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-The nation's favourite celebrities... -Got some proper bling here. | 0:00:02 | 0:00:04 | |
-..paired up with an expert... -Wait! Wait! | 0:00:04 | 0:00:07 | |
..and a classic car... | 0:00:07 | 0:00:09 | |
Pick your legs up now, girls! | 0:00:09 | 0:00:11 | |
Their mission - to scour Britain for antiques. | 0:00:11 | 0:00:14 | |
All breakages must be paid for. | 0:00:14 | 0:00:16 | |
This is a good find, is it not? | 0:00:16 | 0:00:18 | |
The aim - to make the biggest profit at auction. | 0:00:18 | 0:00:21 | |
But it's no easy ride. | 0:00:21 | 0:00:23 | |
Who will find a hidden gem? | 0:00:23 | 0:00:25 | |
Who will take the biggest risks? | 0:00:25 | 0:00:27 | |
Put my antiques head on. | 0:00:27 | 0:00:29 | |
Will anybody follow expert advice? Ha! | 0:00:29 | 0:00:32 | |
That thing is horrible! | 0:00:32 | 0:00:34 | |
There will be worthy winners... | 0:00:34 | 0:00:35 | |
This is better than Christmas! | 0:00:35 | 0:00:37 | |
..and valiant losers. | 0:00:37 | 0:00:40 | |
-Time to put your pedal to the metal... BOTH: -Woo! | 0:00:40 | 0:00:42 | |
..this is Celebrity Antiques Road Trip. | 0:00:42 | 0:00:45 | |
Yeah! | 0:00:47 | 0:00:48 | |
Today's celebrities are two sparkling doyens of British drama - | 0:00:52 | 0:00:56 | |
Sunetra Sarker and Jo Joyner. | 0:00:56 | 0:01:00 | |
Hiya! Look at us in a classic car! | 0:01:00 | 0:01:03 | |
-All right, Thelma... I feel like Thelma and Louise. -Yeah. | 0:01:03 | 0:01:05 | |
-This is the film we always wanted to make, isn't it? -It is. | 0:01:05 | 0:01:08 | |
I mean, who'd have thought Beth and Anji would ever get behind a car. | 0:01:08 | 0:01:11 | |
Let's not drive off a cliff yet. | 0:01:11 | 0:01:12 | |
Please don't. | 0:01:12 | 0:01:13 | |
MUSIC: The Heat Is On by Glenn Frey | 0:01:13 | 0:01:16 | |
Our glamorous girls will cruise about hill and dale in a lovely 1969 MGB. | 0:01:16 | 0:01:21 | |
How would you keep your foot on the brake and the revs at the same time? | 0:01:22 | 0:01:25 | |
-Which one do you choose? -You'll be fine. | 0:01:25 | 0:01:27 | |
Let's hope so. | 0:01:27 | 0:01:28 | |
Sunetra has starred in a number of well-known British dramas. | 0:01:30 | 0:01:34 | |
But she's most recognised as consultant Zoe Hanna in Casualty. | 0:01:34 | 0:01:39 | |
Hi, Zoe. This is Lea. | 0:01:40 | 0:01:41 | |
The boy's mum. Assault. She says... | 0:01:41 | 0:01:44 | |
-Spare pair of hands here? -It's OK, Lenny, I've got this. | 0:01:44 | 0:01:47 | |
And... She swapped her stethoscope for sequins to compete | 0:01:48 | 0:01:52 | |
in 2014's Strictly Come Dancing, which is when I met her. | 0:01:52 | 0:01:57 | |
Are you hungry at all? | 0:01:57 | 0:01:58 | |
-Cos I did get some sausages from breakfast if you get... -Did you? | 0:01:58 | 0:02:01 | |
Yes, I've got a little picnic. | 0:02:01 | 0:02:02 | |
Always thinking. Always thinking, this girl. | 0:02:02 | 0:02:05 | |
-A picnic from breakfast. So if you get hungry... -Aw! | 0:02:05 | 0:02:07 | |
Are they antique sausages? | 0:02:07 | 0:02:09 | |
Well, they will be by the time we have them, yeah. | 0:02:09 | 0:02:12 | |
After appearing in classics like Dr Who, Jo's big break came in 2006. | 0:02:12 | 0:02:18 | |
MUSIC: EastEnders Theme | 0:02:18 | 0:02:20 | |
And this gritty performance in beloved soap EastEnders | 0:02:20 | 0:02:24 | |
ensured critical acclaim. | 0:02:24 | 0:02:26 | |
How has this happened, huh? How am I... | 0:02:26 | 0:02:29 | |
How am I standing here like this? | 0:02:29 | 0:02:33 | |
Like an idiot, in this dress, in Christmas! | 0:02:33 | 0:02:35 | |
Sunetra and Jo first met as fledgling actresses in 2004 | 0:02:38 | 0:02:43 | |
auditioning for British sitcom No Angels. | 0:02:43 | 0:02:46 | |
And I remember you coming in. You wore... | 0:02:46 | 0:02:49 | |
a short skirt, a mini skirt. | 0:02:49 | 0:02:51 | |
-That was my Paul's Boutique green army skirt. -Yes. | 0:02:51 | 0:02:54 | |
-You wore an army skirt. -Cos I was going for Beth. Yeah. | 0:02:54 | 0:02:57 | |
I think you went against the grain and got it cos of that. | 0:02:57 | 0:02:59 | |
-That skirt got you the job. -Oh, what was good... | 0:02:59 | 0:03:01 | |
Armed with a purse filled with £400 each, | 0:03:05 | 0:03:08 | |
how will these chums deal with the competition? | 0:03:08 | 0:03:11 | |
I'm not happy to lose to you at all. | 0:03:11 | 0:03:13 | |
I see, our friendship is really in the balance. | 0:03:13 | 0:03:15 | |
No, but I do hope as well that whoever my antiques specialist is, | 0:03:15 | 0:03:18 | |
-is that they are...competitive. -Yeah? -You know, | 0:03:18 | 0:03:21 | |
I'm not about these sports days where everybody gets a medal. | 0:03:21 | 0:03:24 | |
There go the sausages! | 0:03:26 | 0:03:27 | |
Here to keep the peace are auctioneers James Braxton | 0:03:29 | 0:03:32 | |
and Phil Serrell. | 0:03:32 | 0:03:33 | |
MUSIC: Welcome To The Jungle by Guns N' Roses | 0:03:33 | 0:03:37 | |
They have a rather stately 1969 Jaguar XJ6 to motor about in. | 0:03:37 | 0:03:43 | |
Are you a fan of the girls? | 0:03:43 | 0:03:45 | |
I did watch Sunitra. In fact, I voted for Sunitra. | 0:03:45 | 0:03:49 | |
It's Sunetra. | 0:03:49 | 0:03:51 | |
I thought she was very good. She was really gutsy, you could see. | 0:03:51 | 0:03:55 | |
-She's a little lion. -You mean you didn't vote for Wayne Wonnacott? | 0:03:55 | 0:03:59 | |
-What, Tim? -Yeah. -Old two-left-feet Tim? -Don't you even! | 0:03:59 | 0:04:02 | |
Yeah, thank you, Philip. | 0:04:03 | 0:04:06 | |
Listen, you know you're going | 0:04:06 | 0:04:07 | |
to have to drive this car at some point. | 0:04:07 | 0:04:09 | |
-Yeah, I'm not looking forward to it. -I warned you. | 0:04:09 | 0:04:12 | |
Because my legs aren't really long enough. | 0:04:12 | 0:04:14 | |
-Seriously, we are both shorties. -Yeah. | 0:04:14 | 0:04:16 | |
The fellows are ready and waiting for the girls to arrive. Nice lavender. | 0:04:16 | 0:04:21 | |
See? You're dressed for the hot weather. Corduroy trousers, | 0:04:21 | 0:04:24 | |
not the obvious choice for summer. | 0:04:24 | 0:04:26 | |
-Well, you know, they are the only trousers I've got. -Are they? | 0:04:26 | 0:04:29 | |
-There are, really. -We can't all be as sartorial as you, James. Ha! | 0:04:29 | 0:04:33 | |
-Here are the girls. -Oh, hey now. | 0:04:34 | 0:04:36 | |
-Stop before the Jag. -I'm braking. -Hey! | 0:04:36 | 0:04:40 | |
-Very good. How are you, my love, all right? -Hello! | 0:04:40 | 0:04:43 | |
Whoa! | 0:04:43 | 0:04:45 | |
Jeepers, that was a close one! | 0:04:45 | 0:04:47 | |
A fatal accident. | 0:04:47 | 0:04:48 | |
I paid her to do that. | 0:04:48 | 0:04:50 | |
-Very smoothly driven. Lovely to see you. -Hello. | 0:04:52 | 0:04:56 | |
-You are going to be... -I'm going to be your expert. | 0:04:56 | 0:04:59 | |
Have you chosen already? | 0:04:59 | 0:05:01 | |
-Very definitely. I voted for this lady. -Did you? | 0:05:01 | 0:05:05 | |
On Strictly Come Dancing. We are taking the smart car. In we hop. | 0:05:05 | 0:05:09 | |
-Hang on a second, James. -Are you driving? -I'm driving. -Really? | 0:05:10 | 0:05:13 | |
Are you sure? Especially after... Blimey, OK. | 0:05:13 | 0:05:17 | |
Good luck, James. | 0:05:17 | 0:05:18 | |
Our tour begins in the city of Exeter, | 0:05:21 | 0:05:23 | |
moving northwards through the West Country, | 0:05:23 | 0:05:26 | |
taking in glorious Gloucestershire, | 0:05:26 | 0:05:29 | |
and finally landing in the town of Devizes, | 0:05:29 | 0:05:31 | |
in Wiltshire, for the decisive auction. | 0:05:31 | 0:05:34 | |
I don't really know the dimensions of this car yet, but thankfully... | 0:05:34 | 0:05:37 | |
-It's large. -It is big, isn't it? -It is very wide. | 0:05:37 | 0:05:41 | |
It is rather like taking a large yacht down the lane, | 0:05:41 | 0:05:44 | |
isn't it? | 0:05:44 | 0:05:46 | |
James and Sunetra are first to roll up their sleeves. | 0:05:46 | 0:05:51 | |
-So... -Here we are. | 0:05:51 | 0:05:52 | |
Here we are. | 0:05:52 | 0:05:54 | |
You know, this is the first time I've ever been in antiques shop. | 0:05:54 | 0:05:58 | |
-Really? -Yeah. | 0:05:58 | 0:05:59 | |
Vintage Trading Company is an emporium crammed | 0:05:59 | 0:06:03 | |
full of lots of delights. | 0:06:03 | 0:06:05 | |
This is a real Aladdin's cave, isn't it? | 0:06:05 | 0:06:07 | |
Shelley is in charge today. | 0:06:07 | 0:06:09 | |
So is this all yours, Shelley? | 0:06:09 | 0:06:11 | |
Well, no, it's not ours. It actually belongs to individual traders. | 0:06:11 | 0:06:14 | |
There's about 40 traders that rent out spaces from us down here. | 0:06:14 | 0:06:18 | |
So there is a real mixture of stock. | 0:06:18 | 0:06:20 | |
-Let's look around. -All right. See you in a bit. | 0:06:20 | 0:06:22 | |
-We'll give you a shout if we need you. -Thank you. | 0:06:22 | 0:06:25 | |
James has over 30 years' experience in this game, | 0:06:27 | 0:06:29 | |
but will Sunetra prove a keen pupil? | 0:06:29 | 0:06:32 | |
-So eyes peeled. -Yep. | 0:06:32 | 0:06:35 | |
Very often you have to walk round a place twice before you start | 0:06:35 | 0:06:39 | |
-seeing stuff. -Uh-huh. -But we may be lucky. | 0:06:39 | 0:06:43 | |
-I'm checking your antique antenna. -My radar. | 0:06:43 | 0:06:46 | |
See now, I like this. I know Jo would love something like this. | 0:06:48 | 0:06:51 | |
Jo's really into, like... | 0:06:51 | 0:06:53 | |
-Does she love all of her...? -Whoa! -Steady! | 0:06:53 | 0:06:56 | |
She loves trunks and stuff like this. | 0:06:56 | 0:06:58 | |
Oh. Nice box. | 0:06:58 | 0:07:00 | |
-Oh, it is sandalwood! -It is sandalwood. -It is. | 0:07:02 | 0:07:04 | |
When I looked at it, I thought, "Cor, yeah, that's better." | 0:07:04 | 0:07:07 | |
It's funny, I was going to say sandalwood because... | 0:07:07 | 0:07:09 | |
-So that definitely... So when I said... -That's Indian. | 0:07:09 | 0:07:13 | |
-It's Indian, isn't it? -It's Indian, sandalwood. -Totally Indian. | 0:07:13 | 0:07:16 | |
She's getting into the swing of this. | 0:07:16 | 0:07:19 | |
Now, what is that you have uncovered? | 0:07:19 | 0:07:22 | |
I really like this. I know it's just a tray. | 0:07:22 | 0:07:24 | |
I think it is terribly... Well, it looks... | 0:07:24 | 0:07:26 | |
Again, it looks Indian, doesn't it? Although... | 0:07:26 | 0:07:29 | |
