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-The nation's favourite celebrities... -Got some bling here. | 0:00:02 | 0:00:04 | |
-..paired up with an expert... -Calm down. -What? | 0:00:04 | 0:00:07 | |
-..and a classic car. -Get your legs going, girls. -Hello! | 0:00:07 | 0:00:11 | |
Their mission? To scour Britain for antiques. | 0:00:11 | 0:00:13 | |
-GLASS SHATTERS -All breakages must be paid for. | 0:00:13 | 0:00:16 | |
This is a good find, is it not? | 0:00:16 | 0:00:18 | |
The aim? To make the biggest profit at auction. | 0:00:18 | 0:00:21 | |
But it's no easy ride. | 0:00:21 | 0:00:23 | |
Who will find a hidden gem? Who will take the biggest risks? | 0:00:23 | 0:00:27 | |
-I've got my antiques head on. -Will anybody follow expert advice? | 0:00:27 | 0:00:32 | |
-I think it's horrible! -There will be worthy winners... | 0:00:32 | 0:00:35 | |
-This is better than Christmas! -..and valiant losers. | 0:00:35 | 0:00:39 | |
Time to put your pedal to the metal. This is Celebrity Antiques Road Trip. | 0:00:40 | 0:00:45 | |
Yeah! | 0:00:47 | 0:00:48 | |
MUSIC: Sharp Dressed Man by ZZ Top | 0:00:48 | 0:00:51 | |
Today, we're in foggy south-east England | 0:00:53 | 0:00:56 | |
with a couple of showbiz best pals. | 0:00:56 | 0:00:58 | |
It's actress Harriet Thorpe and fashion guru Gok Wan. | 0:00:58 | 0:01:03 | |
Oh, my gosh. | 0:01:05 | 0:01:07 | |
-That was quite scary. -Your driving's the scariest thing. | 0:01:08 | 0:01:11 | |
Hey, listen, you don't have to drive around Selfridges. | 0:01:11 | 0:01:14 | |
That's what I'm used to, all right? | 0:01:14 | 0:01:16 | |
# Wheels on fire... # | 0:01:16 | 0:01:18 | |
Harriet is a much-loved actress of both stage and screen, | 0:01:18 | 0:01:23 | |
starring in hit shows like The Brittas Empire | 0:01:23 | 0:01:26 | |
and Absolutely Fabulous. | 0:01:26 | 0:01:28 | |
-I thought we might run something on the credit crunch. -The what? | 0:01:30 | 0:01:33 | |
-LAUGHTER -The credit crunch. | 0:01:33 | 0:01:36 | |
-The what? -The credit crunch! | 0:01:36 | 0:01:40 | |
-What? -The recession. | 0:01:40 | 0:01:42 | |
# Wheels on fire... # | 0:01:42 | 0:01:45 | |
-So, antiques. -Yeah, and you shop for a living. -And I shop for a living. | 0:01:45 | 0:01:50 | |
Yeah, but you've got a clear advantage. | 0:01:50 | 0:01:52 | |
-You were alive when most of them were made. -Cheeky! | 0:01:52 | 0:01:55 | |
# Cos he's a dedicated follower of fashion... # | 0:01:55 | 0:02:00 | |
Gok's been a professional shopper and fashion expert for over two decades. | 0:02:00 | 0:02:05 | |
He's an award-winning TV presenter and national treasure, | 0:02:05 | 0:02:08 | |
who became an overnight sensation | 0:02:08 | 0:02:10 | |
when How To Look Good Naked burst onto our screens in 2006. | 0:02:10 | 0:02:15 | |
You look gorgeous. Our cameraman's shaking right now. Hoorah! | 0:02:15 | 0:02:20 | |
-So, do you think we're getting somewhere? -Definitely. | 0:02:20 | 0:02:22 | |
I like the way you've coordinated your jacket | 0:02:22 | 0:02:25 | |
with the lining of this car. | 0:02:25 | 0:02:28 | |
But if we do have a crash, it'll take them ten weeks to find you. | 0:02:28 | 0:02:30 | |
-I'm just going to look like a head. -A head. -A floating head. | 0:02:30 | 0:02:34 | |
THEY LAUGH | 0:02:34 | 0:02:36 | |
Lordy! I'm sure they're perfectly safe in the 1980 Corvette Stingray. | 0:02:36 | 0:02:42 | |
I'm very excited about this | 0:02:42 | 0:02:43 | |
but this will be the first time in our entire friendship | 0:02:43 | 0:02:46 | |
that we are competing against one another and not working together. | 0:02:46 | 0:02:49 | |
-I know, darling. -I think that we should take the experts on. | 0:02:49 | 0:02:52 | |
That would be great! | 0:02:52 | 0:02:54 | |
I think you and I should surprise them | 0:02:54 | 0:02:57 | |
-and say, "Actually, we're doing this." -Spin on this. Yeah. | 0:02:57 | 0:03:01 | |
Well, Gok certainly knows how to shop, | 0:03:01 | 0:03:04 | |
but I'm not sure how today's two experts are going to feel about THAT! | 0:03:04 | 0:03:08 | |
Auctioneer Christina Trevanion and dealer David Harper | 0:03:08 | 0:03:11 | |
are making their way to meet the celebrities | 0:03:11 | 0:03:14 | |
in this pretty little 1969 Porsche 911... | 0:03:14 | 0:03:17 | |
in the fog. | 0:03:17 | 0:03:19 | |
-I can't believe who we've got today. -Oh, I'm so excited! | 0:03:19 | 0:03:22 | |
Oh, I say, you've fashionistaed yourself up for Gok Wan. | 0:03:22 | 0:03:26 | |
-Please give him to me! -OK. You need him more than I need him. -Thanks! | 0:03:26 | 0:03:31 | |
THEY LAUGH | 0:03:31 | 0:03:33 | |
Ah, I think you two might be in for a little surprise. | 0:03:33 | 0:03:37 | |
Once paired up, our teams will kick off with £400 in their pocket. | 0:03:37 | 0:03:41 | |
Starting their journey in Eastbourne, | 0:03:41 | 0:03:43 | |
they'll shop around south-east England, | 0:03:43 | 0:03:46 | |
before heading to Southend-on-Sea for the auction. | 0:03:46 | 0:03:49 | |
-Ooh, look, we have a white Corvette! -Ooh, very stylish. | 0:03:52 | 0:03:55 | |
-I like it. -Sounds healthy. | 0:03:55 | 0:03:57 | |
-Did someone order a Chinese takeaway? -Left, left. -I'm in. | 0:03:57 | 0:04:01 | |
-Watch yourself. -Oh, my gosh, come back, come back. -We're in. | 0:04:01 | 0:04:05 | |
CHRISTINA LAUGHS | 0:04:05 | 0:04:07 | |
-Good morning. Are you all right? -No, I'm not. I need a surgeon! | 0:04:07 | 0:04:12 | |
-There we go. -Good morning. Can you get out? -Hello. -Good to meet you. | 0:04:12 | 0:04:16 | |
-Nice to meet you. How are you? -Very good. | 0:04:16 | 0:04:19 | |
-Oh, my gosh, Harriet, lovely to meet you. -Hello. -So good to meet you. | 0:04:19 | 0:04:23 | |
-This is amazing. Are you raring to go? -Yeah. -We're very excited! | 0:04:23 | 0:04:27 | |
-Are you guys excited? -CHRISTINA: -Very excited. | 0:04:27 | 0:04:29 | |
I can't wait to spend the next couple of days with you. | 0:04:29 | 0:04:32 | |
Christina needs all the fashion advise, | 0:04:32 | 0:04:34 | |
-so we've donated her to you, Gok. -Awkward, awkward. -Awkward moment. | 0:04:34 | 0:04:38 | |
-Bit of a problem there. -Yep. | 0:04:38 | 0:04:40 | |
Well, Harriet and I were talking | 0:04:40 | 0:04:42 | |
as we were driving so casually down the road in that Corvette, | 0:04:42 | 0:04:46 | |
and we've decided that we think it would be great fun, maybe, | 0:04:46 | 0:04:49 | |
-if you two joined forces and you went up against us two. -Oh, yeah! | 0:04:49 | 0:04:54 | |
-What? -Instead of us splitting up... -Come on! -It's us against you. | 0:04:54 | 0:04:58 | |
Harriet, I was meant to be with you. | 0:04:58 | 0:05:00 | |
-I've been looking forward to this for ages. -Hang on a minute. | 0:05:00 | 0:05:02 | |
That means I have to work with him. | 0:05:02 | 0:05:04 | |
We've never worked together. We always work against one another. | 0:05:04 | 0:05:07 | |
Which is why it would be so brilliant, | 0:05:07 | 0:05:09 | |
-because we genuinely do believe that we will win this. -Hands down. | 0:05:09 | 0:05:12 | |
-Just so you know. We do. -Trust. Trust. | 0:05:12 | 0:05:14 | |
You might have auction houses, | 0:05:14 | 0:05:16 | |
you might know everything about vases, but... | 0:05:16 | 0:05:19 | |
Christina, come on, baby! Get in that car. | 0:05:19 | 0:05:22 | |
-Are we going to do it? -Let's show them how to do it. | 0:05:22 | 0:05:25 | |
Well, we don't normally make exceptions, | 0:05:25 | 0:05:28 | |
but this celebrity duo are certainly confident. | 0:05:28 | 0:05:30 | |
Go! | 0:05:33 | 0:05:34 | |
Whoo-hoo! | 0:05:35 | 0:05:37 | |
Our celebs are heading towards their first shop in Hailsham. | 0:05:37 | 0:05:41 | |
So, do these two really have what it takes to take on our experts? | 0:05:41 | 0:05:46 | |
-Why are you so confident? -You know me, I like to shop. | 0:05:46 | 0:05:51 | |
I've shopped for 21 years as a job, so I'm thinking, "You know what? | 0:05:51 | 0:05:56 | |
"Pair of shoes...sideboard - what's the difference really?" | 0:05:56 | 0:05:59 | |
-Sorted. -Exactly. -And I love to drive a hard bargain, as you know. | 0:05:59 | 0:06:03 | |
-You are best. -Winning team. -Definitely. | 0:06:03 | 0:06:07 | |
Yeah, they sound like a force to be reckoned with | 0:06:10 | 0:06:12 | |
and our duo are getting ahead of the game | 0:06:12 | 0:06:15 | |
and phoning the auction house to find out what's hot in their saleroom. | 0:06:15 | 0:06:19 | |
Canny move, that. PHONE RINGS | 0:06:19 | 0:06:21 | |
Hi, Trevor. It's Aunty Gok and Uncle Harriet. How are you? | 0:06:21 | 0:06:26 | |
-Hi, Aunty Gok and Uncle Harriet. -Hi, there. -We're fine, thank you. | 0:06:26 | 0:06:29 | |
Wonderful. Thank you so much for taking this call. | 0:06:29 | 0:06:32 | |
So, what are people looking for currently? | 0:06:32 | 0:06:34 | |
Are we going down the knick-knack, bric-a-brac, kind of aisle? | 0:06:34 | 0:06:38 | |
-No, we're not. -OK. -Vintage? Are we doing vintage? -Quirky sells. | 0:06:38 | 0:06:43 | |
-Right. -Yeah. -Masculine now sells. -I do all right on both counts. | 0:06:43 | 0:06:47 | |
-Masculine items. -Yeah. | 0:06:47 | 0:06:49 | |
Chinese market is faltering a little bit but it is strong. | 0:06:49 | 0:06:53 | |
-But the Japanese market is dead. -Great, brilliant. | 0:06:53 | 0:06:56 | |
-You are adorable, you are fabulous. -No problem. -Thank you. -Love you. | 0:06:56 | 0:07:00 | |
-Miss you. -Take care. Bye. -We miss you. -Bye, bye, bye. -We love you. | 0:07:00 | 0:07:03 | |
-Bye. -You put the phone down first. Dooo. | 0:07:03 | 0:07:06 | |
-OK. -Hi, I'm Gok. Nice to meet you. | 0:07:08 | 0:07:11 | |
So, Mick, did you get all that? | 0:07:11 | 0:07:13 | |
Anything on that shopping list fit the bill in here? | 0:07:13 | 0:07:16 | |
We've got a very unusual item here. | 0:07:16 | 0:07:18 | |
