-Yes. -Well spotted. -Oh, dear, I could never sell those. | 0:45:25 | 0:45:28 | |
What do you mean you could never sell those? | 0:45:28 | 0:45:30 | |
I've always had trouble selling those. | 0:45:30 | 0:45:32 | |
Because you're rubbish at selling things? | 0:45:32 | 0:45:34 | |
Is this Tupperware? | 0:45:34 | 0:45:35 | |
-Yes. Then we've got a propeller. -And is this part of the hotel or...? | 0:45:35 | 0:45:39 | |
THEY LAUGH | 0:45:39 | 0:45:42 | |
And then we have a late-19th-century... | 0:45:43 | 0:45:46 | |
-Effectively, it is a duet stool. A piano stool. -Two bottoms? | 0:45:46 | 0:45:49 | |
Well, we don't all have huge bottoms. | 0:45:49 | 0:45:51 | |
THEY LAUGH | 0:45:51 | 0:45:53 | |
It is a very good maker, and it is in its original fabric. | 0:45:53 | 0:45:56 | |
-It's a good maker? -Yes. -Oh, right. | 0:45:56 | 0:45:58 | |
'But what about Tim and Margie's buys?' | 0:45:58 | 0:46:00 | |
One, two, three... | 0:46:00 | 0:46:02 | |
-My gosh, that's a heavy birdbath! -It is, isn't it? -Is it... | 0:46:04 | 0:46:07 | |
-is it stone or...? -Yeah, it is, and it is from an estate. | 0:46:07 | 0:46:11 | |
-You've left price tag on. -Uh, no. | 0:46:11 | 0:46:13 | |
No, no. That's a little... | 0:46:13 | 0:46:14 | |
-Bird dropping?! -Bird poop. | 0:46:14 | 0:46:16 | |
-LAUGHING: -It's off of him! | 0:46:16 | 0:46:17 | |
-Right, we did a little fishing... We did a parcel. -Yeah, OK. | 0:46:19 | 0:46:23 | |
-Right, and that is for tying your flies. -That is for tying your flies. | 0:46:23 | 0:46:26 | |
-Yeah... -If you're blind. | 0:46:26 | 0:46:27 | |
THEY LAUGH | 0:46:27 | 0:46:30 | |
-This is rather nice. -Yes, this is good. For a horse's foot. Hoof. | 0:46:30 | 0:46:34 | |
-1891, Edinburgh. -Is it plate? -No, it's not. | 0:46:34 | 0:46:37 | |
-Silver?! -Solid silver, Edinburgh silver. | 0:46:37 | 0:46:39 | |
-1891. -What did you pay for that? | 0:46:39 | 0:46:42 | |
-£40. -Well, that is going to double its money. | 0:46:42 | 0:46:45 | |
-We've got a lovely pair of plaid. -Are they plated? -No! | 0:46:45 | 0:46:48 | |
-They're silver?! -Solid silver. | 0:46:48 | 0:46:50 | |
-What's all this about? -Yeah, yeah. See, are you nervous now? | 0:46:50 | 0:46:53 | |
-I'm really nervous now! -I'm nervous! | 0:46:53 | 0:46:55 | |
That is a rather nice box which held some kind of printing | 0:46:55 | 0:46:58 | |
-equipment. -The Queen's chair. -The Queen's chair? | 0:46:58 | 0:47:01 | |
-No, this is the Coronation Chair. -Coronation Chair. | 0:47:01 | 0:47:03 | |
It's a six...a sixpenny bank. | 0:47:03 | 0:47:05 | |
'All very cordial so far.' | 0:47:05 | 0:47:07 | |
All right, good luck. | 0:47:07 | 0:47:08 | |
-We'll see you at the auction. -And you. -See you there. | 0:47:08 | 0:47:11 | |
'But what did they really think of each other's purchases?' | 0:47:11 | 0:47:14 | |
There are two very different sets of things to be sold. | 0:47:14 | 0:47:18 | |
I think it is even-stevens. I was impressed with their stuff. | 0:47:18 | 0:47:20 | |
I've got to say, I was as well. | 0:47:20 | 0:47:22 | |