Am I just going for Indian things? | 0:07:29 | 0:07:31 | |
There is something about my heritage... | 0:07:31 | 0:07:33 | |
-It's just that beautiful scrolling flowers, isn't it? -Yeah. | 0:07:33 | 0:07:36 | |
I mean, it really is really well decorated. | 0:07:36 | 0:07:38 | |
-The Indians like decorations, don't they? -They do. | 0:07:38 | 0:07:40 | |
So what can you tell about that? Do you know if it's worth anything? | 0:07:40 | 0:07:44 | |
You know, the funny thing is, this is made on the street, | 0:07:44 | 0:07:46 | |
so it has the look of being handmade, doesn't it? | 0:07:46 | 0:07:50 | |
So they pierce this all out and then it would be plated. | 0:07:50 | 0:07:53 | |
How can you tell if that is real silver or not? | 0:07:53 | 0:07:55 | |
-Are you smelling it? -Yeah. -Are you smelling it? | 0:07:57 | 0:08:00 | |
A man of my, you know... I am using all my senses. | 0:08:00 | 0:08:03 | |
-What are you smelling for? -I'm trying to smell silver. | 0:08:03 | 0:08:05 | |
-I don't think I've quite achieved the art of... -Can I smell? | 0:08:05 | 0:08:08 | |
Oh, yeah. Oh, I mean... That's guaranteed. | 0:08:08 | 0:08:12 | |
I usually look for a hallmark. | 0:08:12 | 0:08:14 | |
You won't find one, though, because this tray is silver-plated. | 0:08:14 | 0:08:17 | |
How much is it? | 0:08:17 | 0:08:19 | |
£10. £10. So if this was silver... | 0:08:19 | 0:08:22 | |
-Yeah. -..we'd be on a real bargain. | 0:08:22 | 0:08:25 | |
This is what would get Jo and Phil really cross | 0:08:25 | 0:08:27 | |
if we found a silver tray that we got for £10. | 0:08:27 | 0:08:31 | |
And you know for sure this is not a reproduction? | 0:08:31 | 0:08:34 | |
Even if they made it last week, it has weight, it has design. | 0:08:34 | 0:08:39 | |
-I like that. -It's nice. | 0:08:39 | 0:08:40 | |
I think I'd like to... Can we make that our first item? | 0:08:40 | 0:08:42 | |
-Yeah, come on, let's hang onto it. -OK. -Let's keep going. -Let's do it. | 0:08:42 | 0:08:46 | |
These two are off to a strong start. | 0:08:46 | 0:08:48 | |
-And look, there is a straw hat asking me to try it on. -Very nice. | 0:08:53 | 0:08:56 | |
-That suits you. -Does it? -Yeah, it really does. -I don't do hats either. | 0:08:56 | 0:09:00 | |
-Don't you? -I wish I could. But I've never done hats before. | 0:09:00 | 0:09:02 | |
The winner... The winner gets the hat! | 0:09:02 | 0:09:05 | |
Whoever wins gets the hat, that's what I'll say. | 0:09:05 | 0:09:08 | |
Loving the feather. | 0:09:08 | 0:09:09 | |
We'll catch up with Sunetra and James later. | 0:09:09 | 0:09:12 | |
Gutsy competitors Jo and Phil are also in Exeter, | 0:09:13 | 0:09:18 | |
raring to get stuck in. | 0:09:18 | 0:09:19 | |
So what do you think we should buy, then? | 0:09:21 | 0:09:23 | |
Well, basically, I'm just looking for simply the winning thing. | 0:09:23 | 0:09:28 | |
-No pressure on me here, is there(?) -No pressure, though. -Yeah, yeah. | 0:09:28 | 0:09:31 | |
Antique Centre on the Quay is their first foray | 0:09:31 | 0:09:34 | |
into antiques hunting together. | 0:09:34 | 0:09:36 | |
Let's go. I like this kind of parking, pulling up outside | 0:09:36 | 0:09:39 | |
-like this. -On the money. | 0:09:39 | 0:09:41 | |
Oh, yes, Phil's quite the gent. | 0:09:41 | 0:09:43 | |
Will it be all smiles once they get to the hard bit of the shopping? | 0:09:45 | 0:09:49 | |
-So what do you like? -If I were here on my own now... | 0:09:49 | 0:09:52 | |
-What would you buy? -..I'd probably end up buying china, | 0:09:52 | 0:09:54 | |
a pretty china set or something quirky. | 0:09:54 | 0:09:58 | |
-Yeah. -Costume jewellery-ish. Or diamonds. | 0:09:58 | 0:10:00 | |
-Proper. -Diamonds. -Yeah, I know, depending on the budget. | 0:10:00 | 0:10:03 | |
This girl's got expensive taste. Right, come on then. | 0:10:03 | 0:10:06 | |
Yeah. That could be a problem. | 0:10:06 | 0:10:09 | |
-Phil. -What have you found? | 0:10:09 | 0:10:11 | |
-I found this, which I just think is so cute and unusual. -What's that? | 0:10:11 | 0:10:14 | |
I am all about this. | 0:10:14 | 0:10:15 | |
So this is a 1950s pair of glasses. | 0:10:15 | 0:10:18 | |
-They are Dame Edna, aren't they? -They've got changeable tops, | 0:10:18 | 0:10:21 | |
so depending on your outfit, you can change them! | 0:10:21 | 0:10:25 | |
Look at that. If you are wearing gold, you put the gold on. | 0:10:25 | 0:10:28 | |
If you are wearing red, you put the red on. | 0:10:28 | 0:10:31 | |
I don't know, will they make us any money? | 0:10:31 | 0:10:33 | |
We should be allowed one quirky gift. | 0:10:33 | 0:10:35 | |
-These are going to make... -We are not paying 58 for them. | 0:10:35 | 0:10:38 | |
Spoken like a true pro, Jo. | 0:10:38 | 0:10:40 | |
Have you done this before, girl? | 0:10:40 | 0:10:42 | |
-We want to get them for... -20 quid. | 0:10:42 | 0:10:45 | |
Pop them on. | 0:10:45 | 0:10:47 | |
Ahem, is this a good idea? | 0:10:47 | 0:10:49 | |
They're for girls, you know, Phil. | 0:10:49 | 0:10:51 | |
What do you reckon? | 0:10:51 | 0:10:53 | |
Hellfire. | 0:10:53 | 0:10:54 | |
-Are they actually...? -They are. | 0:10:55 | 0:10:58 | |
-I love them. You look fabulous. -Really? | 0:10:58 | 0:11:00 | |
I'm not so sure. | 0:11:00 | 0:11:03 | |
-I like these. -You like these. | 0:11:03 | 0:11:05 | |
-I tell you what, they look better on you than me. -Do you like? -Yeah. | 0:11:05 | 0:11:08 | |
That is an understatement. | 0:11:08 | 0:11:10 | |
Kaye is one of the dealers here, and he's holding the fort today. | 0:11:11 | 0:11:15 | |
He is calling the owner of the specs to get the best price. | 0:11:15 | 0:11:19 | |
Absolute best, yeah. | 0:11:19 | 0:11:23 | |
Can you get any closer, you two? | 0:11:23 | 0:11:25 | |
Yeah. Have a talk to the lady yourself, though. | 0:11:25 | 0:11:29 | |
Hi, Patsy, it's Jo. Were you busy? Were you in the middle of something? | 0:11:29 | 0:11:32 | |
She's good, isn't she? I could learn a lot from this. | 0:11:32 | 0:11:35 | |
You're probably right. Now, shh. | 0:11:35 | 0:11:38 | |
What is your best, best price? 35 would give us a chance. | 0:11:38 | 0:11:42 | |
Thank you, we appreciate that. Thanks. Yes. Bye. | 0:11:42 | 0:11:46 | |
Can I just say to you that I'm going to take you shopping with me | 0:11:47 | 0:11:51 | |
wherever I go. | 0:11:51 | 0:11:52 | |
I think has Jo has better things to do with her time, Phil. | 0:11:52 | 0:11:56 | |
The dealer has agreed £35 for the 1950s vintage specs. | 0:11:56 | 0:12:00 | |
We will catch up with you two shortly. | 0:12:00 | 0:12:02 | |
And what on their rivals? | 0:12:09 | 0:12:10 | |
I'd like a stand like this. It is a bit jumbly, isn't it? | 0:12:13 | 0:12:17 | |
-Yeah, it is very jumbly. -Half the items don't have price tags on it. | 0:12:17 | 0:12:20 | |
It's a good sign. | 0:12:20 | 0:12:22 | |
Anything catch your eye, Sunetra? | 0:12:22 | 0:12:24 | |
James, I really like those. | 0:12:24 | 0:12:26 | |
-You know what, I've got a friend... -Yeah. | 0:12:26 | 0:12:28 | |
..who is really, really good at finding antiques. | 0:12:28 | 0:12:32 | |
-And she said, "Why don't you look for enamel-plated signs?" -Did she? | 0:12:32 | 0:12:37 | |
She did. | 0:12:37 | 0:12:39 | |
-She did. -Wise friend you have. | 0:12:39 | 0:12:41 | |
Enamel signs like this one are hugely sought-after, | 0:12:41 | 0:12:45 | |
so they could be onto a winner here. | 0:12:45 | 0:12:47 | |
I like that. What does it say? | 0:12:50 | 0:12:52 | |
"White May and Royal Standard BP lamp oils." | 0:12:52 | 0:12:55 | |
Yeah, and it says "next to sunshine." | 0:12:55 | 0:12:57 | |
-I like that. -Oh, I didn't notice that. That's good. | 0:12:57 | 0:12:59 | |
-There's a little sort of addition. -That's a nice item. | 0:12:59 | 0:13:02 | |
-How much do you think you'd expect to pay for it? -To pay for it? | 0:13:02 | 0:13:06 | |
£85, £90? | 0:13:07 | 0:13:10 | |
It's quite nice. I think it is worth having a look at. | 0:13:10 | 0:13:13 | |
Best get it down then. Helpful old chap, this. | 0:13:13 | 0:13:17 | |
Now, for a closer look. | 0:13:17 | 0:13:19 | |
Thank you. Thank you. Look, as I thought, both sides. | 0:13:19 | 0:13:23 | |
That's a good thing, isn't it? | 0:13:23 | 0:13:24 | |
-Having it on both sides. -And then feel the weight of it. | 0:13:24 | 0:13:26 | |
Oh, wow! | 0:13:26 | 0:13:28 | |
Never mind the quality, feel the weight. A sign of quality. | 0:13:28 | 0:13:32 | |
It is heavy. Is it going to be a problem that it is rusted there? | 0:13:32 | 0:13:35 | |
-Some little street urchin has thrown a stone at it. -I love the story. | 0:13:35 | 0:13:40 | |
So it would have been on the side of the shop there, so announcing. | 0:13:40 | 0:13:44 | |
-Higher, obviously. -Yeah, yeah. | 0:13:44 | 0:13:47 | |
So people would see, "Lamp oils, we can get our lamp oils." | 0:13:47 | 0:13:50 | |
In the days where people used lamp oils. So this is old enough... | 0:13:50 | 0:13:53 | |
So how far can we date this? | 0:13:53 | 0:13:55 | |
I think it is pre-Second World War. I think it is 1920s or '30s. | 0:13:55 | 0:13:59 | |
With no ticket price on the sign, Shelley phones the owner to see | 0:14:01 | 0:14:05 | |
if there's a deal to be done. | 0:14:05 | 0:14:07 | |
Shelley is back, Shelley is back. Any news? | 0:14:07 | 0:14:10 | |
-OK, some good news. -Good news. | 0:14:10 | 0:14:11 | |
-I've spoken to the owner and, reluctantly, he said 120. -Really? | 0:14:11 | 0:14:16 | |
-Yes. -How interesting. -You were thinking of paying slightly under. | 0:14:16 | 0:14:19 | |
Well, I said I wouldn't pay more than 100. | 0:14:19 | 0:14:21 | |
If we can get it for 100, we will definitely take it. | 0:14:21 | 0:14:24 | |
I am making an executive decision. | 0:14:24 | 0:14:25 | |
I think we could squeeze to 100, just on this occasion. | 0:14:25 | 0:14:29 | |
-Oh, you lovely lady. -Hang on one second! | 0:14:29 | 0:14:31 | |
-If she can squeeze to 100, we can squeeze to 99. -Oh! | 0:14:31 | 0:14:35 | |
£1, what is £1? | 0:14:35 | 0:14:37 | |
-Let's call it 99. -OK. -99! | 0:14:37 | 0:14:40 | |
See? Look at her. Well done, you. Well done. | 0:14:40 | 0:14:42 | |
A stretching of the arm. | 0:14:42 | 0:14:44 | |
Steady there, James. | 0:14:44 | 0:14:46 | |
Sunetra is blossoming as a star pupil, isn't she? | 0:14:46 | 0:14:49 | |