-It's only just come in, so you've picked the right moment. -Yeah. | 0:07:18 | 0:07:22 | |
-It's Bakelite which is very collectible. -Yes, we know Bakelite. | 0:07:22 | 0:07:25 | |
-And it's a shaving kit. -THEY GASP | 0:07:25 | 0:07:28 | |
-That's heaven. -It is absolutely lovely. | 0:07:28 | 0:07:30 | |
-It's the original box? -The original box. | 0:07:30 | 0:07:33 | |
-Does it have its original blades? -Yes. | 0:07:33 | 0:07:35 | |
-Probably find one or two whiskers in the bottom. -Ooh, steady. | 0:07:35 | 0:07:37 | |
-How much is that? -That should be £75. | 0:07:37 | 0:07:41 | |
-When you say, "Should be", I like that. -But... -For us? | 0:07:41 | 0:07:45 | |
As you're on a mission, as it were, something quirky, | 0:07:45 | 0:07:49 | |
-I can do that for 40. -Sorry? 30? -I can do that for 40. | 0:07:49 | 0:07:52 | |
-25? -I thought you said 30. -Sorry? -25? -No, 40. -30. | 0:07:52 | 0:07:56 | |
Do you know how beautiful the colour of your eyes are? | 0:07:56 | 0:07:58 | |
-We'll do it for 30, yeah. -Done it, done it. -30. Wonderful! | 0:07:58 | 0:08:02 | |
-That's great! -Thank you. | 0:08:02 | 0:08:03 | |
Cor, this pair don't mess about. First lot bought for £30. | 0:08:03 | 0:08:08 | |
And Mick's got something else he thinks might fit their wish list. | 0:08:08 | 0:08:12 | |
-Ooh, hello. -It's also just come in. -Snuffbox? -Snuffbox, pillbox. | 0:08:12 | 0:08:18 | |
-So this is Japanese, isn't it? -Is it? -This is definitely Japanese. | 0:08:18 | 0:08:22 | |
But that looks like a Chinese haircut. However... | 0:08:22 | 0:08:26 | |
It probably would have been blossom if it was Japanese, wouldn't it? | 0:08:27 | 0:08:31 | |
To confirm the box is Japanese or Chinese, | 0:08:31 | 0:08:34 | |
Gok's decided to phone a friend. | 0:08:34 | 0:08:36 | |
-PHONE RINGS -I burped. | 0:08:37 | 0:08:40 | |
-Thank you. -I'm just so windy today. | 0:08:41 | 0:08:43 | |
-I don't need to know that. -Pooh, neither do it. | 0:08:43 | 0:08:46 | |
-Oh, look, Mick's got two more boxes. -I might be able to tell from those. | 0:08:46 | 0:08:51 | |
PHONE RINGS | 0:08:51 | 0:08:53 | |
Oh, no, that's a lotus. It's Chinese. They're carrying a lotus... | 0:08:53 | 0:08:56 | |
-We should get them. -..which is very Chinese. | 0:08:56 | 0:08:59 | |
-These are great, aren't they? -They're gorgeous. | 0:08:59 | 0:09:01 | |
But that is Japanese. No, that's Chinese, that top one. | 0:09:01 | 0:09:05 | |
Let's hope your Japanese friend has a better idea. | 0:09:05 | 0:09:08 | |
-Hi. -Hi, baby girl. Listen, I'm with Harriet. -Hi! -Hi. | 0:09:09 | 0:09:14 | |
-Basically, we're on an antiques hunt, right. -Oh, my goodness. | 0:09:14 | 0:09:18 | |
And we've got to try and find some Chinese bits and not Japanese. | 0:09:18 | 0:09:22 | |
Sorry, I know you're Japanese, but apparently, | 0:09:22 | 0:09:24 | |
-the Japanese market's dead. -I'm putting the phone down. -Stop it! | 0:09:24 | 0:09:28 | |
Stay there, stay there! I'm going to show you these boxes. | 0:09:28 | 0:09:30 | |
Can you tell us whether they're Chinese or Japanese. Are you ready? | 0:09:30 | 0:09:34 | |
Ooh, I don't know. Ooh, gosh. They look quite Chinese. | 0:09:34 | 0:09:38 | |
I think they're Chinese. I tell you why - | 0:09:38 | 0:09:40 | |
because of their jackets, their shoes. | 0:09:40 | 0:09:42 | |
They're wearing traditional Chinese shoes and they're carrying a lotus. | 0:09:42 | 0:09:46 | |
-Have they got like Mr T haircuts? -They've got Mr T haircuts. | 0:09:46 | 0:09:50 | |
-It's Chinese, isn't it? -It's Chinese, yeah. -I love you so much! | 0:09:50 | 0:09:55 | |
-We're going to win. -You were right, Gok. So, time to talk money. | 0:09:55 | 0:09:59 | |
Ticket price is £140 for the three. | 0:09:59 | 0:10:02 | |
-I think they'll fly in an auction. -Do you think? -I really do. | 0:10:03 | 0:10:07 | |
-And what's your price, babe? -I couldn't do them less than 80 quid. | 0:10:07 | 0:10:10 | |
-Oh, you can. -75. -I will do 75. -Yes! Thank you. -That's all right. | 0:10:10 | 0:10:15 | |
-You're dancing and I'm working the panpipes. -That's not even... | 0:10:15 | 0:10:19 | |
-Oh, it is! -Can you do 70? Cos 140, that takes us down to 50% off. | 0:10:19 | 0:10:24 | |
-You're going to ruin my reputation. -You're going to get a kiss. | 0:10:24 | 0:10:28 | |
Ooh, he's ready. Mwah! | 0:10:28 | 0:10:30 | |
-Are you going to do 70? -I'll do 70. -Love you! -Yeah, thank you very much! | 0:10:30 | 0:10:35 | |
-And a kiss seals the deal. Well done, everyone. -You're incredible. | 0:10:35 | 0:10:40 | |
-Thank you so much. -Thank you very much. -Harriet, we're going to win. | 0:10:40 | 0:10:44 | |
-Yeah! Yes! -What's not to love about this? -Exactly, babe. -Let's go. | 0:10:44 | 0:10:48 | |
-Winners. -Can we have chips yet? -Yeah. | 0:10:48 | 0:10:51 | |
Well, they're getting on rather well on their own, | 0:10:51 | 0:10:54 | |
bagging two lots in their first shop. | 0:10:54 | 0:10:56 | |
Should our experts be worried or is it just a fog to them? | 0:10:56 | 0:11:00 | |
-This could really work to our advantage. -Right. | 0:11:00 | 0:11:02 | |
I don't think they know a huge amount about antiques. | 0:11:02 | 0:11:04 | |
I hope not, because if they're good and they beat us, | 0:11:04 | 0:11:07 | |
it means that we're rubbish. | 0:11:07 | 0:11:09 | |
-Yeah. -And that's not good. -Could be interesting. -Yes. | 0:11:09 | 0:11:12 | |
Starting to feel the pressure already, eh? | 0:11:12 | 0:11:16 | |
Perhaps nerves will ease once you get going. | 0:11:16 | 0:11:19 | |
Let's rock and roll, baby. | 0:11:19 | 0:11:22 | |
-Christina. -Yeah? -You're looking good. | 0:11:22 | 0:11:26 | |
Ah, are you trying to be Gok? | 0:11:26 | 0:11:28 | |
Yeah, I'm just building your confidence. | 0:11:28 | 0:11:31 | |
What a gentleman. Although, I'd concentrate on the task in hand. | 0:11:31 | 0:11:36 | |
Their first chance to shop is in Eastbourne Antique Centre. Lovely! | 0:11:36 | 0:11:41 | |
-It does feel quite weird being in a shop with you. -Does it? | 0:11:41 | 0:11:44 | |
Cos normally, if we have a shared shop, we kind of split up | 0:11:44 | 0:11:46 | |
and do our own thing, but we've got to work as a team. | 0:11:46 | 0:11:49 | |
-We are the dream team, Christina. We are a partnership. -I hope so. | 0:11:49 | 0:11:52 | |
-I'm relying on you to win. -I'm relying on YOU. | 0:11:52 | 0:11:55 | |
-We're working FOR one another here. -Exactly. | 0:11:55 | 0:11:57 | |
That's the spirit, guys. Give yourselves the best chance. | 0:11:57 | 0:12:01 | |
-Look at this. This is how I feel for you, David. -Ah, my little angel. | 0:12:03 | 0:12:07 | |
-It's a love heart. Isn't that sweet? -Isn't that sweet? | 0:12:07 | 0:12:11 | |
I see these quite a lot in the saleroom and look at this - £25. | 0:12:11 | 0:12:14 | |
It's no money for a little spinning chair. | 0:12:14 | 0:12:17 | |
The only downside, I think, of this is, it's a real antique, | 0:12:17 | 0:12:20 | |
it's solid oak, it's hand-carved, 1890, 1900, | 0:12:20 | 0:12:23 | |
but they made them by the bucket-load, didn't they? | 0:12:23 | 0:12:26 | |
I must have handled, without exaggeration, | 0:12:26 | 0:12:30 | |
-four million of those chairs. -Four million?! -Yes. | 0:12:30 | 0:12:32 | |
-You're not exaggerating at all. -I'm not exaggerating. | 0:12:32 | 0:12:35 | |
CHRISTINA LAUGHS | 0:12:35 | 0:12:37 | |
-I don't love it. -With the heart? -No, I... | 0:12:37 | 0:12:40 | |
I do love it a bit more with the heart, I must say. | 0:12:40 | 0:12:43 | |
I think that's rather nice. | 0:12:43 | 0:12:45 | |
Might be a good gift for somebody, wouldn't it, because of the heart. | 0:12:45 | 0:12:49 | |
They love it, but can Paul help them out with a good deal? | 0:12:49 | 0:12:53 | |
Now, this doesn't belong to me. This is one of my stallholders'. | 0:12:53 | 0:12:56 | |
-OK, can you do a deal on their behalf? -I could do... | 0:12:56 | 0:12:59 | |
-I can always do, with him, 20%, so that could be £20. -Right. | 0:12:59 | 0:13:03 | |
It needs to be half that for us to make any money. That's what I feel. | 0:13:03 | 0:13:06 | |
-What do you think, Christina? -I agree. | 0:13:06 | 0:13:08 | |
Would you think 20 quid's too much for that? | 0:13:08 | 0:13:11 | |
Well, in order for us to make a profit, I think David's right. | 0:13:11 | 0:13:14 | |
We'd love to secure it for the £10 region, if that is at all possible. | 0:13:14 | 0:13:19 | |
-Isn't she so lovely? "If that is at all possible". -You have to be nice! | 0:13:19 | 0:13:25 | |
-I'm nice. -I'll have to call the dealer and ask him. -Would you? | 0:13:25 | 0:13:30 | |
Hold on there, Paul. | 0:13:30 | 0:13:32 | |
It looks like Christina has found something else. | 0:13:32 | 0:13:35 | |
-What? -I don't think they're very rare.... | 0:13:36 | 0:13:39 | |
-THEY LAUGH -Is that a collection lot? | 0:13:39 | 0:13:42 | |
Bearing in mind this is a job lot of perfume bottles for £60. | 0:13:42 | 0:13:45 | |
-Do you know... -Are these yours, Paul? -Yes. | 0:13:45 | 0:13:47 | |
Do you know, I had 280 of them. | 0:13:47 | 0:13:50 | |
CHRISTINA GASPS | 0:13:50 | 0:13:52 | |
I think they've all got silver on them. | 0:13:52 | 0:13:54 | |
-A silver top, a sliver top, a sliver top... -But it's the rest. | 0:13:54 | 0:13:57 | |
-The scrappers. -Could you go and make our phone call | 0:13:57 | 0:14:00 | |
-and we'll have a quick chat about this? -I will indeed. | 0:14:00 | 0:14:02 | |
-That would be splendid. -Brilliant. -Thanks, Paul. | 0:14:02 | 0:14:05 | |
-So, what are you thinking, eh? -I think it's fantastic. | 0:14:05 | 0:14:08 | |
Auctions, dealers, they're always looking for big job lots. | 0:14:08 | 0:14:11 | |
They'll buy this, separate them and sell them for a £10 note each. | 0:14:11 | 0:14:15 | |
They need to be 20 quid for the lot. | 0:14:15 | 0:14:17 | |
Here comes Paul. | 0:14:20 | 0:14:21 | |