-I reckon... -We've got... -..we could have the edge. -Oh, that's fantastic! | 0:47:22 | 0:47:27 | |
-Don't you think? -I think so. | 0:47:27 | 0:47:28 | |
-Would you swap any of ours for any of theirs? -No. -Brilliant. | 0:47:28 | 0:47:32 | |
-No. No, I'm not going there. -Brilliant. | 0:47:32 | 0:47:35 | |
-Me neither. So we are still confident. -I am. | 0:47:35 | 0:47:37 | |
-I feel quite confident. -Good. -And I really enjoyed it. -Good. So have I. | 0:47:37 | 0:47:40 | |
-And I'll see you at the auction. -I'll see you at the auction, | 0:47:40 | 0:47:43 | |
-darling. -Bye, sweetheart. -See you. | 0:47:43 | 0:47:45 | |
So, it is off to auction in Leith, | 0:47:47 | 0:47:49 | |
an area famously home to the five-star Royal Yacht Britannia. | 0:47:49 | 0:47:53 | |
And today, the boys are having a shot in the Jensen. | 0:47:53 | 0:47:56 | |
How are you feeling about this? | 0:47:59 | 0:48:01 | |
Really, I am really excited about it. Are you? | 0:48:01 | 0:48:03 | |
-I am quite nervous, to be honest. -Yeah. | 0:48:03 | 0:48:06 | |
I'm really pleased with what we bought, | 0:48:06 | 0:48:08 | |
but I've really no idea. | 0:48:08 | 0:48:09 | |
-I am a bit worried about me...the rock. -The rock? | 0:48:09 | 0:48:13 | |
-It's just a piece of rock. -HE LAUGHS | 0:48:13 | 0:48:16 | |
-With a bird stuck on the top. -With a bird stuck... | 0:48:16 | 0:48:18 | |
The bird's going to be... Somebody's going to buy it because | 0:48:18 | 0:48:21 | |
-of the bird. -What about your settee? | 0:48:21 | 0:48:23 | |
-Oh, I love that. -Do you? | 0:48:23 | 0:48:24 | |
I have no idea whether it will sell, but it's really intriguing | 0:48:24 | 0:48:27 | |
the idea that the things come down. | 0:48:27 | 0:48:29 | |
It is going to be quite interesting. | 0:48:29 | 0:48:31 | |
I think probably in the heat of it, all happening, it could get... | 0:48:31 | 0:48:35 | |
-it could get a little bit... What's the word? -Get nasty. -Nasty! | 0:48:35 | 0:48:38 | |
'I guess we'll soon find out.' | 0:48:38 | 0:48:40 | |
You're looking remarkably chipper and confident. | 0:48:40 | 0:48:43 | |
-No, I think we're going to have a good day. -I do as well, actually. | 0:48:43 | 0:48:46 | |
I think I might win. | 0:48:46 | 0:48:47 | |
'Perhaps not nasty - ha - but definitely smug.' | 0:48:47 | 0:48:50 | |
Oh, here we are. | 0:48:50 | 0:48:51 | |
-Good morning, all. -Hello, darling. | 0:48:51 | 0:48:52 | |
David, how are you? Good to see you. | 0:48:52 | 0:48:55 | |
THEY GREET | 0:48:55 | 0:48:57 | |
-Margie, David's got your slacks on. -SHE LAUGHS | 0:48:58 | 0:49:01 | |
-Very nice. -He loves his coloured slacks. -Very nice. | 0:49:03 | 0:49:05 | |
They are blue, aren't they? | 0:49:05 | 0:49:07 | |
'Today, at Ramsay Cornish Auctioneers and Valuers,' | 0:49:07 | 0:49:10 | |
our celebs' antiques are for sale online, on the phone and in the room. | 0:49:10 | 0:49:14 | |
Wielding the gavel, or rather Biro, today is Martin Cornish. | 0:49:14 | 0:49:18 | |
The one item I am not so keen on is the Brexton picnic case. | 0:49:18 | 0:49:22 | |