We were going to talk about that tray as well. | 0:14:49 | 0:14:51 | |
-Oh, yes, we were. The tray. -Here we are. -Oh, yeah. -Tray. | 0:14:51 | 0:14:54 | |
The original price on the silver-plated tray is £10. | 0:14:54 | 0:14:59 | |
-What could this be? -Oh. -Could you do a deal on it? | 0:14:59 | 0:15:01 | |
I probably could do a deal... £5? ..on that one. | 0:15:01 | 0:15:04 | |
Um... | 0:15:04 | 0:15:06 | |
-OK, yes. -Well done, you! -Five. We have had a really lovely time here. | 0:15:06 | 0:15:11 | |
Yeah, that's been brilliant. | 0:15:11 | 0:15:12 | |
And I personally am buying the winner's hat. | 0:15:12 | 0:15:15 | |
This is the hat that either Jo or I will win, | 0:15:15 | 0:15:17 | |
-whoever ends up winning the bargain of the day. -Go on. | 0:15:17 | 0:15:21 | |
Let's concentrate on the money. | 0:15:21 | 0:15:23 | |
Great bit of tag-team negotiation there. | 0:15:23 | 0:15:26 | |
The 1920s BP enamel sign for £99 | 0:15:26 | 0:15:29 | |
and the Indians silver-plated | 0:15:29 | 0:15:30 | |
tray for £5, how's that? | 0:15:30 | 0:15:32 | |
Keep going. | 0:15:32 | 0:15:34 | |
Jo and Phil are still shopping on the quay. | 0:15:37 | 0:15:40 | |
-Look at this. -What have you found? -Now, this is so stereotypical | 0:15:43 | 0:15:46 | |
cos all I've done so far is find | 0:15:46 | 0:15:47 | |
glasses and jewellery, and now I have found a handbag. | 0:15:47 | 0:15:50 | |
-It says "and contents", what is in there? Have you looked? -No! | 0:15:50 | 0:15:53 | |
Oh, God, even more intriguing. Open it. Open it. It might be diamonds! | 0:15:53 | 0:15:57 | |
-Do you want me to open it? -I want you to. I can do that. -Really? -Yeah. | 0:15:57 | 0:16:00 | |
Oh, God, I'm going to be so let down if there is nothing in there. | 0:16:00 | 0:16:02 | |
-Oh, look. -What on earth is that? | 0:16:06 | 0:16:07 | |
Is that a comb? Is it going to be a comb? | 0:16:07 | 0:16:09 | |
-It's a comb! -How cool is that? | 0:16:09 | 0:16:11 | |
To do your little kiss curl. | 0:16:11 | 0:16:13 | |
I love this. And look, it doesn't stop there. | 0:16:13 | 0:16:16 | |
This is a good find, is it not? | 0:16:17 | 0:16:20 | |
Jo has fallen for it. | 0:16:20 | 0:16:22 | |
This chic evening bag was made in Paris around the 1950s. | 0:16:22 | 0:16:28 | |
-You love it too now. -I've got to say... | 0:16:28 | 0:16:30 | |
I have got to stop looking so pleased. | 0:16:30 | 0:16:31 | |
-I mean, it's all right. -It's OK. -Might get a fiver. | 0:16:31 | 0:16:34 | |
Great performance, Jo. | 0:16:34 | 0:16:36 | |
What have we got look for on here, do you think? | 0:16:36 | 0:16:38 | |
I don't know. Labels, something decent. Hand stitching. | 0:16:38 | 0:16:42 | |
-You're good, you, aren't you? -Made in France. Handmade. | 0:16:42 | 0:16:45 | |
-Now, I've got to say to you... -That's priceless, isn't it? | 0:16:45 | 0:16:48 | |
-If we don't know who made it. -There is a very thin dividing line | 0:16:48 | 0:16:51 | |
between priceless and worthless in this business. | 0:16:51 | 0:16:53 | |
-I'm just falling in love with it. -I loath to say this on national TV, | 0:16:53 | 0:16:56 | |
-but I quite like this handbag. -You do? -Shh. | 0:16:56 | 0:16:58 | |
I'm not going to say it suits you either. | 0:16:58 | 0:17:00 | |
I'd never say that on telly. | 0:17:00 | 0:17:01 | |
-If we can get that for 15, we'd be laughing. -Ten would be better. | 0:17:01 | 0:17:04 | |
Surely you'd get more than ten or 15, wouldn't you? | 0:17:04 | 0:17:07 | |
I've never been to an auction, I don't know. | 0:17:07 | 0:17:09 | |
-What I'm going to try to do is buy the two 45 quid. -Together? | 0:17:09 | 0:17:11 | |
Do you mind awfully holding this? I feel a bit self-conscious | 0:17:11 | 0:17:14 | |
-wandering around with it. -I'm not sure why, Phil. | 0:17:14 | 0:17:17 | |
Jo's love of vintage could stand in good stead as it is very popular. | 0:17:17 | 0:17:23 | |
Jo has already agreed £35 on the specs with owner Patsy. | 0:17:23 | 0:17:28 | |
But is there a deal to be gone on the specs and the little French handbag? | 0:17:28 | 0:17:32 | |
Let's see. | 0:17:32 | 0:17:34 | |
-Kaye, my favourite person. -KAYE LAUGHS | 0:17:34 | 0:17:37 | |
She is good, isn't she? She is really good. | 0:17:37 | 0:17:39 | |
Yeah, she is. | 0:17:39 | 0:17:40 | |
I have never seen Phil smile so much. | 0:17:40 | 0:17:43 | |
We found another little item. | 0:17:43 | 0:17:44 | |
We were wondering, can you do deals on the two or is this | 0:17:44 | 0:17:47 | |
another buyer that we need to speak to? | 0:17:47 | 0:17:49 | |
-Uh. -Is it you? | 0:17:49 | 0:17:51 | |
-No. -Oh. -No, I don't do handbags. -You don't do handbags? | 0:17:51 | 0:17:55 | |
-Well, not on television, you don't. -THEY LAUGH | 0:17:55 | 0:17:59 | |
Kaye is trying to get the owner of the bag. | 0:17:59 | 0:18:01 | |
But with no luck. | 0:18:01 | 0:18:03 | |
If we can't manage to meet lovely Debbie on the phone or anything, | 0:18:03 | 0:18:07 | |
Kaye, are you going to take a risk and be with the winning team? | 0:18:07 | 0:18:10 | |
-I will. -15? | 0:18:10 | 0:18:12 | |
-Good man. -£15. -Yes! | 0:18:12 | 0:18:14 | |
-Two, four, six, there we are. -Two for 50. | 0:18:14 | 0:18:16 | |
I'm getting a buzz now. This is exciting. | 0:18:16 | 0:18:19 | |
Cor, Jo is a feisty negotiator. | 0:18:19 | 0:18:21 | |
That is £50 for the 1950s specs and a little bit of vintage. | 0:18:21 | 0:18:26 | |
Now, what about James and Sunetra? | 0:18:31 | 0:18:33 | |
I think I enjoy being medical. | 0:18:33 | 0:18:35 | |
You must be very good at it. | 0:18:35 | 0:18:37 | |
Have you ever thought about training to be a medic? | 0:18:37 | 0:18:39 | |
-You know, my dad is a doctor. -Really? -He is very impressed. | 0:18:39 | 0:18:43 | |
Wait till he sees your shopping. | 0:18:43 | 0:18:45 | |
Our route is now heading to Taunton, Somerset. | 0:18:45 | 0:18:48 | |
James and Sunetra are taking a break from shopping. | 0:18:50 | 0:18:52 | |
They have come to learn about a deadly Royal family feud that | 0:18:52 | 0:18:56 | |
led to a bloody rebellion, | 0:18:56 | 0:18:58 | |
followed by one of the most brutal trials in British history. | 0:18:58 | 0:19:02 | |
Steve Minnitt is the curator here, | 0:19:02 | 0:19:05 | |
at the Museum of Somerset. | 0:19:05 | 0:19:07 | |
Hello. | 0:19:07 | 0:19:08 | |
-I'm Sunetra. -Hello, I'm Steve. -Hi, Steve. -Nice to meet you. -James. | 0:19:08 | 0:19:12 | |
-Hello. -Nice to meet you, James. | 0:19:12 | 0:19:14 | |
In the 17th century, this area | 0:19:17 | 0:19:19 | |
was the centre of a power struggle to take the throne. | 0:19:19 | 0:19:22 | |
Protestant King Charles II ruled at a time of huge religious tension. | 0:19:22 | 0:19:27 | |
When he died in 1685, the crown passed to his Catholic brother, | 0:19:27 | 0:19:32 | |
James II. | 0:19:32 | 0:19:33 | |
But a mass rebellion was staged by Charles's illegitimate son, | 0:19:33 | 0:19:37 | |
the Duke of Monmouth. | 0:19:37 | 0:19:38 | |
His Protestant beliefs had the backing of the people | 0:19:38 | 0:19:42 | |
and his hunger for power saw him rally support | 0:19:42 | 0:19:45 | |
to take the crown by force. | 0:19:45 | 0:19:47 | |
Charles's brother, James, was Catholic. | 0:19:47 | 0:19:50 | |
And as a consequence, people tended to move | 0:19:50 | 0:19:54 | |
towards the Duke of Monmouth as a potential successor. | 0:19:54 | 0:19:57 | |
-So he was a Protestant. -He was a Protestant. -I see. | 0:19:57 | 0:20:00 | |
And, you know, Protestantism was very strong in this part | 0:20:00 | 0:20:03 | |
of the world, dissenters, | 0:20:03 | 0:20:04 | |
and a desire for freedom of worship | 0:20:04 | 0:20:07 | |
and freedom of belief, which with a Catholic king, | 0:20:07 | 0:20:09 | |
-you're unlucky to get at that particular time. -Oh, right. | 0:20:09 | 0:20:12 | |
We forget, religion and politics | 0:20:12 | 0:20:14 | |
-were so closely aligned. -Absolutely. | 0:20:14 | 0:20:16 | |
With the support of the population, the Duke of Monmouth took action. | 0:20:17 | 0:20:21 | |
People of all kinds flock to him, | 0:20:23 | 0:20:26 | |
and he began a march from Lyme Regis via Chard through to Taunton. | 0:20:26 | 0:20:31 | |
By the time he got here, | 0:20:31 | 0:20:32 | |
his sort of band of followers had probably risen to maybe 7,000. | 0:20:32 | 0:20:36 | |
One of the key events that took place here | 0:20:36 | 0:20:38 | |
-was that he was declared king. -Really? | 0:20:38 | 0:20:41 | |
So, the only person ever to be declared king in Taunton. | 0:20:41 | 0:20:45 | |
He may have declared himself king, but with his uncle, James II, | 0:20:45 | 0:20:49 | |
still on the throne, the stage was set for a decisive battle. | 0:20:49 | 0:20:54 | |
The Duke of Monmouth and his army of untrained men were planning | 0:20:55 | 0:20:59 | |
an attack on his uncle's army, stationed nearby. | 0:20:59 | 0:21:03 | |
A man at a nearby village of Chedzoy by the name of Williams | 0:21:03 | 0:21:07 | |
was up the church tower with this spyglass. | 0:21:07 | 0:21:11 | |
And looking across the Westonzoyland, | 0:21:11 | 0:21:13 | |
where the Royal Army was camped, | 0:21:13 | 0:21:15 | |
he saw that they weren't particularly well defended. | 0:21:15 | 0:21:17 | |
He decided that perhaps the best thing was to fight | 0:21:17 | 0:21:21 | |
and to actually leave Bridgwater at the dead of night. | 0:21:21 | 0:21:25 | |
-And this was a decision he lived to regret. -He did indeed. | 0:21:25 | 0:21:29 | |
Probably because they were spotted by one of the Royal scouts. | 0:21:29 | 0:21:32 | |
A gun was fired. | 0:21:32 | 0:21:34 | |
And that was enough to give warning. | 0:21:34 | 0:21:36 | |
And very quickly, the king's soldiers got their act together | 0:21:36 | 0:21:40 | |
and a battle ensued. | 0:21:40 | 0:21:42 | |
Despite thinking he had the element of surprise, | 0:21:42 | 0:21:45 | |
the Duke's fate was sealed. | 0:21:45 | 0:21:47 | |
So, this is trained soldiers against volunteers, | 0:21:47 | 0:21:51 | |
-right? -Absolutely. -Farmers with pipes. -Yeah. | 0:21:51 | 0:21:53 | |
Was the Duke of Monmouth killed in that moment? | 0:21:53 | 0:21:56 | |
No, no, he wasn't killed. | 0:21:56 | 0:21:57 | |
He was there. When he realised that the day was lost, he and... | 0:21:57 | 0:22:01 | |
Don't be silly, he was in a tent at the back. | 0:22:01 | 0:22:04 | |