What's the lowest the dealer's willing to go on that chair? | 0:14:21 | 0:14:25 | |
-OK, 20 quid and that's it? -That's it, yeah. That one cost him £15. | 0:14:25 | 0:14:29 | |
-Do you think it depends on what we can do with these? -Yeah. | 0:14:29 | 0:14:33 | |
As we can't be as flexible on this, can we be flexible on THIS? | 0:14:33 | 0:14:37 | |
-What's on it? -It says £60. -£60 the lot? -Yeah. -How about 45 the lot? | 0:14:37 | 0:14:43 | |
-Paul, can we buy that job lot for 20 quid? -10. -Oh, come on. | 0:14:43 | 0:14:48 | |
-You're getting worse! -20 quid... I tell you what, because it's you, | 0:14:48 | 0:14:55 | |
-I'll do it for £25. How about that? -OK, £40 for everything. | 0:14:55 | 0:15:00 | |
-But we need 20 stoppers. -I've got stoppers. | 0:15:00 | 0:15:03 | |
-Whether they'll all fit in those... -Doesn't matter. | 0:15:03 | 0:15:05 | |
-We just need a box of 20. Have we done a deal? -I've got some stoppers. | 0:15:05 | 0:15:09 | |
-Go on then. -Marvellous. -Awesome. -You're a gentleman. | 0:15:09 | 0:15:12 | |
Well, they're doing all they can to beat those celebrities. | 0:15:13 | 0:15:17 | |
Speaking of whom, Harriet and Gok have made their way | 0:15:19 | 0:15:22 | |
to Muddles Green in Chiddingly, East Sussex. | 0:15:22 | 0:15:26 | |
They've come to Farley Farm House, | 0:15:29 | 0:15:31 | |
the former family home of photographer Lee Miller, | 0:15:31 | 0:15:34 | |
a woman whose life was as extraordinary as her photos. | 0:15:34 | 0:15:38 | |
She went from being a supermodel | 0:15:38 | 0:15:41 | |
to being a combat photographer during World War II | 0:15:41 | 0:15:43 | |
and here to tell them all about this amazing woman | 0:15:43 | 0:15:47 | |
is her only child, Antony Penrose. | 0:15:47 | 0:15:49 | |
So, Antony, how did it all start for Lee? | 0:15:50 | 0:15:53 | |
It started in New York when Lee was a 19-year-old, in 1927, | 0:15:53 | 0:15:58 | |
and she stepped in front of a truck. | 0:15:58 | 0:15:59 | |
She should have been killed in that moment, | 0:15:59 | 0:16:02 | |
except a guy grabbed her and pulled her to safety. | 0:16:02 | 0:16:05 | |
And, actually, that was a wonderful stroke of luck, | 0:16:05 | 0:16:08 | |
because he was Conde Nast, the owner of Vogue magazine. | 0:16:08 | 0:16:11 | |
Before she knew what had happened, | 0:16:11 | 0:16:13 | |
she was on the front cover of Vogue and she wasn't yet 20 years old. | 0:16:13 | 0:16:17 | |
-Oh, my God, that's... -And that brought her into contact | 0:16:17 | 0:16:20 | |
with the great photographers of the day, like Edward Steichen, | 0:16:20 | 0:16:23 | |
and she became a supermodel overnight, | 0:16:23 | 0:16:26 | |
-coat to coast, right across America. -Amazing. | 0:16:26 | 0:16:28 | |
And then she got bored of it | 0:16:28 | 0:16:30 | |
and she decided she'd rather make a picture than be one, | 0:16:30 | 0:16:34 | |
so she went to Paris to look for | 0:16:34 | 0:16:36 | |
the most exciting, avant-garde photographer, Man Ray, | 0:16:36 | 0:16:40 | |
-and became his apprentice. -Did she become a sort of muse? | 0:16:40 | 0:16:44 | |
Oh, definitely, because she went there to be his apprentice | 0:16:44 | 0:16:48 | |
-and almost instantly, she became his lover and his muse. -Amazing. | 0:16:48 | 0:16:52 | |
And he taught her photography and she modelled | 0:16:52 | 0:16:54 | |
for some of the greatest pictures of his whole career. | 0:16:54 | 0:16:57 | |
Lee lived a bohemian life in Paris, | 0:16:57 | 0:17:00 | |
mixing with artists like Picasso and Max Ernst. | 0:17:00 | 0:17:04 | |
But her relationship with Man Ray was a tempestuous one. | 0:17:04 | 0:17:08 | |
He taught her photography but then, after three years, | 0:17:09 | 0:17:12 | |
his possessiveness and his jealousy drove her nuts | 0:17:12 | 0:17:16 | |
-and he just wanted to control her. -Yeah. | 0:17:16 | 0:17:19 | |
And she wasn't going to be controlled by anyone, | 0:17:19 | 0:17:22 | |
so she hopped on a liner | 0:17:22 | 0:17:24 | |
and went back to New York and started her own studio. | 0:17:24 | 0:17:27 | |
Lee's highly successful studio closed in 1934, | 0:17:27 | 0:17:31 | |
when she married a wealthy Egyptian businessman and moved to Cairo. | 0:17:31 | 0:17:35 | |
But she was yet to meet the love of her life, | 0:17:35 | 0:17:38 | |
surrealist artist Roland Penrose. | 0:17:38 | 0:17:42 | |
Tell us, how did your mother meet your father? | 0:17:42 | 0:17:44 | |
Well, she went to this amazing fancy dress party, | 0:17:44 | 0:17:48 | |
where all her surrealist friends were, and there she met my dad. | 0:17:48 | 0:17:53 | |
He was dressed as a tramp. And he said that, in that moment, | 0:17:53 | 0:17:58 | |
he felt like he'd been struck by lightning, because it was wham, | 0:17:58 | 0:18:01 | |
and he was never the same again. It was love at first sight. | 0:18:01 | 0:18:05 | |
-It does exist! -It does exist, it really did it for them! | 0:18:05 | 0:18:10 | |
Although not yet divorced, Lee and Roland were living together | 0:18:10 | 0:18:14 | |
when World War II broke out | 0:18:14 | 0:18:17 | |
and it was then that Lee reinvented herself as a photojournalist. | 0:18:17 | 0:18:21 | |
In 1944, she became a war correspondent, | 0:18:21 | 0:18:24 | |
-accredited to the US army. -She was a combat photographer? | 0:18:24 | 0:18:28 | |
Yes, as soon as she got over to Normandy, | 0:18:28 | 0:18:31 | |
shortly after the Normandy landings, | 0:18:31 | 0:18:33 | |
she crossed the line absolutely forbidden to women | 0:18:33 | 0:18:36 | |
and started photographing the siege of Saint Malo. | 0:18:36 | 0:18:39 | |
-Wow. -That's extraordinary. | 0:18:39 | 0:18:41 | |
It was a tremendous battle and she photographed it for five days, | 0:18:41 | 0:18:45 | |
while the Germans slugged it out with the US 83rd Division. | 0:18:45 | 0:18:49 | |
Then here she is, a few days later, during the battle. | 0:18:49 | 0:18:53 | |
She's got the presence of mind to go into a deserted ballroom | 0:18:53 | 0:18:56 | |
-and photograph herself in a mirror. -That's extraordinary. | 0:18:56 | 0:19:00 | |
There's something of the fashion model in her | 0:19:00 | 0:19:03 | |
that just wouldn't quit. And there was always this kind of dichotomy. | 0:19:03 | 0:19:06 | |
She knew, so well, how to be a beautiful woman. | 0:19:06 | 0:19:10 | |
At the same time, | 0:19:10 | 0:19:11 | |
she could survive an act perfectly appropriately in a man's world. | 0:19:11 | 0:19:16 | |
I think this came from when she was very young | 0:19:16 | 0:19:18 | |
because her father encouraged her to play boys' games | 0:19:18 | 0:19:21 | |
and do all sorts of crazy stuff and it made her very practical, | 0:19:21 | 0:19:26 | |
very self-reliant and very able to survive dangerous situations. | 0:19:26 | 0:19:32 | |
And survive she did. | 0:19:32 | 0:19:35 | |
During the war, Lee took many stark and hard-hitting photographs. | 0:19:35 | 0:19:39 | |
On 29th April, 1945, Lee spent a difficult day | 0:19:39 | 0:19:42 | |
photographing the newly liberated Dachau concentration camp. | 0:19:42 | 0:19:47 | |
She then accompanied the American GIs | 0:19:47 | 0:19:49 | |
and Time Life photographer David Scherman to Munich, | 0:19:49 | 0:19:53 | |
where they discovered Hitler's apartment exactly as he'd left it. | 0:19:53 | 0:19:57 | |
Here was this perfect opportunity - hot water, soap, towels, flannel. | 0:19:58 | 0:20:02 | |
-And then they realised they had the scoop of the century. -Absolutely. | 0:20:02 | 0:20:05 | |
The thing is, they put this picture here, | 0:20:05 | 0:20:08 | |
which is actually a very famous Nazi image. | 0:20:08 | 0:20:12 | |
It's a portrait of Hitler by Heinrich Hoffmann | 0:20:12 | 0:20:14 | |
that became the, kind of, THE poster | 0:20:14 | 0:20:17 | |
and, by putting it there, on the edge of the bath, | 0:20:17 | 0:20:20 | |
that was really like saying, "OK, Hitler, you are finished. | 0:20:20 | 0:20:23 | |
-"We can do what we like in your house." -Yeah. | 0:20:23 | 0:20:26 | |
But the key is actually the boots, because the morning of this day, | 0:20:26 | 0:20:30 | |
those boots carried Lee Miller around Dachau concentration camp | 0:20:30 | 0:20:34 | |
and now she's stamping the filth of that place and the heartache | 0:20:34 | 0:20:39 | |
and the cruelty into Hitler's nice, clean, pristine bathmat. | 0:20:39 | 0:20:43 | |
She's not sitting there as a guest. She's a victor. | 0:20:43 | 0:20:46 | |
After the war, Lee married Roland Penrose. | 0:20:47 | 0:20:51 | |
They moved to this house in East Sussex | 0:20:51 | 0:20:53 | |
and went on to give birth to their only child, Antony. | 0:20:53 | 0:20:56 | |
It wasn't until after Lee's death in 1977, | 0:20:56 | 0:20:59 | |
that Antony actually discovered | 0:20:59 | 0:21:01 | |
what kind of woman his mother had been in her younger years, | 0:21:01 | 0:21:05 | |
after stumbling across her amazing career | 0:21:05 | 0:21:08 | |
she'd hidden away in the attic. | 0:21:08 | 0:21:10 | |
My late wife went upstairs, looking for pictures of me as a baby, | 0:21:10 | 0:21:15 | |
and she came down, actually, | 0:21:15 | 0:21:17 | |
with the manuscript of the siege of Saint Malo. Not images, words. | 0:21:17 | 0:21:22 | |
And I couldn't believe that my mum, who I had known in my lifetime | 0:21:22 | 0:21:27 | |
as somebody who had been so deeply affected | 0:21:27 | 0:21:30 | |
by post-traumatic stress disorder | 0:21:30 | 0:21:32 | |
that she'd been, practically, a useless drunk, | 0:21:32 | 0:21:35 | |
I couldn't believe that she had written this material. | 0:21:35 | 0:21:39 | |
Then we found the images and we could do nothing else | 0:21:39 | 0:21:44 | |
but put it all together and it's taken many, many years | 0:21:44 | 0:21:49 | |
to assemble it into the Lee Miller archive, which is now what it is. | 0:21:49 | 0:21:52 | |