We don't get much good weather in Scotland, | 0:49:22 | 0:49:24 | |
so it is something that is not so popular. | 0:49:24 | 0:49:26 | |
I think the two items that are probably going to hit | 0:49:26 | 0:49:30 | |
high prices are the two plaid brooches. | 0:49:30 | 0:49:33 | |
They are in beautiful condition. | 0:49:33 | 0:49:34 | |
I think, in Scotland, | 0:49:34 | 0:49:35 | |
they are something that will sell really well. | 0:49:35 | 0:49:38 | |
Wheeler dealer Tim and Margie went on a haggling frenzy, | 0:49:38 | 0:49:42 | |
picking up five lots. | 0:49:42 | 0:49:43 | |
They spent a total of £218. | 0:49:43 | 0:49:47 | |
Clive and his new best bud | 0:49:48 | 0:49:51 | |
spent £240. | 0:49:51 | 0:49:53 | |
Clive was eager to learn and bought just five items, | 0:49:53 | 0:49:56 | |
all of which he loved. | 0:49:56 | 0:49:58 | |
'Speaking of which, first up, it's his propeller.' | 0:50:01 | 0:50:04 | |
It looks like a piece of artwork. | 0:50:04 | 0:50:06 | |
'It does,' | 0:50:06 | 0:50:07 | |
yeah. | 0:50:07 | 0:50:09 | |
It would look very nice in a garden! | 0:50:09 | 0:50:10 | |
HE LAUGHS | 0:50:10 | 0:50:13 | |
50 to start it, quickly. | 0:50:13 | 0:50:15 | |
50 I'm bid. | 0:50:15 | 0:50:16 | |
55. 60. Five. | 0:50:16 | 0:50:19 | |
70. Five. 80. Five. | 0:50:19 | 0:50:22 | |
90. Five. | 0:50:22 | 0:50:23 | |
-SHE GASPS -'100. Your bid in the back." | 0:50:23 | 0:50:25 | |
-Come on. Come on. -That is a bad start for us. | 0:50:25 | 0:50:27 | |
At 100. Last call at 100... | 0:50:28 | 0:50:31 | |
-Very good. -That's a blow. | 0:50:33 | 0:50:35 | |
-Thank you so much, Mother! -THEY LAUGH | 0:50:35 | 0:50:37 | |
That's a blow. | 0:50:37 | 0:50:39 | |
What an incredible start to today's auction. | 0:50:39 | 0:50:42 | |
Next up is Clive's nostalgic 1950s picnic set. | 0:50:44 | 0:50:48 | |
£20, I'm bid for the Brexton picnic case. | 0:50:48 | 0:50:51 | |
At £20. 22. 24. | 0:50:51 | 0:50:54 | |
-'24 in the back.' -Go on. | 0:50:54 | 0:50:56 | |
24. | 0:50:56 | 0:50:57 | |
26. At 26... | 0:50:57 | 0:51:00 | |
In front at 26... | 0:51:00 | 0:51:02 | |
-Oh! Done well. -It is a pound. | 0:51:02 | 0:51:05 | |
-Done very well. -Are you storming out? | 0:51:05 | 0:51:07 | |
Really good. | 0:51:07 | 0:51:08 | |
That is a loss after auction costs. | 0:51:09 | 0:51:12 | |
Let's hope Haggler Healy's as smug after his first lot - | 0:51:12 | 0:51:16 | |
the mahogany box and miniature Coronation throne. | 0:51:16 | 0:51:18 | |
30 for the two. 20 for them. | 0:51:18 | 0:51:21 | |
20 I'm bid. | 0:51:21 | 0:51:22 | |
'25. 30. | 0:51:22 | 0:51:24 | |
'Five. 40.' | 0:51:24 | 0:51:25 | |
Five. Go on. | 0:51:25 | 0:51:27 | |
45 in the very back. | 0:51:27 | 0:51:29 | |
-It's the box. -The box. | 0:51:29 | 0:51:31 | |
'I have 50.' | 0:51:31 | 0:51:32 | |
At £50. | 0:51:32 | 0:51:34 | |
Standing at 50 in the room. At 50... | 0:51:34 | 0:51:36 | |
No-one on the internet? At 50... | 0:51:36 | 0:51:39 | |
Well done. Well done. | 0:51:39 | 0:51:42 | |
Good start. | 0:51:42 | 0:51:44 | |
'A very good start. Well done. | 0:51:44 | 0:51:46 | |