-SHE LAUGHS -No, no, no. He was there. | 0:22:04 | 0:22:07 | |
He was there. | 0:22:07 | 0:22:08 | |
But once he realised the cause was lost, he fled. | 0:22:08 | 0:22:11 | |
He fled the site of the battle | 0:22:11 | 0:22:13 | |
leaving probably 700 rebels dead on the site of the battlefield. | 0:22:13 | 0:22:18 | |
Hundreds of others were captured and, in due course, were tried. | 0:22:19 | 0:22:23 | |
With the Duke's rebellion crushed, his uncle, King James, | 0:22:23 | 0:22:28 | |
set out to make examples of all those who had threatened his rule. | 0:22:28 | 0:22:32 | |
First stop was the capture and public beheading | 0:22:32 | 0:22:35 | |
at the Tower of London of his nephew, the Duke of Monmouth. | 0:22:35 | 0:22:38 | |
With their leader dead, | 0:22:40 | 0:22:41 | |
the rebels were subjected to one of the most brutal | 0:22:41 | 0:22:44 | |
trials in British history, the Bloody Assizes, | 0:22:44 | 0:22:47 | |
here, in Taunton Castle. | 0:22:47 | 0:22:49 | |
Were they all tried separately or was it a sort of class-action? | 0:22:50 | 0:22:53 | |
They persuaded a lot of people in these pre-trial discussions to | 0:22:53 | 0:22:57 | |
plead guilty to save time on the basis that they would be | 0:22:57 | 0:23:02 | |
treated better if they did so. | 0:23:02 | 0:23:04 | |
-Uh-huh. -And so a lot of people did. | 0:23:04 | 0:23:05 | |
But it didn't quite work out like that. | 0:23:05 | 0:23:08 | |
Over 1,000 locals, many uneducated, | 0:23:08 | 0:23:12 | |
now faced the wrath of the ruthless king. | 0:23:12 | 0:23:15 | |
Hundreds were publicly hanged or even hung, drawn and quartered. | 0:23:15 | 0:23:19 | |
Others were sent to the colonies to live as slaves. | 0:23:19 | 0:23:23 | |
King James ruled for a further three years, | 0:23:23 | 0:23:25 | |
but he was unpopular with the largely Protestant population. | 0:23:25 | 0:23:29 | |
In 1688, he was forced to flee the country, ending what will evermore be | 0:23:29 | 0:23:34 | |
remembered as one of the most vicious | 0:23:34 | 0:23:36 | |
royal acts of vengeance in our history. | 0:23:36 | 0:23:39 | |
Back to our friendlier battle. | 0:23:45 | 0:23:48 | |
And Phil and Jo, | 0:23:48 | 0:23:49 | |
who are making their way to the outskirts of the town of Cullompton. | 0:23:49 | 0:23:53 | |
If you could play any part in any film, who would you be? | 0:23:54 | 0:23:57 | |
I'd like to play a really nasty, evil person. | 0:23:57 | 0:24:01 | |
-No, you have not got it in you. -They are always more fun. | 0:24:01 | 0:24:03 | |
-You haven't got it in you. -You say that... -Now, that Sunetra, | 0:24:03 | 0:24:06 | |
she's another thing. | 0:24:06 | 0:24:07 | |
-That Sunetra! -She's another thing, she is. | 0:24:07 | 0:24:10 | |
-I'd like to play this woman who wins at an auction. -Oh, no. | 0:24:10 | 0:24:14 | |
No pressure then, Phil. Cullompton Antiques is | 0:24:14 | 0:24:17 | |
situated within a wonderful old tannery barn. | 0:24:17 | 0:24:21 | |
And the doors are open for our cheeky pair to rootle about. | 0:24:21 | 0:24:25 | |
-Hello. -Hi there. -I'm Jo. | 0:24:25 | 0:24:26 | |
-I'm Richard. Nice to meet you. -Hi, Richard. | 0:24:26 | 0:24:29 | |
-Richard, Phil, how are you? -Hi. | 0:24:29 | 0:24:30 | |
There is a bit for us to go at here. | 0:24:30 | 0:24:32 | |
You go and look your way, | 0:24:32 | 0:24:34 | |
-I'll go and look mine. -I'll go and look my way. | 0:24:34 | 0:24:36 | |
And old hand Phil thinks he has found something. | 0:24:36 | 0:24:39 | |
Have a look at this, Jo. | 0:24:39 | 0:24:41 | |
-Is that walnut? -You're good, aren't you? -Yeah. -You are good. | 0:24:41 | 0:24:44 | |
-How did you know that? -The dashboard of a Mark II Jag polished up, | 0:24:44 | 0:24:46 | |
-I'm thinking. -This is like a burr walnut or pollard walnut. | 0:24:46 | 0:24:50 | |
Burr is when it happens naturally, pollard is when it is man-made. | 0:24:50 | 0:24:53 | |
That there... It sort of adds to its primitiveness, really, | 0:24:53 | 0:24:56 | |
but if we buy this, we have got to polish it. | 0:24:56 | 0:24:59 | |
That is what we've got to do. But isn't that just lovely, that timber? | 0:24:59 | 0:25:02 | |
So this is £145. | 0:25:02 | 0:25:04 | |
-You and I said it is walnut. -Yeah. | 0:25:04 | 0:25:06 | |
Richard has got burr oak down. | 0:25:06 | 0:25:08 | |
So, you know, either/or, | 0:25:08 | 0:25:09 | |
I don't care because it is burr wood. That's the thing. | 0:25:09 | 0:25:12 | |
So that's one rooted out. Ha! | 0:25:12 | 0:25:15 | |
Let the exploration continue. | 0:25:15 | 0:25:18 | |
Jo, Jo, Jo, Jo. | 0:25:18 | 0:25:19 | |
-Oh! -Do you think that looks... | 0:25:24 | 0:25:25 | |
MUSIC: Munsters Theme Oh, Lordy! | 0:25:25 | 0:25:28 | |
Do you think that looks look like James Braxton? | 0:25:28 | 0:25:30 | |
-Do you? -Yeah. Should we buy it for him for a little present or...? | 0:25:30 | 0:25:34 | |
Yeah, cos I've heard it said that he is a little boar. | 0:25:34 | 0:25:38 | |
Do you like that? | 0:25:38 | 0:25:40 | |
I can't think of anything worse in my living room. | 0:25:40 | 0:25:42 | |
But if it is going to make us money and win, | 0:25:42 | 0:25:44 | |
then I am prepared to have it. | 0:25:44 | 0:25:45 | |
How much is it? | 0:25:45 | 0:25:47 | |
£195. Is it all right without getting it down? | 0:25:47 | 0:25:51 | |
I mean, it hasn't got... | 0:25:51 | 0:25:52 | |
-He is missing lumps or...? -Yuck! | 0:25:52 | 0:25:54 | |
-It's not your thing and it's not my thing. -It is not my thing. | 0:25:54 | 0:25:56 | |
You know what, at this point in the game, we've got my thing. | 0:25:56 | 0:25:59 | |
We've got the glasses, we've got the bag. | 0:25:59 | 0:26:01 | |
You know, I'm satisfied with some pretties. | 0:26:01 | 0:26:03 | |
What is the absolute death, if you pardon the pun, on that? | 0:26:03 | 0:26:08 | |
I could do it for 100. | 0:26:08 | 0:26:09 | |
I have no idea what they will collect at auction. | 0:26:11 | 0:26:13 | |
It should make a profit at that. | 0:26:13 | 0:26:14 | |
If you say so, Richard. | 0:26:14 | 0:26:16 | |
Not the prettiest belle of the ball, though. | 0:26:16 | 0:26:19 | |
Decision time, Jo and Phil. | 0:26:21 | 0:26:23 | |
You fancy our boar, don't you? | 0:26:23 | 0:26:25 | |
I am worried about his chipped tooth. And he's horrendous. | 0:26:25 | 0:26:27 | |
Richard said around 100 for the boar. Right? | 0:26:27 | 0:26:30 | |
If you have a result, it could make one 150, 160. | 0:26:30 | 0:26:33 | |
If we can tickle him just under... | 0:26:33 | 0:26:35 | |
I mean, what I'd love to do is get the boar | 0:26:35 | 0:26:37 | |
and the table for about 130 or 140 quid. | 0:26:37 | 0:26:41 | |
That is what I'd love to do. | 0:26:41 | 0:26:42 | |
-I'm going to let you schmoozel him. -OK. | 0:26:42 | 0:26:44 | |
Break a leg, Jo. | 0:26:46 | 0:26:48 | |
OK, so you might have overheard a bit of that, Richard. | 0:26:48 | 0:26:51 | |
-I heard some of it, and it made me very nervous. -The bargaining. | 0:26:51 | 0:26:55 | |
But would you let us take Boris the boar and the table | 0:26:55 | 0:27:00 | |
for your best? | 0:27:00 | 0:27:02 | |
-Well, I would like 100 for Boris. -OK. | 0:27:02 | 0:27:05 | |
Boris?! | 0:27:05 | 0:27:06 | |
And the table... I was looking for 80 on that. | 0:27:06 | 0:27:10 | |
Which makes 180. | 0:27:10 | 0:27:13 | |
180. You wouldn't take 145? | 0:27:13 | 0:27:16 | |
That's our... Because our budget now is low. | 0:27:16 | 0:27:19 | |
We've only got tomorrow and we have got, like, 20p left for that, | 0:27:19 | 0:27:23 | |
so that is going to be hard. | 0:27:23 | 0:27:25 | |
I'll meet you the classic halfway. | 0:27:25 | 0:27:28 | |
One... One... Well, 160. | 0:27:28 | 0:27:30 | |
-160... -Did he just say 150? | 0:27:30 | 0:27:32 | |
-160. It will be the best I can do. -155. | 0:27:32 | 0:27:35 | |
-No, he has got to make a profit. -OK, fair enough. | 0:27:35 | 0:27:37 | |
But I've got a feeling I've got to go and polish that table, haven't I? | 0:27:37 | 0:27:40 | |
Yeah, we better get polishing. Thanks, Richard. | 0:27:40 | 0:27:43 | |
I'll take a photograph of it too. | 0:27:43 | 0:27:44 | |
They bought an eclectic couple of items - the occasional table | 0:27:47 | 0:27:50 | |
for £70 and the stuffed boar's head for £90. | 0:27:50 | 0:27:55 | |
I think that is enough drama for one day. | 0:27:55 | 0:27:58 | |
Time for a bit of elbow grease before you retire, I fancy. | 0:27:58 | 0:28:02 | |
Nighty-night. | 0:28:04 | 0:28:05 | |
The girls are up with the lark. | 0:28:09 | 0:28:11 | |
The sun is shining, the roof is down, the competition is well and truly on. | 0:28:11 | 0:28:16 | |
I am hoping today for some glittery, girlie, sparkly stuff. | 0:28:16 | 0:28:18 | |
-No, you can't do that, I'm doing it. -You are? | 0:28:18 | 0:28:21 | |
-I am doing glittery, girlie stuff. -So, the boar... | 0:28:21 | 0:28:24 | |
I just said to you, I am hoping to find glittery, girlie stuff. | 0:28:24 | 0:28:27 | |
And what of their esteemed guides on this adventure? | 0:28:27 | 0:28:31 | |
How are you getting on with Sunetra? Is she good? | 0:28:31 | 0:28:33 | |
She's a lovely lady. She is very petite. | 0:28:33 | 0:28:36 | |
-So you've got a complete contrast on your team, then. -What do you mean? | 0:28:36 | 0:28:39 | |
Well, you are not petite, are you? | 0:28:39 | 0:28:40 | |
Are you implying I'm fat? | 0:28:40 | 0:28:42 | |
Now, now, boys. | 0:28:42 | 0:28:43 | |
Yesterday, our troops had very different buying styles. | 0:28:44 | 0:28:49 | |
James and Sunetra spent £104 on the BP advertising sign | 0:28:49 | 0:28:53 | |
and the silver-plated Indian tray. | 0:28:53 | 0:28:55 | |
Philip and Jo spent £210 on a really mixed bag. | 0:28:56 | 0:29:01 | |
Jo's favourite combo lot of the lady's spectacles | 0:29:02 | 0:29:06 | |
and the vintage handbag and the more traditional Phil | 0:29:06 | 0:29:08 | |
offerings of the occasional table and stuffed boar's head. | 0:29:08 | 0:29:13 | |
The gang have all made their way to the city of Bristol. | 0:29:13 | 0:29:17 | |
James and Phil are patiently | 0:29:18 | 0:29:20 | |
awaiting the girls' arrival. | 0:29:20 | 0:29:22 | |
Oh, here we are. Here we are, here we are. | 0:29:24 | 0:29:26 | |
Watch out, James! Oh, Lord, not again. | 0:29:26 | 0:29:28 | |
-Good morning. -How are you, lovely, you all right? | 0:29:28 | 0:29:30 | |