-It's the most profound, moving, amazing story. -Well, thank you. | 0:21:52 | 0:21:57 | |
You see, we discovered a collection of photography. | 0:21:57 | 0:22:01 | |
I discovered a mum that I hadn't known, | 0:22:01 | 0:22:03 | |
-and that's something that still feels good to this day. -Amazing. | 0:22:03 | 0:22:06 | |
With her hidden work finally revealed, | 0:22:06 | 0:22:09 | |
Lee Miller will forever be remembered | 0:22:09 | 0:22:11 | |
as the stunning supermodel who went on to document | 0:22:11 | 0:22:14 | |
some of the most profound moments of the 20th century. | 0:22:14 | 0:22:17 | |
Back on the road, though, | 0:22:21 | 0:22:23 | |
Christina and David are making their way to Lewes. | 0:22:23 | 0:22:27 | |
I think, if Gok were here, he'd be telling me... | 0:22:27 | 0:22:31 | |
-..that maybe my jeans are a bit short. -Do you think so? | 0:22:32 | 0:22:35 | |
Actually, for my self-confidence, | 0:22:35 | 0:22:38 | |
-maybe it's a good idea that he's NOT here. -And do you know what? | 0:22:38 | 0:22:41 | |
You've never beaten me on the Celebrity Road Trips. | 0:22:41 | 0:22:43 | |
-No, I haven't, have I? -Now's your chance to win. | 0:22:43 | 0:22:46 | |
CHRISTINA LAUGHS | 0:22:46 | 0:22:49 | |
Our experts have arrived at Emporium Antiques Centre. | 0:22:52 | 0:22:56 | |
-Would you please get in? -Look at that. | 0:22:57 | 0:23:01 | |
With £360 burning a hole in their pockets, what will they find in here? | 0:23:03 | 0:23:09 | |
-Right, Christina. -Yeah. -Let me show you something. -Mmm-hmm. | 0:23:10 | 0:23:14 | |
I am in love with Michele. | 0:23:14 | 0:23:18 | |
-Oh. You poor woman! -CHRISTINA LAUGHS | 0:23:18 | 0:23:22 | |
-Don't say, "Poor woman." -The customer is always right. | 0:23:22 | 0:23:26 | |
THEY LAUGH | 0:23:26 | 0:23:27 | |
Yeah, to a certain extent. I don't think I'd wish that on anyone. | 0:23:27 | 0:23:31 | |
-That's pretty cool, isn't it? -Thank you. -It looks like majolica. | 0:23:31 | 0:23:34 | |
That is a big chunk of majolica, full of colour, design... | 0:23:34 | 0:23:39 | |
That's nice. You've got the George Jones mark on there. | 0:23:39 | 0:23:42 | |
-George Jones & Sons. -Oh, nice. | 0:23:42 | 0:23:45 | |
This is late 1890s, circa 1900, | 0:23:45 | 0:23:47 | |
but you've got the Art Nouveau thing going on, haven't you? | 0:23:47 | 0:23:50 | |
To be perfectly honest, this has seen better days - | 0:23:50 | 0:23:53 | |
-much like yourself. -DAVID LAUGHS | 0:23:53 | 0:23:55 | |
-It's the size. -But you see, | 0:23:55 | 0:23:57 | |
-some things get better with age. -Really? | 0:23:57 | 0:23:59 | |
-Others don't. -Are you telling me that you're a fine vintage, darling? | 0:23:59 | 0:24:02 | |
CHRISTINA LAUGHS | 0:24:02 | 0:24:05 | |
Michelle, this is what I've got to put up with. | 0:24:05 | 0:24:07 | |
-I love that you're so delusional. -It's very difficult. | 0:24:07 | 0:24:10 | |
It's very difficult indeed. | 0:24:10 | 0:24:12 | |
-What's the price on it? -23 quid. | 0:24:12 | 0:24:14 | |
Really? | 0:24:14 | 0:24:16 | |
Michelle, trade on that to Christina and myself, how much would that be? | 0:24:16 | 0:24:21 | |
-The very best would be 15. -To be honest, I absolutely love it. | 0:24:21 | 0:24:25 | |
If we don't pay £15 for that, I think we're bonkers. | 0:24:25 | 0:24:28 | |
-All right, I'm happy with that. -Michele, put that on our account. | 0:24:28 | 0:24:31 | |
-Thank you very much. -You're an angel. -Great. -Brilliant. | 0:24:31 | 0:24:34 | |
Right, can you find something interesting? | 0:24:34 | 0:24:36 | |
-I found all the last things! -You just gas on all the time. | 0:24:36 | 0:24:40 | |
Now, now, you two. You're on the same team, remember. | 0:24:41 | 0:24:44 | |
Ah, the shop has a backyard. | 0:24:44 | 0:24:46 | |
-Those are nice, aren't they? -I like them! | 0:24:48 | 0:24:50 | |
-Look at all those creepy-crawlies. -Oh, my gosh. | 0:24:50 | 0:24:52 | |
-Shall I bring the other one out? -Look at all those woodlice! | 0:24:52 | 0:24:55 | |
-That adds a bit of age to them, doesn't it? -I love woodlice. | 0:24:55 | 0:24:59 | |
-They just look so prehistoric. -Right, so a pair of those. -Yeah. | 0:24:59 | 0:25:02 | |
-What are they? -They're hernia-inducing, aren't they? | 0:25:02 | 0:25:05 | |
Late 19th century? Got to be, haven't they? | 0:25:05 | 0:25:07 | |
Victorian, cast-iron, really heavy, really good. | 0:25:07 | 0:25:10 | |
-Look how crisp that is as well. -Yeah, good detail. | 0:25:10 | 0:25:13 | |
In reproductions, you just never get anything like that crispness. | 0:25:13 | 0:25:16 | |
Nice gadrooned border. Good decoration. | 0:25:16 | 0:25:19 | |
-Egg and dart, actually, my darling. -It's also called gadrooned. | 0:25:19 | 0:25:22 | |
-No, egg and dart. -Egg and dart gadrooning. | 0:25:22 | 0:25:25 | |
-No, gadrooning is very different. -Oh, is it? | 0:25:25 | 0:25:27 | |
-You're sure you couldn't call that gadrooning? -Trust me. | 0:25:27 | 0:25:30 | |
I'm a gadrooning specialist, darling. | 0:25:30 | 0:25:32 | |
-Listen, I'm going to gadroon you. -Hey, David, listen to her. | 0:25:32 | 0:25:36 | |
It is egg and dart. | 0:25:36 | 0:25:38 | |
Ticket price is £195 for the pair. | 0:25:38 | 0:25:41 | |
Can Michele, ma belle, do them a deal? | 0:25:41 | 0:25:43 | |
-What's your absolute def on them, darling? -120 is the... | 0:25:43 | 0:25:47 | |
-I think 120's got to be good, hasn't it? -I think so. | 0:25:47 | 0:25:51 | |
We're at 120 for those and 15 for the pot. | 0:25:51 | 0:25:54 | |
Could we say 130 for the two? | 0:25:54 | 0:25:58 | |
-130 for the pot and the urns? -Er, OK. | 0:25:58 | 0:26:01 | |
-All right then. -Would that be all right? -As it's the end of the day. | 0:26:01 | 0:26:04 | |
-Thank you, Michele. I'm sorry about Christina. -That's OK. | 0:26:04 | 0:26:07 | |
-Don't worry, I won't come back, I promise! -Lovely to see you! | 0:26:07 | 0:26:11 | |
So, that deal means that they've spent £15 on the pot | 0:26:11 | 0:26:16 | |
and £115 on the cast-iron urns - | 0:26:16 | 0:26:19 | |
a marvellous end to a busy day of shopping. | 0:26:19 | 0:26:21 | |
So, nighty-night, chaps. | 0:26:21 | 0:26:24 | |
The next morning, our celebrities are back on the road | 0:26:25 | 0:26:28 | |
and preparing for the shopping day ahead with no fog - hopefully. | 0:26:28 | 0:26:33 | |
So, what are we going to do then? Cos those two are going to win. | 0:26:33 | 0:26:36 | |
-No, they're not. -They are. -No, they are not going to win. | 0:26:36 | 0:26:39 | |
-We are going win. -Mrs Vase and Mr Pots. -I know, I know. | 0:26:39 | 0:26:43 | |
-I think the only thing we can do is find out what they've bought. -How? | 0:26:43 | 0:26:46 | |
-Why don't we steal their car? -Yes! -We'll steal their car. | 0:26:46 | 0:26:50 | |
-I'll offer her a makeover... -Yeah. -And then you should faint. -Faint? | 0:26:50 | 0:26:56 | |
Yeah, pretend you're ill, I'll take you outside for fresh air. | 0:26:56 | 0:26:58 | |
-I'm an actress. I can do that. -You need some fresh air, | 0:26:58 | 0:27:01 | |
take you outside, we'll get in the car, we'll drive off | 0:27:01 | 0:27:03 | |
and then we'll go through the boot | 0:27:03 | 0:27:05 | |
-and find out what they've bought. -Absolutely. | 0:27:05 | 0:27:07 | |
Hey, will they stoop at nothing to win? | 0:27:07 | 0:27:09 | |
They're doing quite well already actually, because yesterday, | 0:27:11 | 0:27:14 | |
they picked up two lots - the Bakelite gentleman's kit | 0:27:14 | 0:27:17 | |
and the three oriental trinket boxes, | 0:27:17 | 0:27:19 | |
leaving a massive £300 available to spend. | 0:27:19 | 0:27:22 | |
Christina and David are ahead on the shopping front | 0:27:24 | 0:27:26 | |
with four lots bought - a selection of glass scent bottles, | 0:27:26 | 0:27:30 | |
the wooden spinning chair, | 0:27:30 | 0:27:32 | |
the majolica planter pot and the pair of garden urns. | 0:27:32 | 0:27:35 | |
They have £230 to play with. | 0:27:35 | 0:27:38 | |
Our celebrities and experts are starting today in Bexhill-on-Sea. | 0:27:40 | 0:27:45 | |
Oh, yes. | 0:27:45 | 0:27:47 | |
-CHRISTINA: -Morning! -GOK: -Morning! | 0:27:47 | 0:27:50 | |
-That looks so horribly tempting. -How are you? | 0:27:50 | 0:27:53 | |
-CHRISTINA: -Oh, look at that. -Oh, my God! -GOK: -I didn't move my leg. | 0:27:53 | 0:27:58 | |
-Good morning. -Good morning. -How are you? -Morning. | 0:27:58 | 0:28:00 | |
-Good to see you. -Good to see you too. | 0:28:00 | 0:28:03 | |
-CHRISTINA: -Snog! -GOK: -Hello, you're both so colourful! | 0:28:03 | 0:28:06 | |
Hello. Ooh, I say. | 0:28:06 | 0:28:07 | |
-CHRISTINA: -Is that good or bad? -GOK: -Can I see? | 0:28:07 | 0:28:10 | |
-CHRISTINA: -Oh, really? -GOK: -Can I see? | 0:28:10 | 0:28:12 | |
-The kimono is a triumph. Let me see. Turn around. -Beautiful. | 0:28:12 | 0:28:15 | |
Oh, it's great, honestly. And those jeans - great for the rear. | 0:28:15 | 0:28:18 | |
-CHRISTINA: -Great FROM the rear? -For the rear. | 0:28:18 | 0:28:20 | |
-GOK: -FOR your rear. -It enhances. -Wonderful. | 0:28:20 | 0:28:23 | |
Right, enough of the fashion critique. | 0:28:23 | 0:28:26 | |
Let's shop and less hand-holding. You're on opposite teams, you two. | 0:28:26 | 0:28:31 | |
With a bit of catching-up to do, | 0:28:31 | 0:28:32 | |
what can our celebrities find in Eras Of Style? | 0:28:32 | 0:28:36 | |
-Right, so what are we looking for? -What about those little funnies? | 0:28:37 | 0:28:42 | |
There's something quite nice about that. I like the colours in it. | 0:28:45 | 0:28:49 | |
They look rather extraordinary. What the hell are they? | 0:28:49 | 0:28:52 | |
I love these! So, these are traditional trunks, | 0:28:52 | 0:28:55 | |
-turn of the century. -Let's do it. | 0:28:55 | 0:28:56 | |
Property of District Ky Son in Vietnam. | 0:28:56 | 0:29:01 | |