'Can Tim's collection of fishing paraphernalia land another win?' | 0:51:46 | 0:51:50 | |
40 for it? | 0:51:52 | 0:51:53 | |
£40 I'm bid for this. | 0:51:53 | 0:51:55 | |
55. 60. | 0:51:55 | 0:51:57 | |
-It's going, it's going. -This is brilliant. | 0:51:57 | 0:51:59 | |
65. | 0:51:59 | 0:52:01 | |
70. Five. | 0:52:01 | 0:52:03 | |
80. £80 on the internet. | 0:52:03 | 0:52:06 | |
At £80... | 0:52:06 | 0:52:08 | |
A bit more. | 0:52:08 | 0:52:09 | |
-Come on! -'80. 85.' | 0:52:09 | 0:52:11 | |
-Oh! -Withdraw the bid! | 0:52:11 | 0:52:12 | |
At 85. | 0:52:12 | 0:52:15 | |
Against you at 85... No other offers, now at 85. | 0:52:15 | 0:52:19 | |
-Well done, Tim. Well done, Margie. -I thought it'd do better than that. | 0:52:19 | 0:52:22 | |
No, that's good. Good profit. That's a good margin. | 0:52:22 | 0:52:25 | |
'Absolutely brilliant, I'd say. Another great profit. | 0:52:25 | 0:52:28 | |
'I think this is going to be a close one. Time for Clive's music box.' | 0:52:28 | 0:52:32 | |
50 to start it. | 0:52:34 | 0:52:35 | |
50. 50 I'm bid. | 0:52:35 | 0:52:37 | |
-'£50 I'm bid for this lot.' -Come on. -'55.' | 0:52:37 | 0:52:39 | |
60. Five. 70. Five. 80. Five. | 0:52:39 | 0:52:43 | |
90. Five. 100. | 0:52:43 | 0:52:45 | |
And ten. 120. 130. 140. | 0:52:45 | 0:52:48 | |
150. 160. 170. 180. | 0:52:48 | 0:52:51 | |
'180.' | 0:52:51 | 0:52:52 | |
180! | 0:52:52 | 0:52:53 | |
It hasn't finished yet! | 0:52:53 | 0:52:56 | |
At 180, last call... | 0:52:56 | 0:52:59 | |
-Done. -Wow! -Very good. | 0:52:59 | 0:53:01 | |
-Well done. -That's a blow. -That is a blow, isn't it? -A blow. | 0:53:01 | 0:53:04 | |
Hey, Tim is not looking too happy, | 0:53:04 | 0:53:06 | |
but great news for Clive as he has more than tripled his money. | 0:53:06 | 0:53:10 | |
Now it is Clive's crystal knife rests. | 0:53:10 | 0:53:13 | |
Nice lot, this. | 0:53:13 | 0:53:14 | |
In immaculate condition. | 0:53:16 | 0:53:17 | |
-All signed. -'All signed, yeah.' | 0:53:17 | 0:53:19 | |
30 for them. To start them. 30. | 0:53:19 | 0:53:21 | |
It'll add a bit of glamour to your dining table. | 0:53:21 | 0:53:24 | |
30. 20 to start them. | 0:53:24 | 0:53:26 | |
20 I'm bid. 25. | 0:53:26 | 0:53:27 | |
35. 40. Five. | 0:53:27 | 0:53:30 | |
-'45 here.' -Oh, come on! | 0:53:30 | 0:53:32 | |
'At 45.' | 0:53:32 | 0:53:33 | |
For the knife rests, at 45. | 0:53:33 | 0:53:35 | |
Unusual lot, you sure you don't want to have another shot? | 0:53:35 | 0:53:38 | |
-Go on. -'At 45...' | 0:53:38 | 0:53:40 | |
Last call. At 45. 50. | 0:53:40 | 0:53:42 | |
Five. 60. Five. | 0:53:42 | 0:53:46 | |
At 65. | 0:53:46 | 0:53:47 | |
On the right, standing, at 65. | 0:53:47 | 0:53:50 | |
-One more would be nice! -'Nobody else. | 0:53:50 | 0:53:52 | |
-'At 65...' -Go on, you know you want them. | 0:53:52 | 0:53:55 | |
At 65... | 0:53:55 | 0:53:57 | |
That's profit on paper. | 0:53:57 | 0:53:59 | |
-You nearly made a loss there. -No, no. | 0:53:59 | 0:54:00 | |
-How much did you pay for them? -60. -60. | 0:54:00 | 0:54:04 | |