-PHIL: -Morning, morning. | 0:29:30 | 0:29:31 | |
Good to see you, my love. | 0:29:31 | 0:29:34 | |
-Are we ready? -Absolutely. -Are we ready to buy good things? | 0:29:34 | 0:29:36 | |
We have a boat to catch. | 0:29:36 | 0:29:37 | |
-Good luck. -Have a really lousy, stinking day. | 0:29:37 | 0:29:40 | |
-Yeah. -Same to you. -All the best. -Bye. -See you later. | 0:29:40 | 0:29:43 | |
This is the day we win. | 0:29:43 | 0:29:46 | |
While Phil and Jo take in the sights, | 0:29:46 | 0:29:48 | |
James is behind the wheel of the Jag. | 0:29:48 | 0:29:51 | |
Do you think I could don a white cape and a stethoscope? | 0:29:51 | 0:29:53 | |
-Oh, yeah, you look a doctor. -Do I? | 0:29:53 | 0:29:55 | |
-You know you look like a doctor. -Oh! -You could be. | 0:29:55 | 0:29:58 | |
-In fact, you could probably be like a surgeon type. -Do you think so? | 0:29:58 | 0:30:02 | |
-Consultant? -One of those masks... -Do you think I might be...? | 0:30:02 | 0:30:05 | |
I wouldn't go as far as consultant. | 0:30:05 | 0:30:06 | |
I am a consultant. Let's just get it out there now. | 0:30:06 | 0:30:09 | |
James and Sunetra have just under £300 to spend. | 0:30:14 | 0:30:18 | |
Right, so let's get off our shopping head back on. | 0:30:19 | 0:30:22 | |
-Yeah, antiques. -Hello. | 0:30:22 | 0:30:24 | |
-Hiya. -Here's our man. -I am Sunetra. -I am Jay. | 0:30:24 | 0:30:27 | |
-Hi, Jay. James. We've met before, haven't we? -Yeah, we have. | 0:30:27 | 0:30:30 | |
Have we got anything new and tasty and cheap and...? | 0:30:30 | 0:30:34 | |
-Just about everything. -Fabulous, that is what we wanted to hear. | 0:30:34 | 0:30:37 | |
-Yeah, there is plenty here, you know that. -Yeah. | 0:30:37 | 0:30:40 | |
With the focus of the hawk, Sunetra spots something. | 0:30:41 | 0:30:45 | |
Oh, doll's houses! | 0:30:45 | 0:30:46 | |
That is girlie. | 0:30:46 | 0:30:48 | |
-I like doll's houses. -Doll's houses. -That's nice. | 0:30:48 | 0:30:50 | |
Please tell me that is real and not reclaimed. | 0:30:50 | 0:30:52 | |
It's not a reproduction, but I think it might... | 0:30:52 | 0:30:55 | |
It looks like it may be a bit home-madey, if I'm honest. | 0:30:55 | 0:30:58 | |
Generally, they were handmade, weren't they? | 0:30:58 | 0:31:00 | |
That is something, though, isn't it? I mean, isn't that a risk? | 0:31:00 | 0:31:03 | |
It's a nice thing, a doll's house. It depends on... | 0:31:03 | 0:31:06 | |
Yeah, you can see, it's a bit ply-y. | 0:31:06 | 0:31:08 | |
But like you say, they are... | 0:31:08 | 0:31:11 | |
Look at that. Get on top of the records. | 0:31:11 | 0:31:15 | |
-Right. -And I'd imagine... Yeah, the top lifts up on that one. | 0:31:15 | 0:31:18 | |
Look at that, a girl's dream! | 0:31:18 | 0:31:21 | |
It is an amateur-made one, Jay is right. | 0:31:21 | 0:31:24 | |
It has been sort of put together. How much is this, Jay, then? | 0:31:24 | 0:31:27 | |
20 quid. | 0:31:28 | 0:31:29 | |
-She says, holding the door that is not on it. -It's fun, it is girlie. | 0:31:29 | 0:31:34 | |
A lot of people with dolls, they do | 0:31:34 | 0:31:36 | |
like to mess around with it anyway, don't they? | 0:31:36 | 0:31:38 | |
The people who buy that sort of thing. | 0:31:38 | 0:31:39 | |
So, my question is, for this price, will you give it to us? | 0:31:39 | 0:31:44 | |
I'll do it for 15 quid, split the difference. How is that? | 0:31:44 | 0:31:47 | |
-Do it for ten. -Come on, it says ten. -It is absolutely rubbish. | 0:31:47 | 0:31:51 | |
He doesn't mince his words, does he? | 0:31:51 | 0:31:52 | |
-Why not? -All right, great! | 0:31:52 | 0:31:54 | |
-We got ourselves a £10 deal. -You got yourself... You got one. | 0:31:54 | 0:31:58 | |
-I don't know what this is going to do. -Terrible. | 0:31:58 | 0:32:00 | |
-Jay, I don't know why I'm shaking your hand. -Come on. | 0:32:00 | 0:32:05 | |
-Has anyone ever done anything like this on the show before? -No. | 0:32:05 | 0:32:09 | |
-There you go then. -Quite wisely. No, it's lovely. | 0:32:09 | 0:32:11 | |
-It's a one-off. -It's lovely. | 0:32:11 | 0:32:13 | |
Convincing no-one, James. | 0:32:13 | 0:32:16 | |
Jay, you have done the door... | 0:32:16 | 0:32:18 | |
-Brilliant! Look at that. -Cor, that makes it, doesn't it? | 0:32:18 | 0:32:20 | |
Doesn't it? Do you know what? It is a really lovely blank canvas. | 0:32:20 | 0:32:24 | |
I think there's a minimalist feel about it. | 0:32:24 | 0:32:26 | |
But it also means that a little girl will have | 0:32:26 | 0:32:28 | |
so much fun decorating inside there, making it her own. | 0:32:28 | 0:32:31 | |
-You'd love that, wouldn't you? -Seriously, I would. | 0:32:31 | 0:32:33 | |
You know what, while Mummy and Daddy are decorating the big house, | 0:32:33 | 0:32:36 | |
she can be decorating her inside. And look, it's got... | 0:32:36 | 0:32:39 | |
-It's really quite classic. -It's a child's view of a house, isn't it? | 0:32:39 | 0:32:43 | |
-It is. -Three windows. | 0:32:43 | 0:32:45 | |
Five, actually. | 0:32:45 | 0:32:46 | |
-Enjoy. -Thanks a lot, Jay. -Steady. -Ugh! -Are you all right? | 0:32:47 | 0:32:52 | |
-Ready, Jim? -Yeah. Very good muscle toning, this. | 0:32:52 | 0:32:55 | |
I am lifting a house. | 0:32:55 | 0:32:57 | |
There we have it, a doll's house for a tenner. | 0:32:57 | 0:32:59 | |
Good luck with that one. | 0:32:59 | 0:33:01 | |
Ahoy there, Phil and Jo. | 0:33:04 | 0:33:06 | |
Our pair have come to Bristol quayside to hear an incredible | 0:33:06 | 0:33:10 | |
journey of unimaginable bravery and adventure. | 0:33:10 | 0:33:14 | |
Here to guide our landlubbers is Dr Evan Jones. | 0:33:14 | 0:33:17 | |
-Good morning, Jo. -Philip. How are you? Good to see you. | 0:33:17 | 0:33:21 | |
-Welcome to the Matty. Please come aboard. -Thank you. | 0:33:21 | 0:33:24 | |
MUSIC: He's A Pirate by Klaus Badelt | 0:33:24 | 0:33:28 | |
Phil and Jo are setting sail on the Matthew, | 0:33:28 | 0:33:32 | |
a replica of the type of ship used by daring explorers | 0:33:32 | 0:33:35 | |
in the 15th century. | 0:33:35 | 0:33:37 | |
One such man was John Cabot, | 0:33:37 | 0:33:39 | |
born Giovanni Caboto in Italy in 1450, | 0:33:39 | 0:33:44 | |
the same town and year as legendary explorer Christopher Columbus. | 0:33:44 | 0:33:49 | |
And the comparisons don't stop there. | 0:33:49 | 0:33:51 | |
Both set out in search of lucrative trade routes, | 0:33:51 | 0:33:54 | |
returning home with discoveries that completely transformed | 0:33:54 | 0:33:57 | |
the perception of the world at that time. | 0:33:57 | 0:33:59 | |
If he was Italian, how come he was in Bristol doing this? | 0:34:04 | 0:34:08 | |
Well, he was... | 0:34:08 | 0:34:10 | |
He'd been a merchant in Venice, but he'd gone bust there, | 0:34:10 | 0:34:12 | |
and he'd gone on to Verona, actually. | 0:34:12 | 0:34:14 | |
He tried to go to Seville and to Lisbon and persuade them | 0:34:14 | 0:34:18 | |
to let him lead a voyage of discovery across the Atlantic, | 0:34:18 | 0:34:22 | |
but they weren't interested because they had their own explorers. | 0:34:22 | 0:34:25 | |
So he came to England and went to Henry VII, | 0:34:25 | 0:34:30 | |
the first Tudor monarch, and said, | 0:34:30 | 0:34:32 | |
"Look, I can discover Asia for you. | 0:34:32 | 0:34:34 | |
"I can... We can sail across the Atlantic. | 0:34:34 | 0:34:36 | |
"Columbus has sailed already, but he has only just discovered | 0:34:36 | 0:34:39 | |
"the Caribbean islands, and that is clearly not part of Asia." | 0:34:39 | 0:34:42 | |
-There is no silk there. -There is no silk there. | 0:34:42 | 0:34:44 | |
There is no spices. "We can go together. | 0:34:44 | 0:34:46 | |
"We can go on a more northerly route. | 0:34:46 | 0:34:48 | |
"We'll find China and Asia and it'll make us all very rich." | 0:34:48 | 0:34:51 | |
If these are the first guys going out there to find these things... | 0:34:51 | 0:34:54 | |
We are saying they're looking for tea and silk and, you know, | 0:34:54 | 0:34:56 | |
things to trade. Are they just looking for things to trade or...? | 0:34:56 | 0:34:59 | |
We are saying now they're looking for silk, | 0:34:59 | 0:35:02 | |
or did they know that silk existed? Did somebody somewhere...? | 0:35:02 | 0:35:04 | |
Oh, yeah. Silk had been coming to Europe for 1,000 years or more. | 0:35:04 | 0:35:08 | |
They knew these goods existed, and they were fantastically prized. | 0:35:08 | 0:35:10 | |
-Right. -So the idea was... | 0:35:10 | 0:35:12 | |
If you can get there, you sail west across the ocean, | 0:35:12 | 0:35:15 | |
reach China and Japan, you can | 0:35:15 | 0:35:16 | |
buy these goods for just a tiny fraction of your selling | 0:35:16 | 0:35:19 | |
price in England, bring it back and then sell it for 1,000% profit. | 0:35:19 | 0:35:23 | |
I mean, that was the whole thing about it. It was all about trade. | 0:35:23 | 0:35:26 | |
The search for a route to Asia was seen by most as suicidal. | 0:35:26 | 0:35:31 | |
But it was potentially so lucrative that for the very brave, | 0:35:31 | 0:35:35 | |
Cabot and Columbus, | 0:35:35 | 0:35:37 | |
the rewards outweighed the dangers. | 0:35:37 | 0:35:40 | |
However, undertaking sailing this 5,000-mile journey | 0:35:40 | 0:35:43 | |
into the unknown was no small feat. | 0:35:43 | 0:35:46 | |
When he sailed off, what do you think he wanted to achieve? | 0:35:46 | 0:35:49 | |
Where did he want to go? | 0:35:49 | 0:35:50 | |
He wanted to sail west across the ocean and find China and Japan. | 0:35:50 | 0:35:54 | |
The thing you have got to remember is people didn't know how big | 0:35:54 | 0:35:57 | |
the world was. A lot of people, certainly Cabot and Columbus, | 0:35:57 | 0:35:59 | |
-thought the world was much smaller. -What kind of crew would he take? | 0:35:59 | 0:36:02 | |
How many people would he get together for this boat? | 0:36:02 | 0:36:05 | |
There was a crew of 20 on the ship. Which is actually a bit bigger | 0:36:05 | 0:36:07 | |
than it would be normally. | 0:36:07 | 0:36:08 | |
Boats... This ship was normally used for just sailing | 0:36:08 | 0:36:11 | |
to things like islands in western France | 0:36:11 | 0:36:13 | |
-and would probably have about ten or 12 men aboard. -OK. | 0:36:13 | 0:36:17 | |
But he wanted a bigger crew because you're sailing across the Atlantic. | 0:36:17 | 0:36:20 | |