-Asian. -Asian - let's do it! -OK, let's go. | 0:29:01 | 0:29:03 | |
-No, don't lift it, darling. Your back. -Look, 195. No, it's fine. | 0:29:03 | 0:29:07 | |
No, it's not. Ooh, out of the way. | 0:29:07 | 0:29:09 | |
-Oh, my God. -Yeah, I said. | 0:29:12 | 0:29:14 | |
It's wooden. I thought it was made of hay! | 0:29:14 | 0:29:16 | |
-No! -Hay?! -Oh, my God. -Do you think we should do both, though? | 0:29:16 | 0:29:20 | |
I think one. Who would buy two of these? | 0:29:20 | 0:29:23 | |
They're so extraordinarily big. | 0:29:23 | 0:29:26 | |
All right, let's open it up to make sure it's in good nick. | 0:29:26 | 0:29:29 | |
-THEY GASP -Oh, hello, paperwork. -What the hell? | 0:29:29 | 0:29:32 | |
-Oh, amazing. -"Rue de Joux..." | 0:29:33 | 0:29:37 | |
-So, it's French. Mon Dieu! -"Le pomme de deux cent vingt..." | 0:29:37 | 0:29:42 | |
-So that's money. -Yeah. | 0:29:42 | 0:29:44 | |
-Shall I give this a go with Andy? -Give it a go. | 0:29:44 | 0:29:47 | |
-I'm your backup. -OK, right. Andy! -Andy! | 0:29:47 | 0:29:50 | |
Gok's keen eye has struck again with this 19th-century travel trunk, | 0:29:51 | 0:29:56 | |
complete with an interesting collection of documents. | 0:29:56 | 0:29:59 | |
Can they get it for less than the £195 ticket price? Stand by, Andy. | 0:30:01 | 0:30:05 | |
-I think we probably should start around the 100 mark. -Oh! -We have to. | 0:30:05 | 0:30:10 | |
-Come on. -100 is a beautiful number. -That is cut in half. I can't. | 0:30:10 | 0:30:13 | |
-Pretty much, pretty much. You can do it. -At 195, it's not. | 0:30:13 | 0:30:16 | |
You can do anything in this world. Come on. High five. | 0:30:16 | 0:30:19 | |
-I love your hair. Have you been growing that for a while? -No. | 0:30:19 | 0:30:21 | |
Cos it's beautiful. Do you know, salt and pepper... | 0:30:21 | 0:30:24 | |
-Oh, George Clooney! -Absolutely! | 0:30:24 | 0:30:27 | |
-This is... -George Clooney, in Venice, at the wedding! | 0:30:27 | 0:30:30 | |
-No-one would ever know! -One. Say one. -130. -130. | 0:30:30 | 0:30:34 | |
-What about 120 and we're done? -Go on then. -Thank you. | 0:30:34 | 0:30:37 | |
-Phew. -Phew. Love it! Thank you. We'll have it wrapped. -Thank you. | 0:30:37 | 0:30:41 | |
With a bow, if that's all right. | 0:30:41 | 0:30:43 | |
Well, now, who said compliments don't get you anywhere? | 0:30:43 | 0:30:46 | |
First deal of the day done. | 0:30:46 | 0:30:49 | |
What will they unearth next? These are a bit more modern. | 0:30:50 | 0:30:54 | |
If I was doing someone's interiors, I would easily put those on the side | 0:30:54 | 0:30:58 | |
with a couple of brandy glasses and fill them up. | 0:30:58 | 0:31:00 | |
-Prepare yourself, Andy. -OK, so here we go. We've got two decanters. | 0:31:00 | 0:31:04 | |
-Ticket price, £33 each. -Yeah. | 0:31:04 | 0:31:06 | |
So, we're going to appeal to your beautiful side and think... | 0:31:06 | 0:31:11 | |
Every side. Every side is beautiful. | 0:31:11 | 0:31:13 | |
-What can we do? Cos you are incredible. -Oh, dear. Um... | 0:31:13 | 0:31:17 | |
-For the pair. -50 quid. 50 quid for the pair. | 0:31:17 | 0:31:21 | |
35 to 40? I know that's painful. | 0:31:24 | 0:31:27 | |
-£40. -Yes. -That gives you a chance then. -Thank you. Both. | 0:31:28 | 0:31:34 | |
-Andy, you're the kindest man in the world. -Group hug. -We love you. | 0:31:34 | 0:31:39 | |
-Thanks, baby. -Thank you, darling. | 0:31:39 | 0:31:41 | |
-I've never sweated so much in my life! -Bye. | 0:31:41 | 0:31:44 | |
Our celebrities have been getting some generous deals from Andy. | 0:31:45 | 0:31:49 | |
But what of their rivals? | 0:31:49 | 0:31:51 | |
-Christina, how do you feel about art deco pieces? -Hmm? | 0:31:51 | 0:31:55 | |
-Art deco - do you like it? -Oh, I love a bit of deco. -Good. | 0:31:55 | 0:31:57 | |
Check that out for a desktop art deco piece of kit. | 0:31:57 | 0:32:02 | |
That is a good-looking piece, isn't it? | 0:32:02 | 0:32:04 | |
Let's have a look. So, this is some sort of weather... | 0:32:06 | 0:32:10 | |
-It's a barometer, isn't it? -Yeah, so we've got a little gauge there. | 0:32:10 | 0:32:13 | |
-That's a clever bit of kit. -And what's that? | 0:32:13 | 0:32:15 | |
Oh, a perpetual calendar. That's good. | 0:32:15 | 0:32:17 | |
So we've got Fahrenheit symbol there. | 0:32:17 | 0:32:20 | |
I think the thing we've got to look for here is, | 0:32:20 | 0:32:22 | |
-it original or is it a copy? -And is it complete? | 0:32:22 | 0:32:25 | |
And I think we're absolutely sure that is original, isn't it? | 0:32:25 | 0:32:29 | |
-That's circa 1930. -Yeah, I like it. -It's in good order. | 0:32:29 | 0:32:33 | |
-Nice angular shape. -I like it but how much is it? -I don't know. | 0:32:33 | 0:32:37 | |
Let's find out. You keep admiring, keep counting, | 0:32:37 | 0:32:39 | |
and I'll go and find out. | 0:32:39 | 0:32:41 | |
At the beck and call of both teams, Andy's up again. | 0:32:41 | 0:32:45 | |
I think the best, really, is 40 quid, | 0:32:45 | 0:32:47 | |
-and that's just to give you a chance. -Andy, look me in the eyes. | 0:32:47 | 0:32:51 | |
Andy, I'm warning you, do not look in those... | 0:32:51 | 0:32:54 | |
-Andy, don't look in those eyes! Andy, look in her eyes. -£30. | 0:32:54 | 0:32:58 | |
-I've just been looking in Gok's eyes. -And we're a happy, happy girl. | 0:32:58 | 0:33:02 | |
-She's done it. He's looked into the eyes. That's it. 35. -£30. | 0:33:02 | 0:33:05 | |
-Andy, look into the eyes. -£30. Look at me, go on. -I dare you! Seriously. | 0:33:05 | 0:33:11 | |
-How can you refuse? -You're an angel. Thank you. | 0:33:11 | 0:33:14 | |
Andy's certainly being kept on his toes today. | 0:33:14 | 0:33:17 | |
Meanwhile, it looks like Gok's got his fashionista hat on again. | 0:33:17 | 0:33:22 | |
-Oh, my... They are gorgeous! -Woo! -Oh! Oh, look at that! | 0:33:22 | 0:33:29 | |
I mean, what a hat! I'm thinking that's probably '30s, I think. | 0:33:30 | 0:33:35 | |
Maybe, actually, a bit earlier than that. Maybe late '20s, '30s. | 0:33:35 | 0:33:39 | |
Oh, God, Harriet, you have found... I think we should do this. | 0:33:39 | 0:33:42 | |
-I tell you why. -Go on. -Because it's theatre... -Yes. | 0:33:42 | 0:33:46 | |
..for you and it's, obviously fashion. | 0:33:46 | 0:33:48 | |
-But this one, for me. -Yeah, 100%. | 0:33:48 | 0:33:50 | |
-Shall we get Andy? Shall we find out? -Andy! | 0:33:50 | 0:33:54 | |
-Ah, you've got hats. -Andy, what do you think? | 0:33:54 | 0:33:57 | |
-They're fabulous, aren't they? -What are the prices of them? | 0:33:57 | 0:34:00 | |
They're 55 each. | 0:34:00 | 0:34:01 | |
OK, let me just model this for you for a moment. | 0:34:02 | 0:34:05 | |
A little lower pour moi? Oui? | 0:34:05 | 0:34:08 | |
ANDY LAUGHS | 0:34:08 | 0:34:10 | |
-For you, Harriet... -Oui? -I'm putty in your hand. -Thank you. -110. | 0:34:10 | 0:34:16 | |
-I think we'll take them for 110. I feel that way. -Yeah. | 0:34:16 | 0:34:19 | |
-Thank you very much. -Thank you. -You've been incredible. | 0:34:19 | 0:34:23 | |
We love that. We should give you some money now. | 0:34:23 | 0:34:26 | |
Now, this is a present from me to you. | 0:34:26 | 0:34:28 | |
-Harriet, can we have the money, please? -Of course. -Oh! | 0:34:28 | 0:34:31 | |
Both halves. | 0:34:33 | 0:34:34 | |
I was expecting 50s there, Harriet. | 0:34:37 | 0:34:39 | |
THEY LAUGH | 0:34:39 | 0:34:43 | |
Ooh, saucy! I think Gok's eye for fashion | 0:34:43 | 0:34:45 | |
may have unearthed a real gem with these 1930s pheasant feather hats. | 0:34:45 | 0:34:51 | |
Try saying THAT quickly! | 0:34:51 | 0:34:53 | |
-Wait! Wait! -Hang on, what are they up to? | 0:34:53 | 0:34:57 | |
Are they actually nicking the experts' car? That's terrible! | 0:35:00 | 0:35:04 | |
-That was all right, wasn't it? -It was good. Well done, you. -Brilliant. | 0:35:06 | 0:35:10 | |
-Where's the Porsche? -Yeah, where's our...? | 0:35:10 | 0:35:13 | |
With their car AWOL, Christina and David have hopped into the Corvette | 0:35:13 | 0:35:18 | |
and are making their way to Hastings. | 0:35:18 | 0:35:20 | |
Look at this. We've got a castle. | 0:35:24 | 0:35:26 | |
That's fab, isn't it? | 0:35:26 | 0:35:29 | |
They've come to Hastings Museum to learn about Lady Annie Brassey, | 0:35:29 | 0:35:33 | |
one of the most celebrated Victorian travel writers, | 0:35:33 | 0:35:36 | |
who toured the world collecting both stories and artefacts as she went. | 0:35:36 | 0:35:41 | |
The Brassey family were multimillionaires | 0:35:42 | 0:35:44 | |
and, like many upper-class people at the time, | 0:35:44 | 0:35:46 | |
they were bitten by the travel bug. | 0:35:46 | 0:35:48 | |
Their overseas adventures are captured | 0:35:50 | 0:35:52 | |
in Annie's extraordinary collection. | 0:35:52 | 0:35:54 | |
To show them round is education officer Catherine Harvey. | 0:35:54 | 0:35:58 | |
She had the most amazing eye, the most amazing interest. | 0:35:58 | 0:36:01 | |
She was interested in people and how they lived, | 0:36:01 | 0:36:03 | |
so there are lots of everyday items | 0:36:03 | 0:36:06 | |
and she collected ethnographic material, fine art, | 0:36:06 | 0:36:10 | |
oriental art, textiles. | 0:36:10 | 0:36:12 | |
She even collected animals, plants, and they all travelled with her, | 0:36:12 | 0:36:18 | |
as she went around collecting on their steam yacht. | 0:36:18 | 0:36:21 | |
Annie was keen to share her experiences | 0:36:22 | 0:36:24 | |
with people who couldn't afford to do the same. | 0:36:24 | 0:36:28 | |
She exhibited her collections, charging the public for entry | 0:36:28 | 0:36:31 | |
and donating all the money to charity. | 0:36:31 | 0:36:33 | |
I think what's unusual about Annie, is they had a young family | 0:36:35 | 0:36:38 | |
-and they all went with them. -They took the children? -So, they had... | 0:36:38 | 0:36:41 | |