Competition is getting rather fierce. | 0:54:04 | 0:54:06 | |
So far, Tim has been rather quiet. | 0:54:06 | 0:54:08 | |
But will his bargain basement silver brooches brighten him up? | 0:54:08 | 0:54:12 | |
And I can start the bidding at £100. | 0:54:14 | 0:54:16 | |
-There you go. You're away. -'£100.' | 0:54:16 | 0:54:18 | |
110. 120. 130. 140. | 0:54:18 | 0:54:20 | |
-It's going. -'150.' -You're there. | 0:54:20 | 0:54:22 | |
At 150... At 150. | 0:54:22 | 0:54:25 | |
They look fantastic with a kilt! | 0:54:25 | 0:54:27 | |
'At 150...' | 0:54:27 | 0:54:28 | |
At 150, last call. | 0:54:28 | 0:54:31 | |
And I'm selling them. Duff 150. | 0:54:31 | 0:54:34 | |
Very, very, very good. Well done. | 0:54:34 | 0:54:37 | |
-You can relax now. Oh, you are relaxed. -I'm already relaxed! | 0:54:37 | 0:54:41 | |
Very close. | 0:54:41 | 0:54:42 | |
Just as Martin predicted, | 0:54:42 | 0:54:44 | |
another item that's more than doubled its money. | 0:54:44 | 0:54:48 | |
Tim's next item was a bit of a gamble. | 0:54:48 | 0:54:50 | |
It's his Victorian hoof inkwell with silver top. | 0:54:50 | 0:54:53 | |
What shall we start the bidding at? | 0:54:53 | 0:54:54 | |
£80 to get it going. 80 I'm bid. | 0:54:54 | 0:54:56 | |
-80 quid straight in. -Yeah, yeah. | 0:54:56 | 0:54:59 | |
'85 on the internet.' | 0:54:59 | 0:55:00 | |
90 with me. | 0:55:00 | 0:55:01 | |
90. 95. 100. And ten. | 0:55:03 | 0:55:06 | |
120. 130. | 0:55:06 | 0:55:08 | |
-'140. 150.' -Oh, somebody wants it. | 0:55:08 | 0:55:10 | |
-'150.' -They're paying a lot of money for it. -'At 150.' | 0:55:10 | 0:55:13 | |
For the horn. 160. | 0:55:13 | 0:55:14 | |
170. 180. | 0:55:14 | 0:55:16 | |
180... | 0:55:16 | 0:55:18 | |
Go on, say it. It's trotting off or something. Go on. | 0:55:18 | 0:55:21 | |
At 180, last call. | 0:55:21 | 0:55:23 | |
And worth it, well done. Tim. | 0:55:23 | 0:55:24 | |
-Well done. -Yes! -Well done. | 0:55:24 | 0:55:27 | |
-Tim has perked up with that. -Was that Tim's purchase? | 0:55:27 | 0:55:30 | |
-Was that Tim's purchase? -I'm terrible. -You are getting smug. | 0:55:30 | 0:55:33 | |
-Look at him now, he's come alive now. -You picked it. | 0:55:33 | 0:55:35 | |
That incredible profit sure has woken Tim up... | 0:55:35 | 0:55:38 | |
and pushed him into the lead. | 0:55:38 | 0:55:40 | |
Will his Victorian birdbath help maintain the winning streak? | 0:55:41 | 0:55:45 | |
50 to start it. 50 I'm bid. | 0:55:46 | 0:55:48 | |
-Yes! -Got right in. -'55.' | 0:55:48 | 0:55:51 | |
-Paid more than that for it. -'Five.' | 0:55:51 | 0:55:53 | |
70. Five. | 0:55:53 | 0:55:54 | |
80. Five. | 0:55:54 | 0:55:55 | |
90. Five. Nobody else? Going at 95... | 0:55:55 | 0:56:00 | |
95. 100. | 0:56:00 | 0:56:01 | |
-Oh! -'At 100.' | 0:56:01 | 0:56:03 | |
Last call, and I'm selling it at 100. | 0:56:03 | 0:56:06 | |
-Well done. Well done. -Yes! | 0:56:06 | 0:56:09 | |
Tim. | 0:56:09 | 0:56:11 | |
-How are you feeling, big fella? -I'm feeling like... That was wrong. | 0:56:11 | 0:56:14 | |
At every level, that was wrong. | 0:56:14 | 0:56:16 | |