He thought Asia was North America, or vice versa, | 0:36:20 | 0:36:24 | |
whereabouts exactly did he land? | 0:36:24 | 0:36:26 | |
Newfoundland. Actually, the new found land. | 0:36:26 | 0:36:28 | |
-Do you know, that has never dawned... New found land. -Uh-huh. | 0:36:28 | 0:36:32 | |
So it's like the eastern tip of what's now Canada. | 0:36:32 | 0:36:35 | |
Blimey. | 0:36:35 | 0:36:37 | |
Like Columbus before him, | 0:36:37 | 0:36:39 | |
Cabot failed to discover the lucrative route to Asia. | 0:36:39 | 0:36:43 | |
But he was the first European | 0:36:44 | 0:36:46 | |
since the Vikings 500 years before to set foot in North America, | 0:36:46 | 0:36:50 | |
opening up a new world of trading routes and perceptions of the planet. | 0:36:50 | 0:36:55 | |
Mystery surrounds his next and final attempt to secure a route to Asia. | 0:36:55 | 0:37:00 | |
Despite leaving with a bigger and better fleet, he never returned. | 0:37:00 | 0:37:05 | |
By the turn-of-the-century, | 0:37:05 | 0:37:06 | |
legendary explorer Vasco da Gama finally navigated | 0:37:06 | 0:37:11 | |
the prized route to Asia, | 0:37:11 | 0:37:13 | |
securing a century of unprecedented wealth for the Portuguese nation. | 0:37:13 | 0:37:18 | |
John Cabot may not have achieved his dream of discovering | 0:37:19 | 0:37:22 | |
an Asian trade route, but his legacy remains to this day | 0:37:22 | 0:37:26 | |
amongst the people of Canada and, in particular, his new found land. | 0:37:26 | 0:37:31 | |
What an intrepid man. I have fallen for him. I think he has got... | 0:37:31 | 0:37:36 | |
He has got some guts, hasn't he? | 0:37:36 | 0:37:38 | |
Landlubbers James and Sunetra | 0:37:42 | 0:37:44 | |
have pootled northeast | 0:37:44 | 0:37:47 | |
to the town of Tetbury, | 0:37:47 | 0:37:48 | |
in the Cotswolds. | 0:37:48 | 0:37:50 | |
-Something... Something dainty or small. -Something small and shiny. | 0:37:53 | 0:37:58 | |
-Yes! Small and shiny. -Small and shiny. | 0:37:58 | 0:38:01 | |
If it has got sequins, all the better. | 0:38:01 | 0:38:04 | |
They have got over £300 weighing down their pockets. | 0:38:04 | 0:38:07 | |
-This looks promising, doesn't it? -Wow, yeah. | 0:38:07 | 0:38:11 | |
-This is great. -Come on. | 0:38:11 | 0:38:13 | |
I have got a good feeling about this place, James. | 0:38:13 | 0:38:15 | |
Look, there's jewellery! | 0:38:15 | 0:38:17 | |
Lots of jewellery. Look at that. | 0:38:17 | 0:38:19 | |
-Oh, I'm excited. -Yeah. Come on, let's keep going. -There is lots. | 0:38:20 | 0:38:23 | |
I love the enthusiasm, Sunetra. | 0:38:23 | 0:38:25 | |
-Hello. -Hi. -Hi, I am Sunetra. | 0:38:25 | 0:38:28 | |
-Hi, Sunetra, nice to meet you. -Hi, James. -James. | 0:38:28 | 0:38:31 | |
You are going to have to be our best friend for the next couple of hours. | 0:38:31 | 0:38:35 | |
We are looking... | 0:38:35 | 0:38:36 | |
We are desperately looking for some nice, clever, | 0:38:36 | 0:38:39 | |
-girlie antique jewellery, maybe. -Brilliant. -That is something | 0:38:39 | 0:38:43 | |
-I am keen on finding. -I'm pretty confident | 0:38:43 | 0:38:45 | |
-we will have something for you. -Really? -Yes, good. | 0:38:45 | 0:38:47 | |
That doesn't really sound up James' street. | 0:38:47 | 0:38:50 | |
Whilst that might be. | 0:38:50 | 0:38:52 | |
-That George and the Dragon. I love enamel. -It is actually a crown. | 0:38:52 | 0:38:56 | |
-I'll get the keys. -Yes, I'd like to have a look at that. | 0:38:56 | 0:38:59 | |
What do you reckon? | 0:38:59 | 0:39:00 | |
-I don't know. -A crown that has been enamelled into a brooch. | 0:39:00 | 0:39:03 | |
So when do you think the enamelling was done? | 0:39:03 | 0:39:05 | |
-I would say probably about 100 years ago. -Yeah. | 0:39:05 | 0:39:08 | |
And is this a silver crown or silver-plated? | 0:39:08 | 0:39:11 | |
-Silver crown, solid silver. -Solid silver? -Yeah. -And it is £35? -Yeah. | 0:39:11 | 0:39:15 | |
That sounds rather cheap to me. | 0:39:15 | 0:39:17 | |
Well within your budget, that's for a fact. | 0:39:17 | 0:39:20 | |
That one is possible. | 0:39:20 | 0:39:23 | |
But what about something Sunetra loves? | 0:39:23 | 0:39:26 | |
This green is fantastic. | 0:39:26 | 0:39:28 | |
This really does fit in the modern world. | 0:39:28 | 0:39:30 | |
I mean, it's stylish, it's plain. | 0:39:30 | 0:39:33 | |
There's a real trend for vintage jewellery like this by Norwegian | 0:39:33 | 0:39:37 | |
silversmith Ivar T Holth. | 0:39:37 | 0:39:41 | |
Could be a winner, Sunetra. | 0:39:41 | 0:39:42 | |
What would be the price that you would suggest | 0:39:44 | 0:39:46 | |
on something like this? | 0:39:46 | 0:39:47 | |
Listen, we need to warm you up. £60. | 0:39:47 | 0:39:50 | |
Cos we want to get something happening here. | 0:39:50 | 0:39:53 | |
You haven't...you haven't dealt with... | 0:39:53 | 0:39:55 | |
You haven't dealt with Sunetra before. | 0:39:55 | 0:39:58 | |
-We've become friends! -The poor chap. | 0:39:58 | 0:40:00 | |
We left him weeping. | 0:40:00 | 0:40:02 | |
Yeah, stand by, Julian. | 0:40:02 | 0:40:04 | |
So this is a silver brooch, definitely silver, | 0:40:04 | 0:40:07 | |
beautifully green. | 0:40:07 | 0:40:09 | |
-Nicely marked. -Nicely marked. | 0:40:09 | 0:40:11 | |
And if you... Say for argument's sake, I started at 45. | 0:40:11 | 0:40:15 | |
-Eh... -I'd start at 35. | 0:40:15 | 0:40:17 | |
See, if you gave us both of those for 70, | 0:40:17 | 0:40:19 | |
that means that we're not even bargaining with you on that one. | 0:40:19 | 0:40:22 | |
I reckon, sort of, meeting in the middle, about £80. | 0:40:22 | 0:40:25 | |
I think that'd be a good deal. | 0:40:25 | 0:40:27 | |
-35. And that's 35. 70. I think 70. -70. Come on. -Come on, chief. | 0:40:27 | 0:40:34 | |
75 and we have a deal. | 0:40:34 | 0:40:35 | |
-If you say 70, we can... -We can call it a day. -..put our paws on that. | 0:40:35 | 0:40:40 | |
But if we have to go to 75, we'll just keep looking. | 0:40:40 | 0:40:44 | |
Cos you've got so much beautiful stuff for us to carry on looking at. | 0:40:44 | 0:40:47 | |
Hang on, James. | 0:40:47 | 0:40:48 | |
I think this delaying tactic lark might be part of Sunetra's | 0:40:48 | 0:40:52 | |
-master plan. -£70, deal done. -£70. -Yes! -Thank the man. | 0:40:52 | 0:40:56 | |
-Fantastic. -Well done. -Thank you. -Thank you, really kind. Well done. | 0:40:56 | 0:41:00 | |
-Well done, you. -Well done. | 0:41:00 | 0:41:02 | |
-Thanks. -If you had mentioned I got a kiss... | 0:41:02 | 0:41:06 | |
You definitely get a kiss for that. | 0:41:06 | 0:41:08 | |
-We're done. Come on, Julian. -Are we really done? -Yeah, we're done. -OK. | 0:41:08 | 0:41:13 | |
Come on. Can't go on forever. | 0:41:13 | 0:41:15 | |
I could, you see. | 0:41:15 | 0:41:17 | |
I can believe it. | 0:41:17 | 0:41:18 | |
Fantastic. | 0:41:18 | 0:41:20 | |
Another excellent piece of negotiation from Sunetra | 0:41:20 | 0:41:24 | |
secured the George III silver brooch for £35. | 0:41:24 | 0:41:27 | |
And the Norwegian brooch also for £35. | 0:41:29 | 0:41:33 | |
I think we've done very well. | 0:41:33 | 0:41:35 | |
Meanwhile, Phil and Jo are on an adventure of their own. | 0:41:37 | 0:41:41 | |
They are having a root around the countryside. The village | 0:41:41 | 0:41:44 | |
of Westerleigh, in South Gloucestershire, to be precise. | 0:41:44 | 0:41:47 | |
-Have you any idea where we are? -No, but it is beautiful. | 0:41:49 | 0:41:51 | |
We'll get somewhere eventually. There must be antiques. | 0:41:51 | 0:41:54 | |
Where there's hedges, there are always antiques. | 0:41:54 | 0:41:56 | |
Well, that is certainly Phil's philosophy. | 0:41:56 | 0:41:58 | |
Oh, hold on. This looks more like a farm than an antique shop to me. | 0:42:00 | 0:42:04 | |
Hello. Is this your farm? | 0:42:07 | 0:42:09 | |
-Are you just going about your everyday work? -Trying to, yeah. | 0:42:09 | 0:42:12 | |
This is certainly different. | 0:42:12 | 0:42:14 | |
Anything that is sitting about that we can take off your hands? | 0:42:14 | 0:42:16 | |
-Galvanised tanks? -Have a delve in the shed, if you want. | 0:42:16 | 0:42:19 | |
Would you mind us having a look? | 0:42:19 | 0:42:20 | |
-Have a look. -That would be great. -Yeah, yeah. | 0:42:20 | 0:42:23 | |
James is a farmer, but you never know what might be lurking about. | 0:42:24 | 0:42:29 | |
So these, I'm guessing, would be somewhere between | 0:42:29 | 0:42:34 | |
1920, 1960. | 0:42:34 | 0:42:36 | |
So you don't want any of these? | 0:42:36 | 0:42:39 | |
Probably not, no. They have been sat there for as long as I can remember. | 0:42:39 | 0:42:42 | |
Those three at auction... | 0:42:42 | 0:42:43 | |
They aren't going to make a fortune, but they might make between... | 0:42:43 | 0:42:47 | |
-..I would guess 20, 40 quid, something like that. -OK. | 0:42:48 | 0:42:51 | |
Which would mean we'd need to try | 0:42:51 | 0:42:52 | |
and buy them cheaper than that. | 0:42:52 | 0:42:54 | |
-Let's continue. -JAMES LAUGHS | 0:42:55 | 0:42:58 | |
Let's continue. | 0:42:58 | 0:42:59 | |
-He's looking. -Think of it as, like, removal, scrap removal. | 0:42:59 | 0:43:02 | |
Good point, Jo. That's the milk churns as a possible. | 0:43:02 | 0:43:06 | |
Where are they off to now? | 0:43:06 | 0:43:08 | |
Oh, look. I love the door already. | 0:43:11 | 0:43:13 | |
Uh, I'm not sure it is Phil-sized. | 0:43:13 | 0:43:16 | |
I like the look of that as well. | 0:43:16 | 0:43:17 | |
Ah. Phew! | 0:43:19 | 0:43:21 | |
Phil, there is actual furniture in here. | 0:43:21 | 0:43:24 | |
It looks like Jo is being treated to the full Serrell experience today. | 0:43:24 | 0:43:29 | |
I think this is a bit cheeky, clearly. | 0:43:29 | 0:43:31 | |
But you know what, if we could get something here and then arrive | 0:43:31 | 0:43:34 | |
and tell Su and James that, you now, | 0:43:34 | 0:43:36 | |
"In your face," that would be great. | 0:43:36 | 0:43:38 | |
And Phil has spotted a galvanised trough, | 0:43:40 | 0:43:43 | |
right at the back of the barn, as you would. | 0:43:43 | 0:43:45 | |
James, you're going to hate me. Would it... | 0:43:45 | 0:43:48 | |
Could we have a look at that galvanised tank? | 0:43:48 | 0:43:50 | |
-You are never going to get that out. -Uh, I'll try. | 0:43:50 | 0:43:52 | |
-Yeah. -Do you mind? -Yeah, I'll have a try. It's in there, look. | 0:43:52 | 0:43:55 | |