One of their children, their second daughter, Constance, | 0:36:41 | 0:36:45 | |
-died from scarlet fever aged four. -On one of the tours? | 0:36:45 | 0:36:49 | |
No, before that, but the boat that they did their big journeys on, | 0:36:49 | 0:36:53 | |
is called the Sunbeam and it's named after her. | 0:36:53 | 0:36:55 | |
Her nickname was Sunbeam | 0:36:55 | 0:36:57 | |
and the figurehead is a likeness of Constance on the front of the boat. | 0:36:57 | 0:37:01 | |
-Oh, my gosh. -So she still went with them. -She did, in a way, didn't she? | 0:37:01 | 0:37:05 | |
-Yeah. -And so, they had one son and three other daughters | 0:37:05 | 0:37:08 | |
and their adventures and their day-to-day activities | 0:37:08 | 0:37:12 | |
are all recorded in the books that Annie wrote. | 0:37:12 | 0:37:15 | |
-She wrote about her journeys, did she? -She did. | 0:37:15 | 0:37:17 | |
It started by her writing letters home to her father | 0:37:17 | 0:37:21 | |
and they were passed around a widening circle | 0:37:21 | 0:37:24 | |
of friends and family, I suppose, | 0:37:24 | 0:37:26 | |
and were soon published by Longmans. | 0:37:26 | 0:37:29 | |
She wrote seven books in all | 0:37:29 | 0:37:32 | |
of different voyages that they went on, | 0:37:32 | 0:37:34 | |
but the one that really made her name was A Voyage In The Sunbeam, | 0:37:34 | 0:37:39 | |
the one that described that round-the-world trip in 1876. | 0:37:39 | 0:37:42 | |
It was fantastically popular. | 0:37:42 | 0:37:45 | |
It was a best-seller and it went into multiple reprints, | 0:37:45 | 0:37:49 | |
was translated into numerous languages | 0:37:49 | 0:37:52 | |
and there's a lovely quote in one of her later books | 0:37:52 | 0:37:55 | |
about how it felt to be travelling | 0:37:55 | 0:37:57 | |
in these really unknown parts of the world | 0:37:57 | 0:37:59 | |
and to find that she was known. People knew all about her | 0:37:59 | 0:38:02 | |
and her family because they'd read her books. | 0:38:02 | 0:38:04 | |
During a trip to Australia, in 1887, Annie died of malarial fever. | 0:38:04 | 0:38:10 | |
She was buried at sea, aged just 47 years old. | 0:38:10 | 0:38:15 | |
Her husband, Thomas, finished the book | 0:38:15 | 0:38:17 | |
Annie had been writing at the time, calling it The Last Voyage. | 0:38:17 | 0:38:21 | |
Although long gone, Annie left the world a beautiful legacy | 0:38:21 | 0:38:25 | |
in her wonderful journals and amazing collections. | 0:38:25 | 0:38:29 | |
And what of our celebrity car thieves? | 0:38:31 | 0:38:34 | |
-On the open road towards Sedlescombe. -Gok, can I ask you something? | 0:38:34 | 0:38:39 | |
-Anything. -Do you like this car better? -No. | 0:38:39 | 0:38:44 | |
I can't believe we stole this car and we had a much better Courgette. | 0:38:44 | 0:38:49 | |
-Can I make a suggestion? -Go on. -We steal the other one right back. | 0:38:49 | 0:38:52 | |
I think we have to. We want the roof off and do you know what? | 0:38:52 | 0:38:55 | |
-None of their stuff's IN the car! -Exactly! | 0:38:55 | 0:38:57 | |
We only stole it so we could see what they'd bought | 0:38:57 | 0:39:00 | |
-and none of it's in here! -Tough luck, chaps! | 0:39:00 | 0:39:02 | |
Come on. | 0:39:05 | 0:39:06 | |
Having been bold shoppers on this trip, | 0:39:06 | 0:39:09 | |
our celebrity team have just £30 left to spend. | 0:39:09 | 0:39:12 | |
Will Bridge Garage Antiques and Collectables Centre | 0:39:12 | 0:39:15 | |
and dealer Paul have something on their wish list? | 0:39:15 | 0:39:18 | |
We're looking for something British and silver, if possible. | 0:39:18 | 0:39:21 | |
-And something which is beautiful ornate, decorative. -Eye-catching. | 0:39:21 | 0:39:26 | |
-Eye-catching. Something that's going to give us the wow factor. -To win. | 0:39:26 | 0:39:29 | |
-Yeah, to win. -To win. -Not asking for much then, are you?! | 0:39:29 | 0:39:32 | |
-Paul? -What's that? -That's a very nice little vesta box, but it's £68. | 0:39:35 | 0:39:41 | |
-How much have you got? -30. -We've got 30. We've got no more. -30? -Yeah. | 0:39:41 | 0:39:44 | |
-Um... -And a vesta box, just so I know, | 0:39:44 | 0:39:48 | |
it was a box that you put matches in? | 0:39:48 | 0:39:50 | |
-You see the striker on the bottom? -Absolutely. | 0:39:50 | 0:39:53 | |
-And was it sailors that had them? -Oh, it was everybody. | 0:39:53 | 0:39:57 | |
They had it on their chain. | 0:39:57 | 0:39:58 | |
Cos everyone smoked, back in those days, didn't they? | 0:39:58 | 0:40:01 | |
-And they all had them. -Incredible. | 0:40:01 | 0:40:04 | |
And just the idea that that was a gentleman's accessory, for me, | 0:40:04 | 0:40:08 | |
-it feels so beautifully historic. -That's amazing. -It's gorgeous. | 0:40:08 | 0:40:12 | |
-Do you think that would be good? -I think it would be good. | 0:40:12 | 0:40:15 | |
So, Paul, when it gets to auction, | 0:40:15 | 0:40:17 | |
I'm assuming that that E and there's an S around it, | 0:40:17 | 0:40:20 | |
-are the initials of someone. -Yeah. | 0:40:20 | 0:40:21 | |
Would that put somebody off buying a product | 0:40:21 | 0:40:24 | |
because it was so personal to someone? | 0:40:24 | 0:40:26 | |
I don't think so, because it's so old. | 0:40:26 | 0:40:28 | |
-Right. -I think that's... -And it's a quality piece. -Absolutely. | 0:40:28 | 0:40:31 | |
-It's very nice. -It's beautiful. -Yeah. -It's a nice thing. | 0:40:31 | 0:40:35 | |
But will the owner do a deal for 30? | 0:40:35 | 0:40:38 | |
-So, where are we then, Paul? -Well, I can't get hold of the guy concerned, | 0:40:41 | 0:40:46 | |
but I have made an executive decision | 0:40:46 | 0:40:49 | |
-and I'm going to charge you £30. -Yeah! -Yes! | 0:40:49 | 0:40:52 | |
-Thank you! -Thank you so much! -Give me your hands. -Thank you. | 0:40:52 | 0:40:55 | |
Thank you so much. You adorable man! Money, you're going to have to pay. | 0:40:55 | 0:40:58 | |
-It's a pleasure. -There we go. | 0:40:58 | 0:41:00 | |
Now, would you like this wrapped or how would you like it? | 0:41:00 | 0:41:03 | |
-I'll do it like this, babe. Thank you. -Thank you so much,. | 0:41:03 | 0:41:06 | |
See you later. Bye. Love you. | 0:41:06 | 0:41:08 | |
And just like that, Harriet and Gok have spent every single penny. | 0:41:08 | 0:41:11 | |
But have our novices bought well? | 0:41:11 | 0:41:13 | |
Time for the experts to get an eyeful. | 0:41:13 | 0:41:16 | |
-Who wants to go first? -Harriet Thorpe, show us your wares. | 0:41:16 | 0:41:19 | |
-GOK: -I think you should reveal. Reveal, Harriet. | 0:41:19 | 0:41:22 | |
-No, no... -Sorry, sorry! My mistake! -Here is our stuff. | 0:41:22 | 0:41:26 | |
-Whoa. -Ta-da! -Look at those! | 0:41:28 | 0:41:30 | |
-CHRISTINA: -I love the hats! I LOVE the hats! | 0:41:30 | 0:41:33 | |
We knew you'd go theatrical, we knew it. | 0:41:33 | 0:41:35 | |
We had to because they're so beautiful and creative - | 0:41:35 | 0:41:39 | |
-like our good selves. -Yeah, exactly. | 0:41:39 | 0:41:42 | |
-And I love, my gosh, the carrier. -Yeah. -Whatever it is - is it straw? | 0:41:42 | 0:41:47 | |
-We have to open it. -We have to open it. | 0:41:47 | 0:41:49 | |
Because, inside... | 0:41:51 | 0:41:53 | |
-It's got original paperwork in there. -CHRISTINA: -Oh, wow! | 0:41:54 | 0:41:56 | |
-GOK: -Which is travel... So, it's basically dated. | 0:41:56 | 0:41:59 | |
It was obviously done by somebody who travelled. | 0:41:59 | 0:42:01 | |
-CHRISTINA: -So, what date is that? 19... | 0:42:01 | 0:42:04 | |
-GOK: -It is 1921, this one. -CHRISTINA: -Oh, wow. | 0:42:04 | 0:42:07 | |
-GOK: -This is a letter. So, the reason we liked this is, | 0:42:07 | 0:42:10 | |
it's not only a fabulous piece, it looks great, | 0:42:10 | 0:42:13 | |
it would look great in anyone's home now, | 0:42:13 | 0:42:16 | |
so it's a great aesthetic piece. | 0:42:16 | 0:42:18 | |
Also, it comes with so much more history than wood ever would do, | 0:42:18 | 0:42:21 | |
because it's got a human thought, a human story to it, | 0:42:21 | 0:42:23 | |
-and I think that is actually quite desirable. -I think it's fascinating. | 0:42:23 | 0:42:27 | |
You actually have bought with passion, haven't you? | 0:42:27 | 0:42:29 | |
You bought the things that you really love. | 0:42:29 | 0:42:31 | |
And that's part of the enjoyment, with this business. | 0:42:31 | 0:42:34 | |
-Have you spent everything? -GOK: -Every single penny. -£400? | 0:42:34 | 0:42:38 | |
-GOK: -If you're going to shop, you've got to shop! -Oh, my gosh! | 0:42:38 | 0:42:41 | |
-I'm really, really interested. You've spent every pound? -Yeah. | 0:42:41 | 0:42:45 | |
-Everything. -Good for you! Now for the experts' lots. | 0:42:45 | 0:42:50 | |
-GOK: -Oh, they're beautiful. Look at those. -Oh, no. | 0:42:50 | 0:42:52 | |
-Oh! -Look at that! -Uh-oh. -I'm shopping now. -Yeah. | 0:42:52 | 0:42:56 | |
-Lovely urns. -Oh, I say! -Right. -That's amazing. | 0:42:56 | 0:42:59 | |
Did you nick them from the garden out here | 0:42:59 | 0:43:01 | |
cos there's loads of them out there? Have you nicked them? | 0:43:01 | 0:43:04 | |
-Did you see the two patches on the lawn? -That's where WE were sitting! | 0:43:04 | 0:43:08 | |
LAUGHTER | 0:43:08 | 0:43:12 | |
I have to say, I love the urns. They're incredible. | 0:43:12 | 0:43:15 | |
I would use them in any fashion shoot that I was doing | 0:43:15 | 0:43:18 | |
and I would use them in my own home as well. | 0:43:18 | 0:43:20 | |
I think they're beautiful and I love the proportions, I love the size. | 0:43:20 | 0:43:24 | |
-Do you like the big pot? -I love her. She's got a chip though. | 0:43:24 | 0:43:27 | |
-It's got several chips. -Really? | 0:43:27 | 0:43:30 | |
-I do like it. Is it a potty? -No. -Oh. -So, she's chipped... | 0:43:30 | 0:43:33 | |
-CHRISTINA: -It might turn into a potty. -GOK: -What is it for? | 0:43:33 | 0:43:37 | |