It shouldn't have happened. | 0:56:16 | 0:56:17 | |
'Yep. The big fella's not happy at all.' | 0:56:17 | 0:56:20 | |
Tim has a good lead, | 0:56:20 | 0:56:22 | |
but the competition now rides on Clive's final item, | 0:56:22 | 0:56:26 | |
his double drop-end settee. | 0:56:26 | 0:56:29 | |
£50 I'm bid. 55. | 0:56:29 | 0:56:31 | |
60. Five. 70. | 0:56:31 | 0:56:33 | |
At £70. For the sofa. | 0:56:33 | 0:56:36 | |
-No! -'A little bit more, anyone? At £70.' | 0:56:36 | 0:56:38 | |
-No! -'At 70.' | 0:56:38 | 0:56:39 | |
-It can't be! -A bit more. | 0:56:39 | 0:56:41 | |
Last call at £70. Nobody else? At 70... | 0:56:41 | 0:56:45 | |
-Of all the things, of all the things. -That's a shame. | 0:56:45 | 0:56:47 | |
-Yes! -I'm so sorry. | 0:56:47 | 0:56:51 | |
-Are you? -I feel disappointed for you. | 0:56:51 | 0:56:53 | |
-Four-nil. -Four-nil? | 0:56:53 | 0:56:55 | |
No, one-nil. | 0:56:55 | 0:56:57 | |
Gosh, what a shame. Clive loved that sofa. | 0:56:57 | 0:57:00 | |
But who has come out on top? | 0:57:00 | 0:57:03 | |
-Cheers. -Very well done. -Well done, guys. | 0:57:03 | 0:57:04 | |
-I am so pleased for you(!) -Well done. | 0:57:04 | 0:57:07 | |
-It was really good. -It was dreadful. | 0:57:07 | 0:57:09 | |
It has been a competitive Road Trip with both teams starting with £400. | 0:57:09 | 0:57:14 | |
Clive and David made an impressive profit of £121.62, | 0:57:14 | 0:57:18 | |
leaving, after auction costs are deducted, | 0:57:18 | 0:57:21 | |
with £521.62. | 0:57:21 | 0:57:25 | |
Tim and Margie, however, emerged victorious, | 0:57:26 | 0:57:28 | |
with £245.30 profit - ha - | 0:57:28 | 0:57:33 | |
leaving them, after costs, | 0:57:33 | 0:57:34 | |
with a whopping £645.30. | 0:57:34 | 0:57:38 | |
-HE LAUGHS -Yes! | 0:57:38 | 0:57:40 | |
Well done, chaps. All profits go, of course, to Children in Need. | 0:57:40 | 0:57:43 | |
That's phenomenal. That really is phenomenal. | 0:57:43 | 0:57:46 | |
I've no idea, but you're brilliant. You are brilliant. | 0:57:46 | 0:57:48 | |
-THEY LAUGH -Can I get a kiss too if I bend down? | 0:57:48 | 0:57:51 | |
Well done. Congratulations. | 0:57:51 | 0:57:54 | |
-Thank you very much. -Amazing. | 0:57:54 | 0:57:56 | |
-I've loved every minute of it. -It's been a delight, Clive. | 0:57:56 | 0:57:58 | |
-Thank you so much. Thank you very much. -Brilliant. -Thank you, mate. | 0:57:58 | 0:58:01 | |
-Off you go. -Bye! -7-litre motor, here we go. | 0:58:01 | 0:58:04 | |
-Bye! -Goodbye! | 0:58:06 | 0:58:08 | |
Love you! | 0:58:08 | 0:58:10 | |
-Well, that was just fantastic. I really enjoyed it. -Wasn't it? | 0:58:10 | 0:58:13 | |
So did I, all week. It has been a laugh, a gas. | 0:58:13 | 0:58:16 | |
-It has been a laugh, it's been... It's been a surprise. -Yeah. | 0:58:16 | 0:58:19 | |
-Something different. More lines to learn. -And meeting you. | 0:58:19 | 0:58:23 | |
-And meeting you again after all this time. -After 60 years! | 0:58:23 | 0:58:26 | |
Brilliant. Well done, you. | 0:58:26 | 0:58:29 | |
Well done, both. Or should I say... Auf Wiedersehen, pets! | 0:58:29 | 0:58:34 |