Just getting it out is going to be difficult. | 0:43:55 | 0:43:57 | |
Yeah, you would have to pick the thing right at the back, Phil. | 0:43:57 | 0:44:00 | |
-How strong are you, my friend? -We'll see in a minute. | 0:44:00 | 0:44:04 | |
Careful, gents. | 0:44:04 | 0:44:05 | |
Right, can you bring it up? | 0:44:05 | 0:44:07 | |
That is bloody heavy, that is. It is awful heavy, Jo. | 0:44:07 | 0:44:10 | |
Sorry about that. | 0:44:12 | 0:44:14 | |
I got a chair, though. | 0:44:14 | 0:44:16 | |
You got the rest of my elbow with it. | 0:44:16 | 0:44:18 | |
I told you to be careful. | 0:44:18 | 0:44:19 | |
I think you should move. | 0:44:19 | 0:44:20 | |
You've got all this fabulous furniture in here, | 0:44:20 | 0:44:23 | |
and we are taking a galvanised tank. | 0:44:23 | 0:44:24 | |
James, if it comes to a fight, will you be on my side? | 0:44:26 | 0:44:29 | |
You are doing great, guys. | 0:44:30 | 0:44:32 | |
Don't worry, James, in your own time. | 0:44:32 | 0:44:34 | |
Is that a smile of pain, Phil? | 0:44:34 | 0:44:36 | |
-No, I don't like that. -Hilarious, Phil(!) | 0:44:41 | 0:44:44 | |
We are going to give you, | 0:44:44 | 0:44:45 | |
if you'll take it, 20, 25 quid for it. Cos that's... | 0:44:45 | 0:44:48 | |
At auction, it's going to make, looking like that, | 0:44:48 | 0:44:51 | |
hopefully £30 to £50. | 0:44:51 | 0:44:53 | |
That's what I think. | 0:44:53 | 0:44:54 | |
And the old milk churn, I would see that at like ten or 20 quid. | 0:44:54 | 0:44:57 | |
Maybe we could have the two for 25, and that would be amazing. | 0:44:57 | 0:45:01 | |
That is what I am thinking. | 0:45:01 | 0:45:02 | |
People would talk about James the farmer forever. | 0:45:02 | 0:45:05 | |
Might be laying it on a bit thick there, Jo. | 0:45:05 | 0:45:08 | |
Oh... | 0:45:08 | 0:45:09 | |
What do you think? | 0:45:09 | 0:45:11 | |
-Nice sunny day. -30. | 0:45:11 | 0:45:13 | |
-You were just pottering about, at work. -Can I just give you a bit... | 0:45:13 | 0:45:16 | |
Just a slight hint here, right. | 0:45:16 | 0:45:18 | |
-I have been with her now for two days. OK? -And you've had enough. | 0:45:18 | 0:45:22 | |
-Yes! -No, she is a really, really... -He's going to swap you. | 0:45:22 | 0:45:25 | |
She is a really lovely lady. She is a lovely, lovely lady, but... | 0:45:25 | 0:45:28 | |
-You know, if she doesn't get her own way, she is difficult. -Oh! | 0:45:28 | 0:45:31 | |
-Oh, 25 for the churn, please. -You know what these television types | 0:45:31 | 0:45:34 | |
-are like. -For that and...? | 0:45:34 | 0:45:35 | |
-Yeah, because... -20 quid for that, five for the churn. | 0:45:35 | 0:45:38 | |
Really, you were just going | 0:45:38 | 0:45:39 | |
to have it in your barn forever and ignore it. | 0:45:39 | 0:45:41 | |
-Go on, then. -Yes! -You are a star. -Thanks, James. -Thank you. | 0:45:41 | 0:45:43 | |
-Thank you ever so much. -Thank you. -You have been amazing. | 0:45:43 | 0:45:46 | |
Jo, you certainly know what you are doing, girl. | 0:45:46 | 0:45:49 | |
£20 the big clunking trough and a fiver for the milk churn. | 0:45:49 | 0:45:53 | |
This should be interesting. | 0:45:53 | 0:45:55 | |
Time to have a gander at one another's buys. | 0:45:55 | 0:45:58 | |
One, two, three, lift and throw. | 0:46:00 | 0:46:02 | |
-Oh! -Oh, right. -Look, this looks a bit classy. | 0:46:02 | 0:46:06 | |
-I like the brooch. -Do you? -I like the brooch, yeah. -Good. | 0:46:06 | 0:46:10 | |
-That's lovely. That is really, really lovely. -Really? | 0:46:10 | 0:46:12 | |
-The one at the front? -Yeah. I do, yeah. -Do you really | 0:46:12 | 0:46:15 | |
or are you just saying that? Is this fighting talk? | 0:46:15 | 0:46:17 | |
It's an old silver crown. | 0:46:17 | 0:46:18 | |
It is an old silver crown that's been enamelled. | 0:46:18 | 0:46:20 | |
-I like the green brooch here. -That's an age thing, isn't it? | 0:46:20 | 0:46:23 | |
I mean, I wouldn't bid for it at auction. | 0:46:23 | 0:46:25 | |
-Well, you won't have to. -THEY LAUGH | 0:46:25 | 0:46:27 | |
The sign is quite nice, I like that. | 0:46:27 | 0:46:30 | |
You are a little bit in Serrell country there | 0:46:30 | 0:46:32 | |
cos there is just a hint of rust. | 0:46:32 | 0:46:34 | |
-How much was that? -£99. | 0:46:34 | 0:46:37 | |
-How much? -£99 for a sign?! | 0:46:37 | 0:46:39 | |
-Yeah. -Do you know what? I think... | 0:46:39 | 0:46:41 | |
Profit, profit, profit... | 0:46:41 | 0:46:43 | |
loss, profit. | 0:46:43 | 0:46:45 | |
Now for the unveiling of Phil and Jo's goodies. | 0:46:45 | 0:46:49 | |
Oh! Whoa! Whoa! | 0:46:49 | 0:46:54 | |
-Ee-ah! -I like the shape of that. | 0:46:54 | 0:46:55 | |
-Thank you. -It is rusty. How much? | 0:46:55 | 0:46:59 | |
-A fiver. -Profit. -Yeah. | 0:46:59 | 0:47:01 | |
£5? Yeah, a churn. | 0:47:01 | 0:47:03 | |
-How much...? -You have moved into a new sector of erosion here. | 0:47:03 | 0:47:06 | |
Because normally you do rust and woodworm, | 0:47:06 | 0:47:08 | |
but now you're doing moth. | 0:47:08 | 0:47:10 | |
-Yeah. -How much was the boar? | 0:47:10 | 0:47:11 | |
-That was our top buy, 90 quid. -90?! | 0:47:11 | 0:47:14 | |
-And you questioned our sign for 99? -I like your Dame Edna. | 0:47:14 | 0:47:19 | |
-Do you like my Ednas? Look, six pairs of interchangeable frames. -Jo! | 0:47:19 | 0:47:22 | |
-Aren't they fabulous? -They are fabulous. | 0:47:22 | 0:47:24 | |
-Go on, James, you give us your thoughts. -I like the shape of that. | 0:47:24 | 0:47:27 | |
-I don't like the moth-eaten boar's head. -No, I don't. But, you know... | 0:47:27 | 0:47:30 | |
Trough, how much did you pay for the trough? | 0:47:30 | 0:47:32 | |
-20 quid. -20 quid. Which is cheap. | 0:47:32 | 0:47:34 | |
I'll tell you what, it's a cheap coffin, isn't it? | 0:47:34 | 0:47:37 | |
'Oh, cheeky!' | 0:47:37 | 0:47:38 | |
I'm not standing this. | 0:47:38 | 0:47:40 | |
-Listen to me... -Leave them. Leave them. -I'm so sorry. | 0:47:40 | 0:47:42 | |
I can only apologise, but you know... | 0:47:42 | 0:47:44 | |
-We'll see you at the auction. -Bye! | 0:47:44 | 0:47:46 | |
OK, I feel a little bit better now. I feel a little bit better. | 0:47:46 | 0:47:49 | |
Good. But what do you really think, gang? | 0:47:49 | 0:47:53 | |
The other side looked like | 0:47:53 | 0:47:54 | |
-Scrapheap Challenge, didn't they? -SUNETRA LAUGHS | 0:47:54 | 0:47:56 | |
I really like that green brooch. | 0:47:56 | 0:47:58 | |
-That's a personal thing. -See, I like the other brooch. | 0:47:58 | 0:48:00 | |
You like the other one. Which you both guys like that, so... | 0:48:00 | 0:48:02 | |
You are the guys in the know, | 0:48:02 | 0:48:04 | |
so there is something about that one that is a winner. | 0:48:04 | 0:48:06 | |
Jo has made a valiant effort to bring a feminine touch to the | 0:48:06 | 0:48:09 | |
-thing, hasn't she? -She has. I have to say, those glasses... | 0:48:09 | 0:48:12 | |
-I like those glasses. -I like the glasses and the bag. | 0:48:12 | 0:48:15 | |
And then Phil, you know, has introduced rust, | 0:48:15 | 0:48:18 | |
moth, woodworm... Normal sort of stuff. | 0:48:18 | 0:48:21 | |
-I think we have the upper hand. Would you swap? -No. | 0:48:21 | 0:48:24 | |
I would swap the green brooch for the boar at the moment, | 0:48:24 | 0:48:26 | |
but I know that you are very good about this. | 0:48:26 | 0:48:28 | |
-You are confident about this. -I don't know about that. | 0:48:28 | 0:48:30 | |
You know, we are going to win. | 0:48:30 | 0:48:32 | |
-We are going to win. I feel it. -We are going to win. | 0:48:32 | 0:48:34 | |
-We are going to win! -BOTH: -We're going to win. -They are confident! | 0:48:34 | 0:48:37 | |
And so it is off to auction | 0:48:37 | 0:48:39 | |
in Devizes, in Wiltshire. | 0:48:39 | 0:48:40 | |
This will be Sunetra and Jo's | 0:48:40 | 0:48:43 | |
first foray into an antiques auction. | 0:48:43 | 0:48:46 | |
-So, I have a little surprise. -Oh! | 0:48:48 | 0:48:50 | |
Which is while James and I were out doing our hunting, | 0:48:50 | 0:48:53 | |
I came across a really lovely straw hat. | 0:48:53 | 0:48:56 | |
-Oh. -In fact, it is just down here. | 0:48:56 | 0:48:59 | |
It is...the winner's hat. | 0:49:00 | 0:49:03 | |
-It can be our joint prize. -I love it. -No matter what happens. -Thanks. | 0:49:03 | 0:49:06 | |
-Aw. -You know I'm winning. | 0:49:06 | 0:49:08 | |
Aw. | 0:49:08 | 0:49:09 | |
We'll soon find out. | 0:49:09 | 0:49:11 | |
Today's auction is being held at Henry Aldrich & Son. | 0:49:11 | 0:49:14 | |
Hi, boys. | 0:49:14 | 0:49:16 | |
-Look at what I brought! -The winner's hat! -The winner's hat. | 0:49:16 | 0:49:20 | |
This is all very lovely, but we have got an auction to attend, guys. | 0:49:20 | 0:49:24 | |
-Phil. -Yeah. -This is called the winner's hat. -Oh, pass it over. | 0:49:24 | 0:49:28 | |
-It has a feather in it. -Pass it over. Really? | 0:49:28 | 0:49:30 | |
You start with it, let's see where it ends up. | 0:49:30 | 0:49:32 | |
-Do you...? -Yes! | 0:49:32 | 0:49:34 | |
Very suave. Let the battle commence. | 0:49:34 | 0:49:38 | |
Henry's Aldridge is today's auctioneer. | 0:49:38 | 0:49:40 | |
Now, what does he make of the rather unusual mix? | 0:49:40 | 0:49:43 | |
£10, 15. Ten, ten, ten, ten. Going, ten. | 0:49:43 | 0:49:46 | |
The boar's head, I think Lee said it is mended. | 0:49:46 | 0:49:50 | |
The Norwegian brooch, I think, is the nicest thing. | 0:49:50 | 0:49:53 | |
They are always very collectible. | 0:49:53 | 0:49:55 | |
Sounds promising. Jo and Phil were this trip's big spenders. | 0:49:55 | 0:49:59 | |
Jo demonstrated her flair for shopping | 0:49:59 | 0:50:02 | |
and added a sparkling feminine touch to the usual offerings from Phil. | 0:50:02 | 0:50:07 | |
They spent £235 on five items. | 0:50:07 | 0:50:10 | |
James and Sunetra were quietly tactical, | 0:50:11 | 0:50:14 | |
although Sunetra was very loud when it came to settling a price. | 0:50:14 | 0:50:18 | |
They spent £184 also on five items. | 0:50:18 | 0:50:22 | |
Get comfy, the auction is about to begin. | 0:50:23 | 0:50:26 | |
First to dip their toes in the auction waters are Jo | 0:50:28 | 0:50:31 | |
and Philip with their big milk churn. | 0:50:31 | 0:50:33 | |
20 to start me. | 0:50:33 | 0:50:35 | |
Ten I've got. Ten I've got. 15. 20. | 0:50:35 | 0:50:39 | |