-What's it for? -It's a planter. It's a jardiniere. | 0:43:37 | 0:43:39 | |
But it's by somebody called George Jones. | 0:43:39 | 0:43:41 | |
-GOK: -So it's got a name on it? -Oh, yeah. | 0:43:41 | 0:43:43 | |
George Jones was a very famous maker of majolica. | 0:43:43 | 0:43:46 | |
-GOK: -Dior. -Yeah, definitely Dior. -LAUGHTER | 0:43:46 | 0:43:49 | |
-Chanel or Dior. -Definitely. -Chanel, Dior... | 0:43:49 | 0:43:52 | |
Weren't these the last hats that Coco Chanel ever made? | 0:43:52 | 0:43:55 | |
-Ever made or wore. -They're the hats that made her have a bobbed haircut. | 0:43:55 | 0:43:58 | |
-Yeah, that's right. -We hoped they were going to buy a load of tat | 0:43:58 | 0:44:01 | |
-but they haven't, have they? -No, very impressed. -Disappointing. | 0:44:01 | 0:44:05 | |
-I feel really proud of that, don't you? Honestly? -Just a little bit. | 0:44:05 | 0:44:09 | |
-No, good job. -Well done. We'll see you at the auction. | 0:44:09 | 0:44:11 | |
-GOK: -See you there. -Good luck. -Good luck. | 0:44:11 | 0:44:14 | |
So, out of earshot, what did they REALLY think? | 0:44:15 | 0:44:18 | |
-You look a bit deep in thought, Mrs. -I AM deep in thought. | 0:44:18 | 0:44:22 | |
I love that they bought everything with absolute passion. | 0:44:22 | 0:44:26 | |
-Mmm. -They love every one of the things they've bought, | 0:44:26 | 0:44:28 | |
-but I'm really worried about those hats. -Mmm. | 0:44:28 | 0:44:32 | |
-£50 or £500 - you can't value the hats. -They are beautiful. | 0:44:32 | 0:44:36 | |
Even though I like a couple of their bits, | 0:44:36 | 0:44:39 | |
-a barometer on your desk - who's going to use that? -No-one. | 0:44:39 | 0:44:42 | |
-20 broken vases? -Travesty. | 0:44:42 | 0:44:44 | |
I really thought that Gok was going to hate our majolica | 0:44:44 | 0:44:47 | |
and he just loved it. | 0:44:47 | 0:44:49 | |
-Apparently, we are bang on trend. -Yeah, hello! -Who knew? | 0:44:49 | 0:44:53 | |
THEY LAUGH | 0:44:53 | 0:44:56 | |
-You know what else is happening? -Go on. -We're taking back that Corvette. | 0:44:56 | 0:44:59 | |
-It's ours. -Come on. | 0:44:59 | 0:45:01 | |
From starting in Eastbourne, | 0:45:03 | 0:45:05 | |
our two teams have shopped around south-east England | 0:45:05 | 0:45:07 | |
and have now motored their way to Southend-on-Sea for the big finale. | 0:45:07 | 0:45:12 | |
-Southend, babes. -I love this place. | 0:45:13 | 0:45:16 | |
And I love this place even more now we're back in THIS car | 0:45:16 | 0:45:19 | |
-and not that rickety thing. -That was hideous. Why did they want that? | 0:45:19 | 0:45:23 | |
-Well... You know, suits their buys. -Yes. | 0:45:23 | 0:45:27 | |
-I think we've got a good fighting chance. -I hope so. | 0:45:27 | 0:45:30 | |
I do like them, but I think we could probably give them a hand | 0:45:30 | 0:45:34 | |
-the next time they're out buying some antiques. -Yeah. | 0:45:34 | 0:45:37 | |
-Do you think we're going to win? -I hope so. | 0:45:37 | 0:45:40 | |
-Well, we have to. -Time will soon tell. | 0:45:40 | 0:45:44 | |
Here they are. Wahey! They look cool. | 0:45:47 | 0:45:50 | |
GOK AND HARRIET CHEER | 0:45:50 | 0:45:53 | |
-Hello. -Oh, we got the clothes right, Gok. | 0:45:53 | 0:45:55 | |
-We got the clothes right. We got it! -I'll open the door over this side. | 0:45:55 | 0:45:58 | |
Our teams are about to go head-to-head at Chalkwell Auctions | 0:46:00 | 0:46:04 | |
and the man with the gavel is Trevor Cornforth. | 0:46:04 | 0:46:07 | |
GAVEL BANGS | 0:46:07 | 0:46:09 | |
My favourite item today is definitely the hats. | 0:46:09 | 0:46:11 | |
They're absolutely superb. | 0:46:11 | 0:46:13 | |
They're some of the best hats I've seen in the last five years | 0:46:13 | 0:46:17 | |
and if they don't do well, I'd be extremely surprised. | 0:46:17 | 0:46:20 | |
There are two strugglers, as far as I'm concerned, | 0:46:20 | 0:46:23 | |
and both are down to condition - | 0:46:23 | 0:46:25 | |
that's the box of perfume bottles and the planter. | 0:46:25 | 0:46:28 | |
They're both damaged and in the current market, | 0:46:28 | 0:46:31 | |
people simply do not want to buy damaged goods. | 0:46:31 | 0:46:34 | |
They don't want to buy an awful lot at all, | 0:46:34 | 0:46:36 | |
but if it's damaged, there's no point. | 0:46:36 | 0:46:38 | |
That'll worry our experts. | 0:46:38 | 0:46:40 | |
They spent a total of £200 on five auction lots. | 0:46:41 | 0:46:45 | |
Our celebrities' clever buys could stand them in good stead here. | 0:46:47 | 0:46:51 | |
They shopped boldly, spending the full £400 on six lots. | 0:46:51 | 0:46:56 | |
Right, it's the moment of truth. | 0:46:56 | 0:46:58 | |
Our experts' reputation all rides on this auction | 0:46:58 | 0:47:02 | |
which has buyers online and in the room. | 0:47:02 | 0:47:04 | |
-Have you been to an auction before? -GOK: -No, I'm very excited. | 0:47:04 | 0:47:10 | |
First up, it's our experts' biggest spend - the cast-iron garden urns. | 0:47:10 | 0:47:16 | |
Start me at £50, get them going. Any interest at £50 on the garden urns? | 0:47:16 | 0:47:20 | |
-50 I'm bid here. -You've got one, you've got one. | 0:47:20 | 0:47:24 | |
-We need a long way to go yet. -60 on the net. 70, sir? | 0:47:24 | 0:47:28 | |
-No, against you then at 60 on the net. -Come on! | 0:47:28 | 0:47:30 | |
-60? -We're at £60 at the moment. Surely more than that. | 0:47:30 | 0:47:33 | |
Any interest beyond £60? This is a pair you're buying. At £60. | 0:47:33 | 0:47:38 | |
-Nobody with a garden? 70 with the gentleman. -Someone's got a garden. | 0:47:38 | 0:47:42 | |
-You got another one, same guy. -Any advance on 70? | 0:47:42 | 0:47:45 | |
I need 80 on the internet. We're at £70 at the moment. | 0:47:45 | 0:47:48 | |
-Oh, Christina... -All done at £70. | 0:47:48 | 0:47:50 | |
-GAVEL BANGS -Ouch! | 0:47:50 | 0:47:53 | |
-That's a big hit. -Is it? -Yeah. | 0:47:53 | 0:47:55 | |
Fear not! There's plenty more to come. | 0:47:55 | 0:47:59 | |
We should be used to it. | 0:48:00 | 0:48:02 | |
Even though we are your competition, I do feel really sorry for you. | 0:48:02 | 0:48:05 | |
-Truthfully? -Don't you feel bad for them? -I'm so sad! -Isn't that awful? | 0:48:05 | 0:48:10 | |
-Can you feel the sincerity? -High five. | 0:48:10 | 0:48:12 | |
Yeah, that's how bad we feel right now. | 0:48:12 | 0:48:14 | |
-Oh, sorry. -No flies on me, baby. -LAUGHTER | 0:48:14 | 0:48:17 | |
Oh, dear. | 0:48:17 | 0:48:19 | |
Let's see how the experts' spinning chair fares. | 0:48:21 | 0:48:25 | |
I love this. I've found my new hobby. | 0:48:25 | 0:48:29 | |
-CHRISTINA: -Really? -GOK: -I love this! -£20 to get it going. | 0:48:29 | 0:48:31 | |
Any interest at £20? 20 I'm bid. | 0:48:31 | 0:48:34 | |
-It's on the net at the moment at £20. -Oh, good. -25 anywhere? | 0:48:34 | 0:48:36 | |
I've got £20 at the moment. Where's 25 on this one? 25 in the room. | 0:48:36 | 0:48:40 | |
Gentleman's bid there at £25. I need 30 on it. | 0:48:40 | 0:48:43 | |
At £25 in the room and I need 30 on this one. | 0:48:43 | 0:48:46 | |
-Go on! -All done at 25? -No, no, no. | 0:48:46 | 0:48:49 | |
-One time at 25... -Go on! Who hasn't got a spinning chair? | 0:48:49 | 0:48:52 | |
-GAVEL BANGS -Put your hands up. No! -Oh. -Oh, no! | 0:48:52 | 0:48:55 | |
Hurrah, a profit. That's more like it. | 0:48:55 | 0:48:59 | |
It's amazing, actually, | 0:48:59 | 0:49:01 | |
because all that love that went into finding the pieces, | 0:49:01 | 0:49:04 | |
-spending the money on them, you want them to do well. -Of course you do. | 0:49:04 | 0:49:08 | |
There's a certain amount of ownership | 0:49:08 | 0:49:09 | |
I've got over those products. | 0:49:09 | 0:49:11 | |
-You, the most competitive person in the room... -How can you say that? | 0:49:11 | 0:49:14 | |
-I didn't know that. -CHRISTINA: -Are you competitive? Really? | 0:49:14 | 0:49:17 | |
-GOK: -She's so bad. So bad. | 0:49:17 | 0:49:20 | |
-It's great. -Pot? -Love you. | 0:49:20 | 0:49:23 | |
Oh... | 0:49:23 | 0:49:24 | |
THEY LAUGH | 0:49:25 | 0:49:28 | |
Right, settle down. | 0:49:30 | 0:49:32 | |
It's time for Harriet and Gok's first lot - the silver vesta case. | 0:49:32 | 0:49:37 | |
Let's get the bidding going, shall we, at £20. | 0:49:37 | 0:49:39 | |
Any interest at £20 on the little silver vesta? | 0:49:39 | 0:49:42 | |
I've got £20 bid at the back of the room. Any advance on £20? 25. | 0:49:42 | 0:49:45 | |
-DAVID: -Oh, they're going. -Wonderful! -Loving you! -Love you! | 0:49:45 | 0:49:49 | |
-That colour looks great on you! -£30 in the room at the moment. | 0:49:49 | 0:49:52 | |
-Any advance on £30? -Come on. -It's a room bid at the moment at £30. | 0:49:52 | 0:49:56 | |
-Are we all done at 30? -Fabulous. -Come on! -All done at 30, no? | 0:49:56 | 0:50:00 | |
-Final time. -GAVEL BANGS | 0:50:00 | 0:50:02 | |
-Thank you very much! -Thank you! -We love you! Merry Christmas! | 0:50:02 | 0:50:05 | |
Happy Chinese New Year! | 0:50:05 | 0:50:08 | |
Gok's certainly thankful. | 0:50:08 | 0:50:10 | |
This is actually harder than getting women naked in a shopping centre. | 0:50:10 | 0:50:13 | |
I'm exhausted. | 0:50:13 | 0:50:15 | |
I say! Will their glass decanters prove more popular? | 0:50:15 | 0:50:20 | |
Start me at £10. Get them going. I've got 10. 15. | 0:50:20 | 0:50:22 | |
20. 25. | 0:50:22 | 0:50:25 | |
30. 35. | 0:50:25 | 0:50:27 | |
40? | 0:50:27 | 0:50:28 | |
35 in the middle of the room. | 0:50:28 | 0:50:31 | |
-DAVID: -35. Oh, you need a bit more. | 0:50:31 | 0:50:34 | |
-At 35, all done? -They're my pair, come on! -Final time at 35. | 0:50:34 | 0:50:37 | |
-GAVEL BANGS -I've squeezed as far as I can. | 0:50:37 | 0:50:39 | |
-Oh! -We lost a fiver. -It's not bad. | 0:50:39 | 0:50:42 | |
-Lost a fiver. -Lost a fiver but, hey, we're still in the game. | 0:50:42 | 0:50:45 | |
Someone has bagged a bargain with that pair of decanters. | 0:50:45 | 0:50:49 | |
Up next is Christina and David's majolica planter pot. | 0:50:51 | 0:50:56 | |
Can this damaged jardiniere pull in a profit? | 0:50:56 | 0:50:59 | |
Start me at £20 on it. | 0:50:59 | 0:51:01 | |
£20 to start. £20 I'm bid. | 0:51:01 | 0:51:03 | |
-25. 30. 35. -I love the fact she was so shocked. | 0:51:03 | 0:51:06 | |
-I've got 30 bid here. -HARRIET: -What did you pay for it? | 0:51:06 | 0:51:10 | |
35. 40? 35 in the room then. | 0:51:10 | 0:51:12 | |
It's on my left at £35. Are we done at £35? | 0:51:12 | 0:51:16 | |
-Final time at 35. -GAVEL BANGS | 0:51:16 | 0:51:19 | |
-Oh! -Well done. -CHRISTINA: -A gentleman of excellent taste. | 0:51:19 | 0:51:22 | |
Fantastic profit there for our experts. | 0:51:22 | 0:51:25 | |
Harriet, Gok, you're playing catch-up now | 0:51:27 | 0:51:30 | |
with your Bakelite gentleman's kit. | 0:51:30 | 0:51:33 | |
20 to start anywhere? Good piece of Bakelite. | 0:51:33 | 0:51:36 | |
It's in very good condition. 20 I'm bid in the room. We're at £20. | 0:51:36 | 0:51:39 | |
-Can you bid, Gok? -DAVID: -No, no, no. | 0:51:39 | 0:51:42 | |
At 25 here. Are you 30, sir? | 0:51:42 | 0:51:44 | |
No. At 25 again to you on the front row. All done at 25. | 0:51:44 | 0:51:49 | |
-GAVEL BANGS -1671. | 0:51:49 | 0:51:51 | |
-Bad luck. -Original blades and everything. -Thank you very much. | 0:51:51 | 0:51:54 | |
The Southend crowd are getting some good deals today. | 0:51:54 | 0:51:58 | |
How are you feeling about this auction experience? | 0:51:59 | 0:52:02 | |
-GOK: -It's the best day of my life! -CHRISTINA: -Really? | 0:52:02 | 0:52:04 | |
Will you still feel the same | 0:52:04 | 0:52:06 | |
if Christina and David's selection of scent bottles do well? | 0:52:06 | 0:52:10 | |
Start you at £20, see where we go to. 20 to start. | 0:52:10 | 0:52:13 | |
-20 I'm bid, here on my right. -HARRIET: -He's bidding. | 0:52:13 | 0:52:16 | |
-Come on! -At 20. 25. | 0:52:16 | 0:52:19 | |
30 in the room. I've got 30 in the room. I need 35. | 0:52:19 | 0:52:23 | |
Are we all done at £30? Surely not at £30. | 0:52:23 | 0:52:26 | |
-It's in the room at 30. -Oh! | 0:52:26 | 0:52:29 | |
-Oh! -All done at 30? He's sure he's going to get them, isn't he? At £30. | 0:52:29 | 0:52:33 | |
-GAVEL BANGS -It's a £10 profit. | 0:52:33 | 0:52:36 | |
-That's all right. -Indeed it is. | 0:52:36 | 0:52:38 | |
That profit pushes our experts further into the lead. | 0:52:38 | 0:52:41 | |
Here come the hats - a very clever buy | 0:52:43 | 0:52:45 | |
and the auctioneer's favourite lot. Can they help close the gap? | 0:52:45 | 0:52:49 | |
Let's start these at £50. | 0:52:49 | 0:52:51 | |
£50 to start, surely, on the three hats. | 0:52:51 | 0:52:53 | |
-I have a bid of 50. -Love you! -Any advance on £50? 60. -Love you! | 0:52:56 | 0:53:02 | |
-Thank you! -Congratulations, almost! -Whoo! | 0:53:02 | 0:53:04 | |
-She hasn't bought them yet. -LAUGHTER | 0:53:04 | 0:53:07 | |
£70 to the gentleman? At £60 with the lady at the moment. | 0:53:07 | 0:53:11 | |
£70 to the gentleman with the wonderful smile. | 0:53:11 | 0:53:13 | |
-At £60 at the moment. Any advance on 60? -Yeah! -70. -Thank you, sir. | 0:53:13 | 0:53:18 | |
-Thank you, you gorgeous man! -80, madam? | 0:53:18 | 0:53:21 | |
-80. -Yes! -We love you! -You are amazing. You get a kiss. | 0:53:21 | 0:53:24 | |
-CHRISTINA: -Oh, good lord! -Well, it's been nice knowing you. | 0:53:24 | 0:53:27 | |
-Amazing! Kisses for free. -Oh, dear. Here we go. £80 for the lady. | 0:53:27 | 0:53:31 | |
80, sir? Harriet will kiss you. | 0:53:31 | 0:53:34 | |
-Any advance on £80? -Don't make THAT face! | 0:53:34 | 0:53:37 | |
LAUGHTER | 0:53:37 | 0:53:39 | |
£80. Are we all finished at £80? | 0:53:39 | 0:53:41 | |
I hope not because they're worth far more than that. | 0:53:41 | 0:53:43 | |
-I can see your fingers twitching. -Are we all done at £80? | 0:53:43 | 0:53:46 | |
For the final time. I can't go any longer, | 0:53:46 | 0:53:48 | |
-I shall fall off the rostrum. £80. -GAVEL BANGS | 0:53:48 | 0:53:51 | |
-APPLAUSE -Thank you! | 0:53:51 | 0:53:54 | |
Thank you very much. You look beautiful. | 0:53:54 | 0:53:57 | |
I think they're lovely. | 0:53:57 | 0:54:00 | |
That lucky lady got herself a fabulous deal there. | 0:54:00 | 0:54:04 | |
Hopefully, Harriet and Gok's 19th-century travel trunk | 0:54:05 | 0:54:08 | |
will do a bit better. | 0:54:08 | 0:54:10 | |
Start me at £50 and see where we end up. £50 to start. | 0:54:10 | 0:54:13 | |
-Any interest at £50? -Yes! -I've got a bid of 50 in the room. | 0:54:13 | 0:54:17 | |
60, sir. 70 in the room? 70 in the room? | 0:54:17 | 0:54:20 | |
At 70 in the room. Looking for 80 on the net. | 0:54:20 | 0:54:23 | |
This is exceptionally cheap at £70. | 0:54:23 | 0:54:26 | |
Back in on the internet. We squeezed them at 80. | 0:54:26 | 0:54:30 | |
Are you out, sir? I've got £90, seated in the room now. | 0:54:30 | 0:54:33 | |
Internet, are you out? I've got £90 bid. | 0:54:33 | 0:54:36 | |
-Are we finished? -GAVEL BANGS | 0:54:36 | 0:54:38 | |
-Yours, sir. -Yeah! -Whoo! | 0:54:38 | 0:54:40 | |
Well done, sir! Whoo-hoo! | 0:54:40 | 0:54:43 | |
Great to see that loss hasn't dampened Harriet and Gok's spirits. | 0:54:43 | 0:54:48 | |
Time for Christina and David's final lot. | 0:54:49 | 0:54:52 | |
Can they push further into the lead with their art deco barometer? | 0:54:52 | 0:54:56 | |
Start me at £20 on it? 20 bid on the front row. Gentleman here at £20. | 0:54:56 | 0:55:01 | |
At 20. 25. 30. | 0:55:01 | 0:55:04 | |
At £30 in the room. At £30 in the room. | 0:55:04 | 0:55:07 | |
35 surely? Are we all done at £30? | 0:55:07 | 0:55:10 | |
-No, 35 against you. Are you out? -Oh, go on! | 0:55:10 | 0:55:13 | |
-It's lovely. -One more. -Are you out? | 0:55:13 | 0:55:15 | |
I've got 35 on the internet at the moment. | 0:55:15 | 0:55:18 | |
Are we all finished at £35 on this one? | 0:55:18 | 0:55:20 | |
-GAVEL BANGS -Oh! -Well done. | 0:55:20 | 0:55:23 | |
-You got a fiver on it. -THEY LAUGH | 0:55:23 | 0:55:27 | |
That will actually result in a small loss after auction costs, I'm afraid. | 0:55:27 | 0:55:31 | |
Following the auction house advice on what to buy, | 0:55:33 | 0:55:37 | |
let's hope Harriet and Gok's oriental trinket boxes prove popular. | 0:55:37 | 0:55:41 | |
-It's our last chance. -It is. -Start me at £20 for the three of them. | 0:55:41 | 0:55:46 | |
-£20 straightaway. -We've got 20 here. Go on. | 0:55:46 | 0:55:49 | |
That's three boxes you're buying for £20. 25 on the net. | 0:55:49 | 0:55:52 | |
-30 in the room. I've got 30 in the room. -That's only £10 apiece. | 0:55:52 | 0:55:55 | |
-We've got to get to 100 and we're there. -£30 at the moment. | 0:55:55 | 0:55:58 | |
Any advance on £30? In the room at £30. | 0:55:58 | 0:56:01 | |
Can I squeeze you any further? | 0:56:01 | 0:56:03 | |
-35 at the back of the room. -Loving you! -Yeah! | 0:56:03 | 0:56:06 | |
At 35 at the back of the room. Looking for 40. | 0:56:06 | 0:56:09 | |
-All done at 35. Are you done? -They are stunning, let me tell you! | 0:56:09 | 0:56:14 | |
-GAVEL BANGS -Stunning! -Oh! -OK, 35. | 0:56:14 | 0:56:17 | |
-35, thank you. -Well, it's more good news for our experts. | 0:56:17 | 0:56:22 | |
-That's it. -That's it. Are you feeling a bit better now? | 0:56:23 | 0:56:26 | |
-I'm shattered. Do we get therapy after this? -Seriously. | 0:56:26 | 0:56:29 | |
Seriously, we need to be talked down. | 0:56:29 | 0:56:31 | |
-I'm going to have to carry you out. -GOK: -I'm exhausted! | 0:56:31 | 0:56:33 | |
I need two weeks in the Himalayas to get over today. | 0:56:33 | 0:56:36 | |
-CHRISTINA: -Come on, let's go and do some sums. | 0:56:36 | 0:56:39 | |
So, who won today's battle - | 0:56:39 | 0:56:41 | |
our celebrity antique novices or our well-versed experts? | 0:56:41 | 0:56:45 | |
Harriet and Gok started with £400. | 0:56:45 | 0:56:49 | |
After paying auction costs, sadly, they made a loss today of £158.10. | 0:56:49 | 0:56:56 | |
So, they end the trip with £241.90. | 0:56:56 | 0:57:01 | |
Christina and David also kicked off with £400 and also made a loss - | 0:57:03 | 0:57:08 | |
albeit a lot smaller - of £40.10 after auction costs. | 0:57:08 | 0:57:12 | |
Which means, they're crowned today's winners - thankfully - | 0:57:12 | 0:57:17 | |
and end with £359.90. | 0:57:17 | 0:57:20 | |
-We all know... We think we've all lost a bit of money. -Yeah. | 0:57:20 | 0:57:24 | |
-So, it's all down to scale of losses. -OK. | 0:57:24 | 0:57:27 | |
-Not starting well, is it? -No. -Christina Trevanion, | 0:57:27 | 0:57:29 | |
-you and I lost about £40. -OK. Ouch! | 0:57:29 | 0:57:35 | |
Gok and Harriet... you lost about £160. | 0:57:35 | 0:57:39 | |
-Oh, no! -Get in the car! | 0:57:39 | 0:57:42 | |
-We're going! -CHRISTINA: -Does that mean we won? | 0:57:42 | 0:57:44 | |
We're going! Nothing to us! | 0:57:44 | 0:57:46 | |
-I can't believe it. I can't believe it. Because we've won? -No! No! | 0:57:46 | 0:57:51 | |
-Don't even look at them! You mean nothing! -What's all this about? | 0:57:51 | 0:57:55 | |
You and your vases and your broken perfume bottles! | 0:57:55 | 0:57:59 | |
-Thanks for the experience! -Nice seeing you. | 0:57:59 | 0:58:01 | |
-Nothing. -Excuse I. -Nothing. | 0:58:01 | 0:58:04 | |
-CHRISTINA: -Bye. Don't crash. -Keep in touch! | 0:58:04 | 0:58:06 | |
-You know what? -Don't care. | 0:58:06 | 0:58:07 | |
We may have lost, but let me tell you this, babe - | 0:58:07 | 0:58:10 | |
-we are taking the car! -Absolutely! | 0:58:10 | 0:58:13 | |
What a pair of jokers. | 0:58:13 | 0:58:16 | |
-Look at that hat. -Great hat! | 0:58:19 | 0:58:22 | |
-I love that hat. -Yeah. -Safe travels. | 0:58:22 | 0:58:25 | |
Ooh, can we have the car back, please? | 0:58:25 | 0:58:28 |