Look, it's going up. | 0:50:39 | 0:50:40 | |
Look, it has got 25. | 0:50:40 | 0:50:42 | |
£25 seated in the middle of the room. | 0:50:42 | 0:50:44 | |
-That should do you. -'At 25, am I all done?' | 0:50:44 | 0:50:46 | |
You sold it! | 0:50:46 | 0:50:48 | |
Yeah! | 0:50:48 | 0:50:49 | |
-Oh, gosh, who are these people? -The winning hat. | 0:50:49 | 0:50:53 | |
Good start for a random farm item. | 0:50:53 | 0:50:56 | |
And here's another one, the galvanised trough. | 0:50:58 | 0:51:01 | |
20 I've got. 30. 40. 50. | 0:51:01 | 0:51:04 | |
-I love this. -Look at this. -'50, new bidder.' | 0:51:04 | 0:51:07 | |
60 anywhere else? 60? | 0:51:07 | 0:51:09 | |
70. 65. 70. | 0:51:09 | 0:51:12 | |
-James the farmer, I love you! -No. | 0:51:12 | 0:51:14 | |
80. 85. | 0:51:14 | 0:51:17 | |
JAMES LAUGHS | 0:51:17 | 0:51:18 | |
At £80. At £80. | 0:51:18 | 0:51:20 | |
Anyone going to give me five? | 0:51:20 | 0:51:21 | |
-That is good. -I'm so excited! -Keep the hat. -That's it. | 0:51:21 | 0:51:25 | |
£85. | 0:51:25 | 0:51:26 | |
I am going to auction houses every weekend. | 0:51:26 | 0:51:29 | |
£85 on my left. | 0:51:29 | 0:51:31 | |
That was the best performance you have ever done in your life. | 0:51:31 | 0:51:34 | |
Just goes to show, our Phil knows | 0:51:34 | 0:51:36 | |
a thing or two about buying and selling. | 0:51:36 | 0:51:39 | |
Excellent result. | 0:51:39 | 0:51:41 | |
-We are in trouble. We are in big trouble. -No, we're not. | 0:51:41 | 0:51:45 | |
No, you're not. | 0:51:45 | 0:51:46 | |
Well, maybe you are. | 0:51:46 | 0:51:48 | |
What about the doll's house? | 0:51:50 | 0:51:52 | |
Yay! | 0:51:52 | 0:51:53 | |
Ten I've got. | 0:51:53 | 0:51:55 | |
Someone's grandchildren are going to love this. | 0:51:55 | 0:51:57 | |
What about 12 then? | 0:51:57 | 0:51:59 | |
-SUNETRA LAUGHS -'12.' | 0:51:59 | 0:52:02 | |
14. | 0:52:02 | 0:52:03 | |
16. | 0:52:03 | 0:52:06 | |
18. | 0:52:06 | 0:52:08 | |
At £16. | 0:52:08 | 0:52:09 | |
-Oh, my word! -He worked hard at it. | 0:52:09 | 0:52:11 | |
18 anywhere else? | 0:52:11 | 0:52:13 | |
'At £16, all going.' | 0:52:13 | 0:52:15 | |
We'll just keep the hat for a while, shall we? | 0:52:15 | 0:52:17 | |
At least it sold for a bit of a profit. | 0:52:17 | 0:52:20 | |
-It's a profit. -£6, Jo! -It's all profit. £6! | 0:52:20 | 0:52:23 | |
-It's still profit. -See? | 0:52:23 | 0:52:25 | |
Hey, they're laughing now, | 0:52:25 | 0:52:27 | |
but your big risky boar head is next. | 0:52:27 | 0:52:31 | |
20. Five. 30. Five. | 0:52:31 | 0:52:34 | |
Somebody wants it! | 0:52:34 | 0:52:36 | |
40. Five. | 0:52:36 | 0:52:39 | |
50. Five. | 0:52:39 | 0:52:41 | |
60. | 0:52:41 | 0:52:42 | |
At 55. 60 anywhere else? | 0:52:44 | 0:52:47 | |
Oh, 60! Fresh blood. | 0:52:47 | 0:52:49 | |
Fresh blood! | 0:52:49 | 0:52:50 | |
Five. 70. Five. | 0:52:50 | 0:52:54 | |
At £70. At £70. Is there five? | 0:52:54 | 0:52:57 | |
-At £70. -That's enough. -All going. | 0:52:57 | 0:53:00 | |
-Well done. -Yeah, I don't think Jo is too happy, Phil. | 0:53:00 | 0:53:05 | |
Poor old boar didn't bring home the bacon. | 0:53:05 | 0:53:08 | |
-You know when you were in EastEnders... -Yeah. | 0:53:08 | 0:53:10 | |
I buried my husband alive, actually, on that, yeah. | 0:53:10 | 0:53:13 | |
-If you want to go there. -Yeah, thanks. | 0:53:13 | 0:53:15 | |
Um, I don't think he does. | 0:53:15 | 0:53:17 | |
Now, it is Sunetra's big risk item, the enamelled sign. | 0:53:17 | 0:53:22 | |
I'll start at the bottom. 15 quid. | 0:53:22 | 0:53:25 | |
No. | 0:53:25 | 0:53:27 | |
'But it gets better.' | 0:53:27 | 0:53:28 | |
Trust me. 20. Five. 30. Five. | 0:53:28 | 0:53:34 | |
-'40.' -SHE WHISPERS | 0:53:34 | 0:53:36 | |
45. 50. Five. 60. Five. | 0:53:36 | 0:53:38 | |
We've got to try to get 99. | 0:53:38 | 0:53:40 | |
'70. Five. | 0:53:40 | 0:53:41 | |
'80. Five.' | 0:53:42 | 0:53:45 | |
90. | 0:53:45 | 0:53:46 | |
Five. 100. | 0:53:46 | 0:53:48 | |
James, I take my hat off to you, mate. | 0:53:48 | 0:53:50 | |
Ten. And 20. | 0:53:50 | 0:53:52 | |
And 30. | 0:53:52 | 0:53:54 | |
At 120. At 120. | 0:53:54 | 0:53:56 | |
Yay! Well done. | 0:53:56 | 0:53:59 | |
It's wiped its face, as we say in the business. | 0:53:59 | 0:54:02 | |
But they are still behind Jo and Phil. | 0:54:02 | 0:54:04 | |
We better put this somewhere in the middle again. | 0:54:04 | 0:54:07 | |
Let's keep that just over this side of the woods. | 0:54:07 | 0:54:09 | |
And we are sticking with James | 0:54:09 | 0:54:12 | |
and Sunetra. The silver-plated Indian tray is next. | 0:54:12 | 0:54:15 | |
£20. | 0:54:15 | 0:54:16 | |
-We hope. -'Thank you, sir. £20 I've got.' | 0:54:17 | 0:54:20 | |
20 I got. 22. £20. 22. | 0:54:20 | 0:54:23 | |
'At £20. At £20, is there two?' | 0:54:23 | 0:54:25 | |
-I wanted more. I want more! -We should have been on the same team. | 0:54:25 | 0:54:28 | |
They're saying come on. | 0:54:28 | 0:54:30 | |
Come on, guys, this is a lovely tray | 0:54:30 | 0:54:31 | |
and it looks really pretty. | 0:54:31 | 0:54:32 | |
Leave it there, you've done enough. | 0:54:32 | 0:54:34 | |
-It's brass! -At £20. | 0:54:34 | 0:54:36 | |
Is there two? Any more, quickly? | 0:54:36 | 0:54:37 | |
At £20, all going... | 0:54:37 | 0:54:39 | |
-Another little profit for the Sarker team. -Oh, stop it. | 0:54:41 | 0:54:43 | |
Nice and steady profits from James and Sunetra. | 0:54:43 | 0:54:46 | |
This is a close-run race. | 0:54:48 | 0:54:49 | |
Can Phil and Jo's little occasional table offer a weighty profit? | 0:54:51 | 0:54:56 | |
I can see why you bought it, Phil, | 0:54:56 | 0:54:58 | |
because it has got a bit of rust on it. | 0:54:58 | 0:55:00 | |
You are turning into a really nasty piece of work. | 0:55:00 | 0:55:02 | |
Listen, could you two just take your argument somewhere else? | 0:55:02 | 0:55:05 | |
We are busy trying to be at an auction house | 0:55:05 | 0:55:07 | |
for the first time. This is really serious business. | 0:55:07 | 0:55:10 | |
Yes, my sentiments exactly, Sunetra. | 0:55:10 | 0:55:13 | |
40. | 0:55:13 | 0:55:14 | |
Thank you, sir. | 0:55:14 | 0:55:15 | |
40 I've got. 40 I've got. Five. | 0:55:15 | 0:55:18 | |
At £40. Five. | 0:55:18 | 0:55:19 | |
50. Five. 60. | 0:55:19 | 0:55:22 | |
Five. | 0:55:22 | 0:55:23 | |
-Oh, well done. -'At £60.' | 0:55:23 | 0:55:25 | |
At £60. Is there five at 60? | 0:55:25 | 0:55:27 | |
I am all going... | 0:55:27 | 0:55:29 | |
Someone's got a good buy there. | 0:55:30 | 0:55:31 | |
It is James and Sunetra's George III crown next. | 0:55:33 | 0:55:37 | |
Right, £20 I've got. 20 I've got. 20 I've got. | 0:55:37 | 0:55:40 | |
'25.' | 0:55:40 | 0:55:41 | |
-25. -30. Five. | 0:55:41 | 0:55:43 | |
'40. Five.' | 0:55:43 | 0:55:44 | |
Look at that man. | 0:55:44 | 0:55:46 | |
50. Five. | 0:55:46 | 0:55:47 | |
At £50. | 0:55:47 | 0:55:48 | |
'At £50. Is there five?' | 0:55:48 | 0:55:50 | |
At £50. At £50. | 0:55:50 | 0:55:52 | |
Any more, quickly? | 0:55:52 | 0:55:53 | |
At 50... | 0:55:53 | 0:55:54 | |
-Oh. That's good, isn't it? -I thought it would do better than that. | 0:55:56 | 0:55:59 | |
But it is still a decent profit. | 0:55:59 | 0:56:01 | |
It is Jo's favourite next. | 0:56:03 | 0:56:05 | |
The combo lot of vintage spectacles and little handbag. | 0:56:05 | 0:56:08 | |
Ten. Ten I've got. | 0:56:10 | 0:56:12 | |
15. 20. 25. | 0:56:12 | 0:56:15 | |
25. 30. | 0:56:15 | 0:56:17 | |
-At 25. 30. -I'll give you 35. | 0:56:17 | 0:56:20 | |
-Are you allowed to? -No. | 0:56:21 | 0:56:23 | |
-'Oh.' -But I want them. | 0:56:23 | 0:56:25 | |
The lady wants them. Anyone going to buy them for her? | 0:56:25 | 0:56:28 | |
At £25, all going... | 0:56:28 | 0:56:31 | |
Yeah, disappointing, Jo. | 0:56:33 | 0:56:35 | |
But someone has a real little treasure there. | 0:56:35 | 0:56:37 | |
It is their last item. | 0:56:37 | 0:56:40 | |
And it all rests on James and Sunetra's Norwegian brooch. | 0:56:40 | 0:56:45 | |
Who chose this one? | 0:56:45 | 0:56:46 | |
This is me. I have to take full responsibility for this. | 0:56:46 | 0:56:50 | |
It's beautiful, this brooch. | 0:56:50 | 0:56:52 | |
20. Three of you. | 0:56:52 | 0:56:54 | |
Five. 30. Five. 40. | 0:56:54 | 0:56:57 | |
'Five. 50. Five. 50.' | 0:56:57 | 0:57:01 | |
Five. 50 in the middle of the room. | 0:57:01 | 0:57:03 | |
'At 50. Five anywhere else quickly?' | 0:57:03 | 0:57:06 | |
At £50. At £50, all going... | 0:57:06 | 0:57:09 | |
You have got an eye for a profit, Sunetra, | 0:57:11 | 0:57:13 | |
and it is always nice to end on a high. | 0:57:13 | 0:57:16 | |
Time to tally up the scores. | 0:57:16 | 0:57:18 | |
Who will be the triumphant winner? | 0:57:18 | 0:57:20 | |
Jo and Phil started out with £400. | 0:57:22 | 0:57:25 | |
After paying auction costs, | 0:57:25 | 0:57:28 | |
they made a small loss of £17.70. | 0:57:28 | 0:57:31 | |
Their final total is £382.30. | 0:57:31 | 0:57:35 | |
Sunetra and James began with the same sum. | 0:57:36 | 0:57:39 | |
And after auction costs, they made a profit of £25.92. | 0:57:39 | 0:57:43 | |
Yeah! They are the ecstatic winners today. | 0:57:43 | 0:57:47 | |
All profits go to Children In Need. | 0:57:47 | 0:57:49 | |
That was good fun, wasn't it? | 0:57:49 | 0:57:51 | |
Anyway, I have the results. | 0:57:51 | 0:57:54 | |
-PHIL: -Who has got the hat? | 0:57:54 | 0:57:56 | |
To the victor go the spoils. And the winner is... | 0:57:56 | 0:57:59 | |
-ALL: -Oh! | 0:57:59 | 0:58:01 | |
About £25 profit. | 0:58:01 | 0:58:03 | |
And a small loss for you. | 0:58:03 | 0:58:05 | |
-Thank you. -There we are. | 0:58:05 | 0:58:06 | |
A brilliant competition, you lot. | 0:58:06 | 0:58:08 | |
-Bye, you two. -Bye. -Bye! | 0:58:08 | 0:58:11 | |
-I loved it. It was really good fun. -I did too. I loved it. | 0:58:13 | 0:58:16 | |
Just like we planned it. | 0:58:16 | 0:58:18 | |
This is our Thelma and Louise exit, isn't it? | 0:58:18 | 0:58:20 | |
Auction houses all the way. | 0:58:20 | 0:58:21 | |
Joyner and Sarker, their own auction house. | 0:58:21 | 0:58:24 | |
GEARS GRIND | 0:58:24 | 0:58:26 | |
This is such a bad day. | 0:58:26 | 0:58:27 | |
-LAUGHING: -I can't believe... | 0:58:27 | 0:58:29 | |
It was going so well! | 0:58:29 | 0:58:31 | |
Cheerio, girls. You have been smashing. | 0:58:31 | 0:58:33 | |
See you on the dance floor, Sunetra. | 0:58:33 | 0:58:35 |